The 2025 Movie Auction

Summary

The Big Picture Podcast Summary: Episode "The 2025 Movie Auction"

Release Date: January 20, 2025

In this engaging episode of "The Big Picture" podcast hosted by Sean Fennessy and Amanda Dobbin, along with guest Chris Ryan, the trio delves deep into the intriguing concept of auctioning upcoming movies. The episode, titled "The 2025 Movie Auction," offers listeners a comprehensive look into their unique approach to evaluating and bidding on films slated for release in 2025.

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1. Introduction to the Movie Auction Concept

Sean Fennessy kickstarts the conversation by briefly mentioning discussions about Greta Gerwig's adaptation of "Narnia" being released on 1,000 IMAX screens by Netflix. This sets the stage for the episode's primary focus: the auctioning of upcoming movies.

Sean Fennessy [02:04]: "We are pivoting away from national politics today on the Big Picture to talk about theatrical distribution."

Chris Ryan introduces himself as a seasoned auctioneer, bringing a fresh perspective to the podcast's dynamic.

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2. Netflix's Foray into Theatrical Releases

A significant portion of the discussion revolves around Netflix's decision to release "Narnia" in theaters, a move that marks a departure from the company's traditional streaming-only strategy. The hosts analyze the potential impact of this decision on the broader entertainment industry.

Amanda Dobbin [03:02]: "But it's. There are no, like political ramifications. I don't really remember."

Sean Fennessy appreciates the spectacle-oriented nature of the movie, pondering its box office potential.

Sean Fennessy [05:05]: "It's nice that you have a standard, but this is a business conversation. No one gives a shit what you think about the movie."

The conversation highlights the strategic moves by major studios and streaming giants, emphasizing the evolving landscape of movie distribution.

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3. Explaining the Auction Game and Its Rules

The hosts transition into explaining their Movie Auction Game, a recurring feature where each participant bids fake money on films expected to perform well based on specific criteria.

Sean Fennessy [12:28]: "If you think about it from the context of the big picture and the movie obsessives, it seems like, oh, what do the precedent mean?"

The rules are outlined, detailing how participants allocate a set budget to bid on five movies each per episode, with triggers such as box office performance, Oscar nominations, and Metacritic scores determining the success of their bids.

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4. Recap of Previous Auction Year's Performance

Chris Ryan reflects on last year's auction, mentioning successful bids like "Dune Part Two" which exceeded expectations by crossing the $100 million mark.

Chris Ryan [15:02]: "It crossed $100 million at the box office."

Sean Fennessy notes his strategic choices, including "The Wild Robot," which met multiple triggers, showcasing the effectiveness of thoughtful bidding.

Sean Fennessy [27:24]: "The Wild Robot to me is the kind of movie that... could get two Oscar nominations, $100 million at the box office, plus an 85 Metacritic score."

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5. Current Episode's Auctions: Bidding on 2025 Movies

The bulk of the episode is dedicated to the auctioning process for 2025 releases. Participants discuss and bid on various films, balancing their preferences with the set triggers to maximize their success.

• Chris Ryan bids on titles like "Sinners" and "Gladiator 2," sharing his insights and strategies.

  Chris Ryan [15:47]: "Then I had in the second auction the instigators for 130 bucks. It was an Apple movie and did nothing."

• Amanda Dobbin navigates through her selections, including "Blitzed" and "Twisters," reflecting on critical reception and box office performance.

  Amanda Dobbin [16:59]: "It doesn't matter to me."

• Sean Fennessy emphasizes the importance of meeting multiple triggers to ensure winning bids, highlighting his choices like "Mission Impossible: Dead Reckoning" and "Nosferatu."

  Sean Fennessy [27:50]: "The Wild Robot... could have two Oscar nominations, $100 million at the box office, plus an 85 Metacritic score."

The interactive bidding process is filled with banter and strategic decision-making, illustrating the competitive yet collegial nature of the hosts.

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6. Interactions, Banter, and Strategic Discussions

Throughout the episode, the hosts engage in lively discussions about their bidding strategies, the performance of selected films, and the implications of their choices on the auction's outcome. They highlight the challenges of predicting a film's success and the importance of aligning choices with the established triggers.

Sean Fennessy [44:37]: "It does matter to me."

Amanda Dobbin [18:25]: "But like, the critics aren't helping me and the public is slacking on its duty to go see box office sensations like Trap."

The camaraderie among the hosts adds depth to the conversation, making the auction process both entertaining and insightful.

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7. Conclusion and Reflections

As the episode winds down, the hosts recap their auction picks, discuss the potential outcomes based on their bids, and reflect on the evolving movie industry's dynamics. They also touch upon upcoming discussions around the Academy Award nominations, hinting at future episodes' content.

Sean Fennessy [106:07]: "I'm a big fan of his Predator Badlands and the Running man coming out on the same day is incredible."

The episode concludes with light-hearted interactions and teases about future topics, leaving listeners eagerly anticipating the next installment of "The Big Picture."

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Notable Quotes Highlighted:

• Amanda Dobbin [03:02]: "But it's. There are no, like political ramifications. I don't really remember."

• Sean Fennessy [27:50]: "The Wild Robot... could have two Oscar nominations, $100 million at the box office, plus an 85 Metacritic score."

• Chris Ryan [15:47]: "Then I had in the second auction the instigators for 130 bucks. It was an Apple movie and did nothing."

• Amanda Dobbin [16:59]: "It doesn't matter to me."

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Final Thoughts:

"The 2025 Movie Auction" episode of "The Big Picture" offers a fascinating blend of movie industry analysis, strategic game play, and engaging dialogue among the hosts. By intertwining their auction game with real-time discussions on movie distribution trends and box office predictions, Sean Fennessy, Amanda Dobbin, and Chris Ryan provide listeners with both entertainment and insightful perspectives on the evolving landscape of cinema.

Transcript

[Sean Fennessy]

Look, it's not that confusing. I'm Rob Harvilla, host of the podcast 60 Songs that Explain the 90s. Except we did 120 songs and now we're back with the 2000s. I refuse to say aughts. 2000 to 2009. The Strokes, Rihanna, JLo, Kanye. Sure. And now the show is called 60 Songs that Explain the 90s. Colon, the 2000s. Wow, that's too long a title for me to say. Anything else right now, Just trust me. That's 60 songs that explain the 90s. Cole in the 2000s. Preference, preferably on Spotify.

[Chris Ryan]

This episode is brought to you by State Farm. You might say all kinds of stuff when things go wrong, but these are the words you really need to remember. Like a good neighbor, State Farm is there. They've got options to fit your unique insurance needs, meaning you can talk to your agent to choose the coverage you need, have coverage options to protect the things you value most, file a claim right on the State Farm mobile app, and even reach a real person when you need to talk to someone. Like a good name neighbor, State Farm is there.

[Sean Fennessy]

This episode is brought to you by Amazon. Sometimes the most painful part of getting sick is the getting better part. Waiting on hold for an appointment, sitting in crowded waiting rooms, standing in line at the pharmacy. That's painful. Amazon One Medical and Amazon Pharmacy remove those painful parts of getting better with things like 247 virtual visits and prescriptions delivered to your door. Thanks to Amazon Pharmacy and Amazon One Medical Healthcare just got less painful. I'm Sean Fennessy.

[Amanda Dobbin]

I'm Amanda Dobbin and this is the.

[Sean Fennessy]

Big Picture, a conversation show about auctioning. Chris Ryan, cr, the big time auctioneering boy is here with us today. It's January, which means we are auctioning once more on the Big Picture. Hi, Chris.

[Chris Ryan]

Hi. What's going on?

[Sean Fennessy]

Not too much. Before we began recording, you said to us, let's talk about Narnia on imax.

[Chris Ryan]

The only thing I care about.

[Sean Fennessy]

Huge.

[Chris Ryan]

Nothing else in news.

[Sean Fennessy]

We are pivoting away from national politics today on the Big Picture to talk about theatrical distribution. The Netflix Corporation, which famously does not like to put its movies in movie theaters, has acquiesced, reportedly, according to Matt Bellany in Puck and on the Town, to put Greta Gerwig's Narnia adaptation, November 2026, on 1000 iMac screens for at least 22 weeks.

[Chris Ryan]

Up to a month.

[Sean Fennessy]

Up to a month until it premieres on the service, I guess, on Christmas Day.

[Chris Ryan]

Yeah.

[Sean Fennessy]

Does that all sound right?

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

Okay. How do you feel about this?

[Amanda Dobbin]

Like, I mean, you go, greta, I guess that's cool.

[Chris Ryan]

Am I detecting a little Narnia cynicism on your part?

[Amanda Dobbin]

Yeah. Okay. I mean, I read them, you know, there's a lion, there's a witch, there's a wardrobe.

[Chris Ryan]

There's the three of those things.

[Amanda Dobbin]

There's a closet.

[Sean Fennessy]

This is giving. What is her legend?

[Amanda Dobbin]

You go into the closet to get to the other world.

[Chris Ryan]

Yeah.

[Amanda Dobbin]

And it's like all about religion and also.

[Chris Ryan]

It's about religion and. Yeah.

[Amanda Dobbin]

And. But it's. There are no, like political ramifications. I don't really remember.

[Sean Fennessy]

Let me ask you a question.

[Chris Ryan]

Yeah.

[Sean Fennessy]

Do you fear God?

[Chris Ryan]

Yeah, I guess so. Yeah, I guess so. He seems pretty mad at us right now.

[Sean Fennessy]

He does, he does. Things aren't going well. I thought this was an interesting thing that happened in Matt's coverage of this story that has been going on for a while. He has consistently pointed to, I think, the most saber rattling, but smartest thing about this, which is what is the knockdown effect of this? It's pretty cool that a big spectacle directed by one of the great living directors under the age of 50 gets to put a movie in movie theaters for a long period of time. Especially a movie that's spectacle oriented.

[Amanda Dobbin]

You turn 40 and you're immediately just bumped into the under the age of 50 category. What about under the age of 45?

[Sean Fennessy]

That's not really a delineation anyone cares about.

[Chris Ryan]

You made us like worship at your feet because you weren't 40 yet for such a long time. And now we have to throw a parade because you're not 50.

[Sean Fennessy]

I'll tell you what, she's also under 60, so it could be worse.

[Amanda Dobbin]

Just help us out. But I was saying to bobby, you turn 40 and the switch flips and you gotta do resistance training. But are you doing it?

[Chris Ryan]

Resistance training?

[Amanda Dobbin]

How is your mountain training?

[Chris Ryan]

I haven't done that stuff. I. Let's just say I had a self indulgent Christmas and it's bled to dry. January.

[Amanda Dobbin]

Are you still subscribed or are you. Do you pause your.

[Chris Ryan]

I still have a subscription to that. Yeah, talk to me a little bit about the precedent setting stuff. Do you think it really matters? Like, I don't know, will Catherine Bigelow be like, what about my Missile Strike movie?

[Sean Fennessy]

It's possible, but she has less leverage. If I was Rian Johnson, I'd be pretty fucking pissed about this. You know, he only got to put knives out too. And killing theaters for five years. And that movie clearly would have made, like, $200 million at least if it had played in movie theaters, because a ton of people watched it and loved the original. Yeah. So that was just.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

It doesn't matter.

[Amanda Dobbin]

I know.

[Sean Fennessy]

Like, that's not really the point. Like, look at the top 10 highest grossing movies of the year.

[Amanda Dobbin]

Matters to me.

[Sean Fennessy]

Well, it's nice that you have a standard, but this is a business conversation. No one gives a shit what you think about the movie.

[Amanda Dobbin]

Great. I'm so glad that we just all put on our CEO hats this morning.

[Sean Fennessy]

Well, it's relevant to what we do here.

[Chris Ryan]

Yeah. My CEO hat.

[Sean Fennessy]

That's you and Phil Knight, two of the great leaders in this space. I don't know what the. I don't know what the precedent is. I don't know. I don't even know what kind of movies Netflix wants to make. This feels like the last kind of a movie that they would want to make, given this new regime. They have new leadership in the movie studio. What is the point of making $300 million movies if you're Netflix, when the same number of people will watch a $20 million movie? You know, Hot, frosty. How many fucking people watch that movie? It was made for Whatever's in the back of my pocket right now. You know, like, it's just like, you.

[Chris Ryan]

Do hold a lot of cash.

[Sean Fennessy]

I do. I do. That was not an insult.

[Chris Ryan]

Yes.

[Sean Fennessy]

I'm holding roughly 800 grand in my back pocket at the moment, which is why I have back problems, which we learned some years ago.

[Chris Ryan]

I did.

[Sean Fennessy]

Don't put your wallet in your back pocket.

[Chris Ryan]

Yeah.

[Sean Fennessy]

Because it creates an imbalance in your spine.

[Chris Ryan]

Don't do that. If you also plan on being on your computer 14 hours a day.

[Sean Fennessy]

Absolutely. If you are born with this posture, which I came out of the womb holding. Not a good idea to put your wallet in your back pocket. Nevertheless, I just think it's weird that they still make these huge movies.

[Amanda Dobbin]

Well, when did they agree to do this? I mean, it's like this has been.

[Sean Fennessy]

It was being negotiated pre Barbie release.

[Amanda Dobbin]

Right.

[Sean Fennessy]

And then I think it got. My understanding is. Is it got kind of jet streamed after the mega success.

[Chris Ryan]

Yeah.

[Amanda Dobbin]

Right. But I think even that is 18 months ago now.

[Sean Fennessy]

Yeah.

[Amanda Dobbin]

Would you agree, like, does 18, like, now would they agree to, like, a giant Greta growing up?

[Sean Fennessy]

It's a good question.

[Amanda Dobbin]

You know, I think things have changed so much, even in 18 months.

[Chris Ryan]

That's a really good point. Yeah, I really thought about that.

[Amanda Dobbin]

You know, so if you're. But so if you're going to do it, you might as well make money off of it, I guess.

[Sean Fennessy]

Yeah, I guess they don't. I. In the past, they have not valued that dollar in the same way. And that they've created this insistence on everything being under the umbrella. And like the way that they're going now between wwe, the NFL on Christmas.

[Amanda Dobbin]

Right.

[Sean Fennessy]

The Tyson fight, the way that the streamer is programming, it's just big television. It's television and it's must see moments. And so it's not as must see if you're putting a movie in IMAX on a thousand screens externally, I guess.

[Amanda Dobbin]

Well, but if you're programming television, then you're essentially imagining yourself as the cable company capturing the audience. So you add value to the thing that you make in theaters before you have it exclusively at home.

[Sean Fennessy]

Right.

[Amanda Dobbin]

I mean, I agree that that seems like Peacock spend more money to make money. And that has not historically, since the correction, been their. Their M.O. they want to spend less money to make the money that they have because they can.

[Sean Fennessy]

Yeah.

[Amanda Dobbin]

But I don't know.

[Chris Ryan]

Perhaps they know that all the kids on Red Note are talking about how Aslan is snatched, and they just know that that's, like, really viable.

[Sean Fennessy]

Is Aslan one of the characters from Narnia? Okay.

[Chris Ryan]

Yeah.

[Sean Fennessy]

I haven't read the Chronicles of Narnia. I actually was hoping to read it to my daughter.

[Amanda Dobbin]

That's nice.

[Sean Fennessy]

Just like an activity. I bought it for her before she was born.

[Chris Ryan]

So you guys.

[Sean Fennessy]

But I've never read it.

[Chris Ryan]

That joke failed on, like, three levels.

[Sean Fennessy]

Then Aslan, I was like, what Red Note.

[Amanda Dobbin]

What I was gonna ask you about. Are you gonna get into it?

[Chris Ryan]

No.

[Amanda Dobbin]

So this is on. Okay. We're recording in advance, everyone.

[Chris Ryan]

TikTok has been banned by the Supreme Court.

[Amanda Dobbin]

Well, has it? Well, we are. When we're recording, it has been. Yeah.

[Chris Ryan]

But this is up there with Hawk Tua, you know?

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

I mean.

[Amanda Dobbin]

What do you mean?

[Sean Fennessy]

Well, this is only two days in advance of release, as opposed to six months, four months.

[Chris Ryan]

Hawk Tua is on Red Note talking about Narnia.

[Sean Fennessy]

Is that true?

[Chris Ryan]

I don't know.

[Sean Fennessy]

Okay, can you explain something to me? What is Red Note?

[Amanda Dobbin]

Oh, yeah.

[Chris Ryan]

Red Note is like the Chinese, like, like in China, TikTok. And now all the TikTok people are apparently signing up for RedNote and getting like, you know, they're just like, presidential.

[Sean Fennessy]

Everyone wants to suckle at the teat of big China. Interesting. Will you be joining Red Note?

[Amanda Dobbin]

I'm letting go of TikTok. You know, even though I do, I feel like it's going to be saved.

[Sean Fennessy]

Okay, Last minute saved or a kitten ready to be drowned.

[Amanda Dobbin]

Relax, okay?

[Sean Fennessy]

We don't need to save our platforms. It's okay. They can go on.

[Amanda Dobbin]

We don't either. I'm, you know, I'm letting it go. I'm still on Instagram. Mark Zuckerberg is cozying up to the interests once again. So I guess it'll stick around for a while. And I can keep, you know, if.

[Sean Fennessy]

Only there were a film about that.

[Amanda Dobbin]

Knowing how to use reels and that'll be cool.

[Sean Fennessy]

Do you. Have you ever uploaded anything to reels?

[Amanda Dobbin]

No, not on purpose.

[Sean Fennessy]

It's intriguing.

[Amanda Dobbin]

I don't know.

[Sean Fennessy]

The Narnia thing, I think if you think about it from the context of the big picture and the movie obsessives, it seems like, oh, what do the precedent mean? Why didn't they do this for other movies? We can have that conversation. If you think about it from the WWE Tyson fight perspective, it's just an event and it's just a standalone thing. And your point about not spending money, it's like they're not spending money on everything below the top 2%, but the top 2%, they're still spending a ton of money on and seems smart. I don't know. Those guys are smart. They know what they're doing. They have completely destroyed the industry that I have built my entire life around. But they have done an amazing job of. Of making it feel like their service is the most essential entertainment commodity in the universe. And congrats, they won.

[Amanda Dobbin]

Good job to them.

[Sean Fennessy]

Okay. I mean, that's interesting relative to the auction here, because I wonder how many Netflix movies will be auctioned.

[Chris Ryan]

You jumped right into the thing that I wanted to talk to you because you have Segway Kings. One of my favorite elements of this is now your triggers. I love all the little rules so that we can actually judge whether the auction was successful or not. Aside from my very equal distribution of funds.

[Sean Fennessy]

Yeah, I have some issues there as well, which we can talk about. Some. I allocated perhaps too much to certain titles last year.

