Victory at Ambridge - Part 1

Summary

The Archers Omnibus: Victory at Ambridge - Part 1

Release Date: May 4, 2025
Host/Author: BBC Radio 4
Description: The week's events in Ambridge

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Introduction

Victory at Ambridge - Part 1, a prequel installment of BBC Radio 4's beloved series The Archers, transports listeners to the 1940s, amid the turbulence of World War II. This episode delves into the lives of Ambridge's residents as they grapple with wartime uncertainties, unearthing old prophecies that hint at impending doom and stirring the village into a fervent quest to decode cryptic messages.

Setting the Stage: Wartime Ambridge and D-Day

The episode opens with a special bulletin announcing the commencement of D-Day, signaling the Allies' assault on Hitler's European stronghold:

John Telfer [01:09]: "D day has come. Early this morning, the Allies began the assault on the northwestern face of Hitler's European fortress."

In the Archer household, Doris Archer (Felicity Finch) expresses anxiety over her husband Jack's (implied to be away at war) safety and communicates regrets about their hastily arranged wedding:

Emerald O'Hanrahan [01:34]: "I hope so, Dan. I wanted him to know I'm sorry about the wedding. I was only concerned because it happened so quickly."

Tim Archer (Tim Bentinck) offers reassurance, reminiscent of his own wartime experiences:

Tim Bentinck [02:04]: "Hey. This will be over soon. God willing. We'll have Jack home in one piece and he'll be bringing his new wife back to Brookfield with him."

Arrival of Max Gilpin and New Relationships

Ambridge welcomes a new resident, Max Gilpin (Angus Stobee), a decorated war hero who lost an arm in combat. His arrival stirs curiosity and apprehension among the villagers:

Suzy Riddell [03:13]: "You'd think Doris Archer would insist she use a saddle just because she's a land girl. There's no need to behave like a yokel."

Emphasizing his valor and resilience, Max engages with other characters, fostering both admiration and tension. His interactions hint at a deeper backstory and personal struggles:

John Telfer [09:04]: "I received my injuries taking fire over Dresden."

The Forgotten Prophecy: Grayson Lemon’s Talk

Grayson Lemon (Taylor Uttley), a rural folklore expert from the British Museum, conducts a talk at the local church, shedding light on the enigmatic legend of Mother Molly Hunstanton. She was reputed to possess prophetic powers, with one surviving prophecy predicting the death of Sir Edward Pargetter's dog, Argus:

Taylor Uttley [05:10]: "My aim is to reveal the truth behind the legend, excavate the grotto and who knows, maybe discover a lost prophecy to boot."

Grayson introduces an ancient prophecy found in a grotto, inscribed in what appears to be mouse blood, suggesting a supernatural element entwined with Ambridge's history.

Unveiling Mother Molly’s Legacy

As the villagers ponder Mother Molly's prophecies, skepticism and belief clash. Some dismiss the legends as mere superstition, while others, like Suzy Riddell (Mrs. Bissett), press the importance of deciphering the prophecies:

Suzy Riddell [20:07]: "What I still can't make sense of are the postscripts. I wonder if there might be a code."

Angus Gilpin collaborates with Grayson to crack the prophecy's code, uncovering potential connections to future events in Ambridge. Their teamwork bridges historical knowledge with present-day mysteries, adding layers to the narrative.

The Flower and Produce Show Competition

The Ambridge Women's Institute Committee, chaired by Doris Archer (Felicity Finch), organizes a Flower and Produce Show, fostering community spirit amid wartime hardships. However, underlying tensions surface as characters vie for recognition and grapple with personal desires:

Felicity Finch [12:45]: "And if he is, is he going to use this new foreign barmaid of his?"

Amidst the preparations, Matrimonial tensions and suspicions of espionage (with the introduction of Rosa Topolska, a Polish barmaid) add intrigue, setting the stage for interwoven personal and communal conflicts.

The Prophecy Begins to Unfold

As the Flower and Produce Show nears, the ancient prophecy eerily aligns with current events. A foreboding sense permeates Ambridge as the predicted date approaches. The arrival of Peggy Archer (Emerald O'Hanrahan) and her unborn child intensifies the villagers' fears:

Angus Stobee [17:19]: "A widow man, sad and sore, shall take to his bed a lady all covered in finest wool."

On the day of the show, the prophecy manifests when a mysterious incident occurs at Honeysuckle Cottage, leaving Peggy seemingly attacked and endangered:

Felicity Finch [28:09]: "Max, are you in there? Can you hear me? Max, what's happened? Open the door."

Climactic Events and Conclusions

In the episode's climax, the villagers confront the tangible consequences of the prophecy. As tensions escalate, old wounds and unresolved emotions come to the fore. Max Gilpin's grief over his deceased wife intertwines with Felicity Archer's desire for connection, culminating in a poignant yet tragic revelation:

Felicity Finch [55:15]: "Flowers wilt if left unpicked."

The episode concludes on a suspenseful note, with the prophecy fulfilled and the community left to grapple with the supernatural and emotional fallout. The mysterious appearance of a mouse—Mother Molly's familiar—signals that the village's historical legacies continue to influence its present:

Felicity Finch [56:22]: "A mouse, Mother."

Notable Quotes

• John Telfer [01:09]: "D day has come. Early this morning, the Allies began the assault on the northwestern face of Hitler's European fortress."

• Felicity Finch [55:15]: "Flowers wilt if left unpicked."

• Angus Stobee [35:35]: "Look. I wrote out the Alphabet three times, then numbered each letter 1 to 0. By setting down all the letters attached to the numbers in the date, I was able to spell out all is you."

• Felicity Finch [56:21]: "A mouse, Mother."

Conclusion

Victory at Ambridge - Part 1 masterfully intertwines historical context with personal drama, exploring themes of love, loss, superstition, and the enduring impact of the past on the present. As Ambridge's residents navigate wartime challenges and unravel ancient prophecies, the episode sets the stage for a compelling two-part narrative filled with suspense, emotional depth, and the timeless charm that fans of The Archers cherish.

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This summary captures the essence of Victory at Ambridge - Part 1, highlighting key events, character dynamics, and critical dialogues to provide an engaging overview for both loyal listeners and new audiences.

Transcript

[Tim Bentinck]

Hello, Tim Bentinck here. You probably know me as David Archer. As Archer's listeners, we hope you might Enjoy a special two part Archer's prequel. Made for Radio 4. Victory at Ambridge whisks you back in time to the 1940s when a series of prophecies is unearthed predicting death and destruction. The residents of wartime Ambridge, played by the cast of the Archers, are drawn into solving a cryptic mystery which sets the village alight. So here are parts one and two of Victory at Ambridge. We hope you enjoy them. For more great drama, apart from the Archers, of course. Search for Drama on 4 or Limelight on BBC Sounds.

[Felicity Finch]

BBC Sounds Music Radio Podcasts.

[Tim Bentinck]

Victory at Ambridge dramatized by Tim Stimson from the novel by Catherine Miller. Part one.

[John Telfer]

This is the BBC Home Service and here is a special bulletin read by John Snake. D day has come. Early this morning, the Allies began the assault on the northwestern face of Hitler's European fortress.

[Emerald O'Hanrahan]

He won't get my letter.

[Tim Bentinck]

What's that, Doris?

[Emerald O'Hanrahan]

The letter I wrote Jack. I gave it to Wanda to post. It won't reach him now. Not if he's part of these landings.

[Tim Bentinck]

Don't fret. When I was fighting in the trenches, the post always reached us somehow.

[Emerald O'Hanrahan]

I hope so, Dan. I wanted him to know I'm sorry about the wedding. I was only concerned because it happened so quickly.

[Tim Bentinck]

I know, I know.

[Emerald O'Hanrahan]

He kept saying Peggy wasn't sweet on him, even though he was fond of her.

[Tim Bentinck]

Doris.

[Emerald O'Hanrahan]

And then out of nowhere, we're being invited down to London for the ceremony. There's normally only one reason for that kind of haste.

[Tim Bentinck]

Yes, Love. War. Come here. Hey. This will be over soon. God willing. We'll have Jack home in one piece and he'll be bringing his new wife back to Brookfield with him. That's something to look forward to. Hey?

[Emerald O'Hanrahan]

Of course.

[Tim Bentinck]

Where a Phil and Christine got to. They need to hear the news.

