01/02/2026

Summary

The Archers Omnibus – January 31, 2026

Podcast: The Archers Omnibus
Episode Air Date: January 31, 2026
Host: BBC Radio 4
Main Theme:
A week in Ambridge marked by community celebrations, family reconciliations, job worries and hopes, the unveiling of Peggy Woolley’s commemorative artwork, and the intertwining of personal milestones.

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Overview

This week’s Ambridge events centered around the community’s lively Burns Night festivities, a dramatic yet ultimately triumphant public artwork unveiling for Peggy Woolley, and the personal journeys of several local families—most notably, the Carters and the Grundys. Amidst traditional celebrations and village gossip, themes of second chances, reconciliation, and rural resilience shone through, supported by memorable dialogue and the enduring warmth (and drama) of village life.

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Key Discussion Points and Storylines

1. Burns Night Festivities and Community Spirit

[02:08–06:19]

• The Bull pub hosts an exuberant Burns Night, complete with tartan decorations, clootie dumpling, Highland Games (including caber tossing and weight over the bar), and faulty bagpipes.
  • Jazza’s attempt at piping is derailed by broken reeds, prompting a humorous scrabble for solutions.
  • Rex wins both main competitions thanks to “research” and a bit of natural talent.
  • Community camaraderie is highlighted by banter, food, and laughter, with various villagers joining in or helping out behind the scenes.
• Memorable moment: Lillian, concerned about the pipes, is told, “No, there’ll be no pipes today.” – Jazza ([03:50])
• The night ends with anticipation for “the toast to the ladies,” rumored to be “absurdly rude.” – Jolene ([09:16])

2. George Grundy’s Struggles and Family Dynamics

[06:21–12:38, 26:51–29:10, 32:00–36:12, 42:11–44:21]

• George feels isolated from peers and family, fearing further rejection after past mistakes.
  • A poignant talk with his grandfather Neil affirms the need to “let the dust settle a bit longer” and the importance of resilience.
• Family dinner at Neil and Susan’s seeks to “heal” rifts, inspired by Akram’s “meal to heal” philosophy:
  • Encourage sharing, cooperative rituals, and honest, warm conversation.
  • A joyful reveal: Amber is pregnant, and both families toast the news.
  • Quote: “This is my version of a meal to heal. I wanted us to enjoy each other's company…to feel comfortable together, like the family we are.” – Susan ([34:42])
  • The scene is punctuated by laughter, emotion, and heartfelt confessions.
• George’s job search continues with hope, as he eyes a position at Meadow Farm and faces honest feedback about his reputation.
  • Susan and others express both pride and anxiety over George and Amber’s future as young parents, highlighting generational and cultural expectations.

3. Peggy Woolley Artwork Unveiling – Preparation, Panic, and Success

[13:29–25:36, 33:33–40:38, 45:33–55:24]

• Kirsty and Justin anxiously prepare for Peggy Woolley’s commemorative art installation.
  • Early panic when the delivered artwork is much smaller than expected (“Peggy's artwork is a five foot slice of oak with an exquisite stained glass sunrise set inside.” – Kirsty [22:38]).
  • Concern mounts over cost overruns, press coverage (or lack thereof), and a looming public event: “We’ll have to cancel the unveiling.” – Kirsty ([23:44])
  • Justin scrambles to rectify things with the artist; Lillian’s judgment looms large.
• The unveiling: An eleventh-hour heroics brings a full set of stunning stained glass panels, impressing almost everyone, including the press.
  • “Oh, it gets worse. Borsetshire Life…wants our artwork on the front cover.” – Kirsty ([48:10])
  • Lillian’s speech: “I hope you'll agree that this magnificent artwork perfectly sums up my mother's impact.” ([54:31])
  • Emotional tributes and relief flood the characters as the sun shines on the installation.
• Closing: Justin and Lillian share a heartfelt moment reflecting on Peggy’s influence and the power of community art.

4. The Next Generation – Ben Archer’s Graduation

[61:09–71:39]

• Ben’s family scrambles the morning of his nursing graduation—toast, ties, and the obligatory green tie disagreement with David.
  • Ben is exhausted from night shifts but manages to arrive (barely awake) for the ceremony.
  • “He’s asleep. He must have dozed off while they were fixing the microphone.” – Ruth ([65:17])
  • The family celebrates Ben’s achievement with laughter, tears, and pride: “You are a very, very nice man.” – Lillian to Justin, at the art event ([60:17])
• The theme of pride in one’s children—and relief at their successful launches—is humorously and movingly explored by Ruth and David.

5. Pathways and Second Chances – Work, Redemption, and Community

[36:12–40:38, 67:12–69:49]

• Akram’s “meal to heal” becomes a wider symbol as Susan, George, and Esme at Meadow Farm all reflect on giving people another chance.
  • “All I need is a chance to do that.” – George ([68:42])
• George persuades Esme to take him on for a trial, honest about his record but eager for redemption. “We’ll give it a try, shall we?” – Esme ([69:29])
• The episode ends with George and Amber optimistic about their future, as a new job and impending parenthood signal a fresh start.
  • “We’re going to be a proper family, aren’t we? Full of so much love.” – Amber ([72:43])

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Notable Quotes & Memorable Moments (with Timestamps)

• “No, there’ll be no pipes today.” – Jazza, explaining his broken bagpipes ([03:50])
• “A meal to heal? What’s that?” – Susan learns Akram’s tradition ([21:50])
• “We wanted it to be special. And it has been.” – Amber, at the Carter-Grundy dinner ([35:10])
• “He went AWOL at Bridge Farm… He’ll never be welcome at Home Farm.” – Ruth, on George’s employment prospects ([37:00])
• “If you can include some common rituals, that helps…highlighting similarities in your shared experiences rather than any differences.” – Akram, on unity at meals ([25:02])
• “It’s a perfect tribute to Mam. And most importantly, she would have loved it, too.” – Lillian, about Peggy’s artwork ([59:13])
• “I know loads…Not everything, obviously.” – George, nervously pitching for the Meadow Farm job ([67:04])
• “We’re going to be a proper family, aren’t we? Full of so much love.” – Amber, to George ([72:43])

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Key Segment Timestamps

• Burns Night at The Bull: [02:08–06:19]
• George and Neil’s Heart-to-Heart: [06:21–12:38]
• Art Installation Drama (Preparation): [13:29–25:36]
• The Carter Family Dinner (“Meal to Heal”): [32:00–36:12]
• Esme and Ruth on George’s Reputation: [33:33–37:00]
• Artwork Unveiling & Peggy Tributes: [45:33–55:24]
• Ben Archer’s Graduation: [61:09–71:39]
• George Offered a Chance at Meadow Farm: [67:12–69:49]
• Episode Close – Hope for the Future: [72:03–end]

---

Tone & Style

Maintains The Archers’ trademark blend of warmth, humor, realism, and gentle drama. Dialogue is sprinkled with rural and characterful phrasing, and moments of humor lighten the weightier scenes of family tension and personal anxiety. Community, forgiveness, and the enduring power of shared experiences are ever-present.

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For New Listeners

This episode perfectly encapsulates Ambridge’s social fabric: the ups and downs of small village life, intergenerational family challenges, the joys of tradition and communal achievement, and the stubborn hopefulness that threads the community together. Between laughter, mishaps, and hard choices, bonds are tested, hearts are mended, and new paths—whether for work, family, or art—are forged.

Transcript

[A]

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[B]

Oh. Ah, Jazza. Now, is this straight?

[A]

Tartan decorations. That's a fine name.

[B]

Oh, leftover from your wedding reception. Darling Jolene never throws anything away.

[A]

I thought it looked tasteful.

[B]

I found them in a box. But look. Is this one straight?

[A]

Looks fine to me. But you don't think it's over the top?

[B]

No, I don't.

[A]

Careful there, Lillian.

[B]

I'm fine. No, Chaza, because today we're going for broad, not doer.

[A]

Kent is doing a grand job on the green under these floodlights, I'll say that for him.

[B]

Oh, can you smell that? Fallon's excelled herself with a clouty dumpling.

[A]

Any chance at preview?

[B]

None whatsoever. Oh, you brought your bagpipes. Excellent. Did you Want a little practice while everyone's outside doing the Highland Games?

[A]

Aye, I bet that there's quite a crowd, isn't there?

[B]

The wait over the bar thing is just finishing.

[A]

I think they're warming up for the caber. Just give Rex some hints. But he needs a bit of Celtic know how.

[B]

Oh, aren't you having a go yourself, darling?

[A]

Well, I thought I'd save myself for the pipes, but, yes, there's a wee problem.

[B]

Oh, you'll be fine, darling, once you get into your stride.

[A]

No, no, a real problem. I beg you.

[B]

Sorry.

[A]

Listen.

[B]

Oh, dear. What on earth's wrong with it?

[A]

Tracy fished him at the shed this morning. This is what they're like.

[B]

This. You were supposed to be rehearsing all last week.

[A]

I meant to, but what we working and Hannah being a. Oh, Jazza, the reeds have dried up. One of them's loose. Loose notes fell in the bag. What?