[Chris Ryan]

I think there should be probably a penalty at a certain point if, like, you paid 350 for something that made $10 million.

[Sean Fennessy]

Okay, that's interesting.

[Chris Ryan]

But we can get to that in the second half of the year. I did notice while going through the list of things that have been announced or at least heavily rumored for this year, how much of it was Netflix and how do we evaluate the box office for something that Is a Netflix film?

[Sean Fennessy]

Should it be a. Does it go to number one on Netflix? I mean, it's kind of a thing.

[Chris Ryan]

Okay, but, like, we've seen what's on, like, on that chart, right?

[Sean Fennessy]

Well, that. That does add an intriguing wrinkle to the kind of movie you might want to auction, I think. You know, a lot of times when we're doing the drafts and the auctions, the feedback is always like, just draft the movie you like the most. And I'm like, we're playing a game. The whole point of this is for it to be a game. The triggers are part of a game. It's not meant to be. Like, we get to say what we actually like in every other episode of the show. So to me, in the gamified respect, trying to choose which Netflix movie will go to number one is a weird game to try to win.

[Chris Ryan]

Yeah.

[Sean Fennessy]

So I don't know. I mean, it's a good point that you're making. I don't know that I have any Netflix movies at the top of my auctioning list, with the exception of the one we mentioned at the end of last week's last episode.

[Amanda Dobbin]

Correct.

[Sean Fennessy]

The Noel Baumbach movie.

[Amanda Dobbin]

Right. I need them to rename that movie because I can't remember the name of it.

[Sean Fennessy]

I'm getting confused with Jay Feely, the field goal kicker. And Jay Kelly is just too close to Jay Feely.

[Chris Ryan]

Would Bomback get a month in IMAX if he had a Jay Feely biography?

[Sean Fennessy]

Not the worst idea in the world for Bombach to do a sports dramedy. If you've never heard of movie auction before, I'll give you a brief outline of the rules, and then we'll talk about how we did last year with our two sets of auctions. So each bidder gets $1,000 of auction fake money to bid on these movies. Each film on our slate must have a 2025 release date or an almost certain expectation of release in this calendar year. Our slates must total five movies for this episode, five movies for the next episode we do in July. Bidders open with each new title in a snake fashion will determine the order shortly. You have 30 seconds to make a new bid before the movie goes to the current bid holder, which we never hold to. Movies that were previously auctioned off last year are once again eligible for future auctions.

[Amanda Dobbin]

We have a clock in six studio now.

[Sean Fennessy]

Oh, we do.

[Amanda Dobbin]

I mean, is it too, like, how can we reset it? Can we have Jack running it? Hi, Jack.

[Chris Ryan]

I would press the on button.

[Amanda Dobbin]

Oh, I'VE I've heard of it. Do you think you can do it? Can you set it up?

[Sean Fennessy]

I'm coming right now.

[Chris Ryan]

Yeah. Yeah.

[Amanda Dobbin]

Come on in. Let's do it. This is podcasting, baby.

[Bob Wagner]

Putting the clock on is going to really reveal to you how lenient I have been over the years with the clock.

[Chris Ryan]

I know.

[Amanda Dobbin]

Can we put the clock in a way that everyone can see it? You know what I mean?

[Sean Fennessy]

Okay. Okay.

[Amanda Dobbin]

This is exciting.

[Sean Fennessy]

Well, let's talk about those category triggers that Chris cited. For anybody who doesn't remember from last year, we did add a bunch to determine a winner and make yourself eligible for a win. Now, I don't know how we determine the winner after we go through the triggers, but the triggers that I set were at least two of your 10 films must gross $100 million domestically. At least one film must receive at least two Oscar nominations. Now, we haven't yet heard the Oscar nominations, but you could safely assume. Pretty good idea on a few of these. At least one of your films must hit an 85 meta score on Metacritic. I did note that only 13 films hit that number in the US in 2023. I don't know how many did it in 2024. We could look that up. And then no more than two sequels. And I want to give us credit for what we did last time because last year was a very sequel heavy year. In fact, a lot of original stuff got pushed out of the slate in 2024, and we did pretty well by that. Everyone abided by the sequel rule. Now, do you want to individually recap what we did? Who wants to go first? Chris, do you want to go first?

[Chris Ryan]

Sure. I did dune part two. I spent $243 on that. It crossed $100 million at the box office. It was a sequel. We live in time for $375 and did zilch.

[Sean Fennessy]

Wait, did. Did you see that movie?

[Chris Ryan]

No. Do you have to see the movie if you watch it?

[Sean Fennessy]

No. I'm just curious because I want to talk to someone about it.

[Chris Ryan]

But that should also be a penalty if you don't. If you actually wind up not seeing it.

[Amanda Dobbin]

Give us the Andrew garfield revival of 2024 into 2025.

[Sean Fennessy]

A remarkable press tour.

[Chris Ryan]

Yes.

[Sean Fennessy]

Concluding in the David Yurman pendant on the Golden Globes.

[Chris Ryan]

Yes, I'm well aware of that part.

[Amanda Dobbin]

Has that been replaying a lot in your. In your home?

[Chris Ryan]

Not. Not on my algorithm. Yeah.

[Amanda Dobbin]

Yeah.

[Chris Ryan]

Gladiator 2. 380 bucks. Crossed $100 million at the box office. It was a Sequel, Speak no Evil for a dollar, did nothing. Horizon and American Solar Saga for a dollar. The number one movie on Netflix for a while.

[Sean Fennessy]

That is true.

[Chris Ryan]

Then I had in the second auction the instigators for 130 bucks. It was an Apple movie and did nothing. A real pain. $200, two Academy Award nominations, and 86 Metacritic scores.

[Sean Fennessy]

Congratulations to you. That was a good pick. I don't remember you taking that.

[Chris Ryan]

Yeah. Blink twice for 50 bucks. Heretic for $300. Could get a Hugh Grant nomination out of that, I guess, but probably not. And the order for 320, which is.

[Amanda Dobbin]

The most Chris Ryan thing, but I.

[Chris Ryan]

Actually love that movie. So.

[Amanda Dobbin]

Yeah, you're speaking your truths.

[Sean Fennessy]

I feel like with a different studio, that movie would have made more money at the box office too. Everybody I talked to who's seen the Order really liked it. Obviously, it's a lot of guys who are like, I'm into movies like the Order, but they did all like the Order.

[Amanda Dobbin]

I'm gonna put. I put it on my list at.

[Sean Fennessy]

Some point to watch at some point.

[Amanda Dobbin]

Yeah, yeah, yeah, yeah, yeah, yeah.

[Chris Ryan]

That could get dangerous if it' bunch of guys being like, I really like the Order.

[Sean Fennessy]

That is dangerous. In fact, I think that's what that film is about. Okay, you want me to go?

[Amanda Dobbin]

I'll go.

[Sean Fennessy]

Okay, Amanda, you go.

[Amanda Dobbin]

Okay. So first I got challengers for $150, which in some ways is the fucking deal of the century. And also met none of the things, including the Metacritic score, which I like, I object. You know, Like, I just. I think that's fucked up and critics need to look inside themselves.

[Chris Ryan]

It could still get two Oscar nominations if it gets screenplay and score right.

[Sean Fennessy]

It could.

[Amanda Dobbin]

That is tr. Okay, so that would be nice. I got Maxine for 75 bucks, which was a sequel and I guess was funny to everyone. And I saw Maxine. So, yeah, you know what? That's where they filmed a lot of Psycho.

[Sean Fennessy]

Where.

[Amanda Dobbin]

How did you navigate giant Bates Motel sign? Anyway, got blitzed for $385, which is. Did nothing and bad on its own. And also I think I could have rebought it for less. So listen, like, when you fuck up, you fuck up. And I fucked up. Twisters for 350 bucks. Sequel and across $100 million box office. Thank you so much. And then I got the bike riders for $40, which is a film I enjoyed, so that worked out for me. Then conclave for 205 bucks.

[Sean Fennessy]

Good. Get.

[Amanda Dobbin]

We'll get nominations. Thanks so much. Trap for $3. Hundred forty five. Listen, everyone else, let me down.

[Sean Fennessy]

The Metacritic score on this movie is not good.

[Amanda Dobbin]

Well, I think that this could have made money, but people just don't have this. Their strength of their convictions were an open mind, and that's their loss.

[Sean Fennessy]

Interesting how you framed that.

[Amanda Dobbin]

Wolf's. Everyone let me down. And everyone let John Watts down, according to him, I guess. Yeah, I got.

[Sean Fennessy]

We should just do a pod where you just go down the box office receipts for every single film release.

[Chris Ryan]

Yeah.

[Amanda Dobbin]

Place where the blame lies.

[Bob Wagner]

Yeah, that's Amanda's YouTube response to the syllabi. You know, she just does that straight into camera.

[Sean Fennessy]

Miklosiansko is the roundup. You let me down.

[Amanda Dobbin]

Hungary let me down queer for $225. I let myself down on this in the. Just because I haven't seen it yet.

[Chris Ryan]

It also could get Oscar nom.

[Amanda Dobbin]

It could get an Oscar nom. And listen, I stand by Luca Guadagnino. I enjoy the work of Justin Kuritsky. I enjoy the work of Daniel Craig. I enjoy Mexico City, though I'm told they didn't actually film there.

[Chris Ryan]

No, it was filmed in Italy in a. Well, I like.

[Amanda Dobbin]

Well, I like China Cheetah, too. And then I got baby girl for $5.

[Sean Fennessy]

Good. That was good. But.

[Amanda Dobbin]

I mean, that was good, but, like, the critics aren't helping me and the public is slacking on its duty to go see box office sensations like Trap.

[Sean Fennessy]

Yes. So sadly, you are missing one $100 million domestic earner, and you're also missing an $85 million.

[Amanda Dobbin]

But, like, I. I don't acknowledge the second one. You know, like, I like. I'm sorry.

[Sean Fennessy]

Sadly, you must.

[Chris Ryan]

You don't acknowledge the second one. What?

[Amanda Dobbin]

I don't acknowledge. Yeah, I just, like, that's actually okay. And I'm creating my own world specifically because. Listen, this is Monday, January 20th. That's allowed now. So.

[Sean Fennessy]

Okay.

[Bob Wagner]

By the way, it's 26 movies in 2024 that hit 85 or higher.

[Sean Fennessy]

26 what?

[Bob Wagner]

So double read that.

[Amanda Dobbin]

Read them and I'll just give you a yes or no of whether they deserve it.

[Sean Fennessy]

Oh, dear God.

[Chris Ryan]

Oh, my God.

[Bob Wagner]

Okay, okay. Daughters. The Wild Robot.

[Amanda Dobbin]

I haven't seen them.

[Bob Wagner]

Close your eyes.

[Amanda Dobbin]

What?

[Bob Wagner]

The Seed of the Sacred Fig. Dahomey. A real pain. I saw the TV glow.

[Amanda Dobbin]

No, wait. Keep going. Challengers. Doesn't get it in. A real pain does. Okay, keep going.

[Chris Ryan]

Why are you so mad at a real.

[Amanda Dobbin]

I'm not. The critics.

[Bob Wagner]

Flo. Good one. Pictures of ghosts, hard truths about dry grasses, the brutalist Green Border Sugar Cane no Other Land La Chimera Anora Totem Soundtrack to Akuta Ryuichi Sakamoto Opus Nickel Boy is here.

[Chris Ryan]

Here.

[Bob Wagner]

Coming in at number four, Sean.

[Sean Fennessy]

No, not that. Here. Boss DeVos is here. Not Robertson. Mekis is here.

[Bob Wagner]

All we imagine is light inside the yellow cocoon shell. And do not expect too much from the end of the world.

[Sean Fennessy]

Okay, now, the thing is, the challenge of this category specifically, or this trigger, I should say, is that very few of those movies got a wide release, which means that they had fewer reviews. And in fact, they're basically mostly art house films, international films and documentaries. So this trigger means you need to.

[Chris Ryan]

Identify a small art house film.

[Sean Fennessy]

No, no, no, no, no. To me, it's about identifying the film that will kind of triangulate a lot of these things. Like, I'll give you an example. I picked a Nora after it won the Palme d'or, having a strong feeling that it would do that. And in fact, it has a 91 Metacritic score. So we did our auction.

[Amanda Dobbin]

I watched Challengers having, like, a core belief system, and most of the world agreed with it.

[Sean Fennessy]

The way that you talk is why the Crusades happened. I just want you to know that, like this. This intractability around your own bodies.

[Chris Ryan]

Edward Norton in Kingdom of Heaven just.

[Sean Fennessy]

Being like, okay, here's my lineup. For the first auction, I got hitman for $275. Film simply did not open in a box office. I selected Mickey 17 for $3. Not released. Now, should there be a penalty for that? Is also a question we've talked about in the past. A Mad Max Saga for $375. That is a sequel. Megalopolis for $345. Nothing there. Nosferatu for $1. Now, that may turn out to be the steal of the draft if it gets to $100 million domestic, which it might. I think it's at 86 million right now, so it's possible it gets to 100.

[Amanda Dobbin]

Okay, so now I can't go see it in theaters because you don't want to give it.

[Sean Fennessy]

Fuck. Well, I already hit all the triggers. It doesn't matter, because I did hit the other triggers. But the second auction is where I.

[Amanda Dobbin]

Hit a. Yeah, but at what cost?

[Sean Fennessy]

Well, this isn't my best lineup. I'm going to share it with you right now. Anora for $410.91.

[Chris Ryan]

So did we do the auction after con last year?

[Sean Fennessy]

We did. Oh, yeah, because cons in May, we do the auction in, like, the first Week of July.

[Chris Ryan]

Oh, I see.

[Sean Fennessy]

So this is. That's something to think about as we go to the next one, too, is sort of like, do we get more aggressive in the second half of the year? In addition to that, Moana 2 I got for $1, which in a way is a good grab because it was. It was a sequel. But across 100 million, quite easily. Emilia Perez for $150.

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

I'd not seen the film at the time. It was acclaimed out of Cannes. It will garner two Oscar nominations, so it helps me really not a movie I love, so that's tough. The Wild Robot, which did cross $100 million domestic and as Bob mentioned, also had an 85 Metacritic score. And then Night Bitch for $321, which is a movie that I have affection for, but did not hit any of the categories.

[Amanda Dobbin]

I've thought about it since I saw it. Yeah.

[Sean Fennessy]

Yeah. I mean, it's too bad we missed out on a chance to really dig into that one. That would have been an interesting discussion for us, especially at this stage of your life. So I did hit the triggers. Chris did hit the triggers. Amanda did not. Where do we go from here?

[Chris Ryan]

What do you mean, where do we go from here?

[Sean Fennessy]

Do we post it on Red Note? Like, what's the move?

[Chris Ryan]

Oh, like, what's the award?

[Sean Fennessy]

Yeah, who wins?

[Chris Ryan]

That's a really great question. Should we sweeten it? Should we throw like a loser buys dinner kind of thing? Not this year, because you didn't know. You may have drafted differently.

[Amanda Dobbin]

It's fine. I can buy you dinner. I'm a Working woman, which is the.

[Sean Fennessy]

Sequel to the Jason Statham film coming in March.

[Chris Ryan]

Working Woman just going around buying guys dinner, saying thank you for your podcast. I've gotten so much joy out of the watch, I just have to take you to get a steak.

[Sean Fennessy]

Oh, I've seen men make that offer.

[Amanda Dobbin]

To you in the past.

[Sean Fennessy]

A lot of guys looking longingly into your eyes. Buying dinner, I think, is a good. Is a good way to go. Now, do we get to choose where we eat?

[Chris Ryan]

Yes, the winners do.

[Amanda Dobbin]

Okay. Yeah, well, that's. Yeah. I mean, I. I think that's only fair.

[Chris Ryan]

Yeah.

[Sean Fennessy]

Where would you like to go? Jumbo's Clown Room.

[Chris Ryan]

Do they serve food there?

[Sean Fennessy]

In a manner of speaking, yeah. I think they do. Actually. I've not been to Jumbo's before.

[Chris Ryan]

Yeah.

[Sean Fennessy]

Have you been?

[Chris Ryan]

No.

[Amanda Dobbin]

Close to your house?

[Chris Ryan]

Yeah, it's nearby.

[Sean Fennessy]

You know what would be a nice gesture?

[Chris Ryan]

Cheetahs is right by my house too, but I think that's closed.

[Sean Fennessy]

Cheetahs, you and I almost walked into a couple times in the past. We never actually did it where it was real. Like, do you think the guy vams delight in there? You know, like just trawling around Hollywood Boulevard. Cheetahs is still open.

[Chris Ryan]

I can't tell.

[Sean Fennessy]

Okay.

[Chris Ryan]

Yeah, it's. The building is still there and the sign is still there.

[Sean Fennessy]

You've been in there.

[Amanda Dobbin]

No, I haven't.

[Sean Fennessy]

Okay.

[Amanda Dobbin]

Parked in front of it many times for Cavell. I went to therapy in a building between Homestead many times.

[Sean Fennessy]

So has many men. Many, many have entered that therapy building.

[Amanda Dobbin]

Those little. One of those, like apartment looking buildings is actually like an office building. And I. My therapist's office was there for a long time. That's cool.

[Sean Fennessy]

You know, doing double duty, day shift, night shift next door.

[Amanda Dobbin]

You know, like the. The way therapy works is that it's like the. That office is the boundary. You know, what happens. And outside.

[Chris Ryan]

Oh. Have you ever seen your therapist at, like, sprouts or anything?

[Amanda Dobbin]

No.

[Sean Fennessy]

I know that there's a discussion often with a therapist, sort of like, if you see me, you may acknowledge me or you may not. This is your choice.

[Amanda Dobbin]

Right, right, right. My New York therapist once asked if we ran into each other at the beach if she would be comfortable. If I would be comfortable with her saying hello and introducing herself to Zach and I. She's awesome. Sylvia, I love you forever. So I said yes, but we had to ask.

[Chris Ryan]

She come up and be like, I know all about you.

[Amanda Dobbin]

We never saw her.

[Chris Ryan]

This one. Am I right?

[Sean Fennessy]

Perhaps in David Lynch's honor, we should have dinner at Bob's Big Boy.

[Chris Ryan]

That's okay. You know what? I thought about going last night.

[Sean Fennessy]

Too much of a scene.

[Chris Ryan]

Yeah, I bet.

[Sean Fennessy]

Too much of a scene. There was like. There was a lot of flowers and things that were there for him. Yeah.

[Chris Ryan]

Yeah.

[Sean Fennessy]

A lot of people left stuff behind us online.

