18/01/2026

Summary

The Archers Omnibus – January 18, 2026

Podcast: The Archers Omnibus<br> Host: BBC Radio 4<br> Air Date: January 17, 2026<br> Episode Theme:
A week of transitions and reckoning in Ambridge: George Grundy’s attempted reconciliation dominates village life, while the Archer and Grundy families grapple with legacy, forgiveness, and the disruptive reappearance of Clive Horrobin. Meanwhile, decisions about family, work, and the future weigh on everyone.

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Main Themes and Purpose

This episode follows the repercussions of the attack on George Grundy, focusing on his attempts to make amends with the community. It also explores generational tensions through the Archers’ succession planning and the return of the notorious Clive Horrobin, which threaten to stir up old wounds.

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Key Discussion Points & Insights

1. George Grundy’s Path to Redemption

• George’s Apologies: After surviving a violent attack, George seeks forgiveness from those he’s hurt, including Chris, Alice, Kenton, and the Aldridge family.
• Mixed Responses: Some characters, like Kenton and Brian, tentatively accept his apology, emphasizing the need for change and ongoing effort; others, like Jolene, remain skeptical.
• Family Meeting: Alice organizes a meeting so George can apologise directly to the Aldridge family, but emotions run high, trust is slow to return, and some family members (especially Rory) are openly hostile. Kate cautions George about the need for true change, referencing her own family’s journey of forgiveness.
• Impact of the Past: George’s actions toward Alice, Fallon, and others are laid bare. He admits shame and regret, but skepticism persists.
• Probation Officer’s Visit: A probation officer, Reg Turnuk, questions village members about complaints against George’s behaviour. The underlying suspicion illustrates how fragile his situation remains.

Notable Quotes:

• “If you follow it up with real change, sorry can be powerful.” — Alice (17:07)
• “If this apology is sincere, well, then I’ll work towards accepting it. But I have to admit, I’m wary. Change doesn’t happen without a hell of a lot of willpower and loving support.” — Brian (45:18)
• “You held out an olive branch. Now you have to let them decide what to do with it.” — Nana/Susan (49:01)

Timestamps

• Family meeting & apology: [44:00 - 47:54]
• George’s discussion with Nana after the meeting: [48:04 - 49:01]
• Probation officer’s inquiries: [68:30 - 71:00], followed by conversation with George [71:23 - 72:00]

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2. Bridge Farm and Career Shifts

• Akram’s Dilemma: Akram is offered farm work at Bridge Farm to help fill Adam’s role, but he and Azra debate the financial and family ramifications of shifting from plumbing to farm work.
• Resolution: Ultimately, Akram chooses to accept the offer, attracted by the sense of belonging and local stability it brings, with Azra’s support.

Notable Quotes:

• “If I was to farm, this is the way I’d do it.” — Akram (10:01)
• “I want a husband who comes home smelling of curly kale.” — Azra to Akram (21:01)

Timestamps

• Akram’s discussion with Helen: [3:48 - 4:50], [19:18 - 21:27]
• Akram and Azra’s conversation and decision: [12:59 - 14:55], [21:13 - 21:31]

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3. Village Tensions and Reconciliation Efforts

• Kenton & Jolene: Friction surfaces as Kenton chooses to forgive George, while Jolene warns about George’s repeating patterns of abusive behaviour. The strain leads Jolene and Kenton to consider a holiday escape.
• Kate & the Aldridge Family: Kate and Brian reflect on the exhausting cycle of anger in the village. Kate tries to facilitate healing but faces resistance from others who don’t believe George can change.

Notable Quotes:

• “All the anger you’re directing towards George Grundy is the oxygen...Take away the oxygen and the flame is extinguished.” — Kenton (31:18)
• “Take away the anger and George gets to strut around like the cock of Ambridge.” — Jolene (31:35)
• “I wonder if the problem of George will ever go away.” — Jolene (32:11)

Timestamps

• Kenton and Jolene’s friction and forgiveness debate: [25:43 - 28:18]
• Kate, Kenton, and Brian mull over village drama and forgiveness: [31:16 - 33:14]

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4. The Return of Clive Horrobin

• Disruption: Clive arrives in Ambridge, creating unease among Susan, Christopher, and others due to his criminal past and manipulative ways.
• Manipulation: Clive claims he understands George’s situation as a societal outcast, sowing seeds of doubt in George and suggesting he’s the only one who truly understands him.
• Family Anxiety: Susan accuses Clive of only returning to meddle; she fears for George’s vulnerability to his uncle’s influence.

Notable Quotes:

• “Whatever you think you can get from being here, you’re sad mistaken.” — Susan to Clive (51:27)
• “It’s you with a face all twisted up with resentment. Me, I’m at peace.” — Clive (51:39)
• “The truth is that I understand George better than anyone in this family. I know what it’s like to be a victim of the justice system.” — Clive (52:53)
• “Never explain, never apologize. Saying you’re sorry is weak—end of.” — Clive (64:13)

Timestamps

• Susan confronts Clive on the village green: [51:01 - 54:54]
• Clive’s fishing “advice” to George: [64:13 - 65:57]
• Clive tries to rattle Christopher, hinting at secrets: [57:31 - 58:39]
• Clive tries to poison George against his family: [66:25 - 66:54], [73:12 - 73:35]

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5. Succession and Family Legacy

• Archer Succession Woes: Ruth and David struggle to reach decisions about Brookfield’s succession and inheritance tax. Worries about their children’s readiness and potential risks of divorce add pressure.
• Ben’s Graduation: Amidst the stress, Ruth is proud of Ben’s progress in nursing.

Notable Quotes:

• “We’re never going to get anywhere with this succession dilemma until we talk about it properly. But really, what are we gonna do?” — Ruth (55:45)
• “Not threatened, just sidelined. Sometimes I regret letting you go ahead with a grass-fed dairy herd.” — David (59:48)

Timestamps

• David and Ruth discuss succession & family roles: [55:14 - 60:23]
• Ben’s graduation pride: [56:04 - 56:13]

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6. Community Life and Subplots

• Burns Night & Village Events: Excitement over upcoming celebrations and minor frustrations with farm deliveries.
• Financial Realities: The debate between following dreams (farm work) and financial security (plumbing) echoes across families.

Timestamps

• Burns Night and community chat: [30:07 - 31:10]
• Delivery problems and work/life balance: [11:23 - 13:56]

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Memorable Moments & Notable Quotes

• George’s Apology Journey:
  “I promised myself I’d let go of the anger. I mean, Alice has. So why can’t I?” — Chris (07:26)
• Kate on Village Healing:
  “A clearing of blocked energies, chance to move forward.” — Kate (24:22)
• Susan’s Firm Support:
  “You held out an olive branch. Now you have to let them decide what to do with it.” — Susan to George (49:01)
• Clive’s Cynicism:
  “Never explain, never apologize. Saying you’re sorry is weak—end of.” — Clive (64:13)

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Summary Timeline (Key Segments)

• 01:24: Casual Sunday lunch at the Archers; village news, winter illnesses, and meal chatter.
• 03:13: Chris and George mend household issues and open up about recent trauma.
• 04:45 - 06:12: Discussion about career worries and the shifting roles at Bridge Farm.
• 44:00: Family confrontation and George’s formal apology.
• 51:01: Clive Horrobin’s menacing return to Ambridge.
• 55:14: Archer family’s succession and generational struggles.
• 68:30: The probation officer investigates George’s New Year’s Eve incident.
• 64:13 & 73:12: Clive’s corrosive influence on George.

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Tone & Language

True to The Archers’ tradition: conversational, intimate, and village-centric, with moments of dark humor and familial tenderness. The tone oscillates between wary hopefulness (around George’s attempts at change) and underlying tension (through Clive’s return and succession worries).

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Conclusion

This week’s episode is pivotal for Ambridge, with old wounds exposed and the fragile beginnings of healing. While George seeks a new footing, supported by Alice and tentatively by others, the community remains divided. Meanwhile, the return of Clive Horrobin hangs darkly over the village as families recalibrate their alliances, ambitions, and hopes for the future.

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(Summary excludes advertisements and non-story segments.)

Transcript

[A]

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[B]

Anyone for anything else? Another slice of dill and Leonard's apple pie.

[A]

It was so delicious, Ruth. All of it. The black bean casserole, the pie. But I couldn't eat another thing.

