B&T Extra: Comedian/Actors Billy Gardell & Drew Powell

Summary

Podcast Summary: B&T Extra – Comedian/Actors Billy Gardell & Drew Powell

Release Date: June 25, 2025
Hosts: The BOB & TOM Show | Cumulus Podcast Network
Guests: Billy Gardell & Drew Powell

---

1. Introduction of Guests

In this episode of B&T Extra, hosts Bob and Tom welcome renowned comedian and actor Billy Gardell alongside fellow actor Drew Powell. The conversation promises a blend of humor, behind-the-scenes anecdotes, and insightful discussions about the acting industry.

Notable Quote:
Tom (08:37): "Two great guests, the distinguished actor and comedian Billy Gardell, and an actor that's been a friend of the show for a while, played Hoss Cartwright."

---

2. Drew Powell's Experience on "The Ponderosa"

Drew Powell delves into his role in "The Ponderosa," a series adaptation of the classic American Western. He shares his audition experience, highlighting the unexpected atmosphere and the casting director's unique approach.

Notable Quote:
Drew Powell (02:12): "I walk into the audition room and it's no joke. It was like a bunch of chubby 12-year-olds and their moms in their little hats and vests. I'm like, oh, gee. This is some Sesame Street nonsense."

He further reminisces about working with David Dortort, the original creator, who provided invaluable historical insights and stories about television's evolution.

Notable Quote:
Drew Powell (02:46): "He was telling me stories about how he's like, well, I put up a million dollars and Ford put up a million dollars, and we decided to do the first color show on television. Real history dripping out of this dude's mouth. Total class act."

---

3. Filming Challenges in Australia

The discussion shifts to the logistics of filming "The Ponderosa" in Australia. Drew recounts the frequent interruptions caused by local wildlife, such as cockatoos and wallabies, which added unexpected twists to their scenes.

Notable Quote:
Drew Powell (03:28): "We shot, of course, the classic American Western. The number of times we had to stop for cockatoos through Wabe."

Billy Gardell humorously comments on the vastness of the set, likening it to covering most of Virginia.

---

4. The Didgeridoo Encounter

A memorable moment in the episode is the humorous exchange about the didgeridoo, an Australian wind instrument. Drew shares a funny story about meeting Brad Durif, the father of Fiona Durif, linking it to his personal life and divorce.

Notable Quote:
Drew Powell (04:46): "Hey, man. Hey, man. I said, you play the didgeridoo? Yeah, I learned it during my first divorce. It really helps me clear my mind."

Billy interjects with laughter, emphasizing the uniqueness of the instrument.

---

5. Residuals and Industry Realities

The conversation turns to the topic of residuals in the acting industry. Drew and Billy discuss the often confusing and minimal residual checks that actors receive, sharing amusing anecdotes about receiving negligible amounts like one cent.

Notable Quote:
Drew Powell (07:50): "I just got one the other day for one cent. Yeah, I've had a couple of those that you look at and you're like, it cost them more to mail."

Billy adds his perspective on residual negotiations, injecting humor into the challenges actors face.

---

6. Early Careers and Influence of Drama Teachers

Both guests reflect on their formative years, acknowledging the significant impact of dedicated drama teachers who recognized and nurtured their talents. This mentorship fueled their passion for acting and shaped their career trajectories.

Notable Quote:
Billy Gardell (11:16): "I had a great drama teacher in high school... He really changed my life."

Drew Powell (11:27): "Carol Bellis... she saw that I had the thing. She just encouraged me to pursue acting, and that changed everything."

---

7. Billy Gardell's Acting Journey

Billy Gardell shares insights into his journey from stand-up comedy to acting in sitcoms. He discusses his role as Colonel Tom Parker in the series "Sun Records," highlighting the challenges and rewards of portraying a complex character.

Notable Quote:
Billy Gardell (14:52): "It was great. It was directed by Roland Joffe and it was about the Million Dollar Quartet, Perkins and Cash and Elvis, remember?"

He also touches upon the creative process and character development, emphasizing the blend of likability and deviousness required for his role.

