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Elise Hu
You're listening to TED Talks Daily, where we bring you new ideas to spark your curiosity every day. I'm your host, Elise Hu. Did you know that when the phonograph first came out in the early 1900s, some argued that pre recorded music wasn't real music? In this talk, musician and social media creator Dustin Ballard says, we're still wrestling with that question today. What makes music real, real music in the first place? Dustin is known for his popular YouTube channel there I Ruined it, where he uses artistry and AI to, quote, lovingly destroy our favorite songs. He weaves us through a few hilarious examples of different ways he's quote ruined songs and complicates our questions around AI's role in music making.
Dustin Ballard
Foreign.
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Dustin Ballard
I'll start today with some obscure music history. So if you're a David Bowie fan, you may already know this, but the chorus of the song Starman was actually borrowed from a 1937 blues song by T Bone Fletcher, which I'm going to play you a clip of.
AI Voice Example
There's a starman waiting in the sky he'd like to come and meet us but he thinks he'd blow our mind There's a starman waiting in the sky.
Dustin Ballard
Now I love Bowie's cover, but there's just something about a beat up guitar and an old man singing straight from the soul that to me, really gets to the emotion of the song. And I think what's most interesting is that I just made up that entire story. It was actually 100% AI. I apologize for lying, but there is a reason for it. I'd like to start with a question. What is real music? Now, this is a question that's come up with synthesizers, with sampling in hip hop music, even with the phonograph when it first came out in the 1800s, people back then debated whether or not reproduced music was real music. John Philip Sousa, the Taylor Swift of his day, was not a fan. He said that phonographs were a substitute for. For human skill, intelligence and soul. They reduce the expression of music to a mathematical system. It almost sounds like he's talking about AI, doesn't it? So is AI real music? I believe that when it's in the hands of musicians, it can be. But first, let me give you some context for why I think that. So I run a parody music social media channel called There I Ruined It. This is just a thank you. This is just a weird evening hobby of mine. My day job is as an advertising creative director. But the purpose of the channel is to ruin music, or as I say, to lovingly destroy your favorite songs. And AI is one of the tools that I often use to do that. So, for example, here is my cover of the 50 cent song in Da Club as performed by an AI version of country music legend Conway Twitty.
AI Voice Example
You can find me in the club A bottle full of bug I'm into having sex I ain't into making love so come give me a thug if you're into getting rugged go shoddy it's your birthday we're gonna party like it's your birthday When I pull up out front you see the bands on the doves.
Dustin Ballard
Thank you. So how did I create that song? The band you heard is actually a real band. In fact, that's me playing the fiddle. There's Just one extra step in the process where I ran my vocals, my impersonation of Conway Twitty, through a custom AI voice model trained on his voice. So to give you another example, along with a peek behind the curtain, in this next clip, you'll hear my actual voice, followed by the post AI version. And this is from a song that I call the Red Hot Chili Peppers. Make a grocery list. Quino bananas, ravioli, canned tuna, pickles, macaroni.
AI Voice Example
Quinoa bananas, ravioli, canned tuna, pickles, macaroni.
Dustin Ballard
Now, the David Bowie blues song I played for you in the beginning, that was actually created in a totally different way. That was 100% AI from a text prompt, which to me is a little more unnerving. In fact, when I first generated that song, it kind of messed with my head a little. Because I love old music. I perform music from that era. And to hear the pain in that man's voice who never existed, something about that just felt a little wrong to me. And that's why I lied to you guys up front. I suspect that some of you may have enjoyed that song up until the point you found out it was AI and to me, that would imply that maybe there's more to music than the music. So is music melody and rhythm and chords, or is music expression? And to a listener, does it always matter? If I hear a song I love on the radio, am I going to stop everything and research how that song was created? Maybe not. It gets even messier when you look at the range of ways that AI can be used to create music. So for example, what if I used AI to help with some song lyrics? Is that much different than, say, a rhyming dictionary? What if I used AI to create a new instrument sound that's never existed is that much different than a synthesizer? What if I trained an AI model on my entire body of work and it created a new song in my style? Is that something I would put my name on? Or what if I wanted to use different voices like a guitarist can use different guitars? Or am I just stuck with the voice that I happen to be born with? So I have a co worker with a great baritone voice, and he was very amused one day when I asked him if I could purchase his voice for a song that I was working on. So I'll play you a clip of that. So this is my singing through my co worker's voice. And it's the song Baby Got Back, but set to the tune of Hallelujah by Leonard Cohen.
AI Voice Example
I like big butts. I cannot Lie you other brothers can't deny? When around things in your face you get sprung When a girl walks in, you pull up tough cause you notice that her butt was stuffed. My homeboys tried to warn you.