[B]

A coffee, then, Azra? Oh, I wouldn't mind, but only if we're not outstaying our welcome. Not at all. We love having you here. David might have to skip coffee, though. He needs to pop over to Bridge Farm. But me, I'm planning on stretching out Sunday lunch as long as I possibly can. Oh, it's been such a hectic week at the surgery that it's nice to do something different, something sociable. Ben's getting loads of COVID work. So many staff off with winterbug. It's a nightmare. We've got locums covering for locums. It's like as soon as Christmas ends, people's immune systems go on holiday. Maybe Burns Night will pick everyone up again. I love a bit of burns. What was that? Have you heard of Shamshah Ghani?

[A]

She's a Scottish Pakistani poet.

[B]

She performs Auld Lang Syne in Punjabi. It's brilliant.

[A]

Oh, no, it's Helen Archer. She's asking if I might drop in at Bridge Farm for a word with her when I'm next passing.

[B]

Is that about the polytunnel?

[A]

Must be.

[B]

Akram had a big plumbing job. That didn't happen last week. So he was lending a hand at Bridge Farm.

[A]

And while helping to mend the polytunnel, I slipped and made it much, much worse.

[B]

No. Are you okay?

[A]

I'm fine. I. But I just bit embarrassed that I haven't been back to offer to pay for the repairs. How much do you reckon a huge rip in a polytunnel would cost to fix?

[B]

I suppose it would depend how bad it was. Those covers aren't cheap. But Helen's straight talk. Just ask her. Why don't you get a lift to Bridge Farm with David? Talk to her now.

[A]

Hi, George. Uncle Chris. What do you want? It's not a good time. Don't worry, I'm not here to have a go at you. No, it's just the filter was blocked in the washing machine. I managed to dislodge this big water. Gross stuff. But no, the water's pouring out of it. I was just running for some towels. Uh, I'll. I'll grab the towels. You get something to catch the water with. Something shallow that will fit below the filter like a roasting tray.

[B]

Take a seat.

[A]

Hello. Let me just say another heartfelt apology. I imagine any damage to a polytunnel is a disaster in these temperatures. If I transfer the money to you this afternoon, how soon can you get it fixed?

[B]

Akram, I didn't ask you here because the polytunnel got ripped and I don't want you to pay for anything.

[A]

At least a contribution towards a new cover.

[B]

Absolutely not. I'm just relieved you weren't hurt.

[A]

I'm fine, honestly.

[B]

Oh, good. Because I really hope you haven't been put off Bridge Farm.

[A]

Not at all. In fact, I love it here. Love the family feel of the place. Your commitment to organic, sustainable farming. The community you've built. Wow.

[B]

We should get you on the website promoting the place.

[A]

It's easy to be a salesman when it comes from the heart.

[B]

You cannot believe how happy I am to hear you say that. Because, well, I've got something I want to run past you. Do you have a minute?

[A]

Of course.

[B]

Come on then. I've been stuck inside updating accounts all day. Let's walk and talk.

[A]

Where are we going?

[B]

To have a look around the farm you love so much. I know I go on about how hard it is at the surgery in the winter months, but it must be off the scale. Miserable to be a farmer. I could do it without the admin side of things, but. But when it comes to welly sloshing through mud to go and get on with the milking. You're smiling. Well, we'll soon have the lambs in the fields. The lighter mornings are coming. If I could just bury me head deep enough in the sand to block out any talk of inheritance tax, I'd say I'm pretty happy with me lot. When does it have to be sorted? By April. And we're no closer to making a decision. Well, the worst thing would be to do nothing. I can't tell you the problems Akram had with his father's estate in Pakistan. I don't even know where to begin after his death. It took him nearly a year to sort it all out. And you think it could have been avoidable if his dad had put things in order? Definitely. I'm not saying you can avoid all complications and pitfalls, but honestly, the whole thing was a nightmare. Porky, you've convinced me this week. I'll sit down with David and we'll make a decision.

[A]

There. Hopefully that's all drained and sorted. Right, then. I'll just get rid of this water and stick the towels in the machine. I can help with that. All that gunge. I once found one of Martha's toys blocking the dishwasher filter. She thought he needed a shower, so she just chucked him in. Ugh. Kids are disgusting. Yeah, well, you certainly were. If you came to tell me I'm a bad person and always have been, then just join the queue. My grandpa's avoiding me. Mum's been wearing me and Ed. I wasn't gonna say that. Oh, no, I was gonna ask if you remembered Alice and me babysitting for you.

[B]

When.

[A]

When you insisted on having a bath with all your rubber spiders and snakes? Yeah, I was swamp, man. Yeah? And what about that fruit game? That. The one that made a fart sound every time you squashed a strawberry? You were so competitive. Like you'd have done anything to win. Hey, I wasn't that bad. You were. Alice had to read me my bedtime story while you carried on playing. Well, squashing fruit can be pretty addictive. Do you want a beer? Wouldn't say no. Here. Thank you. So if you didn't come round to have a go at me, then why did you come round? I've been thinking about New Year's Eve. About me losing it in the bull. Or about someone trying to kill me? When I heard you'd been attacked, I felt. I felt this panic. It was so strong. It was like being knocked out. The idea that anything might have happened to you that might not pull through. It was more than I could bear. Really? Yeah, it was physical. I was hoping and praying that you'd be alright when I get a chance to talk to you again. And I promised myself I'd let go of the anger. I mean, Alice has. So why can't I? I don't know what to say. You don't have to say anything. It would be good if Nana didn't have to worry about me and you bumping into each other. Yeah. Good to be able to be in the same room without one of us wanting to beat the other one up. I never wanted to beat you up. I hate what I did to Alice. One stupid decision that I was too chicken to put right. And I feel proper ashamed when I think about it. Yeah, well, we've all done things we regret.

[B]

Ta da.

[A]

The Bully Tunnel.

[B]

I called in a favor from a friend yesterday. It took him half an hour at most.

[A]

What a relief.

[B]

I meant to send you a photo, but then I got caught up in a problem with our Borsetshire Blue and ended up in the dairy till late.

[A]

Is that Tom in there now?

[B]

Yeah. Natasha's taking the girls out on a snowdrop walk so that Tom can put in a few hours. He's preparing the beds for planting. Yeah, we're permanently on catch up. Without Adam.

[A]

What's he using?

[B]

Well, rotted manure.

[A]

Ah, you can't beat it.

[B]

In a few short weeks, we'll be ready to start planting. The broad beans, the spring spring onions, salad crops, sweet peas.

[A]

Even their names feel like poetry to me. There's something about putting a seed in the ground and watching it grow. Something wholesome and nourishing.

[B]

Yeah, I know exactly what you mean. I get the same feeling when I help with the veg boxes, you know, especially at those times of year when almost everything in them has been grown on our farm.

[A]

Veg harvested that morning and eaten that night.

[B]

Exactly.

[A]

If I was to farm this, this is the way I do it.

[B]

You thought about farming then?

[A]

I dream about it. And if my life had gone differently, who knows? I have to say, helping David and Ruth out with the milking at Meadow Farm, I felt a sort of settling. A sense of belonging.

[B]

Maybe there's a way for you to belong here. Hey. I mean, Akram. I spoke to Tom and we agreed that it would be amazing to have you here. What if I said that we could offer you some hours at Bridge Farm?

[A]

Why would you do that?

[B]

We need a replacement for Adam. And before you turn me down, just please take some time to think about it. I know it doesn't sound hugely attractive, you know, casual farm work, but I promise you'd be welcome with open arms.

[A]

I'm a plumber, Helen.

[B]

Right, yeah, I know. And obviously we can't expect you to give that up, but maybe there's a way of doing both. Are you in the queue, Kenton?

[A]

I am, yeah. But you might have a bit of a wait. Helen's gone to fetch the carrots and purple sprouting broccoli that they failed to pack in our veg boxes this week.

[B]

Oh, no.

[A]

Yeah. I'm not sure what's taking so long.

[B]

Oh, well, don't worry. I'm not in a mad rush. Martha and dad have popped to the viewing window to watch Susan making yoghurt. Martha would happily stand there all evening.

[A]

Well, I could really do with getting back. Jolene's gone out with her old school friend, so Tracy's on her own in the bar. I would tell Helen to forget it, but, well, Fallon can hardly make chicken and broccoli bake without the broccoli.

[B]

I suppose not. It's not like Bridge Farms have messed their delivery.

[A]

Well, the same thing happened last week.

[B]

I must be so stretched without Adam. It turns out he's not easily replaced. I saw Helen at the weekend. She looked exhausted.

