Boy George Face & The Magnetic Zeros

Summary

The Bonfire with Big Jay Oakerson & Robert Kelly

Episode: Boy George Face & The Magnetic Zeros
Date: December 25, 2025

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Episode Overview

In this lively and irreverent holiday episode, Big Jay Oakerson and Robert Kelly (joined by regulars Christine, Isabel, Jacob, and Lou) riff on everything from Boy George’s androgynous image and 80s music video controversies to the quirky dynamics of Fleetwood Mac, the cultish energy of Edward Sharpe & The Magnetic Zeros, and the state of modern AI in entertainment. Their trademark blend of sharp wit, nostalgia, and unfiltered honesty powers a loose, hilarious conversation that veers from guilty pleasures to personal stories of family, fandom, and failed musical ambitions.

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Main Discussion Points & Insights

1. Boy George, Culture Club, and 80s Pop Nostalgia

• Boy George’s Persona: Jay and the crew discuss Boy George’s androgynous style, with Robert revealing he once thought Boy George was a misunderstood girl.
  • Robert Kelly: “I just wanted to take care of her and let her know that it's okay. You dress weird and silly and goofy hair. I get it.” (05:24)
• Music Video Backlash: They react to the blackface controversy in the “Do You Really Want to Hurt Me” video, candidly exploring how culture shifts and “artistic intent” explanations play out today.
  • Robert Kelly (sarcastically): “The actors under the makeup were reportedly black themselves. Lies. A choice intended to reinforce the state of the absurdity of judging others. That's not true. That's a good backpedal though...” (04:25)
• 80s Gender Confusion & Admiration: Jay jokes about confusing Boy George’s gender as a kid and confesses to being enamored:
  • “The thought of Boy George is still a her to me. I just wanted to take care of her and let her know that it's okay.” (05:24)
• Childhood Photos & Boy George Fashion: The cast teases Robert about an old photo resembling Boy George and discuss the nuances of 80s fashion choices.
  • Christine: “You look like bigger Boy George.” (08:48)

2. Deep Dives into 80s/90s Bands & Pop Culture

• Fleetwood Mac Drama: The hosts unpack old band footage, focusing on Stevie Nicks “stealing thunder” from Christine McVie.
  • Robert Kelly: “Stevie Nicks goes right over, starts playing in her flowy dress, looking hot as ever... just playing tambourine...stealing the thunder from her completely.” (13:09)
  • Christine (humor): “If she never went over there, nobody would know that fucking muppet face was existed.” (14:47)
• The Legacy of Tom Petty & Fleetwood Mac: They laud “Woman in Love” as a Tom Petty deep cut (11:06), and riff on the hard-living style and appearances of various classic rockers.
• No Doubt and The Sphere: The group briefly debates whether No Doubt has the catalog for a big Vegas-style show, with Lou revealing he’ll see them next year (31:32).

3. Music Video Oddities & Whimsical Observations

• Edward Sharpe & The Magnetic Zeros: Jay claims Alex Ebert’s band feels “culty” and comments on the folk singer’s onstage dynamic with a "possibly slow" bandmate.
  • Robert Kelly: “This guy, this hippie guy started a cult and he makes a retarded girl sing with him.” (16:14)
• Live Festival Moments: The group jokes about awkward audience participation and Robert’s skepticism toward festival “rap moments.”
  • Robert Kelly: “He gives the mic to a black guy who raps. It's awesome...There’s one black guy, this folk festival, he found them.” (20:09)

4. Holiday Plans, Family Stories & Sentimental Beats

• Family Christmas Traditions: The cast shares upcoming holiday plans—trips, food (ShopRite pasta), and local gigs.
  • Isabel & Christine reminisce about past Christmas family gatherings and the changes as kids grow up. (43:00)
• Lou’s Brother’s Pride: Touching story about Lou’s twin brother expressing pride at a comedy show, contrasting the episode’s usual sarcasm with a moment of genuine emotion.
  • Christine: “He was so proud of you, man. It lit me up inside. It was one of the best things, man.”
• Dog Adoption & AI Videos: Jacob and Christine debate the authenticity of viral dog adoption videos, revealing both hope and skepticism surrounding AI-generated content.
  • Jacob: “That would suck if you were the only one that didn't get a dog. This would crush me.” (36:15)

5. AI, Entertainment, and the Future of Movies

• AI’s Impact on Hollywood: The group is simultaneously fascinated and unsettled by AI recreations of movie scenes (like Darth Vader), speculating about the future of film and the end of actors’ jobs.
  • Christine: “If you can make a whole movie where you. You can't. You can kind of tell, but not really. And it's awesome.” (37:40)
  • Robert Kelly: “Someone will just do it... That's what you don't have to wait for.” (41:36)
• Star Wars Nostalgia: Jay and Christine recall and critique AI-generated Star Wars scenes, ranking them above recent official releases.

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Notable Quotes & Memorable Moments

• On Boy George’s Androgyny:
  Robert Kelly: “I thought Boy George was a misunderstood, cute girl who had an interesting taste in makeup and that I would understand.” (01:23)

• On Culture Club’s Music Video:
  Christine: “That is 100 blackface.”
  Robert Kelly: “That's blackface all right. But they don't give Boy George—you know why? Turns out he's not a misunderstood chick who needs me to save her and have sex with her. It’s a boy.” (02:55–03:00)

• On Fleetwood Mac Dynamics:
  Robert Kelly: “Stevie Nicks… just playing tambourine...stealing the thunder from her [Christine McVie] completely.” (13:09)

• On Edward Sharpe’s Cultish Vibe:
  Robert Kelly: “He just chooses to go by Alexander. Yick, Yick.” (18:25)

• Big Jay’s Realization:
  Robert Kelly: “All you can do at that point is take over the space, the galaxy. Yeah, that's what's left. You can't even whack off.” (40:10)

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Key Timestamps

• [01:12] – Kicking off with Boy George, fashion, and mistaken gender identity
• [02:09] – Blackface in 80s music videos and contemporary reactions
• [05:24] – Jay’s childhood infatuation with Boy George
• [13:09] – Fleetwood Mac live performance analysis and band dynamics
• [16:14] – Edward Sharpe & The Magnetic Zeros “cult leader” discussion
• [20:09] – Music festival antics, rapping, and white audience critique
• [29:06] – The crew’s various holiday plans and storytelling
• [36:15] – On dog adoption videos and AI skepticism
• [37:40] – AI in movies: “best Darth Vader I’ve ever seen”
• [41:36] – Speculation on AI disrupting Hollywood storytelling

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Tone & Style

The hosts and guests are blunt, sarcastic, often self-deprecating, and unafraid to cross into controversial or crass humor. Despite the raucousness, moments of genuine nostalgia and sentimentality peek through, especially around family traditions and friendships.

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Takeaways

• 80s pop and music video culture are ripe for both nostalgia and critical re-examination, especially around themes of gender and race.
• Classic bands like Fleetwood Mac inspire as much fascination for their music as for their interpersonal drama.
• Contemporary pop culture—from indie folk bands to AI-generated film scenes—elicits both awe and skepticism from comedians steeped in performance arts.
• Family and friendship ground the chaos, revealing the softer sides of the crew amid the jokes.

