07/12/2025

Summary

The Archers Omnibus – 07/12/2025 (BBC Radio 4)

Air Date: December 6, 2025
Host: N/A (Dramatization set in Ambridge)

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Overview

This week's Archers Omnibus centers on a tumultuous period in Ambridge, shaped by family tensions, relationship crisis, community initiatives, and an eclectic dose of inventive spirit. The village is mid-preparations for the Christmas tractor run, while relationships—especially George and Amber’s—are fracturing under the strain of secrets, doubt, and the aftermath of George’s prison sentence. Meanwhile, Clary’s arthritis triggers Eddie’s ambition to build a mechanical turkey-plucking gadget, and there’s ongoing debate about the village shop, delivery options, and a pizza van partnership. The community’s support networks, struggles with forgiveness, and hopes for the future thread through every storyline.

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Key Discussion Points & Insights

1. Clary’s Arthritis & The Turkey Plucking Dilemma

• Clary’s arthritis is aggravated after a school cleaning event, threatening her annual role in the family’s turkey-plucking business. Eddie embarks on building a turkey-plucking machine using a washing-machine drum and various parts.
• Notable segment:
  • [09:40] "What you are looking at here, Clary, is the makings of the all new Grundy Turkey plucker." – Eddie
  • The machine’s test run ends in disaster when it destroys a turkey instead of gently plucking it, resulting in hilarity and a minor injury.
• Clary’s resilience and Eddie’s inventive (but chaotic) approach underscore the Grundys’ enduring spirit.

2. George’s Despair and Family Repercussions

• George struggles with guilt, social isolation, and conflict with Chris over contact with Martha, due to George’s past actions affecting Alice.
• Key moments of emotional turmoil:
  • [04:33] George: "He’s barely said two words to me since I got out. [...] At this rate, Martha will be 18 before we have a proper conversation. And I’ll be like Uncle Clive to her—the family wrong’un she’s been warned against since she was little."
  • Rejection and hurt culminate in a moment where George punches Ed out of emotional overload, later expressing fears of being unlovable and safer in prison ([61:06] onwards).
• Ed’s steadfast, calm support is a poignant counterweight.

3. Amber and George’s Relationship in Crisis

• Amber becomes increasingly uncertain about marrying George, confiding her doubts to Clary. She decides to leave for her cousin’s in Ireland for “space and time” ([28:19]), prompting emotional confrontations.
  • [21:00] Amber: "I don’t know if I want to marry him. I feel awful about it."
  • [29:02] Amber: "You say that, but we both know you are [breaking up]. No, George. I love you. That hasn’t changed. But the wedding, us living together—everything’s happened so fast and I need to stop and think, that’s all."
• Amber’s crisis mirrors Clary’s own regrets over her ill-fated marriage to Will.
  • [22:15] Clary: "I said I loved him in a different way to the way he loved me. I loved him for who he was, which was true. And then I told him I was having a baby and, well, that was that."
• A discreet but emotionally charged moment with Brad reveals unspoken tension between him and Amber ([36:00]).

4. Community Bonds and Support

• Extended family and friends rally (sometimes awkwardly) to support each other through their trials:
  • Ed tries to distract George with work and bowling; Brad checks up on Amber before she leaves; Susan offers unwavering support to Adam.
  • Emphasis on the power of community in times of individual and collective hardship:
    • [50:51] Pat: "You feel like things will go on as they are forever. And then things change and you realise how nice it was before. I miss you too, Pat. Thank you for today. Not just for turning up to help us, but for noticing me. And my hands."
  • Clary and Pat’s reflections highlight quiet, everyday acts of care.

5. Tractor Run Festivities and Festive Interpretations

• Joy organizes entries for the Christmas Eve tractor run; concerns about participants going “off piste” with non-festive themes (space, under the sea) prompt comic confusion.
  • [44:45] Joy: "I mean, I thought it would have been obvious that the general theme is Christmas, you know, given that the event is happening on Christmas Eve."
  • Hannah and Tony admit to misdirecting Joy to maintain secrecy about their concepts, fueling competition and anticipation ([58:03]).
• Underlying theme: The importance of nutty traditions and communal silliness in village life.

6. Village Shop, Pizza Van, and Community Services

• Susan and Ian explore the idea of a pizza van/community shop partnership during the shop’s closure, but logistical and philosophical challenges arise.
  • [33:22] Adam: "Like a mobile shop. Pizza delivery service in one, I think."
  • [64:23] Susan: "A village shop isn’t just about getting goods to people’s front doors. It’s about somewhere to pass the time of day, check in with people, post a letter."
• Resolution: The shop will reopen next week, bringing relief to all ([71:12]).

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Notable Quotes & Memorable Moments

• Eddie’s Invention Fiasco
  • [47:00] Clary: "The turkey don’t look very happy. It’s getting a bit thrown about in there."
  • [47:10] Eddie: "Oh, no. Is that a leg? Yes. Watch out. Ow. Turn it off. Turn it off."
• Mental Health and Redemption
  • [72:01] Ed: "If we can get some help... Anger management, Counseling, Therapy? You need to process what’s happened to you over the last few years. There is help out there."
  • [74:03] Ed: "The way your family, you’re supposed to take us for granted. Now, look at me. Listen to me. We love you. And nothing’s ever going to change that. Okay? Just let us help you."
• Love, Doubt, and Doing "the Right Thing"
  • [23:27] Clary: "At the end of the day, if it’s not right for you, then it won’t be right for him neither. I learned that the hard way."
• Amber and Brad – The Unspoken
  • [36:31] Amber: "Because this can never happen. It can never happen."
  • [36:46] Brad: "Yeah, I promise."
• Joy, the Organiser, Loses Control
  • [57:28] Joy: "I just wouldn’t want you to feel uncomfortable on the day when everyone else is mistletoe and wine and you two… well, space and sea creatures."

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Timeline of Key Events

| Time | Segment/Event Description | |-----------|-----------------------------------------------------------| | 02:15 | Clary’s hands are too painful for turkey plucking | | 09:40 | Eddie reveals his DIY turkey plucker to Clary | | 12:42 | Chris objects to George seeing Martha; family tension | | 21:00 | Amber questions her decision to marry George, with Clary | | 28:19 | Amber tells George she’s leaving for Ireland | | 29:02 | Amber: “I love you... But the wedding, us living together—everything’s happened so fast...”| | 36:31 | Amber and Brad’s unspoken feelings; Amber insists nothing can happen| | 47:10 | Mechanical turkey plucking disaster | | 50:51 | Clary and Pat reaffirm their caring friendship | | 72:01 | Ed and George have heart-to-heart on seeking help | | 71:12 | Susan gets good news—the shop can reopen next week | | 74:03 | Ed reassures George he’s loved and will get through this |

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Timestamps – Selected High Points

• [09:40] Eddie introduces the mechanical turkey plucker
• [21:00] "I don’t know if I want to marry him." – Amber
• [29:02] "I love you. That hasn’t changed. But... everything’s happened so fast and I need to stop and think." – Amber
• [47:10] The disastrous turkey-plucking test
• [50:51] "You feel like things will go on as they are forever. And then things change..." – Pat
• [72:01] "There is help out there." – Ed
• [74:03] "We love you. And nothing’s ever going to change that, okay?" – Ed

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Tone & Style

The episode strikes a balance between poignant honesty and everyday humor, with heartfelt dialogue, vivid family friction, and moments of laugh-out-loud farce (notably, the DIY turkey plucker mishap). The characters grapple candidly with difficult emotions—regret, anxiety, the fear of change—and the warmth of village relationships is never far from the surface.

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For Listeners New and Old

This episode is packed with the drama, warmth, and wit The Archers is known for. Whether you’re following George and Amber’s romantic upheaval, laughing at (or with) Eddie’s inventions, or invested in the fortunes of the Ambridge shop, you’ll find a tapestry of love, loss, community spirit, and the enduring hope that things can and will get better.

End of summary.

Transcript

[A]

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[B]

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You'Re listening to the Archers Omnibus from BBC Radio 4.

[B]

Oh.

[A]

You all right, love?

[B]

Yes, yes. Just resting me hands a minute.

[A]

Oh, they still bad since that deep.

[B]

Clean they had us doing at school on Friday. I felt fine at the time, but now this new swelling's come up, look.

[A]

Oh, no, that does look bad. Here, leave the potatoes. I'll do them in a minute.

[B]

I can manage.

[A]

No need. I don't want you in worse pain than you already are.

[B]

I love an ibuprofen. That might help.

[A]

You need to rest.

[B]

Not much chance of that round here.

[A]

Oh, you'll end up worse than what you are now.

[B]

I'll be fine. Oh.

Open these for me, would you?

[A]

If you can't open a packet of pills, you're not going to be up to plucking a load of turkeys come Wednesday, are you?

[B]

I'd have to pay.

[A]

What? Not if you're in vain.

