42:I[185,["/_next/static/chunks/3xnt26d00_zk-.js","/_next/static/chunks/1s-yni1uf2lwd.js","/_next/static/chunks/42spz6paskvb6.js","/_next/static/chunks/06x30xgfe6iur.js","/_next/static/chunks/3b4qrzgkt_l12.js","/_next/static/chunks/15lgs8s22dk5l.js"],"SendEmailButton"] 44:I[63625,["/_next/static/chunks/3xnt26d00_zk-.js","/_next/static/chunks/1s-yni1uf2lwd.js","/_next/static/chunks/42spz6paskvb6.js","/_next/static/chunks/06x30xgfe6iur.js","/_next/static/chunks/3b4qrzgkt_l12.js","/_next/static/chunks/15lgs8s22dk5l.js"],"AddToLibraryButton"] 45:I[29721,["/_next/static/chunks/3xnt26d00_zk-.js","/_next/static/chunks/1s-yni1uf2lwd.js","/_next/static/chunks/42spz6paskvb6.js","/_next/static/chunks/06x30xgfe6iur.js","/_next/static/chunks/3b4qrzgkt_l12.js","/_next/static/chunks/15lgs8s22dk5l.js"],"ShareButton"] 46:I[58016,["/_next/static/chunks/3xnt26d00_zk-.js","/_next/static/chunks/1s-yni1uf2lwd.js","/_next/static/chunks/42spz6paskvb6.js","/_next/static/chunks/06x30xgfe6iur.js","/_next/static/chunks/3b4qrzgkt_l12.js","/_next/static/chunks/15lgs8s22dk5l.js"],"ProcessEpisodeButton"] 47:I[45269,["/_next/static/chunks/3xnt26d00_zk-.js","/_next/static/chunks/1s-yni1uf2lwd.js","/_next/static/chunks/42spz6paskvb6.js","/_next/static/chunks/06x30xgfe6iur.js","/_next/static/chunks/3b4qrzgkt_l12.js","/_next/static/chunks/15lgs8s22dk5l.js"],"SignupCTA"] 3a:["$","time",null,{"dateTime":"2026-02-11T10:30:00.000Z","children":"February 11, 2026"}] 3b:["$","span",null,{"aria-hidden":true,"children":"·"}] 3c:["$","span",null,{"children":"01:15:34"}] 43:T4e2,

SEASON 2 - EPISODE 180 - Nicholas Britell - Composer

In this episode of the Team Deakins Podcast, we speak with composer Nicholas Britell (JAY KELLY, DON'T LOOK UP, MOONLIGHT). "How can a score function within a film?" is the question driving most of our conversation with Nicholas, and throughout the episode he generously provides insight into his process and recalls several examples from his own work to demonstrate how he and his directors arrived at specific pieces of music. We also reflect on the varying natures of scores across film history, and Nicholas shares the challenges of composing for television. He also shares the types of conversations he has with directors after he's brought onto a project, and we learn how he developed the themes for JAY KELLY, DON'T LOOK UP, and THE BIG SHORT. In addition to composing full scores, Nicholas has also contributed music heard within a film's world—during the development of 12 YEARS A SLAVE, he was brought on to compose the songs played in individual scenes, and he reflects on how he balanced the music as both a dramatic element and a piece of history.

Recommended Viewing: DON'T LOOK UP

This episode is sponsored by Picture Shop & Aputure