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This episode is a prime entry point for listeners who enjoy comedy that is rapid-fire, topical, and unconcerned with polite boundaries, yet comforted by candid reflections on art, family, and the oddities of fame.

Transcript

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[Robert Kelly]

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[Christine]

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[Robert Kelly]

And now the bonfire with Big J.

[Christine]

Okerson and Robert Kelly. I. I never. I never put it together, man.

[Robert Kelly]

What?

[Christine]

That Boy George was your idol, and that's why you dress like him.

[Robert Kelly]

It's not my idol.

[Christine]

Well, I mean, you. You emulated. How's that, Boy George?

[Robert Kelly]

I don't want to wear big hats.

[Jacob]

You.

[Christine]

You. You would have.

[Robert Kelly]

I thought Boy George, despite the name that I never really paid much attention to, was a misunderstood, cute girl who had an interesting taste in makeup and that I would understand.

[Christine]

Boy George and Billy. Billy Bob dressed the same.

[Robert Kelly]

Meanwhile, turns out Boy George was a boy getting his asshole fucking blooming onion by everybody else in the band. Didn't culture cup keep falling apart because he kept sucking and fucking everybody in the band?

[Christine]

What is it now? They had to introduce this. The. The health club.

[Robert Kelly]

The.

[Christine]

The dolphin. What this? Is that like a gay. Why did they introduce that in the video?

[Robert Kelly]

What are they?

[Isabel]

Dalton Health Club, 1957.

[Christine]

Yeah. What is that? Is that like a gay health club? Maybe these little. Are these little gay Easter eggs that we missed.

[Robert Kelly]

Are they kicking him? Are they taking him to court? Whoa. Blackface in that video.

[Isabel]

I remember that.

[Robert Kelly]

Go back to that. That was crazy.

[Isabel]

Yeah, it's like a bunch of people in black and he's.

[Christine]

He's wearing a Jewish. Jewish shirt. Says a bunch of stuff in Jewish is so cool. What does it say?

[Robert Kelly]

He's wearing a Jewish shirt.

[Christine]

Jewish shirt.

[Robert Kelly]

And then shows people wearing blackface.

[Christine]

Jacob, what does that say?

[Robert Kelly]

Buy low, sell high. Damn, dude, he just had nothing but shirtless guys around. Them and I didn't see any of. I was like, oh, these guys all must want to shot at this cute. They must see what I see.

[Christine]

Were they going to throw him out and then he disappeared? Is that what happened?

[Robert Kelly]

Yeah. You can't get your hands on Boy George. He's an enigma.

[Christine]

That is. That is 100 blackface.

[Robert Kelly]

That's blackface all right. But they don't give Boy George. You know why?

[Christine]

Why?

[Robert Kelly]

Turns out he's not a misunderstood chick who needs me to save her and have sex with her. It's a boy.

[Jacob]

Yeah, it says culture.

[Robert Kelly]

The name's Boy George.

[Christine]

You didn't get. Yeah. Oh, my God. That is like, holy. That's like old time, 1800s blackface.

[Robert Kelly]

Yeah, they're really the fun one.

[Christine]

Yeah. Where they did the lips. White.

[Robert Kelly]

Yeah. Yeah. Ye. Wow.

[Christine]

I never.

[Robert Kelly]

Sal Jolson blackface.

[Isabel]

Very beginning too. Somewhere.

[Robert Kelly]

What's happened?

[Isabel]

You see it in the beginning too.

[Robert Kelly]

Can you look up if there's been any backlash? No. Over the blackface and the do you really want to hurt me video? Or is it the gay people that still watch this video, myself included, just go like, ooh, blackface. So tawdry. Ooh, that's tawdry right there.

[Christine]

A little video. Damn.

[Robert Kelly]

That blackface is brought to you by.

[Christine]

Terms and conditions apply. God, I don't even use my hands anymore.

[Robert Kelly]

Wow, you're getting great.

[Christine]

I mean, not even a one gesture. Just I use my finger. Did you know I just used my finger during. I'm down to my finger. I'm pointing it all in that little finger. My index.

[Robert Kelly]

Yeah, I do a lot of like internal hand motions, for sure. Oh, what's this? Yes, there was backlash and controversy over the use of blackface imagery in the original music video for Culture Club's hit song do you really want to hurt me? Particularly in the United States where there's black people. They could just put black people in it.

[Christine]

Why was it blackface? Was that a thing right here?

[Robert Kelly]

It's director's intention was the use of blackface was an artistic decision meant to stand up. Sorry. Send up bigotry and point out hypocrisy. The intention was to draw a parallel between racial prejudice and the homophobia and anti gay legislation that Boy George faced in the UK at the time. The actors under the makeup were reportedly black themselves. Lies. A choice intended to reinforce the state of the absurdity of judging others. That's not true. That's a good backpedal though, if you look at it. No, they are black.

[Isabel]

If you look at the people, though I did think that before. So I was like, is everybody black? Because it's like the dances are.

[Christine]

What do you call that? You call that double black face?

[Robert Kelly]

Double black face. Chocolate chocolate chip.

[Isabel]

So it was.

[Robert Kelly]

Chocolate chocolate chip.

[Isabel]

It was all removed in America. I don't remember it.

[Christine]

Oh, that's it. That's the.

[Isabel]

It was removed for MTV in the usa.

[Robert Kelly]

Well, I would have. I wouldn't have remembered. Anyway. It doesn't. Those are the things.

[Christine]

Are you too focused on his hair?

[Robert Kelly]

Yeah.

[Christine]

And his outfits.

[Robert Kelly]

I just wanted to take care of her. The thought of her. The thought of Boy George is still a her to me. I just wanted to take care of her and let her know that it's okay. You dress weird and silly and goofy hair. I get it.

[Christine]

I get it. Look at these gloves.

[Robert Kelly]

I know, Bobby. I was seven.

[Christine]

Dude, that picture of you and that. That Boy George outfit was pretty sassy. But remember that blouse you were wearing?

[Robert Kelly]

Oh, somebody. My friend John Amen from high school sent me a picture today of. I mean, when the was I born. It looks like it's a black and white photo. It is a black and white photo. Oh. Probably from a yearbook or something. This is a bowling. This is the intramural bowling teams. We didn't have sports.

[Christine]

Oh, my God.

[Robert Kelly]

I'll tell you what, though. The bowling teams, like, they brought at every white kid in the school, but there were still some black people on it, which I sent you to you. Christine.

[Christine]

How did you know that was not. How did you think that was a girl? Looks like John Cusack.

[Robert Kelly]

What?

[Christine]

That's a guy.

[Robert Kelly]

Look at that soft face.

[Christine]

It's not. It's a lot of makeup.

[Robert Kelly]

No, don't. Don't say that.

[Christine]

Are there any photos where he looks like a girl?

[Robert Kelly]

Yes, Everyone.

[Christine]

Maybe that hat. Maybe the hat one.

[Robert Kelly]

Then he became like an old bald guy with a goatee. But, I mean, come on. All right, that's not. That's not the Boy George that I thought I was gonna save.

[Christine]

That was your ultimate goal, that photo?