[Amanda Dobbin]

I'm sorry. My instinct is to close it.

[Sean Fennessy]

It's like an intimidation tactic, you know, it's like when a sheriff walks into a saloon and she's doing it. Yeah, exactly.

[Chris Ryan]

It's the water bottle that pushed me over the edge.

[Sean Fennessy]

Okay, so I guess we'll post this online and people will say whether Chris or I won.

[Amanda Dobbin]

Yeah, I mean, there are some basic.

[Sean Fennessy]

I don't know what else we could do. We could let Bob decide who had a better slate. Well, that's subjective.

[Amanda Dobbin]

Are there any, like, who met more of the markers?

[Chris Ryan]

You know, dude, Sean and I equally meet markers.

[Sean Fennessy]

I think I have two films that crossed 85. But that wasn't a parameter to have more necessary.

[Amanda Dobbin]

What's your second 85?

[Sean Fennessy]

The wild robot.

[Amanda Dobbin]

Oh, that's right.

[Sean Fennessy]

The Wild Robot to me is the kind of movie that you're like, not because it's animated. I'm not making a bit out of it. Like, that's kind of what I'm getting at where it's like, that's a movie that could potentially hit. In all likelihood, it's going to get animated feature and it could get score as well. And so it could have two Oscar nominations, $100 million at the box office, plus an 85 Metacritic score. That's very difficult to accomplish. I would wager a guess that is it possible this is the only movie that will do that?

[Chris Ryan]

Okay.

[Sean Fennessy]

You know what I'm saying?

[Chris Ryan]

Right. I'm thinking about this differently now. You've changed my psychology.

[Sean Fennessy]

Okay.

[Chris Ryan]

Yeah, that's great.

[Sean Fennessy]

That was part of the idea with the triggers. These are getting too bland.

[Chris Ryan]

Well, it's also just like, let's not repeat anticipated movies. Let's. Let's try to hit these. All right. Let's try this.

[Sean Fennessy]

Okay. Bobby, do you want to help us set the Snake draft auctioning order?

[Bob Wagner]

Yes, of course. Less consequential here. Who actually comes out on top, but still matters? Amanda, we will have you nominate first.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

Intriguing.

[Bob Wagner]

And nominating second. Oh, we got Amanda again. Stay winning.

[Amanda Dobbin]

It's my year will be.

[Sean Fennessy]

Chris, do you feel like it is your year?

[Amanda Dobbin]

You know, Sean, I really don't.

[Sean Fennessy]

You don't? You don't think so?

[Amanda Dobbin]

I had one day back at work before things really went chaotic again. So listen, it's. I mean, I'm not complaining. I like, I seriously am not. We're incredibly lucky. But like, I mean, so far the evidence would suggest what would have to.

[Sean Fennessy]

Happen for it to be your year.

[Chris Ryan]

She'D have to be red pilled.

[Sean Fennessy]

Yeah. You're really into the ninja creamy Reddit at that point.

[Amanda Dobbin]

Yeah, I mean, I just like, what. What am I supposed to make it besides ice cream? You know, like, I, I looked, but.

[Chris Ryan]

I think it's like what you're putting into the ice cream. It's like, how much protein powder can you put in there?

[Amanda Dobbin]

You really want one? Why?

[Bob Wagner]

I'm. I like ice cream. I like the experience of eating ice cream. But I'm really sensitive to too sweet, like too much sweets. I just have kind of like a weak stomach for that.

[Amanda Dobbin]

Not from a macro boys perspective.

[Bob Wagner]

Well, it is from a macro boys perspective because then I could kind of control better for what actually goes into it, you know?

[Amanda Dobbin]

Okay. Yeah. But when I read it, it's just like they're putting in 45 different powders. Yeah. And.

[Bob Wagner]

Yeah. And as we heard.

[Amanda Dobbin]

And at some point I'm like, is maybe the sugar is just better for me than this concoction of whatever.

[Chris Ryan]

Of whey?

[Bob Wagner]

I think it depends on what you're putting into it. I think a lot of people are going like, Greek yogurt as well.

[Amanda Dobbin]

You know? It's true. And some people are, like, using it for fruit and. And you can make sorbets and stuff. Sorbets are not for Amanda.

[Bob Wagner]

But anyway, all the macro boys are like, I eat 72 ounces of egg whites every day. And I'm like, I don't think.

[Chris Ryan]

Because you're supposed to have a gram of protein for every pound of your body weight.

[Bob Wagner]

Correct.

[Amanda Dobbin]

If you're.

[Bob Wagner]

And I do that, like.

[Sean Fennessy]

Yes.

[Amanda Dobbin]

If you're like, if you're trying to get gains.

[Chris Ryan]

If you just do. If you're just being a woman.

[Amanda Dobbin]

Yeah. Thank you. I mean, but it's more. I'll tell you, there's another supposed to get.

[Chris Ryan]

Is it two thirds of your body weight?

[Bob Wagner]

Yeah. I think it depends on what your fitness goals are, but that's usually a.

[Amanda Dobbin]

Good benchmark, which is a lot.

[Chris Ryan]

I know, I know. That's why I'm half chicken right now.

[Amanda Dobbin]

Yeah. I mean, I had to throw out a lot of Greek yogurt last week.

[Chris Ryan]

So you're up first.

[Amanda Dobbin]

Oh, that's right. You know what? I think I'm going to keep it pure and simple and build a sense of community here at the table until we take it all away. And I'm just going to do Mission impossible. Dead reckoning. 100 bucks.

[Sean Fennessy]

I think that's the right.

[Amanda Dobbin]

Can we start the clock or should.

[Chris Ryan]

We just, like, look at it and get a sense of it? I have. I have a. I have a timer here. I could just get my phone and we'll do it.

[Sean Fennessy]

You're promoting both Nike and Apple today. It's amazing how you've been really. Two of the biggest corporations in America somehow working in unison on your person.

[Chris Ryan]

Thanks for pointing it out. I didn't know now, so when I came to Alice's second birthday, I believe.

[Amanda Dobbin]

It was, well, the slack is running 100 bucks.

[Sean Fennessy]

He was about to tell a touching story of being involved in my life.

[Amanda Dobbin]

According to the clock. So do I get it?

[Sean Fennessy]

No, you don't.

[Chris Ryan]

Hold on.

[Amanda Dobbin]

Okay, well, I'm saying, you guys, that.

[Chris Ryan]

This is not how it's been working 120.

[Amanda Dobbin]

Okay. So Alice's second birthday, 125.

[Chris Ryan]

And I wore Nikes with Adidas socks. And Mallory made fun of me mercilessly for like 20 minutes. And I actually did broadcast to her that it wasn't really that fun for me to hear from her.

[Sean Fennessy]

You said it was hurtful.

[Chris Ryan]

Yeah, I was just like, it's like 100 degrees. We're at a child's birthday party. I grabbed a pair of socks and a different pair of sneakers like, nobody cares. And she's like, that is a huge foul. What? You broke a cardinal rule of streetwear.

[Sean Fennessy]

The auction is 125 right now, by the way.

[Chris Ryan]

Okay. And I was like. I got very self conscious about it, but then as I walked out the door today, I was like, man, I am a little Niked up. Yeah.

[Sean Fennessy]

I mean, is there something wrong with it?

[Chris Ryan]

No, no, no.

[Sean Fennessy]

Are you a slave to capitalism? You are.

[Chris Ryan]

Well, I got this hat because Tommy Fleetwood were wore it. I thought it would.

[Sean Fennessy]

The golfer Tommy Fleetwood.

[Amanda Dobbin]

Oh, okay.

[Chris Ryan]

Who's it? We're at 125 to you.

[Amanda Dobbin]

No, at 130 for me. 150 Nikes don't fit my feet.

[Sean Fennessy]

Sounds like a you problem.

[Amanda Dobbin]

I mean, it is a me problem, but I'm just putting it out there for people who might feel excluded by this, you know, like a big Nike. This kind of circles back to our trying to purchase.

[Sean Fennessy]

How do you know if you have beautiful feet?

[Amanda Dobbin]

Yeah, but I mean this. I at least know that it's like a toe bat. What did you say? 155?

[Sean Fennessy]

I'll say 200.

[Amanda Dobbin]

Oh, okay. 205. It's like. Yeah, it's about the width or the narrowness of the. And the toe bat. And I think there's also like a slant issue. I mean, I don't know, it's just not working for me.

[Chris Ryan]

I'm sorry.

[Sean Fennessy]

It's too bad.

[Amanda Dobbin]

I like Asics and I like. I recently have gotten into New Balances with the rest of my family.

[Sean Fennessy]

Can I tell you a story?

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

Just yesterday acquired my first pair of Reeboks in my entire life.

[Amanda Dobbin]

Oh, I like that.

[Sean Fennessy]

Just the classic all white tennis shoe.

[Amanda Dobbin]

Yeah, those are cool.

[Chris Ryan]

The Club Club 80.

[Sean Fennessy]

Yes, exactly.

[Chris Ryan]

Whatever they're called.

[Amanda Dobbin]

I've been thinking about a. What's basically like Euro Reeboks, which are called Autrys. You guys know about those?

[Sean Fennessy]

215.

[Chris Ryan]

Yeah, I don't. Okay. No, I'm. I'm very interested.

[Amanda Dobbin]

Yeah. Okay. They're like big In France. Oh. But they're, like, quoting. You know, it's like France's idea of America.

[Chris Ryan]

Oh, yeah, sure.

[Amanda Dobbin]

Although I think they are American. I. I don't really know. I just. This is what I do for fun.

[Sean Fennessy]

Sort of The Amelia Perez.

[Chris Ryan]

215, 250.

[Amanda Dobbin]

Oh, okay.

[Sean Fennessy]

250.

[Chris Ryan]

Yeah.

[Sean Fennessy]

Where are you at on Mission Impossible? Dead Reckoning. I was like, the final one.

[Chris Ryan]

I'm very excited for it, as I am for any mission Impossible film. McQuarrie coming out and saying they screened a bit of it, and the guy at the theater that they screened it at almost had a heart attack because of one of the stunts. Got me a little bit more hype.

[Sean Fennessy]

Okay. Just a little.

[Chris Ryan]

I'm worried that too much of it will be like saying goodbye to Ethan and all he's given us. And it's just not really why I go to those movies.

[Amanda Dobbin]

Did you say 255 yet?

[Sean Fennessy]

No.

[Amanda Dobbin]

255.

[Sean Fennessy]

Do you think that they should replace Ethan with Barack Obama in the next film? Seems like he wants to get kind of more in that world.

[Amanda Dobbin]

Yeah. And he might have some time.

[Sean Fennessy]

A lot of rumors about what's. What's going to happen.

[Amanda Dobbin]

You didn't realize.

[Sean Fennessy]

I didn't know that's who you were talking about.

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

Because of the potential drama going on there.

[Chris Ryan]

Why are you not saying Michelle Obama?

[Amanda Dobbin]

Well, I. It's like I. You know, I don't know when we're allowed to, because I'm not reporting, you know, I know things.

[Sean Fennessy]

You're reporting on the marriage of the former president of the United States, on the big picture.

[Amanda Dobbin]

Well, at some point, there's just. There are legal issues, you know, like.

[Chris Ryan]

You think that Michelle Obama, after everything that she's gone through over the last.

[Sean Fennessy]

12 years, would sue you to 75.

[Chris Ryan]

Okay.

[Amanda Dobbin]

I hope not.

[Chris Ryan]

Yeah, I hope not.

[Amanda Dobbin]

You know, and I'm also trying to respect their privacy. I'm just saying, if they're trying to.

[Sean Fennessy]

Respect their privacy, give me a fucking break.

[Amanda Dobbin]

Well, all I would say. And again, this is like we're podcasting in the future. 280. By the way, if I had an announcement of that caliber to make, I counterintuitively might make it right before the inauguration in order to divert attention from someone.

[Sean Fennessy]

Yeah.

[Chris Ryan]

Okay.

[Sean Fennessy]

Just personally, little do you know, it will appear as a stinger at the end of the final reckoning, is the announcement of the dissolution of their marriage after many years and two beautiful children. Yeah. We're in a great place right now. So we're at 2,80.

[Amanda Dobbin]

80.

[Sean Fennessy]

Where are you at?

[Chris Ryan]

I'll go 3 just to see where you guys are at with this.

[Sean Fennessy]

This is an interesting one. Right? This one's going to cross 100 million? Almost certainly.

[Chris Ryan]

Yeah.

[Sean Fennessy]

It could get a couple below the line nominations. You could see visual effects sound, stuff like that for Mission Impossible movies. It has happened before, so it's got some value in a couple different categories. Plus we love these movies. This is one of the big events of the movie year for the three of us. So I'll say 315.

[Chris Ryan]

Okay.

[Amanda Dobbin]

Say 330.

[Chris Ryan]

I would not describe this as a. A sequel rich landscape this year.

[Sean Fennessy]

Mm hmm.

[Chris Ryan]

So that's worth keeping in mind.

[Sean Fennessy]

You don't need a sequel.

[Chris Ryan]

I know. I'm just saying if you were gonna.

[Sean Fennessy]

Get one, there's a ceiling, there's a cat. Yeah. What are we at? 330.

[Amanda Dobbin]

Mm.

[Sean Fennessy]

Did you say that?

[Amanda Dobbin]

I did.

[Sean Fennessy]

I'll say 340.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

I'm interested in this film. I'd like to see it.

[Amanda Dobbin]

Yeah, me too.

[Chris Ryan]

Has the, has the box office been lightly declining on these films?

[Amanda Dobbin]

Yes.

[Chris Ryan]

Fallout.

[Sean Fennessy]

Bit of a parabola.

[Chris Ryan]

Charts.

[Sean Fennessy]

Because the last one was down relative to the previous film, which was. Which was I think a bit up.

[Amanda Dobbin]

But it was also the last one was like a week or two before Barbenheimer.

[Chris Ryan]

Oh, that's right. And so got kicked off imax.

[Amanda Dobbin]

Right, it got kicked off imax. And also I think the promo tour really got subsumed by the Barbenheimer marketing, which was just going full all summer long.

[Sean Fennessy]

Mission Impossible Fallout in America was. Was the highest grossing Mission Impossible film.

[Chris Ryan]

Okay, so good.

[Sean Fennessy]

The Dead Reckoning was the sixth highest.

[Chris Ryan]

So they initially presented this as. What number are we at?

[Amanda Dobbin]

330?

[Chris Ryan]

343. 40, 40.

[Sean Fennessy]

Yeah, I said 340.

[Amanda Dobbin]

345.

[Sean Fennessy]

350. 355.

[Chris Ryan]

I just want to say that they presented this as Dead Reckoning Part one. And now it's just the final Reckoning, Right, Correct.

[Sean Fennessy]

Okay, but that's because the same reason that one of the other signature sequels of 2025 will be Wicked Colon for good, not Wicked Part 2. This is something in the culture.

[Amanda Dobbin]

Wait, didn't we watch Dead Reckoning?

[Chris Ryan]

Yeah, already Part one. And so it was called Part one, then they just called it Dead Reckoning and now it's the Final reckoning.

[Amanda Dobbin]

Correct. Oh, okay.

[Sean Fennessy]

They took the part one off the title retroactively.

[Chris Ryan]

I'm out.

[Amanda Dobbin]

Right, Right. What is it? What did you do?

[Sean Fennessy]

3. I say 350.

[Bob Wagner]

355.

[Amanda Dobbin]

You have 360, 365, 370.

[Sean Fennessy]

This is not a parlor game. I. I want this movie. I'm just saying sometimes we play a game, you know, like, you do this, you know, 3, 375, 383.

[Amanda Dobbin]

I mean, we just.

[Sean Fennessy]

Should we just like, settle on a number?

[Amanda Dobbin]

Yeah, you can have it really, at 390. Yeah. Because you know what?

[Sean Fennessy]

That's really nice.

[Amanda Dobbin]

You believe in the whole weird AI plot line more than I do. And you believe in underwater stunts more than I do. And you believe in. What's it called?

[Sean Fennessy]

The cruciform key.

[Amanda Dobbin]

There we go. Yeah, there you go.

[Sean Fennessy]

Two keys interlock to create one key.

[Amanda Dobbin]

Yeah.

[Chris Ryan]

Are they adding anyone to the mixture?

[Amanda Dobbin]

How all submarines are run and also.

[Chris Ryan]

All AI, you know, cruciform keys.

[Amanda Dobbin]

Gemini is run by two keys, and I have one of them.

[Sean Fennessy]

I don't really know if there's any. Someone named Mariella Gariga has been added to the cast. She plays Marie. Oh. Hannah Waddingham and Ted Lasso. She's kind of a fit.

[Chris Ryan]

That's cool.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

She's kind of a fit for this.

[Chris Ryan]

Is it my turn to nominate?

[Amanda Dobbin]

Yeah, you go second.

[Sean Fennessy]

Yes. You're up.

[Chris Ryan]

Chris Sinners.

[Sean Fennessy]

Interesting.

[Chris Ryan]

Michael B. Jordan playing twin vampires.

[Sean Fennessy]

Are they vampires or vampire hunters?

[Chris Ryan]

I don't know. I don't care. It's going to be incredible. Ryan Coogler is back with an original film about vamps in the South.

[Sean Fennessy]

Yep.

[Chris Ryan]

And I'm going to.

[Sean Fennessy]

Well, I have a question for you. Are you sure that this is not a Dracula story? Because you famously said on our Nosferatu episode in On Vampires out on Dracula.

[Chris Ryan]

That you're going to see my passion for this project. And that's. That's because I stand by what I said on the Nosferatu podcast.

[Sean Fennessy]

Okay. Which is. But what if the. What if at the end of the movie, they're like, the reason we got vampires in this town is because of.

[Chris Ryan]

If it's at the movie. That's great. If the movie is about a Dracula looking for real estate in Europe, then I'm going to be fucking pissed. He has twin real estate agents.

[Sean Fennessy]

Okay?

[Chris Ryan]

Now I have freaking A rule. I don't like it when an actor plays twins. I don't like it.

[Sean Fennessy]

Why is that?

[Chris Ryan]

I just think it's stupid. I think there's plenty, like, have brothers, have non identical twins. The idea of an actor, and it's always like, over the shoulder, body double. And then it's like, oh, hey. And then there will be, like, one cool like, we're hugging, but it's like, how much CGI did you have to do? Just make it a different guy.

[Amanda Dobbin]

Have you seen Nancy Myers, the Parent Trap yet?

[Chris Ryan]

No.

[Amanda Dobbin]

Starring Lindsay Lohan.

[Chris Ryan]

I know who's in there. Yeah. And aren't they making it again?

[Amanda Dobbin]

I just. I thought that it's a sequel.

