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You're listening to TED Talks Daily where we bring you new ideas to spark your curiosity every day. I'm your host, Elise Hu. What can you hear when you take a moment to be silent in this archive talk? Host of the podcast 20,000 Hz, Dallas Taylor takes us on an exploration of sound, telling the story of arguably the most debated musical composition in recent history. Composer John cage, iconic piece 433. Through this story, Dallas invites us all to take notice of what's around us when we truly stop to listen and asks, what is silence? Anyway, please note there is an intentional long period of no talking. 4 minutes and 33 seconds to be exact. At the end of this talk, we welcome you to stick around and just witness what you hear around you. This episode is brought to you by Nordstrom. Okay, if you're like me, you wait all year for the Nordstrom Anniversary sale. Because it's not about clearing out old stuff, it's about scoring new arrivals on sale. Think of it as a rare moment when time bends in our favor. Fresh styles, beauty exclusives, even home goods up to 33% off. It's the perfect time to stock up on those pieces you'll wear or use on repeat. And yes, there are great finds for under $100 from brands like Madewell, Free People, and Charlotte Tilbury. The sale is on now, but not forever. Prices go up Aug. 4 and Nordstrom makes it easy, which honestly, we all need. There's online order pickup, free shipping, free returns, and even free style help. If you're stuck in decision fatigue, check out all the fun anniversary events happening at Nordstrom near you, like in store promotions and daily beauty events. Shop now. Your future self will thank you. This episode is sponsored by upwork. Navigating today's economy. Well, it's a lot. Tariffs, tight budgets, hiring freezes. But if you're trying to build something right now, one of the smartest moves you can make is upwork. Upwork is the hiring platform designed for how business actually works. Today you can find, hire and pay expert freelancers who deliver from day one without blowing your budget or your timeline. Whether you need support with AI design, admin work, or a new marketing strategy, upwork gives you access to top talent without the overhead of full time hires. No subscriptions, no upfront fees. Posting a job is free. You only pay when you hire. Never tried Upwork? Well, now's the perfect time because they're giving our listeners a $200 credit after spending 1,000 in your first 30 days. That's $200 you can put towards your next freelancer, visit upwork.comsaverightnow for this great offer that's up w o r k.coms a v e Don't wait. This offer is Only valid through August 5, 2025. This episode is sponsored by McDonald's. Okay, confession time. I love a good comeback story, especially when it's delicious and totally unexpected. Back in 2006, McDonald's released the snack Wrap, and it quickly became the Go to Bite portable, crunchy, juicy perfection. Then it vanished. Gone. Poof. But the fans like me. Oh, they never gave up. I'm talking nine years of petitions, Facebook groups, memes, international snack wrap scouting missions. People built entire identities around this thing. It was intense in the best way. And now it's back. Yes, really. Thanks to relentless sauce loving dedication, McDonald's brought back the Snack Wrap. Think crispy, juicy white meat, shredded lettuce, melty cheese, all hugged in a soft tortilla and drizzled with ranch or your pick of sauces. It was never supposed to return, but the fans made it happen. Because sometimes passion wins and sometimes it tastes like a snack wrap. Try the snack wrap that broke the Internet at a McDonald's near you.
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I think about sound all the time. I'm a sound designer and I host the podcast 20,000 Hz. It's all about the world's most recognizable and interesting sounds. But I think this is the perfect time to talk about silence. Because what I've come to understand is that there is no such thing as silence. And the person who opened my mind to this idea is one of the most influential composers in history. John Cage has made an impact on artists in many genres, from avant garde musicians to modern dance to pop music. Right now we're listening to his 1948 piece called In a Landscape. This version was recorded in 1994 by Stephen Drury. This piece is actually not very typical of John Cage's writing. He's more known for his innovations and avant garde techniques. But despite his reputation, no one was prepared for what he did in 1952 when he created the most daring piece of his career. It was called 4 minutes and 33 seconds. And it was a piece that some critics even refused to call music because for the entire duration of the piece, the performer plays nothing at all. Well, to be technical, the performer is actually playing rest. But to the audience, it looks like nothing's happening. John Cage's 433 was performed for the first time in the summer of 1952 by renowned pianist David Tudor. It was at the Maverick Concert hall in Woodstock, New York. This is a beautiful wooden building with huge openings to the outdoors. So David Tudor walked out on stage, sat down at the piano, then closed the piano lid. He then sat in silence, only moving to open and close the piano lid between each of the three movements. After the time was up, he got up and walked off the stage. The audience had no idea what to think. It made people wonder if Cage is even taking his career seriously. A close friend even wrote to him, begging that he not turn his career into a joke. John Cage had, well, if you could call it composed a piece of music that really challenged some very established ideas about music composition. It's something that musicians still debate today. To understand just what John Cage was thinking, let's back up to the 1940s. Back then, John Cage was making a name for himself composing for the prepared piano. To make music like this, John Cage would put objects inside the piano between the strings. Things you just find lying around, like screws, tape and rubber