Notable Quote:
Billy Gardell (16:19): "When you play Colonel Parker... put a twinkle in your eyes. He was a con man, so you got to play him with a twinkle."

---

8. Discussions on Acting Process and Memorization

The guests delve into the intricacies of acting, particularly the memorization of lines. Billy explains his unique ability to retain lines by associating them with musical rhythms, while Drew emphasizes the importance of good writing for ease of memorization.

Notable Quote:
Billy Gardell (13:39): "I have a weird. It's musical to me. So once I hear it, it's in there."

Drew Powell (13:59): "Good writing is easy to memorize. Bad writing is impossible."

---

9. Anecdotes and Behind-the-Scenes Stories

Throughout the episode, Billy and Drew share entertaining stories from their careers, including interactions with other actors, memorable auditions, and humorous on-set incidents. These anecdotes provide listeners with an authentic glimpse into the life of professional actors.

Notable Quote:
Billy Gardell (19:27): "They missed the boat on. We had Matt Jones. Matt Jones got that friend. He was on breaking the guy."

---

10. Closing Thoughts

As the episode winds down, the camaraderie between Billy and Drew shines through, highlighting the shared experiences and mutual respect among actors. They reflect on the joys and challenges of their profession, concluding with light-hearted banter and best wishes.

Notable Quote:
Christopher (18:37): "It's insane what we do. This is a dumb thing to do. It's insane. You're silly and dumb if you want to drive across the country to LA or New York and be a professional actor. But when you're doing it, it's the greatest thing in the world."

---

Conclusion:
This episode of B&T Extra offers a captivating exploration of the acting world through the eyes of Billy Gardell and Drew Powell. From audition tales and set antics to deep reflections on their craft, listeners are treated to a rich and engaging conversation that underscores the passion and perseverance required in the entertainment industry.

Transcript

[Billy Gardell]

I think you're on mute.

[Drew Powell]

Workday starting to sound the same.

[Christopher]

I think you're on mute.

[Drew Powell]

Find something that sounds better for your career on LinkedIn. With LinkedIn job collections, you can browse curated collections by relevant industries and benefits like flexpto or hybrid workplaces so you can find the right job for you. Get [e-mail] jobs finding where you fit. LinkedIn knows how to savor every last.

[Billy Gardell]

Drop of summer with Starbucks. From bold refreshers to rich cold brews.

[Drew Powell]

The sunniest season only gets better with.

[Billy Gardell]

A handcrafted ice beverage in your hand. Available for a limited time, your summer.

[Drew Powell]

Favorites are ready at Starbucks.

[Bob]

Welcome back. It's another Bob and Tom extra. This is Christopher. Not only is the Bob and Tom show live every weekday morning, but every afternoon we'll give you a little extra in case you missed anything on the big show today. It's Billy Gardell and Drew Powell coming up in just a minute.

[Drew Powell]

This episode is brought to you by State Farm. Knowing you could be saving money for the things you really want is a great feeling. Talk to a State Farm agent today to learn how you can choose to bundle and save with a personal price plan. Like a good neighbor, State Farm is there. Prices are based on rating plans that vary by state. Coverage options are selected by the customer, availability, amount of discounts and savings and eligibility. Eligibility vary by state.

[Christopher]

Now some more Bob and Tom.

[Billy Gardell]

You want it, you need it, you can't live without it.

[Christopher]

This is Bob and Tom extra with.

[Tom]

Us in the studio, comedian and actor Billy Gardell. And also with us in the studio, the man who once portrayed Hoscotright.

[Unknown]

It's not cop, right, Hoss?

[Billy Gardell]

What?

[Unknown]

It's Cartwright. Yeah.

[Tom]

Sorry. The benefits of a classical education. Thank you. He is Drew Powell. And didn't you. Didn't you. My credit is saying you met your wife while playing Hoss.