[A]

All right, Now I feel bad. Yeah, I need to stop being an old grump and show some understanding.

[B]

You said it, not me.

[A]

It's like the whole village is on edge since, you know what happened to George. Tetchy and prickly.

[B]

Yeah, I know what you mean. Hopefully things will start to get better now he's out of hospital. Chris saw him yesterday when he seemed well enough.

[A]

Oh, that's good to hear.

[B]

Though it must be awful for him, knowing that someone wanted him dead.

[A]

You think it was that serious, don't you?

[B]

I love Bridge Farm. The cakes at the tea room are fantastic. And I can't believe we've got a farm shop so handy. But does Helen really think the place is so amazing that you ditch your very respectable, very lucrative trade to be at their beck and call? Casual farm work. It's insulting.

[A]

She was never suggesting I give up plumbing.

[B]

Good.

[A]

But I could earn a decent living doing emergency callouts. I'd have the freedom to accept the job if I'm available and turn it down if I'm not.

[B]

If you happen to be packing parsnips on minimum wage.

[A]

But do we need the amount of money the two of us are making at the moment? We could manage perfectly well on your salary alone. We have a lovely house. We never have to worry about bills or how to pay for flights home.

[B]

But what about if Zainab wants to go to university? And Khalil? I thought we agreed that having savings was something we both wanted.

[A]

But we already have a fair bit saved up.

[B]

Not if they both want to do a masters and a PhD. And I've never been more uncertain about the way the world is going.

[A]

Having money saved doesn't take away all the uncertainty.

[B]

But it helps.

[A]

All right. Can't argue with that. So I'm telling Helen it's a no.

[B]

I can't make that call. It's up to you. But I can't see what benefit there would be from complicating your life to help out the Bridge Farm Archers and taking a wage cut to boot.

[A]

Can you see who it is for me?

[B]

Oh, it's her. It's Helen.

[A]

Then you might as well answer. I'll get this over with.

[B]

Hi, Helen, it's Azra. Akrom's driving. Oh, I can ring back later if it's not a good time. Oh, it's fine. Just hold on. I'll put you on speaker.

[A]

Hello, Helen. Sorry I haven't got back to you yet. The day's been quite full on.

[B]

Oh, it's fine. Don't worry about it.

[A]

Will you be in this evening? After dinner? Absolutely.

[B]

I'm about to head home and I have nothing more exciting planned than doing the account. But you must know how that is, being self employed.

[A]

I certainly do.

[B]

So I'll expect you about 7? 7's great. See you later.

[A]

Bye.

[B]

You didn't say no.

[A]

It felt a bit rude to turn it down over the phone. Much more decent to do it in person. Hi, Alice.

[B]

George. Are you okay?

[A]

Yeah, I'm fine. I mean, pretty good, actually, considering.

[B]

Such a relief to hear you were out of hospital. I was worried. Really? Yeah. Come in. You must be freezing standing there.

[A]

No, it's okay. I only called round to give you this. Well, to give it to Martha, actually. I don't mean. I mean for you to give it to Martha.

[B]

Oh. A magic painting book.

[A]

Papa used to love them. And I thought, well, maybe Martha would like one.

[B]

I remember thinking these were so cool when I was little. So, when did you get home?

[A]

Wednesday, I think. Yeah, Wednesday.

[B]

You getting plenty of rest?

[A]

Too much. My dad freaks out if I stand up to make a cup of coffee.

[B]

Well, I'm sure that won't last. You should take advantage of it while it does.

[A]

Yeah, you're right. I should.

[B]

Well, okay. I better get back to Martha. Take care of yourself, George. Rest up.

[A]

Alice. There's one more thing. Uncle Chris came to see me yesterday.

[B]

I know. Yeah, he. He told me.

[A]

We're gonna try and be civil to each other, put some of the past behind us.

[B]

Good. That's what I want, too.

[A]

So it got me thinking about your dad and. And Adam and Rory. Ed works with them, for them, and, well, I hate that it's awkward for him at home. Fine. Because of me.

[B]

Really, George, they don't blame Ed.

[A]

They might not blame him, but it's not great, is it? Working for a family who hates me?

[B]

Oh, they. They don't hate you. Hate's a strong word.

[A]

And sorry is such a useless word because it can mean nothing. I've used it just to show. Shut people up in the past.

[B]

Sorry can be powerful if you mean it. If you follow it up with real change.

[A]

What you said to me on New Year's Eve, just before the. It was so kind. And I can't stop thinking about it. It's not too late. That's what you said.

[B]

I do believe that.

[A]

So I want your family to know how sorry I am. And that I really mean it this time. I want to be different. Be better.

[B]

I can tell them that's how you.

[A]

Feel, but I want them to hear it from me.

[B]

I don't know about that. It might be better to give them time to take it in. I'm worried in the heat of the moment, they might not react the way you'd want them to.

[A]

I'll get that. But I'd still like to try.

[B]

Well, I'm pretty sure the last thing you need right now is something like this. I'm with your dad. Really. You need to rest and recover.

[A]

Look at me. I'm fine.

[B]

But it's not just about being physically fit, though, is it? What happened to you was traumatic. That shock, it. It's going to take time to process for your brain to recover, But I.

[A]

Think this could help me recover. I feel so bad about the way I was behaving coming up to Christmas and New Year. I just got into this vicious circle, downward spiral, whatever you want to call it. And the only way out of it is to start. I don't know, start saying I'm sorry.

[B]

Start making amends.

[A]

Yeah. Talk to the people I've hurt face to face so they know it's not fake.

[B]

I get that, George. I really do.

[A]

So you'll ask them? Ask your dad.

[B]

All right. I can't promise they'll agree, but I'll ask them. I'll let you know what they say. Henry has his homework set up on the kitchen table. And Nova and Saren are having their milk before bed. I'm not promising anything, but we might actually get five minutes peace in here.

[A]

Thank you, Helen.

[B]

Can I get you a drink? Tea or a cold drink? Natasha's got some lovely apple juice.

[A]

No, I'm fine, thank you.

[B]

Okay. So what's your thinking?

[A]

Your offer came as a surprise to me. Although farming is something I've always felt is in my blood, doing farm work in Enbridge wasn't part of the plan.

[B]

Yeah, I understand.

[A]

The obvious advantage is that it's local. Azra works long hours at the surgery, so it would be nice to be around more for the kids. Especially for Khalil. We both know how challenging these teenage years can be.

[B]

Yes, I know I've been lucky with Henry so far, but I don't take that for granted.

[A]

You're right. They're good boys and growing up fast, but they still need us around. When most of my work was in Solihull or Birmingham, the opportunity to work locally might have justified a cut in income. But recently, I have had a lot more jobs around here. I've started to build a local network at the Good Reputation.

[B]

Oh, Jack, could you get that, please?

[A]

I would love to take the job. If there was only me to consider. The thought of waking up and walking to the farm, rain or shine, it makes me feel energized in a way I haven't since I got back from Pakistan. Even if it was only a few days a week.

[B]

Oh, hi, Azra. Come in. Am I too late? For what? To have a happy husband. What do you mean? Say yes.

[A]

I was just about to say no.

[B]

We can manage. Like you said, there will still be plumbing jobs that you can take.

[A]

But what about saving? As much as we can.

[B]

Look, it's all well and good to worry about the future. It's sensible, prudent. But what about right now? What about when I'm at work, thinking about you with your head under a sink when you could be out harvesting, I don't know. Curly kale? Exactly. I want a husband who comes home smelling of curly kale.

[A]

Okay. How can I say no to that?

[B]

So it's a yes?

[A]

Yes. I mean, we need to talk about the practicalities. How much time I can afford to take away from my plumbing jobs. But, yes, I would love to work at Bridge Farm.

[B]

Right now, we have something to celebrate.

[A]

Natasha's juice does sound tempting.

[B]

Coming up.

[A]

Come here. Mary John. You never fail to surprise me, but.

[B]

There can be no whinging on rainy.

