The Breakfast Club

Episode: DONKEY: Serial Butt-Sniffer Arrested AGAIN After Sniffing Woman’s Behind Inside A Walgreens Store

Date: August 25, 2025
Hosts: DJ Envy, Jess Hilarious, and Charlamagne tha God

Episode Overview

This episode’s main theme is the infamous recurring “Donkey of the Day” segment, with Charlamagne tha God spotlighting the bizarre case of a man, Khalees Crowder, dubbed the “serial butt-sniffer.” Crowder was arrested again for sniffing a woman’s behind inside a Walgreens in Burbank, California. The hosts use the incident to riff on society’s response to repeat offenders, rehabilitation for unusual compulsions, and the difficulty in legislating or curing deviant behaviors. The segment ends with a transition into an open discussion about crime rates and public feelings vs. data around urban safety.

Key Discussion Points & Insights

1. Donkey of the Day: The Serial Butt-Sniffer (02:16-08:03)

• Charlamagne introduces Khalees Crowder as Donkey of the Day after getting arrested again for the same crime: sniffing women’s behinds in public.
  • "Now, you might remember that name because I just gave him donkey of the day a couple of weeks ago for being a serial sniffer. Seats. OK?...You think that's the same thing until you realize Dr. Umar and Jennifer Lopez sat in that chair on the same day. But let's stick to the matter at hand." (03:00)
• Plays a news report summarizing Crowder's arrest and status as a repeat offender and registered sex offender.
• Charlamagne has fun with euphemisms for butts and behinds, seemingly reveling in the absurdity of the criminal's repeated offenses.
  • "This man was allegedly caught inhaling the aroma of anus again." (04:29)
  • "He was in Nordstrom's indulging in the fragrance of dookie and Gabbana. Light brown." (04:39)
• The hosts humorously debate if there can ever be an 'appropriate' way to sniff someone’s behind, obviously concluding there is not.
• Charlamagne riffs on what society should do:
  • "We have to decide as a society who we keeping and who we deporting. Okay? This man clearly needs some form of rehabilitation. But how do you rehabilitate someone for being the lord of the centerings?" (05:22)
  • "Is there a class you can take for that? I want doctors to start examining his brain. Now, why is he wired like this?" (05:30)
• The hosts joke about possible “rehabilitation” methods, with Charlamagne suggesting maybe the only way is to subject the offender to the same thing in prison:
  • "Maybe law enforcement needs to hire some of those freaky ass inmates to start coming up behind Khalis while he's locked up and have them sniff his musty muffler, okay? How would you like it when someone got their nose in your funk trunk?" (06:32)
• Notable banter on the boundaries of humor and taste, especially around Charlamagne’s French ‘accent’ and his references to “dookie and Gabbana” and “cologne de colon.”
  • "Cologne the calling colon. Yes. How do you rehabilitate a man for that? Okay, you don't. This is a different type of crack addiction, all right?" (06:06)

Memorable Quotes:

• Angela Yee: "All the ass." (06:02)
• Charlamagne: "It's all fun and games until people are sticking their nose in your business. And by business, I mean your fecal fragrance factory, AKA your boonki." (06:48)
• Hunter (Guest): "Of that word dookie." (07:28)

2. Sidebar: Humor and Cultural Commentary (07:28-07:59)

• The crew lightly debates the use of the word “dookie,” joking about its potency as an insult and poking fun at each other's accents.
  • "Telling somebody they smell like dookie is like, damn, yes." (07:30)
  • Angela Yee pokes at Charlamagne’s attempt at a French accent, leading to laughter over his accidental “African” sound.

3. Societal Discussion: Data vs. Feelings on Crime (08:03-09:58)

• Transition into a more serious, open forum: Should the National Guard be sent to cities with high crime?
• Charlamagne highlights a gap between reported crime statistics (data) and everyday people's feelings about their safety.
  • "Data says crime has been dropping in Baltimore... But then you talk to some people on the street, and they'd be like, no, things are bad here. Right, right. So what matters more, feelings or data?" (08:16)
• Angela Yee notes that despite statistics, recent news stories and personal experience often override the data for people's sense of security.
• Metaphor about weight loss and data: "You can be £500 and lose 200, but you're still fat." (09:05)
• Listeners are invited to call and weigh in: Is deploying the National Guard to address crime a solution they'd support?

Notable Quotes & Moments

• Charlamagne tha God:

  • "How do you rehabilitate someone for being the lord of the centerings?" (05:22)
  • “Maybe law enforcement needs to hire some of those freaky ass inmates to start coming up behind Khalis while he's locked up and have them sniff his musty muffler, okay?” (06:32)

• Angela Yee:

  • “Stop using communities for metaphors.” (09:22)

Important Timestamps

• 02:16 — “Donkey of the Day” introduction
• 03:54 — ABC 7 Eyewitness News report on Khalees Crowder's latest arrest
• 05:22 — Charlamagne discusses societal responses and the limits of rehabilitation
• 06:32 — Extreme humor about possible retribution and rehabilitation
• 08:03 — Transition to open phone lines/discussion on crime rates and National Guard
• 09:05 — Quote about weight loss/data metaphor
• 09:32 — Phone lines open for audience engagement on city crime

Tone & Style

The segment maintains a blend of biting humor, cultural slang, and candid social commentary, hallmarks of The Breakfast Club. The discussion is irreverent, at times outrageous, but ultimately points toward broader questions of rehabilitation, public safety, and how people process crime and risk in urban America. The humor—especially Charlamagne’s—pushes boundaries with wordplay, euphemisms, and comedic analogies.

Takeaways

• Society struggles with how to handle recidivist, deviant behavior that resists easy categorization or rehabilitation.
• Even with hard data showing improvements, perceptions of safety and crime are shaped by personal experience and sensational incidents.
• The Breakfast Club uses humor and real talk to interrogate both the absurd and the serious, inviting their audience to reflect and respond.