[Robert Kelly]

No, it's my goal picture.

[Christine]

Yeah, you should dress as Boy George.

[Robert Kelly]

No. Young Boy George. Look up. Young Boy George.

[Isabel]

I got it. I got the picture. Yeah.

[Christine]

Old Boy George looks like Paul Versey.

[Robert Kelly]

Yeah. Come on. Look at that showstopper. Look at that fucking showstopper of a face. Come on. Look at that picture in the middle.

[Christine]

Yeah, she does. Look at an Italian girl.

[Robert Kelly]

Come on. Right? You would, dude. You would. It'd be too late. You'd have in your mouth before you realized you'd fucking zig when you should have zagged.

[Christine]

I'm not saying this to be.

[Robert Kelly]

I'm not saying pouty face looks like Sinead o'. Garner.

[Christine]

It looks like you.

[Robert Kelly]

Stop it.

[Christine]

That photo. Go back to that photo that. Bring up the photo of Jay. Remember the one?

[Robert Kelly]

My sad face.

[Christine]

Just remember the sad. Remember the one with the kids? He was holding the baby.

[Robert Kelly]

I was putting on Boy George face.

[Christine]

Dude, you look exactly.

[Robert Kelly]

Oh, I thought. I didn't know you meant that. I thought you were talking about our pictures we took for serious. Where I have sad face.

[Christine]

No, your photo with your pink blouse on with the kids. Wow.

[Robert Kelly]

It's a pink. It's purple.

[Christine]

Okay.

[Robert Kelly]

You only got me say pink. It's a purple and yellow.

[Christine]

Okay.

[Robert Kelly]

Pimp colors.

[Christine]

That is your face.

[Robert Kelly]

Short sleeve.

[Christine]

That's your face in that photo.

[Robert Kelly]

Short sleeve thing.

[Christine]

You guys had so much in common.

[Robert Kelly]

Mean.

[Christine]

God, you put feathers in your hair. Wouldn't you?

[Robert Kelly]

Why is there a picture of nipples next to this on Facebook?

[Christine]

Because we were fucking searching up all kinds of shit.

[Isabel]

It says poshmark covers.

[Robert Kelly]

I think it's nipple covers of nipples.

[Isabel]

Yeah. See, they're like rhinestone.

[Christine]

Those are hot. You should get those, Christine.

[Robert Kelly]

I'll get them.

[Christine]

I meant for you.

[Robert Kelly]

You know, I like. You know, I like accessories. What would Boy George do? Can somebody give me a bracelet that says what would wwbg. Bgd. What would Boy George do?

[Isabel]

Where'd that picture just go?

[Robert Kelly]

Really? What'd you do? Why'd you rid of it? God, you hate Boy Jordan. Yeah.

[Christine]

Where was it?

[Robert Kelly]

Who's that? Is that Gina Brown?

[Jacob]

There it is.

[Robert Kelly]

There it is.

[Christine]

There, there's. There.

[Robert Kelly]

There's Jay on my shoulder. I should put more stuff.

[Christine]

Buddy, you got to put those on social media.

[Robert Kelly]

Why? You both that beautiful blue eyes.

[Christine]

You look exactly like. You look like bigger Boy George.

[Robert Kelly]

You got to take my. Take my siblings out of the picture.

[Christine]

Yeah, yeah, yeah.

[Lou]

Lou's gone. You could kill him.

[Robert Kelly]

I'm a man.

[Christine]

Were you listening to Culture Club while you took that photo? That's why you're so sad.

[Robert Kelly]

Well, I wasn't listening close enough or else I would have heard Boy George tell me 15 song times in the song. I'm a man. I'm a man. I just went right in one ear out the other. I was deaf with love I was deaf with lust I'll come and go.

[Christine]

What was it? I thought they only had like three hit songs, but they had a lot.

[Robert Kelly]

Like five. Probably hits. Probably five.

[Christine]

Five hits.

[Robert Kelly]

As culture Club and then he had the Crying Game. Was it hit? Did he ever have like a real hit solo? I don't think so.

[Christine]

That was a big hit, didn't. It wasn't enough for an Oscar.

[Robert Kelly]

The Crying. Well, the movie.

[Christine]

I think the movie was. But wasn't the song too.

[Robert Kelly]

Song stinks.

[Christine]

No, I like that song.

[Robert Kelly]

I like putting lyrics to it. It's a very fun song to put lyrics to yourself. Oh, yeah. Jacob had sex with a guy because the Crying Game.

[Christine]

Talk about Paco's dad.

[Robert Kelly]

Paco's dad has poi and cock in the Crying Game. A palm tree up his shitter in the Crying Game first there are coconuts Banana in your butt. About the crying.

[Christine]

Talk about Lou.

[Robert Kelly]

I'm sorry, Paco. My butthole's full in the Crying Game.

[Christine]

Damn.

[Robert Kelly]

Boy George was a hot chick.

[Christine]

I always like to. You know the bands like that. I always like to hear one of their not hits. How bad? They must had like trash. Just trash. Right.

[Robert Kelly]

Sometimes SiriusXM will play a fucking deep cut like a Culture Club. It's never good.

[Christine]

Yeah. I've never heard any of their. I never got an album of theirs. I only heard their hits.

[Robert Kelly]

I will say there are people where it's like, the songs that I love the most are like, the SiriusXM is good for that. Sometimes they pull out one where you're like, oh, yeah. Like if I was going through the catalog of songs I had to pick for my favorite Tom Petty song. And I don't know what my favorite Tom Petty song is, but I forgot until not long ago. Woman in Love by Tom Petty. Because it just never comes up. You have to go find that song.

[Christine]

Yeah.

[Robert Kelly]

And serious success. I played it one day. Woman in Love. You gotta bring it on. I can't hit that one.

[Christine]

No, she crazy. Oh, yeah.

[Robert Kelly]

Okay.

[Christine]

No, that's a good song.

[Robert Kelly]

I like that.

[Christine]

But I. I wonder what.

[Robert Kelly]

Yeah, that chorus. Go back before the chorus kicks in when he lets you know. She's a woman in love.

[Christine]

Yeah, it's a great song.

[Robert Kelly]

Keep. Could somebody back up this?

[Christine]

Probably. This is his best song.

[Robert Kelly]

It's a great, great song.

[Christine]

Yeah, he really.

[Robert Kelly]

But you don't hear it a lot.

[Jacob]

This isn't.

[Robert Kelly]

This would never be considered one of it. This will play Free Falling. A thousand times before you'd hear this.

[Jacob]

Lot of.

[Christine]

A lot of passion in his voice on this one. When he hits that turkey.

[Isabel]

Yeah.

[Christine]

A lot of his songs are this.

[Robert Kelly]

Crazy.

[Christine]

One of the ugliest singers ever.

[Robert Kelly]

Oh, yeah. The guy looked dead for 40 years.

[Christine]

Yeah, Stevie Nick.

[Robert Kelly]

Still him.

[Christine]

Yeah.

[Robert Kelly]

Damn.

[Christine]

Stevie Nick's everybody. I know she's a climber.

[Robert Kelly]

I know what.

[Isabel]

She's fine.