[A]

Morning Rest assured, there will be. What kind of farmer would I be if I didn't mourn about the weather? Kenton. George. Sorry, I didn't mean to make you jump. Well, then maybe don't lurk in the shadows. Yeah. What are you doing out here? Waiting for you. Now, I really need to talk, but I can't come inside, can I? No, no, absolutely not. But I'm pretty sure the ban also extends to the beer garden. Okay? I know. So can we arrange a time to meet up somewhere else when you're not at the ball? No. Look, George, I was sorry to hear about the accident, but I really don't think I've got anything to say to you. It was an attack, not an accident. Sorry. You're right. Not an accident. But that's not even why I'm here. I'm here to apologise. Man to man. All right. Go on, then. You might as well say what you've got to say. But be quick. I've got Joy holding the fort in there and she's needed in the kitchen. All right. I'm sorry. Especially for my behavior on New Year's Eve and for what happened with my dog. Okay. Is that it? Yeah, but. Okay. I accept your apology, George. Kenton, wait. I really mean it. You have to believe me. It's not just words. Well, I guess time will tell. So we're okay, then? Okay. Well, I don't know about that. Because if you'd really given it some thought, you'd have realized that waiting for me in a dark beer garden was hardly gonna make me feel at ease. Now, last time I saw you, George. I know. My dog. I know, and I'm sorry. But like I said, apology accepted. Now, I need to get on. Kenton, one more thing. What? Could you maybe talk to Jolene? If you're happy to accept my apology, maybe you could persuade her to forgive and forget.

[B]

Are you sure this isn't a bad time, Kate? I was just writing a card for Bethany. Her birthday this Friday. Oh, how old will she be? 13. Oh, a teenager. I can't believe it. I got her a truly inspired present. Latin dancing shoes. Roy told me she's obsessed with doing the samba. After seeing Elliot strictly. Well, I'm not surprised. She was brilliant at it. Did you want to pop round? We could have some hibiscus tea. That's very tempting, but I'm at work. It's a busy day with classes. Well, you always have your breathing to keep you in control of your inner calm. I'm afraid I might actually be about to put a firecracker under your inner calm, Kate. Why? How? George came round to see me. He'd like to call a family meeting. With our family? Yes. He wants to explain himself. He's a brave man. I'd say he'll have 10 seconds of grace before we tear into him like a pack of wild dogs. Kate, you can't say that. He was brutally attacked less than two weeks ago. I'm actually looking out for his safety. I don't think a meeting with us is going to work out well for him. I did warn him. Adam was furious when I asked him what he thought about it. Said that just because someone attacked George, that doesn't give him the right to impose himself on us. What do you think? How do you feel about it? I'd like to give him a chance. Would we invite dad, too? Of course. He'd have to be there. Adam and dad in the same room as George? That's a recipe for conflict pie. If we're having a meeting at all, if it has any chance of diffusing tension, everyone has to be in the room. Does that include Auntie Lillian? Well, that might be a step too far. Okay, well, if it's what you want. A clearing of blocked energies, chance to move forward. Thanks, Kate. I'll speak to dad tonight and let you know what he says. You all right, Kenton?

[A]

Yeah, I'm just tired.

[B]

Is that all? I thought you didn't quite see him yourself when I got in last night.

[A]

What did I do last night? I was perfectly cheerful. Oh, come on.

[B]

What is it?

[A]

Okay. All right. But it's nothing, really. I had a chat with George Grundy yesterday. When? Early evening.

[B]

He rang you at work?

[A]

No. No, he waited for me in the beer garden.

[B]

And you're only just telling me this now?

[A]

Yeah. Because I. I knew you'd overreact.

[B]

This is a perfectly reasonable reaction to you telling me that George accosted you in the dark last night.

[A]

How else was he supposed to talk to me? He's not allowed to step inside the pub.

[B]

Well, he could have written you a letter or sent an email.

[A]

Well, I'm not going to refuse his apology because he failed to send it in a formal letter, am I?

[B]

You accepted an apology from him? Yes. I can't believe it. He set his dog on you, Kent. It.

[A]

Holly is an old family pet. It's hardly an XL bully, is it the point?

[B]

He did it to frighten you.

[A]

Look, Jolene, I would be really happy never to see George again, but that is not gonna happen. And all this. This anger and this conflict, it is too much. I just can't handle it.

[B]

But you can't think that appeasing him is gonna suddenly solve the problem?

[A]

No. I don't understand why I am being shouted at for forgiving some.

[B]

I'm not shouting at you. But I am amazed that you seem to have forgotten the disgusting things George said to Fallon. When he asked me for a job here. I was prepared to forgive and forget. But once he laid into Fallon and that weren't a one off outburst. It's part of a pattern of behavior. Abusive, nasty behavior. Oh, of course George can turn on the charm, but it's just a mask.

[A]

Okay, I understand that you are upset.

[B]

I am upset. But I'm also no fool. Frankly, I'm surprised you've been so easily sucked in by him again. Okay, come back. Don't, don't.

[A]

Don't just walk off as if you've had the last word. No, I completely disagree. It is you who is being sucked in. Yes, it is you. It's. It is like you enjoy fanning the flames.

[B]

Really, I can't talk about this right now.

[A]

I'm going to change the barrel.

[B]

Oh, I'm glad I caught you in your break.

[A]

I've only got a minute.

[B]

Well, I've just got off the phone from Phoebe and now I can't settle to anything.

[A]

Right.

[B]

Are you going to ask me why?

[A]

Sorry? Why?

[B]

Peg has a cold as well. Poor little thing. Phoebe says she's all bunged up, eyes streaming. I'm finding it hard not to jump on a train to Scotland.

[A]

Is there a reason why you can't? If I can do anything to help here, I will.

[B]

Oh, you are so impossibly sweet. Thank you for offering, Jakob, but I can't see you running a hatha yoga class or leading meditation.

[A]

Well, if I wasn't working here every day, I'd give it a go. I mean, how hard can it be?

[B]

Actually, it's very challenging. Someone arrives with a frazzled nervous system and leaves in a bubble of peace. Not everyone can orchestrate such a transformation. Anyway, I can't go to Scotland because Brody's mum and dad are arriving at Phoebe's this afternoon to stay for a few days.

[A]

Right, well, I've got to get on. Hunting season. We're getting calls from all over the county.

[B]

Oh, Jacob, I was hoping you'd come to the tea room with me for some lunch. I need your opinion on something.

[A]

Can't it wait till later? I've. I've got to go and See a bay hunter who's had an encounter with a hawthorn hedge.

[B]

George Grundy asked to meet with the family to formally apologise. Do you think there's any world where he could be genuine?

[A]

I haven't got time to think about George Grundy.

[B]

Or for lunch with the love of your life.

[A]

Lunch will be a banana and a cup of coffee in the car, if I'm lucky. But we could go to the ball tonight, if you like. By then, I might have had time to consider George's motives.

[B]

I'd actually prefer a quiet night in.

[A]

Well, then, come to mine. I'll make a casserole and we can have a bottle of wine. We should have that bottle the bull gave us on New Year's Eve.

[B]

All right, that sounds nice. Good luck with those poor horses.

[A]

Thank you. And send my love to Phoebe and Peg. Highland games. What a clever idea. And Miranda's very keen to be an Ambridge for Burns Night. Ah, the more the merrier.

[B]

Kenton and Jazza are thinking that the games will be on the village green. You know, with more festivities in the bar and lounge. Fallon's come up with a special menu for the night.

[A]

Will we need to book?

[B]

Well, you don't have to, but I would. We're expecting quite a crowd.

[A]

Everyone's so desperate to escape the dreariness of January. I really should book another week in the sun for Miranda and me, though, not to clash with the unveiling of Peggy's memorial artwork.

[B]

I've been hearing from Lillian that Justin keeps changing his mind. I imagine the artist isn't best pleased about that.

[A]

Excuse me, Julie. Afternoon, Brian. Afternoon. I've been thinking about the candle experiment. Everyone does at school as you do. Yeah. Once you take away the oxygen, the flame goes out. I remember doing that as a boy. It was so simple, yet so effective.

[B]

Yeah. I'll leave you two to your reminiscence.

[A]

Oh, no, no, no, no. Wait, wait. This is my point. All the anger you're directing towards George Grundy is the oxygen.

[B]

Oh, and George is the flame, I assume.

[A]

Take away the oxygen and the flame is extinguished.

[B]

Yeah, it's a ridiculous, flawed analogy. Take away the anger and George gets to strut around like the cock of Ambridge, totally untouched by the heartache and.

[A]

Pain he's caused causes. Yeah.

[B]

Believe it or not, Brian, my husband here has embraced a kind of blind forgiveness. Look in his eyes. George Grundy can do no wrong.

[A]

No, no, no. I never said that, did I? I am just sick of the drama. I don't think there's anything wrong with wanting a quiet life. Well, a quiet life suiting me nicely. But I don't know if forgiving George Grundy will be the end of the drama.

