The Rolling Rocks

Summary

Podcast Summary: The Rolling Rocks

Podcast Information:

• Title: The Bonfire with Big Jay Oakerson and Robert Kelly
• Host/Author: SiriusXM
• Episode: The Rolling Rocks
• Release Date: January 7, 2025

Overview: In the "The Rolling Rocks" episode of The Bonfire with Big Jay Oakerson and Robert Kelly, Big Jay and Robert delve into a myriad of topics ranging from recent movies and TV shows to the intricacies of nepotism in the comedy and entertainment industry. The conversation is enriched with personal anecdotes, candid opinions, and humorous exchanges, offering listeners an engaging insight into the lives and thoughts of these seasoned comedians.

---

1. Opening Banter and Initial Discussions (00:01 - 05:20)

Big Jay Oakerson kicks off the episode with light-hearted banter about Clarence Williams III's status, leading into a conversation about movies they recently watched. The discussion highlights the remake of Beetlejuice and the show Lioness.

• Big Jay (00:54): Criticizes the use of Clarence Williams III's likeness in the Beetlejuice movie, expressing disappointment.

• Robert Kelly (01:14): Praises Lioness, commending Taylor Sheridan's work and the show's quality.

Key Quote:

• Big Jay (01:09): "It was an unnecessary movie."

---

2. The Yellowstone Debate and Nepotism in Entertainment (05:21 - 22:01)

The conversation shifts to the popular show Yellowstone, with a particular focus on Robert Kelly's frustrations regarding nepotism involving Tony Rock, Chris Rock's brother.

• Robert Kelly (06:00): Expresses confusion and disappointment over Tony Rock not being cast in Yellowstone, feeling that his ideas may have been stolen or overlooked.

• Big Jay (21:58): Echoes Robert's sentiments, highlighting the lack of closeness and support between Chris Rock and his brother Tony.

Key Quotes:

• Robert Kelly (19:00): "That's my friend, but they got mad at him."

• Big Jay (21:01): "That was good."

Insights:

• Nepotism Concerns: Robert and Jay discuss how family members in the industry often face challenges when seeking opportunities, feeling passed over despite having connections.

• Impact on Relationships: The conversation underscores the strain nepotism can place on personal relationships, especially when expectations are unmet.

---

3. Comedy Specials and Career Progression (22:02 - 35:56)

The hosts transition to discussing various comedy specials, focusing on Chris Rock's Bring the Pain and Jay's own comedic journey.

• Big Jay (29:14): Reflects on how putting a bit together can sometimes seem meaningless to the audience until it gains exposure.

• Robert Kelly (43:15): Compares comedy progression to academic stages, emphasizing the importance of continual development.

Key Quotes:

• Robert Kelly (43:54): "The tip was like my favorite album."

• Big Jay (45:33): "It's a good point, Jacob. I mean, your actual point."

Insights:

• Evolution of Comedy: Both hosts highlight how comedians evolve over time, building upon their experiences and refining their material.

• Exposure and Recognition: They discuss the unpredictable nature of gaining recognition in comedy, where a small project can lead to significant opportunities.

---

4. Personal Experiences and Industry Dynamics (35:57 - 47:13)

The episode delves into personal anecdotes about auditions, collaborations, and industry politics, particularly focusing on Robert's experiences with Chris Rock and Tony Rock.

• Robert Kelly (35:56): Shares his frustration over being told he's part of a project but then being excluded without explanation.

• Big Jay (38:00): Questions the authenticity of relationships in the industry, especially when familial ties seem to interfere with professional opportunities.

Key Quotes:

• Robert Kelly (35:38): "This is gonna help me."

• Big Jay (47:00): "They're neighbors, but they're not related."

Insights:

• Auditioning Challenges: Robert recounts the emotional toll of being promised roles that never materialize, highlighting a common struggle in the entertainment industry.

• Authenticity of Relationships: The conversation emphasizes the importance of genuine relationships over superficial connections, especially when navigating career opportunities.

---

5. Closing Remarks and Final Thoughts (47:14 - End)

As the episode nears its end, the hosts reflect on their careers, the challenges of staying relevant, and the ever-evolving landscape of comedy.

• Big Jay (50:24): Nostalgically compares the weekly club performances to high school experiences, illustrating the enduring nature of comedy clubs as a training ground.

• Robert Kelly (51:32): Concludes with thoughts on the importance of continuous creativity and adaptability in a comedian's career.

Key Quotes:

• Robert Kelly (50:37): "It was."

• Big Jay (51:22): "Do you know what's great about high school girl comedians?"

---

Notable Quotes with Timestamps:

1. Big Jay Oakerson (01:09): "It was an unnecessary movie."
2. Robert Kelly (05:00): "Plastic bag. Jesus Christ."
3. Robert Kelly (35:38): "This is gonna help me."
4. Big Jay Oakerson (43:54): "It's a good point, Jacob. I mean, your actual point."
5. Robert Kelly (48:10): "That's weird."
6. Big Jay Oakerson (50:24): "That large block of time in my life. The clubs, like, seven nights a week in the clubs is."

---

Conclusions and Takeaways:

• Industry Challenges: The episode sheds light on the difficulties comedians and actors face regarding nepotism and the complexities of leveraging personal relationships for career advancement.

• Importance of Authenticity: Big Jay and Robert emphasize the value of authentic relationships and the pitfalls of relying solely on connections within the entertainment industry.

• Evolution of Comedy: The discussion highlights the necessity for comedians to continuously evolve and adapt, ensuring their material remains fresh and relevant amidst changing audience tastes.

• Personal Growth: Both hosts reflect on their personal journeys, underscoring the importance of perseverance, adaptability, and genuine passion for the craft of comedy.

---

Final Thoughts: "The Rolling Rocks" episode offers a candid and insightful exploration of the entertainment industry's inner workings, enriched by the hosts' personal experiences and humorous banter. Listeners are treated to an honest discussion about the highs and lows of a career in comedy, the impact of familial ties, and the relentless pursuit of artistic growth. Whether you're a seasoned fan or new to The Bonfire, this episode provides valuable perspectives and plenty of laughs.

Transcript

[Big Jay Oakerson]

And now the bonfire with Big J. Okerson and Robert Kelly. Yes. Cuban B. Hello.

[Robert Kelly]

I want to say it's good to be back at the bonfire.

[Big Jay Oakerson]

Can we get that as a drop Lou from Half Baked? You know what I'm talking about? Yes, Cuban B. He goes, I'm Cuban B. He goes, yes, Cuban Bee. The late, great Clarence Williams iii. Or he's still alive. I don't know. Is Clarence Williams III still alive?

[Robert Kelly]

Who?

[Big Jay Oakerson]

Clarence Williams iii. Cuban B. I feel like he's dead. He might be dead.

[Robert Kelly]

It's weird how they people just have gone.

[Big Jay Oakerson]

That guy wishneck, troll hair beeld just last night.

[Robert Kelly]

Very interesting way that they made that pedophile dude. Not in the movie. But not in the movie.

[Big Jay Oakerson]

So funny. They use his likeness.

[Robert Kelly]

They use his likeness and they just cut his head off.

[Big Jay Oakerson]

You watched it last night?

[Robert Kelly]

I watched it last night.

[Big Jay Oakerson]

I. It was an unnecessary movie.

[Robert Kelly]

Oh, come on.

[Big Jay Oakerson]

Did you love it?

[Robert Kelly]

No, but it's the. When you. I have a kid dude.

[Big Jay Oakerson]

I understand, but it wasn't even good.

[Robert Kelly]

It's.

[Big Jay Oakerson]

But it was fine. It was absolutely fine.

[Robert Kelly]

It was fine. But generational thing to. Hey, you know, we watch Beauty juice now.

[Big Jay Oakerson]

But you're ruining Beetlejuice, dude.

[Robert Kelly]

After that we watched Lioness, which is a great show. Did you see that, Joe?

[Big Jay Oakerson]

No. We've told me, man.

[Robert Kelly]

She is so hot and good.

[Big Jay Oakerson]

But it's like a military movie, right?

[Robert Kelly]

It's show. Yeah, but it's in a. The lead. It's Taylor Sheridan. He's actually in the next season two. The first episode is bad.

[Big Jay Oakerson]

Yellowstone. Come back next week or something.

[Christine Evans]

Oh, it is coming back soon.

[Robert Kelly]

It's coming back.

[Jacob]

Yeah.

[Robert Kelly]

No, no, you don't watch Yellowstone. Why? Because Kevin Costner's not in it.

[Jacob]

Because I've told you they stole my idea.

[Big Jay Oakerson]

So you've never watched it?

[Robert Kelly]

I'm going to puke.

[Jacob]

I watched the first few episodes enough to realize what happened.

[Big Jay Oakerson]

And you've never watched the show itself?

[Jacob]

No.

[Big Jay Oakerson]

Come on.

[Jacob]

I'm a cowboy. First few episodes.

[Big Jay Oakerson]

I could have sworn we talked about that. Just me and you, Bobby.