erasers. So now you've transformed the piano from a tonal instrument with high and low pitches to into a collection of unique sounds. The music you're hearing is Cage's Sonata no. 5 from Sonatas and Interludes for Prepared Piano, probably his most famous work outside of 433. This version was performed by Boris Berman. John Cage wrote incredibly detailed instructions about where to place each object in the piano. But it's impossible for every performer to get the exact same objects. So the sound you get is always different. Basically, it comes down to random chance. This was pretty bananas and pretty alien to the way most composers and musicians are taught to do things. John Cage was becoming increasingly interested in chance and randomness and letting the universe provide the answer to the question, what note should I play next? But to hear the answer to the question, first you have to listen. And in the 1940s, listening to the universe was getting harder to do. The Muzak company was founded in the 30s. It really took off and soon there was constant background music nearly everywhere. It was almost impossible to escape. John Cage realized that people were losing the option to shut out the background music of the world. He worried that Muzak would prevent people from hearing silence altogether. In 1948, four years before he wrote 433, John Cage mentioned that he wanted to write a four and a half minute long piece of silence and sell it to the Muzak Company. It started as something of a political statement or an offhand comment. But this idea struck a nerve and quickly evolved. John Cage was starting to think deeply about silence. And when he visited a truly quiet place, he made a startling discovery. John Cage visited an anechoic chamber at Harvard University. Anechoic chambers are rooms that are acoustically treated to minimize sound to almost zero. There are no sounds in these rooms. So John Cage didn't expect to hear anything at all. But he actually heard his own blood circulating. I've personally experienced an anechoic chamber, and it's a really wild experience that can completely change your perceptions about sound and silence. It really felt like my brain just turning up an amplifier, grasping for anything to hear. Just like John Cage, I could very clearly hear my blood pushing through my body. John Cage realized in that moment that no matter where we are, even our bodies are making sound. There's basically no such thing as true silence. As long as you are in your body, you're always hearing something. This is where John Cage's interest in chance and randomness met his interest in silence. He realized that creating an environment with no distractions wasn't about creating silence. It wasn't even about controlling noise. It was about the sounds that were already there, but you suddenly hear for the first time when you're really ready to listen. That's what's so often misunderstood about 433. People assume it's a joke, but that couldn't be further from the truth. It sounds different everywhere you play it. And that's the point. What John Cage really wanted us to hear is the beauty of the sonic world around us. 433 should be a mindful experience that helps you focus on accepting things just the way they are. It's not something that anyone else can tell you how you're supposed to feel. It's deeply personal. It also brings up some pretty big questions about our sonic world. Is 433 music? Is it sound? Is sound music? Is there even a difference? John Cage reminds us that music isn't the only kind of sound worth listening to. All sounds are worth thinking about. We have a once in a lifetime opportunity to reset our ears. And if we become more conscious of what we hear, we'll inherently make our world sound better. Quietness is not when we turn off our minds to sound, but when we can really start to listen and hear the world in all of its sonic beauty. So in this spirit, let's perform 433 together, wherever you are. It's three movements and I'll let you know when they start. Listen to the texture and rhythm of the sounds around you. Right now. Listen for the loud and soft, the harmonic, the dissonant, and all the small details that make every sound unique. Spend this time as mindful and focused in this real life sonic moment. Enjoy the magnificence of hearing and listening. So here comes the first movement, starting now. And here's movement two. It'll be 2 minutes and 23 seconds. And here's the final movement. It'll be 1 minute and 40 seconds. And that's it. We did it. Thanks for listening.
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That was Dallas Taylor at TED 2020. This talk was originally posted in May of 2020. If you're curious about TED's curation, find out more at ted.com curationguidelines and that's it for today's show. TED Talks Daily is part of the TED Audio Collective. This episode was produced and edited by our team, Martha Estefanos, Oliver Friedman, Brian Greene, Lucy Little, Alejandra Salazar and Tonsika Sarmarnivon. It was mixed by Christopher Faizy Bogan. Additional support from Emma Tobner and Daniela Ballarezzo. I'm Elise Hu. I'll be back tomorrow with a fresh idea for your feed. Thanks for listening. This message is brought to you by Apple Card. Each Apple product, like the iPhone 16, is thoughtfully designed by skilled designers. The Titanium Apple Card is no different. It's laser etched, has no numbers and it earns you daily cash on everything you buy, including 3% back on everything at Apple. Apply for Apple Card on your iPhone in minutes, subject to credit approval. Apple Card is issued by Goldman Sachs Bank USA, Salt Lake City branch terms and more@applecard.com when you take Balance of Nature fruits and veggie supplements, you get a moment of peace knowing you're getting 31 ingredients of whole fruits and vegetables. It's like pressing pause, if only for a second, to focus on what really matters to you. A simple choice, a deep breath and the reassurance that you're taking care of you. Go to balanceofnature.com and get 35% off your first preferred set as a new preferred customer by using discount code pod.