[Christopher]

That's right. Yeah. She was a makeup artist on the show. And that's a funny audition story too, because I went in, this was a young Hoss car. He's supposed to be 17, I think. And I walk into the audition room and it's no joke. It was like a bunch of chubby 12 year olds and their moms in their little hats and their vests. I'm like, oh, gee. I mean, like children. Like, this is not like. And I got up. This is a true story. I got up. I sat there for a minute, like you said, like, you know what? I'm staying. I was like, I'm not staying. This is ridiculous. This is some Sesame Street. What is this nonsense? I put my hand on the door, and Jackie Burch, the old casting director, you remember her?

[Billy Gardell]

Yeah.

[Christopher]

She's like Joey's agent on Friends. Like, hey, hey, hey, stop. I hold hand on the door, stop. And I turn around. He's like, come here. And then they sit me down, and she and her assistant talk about me like I'm not there. It's like, well, maybe if you put Vaseline on his face. Next thing I know, I got the job. And I was on the phone with David Dortort, the original creator. He was 95 years old. Yeah, yeah. He was telling me stories about how he's like, well, I put up a million dollars and Ford put up a million dollars, and we decided to color. Do the first color show on television. I'm like, this is, like, real history dripping out of this dude's mouth. Total class act. And he did, like, High Chaparral and all these classic.

[Tom]

And you filmed it in Australia, Right?

[Christopher]

We shot, of course, the classic American Western. The number of times we had to stop for, like, cockatoos through Wabe. Cut my doing a scene. My mother's dying, I'm weeping. I cut kind of like, what? That was great. He's like, there's a wallaby in the back of the shot.

[Tom]

I'm like, oh, well, of course, we all know that the.

[Drew Powell]

The.

[Tom]

The Ponderosa was very big.

[Christopher]

Yes.

[Tom]

Covered most of Virginia.

[Unknown]

Drew. We got to take that again. Paul Hogan just walked by.

[Billy Gardell]

Dingo in the back. Just hear a didgery doing it back.

[Christopher]

Funny story about that, though. So let's take it back to the pit. Fiona Durif plays the doctor that has the ankle, you know.

[Tom]

Yeah.

[Unknown]

I love her.

[Christopher]

She's great.

[Unknown]

She's fought Chucky a couple times.

[Christopher]

Yes. Well, her dad was the voice of Chucky Braddorf. Also Billy Bibbit and One Flew over the Cuckoo's Nest. Like a legendary actor, he was on the show. And the first time I met him, we're all staying in this, like, townhouses, and they're all in kind of a circle. And I walk up, and there's this guy playing the didgeridoo on the porch, and it's Brad Durif. He's like, hey, man. Hey, man. I said, you play the didgeridoo? Yeah, I learned it during my first divorce. It really helps me clear my mind.

[Billy Gardell]

Wow. My first.

[Christopher]

He was the one that said I was at Woodstock. He's like, yeah, man. They said, don't take the brown acid. I already took the brown acid.

[Unknown]

Too late.

[Christopher]

Too late.

[Tom]

The didgeridoo. Wow.

[Christopher]

Yeah. Yeah. He was really good at it. It too. It was impressive.

[Tom]

I. What is. Is it like a bassoon or something?

[Unknown]

It's a big tube. It's almost like a.

[Christopher]

Made of wood, right?

[Billy Gardell]

Yeah, yeah.

[Christopher]

Perhaps.

[Unknown]

No, no, it is wood, but it just looks like a.

[Christopher]

It's incredible.

[Tom]

I think I have the sound. The sound of a didgeridoo.

[Christopher]

Oh.

[Tom]

Ladies and gentlemen, that's it right there.

[Billy Gardell]

There it is.

[Christopher]

Oh, that is it.

[Tom]

That is beautiful. This be good on an Alien movie.

[Christopher]

Absolutely.

[Tom]

Your mind.

[Christopher]

That makes mine hurt. I don't know. But the thing about it, it's a circular breathing, so they never stop. So they inhale, you know, through the nose while they're breathing out. That's the tricky. So I think that's the. The Zen of it all is. That's why.

[Tom]

That's why parents don't ever want to get one for their kids, because it never stops right there. That's awful. Wow.

[Christopher]

Yeah. But that was. That was a hell of a job. Veronica, my wife, swore she'd never date an actor.

[Billy Gardell]

Yeah.