[Jacob]

I think I watched half of four or five episodes.

[Robert Kelly]

I don't understand that you're not watching.

[Big Jay Oakerson]

I can't believe you're not watching it.

[Sherrod Small]

You.

[Robert Kelly]

You came up. You think they stole your idea?

[Jacob]

Yes.

[Robert Kelly]

That's crazy. That's like me not listening to podcasts because that was my idea. Or not using social media because I invented it.

[Christine Evans]

Do you listen to podcasts?

[Robert Kelly]

No. Especially. Especially ones I'm on.

[Big Jay Oakerson]

It's out of pure anger. Because they've stolen his idea.

[Robert Kelly]

That's crazy, dude. Lioness. Great show though. Really good show. Pretty, pretty. He is knocking it out of the park. Taylor Sheridan, and he's jacked. He's great. Love him.

[Big Jay Oakerson]

But you hate him.

[Jacob]

I don't hate him. I mean, that'd be funny if you.

[Robert Kelly]

Really did steal his show. If Taylor Sheridan listens to this show and just over the years, all his.

[Jacob]

Ideas promoting the cowboy way before. Way before that show was on the air.

[Robert Kelly]

But he's not.

[Christine Evans]

I think Jacob never pitched Yellowstone.

[Big Jay Oakerson]

He's buried in Farmingdale, New York, by the way. But he is dead.

[Robert Kelly]

The only thing is a tent to you.

[Big Jay Oakerson]

I can't believe you wouldn't watch Yellowstone. You'd love it. It's exactly the life you want to live.

[Robert Kelly]

It's down your alley. Or your corral. Yeah, thanks, guys.

[Jacob]

I may give it a shot. I just. I have to get over my. My aggravation. I'll watch it.

[Big Jay Oakerson]

What's the aggravation? Technically that they took an idea just for like modern cowboy shit.

[Jacob]

Yeah.

[Robert Kelly]

Yeah. You invented that?

[Jacob]

I believe so. Yeah.

[Robert Kelly]

No, I'm pretty sure John Wayne and then before them, not modern Roy Rogers.

[Big Jay Oakerson]

And he's talking about. He's talking about modern cowboy now.

[Robert Kelly]

What do you mean they have a truck instead of a wagon?

[Big Jay Oakerson]

Yes, that's exactly what he means.

[Jacob]

It's the Yellowstone theme. The way of life is the whole fashion industry built around that guy.

[Robert Kelly]

Who. How many. This is like, how many saddles do you own?

[Jacob]

I don't. Where am I going to use it in New York City?

[Robert Kelly]

I'm just asking you how many saddles back at your mom's house? Like you have dolls, but how many saddles?

[Jacob]

I don't have any dolls.

[Robert Kelly]

Well, they're in your house.

[Jacob]

My mother's dolls.

[Big Jay Oakerson]

Look over her collection of dolls for her.

[Jacob]

They freak me out and you know they do.

[Robert Kelly]

I want one.

[Jacob]

They terrify me.

[Robert Kelly]

Can I buy one? Ask your mom. She's selling them.

[Jacob]

I don't think they're allowed to leave the house.

[Robert Kelly]

I want the one that. I want the one that looks like.

[Jacob]

Something bad happens if they leave that.

[Big Jay Oakerson]

That's when they come to life. The borders of the house. The only thing that keep them fucking still. Yeah.

[Jacob]

You don't want one. You don't want one, Bobby.

[Robert Kelly]

I bet there's one of Christine that you made Christine do that he tummy times with when he's down in Florida, opens his mouth. Hey, I just shot an iguana out front. Christine.

[Big Jay Oakerson]

Uno, dos, quad, and please enjoy the pre record this week, everybody. It's where we go through. It's Bobby's final episode of the Bonfire before he goes off to get jungle killed.

[Robert Kelly]

First of all, Cuba is not a jungle.

[Big Jay Oakerson]

Sure.

[Robert Kelly]

It's a tropical island.

[Big Jay Oakerson]

Yeah. Yeah.

[Robert Kelly]

And.

[Christine Evans]

Oh, sorry.

[Robert Kelly]

What is that?

[Christine Evans]

Somebody put this in the campers group. It says Jacob decorating like this in Florida. Just a bunch of dolls. Body bags.

[Jacob]

That's how I'm going to end up.

[Big Jay Oakerson]

Yeah. That's all the dolls. Are you to your ending. To your final resting.

[Jacob]

Plastic bag.

[Big Jay Oakerson]

Jesus Christ.

[Christine Evans]

That's from Joshua Davis. Joshua Davis.

[Big Jay Oakerson]

Nice meme.

[Jacob]

I think they make your spirit. My spirit will actually become one of those dolls eventually, I guess.

[Big Jay Oakerson]

I think if you die before your parents. If you die before your parents, they will absolutely put your soul into one of those things. Your mother knows probably some sort of old Jewish spiritualism mysticism. Like Kabbalah Cabal. Cabal.

[Robert Kelly]

She knows Krav Magra and Kabbalah.

[Big Jay Oakerson]

Kabbalah.

[Robert Kelly]

Why don't you look back in your history and see if any of those dogs look like relatives that have died in the past.

[Big Jay Oakerson]

How about all those 12 year olds your family were marrying?

[Robert Kelly]

Yeah. There you go. That's probably them.

[Big Jay Oakerson]

That's probably them. That's probably all. They're probably all lacquered up.

[Jacob]

That was the origin of the curse.

[Big Jay Oakerson]

Yeah. They brought that evil on themselves.

[Robert Kelly]

All those dolls are from the kids from back in the day.

[Jacob]

We're like my brother. My sister and I are like the Elm street children.

[Big Jay Oakerson]

Yeah. What if you find out your father was like that? Like that? Like the piano teacher, molester, murderer guy. That would be wicked. And all the dolls in the house are just fucking lacquered children that they drew fucking lines besides their lips. Oh, no. It's possible.

[Robert Kelly]

You definitely have to check out the show. You should start watching it now because it is one of the best shows.

[Big Jay Oakerson]

It's crazy.

[Jacob]

And Costner's not in the last season.

[Robert Kelly]

He's not in the last season. They couldn't come to terms. And then he had to make that flop that he made.

[Big Jay Oakerson]

Oh, he has got a whole bunch of bullshit going on and goes, you know what? I didn't decide to come back for the show. Instead you want to watch me ride on a horse through trees and shit? That's nothing.

[Robert Kelly]

You want to see me do the same shit, except not the characters you love. Not as good as what you see me do over there.

[Big Jay Oakerson]

It's wild. They're. They're gonna make us. They're gonna make a spin off show. The sixes. Right?

[Robert Kelly]

Sixes.

[Big Jay Oakerson]

The six.

[Robert Kelly]

Which is. Actually. People are kind of mad at Taylor Sheridan because he's. All the horses he has the farm. He owns that sixes. The three sixes. He owns all that stuff. He bought it with all his money. And now all the horses, everything they use on the shows, they have property they have to use from him.

[Jacob]

He makes a fortune.

[Robert Kelly]

He's making so much money off of his show. Paying his own shit to. Which I think is smart.

[Big Jay Oakerson]

I don't hate him for it.

[Robert Kelly]

Yeah.

[Jacob]

The studios use the ranch, the horse, everything.

[Robert Kelly]

You're used to the double dipping.

[Big Jay Oakerson]

I like the double dip.

[Robert Kelly]

You're used to triple dipping.

[Big Jay Oakerson]

I got a dipper in my life. I got a couple of dippers. The old dub dip.

[Robert Kelly]

Yeah. You got to watch it, man.

[Big Jay Oakerson]

You have to watch. I can't believe it's not.

[Jacob]

I'm not boycotting him. I like the other show.

[Robert Kelly]

What, 1980?

[Jacob]

No, Sylvester Stallone, Tulsa King. Tulsa King's good.

[Robert Kelly]

Tulsa King's good. It's. The first season was a little better. This season's I haven't seen. I've only up to the. It's episode four. It's good. I would say it. No, it's good. First season was great.

[Big Jay Oakerson]

But you know, it's a comedy though, isn't it?

[Robert Kelly]

No, it's funny. But you can tell that they're kind of trying to do a little more little terrible lines. But that's still.

[Big Jay Oakerson]

Her first season was a lot of terrible lines.

[Robert Kelly]

It's Stallone. Stallone comes with those lines.

[Big Jay Oakerson]

Who was telling me the thing was like. I heard Cash is king. Like these lines like that constantly.

[Jacob]

That's still good.

[Robert Kelly]

Still.

[Jacob]

He's still seeing Stallone like you want to see Stallone?

[Big Jay Oakerson]

Yeah. Okay.

[Robert Kelly]

Yeah.

[Jacob]

He's not a person.

[Robert Kelly]

Seeing Stallone as a mob guy is pretty. You. He's never played that well.

[Jacob]

He's a good mob guy. He's a nice mob guy with a heart of gold. He's a mob guy who. Who fights against the bad guy.