[Felicity Finch]

I'm just relieved my Joe's exempt. Not wanting to sound unpatriotic or nothing. Of course not. But now I'm expecting our first. Thank goodness. First.

[Suzy Riddell]

A reserved occupation, if Farming is what Mr. Grundy's doing. I hear you had the war ag over at Grange Farm last week, Susan.

[Felicity Finch]

Only because they keep telling him to grub up the orchard and plant potatoes instead. I bet you've had them over at Brookfield and all, ain't you, Wander? No, not recently. Although, speaking of Brookfield, I ought to be getting back.

[Suzy Riddell]

It was nice seeing you, Miss Lafromboise.

[Felicity Finch]

You too, Mrs. Bissett. Bye, Susan. What's that? Camelot.

[Suzy Riddell]

You'd think Doris Archer would insist she use a saddle just because she's a land girl. There's no need to behave like a yokel. Still, that's the risk one takes when one is forced to move to a place such as Ambridge.

[Felicity Finch]

I like her. No airs and graces. Not like.

[Suzy Riddell]

So I see Honeysuckle Cottage finally has a new tenant. Respectable sort, judging by his furniture.

[Felicity Finch]

Decorated war hero, so I hear. Lost his arm in a dog fight over Calais.

[Suzy Riddell]

My, there's hope for the village yet.

[Felicity Finch]

Are you and Reverend Bissett come into the talk later?

[Suzy Riddell]

I fear I may have to. Henry's awfully keen to attend.

[Felicity Finch]

Mother Molly's been a legend around these parts for years. Go to sleep or Mother Molly will get you. That's what my ma always told me. When this one's born, I'll be telling him or her the same thing.

[Suzy Riddell]

I'm sure you will. However, I fail to comprehend how it warrants academic study. I suppose we'll have to see what this chap from the British Museum has to say this evening. Oh, here comes Squire Lawson. Hope. Yahoo.

[Felicity Finch]

Oh, my goodness, Wander.

[Suzy Riddell]

Hold on.

[Angus Stobee]

Did you hear? Careful with the armoire on the stairs.

[Nick Barber]

Sorry, sir. They off.

[Angus Stobee]

Huh?

[Nick Barber]

It's gone crazy.

[Ryan Kelly]

Quick.

[John Telfer]

Watch out.

[Emerald O'Hanrahan]

Watch out.

[Ryan Kelly]

Get out of.

[Angus Stobee]

Whoa, boy.

[Taylor Uttley]

Stop.

[Angus Stobee]

Good got into you. You're lucky he didn't throw you.

[Felicity Finch]

It wouldn't be the first time. I try not to take it personally. Must be frightful having people leaping on you all the time.

[Angus Stobee]

Yes, I imagine it must be.

[Felicity Finch]

Well, thanks awfully, whoever you are. Come a lot. Walk on.

[Tim Bentinck]

Who'd have thought an old wives tale would be such a draw?

[Suzy Riddell]

Shh, Dan.

[Emerald O'Hanrahan]

It's not just an old wives tale.

[Tim Bentinck]

You'd better say your prayers tonight, Wanda. Mother Molly might put a curse on us.

[Felicity Finch]

Oh, I always do. Stop it, both of you. The talk's about to begin.

[Taylor Uttley]

Good evening. Thank you for coming. My name is Grayson Lemon and I'm an expert in rural folklore. My employers at the British Museum.

[Felicity Finch]

Susan.

[Emerald O'Hanrahan]

He was an officer in the army.

[Taylor Uttley]

That's why Walt was Olympic.

[Felicity Finch]

He was shot in the leg.

[Taylor Uttley]

I was previously charged with overseeing the relocation of many of the museum's most priceless treasures to safety outside the Capitol. Some of Those locations include.

[Felicity Finch]

Mrs. Archer. That's him. The man who stopped Camelot Bolting. He's just slipped in at the back of the hall.

[Emerald O'Hanrahan]

The fellow in the smart suit.

[Felicity Finch]

Yes.

[Tim Bentinck]

I'm trying to listen.

[Taylor Uttley]

Which brings me to Lower Locksley and the History I aim to shed light on. No doubt many of you will be familiar with the tale of how Mother Molly bewitched the Pargeter family with her prophetic powers. All we can say for certain is that Molly Hunstanton was an aging spinster who was accused of casting spells and having visions. Edward Pargetter offered her sanctuary at Lower Locksley as a hermit. He even built her a grotto, the remnants of which can still be found hidden within a thicket of blackthorn trees. While there, Molly began making prophecies, written, so it is claimed, in the blood of her familiar, a mouse. The only one still extant, reads as bewhisker'd ally lies without breath and melancholy seizes the noble house and is said to predict the death of Sir Edward's dog, Argus. Not the most prescient of prophecies, you'll agree. Nevertheless, Mother Molly's legend has grown over the subsequent two centuries and she has become, dare I say, Borsicher's very own Rasputin, A mystic and sorceress whose diabolical spirit stalks the fields and lanes. My aim is to reveal the truth behind the legend, excavate the grotto and who knows, maybe discover a lost prophecy to boot.

[Ryan Kelly]

Say what you like, me old pal, me old beauty. If my dear departed Mrs. Were still here, she'd tell you I come back home white as a she.

[Emerald O'Hanrahan]

Walter, stop.

[Tim Bentinck]

You sure it wasn't just our Tom out looking for poachers?

[Ryan Kelly]

Oh, I know Tom Forest when I sees him. What I glimpsed in them woods. It were Mother Molly.

[Suzy Riddell]

Oh, really?

[Ryan Kelly]

What's the matter, Mrs. Vicar? That you believe in evil?

[John Telfer]

Of course my wife does, Mr. Gabriel. However, one must distinguish between genuine evil, such as that against which we're currently waging war and the misguided superstition of the past.

[Suzy Riddell]

Even if some people insist upon living in a bygone age.

[Ryan Kelly]

What's that supposed to mean?

[John Telfer]

Francis, please.

[Suzy Riddell]

Now be honest, Henry.

[Felicity Finch]

Excuse me, Mr. Archer.

[Taylor Uttley]

I'll be back in a moment.

[Tim Bentinck]

All right, Wanderloo.

[Suzy Riddell]

There are faces here tonight one barely ever sees at St Stephen's we're always there on Sunday.

[Ryan Kelly]

Sambrigians are God fearing folk.

[John Telfer]

I'm sure most people here are simply interested in local history. No one's fallen under Mother Molly's spell.

[Taylor Uttley]

Gilpin. Not a relation of Blanche Gilpin, surely?

[John Telfer]

She's my aunt.

[Taylor Uttley]

Well, I never. I'm renting Woodbine Cottage from her. She's an old friend of my mother's.

[Angus Stobee]

How extraordinary. It's how I know. Ambridge from holidays at Woodbine as a child.

[Ryan Kelly]

Never mind that. Crew Captain, tell us, how did you lose your arm?

[Angus Stobee]

My arm?

[John Telfer]

Oh, no need to be shy. I received my injuries taking fire over Dresden.

[Ryan Kelly]

It must have been quite a scrape.

[Angus Stobee]

Yes, well, you could say that.

[John Telfer]

What about you, Mr. Lemon? Sicily, wasn't it?

[Taylor Uttley]

A sniper outside Syracuse.

[Felicity Finch]

Good Evening, gentlemen.

[John Telfer]

Oh, Ms. LaFromboise.

[Felicity Finch]

How. Flying Officer Cadwallader.

[John Telfer]

I think I can speak for all of us airmen convalescing at Low Loxley. Your attendance at last week's garden party provided more of a tonic than any bally doctor.

[Ryan Kelly]

You made a favourable impression on my mother too.

[Felicity Finch]

It was very kind of Mrs. Pargeter to invite me.

[Ryan Kelly]

Let me introduce you to our resident witch finder, Mr. Lemon.

[Felicity Finch]

Oh, I enjoyed your lecture immensely.

[Taylor Uttley]

Thank you.

[Ryan Kelly]

And this is Group Captain Gilpin.

[Felicity Finch]

Group Captain?

[Ryan Kelly]

Oh, have you met?

[Tim Bentinck]

We.

[Angus Stobee]

We ran into each other earlier.

[Felicity Finch]

It's a pleasure to meet you properly.

[Angus Stobee]

You too.

[John Telfer]

Such a shame you two crocs won't see any further action. I can't wait to be declared fit. Get back into the thick of things. Don't you agree, Gerald? Me lucky old soldier boy here. Heading back to barracks tomorrow?

