It's Up There: feat Karlous Miller

Summary

Detailed Summary of "It's Up There: feat Karlous Miller" on The Breakfast Club

Release Date: November 23, 2024
Host/Author: iHeartPodcasts
Description: The World's Most Dangerous Morning Show, The Breakfast Club, With DJ Envy And Charlamagne Tha God!

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Introduction

In the episode titled "It's Up There: feat Karlous Miller," The Breakfast Club delves deep into the intersections of media ownership, consumerism within the Black community, and the intricate dynamics of the entertainment industry. Featuring host Charlamagne Tha God, co-host DJ Envy, and guest Karlous Miller, the conversation navigates through challenging topics with candidness and insightful commentary.

1. Content Ownership and Netflix Deals

The discussion opens with a focus on how content creators negotiate with major platforms like Netflix. Karlous Miller raises critical questions about the nature of these deals and the extent of ownership retained by creators.

Notable Quote:

• Carlos Miller: “We know they’re interested in owning the content on their platform because I hear comics time and time again speak to that.” [03:47]

Miller emphasizes the transparency (or lack thereof) in these agreements, questioning whether platforms disclose the true value and impact of content metrics.

Highlighted Insight:

• The conversation underscores the importance of understanding the business side of content creation, highlighting that success isn't just about creativity but also about strategic partnerships and data management.

2. Black Community Consumerism and Investment

A significant portion of the discussion revolves around the spending habits within the Black community and the broader implications on economic empowerment. Miller provocatively states that the community is "slaves to the consumer market and symbolisms," sparking a heated debate on the responsibility of individuals to invest back into their own communities versus supporting external brands.

Notable Quotes:

• Carlos Miller: “We are slaves to the consumer market and symbolisms.” [55:37]
• AT&T Advertiser: “Because we live in a capitalistic society. If you don’t spend it, it’s worthless.” [56:14]

Highlighted Insight:

• The debate touches on the balance between personal financial freedom and community investment, questioning whether current spending patterns are a form of economic subjugation or a reflection of individual choice within a capitalist framework.

3. Representation and Stereotypes in Media

The hosts and Miller discuss how media representation affects perceptions within and outside the Black community. They critique how stereotypes are perpetuated through consumer choices and media portrayal, arguing that these representations can hinder genuine progress and understanding.

Notable Quote:

• Carlos Miller: “We spend our money like we’re slaves to symbolism.” [55:37]

Highlighted Insight:

• The dialogue highlights the tension between embracing cultural symbols and the potential for these symbols to reinforce limiting stereotypes, suggesting a need for more empowered and self-determined representations in media.

4. Business Dynamics in the Comedy and Rap Industry

Miller and the hosts delve into the business intricacies of the comedy and rap industries, particularly focusing on content ownership, revenue generation, and the role of major players like Netflix. They discuss challenges faced by artists in maintaining control over their work while navigating lucrative but restrictive platform deals.

Notable Quotes:

• Carlos Miller: “They don’t just pull numbers.” [65:30]
• AT&T Advertiser: “They know how much money that he is going to generate.” [65:11]

Highlighted Insight:

• The conversation reveals the often opaque nature of financial negotiations in the entertainment industry, emphasizing the need for artists to be savvy and informed about their contractual agreements to protect their creative and financial interests.

5. The Influence of Perception vs. Numbers

A recurring theme is the tension between perception and actual metrics in the success of content and artists. Miller argues that while traditional metrics are crucial for business decisions, the subjective perception of an artist can significantly influence their market value and opportunities.

Notable Quote:

• Carlos Miller: “With rappers, they live on perception. Once we view you as not the guy that we thought you were, it affects the business.” [22:33]

Highlighted Insight:

• This segment underscores the delicate balance artists must maintain between public image and measurable success, illustrating how perception can sometimes outweigh concrete data in shaping careers.

6. Maintaining Authenticity vs. Consumer Expectations

The hosts and Miller debate the conflict between staying true to one’s authentic self and meeting the often-commercialized expectations of consumers and platforms. They explore how artists navigate this balance to maintain integrity while achieving commercial success.

Notable Quote:

• AT&T Advertiser: “You don’t have to be a rapper to face this.” [31:20]

Highlighted Insight:

• The discussion highlights the universal challenge faced by creatives to uphold authenticity in their work amidst external pressures to conform to market demands, suggesting that true success requires a harmonious blend of personal artistry and strategic adaptability.

7. Challenges in Community Reinvestment

Furthering the conversation on economic empowerment, Miller and the hosts address the hurdles in channeling financial success back into the Black community. They debate the societal and personal barriers that prevent effective reinvestment and the potential long-term benefits of overcoming these challenges.

Notable Quote:

• Carlos Miller: “If we put our money back in the community, we buy houses, we buy hospitals.” [55:56]

Highlighted Insight:

• This segment emphasizes the transformative potential of community-focused investment, arguing that reallocating resources within the community can lead to sustainable growth and empowerment, countering systemic economic disparities.

8. Navigating Media and Platform Influence

The episode concludes with a reflection on how media platforms like Netflix influence public perception and the strategic decisions artists must make to leverage these platforms effectively without sacrificing creative control.

Notable Quote:

• Carlos Miller: “Netflix is just like Google for movies. They got every movie in the motherfucking world.” [71:02]

Highlighted Insight:

• The discussion sheds light on the omnipresent influence of major media conglomerates and the imperative for artists to understand and navigate this landscape to maximize their reach and maintain autonomy over their content.