[Chris Ryan]

Freaky Friday. Are they making again? What? Are they making again?

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

Freakier Friday.

[Amanda Dobbin]

Freakier Friday.

[Sean Fennessy]

That is a 2025 release.

[Chris Ryan]

Well, Jamie Lee Curtis win her third consecutive Oscar for that film. A run unlike we've ever seen.

[Sean Fennessy]

Shades of Katharine Hepburn.

[Chris Ryan]

If JLC wins three straight Oscars, will you stop doing awards? Watch on the big picture.

[Sean Fennessy]

I will cancel the show.

[Amanda Dobbin]

Three straight. Right. Who won?

[Chris Ryan]

It would be everything everywhere.

[Amanda Dobbin]

And then last year, somebody else won.

[Sean Fennessy]

I was Emily Blunt for her performance in Oppenheimer.

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

I forget who owns the Brutalist.

[Amanda Dobbin]

That's not the same character at all. Right. Because it complicates it. Right.

[Sean Fennessy]

You haven't seen the movie.

[Amanda Dobbin]

I know.

[Sean Fennessy]

You'll have to see my fault.

[Chris Ryan]

So for Sinners, I'm going to open the bidding at $180.

[Amanda Dobbin]

Oh, wow. Okay.

[Sean Fennessy]

190. I'm very interested in this movie.

[Chris Ryan]

I'm very interested in it, too.

[Amanda Dobbin]

That's cool.

[Sean Fennessy]

I think it's gonna be like a real program.

[Amanda Dobbin]

But I'm not gonna get in the mix with you.

[Sean Fennessy]

Like, one thing I like about what I've seen so far is it's. It's. It's just a genre movie.

[Chris Ryan]

Yeah.

[Sean Fennessy]

It's not like this is a movie about America and the tale we tell each other. No. This is a movie about stabbing vampires in the eye.

[Chris Ryan]

Yeah.

[Sean Fennessy]

Like, that's what I want this movie to be. I want it to be Michael G. Michael B. Jordan, Wrecking Shop.

[Chris Ryan]

Yeah.

[Sean Fennessy]

On some vampires.

[Chris Ryan]

And that's why I'm bidding 210.

[Sean Fennessy]

220. You're out on this.

[Amanda Dobbin]

I'm not out on it, but I don't know if I'm gonna, like, get in the mix with you guys. I'm excited. I mean, one thing I'll say just. Just to. For the. In the interest of discussion, while you guys are bidding. So Michael B. Jordan playing two different characters. You know, I. Some performances are incredible, and. And some performances sometimes feel a little miscast. So if there are two, is he going to be cast correctly for both of them? I'm just putting.

[Chris Ryan]

But where Michael B. Jordan falls.

[Amanda Dobbin]

Yeah.

[Chris Ryan]

Haley Steinfeld will carry him.

[Amanda Dobbin]

Okay. There we go.

[Chris Ryan]

What a run for her.

[Sean Fennessy]

You know, I. I think this the press tour for this rolling right after her marriage. Super bowl victory. Yes. Will be very, very interesting to me. I think I'm picking the Bills to win the super bowl, by the way.

[Chris Ryan]

Oh, this is being recorded before Bill's Ravens.

[Sean Fennessy]

Before Bill's Ravens.

[Chris Ryan]

Oh, Bills nation thanks you for jinxing them.

[Sean Fennessy]

Something going on with.

[Amanda Dobbin]

Are they getting married?

[Sean Fennessy]

They're engaged. Yeah.

[Amanda Dobbin]

Oh, congratulations.

[Chris Ryan]

Yeah. 220.

[Amanda Dobbin]

Is that.

[Sean Fennessy]

We're at 220. Yeah.

[Chris Ryan]

I'll do two.

[Amanda Dobbin]

I'm just gonna go for this.

[Sean Fennessy]

240.

[Amanda Dobbin]

Haley Steinfeld, Josh Allen, engaged now.

[Chris Ryan]

Interesting conversation is, do we think this is going to make a hundred million dollars?

[Amanda Dobbin]

They got engaged in November.

[Chris Ryan]

A big genre movie like this, I can't imagine it crossing the Metacritic. No.

[Amanda Dobbin]

Now I'm seeing the engagement photo. No. So there's like a whole for oneself over here. What?

[Chris Ryan]

He proposed to her and like.

[Amanda Dobbin]

Yeah, with like 4,000 candles. Like a seaside vista and like a rose arch.

[Chris Ryan]

Wish I did that.

[Sean Fennessy]

Me too. It looks nice.

[Chris Ryan]

Yeah.

[Amanda Dobbin]

Okay.

[Chris Ryan]

Wish someone loved me like that.

[Sean Fennessy]

Seriously, they seem like nice people. I don't really have any notes on that.

[Amanda Dobbin]

This is like. It's just like a little, I don't know, like photo, you know, professional photos. Like, I get nervous.

[Sean Fennessy]

I know. No one's ever done a professional photo op for their engagement. This is incredible.

[Amanda Dobbin]

What?

[Sean Fennessy]

This is so common now. This is.

[Amanda Dobbin]

Everybody does this now, but I'm like, this is just very. This would make me.

[Chris Ryan]

I said 250.

[Sean Fennessy]

Yep.

[Amanda Dobbin]

This would make me anxious.

[Sean Fennessy]

260.

[Chris Ryan]

270.

[Sean Fennessy]

I don't think it's gonna cross 100 million. I think it's just gonna be a sick movie.

[Chris Ryan]

Yeah.

[Sean Fennessy]

It's gonna do okay.

[Chris Ryan]

But we don't. We, you know, for better or for worse, we are not high fiving each other because it's a sick movie. Right. You've kind of. Maybe your triggers have kind of put us in a place.

[Sean Fennessy]

For better or worse, I've destroyed my closest friendships by making everything a game.

[Chris Ryan]

It is what it is.

[Sean Fennessy]

Should we share? There are a series of linguistic phrases that men and only men use. And these phrases indicate an insecure and weak soul. And if you hear me using them or you hear Chris using them, stack us in the.

[Amanda Dobbin]

Slap us in the face coming from.

[Sean Fennessy]

It's a. It's a theory. I've been working on one of those phrases.

[Amanda Dobbin]

It's like, it. This isn't like the photo things with like the lines like, this isn't an Internet thing. This is.

[Sean Fennessy]

No, it's something I came up with. Yeah, Well, I just was listening to someone talk on a podcast today, and this person. It was not you. This person kept leaning on these crutches. I have crutches, too. We all have crutches. One of the crutches is, be that as it may. My take is no woman has ever said those words in that order before. That's something men say when they don't know what they want to say next.

[Amanda Dobbin]

But they want to say it as a segue. Usually when you're trying to not talk about what I'm talking about anymore.

[Sean Fennessy]

Be that as it may, that's not really in my quiver, I don't think.

[Amanda Dobbin]

Okay.

[Chris Ryan]

Oh, so you're saying you've looked into the abyss.

[Amanda Dobbin]

I was saying that in a hospital.

[Chris Ryan]

And you're stopping yourself talking about the theory.

[Sean Fennessy]

It came up in part because Bob, on a pre recording, we were saying, I. I'm. Chris can have sinners, by the way, just so we can continue this conversation. Be that as a may, I heard someone say earlier today, Bob said, it is what it is on the call. Now, obviously, that phrase lives on forever because of the Irishman, but that is a phrase that doesn't mean anything at.

[Chris Ryan]

The end of the day.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

With that being said is a phrase that if you say with that being said, comma, and then something. I don't trust you. You're not to be trusted.

[Amanda Dobbin]

Okay. But so, like, I just. You guys are like. Was this at the club meeting that I was literally.

[Sean Fennessy]

No, you were getting tea.

[Amanda Dobbin]

So this happens when, like, I can't find the hot water in the building.

[Sean Fennessy]

There's vigorous exchange of ideas between two men who love language. That is what is happening, okay. That words are our currency and that every day we pay the piper by using words.

[Chris Ryan]

The lion, the witch, and the wardrobe to each other.

[Amanda Dobbin]

You are really passionate about this.

[Sean Fennessy]

Be that as it may, Amanda.

[Chris Ryan]

Yeah.

[Amanda Dobbin]

And I just. I didn't know when this happened, you know? Like, I. Okay.

[Sean Fennessy]

It's fresh in my mind. There's a series.

[Amanda Dobbin]

I support you guys on all of these things.

[Sean Fennessy]

There's a series of phrases that we can add to the list over time.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

As they come across. I have a lot of crutches.

[Amanda Dobbin]

Sure.

[Sean Fennessy]

Well, here's a crutch of mine. Your mileage may vary. I say that all the time.

[Chris Ryan]

Yeah.

[Sean Fennessy]

That one is helpful for me because it lets me say, like, hey, I like this movie. You might not. You're a fucking idiot. But your mileage may vary. It allows me to kind of flow in the conversation, be that as it may, is nothing.

[Chris Ryan]

Yeah.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

That doesn't mean anything.

[Amanda Dobbin]

Yes.

[Sean Fennessy]

You agree?

[Amanda Dobbin]

Absolutely.

[Sean Fennessy]

Thank you for coming on the journey with me.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

I love words.

[Chris Ryan]

It's your turn to nominate a film I think I got Sinners for That.

[Amanda Dobbin]

Was really, really intense. And I, like. I don't know why.

[Sean Fennessy]

I'm glad. I'm glad you felt intense.

[Amanda Dobbin]

It's like I was just focused on, like, the flower arch, and you were just starting yelling.

[Sean Fennessy]

That language he used. Be that I said mate to no, my fire.

[Bob Wagner]

I just want to say, in my defense, it is. What it is is different. That actually means something. Like that actually means, you know, you have to accept the reality of your situation.

[Amanda Dobbin]

But that's exactly.

[Sean Fennessy]

Would Be that. Be that. You know that all those phrases are. They're, they're. They're just. They're like cotton candy. Like, they don't have any depth. They don't mean anything. They just are like, you could just say, accept it. This is the way that it is. It is what it is. You know, these. I don't know. What are they? Neologisms? Is that what they're called? Like, they're.

[Chris Ryan]

You know, I think also we watch too many.

[Sean Fennessy]

No, that's. Well, it is what it is.

[Chris Ryan]

Is it too many sports press conferences? Oh, I feel like our exposure to sports press conferences has gone up about 200.

[Amanda Dobbin]

I mean, I think that you could just start with. Stop with we watch too many sports press conferences. Which is.

[Chris Ryan]

I just. I do.

[Amanda Dobbin]

That's true.

[Chris Ryan]

I watch Nick Sirianni talk. I need injury updates.

[Amanda Dobbin]

Oh, my God.

[Bob Wagner]

Be that as it may, you got to know who's playing for the Eagles, right?

[Chris Ryan]

Yeah.

[Sean Fennessy]

What's the best time of day to get a deal? All day with Jack in the box's all day. Big deal.

[Chris Ryan]

Meal.

[Sean Fennessy]

You get to choose from four entrees, like the supreme croissant and five tasty sides, plus a drink starting at $5. So hurry in or take your time. You've got all day at Jack. Every bite's a big deal. My next proposal, I'll throw out highest to lowest.

[Chris Ryan]

Is this a sequel?

[Sean Fennessy]

It's not a sequel.

[Chris Ryan]

Even though it's got highest to lowest.

[Sean Fennessy]

Nope. It's the numeral 2 in the spike Lee sense of naming films, this is Spike's new movie, a remake, reportedly of the Kurosawa movie High and Low. High and Low stars Denzel Washington and Ice Spice. And Ice Spice, that's correct.

[Chris Ryan]

And Jeffrey Wright.

[Sean Fennessy]

And Jeffrey Wright.

[Chris Ryan]

And A$AP Rocky.

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

And A$AP Rocky. I'm wondering, is A$AP Rocky the kidnapper?

[Chris Ryan]

I don't know. Ice Spice could be a kidnapper.

[Sean Fennessy]

Maybe together. Or is Ice Spice the kidnape?

[Chris Ryan]

You know, in the story, an industrialist.

[Sean Fennessy]

His child is kidnapped, but accidentally his chauffeur's child is kidnapped.

[Chris Ryan]

And then it's like I have to decide whether or not my chauffeur's child's life is worth what they want. Right. It's a great movie. It's one of the best movies ever made. I'm very excited for Spike Lee to be back in the director's chair working with Denzel Lashley.

[Sean Fennessy]

So here's the thing about this movie. An apple and a 24co production.

[Amanda Dobbin]

Right?

[Chris Ryan]

What does that mean?

[Sean Fennessy]

Will this movie come out in movie theaters? I'm just. I'll put it on the table for 75 bucks.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

Denzel and a Spike movie is an event. It's only happened a few times. Everything's happened inside. Man. He got game. Mo better Mo better Blues.

[Amanda Dobbin]

Malcolm X.

[Sean Fennessy]

So this is a big deal.

[Chris Ryan]

Any word on this one? Any vibes?

[Sean Fennessy]

None that I can report.

[Chris Ryan]

Okay.

[Sean Fennessy]

I would love to love it and I would love for there to be a year of Spike. I think that would be overdue. Never won best Director. This is a thriller, so it's not likely necessarily. But the original film has big themes.

[Chris Ryan]

So you're doing 75.

[Sean Fennessy]

So I'll do $75.

[Chris Ryan]

I'll do 90.

[Amanda Dobbin]

I'll do 100.

[Sean Fennessy]

Okay. I'll do 115. Now, could it be an Oscar movie? Could it be. Probably not a Metacritic movie. Spiked pretty divisive historically, especially in the last 15 years. Hasn't had a ton of movies that probably crossed that threshold. Hasn't made a movie since the Vietnam Netflix film, right?

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

Da 5 bloods.

[Chris Ryan]

Any docs since then?

[Sean Fennessy]

I don't think so.

[Chris Ryan]

Wow. I don't think he's made a Klansman's after Defy Bloods.

[Sean Fennessy]

It is before. Yeah. BlacKkKlansman's 2018. I think the five bloods was 2020.

[Chris Ryan]

Okay.

[Sean Fennessy]

And I don't think he's made a film since then. So. Am I forgetting something? I'm not right?

[Amanda Dobbin]

No, I just. I'm looking it up.

[Sean Fennessy]

So I have it at 115. I don't know if it's going to be hit any triggers?

[Chris Ryan]

125.

[Sean Fennessy]

Okay. I'll go 130.

[Amanda Dobbin]

I'll go 140.

[Sean Fennessy]

150.

[Chris Ryan]

165.

[Sean Fennessy]

I think it's nice on the first movie for each person to throw out something that we all want to see.

[Chris Ryan]

Yeah, I agree with you.

[Sean Fennessy]

You know, and then we can get a little more arcane with our choices.

[Amanda Dobbin]

170.

[Sean Fennessy]

I go 175. I hope this is good.

[Chris Ryan]

190.

[Sean Fennessy]

Do you have a, like, like a lesser loved Spike Lee movie that is of interest to you?

[Chris Ryan]

I mean, I, I weirdly kind of liked Girl six.

[Sean Fennessy]

Well, that's the one that is the most lost.

[Chris Ryan]

Yeah.

[Sean Fennessy]

Not on Blu Ray, I don't think. It doesn't stream anywhere. No one's. He never talks about it. I haven't seen it in forever. That's an interesting one though. I watched get on the Bus recently. Great movie. Really interesting movie that felt very urgent politically in a way that we don't really have anything.

[Chris Ryan]

What's the World War II one called?

[Amanda Dobbin]

Battle of.

[Sean Fennessy]

Santa Ana. Yeah. Yeah.

[Amanda Dobbin]

Miracle at Santa Miracle.

[Chris Ryan]

Yeah, it's been a while. I think I only saw that when it first came out.

[Sean Fennessy]

175.

[Bob Wagner]

Chris has 190.

[Chris Ryan]

I have 190.

[Sean Fennessy]

I'll go 200. That's my cap. If you want to go past it, it's yours.

[Chris Ryan]

I'll go 205.

[Amanda Dobbin]

Okay, great.

[Chris Ryan]

I could have had 201, I guess, but I don't need four bucks. We all know how I do.

[Sean Fennessy]

You big tipper.

[Amanda Dobbin]

Oh my gosh.

[Chris Ryan]

I don't want to talk about that.

[Sean Fennessy]

Because you don't believe in it like Mr. Pink?

[Chris Ryan]

Well, no, but I would. I just. Yeah, I believe in tipping significantly.

[Sean Fennessy]

Yeah.

[Chris Ryan]

I think that there are some places where we've instituted iPad tipping that aren't necessary.

[Sean Fennessy]

Aha.

[Chris Ryan]

But I still tip.

[Sean Fennessy]

I always. I do. I try to do.

[Amanda Dobbin]

I try to do as well. Yeah.

[Sean Fennessy]

But I do agree.

[Chris Ryan]

I also never really carry cash. So I understand the necessity of the. The added thing.

[Amanda Dobbin]

Right. Yeah.

[Sean Fennessy]

Interesting. You want to speak on tipping?

[Amanda Dobbin]

I try to tip well whenever possible.

[Chris Ryan]

Yeah, I try to tip well whenever possible.

[Sean Fennessy]

Possible.

[Amanda Dobbin]

When would it be not possible? That's just.

[Sean Fennessy]

Well, that's a fact.

[Amanda Dobbin]

Yeah.

[Chris Ryan]

When I'm at Cheetahs.

[Sean Fennessy]

Do I do I do. I recommend suggest another movie we do in Snake. Right?

[Bob Wagner]

Yeah, we could. I mean, we don't have to. You could just go back and order it because it doesn't really matter as much in terms of power play, but okay.

[Sean Fennessy]

I'm putting 28 years later on the board. 100 bucks. 200 bucks, man, it doesn't care.

[Chris Ryan]

200 bucks.

[Amanda Dobbin]

Well, it's not that I don't care. It's just. He's suddenly. You guys are just, you know.

[Sean Fennessy]

Yeah.

[Amanda Dobbin]

Going for it.

[Sean Fennessy]

Boys night out. Boys night out.

[Chris Ryan]

Do you think you'll see this film in the theater?

[Amanda Dobbin]

Yeah. Okay.

[Sean Fennessy]

She pledged that she would watch this.

[Amanda Dobbin]

I'm a working woman, you know.

[Chris Ryan]

Oh, you haven't seen 28 Days Later? I'm a working woman. Is that what you said?

[Sean Fennessy]

It's a good bit.

[Amanda Dobbin]

It's a good tagline, you know?

[Sean Fennessy]

It's a good tagline. I'll go from 200.

[Chris Ryan]

Does that happen during the NFL draft? I'll try. I'll try.

[Sean Fennessy]

I'll go from 200 to 300.