[Robert Kelly]

Turn it up, Lou.

[Isabel]

She didn't need a.

[Christine]

She need a climb.

[Robert Kelly]

Oh, that's a good song.

[Christine]

Yeah. Stevie Nicks, these were her peers. Stevie was hoeing it up.

[Robert Kelly]

Yeah. She really was a pin cushion of celebrity.

[Isabel]

I know they said something about, I think, like, Lindsay coming to the house and her having to, like, hide in Tom Petty's house because. Yeah, she was there.

[Robert Kelly]

Him or something. Yeah, she had to hide. I think it was Jimmy Iovine or something. Went to Tom Petty's house and she was hiding in the closet or something like that.

[Christine]

The climbing hoe.

[Robert Kelly]

Yeah. Yeah, yeah. Listen, I'll always tell you the most telling thing of her. Why that band broke up 55 times. Isn't just they all fucked each other and blah, blah, blah. When you. That video we always watched. 1977, Japan, Fleetwood Mac, full force. Lindsey Buckingham still has beard and afro. And then they start doing the. Go your own way. That's the end of the song. They just jam it out. Stevie Nicks goes right over, starts playing in her flowy dress, looking hot as ever. This is 70s Steven. Nick's gorgeous. Standing right in front of that fucking dyke face, Christy McVie, and just playing. I mean, right in front. I mean, stealing the thunder from her completely. She's playing tambourine. Christy McVie is over there wailing on that piano, really contributing to the song.

[Christine]

Because when she was young, she had to learn an instrument because of her face.

[Robert Kelly]

Right? And just look at Stevie Nicks. Just never leaves right in front of her, blocking her with her fucking sexy back in her negligee.

[Isabel]

She's standing behind her. Maybe she's trying to draw attention.

[Robert Kelly]

She's dominating her.

[Christine]

She's probably trying look. No, she probably had to talk. Nobody looks at me. I do a lot of the work. And she goes, I'll come stand by you. So at least the audience will know you're here.

[Isabel]

They're gonna look at you now because I'm behind you.

[Robert Kelly]

Yeah. They're gonna be like, oh, I thought that was a guy.

[Christine]

Yeah. Most people, like, who's that dude on the organ? He's really.

[Robert Kelly]

Now she's drawing so much. It's got the thing draped across her arm. She's stealing attention from her. Look at that.

[Isabel]

She's Stevie fucking Nicks, right?

[Robert Kelly]

And she's booing. Lindsay Buckingham's over there, fucking air fucking his guitar. He's having a ball. But she had to go over there and steal the other girl's moment. It's a real. It's. I'm telling you, I think it's a psychological thing.

[Christine]

I think it's a more of a. I think it's more of a. Hey, look at her for a minute. She's. She's nice too. If she never went over there, nobody would know that fucking muppet face was existed.

[Robert Kelly]

No, you would. Your eyes would go across the whole stage and eventually you'd see Lindsey Buckingham, him losing this.

[Isabel]

You see Mick Fleetwood from Lindsay.

[Robert Kelly]

You see MC Fleetwood killing it over there. Look at her, she's gorgeous. So hot. That side tips enough to smack it too.

[Christine]

Yeah, she's hot.

[Robert Kelly]

She had. She could have went in the back and drank a cup of coffee for the last seven minutes of this song. She's unnecessary in this song. At the end she plays tambourine and dominates. Christy McVeigh.

[Christine]

I think you got it backwards, dude. I think she's just trying to get a little love up there to that dude.

[Robert Kelly]

Oh, yeah, yeah. And then she. Her husband. Good call.

[Christine]

That's.

[Robert Kelly]

She's probably looking out for right before she sucked and her husband.

[Christine]

Didn't you go. Who else did she go? She went with. Who's the. What's his name?

[Lou]

Don Henley.

[Christine]

Don Henley. And she went with the other songwriter too.

[Lou]

Everybody she's ever worked with.

[Robert Kelly]

What was.

[Christine]

The guy's bald, but he was good looking. He was young. What's his name?

[Lou]

Jimmy Iovine.

[Christine]

No, the other guy.

[Lou]

That's another one you'll know.

[Isabel]

Joe Walsh, Don Henley.

[Robert Kelly]

Wed. Yeah, we're looking at drummers. Phil Collins.

[Christine]

Singer, songwriter, guy, solo dude.

[Robert Kelly]

James Taylor.

[Christine]

James Taylor. She. James Taylor too.

[Robert Kelly]

Yeah. She's a piece of.

[Christine]

She's a piece of.

[Robert Kelly]

Do you know this band? Edward Sharpen, the Magnetic Zeros. Do the song Home. I'm pretty sure this is relationships illegal. I think this. This guy, this hippie guy started a cult and he makes a retarded girl sing with him. However, I've recently followed some of this guy's on his own music. It's like a whole different. I don't know if it's a different vibe, but he's like cool by himself. This seems like culty weird, this song. But I've always loved this performance because this girl might be retard. She's a shaved head nimrod. And he just. When they talk, it almost sounds like he's talking to someone who's slow. Look at her face. Too facey to be normal. No, no one's that expressive?

[Christine]

Maybe she's deaf.

[Robert Kelly]

It's the opposite of Jacob.

[Christine]

She might be deaf. You know, deaf people are very facey, expressive. Whistle's good.

[Robert Kelly]

Of course, dude. Retarded people whistling.

[Christine]

Oh, they're all whistling together. It's more than one.

[Robert Kelly]

Yeah. That guy's got feathers in his hair also.

[Christine]

That's not his hair.

[Robert Kelly]

It might be his hair, actually.

[Christine]

Is he jizz in his hair? Like, what about Mary?

[Isabel]

I mean, he looks more slow than her.

[Robert Kelly]

He does until you see him. I think I played it for you.

[Christine]

He's touching her face like retarded people do.

[Robert Kelly]

Yeah, he's trying to see what she looks like. But there's a video of him doing, like, a song that I like of his by himself.

[Isabel]

I know I forget the name of the song.

[Robert Kelly]

Truth. Truth. But he seems so cool. It's in Philly at, like, a major festival or. It's so good.

[Christine]

She's getting a little crazy with her.

[Robert Kelly]

Oh, get to the part where they talk, please. Me and Josh always do this at Comedy Jam. And then I talk to him. I go, hey, dumb, dumb.

[Christine]

I saw a cooking show with all retarded guys. It was the most adorable thing I've ever seen on the Internet. They were just cutting bacon, complimenting each other. Oh, you do it good.

[Robert Kelly]

See, the way talk, it's too much. Here we go. Hey, stupid. It's like when they let, like, handicapped people out in, like, a yard to interact with each other.

[Jacob]

Wait, who is this?

[Robert Kelly]

Edward Sharp and the Magnetic Zeroes? By the way, his name's not Edward Sharp. No, his name is Alex Ebert. Ebert.

[Christine]

And George Boy wasn't a girl.

[Robert Kelly]

Can I tell you what you won't like? Can I tell you what you won't like? His name is Alex Ebert, and I've seen him listed as that, and I've liked this stuff. Sometimes, though, he just chooses to go by Alexander. Yick, Yick.

[Isabel]

That song Truth is 14 years old. Okay, it's like the same time.