Conclusion

"It's Up There: feat Karlous Miller" offers a penetrating examination of the interplay between media ownership, consumer behavior, and economic empowerment within the Black community. Through spirited dialogue and profound insights, Carlos Miller and the hosts of The Breakfast Club encourage listeners to critically evaluate their roles as consumers and creators in shaping a more equitable and self-sustaining cultural landscape.

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Notable Quotes with Timestamps:

• Carlos Miller: “We are slaves to the consumer market and symbolisms.” [55:37]
• Carlos Miller: “We spend our money like we’re slaves to symbolism.” [55:37]
• AT&T Advertiser: “Because we live in a capitalistic society. If you don’t spend it, it’s worthless.” [56:14]
• Carlos Miller: “They don’t just pull numbers.” [65:30]
• AT&T Advertiser: “They know how much money that he is going to generate.” [65:11]
• Carlos Miller: “With rappers, they live on perception. Once we view you as not the guy that we thought you were, it affects the business.” [22:33]
• Carlos Miller: “We spend our money like we’re slaves to symbolism.” [55:37]
• AT&T Advertiser: “You don’t have to be a rapper to face this.” [31:20]
• Carlos Miller: “If we put our money back in the community, we buy houses, we buy hospitals.” [55:56]
• Carlos Miller: “Netflix is just like Google for movies. They got every movie in the motherfucking world.” [71:02]

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Key Takeaways:

• Content Ownership: Artists must navigate complex ownership agreements with major platforms to retain creative and financial control.
• Consumerism vs. Community Investment: There is a critical need for the Black community to balance personal financial freedom with strategic reinvestment into communal assets.
• Media Representation: Stereotypes in media can impede progress, necessitating authentic and empowered representations.
• Perception in Business: Both perception and hard metrics play pivotal roles in an artist’s success and market value.
• Authenticity While Scaling: Maintaining authenticity is essential for long-term success amidst external commercial pressures.

This episode serves as a catalyst for deeper conversations about economic autonomy, media influence, and cultural representation, making it a valuable listen for those interested in the intersection of entertainment, business, and social empowerment.

Transcript

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[Carlos Miller]

That's what I'm saying.

[AT&T Advertiser]

So you as a consumer, you going to watch.

[Carlos Miller]

Not consumer.

[AT&T Advertiser]

As I'm saying, as somebody watching my platform. If I put 85 south and number six and I. And they even. It ain't even came out yet. You just said that.

[Carlos Miller]

I said the hard numbers, the demographics behind the scenes. Okay. When someone. There's value to every viewer. There's an ad company that wants to sell something to every person that clicks on the 85 south podcast. Netflix show.

[AT&T Advertiser]

Looking at it in a small.

[Carlos Miller]

I'm looking at how Netflix looking at it. They're selling that data, bro. Does Netflix try to. Does Netflix own that content or y'all own it?

[AT&T Advertiser]

What content did y'all did for them?

[Carlos Miller]

Did they pay off for it?

[AT&T Advertiser]

I might as well enjoy yourself. You know, your car getting broke into tonight.

[Carlos Miller]

So will it be on the 85 app, I guess is my question at some point. And give Chappelle 40 million. Because they're saying, listen, we want to own this. We don't want to play the game where you own it and we want to give you 40 and we want it. Is that okay?

[AT&T Advertiser]

Do you believe that? That's what.

[Carlos Miller]

That's what's being reported. And even with Kevin Hart, who would report that?

[AT&T Advertiser]

Think about how it works.

[Carlos Miller]

Netflix.

[AT&T Advertiser]

Why would they want to do that?

[Carlos Miller]

Because they don't want you to be unreasonable and think it's a $40 million number on a comic without it being ownership on their side.

[AT&T Advertiser]

They don't just pull numbers.

[Carlos Miller]

And I got deals everywhere.

[AT&T Advertiser]

No, but the way that you say it, you gonna mislead people and make them think that they just tell me.

[Carlos Miller]

What I said That a mislead that.

[AT&T Advertiser]

They gave that man that money.

[Carlos Miller]

Nah, come on, man. They know what I'm talking about.

[AT&T Advertiser]

They don't give nobody.

[Carlos Miller]

You think that. Yeah, I'm talking about why they came and offered him $40 million. Anybody that's below that standard don't watch this show.

[AT&T Advertiser]

You gotta understand that that ain't. We don't even know if that's the number.

[Carlos Miller]

Whatever the number is, we know they interested in owning the content on that platform because I hear comics time and time again speak to that. Big comics speak to yo. The reason why the front end is so much is because they're interested in owning it and not showing the numbers, not even giving you real data as to what it done. They'll. The business side.

[AT&T Advertiser]

But that's what I'm trying to get you to understand, bro. Listen to this.

[Carlos Miller]

Demographics and stuff and things.

[AT&T Advertiser]

The numbers, that's what. Dude, you're not listening.

[Carlos Miller]

Yeah, I'm never saying the numbers. That's why on YouTube and things, you can't have fake views and certain things because they'll. They auditing this because they're selling ads against it. So what happens is Netflix is taking that hard data that they're telling you is useless. And it's unfortunate that you were this high in the business and thinking this data is useless when this data is so important.

[AT&T Advertiser]

You look. You not even hearing what.

[Carlos Miller]

I'm listening. Go ahead.

[AT&T Advertiser]

They give a. What you watching on there? Or they want you to have this account?

[Carlos Miller]

Who?

[AT&T Advertiser]

The company?

[Carlos Miller]

Hell yeah.

[AT&T Advertiser]

You think they give up what you watch? They don't.

[Carlos Miller]

Right? I do.

