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Elise Hu
You're listening to TED Talks Daily, where we bring you new ideas to spark your curiosity every day. I'm your host, Elise Hu. Covering global war stories can be hard and thankless, but it's critical work if the rest of us are to understand what's really happening when wars break out.
Jane Ferguson
It's humanizing images that are predominantly broadcast around the world that show how families and communities are are impacted. It was these human images that connected millions of people to what it was really like there for people to live through that war.
Elise Hu
That's journalist Jane Ferguson, who for nearly two decades has reported on hostilities across Africa and the Middle East. In this archive talk from 2023, which feels just as relevant today, she shares how she's witnessed firsthand the changing face of her profession. For Jane, it's also about supporting and honoring the women who have changed the way news captured, shared and understood, and why she says we must safeguard the ability of journalists to report humanizing stories from war zones.
Jane Ferguson
The very nature of reporting, and therefore how wars are perceived by those we report to, has been changed by women taking the lead.
Elise Hu
It's coming up after a short break.
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Elise Hu
And now our TED Talk of the Day.
Jane Ferguson
When you think of a war reporter, who do you picture? I'm asked all the what does it feel like to be one of the only women working in your field? How do you cope in such a male dominated industry as frontline war reporting? The question continues to baffle me. Women have been doing this work for over a century, from Martha Gellhorn to Claire Hollingwood, from Margarita Higgins to Christiane Amanpour. In fact, one of the reasons I wanted to become a foreign correspondent and a war reporter was watching these women in the field reporting. They were professional role models every evening at 6pm on the news. When I was a little girl in my living room growing up in Northern Ireland, women reporting from all over the world on the BBC and the men were listening to them.
Jane Ferguson (continued)
Today.
Jane Ferguson
When I go to war zones, very often it is a majority of women who are actually reporting there. So when I point out that I'm no trailblazer, the next question to come is why? Why are so many women becoming war reporters? My answer to this question is quick and easy. Because we are really, really good at it. So good in fact, that war reporting today, the very nature of reporting, and therefore how wars are perceived by those we report to, has been changed by women taking the lead. The types of stories that are covered, the angles that are taken, have been shaped by the fact that more and more women are reporting them. The debate over whether or not men and women are different in the workplace, whether that we should highlight these differences, whether it matters, has gone on for years in war reporting. It hasn't always been a given that we should lean into our gender lens. For years, women who have fought to be at the front line, to be given assignments in major wars, often by male editors, have felt the pressure not to be pigeonholed into covering women's issues or softer topics. If you've ever been one of the first women in a male dominated field, that pressure to be one of the guys, do not be too emotional. I was first struck by the number of female war reporters when covering the war in Syria. It was one of my first ever major assignments for a TV news network. I was to be smuggled across the border from Lebanon into a rebel stronghold in early 2012. The activists who were smuggling journalists in typically took us one at a time. The journalists who preceded me was was a female correspondent for El Pais newspaper in Spain. Two journalists came after me together, one of them a female correspondent for cnn, the other a female correspondent for the Times of London called Marie Colvin. Colvin wouldn't make it out of Syria alive. She was killed by the Assad forces while reporting on their war crimes. Yes, this is dangerous work. When I moved to Beirut in 2014, the war in Syria raged on and the Lebanese capital had become a hub for international journalists who were living there and covering the war across the border. I was struck by how many of them were women. More obviously, of course, those who were on camera, TV reporters, but a huge amount, in many cases, the majority of of print reporters as well were women. Walk into any bar in Beirut back then frequented by international and Lebanese journalists and you would have been faced with a small crowd of smiling, waving female foreign correspondents catching up between assignments and deadlines. Now, while there was plenty of camaraderie on the assignment In Syria. The war in Afghanistan in recent years has felt different. The US Press, as the war came to an end, was less interested in that conflict beyond what it meant for the geopolitics in the region or U.S. foreign affairs and national security. The few times that I did bump into female journalists there, the few times I bumped into any journalist there, they were almost always women. One day, about six months before Kabul fell to the Taliban, I went out to visit a checkpoint on the outskirts of Kabul. At the time, there was already concern about whether or not the Afghan forces could hold off a Taliban attack on the capital. Shortly after I arrived, another crew came and the soldiers got very excited. This was a news team from Tolo tv, and the correspondent was one of the most famous journalists in Afghanistan. Her name was Aneesa Shahid. The soldiers crowded around trying to get a photograph with her in a selfie. So did I. This sort of thing happened all the time in Afghanistan, women bumping into one another, reporting on that war between us. We covered civilian casualties, women's rights, access to education, and the hopes and dreams Afghans had for their future. Of course, we also covered the major news of the day, the politics, the frontline fighting, and the conditions for the Afghan security forces. But we relentlessly interviewed civilians, profiling doctors and teachers and business people, many of them women, elevating civilian voices. Now, of course, Afghanistan had evolved and changed, but so too had those who were carrying the lens through which the world would see it. Now, none of this is to negate the vital and important work our male colleagues do in the field. Male journalists have been and continue to do brilliant reporting. But what I want to draw attention to is the rapid growth of female journalists in the field and also the impact they've had on the reporting itself that has come out of war zones around the world. Now, when wars break out, it's humanizing images that are predominantly broadcast around the world that show how families and communities are impacted by by war. They're no longer the exception, they are the norm. When Vladimir Putin invaded Ukraine in February 2022, the images that were broadcast around the world were of families saying goodbye to fathers at Kyiv train station, children clutching