[B]

What does that mean?

[A]

Sorry, Lillian, but can't you fish it out? No.

[B]

Easily.

[A]

No, there'll be no pipes today.

[B]

But you're supposed to be piping the haggis in. Oh, what on earth are we gonna do? Come on, Rex.

[A]

Oh, it's leaning.

[B]

Straighten up. Straight up.

[A]

Go on, Rex. Toss that cabernet. He got it right over. I couldn't manage that. Nor could Josh.

[B]

There's clearly a knack to it, pet.

[A]

Straight as toss, I reckon. Even better than Tom's.

[B]

Must be close, but we'll find out shortly. Because look, Robert and Jim have got the clipboards.

[A]

The clipboards of truth.

[B]

Do you know, I thought Jazza was fussing when he and Kenton rigged up the lights last week, but it's practically dark and there's still more events to come.

[A]

I'm ready for my haggis now. I'm starving.

[B]

Oh, Fallon's just making the finishing touches. She's having to put a cut in its skin so it doesn't explode when it's brought in.

[A]

Exploding haggis. That'd be hilarious.

[B]

Oh, you're volunteering to clean up on you, Ben?

[A]

Maybe not. Definitely not. Oh, my days. That was so much harder than I thought. It is knackering, isn't it? Look, I reckon you smashed it.

[B]

Oh, you were a natural wreck.

[A]

Oh, Looks a lot easier on the videos. Very. Videos. Right. So you did your research beforehand? I went wrong there as well. Always do your research, Ben. Plus jazz. I had some hints about technique.

[B]

Ever the competitor.

[A]

Oh, I can't help it, Joy. It's in my bones. Good afternoon, ladies and gentlemen.

[B]

They're announcing the Result.

[A]

I thought Uncle Kenton was on the pa. Oh, Lillian rushed over and dragged him away a few minutes ago. I'm told that we've got the results of the wait over the balance. Yeah, yeah, that's right. Thanks, Jim. Thanks. And also toss the caber with the straightest end over intro. Neil's been put on the spot just a bit. Excellent events, but there can only be one winner. Thanks.

[B]

Thanks, Robert.

[A]

And in fact, there is only one winner, cos would you believe it? In first place for both wins, weight over the bar and toss the caber is Rex Fairbrother. Well done, mate.

[B]

I knew it.

[A]

I'm kidding.

[B]

Go on, pet. Up you go.

[A]

Oh, no, I'm embarrassed. Now, how did I win both? Too much research. Serves you right. Yeah. Cheers, Ben. So, off you come, Rex. Very well done. Great performance. Oh, cheers, Neil. Where's Jolene gone? First Uncle Kenton and then her.

[B]

I'll just name and see if everything's okay in the pub.

[A]

Good idea. Hey, Granddad. Ah, George. You look like you're having fun. Oh, hardly. Okay if I sit down? Sure. Now, how come you aren't joining in, eh? You'd have given Rex a run for his money on the caber. Maybe. Ah, you might even have one. I don't know about that. Ed is over by the gazebo. I know they don't want me there neither. Oh, come on, George. It's a pub event, ain't it? So I'm not alone. More of a village event, surely? With Kent in on PA and Jolene doing prizes. Except they weren't. It was all me. True. Well, they'd have moved me on the minute they come back. So maybe we need to let the dust settle a bit longer before. Well, before I push my life. Oh, I wouldn't put it quite like that. I would. And there's only so much rejection I can take. George, at the end of the day, you live in this village. It's your home too. People will have to accept that and move on. If you say.

[B]

And a vodka tonic for Pip. Is that all, Ben?

[A]

Yeah, that's it. Thanks.

[B]

Have you ordered your supper?

[A]

Dad did it earlier.

[B]

Well, I'll put these on the bill then, John.

[A]

Great. Yeah. Cheers. Hey, I can't believe how good Jazza is on the bagpipes now. Yes.

[B]

Yes. Well, he did promise to practice.

[A]

He's loads better than last year. Or any year I can remember. Sounds like Chance is doing brilliantly as I really throwing himself into it. I was just saying that.

[B]

Well, he'll need a little break now. I expect.

[A]

Oh, I'm not surprised. Hey, hey, Jazzer. There'll be a point behind the bar for you. Yeah, and one from us. Jazza, you're doing great. Cheers. Just nip to the Jets. Love you.

[B]

Yeah, right you are, darling.

[A]

Did you see Zainab and Chelsea sword dancing? Yeah. I mean, if they'd stopped laughing, they'd have been brilliant. Oh, I forgot to ask, Lillian. Where did you and Uncle Kenton suddenly rush off to?

[B]

Well. Well, I. I remembered that he needed to. Oh, rehearse his toast to the lasses. Now, Ben, isn't it your graduation this week?

[A]

Is it? Yeah, yeah. Friday. Oh, congratulations. A degree in nursing. Quite some achievement. Thanks, Neil.

[B]

And now you finish the hard slog. It'll be lovely for you and your coursemates to celebrate.

[A]

Yeah. Yeah, it will. Can't wait to see them. Right. Thanks for the drink.

[B]

You're welcome, darling. So, now, a pint for you, Neil, and one for Jaz. And what about Susan?

[A]

Oh, she's not finished her Shark Night. Listen, is Tracy still making the reply the.

[B]

The toast to the ladies? Yeah, I'm afraid so.

[A]

Have you heard it, Lillian? Because Susan has. And she hasn't stopped blushing since.

[B]

Jolene says it's absurdly rude, but all her attempts to censor it have failed.

[A]

Oh, dear.

[B]

We're in for quite an evening. Here you go, Rex. Help yourself to crisps.

[A]

Don't tell me. Haggis flavoured.

[B]

You got it. Are you having supper here?

[A]

Oh, yeah. I can't really afford it.

[B]

Have some more of these, then.

[A]

Oh, thank you. So, how you been, Joy? I feel like I haven't seen you properly since. I'm not sure, before New Year's Eve. Did you have a nice time, by the way? Oh, sorry. Sorry. You must have been in here for the George Grundy shenanigans.

[B]

I was, yeah.

[A]

I was busy in the taxi a lot of the night, so I missed it all.

[B]

Look at you.

[A]

Must have destroyed the mood.

[B]

Oh, Mick and I went straight home.

[A]

I fell asleep in front of the telly the minute I got back on the boat.

[B]

We did the same.

[A]

Joy, can you bought me one in my paint ten. I've two lined up. Hey, Eddie bought you one as well, did he? Champion.

[B]

I'll bring you one over in a minute.

[A]

Ta. Jazza, you've done a cracking job out there tonight. Not bad, Emma. All the old tunes for When I Was a Bern, they're off flooding back.

[B]

Right.

[A]

It's a tremendous feeling. Your bagpipes seem to be. Oh, no, no, no.

[B]

His pipes Are caput, I'm afraid. What?

[A]

So that music.

[B]

Kenton's playing selected tracks through a speaker.

[A]

The tunes are flooding back. A tremendous feeling.

[B]

I don't think anyone's even noticed. Everyone's so busy watching Fallon bringing in the haggis.

[A]

Honestly. Classic jazza. Granddad. I didn't realize you were popping around. Oh, no, I can't stop. Georgia, your nana and I saved you this in case you fancy it. Oh, you made me up a plate. Oh, hell. There's haggis and neeps and tatties, but only a tiny bit of gravy because we didn't want it spilling everywhere, all a bit of cluty dumpling. That's real nice of you. The portions were so enormous, we couldn't have eaten it all anyway. And you enjoy a burn supper. I know you do, T. You had a nice time, then? Well, apart from your Auntie Tracy's speech, which was. Well, it was actually filthy. Was it? Oh, I've never heard anything like it. Cecil Jackson took his hearing aids out. I wish I'd been there. Yeah. How's work, Granddad? I forgot to ask you. What's busier than ever with Hannah off sick? I mean, we've got cover, but still, extra stress, you know. Well, you shouldn't let it get you down. Okay. No, no, you're right. Try not to. Although, to be fair, there's nothing I'd love more than some work stress. I'm sure. Listen, your nana was chatting to the Meadow Farm woman in the shop last week. Esme Mulligan. Do you know her? Nope. But I heard she took it on. Oh, she was saying she'd been offered some IT contracts. I think she's a computer programmer, that sort of thing. But she won't have time to do them, not until top of her work on the farm. Okay. They're worth a lot of money, these contracts. She's got a dairy herd, isn't she? Yeah, 60 or 70 strong, I'd say so. At the very least, she'll need help with milking, don't you reckon? Maybe so, but she ain't going to take me home. Isn't it worth asking? I don't know. Is it? Well, she can only say no, which she will. Oh, George. But thanks for telling me. Look, how about you and Amber come over for your tea this week, say, Tuesday? Your nana would love to see you and Amber for a proper chat. And so would I. Come on, what do you say? Well, okay, then. Sure, I'd like that. Good lad. Right. See you Tuesday.

[B]

It's not here yet, then?

[A]

Nope.

[B]

Waiting out here won't make the lorry arrive any sooner. Justin, you're like a kid waiting for Santa Claus.