[B]

Look, look, I know that the Marquis situation has put a lot of pressure on you, Kenton. And I can understand you want to avoid conflict at all costs. But the way George spoke to Fallon, that was a final straw for me. I wonder if the problem of George will ever go away.

[A]

Well, maybe George won't go away, but you two could. Good holiday break can work miracles. I've left for the airport grumpy and weighed down by worry and returned with a spring in my stomach.

[B]

That's not a bad idea.

[A]

I mean, no wonder the two of you can't agree, can't think clearly. You're living on the battlefield.

[B]

I don't think we can afford the time to fly anywhere. But a few nights away midweek might be possible. Fallon and Harrison did a great job of minding the pub on Christmas Day. Maybe they could do it again for us.

[A]

How about Northumberland? Beautiful coastline. Or one of those new forest treetop houses.

[B]

Oh, with a wood fired hot tub.

[A]

That does sound tempting. Yeah. Be good to remind ourselves that a world exists where there are no Markies. Or George Grundy's lurking in the beer garden. I can't find that bottle of wine. Did you take it home with you?

[B]

What wine? I don't know what you're talking about. I don't think wine's the best thing for me anyway. Right now I'm feeling a bit scratchy.

[A]

What about if I do meditation?

[B]

Relax you to prove you can?

[A]

Yes, I think I'll be very good at it.

[B]

All right, give it a try.

[A]

Okay. Close your eyes.

[B]

Okay.

[A]

Start by trying to notice your breath in and out.

[B]

Oh, I mustn't forget to ask you about this meeting with George.

[A]

If your mind starts to wander, just gently bring it back.

[B]

Alice is determined to do it. That's if dad agrees.

[A]

Focus on being completely in the moment. Feel the ground underneath you.

[B]

I just feel uncomfortable about anything that actually requires me being in the same room as George Grundy.

[A]

There's nothing to do right now. Nowhere else to be. Just this moment. Just breathing.

[B]

Oh, is that my missing sock under the sofa?

[A]

Kate, you're supposed to have your eyes closed and be listening quietly.

[B]

You see? It's not so easy, is it? It was a valiant attempt, but you gave AI vibes.

[A]

Thank you.

[B]

Let's forget wine and meditation. What about a cup of herbal tea? And a good series on tv. I rang Ruri.

[A]

Is he staying at Paul's again?

[B]

Well, I assume so. Anyway, he. He thinks the meeting with George is a terrible idea.

[A]

Yeah, I thought he might.

[B]

I felt like he was blaming me for even floating it. I'm not sure who he was calling selfish. Me or George.

[A]

No one thinks you're self, darling, but I'm skeptical, I have to say. What's in it for us?

[B]

What I would love is to leave the crush behind me.

[A]

And how would this meeting help with that?

[B]

Well, it might just stop the cycle of anger and resentment and pity. I really think the attack on George might have changed him for the better. I had a good chat with him yesterday.

[A]

I don't like the thought of him talking to you.

[B]

But this is the problem. Every time any of you treat George like a criminal, you. You treat me like a victim. I want to move on, dad.

[A]

Oh, very well then. Let's hear what the little toe rag has to say for himself.

[B]

Okay, Great. And one last thing. Rui's worried the meeting will trigger your angina. If you don't want to be there, I do understand.

[A]

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[A]

All right, Nana, that's the stuffing and gravy restocked. What's next?

[B]

Well, if you could tidy the sweets and chocolate shelf, that'd be great. You know, after we had such a busy Christmas, I was expecting a slow January, but takings this week are well up on last year's.

[A]

Is it really okay for me to be here?

[B]

It is if I say so. Jim rang in sick. You stepped in. And if anyone dares to object after what you've been through, they'll wish they'd never open their mouth.

[A]

Fair enough. Do you still want these Christmas chocolates on the shelf?

[B]

Oh, no. You can stick them in that basket on the counter. 50 pence each. Oh, look at the time. Just. Just get off whenever you need to. Are you making dinner for the family tonight?

[A]

No.

[B]

Good, because she should be resting.

[A]

Amber's working late and dad and Poppy are out. I'll probably just have toast or something later.

[B]

I'm making sausage and mash. I could bring some rain for you.

[A]

Thanks, Nana, but it's okay. I'm gonna be out anyway.

[B]

What you up to something fun?

[A]

No. Not fun at all.

[B]

Hi, Susan. George. Oh, hi, Alice, love.

[A]

Right. Alice.

[B]

Martha not with you? No, she's with Chris. Bit of a last minute change of plan. So she'll be staying at yours tonight. I hope that's okay. Always a pleasure. So is 6 still okay for you, George?

[A]

Yeah, I'll be finishing here soon.

[B]

What are you doing at six? He's bravely facing my family at Blossom Hill Cotton. What do you mean facing?

[A]

I'm gonna say I'm sorry and then listen to whatever they have to say back to me. And I'm gonna take it on the chin.

[B]

Oh, George, that's a very noble thing to do. But are you sure you're strong enough? That was my worry, too. Still recuperating? What's the big hurry?

[A]

The hurry is that I'm sick of myself and all the bad vibes. If I want stuff to change, I. I have to make it happen.

[B]

I really don't know about these Sallys. I mean, I doubt your dad'll hold back.

[A]

I don't want him to hold back.

[B]

Look, all I can say is that I'll be there and I'll be looking out for George. I don't want this to turn into a punch up. It's not about retribution. It's about reconciliation. You know, Alice, you're worth more than all of the rest of them put together. Well, it's very nice of you to say, Susan, and also not. It is my family you're talking about.

[A]

I thought you'd be here by now.

[B]

Rory, I'm just up the road. I'll be with you in five minutes.

[A]

Well, how long do you think this meeting will take?

[B]

I don't know, but I've got an extra class at spiritual home at 7:30. Pilates by candlelight. I'm in the thick of post Christmas resolutions and I have to make the most of.

[A]

And I'm going straight back to Paul's the minute this is over.

[B]

You're not staying with dad tonight? I thought he might appreciate a bit of company, especially if it gets heated.

[A]

Do you think it will?

[B]

I've honestly no idea. I don't really know what Alice is expecting to get out of this. Hugs and handshakes.

[A]

Well, whatever happens, I'm not shaking hands with him. I'd rather not be here at all.

[B]

Well, I'm glad you are. Adam's already made some feeble excuse.

[A]

Adam's not coming? I can't believe it. Dad told me that I had to be here no matter what.

[B]

Apparently Xander came home upset about a new boy in the class at school who was making fun of his hair.

[A]

Can't Ian deal with it?

[B]

Obviously not. He's probably working.

[A]

It would be great to have kids. You can use them to get out of anything.

[B]

Yes, Rory, that's why it's great to have kids. Where is dad?

[A]

He popped out to get some whiskey. We don't have to offer George a drink, do we? I mean, we don't have to be civil.

[B]

I'm going to take my lead from Alice. Oh, Brian. He just made it. Was about to lock up.

[A]

Oh, sorry. I'll be quick, but I just want to grab a bottle of scotch. What you got?

[B]

Oh, well, this one's been very popular over Christmas. Dark. Competing.

[A]

Yeah, sounds perfect. Thank you.

[B]

Do you need a bag?

[A]

No, no, I'll just take it as it is. I'm in the car.

[B]

Heading home. Yes, Brian, Can I ask you a favor? Grandparent to grandparent?

[A]

Is this about George?

[B]

He's very vulnerable at the moment. And whatever you think of him, I truly believe that right now he's in. Intentions are good.

[A]

That's what's called the blind faith of a grandparent.

[B]

It's not blind faith I have, but I do have hope. And I believe in encouraging someone when they're trying to change.

[A]

Well, sometimes people are incapable of change.

[B]

George is 20 years old. 20. Brian, do you remember the way you thought, the way you behaved at that age?

[A]

Yeah, I was very full of myself. But I like to think I've become less selfish over the years. Although others might disagree.

[B]

That's what this is about.

[A]

Change.

[B]

George knows what he did was wrong. Try to remember that when you have him in your living room and you're tempted to tear a strip off him just because you can.

[A]

So Adam bottled out, did he?

[B]

Oh, poor Xander's beside himself. Adam didn't want to leave him with Helen and the boys. In that sense State.

[A]

Well, it might be better he's not here. Doesn't take much to get his blood boiling when it comes to George Grundy. But how long do we give him? Cuz I can't hang around all night.