Dustin Ballard
Thank you. Thanks. I did enjoy just looking across the faces of this esteemed audience as that song was playing. I'll give you one more example. So in this next clip, you'll hear a melody I made up on my violin. And then I asked AI to turn that into a dramatic movie score. So all this to say there are a million ways to use AI. The term AI music doesn't really clarify anything. And in fact, even our own lawmakers don't really seem to understand this. So there was a recent US Congressional hearing on AI music where they played my mashup of AI Johnny Cash singing the song Barbie Girl, to which Representative Matt Gaetz replied, robots should not be subject to free speech. Now, for the record, I am not a robot, but I do think this illustrates some of the confusion around this topic, which kind of leaves musicians like myself to come up with our own guardrails for how to use AI what's right and what's wrong. And. And for me, it kind of comes down to three things. The first is, is it deceptive? Could somebody believe this is actually real? Next is their artistic intent behind it. So if you're one of these people that's mass producing AI songs, hundreds of songs, and uploading them to Spotify, your intent is probably not artistic. And then finally, how does this affect the musicians? And oftentimes, the victims of the songs that I create actually end up sharing those same songs on social media. So, for example, here's a clip of Snoop Dogg reacting to a mashup I made called the Bare Necessities are Gin and Juice, Mate.
AI Voice Example
I kick a little something for the jeans and make a few ends As I breeze through 2 in the morning and the party still jumping? Cause my mama ain't home I got bitches in the living room getting it on and they ain't leaving till six in the morning.
Dustin Ballard
What you want to do?
AI Voice Example
Shit, I got a pocket full of ruffles and my homeboys do too.
Dustin Ballard
Thank you. So when I see people like Snoop and Ed Sheeran and Nicki Minaj and others sharing these things, to me, it's hopefully an indication that in my own weird way, I'm using these technologies to contribute something new to the world. And I think at the end of the day, even with all of the many downsides of AI messing with our music, I think A lot of artists are discovering the same thing I did, which is there are ways to use AI that can actually increase creativity. I think we could see new songs, new sounds, new styles that maybe we can't even imagine today. Much like it would have been hard for somebody like John Philip Sousa to have imagined this final monstrosity. I'm going to play for you. And this goes out to all the Nickelback fans.
AI Voice Example
Look at this photograph. It's a photo of a photograph. There's another freaking photograph. Because I photographed a photograph. So many photographs makes me want to take a photograph. I should probably name that photograph next to my photo of a photograph.
Look at this phone. I drown every time I do it. Makes me laugh. Hear the sounds of the nighttime dance all the gals run again in my pants.
But back to that photograph. It reminds me of the photograph before the photo of that photograph, when it was just a normal photograph.
Dustin Ballard
Thank you all so much. Thank you.
Elise Hu
That was Dustin Ballard speaking at TED 2020. If you're curious about TED's curation, find out more@ted.com curationguidelines and that's it for today's show. TED Talks Daily is part of the TED Audio Collective. This episode was produced and edited by our team, Martha Estefanos, Oliver Friedman, Brian Greene, Lucy Little, Alejandra Salazar, and Tonsika Sarmarnivon. It was mixed by Christopher Faizy Bogan. Additional support from Emma Tobner and Daniela Balaurazo. I'm Elise Hu. I'll be back tomorrow with a fresh idea for your feed. Thanks for listening.
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Podcast Summary: "Is AI Ruining Music?" by Dustin Ballard
Podcast Information
Introduction and Context
In the episode titled "Is AI Ruining Music?" featured on TED Talks Daily, musician and social media creator Dustin Ballard delves into the evolving landscape of music in the age of Artificial Intelligence. Dustin introduces the central question of his talk: What makes music "real" music? He draws parallels between early 20th-century skepticism toward the phonograph and today's debates surrounding AI's role in music creation.
Dustin Ballard’s Journey with AI and Music
Dustin Ballard is renowned for his YouTube channel, There I Ruined It, where he humorously and artistically "ruins" popular songs using various techniques, including AI. He explains that his primary goal is to "lovingly destroy your favorite songs," provoking listeners to rethink their perceptions of authenticity in music.
Dustin Ballard (02:40): "What is real music? Now, this is a question that's come up with synthesizers, with sampling in hip hop music, even with the phonograph when it first came out in the 1800s..."
Exploring the Authenticity of AI-Generated Music
Dustin begins by sharing an anecdote that sets the stage for his exploration. He references John Philip Sousa, likening him to a "Taylor Swift of his day," who criticized early phonographs for lacking "human skill, intelligence, and soul." This historical perspective serves to frame the ongoing debate about AI's capacity to produce genuine music.