[B]

What choice have we got?

[A]

Well, if your hands ain't up to it.

[B]

No, I'll be fine.

[A]

There must be something we can do.

[B]

Like what?

[A]

Leave it with me.

[B]

There's your flat white.

[A]

Oh, thanks.

[B]

You know, I can come and get Martha after I finish here, if that makes it easier.

[A]

Oh, thank you. But she's got a birthday party this afternoon at the trampoline park in Felphersham.

[B]

She's busy, isn't she?

[A]

Tell me about it. Anyway, I was thinking I'd bring her stuff with us and then drop yours straight from there. If that works. About half four?

[B]

Yeah, that's fine. Ed and Kira will be in and I'll be home by 5. We were just going to do pizza for Tish. Kira's going to make the dough Herself and then let Martha choose her own toppings.

[A]

Oh, she'll love that.

[B]

So, are you doing anything nice while Martha is out for the evening?

[A]

Yeah, actually, I've booked a table at this little Portuguese place. Small plates, that sort of thing.

[B]

Yeah, sounds lovely. Is that with Carly?

[A]

Yes.

[B]

Getting a bit serious, you two, isn't it?

[A]

Oh, I don't know.

[B]

So you like properly going out, then? Boyfriend and girlfriend?

[A]

Is that a thing when you're in your 30s?

[B]

I'm not going to ask me. But you like her?

[A]

Yeah, I do like her. I suppose we're just seeing how things go at the moment.

[B]

Oh, good for you. Well, we love having Martha. So anytime you and Carly want to go to a lovely little bougie restaurant, you just let me know.

[A]

I. I will do. How's Ed doing? Is he on the mend?

[B]

Yeah, he's all right. Wrist still a bit sore, but he thinks he'll be well enough to go back to work tomorrow, thank goodness.

[A]

Oh, good. Right. I will see you later, then. I meant to say I'll have to pick her up early ish. In the morning for school, like quarter to eight. I'll bring your uniform and everything.

[B]

Yeah, that's fine. We'll be up. Kira's bus goes at the crack of dawn. I'll make sure Mythra has a good breakfast. Does she still like porridge?

[A]

Oh, yeah, she'll eat anything. Thanks, Em. I'll see you later.

[B]

Yeah, bye.

[A]

All right, Chris?

[B]

George.

[A]

What's up?

[B]

Oh, nothing. Just having Martha free sleepover while Chris goes out. I'll do your coffee.

[A]

What, tonight?

[B]

Yeah. Why, what's up with that?

[A]

No, nothing. It's just I haven't seen Martha for ages.

[B]

I know.

[A]

You saw how Chris was with me then. He's barely said two words to me since I got out. And obviously Alice don't want nothing to do with me. No, which I get. But you know Martha's my cousin.

[B]

Yeah.

[A]

I miss her.

[B]

It won't always be like this, you know.

[A]

Won't it? At this rate, Martha will be 18 before we have a proper conversation. And I'll be like Uncle Clive to her. The family wrong un she's been warned against since she was little.

[B]

Don't say that.

[A]

Well, it's true though, isn't it?

[B]

I'll talk to Chris.

[A]

Will you?

[B]

Of course. I mean, not tonight. It's a bit. I don't want to put him on the spot.

[A]

Right. I was actually thinking of coming over to yours later. I wanted to bring Ed some beers, see how he is.

[B]

Were you? That's really nice, George, but I won't.

[A]

If you don't think that's a good idea for me to be around Martha.

[B]

It's not that I don't think you should be around Martha. Of course I don't think that. It's just.

Oh, you know what? It's fine. Really? Yeah. Of course, if you want to come and see Ed, I'm not about to tell you. You can't. Ed would love to see you. And you know what? I bet Martha would too.

What on earth happened here?

[A]

Oh, Clary Lorver. I thought you said you were going over to see Edward. I did, yes.

[B]

And now I'm back. And it's a good job I am, else I might have missed you dismantling the washing mach. What's the matter?

[A]

I'm just having a look at it, that's all. I've had an idea, you see.

[B]

You're doing more and looking at it. You've taken the back off it.

[A]

Yes, but only so I can see how the drum connects to the motor. Clary, this might be the answer to our prayers.

[B]

I sincerely doubt that. Put it back on.

[A]

Now, just listen a minute, would you? I've had an idea that might save your hands, make life a bit easier. I tell you what won't make neither our lives easier if any harm comes to that washer. Oh, what do you take me for? Do you really want me to answer that? I mean it, Eddie. You put that machine back together this instant.

[B]

No arguments.

Martha's having a great time in there. She's got all the teddies lined up next to her in the bed. She's making George and Kira tuck them in and kiss him good night.

[A]

Brilliant. They getting on all right? George and Kira? Only when I put my head around the door. Kira seemed in a bit of a mood.

[B]

Yeah, she's settled down now.

[A]

I think she was looking forward to being the big cousin on her own.

[B]

Yeah, and it's bound to be an adjustment for her, isn't it, having George around again.

[A]

Yeah, for all of us. Martha's great fun. And she reminds me of Kira when she was little. Yeah.

[B]

Do you remember having to play schools with Kira? She could make it last hours and hours.

[A]

I remember. Oh, it seems like yesterday.

[B]

Martha was so pleased to see George, wasn't she?

[A]

I know. Thought he was gonna cry when she ran and hugged him like that.

[B]

I'm so glad he came over. He seemed so low these last couple of weeks. I am worried about him, Ed.

[A]

Yeah, me too.

[B]

All this stuff with Amber and the turkey money and then the argument with you. It's bothering him. Yeah.

[A]

Yeah, I know. Have you asked him about it?

[B]

No, but I was. I was thinking I might try and talk to him.

[A]

Well, maybe I'll go in and read Martha a story and you could chat to George. Nothing too full on. Just, you know. How are things?

[B]

Yeah. Hey, is your wrist still hurting?

[A]

A bit. I'll be fine.

[B]

You need to be careful. If you do too much too soon, you might end up not able to work.

[A]

I'm fine to work. It's just if I twist it.

Have you got a few tea towels.

[B]

We could use as Martha sent you?

[A]

Yeah, she's quite strict. I didn't dare say no. The teddies need extra blankets, apparently. Of course they do.

[B]

Here you go.

[A]

I'll take him in. I promised Martha a bedtime story and Kira can help me with the voices.

[B]

That's a shame to miss that.

[A]

Yeah, she's a right little character.

[B]

Oh, that'll be a day. He says he might need a hand with Summit when he got back from the scrap yard.

Oh, Chris. Everything all right?

[A]

Yeah, yeah, all fine. I just forgot to pat Ellie the elephant and I didn't want you to have a crisis on your aunt's come bedtime. What is he doing here?

[B]

There you are. I wondered where you'd been all afternoon. Then I was coming back from from checking on the turkeys and I saw the light on in the cider shed.

[A]

I've not been back 15 minutes. My little trip out took longer than I thought.

[B]

No need to ask where you got to.

[A]

Just been around a few scrapyards I can see. Found myself a washing machine. Drum and motor so ours is safe. And what's this?

[B]

A hose, some rubber tubing. What do you want with all this junk?

[A]

It might look like junk now, but this little lot might just be the answer to our prayers. How do you mean? What you are looking at here, Clary, is the makings of the all new Grundy Turkey plucker. Beg your pardon? Just you wait. Once I put it together, this machine will pluck the turkeys for us.

[B]

You won't need to lift a finger. Really?

[A]

I'm telling you honestly, Clary, the Internet's full of videos of people who've made their own plucking machines and they really work. This fella in Australia's done a step by step how to guide it all. Seems very straightforward. Does it now? Oh, yeah. Just needs a bit of welding. There's no Grundy need ever hand pluck a Turkey ever again.

[B]

And how does it work exactly?

[A]

So the washing machine drum is the body of the machine. This rubber tubing will be cut into kind of fingers there. What? Pluck the feathers. As the motor spins the drum, see, as it goes, the hose sprays water. Simple.

[B]

Oh, yes, simple. Why didn't I think of that?

[A]

Yeah, I know. It's a wonder more people don't have them.

[B]

I'll believe it when I see it. Oh, come inside. Tea's ready.

[A]

Yeah, right. Oh, I'll be in in a minute.

[B]

Doesn't have to be a massive thing, does it?

[A]

Are you joking? Of course it's a thing.

[B]

No, I mean, George just dropped by and Martha was so pleased to see him. Oh, you should have seen her, Chris. They've been playing together for the last hour, the three of them. It's been lovely.

[A]

That's not. That's not the point. Em, I'm really sorry. I shouldn't have come. No, you shouldn't, Chris. It's fine. I understand. You don't want me around Martha. No, I just. You know, she's my cousin and I haven't seen her for ages. And whose fault is that?

[B]

Come on, Chris. George ain't a danger to Martha. He just wanted to see her.