[Ryan Kelly]

Oh, yes. Although I'd rather be a flyer like you.

[John Telfer]

Either way, it's about time we took the fight to the Germans. I'd like to grind every last one of them into the muck.

[Angus Stobee]

They're opponents, not monsters. We'd have a great deal in common were it not for Hitler.

[Felicity Finch]

That's awfully high minded of you.

[Angus Stobee]

It's the truth. Now, if you'll excuse me, I still have unpacking to do. Oh, and Mr. Lemon, if you require any assistance. Now I'm retired. I'm going to need more than the Times crossword to fill my days.

[Tim Bentinck]

Thank you.

[Taylor Uttley]

I'd be most obliged.

[John Telfer]

Opponents are monsters. If we win this war, it won't be thanks to pinkers like him.

[Ryan Kelly]

Thank goodness the fellow is retired now.

[John Telfer]

Ms. La Framboise, would you care to join Mr. Pargett and myself for a drink at the ball?

[Felicity Finch]

No thanks all the same. Group captain. Wait.

[Angus Stobee]

Ms. LaFromboise.

[Felicity Finch]

Please, call me Wonder Max. What you said just now. One doesn't often hear such sentiments. Especially from one who bears the scars of war. Oh, how did you lose your arm, by the way, if you don't mind my asking?

[Angus Stobee]

I do rather. My life ended that day.

[Felicity Finch]

Goodness. Well, only one life, surely.

[Angus Stobee]

Good night, Ms. LaFamoise. I'm glad you're so happily ignorant of loss.

[John Telfer]

They used to Have a very lovely little carillon in this church. Only three bells, but they were very proud of it, and many of the villagers were expert bell ringers. But when the Allies freed the village, three German snipers hid in the square tower of the church. And for two nights they were very troublesome. At last they gave themselves up. But it was found that they had smashed the big bell of the carillon. Monsieur Le Cure promised that if I would only wait a week, he would have the big bell repaired and you could hear the full carillon. But he added that in any case, they were going to ring the remaining two bells at once this morning to celebrate our coming.

[Suzy Riddell]

Minutes for the Ambridge Women's Institute Committee, 7th of July, 1944. Present myself, Frances Bissett, Doris Archer. Chairwoman, Susan Grundy, Mabel Larkin and Agnes Kay.

[Emerald O'Hanrahan]

First item on the agenda. Doris began the flower and produce show.

[Suzy Riddell]

Is Bob gonna run the beer tent again? Inquired Agnes.

[Felicity Finch]

And if he is, is he going to use this new foreign barmaid of his?

[Suzy Riddell]

Chipped in Susan.

[Felicity Finch]

Since she arrived, my been going down the Bull even more than usual. I'm surprised Bob trusts her, added Mabel, considering it were the Germans what killed his boy Jimmy.

[Suzy Riddell]

To which, Doris pointed out, rosa is Polish.

[Felicity Finch]

Unless she's a spy, we don't know what the Germans are up to. Look at these flying bombs they're dropping on London. You're Jack's new wife down there.

[Emerald O'Hanrahan]

Could we stick to the agenda?

[Suzy Riddell]

Insisted Doris, turning paler than usual.

[Emerald O'Hanrahan]

Will Reverend Bissett be entering his honey into the show this year?

[Suzy Riddell]

Doris asked, knowing full well Henry cares more about his bees than he does his own wife. Instead, I let slip if we're still here. Henry's been offered a parish in Surrey. It has a large modern rectory and, well, how can I put this? A high quality congregation. Promise me you won't mention it. Henry doesn't want anyone to know yet.

[Felicity Finch]

Won't say a word.

[Ryan Kelly]

Nater.

[John Telfer]

Surprise.

[Felicity Finch]

Gerald.

[Ryan Kelly]

I know, I know. I meant to be at my barracks in Bridlington. Hello, Hildegard.

[Felicity Finch]

Mr. Gerald, sir.

[Suzy Riddell]

So why aren't you? And why are you wearing that uniform?

[Ryan Kelly]

I've joined the raf.

[Felicity Finch]

You've done what? You wear the uniform well, sir.

[Suzy Riddell]

Nobody asked your opinion. Hildegard, finish attending to my hair.

[Felicity Finch]

Yes, madam.

[Suzy Riddell]

Gerald, you can't simply leave the army. That's your father's regiment. He'd want you to pick up the baton.

[Ryan Kelly]

And what about what I want?

[Suzy Riddell]

Doesn't matter what you want. There's been a Pargetta in the army since the battle of Tournai.

[Ryan Kelly]

It might have suited my forebears, but the army's just not for me. I'm going to be the first in the family to be a flyer.

[Suzy Riddell]

This is Cad's influence, isn't it?

[Ryan Kelly]

Oh, why should it be anyone's influence? And even if it were, those men downstairs are ballet heroes.

[Suzy Riddell]

Yes, and do you want to be brought back to Lower Loxley in pieces the same as them?

[Ryan Kelly]

Why do you care? Father didn't come back at all. And you barely shed a tear then.

[Suzy Riddell]

Hildegard, may I suggest you keep your attention elsewhere? You're here to make your mistress ready to receive guests?

[Felicity Finch]

Yes, Mom. Of course. Mom.

[Suzy Riddell]

I'm hosting another of my garden parties. Does the airmen good to socialize beyond the confines of their circle. Will you be joining us, Gerald?

[Felicity Finch]

Are you certain you can spare me?

[Tim Bentinck]

Oh, don't you worry, Wanda, love. There are only a couple more stacks to bring in. You go enjoy yourself at lower loss.

[Felicity Finch]

Thanks. Although I might have to take the hay out of my hair first.

[Tim Bentinck]

Box up. Whoa, whoa, whoa. Mrs. Pargett has invited quite a few people from Ambridge. Captain Gilpin's going to be there.

[Felicity Finch]

Who is he?

[Tim Bentinck]

That's what he said at manoeuvres last night.

[Felicity Finch]

Well, I think he's the most frightful prig.

[Emerald O'Hanrahan]

Wanda, could you give Dan and me a moment?

[Felicity Finch]

Oh, yes. Yes, of course. Sorry. No, no, no. I need to change out of my work togs anyway.

[Emerald O'Hanrahan]

Thank you.

[Suzy Riddell]

Dee.

[Tim Bentinck]

Doris. What is it?

[Emerald O'Hanrahan]

The postman's just been. He brought a telegram.

[John Telfer]

Gerald. I'm proud of him. Pity the German who spies you coming at him out of a cloud.

[Ryan Kelly]

I have to complete my training first.

[John Telfer]

When you do, though, I'd rather have you as my wingman than that wretched Gilpin fellow. Don't you agree, Squadron Leader Dog?

[Tim Bentinck]

No, no, no. I wouldn't go that far. His old governor's a charm of mine. Good man, he told me. But then he lost his wife in the Blitz.

[Felicity Finch]

Excuse me. I couldn't help overhearing. Is that Group Captain Gilpin you're talking about?

[John Telfer]

Mistler from Boa?

[Tim Bentinck]

That's correct. His nav deserted him after that. Eventually conceded he should return to City Street.

[John Telfer]

Good thing, too. The man's clearly nutty.

[Felicity Finch]

It's hardly nutty to feel low after losing both one's wife and one's arm.

[John Telfer]

Well, thankfully, some of us are made of stu. Found another one in the gr.

[Angus Stobee]

Chickens. It was in a niche in the wall.

[Suzy Riddell]

Mr. Leit, Mr. Gilbert, some decorum, please.

[Angus Stobee]

But we found a prophecy.

[Taylor Uttley]

I Have to compare it with the ones in the library.

[Felicity Finch]

Quickly.

[Taylor Uttley]

Ins. Pass me the magnifying glass again. And to think it's been under the earth for almost 200 years.

[Felicity Finch]

So come on then. What does it say?

[Taylor Uttley]

A widow man, sad and sore, shall take to his bed a lady all covered in finest wool. It even sounds like Mother Molly speaking to us from across the centuries.

[Angus Stobee]

It has one of her odd little postscripts, too.

[Taylor Uttley]

You may not have noticed it, Mrs. Pargeter. The writing is terribly small.

[Angus Stobee]

The original prophecy predicting Sir Edward's dog's death says, all is you.

[Taylor Uttley]

And this one says, flee in flea, spelt F, L, E, N. Oh, as.

[Ryan Kelly]

In the biting insect.