[Robert Kelly]

No, no, I'm saying something about I don't think it's different than this.

[Isabel]

I'm saying I thought that was, like, what he was doing right now.

[Robert Kelly]

He looks like a cult. He looks like a cult figure in this and in that, he just seems like the coolest white dude. Like, this guy seems like a guy is, like, a problem. Like, he's like, the government's gonna get involved at some point.

[Isabel]

It does. The other. Yeah, the music videos, too.

[Christine]

I hate the way she's dancing.

[Robert Kelly]

The other thing, how much they're Enjoying this? No, it's in Phil. Oh, is it?

[Isabel]

Because this is.

[Robert Kelly]

No, it's in Philly.

[Isabel]

He looks like. I mean, he's wearing, like, a pirate.

[Robert Kelly]

That's not it. No, it's in Philly.

[Christine]

Isn't that the shirt in Seinfeld?

[Robert Kelly]

It might be. Yeah. It's right there. That's it.

[Isabel]

So it's listed as Edward's shirt.

[Robert Kelly]

Yeah, because it's probably their concert. But I think he does a solo song. Maybe just cut ahead to it a little bit. I mean, he's so cool here.

[Isabel]

I mean, he still looks like a cult leader. He has, like, a.

[Robert Kelly]

No, but he looks like a man bun. I know, but he looks like a young, like, guy who's just into this kind of. I don't know. It reads cooler.

[Christine]

He definitely smells 100.

[Robert Kelly]

Well, yeah.

[Christine]

Yeah, yeah, yeah.

[Robert Kelly]

Don't really judge this song by this. I do love this song, but it's not.

[Christine]

You like this song?

[Robert Kelly]

It's not the song. This is. I do.

[Christine]

Is this the same.

[Isabel]

I do like this song.

[Robert Kelly]

Turn it up. Wait. It all kicks in. Truth.

[Christine]

Nope, don't like it. Is that Jamaica? What is he doing?

[Robert Kelly]

He's rapping, dude.

[Christine]

I don't like it. Why are these other people leaving?

[Jacob]

No way. He uses dc.

[Robert Kelly]

No one's leaving. No, no one's. No one's leaving.

[Christine]

First of all, he went on the crowd and nobody reached out.

[Robert Kelly]

Not only do they all start reaching out, he smokes weed with him. And then he gives the mic to a black guy who raps. It's awesome.

[Christine]

Dude, he had to have weed. He has to have a presence for them to touch him.

[Robert Kelly]

You hate. Bobby's full of haterade today.

[Christine]

No, I'm not. I just don't like. I don't think this guy is good.

[Isabel]

This is. I think he looks cool here.

[Robert Kelly]

Get away from that and let me get this black guy rapping.

[Christine]

Oh, God, this is so boring. I'd rather listen to Jacob sing Jingle Bells.

[Isabel]

Well, we all would rather.

[Robert Kelly]

Gary goes over to the black guy. Anybody here know how to rap? He says. And then it's just one black guy he gives the microphone to. There's one black guy. This folk festival, he found them. Anybody here know how to rap?

[Christine]

You don't use a plant, all right? You go out, you can go back.

[Robert Kelly]

It's so. Do you know how to rap? Hey, I found the one black person here. I mean, that is the whitest event. He found a black guy.

[Christine]

Just one.

[Robert Kelly]

Yeah. Philly supports their black people.

[Christine]

There's a bunch of other black people around him.

[Robert Kelly]

Yeah. Now he started rapping. It's like a beacon. Yo, is that black rap? Let's find him.

[Christine]

There's a black guy.

[Robert Kelly]

He's security.

[Christine]

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[Robert Kelly]

You know, the holidays are here and with them comes all the cheer and the spending. I think we've all felt the pressure of finding the perfect gift for the perfect price.

[Christine]

And those prices are sure giving us a run for our money. It's crazy. I have my son, my wife, but my grandfather and grandmother had eight kids and they had eight kids. We have 60 people in my family. Never mind friends, never mind the dog. There's so much money FL out the window every holiday season at my house. Luckily, you can get holiday savings at Metro with the most wonderful deal of the season. Right, Jay?

[Robert Kelly]

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[Christine]

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[Robert Kelly]

Yeah, yeah, yeah.

[Christine]

I mean, it's a bunch of white people. They're gonna love it.

[Robert Kelly]

Exactly. Let me tell you something, my friend.

[Christine]

If that was black people, he'd get booed.

[Robert Kelly]

My rapping friend Dave, when we were growing up, Christine, you met him once, Armani Dave, man, he was. That's almost like the story of him. It's a little bit sad to some degree. Was like, he was really talented at rap. Very.

[Christine]

Yeah.

[Robert Kelly]

But he was surrounded almost at all times by a bunch of white dudes when we lived in South Jersey. And like it. You could see it, like, wearing it. I think it killed his confidence to go dominate in a very black world. Does that make sense? He was that good. So he became like a drum and bass. He became basically like an MC for, like, sort of a white for weddings. No, it's like EDM type like music that he would like MC over that, but it's a very white thing. So it was like an easier. He's great. He was so good. But like, yeah, I had him make an opportunity over when. Remember when Kevin was doing the Paper Soldiers? The Patrice's action to begin with. That movie? The Jay Z movie? There were Jay Z produced movie. Yeah, that when he first came up here, he was doing. I had Damon Dash that he was going to like. He would let. He would let me. Brought him up to like rap for him. And I told him to come and he was like, I can't. I got to work.

[Jacob]

Really?

[Robert Kelly]

I was like that. You take off work. And our friend was his boss and he was like, you could take off work. And he was like, ah, it's not right. I gotta make money and stuff, buddy. This might change your whole life.

[Christine]

Jesus.

[Robert Kelly]

And he didn't come. I stopped pushing it. I pushed for an hour. And then I was just. We were playing basketball. I remember going like, okay, man. I guess I'm like, all right.

[Christine]

You should have called me. I would have come up and just pretended I was him. Just play.

[Robert Kelly]

Just play his tapes and stare at him with your white face. Yeah, it's me. To all the kills in the 100 bar bills.

[Jacob]

Dude.

[Christine]

Yo, dude.

[Robert Kelly]

For real homies who ain't got no feelings. Dude.

[Christine]

They always do this too, at the beginning. Let me think of something.

[Isabel]

Yeah, yeah.

[Christine]

I need more minute. One more minute. Yeah, yeah, there it is. Play it a little louder. Yeah.

[Isabel]

Yeah.

[Christine]

I haven't. I don't got it yet. I'm rhyming it in my head. You don't know that it's coming. Hang on. One more minute. Yeah, one more second. I don't got it yet. That doesn't rhyme with orange. I can't think of something. Hang on. All right, here it is. We're getting it.

[Robert Kelly]

Any black people here? Anybody want to rap? Any black people here?