[A]

It's not about that. It's about what he did. Alice went through hell because of him. Martha nearly lost her mum because of what George did. I'm sorry. It's not enough, Chris.

[B]

He's been to prison.

[A]

I know that and I know he's sorry. But Alice wouldn't be happy about Martha spending time with George. She wouldn't allow it. So it can't happen.

[B]

Right.

[A]

You know what? I think I'm gonna take Martha home.

[B]

Oh, no, you don't need to do that.

[A]

I'm not being. I don't want to cause a scene or anything.

[B]

I just think it's best she's in her pajamas.

[A]

I'll tell her there's been a change of plan. She'll be fine.

[B]

What about Carly? You've booked the restaurant.

[A]

We'll rearrange. Martha has to come first. Chris, there's no need. I'm going to leave Martha. She's having a nice time. No, it's best that she's with me. Look, I'm sorry. I've made up my mind. Is she through here? You alright, Chris? Yeah. She's in here with Kira. Thanks, Ed. Hello, Martha. This looks fun.

I shouldn't have come.

[B]

It's not your fault.

[A]

Whose fault is it, then?

[B]

Mine. I told you to come over it. I thought it would be okay.

[A]

No, this is all on me. Of course. Chris don't want me seeing Martha. I'd feel the same if I was him. I wouldn't want me anywhere near her. Hey. Hey. Things will get easier. Will they?

[B]

Of course they will. Hey, come here. Come here.

[A]

I'm gonna get off. There's no rush. Why don't you stay? Have one of the beers you brought. No, thanks.

[B]

Please stay.

[A]

No, no, I can't. I just need to be on my own.

[B]

Alright, darling. Well, I love you.

[A]

I'll see you later. Yeah. Bye.

[B]

I've never seen him like this before.

[A]

Yeah, I know.

[B]

What? I'm really worried about him.

Hannah.

[A]

Morning.

[B]

Oh, morning, Joy. How's things? Oh, good, thanks, pet. How are you doing? I mean, it's Monday morning and I'm staring down the barrel of another week at work, but other than that. Oh, I know. And these dark mornings can get you down, can't they? Feels like you're waking up and putting your clothes on in the middle of the night. Exactly that. Still, at least we've got Christmas to look forward to. Oh, no, you don't. I'm not there yet, Joy.

[A]

Sorry.

[B]

You don't happen to know whether Martin Gibson's decided about Beryl putting in an entry for the Ambridge tractor under you? I mentioned it to him on Saturday. I interrupted him running, actually, which was a bit awkward, really. The thing is, I didn't actually realise he was running till I got close. It was more like a fast walk, I thought. Oh, not that, you know. I mean, it all counts, doesn't it? Well, it doesn't seem to have put him off. He emailed me yesterday and asked me to think of some ideas about what we could do with our tractor. Said he's keen for Bero to have a strong presence. Is he really? Oh, that's brilliant. Is it brilliant or is it another thing for me to do when I'm already up to my eyes? Oh, I see. Oh, sorry, Hannah. Oh, ignore me. I'll be alright once I've had a coffee. I was thinking I might try and brainstorm some ideas at lunchtime. See what I can come up with. Oh, well, if there's anything I can do, just give me a shout, won't you? I mean it. I'm very happy to help. I might well hold you to that.

Morning.

[A]

Hi.

[B]

Hope to catch you.

[A]

Well, here I am.

[B]

How you doing?

[A]

Oh, yeah, I'm on top of the world.

[B]

I'm really sorry about last night with Chris and Martha.

[A]

Don't be. I told you, it was my fault. All of it was my fault.

[B]

Don't be daft. It was just one of those things. Chris felt bad about it. I could tell he was just trying to do right by Alice, which I can understand.

[A]

But did he take Martha home in the end?

[B]

Yeah, he did.

[A]

So I ruined her night as well.

[B]

George, it's just gonna take a bit of time, that's all. But people will move on. Alice will move on. You've just gotta keep trying, doing your best, that's all. Anyone can ask.

[A]

Did you just come over to give me a pep talk? Because I got stuff to do.

[B]

No, actually. Came to see if you're free on Thursday.

[A]

Why?

[B]

I'm just on my way to price up a job over at Barrow. And if it goes ahead, they're looking at Thursday. Only I'm down to do a shift at the tea room, so I thought maybe you'd be able to go and help Ed.

[A]

Me?

[B]

Just on the ground. Obviously. He could do with another pair of hands. And we'd pay you.

[A]

You don't have to pay me.

[B]

It's work, George. Of course we'd pay you.

[A]

All right, then. Yeah, I'll do it.

[B]

Good. Oh, great. Thank you.

[A]

Was that it?

[B]

I just.

I wanted to ask if everything's all right.

[A]

Not really, no. My uncle thinks I'm a danger to my cousin with you and Umber again. Not really. Oh, George, I don't want to talk about.

[B]

Might help.

[A]

No, I don't think it will. I don't think anything will help.

[B]

Why not? What's wrong?

[A]

I don't think she wants to be with me anymore, Mum. And I don't know what to do about it. I'm really scared that this is it.

[B]

Hello, Hannah. Joy. Oh, there you are. Martin said I'd find you in here. Oh, it's a very nice workshop this, isn't it? Yeah. What are you doing here? Ah, well, I felt awful earlier. You've been lumbered with doing the barrow entry for the tractor run and I'm completely free this afternoon, so I thought I'd see if you wanted me to make a start with you. You? Oh, thanks, but actually, I'm fine. Oh. I've had what I think is a pretty brilliant idea, if I say so myself. Really? Really. Oh, well, I am pleased to hear that. I mean, it'll take a bit of thinking, getting what's in my head to work in real life, but I think it'll be worth it if I can pull it off. Oh, this does sound Exciting. What is it? What is what? Your idea. Oh, well, you see, Joy, if I told you, I'd have to kill you.

No, seriously, go on. I mean it. I think it could be quite, well, special. So I want to keep it all top secret till the big day. Well, yes, from the general public, but not from me. I'm the organiser. I'm not telling. Hey, stop looking at my notebook. Is that a star I just saw? What? Oh, that. No, it's just a doodle. Is it really? Or is it a clue to your design? I've got it. Are you doing the Wise Men following the star to find baby Jesus? No. Oh, are you not? Because that sounds like it could be really lovely. I'm doing something even better than that. Something with a star that's better than the three wise. No, I'm not going to tell you, so you might as well stop guessing. Joy, please, please. You don't have to share the full design. Just the general concept.

[A]

Please.

[B]

Or a clue. Please. Please. All right then. As long as you promise not to tell anyone. My lips are sealed. Okay. It's.

Space. Space? As in. Sorry, what? As in planets? The solar system? Astronauts?

[A]

Space.

[B]

Here's your coffee. You sure you don't want a cake to go with it? No, I'm fine. Like I said, I'll have to be back at work in half an hour. I know. Hey, thanks for coming to meet me. I really appreciate it. It's okay. Only I couldn't help wondering, is something wrong? No, no, nothing's wrong. I just thought it'd be nice to have a catch up.

[A]

Sure.

[B]

So, how are you? Fine. Yeah. Actually, I didn't want to catch up. I wanted to talk to you about George. Oh. Well, about you and George, really. Right. Look, I really don't want to stick my nose in where it's not wanted. I'm not one of those interfering, overbearing parents. No, I know that. But I can see how upset George is and, well, you don't seem much better yourself. No. Oh, Amber, what is it? What's wrong? It's everything. Hey, hey, it's okay. It's not okay. It's really not.

You know you can talk to me. I mean, I know I'm George's mum, but I'm here for you too. It can't be easy for you. I know things are a bit tricky between you and your mum at the moment. That's one way of putting it. What is it? Amber, that's just it. I don't know. I was so excited about Marrying George. So excited. But you're not anymore? I don't know. I just feel in such a spin about it all. I can't think straight. Is this to do with Eddie's turkey money? Because if it is, I know George was hurt by that, but he'll get over it. It's been a rough few weeks for him. No, it's. It's more than that.

Go on. I don't know if.

I don't know if I want to marry him.

I feel awful about it. You can't help how you feel. But I can't trust how I feel either. I don't know how I'm supposed to feel. And maybe everything I'm feeling is normal. And you. I mean, everyone has doubts, don't they? I suppose so. But then I keep thinking I should feel happy. At least you don't feel happy. I don't know. How did you feel when you married Will? Will? Did you know he was the wrong one? Oh, blimey. I'm sorry. I. I just. Yeah.

Yeah, I think I did know. When I married Will, deep down, I think I knew it wasn't the right thing for either of us. But you did it anyway. I didn't dare admit to myself how I really felt. I just found out that I was pregnant with George.

I think I thought I'd left it too late to change my mind. And I did love Will.

I always remember on the morning of the wedding.

He asked me did I? The way he loved me.

And I didn't. I knew I didn't. He knew I didn't. So what did you say?

