09/11/2025

Summary

The Archers Omnibus – BBC Radio 4

Episode: 09/11/2025
Date: November 8, 2025
Theme: The week’s events in Ambridge – family strains, village controversy, and moving forward after loss

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Overview

This week in Ambridge, events revolve around complicated family dynamics, new and old relationships, and the challenges of moving forward after bereavement and scandal. The community prepares for Bonfire Night, manages farm and shop staffing crises, faces the fallout from George Grundy's controversial return, and mourns the loss of a local farmer.

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Key Discussion Points & Insights

1. Reunions, Relationships, and Bonfire Night

[01:29] – [12:08]

• Carly's Return: Carly visits Ambridge, reconnecting with old friend Chris Carter. They reminisce about their teenage years, past bonfire night antics, and how much has changed ("I remember us getting incredibly drunk one Bonfire night on the green." – Chris, [03:02]).

• Family Talk: Conversations between Chris and Carly touch on parenting, co-parenting post-divorce, and hopes for their children. ("You never know how divorce is going to affect them, do you?" – Carly, [03:58])

• Bonfire Planning: Chris and his daughter Martha plan a back-garden bonfire, opting for a quiet family event instead of the larger celebration.

• Movie Nostalgia: Tom finds an old DVD, sparking playful generational commentary with Henry ("Who watches DVDs? Prehistoric." – Henry, [04:25]).

• Fireworks Mishap: Later, Chris hosts Carly and Martha for bonfire night tea. A misfiring firework leads to a tense moment but ultimately, no one is injured. ("I feel a bit of a fool." – Chris, [45:56])

2. Strains and Sacrifice at Bridge Farm

[06:08] – [11:22], [17:03] – [18:04], [22:05] – [23:29]

• Scotland Holiday Dilemma: The extended family debates who can go on holiday, with Henry voicing disappointment at missing out ("I really wanted to go to Scotland, mum. Sounds so cool. Castle, salmon fishing, all that." – Henry, [06:08]).

• Cover Crisis: Tom and Helen fret over who will run Bridge Farm in their absence. Several possible replacements (including Will and Mick) are considered, but complications abound.

• Henry Matures: Henry ultimately suggests he and his brother can stay with Granny and Grandad, seeking some "space" from the crowded household. ("Wouldn't it be better if we all had some time to ourselves?" – Henry, [23:03])

• Mick's involvement: After being asked to help, Mick attempts a trial run in the packing shed but finds the work unsuitable. ("I've got to be honest, it's boring, Tom. And it's really cold." – Mick, [44:18])

3. Redemption, Community, and Backlash: The George Grundy Story

[15:28] – [16:42], [19:15] – [20:01], [27:18] – [33:16], [34:53] – [35:28], [38:03] – [39:06], [62:10] – [73:43]

• George Seeks Redemption: Formerly ostracized after a reckless driving incident, George asks his grandmother, Susan Carter, if he can volunteer at the village shop ("I thought maybe if I volunteered, folk would get used to seeing me around the village and they'd realize I'm not whatever they think I am." – George, [20:02]).

• Shop Backlash: George's presence on the till provokes hostility from village regulars, notably Mick, who refuses to be served by him ("I'm not being served by that waste of skin." – Mick, [31:33]). Susan defends George, insisting on his right to a chance at redemption, but faces committee resistance.

• Committee Confrontation: Complaints from villagers and volunteers force an emergency meeting. Despite Susan's defense, she's told George can't continue at the shop. ("I've been told very firmly ... that George can't volunteer in the shop anymore." – Susan, [69:44])

• Ultimatum: Susan, unwavering, threatens to resign as postmistress unless the committee reverses its position ("Unless they reconsider, I shall have me noticing and resign as post mistress, too." – Susan, [73:43]).

4. Grief, Closure, and Moving Forward: Esme's Farewell

[49:09] – [52:08], [55:13] – [67:42]

• Esme Mulligan's Eulogy: The community gathers for the funeral of Esme's father, a much-respected and sometimes gruff farmer. Esme delivers an emotional, evocative eulogy focusing on his character and connection to the land ("Dad and the farm were the same thing. I had a really happy childhood at Meadow Farm. I always felt safe there." – Esme, [56:37]).

• Funeral Interrupted: The somber mood is upended by a bread delivery mid-service, causing distress and embarrassment. ("It's going to become a funny story, isn't it? A joke in the pub. People will laugh about it for years to come." – Esme, [61:11])

• Aftermath and Resolve: Esme, supported by David and Ruth, decides to honor her father's wishes by keeping the farm going, at least for now. ("I'm not saying I'm going to give up my life and job and make a permanent future here, but I want to keep the place going as best I can." – Esme, [67:42])

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Notable Quotes & Memorable Moments

• On Second Chances:
  "I think you'd be an asset to this shop, George. I'd be happy to train you up."
  – Susan to George ([20:38])

• On Small Town Stigma:
  "If I volunteered, folk would get used to seeing me around the village and they'd realize I'm not whatever they think I am."
  – George ([20:02])

• On Forgiveness:
  "You always give him the benefit of the doubt."
  – Neil to Susan ([25:46])

• On Letting Go:
  "We absolutely will [help]. Whatever we can. I don't know what I've done to deserve neighbors like you..."
  – Esme ([68:00])

• On Standing Up for Principles:
  "It's not just for George. It's the principle of the thing. Our grandson's trying to get his life back on track. What do Mick Fadmore and Brian Aldridge want? Is George supposed to spend the next 10 years without a job? That's not fair."
  – Susan ([72:44])

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Timestamps for Key Segments

• Carly & Chris Reconnect: [01:29] – [12:08]
• Tom, Henry, and Natasha’s Family Tensions: [04:18] – [08:05]
• George Seeks Volunteer Work: [19:15] – [21:01]
• Bonfire Night Mishap at Chris’s: [44:52] – [47:28]
• Funeral & Esme’s Eulogy: [49:09] – [58:47], [55:13] – [67:42]
• George’s Rejection & Susan's Stand-off: [69:44] – [73:43]

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Episode Tone & Language

The tone is warm, earnest, and sometimes combative. Characters speak with the trademark realism and banter of the Ambridge community, balancing humor, nostalgia, and heartfelt emotion.

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For Listeners Who Missed The Episode

• The episode saw the village grappling with issues of forgiveness, family, and change.
• Central to the Omnibus: Susan’s fight to support her grandson’s reopening of his life, bridging the past and future amidst skepticism.
• Esme’s moving tribute highlighted rural values and the sometimes-comic chaos of real life.
• Old sparks flickered between Carly and Chris, while the Bridge Farm crew worked through practical and emotional hurdles.
• As always, small decisions and big emotions carried significant community-wide consequences.

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End of Summary

Transcript

[A]

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[B]

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[A]

You'Re listening to the Archers Omnibus from BBC Radio 4.

[B]

Yes, my darling, what can I get you? I'm driving, so just a lime and soda, please, no ice. It's. It's Carly in it? Yeah. Is Oliver with you? No, we. We've just spent the afternoon together. He's on good form. Did he have a nice time in New York? Wonderful. He said. Oh, great. It's lovely to see you in Ambridge. I know, right? It's not like I'm even that far away. Should come more often. Yeah, you should. Oliver's asked me to the fireworks do at Grey Gables on Wednesday, but I don't know, Bonfire night is more fun with kids, isn't it? My two are off with their dad at some mega event in Birmingham. Oh, it's a shame. We got fireworks on the green and all. We run the beer tent. Do you?

[A]

Yeah. There you go.

[B]

Ask. £2, please.

[A]

Cash or card?

[B]

I might have that in cash. Yep, it. £2. Oh, thanks, Carly. Enjoy. Thank you. Right, who's next, then?

[A]

That'd be me, I think.

[B]

Oh. Evening, Chris. Chris what? Chris Carter.

[A]

Carly. It is you. I thought it was.

[B]

Oh, wow. Long time.

[A]

You're telling me. You look really well.

[B]

Yes, I do. What can I get you?

[A]

Oh, just a pint, please, Jillian. All right. Coming up. What are you doing in Ambridge?

[B]

I was here a couple of weeks ago for Oliver Stirling's big birthday.

[A]

Ah, nice.

[B]

It was. I like Hanbridge. Good memories, you know. Just been hearing about bonfire night on the green.

[A]

I remember us getting incredibly drunk one. Bonfire night on the green.

[B]

Yeah. You puked in the phone box. Shush.

[A]

I never told anyone. That was me. Outed at last.

[B]

I expect that phone box is long gone.

[A]

So, what are you up to these days?

[B]

Oh, long story, but life's good. Being a mum's a huge part of it.

[A]

I hear you. I got a little one, too.

[B]

There you go, Chris. Card?

[A]

Yes. Here we go, Jillian.

[B]

Oh, thanks.

[A]

Right, all done. Thanks.