[A]

Oh, I feel like it, Kirsty. Oh, I so want this artwork to meet expectations.

[B]

I know what you mean. We want it to make a big impact, like Peggy did.

[A]

I can't wait to see it in position. It's freezing out here.

[B]

Well, you could always help us prepare the ground by the entrance area. That'd warm you up.

[A]

You. You have checked the plans? It needs anchoring quite deeply.

[B]

Yeah, about that. Rex thinks the plans are wrong. The dimensions don't make sense.

[A]

What?

[B]

I realize that's what Julie the artist sent you.

[A]

But still, we'll find out the exact dimensions the minute the lorry arrives. True.

[B]

Rex invited the Echo again to the unveiling on Thursday.

[A]

But there's still no response? No.

[B]

And they haven't even reprinted our press release. Which is a shame, because it was very well written, if I say so myself. But without an image of the artwork.

[A]

I did ask Julie to send one, but she seemed a little stretched.

[B]

Well, didn't you say she had a big spring exhibition somewhere? I wouldn't mind going. Where is it?

[A]

I haven't had time to ask her.

[B]

What? You spent hours discussing various designs with her.

[A]

She's been remarkably patient about that. I did change direction once or twice.

[B]

I'm the rest.

[A]

Anyway, let's take photos the minute it's in position and get them straight to the Echo.

[B]

And bore such a life. But they definitely won't cover it.

[A]

Oh, Lillian has a contact there. I'll get her to drop them a line.

[B]

Well, at least it's gone down well on our socials.

[A]

Well, is this a lorry?

[B]

Oh, no, just delivery van. Sorry I wasn't here at cram. Goodness. What are you doing, Susan?

[A]

I've put the jugs and pots in order.

[B]

Sorry.

[A]

They were all higgledy priggledy. Someone probably got them out of the dishwasher in a hurry.

[B]

I got them out the dishwasher.

[A]

Oh, but there were big ones next to small ones. Sorry. Shall I put them back? Although I'm not sure.

[B]

Oh, no, no, don't bother. I'll do it later.

[A]

I do apologize. I was just keen to be productive while I waited for you and Helen to finish.

[B]

She had to brief me on next week's orders for Borsicher Blue, so I couldn't come any sooner.

[A]

Of course. I didn't mean to imply. I'm very excited to see what you do. In here how the dairy works.

[B]

Right. Well, Helen says I'm to show you what we do and then you'll be back another time going for hands on training. Oh, so today you're watching. Not doing right.

[A]

But I mean, I'm happy to get stuck in.

[B]

Well, Helen wants you to see how everything works before you get stuck in.

[A]

Okay.

[B]

Seeing as the Bridge Farm dairy is new to you.

[A]

Yes, well, I know more about goats than cows.

[B]

But just so you know, that shelf of jugs and pots wasn't higgledy piggledy. It was carefully arranged in order of use, not size.

[A]

No apologies again, but I'm glad to.

[B]

See you've got the apron and coverings on correctly.

[A]

The beard cover is a bit itchy.

[B]

Helen bought them specially for you.

[A]

And I'll get used to it very quickly, don't worry.

[B]

Good.

[A]

Forgive me, Susan. I feel like we're getting off on the wrong foot. I, I, I, I really didn't want that.

[B]

Don't worry. I expect we'll get used to each other. I mean, Adam took some getting used to, I can tell you. He thought he was top management to begin with, but in here, that's me, I'm afraid. Well, Helen then Me. But we got on ever so well in the end. I miss working with him.

[A]

And I'm taking Adam's job, aren't I? I promise I'll try to be just as useful.

[B]

Oh heavens. Time is ticking. Right, please watch carefully while I get this morning's order filled.

[A]

I'll take notes if that's okay.

[B]

As you wish. So the basic process with ice cream is organic milk goes in the pasteurizer there and we add organic eggs and milk powder, sugar, cream and a stabiliser.

[A]

Sorry, this pen's not working.

[B]

Right.

[A]

Have you got any more?

[B]

I'll find one for you, shall I?

[A]

Yes, please. Oh dear.

[B]

It's definitely from Julie.

[A]

But here's the scissors.

[B]

Thanks. So well wrapped.

[A]

Good job. We don't want anything damaged. I was expecting a lorry, not a van. Sorry, I hope I'm not interrupting. No, not at all.

[B]

Hi, David.

[A]

I heard Peggy's artwork was arriving today and seeing as I was nearby.

[B]

Well, this has just arrived from the artist.

[A]

Oh, okay. What is it?

[B]

Maybe the base or some kind of information board. Oh, bubble wrap.

[A]

Let me help you.

[B]

Oh, cheers, David.

[A]

Gently. No, no, don't worry.

[B]

Ah, here we go.

[A]

Lift it up. Right. Can you? Let's put it on the path.

[B]

Okay.

[A]

Look. Hold it there, Kirsty. That's it. Wow. Sunrise. How clever. Especially with the sunlight shining through the stained glass. Yeah, just turn it a little Kirsty. Yeah. Oh, that is astonishing. The artist, Julie, took some sections of a fallen oak from the rewilding. Oh, so it's set in your own oak. How inventive. Indeed.

[B]

Can I see it, please?

[A]

Sorry.

[B]

Thank you. You. Oh, I see what you mean. It's exquisite.

[A]

But.

[B]

Sorry, Justin, where's the rest of it?

[A]

Lovely to see some winter sunshine, isn't is?

[B]

Oh, it's parky, though.

[A]

Would you like one of these with your coffee?

[B]

Oh, what are those?

[A]

Mix Maai desserts. Really? Mini ones. Azra's friend bought them at the weekend.

[B]

That's very kind of you. You know, I wasn't sure about Pakistani sweets back in the day, but my son Christopher's quite an addict.

[A]

As am I.

[B]

I wonder if we should stock these in the village shop.

[A]

Oh, no, please don't, Susan. I'll put on so much weight, I'll get stuck in the doorway.

[B]

A good point. So would I. Oh, meant to say, I hope the stock that's been left in the village hall hasn't got in your way. You're using that room for prayers on a Friday, aren't you?

[A]

While the mosque roof is being repaired. Yes, it's been ideal. We really appreciate it. And no, the boxes in the corner are no problem at all.

[B]

Oh, good.

[A]

Bridge Farm, hey? Such a magnificent place to work.

[B]

Yeah. Clary was always saying that. We worked here together for years. Suppose if I'm honest, I hope they get her back when Adam left.

[A]

That's a shame.

[B]

It really is. Oh, look at Gram. I'm sorry if I seemed a bit distracted. I've got a lot on my mind. But we do need to train you up, just like we did Adam, so you can take over any extra. Save Pat spending afternoons here off and on, when there's so much else to do.

[A]

The farm is a pretty complex operation from what I have seen so far.

[B]

Well, it isn't the biggest farm round here, obviously, but it is the most entrepreneurial, fascinating.

[A]

Susan, you mentioned you've got a lot on your mind. Is there anything I can do to help?

[B]

Oh, no, ignore me. He's just. We've got our grandson and his fiance coming to tea tomorrow and I so want it to go well. It feels like a moment when we could, oh, I don't know, get back to where we should be, where we want to be. I thought it was going in the right direction, but then my toxic brother tried to unsettle him and to frighten us, which he Did. Oh, I hate him. And I saw how easily George's head could be turned.

[A]

I see.

[B]

Whereas if we still had that bond with George like we used to, your influence would prevail. You mean? Exactly. That'd help him make the right choices. Wouldn't.

[A]

Sounds like you need a meal to heal.

[B]

A meal to heal? What's that?

[A]

It's for when you welcome someone that you want to connect to it better. If that makes sense.

[B]

Oh, I think so. Here, let's head back inside. And perhaps you could tell me more while I get on with the ice cream.

[A]

Of course.

[B]

Yeah. They've already built two dams across the brook.

[A]

But where's their lodge, do you know?

[B]

Actually, they've burrowed into the bank, so their home is more of a cozy little bank den.

[A]

I've just spoken to the other artist and, well, it seems there's been a miscommunication.

[B]

Oh, no.

[A]

Yes, because somehow she had the. The wrong dimensions.

[B]

You gave her them yourself?

[A]

Yes, but it seems we had a different understanding. So this is the artwork? Yes.

[B]

Peggy's artwork is a five foot slice.

[A]

Of oak with an exquisite stained glass sunrise set inside. Yes.

[B]

Rex and I spent ages finding the right spot for a much larger structure. We want it to be the first thing our visitors see.

[A]

Can I ask, did you spend Peggy's entire artwork budget on just this piece? Possibly.

[B]

Oh, I get it. Julie's charged you more for changing your mind on the design a million times.

[A]

It appears so.

[B]

Oh, I'm sorry, Justin, but Lillian Kate, all of us agreed that the function of this artwork was to dominate our entrance, inspire visitors when they arrive. And that's what they're expecting us to.

[A]

Unveil in three days time. Don't remind me.

[B]

Look, I really do love it. It's just not big enough to make any impact. I don't think anyone will even notice it.

[A]

Well, could we mount it on a platform or some kind of pin?