I said I loved him in a different way to the way he loved me. I loved him for who he was, which was true. And then I told him I was having a baby and, well, that was that. He was over the moon. And I thought I had to make it work for the baby, for George. Of course I couldn't make it work. How could I? I was in love with someone else. Ed. Yeah.

Looking back, it would have been a lot better for everyone if I hadn't let things get so far. But it's hard when a wedding's coming down the track. Yes. You and George have been sensible, though, taking your time with the planning. And you're not pregnant, are you?

[A]

No.

[B]

No, I. I mean, I'm not ready for that. No, of course. You don't have to rush into anything, especially if you're having doubts.

Do you know what I think? What? I think you need a bit of space and time. Take a step Back and. And just think about what you want. Maybe. But how do I say that to George? I mean, he'd be devastated, George. And daft. He knows something's wrong already.

I think you have to try and be honest with him. Tell him that you need to think about what you want. Because at the end of the day, if it's not right for you, then it won't be right for him neither. I learned that the hard way.

So let me get this straight. You'll be dressed as an astronaut? That's right. Yep. And then I'll have some planets, spaceships, maybe a satellite. I'm gonna need a lot of tin foil. Tin foil? Maybe I could get some of those glow in the dark shapes you stick on kids. Bedroom ceilings. That'd be great, wouldn't it? Great, yeah. Really great. Only. What? Well, it does sound absolutely, really good fun. I suppose I'm just wondering how, well, festive it is. Festive? You know, the tractor run will be happening on Christmas Eve. Oh, yeah. I hadn't thought of that. I mean, I'm happy to put some tinsel on the aliens, if you like aliens. Oh, don't look so worried, Joy. Trust me. It's gonna be fabulous.

[A]

Oh, hi. I didn't think you were home yet.

[B]

I just got back.

[A]

What's the matter? You look weird.

[B]

Oh, thanks very much.

[A]

You're gonna say something.

[B]

I'm not. I just. I don't know. George, I think we need to talk.

[A]

No.

[B]

What?

[A]

We don't need to talk. George, I don't want you to say what you're gonna say.

[B]

You don't know what I'm going to say. I don't even know what I'm going to say.

[A]

You're gonna say that you want us to break up.

[B]

No. No, I don't think so.

[A]

You don't think you want to break up with me?

[B]

I love you.

[A]

Really.

[B]

Really, I do. I know I do. But I also feel like something's wrong and you must feel it too.

[A]

I love you the same as I ever did.

[B]

Things haven't been right since I asked you about the money for the ring.

[A]

I'm over that.

[B]

Well, fine.

[A]

I'm totally over it.

[B]

I wouldn't blame you if you weren't.

[A]

I am, though. I don't care. I just want us to be together and for everything to be like it was.

[B]

Do what? I'm trying to tell you how I feel.

[A]

Yes, but I don't understand what you're saying.

[B]

I'm saying I don't know what I'm Saying, great.

[A]

Brilliant. So where does that leave me?

[B]

I don't know.

[A]

I'm going for a shower.

[B]

George.

[A]

Sorry, Susan. Mornings are always a bit of a mad scramble around here. Ian's just getting Xander dressed and then he'll be down.

[B]

Oh, no rush.

[A]

And the coffee should be ready now. Oh, there's Xander's reading book. Mustn't forget that again.

[B]

I remember what it's like having to sort out the little ones and get ready for work at the same time. Look, I'll see to the coffee. Do you want one?

[A]

Oh, thanks, Susan. I've already had one. But it hasn't touched the sides.

Oh, Xander's shoes. I. I just saw them.

[B]

Oh, over there, under the table.

[A]

Thanks.

[B]

There you go.

[A]

Thank you.

[B]

You got a busy day?

[A]

Well, you could say that. I'll drop Xander off at breakfast Club, then I'm meeting Brian. Then it's back here for the rest of the day to try to clear some of this home file paperwork. Haven't even thought about Christmas yet. Ian's done all the present buying so far.

[B]

Well, he loves all that, isn't he?

[A]

That's true. He does.

[B]

It's good of him to give up his day off to help me with these deliveries. I did say to him I'd be all right on my own, but no.

[A]

No, he's happy to help. And the pizza band's just sitting there, so it makes sense to use it. Have you got many deliveries to do today?

[B]

Oh, no, just half a dozen. So we should be done in an hour or so. The online ordering system's only been up and running since the weekend open wood or spring?

[A]

I'm sure it will.

[B]

I mean, we don't know how long it might be till we can get back into the shop. Don't want our customers to forget about us.

[A]

Well, of course they won't. Ambridge isn't the same without the village shop. We're all missing it.

[B]

Thank you for saying that, Adam.

[A]

I mean it.

[B]

Well, I appreciate your support. You and Ian both.

[A]

Tell you the truth, I think Ian's really looking forward to having a drive around Ambridge in the van with you. He's hoping you'll catch him up on all the village cost.

[B]

No, I was banking on him catching me up. That's another thing about the shop being closed. You miss out on all the goings on. I've never been so out of the loop.

All right, I'll speak to you soon. Okay, bye.

[A]

Who was that on the phone?

[B]

Lola. My cousin in Ireland.

[A]

I know who Lola is.

[B]

I'm going to go and see her.

[A]

In Ireland?

[B]

Well, yeah.

[A]

Sorry, are you telling me you're going to Ireland?

[B]

I am, yes.

[A]

Why?

[B]

I.

I need some time to think.

[A]

You need to go all the way to Ireland to think?

[B]

Well, it would do me good to get away for a bit, George. I think it will do us both good.

[A]

What about work?

[B]

They've let me take some unpaid leave.

[A]

You've got it all worked out?

[B]

No. I rang first thing this morning and asked them. I very much haven't got it all worked out. I've no idea what I'm doing. I'm just trying to do what's best for both of us.

[A]

What's best for me is you.

[B]

Please don't, George.

[A]

No, no, please. You don't. Don't break up with me.

[B]

I'm not breaking up with you.

[A]

You say that, but we both know you are.

[B]

No, George. I love you. That hasn't changed. But the wedding, us living together. Everything's happened so fast and I need to stop and think, that's all.

[A]

When are you going?

[B]

Tonight.

[A]

And when will you be back?

[B]

I'm not sure. A couple of weeks.

[A]

A couple of weeks?

[B]

I really don't want to hurt you, George. That's the last thing I want.

[A]

It's a bit late for that, isn't it? I need to get to work.

[B]

I won't keep you, Adam. Now you're up to your eyes only. Pop back to drop off Ian's fleece.

[A]

All right?

[B]

It's the one he keeps in the van. He lent it to me because I was chilly getting in and out to do the delivery. Should have worn my big coat, really. But I thought it mightn't be good for driving in.

[A]

Well, he's just gone to the gym. He said it went very well this morning.

[B]

It did, yes.

[A]

In fact, he came back from of ideas.

[B]

Ideas?

[A]

Yes. Yeah, yeah. He said lots of people asked after the pizza van. Wanted to hire it for events and things. He thinks there might be a way for you to work together.

[B]

Oh, right. In what way? Sorry.

[A]

It's one of our supplies. I better take this. Are you all right to let yourself out, Susan?

I'm sorry. Turning up like this. It's all right. You're at work. It's fine. I'm on my lunch. I feel like I'm going insane. I can't believe this is happening to me. You haven't actually told me what is happening, mate. Amber's going away. Away? Ireland. Ireland? To stay with her cousin. Oh.

[B]

Well, I thought you meant well.

[A]

That don't sound too bad. It is bad. It's really bad. She said she needs time to think. Oh, exactly. Braz, I'm really worried that this is it. She's leaving me. Did she say that? No. Okay. She said she doesn't know what she wants. Right. Okay. Okay. But that doesn't mean. Well, she's allowed to need time to think. Is she? Everyone needs time to think. Not me. I don't need time to think. I know. I want to be with Amber. I can't bear to be away from her. I know, mate, but maybe it will do you good, hey?

[B]

I don't know.

[A]

Just a bit of space. I don't need space. I need Amber. But you have to admit, it all happened pretty fast. You two deciding to get married. Maybe it's a good thing for you to slow down a bit. We already agreed to wait a while for the wedding. So why does she need to go to Ireland?

[B]

I don't know, mate.

[A]

You could ask her, though. Oh, no, I don't. Amber loves you. She'd tell you if you asked. I really don't think she would. Yeah, of course she would. What time do you finish here? Half four. Perfect. Well, I said I'd be back to say goodbye to her at six, so you go over before that and see what you can find out. I don't know, George. Good lad. I'll see you later. Yeah.

[B]

Hello again, Adam.

[A]

Susan. Hi. Nice to see you again. Tracey's just gone to change the barrel.

[B]

Glad to see you're having a break from work. You are having a break, aren't you? Not here for a work meeting or something.