[Christopher]

And I promised my agent I wouldn't fall in love. Literally. Last thing's like, don't fall in love when you go down there. I'd never. That's all the. Exactly.

[Tom]

How long were you in Australia?

[Christopher]

Nine months. Oh, yeah? Yeah. And it was. It was one of those deals, you know, this. Where it was. We were going to shoot in la, and then I get a call when I'm back in Indiana visiting my. My sister's graduate high school graduation. They're like, so, a little change. We're going to Australia. I need you to pack for six weeks or six months because we don't know what's going to happen. And I was there for nine, so. Talk about a life change. What happened to the movie which. Which was.

[Tom]

It was the Bonanza movie on regular screens?

[Christopher]

No, it's a. It was a series called the Ponderosa, and it was on PAX tv, which was, you know, we were on right after Billy Ray Cyrus. He played Doc, the country doctor in the city. So it was a network that they tried to be like this wholesome family network, and then it kind of went away. But, yeah, we shot 20 episodes.

[Tom]

Is it still floating around out there?

[Christopher]

I think it's like, there's DVDs, but the DVD only has half the season. And maybe there's some, I think, on YouTube. Maybe you can see it. And it was done by the woman that did Dr. Quinn. Medicine woman. You remember that? So she's real wholesome insight.

[Tom]

You know, we always hear about residuals and I don't want to make you guys give me any numbers, but million dollars I've read about. There's some. Apparently some bar in LA where if.

[Billy Gardell]

You get a residual that's less residuals in the Valley. It's on Ventura. If you have a residual, I think it was back then, it was under $2. You got a free drink.

[Christopher]

Yeah. Up on the wall.

[Billy Gardell]

Yeah. And they put them on the wall.

[Christopher]

Yep.

[Tom]

Do you still get the occasional obscure like check for 17 cents?

[Christopher]

Oh, I just got one the other day for one cent.

[Billy Gardell]

Yeah, I've had a couple of those that you look at and you're like, it cost them more to mail. Yeah, it's ridiculous.

[Christopher]

Absolutely crazy.

[Unknown]

Do you cash it?

[Tom]

Hell yeah.

[Christopher]

I was gonna say I earned that penny.

[Unknown]

Right, Right.

[Christopher]

That's the thing about residuals though is that most of the time I never. I don't. Who can figure out how it's structured? So it's just like money that comes in the mailbox. That's why the one thing about the strike was you realize like that was all gone for a big casino. It's leading up to. It's over. So I realized I didn't really think much about how important that was until it was like, oh, that's gone. That hurts. So, you know.

[Billy Gardell]

Well, that's what happens when you allow the nanny to go negotiate your contract. I never went to college, but I. I think we should have sent a lawyer. Your representation. This Guy was number two on Magnum in 78. He's going to be talking for us a week ago.

[Unknown]

Yeah. Talks have stalled and I'm like, yeah, they probably got tired of hearing Fred forever.

[Billy Gardell]

We just need a break from unbelievable.

[Tom]

Two great guests, the distinguished actor and comedian Billy Gardell. And an actor that's been a friend of the show for a while, played Hoss Cartwright.

[Christopher]

I will say real briefly, the guy that played my. Played Adam Cartwright, was a friend of mine. He lived in Hollywood over on Franklin, you know, right. By Bourgeois Pig and all that. And he had at the time a chopped off convertible, like a, I don't know, 60 something continental. And one morning he gets into this car and in the back seat is a VHS tape and he puts it in the V. It's called the Pounderosa.

[Billy Gardell]

Excellent.

[Christopher]

Is exactly what you call a wonderful quality. Oh, dang it.

[Tom]

No, I, I don't. Are there. I'm assuming. Is there. Is there a. Is there a sphere of pornography that is based on sitcoms. Do they do, like.

[Unknown]

Yes, of course. There have to be, like. Not the Brady's or whatever.

[Tom]

The Dick Van Dick Show.

[Christopher]

Was there Mike and Molly one? No.

[Billy Gardell]

No, I don't think anybody was putting us in a porn. Imagine hearing Lou in a pun. Oh, yeah, that's it right there. That's perfect. Nice work.