[Amanda Dobbin]

Wow. Okay.

[Sean Fennessy]

Because I liked how you went up 100. So I'm going up 100. This is the third film in the 28 series.

[Chris Ryan]

It's gonna make 100 million bucks.

[Sean Fennessy]

Boy, I think that they did a hell of a job with that trailer and got people really interested in it. I think they said it's the highest viewed trailer in Sony history or something. Or the highest viewed trailer of a horror movie. Some weird stuff. Whoa.

[Chris Ryan]

I'm looking. 19 million views in a month just on one hosting platform on the Sony Pictures Entertainment channel.

[Amanda Dobbin]

This is how I wanted to spend my time. When I woke up this morning, I was like, let's talk about trailer stream numbers on different platforms.

[Sean Fennessy]

What was the alternative? Watching the inauguration. Come on, pep up.

[Chris Ryan]

You gotta stay here. Let's go. Turn that frown upside down. Fighting for civilization. What are you doing?

[Sean Fennessy]

Ray Fines is in this film.

[Amanda Dobbin]

Listen, I said that I would see it in theaters.

[Chris Ryan]

200 bucks.

[Sean Fennessy]

No, I said 300. Oh, you said 200.

[Chris Ryan]

Well, you know, I mean.

[Sean Fennessy]

Wow, you went into. Into penny pinching.

[Chris Ryan]

I'll do 310. Let's see.

[Amanda Dobbin]

Let's see.

[Sean Fennessy]

320.

[Chris Ryan]

What's going on? 3. 330.

[Sean Fennessy]

3, 40.

[Chris Ryan]

So this is you, huh? This is what you.

[Sean Fennessy]

I gave you two in a row.

[Chris Ryan]

Well, I'm not mad at him. I'm not mad at what I got. I'm trying. I got. I gotta start.

[Amanda Dobbin]

I'm hydrating.

[Chris Ryan]

I gotta start putting up some Metacritic numbers, and I gotta start putting up some box office numbers. We're not sure about Sinners. Like, I want to believe in a world where sinners gets to 100. I want to believe in a world where Denzel gets best actor for highest to lowest. It's gonna be really funny watching, like, Demi Moore being like. And the winner for best actor is Denzel Washington in highest to lowest.

[Sean Fennessy]

It's in play.

[Chris Ryan]

Yeah.

[Sean Fennessy]

That exact future is in play. I'll say 225.

[Chris Ryan]

44.

[Bob Wagner]

You already have it. You already have 340?

[Chris Ryan]

Yeah, I have 340 discount.

[Amanda Dobbin]

I'll say.

[Sean Fennessy]

I'll take it for 20 bucks.

[Chris Ryan]

So you're at 340?

[Sean Fennessy]

340.

[Chris Ryan]

I'll do 350.

[Sean Fennessy]

So I've got the final reckoning at 390. This puts me in an interesting position. I'll say 355.

[Chris Ryan]

You can have it. And those are your two sequels, huh?

[Sean Fennessy]

Mm.

[Chris Ryan]

Original content, Sean. I'll let you have it.

[Bob Wagner]

Okay, so those are your two sequels for the whole year then?

[Chris Ryan]

Yeah.

[Sean Fennessy]

Yes, but they're probably my $200 million grocers.

[Bob Wagner]

True.

[Sean Fennessy]

So a tactical effort here. You can wait on the 85 and the Oscar stuff until after the first festival season. Yep, in theory, if we're gaming it out.

[Amanda Dobbin]

I just googled movies. 20, 25, so that's where I'm going.

[Chris Ryan]

That's you. You.

[Sean Fennessy]

You're just looking at movies that are coming in. We did an episode about this about a week ago.

[Amanda Dobbin]

No, I know, but I don't. You know, I'm trying to think about box office and stuff.

[Sean Fennessy]

I see.

[Amanda Dobbin]

Which I only slightly thought about.

[Sean Fennessy]

My. My budget is now down pretty significantly.

[Chris Ryan]

Okay, you're down to.

[Sean Fennessy]

In the 250 range right now.

[Chris Ryan]

You have 255 left, so.

[Sean Fennessy]

Okay, Chris, you gotta put one on the board now.

[Chris Ryan]

Oh, is that. Is it my turn?

[Sean Fennessy]

Yeah.

[Chris Ryan]

Okay. I will take. I will take Jurassic World Rebirth.

[Sean Fennessy]

Wow.

[Chris Ryan]

Which I actually think is going to rock.

[Sean Fennessy]

Good Strat.

[Chris Ryan]

Gareth Evans, director of Rogue One and the creator, starring Scarlett Johansson and Mahershala Ali. Why would they make a bad movie?

[Sean Fennessy]

Is it a sequel or is it a reboot? This is something we don't know.

[Chris Ryan]

Well, should we just recap for everybody what happens in the second three Jurassic World movies in the Prattverse?

[Sean Fennessy]

Yeah. Why don't you start, and I'll follow your lead?

[Chris Ryan]

So there's a velociraptor named Blue. He's been trained by Chris Pratt's.

[Amanda Dobbin]

What's his character's name?

[Sean Fennessy]

Joel. Jim Pratt.

[Chris Ryan]

Jim Pratt. He's in love with Bryce Dallas Howard. She. She's a really driven woman, though. At one point, he builds himself a house, but she needs him to come back.

[Sean Fennessy]

Blue, that's in the second one.

[Chris Ryan]

Then there's, like, a thing where they get in these globes and they roll down the volcano while it's exploding. And at the end, I think the dinosaurs are, like, free to, like, just keep Costa Rica. They're like, we're. We're like. You guys got this. So what happens in Jurassic World Rebirth?

[Bob Wagner]

I just want to say real quick, it's Gareth Edwards, not Gareth Evans.

[Chris Ryan]

This is my bad. I always get those guys confused.

[Sean Fennessy]

Edwards, who made the creator?

[Chris Ryan]

Yes. And row one and rogue one. I'm gonna bid $100 for this, okay?

[Sean Fennessy]

I already have two sequels, so if this is a sequel, I can't bid on.

[Chris Ryan]

It's definitely a sequel, Sean. It's called Jurassic World Colon Rebirth.

[Sean Fennessy]

But is it a reboot? Like, are any of the characters returning? Is this the same island?

[Chris Ryan]

The dinosaurs? What are you fucking talking about?

[Amanda Dobbin]

Yeah, but is it, like. Is it blue?

[Sean Fennessy]

Will Blue be back?

[Chris Ryan]

Yeah, I don't know, man. I don't know.

[Sean Fennessy]

Do you think there'll be a title card at the beginning that says, somehow Blue returned?

[Chris Ryan]

So is that what we're calling a sequel now? Is, like, only if, like, one raptor makes it through all of the films?

[Sean Fennessy]

Do you think there's some narrative connected?

[Chris Ryan]

Definitely. Sequels to the original trilogy.

[Sean Fennessy]

Well, is it all originated around the island that the industrialists built in the original film? Because the Jurassic World trilogy is connected to the original trilogy. They're all canon together. But now are we saying there's a whole other universe where there's dinosaurs on this planet?

[Chris Ryan]

A standalone sequel to Jurassic World Dominion, according to Wikipedia.

[Sean Fennessy]

There you go.

[Amanda Dobbin]

Okay, well. But what happens in it?

[Chris Ryan]

Five years after the events of Jurassic World Dominion, the planet's environment has shown itself to be mainly inhospitable to dinosaurs. The ones that are left live in remote equatorial regions with conditions similar to those in which they were formally abundant. Zora Bennett, a covert operative, is hired to work with a paleontologist named Dr. Henry Loomis and team leader Duncan Kincaid on a top secret mission to obtain genetic material from the three largest creatures in the world's tropical biosphere.

[Sean Fennessy]

There's a character named Dr. Loomis.

[Chris Ryan]

Yeah, Dr. Henry Loomis. I think that's commercialist from Friday the Halloween.

[Amanda Dobbin]

Wow.

[Chris Ryan]

Yeah. Jonathan Bailey. Rupert Friend is in this.

[Sean Fennessy]

I don't understand. Dr. Loomis is a character in Halloween. Is it spelled the same way?

[Chris Ryan]

Just like those guys. L, O, N, I, s. That's Dr.

[Amanda Dobbin]

I know.

[Sean Fennessy]

You can't do that.

[Amanda Dobbin]

Don't know what to tell you.

[Sean Fennessy]

That would be like, this character's name is Freddy Foster Kane. Like, that's not okay.

[Amanda Dobbin]

All right. Are they living on islands, Equatorial islands? Or how are they.

[Chris Ryan]

Yeah, I don't think they're like.

[Amanda Dobbin]

Or is it Godzilla vs Kong thing where they've, like, the inner earth?

[Chris Ryan]

No, I don't think there's an inner earth.

[Amanda Dobbin]

Yeah.

[Chris Ryan]

I don't know.

[Sean Fennessy]

Have you even been anything like. Did Chris get this? 7 minutes ago and he was still recapping the film?

[Chris Ryan]

Yeah, So I got it for 100 bucks.

[Sean Fennessy]

Yeah.

[Amanda Dobbin]

Good job.

[Sean Fennessy]

It's a good get. It's a good get. Do you think it's gonna be good?

[Chris Ryan]

I do.

[Sean Fennessy]

I do, too.

[Chris Ryan]

I do.

[Sean Fennessy]

I do, too. I definitely wanna remember all the plot details, too, after we see it. Okay. Amanda, you can recommend a movie.

[Amanda Dobbin]

Okay. I guess I'll. Well, I don't know. Should I just, like, try to out outspend you? You know, wait until you don't have any money left? I don't have any movies.

[Chris Ryan]

Are you gonna.

[Amanda Dobbin]

I don't know.

[Sean Fennessy]

I mean, you very graciously let me have the first film, and now you're talking about kneecapping me. Why don't you worry about, you know, follow your heart. Do something you want to do. It's your year.

[Amanda Dobbin]

Right, but all the things that I want to do aren't blockbusters or sequels. You can worry about one sequel, which I'm. I just did some Wikipediaing while you guys were having Dinosaur time.

[Chris Ryan]

Avatar, Fire and Ash.

[Amanda Dobbin]

Um, no. And I'm just really upset to learn that M3 Gan only made 95 domestic.

[Chris Ryan]

I bet I will make 100 this time around.

[Sean Fennessy]

I'm seeing a lot of notes from the fine people who work at the studios that are producing M3GAN. 2.0. Not a prequel.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

There's also a reason why there's a three in the M3GAN. Because she's sort of the three series.

[Chris Ryan]

Oh, they've upgraded her.

[Amanda Dobbin]

Yeah, well, I. Yeah, that's what I.

[Sean Fennessy]

But it is a direct sequel.

[Amanda Dobbin]

Myth three again, you know?

[Sean Fennessy]

Yeah.

[Amanda Dobbin]

2.0.

[Chris Ryan]

Three off the tongue.

[Amanda Dobbin]

I think 2.0 will probably make $100 million.

[Sean Fennessy]

But, like, I'm not, you know, not a guarantee. Also, not in now. And not a winter movie, a summer movie.

[Amanda Dobbin]

Right.

[Sean Fennessy]

That was a January film.

[Chris Ryan]

What kind of assurances would you guys need to not let Megan do any child care? Like, what kind of, like, percentage of. Like, this thing won't turn into a homicidal maniac.

[Sean Fennessy]

I let my daughter hang around you, so.

[Chris Ryan]

Yeah, I bet Megan's safer than I am.

[Sean Fennessy]

Yeah, I would. I simply would not go for that.

[Chris Ryan]

Let a robot raise your child.

[Sean Fennessy]

Wouldn't go for that. Yeah, it would be helpful until it was harmful, but, yeah, I'm sort of.

[Amanda Dobbin]

Like, I think that my child, at this point, my older child, anyway, would listen to Megan more than he would listen to me. You know, it's like the.

[Sean Fennessy]

Well, he would have to. Otherwise he would be vanquished from the surface.

[Amanda Dobbin]

Right? That's true. But, you know, even before. There's just something about the third party, like.

[Sean Fennessy]

Very, very true. That's very, very true. Megan. Two point. I mean, I think you should go for it. It's a fun movie. We like the first one.

[Amanda Dobbin]

Okay, $30.

[Sean Fennessy]

Great. I can't bid on this one either. It's a sequel.

[Amanda Dobbin]

Oh, that's right.

[Chris Ryan]

I'm. Okay.

[Amanda Dobbin]

There's other sequels, I think.

[Sean Fennessy]

$30, so you got a chance at a $100 million earner, but you've now knocked one sequel off your list. So you can only do one more over the next nine films that you acquire. Okay, well, isn't this a great game? You can put another film on the board now. Perhaps one of your highfalutin picks.

[Amanda Dobbin]

Why don't you just let me do what I want?

[Sean Fennessy]

Okay, Go ahead.

[Chris Ryan]

There's several Guy Ritchie films that are coming out this week.

[Amanda Dobbin]

That's really.

[Chris Ryan]

Did you guys talk about that? I anticipated. I didn't catch that.

[Amanda Dobbin]

You know, we didn't.

[Sean Fennessy]

No.

[Chris Ryan]

In the Gray.

[Amanda Dobbin]

And then what's the other one?

[Sean Fennessy]

There's a really. There's an exciting performer in in the Gray. Who is it?

[Chris Ryan]

In the Gray is.

[Sean Fennessy]

Oh, it's Cavill.

[Chris Ryan]

Yeah.

[Sean Fennessy]

Oh, no, it's Gyllenhaal.

[Chris Ryan]

Gyllenhaal's in the Gray. And then John Krasinski and Natalie Portman play sibling treasure hunters in the other one that he's got.

[Sean Fennessy]

John Krasinski and Natalie Portman.

[Chris Ryan]

Yeah.

[Sean Fennessy]

Or siblings.

[Chris Ryan]

Yeah. Fountain of Youth, it's called.

[Sean Fennessy]

Interesting.

[Chris Ryan]

And he also has two series coming.

[Sean Fennessy]

In the Gray revolves around two extraction specialists who have to designate a route of escape for a senior female negotiator. I think that female negotiator is played by aiza Gonzalez. A plus. What are you putting on the board?

[Amanda Dobbin]

I don't know. This is so fun. Not as fun now that you can't just do what you want, you know?

[Sean Fennessy]

Yeah.

[Amanda Dobbin]

Only child over here, I think that you've really like. It's less fun.

[Chris Ryan]

You can do what you want. And then.

[Amanda Dobbin]

But then he's just gonna be like, wow, the wild Robot, you know, is not widely released. And also, look at her lashing out.

[Sean Fennessy]

As the world slips through her fingers, as she thinks of all of the mistakes she's made in this society. Can't help but lash out.

[Amanda Dobbin]

I haven't made that many mistakes. I just.

[Sean Fennessy]

Just don't really care about stayed in this country.

[Amanda Dobbin]

Well, that is true. Yeah.

[Chris Ryan]

You could have been getting autres straight from the source.

[Sean Fennessy]

Yeah. You could have been in an equatorial island with the dinosaurs.

[Amanda Dobbin]

Yes, but they are islands.

[Chris Ryan]

Jurassic World you're talking about. Yeah, Isla Nublar. And all those islas are islands. I don't know where they've moved them, though. I would imagine that the.

[Sean Fennessy]

Your Spanish is number one.

[Chris Ryan]

The number one condition of dinosaurs living on Earth would be. There would be no land bridge. You can't let a dinosaur into like Austin, you know.

[Sean Fennessy]

That literally happens in the. In the second.

[Chris Ryan]

In the second one. Right. But never again.

[Sean Fennessy]

Oh, we're trying to avoid it for sure.

[Chris Ryan]

We learned our lesson.

[Sean Fennessy]

And then they made five more Kima on the islas, you know, on those islas. Absolutely.

[Amanda Dobbin]

F. 100 bucks.

[Sean Fennessy]

There you go. Good, good.

[Amanda Dobbin]

Because also I.

[Sean Fennessy]

Because there you are, you know, you're back. I was waiting for you to come back.

[Chris Ryan]

That would pay for the, like, roasted nuts budget of one hour of this movie. A hundred dollars.

[Sean Fennessy]

I'll say.

[Chris Ryan]

One of the most expensive films ever made. Right.

[Amanda Dobbin]

But it's also. I don't know, it's currently scheduled for June 27, and so it wouldn't be eligible for the next draft.

[Sean Fennessy]

No. Oh, oh, right.

[Amanda Dobbin]

Because anything that's released in the first six months of the year. Yeah. Once it's released, it's not available.

[Sean Fennessy]

Chris. Very good. That's why one of your strokes of genius was Getting Dune Part 2 last.

[Chris Ryan]

Year because it was so close to being released, but not released because it.

[Sean Fennessy]

Would have been not original. Obviously. That my thinking as well.

[Chris Ryan]

So this is going into imax?

[Sean Fennessy]

Yes.

[Chris Ryan]

Will it be wide released otherwise?

[Sean Fennessy]

Yes.

[Chris Ryan]

Okay.

[Sean Fennessy]

Reportedly, I think that they need to make as much money as possible given the size of the budget of this movie. So I think it's going to get 4000 screens, every IMAX screen for. What'll it be? I don't think there is a big July 4th movie this year. Is there a big IMAX July 4th movie?

[Chris Ryan]

Is it Fantastic Four? Not.

[Sean Fennessy]

I think the big July 4th movie is the Trey and Matt and Kendrick Lamar movie.

[Amanda Dobbin]

It's also Jurassic World.

[Sean Fennessy]

Oh, Jurassic World.

[Amanda Dobbin]

Congratulations.

[Sean Fennessy]

Maybe it only has a week. If Jurassic world's getting those IMAXes.

[Chris Ryan]

Celebrate our independence from dinosaurs.

[Amanda Dobbin]

Today.

[Sean Fennessy]

Is Bill Pullman in it?

[Chris Ryan]

Be that as it may, these dinosaurs shall not tread.

[Amanda Dobbin]

I do wonder if it'll move because right now you've got 28 years later on June 20th. F1 on 27th, along with Megan 2.0, by the way. And then Jurassic World Rebirth on July 2nd, and then Superman on July 11th. And I assume all of those people want as many big screens as possible.

[Sean Fennessy]

So I would guess Superman's gonna take over for the until Fantastic Four comes along on July 25th.

[Amanda Dobbin]

Okay, cool.

[Sean Fennessy]

Another film coming. But Superman and Fantastic Four, neither of which are sequels. We don't really have to bid on those right now if we don't want to.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

But we can. Okay. How much are you putting it up for? You said 100.

[Amanda Dobbin]

I said 100.

[Sean Fennessy]

I'll say 150.

[Amanda Dobbin]

I will say 200.