[B]

Right, who's next, please? It's lovely to see you, Chris. But don't let me keep you if you're with friends.

[A]

No, no, I'm not. I just popped in on my way home. My ex has Martha today.

[B]

That's a pretty name. How old is she?

[A]

Four and a half. Very particular about the house.

[B]

Yeah, I know all about that. Is she at school yet?

[A]

Started this term. What about yours?

[B]

I've got two. Lauren and River. 10 and 12. They're turning out okay. Fingers crossed.

[A]

Yeah, I'm sure.

[B]

You never know how divorce is going to affect them, do you? Their dad's been great, though. We broke up.

[A]

Well, it's important, isn't it? Yeah. Oh, hey, look. Alistair and Denise are putting their coats on. We could grab their table if we're quick. I mean, obviously, only if you.

[B]

Yeah, let's go for it.

[A]

I found it, Henry. I found it. The dvd.

[B]

Dvd?

[A]

I knew I had it somewhere. It was in the case under the bed. Should we watch it later? Who watches DVDs? Prehistoric. Well, we could stream it, I suppose, but why waste the money when I've got a perfectly good copy? Well, watch it when your mum goes out. Deal. What's the film again? Bill and Ted's Excellent Adventure. Oh, you'll love it. What's it about? Two teenagers find a time machine and have an adventure. An excellent adventure, as it happens. I don't think that's for me, Tom. Oh, come on. It's really good. When was it made? I don't know exactly. Hang on. It'll say on the box. 1989. Don't look at me like that. Just because it's old doesn't mean it's no good. Yeah, yeah, I first saw it when I was your age. There was nothing else to do back then, was there, Henry? I'm reading. But Jack wants to watch it. Watch it of him, then. I'm reading. Go on. I'll make popcorn.

[B]

Do we have popcorn?

[A]

I thought you'd gone on your date.

[B]

No, not yet. Did you get some more then?

[A]

I'm sure there's some in the cupboard. No, he finished it the other night when you made me watch that other stupid film. It Was not stupid. It was a classic. Jack loved it. Jack's nine.

[B]

Why don't you uncheck Tom? I will. Okay. What's up? Why are you grumpy?

[A]

I'm not grumpy.

[B]

Okay?

[A]

Tom keeps going on about some stupid old film.

[B]

I just want to read my book in peace. He's trying to be nice, Darling. What's the film?

[A]

I wasn't listening. Bob and Jim's Big Adventure.

[B]

Bill and Ted. It's good. You'd enjoy it. Is that all you're grumpy about, Henry?

[A]

I really wanted to go to Scotland, Mum. Sounds so cool. Castle, salmon fishing, all that. But no, Rory's booked it in term time, so I can't.

[B]

It's not fair. He didn't do it on purpose. There was so much chopping and changing. He had to make a decision.

[A]

I know that. I get it. But I was looking forward to it.

[B]

Now I've got to stay with Granny.

[A]

And Grandad for a week instead. Some holiday.

[B]

I wish you said something earlier.

[A]

What was the point?

[B]

Okay, well, if you feel that strongly, I won't go to Scotland either. We'll stay here. You, me and Jack. Do some things together.

[A]

No, then you'll miss out. That's not fair on you. Forget to say anything.

[B]

I mean it. I can stay.

[A]

You offered before. It's fine. We'll be fine.

[B]

I'm just fed up with Tom and.

[A]

His films from last century. Go on, Dane's waiting.

[B]

I can easily cancel. Darling, you're more important.

[A]

Don't spoil your evening. Mum. Right, no popcorn, but I've had an idea. Natasha's planning a long soak and an early night once the twins are asleep. So why don't you and me play that space trooper game? Bet I can thrash you. Do you remember Alice's policy?

[B]

Oh, yeah, with her posh friend India. She was rude. She threw chocolate from the chocolate fountain all over me.

[A]

Well, you didn't take it lying down, though.

[B]

I gave as good as I got. Chocolate everywhere.

[A]

I think Alice's sister had to separate you.

[B]

Alice had very dodgy taste in French.

[A]

Hey. No, don't say that. She married me.

[B]

Alice is your ex?

[A]

Yep. Martha's mum. Wow.

[B]

I'm sure she's lovely now. We were just kids, weren't we? How come it only feels like five minutes ago?

[A]

Well, the same reason you think you'll be young forever and then one morning you realise you're mid-30s.

[B]

Mid-30s is still young.

[A]

It is, isn't it?

[B]

Barely out of school, the world around us filled with Opportunities.

[A]

Keep telling yourself that.

[B]

I mean it. Oliver's 80. He still feels like that. It's not a numbers thing. It's a state of mind. I think it's inspiring.

[A]

Good for Oliver.

[B]

I have a memory of cows.

[A]

You'll have to be more specific.

[B]

When we took that bottle of cider up to some farmer's field.

[A]

Do all your memories of our time together involve alcohol?

[B]

They do, pretty much.

[A]

That's probably fair enough.

[B]

We were sat there sharing our deep teenage thoughts and saving the world. And his cows came and stood round us in a circle, silent, staring at us. I could feel them.

[A]

You were really freaked out.

[B]

Yes. Surrounded by staring cows. You were very gallant. I remember. Tried to shoe them away and they wouldn't budge. And then the farmer turned up, calling us all sore.

[A]

He died a couple weeks back, you know. Dropped dead in his milking shed. It was very sudden.

[B]

That is sad.

[A]

Yeah. Poor guy.

[B]

Look, if you're not busy, Oliver's asked me to his firework thing at Grey Gables on Wednesday. If you want to come. Don't worry, there will not be a phone box inside.

[A]

That's all good. That sounds cool. But I'm spending bonfire night with Martha.

[B]

Of course. On the green?

[A]

No, not this year. Just a special tea and a few sparklers in the back garden. Me and her Sweet.

[B]

Can I get you another one?

[A]

Oh, it's my round.

[B]

I don't think so. See? You're still being gallant. I insist.

[A]

Okay. Pinterest, please.

[B]

You see my keys, Henry? They're not on the hook.

[A]

Kettle.

[B]

What?

[A]

By the kettle.

[B]

Oh, right. Yeah. Thanks. Why are you reading in here?

[A]

He's trying to bond again.

[B]

Oh, no.

[A]

He's rubbish at games, Mum. Playing him is so boring. I always win and he's a terrible loser. Can you take him out with you?

[B]

On my date?

[A]

Please.

[B]

Let me talk to him. Explain.

[A]

No, don't. It'll be a thing. I can look after Jack and Natasha's upstairs. There's a problem. She doesn't want to be with him either.

[B]

That's not true. She's just tired. She's having a self care night.

[A]

Please, Mum. I'll empty the dishwasher for a week.

[B]

Please. I'll see what I can do. Tom. Sorry to keep you waiting, my darling. It's busy tonight. No problem. Same again, please. Yeah. Are you still serving food? Can I get some chips to share? You certainly can. As they come. Or with cheese or chili. Or both. Too many choices. Both. Why not?

[A]

Yeah, go on, push the boat out.

[B]

You and Chris seem to be Getting on well? Yeah. I've forgotten how nice he is. How long since you've seen him? Since forever. Doesn't feel like it. I used to think he was the cutest boy I'd ever seen. Totally smitten. Well, he ain't so bad as an adult either. You've got his attention, that's for sure. Don't be silly. Oh, you must have noticed you're imagining it. And he's single. Stop it. Fill your boots, my girl. I say carpe diem. As good catches go, he's a whopper. Right, there's your lime and soda and one pint of Shires. Thank you.

[A]

Evening, Jolene.

[B]

Hi, Tom. Oh, Helen, hi. Be right with you. Happy staying here yet? Yeah, he was. I saw him a minute ago. Maybe he's out the back.

[A]

I'll get the first round in then, shall I?

[B]

Who left that umbrella there? It's always there. Is it? It's a stupid place for it.

[A]

I'm going to hang it up on the banner. I shouldn't have had that last brandy, should I?

[B]

Oh, it was good brandy there, wasn't it? Drain knows his dick. It called him Drain.

[A]

Is that because he poured so much down himself?

[B]

He.

[A]

He told me a joke while you were in the loo.

[B]

Yeah.

[A]

Sandwich walks into the bull.

[B]

Sandwich.

[A]

Yeah, yeah, just go with it. Okay. A sandwich walked up to the bar and said to Jolene, a pint of Shires, please. Yeah. And Jolene said, sorry, we're not serving food at the moment.

[B]

I don't get it. Oh, it's Bru. Cause it's his sandwich.

[A]

You two had a good time then?

[B]

Oh, yeah, really good.

[A]

Henry, where did you come from?

[B]

From me.

[A]

Don't be disgusting. Been finishing my book in a nice quiet evening.

[B]

Oh, you're a good boy. Come here.

[A]

Oh, no. I think you better go to bed, don't you?