[B]

Oh, no, that'd make it look smaller.

[A]

It's a shame there's only one. Really? Well, yes, yes, yes, I see what you mean. But, I mean, it's a bit like this is a good start, but. But? But a second one would be very expensive. Extortionate.

[B]

Okay, so we'll have to cancel the unveiling.

[A]

No, no, we can't do that. It's all arranged.

[B]

People want to see something genuinely impressive here on Thursday.

[A]

And most of Peggy's family are coming, including Lillian. Lord help me.

[B]

You need to fix this somehow, Justin.

[A]

All right, all right, all right. I'll drive over to the artist studio first thing tomorrow and we make a final decision after that.

[B]

We've got three days, Justin.

[A]

Leave it with me.

[B]

Oh, we'll be a laughing stock.

[A]

Oh, honestly, I wouldn't worry, Kirsty. A bad reaction from Lillian is a lot scarier than any public humiliation.

[B]

I hope you're right.

[A]

And this is the next stage?

[B]

Yeah. We leave it in the pasteurizer to age for four hours.

[A]

Very interesting.

[B]

I crammed. What do you mean? About the different aspects of a meal. A meal to heal.

[A]

Well, the first thing is to focus on what you are going to eat. Choosing dishes that please the tastes of both parties, their preferred textures and so on.

[B]

Oh, can I borrow some paper? I need to jot this down. Of course. Any pain here. Thanks.

[A]

If you can include some common rituals that helps. Things people are used to doing together in good times, sharing something or even passing plates.

[B]

Oh, yay. So, Sir.

[A]

And keep the conversation warm and honest and inclusive. So you're highlighting similarities in your shared.

[B]

Experiences rather than any differences. I understand. Oh, this is perfect for tomorrow night with our George and his fiance.

[A]

It's common sense in a way.

[B]

Hadn't thought of a approaching it like this.

[A]

Anyway, I. I think I'm due at the back house now to learn about Bridge Fresh. But thanks for showing me the dairy, Susan. I've. I've learned a lot.

[B]

Oh, no, thank you for your ideas. A meal to heal. I think we've both learned something today.

[A]

I'm glad you think so.

[B]

Oh, yes. Akram, I really. Esme, you okay? Sorry, Ruth. I was just checking a couple of photos I've taken. You finished afternoon milking in good time there? Yep. And I scraped the yard. And then I suddenly realized the place is beginning to look the way it ought to.

[A]

Pardon.

[B]

Hard to believe, but for once I don't feel like I'm running to catch up. So I took some pics to remind myself. That's good news. Yeah, it is. After the whole TB nightmare last week. Oh, it was such a relief to get the all clear. There are worse nightmares, as you know. Oh, I do? Yeah, I do. And his Groundhog Day every six months. So the TB terror never quite leaves you. No, but, you know, now I'm pushing for the tenancy. I need to find a way to park all that and somehow look forwards.

[A]

Of course.

[B]

Yeah. Sorry, I don't mean to scare you.

[A]

Oh.

[B]

Oh, someone's here. Ruth. Okay. Bye now. Bye. Hi. Can I help you?

[A]

Afternoon. It's Miss Mulligan, ain't it?

[B]

Call me Esme.

[A]

George.

[B]

Hey, George. What can I do for you?

[A]

I'm hoping it's the reverse. Sorry, My grandad were telling me you might know him. Neil Carter. Works at Barrow Farm up.

[B]

I know Neil. The bell ringer at my father's funeral. Lovely guy he is.

[A]

And he heard you might need help with milking. I brought my CV in case I'm between jobs, see, But I've done loads of milking. Plus I've always worked with livestock, especially dairy. I've got qualifications here, thanks. Because if you've got other work on.

[B]

Computing, is it websites, that sort of.

[A]

Thing, then I'd be happy to look after whatever farm work needs doing. Feeding, milking, all the health and welfare stuff.

[B]

Yeah, I haven't decided if I'm taking.

[A]

It yet, but it's bound to be good money compared to this kind of farming. Well, small scale, no offense, like.

[B]

Oh, no, none taken. You're spot on.

[A]

Actually, I've got a drone I film landscapes with for websites and that.

[B]

Have you? That's brilliant.

[A]

I did loads back in the day. It's on my CV and I'm available right now.

[B]

Oh, thanks, George. It's an interesting offer. I'll be in touch very soon.

[A]

Right, Ta. The only thing, just so you know, is I don't drive.

[B]

Oh, okay. Oh, good job you've got the bike then, eh?

[A]

Quicker than a car sometimes. Cheers then, Esme.

[B]

Alright, thanks for coming. I just hope Amber likes it.

[A]

Emma reckons she's a lot less fussy nowadays.

[B]

Can you put the different bowls of salad out, Neil?

[A]

Well, you're not mixing it like usual.

[B]

I want as many cooperative rituals as possible.

[A]

Sorry?

[B]

Passing things on, offering each other, sharing. It's all part of the meal.

[A]

I'm not sure George and Amber will notice any of this, love.

[B]

Well, they don't have to notice. They just have to follow our lead. When everyone's taking turns and cooperating, it takes away the tension.

[A]

Oh, does it?

[B]

It's about respect, Neil. Looking out for each other.

[A]

Right.

[B]

A meal to heal.

[A]

Things are much better now, Susan. Amber apologized and we've seen a lot more of George.

[B]

Yeah, but he's not normal yet. Not like proper family. And now George has been with Clive again. Oh, it makes my blood run cold.

[A]

Yeah, but what? Would the baby come?

[B]

They told us that in confidence.

[A]

Oh, she was pretty shocked.

[B]

I think she said a few things to them both. She probably. Probably shouldn't.

[A]

Yeah, but we've had time to think about it.

[B]

Except we know nothing until they tell us. Okay?

[A]

Okay. Can't Believe you're ready before me.

[B]

I didn't want to be late, did I? Now we are.

[A]

Well, they won't mind, Amber. Granddad only invited us because I missed out on Burns Night. It's no big deal.

[B]

Sorry. But it is a big deal. I keep remembering all the things I said to them.

[A]

It's better now, though. Nana's been brilliant.

[B]

But what if I don't like her cooking? My sense of taste is so weird at the moment.

[A]

It's because you're pregnant.

[B]

I know that, George.

[A]

You told your mum and dad? Yeah.

[B]

It's none of their business.

[A]

Right.

[B]

If Susan's food is horrible, I'll have to be honest. And she might not like that.

[A]

No, she won't. Just say you had a big lunch. Okay, but it won't be horrible. Especially if she's done her lasagna. It's amazing.

[B]

All right, well, we don't know what she's cooking until we get there, so can we just go, please?

[A]

Let's do it.

[B]

Pass the plates round, George, please.

[A]

Of course.

[B]

Thank you. The potato and leak soup wasn't too salty?

[A]

Delicious, weren't it, Amber?

[B]

Perfect for a cozy winter's night.

[A]

Oh, that's nice.

[B]

I'm pleased. I didn't realize I was so hungry. And your lasagna smells wonderful. George was hoping for lasagna.

[A]

I was.

[B]

Well, help yourselves. Amber, would you like to go first? Thanks. So Burns Night went well? I was working. Unfortunately, there was a mini Highland Games on the green.

[A]

It's more pub based, usually.

[B]

Tracy says they're planning Valentine's now. Your turn, George.

[A]

Garlic bread, Amber?

[B]

No, no, thank you. Oh, Valentine's meals must be so popular. Yeah, Fallon does a special menu. There's lettuce and cucumber here too, love. Lovely.

[A]

Not that we'll be a loading. Here you go, Granddad. Well, eating in can be just as good.

[B]

Or a lovely Thai takeaway.

[A]

I just want to be back in my local. Except they still think I'm a waste of space.

[B]

George.

[A]

Here we go, love.

[B]

Oh, thank you. In my opinion, George, you really shouldn't worry about what other people think. What? What are you all looking at?

[A]

Me? We weren't expecting that, Nana.

[B]

Why not?

[A]

It's very unsusan, shall we say?

[B]

Well, in my opinion, we've all got to look to the future, not the past. Seen as you've popped round. Ruth, I have an Australian white that needs drinking. Oh, yes, please. Looks like a good one. Listen, Esme, I'm sorry if I brought you down earlier about the tb. That's why I drop round. I feel awful. No, you were being realistic. And I was so grateful for Brookfield support last week. It's a huge worry for all of us because there's patches in Borsetshire where it's terrible. Some farmers have been devastated more than once. Then I need to be ready. Build up my resilience. I'm not sure anyone is ever ready, but as a farmer, yeah, resilience is key. I'm starting to understand that. So, well, financially, if I had a bit of a cushion. Thanks. Are you thinking about that Sprint contract you were offered? Obviously, I've worked my guts out to get this place in shape, so I can't jeopardise the farm. No way. But my other work is well paid and I can work from home with the best will in the world. You can't do two full time jobs at once, Esme. I'm hoping I won't have to. Okay. A local lad brought me a CV over. Can I show you, see what you think? Of course. You need to be pretty experienced. He seems perfect. The only thing is that he doesn't drive, which I thought was a bit odd for a country boy.