[AT&T Advertiser]

You can have a Netflix account and never watch nothing. You don't watch Netflix every day.

[Carlos Miller]

I think there's extreme value in what is actually being watched on Netflix. To feel like we win when I see black people where slaves are symbols.

[AT&T Advertiser]

No, we're not. We gotta stop thinking like this.

[Carlos Miller]

No, this is the proof, bro. We spend all our money in the consumer market who believe.

[AT&T Advertiser]

Why Google it?

[Carlos Miller]

Why? Cause we're slaves of symbols. So what I'm saying is we're slaves to the consumer market and symbolisms.

[AT&T Advertiser]

I don't believe that.

[Carlos Miller]

Tell me how. Give me a. Give me something, some indicator that says we're not.

[AT&T Advertiser]

Because there is no we.

[Carlos Miller]

They spend billions of dollars on weave every. Every year. Black women do.

[AT&T Advertiser]

That's their business.

[Carlos Miller]

Of course that's their business. But I'm telling you that they don't need weave. They buy. This is fake hair, horse hair. Some they want, of course, but I'm free Will. You ain't listening to me.

[AT&T Advertiser]

Yes, I am. You can't be a hypocrite on the platform.

[Carlos Miller]

I ain't a hypocrite.

[AT&T Advertiser]

Yes, you are, because you just said we slaves and you went bought all them chains.

[Carlos Miller]

If I was a hypocrite, I say y'all.

[AT&T Advertiser]

You said we.

[Carlos Miller]

That mean I'm not a hypocrite.

[AT&T Advertiser]

Well, that's what I'm saying. Everybody see that. But what I'm saying, if I say.

[Carlos Miller]

We, that mean I'm not a hypocrite. If I say y'all, that mean I'm separating from y'all.

[AT&T Advertiser]

Well, why are you yelling at them?

[Carlos Miller]

Who's yelling?

[AT&T Advertiser]

But what I'm. When you saying we are slaves, people gonna hear that and like, what the is you talking about?

[Carlos Miller]

No, they're Not.

[AT&T Advertiser]

But what I'm saying is there is no way to universally speak for all black.

[Carlos Miller]

Who said that?

[AT&T Advertiser]

What I'm saying is, like, you can't say they spend a billion dollars on weed.

[Carlos Miller]

I think you do. You got a phone or Google.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

You need to spend some time on it.

[AT&T Advertiser]

If black women stop spending money on weed, what would happen?

[Carlos Miller]

Well, nothing. If they have no direction with what to do and if the. And if us as black men don't accept them with their natural hell.

[AT&T Advertiser]

Okay, so if black men.

[Carlos Miller]

So this is the overall problem again. We are slaves. This is now.

[AT&T Advertiser]

Want to know me to death? Salute. Loans. Exactly. It's my man. That's my man. Both loans. Old loan, new loan. Okay, okay, okay. All ops must know it's up there.

[Carlos Miller]

And it's stuck that.

[AT&T Advertiser]

When it's up there, man, it's stuck there. Shut up.

[Carlos Miller]

But y'all don't give that. Y'all give. Take care of the business. And then these dudes, they all is tycoon. So you know me, if I'm not careful, this could slip away, you know? So I gotta be, you know, I'm. I'm. I'm paying attention because I got all these deals, bro. You gotta think I only got a co host. I got the same deals everybody else got with the same ad companies. I got it all. I got audio deals, video deals, Patreon deal. I got prize picks. I got the same things across the board, right. So I gotta maintain that. All that without even a co host. So my intensity is through the rule.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

And that's why we finna talk about just the whole them together, all of that. Then hit him solo. It's like, bro, you gotta. For me, I'm out on the island with this, like, trying to figure it out, which is working. I'm doing well, bro, in every. Every aspect of this. But I'm cognizant that, like, now we're talking about your boy. What's up, G?

[AT&T Advertiser]

Look.

[Carlos Miller]

Jeremiah Phillips, 18 months ago. Popping, popping, popping. I gotta keep having good conversations like this one. Like when I sit with 50 Cent. Like, when I sit with all these, I got to have these. Got to be.

[AT&T Advertiser]

Man, you been talking to 50?

[Carlos Miller]

No, I got him on the calendar.

[AT&T Advertiser]

Oh, okay.

[Carlos Miller]

Yeah, I got him on the calendar now.

[AT&T Advertiser]

Yeah. I ain't hollered at 50 yet. Yeah, I had brief interactions with him. Yeah. He came to a couple shows.

[Carlos Miller]

I know he with John.

[AT&T Advertiser]

Yeah, he gave most definitely got to. Yeah, he got to come in here and talk some with us. Yeah, yeah. I hope we get the right version of 50 Cent.

[Carlos Miller]

I got a lot of.

[AT&T Advertiser]

Now when they get 50 on the show, they be wanting to hear the business man. Yeah, I need to hear that from. From the street. Because his street knowledge just as good as the biz. As the business side. Like, they want to talk. They used to, you know them little clips he used to drop on World Star and they see know what's wrong with you. You always be waiting on to do something the is wrong with you. Grown ass man. You got two legs and two feet.

[Dr. Maya Shankar]

Get your.

[AT&T Advertiser]

Like that type of like it. The, the. They might not choose the best words, but I find motivation and inspiration and all types of like just from the culture, bro. Yeah. That moment at the end of one of them, I think it's the hey mom video. Jim Jones just come out in the full length fur, reach in the coat pocket, pull out big water money. Like as a young. Yeah. Turned me up. Yeah. Really with my. With my psychology of how I wanted this to go. Like, oh, you could be a. And still get that paper. Yeah, like that bird man. Like all this. I like now that I'm grown and I look back. All that stun that he did in them rhymes, that was a specific version. Like, that's tailored for me. Like, you don't have to do it like a rapper do it. But the mother that's trying to inspire you to get some more, you really got to be able to take the message from there. I still love to see like that.