[B]

Oh, come on, give me a hug, sweetheart. Oh, come on, darling. Mommy loves you.

[A]

Stop it. I'll get a nightcap.

[B]

Oh, yes, please. Bad idea.

[A]

Have some water in stairs. No, there's still some scotch and that yellow stuff I bought back from Greece.

[B]

Oh, that's years old.

[A]

True. And it tastes like the paint stripper.

[B]

When did you drink paint stripper? Mum, everyone's asleep. Get yourself to bed.

[A]

Oh, we're being told off, sis.

[B]

Yeah, I know. He's so grown up.

[A]

Come on, you've got work in the morning. Okay, okay, okay. We're sorry. I promise we'll be good. Honestly.

[B]

Morning. Henry. Please.

[A]

Sorry. Have you got a headache?

[B]

Please. Oh, what time is it?

[A]

7:45.

[B]

Oh, no, I'm late. So are you.

[A]

Yeah, but I'm just off. There's bread in the toaster, coffee in the pot and the paracetamol are on the table.

[B]

Thanks, darling. You're an angel.

[A]

Hope you're pleased with yourself.

[B]

Oh, be nice to me. My head hurts.

[A]

Whose fault is that? Where are the girls? They're not in their room.

[B]

What?

[A]

Natasha's just left for nursery. What, already? What time is it? Quarter to eight. Oh, no. Wanted an early start on the winter greens. That's what happens when you're rolling drunk and have to rely on your underage nephew to get you to bed. Oh, shut up.

[B]

You're enjoying this, aren't you?

[A]

Yep. Is there coffee? Yeah, in the pot, thanks to me.

[B]

Pull one for me too, will you?

[A]

I have to go. See you later. Oh, Nobody here at 4.

[B]

What?

[A]

Who? Social Services. To discuss the neglect and trauma to my mental health.

[B]

Stop it.

[A]

You think I'm joking? Wait till 4 o'.

[B]

Clock. Well, they won't need to worry. I'm never drinking again.

[A]

Yeah, they all say that. Never mind, I'll explain. Oh, yeah, it's not so much like you're persistent drunks.

[B]

Thanks.

[A]

Just old and can't handle it anymore. Bye. Coffee?

[B]

Thank you. That's the toast.

[A]

Coffee first. Oh, and painkillers. Great. Hand them over.

[B]

Yeah, thanks, Tom. What were we thinking?

[A]

We weren't. Hello. Anyone serving?

[B]

Hello, George.

[A]

I didn't think you were here in the mornings.

[B]

Well, we swap the shifts around when we need to. Right, so here I am. It's good to see you. How are you? You look well. Very fit.

[A]

I don't want to talk. I'll just pay for these bits and go. Thanks.

[B]

Right you are. Oh, it's nice, that jam. Flavoured with apple juice. People say it's tasty without being too sweet. Do you need a bag?

[A]

No.

[B]

That's six pains. 20, then. Here, I'm low on 20. PS. Do you mind? Tens and fives.

[A]

Don't care.

[B]

It's good to see you, George. There we are, then. 380 change.

[A]

I can't stop.

[B]

Right.

[A]

Where do you want the sprouts?

[B]

By the door, please.

[A]

How's your head?

[B]

Slightly less horrible, but only slightly.

[A]

I thought you were in the dairy this morning.

[B]

Oh, I tried, but the smell of the cheese was a bit.

[A]

Oh, all right? Yeah. Borsitcher Blue isn't exactly mild, is it?

[B]

I never drink that much.

[A]

It wasn't the amount, it was the mixing. It was a good night, though.

[B]

It was great.

[A]

Is your Dane always the life and soul of the party?

[B]

Well, he's not my day. Not as such, but yeah. He has a taste for the finer things in life. He likes to have fun. Have you seen Natasha?

[A]

Thankfully. She thinks it's almost as funny as Henry.

[B]

Good. Did you get hold of Will? Yeah. Oh, that doesn't sound promising.

[A]

It's not gonna work. He's too busy to do more than the veg deliveries while we're in Scotland. He's beating that week, plus two or three different shoots.

[B]

Then who do we ask?

[A]

I've been racking what's left of my brains. It's all very well Gran, leaving us money for holiday cover, but actually finding it at such short notice is another matter.

[B]

We still have a bit of time. A bit? We'll get the Monty's in next week before we leave, and then there's nothing too tricky left to deal with while we're away. We just need someone reliable to do the donkey work. Doesn't even have to be full time.

[A]

This trip is causing so much upheaval. It better be worth it. Natasha and I really need the time off.

[B]

Henry's upset about it too. He really wants to go. I feel so bad leaving him behind. Especially after him having to sort us out last night. Is there no way the boys could come? They'd be off school if they were sick, wouldn't they? And it's educational. Scottish castle.

[A]

You can't lie to the schools, Helen. You can't ask Henry and Jack to lie either.

[B]

Two or three days wouldn't be so.

[A]

Terrible, but with so many going, someone would report you. I know.

[B]

It's just all so blur.

[A]

That's the hangover talking.

[B]

It's not talking, Tom. It's yelling in my ear.

[A]

Nana.

[B]

Oh, you came back.

[A]

Yeah.

[B]

Did you? Was there something you forgot?

[A]

I. I should have got some biscuits.

[B]

Oh, they're on the third stand, bottom shelf. I got some Garibaldi's in amber.

[A]

Wants chocolate thins.

[B]

I don't know if we've got them. The shortbreads are good, though. Have a look, George.

[A]

I'm not here for biscuits, Nana.

[B]

Oh.

[A]

The shop, like. Do you still need volunteers?

[B]

We always need volunteers.

[A]

I'd like to volunteer, then.

[B]

Oh, right.

[A]

I mean, I'd like to be considered. I'm just sitting around at home going nuts.

[B]

Oh, I'm not surprised you're not the sitting around kind.

[A]

What's that meant to mean?

[B]

Nothing. You like to have things to do, that's all. You're active.

[A]

I'VE done enough sitting around staring at four. Four walls.

[B]

I'm sure you have, love.

[A]

Don't call me that.

[B]

Sorry. No. Look, getting a job.

[A]

Nobody wants me. I get why, but it don't help.

[B]

Oh, George.

[A]

I thought maybe if I volunteered, folk would get used to seeing me around the village and they'd realize I'm not whatever they think I am. It might help. Sorry to ask. I know it's awkward.

[B]

Well, I'll have to put it to the committee.

[A]

Forget it, then. Jim and Sabrina won't want me. Don't even bother. Well, I shouldn't have wasted your time.

[B]

No, no, no, George, come back.

[A]

It's hopeless, Nana. No.

[B]

No, it isn't. I'm in charge of this shop. Yes, I have to run this past the committee, but I make the final decisions about who gets shifts and when.

[A]

I don't want to make it hard for you.

[B]

I think you'd be an asset to this shop, George. I'd be happy to train you up.

[A]

Really? I mean, I'd do anything. Shelf stacking or whatever.

[B]

Leave it with me. I'll let you know as soon as I can.

[A]

Really?

[B]

Really.

[A]

Okay. Thanks. Bye, Nana.

[B]

Bye. He's not going to be like this.

[A]

Hello, love. What's up?

[B]

Neil? George came in the shop. He wants to volunteer.

[A]

He spoke to you?

[B]

He did. He's finding it really hard.

[A]

Well, of course. What did he say?

[B]

Oh, not much. Neither of us did. I was scared, too. Didn't want to drive him away again.

[A]

At least you've broken the ice.

[B]

Well, cracked it a bit, anyway. I'm going to talk to the committee.

[A]

Oh, Susan, don't get your hopes up.

[B]

I've already had more than I hoped for today. I spoke to my grandson.

[A]

You two are home early.

[B]

Bunking off, are we?

[A]

Shame on you. Another bad example you're setting me. That joke's wearing a bit thin, Henry. Not to me.

[B]

What are you doing? Making a list of people who could cover at Bridge Farm while we're in Scotland.

[A]

We're not doing very well. Let's see. It's blank. I said we weren't doing very well.

[B]

That's stupid.

[A]

What about Will?

[B]

Oh, he can't.

[A]

Maybe I can think of someone. My newer ones are probably firing better than yours today. Yeah, we'll all help. Gratefully accepted.

[B]

Yeah. And I've been thinking about what you said last night.

[A]

About drinking water when you're drunk. Henry?

[B]

No, about you coming on the trip.

[A]

How can I? In school?

[B]

Yeah, but we're not coming back till Sunday night. I thought Maybe you and Jack could fly up after school on Friday. Granny would put me on the plane and I'd meet you at the airport. No, thanks. You'd have a couple of days with us all. You'd get to see the castle. I said no.

[A]

Mum, I don't want to go anymore.

[B]

Not after last night.

[A]

I'll drop that now. Please. I'm serious. It made me see. We're all finding it a strain, aren't we? Seven of us living in one house.

[B]

That's a fair point.