[Robert Kelly]

Well, he's not really. He actually.

[Big Jay Oakerson]

Look goes the Nostra.

[Robert Kelly]

They. He's. He kind of went into a town and slapped around a bunch of nerds. Took over their business.

[Jacob]

Sure.

[Robert Kelly]

Got another poor kid to drive him around. Took him from his dad who's working hard his whole life. He's a piece of.

[Jacob]

But he's making money for them. The town's.

[Robert Kelly]

He's not really. He's thriving. Everybody else is pretty much paying up to Him. And now he's getting all these regular people that would just be selling weed, doing Lyft, is now basically in the fucking mob. The guy's. I mean, spoiler alert. The guy's missing a dad now. It's pretty terrible with this guy.

[Big Jay Oakerson]

You watch him. Penguin.

[Jacob]

But they have family.

[Robert Kelly]

That's the one I heard is amazing. Heard Penguins.

[Big Jay Oakerson]

Good. I'm only. I've only seen three episodes, but there's like, five out.

[Jacob]

Penguins. Good.

[Big Jay Oakerson]

That's good.

[Robert Kelly]

What is that on Max? Max.

[Jacob]

My only.

[Robert Kelly]

I gotta get that. I gotta get Max. I gotta get my V. My box.

[Big Jay Oakerson]

Back in your V card?

[Robert Kelly]

My V card.

[Big Jay Oakerson]

Yeah, yeah.

[Robert Kelly]

What's. What's the other one that he does, though, with Jeremy Renner? What's that called?

[Big Jay Oakerson]

Mayor of Kingstown.

[Robert Kelly]

Mayor Kingstown's great.

[Big Jay Oakerson]

That's him also.

[Robert Kelly]

That's him also. Dude. He is the king of television right now.

[Big Jay Oakerson]

Mayor of Kingston, I hear is really good.

[Robert Kelly]

Mayor of Kingston.

[Big Jay Oakerson]

But at one point, Jeremy Renner had to not do it because he ran his own legs over with a snowplow or something.

[Robert Kelly]

He ran his body over. He saved his nephew or something.

[Big Jay Oakerson]

Yeah. What a masculine dude he is.

[Robert Kelly]

It was.

[Big Jay Oakerson]

And he was our friend's makeup artist at her wedding.

[Robert Kelly]

He was what? What?

[Big Jay Oakerson]

Back in the day in la.

[Robert Kelly]

He was a what?

[Big Jay Oakerson]

He was her makeup artist for her wedding.

[Robert Kelly]

Sorry, I thought you said he was her makeup artist.

[Big Jay Oakerson]

You heard me say the words, right?

[Robert Kelly]

He did makeup, but the guy also.

[Big Jay Oakerson]

Builds houses for fun with his brother.

[Robert Kelly]

You just ruined the whole show.

[Christine Evans]

95.

[Big Jay Oakerson]

What?

[Christine Evans]

It's probably like 95.

[Robert Kelly]

He did makeup.

[Jacob]

Hawkeye does makeup.

[Robert Kelly]

Hawkeye did.

[Big Jay Oakerson]

Hawkeye did makeup.

[Robert Kelly]

He's a makeup now.

[Big Jay Oakerson]

He builds homes with his brother for fun. And they just sell them.

[Robert Kelly]

All right?

[Big Jay Oakerson]

That's what he does. It's very masculine guy makeup.

[Robert Kelly]

I mean, coming from the guy with pink fingernails and has a fingernail appointment next Wednesday.

[Big Jay Oakerson]

I don't have an appointment. It's this Thursday, and there's no appointment. Just walk in.

[Robert Kelly]

All right. Well, you walk in and they go, what color, Mr. Jeff?

[Big Jay Oakerson]

They don't call me Mr. J. No.

[Robert Kelly]

They go.

[Big Jay Oakerson]

I walk in. They go.

[Robert Kelly]

They go, eyebrow, gel, tip, meet the pinky Takadero.

[Big Jay Oakerson]

They go, gel, manicure, eyebrow.

[Robert Kelly]

You go crazy this week. You go to pink again.

[Big Jay Oakerson]

And then they go real fast. He goes. He goes. Put take off. He goes. Start to remove gel, then eyebrow.

[Robert Kelly]

We do eyebrow and we take off a Bobby pink. You know, Bobby pink. You go, manly.

[Big Jay Oakerson]

Go black again this week. I'm gonna go White. Why, Jacob? I'll tell you, Trump. Because we're going to. Yeah, because white is all right. No, because I'm gonna be doing my unofficial. Hey, if you want to come say hi and take a picture and come to the Red Dog.

[Robert Kelly]

Sorry.

[Big Jay Oakerson]

OKC this Friday and Saturday, but when you walk into a strip club, they have one thing, and they always have one thing.

[Robert Kelly]

Black lights.

[Big Jay Oakerson]

Black lights.

[Robert Kelly]

Yeah.

[Big Jay Oakerson]

And it's going to make my fingers look dough.

[Robert Kelly]

Yeah, your eyes, your fingers.

[Big Jay Oakerson]

Everything's going to look so.

[Robert Kelly]

Little logo.

[Big Jay Oakerson]

Should I wear my new. My demony contact lenses? I got.

[Robert Kelly]

Yeah, wear those. Remember, those freak everybody out. Do that. Now do that.

[Big Jay Oakerson]

They looked awesome.

[Robert Kelly]

They looked nuts.

[Big Jay Oakerson]

They looked awesome.

[Robert Kelly]

Christine, I thought you were dying.

[Big Jay Oakerson]

Not those ones. Those were. They're different.

[Robert Kelly]

Those were black with red around them.

[Big Jay Oakerson]

Yeah, but Christine, when I wore the.

[Robert Kelly]

One, I thought you sneezed too hard.

[Big Jay Oakerson]

When I was. When I wore the Marilyn Manson one with the other one looked pretty dope.

[Christine Evans]

Pretty dope.

[Robert Kelly]

Yeah. The red. The red. The black and red ones. No, it looks like you had Ozempic accident.

[Christine Evans]

You didn't know what was going on, so it's probably pretty jarring.

[Robert Kelly]

Yeah. Because he walked up and he was like. You had red around your eyes. Like, your eyes were bleeding.

[Big Jay Oakerson]

I know. It was so funny letting you go through things. Seriously, we're, like, on air and you don't. You were genuinely like, I don't. That's not okay, dude.

[Robert Kelly]

I thought you were like.

[Big Jay Oakerson]

Your eyes. Okay. I go, what? The fact you just thought you were worried about the red and not the fact that my eyes were not now blue and completely black.

[Robert Kelly]

It was nuts.

[Big Jay Oakerson]

You didn't notice the darkness of the eyes?

[Robert Kelly]

I didn't notice the darkness. The red around it freaked me out. I thought you were dying, and that would have sucked a bag of ass.

[Big Jay Oakerson]

Everybody else thought. Most people at ScanFest said they thought that I was on, like, Molly or something. And my pupils are dilated. I'm like, nope, just contact lens. But they go, man, you are really fucked up. Huh? I go, what? No. I'm like, oh. Because those are context.

[Robert Kelly]

I forget that you do dress up.

[Big Jay Oakerson]

It's not dress up.

[Robert Kelly]

It's dress up.

[Big Jay Oakerson]

It's cosplay.

[Robert Kelly]

It's guy dress up.

[Christine Evans]

It's costuming.

[Robert Kelly]

It's costuming, buddy.

[Big Jay Oakerson]

I'm trying to find any excuse in the world to pop that Marilyn Manson eye back in, but I don't think.

[Christine Evans]

You took care of them right to wear them again.

[Big Jay Oakerson]

They're sitting in saline.

[Christine Evans]

Oh, they are? Yeah.

[Robert Kelly]

What a negative Nelly she is. She really just really said a lot about what she thinks about you. I don't think you took care of them right.

[Big Jay Oakerson]

You didn't even do anything.

[Robert Kelly]

You didn't. You didn't. I know. You didn't do what you were. You didn't read directions.

[Big Jay Oakerson]

God, man, she is a crab, huh?

[Robert Kelly]

Well, you know, why.

[Big Jay Oakerson]

Could we please look up? You were telling me outside that.

[Robert Kelly]

Oh, Tony.

[Big Jay Oakerson]

Famous comedy duo. Tony and Chris Rock. Well, the Rock boys.

[Robert Kelly]

Well, I. It was Arie.

[Big Jay Oakerson]

The Roan rocks Eras.

[Robert Kelly]

Aries Spears, Harry Spears.

[Big Jay Oakerson]

Yes.

[Robert Kelly]

I love it.

[Big Jay Oakerson]

It's his podcast.

[Robert Kelly]

He's on a podcast and he kind of calls out like how Eddie Murphy never ever put Charlie in anything he ever did. I mean, not one fucking thing.

[Big Jay Oakerson]

Nothing.

[Robert Kelly]

No, I mean, nothing career wise. He put Arsenio hall and broke him. And I think Charlie Murphy. But you also know 100%. 100% funnier than Charlie. Charlie Murphy's funnier than Arsenio Hall. I think, in my opinion. Yeah.