[A]

No, no. Neither of us could be bothered cooking, so we decided to come here to eat instead. Ian's just collecting Xander from his after school yoga club.

[B]

Oh, yoga. Very good. You should ask him to show you some of his moves. Help you de stress.

[A]

You sound like Kate.

[B]

Oh. It's important, though, to properly relax. You don't want to work yourself into the ground.

[A]

Oh, I won't. Really, I won't. No, I'm fine. Actually, I'm enjoying it.

[B]

Oh, really?

[A]

Yeah. I mean, it's intense, but there's something exhilarating about running a farm again.

[B]

You're not missing the dairy then?

[A]

Well, the company, yes.

[B]

Oh, you don't have to say that.

[A]

No, I mean it. I loved working with you and Clara.

[B]

It was fun, wasn't it?

[A]

It really was. And you never know, maybe we'll find ourselves working together at some point in the the future. If this idea of Ian's works out.

[B]

Yeah. What was that?

[A]

Well, I'm sure he'll tell you himself when he gets here.

[B]

Oh, I'm not staying. I only popped in to have a word with Tracy about Dad. So, go on, what did Ian say?

[A]

I think he just thinks that there's potential in linking up the pizza van and the shop more formally.

[B]

In what way?

[A]

I. I don't know, like. Like a mobile shop. Pizza delivery service in one, I think. I mean, it's possible.

[B]

But even if it was possible, it wouldn't just be on my say so. I'd have to put it to the shop committee. And there are no pushovers, of course.

[A]

Yeah.

[B]

And anyway, the delivery service thing isn't really a long term plan. I mean, possibly in addition to the physical shop, but not instead of.

[A]

Well, of course, yeah. I think Tien is thinking of this as a sideline to the shop.

[B]

Well, good, because a community shop is a place for people to connect, to chat as well as to buy. We brighten people's lives.

[A]

Oh, Something wrong?

[B]

It's Hazel. She says she's got an update on the shop and will ring me later in the week. That doesn't sound good, does it?

[A]

You never know, it might be positive.

[B]

News ring, you know, Typical Hazel. She likes to spread a sense of unease wherever she goes.

[A]

So you're all packed?

[B]

Yep. Taxi's booked for six. George said he'd be here to wave me off, though. There's no sign of him yet.

[A]

Oh, no, he'll be here. He said he would be. Anyway.

[B]

You've seen him?

[A]

Yeah.

[B]

How was he?

[A]

Yeah, in a pretty bad way.

[B]

Oh, no, he wanted me to talk to you. Oh, so that's why you're here?

[A]

No, I. I mean, yes, kind of. Really, I. I just wanted to check.

[B]

That you're all right. Of course I'm not alright. Everything's a mess.

[A]

Why are you going? Not that you have to tell me, but I don't think George understands.

[B]

I've told him I need time and space to work things out.

[A]

To work what out?

[B]

What I want, If I want this.

[A]

George hasn't done anything, has he?

[B]

Like what?

[A]

I don't know. You're not hurt or anything? Of course not.

[B]

George wouldn't do anything to hurt me. No, he hasn't done anything at all. It's not about that. It's about me.

[A]

What about you? How I feel. And how do you feel?

[B]

Stop it.

[A]

I just. I'm not even asking for George anymore. I won't tell him anything if you don't want me to. But I know there's something you're not telling me. And I want to be there for you.

[B]

You can't be there for me. That wouldn't help at all.

[A]

Why not?

[B]

You know why.

[A]

Do I?

[B]

Brad, I think you should go now.

[A]

Please tell me. Amber. I care about you.

[B]

I care about you, too. That's why I have to go.

Oh.

Oh, you must have known. I mean, it's not just me, is it?

[A]

No. No, but I. I'd never. Oh, blimey, Amber. Do you see why I have to go now? Yes. But I. I don't want you to.

[B]

Well, I am. I'm going. So you forget this conversation, all right?

[A]

How can I forget?

[B]

I don't know. But you have to. Both of us just have to move past it somehow. Leave it behind. Because this can never happen. It can never happen.

[A]

No, I know.

[B]

So you forget it. All of it. All right? Promise me, Brad.

[A]

Yeah, I promise.

[B]

You have to go.

[A]

Okay.

Amber, I.

I'm really sorry.

[B]

Me too.

[A]

Take care.

[B]

Goodbye, Brad.

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What do you think makes the perfect snack?

[A]

Hmm, it's gotta be when I'm really craving it and it's convenient.

[B]

Could you be more specific when it's cravenient? Okay.

[A]

Like a freshly baked cookie made with real butter, available right down the street at am, pm. Or a savory breakfast sandwich I can grab in just a second at am, pm.

[B]

I'm seeing a pattern here.

[A]

Well, yeah, we're talking about what I.

[B]

Crave, which is anything from am, pm.

[A]

What more could you want? Stop by AM PM where the snacks and drinks are perfectly craveable and convenient. That's cravenience am, pm. Too much. Good stuff.

Are you ready, Clarylove?

[B]

Yes, I think so.

[A]

All right then. Just get you in position there. Okay, you can open your eyes. Oh, yes. Well, what do you think?

[B]

Yes, very good, Eddie. Looks just like the one you showed me on that video.

[A]

It does, doesn't it? I did follow the instructions very carefully. Wanted to get it exactly right. I'd say you've done a good job. Hang on, you've not seen it working yet. I'll turn it on. Bear with me. Just need to reach around here.

Is it meant to sound like that? Oh, yeah, the Australian fellas. One made a right bracket. I mean, it's bound to, isn't it? It's an exposed motor.

[B]

Where was the feathers go? They're not flying all over the room.

[A]

Oh, they won't. That's what the hose is for. I'll be holding the hose like this, look. Washing away the feathers as they come off. We then just gather them up from the bottom of the drum.

So, shall we get started then?

[B]

No, not yet. I'm having coffee with Susan first thing, remember?

[A]

On turkey blocking day?

[B]

Yes, on turkey plucking day. She's in a flap. She's convinced Hazel's gonna sell up, so I said I'd meet her before she starts her shift at the dairy.

[A]

What time will you be back?

[B]

Oh, in an hour. Give you time to sort things out. Then we'll get going as soon as I'm back. Okay.

Tony.

[A]

Oh, hello, love. How are you getting on?

[B]

Shattered already, to be honest with you.

[A]

You were up very early before I'd even gone over to start milking.

[B]

I know. I think I'm going to need a cup of tea before I do anything else.

[A]

Good idea.

[B]

You want one?

[A]

No, actually, I thought I'd go and do a bit of work on my tractor design. I've got an hour or so spare before I need to do the bedding for the cows.

[B]

Lucky you.

[A]

But I could do a shift in the shop later if it would help. Are you sure?

[B]

Of course.

[A]

And once Christmas is out the way, we really need to think about who we get to replace Adam, that would certainly help. Not that I've given it a moment's thought because you're too busy working.

Anyway, I'm happy to take over in the shop later. Give you a bit of breathing space.

[B]

Oh, thanks, love. Oh, Clary. Hi, Pat. Nice to see you. How are things? Yeah, it's all right. I just had a nice catch up with Susan before I shift. She said it's as busy as ever in the dairy. That's true. And now I'm off back home to do the turkey plucking. Gosh, is it that time already?

[A]

Oh, no.

[B]

How are the rest of the family? Oh, good, yes, you know George, doing all right? I don't know. To be honest with you. I think he's finding it hard going. Looking for a job and getting back into the swing of things. Yeah, I can imagine.

Is your arthritis bad? Oh, I'm sorry. I just noticed you were rubbing your hand. I know it can flare up at this time of year. Well, to be honest, these days it's flared up more than it's down. Oh, dear. There's nothing new.

[A]

Oh, now I know. You've suffered for years.

[B]

Well, how are you going to manage plucking the turkeys? Oh, well, apparently my hands ain't needed this year. Oh, Eddie's latest invention. He's made a turkey plucker. What a machine?

[A]

Oh, yes.

[B]

And it works? Well, it turns on. I ain't actually seen it plucking anything yet, so. Let's just say I'm not counting my chickens or turkeys. Quite.

[A]

I suppose I better get back.

[B]

Already? I'll be spitting feathers. Stop it. Bye, Pat. Yeah, I see you, Clary. Let's have a proper catch up soon. That'd be lovely. Hello, Joy. Oh, hi, Clary. Pat. Is Tony about?

[A]

Yeah, he's in the workshop.

[B]

Thanks. You won't mind if I pop in, will he? No, you go ahead, Joy. I'm sure he'll be pleased to show.

[A]

You what he's been up to.

[B]

Can't wait.

Hello? Tony, are you in here? Pat said it would be all right to stick me head in.

[A]

Joy.

[B]

Oh, hello. Sorry, you gave me a bit of a fright popping out from behind that piece of wood like that.

[A]

Sorry, I was just measuring up.

[B]

Is this for your tractor? For the run?