their pets in underground bunkers, and the elderly clamoring over broken bridges trying to escape. It was these human images that connected millions of people to what it was really like there for people to live through that war. Many of the stories coming from the war in Ukraine were reported by women. Earlier this year, the Ukraine reporting team for the Washington Post was awarded an award for courage in journalism for its huge female led teams of editors, writers, photographers and journalists. And who could forget the women of Iran, who not only are protesting against the repressive edicts of their government, but leading the fight to make sure the world covers their story? Every day, women activists and journalists in Iran fight to make sure and risk their lives to make sure the images and videos of their struggle, their protests, and the crackdown against them make it out. It's those voices that I remember most filling my apartment in New York City in the middle of the night. For journalists like me and many others who cannot access the country, we have been able to make contact with these women. They use slow Internet connections and outlawed VPNs. Now, if you're going to report from a war zone, female camaraderie does help too. When Kabul fell to the Taliban in August 2021, I was part of a small group of international journalists who decided to stay at the airport and continue on their reporting on the evacuations. Part of that group included a female producer for British TV as well as a female correspondent for Danish television. Between the three of us, we shared everything from a precious clean shirt to eyeliner and hairbrushes. We may have been reporting from a war zone, but we all knew the pressures of being a woman who had to be on TV that night. And I know what a lot of people what about the tough stuff? What about the sleeping in trenches, lugging gear, coming under fire, and the generally rough living conditions? I get asked all the time, how do you take a shower? My male colleagues never get asked. It seems absurd that we have to keep answering these questions. But again and again, women have proven that they are just as tough, brave and stoic when faced with the physical and emotional challenges of reporting from war zones as the men. Why wouldn't we be? We've been doing it for decades, since the Spanish Civil war, World War II and the war in Vietnam. Even though women at the time were a tiny minority, since those who came before us nudged the door open just enough, the number of women who have been able to in the last 20 years get assigned stories as editors, photographers, writers, and broadcasters in major war zones has massively increased. We've not only increased in numbers, but crucially, we've increased in our confidence to tell stories that harnesses our unique perspective and our own unique strengths. Now, many of the things we may have feared in the past would be held against us. Our compassion, our empathy, and our focus on civilian lives have become our greatest strengths. We're also seeing that reflected in our male colleagues reporting as well. A focus on how war impacts communities and families more broadly has become the norm. We are not just good at this job because we are empathetic and softer and have a really good eye for a human story. We're good at this reporting because we're soft and empathetic and strong and tough and brave. We have extraordinary range, and it is female range that is added to the range of voices and stories and faces that are making it out in front of the public from war zones. Today, when the world is presented to you not just in television and radio and print and magazine by a male gaze, but by a female reporter as well, our attitudes to the outside world change too. We feel more connected. We can see beyond the statistics, the politics and just the war fighting. We as journalists are at heart communicators and it is female reporting that is helping the world better commune. Thank you.
Elise Hu
That was Jane ferguson at TED Women 2023. This talk was originally published in November of the same year. If you're curious about Ted's curation, find out more@ted.com curationguidelines and that's it for today. TED Talks Daily is part of the TED Audio Collective. This talk was fact checked by the TED Research team and produced and edited by our team, Martha Estefanos, Oliver Friedman, Brian Greene, Lucy Little and Tansika Songmanivong. This episode was mixed by Christopher Faizy Bogan. Additional support from Emma Tobner and Daniela Balaurazo. I'm Elise Hu.
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I'll be back tomorrow with a fresh
Elise Hu
idea for your feed. Thanks for listening.
Sponsor/Advertisement Voice
This podcast is supported in part by Bill, the intelligent finance platform that helps businesses and accounting firms scale with proven results. We often talk about the habits and systems that help people do their best work. For many leaders, that might include building processes that reduce friction and create clarity. That is exactly why so many finance leaders turn to Bill. With AI powered automation, Bill isn't just moving money. They're simplifying financial operations for nearly half a million customers. They're even trusted by over 90 of the top 100 US accounting firms to get it right. That trust is built on scale. Bill has securely processed over a trillion dollars in real transactions, supporting teams in handling payables, receivables and expenses. When financial tasks are organized and visible, it can free up time and energy to focus on what matters most. Whether that's your team, your mission, or your community, visit bill.comproven and get a $250 gift card as a thank you. After speaking with a bill expert. That's bill.com proven. Terms and conditions apply. See Offer page for details.
Jane Ferguson (continued)
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Podcast: TED Talks Daily
Host: Elise Hu
Guest/Speaker: Jane Ferguson
Original TED Talk Date: 2023 (Re-released March 23, 2026)
This episode features seasoned war correspondent Jane Ferguson, who reflects on nearly two decades covering wars across Africa and the Middle East. Ferguson discusses the evolving landscape of war reporting—particularly the transformative, growing role of women in the field—and highlights how their perspectives are shaping not only what stories are told but also how the world understands conflict. Her talk is both a celebration of women journalists' achievements and a reminder of the vital importance of human-centered storytelling from war zones.
Jane Ferguson speaks with directness, humility, and a sense of purpose. She expresses deep respect for her female peers and predecessors and delivers her reflections with both warmth and clarity, moving seamlessly between personal narrative and professional analysis.
This episode powerfully illustrates how the rise of women war reporters is not just changing who tells the story, but how global audiences understand war. By centering the experiences of civilians and elevating empathy as a journalistic superpower—rather than a weakness—these journalists are making war reporting more human, diverse, and connected than ever before.