[A]

It is.

[B]

Let's see them. George Grundy. What's wrong? Right. There's a few things you need to know about George Grundy, I'm afraid, starting with why he doesn't drive. This crumble is delicious. Oh, would you like the custard, Susan? Sorry. Oh, yes. Yes, I think I would. Thanks, love.

[A]

You were right.

[B]

Told you. You're both smiling.

[A]

Have I.

[B]

Have I done something?

[A]

Susan had a master plan. A master plan?

[B]

Don't laugh, but this is my version of a meal to heal. Oh, what's that? I wanted us to enjoy each other's company as well as the food. And to feel comfortable together. You know, like the family we are. Then it's worked. I feel completely at home, which I was not expecting at all.

[A]

I feel the same.

[B]

You've gone to so much trouble. We wanted it to be special. And it has been.

[A]

Yes.

[B]

Sorry, I'm getting all emotional.

[A]

Come here.

[B]

And I don't mean to, because it's not how I am usually. But don't you worry. Well, it's how I am now. Because, you see, I'm pregnant. I'm having our baby.

[A]

And we couldn't be happier. Well, congratulations. What lovely news. Isn't it, Susan?

[B]

Oh, yes, yes. I'm so very pleased for you both.

[A]

Hang on, hang on. You knew?

[B]

Sorry. Really? Did someone tell you?

[A]

Yeah, all right. All right, we turn.

[B]

But we're ever so pleased for you. Because a baby's a blessing for any family. That's such a nice thing to say. It's true. Not for some people.

[A]

Irresponsible. Too young. We've let ourselves down. Made a terrible mistake.

[B]

It was awful. Even Clary couldn't hide her disappointment.

[A]

Poppy's the only one who's been nice. She can't wait to be an anti.

[B]

They'll come round, love.

[A]

You will make wonderful parents.

[B]

Do you think so? Truly? Yes, Amber, we do. So, all in all, it's about whether you want to put your hard work at risk from someone like George. He's made a lot of wrong moves, this lad, to say the least. And you need someone reliable and trustworthy to look after things for you. I mean, I'd still be in the house, but you'd be concentrating on your computer work. I'd have to be. These contracts are so intense. There you go. It's a shame because I'm usually a good judge of character. And he seemed. I quite liked him. Well, apart from anything else, he went AWOL at Bridge Farm at a really difficult time with no explanation. He'll never be welcome at Home Farm. Although he did try apologizing to them all. Did he? And he's banned from the Bull for the foreseeable. I'll be honest, Esme. There's folk round here who won't take kindly to you employing him at all. Wow. I know it sounds harsh, but he's caused a lot of trouble. So how would you and David feel if I took him on? Hard to say. Esme, you've had such a tough time over the last few months, but you're finally getting somewhere. I hope I am. I'd hate to see you get knocked off course. Not by the likes of George Grundy. Okay. I'm sorry. No, no. Thanks for being so honest, Ruth. You've given me a lot to think about. I appreciate it. It's your decision at the end of the day. It is. And it's not an easy one. Not easy at all.

[A]

There you go, Rex. Thanks, mate.

[B]

I've been racking their brains for ages about our missing craft box.

[A]

Safe and sound in the housekeeping cupboard at Grey Gables. Kirsty, though do not ask me how. How it ended up there.

[B]

Yep. Foam blocks, printing ink, tray rollers. Yep, it's all here.

[A]

Printmaking is back on the schedule.

[B]

I could have sworn I brought it back from the fate.

[A]

By the way, can anyone come to the unveiling on Thursday only. Joy is keen to see Peggy's art installation. Although if it's only for family, she'll understand.

[B]

Oh, it's not that, Mick. She's very welcome. The more the merrier.

[A]

Trouble is, we haven't really got the artwork yet. Hey, the unveilings tomorrow, isn't it? Well, we have a partial artwork.

[B]

Which we cannot unveil on its own.

[A]

No chance. So what are you gonna do? Make one yourself? Hey. Hey. You could knock up some fancy prints now you've got your foam blocks and rules back. We might have to.

[B]

You're not getting out. Terrible. This is, Mick. We've made such a song and dance about it.

[A]

I literally begged thee, Echo, to send someone. They won't show up. They've barely made it to anything at Greg Abel since I've been there. But we're expecting loads of visitors.

[B]

Lillian's invited the great and the good from right across Bateshire.

[A]

So many people want to pay their respects to Peggy Woolly.

[B]

And it's an ideal moment for the rewilding to get some great publicity.

[A]

Or potentially the exact opposite. Can't you cancel unforeseen circumstances? We would if we could get a.

[B]

Definite answer from Justin, who isn't replying, as usual. I've left another three messages this morning.

[A]

Worth asking Lillian.

[B]

I don't think Justin would thank us for that.

[A]

Plus, she's a busy woman. Hey. Hey. You did right good at tossing the caber on Burns Night. Rex.

[B]

Everyone's saying that.

[A]

Oh, Jazz is threatening to make me an honorary Scot, which involves wearing his kilt to the bull with nothing underneath, of course. So I politely declined. Why me?

[B]

I'm sorry I missed it. I'd arranged to meet a friend at a real ale pub in Felphersham, but it was so dead.

[A]

You don't need to go to Felphersham for real ale, Kirsty. My mate's place is just off the bypass.

[B]

Ah, you mentioned that before you went New Year's Eve, you said?

[A]

That's right, yeah. Oh, me and Joy, we had a smashing time after the ball. Really?

[B]

Anyway, tell Joy to come along tomorrow, but to keep an eye on her phone. I'll message if it's cancelled.

[A]

There's no charge. Chance of me getting a sneak preview of the artwork that you have got. I'm working tomorrow, but I do love a bit of stained glass. Sure.

[B]

Come and see why we're stressing. It went okay, then? Akram told me the plan. Oh, it was perfect, Azra. I mean, I was nervous before. They came. But Akram's idea really paid off. Well, it sounds like you came up with it together. George's girlfriend was really touched. She had a few tears. Neil and I really felt like we've made a fresh start, you know? Well, that's what you wanted. Exactly what we wanted. Now, I didn't see Akram this morning. He was over with Pat sorting out the goats. But can you thank him for me? Of course I will. He's doing ever so well at Bridge Farm, you know. There's pretty much nothing he can't tackle. Akram's always very practical. Oh, but he's very clever as well. Really thinks about things. Tell him from me how well he's doing.

[A]

I'll.

[B]

I'll let you tell him yourself, Susan. He's insufferable when he gets a big head. No, man. Hey, all the same, right? Just this magazine, is it? Yeah. That's all.

[A]

Thanks.

[B]

We don't usually see you this time of day, Astra. I've got an actual afternoon off, so I'm taking my magazine to the tea room and I'll read it cover to cover while sipping a flat white with no interruptions. Oh, I don't blame you. Surgery's been that busy the last few weeks. I've been counting the minutes till I got some peace. Well, you enjoy yourself. Oh, George.

[A]

Hey, Nana. Afternoon, Dr. Malik.

[B]

Hi, George. You doing okay?

[A]

Okay, yeah. Thanks for asking. I'm after new laces for Poppy's football boots.

[B]

Oh, yeah. Well, we got some under the counter somewhere.

[A]

She's been picked for the year 17, and she wants to prove herself to the PE teacher.

[B]

Zainab used to play up front for the school team. She loved it. But, my goodness, was she Bolshy if you didn't score.

[A]

I were exactly the same.

[B]

Here we go.

[A]

And thanks for last night, Nana. We had a nice time.

[B]

Oh, we did, didn't we? Have you heard from Meadow Farm yet?

[A]

Not yet.

[B]

Georgie's hoping to get some farm work. Oh, okay.

[A]

Yeah, I'm hoping. George, I. I don't. I don't think.

[B]

Okay, George, don't worry. I've got him. Is there a chair? Oh, he's as white as he goes. He's a stool. Come on, George. Let's just sit you down. Here we are. Oh, we should lie him on the floor if we can.

[A]

No, I'm all right.

[B]

No, if the doctor says you need.

[A]

No, no, I'm okay. Just felt a bit. I don't know.

[B]

Unwell?

[A]

Dizzy. What? Dizzy. Yeah. Yeah, but it's Going now.

[B]

Well, it's A and E for you, I'm afraid.

[A]

What? No.

[B]

Anything like this after a head injury, as was. Right, love. Anything unusual in you to get to the hospital straight away.

[A]

But you can see him, okay, Dr. Malik.

[B]

Not without a scan, I can't. And they'll want to observe you. I'll take you to Borchester General. Oh, no, I can't. My car's in the garage. Don't worry, mine's right outside. Let's go. You, to the car. George, come on. We're ever so grateful for this, Asra. Oh, it's fine. Best to get him checked out properly.

[A]

Of course. I'm like a total fraud because I'm fine now.

[B]

You heard the doctor, George.

[A]

But you had to close the shop. And Poppy needs your laces.

[B]

I've messaged Jim to open up and Will can fetch the laces. We don't take any chances with head injuries, George.

[A]

I'll be wasting their time.