[A]

It might be.

[B]

Sounds exciting.

[A]

What? Me measuring some wood? You need to get out more, Joy.

[B]

No, I just mean. Well, it's a very big piece of wood.

[A]

It is, isn't it? So, how's it all been going? Has the organization been smooth so far?

[B]

Yeah, it's Been ok?

[A]

Only ok?

[B]

Well, no, everything's going smoothly from a logistical perspective. It's all relatively straightforward on that score.

[A]

Sounds good.

[B]

I suppose if I've got any concerns, they're more about the artistic side of things. Oh, yeah.

[A]

What are you worried about?

[B]

I'm wondering if I should have been a bit clearer in my instructions to participants.

[A]

Right.

[B]

I mean, I thought it would have been obvious that the general theme is crisp, you know, given that the event is happening on Christmas Eve. And don't get me wrong, I'm open to a broad interpretation of Christmas. I know it means different things to different people and I want to be inclusive, of course, but I'd imagine something generally quite festive, you know?

[A]

I see.

[B]

And to be absolutely honest, I'm worried that some people have gone completely off piste, as it were.

[A]

Oh, dear.

[B]

So what are you planning?

[A]

Me?

[B]

Yes, you. Your tractor.

[A]

Oh. Oh, my tractor. Yes. I'm thinking.

Sea creatures.

[B]

Sea creatures?

[A]

A kind of under the sea theme. Yes. Saren and Nova are really into sea creatures at the moment. That's what gave me the idea. But I can definitely incorporate Christmas, so nothing to worry about on that score. Oh, no.

[B]

Right. How will that work?

[A]

Well, obviously I don't want to give away too much and risk spoiling the surprise.

[B]

Oh, there's really no requirement for it to be a surprise for me. I am the organiser, after all.

[A]

Well, yes, but you deserve some Christmas magic too.

Now, I better get on, as I've agreed to do patch shift in the shop later and I really want to get these.

Wooden octopuses cut out by then.

[B]

Okay, well, keep me updated, won't you?

[A]

Right, here's the first bird. Ready?

[B]

Okay, so we just put it in there, do we? Shall I turn it on first?

[A]

Yes, over there.

[B]

So what happens now?

[A]

You just drop it in? I suppose so. Hold the hose ready. You need to be spraying it as it goes around. Wash the feathers off.

[B]

Right you are.

[A]

One, two, three.

[B]

Wow.

[A]

The feathers are certainly coming off. It's working, I think. It is. It keeps spraying. That's it.

[B]

Okay.

[A]

What?

[B]

The turkey don't look very happy. It's getting a bit thrown about in there.

[A]

That's how the feathers come off. It'll be fine. I don't think it is fine.

[B]

Eddie, look.

[A]

Oh, no. Is that a leg? Yes. Watch out. Ow. Turn it off. Turn it off. Give me a second.

[B]

You all right?

[A]

Not really. Tipped me right on the top of my head.

[B]

Oh, dear. Here.

[A]

I could have been seriously injured by that flying turkey, Len.

[B]

I know. I'm Sorry. It's not funny. It's just a look on your face.

[A]

I don't understand.

[B]

Why has this happened?

[A]

Supposed to plop the feathers, not rip the bird apart?

[B]

I don't know. Perhaps it's too fast.

[A]

Oh, maybe so. I just need to work out how to slow it down. If I ever look at the motor.

[B]

Eddie, I think we're just gonna have to go back to plucking the old way. We can't afford to risk more turkeys getting ruined.

[A]

What about your hands?

[B]

My hands will be all right.

[A]

I really thought it was going to work.

[B]

Did you? Yeah.

[A]

Didn't you?

[B]

Well, I wasn't absolutely convinced. No.

[A]

I wanted to save you having to do it.

[B]

Hello. Hello, Pat. What are you doing here? Well, I found myself with a few hours to kill. I thought I'd drop in to see how your mechanical turkey plucking was going.

[A]

Oh, Pat. Not as well as anticipated, I'm afraid.

[B]

So might you be needing any assistance? I mean, I know experienced turkey pluckers are hard to come by, and with Clary's arthritis playing out. Would you, Pat?

[A]

Yes. Oh, thank you. You're a Christmas miracle. I suppose I am.

[B]

Well, shall we get started, then?

[A]

Hello, Joy.

[B]

Tony.

[A]

Can you talk for a minute? I'm in the shop, but it's quiet.

[B]

I've just been sitting here thinking about your idea.

[A]

My idea? Oh, my under the Sea tractor, you mean?

[B]

Yes, and it sounds lovely, what with the octopuses and so on.

[A]

Oh, good. I'm glad you think so.

[B]

I do. Only I can't help thinking, wondering, is it a bit. Well, how festive is it?

[A]

I know what you mean.

[B]

As I say, it sounds fantastic, but I'm just not sure how it'll translate for Christmas Eve.

[A]

But on the other hand, you did say you wanted a broad interpretation of the theme. And some people will be spending Christmas near the sea, won't they?

[B]

Yes. And some people will be spending it in space, no doubt.

[A]

Sorry.

[B]

Oh, never mind.

[A]

I think it'll be fun to have some variation.

[B]

I just don't want it to seem random.

[A]

You know what I think?

[B]

What?

[A]

I think we should all relax.

[B]

Oh, right.

[A]

It's easy to get carried away with these things. Things? But it's all a bit of festive fun, isn't it? I'm sure it'll all work out fine in the end. You'll see.

Is this the last one? It is.

[B]

Here, I'll get it hung up.

You've done very well. You mean, you've done very well. No, both of us. Me on the Plucking. He won the hanging. We make a good team. Mind you, we already knew that. That's true. You know, it's not the same at Bridge Farm without you. Oh, that is kind of you to say. No, I mean it. I miss you, Clary.

[A]

We all do.

[B]

Oh, you can't help but take it for granted, seeing someone every day. You feel like things will go on as they are forever. And then things change and you realise how nice it was before.

I miss you too, Pat. Thank you for today. Not just for turning up to help us, but for noticing me. And my hands. Remembering, of course, just shows we might not see each other as often as we'd like. But we're still there for each other. We certainly are. Anytime. I mean that.

Brad.

[A]

Sorry, I didn't mean to make you jump. No, it's all right. Sorry, I didn't see you there. I was just on my way to work. Yeah. Yeah, me too. Or will be if George ever appears. He's helping me on a job today. Cutting down trees? Well, tidying over at Barrow. That's good.

How is he? George? Oh, I don't know. You know that Amber's gone to Ireland? Yeah, of course. Yeah. Yeah. George said you spoke to her for him. Not that she said much, just that she wanted to get away for a bit. Right. I mean, fair enough. I could imagine the whole getting married thing might be a bit overwhelming, so. Especially when her parents aren't happy about it. Yeah. But George hasn't taken it very well. No. I've never seen him this low. I was hoping him coming to work with me might take his mind off it, but I think that might be wishful thinking. Worth a try. Yeah.

[B]

Yeah.

[A]

I dunno. I did wonder about doing something later, though. Try and cheer him up. Good idea. Wondering about bowling. Bowling? Yeah. I know it might seem a bit naff, but George used to really love it and it might distract him for an hour or so. What do you think? I think he'll like it. Yeah. No, no, I mean, if we go tonight, do you want to come? Me? Yeah, yeah, if you're free. I mean, George could really do with a friend at the moment. Yeah, yeah, sounds good, Ed. See you.

Hello, Joy. Nice to hear from you again.

[B]

Hiya, Tony. I wondered if you were free for a catch up later.

[A]

A catch up?

[B]

Yeah, just a touch base.

[A]

Oh, I'm not sure. I've got a fairly hectic day, to be honest with you.

[B]

I can come to you if that makes things easier. Say one o' clock in the tea room?

[A]

What's this about tractors?

[B]

Tony? I'll see you then.

[A]

All right, let's get rigged up. We're gonna need to watch those cables overhead. You mean you will? I'm not allowed to go up the tree, remember? I think I'm just gonna use the small chainsaw. What's wrong? Nice. Nothing. Your wrist. No, it's just. Just want to twist it the wrong way. It'll be all right in a minute.

Ah, damn it. Looks like I left the harness in my van. I'm going to nip and get it. Back in a minute, all right?

We were just talking about you. All right? Saying you're going to clean up at the bowling later on. What? Joke. Obviously. Unless you've been secretly practicing since we last played. Oh, no, I'm still terrible.

The thing is, George. What? I'm really sorry, mate. I've got this assignment due tomorrow and I still need to do loads of work on it because it counts, you know, towards my mark for the year. Not all of them do, but this one does. So, you know, I, I, I better. All right, calm down. I don't need your life story. Sorry, mate. No problem. Okay. We'll do something soon, though, yeah? Sure. See you later.

[B]

Ow.