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Podcast Summary: TED Talks Daily – "What Silence Can Teach You About Sound" by Dallas Taylor (Re-release)
Episode Information:
In this thought-provoking episode of TED Talks Daily, Dallas Taylor, renowned sound designer and host of the podcast 20,000 Hz, delves into the intricate relationship between silence and sound. Taylor challenges the conventional understanding of silence, proposing that true silence is an illusion and that every moment is imbued with sound, even if imperceptible to the human ear.
“I think about sound all the time. I'm a sound designer and I host the podcast 20,000 Hz. It's all about the world's most recognizable and interesting sounds.” [04:16]
Taylor introduces John Cage, one of the most influential composers of the 20th century, whose avant-garde approaches revolutionized the perception of music and sound. Cage's most controversial work, 4'33", serves as the centerpiece of Taylor's exploration.
“John Cage has made an impact on artists in many genres, from avant-garde musicians to modern dance to pop music.” [04:50]
4'33" is a composition that defies traditional musical structure by instructing performers to remain silent for the entire duration of the piece—4 minutes and 33 seconds. Premiered in 1952 by pianist David Tudor, the piece challenges audiences to reconsider what constitutes music and encourages active listening to the ambient sounds surrounding the performance.
“John Cage wrote incredibly detailed instructions about where to place each object in the piano. But it's impossible for every performer to get the exact same objects. So the sound you get is always different.” [09:30]
Prior to 4'33", Cage was known for his work with the prepared piano, where objects like screws, tape, and rubber erasers are placed between the piano strings to create unique sounds. This technique exemplified Cage's fascination with chance and randomness in music composition.
“John Cage was becoming increasingly interested in chance and randomness and letting the universe provide the answer to the question, what note should I play next?” [09:45]
A pivotal moment in Cage's exploration of silence occurred during his visit to an anechoic chamber at Harvard University—a room designed to eliminate all external sounds. Contrary to his expectations of complete silence, Cage heard his own bodily sounds, such as his blood circulation.
“John Cage realized in that moment that no matter where we are, even our bodies are making sound. There's basically no such thing as true silence.” [12:10]
Taylor relates this experience to his own encounter with an anechoic chamber, emphasizing the inherent sounds within our bodies that persist regardless of external noise levels.
“Just like John Cage, I could very clearly hear my blood pushing through my body.” [12:25]
4'33" has sparked ongoing debates about the nature of music and sound. Taylor argues that the piece is a profound statement on mindfulness and the importance of active listening. Rather than being a mere stunt, 4'33" invites listeners to appreciate the subtle sounds that often go unnoticed in daily life.
“What John Cage really wanted us to hear is the beauty of the sonic world around us.” [15:30]
Taylor emphasizes that 4'33" should be experienced as a mindful practice, encouraging individuals to reset their auditory perceptions and become more conscious of their sonic environment. This heightened awareness can lead to a more enriched and appreciative interaction with the world.
“Quietness is not when we turn off our minds to sound, but when we can really start to listen and hear the world in all of its sonic beauty.” [16:45]
In conclusion, Dallas Taylor reaffirms the idea that silence is not the absence of sound but a different state of auditory perception. By embracing the sounds that surround us and practicing active listening, we can cultivate a deeper connection with our environment and enhance our overall sensory experience.
“We have a once in a lifetime opportunity to reset our ears. And if we become more conscious of what we hear, we'll inherently make our world sound better.” [16:10]
Taylor culminates his talk by guiding listeners through a live performance of 4'33", encouraging them to engage directly with their immediate sonic surroundings and experience the piece's intended mindfulness and introspection.
“Listen to the texture and rhythm of the sounds around you. Right now. Listen for the loud and soft, the harmonic, the dissonant, and all the small details that make every sound unique.” [16:30]
This episode offers a deep dive into the philosophical and practical aspects of sound and silence, urging listeners to reconsider their auditory experiences and embrace the constant symphony of sounds that define our existence.