[Tom]

Let's talk with Billy for a second. Billy Gardell, we talked a little bit about your early days.

[Billy Gardell]

Yes, sir.

[Tom]

Doing standup. And then. Did you always, in the beginning, think I could be an actor? Was that even on the.

[Billy Gardell]

It was actually. That was one of my goals. My. My first goal was to pay the rent with stand up. And my second was to figure out how to get into sitcoms because that was what I love to do. That's. That's what I set out to do.

[Tom]

Were you in the school play? That sort of thing?

[Billy Gardell]

Oh, I. Yeah, I had a great drama teacher in high school. You know, I. I was supposed to graduate in 87, had to take another. And the only reason I did was cause my grandmother guilted me into. I just want to see one of my grandkids walk across the stair. Thanks for dumping at em. So I stuck around and I got to be friends with the drama teacher, a guy named Kid Haskett. And in high school, this guy was. They won the state festival in Florida every year. I mean, this guy made us do real work. Like, we did the Ballad of the Sad Cafe. We did the Book of Job. We weren't doing like Our Town. And this guy, even in 11th grade, he was teaching us about Meisner and Stanislavski. Like, he really. I owe that guy. I would skip school a lot in high school, and he would say, look, if you're gonna skip, just come here and we'll talk about theater and we'll talk about acting, and you can help build sets. If you're really gonna do this, just come here. So I spent like four hours a day with that guy, and he really changed my life.

[Tom]

Really changed. Drew, were you a high school drama guy?

[Christopher]

Yeah. And I was just thinking that, as you said that how many of us have that story of the one person that. Yeah.

[Billy Gardell]

Took you serious of what you wanted to be?

[Christopher]

Right? And look, I was a ham from a long time ago. Like in kindergarten, they had me around doing the Night Before Christmas because I had it memorized. But Carol Bellis, God rest her soul, she was the choir and drama teacher at Lebanon High School in Indiana. And she just. She saw. She knew that I Had the thing. And so she. Like our junior year, we did Fiddler on the Roof, which we had no business doing that musical in Lebanon, Indiana.

[Tom]

But were you on the roof?

[Christopher]

Yeah, I was. I was heavy.

[Billy Gardell]

You were heavier. You played Teviol.

[Christopher]

Yeah, it changed my life.

[Billy Gardell]

We have the disease we need to kill.

[Christopher]

Exactly. Yes.

[Billy Gardell]

Outstanding.

[Christopher]

Oh, I loved it. And I got into. I did the research. I saw the. The touring show came through iu. We went and saw it. I. I did the. I was studying what it is pogrom and, you know, in Russia. So I really. And then. And then the performance then was like, the best when you do the homework. Yeah. And you're just out there, just like every moment I was soaking it up, so. And that was the moment. Like, oh, I think I want to do this for the rest of my life. I had no idea how in the heck that was.

[Tom]

You still remember some of the lines?

[Christopher]

Oh, yeah. All the songs. I sing them all the time.

[Tom]

Now you're more like heavier, bigger fellow. There's a good chance you saw Bob's brother Peter. He played.

[Christopher]

Is that right?

[Tom]

He killed him. He was great. Yeah, he was great.

[Christopher]

That's amazing.

[Tom]

Billy, have you ever had to sing?

[Billy Gardell]

I had to sing on Mike and Molly one time there was an open mic night and Gary Anthony Williams was. He was the host of the open mic night, and I did Lean on Me by Bill Withers. And then what was really cool was there was a Rolling Stone article about him about three weeks after we did that show. And they asked his wife what's his favorite things to do? And he said, well, he loves to listen to music, do the crossword puzzle, and watch Mike and Molly. So we put that up on the bulletin board because we thought that was just a gift from the heavens, which was really cool. Really cool.

[Tom]

How do you. Are you really good at memorizing lines? Some people I know can read it once they've got. Others really struggle.

[Billy Gardell]

I have a weird. It's musical to me. So once I hear it, it's in there. I don't know where my keys are or where my glasses are, but for some reason in that thing, it's musical to me. Like, once I hear the beat of how it sounds, it sticks. Wow.