[Taylor Uttley]

And in spelt I doublen.

[John Telfer]

Is it written in mouse's blood too?

[Angus Stobee]

It has the same reddish brown hue.

[John Telfer]

Oh, please. Somebody's clearly forged it. Can't you tell you're being had on?

[Angus Stobee]

No.

[Taylor Uttley]

This parchment, it's ancient. Even the leather pouch it was buried in. Max, what do you think?

[Angus Stobee]

Looks genuine to me.

[Felicity Finch]

But do you mean Mother Molly genuinely wrote it, or that the prophecy will come true?

[Angus Stobee]

Who's to say it hasn't come true already?

[Felicity Finch]

So you believe Mother Molly had special powers then?

[Angus Stobee]

Everybody needs to believe in something. What do you believe in?

[John Telfer]

I think Ms. Lafromboise has enough sense to know it's claptrapped the here and now.

[Felicity Finch]

That's what I believe in. Perhaps I can convert you.

[Angus Stobee]

And how would you do that?

[Felicity Finch]

A walk around Ambridge. I'd show you the beauty and life still around you.

[Suzy Riddell]

A walk is a splendid idea. Don't you agree, Group Captain? Well, that's settled then.

[Ryan Kelly]

Here, Rosa. That cardi you're wearing, what's it made of?

[Suzy Riddell]

Cardi?

[Ryan Kelly]

Oy, your toe. Is it wool?

[Suzy Riddell]

I see.

[Nick Barber]

All right, thank you, Rosie, and carry on serving the group captain.

[Ryan Kelly]

And what do you make of it, young Joe Grundy? Didn't you agree it fits that?

[Taylor Uttley]

I do.

[Ryan Kelly]

Walter Gabriel, a widow man, sad and sore, shall take to his bed a lady all covered in finest wool.

[Nick Barber]

That's enough. I'll have you know the arrangement between me and Mr. Polska's entirely above board. She works behind the bar. And in return I rent to Jimmy's old room.

[Ryan Kelly]

Oh, is that soul bubbling? Cause I ain't seen you looking this spiffed up since your missus passed. God rest her soul.

[Taylor Uttley]

And he's combed as her so what?

[Nick Barber]

Don't mean nothing.

[Taylor Uttley]

Good.

[Ryan Kelly]

Cause you aren't the only eligible widower around here.

[John Telfer]

What?

[Taylor Uttley]

No, no, nothing. It's just my farmer's lung.

[Nick Barber]

You don't honestly think a young woman like Rosa would be interested in you?

[Ryan Kelly]

I've got plenty to offer.

[Nick Barber]

Just you stay away from her.

[Tim Bentinck]

Walter.

[Felicity Finch]

Gabriel.

[Ryan Kelly]

I thought you said there was nothing between.

[Nick Barber]

She could still do a lot better than you do.

[Suzy Riddell]

Better at what?

[Taylor Uttley]

Oh, marrows. They're arguing about their entries for the Flower and Produce show.

[Suzy Riddell]

You are not talking about the widow man in the prophecy?

[Nick Barber]

No.

[Ryan Kelly]

Who do you think it is?

[Suzy Riddell]

I think it is the group, Capitan.

[Taylor Uttley]

What I still can't make sense of are the postscripts. I wonder if there might be a code.

[Angus Stobee]

A cipher, you mean?

[Taylor Uttley]

Precisely. Something else, Mother. Molly was trying to communicate.

[Ryan Kelly]

Communicate?

[Angus Stobee]

A date, perhaps?

[Taylor Uttley]

Why do you say that?

[Angus Stobee]

It's something that's been bothering me for a while. Part of the reason the parget has continued to give Molly refuge was because she successfully prophesied the dog's death. A dog dying is hardly remarkable. Though why were they so impressed? Unless, that is, she also predicted when it would happen.

[Taylor Uttley]

By Jove, Max, you could be right.

[Angus Stobee]

Trouble is, the only way of proving it is by cracking the code. And without a key, there's so little to go.

[Taylor Uttley]

They seem happy. Maybe they've cracked it.

[Nick Barber]

Rosa, pour down here a drink.

[Tim Bentinck]

Oh, no, of course there's no need.

[Nick Barber]

Nonsense. That's the best news we've had in here in ages.

[Taylor Uttley]

When did you hear?

[Tim Bentinck]

Telegram arrived earlier.

[Ryan Kelly]

Your Jack didn't waste any time.

[Tim Bentinck]

Just goes to show he can get things done when he puts his mind to it.

[Nick Barber]

So when's young Peggy do.

[John Telfer]

And grant courage to our brave fighting men and fortitude to those facing the threat of Hitler's flying bombs. This, we beseech, in the name of our Lord Jesus Christ. Amen.

[Suzy Riddell]

Amen.

[John Telfer]

Before we sing our final hymn, I should like to quench a rumor that I understand has been going around the parish. I shan't speculate on how it began, other than to say my wife and I have no plans to move away. Ambridge is where my heart is and it is where we shall remain.

[Tim Bentinck]

Did you see the look on her face?

[Emerald O'Hanrahan]

Everyone in the church saw it.

[Felicity Finch]

The only person who didn't was the vicar.

[Tim Bentinck]

She'd have been happier marrying the old squire.

[Felicity Finch]

Do you need a hand with lunch?

[Emerald O'Hanrahan]

No, Christine can help. Go get yourself ready for your walk with Mr. Gilpin.

[Felicity Finch]

Not going to. Lots of effort. I'm still not convinced he deserves it.

[Emerald O'Hanrahan]

I may not be your mother, but you could do a lot worse.

[Tim Bentinck]

Oh, so good job. Our Jack spoken for. You'd have been trying to match her up with him.

[Emerald O'Hanrahan]

As if a girl like Wanda would. Yes, like you say. He's got Peggy. Lord preserve her.

[Tim Bentinck]

Oh, Doris. She's fine.

[Emerald O'Hanrahan]

You don't know that. Apparently you can't even hear these doodle bugs coming. They go silent.

[Tim Bentinck]

I'm sure her parents are taking good care of her.

[Emerald O'Hanrahan]

They can't stop a bomb falling on the house. What about the worry? It can't be good for the baby. Maybe we should invite her to stay here.

[Tim Bentinck]

Won't she want to be with her own family, though?

[Emerald O'Hanrahan]

We're her family, too. Or we will be. Assuming Jack comes home.

[Tim Bentinck]

No, course he's coming home.

[Emerald O'Hanrahan]

So she'll be moving up here anyway. She and the baby would be so much safer here at Brookfield. Don't you agree?

[Felicity Finch]

Oh, gracious, no. The closest I'd come to farming was passing the cattle market back at home.

[Angus Stobee]

In Bath.

[Felicity Finch]

That's right, yes. My father's a judge at the county court, and my mother, well, she's mainly employed with finding suitable marriages for my sister and me. So much trickier during wartime, don't you find?

[Angus Stobee]

And when the war's over, will you go back home?

[Felicity Finch]

Oh, not if I can help it. You're being a land girl and getting to know the Archers. I can't imagine going back to how my life was before.

[Angus Stobee]

No.

[Felicity Finch]

I've gabbed on long enough. What about you?

[Angus Stobee]

There's not a great deal to tell. I was raised at the family home in Dorset. Went to Eton, then Cambridge.

[Felicity Finch]

And what about your wife? Tell me about her.

[Angus Stobee]

She. She was the better part of me. She knew me better than I knew myself.

[Felicity Finch]

Why do you hear that? Come on. This way. Mind the nettles.

[Angus Stobee]

Wonder. Where are you going?

[Felicity Finch]

We mustn't get down on the other side of the river.

[Angus Stobee]

Is that Reverend Bissett in the beekeeping suit? He's normally such a placid fellow.

[Felicity Finch]

Well, I suppose even vicars have their limit.

[Suzy Riddell]

What?

[Felicity Finch]

Oh. I thought his wife had spotted us. It's all right. She's just marching back to the house. He ought to have given her a puff with his smoke.

[Angus Stobee]

I'm certainly glad to be on this side of the river with you.

[Felicity Finch]

So, have I converted you yet? Not with the row, obviously.

[Angus Stobee]

No.

[Felicity Finch]

But would you agree there are things to be said for the here and now?

[Angus Stobee]

Here? At this moment? I'd say there's a great deal to be said indeed.