[Big Jay Oakerson]

In what it would have taken to be a good someone acting well in a movie.

[Robert Kelly]

Well, it's just weird to me that, you know, when you get to that point, you kind of take a lot of people. You have to. You have to go back down in the elevator and get the rest of the people. Right.

[Big Jay Oakerson]

But his brother wasn't looking for entertainment.

[Robert Kelly]

His who? Charlie.

[Big Jay Oakerson]

Charlie, I don't think was looking for entertainment that young. They put him in things, but I don't think he wasn't like a. He started doing comedy when he got famous.

[Robert Kelly]

Yeah. But he never did anything with them, which is not as bad. I think it's Chris who. Who. I mean, I know Tony. I opened for Tony. I was middling for Tony at the improv back in the day. He's been a comic stand up for a long time and he's never been any. In anything Chris has ever done. I mean, nothing.

[Big Jay Oakerson]

He doesn't think he's ready for it.

[Robert Kelly]

What?

[Big Jay Oakerson]

He doesn't think he's good for it. What are you gonna do? Listen, Chris Rock, first of all, is a nightmarishly terrible actor in everything he's ever been in. He has never been good. Great comic. You know, what a history and stuff and his. But like never a good actor. He was bad on Saturday Night Live. He was bad on fucking in every mood. The shitty down to earth he did. Every movie he's been in. He's been terrible. He's been one funny scene that he has pulled off in one movie. And it was. I'M gonna get you, sucker. When he comes in to buy the. When he comes in to buy one rib, he was good.

[Robert Kelly]

It was great scene.

[Big Jay Oakerson]

Great scene.

[Robert Kelly]

But he was also good in New Jack City.

[Big Jay Oakerson]

He was really good in New Jersey.

[Robert Kelly]

Okay. I mean, absolutely great actor, but he.

[Big Jay Oakerson]

Was a young guy doing his thing. Anytime they put him as like the lead in anything, he is garbage. He was terrible in that stupid Saw movie spin off they made. He's just not a good actor. So why he would judge Tony and not put him in something like that, I don't know. But I just think. I don't think he respects his brother's funny, if I'm being quite honest. I think comes down to that he hasn't put Jordan Rock in anything either.

[Robert Kelly]

Well, here's the thing, though. It's like Louie put everybody in everything.

[Big Jay Oakerson]

And I promise you he didn't use people that he didn't think were actually funny. There's no way.

[Christine Evans]

Also funny friends, not just family.

[Big Jay Oakerson]

That's what I'm saying. It's like a family want to be in. It doesn't necessarily make it a thing. I don't know.

[Robert Kelly]

Look, if you had. If you had. If your daughter got into the business and you had a TV show or you started popping off, which you know you will, it's coming when you get, you know, all the stuff that you want.

[Big Jay Oakerson]

I'm 50.

[Robert Kelly]

Lewis Black didn't make it till he was 50.

[Big Jay Oakerson]

Oh, good. He's dead now.

[Robert Kelly]

He's not dead. Lewis Black is not dead.

[Big Jay Oakerson]

Very alive.

[Robert Kelly]

But what I'm saying is that you. You get in this point, you. You would put your family or people in something. Can you stop with fucking sexy fucking pose?

[Big Jay Oakerson]

I'm just trying to get sexy.

[Robert Kelly]

Every day you try to take over the room with that pose.

[Big Jay Oakerson]

I'm not taking over the room. I'm just looking sexy. Go ahead. My apologies.

[Robert Kelly]

Now I just want. Look at you. I can't. I can't talk now. No, don't do the cross of the fingers. I can't. Don't do the thought fingers. Jay. Jay, I had a thought. I want to get to my point.

[Big Jay Oakerson]

I want you to say it.

[Robert Kelly]

I don't. Don't do.

[Big Jay Oakerson]

I'm going to take it in when you say it like this.

[Robert Kelly]

I find you so attractive.

[Big Jay Oakerson]

Wait, let me do this. Let me do this move here. Here he goes. I'm going to come in for it. Say my name and you start talking.

[Robert Kelly]

Jay.

[Big Jay Oakerson]

Yeah.

[Robert Kelly]

You're so powerful with that leg up. It just drives me batty. You own the room, Bobby.

[Big Jay Oakerson]

You had something.

[Robert Kelly]

I do. My point is this. I'm going to use AOC fingers. My point is this. Now if your. If your brother or your family is in. In the business. The business that we're in.

[Big Jay Oakerson]

Yes.

[Robert Kelly]

You need to help them. Give them a hand up. Pull them up by their bootstraps and help them. Is that me? No, that's not me. That's you, Jay.

[Big Jay Oakerson]

Oh, look, it was me, but it's Spam.

[Robert Kelly]

Okay. You need to get them, help them, give them a shot if they get in there. Look at you. Adam Sandler puts all these people in movies.

[Big Jay Oakerson]

Yep.

[Robert Kelly]

They're not fucking great, but he gives them a shot.

[Big Jay Oakerson]

No, no, Those guys were all really comedic acting dudes.

[Robert Kelly]

Colin Quinn, really best actor on the fucking planet.

[Big Jay Oakerson]

No.

[Robert Kelly]

Okay, there you go. I love Colin McCarthy.

[Big Jay Oakerson]

Hasn't been in a ton of move every.

[Robert Kelly]

He's in every Sandler movie.

[Big Jay Oakerson]

No.

[Robert Kelly]

Yeah, he is.

[Christine Evans]

Well, he also just put his daughters in a movie. I haven't seen it.

[Robert Kelly]

Yeah, dude, he's.

[Big Jay Oakerson]

Hell, I understand there's people in the.

[Robert Kelly]

Fucking movies because it doesn't matter.

[Big Jay Oakerson]

Sure, you give them a chance, but the thing is, you also want to do it. I absolutely get it. I have a feeling probably what it is, is he may have a little of what people thought I would have on my ex wife. Is that what Chris Rock might feel like is like, because this was my thing and I wanted to do it and I was. And he was the one that went and like the stories hanging out, grinding out the comic strip and trying to get in all these rooms and blah, blah, blah. And he's like, that's my story. And now everybody. I mean, Jordan Rock's last name isn't Rock. Do you know what I mean? Tony's is, I believe. But it's like they do this to Buddy. How nice does that feel? But you look back further in the chair, pull the mic to you, check. Straighten it out. Straighten it out a little bit. Now it's got to be a little lower below your mouth. So straighter. And you get back up. And also keep his microphone on the whole time for it.

[Jacob]

They both. I mean, you should say, Bobby's got his. What is it?

[Big Jay Oakerson]

Bobby's. Now his foot is up.

[Robert Kelly]

Jay, you were saying?

[Christine Evans]

I was playing the mirror game.

[Big Jay Oakerson]

In a situation like this, there might be actual a little annoyance where it's like, okay, if you want to do this, then make your own way, like throughout. Like, never have this be about nepotism then because you're Tony Rock or Jordan Rock?

[Robert Kelly]

Bobby, I would like a counterpoint to your point. I agree with what you're saying. I have no problem with that. But if you have the opportunity to give somebody a shot to see what they got, to let them prove themselves and they're your brother. It's la familia. Why not give it to them?

[Big Jay Oakerson]

Because they're not close, I don't think. Is there a Tony character on Everybody Hates Chris?

[Robert Kelly]

Yes.

[Big Jay Oakerson]

Is there?

[Robert Kelly]

His name's Tony.

[Big Jay Oakerson]

He's got a brother named Tony in it.

[Robert Kelly]

No, I just made that up. But you know what? You don't know that.

[Big Jay Oakerson]

I don't. I've never watched an episode. There's new episodes, and Tony's not in that either.

[Robert Kelly]

But here's the thing. He's saying in this clip, and I want to back this up, he's saying, look, I get it. I understand. Make it on your own. Do your own thing. Which he respects. It's the. The one thing that sucked. Dramatic pause.

[Big Jay Oakerson]

That was good.

[Robert Kelly]

It felt good. It felt good.

[Big Jay Oakerson]

Look good. What I'm saying is, Bobby, if I'm being completely honest.

[Robert Kelly]

Oh, go ahead, Jay. Yes.

[Big Jay Oakerson]

That was good, Jay.

[Robert Kelly]

Thank you. Jacob, I got my eye on you, Jacob.

[Big Jay Oakerson]

Jacob, I'm deal with you in a minute.

[Robert Kelly]

Hang on one second. Jacob, I got my eye.

[Big Jay Oakerson]

Well, you got to give him a little. You got to give him a little side eye. When you do it, you talk to it. At the end of the talk, you go, jacob, I need you to let Bobby finish his thoughts.

[Robert Kelly]

That's powerful. That's some powerful.

[Big Jay Oakerson]

Jacob, I can't right now. It's Bobby's time.

[Robert Kelly]

I want to try it a little quick. Jake, seriously, man. I'm in the middle of this, and I got to get this out.