[Sean Fennessy]

I'll say 210.

[Amanda Dobbin]

250. How much money do you have left?

[Sean Fennessy]

$255.

[Amanda Dobbin]

Okay, 256. We're done.

[Sean Fennessy]

Chris, you don't want F1?

[Chris Ryan]

I'm okay with F1.

[Sean Fennessy]

What is it about it that you're not interested in?

[Chris Ryan]

I don't really care about Formula one driving that much. I don't either, and that's a core part of this film.

[Amanda Dobbin]

But I wouldn't have said that I really cared that much about fighter jets, to be honest. Before I saw Top Gun and Top Gun Maverick.

[Chris Ryan]

That's an interesting point, Amanda. I guess I always had a soft.

[Amanda Dobbin]

Spot for fighter pump jets.

[Sean Fennessy]

I would have said I'm not interested in flesh eating viruses until I saw 28 days later. So look at us now.

[Chris Ryan]

Okay, so you have F1 and you have Megan 2.0.

[Sean Fennessy]

Yeah, well, Chris, you have to put something up now.

[Chris Ryan]

Okay, so I need some. What are we looking at here? I think we need something that will cross 85 or get some Oscar.

[Sean Fennessy]

Okay, now this is hard to do.

[Chris Ryan]

I wonder whether sentimental value is a good pick here. I feel like Joachim. Joachim Von Trier's Novon it's just joke.

[Sean Fennessy]

Joachim Church.

[Chris Ryan]

Is it all right? Are you sure?

[Sean Fennessy]

Not lying to you. That being said, you just be that as it made his name.

[Chris Ryan]

Your mileage may vary on whether the vond is used there.

[Sean Fennessy]

I think you're thinking of Sio Von Definitely didn't need to rant Theo Vaughn.

[Amanda Dobbin]

Sentimental value did not know what he looked like.

[Sean Fennessy]

Theo. Yeah, not a Road rules watcher.

[Amanda Dobbin]

That's. You are not the first ringer individual who said that to me. So that was startling.

[Sean Fennessy]

Yeah, that's what he looks like.

[Chris Ryan]

I think I hit 85 here or I hit a Renata Ryan Best Actress Dom.

[Amanda Dobbin]

Oh, okay.

[Sean Fennessy]

Interesting.

[Chris Ryan]

Also very interested to see Corey Michael Smith, who I Liked so much in Saturday Night.

[Sean Fennessy]

It was just talking him up about that on the pod that we did about when I had the movie on my list. I'm very excited about this movie.

[Chris Ryan]

Family drama about two sisters who are forced to deal with their estranged father following the death of their mother. So it's a laugh riot. And Elle Fanning is in it with Corey Michael Smith. I assume Elle Fanning is the sister. I don't know.

[Sean Fennessy]

I don't know. That's a bit confusing. I assume Stellan Skarsgard is the father. He's in this film.

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

He never had a bad day in his life on a film set.

[Amanda Dobbin]

You know how like, seems that there's another Scandinavian actress, I'm assuming. Listen here without a Wikipedia page who has a character name Agnes. So I assume it's Renatarenseev and Inga IPS daughter Lilias.

[Chris Ryan]

You nailed it.

[Sean Fennessy]

Nice, right?

[Amanda Dobbin]

Thanks so much. As Agnes.

[Sean Fennessy]

Inga. That's a nice name. That's kind of fallen out of fashion.

[Amanda Dobbin]

That is a nice name.

[Chris Ryan]

Obviously. Huge fan of his work, even though I added a middle name for him. But I just feel like the worst person in a world thing got just even bigger and bigger over time where, like, people reference it when they're doing, like their letterbox. Like, oh, my four favorites. Like, that kind of thing.

[Sean Fennessy]

What are your four favorites?

[Chris Ryan]

Jurassic World, Dominion.

[Amanda Dobbin]

I don't know why that makes me laugh. I need to interrupt this just to note that we are recording this on Michelle Obama's birthday and Barack Obama has just posted a happy birthday message.

[Chris Ryan]

Well, you would. You would.

[Amanda Dobbin]

Exactly.

[Chris Ryan]

But you would anyway, like, yeah, right.

[Amanda Dobbin]

Happy birthday to the love of my life, Michelle Obama.

[Chris Ryan]

30 bucks.

[Amanda Dobbin]

So lucky to be able to take on life's adventures with you. Love you.

[Chris Ryan]

30 bucks for sentimental value. 35, 40, 50.

[Amanda Dobbin]

55, 60.

[Sean Fennessy]

It's hard to replicate what happened with the worst person in the world, which is.

[Chris Ryan]

We liked it a lot. Like what?

[Sean Fennessy]

No, it just kind of. It elevated out of festival awareness into a kind of mainstream in America because of awards season and the introduction of a great new actress, Trier, who had been making movies for a while, but became more of an international award o'tour who is well known and like, you know, went into the Criterion Collection, you know, nominated for Oscars.

[Chris Ryan]

Isn't that like. I mean, couldn't you make the argument that that's how, like, Robert Eggers built his career? That's how Wes Anderson built his career. People started getting more and more excited about.

[Sean Fennessy]

It's a test of this movie Is a test of that.

[Chris Ryan]

So I'm betting. I'm betting on you.

[Sean Fennessy]

I like it. I respect it.

[Amanda Dobbin]

Where is the bidding right now?

[Bob Wagner]

Sean has it for $60.

[Chris Ryan]

$70.

[Amanda Dobbin]

75. $80.

[Chris Ryan]

$85 dollars.

[Amanda Dobbin]

90.

[Chris Ryan]

I mean, I have some money, you know, but not that much. But I gotta. I gotta start getting some. Some quality here.

[Sean Fennessy]

Quality films. I'm. I'm. I'm good. I'm out.

[Chris Ryan]

You're at 90.

[Amanda Dobbin]

How.

[Chris Ryan]

How passionate are you? 95?

[Amanda Dobbin]

A hundred?

[Chris Ryan]

Is there. No. There's no ceiling for you. There's no limit. Like Mark Wahlberg and the Gambler.

[Amanda Dobbin]

Yeah, that's so true. I'm only. So I only made it like 15 minutes through your podcast or the movie. The podcast. But it was one of those things when I saw that you guys had done it.

[Chris Ryan]

Yes.

[Amanda Dobbin]

Brought me real joy, just like on the feed.

[Chris Ryan]

But then, glad there's one of you.

[Amanda Dobbin]

And then I was listening, and it was still in the we're taking Mark Wahlberg as an actor seriously portion of the podcast. So I'm looking forward to getting to, like, the Gambler part of the podcast.

[Chris Ryan]

Let's do $99.

[Bob Wagner]

Amanda already bet 100.

[Chris Ryan]

Let's do 110. Let's do 110. I have a good feeling about this.

[Amanda Dobbin]

Okay. I mean, I just have to decide whether it's what I want to do right now or I have a lot of other movies that I'm very passionate about. The 85. Metacritic is hard.

[Chris Ryan]

I think he gets it, but I.

[Amanda Dobbin]

Guess I can do it. I. I mean, I think that's true, but I could also wait and try to do that later on.

[Chris Ryan]

Those are rookie numbers for Joe.

[Sean Fennessy]

Joe, the worst person in the world, currently has a 91 score on Metacritic.

[Chris Ryan]

85 is a high number that you set that at, dog.

[Sean Fennessy]

It is. That's why I did it. So his previous film, Oslo, August 31st, has an 84.

[Chris Ryan]

Oslo is great.

[Sean Fennessy]

Reprise has a 79.

[Chris Ryan]

Oh, my God. So he lives in. In that era.

[Sean Fennessy]

Thelma is a 74. And louder than bombs is a 70.

[Chris Ryan]

He has a.

[Amanda Dobbin]

You can have it.

[Chris Ryan]

Kondo, in that.

[Sean Fennessy]

Oslo, August 31 was not his previous film. It was his first film. Second film.

[Chris Ryan]

I get it. Okay.

[Sean Fennessy]

Okay.

[Chris Ryan]

Four movies now. Sean has two. Amanda has two. Interesting. This is not how that usually works. This is.

[Amanda Dobbin]

I know. This is also bad podcasting because then we're just going to face off at each other and be kind of spiteful. So don't. So don't bid for a while. So that you can stay in the mix.

[Chris Ryan]

I know.

[Amanda Dobbin]

Okay.

[Chris Ryan]

All right.

[Sean Fennessy]

I'm so happy to be here with both of you.

[Chris Ryan]

I'm also. I'm not going to finish my bid here and then not talk for an hour.

[Amanda Dobbin]

Okay. That's true.

[Chris Ryan]

Yeah. Also, did you know that Zinn has a rewards program? I just found out about that.

[Bob Wagner]

Is it called the Passport? Just like J. Crew, the Zen Passport.

[Chris Ryan]

It says, collect, track and redeem Zinn Rewards.

[Sean Fennessy]

Okay. I'm gonna put a big, bold, beautiful journey on the board for $50.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

This is a new film from Kogonada starring Margot Robbie and Colin Farrell. It's the first film since After Yang. I neglected to mention Columbus on the previous time I discussed it. One of my favorite movies of that year.

[Chris Ryan]

Did people say, sir, you neglected to mention, or you just remember the neglect?

[Sean Fennessy]

I just remembered I neglected to mention I prefer Columbus to After Yang. If I have to choose between Coganada films. And this is, as Bob pointed out, a very mysterious logline in this movie. Quite vague. It is coming out in May, so we would not have the opportunity to get it next time around. I'm just deeply intrigued and I want it to be something special. And there's certainly a world where a movie like this gets awards, recognition, or crosses some sort of Metacritic threshold. But I'm just curious about it. I just want to see it and I hope for the best with it. It's what I'm in the business for.

[Amanda Dobbin]

That's beautiful.

[Sean Fennessy]

Thank you.

[Amanda Dobbin]

That's really exciting.

[Sean Fennessy]

So what did I say? $50 if I have to put a numerical value on my appreciation for the work of art and movies.

[Amanda Dobbin]

Okay. Sold to Sean for $50.

[Sean Fennessy]

Amazing.

[Amanda Dobbin]

Yeah. There you go.

[Sean Fennessy]

Wonderful. Thank you so much.

[Amanda Dobbin]

Okay. You're so welcome. Get another.

[Sean Fennessy]

Put another movie.

[Chris Ryan]

Just want to throw this out there.

[Amanda Dobbin]

Yeah.

[Chris Ryan]

A couple too many movies for my taste have very vague log lines that are like, two people journey through time to.

[Amanda Dobbin]

Yeah.

[Chris Ryan]

On an amazing adventure.

[Amanda Dobbin]

It's like, that's not.

[Sean Fennessy]

Is the issue not enough dinosaurs in.

[Amanda Dobbin]

The description Is the big picture's new mission statement is two people journey through.

[Chris Ryan]

Time on an amazing adventure.

[Sean Fennessy]

Yeah. Two miscreants.

[Chris Ryan]

But I wouldn't know that. It's a movie podcast if I heard that. You know what I mean? Like I want to know, is Coconut making a period piece? Is it a sci fi futuristic piece? Is this movie about the Civil War? Which one? Alex Garland's? Abraham Lincoln's, you know?

[Sean Fennessy]

Well, they're both relevant. I don't agree with you, but there will be a Trailer and marketing materials for this film and we will find out probably within the next eight weeks.

[Chris Ryan]

Okay.

[Sean Fennessy]

So I'm not too worried, wouldn't you say? It's a movie. Comes out on May 9th.

[Amanda Dobbin]

I love to look forward to marketing.

[Sean Fennessy]

Materials, something we discuss here on the show from time to time.

[Amanda Dobbin]

We do.

[Sean Fennessy]

Okay. I have another movie to put out into the world. World. How do we circle the square in this conversation? How about the Phoenician scheme?

[Amanda Dobbin]

Let's do it.

[Chris Ryan]

I'm so excited for Michael Cera to join the Wes Anderson Repertory Company. I feel like that's been, that's, that's been something. I, I didn't know I was dreaming, but I was.

[Sean Fennessy]

This is Wes's new movie, Spy movie. It's an espionage comedy category he's never really pursued before. Although if you look at his first couple of movies, you can see his huge interest in those kinds of stor. Benicio Del Toro, Sarah Bill Murray, Riz Ahmed, Tom Hanks, Benedict Cumberbatch, Scarlett Johansson, Charlotte Gainsbourg, Rupert Friend, Willem Dafoe, Bryan Cranston. It's a ridiculous cast. As per usual. Now he's almost exclusively now working in mega ensemble. Almost all of his movies now have at least 10 notable names.

[Amanda Dobbin]

Asteroid City has a 76 minute score. I just. This is an abomination.

[Bob Wagner]

Wake up, people.

[Sean Fennessy]

Wake up. Wake up.

[Bob Wagner]

They got to wake up.

[Amanda Dobbin]

I mean, I agree.

[Sean Fennessy]

Yeah. I mean, something has obviously happened with him where everybody is like, it's all the same now. We, we, we talked about it when we did the Asteroid City episode. And then I think we all rewatched Asteroid City and liked it even more when we rewatched it. Which is the, which is the case for a lot of his movies where you come to appreciate it more deeply. But this one, like so many, co written with Roman Coppola. I assume it could be a Cannes premiere, could be a fall festival premiere, but it sounds like it'll be out before the year is over. I'll put it on the board for 50 bucks.

[Chris Ryan]

So tough one here. As you mentioned, Metacritic. Starting to be blind to his charms. Often he'll get a screenplay nom here, an actor supporting actor nom somewhere. But it rarely gets lavish.

[Amanda Dobbin]

Yeah, it's overlooked.

[Chris Ryan]

It's hard to imagine the Phoenician scheme making $100 million. But that's, that's okay.

[Sean Fennessy]

Sometimes you want to just have a good slate.

[Chris Ryan]

Yeah.

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

You know, so this isn't an effort to have a good slate. We can all agree on Wes Anderson and his Greatness.

[Amanda Dobbin]

Yes. So you $50?

[Sean Fennessy]

Yeah.

[Amanda Dobbin]

100.

[Sean Fennessy]

Chris is out.

[Amanda Dobbin]

You're out. I mean, you don't have to be.

[Chris Ryan]

I am. I'm out because I need a specific thing for my fifth to buttress. And I'm also out just because I love hearing you two talk.

[Amanda Dobbin]

Oh, that's beautiful.

[Chris Ryan]

I actually don't do people on a journey through time on a magical adventure. I do. What are you talking about?

[Sean Fennessy]

Do you?

[Chris Ryan]

Oh, yeah. You guys.

[Amanda Dobbin]

Sue. What? What do you need? You need a guaranteed Oscar.

[Chris Ryan]

I think I. I'd like to get into the. The chin scratching critic hype with my next pick.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

Yeah, you gotta look for another Von Trier film.

[Amanda Dobbin]

Yeah. I will say I do think Sean made a good point is that it's a slightly easier to do that in the second half of the year. I agree with you.

[Chris Ryan]

Yes.

[Amanda Dobbin]

I'm just trying to share strategy with you so you can have what you want.

[Sean Fennessy]

This is me breaking my suggestion. Obviously. I could have waited on this.

[Amanda Dobbin]

No, I know. And this is what I'm thinking. I mean, this could be canned. This could be early asteroid city wise Wes Anderson, a storied resident of Paris.

[Sean Fennessy]

I don't know if this movie has distribution right now, but the fact that it doesn't means it's definitely not dated. Which means it probably is the second half of the year.

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

So that's interesting. It's Indian Paintbrush is the production company, as always with all of Wes's movies. But usually by this point Focus Evers or. Yeah. Or Sonic Pictures Classics or somebody is coming in.

[Chris Ryan]

Do you think focuses like this one suck?

[Sean Fennessy]

I hope not. That would be concerning. Although they're probably beating their chest these days with the Nosferatu success. So, you know, how do they level up as a movie studio? Interesting question.

[Amanda Dobbin]

You don't care a hundred dollars?

[Sean Fennessy]

I don't really have a lot of money left to work with here.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

So there's some challenges in that one.

[Amanda Dobbin]

And you also have two minutes left to fill.

[Sean Fennessy]

It appears you have $714 left.

[Amanda Dobbin]

I can spend whatever I want. Want.

[Sean Fennessy]

Okay, I'll say 101.

[Amanda Dobbin]

Okay. I'll say 102. What are we doing? C.R.

[Sean Fennessy]

You'Re holding on to 315.

[Chris Ryan]

Yeah, I could say I'm going to do. I'll get in. Can I get involved?

[Amanda Dobbin]

Sure, why not?

[Chris Ryan]

Yeah. I'll do 150.

[Amanda Dobbin]

Okay. I'll do 200.

[Chris Ryan]

Okay.

[Amanda Dobbin]

I think I want this. I think I would have brought this to the table.

[Sean Fennessy]

To the market.

[Amanda Dobbin]

Yeah. Okay.

[Sean Fennessy]

I really Love you gotta gussy up the quality of your slate right now, too. I mean, you got F1 and Megan 2.0.

[Amanda Dobbin]

Okay, no disrespect, but, you know, the work of Joseph Kaczynski means a lot to me and my family. So it's like, chill out.

[Chris Ryan]

Has not seen Tron yet?

[Amanda Dobbin]

No. I wonder if he would like it.

[Chris Ryan]

The new the Kaczynski Tron.

[Amanda Dobbin]

I'm seriously considering showing him a complete unknown because now he requests Bob Dylan. And the way he pronounces Bob Dylan is very cute.

[Sean Fennessy]

He and I can talk about Monica Barbaro in that film.

[Amanda Dobbin]

I mean, I will also join that conversation. I spent a lot of time thinking about how beautiful she looks. But since it's mostly song performances and beautiful people, I think he would respond to that. Sure, he's digging on Bob, but no, the Wes Anderson. How much did I bid?

[Sean Fennessy]

200.

[Amanda Dobbin]

200.

[Bob Wagner]

$200.

[Amanda Dobbin]

One of my favorite filmmakers. I think we talked about how much we all slept on Asteroid City. Even as we were like, what a revelation.

[Sean Fennessy]

I mean, it's all the meta boys and girls as well. Clearly.

[Amanda Dobbin]

And I like espionage movies.

[Sean Fennessy]

It's yours.

[Amanda Dobbin]

Comedies.

[Chris Ryan]

You got it.

[Amanda Dobbin]

That's very exciting.

[Sean Fennessy]

Now it's your turn to recommend a movie.

[Amanda Dobbin]

Oh, great. Okay, so I have Asteroid City. So I have five.

[Sean Fennessy]

No, I misspoke. It's Chris's turn.

[Amanda Dobbin]

I forgot.

[Sean Fennessy]

Chris goes second.