[Christine]

Yo, yo, Damon, what's up? We're almost there. Not there yet. I'm Bobby K and I'm on the mic. You think I mess around with dykes? I don't. I like the ho yos. I like the bolos. I like the bing bong toyos. I'm incorporated Katona, licking my own feet. That's why you don't get sleep. Cause you're thinking on me all day long. That's why I got a big song surrounded by fat and you can't see it. That's why you want to be it. I'm on the bonfire with Big J. That's why he dressed really gay when he was a kid. He loved Boy George. Thought it was a girl. Didn't know was a gorge. Had a big penis between that leg, and he wanted to suck it and beg for that dick in his mouth. I'm here to say that's why Big J's gay, huh?

[Robert Kelly]

Perfect. Smash your pass.

[Christine]

I would have passed. I mean, that is the greatest observation I've ever made in my life.

[Robert Kelly]

That's a good one. Smash your pass. We only have smash. Smash your pass. We only have 15 minutes left.

[Christine]

I can't wait to show Max. Uncle. Uncle Jay.

[Robert Kelly]

I want to know what's everybody doing for the holidays. What are your plans, Lou? Look at this white Lou.

[Lou]

I'm going to Atlantic City with my lady love.

[Robert Kelly]

Why? Are you guys gonna get toothless hooker or something?

[Christine]

No, I gotta say, last night, his brother came up to me. It's probably one of the greatest moments of my life. Last night, after the show, amazing show, he came up to me, and I. I forget he has a twin. I'm not around twins. So when he walked up, I was like, dude, great show. And he's like, no, no, no, no. I'm his bro. And I'm like, oh. I forget what twins look like. They're actually.

[Robert Kelly]

Well, how much they look like, particularly. He was outside getting it from, like, fans. Yeah. All day.

[Isabel]

It's.

[Christine]

It's fucking. It's magical.

[Robert Kelly]

Yeah.

[Christine]

How much he looks like his brother. It was I almost a joint with.

[Robert Kelly]

Will before the show.

[Christine]

He came up to me last night and said, you know, he was like, man, I just want to, you know, whatever. It was like, thank you. You know. You know, my brother's life has changed, and he's worked so hard, and he's a different person now, and he's made such great choices in life, and he was almost tearing up, like, so that's fun.

[Robert Kelly]

Smoked a joint with me.

[Lou]

Yeah.

[Christine]

Yeah.

[Lou]

But he was so definitely drunk from three sheets.

[Christine]

He was so proud of Lou. Yeah, he was. It was like, you know, when somebody means something, somebody says something. It's one thing, but somebody means it.

[Robert Kelly]

Yeah.

[Christine]

He was so proud of you, man. He was so, like, happy for you, man. It lit me up inside. It was, like, one of the best things, man.

[Robert Kelly]

So it must have killed him that you got hammered last night. Oh, it must have killed him.

[Christine]

No, he said. He goes, lou, you left. You took off with your girl last night. Yeah. Right. Because you would have been funneling with Jacob, calling him A. Oh, certainly.

[Robert Kelly]

You just should have had a beer bong. Right?

[Lou]

I know.

[Robert Kelly]

You're just going to Atlantic City. You get a gamble, you see some shows or something. What's the name?

[Isabel]

Shows.

[Lou]

Because of the holiday. She likes to gamble and she doesn't like the holidays, so.

[Robert Kelly]

Oh, so it's a good. Get the. Away from the holidays. That's right. Order a bunch of shitty food and just veg out.

[Lou]

Yep.

[Robert Kelly]

Yeah. Dude, how many days you going?

[Isabel]

2.

[Lou]

New Day Before Christmas Eve and Christmas.

[Christine]

Eve, where you stand. Borgata. Oh, nice.

[Robert Kelly]

So what are you doing on Christmas? Nothing.

[Lou]

I'm gonna go to my family and take her and drop her off. And next year we're going to the Sphere to see no Doubt.

[Robert Kelly]

You are? Yeah. For New Year's Eve?

[Lou]

No, for next year. That's just plans for Christmas for the.

[Robert Kelly]

Next year at some point.

[Lou]

Yeah. They're playing early spring.

[Robert Kelly]

Yeah. Not for actual Christmas.

[Lou]

No.

[Robert Kelly]

You're gonna see no Doubt the Sphere. They're playing a Sphere?

[Christine]

Yeah.

[Robert Kelly]

Why? Well, my concern about them is they don't have a catalog enough to really make you look that forward to the show.

[Christine]

Probably stack up the show with a bunch of people. Right.

[Robert Kelly]

Well, they just stopped. She stopped doing no Doubt pretty quick. Weirdly enough.

[Lou]

Has a bunch of hits.

[Christine]

Yeah, they have.

[Isabel]

I mean, Saturn, Tragic kingdom. After that, I kind of. But those two are like big.

[Lou]

Then there's the Asian. When she hung out with the Asians.

[Christine]

For a little while.

[Robert Kelly]

No, but some say. What's she gonna do her own stuff too? I don't think. I think it's no Doubt if it's just no Doubt. They still. I mean, I'm not saying they don't have enough music to fill a concert. I'm saying enough to like to make screens that people are gonna be super excited about for songs no one gives a fuck about. They're gonna get to some songs no one gives a fuck about.

[Christine]

That's probably gonna be good for them because you can just look up when they're singing those shit songs.

[Robert Kelly]

It's true.

[Christine]

And see all the magical stuff.

[Robert Kelly]

Metallica's gonna do it. I'll go see that tool. I go see that in a heartbeat, those two.

[Christine]

Did you see the video I sent? The Youngblood singing with your boy?

[Lou]

Youngblood singing with Eddie Vedder?

[Robert Kelly]

Yeah, Eddie Vedder. Giving him sucking his dick too. Young blood. You can see his going to his belly button.

[Lou]

Young blood sure does love to pose. I. I think I like him now because he's with Eddie Vedder, but he's.

[Christine]

A bit of a try. If I had that torso.

[Robert Kelly]

I think I'm liking him less. He does. He does a lot of Corey Feldman. Like legs together, like. Like evil tree poses or something.

[Christine]

I don't get it.

[Robert Kelly]

I don't like it. Stop making me look at your dick hair coming out of the top of your pants.

[Christine]

I would do that in five seconds.

[Robert Kelly]

I know you would. You love young blood.

[Christine]

I do love him. Look at him. I want to talk about if I.

[Robert Kelly]

Wish he was getting DSLs. Dude. Yeah, really get them DSLs to scroll your face.

[Isabel]

It's crazy.

[Christine]

Jacob, what are you doing?

[Robert Kelly]

I'm a Takashi 69 guy.

[Christine]

Jacob, what are you doing for Christmas? You going home?

[Jacob]

I'm going to Florida tomorrow.

[Christine]

You're going tomorrow? How long you staying? Two weeks.

[Jacob]

The whole. Until we have to come back.

[Robert Kelly]

Pull you from your mother's arms, pull you.

[Christine]

From that doll bed.

[Robert Kelly]

Jacob, you have to leave your mom. I don't want to.

[Christine]

What are you going to do while you're away? You're going to do some fishing?

[Jacob]

Yeah, going to fish. I'm going to try and kill some iguana and I got to try and get. Find my mom a dog.

[Robert Kelly]

You kill an iguana?

[Christine]

I saw a fun thing they on dog adoptions now. You know what they're doing? They put everybody in a room and whatever dog the person goes up to, that's their dog.

[Robert Kelly]

Wait, you mean whatever the person the dog goes up to?