[Big Jay Oakerson]

Okay, yeah. That's the last minute. Look. It's so good. Didn't that feel powerful as hell?

[Robert Kelly]

God damn it, that felt good. What I'm saying is he says, here's the thing, the trick. He actually came in, I got a movie for you. His point is. Okay, I get it. I get it. But he came to the Cellar one night, yo, I got a movie for you. And he's like, really great. Awesome. I love it. Opportunity. I have to audition. Now you're in it. He was even like, I'll audition, which is cool. And then he called his agent, hey, my brother said, this movie's happening. I'm in it. I got a partner to audition. Blah, blah, blah. They called. They called a month or so later, got a phone call from somebody Friend, family, blah, blah, blah. Yo, where are you? We're on the set. What?

[Big Jay Oakerson]

This is what he's telling here?

[Robert Kelly]

Yeah.

[Big Jay Oakerson]

Oh, so play.

[Robert Kelly]

So play this clip and then you'll hear which he makes a good point. It's like, don't give me hope. Don't, don't. I get it. You're my bro. I'll make it on my own. I'm cool with that. But don't say, hey, I'm in something and then not put me in it.

[Big Jay Oakerson]

Sure.

[Robert Kelly]

Which is his problem.

[Aries Spears]

Wanted to know this baffled the shit out of me and both you and Eddie Murphy. I go, we know as black men how hard it is for us to make it in this hustle.

[Big Jay Oakerson]

Right?

[Aries Spears]

It's hard for white boys to make it. Right because of the competitive nature of the beast.

[Big Jay Oakerson]

Right.

[Robert Kelly]

Thank you.

[Aries Spears]

But for us, it's even harder.

[Big Jay Oakerson]

Right?

[Aries Spears]

So I go, how is it that Eddie Murphy is your brother? And I don't see you in no Eddie Murphy vehicles? Charlie, how is it that Chris Rock is your brother?

[Big Jay Oakerson]

Because also, you can't bring Charlie Murphy onto set of the clumps. He was problematic, wasn't he? I mean, like, historically, these things are like, he's like a loose cannon guy.

[Robert Kelly]

I mean, look, I don't know really about Charlie Murphy. I know Charlie kind of learned stand up after and got into the business, but he did do it on his own with those stories that were epic on the Chappelle Show.

[Big Jay Oakerson]

He didn't do it on his own. He did it like Chappelle moved in and he goes. And also, Chappelle understood what was funny about Charlie Murphy completely.

[Robert Kelly]

So you're making my point. Somebody saw the funny and gave the person the opportunity. You think Eddie would see the funny in his brother and direct him in the way to be funny?

[Big Jay Oakerson]

But Chappelle was just like, tell these stories and we're going to act them out. He doesn't even have really Charlie Murphy.

[Robert Kelly]

And back to my point about Louis, he saw where people were funny and wrote parts for that. You know what I'm saying? He saw where I. Okay, Bobby's a good actor, but this type of thing he could be good at. Right?

[Big Jay Oakerson]

But he respects your career in comedy.

[Robert Kelly]

As should you all. Jacob, I know you do, but Jacob.

[Big Jay Oakerson]

Jacob, honestly, Honestly, I'm gonna need you, Jacob. You're gonna have to give Bobby what he's deserved.

[Robert Kelly]

I mean, I'm just saying this once and I'll say it once and I'll move on.

[Big Jay Oakerson]

You do Christine.

[Christine Evans]

Yeah.

[Big Jay Oakerson]

Hit play.

[Aries Spears]

Oh, Chris Rock. Shit. And now, before you answer, here's the one that me up the most. The movie that Chris and Martin was in where they played brothers.

[Sherrod Small]

That me up.

[Aries Spears]

I'm going, not in a million years do Chris Rock and Martin have the same facial features.

[Sherrod Small]

Yes.

[Big Jay Oakerson]

Tony is his brother and look like him.

[Aries Spears]

How is Tony not in the movie?

[Christine Evans]

Wait, I'm sorry. Is he asking? He's talking about Martin. Like, Martin Martin.

[Robert Kelly]

Martin Lawrence, but here. But Tony Rock is smart.

[Big Jay Oakerson]

He's Rock and Martin.

[Robert Kelly]

Kiss Rock. Actually, Kiss Rock was one of. One of the best concerts I've ever seen.

[Big Jay Oakerson]

Kiss Rock.

[Robert Kelly]

Kiss Rock. They were in a. I don't know what it was called. It was a dumb movie.

[Christine Evans]

I mean, like, why would you go like, martin Lawrence is like a crazy, established, hilarious. Why would you be like, you should just put your brother in instead of this superstar?

[Big Jay Oakerson]

That is crazy.

[Christine Evans]

That's a psychotic thing to say.

[Robert Kelly]

Hey, I say this. Christine, Jacob Jay, play the clip.

[Big Jay Oakerson]

Who be playing his brother.

[Sherrod Small]

I'll give you another one. They did the longest yard in Arizona.

[Robert Kelly]

Oh, yeah.

[Sherrod Small]

Yeah, right.

[Big Jay Oakerson]

Yeah.

[Sherrod Small]

Him and. Him and Sandler.

[Big Jay Oakerson]

Yeah.

[Sherrod Small]

Joey Diaz. Joey Diaz, my man forever. Joey Diaz is my man forever. Joey Diaz said day one on the set. He walked on the set, saw all the people in the prison. My brother came on set ready to shoot. He said, hey, hold the up.

[Robert Kelly]

Where's Tony?

[Sherrod Small]

What the Is Tony? So you mean Tony doesn't fit in this movie? I said, joey Diaz, you my man forever. Yeah, you my man forever. Joey Diaz.

[Aries Spears]

Explain that to me.

[Sherrod Small]

To try to explain. To try.

[Big Jay Oakerson]

I can't.

[Aries Spears]

And if you're in the movie, the money stays in the family.

[Sherrod Small]

Listen, literally. I agree. I agree.

[Robert Kelly]

Does he know that the mics work?

[Big Jay Oakerson]

Aries Pierce.

[Robert Kelly]

Yeah.

[Big Jay Oakerson]

No, he doesn't believe in technology.

[Robert Kelly]

Okay, go ahead.

[Big Jay Oakerson]

Yeah.

[Robert Kelly]

Okay. That's that religion, right? Yeah.

[Big Jay Oakerson]

He's Amish.

[Sherrod Small]

And I'm not making it. I'm not saying it's gonna make sense, but my brother sometimes. And you can see it in what he does, in his movements and his actions and stuff like that. Like, Martin in the movie, he's a businessman when it comes to his. His movies and TV stuff. You know what I'm saying? So Martin's bigger than me. I need to sell this movie. Tone's my brother. Yes. There. There will be some. You know, hey, him and his brother in the movie. Let's go check it out. But him and Martin pushed the needle more. I'm only speaking on that movie in that. In that regard. Like, I get it. I was like, Okay, I get it. The one that me up. Here's the one that me up. And I've never told anybody this. Only a few of my, like, two of my boys notice and maybe, you know, my siblings. When he did the movie Top five, I was on tour. I came home, like, for a week. I was at the Comedy Cellar. We hadn't seen each other in a while, and we don't talk. We don't talk a lot. We now. Since the divorce, we talk a lot more. But he was in his a lot.

[Robert Kelly]

Less since this video.

[Big Jay Oakerson]

Why isn't Tony bring Sherrod open for him all over the country if he's touring big?

[Robert Kelly]

Have you seen Sherrod?

[Big Jay Oakerson]

Yes. Okay, but I'm saying. But why? I'm saying, like, that's. It's like. My whole point is that it's like, again, it's. It's. But listen, a mindset. I had to adapt pretty young because of the. Just circumstantially the kind of like, the situation I started comedy in was to watch what happened for Kev. And then I watched personalities in Philly comedy who spent their career without saying names. Like, really going like, you know, when's this motherfucker coming back for us? Instead of just going like, you're gonna be out of your goddamn mind if you wait for the fucking happen.

[Robert Kelly]

I get that, Patrice. When he got his. He did his podcast, when he did his MTV show, he did, like, a sketch show. I was like, I'm an actor, blah, blah. But in my head, I'm like, he just. I'm not in that. He. He doesn't have me in his mind, and that's good. I'm fine with that. If you put me in something, you put me in. If you don't, it's almost worse. I mean, Dane, kind of when they force it, it fucks you.

[Big Jay Oakerson]

Well, it's funny how much you felt bad when you were saying. When you were doing the comedy came back, dude, I want you to know, Bobby. Yeah. You booked what you thought was the best thing for the fight. Who gives a shit?

[Robert Kelly]

I know.

[Big Jay Oakerson]

I think you don't think I'm funny or don't want to work with me.