[Felicity Finch]

Good. Because if I'd lost someone special, I'd yearn to feel there was something beyond all this, too. That's. That's why? You believe in Mother Molly. You want there to be another world.

[Angus Stobee]

I'm sorry to disappoint you, but mine is a commonplace heartache. Max, enough of scrabbling around on the riverbank. It's time I walked you home.

[Taylor Uttley]

It's been one of the most marvelous sights I've ever seen. Coming down the boulevard into the heart of Paris.

[Felicity Finch]

Everywhere we went, people came running out.

[Taylor Uttley]

Of their house and out of the shops, shaking hands with us. People were giving us flowers, tomatoes, everything. It's been the most marvelous procession I've ever seen.

[Tim Bentinck]

That's it. Up she comes pulling everyone.

[Nick Barber]

Stretch the guy rats. Good and tight, Wanda.

[Tim Bentinck]

Ready?

[Felicity Finch]

I'm ready.

[Tim Bentinck]

I'll keep the strain on while you hammer in the stain.

[Ryan Kelly]

Hey, Bob, me old pal, putting this here marquee ups. Thirsty work. Reckon Rosa could bring us a drink?

[Nick Barber]

Sorry, Walter. She's busy getting the beer tent ready. Besides, ain't it a bit early to start drowning your sorrows?

[Ryan Kelly]

Won't be me drowning my sorrows. Family of four could live in my.

[Nick Barber]

Marrow size and everything anyhow.

[Ryan Kelly]

Oh, is that so?

[Nick Barber]

I measure the quality of a man by the quality of his marrow, and mine's twice the vegetable yours will ever be.

[Ryan Kelly]

All right, you two, and we'll let the judges decide.

[Nick Barber]

We will.

[Tim Bentinck]

Ah, what about you, Reverend? You feeling confident?

[John Telfer]

Well, yes. My bees have been especially industrious, and I'm hopeful of stealing your good lady wife's ground.

[Ryan Kelly]

Oh, fight and talk from the vicar.

[John Telfer]

No, not at all.

[Felicity Finch]

There. Oh, I don't think that's going anywhere.

[Tim Bentinck]

Well done, lass.

[Nick Barber]

When's your Jack's Peggy moving up here?

[Tim Bentinck]

Oh, she's still thinking about it. Right. How are the rest of the guy rogues? All secure. Good. Last thing we want is the marquee falling on everyone's heads.

[Nick Barber]

What were that?

[John Telfer]

It sounded like it came from Honeysuckle Cottage.

[Felicity Finch]

Honeysuckle? Are you sure?

[Ryan Kelly]

Wherever it came from. Sounded like they were scared to death.

[Felicity Finch]

Max, are you in there? Can you hear me? Max, what's happened? Open the door.

[Suzy Riddell]

Wonder.

[Felicity Finch]

Well, we heard a scream. Are you all right in my bed? What are you talking about, Max?

[Ryan Kelly]

Nice pajamas, sir.

[Nick Barber]

You having a lion?

[Felicity Finch]

What was in your bed?

[Nick Barber]

How did she get there?

[Ryan Kelly]

Quick, catch her, somebody.

[Nick Barber]

The wrong time of year for.

[Ryan Kelly]

Oh, she's a door set. They are more than one season.

[Felicity Finch]

Oh, so she's the lady all covered in finest wool.

[Nick Barber]

Stone the crows. He's the widowman. I should.

[Angus Stobee]

I really ought to get dressed. Mother.

[Ryan Kelly]

Molly's prophecy has come true.

[Taylor Uttley]

Must have been a prank Surely some of the village boys, perhaps?

[Angus Stobee]

It's possible, Grayson. Although it does fit with the prophecy. I am a widow man, Max, and I am sad and sore.

[Taylor Uttley]

I know I wasn't there, but if it's a choice between Mother Molly putting a lamb in your bed, or Walter's young lad having done it, I'm choosing Nelson every time. I may have discovered something significant, though.

[Ryan Kelly]

Oh, yes?

[Angus Stobee]

What's that?

[Taylor Uttley]

I was in the Lower Loxley library yesterday evening looking through a collection of old correspondences and I found this. It's a letter from Sir Edward to his wife. She was away visiting family. Listen to this. My Lady, I have a sorrowful report to make. Dear Argus departed this life not one hour since it was written on Christmas Day, 1757.

[Angus Stobee]

But hold on. If we're right and the postscripts are.

[Taylor Uttley]

Occurred exactly, all is you must equal 25th December, 1757.

[Angus Stobee]

Which means we might be able to crack Mother Molly's code.

[Taylor Uttley]

Don't get too excited. I fell asleep in the library trying to do just that. Sadly, the solution has eluded me. You're the crossword buff, though.

[Angus Stobee]

Let me see the letter.

[Felicity Finch]

Hello, Grayson. Max. Nice to see you dressed.

[Angus Stobee]

Wonder.

[Felicity Finch]

Oh, don't look so ashamed. Or should I say sheepish?

[Angus Stobee]

Oh, right.

[Felicity Finch]

By Jove, I think I may have made the group captain smile.

[Taylor Uttley]

Tell you what, I'll fetch us all a drink.

[Suzy Riddell]

And now, the hotly contended Marrow Club.

[Nick Barber]

Don't count your chickens yet, Walter Gatefield.

[Ryan Kelly]

Chickens? What's being judged?

[Suzy Riddell]

First prize is awarded to Mr. Bob Little.

[Emerald O'Hanrahan]

Congratulations.

[Nick Barber]

What did I tell you?

[Suzy Riddell]

Whilst not the largest marrow, the judges were impressed by the sound it made when tapped, which they described as deep and resonant.

[Ryan Kelly]

You don't play him in a blooming orchestra.

[Suzy Riddell]

Well done, Mr. Little.

[John Telfer]

What a Swiss.

[Ryan Kelly]

Excuse me, Vicar.

[Nick Barber]

Walter, careful that chickens I can hear escaping.

[John Telfer]

No need for that, Bob. It's all in the spirit of friendly competition.

[Suzy Riddell]

And finally, the honey category.

[Ryan Kelly]

Oh, good luck, Reverend.

[John Telfer]

Yes, you too.

[Suzy Riddell]

Mrs. Archer, before I announce the winner, I must inform you of a disqualification. After careful consideration and with much regret, Reverend Bissett's entry has been ruled invalid.

[Angus Stobee]

Grayson thinks it was a prank. And it's true. Anyone could have entered the cottage. The doors aren't locked.

[Felicity Finch]

But.

[Angus Stobee]

But maybe you were right. Maybe I do want to believe there's something beyond.

[Felicity Finch]

I shouldn't have been so impertinent.

[Angus Stobee]

No, no. The truth is, I hear her talking to me. My wife, that is.

[Felicity Finch]

Your wife?

[Angus Stobee]

It's probably just guilt, of course. Guilt for living when she did not.

[Felicity Finch]

You've no reason to feel guilty.

[Angus Stobee]

No?

[Felicity Finch]

No. You almost gave your life for your country. You're lucky all you lost was your arm.

[Angus Stobee]

Luck isn't always the gift, it seems. Crikey. Where is everyone, Max? They must all be in the marquee.

[Felicity Finch]

Look at me. It's no sin to survive.

[Angus Stobee]

What are you doing?

[Felicity Finch]

Kissing you, if you'll let me.

[Angus Stobee]

I'm sorry, I can't.

[Felicity Finch]

Well, no one can see.

[Tim Bentinck]

I know.

[Angus Stobee]

But I'm married. Yes, my wife has gone. But I was faithful to her when she was alive and I can't change the habit. Even with someone like you.

[Felicity Finch]

Someone like me? I am me, Max.

[Angus Stobee]

Wanda, please don't leave.

[Felicity Finch]

I'm not wasting time competing with a ghost.

[Angus Stobee]

Wanda, wait.

[Taylor Uttley]

Where's she going? I brought her a ginger beer.

[Suzy Riddell]

It's no good pointing your finger at me, Henry. I have no idea how a bee got into your honey.

[Ryan Kelly]

This is revenge, isn't it?

[John Telfer]

Because I refused to leave Ambridge.

[Suzy Riddell]

Nonsense, Doris. Congratulations.

[Emerald O'Hanrahan]

Thank you. That's kind and commiserations.

[Tim Bentinck]

Bad luck, Reverend.

[Emerald O'Hanrahan]

Next time, cover the honey while you're straining it. That way, nothing can get in the jar.