[B]

It's only just turned six. Rory. He's not even late yet.

[A]

Here we go.

[B]

I'll get it. Hi, George. Thanks for coming.

[A]

Thanks for coming. I take off my trainers. They're a bit muddy.

[B]

Yeah, just pop them on the boot rack.

[A]

I need a scotch. Anyone else?

[B]

No, thanks. Dad.

[A]

Hi. Thanks for having me.

[B]

Do you want to sit on the couch? Move up?

[A]

No, it's okay. I can just stand.

[B]

All right. I know this feels odd, it's awkward, but George and I, we agreed that having this kind of formal chance to talk might be a good thing.

[A]

I thought George was just here to apologize. I'm not sure there's all that much to talk about. I do want to say sorry. A proper sorry, from the bottom of my heart.

[B]

The problem is, we don't know whether we can trust you in your heart, George. The consequence of lying and cheating and blaming others is that it's hard to believe anything you say.

[A]

I get that.

[B]

Why don't we all take it in turns to speak and give George a chance to listen? No interrupting. And then maybe George can summarize what he's heard.

[A]

This isn't one of your meetings, Alice.

[B]

Rory. No, I know, and that's not how the meetings work. Anyway, if you have any better ideas on how we approach this.

[A]

I do. Not being here in the same room as that. Rory.

[B]

I'm sorry, George.

[A]

It's okay. Oh, is it? Is it really okay? This is ridiculous. It's okay because he decided it's okay. Oh, no worries then, George. All is forgiven.

[B]

Maybe since Rory started, he should carry on, get everything off his chest.

[A]

No, no, I've said everything I want to say.

[B]

Okay, dad, your turn.

[A]

Oh, well, I'm genuinely sorry you were attacked, George. I mean, that's a terrifying thing for any parent to come. I wouldn't wish it on my worst enemies, never mind Ed, Emma and Will. I've got an awful lot of respect for your parents, George, and for your grandparents too. Your Uncle Chris is a wonderful father to my grandchild. And you're young. So if this apology is sincere, well, then I'll work towards accepting it. But I. I have to admit, I'm wary. Change doesn't happen without a hell of.

[B]

A lot of willpower and loving support from the people around them. True.

[A]

So what did you hear, George? That you have a free pass from the Aldridges.

[B]

Rory, you've had your chance to speak. Now it's my turn.

[A]

No, Rory, I absolutely didn't hear that. I have a free pass. Brian said one day he might forgive me. If I earn it.

[B]

George, you've claimed you're sorry before, but at the least provocation, you snap. Auntie Lillian, Fallon, Kenton, Hannah, to name but a few of the victims of your rage.

[A]

Not rage. Anger. I'll get angry.

[B]

Let Kate finish. I finally forgave Freddy for what he did to my daughter. I can't forgive the Freddy that gave her drugs, but I can forgive the one that exists now. A changed man who's learnt from his dreadful actions in the past. But do you think I felt like that the week Freddy was released from prison?

[A]

I guess not.

[B]

No. I really hope this contrition's not just an act. It's hard to face your demons, George. But I think it's the only way you'll change the direction you're going in. You hurt my sister. You hurt her so badly.

[A]

I know. And I get it. If anyone hurt Kira or Puppy, I'd kill them.

[B]

Why do men always say that? Why do they have to imagine whatever dreadful act is happening to their wife, their sister or their daughter before they can take it seriously?

[A]

I'm only saying I understand why everyone feels protective towards Alice. I don't think you understand anything apart from yourself. What you want, what you need. You've proved you'll do anything to save your own skin, right? Right. Look, look, I think. I think maybe we've gone as far as we can with this, Alice. Let's call it a day before one of us says something we might regret. I'm sorry. I didn't mean to raise my voice. It's just I'm nervous and there's the excuse.

[B]

Okay, look, come on, George.

[A]

I'll show you out, okay? I'm sorry. Thank you.

[B]

Don't you want to warm it up?

[A]

Nah, it's still warm.

[B]

But at least get a plate. Only put it in a plastic box to bring it round to you.

[A]

It's proof of how good your gravy is, Nana. I just want to get stuck in.

[B]

So how did it go?

[A]

All right. Nobody punched me. Oh, George. Sorry. It was okay, but it wasn't great. They talked on about how they couldn't trust that I'd change and so what can I do?

[B]

I think it was a really positive step you took and Alice obviously thought the same.

[A]

Yeah, well, she's different. I think she does believe me. I guess I just had to put up with the rest of her family treating me like scum.

[B]

It might be worth trying to understand how hard it is for them.

[A]

I understand. I'm not stupid, Nana. Sorry. Sorry. I'm just tired.

[B]

There's no one in the world can control the behaviour and reactions of others. All you can do is continue with your own efforts. You held out an olive branch. Now you have to let them decide what to do with it.

[A]

Have you got any gelatine, Susan?

[B]

Oh, yeah, we do indeed, David. Top shelf of the baking ingredients beside the cream of tartar. And your icing sugar is on the bottom shelf.

[A]

Hi, Mum. Oh, hi, David.

[B]

Hello, love. Martha settled down okay last night? I was worried that your dad and me had gone a bit over the top with the game.

[A]

Yeah, she got to sleep eventually.

[B]

Can I just help myself to the bread rules, Susan? Of course. Ruth, the tongs have finally arrived. Bag up as many as you want and I'll count them at the till. Thanks. George told me you went to see him. That was nice.

[A]

Yeah. Yeah. Well, hopefully things will be a bit easier between us now.

[B]

Did you get through to Hazel?

[A]

I did eventually, yeah. It's not good news.

[B]

No. What did she say?

[A]

Basically, the flat won't be ready anytime soon.

[B]

Oh. What does that mean? Weeks? Months?

[A]

Your guess is as good as mine. But I'm about ready to give up, start looking for something else. Is that who I think it is? On the village green? Susan, come and see. It's Uncle Clive. No, it is. Sat bold as brass on the bench there. Did you know he was coming, Mum?

[B]

No idea.

[A]

I bet he's heard about George.

[B]

Well, that'll be it. His excuse for turning up. But whether that's his real motive is anyone's guess. What am I missing?

[A]

Clive Horrobin, relaxing in the sunshine.

[B]

Yeah, well, not for long. Would you hold the fort here, Christopher? Until Joy comes back.

[A]

Yeah, of course. But, Mum, be. Be careful.

[B]

Will she be all right?

[A]

I don't know. He's a nasty piece of work. Yes, we're well aware of that. Oh, beautiful morning. Susan.

[B]

What are you doing here?

[A]

Well, that's not a very nice way to greet your brother. Where's my hug?

[B]

Whatever you think you can get from being here, you're sad mistaken. So if I was you, I'd just disappear without a fuss before someone like Kate Madikarni sees you.

[A]

That witch.

[B]

Oh, you think you're so impressive, don't you? That everyone's scared of you.

[A]

On the contrary, I feel very humble. My body is my temple and my time on this earth is a gift. It's you with a face all twisted up with resentment. Me, I'm at peace.

[B]

Oh, your body is a Templar. You've got a cigarette in one hand and you stink of booze at 11 in the morning.

[A]

Always quick to judge, aren't you, sis?

[B]

Why are you here?

[A]

I've come to see George. I heard some sicko attacked him and left him for dead.

[B]

How did you hear that?

[A]

My dad phoned me on New Year's Day. He was very upset.

[B]

And you were so worried. It took you two weeks to get here.

[A]

I had a few things I needed to sort out, but I came as soon as I could.

[B]

You're pathetic.

[A]

Resorting to insults.

[B]

All right, all right. Here's the update you're after. George is doing just fine. He's rebuilding his life, building bridges, and the last thing he needs is a scumbag like you hanging around ready to drag him down.

[A]

You can shout and wave your arms about as much as you like.

[B]

I'm not shouting.

[A]

Whatever you say. The truth is that I understand George better than anyone in this family. I know what it's like to be a victim of the justice system. To be misunderstood.

[B]

You're unbelievable.

[A]

And no one else understands what it's like to have a near death experience. I can really guide George through this. And what can you offer him? Oh, I know. A helping of treachery.

[B]

I'm not listening to this.

[A]

I admit I've made a few wrong decisions in my life, but I'd never betray a grandchild. Susan. Thy name is Judas.

[B]

Don't be ridiculous, Mum.

[A]

Oh, here comes the Ebbies. Mommy's boy to the rescue. Your mother is beaten, rude and aggressive, young Christopher. Are you all right, Mum? She's fine.