[A]

Scotland's gonna be loads of people too, in a castle, sure, but still. Wouldn't be better if we all had some time to ourselves. Bit of space.

[B]

Oh, right.

[A]

Jack and me will have a good time staying with Granny and Grandad. You know they spoil us. They always do. Go off and have a good time.

[B]

Well, okay.

[A]

Very grown up of you, Henry. Well, one of us has to be.

[B]

I'm sorry.

[A]

But it makes sense, right?

[B]

Yeah. Yeah, I suppose it does.

[A]

Good. I could solve your bridge farm problem too. How about someone who knows the farm? It's totally available and you could probably get cheap. Who? George, obviously. George Grundy. How many Georges do you know? I was chatting to Kiera on the bus. He's looking for work. Right. I've got history homework. See you in a bit.

[B]

George Grundy.

[A]

We couldn't possibly, could we? Pass me the cloth. I'll dry.

[B]

Well, aren't you going to ask me what they said?

[A]

Oh, you spoke to them? That was quick.

[B]

Well, I ran it past Alan first. He thought it was a great idea.

[A]

Yeah, but he's nothing to do with.

[B]

The shop, is he?

[A]

It's the committee you need to persuade.

[B]

I did.

[A]

Never.

[B]

I phoned Jim and talked to him for a while. And Sabrina happened to pop in for a loaf this afternoon, so I had a word in person. Then I texted Neville. I couldn't get hold of Veronica, but even so, that's the majority. So it's done and dusted.

[A]

And they said yes?

[B]

Well, they weren't exactly enthusiastic, but they're prepared to give it a shot. Called George 20 minutes ago. He's coming in for training tomorrow morning before anyone has time for second thoughts.

[A]

All right.

[B]

No, go on then. Say what you're thinking. I know you want to. You're gonna tell me to be careful. But I don't want to be. Are you sure? Are you really sure that this isn't.

[A]

Another way for George to manipulate you?

[B]

Remember what happened with the ring? You didn't see him, you didn't see his face. It's not the same at all. Yes, but it is. He treats us both like muck. And then he wants a favour. The ring business went pear shape because you stuck your oar in. It would have been fine.

[A]

That's not fair.

[B]

What does he get out of volunteering? It's not like he's getting paid. Don't you dare slip him any money.

[A]

Under the counter, will you?

[B]

As if I would. He's going to have to look people in the eye, Neil. People he'd probably rather not see. I think he's being very brave.

[A]

You always give him the benefit of the doubt.

[B]

He's my grandson.

[A]

Yes, and mine too. But I think.

[B]

Do you know what, Neil? I'm not asking for your permission. This is happening and that's that.

[A]

You okay, Helen?

[B]

Oh, I don't know. I slept really badly.

[A]

Oh, me too. Turning it over and over.

[B]

George Grundy.

[A]

I mean, it makes sense, but me and Natasha. Right. Really need some time to ourselves. It's really good of Mum and Dad to look after the girls so we can, but if we can't find farm cover.

[B]

Henry's not wrong. George is an obvious choice to help while we're away.

[A]

Yep.

[B]

He knows the place. He's a great worker. He's helped out before. He'll be glad of the work.

[A]

Yep.

[B]

It's tough rebuilding your life.

[A]

Yeah, I know. It will be controversial and George won't be able to drive the tractor because he's banned, but I mean, we are desperate.

[B]

Okay, let's do it. Call him now.

[A]

Sure.

[B]

Yeah. No, Tom, I don't know. Helen. Hi. Oh, Tom, you're here too.

[A]

Alice.

[B]

Hi, Alice. Great. I have a question about the holiday for you. It's quite important.

[A]

Morning. Oh, here it is. Welcome, George.

[B]

Hi there.

[A]

This is still okay, is it? You haven't changed your mind? Of course not. Or been talked out or letting me volunteer?

[B]

Oh, no chance. I'm in charge of the shop, George, and what I say goes.

[A]

Great.

[B]

Tis nice to see you smile. Tuck your coat behind that angel statue and I'll show you the run. Okay.

[A]

Closest I've been to an angel in a while. Well, you never know, George. We don't always recognize angels when they turn up in our lives. They don't all have wings. If you say so. Look, before you get going, Susan, can I just talk to George about some health and safety things?

[B]

Oh, be my guest.

[A]

Thanks. I. I tell everyone this, George, not just you. No. Boxes in the main or side aisles are a trip hazard. The side door has A tower tendency to bang shut, so keep it wedged open whenever you can. And obviously no smoking anywhere on the premises. Of course not. And, well, enjoy yourself. Thanks. So, where do I start?

[B]

All the perishables that aren't in the fridge are on that shelf unit there. And the non perishables, washing up liquids, things like that, they're on those two units.

[A]

Hold on, hold on. One thing at a time.

[B]

Sorry? Oh, it's not as complicated as I'm making it sound.

[A]

You're making me nervous. Oh, you'll be fine, George.

[B]

Why don't you have a look for yourself, then you can serve your first customer.

[A]

Right you are. Shouldn't take me long.

[B]

Shaking like a leaf. Does it show?

[A]

Not at all. So far, so good. What's changed your mind? Alice? Last time we spoke, you were pretty angry about Scotland.

[B]

Well, yeah, but Chris, the lifesaver, said he'd have Martha for the week. Oh, great. So now a trip away with you guys is feeling like a lovely idea.

[A]

Oh, I know.

[B]

Have you found cover for the farm yet? We're still working on it. Actually, we wondered. I'm still waiting to hear from Hazel, but it's looking like it's you two. And Natasha, Kate and Jakob, Justin and Lillian, Rory. Though we're still not entirely friends. Sorry. Sure.

[A]

It'll work itself out.

[B]

I'm actively not thinking about it. Both Leonie and James can come, which is a bit of a coup. Phoebe's visiting next week so she's going to travel up with us. Kate's friend Maggie is renting us two people carriers at a massive discount, which was my question. Sorry, Jakob is driving one, are you still okay to drive the other?

[A]

Yeah, yeah, I said I would.

[B]

Ah, wonderful. I can tick that off my list. Dad's coming, of course. And as it coincides with his birthday, I'm plotting haggis for birthday tea. Bold choice. Alice, Is something the matter? Oh, no. Please don't say you're backing out. Not now I'm finally in the holiday mood.

[A]

No, we're not backing out, Tom.

[B]

We have to tell her.

[A]

I suppose.

[B]

I knew it. Tell me what? Well, not tell you exactly. Run something past you. Well, go on. Um, we're really struggling to find cover for the farm at such short notice, but the perfect candidate would be controversial. In what way?

[A]

It's George Grundy, Alice.

[B]

Oh. Oh, I see. Leave the shelves for now, George. Time for another run through on the till. Okay, now you remember what to do.

[A]

It's not rocket science, is it?

[B]

Oh, here you go. Your first customer. Morning.

[A]

Morning, Susan. I'm after a box of those protein bars, the salted caramel. George says they're healthier than crisps.

[B]

I'm not serving at the moment, Mick. George will sort you out.

[A]

Right. Hello, Mick. The protein bars, was it? There are no shelves there. Second one down. I think I can get them for you, if you like, Susan.

[B]

That's right. George, fetch Mick a box.

[A]

Okay. Sorted caramel, you said? No, no, thank you. I'd rather you serve me, Susan.

[B]

Like I said, Mick, I'm not serving just now. George is our new volunteer.

[A]

I'll get them for you. Don't bother. I'm not buying anything you've had your hands on. Everything all right here? Not really.

[B]

Susan won't serve me because George is on the till.

[A]

I'm not being served by that waste of skin. Look, Mick, let's all be polite, shall we? Why should I be polite to scum? He's reckless driving. Nearly killed me and my joy. I've said sorry. Oh, did it speak? Because if it did, I'm not listening, Susan. Perhaps in this case it might be better. Yeah, yeah, go on.

[B]

Mick, you wouldn't speak to me or any of the other volunteers like this, would you?

[A]

Have no reason to.

[B]

So I'm asking you politely to speak to George with the same respect.

[A]

I don't respect him. I can't. He's trash. Mick, please. No, no. Let's forget I volunteered, shall we? I'll just go home. Yeah, yeah, go on. Run away again.

[B]

You stay where you are, George. Mick, if you can't treat my staff with common courtesy, then I'll have to ask you to make your purchases elsewhere.

[A]

What?

[B]

Nana, I think I was clear. Now. Would you like George to fetch you the protein bars or not?

[A]

Alan, will you do something about this, please? It's not church business, Mick. Susan runs the shop. Oh, yeah, I get it. I'll do as you say then, Susan. I'll take me custom elsewhere.

[B]

That's your choice.

[A]

Unbelievable. Well, I'm so sorry. Sorry?

[B]

Don't apologize. You did nothing wrong.

[A]

I know, but.