[John Telfer]

I'll bear that in mind. Now we must say goodbye to Mrs. Parter.

[Angus Stobee]

Come on, dear.

[Suzy Riddell]

Well done again, Doris. You truly are queen bee.

[Felicity Finch]

Just here, madam.

[Suzy Riddell]

Thank you, Hildegard. I do know where my own telephone is. Could you find Mr. Titcombe and inform him the hydrangeas in the jardiniere need replacing? But why do I not. Please, Hildegard.

[Felicity Finch]

Yes, madam.

[Suzy Riddell]

Thank you. Gerald. Darling, how lovely to hear from you.

[Ryan Kelly]

Ma can't be long. Got some big news.

[Suzy Riddell]

Oh?

[Ryan Kelly]

No more boring classrooms for me. I'm off to Rhodesia to join the elementary flying Training school.

[Suzy Riddell]

What?

[Ryan Kelly]

The boat leaves for Cape Town in a few hours and then a train from Cape Town to Bulawayo.

[Suzy Riddell]

But how long will you be gone?

[Ryan Kelly]

Well, hopefully not so long that the war's already over. Oh, must go. My car's here. Toodle pip.

[Suzy Riddell]

All right. But, Gerald. Gerald, are you still there?

[Angus Stobee]

Miss Pardita, you wouldn't happen to know where I can find Grayson?

[Suzy Riddell]

Grayson?

[Ryan Kelly]

I made a breakthrough.

[John Telfer]

Of course, Francis isn't too happy about me attending the conference. I insisted she look after the bishop's dog while we're both in Litchfield. Hannibal, the creature's called, gets awful upset when his lordship's away.

[Angus Stobee]

Grayson, There you are.

[Taylor Uttley]

Max, just the chap Reverend Bissett and I are making rather slow work of. Except excavating the grotto, I'm afraid.

[John Telfer]

And Mrs. Pageter.

[Suzy Riddell]

Too here to observe. Nothing more.

[Angus Stobee]

I've cracked it, Grayson. Mother Molly's code. It was the order that was the problem.

[Taylor Uttley]

Order?

[Angus Stobee]

Day, month, year. But then I realized, back in the 18th century, they wrote dates, putting the month first, then day, then year. So the date on which Sir Edward's dog died would be.

[Taylor Uttley]

1225, 1757.

[Angus Stobee]

Once I realized that, I simply harnessed the number three.

[John Telfer]

Ah. A holy number. Father, Son and Holy Spirit.

[Taylor Uttley]

And an occult one. Birth, life, death.

[Angus Stobee]

Look. I wrote out the Alphabet three times, then numbered each letter 1 to 0. By setting down all the letters attached to the numbers in the date, I was able to spell out all is you. The postscript to the original prophecy.

[Taylor Uttley]

Did you try it with the new one?

[Angus Stobee]

Naturally. Flea in becomes August 27, 1944, the date of the Flower and Produce show. However, that lamb came to be in my bed. Mother Molly saw it. She saw into the present, Grayson. She saw us.

[Suzy Riddell]

What's this?

[Taylor Uttley]

What's what, Mrs. Pageter?

[Suzy Riddell]

Poking out through the soil. It looks like a leather pouch. Minutes for the Ambridge WI 7th of September, 1944. Doris began by welcoming Miss Topolska.

[Emerald O'Hanrahan]

Welcome to our little committee, Rosa.

[Suzy Riddell]

Thank you for inviting me.

[Emerald O'Hanrahan]

We've heard so many good things about you from the men folk. We thought this might be a way of getting to know you better. Isn't that right, ladies?

[Suzy Riddell]

Nobody wanted to speak, so Doris moved on to the first item.

[Emerald O'Hanrahan]

Last month's Flower and Produce show, which I'm happy to say was a great success.

[Felicity Finch]

Despite Mother Molly's putting a lamb in the group captain's bed.

[Suzy Riddell]

Interrupted Susan, whose swelling belly is now larger than her tiny brain.

[Felicity Finch]

What do you think this new prophecy means?

[Suzy Riddell]

As a point of information, might we be reminded what the prophecy said chipped in Agnes most unhelpfully, to which Mabel nonetheless replied.

[Felicity Finch]

Farces in the north choose to sink a gentle person known to all in the river of Laith. Surely Molly meant forces in the north, added Susan.

[Suzy Riddell]

The Leith in Edinburgh Inquired Agnes. Maybe the Germans invade Scotland? Worried Rosa.

[Felicity Finch]

You tell us.

[Suzy Riddell]

Demanded Susan. No, no, no. At which point I had no choice but to intervene. Henry said Lethe was spelled L, E, T, H, E, as in the river that transported the ancient Greeks to the afterlife.

[Felicity Finch]

Oh, my Lord. You mean someone's going to die? That's what the postscript says. I die ill on the 9th of October.

[Suzy Riddell]

Isn't that when the vicar's going away to his conference? What? We won't have a man of God to protect us?

[Felicity Finch]

Doris, are you Certain you still want your Jack's Mrs. To come to Ambridge?

[Emerald O'Hanrahan]

I can't see her in any of the carriages, can you?

[Tim Bentinck]

Well, she'll be on the train somewhere. Don't look so nervous. You're the one who wanted Peggy to stay.

[Emerald O'Hanrahan]

And I'm so happy she agreed. We don't know her that well.

[Tim Bentinck]

We know Jack loves her. And we know she's a nice, well brought up young girl. You'd have to be with a mother like that.

[Emerald O'Hanrahan]

Don't. Who wears black to a wedding. Oh, even under the circumstances.

[Tim Bentinck]

Well, Jack seemed to know how to handle her. What did he keep calling her? Mrs. P?

[Emerald O'Hanrahan]

Wait. Is that her?

[Tim Bentinck]

I don't see any other pregnant women getting off the trey. Peggy.

[Angus Stobee]

Peggy.

[Tim Bentinck]

Over here. Welcome to Barser. After you.

[Felicity Finch]

Thanks.

[Emerald O'Hanrahan]

It's Jack's room, but we tried to make it nice for you. I've made some space in the wardrobe and the top drawer is yours too.

[Felicity Finch]

Oh, that's wonderful.

[Emerald O'Hanrahan]

There are still a few of Jack's old comics in there.

[Felicity Finch]

Oh, really, Mrs. Archer.

[Emerald O'Hanrahan]

I don't know why he keeps hold of.

[Felicity Finch]

Honestly, I'm happy to make do.

[Emerald O'Hanrahan]

Oh, well, obviously I don't know what you're used to.

[Felicity Finch]

Oh, no, no, I didn't mean.

[Emerald O'Hanrahan]

You've got a lovely view, though. That's something you don't get in London. Well, let's open the window.

[Tim Bentinck]

Oh, you've stopped noticing the smell from the yard.

[Emerald O'Hanrahan]

While you're settling in, why don't I make us all a cup of tea?

[Felicity Finch]

That'd be lovely.

[Tim Bentinck]

Come on then.

[Emerald O'Hanrahan]

Oh, I almost forgot. I imagine you've got your own picture of Jack. But I put that one on the mantelpiece. He looks so handsome in his uniform.

[Felicity Finch]

Thank you. That's very thoughtful.

[Emerald O'Hanrahan]

How was he when you wished him goodbye? Was he in good spirits?

[Felicity Finch]

Oh, yeah. He'd had plenty of spirits.

[Emerald O'Hanrahan]

What does that mean?

[Felicity Finch]

Oh, just that he'd had a few drinks. Dutch courage.

[Tim Bentinck]

Oh, we know how fond Jack is of Dutch courage, Dan. Now, that kettle won't boil itself, will it?

[Emerald O'Hanrahan]

No. Right.

[Tim Bentinck]

Now, you come down when you're ready, love.

[Felicity Finch]

Thanks. Well, there's no use feeling sorry for yourself, Peggy. Oh, let's shut that window for a start.

[John Telfer]

In just about 30 seconds now our ship was up and these 19 men will walk out onto Dutch soil. You can probably hear the snap as they check the lashing on the static line. There he goes. Do you hear them shout? 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13.

[Felicity Finch]

Dearest Peg, the platoon has spent the last two nights kipping in an actual Dutch barn. Not sure the old man would take too kindly to 50 filthy, frazzled soldiers commandeering Brookfield. Of course, I'd much rather be spending my nights back home with you.

[Emerald O'Hanrahan]

Dan. Peggy's had a letter from Jack. He's been sleeping on a farm.