[Amanda Dobbin]

So.

[Chris Ryan]

So do we have like a. Are you like, we have to get out of here soon.

[Sean Fennessy]

No, I'm here with you. I'm feeling connected to you guys.

[Chris Ryan]

I kind of want to just talk about this movie. I don't know. I can't remember. I don't think you did talk about it. I anticipated, but I'm just going to throw it out there anyway. Running Man.

[Amanda Dobbin]

Yeah, yeah, yeah.

[Sean Fennessy]

Let's talk about it.

[Chris Ryan]

Yeah. Do you think this will be good?

[Sean Fennessy]

Well, I think it's a very cool challenge for the two primary people responsible.

[Chris Ryan]

For Edgar Wright and Glen Pell.

[Sean Fennessy]

Edgar Wright and Glen Pell. Because it is a big time movie star part. And it is a big time franchise movie, which is something that Edgar has basically never done. You know, he did do Scott Pilgrim, which was. It was IP in a way, but he's never had such a known property before. Two guys. I love two guys who. Whose stuff I dig.

[Chris Ryan]

Yeah.

[Sean Fennessy]

The Running man is not my favorite story.

[Chris Ryan]

It's not.

[Sean Fennessy]

It's not my favorite Arnold movie. It's not my favorite Stephen King thing. It isn't a thing that I love. I Do think it was that story and the way that the movie is made is very prescient about the modern entertainment economy.

[Chris Ryan]

Yeah. I'm curious to see what they do with the Running man now that the Running man is, like, pretty much like what you see when you watch television.

[Sean Fennessy]

Yeah, yeah.

[Chris Ryan]

Or look at your phone.

[Sean Fennessy]

Yeah. It's a little bit like people posting George Carlin clips on social media. You know, you're like, he. He nailed it. He was there. Like, he was. And we. People knew then. Just like when you watched the Running man, you were like, yeah. Okay, this is where we're going.

[Chris Ryan]

So Coleman Domingo, Josh Brolin, Lee Pace, and Michael. Sarah and Katie O'Brien is a great ensemble.

[Sean Fennessy]

Incredible. And even the idea of Lee pace and Katie O'Brien as the other, like, warriors go in to fight Glen Powell is such a good idea. It'll be really, really, really well made and slick and stylish and energetic and cool. It's all about the script.

[Chris Ryan]

I think this is 100 million.

[Sean Fennessy]

What do you think?

[Amanda Dobbin]

I don't know about that.

[Chris Ryan]

I mean, if Twisters. Twisters made how much domestic? It did okay. Did, like, two. Two, 300, right?

[Sean Fennessy]

Yeah, over 100.

[Amanda Dobbin]

But twisters is a phenomenon.

[Chris Ryan]

But I'm saying, like.

[Amanda Dobbin]

Like a Twister, the film is, like, 10 years later and, like, a touch point for way more people.

[Chris Ryan]

Right. The Running man is.

[Sean Fennessy]

Yeah. Just.

[Amanda Dobbin]

Well, just because of time and.

[Chris Ryan]

And it's a B. Schwarzenegger movie. Probably. Like, I'm gonna go 100 just to. Just to get us started. And I think that this could. This could be a box office hit maybe.

[Sean Fennessy]

So it's a November release.

[Chris Ryan]

Oh, okay. I thought this was a summer release.

[Sean Fennessy]

It's November. It's an interesting November this year. It comes out on the same day as Predator Badlands.

[Amanda Dobbin]

Oh, okay.

[Sean Fennessy]

Dan Trachtenberg's Fall.

[Chris Ryan]

That's going into theaters.

[Sean Fennessy]

It's going into theaters. Not a streaming release. Last one.

[Amanda Dobbin]

No. But, like, sincerely, one of my favorite things is when you reenact Predator movies for me. No, you came in to my office for one of, like, a 2000 Predators.

[Chris Ryan]

Yeah, it was for the Shane Black one.

[Amanda Dobbin]

So tell me what?

[Chris Ryan]

You know that Elle Fanning is in a Predator movie about two sisters running across. I bet. The Badlands.

[Amanda Dobbin]

Okay.

[Chris Ryan]

And probably being chased by predators.

[Amanda Dobbin]

Okay. And Dan Tribe, who's the sister?

[Chris Ryan]

I don't know. Maybe it's Elle and Dakota. Maybe it's Elle playing twins. I have no idea.

[Amanda Dobbin]

Okay. It would be fun if it were Dakota.

[Chris Ryan]

Dan Trachtenberg has made A bunch of really good movies.

[Sean Fennessy]

I agree. I'm a big fan of his Predator Badlands and the Running man coming out on the same day is incredible. Bros. Smashing slushies together at the movie theater all afternoon situation. The following week is now youw see me 3. The following week is Wicked 4.

[Chris Ryan]

Where are you on the NYSM experience?

[Sean Fennessy]

I have loved talking to and hearing Jesse Eisenberg talk about how much he loves making those movies, because he's like, you might think I'm an idiot for saying this, but let me tell you, that character is nothing like the way that I am. And so getting to be that guy, that magician.

[Chris Ryan]

He's the most charming magician in the world.

[Sean Fennessy]

Yeah. And he's like, I'm Jesse Eisenberg. Yeah. Made me more excited to go back and look at those movies. The new one's made by Ruben Fleischer, too, who's a director who I have a lot of time for, despite some of his missteps over the years. I love Venom, obviously, and I really love Zombieland, so, you know, we'll see.

[Amanda Dobbin]

Can I read you the run after Wicked for good?

[Chris Ryan]

Do I just have this for $100?

[Sean Fennessy]

You do.

[Bob Wagner]

It has been, like, six and a half minutes, so, yeah, Bob has to go Zoria 2.

[Amanda Dobbin]

Five Nights at Freddy's 2. Avatar, Fire and Ash, and then something we're probably overlooking, but Bobby can speak to it. The SpongeBob Movie. Search for SquarePants.

[Bob Wagner]

Oh, I love some SpongeBob Movie, but I don't think that's the one that I love, though. Hold on.

[Chris Ryan]

Two sponges traveling across a landscape on a journey through time.

[Sean Fennessy]

A big, bold, beautiful spongebob.

[Amanda Dobbin]

Yeah. That made me. You know, that's. I know that the tentpole movies get dated first.

[Sean Fennessy]

You don't want to be on the SpongeBob episode.

[Amanda Dobbin]

I think I have seen some SpongeBob from, like, a. In a babysitting context.

[Sean Fennessy]

Sure. What'd you think?

[Bob Wagner]

There's a really incredible Nosferatu spongebob episode. That's how I learned about Nosferatu.

[Amanda Dobbin]

Okay. That's cool.

[Sean Fennessy]

That's great, actually.

[Amanda Dobbin]

I like that, and I know it means a lot to Bobby and his community.

[Sean Fennessy]

Mm.

[Amanda Dobbin]

So I'm happy for everyone.

[Sean Fennessy]

Okay. You've gotta put a movie up.

[Amanda Dobbin]

Oh, okay. I guess so. Yeah.

[Chris Ryan]

Oh, I got my. I'm done. That's too bad.

[Bob Wagner]

You also get $215 from Sean's back pocket, though, so big win for you.

[Amanda Dobbin]

That is nice. Okay.

[Sean Fennessy]

Got a lot more to spare, so I've got two spots left. You've got two spots left.

[Amanda Dobbin]

Right.

[Sean Fennessy]

We've got a combined 720 simoleons.

[Amanda Dobbin]

Right. But I. You have $205 and I have $514. So I can just buy two movies.

[Chris Ryan]

That I want if you'd like.

[Amanda Dobbin]

But that doesn't seem really fun. But, like, do I want to be a real asshole and just take Battle of Backed and Crossed from you?

[Chris Ryan]

Well, we don't know if it's coming out this year.

[Amanda Dobbin]

That's true. And I have been being like, I don't know about that.

[Sean Fennessy]

But like, Battle of Backed and Crossed is not going to cross any of the thresholds.

[Chris Ryan]

You don't think Leonardo DiCaprio can get a movie over $100 million just on himself.

[Amanda Dobbin]

I know, but see, like, you're already like, fidgeting because you look really upset.

[Sean Fennessy]

Well, no, I know, I know.

[Amanda Dobbin]

I see the narrative now. He creates these rules and then he gets in this situation and then the tables are turned and he's just. He's flustered. I'm not gonna do it. I'm not an expert. But like, I just want you to know that that's power that I have over you right now.

[Sean Fennessy]

You should do what you feel is right. That's what David lynch would have said.

[Chris Ryan]

That's what Paul Thomas Anderson would do. He'd say, Mike DeLuca, cut the check.

[Sean Fennessy]

You know what? You know what David lynch said? And this is advice you should take. Fix your heart or die.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

That's good advice.

[Amanda Dobbin]

I mean, I'm not. I like, I just. I want you to know that I could do that. And I know.

[Sean Fennessy]

Could you imagine the things I could do to you? You have no idea.

[Chris Ryan]

Maybe I should have stayed in.

[Sean Fennessy]

Yes, you were wise to get out when you did.

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

It's a guy who's seen Den of Thieves right there.

[Amanda Dobbin]

I told him to not do because then it just becomes really ugly.

[Chris Ryan]

Are we getting too Bella knee pilled?

[Amanda Dobbin]

Is this coming? I think it must be ugly, but.

[Sean Fennessy]

I think it's coming out. I think I was fidgeting because I am annoyed preemptively by the PTA movie failed discourse.

[Chris Ryan]

Yes. Okay. The Killers of the Flower Moon, redux.

[Sean Fennessy]

I don't want to live through that. I think that's a huge waste of time.

[Chris Ryan]

Yeah.

[Sean Fennessy]

This movie. No reasonable person should give him $180 million or whatever to make a movie. It's super cool that it happened.

[Chris Ryan]

Yes.

[Sean Fennessy]

And I will celebrate that fact. But from a financial strategy perspective, that seems weird that this happened.

[Amanda Dobbin]

I'm going to do Marty Supreme. 200 bucks.

[Chris Ryan]

Great.

[Sean Fennessy]

Good pick.

[Amanda Dobbin]

Okay, thank you.

[Sean Fennessy]

Josh Safdie's new movie coming out Christmas Day.

[Chris Ryan]

About ping pong.

[Sean Fennessy]

About ping pong. About a real ping pong champion portrayed by Timothee Chalamet. Yeah.

[Chris Ryan]

And co starring Gwyneth Paltrow.

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

So I only have $205. So I'll say 205. 204. Because I need a dollar.

[Amanda Dobbin]

I will say 206.

[Sean Fennessy]

Okay.

[Chris Ryan]

So you take this.

[Amanda Dobbin]

It's yours. I'm excited about this. I feel like this is a good movie for all of us.

[Sean Fennessy]

Yes. Great big picture movie.

[Amanda Dobbin]

And look at you. Yeah. Thank you so much.

[Chris Ryan]

A little slow getting out of the gate. And then look at this. Look at this rotation.

[Amanda Dobbin]

Was I slow getting out of the gate, or was I generous to Sean? And then just.

[Chris Ryan]

It seemed like you were slow. I mean, respectfully, you were just, like.

[Amanda Dobbin]

Yelling about vampires for 45 minutes.

[Sean Fennessy]

You know, it's her here.

[Amanda Dobbin]

And that's your podcast. Yeah, that's really. I liked the dinosaur bit, so I really enjoyed that, but I wasn't gonna bid on that, so, you know.

[Chris Ryan]

Okay.

[Amanda Dobbin]

All right, what am I gonna do? Should I do one for me? Should I do one?

[Chris Ryan]

Wait, you. You said Marty supreme, and you bid on it. Do you have a. Do you get to nominate a movie?

[Amanda Dobbin]

No, she has two and a half.

[Chris Ryan]

Oh, you have two. That's right.

[Amanda Dobbin]

I'm gonna. You know what I'm gonna do? Because I can't get it next time, and I'm gonna spend all my money on it. Opus, written and directed by Mark Anthony Green. $308. Stars IO Dim and John. Yeah, but also, it starts IO dibbery, and it's a 24.

[Chris Ryan]

I agree.

[Amanda Dobbin]

I don't know if it's gonna get. Maybe it could get to 100. I don't know.

[Sean Fennessy]

That would make it the first A24.

[Amanda Dobbin]

Movie to cross $100 million. That's fine. Sometimes you can do things that you want, and that's what I want to do.

[Sean Fennessy]

Absolutely. If you've proved nothing else about the world and yourself in the many years we've been doing this show together, it's. Sometimes you do what you want.

[Chris Ryan]

I want to make a film that stars me about a man who loses his mind trying to recap Jurassic movies. And then you take it in an auction because you love me so much. You're just like $1,000 for Chris's. I will show you the life of the mind.

[Amanda Dobbin]

But, like, you know that just like your autobiographical project.

[Chris Ryan]

Yeah.

[Amanda Dobbin]

I would draft like every year for all the money.

[Chris Ryan]

I appreciate it.

[Amanda Dobbin]

I really think that there should be more content and art made about the Chris Ryan experience.

[Chris Ryan]

Thanks. It's pretty boring right now, but I appreciate it.

[Sean Fennessy]

Hmm.

[Amanda Dobbin]

So you can do whatever you want. And you're welcome. I guess I should have let you bid on Opus, but I want it.

[Chris Ryan]

Are you gonna take havoc? You know, that's actually coming out now.

[Sean Fennessy]

This is the actual Gareth Evans movie starring Tom Hardy.

[Chris Ryan]

Tom Hardy fighting his way through the.

[Sean Fennessy]

London Oakland, which I think was filmed in 1978. And they're finally. They're letting it out of the cage now, which is exciting for you. Why has this movie been on the shelf for four years?

[Chris Ryan]

I don't know.

[Sean Fennessy]

Okay. Any two movies I want from the entire movie year slate, do it.

[Amanda Dobbin]

Be true to yourself.

[Sean Fennessy]

I'll take the battle of Backton Cross for $1.

[Amanda Dobbin]

Okay.

[Sean Fennessy]

A sort of inversion of the financial approach taken on the funding of this film. Paul Thomas Anderson's new movie. That I can't wait to see. This is the last time I will mention the discourse about that movie.

[Chris Ryan]

I only brought it up because if you were to spend, say, a lot of money on this, if this had become like the first thing we threw out there and it went up to like $400, you'd be bummed out if it was like, actually, we're going to kick this to January. You know, that's true.

[Sean Fennessy]

I mean, that is literally what happened with Mickey 17, right? Yeah. And it's same studio. It's plausible that happens another time. Hmm. What is the next movie that I want?

[Chris Ryan]

So let's just kind of look at your. You got a Mission Impossible. That's going to be a blockbuster 28. You probably get a blockbuster there. A big, bold, beautiful Journey. That's the coconut movie.

[Amanda Dobbin]

Yeah.

[Chris Ryan]

So you're hoping for Metacritic there and possibly an Oscar.

[Sean Fennessy]

No, it was 50 bucks. So I was hoping for a good movie. That was honestly my thinking.

[Chris Ryan]

Okay.

[Sean Fennessy]

And also a movie that we're not gonna. I would not be able to bid on next year because it's earlier than.

[Chris Ryan]

That and then backed in. You know, there's a lot of things that could happen there. It also could not come out, so you need.

[Sean Fennessy]

It's unusual for PTA movies to not get Oscar nominations.

[Chris Ryan]

Yep.

[Sean Fennessy]

Spin that up.

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

So I feel like I can at least lean on that. Metacritic is a coin flip, but if.

[Chris Ryan]

This is like a wacky, Inherent Vice type comedy.

[Sean Fennessy]

Yeah. More challenging. Should we just do the Metacritic game for Paul Thomas Anderson? Quickly.

[Amanda Dobbin]

Sure.

[Bob Wagner]

He's got five over 85.

[Sean Fennessy]

That's a lot. Okay, what are they, Bob?

[Bob Wagner]

It's the master, Boogie Nights, Licorice Pizza, Phantom Thread, and There Will Be Blood.

[Sean Fennessy]

Yeah. Okay.

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

So any movie I want. Let's look at my list. Hmm. Now, I could hurt you.

[Amanda Dobbin]

Okay, go ahead.

[Sean Fennessy]

But I won't do it.

[Amanda Dobbin]

All right?

[Sean Fennessy]

I won't do it because that's not what I'm about.

[Amanda Dobbin]

I mean, I have not done it twice now. I have been the bigger person times 3,000 on this podcast, and you've literally.

[Sean Fennessy]

No one would agree with that. Not a single soul would agree that you were ever the bigger person.

[Amanda Dobbin]

I gave you Mission Impossible, and I didn't take Battle back. And across from you. I gave it to you. You got it for $1, John.

[Sean Fennessy]

I did.

[Amanda Dobbin]

So, you know what?

[Sean Fennessy]

Are these the tales you tell yourself?

[Amanda Dobbin]

Let's pick a movie.

[Sean Fennessy]

I'm going to take my time.

[Chris Ryan]

This is.

[Amanda Dobbin]

This is why we need you to hang in.

[Chris Ryan]

Yeah, I know.

[Amanda Dobbin]

Sorry.

[Chris Ryan]

It's okay.

[Sean Fennessy]

You guys can. You guys can chat.

[Chris Ryan]

I was trying to bring Running man up as, like, a conversation topic.

[Amanda Dobbin]

I'm just not.

[Chris Ryan]

And then I kind of got distracted.

[Amanda Dobbin]

Real, real mixed on Edgar Wright. You know, it can work for me or it cannot.

[Chris Ryan]

I mean, there's movies here.

[Amanda Dobbin]

I love you, Glenn Powell.

[Sean Fennessy]

There's some what.

[Chris Ryan]

Huge movies that you can just get for cheap. Or you can be like, I'm gonna.

[Sean Fennessy]

I know. I don't really need a huge movie at the moment. Well, then is the thing I'm thinking of.

[Chris Ryan]

Well, you deliver me from nowhere, brother.

[Sean Fennessy]

I don't know what that is. Oh, is that Bruce Springsteen?

[Chris Ryan]

Yeah.

[Sean Fennessy]

Oh, is that coming out?

[Chris Ryan]

I mean, it's. They're. I think they're almost done shooting it.

[Sean Fennessy]

I think you should try to get that next time around.

[Chris Ryan]

You know, Inoritu's movie is supposed to.

[Sean Fennessy]

Come out this year, maybe 26, but.

[Chris Ryan]

They already shot it. Started shooting in November.

[Sean Fennessy]

26. It's dated, I think.

[Chris Ryan]

Okay.

[Sean Fennessy]

Another Apple movie. Tom Cruise.

[Amanda Dobbin]

Yeah.

[Chris Ryan]

Talking about movies. They're good.