[Carlos Miller]

Me too.

[AT&T Advertiser]

Like, I love when Sexy Red be out and then she pull her stacks out. You get like, most people think she's just being ignorant, but you think like when you know what that. What she doing, she know how she's really talking to people who don't have that platform. And I don't mean to say that she ignorant. I'm just saying, you know, that's the perception.

[Carlos Miller]

Right, Right.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

But no, we relate to that. That turn us up.

[AT&T Advertiser]

Like all the talk and all that motherfuckers be wanting to see. Okay. I did this and I got that paper. Yeah. Sometimes you just gotta. You gotta see it.

[Carlos Miller]

And with 50 man, I think he's valuable, asset to the culture.

[AT&T Advertiser]

For real. For real. Like hell yeah. Yeah, he's valuable. Yeah. Yeah.

[Carlos Miller]

That man I'm talking about, he go to talking and it's like, oh, his.

[AT&T Advertiser]

Impact was crazy when he came out. And there's just the whole allure of him being shot that many times. People just wanted to hear what he had to say. Like like he was gonna drop a message from the other side.

[Carlos Miller]

Yeah, yeah, yeah.

[AT&T Advertiser]

It was a hell.

[Carlos Miller]

He had a hell of a law.

[AT&T Advertiser]

Yeah, man.

[Carlos Miller]

Then he played into a bulletproof vest.

[AT&T Advertiser]

And he let us down.

[Carlos Miller]

Yet he showed like he went out bad once.

[AT&T Advertiser]

He ain't let us down here. Even the public is. You know, that'd be considered like business flops or failures. But it's like that's just part of the game. And he's still up.

[Carlos Miller]

He ain't went out bad, you what I'm saying?

[AT&T Advertiser]

Yeah, yeah.

[Carlos Miller]

Nah, he and and to had win against Giants.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

Because he challenged Jade them still to this day.

[AT&T Advertiser]

Did he? Yeah.

[Carlos Miller]

I ain't buying none of them, man.

[AT&T Advertiser]

He fought for that spot because he saw he was like, y'all just going to let two get money.

[Carlos Miller]

I'm going to get a billion without them niggas.

[AT&T Advertiser]

Right.

[Carlos Miller]

That's the important part.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

I'm going to do it without them niggas and I'm going to do it in a different way to them niggas.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

Like just think about that. Because coming through rap saying fuck Jay Z is like pissing where you live at.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

You can't come and be challenging Jay Z and Diddy and in New York.

[AT&T Advertiser]

Right.

[Carlos Miller]

And against Murder Inc. At the time, like, he come through that. He fought for what he got. He did that boy fall for what he.

[AT&T Advertiser]

And he stood on it.

[Carlos Miller]

And like you said, he ain't let a down one.

[AT&T Advertiser]

He ain't let us down. Ain't nobody took nothing from ain't nobody.

[Carlos Miller]

He went out bad once. Ain't that crazy?

[AT&T Advertiser]

Right? Right.

[Carlos Miller]

He might be the only rap that doesn't kick that high level gangster like, nah, he.

[AT&T Advertiser]

You can't say that because then there's too many that you are being overlooked.

[Carlos Miller]

That done went that far that ain't went out bad. Hey, man, give me some old. Oh, holding kicked at high level gangsta talk though.

[AT&T Advertiser]

He did.

[Carlos Miller]

I've been shot, I'm ready to die. This look, if it's beef cocky and dump it the drama really mean nothing to me. I ride by and blow your brains out.

[AT&T Advertiser]

Think about how much murder murder. Think about how much hov done rapped about, right? And think about just how much you done learned about his life over the years that you know is a fact that you. You know what I'm saying? Like, he don't shy away from it, but think of how much he ain't never spoke of.

[Carlos Miller]

Right? But that makes it different. Cause 50 coming out saying I shoot up your Mama house, nigga, make your ass look for me like. He ain't talking about hustling at this time. He was straight grimy on some. I'm talking about that level of gangster shit, bro. When a nigga coming saying, if it's beef what he says.

[AT&T Advertiser]

But that's what I'm saying. That's not a character that he created.

[Carlos Miller]

I know he used to.

[AT&T Advertiser]

He played that. Yeah, yeah.

[Carlos Miller]

But then you usually go out mad, though. Usually we catch the rap that kicked that kind of shit. They done called him and kicked him in the ass. Somewhere down in his career, I will. He got somebody done beating on him. Like, even Suge, after so long, you get knocked out after so long.

[AT&T Advertiser]

Like, you gotta keep it. Like. I don't think you can only look at like that type of one way, though. Like, nigga, the baddest motherfuckers then got knocked out.

[Carlos Miller]

And I'm not saying that don't mean.

[AT&T Advertiser]

That you ain't still a bad motherfucker.

[Carlos Miller]

When I'm saying knocked out, I mean dethroned. And when we say 50 never went out bad, we not even talking about took a loss. We spoke to him having bankruptcies and things like that that he knew, right? But them can be considered losses to people who don't have the vision that we have to understand where he's at.

[AT&T Advertiser]

When I'm saying, well, that's from the outside looking in, right? How you protect your business assets exactly like that. It ain't like that's a failure. That's just how you protect the money and shit you already got.

[Carlos Miller]

But what I'm saying is he hasn't been dethroned. At least that's what I mean when I say he never went out bad.