[Tim Bentinck]

Ah, but has he shot himself a rabbit? I reckon there's enough meat on this one. Very decent stew.

[Emerald O'Hanrahan]

Let's have a look. You can skin it.

[Felicity Finch]

Do you?

[Emerald O'Hanrahan]

Sorry, I'm ironing. Start by taking off the feet.

[Tim Bentinck]

But how does Jack sound?

[Emerald O'Hanrahan]

You know Jack, always chipper.

[Tim Bentinck]

According to this morning's paper, the Germans are pushing back hard. Still, we've advanced a lot further than we managed 30 years ago.

[Emerald O'Hanrahan]

Peggy, what's wrong?

[Felicity Finch]

It's nothing.

[Tim Bentinck]

Oh, sorry, love. What was I thinking? No, no, I'm sure Jack's fine.

[Felicity Finch]

Oh, it's not Jack.

[Emerald O'Hanrahan]

It's the rabbit.

[John Telfer]

Right.

[Felicity Finch]

Give it here, then. Sorry, it's my stomach.

[Tim Bentinck]

Don't worry. We forget, don't we, Doris? We were raised butchering rabbits.

[Felicity Finch]

Rabbits?

[Emerald O'Hanrahan]

Pheasant, grouse. Anything the squire would let dad bring home. Took it for granted. We never imagined one day we'd be grateful for the extra meat.

[Felicity Finch]

It's not that I'm not grateful, it's just.

[Ryan Kelly]

Are you all right?

[Felicity Finch]

Yeah, I will be. I. I just need to. Oh, sorry, Peggy. Should I go after her?

[Emerald O'Hanrahan]

Please, love.

[Tim Bentinck]

Yeah, better.

[Emerald O'Hanrahan]

Poor girl's not used to the sight of blood.

[Suzy Riddell]

Oh, Hannibal, that's enough. Honestly, what was Henry thinking, making me look after this diabolical animal?

[Felicity Finch]

It's such a shame he had to go away today of all days.

[Suzy Riddell]

You're not both fretting about mother Molly.

[Felicity Finch]

9Th of October, the prophecy said.

[Suzy Riddell]

You are not. What? Of course not. And besides, if Mother Molly does come knocking, I'll simply set this creature on her. Oh, Hannibal. No, no, no. We're not going that way.

[Ryan Kelly]

Morning, Mrs. Vicar.

[Felicity Finch]

Hannibal, stop.

[Suzy Riddell]

We need to go home.

[Felicity Finch]

I best do my shopping. Well, there's just some food left. By the way, you won't be seeing Joe in the ball tonight, Walter? Oh, I'm keeping him home for his own safety. Bye, Rosa.

[Suzy Riddell]

Goodbye.

[Ryan Kelly]

You been shopping and all?

[Felicity Finch]

Yes.

[Suzy Riddell]

I want to make Kotletti Yaechne. But the shop has no eggs.

[Ryan Kelly]

No eggs, eh? Don't tell Bob, but I might be able to help you there.

[Felicity Finch]

It's not like I've never seen a dead rabbit. So what is it, then? I felt like a test. Not at all. It's just life on a farm. Everybody mucks in. They were treating you like one of the family. I'm not so sure. Either I'm saying or doing the wrong thing, or I'm cooped up in my room. I tell you what. Why don't you and I go to the pub tonight? But there's no way Doris would let us go on our own. Oh, don't worry about her. I can normally get around Doris one way or another.

[Ryan Kelly]

Here you go, Rosa. Six lovely eggs, specially laid this morning.

[Suzy Riddell]

Thank you, Walter.

[Ryan Kelly]

Now remember, if there's anything you can't get with your coupons, just come to me.

[Nick Barber]

What you got there?

[Suzy Riddell]

Walter has brought eggs. Bob isn't that kind.

[Ryan Kelly]

Thought she might be getting boredomarrow.

[Suzy Riddell]

What can I get you?

[Nick Barber]

No, no. I'll deal with Walter. You serve the group, Captain. Evening, sir. Been out with the Home Guard?

[Angus Stobee]

Been practicing maneuvers at Sawyer's farm. Scotch, please, Rosa.

[Ryan Kelly]

And I'll have a shake.

[John Telfer]

Gilpin. Found any more sheep lurking about?

[Angus Stobee]

No, but I do seem to have found a louse.

[John Telfer]

Come now, you're the Mr. Chamberlain around here. Let's call a truce.

[Angus Stobee]

Keep the change.

[Suzy Riddell]

Thank you.

[John Telfer]

I see Ms. La Framboise and her friend are warming themselves by the fire. Perhaps we two flyers should go say hello.

[Ryan Kelly]

That's Jack Archer's man. Is this you're talking about?

[John Telfer]

No matter. Max here can keep Mrs. Archer happy while I work my charms on Miss Lafromboise.

[Angus Stobee]

Now listen here.

[John Telfer]

Just because you blew your shot with her.

[Angus Stobee]

Leave them be.

[Felicity Finch]

Doesn't it bother you the way he keeps staring at us? All the men in here are staring at us. That's part of the fun. Who's the bloke next to him with one arm? Oh, Max. He'd be handsome if he didn't look so miserable. I suppose. But enough of them. You were telling me about Jack. So you were stationed together? I was working at the ATS store and he was at the barracks nearby. I'd see him at tea dances. Ah, so that's how he won you over. He swept you off your feet. To be honest, he preferred to prop up the bar. And now here I am, eight months later, married, living in the countryside, expecting his child. No wonder you're feeling frazzled. I suppose. How long did it take you to get used to it? Ambridge, you mean? It's so quiet here. I lie awake at night and I can hear every tiny noise. And then when I do finally get to sleep, the blasted cockerel starts crowing. And then Dan's stomping around, getting up to milk the cows. And there's Always muck everywhere. Yes, it's farm. Don't you mind? No, no, I love it. Which is why Doris likes you more than me.

[John Telfer]

I can't imagine anyone not liking either of you.

[Felicity Finch]

Oh, hello, Cad.

[John Telfer]

Aren't you going to introduce us?

[Felicity Finch]

Peggy, this is Flying Officer Cadwallader. Cad, this is Mrs. Peggy Archer.

[John Telfer]

Oh, I must tell you, Mrs. Archer, ever since I was brought to Low Locksley, your new friend was has been playing hard to get.

[Felicity Finch]

I wasn't playing.

[John Telfer]

Well, time's up. The doctors have finally given me the all clear and I'm returning to base in the morning.

[Felicity Finch]

We'll miss you.

[John Telfer]

Don't I get a kiss goodbye?

[Felicity Finch]

I'm afraid not.

[John Telfer]

Go on, give me something to dream about while I'm fighting the king and country. No.

[Felicity Finch]

No. Stop it. Get your hands off.

[John Telfer]

I think it's the least I deserve. I'll tell you what you deserve. Come here.

[Felicity Finch]

Max, no.

[Ryan Kelly]

Makes me wonder what we're fighting for. If you're the best we've got left, eh?

[John Telfer]

At least I can fight. Go on, go on, punch me. You'll have to let go of me first. It's true. You have lost your bottle.

[Felicity Finch]

Why, you.

[Nick Barber]

Oh, no. Any more trouble and you're both going outside. I do apologize, ladies. It might be better if you.

[Felicity Finch]

We're leaving. Come on, Wanda, let's go back to Brookfield. Oh, yes. All. All right.

[Nick Barber]

Safe home, both of you.

[John Telfer]

So sorry.

[Felicity Finch]

No. Thank you, Grayson.

[Taylor Uttley]

What have I missed?

[Felicity Finch]

What's Doris going to say? She's not going to say anything. Is she not? No, because we're not going to tell her. Mind you, she'll probably find out anyway. She's like Mother, Molly. She sees all. What would she say about Max? Is there something between the two of you?

[Suzy Riddell]

No.

[Felicity Finch]

Well, for a while I had hoped he's still in love with his dead wife. It wasn't his dead wife he just leapt across the bar for. Where's that barking coming from? Don't change the subject. No, no, no, really. Give me the torch.

[Suzy Riddell]

It.

[Felicity Finch]

It's coming from the river. Well, I wouldn't give up hope just yet. He obviously feels something for. Up there. There in the boat. Is that the Bishop's dog? How the bishop pleases. Did he get in there? Wait. Point the torch that way again. I saw something in the reeds. Yes, over there.

[Angus Stobee]

Truly, Bob, I don't know what came over me.