[B]

No but. You behave perfectly well. Now, why don't you finish sorting out those tins? I don't mind if you ask George. I can see why it makes sense. Really? Because if asking him to cover would upset you more than you've been upset already, then we won't.

[A]

Obviously your family.

[B]

But I have no feelings about George Grundy either way. Not anymore. Haven't seen or spoken to him since he got back. And I'm not Planning on it, but yes, he knows the farm. So if you think he's the right person, I won't object. Thank you. That's incredible. Though. I'm not sure the rest of the family will feel the same way. One or two of them might go berserk. Everyone's still very protective.

[A]

That's why we've been hesitant.

[B]

I really don't want to upset you. You haven't upset me. I'm genuinely okay with whatever you decide. I promise. Right now I have to find out how many bags Lillian's planning on taking. There's a strict one case per person limit or those people carriers won't get up the first hill. I'll see you later.

[A]

See ya. Well, that's that then.

[B]

She was upset.

[A]

She said she wasn't.

[B]

You believed her? No. Tom. We have to think again.

[A]

Hi. Oh, hello, Mick. You don't sell protein bars by any chance, do you?

[B]

Oh, we don't, Mick. Sorry. Have you tried the village shop? Well, church, yes.

[A]

Sore point. Don't ask.

[B]

We've got some lovely parking. It's not as chewy as a protein bar, but it's dense and full of good stuff.

[A]

Don't worry. I was on my way to work and it was worth a try. I'll see you, Mick, before you go. Is it quick? Cause I'm a bit pushed. Can I pop round and see you sometime tomorrow then? Well, sure. I'm home all day. Great.

[B]

Tom.

[A]

The answer was staring us in the face the whole time. Or living next door. Anyway, it's perfect.

[B]

I think we'll call that a day, George. Very good. First training session?

[A]

Hardly. I don't want you losing customers, Nana. Not over me.

[B]

That's my problem, not yours. I'd say you're going to be a valuable addition to the shop team. I saw you had some shifts. If you'd like.

[A]

I would. A couple maybe, to start.

[B]

Good.

[A]

And I really appreciate what you did for me.

[B]

I'd do the same for any of my volunteers. You're not getting any special treatment. I know. You date that?

[A]

Yeah. Yeah, I would.

[B]

Right then, off you go. And I'll text you once I've done the rotor.

[A]

Okay.

[B]

Oh, don't forget your coat. Behind the angel.

[A]

The angel. Right. Yeah.

[B]

Bye now.

[A]

See ya. You alright, Susan?

[B]

Oh, gone.

[A]

I was in the side chapel. You know, for what it's worth, I thought you handled that really well. No talk of prison or your falling out. You were calm and professional.

[B]

Don't think George has forgiven us yet.

[A]

Rome wasn't built in a day. I suppose it felt like a step forward to me.

[B]

I hope so, Alan. I really do. The customer journey isn't just changing. The journey is change. New ideas spread in an instant, expectations rise overnight. Decisions are made in the blink of an eye. That's why companies need sitecore. We put your brand in the moment right when your customer is ready to act. So every message feels personal, timely, and makes your brand unforgettable. The journey is change. Sitecore moves with it. See [e-mail] Journey this is the story of the One as head of maintenance at a concert hall, he knows the show must always go on. That's why he works behind the scenes, ensuring every light is working, the H Vac is humming, and his facility shines with Grainger's supplies and solutions for every challenge he faces. Plus 24. 7 customer support. His venue never misses a beat. Call quickgranger.com or just stop by Grainger for the ones who get it done.

[A]

Hello, it's Ray Winstone. I'm here to tell you about my podcast on BBC Radio 4, History's Toughest Heroes. I got stories about the pioneers, the rebels, the outcasts who define tough.

[B]

And that was the first time that.

[A]

Anybody ever ran a car up that.

[B]

Fast with no tires on.

[A]

It almost feels like your eyeballs are gonna come out of your head. Tough enough for you? Subscribe to History's Toughest Heroes wherever you get your podcast. Well, that's a bit off the wall. What made you think of me, Tom? Well, we didn't at first, but when you came into the farm shop yesterday, a blinding light went on, eh?

[B]

Yeah, something like that.

[A]

So, Mick, would you help out Bridge Farm while we're away? Well, you know I'm not a farmer, right? Well, you don't have to be. Not for this.

[B]

No. Just keep the deliveries going, pack up the veg boxes, bag the sprouts. It's not specialist for work, but really.

[A]

Important work and not full time. Whatever hours you can spare from your job at Grey Gables.

[B]

Yep. And we pay you properly and you'd.

[A]

Be brilliant at it. You think we wouldn't ask otherwise?

[B]

You'd be really helping us.

[A]

Well, I could try, I suppose. What a neighbor's for.

[B]

Oh, amazing. Thank you so much.

[A]

Come over whenever you're free and I can show you what needs doing. Well, I'm off today, actually. Late night shift last night. I should have bought some of that parking yesterday. I was starving. At 2am There we go. Hi, Carly. This is a surprise.

[B]

Not an unpleasant one, I hope.

[A]

No, of course not. I'm. I'm just about to drive over to a job in Brampton.

[B]

Oh, sorry, Chris. Is this a bad moment?

[A]

Not at all.

[B]

Great. Well, I was just checking on your plans this evening. I'm finishing a bit early because my last client just cancelled and I wondered if you might be free for a drink before I go to the fireworks at Grey Gables.

[A]

Oh yes. You're going to Oliver's do, aren't you?

[B]

Yeah. It was so sweet of him to invite me. I thought I'd drop in on the bonfire on the green on my way.

[A]

Well, don't end up being sick in that phone box.

[B]

I'll leave that to you.

[A]

Fair. Me and Martha are still planning on making the most of the garden while Fallon's up north.

[B]

Fallon?

[A]

Yes, I'm lodging with her till I can move back into my flat. I've built a fireworks stand. It's quite impressive, if I say so myself.

[B]

I thought you said it was just a few sparklies.

[A]

Yeah, I might have gone a bit over the top. I bought this huge variety box because it was half price and a couple of Roman candles the woman in the shop said. Had to be seen to be believed.

[B]

Amazing. The Grey Gables thing doesn't start till 8:30 so I'll just put. Probably stop at the green for a bit if you're around.

[A]

Oh, sorry. We're staying home until I have to drop Martha back to Alice. But feel free to pop in and say hi if you're at a loose end. Have some tea with us.

[B]

With you and Martha?

[A]

Sorry, that's a silly idea.

[B]

No, I'd love to, thank you, really. Tea's at 5 and Martha won't mind?

[A]

No, of course not. She's over excited already.

[B]

If you're sure, text me the address.

[A]

These are the standard veg boxes and we do them by what's available. I don't have to count carrots then? Not at all. We generally stack them here so they're handy for the door. Right, I'll give you a hand. Oh, it's a good packing shed this. Never seen inside before. Yeah, yeah, it's not bad. Drafty is anything, mind. Well, that's farming. And it's really windy today. I'll have to get some of those gloves with no fingers. Well, don't get them especially. I'm sure I've got some you can have. Ah, thanks. Once all these are filled they need taken over to the shop. Except the ones that go straight on the van. How will I know? There'll be a List. Oh, it's a lot of boxes, Tom. I'll be back and forth like a yo yo on a hurricane. I normally carry three or four at a time. Well, the exercise will do me good, I suppose. In fact, if you like, you could take the lettuces over now.

[B]

Hi. How's it going?

[A]

Oh, it's a lot, isn't it? And we've only done the veg boxes. Right. Can you stack me up, Tom? Three or four? I'll start with one. Okay. Right. Oh, that's fine. Oh, give me another one. There we go. Right. Yeah, that'll do for now. I'll see you in five.

[B]

Is Mick all right with everything?

[A]

He's great. Picks up everything really quickly, doesn't need telling twice. I said I'd give him cash for helping out today, but we'd pay him properly for the holiday.

[B]

Cover result, Tom.

[A]

I know. Let's celebrate. Come to the fireworks with me and Natasha later. Drinks are on me.

[B]

Oh, I'll hold you to that. Sorry I'm a bit early.

[A]

No problem at all. It's just doing the finishing touches.

[B]

This looks great, Chris. Green jelly.

[A]

Loves green jelly.

[B]

It was purple for Lauren. River preferred strawberry. So I used to make a two tone one.

[A]

Wow, that's impressive.

[B]

I bought this from Martha.

[A]

That's the biggest lollipop I've ever seen.

[B]

I know, right? Hope it's okay. I don't know what rules you and Alice have got about sugar, but this is all natural flavorings, nothing chemical in it whatsoever.

[A]

I'm sure she'll love it. And if she doesn't, I certainly will.

[B]

Where is she?

[A]

Playing upstairs till tea's ready.

[B]

Right. Nice house.

[A]

Yeah, like I said, it's Fallon and Harrison's place. But we're good here for now. It's sausages, by the way. Bangers and mash and beans.