[AT&T Advertiser]

I ain't. That's why he never went out.

[Carlos Miller]

But. But I'm saying most niggas, they at some point, like Suge, when I say he was knocked out, it ain't cause he lost a fight. I'm saying the atmosphere around Suge changed to where he was now dethroned from that scary.

[AT&T Advertiser]

He's still Suge Knight.

[Carlos Miller]

He's still Suge Knight, but not that scary.

[AT&T Advertiser]

Yes, the fuck he is.

[Carlos Miller]

Nah, they knocking. They stay hitting on Carlos.

[AT&T Advertiser]

I know it. But if they wouldn't dare hit suge.

[Carlos Miller]

In the 90s, bro, they.

[AT&T Advertiser]

They track. It was a few.

[Carlos Miller]

Yeah, he had Osborne talking about, catch him down here at the club and try to knock him out, shoot him, have him up here at the thing where he running over trying to get away.

[AT&T Advertiser]

No, like, bro, wasn't living like, what do you think happened in Las Vegas? They was trying to kill him too.

[Carlos Miller]

No, he come up there to try to bargain, to get in on the deal.

[AT&T Advertiser]

I'm talking about the night Pac got killed. They kill him, too. They were shot at the car. They wasn't aiming at one person.

[Carlos Miller]

He got hit up, too.

[AT&T Advertiser]

Got hit up a lot of times.

[Carlos Miller]

But that's a direct violation. That's what I'm telling you. That's what I'm saying. Right, but for a minute.

[AT&T Advertiser]

No, that's just.

[Carlos Miller]

That's just.

[Coca Cola Advertiser]

The holidays are about spending time with your loved ones and creating magical memories that will last a lifetime. So whether it's family and friends you haven't seen in a while, or those who you see all the time, share holiday magic this season with an ice cold Coca Cola. Copyright 2024 the Coca Cola Company.

[AT&T Advertiser]

On.

[Narrator]

Thanksgiving Day, 1999, a five year old boy floated alone in the ocean. He had lost his mother trying to reach Florida from Cuba.

[Carlos Miller]

Looked like a little angel.

[AT&T Advertiser]

I mean, he looks so fresh.

[Narrator]

And his name, Elian Gonzalez, will make headlines everywhere.

[Rufus Griscom]

Elian Gonzalez.

[Carlos Miller]

Elian Gonzalez.

[Narrator]

At the heart of the story is a young boy and the question of who he belongs. With his father in Cuba, Mr. Gonzalez.

[AT&T Advertiser]

Wanted to go home and he wanted to take his son with him or.

[Narrator]

His relatives in Miami.

[AT&T Advertiser]

Imagine that your mother died trying to get you to freedom. At the heart of it all is still this painful family separation, something that.

[Narrator]

As a Cuban, I know all too well. Listen to Chess, the Elian Gonzalez Story as part of the Michael Tura Podcast Network, available on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Dr. Maya Shankar]

Hey there. I'm Dr. Maya Shankar, a cognitive scientist who studies human behavior. On my podcast, A Slight Change of Plans. I marry science and storytelling to better understand how to navigate the big changes in our lives.

[Carlos Miller]

It was like a slow nightmare, you know, because every day you think, oh, surely tomorrow I'll be better.

[AT&T Advertiser]

And I would dream of being better. At night, I would dream that my face was quote, unquote, normal or back to the way it was. And I'd wake up and there'd be no change.

[Dr. Maya Shankar]

I also speak with scientists about how we can be more resilient in the face of change.

[Rufus Griscom]

You can think of the adolescent brain as like the social R and D engine of our culture, that something that looks like risky and idiotic to us is maybe their way of creatively trying to solve the problem of having social success and fewer of the things that Bring you social failure.

[Dr. Maya Shankar]

Listen to a slight change of plans on the iHeartRadio app, Apple Podcasts, or wherever you listen to podcasts.

[Bose Advertiser]

The 2025 iHeart Podcast Awards are coming. This is the chance to nominate your podcast for the industry's biggest award. Submit your podcast for nomination [e-mail] podcast awards. But hurry, submissions close on December 8th. Hey, you've been doing all that talking. It's time to get rewarded for it. Submit your podcast [e-mail] podcast awards. That's iheart.com podcast awards.

[Rufus Griscom]

I'm Rufus Griscom, host of the Next Big Idea. Each week on the show, I sit down with one of the world's leading thinkers and together we try to answer a big question. I'm talking about people like Bill Gates.

[Carlos Miller]

Let's not let people with mal intent benefit from having a better AI.

[Rufus Griscom]

Michael Lewis. I am very self consciously running towards pleasure.

[Carlos Miller]

That's what draws me to material in the first place.

[Rufus Griscom]

Peter Attia.

[AT&T Advertiser]

Exercise is the single most important drug we have.

[Rufus Griscom]

And Kim Scott.

[AT&T Advertiser]

You know, I spent a lot of my early parts of my career feeling a little bit miserable. And so to me, this is the interest in radical candor. How can we achieve things together and enjoy doing it and build great relationships while we do it?

[Rufus Griscom]

Listen to the next big idea on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[AT&T Advertiser]

Playing the game like, ain't nobody gonna just let you bully them and not do nothing back. But if you in the game, 50.

[Carlos Miller]

Cent ain't been dethroned. He been bullied, but he ain't just.

[AT&T Advertiser]

Walked around and slapped. They didn't have fights.

[Carlos Miller]

He done took their money from them. That's worse. If I were young, bugging them out, I probably tried to kill that.