[Christopher]

Yeah. That's great. And the truism is, good writing is easy to memorize. Bad writing is impossible.

[Billy Gardell]

That is. That is an incredibly true statement. When it's. When it's just clunky, you're just like, oh, God. Because you're already in your head anyway. But Then when you read a sour one, you're like, this is hot.

[Tom]

You go first. Billy, did your wife ever help you.

[Billy Gardell]

Run lines early on? Yeah, early on. In the early days. And then did she direct? No, she, she. She's so sweet because she would just read the stage directions too. And I'm like, Mike crosses over. Yeah, you don't got to read that part. But she was so patient, man. Yeah, she used to do that with Tom.

[Unknown]

You know, Billy played a role and Tom Hanks also played the same character. And I submit Billy's version is better.

[Billy Gardell]

Yeah, that's really kind. I actually got a little bit of that online that people said, which one was this? I played Colonel Tom Parker in a short lived series called Sun Records.

[Unknown]

It was a really cool series.

[Billy Gardell]

It was great. It was directed by Roland Joffe and it was about the Million Dollar Quartet, Perkins and Cash and Elvis, remember? And it was a great. I think it's some of the best acting I did. I think about eight people saw it because it was on CMT and then they got the price tag and said we should probably go back to the shows where people catch fish with their arms. Did you end of that. But it was a joy to play that.

[Unknown]

Billy, you were wonderful.

[Billy Gardell]

Thank you. Billy, did you do the crazy Tom Hanks accent for the. No, I didn't play him like that at all. My dad was a huge Elvis fan and I'm actually in the Elvis museum now across the street, the car museum. There's a poster of me as Colonel Parker. My dad, like when I got successful, I took all. We took my wife's parents and my parents, we gave everybody their bucket list dream wish. Like, where do you want to go? Anywhere you want to go. So like her mom wanted to go to Hawaii and my mom wanted to go to New York during the Macy's parade. And when we got to my dad, he's like, I want to go to Graceland. I'm like, dad. I said anyway, I said any but my dad was the only guy. He loved Elvis so much. My dad was the only guy I ever knew that hated the Beatles because and I quote those hippies, not Elvis off the throne. All right, wow. All right, okay. All right. So. But I got to play him. But when I talked to the. They gave us a lot of access. You know, like sometimes you get a role and people talk to this guy. He was there.

[Christopher]

Yep.

[Billy Gardell]

So we got to talk to some of the Memphis mafia and we got to talk to the CEO of Graceland and he said, look, when you play Colonel Parker. He goes, just remember, he did a lot of awful things, but he was so likable. It's the only way he got away with it. So if you just play him dark, nobody's gonna believe he could con you. He was a con man, so you got to play him with a twinkle in your eyes. So, ironically, here's a Malcolm in the Middle reference. The two people that I based him on or mixed mixed up the soup with was Foghorn Leghorn and Walter White. Those two together, that's a good cocktail for this guy. And it made him likable and devious, so it was really cool.

[Tom]

I love that freaking. When you guys. When you guys are working on a contemporary show of some sort. Is there a rule about cell phones? Do they have to be offset or.

[Billy Gardell]

Should be.

[Christopher]

Well, it's funny you say that. You're absolutely. So on the Pit, John Wells and Scott Gimmel, like, you are not allowed a phone on a set.

[Billy Gardell]

Smart.

[Christopher]

And you're not allowed sides on set.

[Billy Gardell]

Smart.

[Christopher]

So consequently means.

[Tom]

That means the script.

[Christopher]

Yeah, Josh, sides are.

[Unknown]

They are part of the script.

[Christopher]

That.

[Unknown]

So other lines. Not yours.

[Billy Gardell]

Yes, but that's good. They're set in the templ. You need to be ready to work.

[Christopher]

Exactly. And consequently, we were done by dinner all the time. Like, there was no late nights. Sometimes they were done by. By lunch.

[Billy Gardell]

It's almost as if you guys were doing your job.

[Christopher]

Isn't that crazy?