[Nick Barber]

Let's say no more about it.

[Ryan Kelly]

Ay, if that's the worst thing that happens today, I say we've come off lightly. Wouldn't you agree, Mr. Lemon?

[Felicity Finch]

Me?

[Ryan Kelly]

Or are you disappointed Mother Molly ain't.

[John Telfer]

Reared her head again?

[Taylor Uttley]

My interest in Molly has never been Been metaphysical. Rather, it's because she was an outsider, shunned by her neighbors into becoming the monster they said she was.

[Nick Barber]

At least it ain't like that nowadays. Everyone gets on famously around here.

[Felicity Finch]

There's someone in the river.

[John Telfer]

You won.

[Felicity Finch]

They're just floating there.

[John Telfer]

Who is?

[Angus Stobee]

Wanda. Who's in the river?

[Felicity Finch]

We don't know. They're not moving, though. Please hurry.

[Suzy Riddell]

Quick.

[Ryan Kelly]

All these blooming reeds.

[Angus Stobee]

We can't see. Which way should we be going?

[Felicity Finch]

Head a little further downstream.

[Emerald O'Hanrahan]

Oh.

[Ryan Kelly]

Steady, lads. You sure you should be doing this with that leg of yours? I'm fine.

[Taylor Uttley]

Would that blessed hand be quiet?

[Felicity Finch]

Keep going. You're almost there.

[Angus Stobee]

Shine the torch this way. Oh, grief.

[Taylor Uttley]

Is that Mrs. Vicar?

[John Telfer]

She's dead. The moment she arrived in Ambridge, Frances wasted no time identifying what could be improved, be it the WI or the pcc. Francis was always ready to offer her candid advice in that same spirit. I am aware of some of the godless talk going around the parish. Let me be clear, Mother. Molly did not foretell my wife's passing. The truth is, if I hadn't gone away, if I hadn't left the bishop's dog in her care, if I hadn't kept those hives. We must trust that God has a plan for each of us. It pleased him to gather Francis to his bosom.

[Ryan Kelly]

I didn't care what His Holiness says. It weren't just the date, Mother. Molly got right. She got the name spot on and all.

[Tim Bentinck]

Walter, be reasonable.

[Ryan Kelly]

Paris from the north. Muddle the letters around, add the end from north, and what do you get?

[Tim Bentinck]

Francis. I know.

[Ryan Kelly]

And then there's the rest of it.

[Suzy Riddell]

Rest of what?

[Tim Bentinck]

Oh, nothing. Peggy. All right, love?

[Emerald O'Hanrahan]

Her ankles are hurting her. Wanda's taking her home.

[Ryan Kelly]

We're talking about the prophecy. You know what the river of Lethe is?

[Emerald O'Hanrahan]

It's the river of Death.

[Ryan Kelly]

Exactly.

[Tim Bentinck]

But it wasn't drowning that killed her. They're saying it was being stung by all them being.

[Ryan Kelly]

Oh, like I don't know that. I saw her face all swollen with blotches, eyes staring up in terror.

[Emerald O'Hanrahan]

Walter, please. It's too late.

[Ryan Kelly]

Oh, sorry, Doris. But you weren't telling me. It were no accident. But how did them hives get knocked over anyhow? How did the bishop's dog end up in the boat?

[Tim Bentinck]

I agree. It's odd.

[Ryan Kelly]

Evil's come to Ambridge. We know who's to blame.

[Angus Stobee]

Grayson, don't be absurd. You can't abandon your research.

[Taylor Uttley]

But if it's going to encourage unhealthy superstitions. I came here to dispel all that.

[Angus Stobee]

Then it's even more vital you continue.

[Taylor Uttley]

It's fine.

[Angus Stobee]

Find out the truth either way.

[Suzy Riddell]

Here they are, together. As always. Sometimes I think you two could be brothers, Mrs. Pageter.

[Tim Bentinck]

Or maybe partners in crime.

[Angus Stobee]

Squadron Leader dodge.

[Suzy Riddell]

I see Ms. Lafromboise is elected to forego the committal, has she? I thought that might get your attention. Oh, no, don't mind me. I'm going to take my leave. Also, I've already had two people ask if I've seen any murderous phantoms prowling the lower lock grounds.

[Felicity Finch]

How swollen are your ankles? They're fine. I just didn't want to be left on my own with Doris. Peggy, you saw what she's like. She's even worse now this has happened.

[Angus Stobee]

Wanda. Wanda, wait.

[Felicity Finch]

Max. Well, what is it? I need to get back to Brookfield. It's fine. I can walk back by myself. But, Peggy, honestly. You talked to Mr. Gilpin.

[Angus Stobee]

I'm most obliged. So, how have you been bearing up? I've been meaning to find out how you are.

[Felicity Finch]

Oh, you know, keeping calm and carrying on, of course.

[Angus Stobee]

But coming across Mrs. Bissett's body like that.

[Felicity Finch]

I know. Rather knocks your scuffle with Mr. Cadwallader into a cocked hat. Well, if.

[Angus Stobee]

If that's all, then I can't hear her anymore. Since we kissed my wife, she's gone silent.

[Felicity Finch]

I don't know what you're trying to say.

[Angus Stobee]

I'm saying this is pointless. You shouldn't be lumbered with an old croc like me. Not when there are plenty more fish in the sea.

[Felicity Finch]

Fish?

[Angus Stobee]

And most of them have all their fins.

[Felicity Finch]

Max, is it's not the lack of fins that's the problem.

[Angus Stobee]

Then what is?

[Felicity Finch]

Oh, how pretty. Michaelmas daisies Wonder. Now, let's add a little colour to your suit. Now. You know what your trouble is, Max? Even now you think you're the only person who's lost something. Just remember one thing, though.

[Angus Stobee]

What's that?

[Felicity Finch]

Flowers wilt if left unpicked.

[John Telfer]

Like a flower, we blossom and then wither. Like a shadow we flee and never stay. In the midst of life, we are in death. To whom can we turn for help but to you, Lord, who are justly angered by our sins.

[Felicity Finch]

I don't blame Peggy for not staying. Imagine escaping London for this. Only saying makes you scared to bring a child into the world.

[Taylor Uttley]

Don't you worry, Susan. I'll keep the baby safe when it comes.

[Suzy Riddell]

I know you will, Joe.

[Felicity Finch]

Can he? Not with the joyous digging in now, Mother.

[Ryan Kelly]

Molly's on the loose and all.

[Tim Bentinck]

All right, Walter, that's enough.

[John Telfer]

Sister Francis. To God's mercy.

[Tim Bentinck]

Mr.

[John Telfer]

Le hasn't found any more prophecies to the ground.

[Tim Bentinck]

Hopefully this can all be laid to rest.

[John Telfer]

Earth to earth, ashes to ashes, dust to dust.

[Felicity Finch]

Oh, my Lord.

[John Telfer]

What is it?

[Felicity Finch]

A mouse, Mother.

[Ryan Kelly]

Molly's familiar.

[Emerald O'Hanrahan]

It jumped right out of.

[Ryan Kelly]

What did I tell you? The old crone ain't through with us yet.

[Tim Bentinck]

In Victory at Ambridge Part 1, Dan Archer is played by Timothy Bentinck, Doris Archer by Felicity Finch. Peggy Archer by Emerald O'Hanrahan and Wanda Laframboise by by Madeline Leslie. Max Gilpin is Angus Stobee, Grayson Lemon, Taylor Uttley, Francis Bissett, Mallee Harries, Henry Bissett, John Telfer and Bob Little. Ryan Kelly. Pamela Pargetta and Rosa Topolska are played by Suzy Riddell and Gerald Pargetta and Wood Walter Gabriel by Nick Barber. Other parts are played by members of the company. Victory at Ambridge is dramatized by Tim Stimson from the novel by Catherine Miller and directed by Kim Greengrass. It is a BBC Audio Drama Birmingham production.

[Emerald O'Hanrahan]

Helena I'm Helena Bonham Carter and for BBC Radio 4, I'm back with a brand new series of history's secret heroes. And he tells her that she will.

[Suzy Riddell]

Be sent to France as a secret agent.

[Felicity Finch]

She will work undercover and if she's.

[Suzy Riddell]

Got, she's going to be shot.

[Felicity Finch]

Join me for more stories of unsung heroes, acts of resistance, deception and courage from World War II.

[Emerald O'Hanrahan]

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