[AT&T Advertiser]

But you don't.

[Carlos Miller]

You made you feel me. You done took millions from me versus slapping me.

[AT&T Advertiser]

That's only watching that from the fan point of view. Think about it.

[Carlos Miller]

From the business think.

[AT&T Advertiser]

I don't. I'm not defending either side. What I'm saying, what I'm saying is if you on the business side, you him, he didn't take. I can't say that he took nothing.

[Carlos Miller]

But what I'm saying is 85 south, you know how much of a arch enemy I am to you if I.

[AT&T Advertiser]

Signed you to 85 South? Yeah. And didn't work out and I still continue to make millions of dollars at like they did at G Unit. You can leave here and say they my money up, they took my money because they still got it. We had the money before we signed, you see? So if you come over here and your don't work out, that don't mean that I took nothing from you. That just mean you wasn't able to use the infrastructure that I created to create this money. This is revision on the business side.

[Carlos Miller]

Nah, this revision is history. You know too much about hip hop, dude. I know you're a hip hop. Listen, young buck and 50 cent situation in particular. 50 was putting it out to ruin him, his career. He would kept on. That's what 50 do. He uses platform to say he embarrasses you. He like, he put stuff out to diminish your value in the marketplace. And that to me, is worse than us fighting. I can take a fight from it.

[AT&T Advertiser]

Hey, man, I don't know.

[Carlos Miller]

But to make me go from selling 200000 my first week to 2500 my first week, you done crashed my company.

[AT&T Advertiser]

Nobody should be able to do that.

[Carlos Miller]

Well, everything in this business is on perception, especially with a rapper. Not for y'all and not for me. We hard numbers and listens and things like that. With rappers, they live on perception. So once we view you as not the guy that we thought you were, it affects. It affects the business.

[AT&T Advertiser]

All right, so this is the argument that I've been hearing from the 50 cents that if you came out and you went platinum and you sold all these records, right? And you, you tied up on the business side. When you. When you successful, you gonna. You want all the credit for your success. You got to take the same credit when you not successful or when you stumble or when you fail or when you flop. It can't be, oh, I did this by myself. When you come out in your first G Unit debut, you sell a million, right? And then when you come out and say them, and then you. You sell 2500 copies.

[Carlos Miller]

But that's the arrogance. Nobody's fault but yours, but the arrogance of men and the crowd. See, sometimes the crowd will make you think you bigger than you are. You could deal with the crowd saying, yo, you don't need them, man. Why you be with them? Yo, bro. Yeah, 85 side together, man. You don't gotta be on tour with them, Carlo. Go by yourself, bro. You, you don't need them. But you a OG veteran. It don't affect you. But we talking about a. A young come out of cause. See, here's the thing. Even when I sit with 50, we not talking about young buck, right?

[AT&T Advertiser]

No, this is just a hypothetical.

[Carlos Miller]

Yeah, but but it's. But it's just a situation for me and you. Because I think it's so much information just in that altercation between the two. You know what I'm saying? From a business perspective, it's like, yo, I believe him to have crashed his company. I believe him to. Had literally affected how the marketplace views this guy along with what he's done. But I think 50 was hammering it down.

[AT&T Advertiser]

No, but you gotta keep in mind, and this lawsuit, I think fifth is argument. From the way I hear it from interviews and the way that he, like, disputes the claims or whatever. I'm not defending nobody. I'm just telling you what I hear on both sides. I'm hearing that he says, hey, if I gave you a opportunity, and I'm telling you, I'm taking you where I'm going. You get. You meeting the Vitamin Water people. You meeting Reebok people. You know, the Louis Vuitton people. I took you to the Nike people. You mean to tell me you ain't had no hustle about yourself where you couldn't create no more lanes? Exactly. I got these clothes. You ain't put.

[Carlos Miller]

You ain't so.

[AT&T Advertiser]

You ain't tried to jump in and throw nothing on or wear nothing in the video. I got this liquor. You want to drink this other liquor for free? You ain't trying to. You're not making yourself an asset. I got all these avenues where you can get paid, and all you want to do is rap. You're not on social media. You ain't out here trying to help sell no tickets. You just leaning on me to pay you. That would be the argument. Right?

[Carlos Miller]

And I. And I agree with 50 in that. And you feel what I'm saying? Because the. The truth of the matter is, is. Is this.

[AT&T Advertiser]

I think that's the thing. He wanted them. He wanted all the artists that didn't find success over on his platform to. To create more revenues for themselves. You got the light. You were the hottest nigga in the game. You supposed to be able to parlay that into other opportunities for yourself.

[Carlos Miller]

The rapper, though, you should be able to.

[AT&T Advertiser]

Like, if I'm putting you on this platform, right? You talented. I believe in your talent. I fuck with your raps. If you got a hit and you want me on it, I'm gonna get on it. But until you bring me something, I can't just get on bullshit. Because I'm your homeboy, right? Bring me some shit that could be a hit. Yeah. Now. Now let's make some money. Because you know Hit records make money. Yes. When motherfuckers make something that, that's going. When it's viral, when it's a hit, when you trending, that's what people want. You supposed to be able to use the resources to make that. So if you don't take advantage of the resources. And I'm out here getting up every day, I'm in the office, I'm in the studio, I'm working on music. I'm calling, I'm calling people for you, setting up and you ain't showing up. And I'm spending the money, you on my dime. But every time I go and some go, for me, you supposed to get some because I got some. We still working, right? Work, right.

[Carlos Miller]

I'm with you on that. But. And also, here's the thing, though. When I examine the rapper, that usually come from a low income environment, I usually see them go and get with someone like a 50 cent or get in this industry, and then they double back and they first objective is to shine on the hood.