Dustin Ballard (03:20): "I just made up that entire story. It was actually 100% AI. I apologize for lying, but there is a reason for it."
By admitting he fabricated the connection between Bowie’s Starman chorus and a 1937 blues song—crafted entirely by AI—Dustin emphasizes the blurred lines between human creativity and machine-generated content. This confession leads to his fundamental inquiry about the essence of music.
Demonstrating AI’s Impact on Music Creation
Dustin showcases his methods by presenting modified versions of well-known songs. For instance, he transforms 50 Cent's "In Da Club" into a rendition performed by an AI-impersonated Conway Twitty.
Dustin Ballard (05:15): "So how did I create that song? The band you heard is actually a real band. In fact, that's me playing the fiddle... I ran my vocals, my impersonation of Conway Twitty, through a custom AI voice model trained on his voice."
He further illustrates the versatility and potential of AI in music by altering lyrics and melodies, as seen in his parody of the Red Hot Chili Peppers song, where he manipulates grocery list items into song lyrics.
The Emotional Disconnect of AI in Music
Dustin shares a personal experience with an entirely AI-generated song that evoked emotional discomfort. The AI-created blues song, told to be by a non-existent old man, felt "a little wrong" because it lacked genuine human emotion.
Dustin Ballard (06:33): "Hearing the pain in that man's voice who never existed, something about that just felt a little wrong to me."
This moment underscores his concern that AI-generated music might lack the authentic expression that listeners connect with, prompting deeper reflection on whether music is merely a collection of melodies and rhythms or if it's fundamentally about emotional expression.
Diverse Applications and Ethical Considerations of AI in Music
Dustin explores various applications of AI in music creation, comparing them to past technological advancements:
He also humorously experiments with blending different genres and styles, such as merging "Baby Got Back" with Leonard Cohen's "Hallelujah," performed through a coworker's voice.
Navigating the Future: Creativity and Regulation
Addressing the regulatory landscape, Dustin references a US Congressional hearing where a representative conflated AI with robots, highlighting the confusion surrounding AI's legal and creative boundaries.
Dustin Ballard (08:52): "There was a recent US Congressional hearing on AI music where they played my mashup of AI Johnny Cash singing the song Barbie Girl, to which Representative Matt Gaetz replied, robots should not be subject to free speech."
Dustin emphasizes the need for musicians to establish their own ethical guidelines regarding AI usage, focusing on three key principles:
Enhancing Creativity Through AI
Despite acknowledging the potential downsides, Dustin remains optimistic about AI's role in fostering creativity. He believes AI can lead to the creation of new songs, sounds, and styles that are currently beyond human imagination.
Dustin Ballard (11:49): "I think a lot of artists are discovering the same thing I did, which is there are ways to use AI that can actually increase creativity."
He concludes with a humorous nod to his work, presenting an AI-generated monstrosity intended for Nickelback fans, further illustrating the playful and experimental nature of his approach to AI in music.
Conclusion and Future Perspectives
Dustin Ballard's talk effectively bridges the historical skepticism of new music technologies with contemporary debates on AI's role in music. By demonstrating both the creative possibilities and ethical challenges, he invites listeners to reconsider their definitions of authenticity and creativity in the digital age. Dustin envisions a future where AI serves as a collaborator, enhancing human creativity rather than replacing it, ultimately enriching the musical landscape with innovations that honor both technology and human emotion.
Notable Quotes with Timestamps
Dustin Ballard (03:20): "What is real music? Now, this is a question that's come up with synthesizers, with sampling in hip hop music, even with the phonograph when it first came out in the 1800s..."
Dustin Ballard (05:15): "The band you heard is actually a real band. In fact, that's me playing the fiddle... I ran my vocals, my impersonation of Conway Twitty, through a custom AI voice model trained on his voice."
Dustin Ballard (06:33): "Hearing the pain in that man's voice who never existed, something about that just felt a little wrong to me."
Dustin Ballard (08:52): "There was a recent US Congressional hearing on AI music where they played my mashup of AI Johnny Cash singing the song Barbie Girl, to which Representative Matt Gaetz replied, robots should not be subject to free speech."
Dustin Ballard (11:49): "I think a lot of artists are discovering the same thing I did, which is there are ways to use AI that can actually increase creativity."
This comprehensive summary encapsulates Dustin Ballard's exploration of AI's influence on music, highlighting both his innovative use of technology and his thoughtful consideration of its implications for authenticity and creativity in the musical arts.