[B]

Clive was just leaving.

[A]

No, I'm very much here to stay. I'm gonna spend some time With George. And I'm not gonna let this hysterical woman get in my way. Hey, now you listen to me. Oh, all ears.

[B]

Christopher. Christopher. There's no point, really. Your uncle loves nothing more than kicking a off a conflict then standing back to watch the fight. But not this time.

[A]

She's right. You're not going anywhere near George. It's outrageous that you both seem to think you have the right to control me. It's basically abusive behavior. And holding little girls at gunpoint is just fine. Is it? I'm gonna finish this cigarette and then spend some time at number six with poor old dad.

[B]

Not if Tracy's got anything to do with it. She can't stand the sight of you.

[A]

You should hear what Tracy says about you. She thinks it's disgusting. Oh, you've handed over all responsibility for dad to her and that scotch she shacked up with. You should know this about your mother, Chris. She's always been the selfish sibling fancy house upper to your ideas. Oh, shut up.

[B]

Just clear off. Get out of my sight.

[A]

There she goes again with the her haughty demands. She really thinks she's something. I just don't believe that a man who is capable of mutilating a horse can be changed by mindfulness. Yeah, I'm sorry if that's not a popular opinion.

[B]

Oh, I get a chill whenever Clive Hurbin's around. It's hard to believe he's related to Susan and Tracy.

[A]

I know. Oh, look, Red kite.

[B]

Ah, look at the go. It's a beautiful day for a walk. Glad we didn't drive into the village.

[A]

Because if we'd driven, we'd already be back at the kitchen table with the dreaded files in front of us.

[B]

Oh, the inheritance.

[A]

Dirty word words.

[B]

We're never going to get anywhere with this succession dilemma until we talk about it properly. But really, what are we gonna do?

[A]

Well, realistically, Pip isn't ready to be in the partnership, Josh has his own hen business, and Ben is a nurse, not a farmer.

[B]

Oh, which reminds me, I need to check that Ben has ordered his cap and gown for his graduation.

[A]

Right. He's done well, isn't he?

[B]

Yeah. It doesn't feel that long ago that just being okay would have been enough. But graduating in nursing, What a star.

[A]

Afternoon, Chris. Oh, hot iron flames. Torch can be a dangerous place to work, Mr. Carter. Is that supposed to be a threat? It's an observation. Great to have a skill though, even if you are still living in your mum's house. What do you want, Clive? I spent the last couple of hours with your granddad, Bert. I think there might be a case to be made for neglect. What are you talking about? He was telling me about his ingrowing toenails, toothache swelling around his ankles. And he says he doesn't get enough to eat or drink. That's rubbish. Mum and Auntie Trace treat him like a king. We all do. Not what I'm hearing. Plonked in front of the telly all day. Barely ever invited around to your mum and dad's shoddy treatment. He goes over to Ambrose View almost every Sunday for his dinner. That's true. Then I'm looking forward to my invite this coming Sunday. You'll be waiting a long time. See you got that cruel streak you take after you. Your mother. I only popped over to check if you're all right. Why wouldn't I be? I thought something was wrong when I saw you on the village green. I didn't want to mention it in front of Susan. I have no idea what you're talking about and I don't want to know. I've got work to do. What I noticed was there were flicker of guilt crossed your face every time George's name was mentioned. There it is again. Don't be with ridiculous. Of course you deny it. You're hardly likely to admit what you've done. I haven't done anything. You've never forgiven George for what he did to Alice. Her dad told me how you've ostracized that boy. Cut him out of your life as if he were a cancer. Hey, you're wrong. There is the denial. Anger. Denial, accusation. The toolkit of the guilty. George and me had a good chat this week. Things are getting better between us. Not not perfect, I'll admit. But we're on the right track. And what track would that be, eh? I'm just wondering if you know more about this mysterious attack on George than you're letting on.

[B]

Oh, I wish I was helping Pip set up hurdles in the lambing shed instead of doing this.

[A]

You know, I think I'm losing. Losing it. I'm certainly losing the will to live.

[B]

Well, that would solve our inheritance problem. Look, what if one of the kids.

[A]

Gets married and then gets divorced? Could happen.

[B]

Oh, come on, David. Do we have to plan for our children's divorces?

[A]

Well, we do if we want to protect Brookfield. Look at Josh and Nina. Josh was absolutely convinced she was the one. We could have lost a share of the farm on the basis of a brief infatuation. I've been pretty much pushed out already. I couldn't cope if I had the likes of a spurn. Stella or Nina or Beth Casey taking over the farm too?

[B]

I think Beth Casey's well out of the picture. What do you mean you've been pushed out already?

[A]

Oh, handed the Herefords and grazing sheep while you and Pip lay claim to the dairy herd.

[B]

You're just feeling threatened that Pip and I run the most profitable part of the farm.

[A]

Not threatened, just sidelined. You know, sometimes I regret letting you go ahead with a grass fed dairy herd.

[B]

Letting us thank you, lord and master.

[A]

You know what I mean. It's not the mixed farming that Brookfield.

[B]

Was built on, but it does make us money.

[A]

At the cost of stealing my family farm.

[B]

Should we have a row about this? David Archer and his damaged ego versus the evil wife and daughter.

[A]

Will it mean we don't have time to make a decision about Brookfield's succession and inheritance tax?

[B]

Definitely.

[A]

Great. I'm up for it then. Go on, you start. He did Alice a favourite.

[B]

What?

[A]

In and out of rehab. All paid for with her daddy's money. She'd have drunk herself to death by now if George hadn't given her a wake up call. How can you possibly claim that framing my wife was somehow an act of charity? Oh, you called her your wife. Are you still in love with her? Right. Enough. Get out. Get out, you disgusting piece of. Are you threatening me with that? What? That hammer. No. I didn't realise it. What's eating you up? When did you last feel white hot rage? You can tell your Uncle Clive I know what a relief it is to confess.

[B]

Anything else, Brian?

[A]

No, no, just the throat lozenges. And don't tell Kate I've deviated from her hot water water, lemon and ginger treatment.

[B]

You're feeling a bit under the weather.

[A]

Okay. Had it too. Now there's nothing a hot toddy at the ball an early night won't cure.

[B]

Brian, I spoke to George after the big apology on Wednesday.

[A]

Right.

[B]

Do you think things might be better now?

[A]

I don't know, Susan. What do you think? Can you see George making a life for himself in Ambridge? After everything that's happened?

[B]

I'd like to think so. Your Alice pulled herself back from the brink. Now look at her. A working mum with a full life and sober.

[A]

There's a lot to be said for being close to family.

[B]

When life gets tough, though, there's one family member I'd happily not be close to.

[A]

Yeah. Heard Clive was back.

[B]

Yeah, well, he was expecting to stay at Tracy's, but She told him where to get off. Then he went and upset Christopher at the forge. Though he won't tell me what he said.

[A]

Well, if that man goes anywhere near Mar.

[B]

Oh, no, no, no, don't worry, he won't. But I suppose I can't stop him spending time with George. Dread to think what vile lies he'll be fed.

[A]

I actually saw the two of them this morning heading off to the river with fishing gear.

[B]

Really? Oh, I knew this would happen.

[A]

Afternoon. Empty. Have a sandwich I could grab. Oh, I recommend the beef and mustard.

[B]

Oh, in the fridge.

[A]

Yeah, thanks. Thought I'd take a five minute break. Have something to eat on your village green.

[B]

It's a bit chilly for a picnic.

[A]

Bull do. Good sandwiches. And they have a real far too. I'll just take the sandwich and the juice. Yeah, I'm heading there next, looking for a Kenton Archer.

[B]

Oh, he helps run the place.

[A]

Yeah, I might have to come back for that pub lunch one day when I've got a bit more time.

[B]

Right. Thanks. That's gone through.

[A]

Yeah, thank you. Bye.

[B]

Bye. What business do you think he's got with Kton?

[A]

Oh, it could be anything. Selling crisps, making a booking.

[B]

Or it could be. Oh, it doesn't matter. I don't even want to say it out loud. I think I must be getting paranoid, what with the attack on George and then my brother turning up.

[A]

What could it be?

[B]

Well, I've started to worry that any stranger in the village is one of Marky's mates looking for George.

[A]

What, you mean the beef and mustard sandwich man? He didn't look the type.