[A]

Ed, is everything all right? Oh, yeah, let's do. I didn't see you there. No, I've only just pulled up. I'm doing some checks on the pigs. Are you okay? Oh, yeah, yeah. It's just this wrist. Hurt it last week. It's getting better, but I keep forgetting to wear the support port brace thing. Yeah, let's have a look. Honestly, it's fine. Looks a bit swollen. You sure you're all right to be working? Oh, yeah, yeah, yeah, it's fine. Anyway, I haven't got much choice, to be honest with you, Alistair. Just glad that I've got George with me today to do the heavy lifting. Yeah, Good job. You've seen a doctor? No, no, I didn't think I needed to. Well, I'd get it checked out if I were you. And what about driving? Well, only hurts when. When I twist it. Driving's fine, thank goodness. If I couldn't drive, I couldn't work. No, well, quiet. I'm on a Paul all the time to start learning. Be really helpful if he had a license. Well, Paul can't drive. No, he can't. Which, as you can imagine, is a real pain. Anyway, if you're planning to climb any trees, I'd advise you to put your brace on. Have you got it with you? Yeah, it's in Here somewhere. I think.

It must be in my bag over by the trees. Oh, I'm going that way. I'll come with.

[B]

I can see you're both wondering why I've asked you here. A bit. Yeah. On my lunch break.

[A]

You said it was about the tractor run.

[B]

It is. Yes. So I've spent the last few days gathering information about everybody's entries. I've had lots of people sign up, which is fabulous. And lots of different ideas for the designs. Also fabulous. Okay, so I thought I'd just run you through some of the ideas so far.

[A]

Is this necessary, Joy?

[B]

Yeah, I'm not sure we really. Eddie's doing angels on the Grange farm tractor. Pip's doing a Christmas cow on the Brookfield tractor. Then we've got Alice as a Christmas fairy pulled by two horses with reindeer antlers. Can you see? There's a common theme, is there? Yes, Christmas. Oh, and you're worried that our ideas will stick out like sore thumbs. Oh, it's not that I don't want to be prescriptive. And I'm sure what you're planning will be really lovely. Both of you. But you don't think we're Christmassy enough? Oh, you can be as un Christmassy as you want for me. I just wouldn't want you to feel uncomfortable on the day when everyone else is mistletoe and wine and you two. Well, space and sea creatures.

[A]

Space.

[B]

Well, quite.

What? What are you both laughing at? Oh, is this some kind of elaborate joke you're playing on me? Because I was actually quite worried about how to broach this without hurting your feelings.

[A]

No, sorry.

[B]

Of course not. I had no idea Tony was planning a sea theme. I mean, it sounds great, but I have to confess, I was telling a little fib about mine. You mean you're not doing space? I'm not, no. But I wanted my idea to be a surprise for the day, so I was trying to throw you off the scent.

[A]

Me, too.

[B]

What? You're not doing under the sea.

[A]

No, I just wanted to keep what I'm doing under wraps. You see, I'm hoping it might be quite, well, special.

[B]

Same. Oh. So what's yours, Tony?

[A]

I'm not telling. What's yours?

[B]

I'm not falling for that. Oh, but surely you can both tell me. I'm afraid not.

[A]

No. Sorry, Joy.

[B]

So, what will I put on me spreadsheet? That's up to you. But I will say you might want to reserve a special place for mine in the run.

[A]

And mine.

[B]

No offense, Tony, but my tractor is going to be? Well, I think it might be like the main attraction, actually.

[A]

Hannah, no offense either, but I think mine might just be the people's favourite.

[B]

Well, there's no need to be competitive. It's not like there's a prize for the best tractor or anything. Well, no, but aren't we all going to be carrying donation buckets? Oh, yeah, for the charity collection. Well, we'll know whose tractor's the favourite. The one who collects the most money.

[A]

There you go. I should keep it a bit more supportive. Yeah, thanks, Alistair. Yeah, that feels like lot better. No problem. Glad I could help. But as I say, you really need to get it properly checked over. Yeah, I will, I will. Yeah. Bye.

[B]

Bye.

[A]

Bye, George. Bye.

What's up with you? Nothing. Well, something's wrong. Who was out on the phone earlier?

[B]

Brad.

[A]

Is everything all right? Not really, no. What, he can't make it tonight? No. Yeah, got some important assignment to do for uni. Well, he never said. This morning? No. Well, now he's had time to think, hasn't he? Don't be daft. If he said he's got work to do, then he's got work to do. How stupid are you? George, don't. He doesn't want to spend time with me. He's my best mate and he'd rather stay in and do some made up assignments. I'm sure it's not made up. Anyway, we can see. I can still go bowling. No, thanks. Why not? Because I don't need you tiptoeing around me arranging pathetic kids activities. I wasn't. I just thought it was nice. No, you thought it might distract me from the fact that my entire life is falling apart. Well, guess what? It won't. Spending time with people who care about you is important at times like this. So you agree my life's a disaster? No, of course not. You've been through a hard time, but things will be different soon. Amber's left me. She hasn't left you. Oh, come off it. We both know you don't go to Ireland for some space unless you're having serious doubts. I can't get a job. Everyone in this village hates me. Your family love you. Do they? Of course we do. Chris doesn't. He thinks I'm such a monster he won't even let his kid be in the same room as me. That is not true. It's complicated. Well, I admit it. You'd all be better off if I was still in prison. Now who's being stupid? Well, no one would miss me if I wasn't here. Everything was a hundred times better when I was inside. So why don't I just go back there? Because it would destroy your mum. Oh, she'd cut over it. All I need to do is call Reg and tell him I pushed you down the stairs. He can sort the rest. You didn't push me. I fell. Oh, same. Same. George, listen to me. No way would be better off if you went back to prison. Why do you think I'm here doing this? Dragging you out to help me cut back trees and taking your bowling. Did I ask you to?

[B]

No.

[A]

No, I did it because I want to. But you need to stop pushing people away or you really will be on your own. Right, yeah. That's more like it. Tell me how you really feel, eh? You think I brought this all on myself, don't you? You think Amber did the right thing getting out the way? Who knows what I might do, eh? And same for Brad. Best off keeping his distance. I'm just gonna go up and trim this tree, all right? And then I'll take you home to try and calm down. Don't tell me to calm down. Hey, come back here. Don't walk away from me. I am walking away, George. I'm not abandoning you. But I am walking away. No, you're not.

I'm sorry. I'm sorry. I'm sorry. I. I don't know. It's all right. I didn't mean to do that. It's all right. It's all right.

I've got you. It's gonna be okay. It's gonna be okay.

[B]

Something smells nice.

[A]

Oh, hello, love. I thought I'd do a curry for a change. Chicken balti. I got the recipe off the Internet. It wants me to put some apple cider vinegar in at the end and we haven't got any. Do you think red wine vinegar will do?

[B]

Vinegar? Are you sure?

[A]

Well, apparently it brings out the flavours.

[B]

I'd have thought red wine vinegar would be fine then. Yeah.

[A]

How was the dairy?

[B]

Oh, good. Apart from me checking my phone at every opportunity to see if Hazel had called.

[A]

Oh. Still no word?

[B]

No. And the longer this goes on, the more convinced I am that it's going to be bad news.

[A]

Like what?

[B]

Oh, I don't know. What if she's decided she wants to sell the whole building?

[A]

Why would she have all that work done and then sell up?

[B]

Well, wouldn't be the first time she's threatened to sell. Perhaps she thinks she can recoup the money she spent on having the work done. I mean, it can't have been cheap. Honestly, Neil, I'm driving myself mad trying to second guess what she might do. You know, I really thought that life was getting back on an even keel, what with George having come round a bit.

[A]

But there's no point panicking before we know what Hazel's going to say. And if the worst happens and she does want to sell up, there's always the pizza van option for the shop.

[B]

Oh, I'm really not sure about that.

[A]

No, now you got your reserve, but as a temporary measure, it might be all right.

[B]

I've got more than reservations. I mean, yes, it was fine for doing a few deliveries, but Ian seems to think we could do some kind of pizza shop double act and, well, I don't think that would work at all.

[A]

I know what you mean.

[B]

Anyway, a village shop isn't just about getting goods to people's front doors.

[A]

That's true.

[B]

It's about somewhere to pass the time of day, check in with people, post a letter.

[A]

Well, the pizza van might not be the only option.

[B]

No, but if Ian brings it up again, I'll. Well, I'll just have to find a way to let him down gently.

You can have the first shower if you like. I'll get the potatoes peeled before I go and pick up Kira.

[A]

Well, I don't mind doing the potatoes. Potatoes and get Kira too, if you like.

[B]

No, it's fine. I want to listen to the end of my podcast.

[A]

Oh, is this the one you sent me the link to? Yeah.

[B]

Honestly, you'd love it. It is so funny.

[A]

I don't know how you find the time to listen to podcasts.

[B]

Well, I listen when I'm peeling potatoes, Ed. Or picking up the kids. Or folding, washing.