[Robert Kelly]

Or anything, but you deserve that talk. You deserve that. Hey, bro, I wanted you in this thing. But here's the thing. Like, when Dane, the first movie I auditioned, I got in we improv the second movie, he actually wanted me to be the co, like the third lead. And I was like, no, dude, just let me audition. If I book it, I book It. And he's like, no. And he actually fought for me, which I understand. He's my friend, but they got mad at him. And Kate Hudson was like, I'm not fucking. Cause she was supposed to be with him. She's like, who the fuck is that? We're not casting Dane's pal that nobody knows. And I'm like, I get it. And it kind of fucked me up on the movie with the director. Cause they kind of forced me in this thing, right? So it was like I had. So I understand. What. What. What? Not. You have to do what's best for the movie and to sell tickets. So. Great. But this is. Listen to this. This is. This is the stuff that I agree with him on that's kind of up when he. What?

[Sherrod Small]

He says, swear we. We weren't really talking a lot. And I walk in the Comedy Cellar, and he's there, and he's at the table with, you know, Colin and all of the guys, and I'll go over to say what's up? And he goes, hey, got a movie, man? Put you in it. I did not ask for anything. Chris will tell you. I've never. Like I said before, it's on the headliners only. I've asked him for five favors my whole life. He said no every time. And I swore on everything I loved I would never ask him for anything as long as I lived. So that night, I walk in the comedy cell. He goes, y'all got a movie? I'm putting you in it now. I got to do my due diligence. Okay, who do I have to call? Do I have to audition? I've seen a tape. No, you're good, you're good, you're good. We're shooting in New York, too. I'm like, bet. Summertime in New York. I'm going to be in New York for the summer. I'm going to be home shooting a movie with my brother for the summer. I'm beyond excited. It don't get no better than this. I'm thinking it's another. This is another one of those things where people never know how close you are, right? So it's New York.

[Big Jay Oakerson]

Everybody sounds like they're not close. And that's what I would see from the thing. Like, I think I feel like when Chris Rock would come to the Cellar, it wasn't just like, maybe I'm wrong, maybe I'm seeing this wrong. But I just feel like they were never. Like. It was always. Sherrod and Tony were like, best buddy, and Chris Rock would Come in and they would kind of hang around Chris Rock like, that night. But it wasn't really like, I didn't see, like a. Tony wasn't like, hey, I'm leaving the open for my brother all over the country. That would make sense.

[Robert Kelly]

He said it. I asked him five favors. I never asked him again. I get it. I'm out. And they don't talk.

[Big Jay Oakerson]

His brother didn't even do the five favors he asked him. It's like they're just not close.

[Robert Kelly]

But the thing is, is that it's like, I got a movie. You're in. Do I have to audition now you're in.

[Big Jay Oakerson]

Yeah.

[Robert Kelly]

And that's. That's where it's like, fucked up to me. I mean, that's fucked up.

[Big Jay Oakerson]

He should have made his name Anthony Stone. Get it? Tony Rock. Thank you, Jacob and Evil Jacob.

[Robert Kelly]

I'm just saying that this. If you. If you've said no, you've never put him in. You have that relationship. You're not close, whatever.

[Big Jay Oakerson]

And then you take the hint. Tony, when you walk into the cellar.

[Robert Kelly]

And he's like, I got you.

[Big Jay Oakerson]

Yeah. This is crazy. I want to hear other stuff.

[Robert Kelly]

I got you.

[Big Jay Oakerson]

Because this is where we're at. Yeah.

[Sherrod Small]

A standing. I know everybody. That's background. I know everybody. So I'm on tour, waiting for the phone call. Tell my management, tell my agency, yo, once he calls, we're gonna pause the tour and go shoot the movie. Yeah, Bet. We ready. And I start getting phone calls like, hey, I'm on set. Where you at? What you mean, set?

[Big Jay Oakerson]

We.

[Sherrod Small]

We started shooting today. Today was the first day. Oh, I didn't get a phone call. A week later, some chick. Hey, babe, where you at? I'm. I'm doing background on this club scene. Are you here? What are you talking about? Yeah, we shooting. The Top five is up and running like a month. In two months in, I get a phone call, yo, you at the rap party. We here.

[Big Jay Oakerson]

Oh, damn.

[Sherrod Small]

Yo, bro, that crushed me. That crushed me, bro.

[Big Jay Oakerson]

So why didn't you look until you saw Top five? No one gave a About Top five.

[Jacob]

Exactly.

[Big Jay Oakerson]

No one gives a fat about. Yeah, I understand. That makes successful film. And he's also made clunks out the wazoo.

[Jacob]

At this point in audience, he can put all his friends in. People are just gonna watch because it's Adam Sandler.

[Robert Kelly]

Is that Adam Sandler is top. I don't even know what.

[Jacob]

No, I'm not.

[Big Jay Oakerson]

I'm Top 5 is a movie they filmed here. SiriusXM A bunch, actually.

[Jacob]

Watched him film a scene.

[Big Jay Oakerson]

It was a. It was a. But he put a bunch of. He's right, though. He did put a bug like chase in that. Leslie Jones. Like a whole bunch of people. Yeah. Sam Roberts. The same. Robert Tennant. Is he really with Norton? Kevin Hart, Gabrielle Union Sedge.

[Jacob]

I mean, I remember I was leaving.

[Big Jay Oakerson]

Oh, you know what? Kevin's in this movie and there's a. There's a white character. Why am I not in this movie?

[Robert Kelly]

Yeah, but when you say, I got you, you're in. Do I got to audition? That's fucked up.

[Big Jay Oakerson]

That's funky.

[Robert Kelly]

When you give somebody expectations. It sucks.

[Christine Evans]

I want to hear why he didn't.

[Big Jay Oakerson]

Pick up the phone and call his brother again, though. But that's what it really comes out also, it's like Tony's being like. I get it too. Being like prideful. But I would. Would call to be like, why would you tell me we were doing that and then not do.

[Robert Kelly]

I would have called on the. When the first phone call. I would have called.

[Big Jay Oakerson]

Yeah, because he goes, hey, I thought you said I was in this. And then if he goes, oh, man, well, we got to figure out thing. I go, you could tell if someone's like scurrying to get out of a loss. You can go, oh, dude, you know what? I'm good. If you forgot, dude, I'm all good. You can at least have your piece. And to just be like, to wait years later and aired on fucking in this podcast is a kind of a goofy way to do, like, why would you not call him in this business.

[Robert Kelly]

Certain people have the power of God. They do.

[Big Jay Oakerson]

Is this good? Do you like this?

[Robert Kelly]

I do like that.

[Big Jay Oakerson]

Okay.

[Robert Kelly]

Your index finger on your side of your cheek. The three fingers folded in front of your mouth. Because you're going to listen. You're not going to open your mouth.

[Big Jay Oakerson]

It's not about talking.

[Robert Kelly]

And your chin is underneath, holding your head up respectfully. And I like that about you. And I do.

[Big Jay Oakerson]

It's a good point, Jacob. I mean, your actual point.

[Robert Kelly]

Jacob. Jacob, look at my finger. Follow my finger. Jacob, pay attention.

[Big Jay Oakerson]

Jacob. Jacob, now, right now, Bobby's talking.

[Robert Kelly]

Thank you, Jake. Look, you have the power of fucking God. Some of these people, where is it going to change your life? Are you going to be as successful as them? No, but it will put money in your bank account and give you a little more gas in your engine. These little things that you get in, anything you get in, gives a little more here and there.

[Big Jay Oakerson]

100% agreed. I'm saying so when you give me.

[Robert Kelly]

Expectations and you give me hope like that, I don't. I've never asked for anything in this business, but if somebody said, yo, I'm putting you in this thing, blah, blah, blah, blah, I'd be like, to me, I'm like, that's fucking. That is so crazy. Like, that's amazing. Thank you. This is gonna. This is gonna help me.

[Big Jay Oakerson]

I also think an ask that makes sense isn't a bad ask. Of all things, man. My old buddy Wayne, while I was at his house one time, just said. Which I think was a good thing for me, was years ago, I saw Jim Jeffries was doing Carnegie hall for the New York Festival. And I was like, man, that must be fucking amazing. Wow, he's on Carnegie Hall. He goes, well, don't you know Jim? I was like, yeah. He goes, ask him if you could open for him. And I was like, I'm not gonna ask him if I could open for him. And he goes, what's the big deal? He goes, you could ask if he's got somebody. He's got somebody. And I called him. He's like, yeah, mate, sure.

[Robert Kelly]

It's a little different asking to be on a show, to be on a movie. Cause there is a lot of politics that go into politics.

[Big Jay Oakerson]

Yeah, But Carnegie hall, something where you don't want it to go shitty. Of course, I'm not arguing with that. I'm saying Chris Rock. To me, I would feel that Chris Rock has a. I don't think he likes that. The. His brothers doing comedy. That would be my guess.

[Robert Kelly]

It might be that. It might be that. But don't give him no.

[Big Jay Oakerson]

That was a fuck. That. That's funky across the board.

[Robert Kelly]

That's.

[Big Jay Oakerson]

No matter what. That's shitty to say you're in something and then not put people in.