[B]

Well, he's hardly going to come in here with a balaclava over his head and a weapon in his hand. True, but that's the problem. George's attacker most likely looked like a perfectly ordinary person too.

[A]

We want to keep it low and slow today. They're hugging the bottom. Okay. I doubt we'll get much with these old rods. Maybe a chub or two. It's nice out here. Bit cold, though. George, my boy, there's nothing better than getting out into nature. People will drive you crazy. True peace comes from doing your own thing, your way. All this making amends you've been doing this last week bothers me, if I'm honest. Can't you see how it's making you look? What do you mean? You get attacked violently. And when by some miracle you survive, you set about groveling to the very people who are making your life a misery. I'm not groveling. It was a brave man who said, never explain, never apologize. Saying you're sorry is weak end of. It's an invitation to bullies to exploit your good kind nature. The likes of Chris Carter, Brian Aldridge, Kenton Archer. You think they would apologise to you? Uncle Chris did. Kind of. Why? Because he genuinely felt remorse? Or because he wanted to deflect attention. Oh, wow. I got a bite. Oh, great. A tub or maybe a dace. Typical winter bite. Slow lift and then gone. What were you saying about Uncle Chris? Deflect from what? George, listen carefully. I have lived long enough to see through all the fakery. There's a lot of people in this village who are nowhere near as nice as they would have you believe. It's Nana. Better get it. Hi, Nana.

[B]

Hi, George. How are you, love?

[A]

I'm fine.

[B]

Well, that's good. Are you at home?

[A]

Yeah. I mean, no. No, not the minute. I'm a walking.

[B]

Oh, that's nice. With Amber?

[A]

No, I'm on my own. Was there anything. I mean, did you ring for anything? Oh.

[B]

Oh, yes, yes. What time will he be home?

[A]

I don't know yet. Look, I'd better go, Nana. I'll see you later.

[B]

Bye, George. Hold on a.

[A]

She's checking up on you. My guess is she's trying to control who you choose to spend your time with. I really don't think think so. She's not like that. Well, it looks pretty toxic from where I'm standing. You felt you had to lie to her when all you're doing is spending a perfectly innocent afternoon fishing with your uncle. Now, if you can't tell your Nana that, it says a lot about the kind of person she is.

[B]

There's your hot toddy, Brian.

[A]

Oh, just what the doctor ordered. Afternoon, Brian.

[B]

I was just to about to tell Brian that we booked a holiday.

[A]

Two glorious nights away in the New Forest. Yep. Thanks for pushing us into it.

[B]

Well, all right.

[A]

It was encouraging.

[B]

No, no, no. We needed a good shove. See, the fellow's just come in.

[A]

Well, he was in the shop. Said he was coming to see you, Kenton.

[B]

Oh, you expecting anyone?

[A]

No. Susan worried he might be a friend of Marcus, but I thought that was unlikely.

[B]

Oh, good afternoon. What can I get you?

[A]

Nope. No drink, thanks. I'm here to see you, Mr. Kenton Archer.

[B]

Oh. And what's the nature of your business?

[A]

Great catch, George. Shame you put them back. What's fishing without the trophy? I like seeing them swim off like you're giving them a second chance. How about we take a break and go for a few beers? I can't I'm sorry. Why? Because. Because they barred you from the Bull. You might find they change their tune when they see you with me. No, it's not that. It's that I've got to meet someone. I'm sorry, I totally forgot. I just got a text. Oh, from that girl of yours? She's a looker, real stunner. Thanks. Legs like that, I'm telling you, if I was a few years younger. Okay, could you pack up my stuff? I hope you catch something. We'll see you later, Uncle Clive. Don't forget, George. Never explain, never apologize. I think you might have me confused with somebody else. I'm Reg Turnuk, a probation officer.

[B]

Oh, sorry, we thought you might be a police detective.

[A]

Yeah, it's good to meet you, Reg. And, well, if we can help with anything, we'd be happy to, but I'm not sure we've got anything useful to add to the evidence the police have already gathered. Well, my job, my interest isn't in investigating what happened to George that night. It's more about being across his behaviour, his actions, the choices he's making. I see. And I don't have a lot of time, so I'll get straight to the point. I received a complaint over the Christmas period about George's behaviour. Saying he made a nuisance of himself on New Year's Eve and that he had to be escorted off the premises. I'd like to know your side of things before I speak to George.

[B]

Could George be recalled to prison for this kind of thing?

[A]

Not necessarily. It would depend on exactly what he did.

[B]

Well, okay. Shall I start?

[A]

It was a misunderstanding. What was? Well, there was just a moment. High spirits. Drink taken. I wouldn't say any of it was directly George's fault and escorted from the prison premises. And? Feels a bit harsh. I mean, what pub doesn't sometimes quietly suggest a punter go home and get a good night's skip? So you're saying the complaint is largely unfounded? Yes. Yes, that's what I'm saying. Well, thank you. And I'm sorry to rush off, but I have a meeting with George and then. Well, you know, busy day. You know how it is.

[B]

Yeah. One of the staff will show you out.

[A]

It was a pleasure to meet you, Mr. Turner.

[B]

Yeah, take care.

[A]

Bye.

[B]

High spirit. Why did you say that?

[A]

Because we owe George. Look what's happened to him since he helped us out.

[B]

You covered for him. And lying to a probation officer. What were you thinking?

[A]

I meant to come as soon as you were out of hospital. But you're so busy. Do I say that a lot? Maybe.

[B]

Sorry.

[A]

Are those your sisters? Yeah. Her roller skates, her hockey stick and her guinea pig's hair brushes. It's good to be back with your family. Yeah. And talk to me. It was nice at first, but I've messed things up, especially with my grandpa. And I still haven't got a job. I'm sorry to hear that. Tell me more about the attack. How are you feeling? Better. Well, that's good to hear, but I imagine it shook you up. If you're asking if I'm terrified at the thought of not knowing who wanted me dead, then yeah, I am. But I'd appreciate it if you didn't tell anyone. Noted. Though if you want to talk to a professional. I think that would be a good idea. Yeah, I'm going to. Alright. Apart from not wanting to drag you into Felt Mersham today, I also needed to ask a few questions at the pub about New Year's Eve. Why? I got a complaint about your behaviour that claimed you lost your temper and became aggressive. Who said that? It was anonymous. It's not looking good, is it? Someone wants me banged up again. And someone wants me dead from doing a bit of digging. It seems the complainant might have exaggerated the incident, so I won't take it any further. Not this time. Okay. Thanks, Reg. But I have made an ODE for myself to keep an eye on your drinking. I'm not an alcoholic. I know that. I'm not saying you are. But if drink leads to offending behavior, it's my job to help you avoid that. And how or why you drink doesn't really matter. Yeah, all right, I get that. What's important is that you ask for the help you need. From family, from your community, from professionals and from me. You're so busy. Busy doing my job. And that includes looking after you, George. Sorry, that's my nan outside. Just give me a minute.

[B]

What's Christopher ever done to you?

[A]

You look so ugly when you cry. What's going on? George, my boy.

[B]

You don't have to talk to him, George.

[A]

But I might be the only one you can trust in this nasty little village. I heard the police are investigating some criminal gang. Yeah, if you ask me, they're barking up the wrong tree.

[B]

No one is asking you. No one here cares what you have to say.

[A]

If that low life marquee wanted you dead, then you'd be dead. The attack on you was by an amateur. I'd bet my life on it. You think it was someone I know?

[B]

Don't listen to to him, George. He's trying to scare you.

[A]

Is everything all right, George? Believe me, this village is full of hypocrites and liars. And you, George, need to keep your wits about you.

[B]

Sam.

[A]

I'm Dr. Chris Van Tiliken. And I'm Dr. Zand Van Tulleken. Chris, it's that time of year when we set resolutions. It certainly is. And, and that is why in January, our four episodes of what's Up Docs are going to be on the key themes that feature in resolutions. Alcohol, food, exercise and the whole notion of resolutions themselves. Can we change? Should we change? Well, a lot of us think we should. That's what we're doing the whole month, paying attention or thinking we should pay attention to our health and wellbeing. In addition, we will be dropping a daily dose of expert wisdom from previous episodes because Zahn and I have felt and found that we need a reminder. Reminding about all the things that we've learned from difficult conversations to how to look after our knees. Protein, the power of nature. Snackable sized episodes every day. We've got you covered. And these daily doses are gonna be dropping into the medicine cabinet. That is the WhatsApp docs feed on BBC Sounds.

[B]

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[A]

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