[Christine]

Whatever person the dog goes up to.

[Robert Kelly]

Okay, I was going to say it's just like anything.

[Christine]

Is that what I said?

[Robert Kelly]

No, you said whatever person. You said whatever dog the person goes up to.

[Christine]

Whatever. Yeah, whatever. Whatever person the dog goes up to. So. Yeah, so you'll see this dog run out and go up to just one guy and just start loving him and licking his face and that's your dog.

[Robert Kelly]

Jacob, can I make a suggestion? I can make it easy for you. I have a friend who pulls, what do you call them, pit bulls out of fighting rings. They're very, very aggressive. But I think they're okay now. Like, they're probably happy. They're not doing dog food anymore. Would your mother like one of those dogs?

[Jacob]

Probably not gonna be good for.

[Robert Kelly]

Why? As long as she doesn't. If she doesn't. If she doesn't make like a fast move with her hand, she should be fine. Yeah.

[Christine]

Get a dog. Get. Get a little tiny teacup.

[Jacob]

I was gonna. I was trying to adopt a mini pinchers, which the dog we just lost.

[Christine]

Don't get that you can't get the same dog that she had.

[Jacob]

She wants the same breed.

[Christine]

My sister did the same thing. And it's the sucky part about that is you think it's gonna have the same personality and it doesn't. It's just a shit dog that looks like the old dog.

[Robert Kelly]

Piece of shit.

[Isabel]

Dogs are really cute, though.

[Christine]

I don't like them.

[Jacob]

I'm trying to.

[Christine]

That one's not bad.

[Jacob]

We have, yeah, T. Rex. We have one other dog who we took from my sister. And you know, T. Rex had his eyeballs removed.

[Christine]

So that one's still alive.

[Jacob]

Yeah, but he doesn't do well without another dog because he doesn't have any, like, circadian rhythm because he doesn't know if it's 3am or 3pm so he just starts barking at 4 in the morning.

[Robert Kelly]

Well, if it's 3am, he must be lonely. We'll catch you guys next year.

[Jacob]

It's a problem.

[Christine]

So you're gonna get a dog. You try to adopt a dog. You're going to buy it or adopt it?

[Jacob]

We've always adopted. But I can't find a mini pincher rescue.

[Robert Kelly]

Now I have another idea. I have a decommissioned bomb dog. Now, would you mother like to have this decommissioned BOB dog? It never smiles. It doesn't understand love. But it will tell your mother if there is explosives in or around the house.

[Christine]

Yeah, there. There it is right there.

[Isabel]

Lou says this is AI.

[Christine]

Is it? No. How do you know it's AI?

[Jacob]

This is like high school.

[Robert Kelly]

That is AI.

[Jacob]

When you're the girl goes to everyone but you.

[Christine]

That would suck if you were the only one that didn't get a dog.

[Jacob]

That's what I'm saying.

[Christine]

How. This is not AI.

[Jacob]

This would crush me.

[Christine]

It's not AI. That's not AI. How do you say that's AI?

[Robert Kelly]

I don't know. One of them looks AI.

[Christine]

I don't know.

[Lou]

I heard it on the Bennington Show.

[Christine]

Oh, dogs.

[Robert Kelly]

The dogs kind of look a little.

[Lou]

Dogs choose their owner. It's AI.

[Christine]

Oh, really?

[Lou]

Yeah.

[Christine]

You know, that's wild because I just.

[Lou]

That's.

[Christine]

I just.

[Lou]

That looks pretty AI.

[Robert Kelly]

Oh, this guy. This dog must want to inherit a house soon. Who the. What kind of dog would walk up to a decrepit old man?

[Christine]

Yeah.

[Robert Kelly]

Hey, you can't walk me.

[Isabel]

When you look it up, it comes up like how to spot AI videos.

[Christine]

Oh, really? Oh, that sucks. I thought that was the most heartwarming thing I saw today. That actually made me feel better.

[Robert Kelly]

Oh, people in the background did you see the.

[Christine]

The new. I'm telling you right now, actors are going to be gone.

[Jacob]

Yeah.

[Christine]

They just did the. AI Darth Vader. It's the best Darth Vader I've ever seen.

[Robert Kelly]

It's not that there's a whole bunch and I gotta say, I've watched a few because they're doing cool moments. They have like a Darth Vader finding out Luke Skywalker is his son from the emperor. And it's like all AI but it's like. Like they start the scene off. No, like everything you'd want to see. It's Darth Vader's chewed up fucking head. And then getting. But it's. It's Hayden Christensen, like, all chewed up.

[Christine]

They clean his body and they. He rips the. They're scrubbing his body.

[Isabel]

It.

[Christine]

It's so good. I will hope they make a movie like this, but it's gonna put actors out of business because you.

[Jacob]

You.

[Christine]

If you can make a whole movie where you. You. You can't. You can kind of tell, but not really. And it's awesome.

[Robert Kelly]

It's wild.

[Christine]

It's better than any Star wars movies they put out in the last 20 years. This little clip.

[Robert Kelly]

My Christmas. Thanks. No, no, no, no, no, no.

[Christine]

Wait, wait, wait, wait, wait, wait. What about OG Lou?

[Robert Kelly]

Oh, g. Lou's gone.

[Christine]

He's gone. All right, well, what about Christine? Yeah, this is.

[Robert Kelly]

Oh, it's not.

[Christine]

No, that's not it. That's not it.

[Robert Kelly]

That's what I saw, though.

[Christine]

No, no, no. Go to AI Darth Vader. It's young Darth Vader when he became Darth Vader. Right after. It's right after he was in the fucking volcano fire. No.

[Robert Kelly]

Go get it again. No, that's what I was thinking right there. That's what I saw. That's Darth Vader learns that Luke is a son. Look at that. How cool they did that.

[Christine]

No, it's young. It's how Darth Vader after the. Is that. That's it right there, I think. No, that. Is that it, Jacob? No, that's not it.

[Jacob]

I don't know, but these are all way better than any Disney put out.

[Christine]

Yeah, right there. Right there. The bottom one. The white one right there. This. Look at this. And it's. That looks real, man.

[Robert Kelly]

It does look. It's like pretty amazing.

[Christine]

Watch when his voice becomes Darth Vader. The only part I don't like about the AI is this thing coming up.

[Robert Kelly]

What's that?

[Christine]

I'll show you.

[Robert Kelly]

That little Chinese girl comes out and giggles in the corner or something. They always got to do put something stupid Japanese in it.

[Christine]

They go to clean his. Clean his scars like a fucking. They're cleaning his scars off with like a. Like a metal brush.

[Robert Kelly]

I love it.

[Christine]

This is the part he uses an old USB port. That's the part that got me. I was like, this isn't real. He used a. Us.

[Robert Kelly]

An old USB.

[Christine]

Yeah, like a. I am an iPhone 4.

[Robert Kelly]

Yeah.

[Christine]

It's like, you couldn't have been USB.

[Jacob]

C.

[Robert Kelly]

At least you could suspend this belief and go, maybe we never go from usbc. Maybe this is the last one officially. But nope.

[Jacob]

If you had a.

[Christine]

That looks real.