[Robert Kelly]

Everybody I know was on the Bert Kreischer tour. I love Bert. We've been friends since he moved to New York. I've known him, but it's like, I don't. All right, dude, it does. I'm not. I don't go. And I hate that when people like, why aren't I on that fucking tour? Who gives a shit? You're not. I was on the Virus tour when so many people like, how do I get on that?

[Big Jay Oakerson]

I don't know.

[Robert Kelly]

Just not. Yeah, I don't know how the fuck I'm here. Right?

[Big Jay Oakerson]

Yeah.

[Robert Kelly]

So I understand that shit. But that type of thing, if. So, you know when people give you the hope of being on something and then they just Blow you off that and it's your. Your family. It's crazy.

[Big Jay Oakerson]

Why don't. See, maybe I miss it, but like, I've never seen Chris Rock give much acknowledgment to Tony even existing even in a thing like Tony. And again, look, it's good publicity for him, but after Chris got slapped. Yeah, Like, Tony's like, the next two sets he did or something was like, man, if I saw Will Smith right now, I'd punch that, you know? And like, it was just like what he would do to kick Will Smith's ass for. With his brother like that.

[Robert Kelly]

Yeah.

[Big Jay Oakerson]

And like, I think one you just feel Chris Rock doesn't even say, like, no, he's just nothing. He just kind of gives no acknowledgment to it. Which was.

[Robert Kelly]

I mean, look at they. They've always talked about, like, how. How crazy they're. You know, that's my brother. And I remember Chris would come in and Sherrod and Tony would go downstairs and watch his set dancing, give him.

[Big Jay Oakerson]

Give him notes and stuff like that, and play dance.

[Robert Kelly]

So maybe. Maybe they're not as close as I thought they were.

[Big Jay Oakerson]

Yeah, that's what I think. I think it's just a flat out. They're not. It sounds like they're just not close.

[Robert Kelly]

Yeah.

[Big Jay Oakerson]

At all.

[Robert Kelly]

Yeah. Yeah, sure rushed me, bro.

[Big Jay Oakerson]

Why didn't you?

[Sherrod Small]

Look, I've never seen the movie Top five. I shouldn't have to call. Yeah, you said to your brother, I'm gonna put you in a movie. I should just get a phone call like, yo, tomorrow we'll be here. Two o'clock, we shoot. Well, yo, give me an email. I'm gonna send you the sides.

[Big Jay Oakerson]

But you had to be angry, bro.

[Sherrod Small]

It devastated me.

[Robert Kelly]

It's because you. And he's not saying I was spitting in people's face telling them it's raining. He's saying. He's saying, it hurt, man. That hurt. He's not even saying, I'm pissed off. He's like that, yeah, that me up, I bet. Yeah, because you gave me. You gave me a little something that son, you never know who's gonna watch something. That's how crazy this business is. You never know who's gonna watch something and see it and be like, oh, I want this. Like, we wrote. We did that short film, Cheat Me, Burr and Derosa. We did that for ourselves, just to have something to do and create something together. And then all of a sudden it was in. Somebody saw it and put it in the tribe, you know, Serpico saw it and got it in the Tribeca Film Festival. All of a sudden, we're sitting at the Tribeca Film Festival. Someone there, you know, was like, this should. You guys should write a book. And then from that, FX got involved, and it's like, you never know what a little tiny thing could do for your career. So when you get hope like that from your brother, even if you don't talk, it's. It's.

[Big Jay Oakerson]

No, that's. I've said that's situations. Listen, I don't give a. About Kid. Kid Rock.

[Robert Kelly]

You love Kid.

[Big Jay Oakerson]

I love Kid Rock.

[Robert Kelly]

Bobby is your friend.

[Big Jay Oakerson]

I don't give a. About Chris Rock. I never really had. I mean, bigger and blacker or not bigger and blacker. Bring the Pain was phenomenal, especially when it came out. It was timely when it came out, and it was so good. However, I've always heard that has always been dialed back to me as like, well, yeah, it was written by Wanda and Louie. And you're like, okay, was it. That's what I've always heard, is that.

[Robert Kelly]

It has to be in the credits.

[Big Jay Oakerson]

If it was, I don't probably.

[Robert Kelly]

Special thanks has to be written by.

[Big Jay Oakerson]

That's not true. If you buy it. If you buy it. It's absolutely not true. Chappelle show says written by Neil Brennan and Dave Chappelle.

[Robert Kelly]

I saw Gomez is special and it was written by Lewis.

[Big Jay Oakerson]

Yeah, right. Crazy.

[Robert Kelly]

Kidding, kidding. That. That comes out hurtful when nobody laughs. Jesus Christ. No, you're right.

[Big Jay Oakerson]

You could just buy it and then it. You could just say it's yours, then. It's wild.

[Robert Kelly]

Really?

[Big Jay Oakerson]

Yeah.

[Robert Kelly]

I thought you had to give them writer credit, especially if they're in the writer's guild. You can't just write something for somebody.

[Big Jay Oakerson]

The Guild, maybe if it's Guild thing, but Kurt wasn't. When he wrote on. When he wrote on Chappelle.

[Robert Kelly]

Louis and Wanda were in the Writers.

[Big Jay Oakerson]

Guild at that point.

[Christine Evans]

Just be like a backdoor deal, I think, like, it's not like a real.

[Big Jay Oakerson]

No, I think. I think for that, I think legal.

[Robert Kelly]

I mean, I guess you can. But legally, you have to go to.

[Big Jay Oakerson]

The credits for Bring the Pain.

[Robert Kelly]

Yeah, that'd be interesting to see, because I didn't know that. I didn't know that.

[Big Jay Oakerson]

Always been told to me that way. But again, it's just. I'm going by comedy hearsay.

[Robert Kelly]

Technically, there's people that. That I know that have writers, and I didn't even know. I didn't even know that was an option. I didn't know you could.

[Big Jay Oakerson]

I know it's an option. I think it's a weird one and let. Listen, I understand why Kevin Hart would do it. I fully understand it.

[Robert Kelly]

Why is that? Because you're friends with them now and you don't want to throw him under the bus.

[Big Jay Oakerson]

No, fuck him.

[Robert Kelly]

Oh, okay.

[Big Jay Oakerson]

No, not fuck him, but I mean, also, I don't give a shit. Also, I'm saying in the sense of that, like, if I've always. I'd have to assume I shouldn't even say. But I think I've been told and third hand, in whatever way that the. The guys that go with him on the road are like writing for him. Yeah, great. But the thing is, he's such a machine. It's not like when he's around during the day, it's like whatever his joke's all gonna be about. Like, you ever been reading through scripts, seeing which one you want to do, and then you realize that the. But it's the butler's day off and you're calling this motherfucker's name all day and you're wondering why you don't have steak tartar in your bedroom. Like, it's just.

[Robert Kelly]

You ever go to a diddy party and something's on your dick and you don't know what to do? And you call that rock and roll? Dr. Friendly supposed to come over and get it off before your wife sees it.

[Big Jay Oakerson]

Next thing you know, Tommy Lee's halfway up your butt, rubber hose. And this.

[Christine Evans]

They're not even in the fakes.

[Robert Kelly]

Wow.

[Big Jay Oakerson]

And listen, I'd hate to give a terrible.

[Christine Evans]

It's just like club rumors, right?

[Big Jay Oakerson]

It was always, to me, just like the thing.

[Robert Kelly]

First of all, Christine, I like that term, club rumors. Club rumors.

[Big Jay Oakerson]

Look at all these rumors surrounding me every day. So, yeah, who knows for sure? But I've always. I was always told that. But it's fantastic. That special was so good when it came out.

[Robert Kelly]

Yeah.

[Big Jay Oakerson]

And bigger and blacker. I. I thought they all progressively kind of got worse. To me, personally, this is my personal taste.

[Robert Kelly]

I think comics as. When they get up to that top echelon, they come out with that motherfucker.

[Big Jay Oakerson]

Yeah.

[Robert Kelly]

Look, my. I just. The tip was like my favorite album. And then, you know, it's. It's like. Like these guys, when they get to a certain point, it's like, how much. How much fucking holy shit hours do you have?

[Big Jay Oakerson]

Yeah.

[Robert Kelly]

You know what I mean? Where it's like you hit the pinnacle of Holy fuck. I mean, Kill Box. I love Kill Box. But it wasn't my best out. I don't. I'll be honest. I don't think so. I think Live from the Village Underground was a better album. I think you kind of get up there and then everything is. Everything is judged by that.

[Big Jay Oakerson]

Well, it's also.

[Robert Kelly]

If you don't do it better than that or just as good, people start picking it apart.

[Big Jay Oakerson]

But that's kind of what's your one. That, like, the beauty that I had with, like, Live from Webster hall, which is my first hour. Yeah, it was just like the culmination of, like. It was like. The whole special was made of, like, closers for the past decade, you know, I mean, because, like, I hadn't done any of anything like, that long on tv, so I'm like, oh, shit. I have, like, all these bits that are just, you know, I've moved on from some of them in my, you know, weekly set, but, like, I haven't done them on anything. So that was like a culmination. Then I had to basically know you people haven't.