[B]

Well, I hope you will. But if you're thinking about starting work, you'll need the all clear. It's very true. Oh, here we are. Look, hey, I'll. I'll drop you off here, if that's okay. Oh, that's perfect. Thank you. Come on, love.

[A]

Okay, then. If you insist.

[B]

I do. Thanks again, Azra. No problem. Cheers, Azra. Yeah. All the best.

[A]

Oh, and that oak, it's setting, is that from the rewilding? It fell in one of last winter's storms. It's a beautiful tree. Well, that connection makes it even better. We thought so. I like it, Rex. I really do. Well, I would if it was 10 times bigger. We said all this to Justin. The oranges, reds, yellows and. Yeah, you found a decent angle for the light. The artist was very particular about that. Well, obviously. I mean, that's her thing. You've got to admire these artists. Creating the colors, using the light, putting it all together. It's a real talent. Well, I can see a problem. Lovely though it is. It's not what I was expecting. I mean, everyone's wondering what it's going to be like.

[B]

I've left another voicemail saying we are desperate for a reply.

[A]

Typical. Justin promises a solution, then just disappears. But if he's promised to sort it out.

[B]

I know we can't go ahead and cancel while he's supposedly putting it right.

[A]

So frustrating. He says he's got a plan, but.

[B]

Not a word about what that plan is.

[A]

Not a word.

[B]

Oh, Justin, why do you always do this to us? No, it's fine. Susan. Come on in. How is he? Oh, Amber's with him at the moment. She took over from me at the hospital when she finished work. So they've been observing him. Yes, and he had a scene scan, although it was a bit of a wait. Still, I'm glad they're checking him out. Me too. Anyway, look, these are for you. To say thank you for taking us. Oh, how gorgeous. So. I love lilies. You really didn't have to, but thank you. Well, I hope we didn't ruin your afternoon off. I do feel awful. Oh, please don't give it another thought. I made it to the tea room. I got my coffee. Good. And I'm glad I was there to help. Oh, so was I. I'm not sure how to persuade persuaded George to go to hospital otherwise. Oh, this might be Amber. Oh, right. Oh yes, it is. What she say? Is it all okay? Scan clear. Everything normal on way home. That's good news. Oh yes. Thank goodness he's all right. What a relief.

[A]

That's it then. It's gone five. May as well go home.

[B]

He's not ringing his back, is he?

[A]

Nope.

[B]

Which could mean he's got it all sorted and there's no need to worry. Or it could mean he's run for the hills.

[A]

That's an idea.

[B]

Too late to cancel now, so we'll just have to wing it tomorrow somehow.

[A]

Somehow. One good thing you know, is the total lack of interest from the press. Our embarrassment won't be quite so agonizing.

[B]

Oh, don't forget I live with Kate. She'll never forgive me if tomorrow isn't as good as spectacular as she's expecting.

[A]

The whole reason we're even here is Peggy. Least we can do is remember her with the full respect she deserves.

[B]

Oh, it's such a mess.

[A]

Oh, did you have any more responses this afternoon? We need rough numbers for teas and coffees.

[B]

Oh, good point. I'll check.

[A]

Fallon said she'd lend us more mugs if we need any, but I'll need to pick them up tomorrow lunchtime.

[B]

Hang on. There's an email from Borsicher Life Auto reply.

[A]

Please cease and desist from bothering us with your so called news.

[B]

Oh no.

[A]

What?

[B]

They're sending someone Bossiture Life?

[A]

Never.

[B]

They are ex. Their assistant editor is intrigued by what we're doing here as well as the unique nature of Peggy Woolley's art installation.

[A]

And he knows Lillian. See, he looks forward to seeing her.

[B]

Oh, it gets worse. I am hoping the artwork might present the right opportunity for our Next cover shot.

[A]

What? Front cover of Borsitshire Life?

[B]

Yes. Just when we don't want it.

[A]

Yeah.

[B]

Justin's assured me it will be marvellous. Has he? That's good, Lillian. Mick said he got a glimpse of it yesterday and it was quite something. Oh, it must be. Justin's been rather furtive recently, so I was starting to have one or two doubts, Joy, you know, to be honest. But he came home late last night and he was bordering on triumphant. Triumphant?

[A]

Well, morning, boys. Is it still morning?

[B]

Almost a minute to go. Now then, Rex. I've made up a box of mugs that Fallon put aside.

[A]

Thanks, Joy. I mean, we. We might not need any extra. Hopefully not, but you never know.

[B]

I've been emailing and ringing round everyone I know, so it's bound to be a good turnout.

[A]

Oh, great.

[B]

Lillian was just saying that when Justin came home last night, he seemed triumphant.

[A]

Pardon?

[B]

You know, I can't recall the last time I've seen him that happy.

[A]

Justin was triumphant.

[B]

He was beaming. You haven't caught up with him this morning, then?

[A]

No, no, he's been with Demara clients all morning.

[B]

Oh. Oh, look, this is someone I'm really hoping will come. Excuse me. I'll see you at the unveiling.

[A]

Rex Certainly will.

[B]

He must have got it sorted, then. If Justin was beaming, then that has to be a good sign.

[A]

Yeah, I mean, you'd think, but with Justin, well, nothing's ever quite certain.

[B]

I know what you mean.

[A]

Right. Thanks for these. Oh, I meant to ask. Mick mentioned his mate's Real Ale place. Told me it was excellent. I thought next time Toby and I have a weekend free together.

[B]

Oh, sorry. You'll need to ask him because I've still not been.

[A]

You haven't.

[B]

He says it's nice and friendly, though. Right, now you get back to Kirsty, you need to tell her the good news.

[A]

Well, yeah, if I knew what the good news was. Mum's fine sitting down. It's the getting up, you see.

[B]

Oh, don't worry, David. There's at least five or six chairs with arms, so I'll reserve one of those for her.

[A]

Oh, thanks.

[B]

Oh, by the way, we've hired some mobility scooters.

[A]

Really?

[B]

Yeah. Then at least Jill and Christine can have a good look around while they're here and make the most of it, because I'm afraid.

[A]

No. You still haven't sorted the artwork?

[B]

No.

[A]

It's being unveiled today.

[B]

Yep. And what's worse is bald. Such a lie for sending their assistant editor who's after some kind Of a cover shot.

[A]

Oh, good Lord. Let's hope the photographer's got a zoom lens.

[B]

Oh, David, you're not helping.

[A]

Sorry.

[B]

I'm hoping we can get the Longhorns a bit nearer to the entrance because they do make a great photo.

[A]

It's not the same thing, though.

[B]

No, but. Oh, Justin. Gotta go. See you later, David.

[A]

Well, all I can say is good luck.

[B]

Justin, where on earth have you been? I've left countless voicemails.

[A]

I said I'd solve the situation. Kirsty and I have just about. Hopefully.

[B]

That isn't sounding very definite.

[A]

It does rather depend on you mustering as much muscle as you can before 2.30. Well, I was not expecting to spend my lunchtime following a mini digger around, Normie. Oh, I'm glad I hired it, though. We'd never have done this without it. You're not wrong. We need everything properly anchored. And I'll bring someone in to concrete them in properly tomorrow. I hate to remind you, Justin, but there's nothing to anchor as yet. All done. Oh, no, I have. I have every faith in Julie. We came to a perfectly amicable arrangement in the end.

[B]

In the end.

[A]

I admit it was touch and go for a while, Just a little heated, but we managed to reach a win. Win position.

[B]

Right. Well, thanks for coming, David. I didn't know who else to ring.

[A]

No, well, Ben's on his way, then. We'll have some younger brawn. Brawn? Yes. Brawn's what we need, apparently. Yeah, he'll be in time to help you set it all in the ground. Yeah, it's his graduation tomorrow, actually. Oh, lovely.

[B]

Ah, there you all are. Did you realize there's a delivery driver in a massive truck waiting down the lane?

[A]

Excellent. Smack on time. And your timing is also commendable, Joy. Follow me, if you please. It's all hands on deck today. Right. Oh, Skipper, why is it that Justin's triumphs always seem to involve us to in most of the hard work? Twas ever thus, Rex. Twas ever thus too.

[B]

Right. Who knew that opening artworks would be such a physical feat?

[A]

Oh, yeah. Well, perhaps Ben's muscles will be put to better use here.

[B]

Yes, there's more packages after these two. Oh, now, Justin, what can I say? This stained glass is just.

[A]

Oh, is that a rainbow? Yeah.

[B]

Yes, it is. And what a rainbow.

[A]

Yeah, they should work rather well. Sunrise rainbow.

[B]

So, half of them on one side of the path, half on the other.

[A]

That's the plan. Where the holes are being dug. Right.

[B]

Did she make all these since Monday?

[A]

Joy, you've no idea what I've been through. These pieces were originally meant for her exhibition. Later in the year. I had to summon all my negotiating powers to get her to let me have them. And, yes, I admit I thought the original was much bigger. You see.

[B]

So for the last three days, I've.

[A]

Been persuading her to sell me some more panels. Roughly half her upcoming show. Oh, thank goodness. She felt my pain.