[Billy Gardell]

Crazy talk.

[Tom]

Now, did you ever. Did you ever, ever blow any scenes in the pit?

[Christopher]

In the pit? I was pretty locked in because I didn't, you know, I had my moments. You know, because that's the whole thing.

[Tom]

You play sort of a angry.

[Christopher]

Yeah. I walk by a guy that comes in with, you know. Well, here's the thing. Here's the thing about Doug Driscoll. He's misunderstood. Oh.

[Billy Gardell]

He's like.

[Tom]

He's like the Colonel.

[Christopher]

Yeah, exactly. He comes in with it with. With the chest pain, and he's, you know, he thinks he's gonna die of a heart attack, and then he's there for, you know, nine hours, and it's like, this is crazy. You know, what. What's going on? So, you know, maybe he's my friend. Maybe it's some bad choices along the way. Does make some. Some bad choices. Yes, he does. He makes some bad choices. But, Michael, and. And. And I love. It's so fun to be here with a fellow thespian, somebody I've really admired.

[Billy Gardell]

Thank you very much.

[Christopher]

It's like, we're in the club.

[Billy Gardell]

Me too, Pat. Me too.

[Christopher]

I didn't say lesbian. But it. Because there is this like camaraderie, this club. It's insane what we do. This is a dumb thing to do. It's insane. You're silly and dumb if you want to drive across the country to LA or New York and. And be a professional actor. But when you're doing it, it's the greatest thing in the world. And the, you know, the process of it, which I know you really understand and appreciate is like, you know, it's. It's. It's part of the fun. I'm on the season finale of Tracker. Have you ever seen that show on cbs?

[Tom]

No.

[Billy Gardell]

Yeah, yeah. Big hit.

[Christopher]

It's. Yeah. I think it's like number one on.

[Billy Gardell]

String going, hey, buddy, we're on a roll. Malcolm. Come on, Wood baby.

[Christopher]

I'll trade it all in for one. Mike and Molly here at the top of the heat, baby.

[Billy Gardell]

I'm like, if they ever do a movie with me, it'll be the last sitcom star. I was the last sitcom star. It's true. Last comic to get over the fence.

[Christopher]

Here's my audition appointment from. It says 11 to 18 November to audition to play Douglas in Bob Hart's Abishola.

[Billy Gardell]

You would have been my brother.

[Christopher]

I know.

[Billy Gardell]

Oh, man. They missed the boat on. We had. Who got that role? Matt Jones. Matt Jones got that friend. He was.

[Christopher]

I want him to die.

[Billy Gardell]

What was he? He was on breaking the guy.

[Tom]

Now do you have your next gig for him?

[Billy Gardell]

Great guy to work.

[Tom]

Your next gig. Is it lined up and if so, just a yes or no will do. If you can't talk.

[Christopher]

No. That's why I was auditioning in my parents. In my parents living room clothes say basement. That would have been funnier. That's why I was in my parents basement.

[Tom]

It was the TV version of oh Calcutta.

[Billy Gardell]

It is amazing too how quickly you go right back of the line.

[Christopher]

Oh yeah.

[Billy Gardell]

I mean it's on. But like I used to pull in the Warner brothers a guard and they knew me.

[Christopher]

And your face was on the side.

[Billy Gardell]

I literally had a poster on the wall. And now it's like, ID please. I was here for 12 years. ID please. Who are you here to see?

[Bob]

That's it for another Bob and Tom show. Extra. Catch us on itunes, Google play and stitcher for Bob and Tom. Xtra, this is Christopher. Take care everybody.

[Christopher]

The United States Soccer Federation presents the U.S. soccer Podcast.

[Billy Gardell]

Inside the opening 45 seconds. What a goal with that cannon of a left foot.

[Christopher]

I'LL leave it at 1. Never miss a game. What a start for the United States.

[Billy Gardell]

Shot for distance. What a goal.

[Christopher]

Never miss a moment. Exquisite. From the San Diegan. Can he finish? Yes, he can.

[Bob]

The U.S. soccer Soccer Podcast.

[Christopher]

Follow and listen on your favorite platform.