[Amanda Dobbin]

Mickey 17, still available and March 17th release.

[Chris Ryan]

Man, that voice too much.

[Sean Fennessy]

Good.

[Chris Ryan]

Nah.

[Sean Fennessy]

You don't like it?

[Chris Ryan]

Not into it. I'm sure he'll be cool in the movie, but that's a tough beat.

[Sean Fennessy]

Where are you at on our pets?

[Chris Ryan]

I like it.

[Sean Fennessy]

We know you love Twilight. That's. Those are your favorite.

[Amanda Dobbin]

I'm really, really proud.

[Chris Ryan]

Yeah, I know.

[Amanda Dobbin]

I just want to. I just want to restate that. I don't know. I was trying to participate in the conversation.

[Chris Ryan]

Oh, dude, you know what I wish I had picked?

[Sean Fennessy]

What's that?

[Chris Ryan]

Caught stealing.

[Sean Fennessy]

Yeah. Aronofsky, you're back.

[Chris Ryan]

Austin Butler is a baseball player who's.

[Amanda Dobbin]

In the New York. It's like a deep conflict for me. Right.

[Chris Ryan]

What's up with your boy? David Robert Mitchell's new movie, it was.

[Sean Fennessy]

Pushed to 2026 by Warner Brothers, Flowervale street, starring Anne Hathaway. I think it's about dinosaurs. I think they saw the Jurassic World rebirth train coming. They said we gotta get off the tracks.

[Chris Ryan]

Are you psyched about Kathryn Bigelow's missile strike movie?

[Sean Fennessy]

I'm not not striked. I'm not not stoked. I'm a little bit concerned about the timing.

[Amanda Dobbin]

Okay. So here's one thing I'll say to you.

[Sean Fennessy]

Okay, that was an example of what I'm referring to. Here's one thing I will say to you. You could just say I actually can't.

[Amanda Dobbin]

Because you guys talk over me all the time.

[Chris Ryan]

No.

[Amanda Dobbin]

Do we? So it's. Yeah. This is in my.

[Sean Fennessy]

Be that as it may, Amanda, as.

[Amanda Dobbin]

A working woman, I gotta seize the floor. Do you, the schedule maestro, anticipate drafting or auctioning before July 11? Because otherwise it won't be there for you.

[Sean Fennessy]

Yeah, we usually do run it the first week of July. So you're talking about Superman. I've thought about it.

[Amanda Dobbin]

What if I'm on vacation? What if I strategically sounds like we.

[Sean Fennessy]

Got a two man auction coming?

[Amanda Dobbin]

Vacation, though, that's not.

[Chris Ryan]

Do you want to go away on vacation for Superman?

[Amanda Dobbin]

I'm helping you and also warning you all at once.

[Sean Fennessy]

You know, this only happened because I suggested that she go on vacation in July so that she doesn't have to talk about Superman on the pod.

[Chris Ryan]

Is it that? Is it.

[Amanda Dobbin]

Is that so Superman is July 11th, so it would. Yeah.

[Chris Ryan]

Like, why are you so upset about.

[Sean Fennessy]

She thinks she's like Angela Merkel or something where she's just like. I have allowed for all of these things to transpire like we know, man.

[Amanda Dobbin]

Well, I'm just letting you know if we auction on July 12th.

[Sean Fennessy]

Amanda, I'll just put Mallory in your chair. What are you talking about, man? See, you're gonna try to okie dokie on Superman by going on vacation.

[Amanda Dobbin]

I'm not okie dokie you. I can't take it.

[Chris Ryan]

Yeah, take Superman. Is that what we're talking about here?

[Sean Fennessy]

No, but I don't want it. Okay. I don't. In this. In this instance, I don't want it caught stealing.

[Chris Ryan]

No. Delivery from Nowhere. Probably not coming out this year.

[Sean Fennessy]

I'll take Eddington. This is Aria.

[Amanda Dobbin]

Yeah, that's.

[Chris Ryan]

It a Western, or is it a contemporary road trip movie?

[Sean Fennessy]

It's a Western. I don't know. What? When it's set.

[Chris Ryan]

Okay.

[Sean Fennessy]

I don't know a whole lot about it. There's not a lot about it out there.

[Chris Ryan]

Again, it's got an incredible job, Hollywood.

[Sean Fennessy]

Just.

[Chris Ryan]

Just tell me when the fucking movie is.

[Sean Fennessy]

You think it's a disinfo campaign?

[Chris Ryan]

I just think they're doing a bad job getting people psyched about stuff.

[Sean Fennessy]

Do you think that the name the Battle of Cross will be the name of the movie? Do you think the movie will be called the Battle of Backton Cross?

[Amanda Dobbin]

No, I don't.

[Chris Ryan]

I don't.

[Sean Fennessy]

What do you think it'll be called?

[Amanda Dobbin]

You don't?

[Chris Ryan]

It's gonna be called, like, Shutter Island 2. What if it is Shutter Island 2?

[Sean Fennessy]

Great. You really brought it today. You both brought it today. Great stuff, guys. Shall we recap our picks?

[Chris Ryan]

Sure.

[Sean Fennessy]

Okay. Amanda, why don't you start?

[Amanda Dobbin]

Okay. I see that really stayed with you. I have Ms. Regan 2.0. How much for $30?

[Chris Ryan]

Somehow she started speaking Elvish.

[Amanda Dobbin]

Which, just to clarify, is not a prequel, because I got that wrong last time.

[Sean Fennessy]

Not a prequel.

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

Yes.

[Amanda Dobbin]

Okay. F1 for $256. The Phoenician Scheme for $200, Marty supreme for $206 and Opus for $308. It's a good lineup.

[Sean Fennessy]

Agreed.

[Chris Ryan]

Chris Sinners for $270. Highest to lowest for $205. Jurassic World Colon Rebirth for $100. Sentimental value by Joe Keem Trier for a hundred and ten dollars. And Running Man, Edgar Wright's Glen Powell movie for a hundred dollars.

[Sean Fennessy]

And how much did you leave on the board there?

[Chris Ryan]

$215. I carry that over.

[Sean Fennessy]

That does not carry over.

[Chris Ryan]

Okay.

[Sean Fennessy]

Sadly, I don't care. Should we start doing that?

[Chris Ryan]

I don't think it's an issue of, like, oh, I don't have enough.

[Amanda Dobbin]

We should have done that. I mean, I guess we could do it.

[Chris Ryan]

You know what I would rather do? Buy another slot.

[Sean Fennessy]

Well, what just happened to me could work to my advantage long term.

[Amanda Dobbin]

Right. And. And I in the future. And it also would have kept us actually drafting.

[Sean Fennessy]

Yes. So maybe we should do it in 2026. We'll definitely be doing this show. It's definitely going to last that long.

[Amanda Dobbin]

We're learning and growing.

[Sean Fennessy]

Yes, we're learning a lot and growing a lot.

[Chris Ryan]

I can't tell if this is a Bit.

[Sean Fennessy]

I'm growing. I. I am growing in my appreciation for the Mission Impossible franchise, which I acquired for $390. The final reckoning, because Amanda gave it to me. 28 years later, I got for $355. A big, bold, beautiful journey. I got for $50. The Battle of Backton Cross, I got for $1. And Eddington, I got for $204. I don't know if I'm. I'm quite curious to know how many. Maybe we can circle back to this. How many Oscar nominations are in this first slate?

[Chris Ryan]

That's a great. Yeah, yeah, yeah. Do you think that the final 28 movie will be called at the end of the day, Colon Zombies?

[Sean Fennessy]

Be that as it may, comma zombies. It is what it is. I don't think there are any Oscar nominations in our first slate.

[Amanda Dobbin]

Challengers. I might get a couple.

[Sean Fennessy]

You might?

[Amanda Dobbin]

I might. I will probably get one.

[Sean Fennessy]

I guess Chris will have below the.

[Chris Ryan]

Line stuff, maybe Gladiator 2.

[Sean Fennessy]

Below the line, yeah. And I'll have Nosferatu Below the line, but not. No, not really any above the line stuff.

[Amanda Dobbin]

Yeah.

[Chris Ryan]

Well, dude will probably get nominated for best picture, right?

[Sean Fennessy]

It will. It will for sure. So quickly, before we wrap.

[Chris Ryan]

Yeah.

[Sean Fennessy]

Denis. It looks like he's not gonna make it. Right. Like, you're the Denis guy.

[Chris Ryan]

I. I am a Denis guy, yeah.

[Sean Fennessy]

Some might say the.

[Chris Ryan]

Yeah, the. I would say that. That. That my love of him peaked with Arrival, though. Like, you know what I mean? Like, I've enjoyed this Dune experience with.

[Sean Fennessy]

A rival and not Sicario.

[Chris Ryan]

Well, wasn't Sicario previous to Arrival? Like, I'm saying, like, on the. On the. On the train. Did it up the mountain.

[Amanda Dobbin]

But wouldn't Sicario is your passion?

[Chris Ryan]

Yes.

[Amanda Dobbin]

And then it stayed at Arrival.

[Chris Ryan]

Yeah. Like, I love enemy prisoners. I love Sicario. I love Rival.

[Amanda Dobbin]

Yeah.

[Chris Ryan]

And then I have appreciated the Dune movies, but I do feel like we've lost, like, six of a great filmmaker just making cool shit. But Dune's great. I'm happy for him.

[Amanda Dobbin]

So it peaked with Sicario, Plateaued with Arrival, I suppose.

[Chris Ryan]

Yeah. I don't really understand. Well put Mountains.

[Amanda Dobbin]

Thank you so much. I don't really either.

[Sean Fennessy]

Hmm. Okay, so you're, like, good, and you don't deserve it, Denise. That's what you're saying.

[Chris Ryan]

That's not what I said. It's not what I said.

[Sean Fennessy]

What are you saying?

[Chris Ryan]

I'm saying that we should see if we can change the academy rules to nominate prisoners for best picture this year.

[Sean Fennessy]

Prisoners. You know, it's got some flaws. Chris, what is it about that story.

[Chris Ryan]

That you connect to Jake Gyllenhaal's character?

[Amanda Dobbin]

Is that the.

[Chris Ryan]

Why are you shopping for baby clothes?

[Amanda Dobbin]

Oh, my God.

[Chris Ryan]

What you doing at the mall, Detective Loki? Yeah. I don't think I have an Oscar in my slate here. I guess I'm holding out hope for the Denzel one. Everybody thought he was gonna win for Gladiator, and he's not.

[Sean Fennessy]

Did we pick him to win for Gladiator in our bets? We didn't. Right. Remember, we did the bet in September?

[Amanda Dobbin]

Yeah, I do. I think I maybe picked Clarence Macklin, which would be incredible, but I don't really think that it's going to happen. Unfortunately.

[Sean Fennessy]

No, Kieran Culkin is going to happen for sure.

[Amanda Dobbin]

That's another thing where I'm like, a real pain. Like a good movie that's taken up a little too much space. Okay.

[Chris Ryan]

Okay.

[Amanda Dobbin]

That's where I am with it. So that's where I am.

[Chris Ryan]

Everywhere you go, people are saying, ma'am, have you seen A real pain?

[Amanda Dobbin]

I just also, Kieran Culkin is very good in it and has won several Emmys for his work and succession, which I might posit is indistinguishable from what he's doing in A Real Pain. And I really like him. I hope he keeps working forever. I enjoy his awards acceptance speeches.

[Chris Ryan]

Yes.

[Amanda Dobbin]

It's not who I would give this supporting actor Oscar to this year.

[Chris Ryan]

You would give it to Clarence Macklin.

[Bob Wagner]

From Sing Sing in the big Oscar bet. Amanda, you did pick Clarence Macklin. And, Sean, you picked Guy Pierce sight unseen, I believe.

[Amanda Dobbin]

Yeah, but we kind of knew, you know.

[Sean Fennessy]

Yeah.

[Bob Wagner]

You both had Kieran Culkin nominated, so, Yeah.

[Sean Fennessy]

I did love the potential narrative for Guy Pierce, which is playing out in the marketing and press around the movie. A lot of, like, I think he's now been profiled in Vanity Fair and the New York Times. A lot of people being like, you motherfuckers forgot this guy circa Louisiana. Confidential and Memento was set to be the golden one and then was not for reasons, because I guess some guy at Warner Brothers who didn't like Guy Pierce didn't allow him to be in Chris Nolan movies. That was one of my. Do you read that?

[Amanda Dobbin]

Oh, wow.

[Sean Fennessy]

It was a crazy factoid that he shared in the Vanity Fair interview where he was like, some guy at Warner Brothers said no to me appearing in future Nolan movies. And so he just didn't show up in any Nolan movies after Memento, which is just an amazing Sliding door.

[Chris Ryan]

Yeah.

[Sean Fennessy]

You could think of so many different parts that he could have played. Could have been Batman, could have been any of the villains. Could have been in, you know, Inception. Could have been in Interstellar. You could have seen him in Dunkirk. You could have seen him in any of those movies.

[Chris Ryan]

Yeah, yeah. Trying to think of who he would be. Inception.

[Sean Fennessy]

Tom Hardy. Oh, he's very similar kind of thing. Not as burly, obviously, but that kind of charming, darling thing. You could see Guy Pierce doing that. Right.

[Chris Ryan]

We would. We would lose Tom Hardy in Obsession. Inception, though.

[Bob Wagner]

He could have been Joseph Gordon Levitt in that movie. He might be a little older, but change the character a smidge.

[Sean Fennessy]

Yeah. It might have been a little old at that point. I don't know. Could have been Kenneth Branagh and Dunkirk, you know.

[Chris Ryan]

Yes.

[Sean Fennessy]

Why not Home could have been Kenneth Branagh and Tenet.

[Chris Ryan]

That would have been a better movie.

[Sean Fennessy]

Oh.

[Amanda Dobbin]

Oh, yeah. I mean, Kenneth Branagh is pretty good in both of them, to be honest.

[Sean Fennessy]

He's super hammy. And Tenet, I mean, it's. It fits the movie.

[Amanda Dobbin]

It's like he's on, like, a yacht being a Russian.

[Chris Ryan]

He's Roman Abramovich.

[Amanda Dobbin]

Yeah. He's supposed to be.

[Sean Fennessy]

Yeah.

[Bob Wagner]

Who would he be in Interstellar? Damon.

[Sean Fennessy]

Mmm, no. Interstellar. I haven't seen that in a long time.

[Chris Ryan]

He would be. Yeah. Honestly, like. I mean, like, unless you were Gonna give him McConaughey, I guess he would be Damon.

[Bob Wagner]

Yeah. It's really the only choice.

[Sean Fennessy]

Is there no other male co. Lead.

[Chris Ryan]

You haven't gotten involved in the Interstellar, Like. Like revival? Not Revival, no.

[Sean Fennessy]

I watched it during COVID and tried to have as open a heart as possible. And I like it. I just don't love it. And I know that for many people, it is, like, the apex of movie making in the 2010s, but it's a movie that just does too much explaining for me. Feels very overwritten. That's just me. I wish nothing but the best for all the.

[Chris Ryan]

Can you imagine if you got to another planet and Sean was there with a podcast set up? It was just you and him potting, waiting for me to come, suggesting.

[Sean Fennessy]

That's not what it feels like for Amanda right now.

[Amanda Dobbin]

Yeah.

[Sean Fennessy]

She goes home to the aliens, and then she comes here with another alien. Well, guys, thank you very much. Thanks for listening to the Big Picture. I hope you're having a wonderful Monday in America. Thank you to Bobby Wagner, our producer, for his work on this episode. Thanks to Jack Sanders for his work later this week. We will be talking about the Academy Award nominations. The Academy just sent me an email that says we are in fact holding our event on Thursday, January 23, to announce they actually shared the order in which the Oscar nominations will be announced. Wow.

[Amanda Dobbin]

Who is presenting them?

[Sean Fennessy]

I didn't read that far in the email. Shall I pull it up again?

[Amanda Dobbin]

Yeah, let's do it.

[Sean Fennessy]

Okay. Please hold. It does not say.

[Amanda Dobbin]

Okay, great. Good job.

[Sean Fennessy]

I guess they're waiting.

[Amanda Dobbin]

Or. Yeah, maybe they don't know yet.

[Sean Fennessy]

Do you think that they should have you and I do it with live commentary on each award nomination? Yeah. Do you think that would do well?

[Chris Ryan]

So you can no. Sell Kieran Culkin's nomination.

[Amanda Dobbin]

Listen, I wish him the best. I really liked the profile of him in New York magazine promoting A Real Pain and Emma Stone's role. Yeah. A reverse psychology. That's all. Great. I would give the Oscar elsewhere. That's all.

[Sean Fennessy]

Chris, where are you going after this?

[Chris Ryan]

I have to go pick up some frames. Like some paintings that have been framed. It's been a long process, and I was gonna maybe get a turkey sandwich. Turkey sandwich from Cookbook.

[Amanda Dobbin]

Oh, that's a really good turkey sandwichmont. Yeah.

[Sean Fennessy]

Does that mean you'll be having sex in between those two acts?

[Chris Ryan]

It's about 20 blocks between the framing store at Larchmont.

[Sean Fennessy]

Anything could happen. Cheetah's in that zone. What about you, Amanda? What are you gonna be doing this afternoon?

[Amanda Dobbin]

I was gonna go see Hard Truths.

[Sean Fennessy]

Oh, that's nice. I'm going to see the Brutalist.

[Amanda Dobbin]

Oh, wow.

[Chris Ryan]

How many times is this now?

[Sean Fennessy]

This will be my third time.

[Chris Ryan]

And.

[Amanda Dobbin]

What.

[Chris Ryan]

Can I just ask why you're seeing it, or just because, like, you're. Like, I have.

[Amanda Dobbin]

I'm. The next time that we speak, barring another act of God.

[Sean Fennessy]

Yeah.

[Amanda Dobbin]

I will have seen the Brutalist the.

[Sean Fennessy]

Next time we speak to each other. I'm certain that's not true. I'll be texting you.

[Amanda Dobbin]

I was trying to include everyone who's listening this part into a microphone last time that. The next time that we are all here together and that. That's the. That's the we that includes this wonderful community that we've built here at the big picture, the royal we. I. I will have seen the Brutalist.

[Sean Fennessy]

Okay.

[Amanda Dobbin]

I'm going to try my best.

[Sean Fennessy]

What do you think will happen after that happens?

[Amanda Dobbin]

I don't know. What if I love it? I. Could.

[Sean Fennessy]

I. I would honestly be surprised if you were like, this is bad.

[Amanda Dobbin]

I. I don't. I'm not in that that head.

[Sean Fennessy]

Thank you for listening to the big picture. We'll see you soon.