[A]

All right, I get the picture.

[B]

Oh. Oh. You okay?

[A]

Yeah, yeah, yeah, no, fine. Just caught myself where the branch got me.

[B]

It's quite a bruise you've got there. Looks like it's turning into a right shiner. Must have hit you hard.

[A]

I was just unlucky. I was holding one branch out of the way and then the one I was cutting fell into my face.

[B]

Ed, you poor thing.

[A]

Yeah, I know, I know. Stupid. Really. Well, I won't be long.

[B]

Take your time. Oh, who's that now? Hello, love. Weren't expecting you. Come in.

[A]

Well, I just thought I'd come over to say hello. I was helping Grandpa with the turkey orders.

[B]

Oh, are you? That's good. I was just about to get the tea on. Do you want to stay and eat with us?

[A]

Ah, no, it's all right. I Only popped in to say hello.

[B]

Are you sure? Because it's sausage and mash with onion gravy and broccoli. And I've brought some mince pies home.

[A]

From the tea room, if you're sure there's enough.

[B]

Of course. You're always welcome, you know that. Now, come on, you can help me peel.

[A]

There you go, Ian. Oh, lovely. Thank you. I don't think I've had a cup of tea all day. We've been not busy at work. Always goes a bit mad once the Christmas lunches start.

[B]

Christmas lunch is already.

[A]

I know. It feels like it gets earlier every year. I tell you what, I'm shattered. Hey, sit down. Sit down.

[B]

You'll be wanting to get home, won't you?

[A]

I'm all right. I. I won't stay long. I was just driving past and I thought I'd pop in to run a few thoughts by you. You know, about this pizza van shop idea.

[B]

Oh, yes, I've been thinking about that.

[A]

Oh, good. Me too. I'm wondering if we could make hot food part of the shop's offering. Supplied by me. I mean, at a good price, of course. I think it could really work well alongside the deliveries.

[B]

The thing is, Ian, I'm not sure that the van is a long term option for this shop.

[A]

Well, that's what I'm trying to say. It could be, with a bit of thought.

[B]

To be honest with you, I'm not sure it's a. Even a short term option. You see, the village shop does more than just supply essentials. A lot more, actually.

Oh, Neil, it's Hazel Woolly.

[A]

Oh, crikey. You better answer it then.

[B]

Yeah, better had. Excuse me. Ian. Hello, Hazel.

Right, I'll stick the potatoes on. Turn that down. What time we on?

[A]

Quarter past.

[B]

Quarter past five. I better go. I said I'd pick up Kira and her friend. They've been to the cinema after school.

[A]

Right.

[B]

How are things with you two?

[A]

What, me and Kira? Yeah, fine. I haven't seen her since Monday.

[B]

Be good if you did something together other than bickering, I mean.

[A]

We're fine.

[B]

Yeah, I know. Anyway, are you all right to finish chopping the broccoli? Edge will do the gravy when he's changed.

[A]

Yeah, of course.

[B]

I know they could get the best, but it's so unreliable. I delight to think of them standing at that bus stop in the dark and the cold. And she never wears a coat, even in December. Might as well have saved my money. Anyway, I won't be long.

[A]

Drive carefully.

You all right? Mum's just gonna get Kira. Oh. What? Your eye. Oh, yeah, yeah. It looks worse than it is. Ed, it's okay. It's not okay. No, it is, really. You're upset. I understand that. What do Mum and Kira think? I don't think Kira's noticed, to be honest. I told your mum it was a tree branch. Why? Well, because. I don't know. I worried that if I told her, I wouldn't be able to make it sound like how it was. How it was is I hit you. No, you were upset. I was in the heat of the moment. You've been under a lot of pressure. You shouldn't make excuses for me. I'm not, Ed. You were trying to help me and I punched you in the face. I'm a monster. No, no, you were angry. Yeah, and no wonder what you've been through in the last year. I didn't want everyone to think that this was just you throwing your fists about. Because I could see yesterday that it's more than that. I couldn't stop. It was like the anger just took over. I know you couldn't control it. I don't want to be like this. I'm scared of what I might do next time you need help. I've decided I'm going to speak to Reg. If I tell him what's happened, it might be enough to send me back down. I mean it, Ed. I really think I need to be back in prison.

Yeah. Yeah, I can see. You've obviously put them a lot of thought into all this. Ian. Pictures as well. Very good. Ah, that's just me doodling, really. But it just makes sense, doesn't it? If you're ordering some shopping to be delivered, why not get your lunch at the same time? No, yeah, it's a good idea. If you turn the paper over, you'll see I've started working out a lunchtime deal. You know, pizza or calzone, drink on the side. Yeah, well, that sounds. Yeah, yeah, but how would it work with you cooking pizzas and Susan delivering shopping at the same time? Well, I was thinking about that. Because the last thing we want is for us to be getting in each other's way. Oh, quite. And I mean, part of the reason for doing it is how well Susan and I get on. I wouldn't want to put our friendship at risk. Of course not. No. So I was thinking initially, at least, it would all be pre orders, so we'd know exactly who we were delivering to and what they were having. Get the shirt shop orders loaded on and Enough ingredients for the pizzas we needed. But you couldn't be cooking them as you're driving around, could you? No, no, I'd prep everything in the morning, then make each one fresh outside the customer's house. See, that's the good thing about pizza. It only takes a couple of minutes. By the time Susan's made her delivery, the food will be ready. What, so you can drive around with the oven on? Is that safe? Oh, well, obviously I'd have to check all that out, but, I mean, these are mere details, Neil. Important details, though. Yeah. You'll need to know if what you want to do is realistically possible. I'm sure it will be, one way or another.

[B]

Well? Well.

[A]

Oh, well. What? What did you say? Is it good news?

[B]

It's fantastic news. Oh, go on. The building work's all finished. We can reopen the shop next week.

[A]

Oh. Oh, no, that's. That's great news. I'm really pleased for you, Susan. Yeah, me too. Yeah. It's a shame that this collaboration won't work out, but.

[B]

Yeah. I'm sorry, Ian. I mean, I had my reservations, but I can see you've put a lot of thought into it.

[A]

Oh, no, not to worry. I mean, no creative thinking is ever really wasted, is it? No, no, of course not. It's a good way of looking at it. It's opened my mind to new possibilities. So that's all good. And I am really pleased that the shop will be opening again. I've missed it.

[B]

Oh, Ian, me too. Me too.

[A]

What about your mum? Destroy her. If you got sent back to prison, and Will and me, Kira, Poppy, all of us. It's gonna happen eventually anyway. Sooner or later, I'll do something and that'll be it. Not if. If we can get some help. Proper help. I mean, what? Anger management, Counseling, Therapy? You need to process what's happened to you over the last few years. Anyone would in your position. And there is help out there. I'd do anything not to be like this. I know. I'm here for you. We all are. We'll help you get the support that you need. Why don't we make an appointment to see the gp? Take it from there, eh? Okay. So you don't need to talk to Reg? No. All right. For now, at least. Good. What about Mum? What about her? Are you going to tell her what really happened?

Well, I think maybe we should. We could tell her together. No. No. If we explain what happened and why and that you're gonna get some help, I think she'd Understand? No, I don't want her to know. I don't want anyone to know. I'm no expert, but I reckon. And one of the things a therapist would say is that all this hating yourself is part of the problem. I don't care. I can't live with her knowing. She'd know if you went and handed yourself in, wouldn't she? Yeah, but then I wouldn't have to see her. Oh, George. I mean it, Ed. I can't bear for her to know this about me. All right. All right. It's okay.

How about we tell your mum that you're really struggling and that we're gonna get you some help? That's sure for truth, isn't it? It kind of. You're gonna get through this. I'll make sure of that. No, I don't deserve it. George, you made a mistake. A pretty massive one. Fair enough. Yeah, but you've been to prison, you've served your sentence, and now you need help to rebuild your life. I'm so sorry. I know. I know you are. Oh, come here.

Not just for this, but. But for everything. I've been a nightmare. I know I have. Stop it. No, it's true. I've been awful. I've made things difficult for you and Mum and Dad. I did it on purpose because that's what I'm like. I've taken all of you for granted. And I wish I hadn't. George. The way your family, you're supposed to take us for granted. Now. Look at me. Listen to me. We love you. And nothing's ever gonna change that, okay? Just let us help you. Thank.

You.

[B]

Sam.

[A]

From BBC Radio 4. Uncanny.

[B]

I looked, and at the top of the stairs was an old man.

[A]

Hello, I'm Danny Robbins. So many of you have contacted me since our last series went out with stories of seemingly impossible encounters with the potentially paranoid. Now, this new series of 10 episodes features the strangest, the scariest, the most compelling of these experiences.

[B]

And she started screaming.

[A]

So, are you feeling team believer or team skeptic? Join the investigation and listen to Uncanny on BBC Sounds if you dare.

[B]

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