[AT&T Advertiser]

This the thing. This is the thing. As an artist, that's the price you pay for having to go through another artist. If an artist came up and they grinded, they up and they got their own record label situation, it's not their responsibility to go and put you on. This is a business.

[Carlos Miller]

Yes.

[AT&T Advertiser]

They looking for people who we can market, who we can make money off of right now or in the next few years. You got talent, you just a little rough around the edges. You just need to be in a real studio. You need to be around some business. I'm gonna try and take you out the hood, but as soon as you put that money in their pocket, they go right back to the hood. And then they know no return on investment.

[Carlos Miller]

Because what happens is, at least what I think is that they try to show the hood that I'm no longer like y'all, you said.

[AT&T Advertiser]

Or go back and say we made.

[Carlos Miller]

It, we made it. Might be we made it, right? But at the same time, like, if it's we made it, why you keep pulling up in the Bentley? Don't nobody else got nothing? Or you keep pulling up in the.

[AT&T Advertiser]

Rolls Royce same way that you, you don't have no responsibility to make sure. So nobody else, everybody is grown, so.

[Carlos Miller]

We ain't done nothing.

[AT&T Advertiser]

But it's not necessarily we.

[Carlos Miller]

That's what I'm telling somebody from right.

[AT&T Advertiser]

Here who had the same opportunities as you. I got up every day with you, I went to school with you. Every day you sat beside me, I Spent the night on your grandma house. We ate the same food. We spent the same summers in this regular. You had the same opportunity that I had. Yes. So if I got a. If I'm. If success to me look like a Bentley, why should I buy a Suburban? So you can have something.

[Carlos Miller]

But that's why it don't look like we when they come back. So when they come back, it looked like I made it, not we made it. So when they show up with the I made it talk, what happens is they become a target. Now I try to keep myself as a target.

[AT&T Advertiser]

When you left, of course, it ain't about what you came back with. Yeah, it is. No, it's not.

[Carlos Miller]

Because you could. You can't be a target. You gotta be in a frame to be a target, though.

[AT&T Advertiser]

As soon as you left the hood.

[Carlos Miller]

You became reach, though.

[AT&T Advertiser]

No, you're not. Your people still stay right there. You gonna come home eventually.

[Carlos Miller]

That's true.

[AT&T Advertiser]

When you left, that's true. Whether you left on good terms in your hood or bad. True. Are you better than us? Cause you left? That's true. I think you the cause. You move to such and such. Oh, you went to. Oh, you don't with us no more.

[Carlos Miller]

That's true.

[AT&T Advertiser]

Whether you got it or not.

[Carlos Miller]

That's true. That's true. Your people still there?

[AT&T Advertiser]

Do you know how many of them guys go to the league or. Or go get that rap money or go get that business, real estate money and go back and say, mom, we made it. I'm finna move you out of here. She looking right in the face saying, no, the fuck you ain't. Because I ain't going nowhere. I don't know nothing else. It ain't. I ain't never wanted this the house I wanted. I raised my kids here. This is it for me. I ain't going nowhere. There's plenty of people who don't never want to. Who parents don't want to move out that house.

[Carlos Miller]

Yeah, that's true. Grannies and all. So sometimes even if your money right, you can't move your people because they don't want to move.

[AT&T Advertiser]

That's the thing.

[Carlos Miller]

Granny don't want to move. Sometimes I want that big. I don't want to do all that.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

You know what I'm saying? Imma do it for you. Great. I'm gonna get you. I don't wanna. I don't want all that. You definitely got that. That vibe out there.

[AT&T Advertiser]

It's a lot of people like that who don't. Who Even if They hit that lick, they not leaving the hood, leaving whatever they planned. That's crazy. But it makes sense too, because I know them people. I know them people, man.

[Carlos Miller]

But see that as a rapper, it's a little different, bro. Because even the OG rappers like Boost to say, yo, get that money, get from down there. Because even if your intentions is pure, the circumstances is rare, man. You don't put yourself amongst kings, man. And you just don't drink beer around wine sippers, man.

[AT&T Advertiser]

That's the thing about it. You don't even have to be a rapper. Look at it on a smaller scale. You could just be a who work for the city, whoever, Saturday when he ain't at work. Or, you know, you like to fix up car. You like to go to the car show, take your dog out, let the kids run around, throw a little something on the grill. Put your chain on. Put you. Put you. You know what I'm saying? Put your on. Put your outfit on. Be yourself. Just cause you a. With a clean air calling the east side. Do you not understand? There's some more on the east side that hate you for that. Of course. But what I'm saying is you're gonna have.

[Carlos Miller]

You're gonna face the leaving. Paul, we talked.

[AT&T Advertiser]

You're gonna have enemies. No matter what it is you doing in life or where it is you stay.

[Carlos Miller]

But the coming back part, bro, the. The leaving and going to get something that they feel like they can't attain and they're coming back.

[AT&T Advertiser]

I don't know.

[Carlos Miller]

It's a little rough.

[AT&T Advertiser]

I don't know. What.

[Carlos Miller]

When you go home.

[AT&T Advertiser]

You know, some is just natural born haters, facts. That's it. That's literally what they put here to do. They. It's just. It's internal.

[Carlos Miller]

Let me see the ashtray.

[AT&T Advertiser]

Yeah, it's in. That hate come from deep down inside. Yeah. No matter what what they got going on, they ain't never gonna like what the next person doing. Same way kill Cochise, man.

[Carlos Miller]

I'm Coolie Hat, man.