[Robert Kelly]

Weren't exposed, right? So it's like all of a sudden you get exposed and people like, holy shit, this is new. It's interesting. It's. So they're already exposed to you, and by the time you do your second or third, they know you. And there's some other fucker that came up that is new and exciting in China.

[Big Jay Oakerson]

It's interesting. It's like. Well, it's like this Degenerates then, which I'm very happy. I'm proud of all the stuff I've done for the most part.

[Robert Kelly]

Jay, I'm proud of you.

[Big Jay Oakerson]

Thank you. But I mean, Degenerates was written. That was like, the material minus 10 minutes that I just had since the year or so before when I did Live From Webster Hall. And then Dog Belly was like, two years of work writing a new hour, you know, through time or whatever it is. So it's like it all kind of goes back. So you're right. But Live in Webster hall is always going to be a thing that'll, like, remember you, remember that. So Bring the Pain is the thing I thought personally, because the family got worse. But also, Chris Rock's thing was never quite solidified to me as, like, what it was, you know what I mean? Like, he never, like. He never excited me, Chris Rock, like, comedically at all, even though I know he's very, very good.

[Robert Kelly]

I'm gonna have to change my position right now because I've been holding in a fart for around 10 minutes.

[Big Jay Oakerson]

Okay.

[Robert Kelly]

And having my leg up like this is extreme. It's painful.

[Big Jay Oakerson]

Okay.

[Robert Kelly]

So I'm gonna have to pull this down.

[Christine Evans]

Also with Live at Webster hall, we kind of like, even though it wasn't a special, like you did have American. American Storyteller, which I think was 2009. So it wasn't like everything.

[Big Jay Oakerson]

No, but.

[Christine Evans]

But even if before five years, though.

[Big Jay Oakerson]

I know, but I was gonna say five, seven years in between, like doing something like that, it's like a long time to build stuff up. Now once you have a thing come out now you're starting from zero and you should be pumping something out every like at least two years at most for material.

[Robert Kelly]

Well, because now too, it's like once you're at Kev's stage there, they need you to do another hour because people's mortgages are getting paid off of your hour.

[Big Jay Oakerson]

And he's just not having that. He can sit and like. Yeah, sit and like write, Joe. You know, creativity, he'd have to force the time. So it's better for his boys to kind of just watch his day to day conducting of life.

[Robert Kelly]

And do you ever send five guys down to a hotel lobby to get buckets of ice? Is. That's painful, man.

[Christine Evans]

Summer house, you have to make your.

[Big Jay Oakerson]

Friends play Russian roulette just to see. Just to see if they will.

[Robert Kelly]

You have a pour hot soup on your friend's face. Just see him scream.

[Jacob]

Damn.

[Christine Evans]

Jordan Rock's not even listening.

[Robert Kelly]

As a sibling.

[Big Jay Oakerson]

Huh?

[Christine Evans]

Jordan Rock's not listening.

[Robert Kelly]

Okay, can we.

[Big Jay Oakerson]

I don't think he is.

[Robert Kelly]

Are they? Because here's the thing. Sherrod is not related to Chris Rock.

[Christine Evans]

They're not cousins.

[Big Jay Oakerson]

They're neighbors.

[Robert Kelly]

No, they're neighbors, but they're not related.

[Big Jay Oakerson]

No. Right. They're. They were just neighbors growing up. They were friends. Yeah. Yeah. So they called each other cousins, but they're not related. There's no blood relation.

[Robert Kelly]

But Tony Rock is his brother.

[Big Jay Oakerson]

Tony Rock is his brother.

[Christine Evans]

I mean, they look alike and Jordan.

[Big Jay Oakerson]

Rock is like a dad had with another kid, with another mom or something. So he said his name's not Rock, though, from my understanding.

[Robert Kelly]

What's his last name?

[Big Jay Oakerson]

I don't know.

[Robert Kelly]

Can we find out?

[Big Jay Oakerson]

Maybe.

[Robert Kelly]

What do you think it is? Johnson?

[Big Jay Oakerson]

Jordan Rock's real name. And maybe it's right. I don't think it is, though.

[Robert Kelly]

Rock's a badass name for comedy.

[Big Jay Oakerson]

It's fantastic. But I'm saying when you take it, look, it's again, same thing. My ex wife uses it's her last name, but it's my last name. And it's like that's. She's making a choice. For sure. You're always going to get the comparison.

[Robert Kelly]

Christine locked out with that one.

[Big Jay Oakerson]

Yeah, yeah, yeah.

[Robert Kelly]

I do love Evans.

[Big Jay Oakerson]

Younger brother of Chris Rock. Andre Rock. Tony Rock, Ryan Rock. Oh, Kenny. I remember Kenny. Kenny was great. I actually like Kenny a lot.

[Robert Kelly]

Yeah, Kenny was cool.

[Big Jay Oakerson]

Kenny had no interest in comedy. He would just come hang out. Kenny Rock Rose Rock.

[Robert Kelly]

That's weird.

[Big Jay Oakerson]

And Andy Rock.

[Robert Kelly]

Cousin. Cousin of. That's crazy. So he. So they. But if. If. If that guy is cousins, if the mother hooked up with somebody else that is related to that rock and he's related to Sherrod cousins. That makes. Is he just saying Chris Rock is my cousin too?

[Big Jay Oakerson]

They're all. No one's a cousin with Sherrod.

[Robert Kelly]

I don't believe nobody.

[Big Jay Oakerson]

I don't think so.

[Robert Kelly]

It's crazy.

[Big Jay Oakerson]

It's. What would you say? It's black speak.

[Robert Kelly]

What is it?

[Big Jay Oakerson]

You know, everyone's cousins black.

[Robert Kelly]

Us up blue. Is that. Is that a thing?

[Big Jay Oakerson]

Absolutely.

[Robert Kelly]

Everybody's a cousin. Everyone that you like is a cut. So it's. What's up? It's my cousin.

[Big Jay Oakerson]

Yeah.

[Robert Kelly]

What up, cousin? We need to.

[Big Jay Oakerson]

You'd say your cousin for sure. If you had a best friend in a black neighbor. If you grew up and your best friend, it was like two dudes. You would just probably say. They would say always through high school. I remember that. They go, oh, so and so. Or cousin. You find there's no relation at all. They're just like their families are friends and they're the two dudes that hang out together.

[Christine Evans]

I've heard that happen a lot. Like mom's best friends. Kids will be cousins.

[Big Jay Oakerson]

I've caught a lot of people. I've caught a lot of people, aunt and uncle that are not aunt and uncles.

[Robert Kelly]

Me too. Lou, will you start referring to me as your cousin when you do this me to people?

[Big Jay Oakerson]

Yeah.

[Robert Kelly]

Thanks. Appreciate that. Thanks.

[Big Jay Oakerson]

That was my cousin, Bobby Kelly.

[Robert Kelly]

What's up, cuz?

[Big Jay Oakerson]

Yo, Bobby Kelly.

[Robert Kelly]

Can we all because yo, you guys, my cousin.

[Big Jay Oakerson]

Yo, cuz.

[Robert Kelly]

Christine Evans.

[Big Jay Oakerson]

Cj.

[Robert Kelly]

Lou, my cuz.

[Big Jay Oakerson]

Cuz. Cuz Evans.

[Robert Kelly]

Yeah. I just thought it was interesting because I've never. In my eyes, every time I see him, it was. I remember one night it was Sherrod was hosting and then it was Chris Rock. I was getting bumped and then Tony went up and they all. I remember at the end, Tony grabbed the mic stand and just slammed it down. This is Rock's house. And I was like, that's Tony did. Yeah, because they just. All three just murdered. You know what I mean? And then I went up and I murdered. I went, this is Kelly's house, which is one of the silliest things I've ever done. Oh, yeah, this is Kelly's house. And the crowd went. And I was like, yeah. I was like, that was stupid. I shouldn't have did that.

[Big Jay Oakerson]

That large. That large block of time in my life. The clubs, like, seven nights a week in the clubs is. It's so funny how, like, it feels like high school away.

[Robert Kelly]

It was.

[Big Jay Oakerson]

I'm saying, but it feels like that far. Like, you know, I was like, was it high school was a phase? Like. But leaving those comedy clubs on a weekly basis is such a phase that I didn't even see myself getting out of. It just becomes. One day you're like, oh, I don't know any of these new names of people. I've become like an old veteran who. I don't know any of these people.

[Robert Kelly]

The best analogy I ever heard was from Louis, and he said, comedy is school. You start out in, you know, first to sixth grade, and then you go to eighth and seventh and eighth, and then you're in high school, and then you become a professional, and that's college.

[Big Jay Oakerson]

Do you know what's great about high school girl comedians?

[Robert Kelly]

What's that?

[Big Jay Oakerson]

Is that I get older, and they say, same age. All right, all right, all right.

[Christine Evans]

And they go, what's my dad doing in the club, Christine?

[Robert Kelly]

It's weird. It's just weird.