[B]

Bangers. What could be more appropriate for bonfire night?

[A]

And there's a cake with sparklers in the icing.

[B]

Chocolate.

[A]

Anything else would be more than my life's worth.

[B]

Kids are tyrants, aren't they?

[A]

They so are. Are. It's great. I'm really pleased you could come, Carly.

[B]

Me too. Thanks.

[A]

I mean, well, think how awkward it could have been. Meeting exes again. Isn't always a walk in the park.

[B]

It was a very long time ago.

[A]

Exactly.

[B]

We were kids.

[A]

Yeah.

[B]

Exploring like kids do and liking what we found.

[A]

I'm sorry, that came out wrong. Oh, well, I. Oh. Ah, that's the sausages. What do you think? Five more minutes?

[B]

I'd say go for it. In fact, you call Martha. I'll deal with the sausages. Okay.

[A]

Thanks. I'm sorry if it sounded like I was flirting just then.

[B]

Don't be sorry. It's all cool.

[A]

I think we can happily call that a day. Mick, thank you so much for all your brilliant help. Yeah, it was interesting. I never really thought about how all those sprouts end up in the string bags now. I know. Well, here's the cash I promised you. There's no need, Tom. I insist that we head off to Scotland on the 16th. Right. That still works for you. Well, about that. Like I said, whatever hours you can do. Look, the thing is, this farm work lark, it's. I've got to be honest, it's boring, Tom. And it's really cold. This packing shed is arctic. I can hardly feel my fingers. Well, I'll sort those gloves out. That's not gonna do it. Look. Look, I'm sorry to let you and Helen down, but I don't think this is for me, so please don't pay me for today. You'll be much better off finding someone else to cover. Right. If you're absolutely sure. I am. No hard feelings, eh? Of course not, Mick. No hard feelings.

[B]

Beautiful. Look, Martha. Oh, is that what it's supposed to do?

[A]

Why has that happened? I set up the stand so that one firework would light the next. That big Catherine wheel should be going off now. And then the yellow one is a big finish. Hang on. Don't worry, I'll light it.

[B]

Careful.

[A]

No, I'm fine. Don't worry. Oh, I can't quite reach.

[B]

Hold on. Stand next to me, darling.

[A]

There we go. Oh, great.

[B]

Careful, Chris, the wind.

[A]

No, I'm fine. I'll just. Oh, Chris. No. Martha. Helen.

[B]

Oh, hi, Tom.

[A]

I got you a mulled wine.

[B]

Oh, great. All organized with Mick.

[A]

He said. No, Tom.

[B]

Please don't tell me that he basically.

[A]

Hated the work and would rather stick pins in his eyes.

[B]

Were those his actual words?

[A]

They may as well have been. No, Helen. We're back to square one. Carly? You still here?

[B]

I wanted to make sure you're okay. You were really shaken up.

[A]

Yeah, I still am. I feel a bit of a fool.

[B]

You shouldn't. Accidents happen. There was no harm done, was there? What did Alice say?

[A]

Pretty much the same. And Martha made it all sound really exciting. Dad's friend, Rugby tackling her to the ground while sparks flew in all directions. Well, then maybe the fireworks stand wasn't my best work, though.

[B]

And maybe it was just the wind.

[A]

Yeah, maybe you cleared up. Thank You. That was completely unnecessary. But thank you.

[B]

Well, it seemed like a sensible use of time while you were taking Martha to her mum's.

[A]

I really thought you might have run a mile.

[B]

I wouldn't just disappear. Why would I run a mile?

[A]

Because I'm a rotten father who put my child at unnecessary risk.

[B]

Why are you beating yourself up?

[A]

Because of what might have happened.

[B]

I guess that makes you the opposite of a rotten father, doesn't it?

[A]

Does it?

[B]

It does. There is enough in life to fret about without worrying about something that didn't happen.

[A]

Yeah, I suppose, but. It's the bonfire on the green for me and Martha. Next year. No more back garden fireworks.

[B]

We could head up to Grey Gables if you like, for Oliver's display. There's still time.

[A]

I think I've had enough firework trauma for one evening.

[B]

Fair enough.

[A]

But you go if you want.

[B]

It's okay. I didn't promise. Oliver won't mind one way or another. Unless you'd prefer me to go.

[A]

Not at all. I didn't mean that. There's a bottle of wine in the fridge.

[B]

Yeah, I saw it. Next to what's left of the jelly. Can I tempt you to wine or jelly?

[A]

Whichever you prefer.

[B]

Well, a glass of jelly would be lovely.

[A]

Coming up. Seriously, though, thank you.

[B]

For clearing up?

[A]

No, for your quick thinking. You had Martha on the ground before I got anywhere near.

[B]

Well, anyone would have done the same. It's instinct, isn't it, when a child's in danger? Although I think my 12 year old would have something to say if I threw myself on top of him.

[A]

You do it anyway, though, right?

[B]

Of course. I cannot believe he's 12. Teenage years are looming. I've got that to look forward to.

[A]

Are you worried about it?

[B]

Not really. I'm sure there'll be some bumps along the way, but River's basically a good kid. Both of them have a good relationship with their dad.

[A]

Right, here we go.

[B]

Thanks. And thanks for letting me gatecrash your bonfire night.

[A]

No, you didn't gatecrash. I invited you.

[B]

Thanks for inviting me.

[A]

You know earlier when I said. Sorry if it sounded like I was flirting?

[B]

Yeah.

[A]

I was actually flirting.

[B]

Good.

[A]

What?

[B]

You heard.

[A]

Oh. So if I was to carry on.

[B]

Flirting, which I hope you will, and.

[A]

If, when the time was right, I was to ask if I could kiss.

[B]

You, which, when the time was right, I would say yes to.

[A]

Oh, well, then I'd really have no choice in the matter, would I?

[B]

None whatsoever.

[A]

It's a decent turnout. Esme.

[B]

I don't Know why I'm surprised? I thought because dad was reclusive towards the end. I thought people would have forgotten him, Alan.

[A]

Well, clearly they haven't. We'll give him a good send off.

[B]

I thought it might just be me and my dad's cousins.

[A]

Well, there are times when it's good to be wrong, aren't they?

[B]

Yes. Yes, there are. And the bell is a beautiful touch. Thank you.

[A]

Oh, thank Neil Carter. I didn't ask. He offered.

[B]

That's kind.

[A]

Well, people like to help. We often forget that with the world the way it is at the moment. So much division and anger. I mean, most people are decent and thoughtful and care about others. It's something to hold on to, I find.

[B]

Morning, Esme.

[A]

Oh, David. Ruth. Welcome.

[B]

We've cut it a bit. Fine. Sorry. No, it's no problem. The hearse isn't here yet.

[A]

Oh.

[B]

You didn't want to come with it.

[A]

In the car behind.

[B]

It felt a bit wasteful. A car just for me? Dad's cousins drove straight here from Barnsley. They wouldn't have shared it. Right. And I thought a car by myself would be a bit lonely, so I didn't. But don't you two look smart? Thanks for making the effort. Totally right. I like black. I don't know why people think it's gloomy. There's this thing of wearing bright colours to funerals these days, isn't there?

[A]

It's increasingly popular, yes.

[B]

Dad would have hated that. Everyone's been very considerate.

[A]

How. How are you feeling?

[B]

You know what I mostly feel is grateful, actually. For the sun being out or trying after the wind yesterday. And for people being here. I just hope I don't mess it up for him. Of course you won't. I haven't organized anything for after the creme. I thought people could just come to the ball if they want to. I'm sure they will.

[A]

We'll certainly raise a glass to your dad. We will.

[B]

I can't be away from the farm for too long.

[A]

Don't worry about that.

[B]

Josh are covering everything today, so you don't have to think about anything. Thank you. Just concentrate on making this the best day possible for your dad. And for you.

[A]

Well, the hearse is here.

[B]

There we go.

[A]

Right. We better go in, Ruth.

[B]

Right. Oh, unless you want us to wait, Esme. It can be a bit of a shock seeing the coffin. I'll be okay. But thank you. Right. Come on, David.

[A]

Right. I'll. I'll go in first, as we discussed, and then the pallbearers with your dad. And then you follow behind.

[B]

Yes. And the music?

[A]

It's all sorted. Everything you chose.

[B]

Mum and dad loved Elvis. I hope it's not unsuitable.

[A]

Nothing is unsuitable. Okay.

[B]

Here we go. Daddy. Not long now.

[A]

Chris.

[B]

Chris.

[A]

Oh, sorry. Hi, Alice.

[B]

Oh, wow. That looks amazing.

[A]

Yeah, it's a replacement handrail for Lur Loxley. So satisfying to mate with the barley twists and the curled ends. Is everything okay?

[B]

Major dramas, I'm afraid. Martha left her scarf at yours last night.

[A]

Oh, right, yeah, I saw. I meant to drop it round.