[B]

I'm not even gonna ask. Justin, this must have cost you an arm and a leg.

[A]

Maybe. But I managed to persuade her that Rewilding Ambridge showing her work will be a very positive thing for her. Few. Few indeed. And the main thing, the essential thing, is for Lillian to be pleased with Peggy's art installation.

[B]

If the other pieces are as glorious as this one, I guarantee she'll love it.

[A]

Then it will all be worth it.

[B]

So, on behalf of our family and of our wonderful, determined mother, someone who was always surprising, even to her nearest and dearest. Well, especially to her nearest and dearest.

[A]

Very true.

[B]

I would like to introduce you to the Peggy Woolly artwork. If we can start removing the veils, please. I really hope they like it. And while Rex and Ben are doing that, let me thank you for coming. I hope you'll agree that this magnificent artwork perfectly sums up my mother's impact on this village and beyond. Oh, now, here we go.

[A]

Do they like it?

[B]

I'm not sure. They love it.

[A]

Look at the Borsiture Life guy. He's transfixed. So he is. He knows he's got his front cover. That's why. Let's hope so.

[B]

Oh, how wonderful. And today we are blessed with sunshine to see them at their best despite the impossible odds. Have we actually pulled this thing off?

[A]

Of course we have. Even the sun is on our side.

[B]

And just to add, please do take the opportunity to explain, explore, Rewilding Ambridge, get up close to our beautiful stained glass, and then admire the longhorns and. And listen out for the Red Wings and Field Fairs and just, well, enjoy this truly inspirational place.

[A]

Right. Time to mingle, Timothy. Wonderful. Wonderful.

[B]

Did he say mingle? I just want to lie down in a darkened room with a cold flannel on my head.

[A]

You're not the only one.

[B]

Yes. This side is tea, and that's the coffees there. Just help yourselves. That's it.

[A]

Joy. Sorry, I didn't realize you were here.

[B]

Oh, no, it's fine. The queue got a bit long, so I thought I'd speed it up a bit.

[A]

Thanks for mucking in today. I honestly don't know what we'd have done without you. Ben and David.

[B]

I'm so glad people like the artworks.

[A]

Listen, Joy, do you mind me asking you something? Course.

[B]

Not that far away.

[A]

It's just New Year's Eve.

[B]

What about it?

[A]

I'm not being nosy. Well, I don't mean to be, but the thing is. Yes? Mick said that you went to his mate's pub after the ball on New Year's Eve.

[B]

No, I've never. When did he say that?

[A]

Yesterday. I mean, it's none of my business, but are you.

[B]

You two okay?

[A]

Ah.

[B]

We'Re fine, pet. I was going to speak to you, actually.

[A]

Were you?

[B]

You see, New Year's Eve, it was dreadful, what with George kicking off. Mick wanted to follow him out and have a go because of the things he'd said.

[A]

I can imagine.

[B]

So I said, let's go to your mate's pub, and he got the coats. But then my phone went and it was. Well, it was my Rochelle.

[A]

Rochelle?

[B]

On her way to Ambridge.

[A]

Oh, yeah, no, I heard the charges have been dropped.

[B]

I'm sorry to bring her up.

[A]

No, no, it's fine, Joy. It really is.

[B]

Right.

[A]

So how was she? Is she okay?

[B]

Turns out she's pretty well at the moment. She's seeing the kids lords and her job's working out well. And in fact, she's met someone.

[A]

Right.

[B]

Lovely chap, from what she says. Divorced, ever so kind. And he's great with the kids. Got two girls himself.

[A]

Oh, he sounds nice.

[B]

I think he's good for her. But New Year's Eve, she had a bit of a blip. A moment of doubt, you could say. She felt she didn't. She didn't deserve so much happiness, if you see what I mean. So she came to the house and I spent most of the night talking and helping her to see that she's allowed to be optimistic. You know, that if she can stick with it all, she's got a really good future ahead of her.

[A]

Good for her. I'm pleased.

[B]

I'm sorry if it seems like we lied, but with regards to my Rochelle, not everyone's as forgiven as you are.

[A]

Well, I wish her all the best. Not everyone gets another chance like that if she's met someone. That's great. Ah, good to see you admiring the artwork?

[B]

Well, admiring doesn't really cover it. This is what young people might call awesome.

[A]

Awesome. Yes. I'll take that.

[B]

Oh, thank you for arranging it, darling. I'm just delighted it went off without a hitch.

[A]

Oh, yes, indeed. It all went to plan, mostly.

[B]

Christine and Jill were thrilled, you know. And Tony, of course. Oh, and Kate had a few tears.

[A]

Did she? Yeah.

[B]

Even Brian was captivated.

[A]

Praise, indeed.

[B]

We. We do appreciate it, you know. I appreciate it.

[A]

I'm glad.

[B]

It's a perfect tribute to Marm. And most importantly, she. She would have loved it, too.

[A]

Do you think so? Oh, yes. I did want it to be right, you know, for Peggy and for you.

[B]

And it is.

[A]

Well, Peggy and I had quite a combative relationship at times, didn't we?

[B]

You certainly did.

[A]

I remember her grilling me in the car one time when you and I were first starting to see each other.

[B]

Was she demanding to know if your motives were honorable?

[A]

I'm afraid she'd already decided they weren't. So it took quite some persuasion for her to accept that I really did genuinely care for you.

[B]

Oh, poor darling. She could be very awkward, my mother.

[A]

No, no, no, no. It wasn't awkwardness. Not at all. It was a. It was a mother's love, Lillian. It was that simple. She didn't want you getting hurt because she loved you.

[B]

Yeah, she did, didn't she? And I loved her, too.

[A]

Well. So if you think Peggy would have liked this artwork, then I'm a very happy man.

[B]

Come here. You know, sometimes, Justin, Elliot, just occasionally. You are a very, very nice man. Thank you, darling. Thank you. Thank you.

[A]

Thank you. Here we go. Oh, it's hot.

[B]

Is there any bread left for Ben?

[A]

Yeah. Don't panic. I've not scoffed the lot. Ruth.

[B]

Good. He'll be hungry when he gets back.

[A]

I don't have time for breakfast. At this rate, we need to be on the road in, well, five minutes ago. When?

[B]

Isn't he supposed to pick up his cap and gown?

[A]

By a certain time, hopefully they'll have contingency plans for the inevitable Gen Z late comers.

[B]

Why on earth he took a night shift just before his graduation?

[A]

Because they begged him, of course. That agency has a lot to answer for.

[B]

I know it's good experience, but Ben has to learn how to say no.

[A]

Tricky when it's his main income.

[B]

Only till something proper comes along.

[A]

Oh, at last. Ben, hurry up. We need to go.

[B]

I know, I know. Just grab your suit from upstairs.

[A]

What a night. I didn't stop. And I am beyond starving.

[B]

Don't worry. Your dad's butted you some toast. Am I, David?

[A]

Cheers, dad. Oh, I forgot to polish my shoes.

[B]

I know. So I've done it. The state of them.

[A]

Hey, which tie are you wearing? No idea. Well, there's one of mine. That might work. The green one in our wardrobe. I am never wearing any of your ties, dad. Especially the green one. What? It's not that bad.

[B]

Actually, it is. Which is why you're not wearing this. Now get the car started. We'll be right behind. Behind you.

[A]

Will do. Yep, I'm looking forward to this, despite the mad rush.

[B]

I just hope we're not stuck at the back now because I want some good photos. Ben, hurry up. This new mascara is a dream.

[A]

But there's nothing going at your place, Amber.

[B]

I've asked, babe. You know I have. No one's leaving at the moment.

[A]

That's cuz people like working there.

[B]

Well, it's a nice place with a nice boss. Plus the money's not bad.

[A]

That's what I want.

[B]

You'll get it, George. I know you will. Right. How do I look?

[A]

Perfect. As always. Come here. So I can mess it all up?

[B]

Absolutely not.

[A]

Oh, you're no fun.

[B]

What about that warehouse job you saw?

[A]

There's two or three near Felpersham, but they're mad hours. So how do I get there?

[B]

It's not easy.

[A]

Not for me it's not. I bet it's dad checking him out of bed. No, I think it's the Meadow Farm woman.

[B]

Really? Well, answer it.

[A]

She's gonna say no, ain't she?

[B]

We don't know that.

[A]

I can't answer it Here.

[B]

Good morning. George Grundy's phone. Oh, hi. I was hoping to speak to him. It's Esme from Meadow Farm. Yes, he's right here. Hold on one moment, please.

[A]

What am I gonna say to her?

[B]

She's right.

[A]

I can't take another rejection.

[B]

Speak to her.

[A]

Oh, hate this. Right. Hello?

[B]

It's on mute.

[A]

Hello? Sorry about that. George here.

[B]

Hi, George. Could you drop over to the farm today, please, if you have time?

[A]

Sure. When shall I come?

[B]

Around 12:30?

[A]

Yeah. Yeah, that's fine. I'll see you later.

[B]

Thanks. Bye. Now.

[A]

She wants to see me.

[B]

I gathered that.

[A]

Well, what's she gonna say?

[B]

Listen, she wouldn't ask you to drop by if it was a straight no.