[Robert Kelly]

Or we're gonna find out that eventually in the future in a galaxy far away, we go back to regular usb. It was better.

[Jacob]

I never thought about. He has a charred penis.

[Christine]

Yeah, it's charred.

[Robert Kelly]

He has no.

[Christine]

He has no charred everything.

[Robert Kelly]

Yeah, that's why he's so pissed off. All you can do at that point is take over the space, the galaxy. Yeah, that's what's left. You can't even whack off.

[Christine]

How do you think you're gonna go to the dark side with a penis? You need a charred penis.

[Robert Kelly]

So cool. Yeah, they do.

[Isabel]

I think I should like, watch Star wars at some point now.

[Robert Kelly]

Bore the.

[Christine]

It would bore the. Out of you. But if they start making them like this. This is one guy on a computer, by the way.

[Robert Kelly]

You know?

[Christine]

Yeah.

[Robert Kelly]

Fred, you know what's funny? Yeah. You said it. I looked over you and you went, I don't know. I didn't even ask you yet. This is one guy on a computer. Really?

[Christine]

Well, it's not like what. My point is that it's a company. No, that's not a company. That's a dude who made that.

[Jacob]

You just prompt it. What the.

[Christine]

Yeah, just. He just prompts it.

[Robert Kelly]

But it's not that easy. I promise you. There's somebody.

[Christine]

Look, it's not. It's not. Not the stuff we are able to do with an app, but it's a guy on a computer who knows how to do this type of shit. You know what I mean? But it's not a. Think about the factory, the big. How many people and how much shit they did to make the last few Star wars. So many people.

[Robert Kelly]

25 minutes of credits.

[Christine]

It sucked and. It sucked. It wasn't even that good. This is amazing.

[Robert Kelly]

Well, here's the thing. You know what AI is going to do? It's going to say there's going. To a regular person not A regular person, but a person who understands the computer can make things. You want it so. Exactly. Before Hollywood has a chance to iron out the idea to how are we going to make a Spider man and Wolverine movie? Someone will just do it.

[Christine]

Yeah, but if you just.

[Robert Kelly]

That's what you don't have to wait for.

[Christine]

If you have a fan fan who knows how to do it, let him make it. It's going to be the best Star wars ever. But if you got a bunch of people you got to run by and make sure that you know this.

[Robert Kelly]

You know, I just want full on. I always want remakes, shot for shot remakes.

[Christine]

Remo, my dream. What's your dream?

[Jacob]

Was it the sequel to Aliens that I've always wanted? I will make.

[Robert Kelly]

That's called Alien 3.

[Jacob]

Yeah. And it's.

[Robert Kelly]

It already exists.

[Jacob]

Trash.

[Robert Kelly]

How dare you? Isn't Winona Ryder in that?

[Jacob]

No, that's four.

[Christine]

Oh, that one was good.

[Jacob]

I actually liked that one.

[Robert Kelly]

The Winona Ryder one.

[Christine]

That was all right. Jay, what are you doing for Christmas break, my friend? Besides working?

[Robert Kelly]

Yeah. I don't have Christmas break. Oh, off the. Off the bonfire. Yeah. Yeah. Go to my mom's.

[Christine]

Yeah.

[Robert Kelly]

Christmas Eve and that's it.

[Christine]

Are you gonna. You're gonna be home for Christmas day?

[Robert Kelly]

Yeah. Yeah.

[Christine]

What do you and Christine do on Christmas day? Do you guys wake up whenever. Do you have like. Like we.

[Robert Kelly]

We wanna wake up and ever give presents to each other. I mean, that's really it.

[Isabel]

Yeah.

[Christine]

Do you have breakfast? Like, is it scheduled a little bit or is it just.

[Isabel]

No. We used to, when Isabel was like, still little, we would go to Carla's Christmas morning and do that.

[Christine]

Like a tradition.

[Isabel]

Yeah. And now we. We do Christmas Eve.

[Robert Kelly]

Isabella goes. Isabelle will go with us to my mom's Christmas Eve. And then Christmas Day, she'll go to her mom's house and then have. Not Jewish Christmas.

[Christine]

Not Jewish. What's Jewish Christmas?

[Isabel]

I guess what we do.

[Robert Kelly]

Yeah, that's what I do. Jewish Christmas, it's better.

[Isabel]

But Christmas Eve is like, you know, it's the whole family. So it's a big. It's a big thing.

[Christine]

Yeah.

[Robert Kelly]

Yeah. My mom and everybody's like, it's all me at my mom's house.

[Isabel]

Right.

[Robert Kelly]

It'll be fun.

[Isabel]

We were thinking about having a Christmas party and she didn't get together.

[Robert Kelly]

She told me today that it's going to be catered by Shoprite Pastas and such. I just want you guys know where I come from. And by the way, I unironically went that sounds great. She was just like, pastas and Shoprite just has meatballs and everything. I went, yeah. Huh?

[Jacob]

I'll bet it'll be good.

[Robert Kelly]

I'm sure it's gonna be really good. Bobby Kelly is gonna be really good when you see him in Florida at McCurdy's.

[Christine]

Oh, no, no. It's okay. Let's end the show. Oh, no, it's all right.

[Robert Kelly]

You're going to Costa Rica to get your boy's penis cut off. I know what you're doing for Christmas. Merry Christmas, everybody. Bobby's gonna be at McCurdy's Comedy Theater in Sarasota, January 16th and 17th. After that, he's going to be in Poughkeepsie, New York. Comedy works south in Colorado and Batavia, Illinois. So much more on deck. For tickets and all those tour dates, go to punch up.live. robert Kelly. Make sure you check out his YouTube page. YouTube.com Robert Kelly comedy. And make sure you check him out every Tuesday night. 7pm The Fat Black Pussycat.

[Christine]

I won't be there for the next two week. It'll be Keith. So don't get disappointed.

[Robert Kelly]

So don't go see Keith. You don't want that.

[Christine]

I don't. Don't go see Keith.

[Robert Kelly]

For what?

[Christine]

I brought him up as Martin Lawrence a couple weeks ago.

[Robert Kelly]

Nice.

[Christine]

Oh, the crowd was. I heard what happened.

[Robert Kelly]

The sad thing about Martin Lawrence is it took him 25 minutes of Keith said to realize it wasn't Martin Lawrence. I don't think this is Martin. This is not Martin Lawrence. Right.

[Christine]

Jay's gonna be at the Irvine Improv this weekend through the 20th. Milwaukee Improv New Year's Eve for the whole weekend, and then he's. For all other tickets and tour dates, go to bigj comedy.com YouTube.com bigj okison he is my friend and I'm gonna miss you.

[Robert Kelly]

I'm gonna miss you, too. We'll see you guys in two weeks. Have a happy new year. Enjoy the Christmas show tomorrow. The holiday show. We saw it. Holiday show. Because I'm Jewish and black. Lou's black.

[Christine]

It's the Christmas show.

[Robert Kelly]

I mean, he's OG it's the Christmas show. It's the holiday show.

[Christine]

Christmas holiday. It's Jesus's birthday.

[Robert Kelly]

He was Jewish, though. Free Palestine. Go Birds.

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