[B]

You know what she's like about a pink scarf. Nothing else will do.

[A]

It's on the kitchen table. I'll. I'll give you my key. You can pick it up.

[B]

Oh, thanks. I appreciate it. It's one thing off my list. They tried to write me into helping with the clear up and the green off the fireworks last night, but I've got enough on my plate. Martha had a lovely time, by the way. She couldn't stop talking about it over breakfast.

[A]

Oh, good. And sorry again about the Roman candle incident. I'm still kicking myself.

[B]

All's well that ends well. Honestly, don't give it another thought.

[A]

Thanks.

[B]

She. She liked your friend too. Apparently they had a very deep conversation about the best colour for jelly. Yeah.

[A]

How's everything going with the holiday?

[B]

Well, thanks to you, I'm really getting into the idea.

[A]

Oh, good. I'm glad you're having a break. You deserve one.

[B]

I might even treat myself to a new pair of walking shoes.

[A]

Or wellies. You know, Scotland in November.

[B]

Well, I'm sure the castle has no shortage of wellies. Well, thanks, Chris. I'll drop your keys back soon as.

[A]

Oh, great. Before you go, I think I need to tell you something. Oh, my God. Might be jumping the gun a bit.

[B]

Chris. What is it?

[A]

My friend at the fireworks tea. It was just an impromptu thing. I wouldn't want you to think I planned it.

[B]

I don't know what you're talking about.

[A]

It was Carly. Do you remember? Carly?

[B]

Oliver's Carly?

[A]

Yeah.

[B]

Oh, it's a blast from the past.

[A]

Yeah, I know. We bumped into each other at the ball. It was a complete surprise. Wow.

[B]

Carly.

[A]

I know, right?

[B]

If I remember correctly, you only kept going out with her for so long to wind your mum up.

[A]

It was more than that, but. Yeah, another life, eh?

[B]

Is she living locally again?

[A]

Kind of.

[B]

Oh. What's she doing now?

[A]

She's a gym instructor.

[B]

Wow.

[A]

But maybe not for long. She's looking for someone else. Oh.

[B]

Well, give her my regards.

[A]

I will. It was a completely casual Thing she was in Ambridge at a loose end, and I said she was welcome to pop in, and she did.

[B]

Chris, this is interesting, but why are you telling me?

[A]

Because, though we hadn't seen each other for a long time, I think we're gonna see more of each other in future. I hope.

[B]

I see.

[A]

So I'll just come out with it. Carly stayed the night. Alice.

[B]

Oh.

[A]

And now Esme Mulligan is going to say a few words about her father. Esme.

[B]

Thank you, Alan. Hello, everyone. Thank you for coming. I. Sorry. Speaking like this isn't normally my thing. I probably won't be very good at it. But here goes. If I go on too long, Alan, feel free to shut me up.

[A]

I wouldn't do that.

[B]

I want to tell you what a lovely man my dad was. Honest, hard working, practical. A man who knew who he was. How many of us can say that? I know he could be grumpy and crusty as hell, but underneath, heaps. Oh, sorry. Can I say Helen Church?

[A]

Where better?

[B]

I suppose underneath all that, dad was a pussycat, not a big, fat, pampered moggy. No, dad was more a farm cat. Smart, alert, a bit territorial, keeping a watchful eye on things. Quick to spot a rat and deal with it. Strong. Sorry, why am I talking about cats? Sorry.

[A]

There's no rush, Esme. You just take your time, okay?

[B]

I went for a walk round the farm earlier this morning. I looked down the hill at the farmhouse. All red brick and gray, stone and slate against the sky. Solid, like it had never changed. A bit. Crumbly at the edges, maybe an estate agent might call it. In need of updating. And it is, but that's just cosmetic. It looked like something that had always been there and always would be. Safe, bedded into the land. Just like dad. That's what popped into my head. Dad and the farm were the same thing. I had a really happy childhood at Meadow Farm. I always felt safe there. Safe enough that I could leave and branch out and do my own thing. Which dad never really understood. Because Meadow Farm would always be there, you see. Dad would always be there. Wise and funny and quiet. And now he isn't. I wanted to tell you how much he loved his herd. I found all his notes on the lineage of every single cow, all the breeding plans. He saw them as individuals. Individuals with characters. And that's what he was, too. An individual with character. The herd will miss him. And so will I. And then it occurred to me that. Hello?

[A]

Bread delivery. Hello.

[B]

Oh, no. Alan.

[A]

Sorry.

[B]

I'm so sorry.

[A]

Hold on a moment. Esme. Yes? Can I help you?

[B]

So sorry.

[A]

Break delivery. I didn't really. Let me sort this out, please. I'll deal with this, Alan. You carry on. Thank you, David.

[B]

You don't have to tell me this, Chris. It's really not my business who.

[A]

You see, I didn't want you to think that I'd gone behind your back. I wasn't introducing Martha to a girlfriend on the street Sly without telling you. She was just there as an old mate for the fireworks. Nothing happened between us until after I brought Martha home. It wasn't planned. You don't have to explain because I wouldn't do that. If we do become a thing, and that's a huge if, it's really early days, but I won't ever stay overnight if Martha's there. Obviously. It wouldn't be fair to either of them. It was just that Fallon was away and the house was empty.

[B]

Yeah, don't go on about it.

[A]

I just didn't want there to be any confusion. I'm not being irresponsible around Martha. I'm really not.

[B]

I appreciate the heads up. Carly was always nice. I remember. So I'm sure she still is. I showed her around the stables once. It wasn't her thing at all.

[A]

We came to one of your parties together, too.

[B]

Oh, yeah.

[A]

I won't see her while you're in Scotland. It'll all be about Martha.

[B]

I appreciate it. It. Thank you.

[A]

I mean, that's assuming she'll want to see me again. She might not. I might be telling you all of this for nothing. Anyway, whatever this turns out to be, I'll take it really slowly. Right.

[B]

I'm gonna go and pick up Martha's scarf now, so I'll drop your keys back later.

[A]

Oh, great. And we're all cool?

[B]

Of course.

[A]

Great. Sorry. I've moved it all now. What on earth were you thinking? It didn't even occur to me there might be a service, let alone a funeral.

[B]

There's a hearse outside. What?

[A]

I didn't notice. I was in a real rush. I've got 15 more stuff. Okay?

[B]

Okay.

[A]

Is that everything?

[B]

Yeah.

[A]

You gonna sign for it?

[B]

Oh, really?

[A]

Well, someone has to. Where? I'll get in trouble. Sorry. I can't leave till it's signed for. Give it here, then go. Or. Right. Thanks, mate. I am really not your mate. Thanks anyway. Confident in your promise of eternal life through Jesus?

[B]

I knew it'd go wrong. It didn't.

[A]

We'll take you to the crematorium. Esme. You won't want to drive after that.

[B]

I wanted to make today special. Memorable. It was. Yes. For all the wrong reasons. It's gonna become a funny story, isn't it? A joke in the pub. People will laugh about it for years to come.

[A]

I think they'll be as horrified as we are.

[B]

It's how dad will be remembered. The grumpy old misery. Nobody knew whose funeral got derailed by the bread man. No, the day's been ruined. However kind you are about it. I let him down, Ruth. I know. I. Jazzer said you were ok, Susan.

[A]

I'm almost done. You nearly missed me.

[B]

Oh, I'd have found you.

[A]

Oh, what's up?

[B]

Oh, what isn't?

[A]

Oh, dear.

[B]

I've had a morning, Neil. By myself in the shop. Trying to clear up the mess from yesterday.

[A]

Bad business, that.

[B]

Interest. Interrupting a funeral for a bread delivery. I ask you.

[A]

I hope you put a rocket up the delivery company.

[B]

They were next to useless. Luckily, I have the driver's number from last time. I gave him a piece of my mind, I can tell you.

[A]

I'm glad. It was just awful. That poor woman.

[B]

I doubt the driver will ever willingly show his face in the shop again.

[A]

I'm sorry. Had a bad morning?

[B]

No, that wasn't the half of it. But no sooner put the phone down on the driver when Veronica Chambers called. You'd think she was chair of the committee, the way she went on at.

[A]

Me about George working in the shop.

[B]

They've had complaints, she said.

[A]

Many.

[B]

Brian Aldridge, for one. Lillian. Mick.

[A]

Well, Mick's no surprise, is he? Not after the other day. It was always going to divide people in working there. I tried to tell you.

[B]

Well, Veronica says some of the other volunteers have complained too. Who? Well, I'm going to ask you straight out when I see her. I'm summoned to an Emergency meeting at 4 o'. Clock.

[A]

Oh, I am sorry, love.

[B]

Well, I'm not. I'm doing the right thing.

[A]

Well, face it, love. You might have to let George go.

[B]

I can't do that to him. I won't. Not on top of everything else.