[A]

She wouldn't, would she? So it has to be a maybe.

[B]

And you have to turn her maybe into a resounding yes.

[A]

I've got all the experience she needs and more.

[B]

Show her that. Yeah. If you're knowledgeable and professional and reliable, which you are.

[A]

I can be all that.

[B]

Then she'll be lucky to have you. See you later. You got this, remember?

[A]

I know.

[B]

Yeah, you have.

[A]

Hope so. Really? Hope so.

[B]

Jill was blown away by the rewilding artwork. She reckons Peggy would have been the same.

[A]

Rex and Kirsty look so relieved, didn't they?

[B]

And Justin, they're so eye catching. And perfect for rewilding. Umbridge. Lillian was over the moon.

[A]

Well, that was his real aim in pleasing Lillian. Although I hate to think how much it cost.

[B]

He can afford it. Ah, looks like the microphone's working again.

[A]

Oh, finally. Poor graduates are getting fidgety.

[B]

I'm just glad we got a good seat.

[A]

This sounds more hopeful now. My apologies for the delay, ladies and gentlemen. Let's try try again with the nursing degrees, shall we? Now then, according to the program, the price of being an archer, I suppose.

[B]

Where is he now? I can't see him.

[A]

They're all sitting on the front row. I can see him. No, Ruth, you won't believe it.

[B]

What?

[A]

He's asleep.

[B]

Yeah, George, I'm not.

[A]

He's practically falling off his chair.

[B]

He must have dozed off while they were fixing the microphone.

[A]

The girl next to he hasn't even noticed. We are starting with adult nursing, then. Child nursing and mental health are about.

[B]

To call, isn't he? He needs to wiggle.

[A]

I'll throw something at him. Have you got any coins? No.

[B]

What if you hit the rompers?

[A]

No, they won't nose throw, Nick. Not if I duck down.

[B]

I'll try ringing him so when the phone vibrates, it'll wake him up.

[A]

Great idea, Ruth. Unless, of course, it's not on silent. You seem to be the one ducking down, Ruth.

[B]

Just get a video with you.

[A]

Benjamin Archer. There we are. He's on his way. Good. Aha. It's the phone culprit himself. I'm really sorry. You've worked us all up anyway. And himself. Very well done on your degree, Benjamin. Oh, good for you, Ben. Look at him smiling.

[B]

I know he's smiling and I'm blubby.

[A]

You're not. Oh, you are. Right. Let's get a photo of you.

[B]

No, don't you dare. David.

[A]

Hey. Hello, Esme.

[B]

Hi there, George. You're early.

[A]

Should have come back later. I can.

[B]

No, no. I was just about to check on some fencing. A couple of the posts like they're rotten. Oh, but I can do that afterwards.

[A]

I could get them sorted for you.

[B]

What worries me is that they don't look that old.

[A]

They can rot pretty quick around ground level because of the moisture and changing weather and that.

[B]

What would you suggest?

[A]

Spruce or pine? Works well for stock fencing. It's best if it's Kiln, dried and treated with preservative. Or you need it painted with creosote.

[B]

Sounds like you know your stuff.

[A]

I know loads. Yeah, but. Well, not everything, obviously.

[B]

Listen, George, I think maybe we should get a few things out in the open before we go any further.

[A]

Oh, yeah, you heard.

[B]

I did.

[A]

I'm sorry I didn't say before. I should have. I know, but I wanted you to judge me on my skills and qualifications, not my prison record.

[B]

I'd like to do that. Yeah, but I need to know you're trustworthy and you're reliable. It's a huge deal for me, this farm. It's been such a tough road since my dad died.

[A]

Sure, I get that. I mean, I don't know how to prove it to you, but I am both those things. And I wouldn't let you down, because then I'd be letting your animals down. And I always do my best for livestock. See, anyone will take tell you.

[B]

Okay, but.

[A]

Plus, I'd be letting my fiance down.

[B]

That's who answered your phone?

[A]

Amber. Yeah. She's brilliant. And, well, we're expecting our first baby now, actually. So I'd be letting my baby down too, wouldn't I?

[B]

She's pregnant. Oh, that must be exciting.

[A]

Only family know at the moment.

[B]

Oh, of course.

[A]

But it is. Yeah, it is exciting. But I've got to step up, haven't I?

[B]

I'd say so.

[A]

If you just give me a go, I. I'll prove to you that I'm a hard worker and not some useless crim who wants an easy life. I'm not like that. I swear.

[B]

As it happens, my first job was for a company which took on extra fenders and taught them basic it. So I know how important it is for people to have a fresh start.

[A]

I want to show folk I've changed, Esme. All I need is a chance to do that.

[B]

Oh, this is so tricky for me.

[A]

Yeah, of course. But I mean, could we try it and see how we go?

[B]

Unfortunately, once I've accepted those contracts, I'm committed to them.

[A]

Okay, so then I'd be committed to you and to this place and to your herd. What you gotta understand is that I'd want it to work as much as you do. More even, right? It means so much to me. Honest to God, I could finally get on with my life, you know?

[B]

Okay, George, how about. How about I give you work for two months? No, that'd be morning milking, looking after the cows.

[A]

You're taking me on?

[B]

We'll give it a try. Shall we?

[A]

That's amazing.

[B]

I'm talking part time for now.

[A]

Part time's fine. It is great.

[B]

And we'll see how we get on.

[A]

I'm dead chuffed. Thank you. I didn't think you'd. I weren't sure, you know. But thanks.

[B]

You can start on Monday. So you're up to speed? When my work kicks in, yeah.

[A]

Sweet. See you Monday.

[B]

Bye, George.

[A]

Thanks again. The caps are going everywhere. You're supposed to catch them.

[B]

I've got it all on video, you.

[A]

Know, I still can't believe. Believe he actually dozed off.

[B]

Hi, Gun. He was dead on his feet when he got home.

[A]

But it did break the ice, didn't it? The whole hall was chuckling after that. Did you film us, Mom?

[B]

Yeah. It'll look great.

[A]

Oh, it's so good seeing everyone. I bet they're all creasing about my own mother phoning me during the ceremony.

[B]

Oh, no.

[A]

And she kept crying. No way.

[B]

The pair of you.

[A]

I nearly cried myself when you all met. Made that oath. How come?

[B]

Well, a whole full of young people preparing to start a really challenging career in healthcare for the good of the nation. Oh, we were bursting with pride.

[A]

Blimey, Mum. You know we do get paid to work.

[B]

I know.

[A]

And we enjoy it, mostly. Glad to hear it. Anyway, there'll be a glass of fizz in the hall for you. I've just got to go and say hi to some people. Right, mate. We did it. We actually did it. And he's gone.

[B]

Let him in. Enjoy himself. He's done so well.

[A]

I won't argue with that. All the hard graft on his placements. Quite apart from the academics, our youngest.

[B]

Has got where he wants to be.

[A]

Yeah. Once he's got a permanent job.

[B]

Serious. We should be very proud.

[A]

I am.

[B]

Good.

[A]

And also relieved.

[B]

Relieved?

[A]

Ruth, we have brought up three children to become fully functioning members of society. It's quite an achievement, admit it. There were times when we didn't know how they turn out. Okay. But they done good. They have.

[B]

They still are.

[A]

Our work here is done.

[B]

What? You wish.

[A]

Why are you laughing?

[B]

Okay. See you next week.

[A]

Amber. Over here.

[B]

Hey, George. What are you doing here?

[A]

Can't I meet my gorgeous fiance after work?

[B]

Of course. It's lovely to see you. And you're smiling.

[A]

I'm definitely smiling.

[B]

You went to see the farmer?

[A]

Esme? Yeah. I told her I could look after her dairy herd and help in the farm and I'd be the best worker she could ever wish for.

[B]

And she said she weren't sure at first that you persuaded her.

[A]

I tried that hard, Amber. You should have seen me. I showed her. I know what I'm talking about. And I'm reliable. All that. So I start Monday.

[B]

You did it. I knew you would. That's fantastic, George. I'm so happy for you.

[A]

Hope you don't mind, but I told her about the baby. She promised she won't say anything to anyone. But I wanted to show how much. Getting a job, having a new start, how much that means to me.

[B]

You know, I don't mind at all, George. Because we're going to be a proper family, aren't we? Full of so much love.

[A]

We are.

[B]

And working hard for our future. Both of us. It's all I've ever wanted.

[A]

Me and all, Amber. Me and all. Sam.

[B]

None of us know how we'll react when the world changes.

[A]

From limelight, the supernatural Horror returns to Radio 4 and BBC Sounds.

[B]

It's you, innit?

[A]

The Mould Woman, the new series of spores. Hi, Cassie. We're running a feature on the spore threat next week and I didn't want this. We're looking to speak to women like yourself who can see the mold.

[B]

But in the last 12 years since I first saw the mold, my story isn't mine anymore. The World Health Organization. The organization has now declared spore events to be a major global health crisis. If you inhale the spores, this fungus is insidious.

[A]

If they get to the brain and infect you, then. Spores Season 2 Listen. First on BBC Sounds.