[A]

Look, the village needs the shop. The last few months have shown that. And you've worked too hard all these years to see it fall apart. You're mixing up work and family. I know you've got your dander up.

[B]

But just think, if it wasn't George.

[A]

Would you feel the same way?

[B]

But it is George. Yes, I know.

[A]

I know, love.

[B]

Yes, Hello, Is that Meadow Farm? Yes. And is that Esme Mulligan? Yes. Who is this? Susan Carter. From the shop in St. Stephen's I'm sorry to disturb you, but I felt I had to call. Oh. I wanted to apologise. This is the first chance I've had. There's no need. It happened and it's done with. But it should never have happened. The company were told when the service was and when the church would be closed. It really isn't your fault. If you'll excuse me, I don't want to be rude, but I've got a lot on. Oh, yes, of course. I don't mean to intrude. It's only that I feel terrible. Thank you. I do appreciate you calling. Well, if there's anything. Sorry, got to go. Bye. Esme? It's Ruth. We let ourselves in.

[A]

Morning, Esme. Oh.

[B]

I'm sorry. No, no, no. It's me who should be sorry. Do excuse me. This isn't what it looks like. I'm not a weeper. Not usually. Oh, Esme. I just had a moment. Really. I'm okay. You're not. And there's no reason you should be. Oh. Come here. Thank you.

[A]

Should we come back later?

[B]

Fine. David. Esme's just having a good old week. Yes. Yes, I am. And quite right, too. Come on, David. Put the kettle on.

[A]

Yes. Good idea.

[B]

Thank you so much. I'm sick of being so useless. Oh, come on. You're the least useless person I know. But the funeral. Not your fault. I let him down. You did not. The committal at the Creme was beautiful.

[A]

Yes. Lovely music.

[B]

Dad's favorites. Thanks. The church, though. The church?

[A]

Esme, it was not your fault that the delivery man didn't have two brain cells to rub together.

[B]

But poor dad. He died all alone in a cold milking parlour. And then his funeral was. It's all such a mess, David. You've gone through a lot. Let it all out. I found another box of unopened mail in the study, tucked behind the armchair. I thought I'd gone through all of it. And then to find this. It all started to seem endless. An endless maze of red bills, stretching on and on. I brought it in here to go through him. The woman from the shop rang. And I think I might have been rude to her because, well, I just fell apart. I couldn't get off the phone fast enough. Sorry. It's over now. Sometimes a good cry can sort you out. Yeah, and I think it has a bit, anyway. Hey.

[A]

Here's your tea.

[B]

Oh, thank you. Well, I'm glad you're here. You can be the first Ones to hear. I've come to a decision.

[A]

Really?

[B]

Just now, I suddenly knew what I had to do about everything. Really. I'm not going to let my dad down. Not ever again. I really think you're giving yourself too hard a time. I know what I need to do. About the farm, his future, I mean. I have to do what dad wanted. Give it a shot, anyway. He wanted me to take it on and make it work, so that's what I'll do. Are you sure? No. I'm not sure about anything. I'm not saying I'm going to give up my life and job and make a permanent future here, but I want to keep the place going as best I can.

[A]

Won't be easy.

[B]

If I can keep it a going concern, I can sell the herd and the business on to the next tenant. That way, something worthwhile gets saved out of all this. That would make dad happy.

[A]

Good. Well, we'll do our best to support you.

[B]

We absolutely will. Whatever we can. I don't know what I've done to deserve neighbors like you, but whatever it was, I'm glad I did it. That's a lovely thing to see. Yes, well, all help gratefully received. But I'm not going to make assumptions. I've got a little bit of savings. Not a lot, but enough to pay for some. Some casual labor. So I'm not totally reliant on you and your family. And I'd like to pay you for what you've already done.

[A]

Absolutely not.

[B]

Then let me pay you going forward. No, no.

[A]

There is absolutely no need to.

[B]

We don't need to get into that now. Esme. I don't have much, but what there is, I'll use to honor my dad's wishes. It feels.

[A]

Why is there flour everywhere?

[B]

I'm making bread.

[A]

Oh, I can see that.

[B]

So why us?

[A]

Okay, let me try again. Why are you making bread today of all days? Haven't you got enough on your plate?

[B]

I needed something to hit, and bread dough seemed like a good idea. It's had a ripe pommel in, and I'm about to put it in the oven to prove.

[A]

What about our tea? We were having that frozen casserole thing.

[B]

Well, we're not. You're going out for fish and chips. I'm paying.

[A]

Oh. Okay. I won't argue.

[B]

Good. I've had enough arguing for one day.

[A]

The meeting.

[B]

There aren't many people I dislike as much as I dislike Veronica Chambers and the broomstick she rode in on, which I could have happily stuck where the sun don't shine. Oh, dear. I've been told very firmly, very firmly indeed, that George can't volunteer in the shop anymore.

[A]

Oh, right.

[B]

Well, there's nothing right about it. Say what you really mean.

[A]

Look, I can see you're not happy about their decision.

[B]

I am not.

[A]

But it's not exactly unexpected, is it? Oh, look. I'd let that poor dough rest a.

[B]

Bit if I were you. You've beaten that into submission. What do you know about baking?

[A]

You did a wonderful thing, Susan. You tried to give George a chance. You got him talking to you again.

[B]

And what's going to happen when I tell him this, Neil? That'll be it. A double betrayal. You haven't betrayed him, love. You wouldn't. Well, you and I know that he won't see it that way.

[A]

It was never really going to be viable, was it? Not in the long term.

[B]

Don't say. Why not? Because he'll get a job.

[A]

A real job that pays real money.

[B]

Where what is bound to eventually. Are you saying you agree with him? No, I'm not. That sounds like it.

[A]

Then you're not listening. I love what you've tried to do.

[B]

For him, but you can't make it.

[A]

All better on your own.

[B]

Pass me that tin.

[A]

There. It looks great.

[B]

I'm in charge of the shop. I'm the only one who gets paid because I do a good job. An excellent job.

[A]

They couldn't manage without you.

[B]

No, they couldn't. I've given that committee first class service over the years. Yes, you have dealt with many a crisis gone beyond the call of duty. Even chased a rat or two.

[A]

You've done a great job, like you always do. And I know how much you hate being given an ultimatum.

[B]

So it won't be a surprise then, when I tell you I've given them an ultimatum of my own. Thanks again. I feel so much better from making a decision. That's the good thing about decisions.

[A]

One good thing. The other is that you can always make them again.

[B]

How do you mean?

[A]

Well, if the first decision doesn't work out, you can make another one.

[B]

This is going to work out. I'm determined. I promise I won't take up so much of your time in future.

[A]

Well, let's see how it goes, shall we?

[B]

Good plan. Bye, Esme. I'll see you soon. Very soon. So, what do you think?

[A]

Well, I absolutely applaud Esme's spirit, but how realistic is it? She says she has a bit saved, but this place could swallow that up in one gulp. We'll help using her own money to pay for casual labor might not be the most sensible move. Even if she can find any casual labor. Tom's been struggling to.

[B]

We'd better keep an eye on her. David. I don't think she has any idea what she's letting herself in for. Susan, you have lost your mind. I've been where George is, remember?

[A]

You can't throw away all those years of building up the shop just for him.

[B]

It's not just for George. It's the principle of the thing. Our grandson's trying to get his life back on track. What do Mick Fadmore and Brian Aldridge want? Is George supposed to spend the next 10 years without a job? That's not fair. No, it's not.

[A]

I agree that, but it's complicated, you.

[B]

Know it is not for me. They're wrong. You restore your reputation by doing good deed. Right? And George giving up his time, volunteering in the shop and looking the people who hate him in the eye, that's a good deed? It's honest.

[A]

Yes.

[B]

If Veronica Chambers wants to be all purse lipped about it, well, that says more about her than it does about George.

[A]

I agree, love, but you can't just walk out.

[B]

What about the post office? I haven't just walked out, but I gave Veronica an ultimatum and I'm still sticking to it. Unless they reconsider, I shall have me noticing and resign as post mistress, too.

[A]

Oh, Susan.

[B]

Are you with me? Neil, please say you are.

[A]

Sa.

[B]

Hello, I'm India Axon and I just want to quickly talk to you about witches. In this series from BBC Radio 4, simply titled Witch, I'm going to explore the meaning of the word today. It is a twisting, turning rabbit warren of a world full of forgotten connections to land and to power, lost graves, stolen words, and indelible marks on the world. Because the story of the witch is actually the story of us all. Come and find out why on Witch with me. India Akerson. Subscribe wherever you get your podcasts. The customer journey isn't just changing. The journey is change. New ideas spread in an instant. Expectations rise overnight. Decisions are made in the blink of an eye. That's why companies need sitecore. We put your brand in the moment, right when your customer is ready to act. So every message feels personal, timely, and makes your brand unforgettable. The Journey is change. Sitecore moves with it. See [e-mail] journey.