[AT&T Advertiser]

Just because he was about to go to school and he was that, bro.

[Carlos Miller]

That's how it be up out here.

[AT&T Advertiser]

But you need it. That's the balance.

[Carlos Miller]

That's a fact, man.

[AT&T Advertiser]

That's. That's. That's the opposite side of this. You're gonna get a whole lot of love. But even if you get a little bit of hate, it's gonna still be heavy. It's gonna be heavy, man. That. That hate. But you need that. That fuel to keep going. And knowing that you ain't perfect yet. Will you ever be, though? Nah.

[Carlos Miller]

So are you striving for it, knowing you won't be it?

[AT&T Advertiser]

No. I mean, I think you have to try to strive to be perfect. So even when you fall short, you at least tried hard enough to be a good person. You know what I'm saying? Yeah. Like, you'll never be perfect, but you can be good.

[Carlos Miller]

Right.

[AT&T Advertiser]

You can definitely be a good person or a great person. Excellent. But you'll never be perfect. Right. Because God made us imperfect. Like, there's. You can never. The most you could be is a 99. You'll never be a hundred. Right? Yeah.

[Carlos Miller]

Welcome to this up there podcast. I go by Big Long, your active and attractive hosts. Man, we already been rolling. But I do want to introduce the podcast today. I got a tycoon in the comedian space, a tycoon in the podcast content space, a actor. The guy is all over the place and killing. I got Carlos Miller. What's going on?

[AT&T Advertiser]

What's happening? I appreciate you going on. Appreciate you. Appreciate you having me, bro. It's always, always dope to chop it up, which. And go back and forth and have verbal combat and. Yeah.

[Carlos Miller]

I love it, bro.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

You wanted all the guys that I be like, yo, bro, got those ideas like me, like, where it's like, yo, you done thought about a number of things.

[AT&T Advertiser]

Most definitely.

[Carlos Miller]

And I find that in people that do comedy a lot. You know what I'm saying? I find that people that in comedy, at least the people I bump into and that I've studied, they have a lot of thoughts and opinions on things.

[AT&T Advertiser]

Yeah. Cause comedy will change your brain chemistry, the way that you think about things, and then you just. Once you learn how to, like, start filtering life, real life, through, like, your creative process, you look at everything different. I don't even know if that makes sense to people who don't do that.

[Carlos Miller]

But do to me.

[AT&T Advertiser]

It's just like creative people, they. The way you see things, like artists look at life different. Like people who can paint, people who can draw, or. You know what I'm saying, people who do stuff with their hands, who can build, they just have a different little level that they could take. Like people who could do math in their head, they could just take it to another level that regular people don't. And once you start looking for the humor, even in the. The worst situations, it'll just change your whole perspective on. I have so many, like, you spend your time just having, like, you say, your own thoughts and, yeah. Being in your own world.

[Carlos Miller]

So just having your own opinion when something pop up.

[AT&T Advertiser]

Yeah, I always like to wait and just see what happened first. Because I love to go back to the. You know how like, when it be some. And it'd be like mass or stereo or like somebody trending or some shit or whatever the situation is. I always like to play. Hold up, hold up. Don't say nothing yet. Wait, wait, wait. Because it's always going to be. That's when the most ridiculous stuff come out. Because you remember when Covid came out, they was like, you know, black people can't get this.

[Carlos Miller]

That's like, what?

[AT&T Advertiser]

Yeah, I love that boy, bro.

[Carlos Miller]

I do that on purpose, right? So with, like, pop culture, I have a side of the podcast I do with no guests, where it's just me and the camera.

[AT&T Advertiser]

Yeah, you need shit like that.

[Carlos Miller]

And so when I do that, I talk about topics, but I always wait because I don't even want to be involved in the clickbait shit. I don't want to be. And then I want to have an opinion that's like formatting on it. I don't want to be swayed by what everybody's saying right now. Because when you listen to these opinions come out, they usually along the same lines. When stuff like that happens, it's like everybody's kind of saying the same thing. It's just. He dropped his podcast on Monday, he dropped Tuesday, he dropped. They all saying the same fucking thing.

[AT&T Advertiser]

But you know what's crazy is, though, like, as you get deeper into the industry or the entertainment world, it ain't until one of those stories pop out that you really know what really happened to make you look at all that shit totally different. You know what I'm saying? It's like when some come out and it's something that's close to somebody that you know or people that's involved or things that you heard about prior to it coming out, you like, why it's coming out now. This old. This happened. Damn this. Oh, right. Damn. That ain't what happened. Right. Then you'd be like, oh, they gotta. They gotta put some sauce on it, spinning it.

[Carlos Miller]

Yeah, yeah.

[AT&T Advertiser]

It's ridiculous. And it's up that that's the way that we have to be entertained. And I think it's like that that type of is okay and it's acceptable, but it can't be our source of real news. Exactly. Our entertainment can't be our news.

[Carlos Miller]

But they've got it mistaken because they don't understand. See, we went from. We think that just get Informed. We don't understand we're misinformed on a lot of stuff.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

Because they think it's better than having no information or disinformed. Right. We're told that you dumb if you don't know nothing. So just tell me something.

[AT&T Advertiser]

Yeah. And like I said, that can't be our entertainment, can't be our news. Right. Because shit, it's just like having vegetables on the plate. We might not always like it, but we need to hear real shit. We don't need to just hear the sauce. Right. We need to hear the real shit so we can really make honest opinions about how we move forward as a culture, as a people, as a race. How can we prevent some from happening if we just keep getting the, the hyped up, sensationalized version? Like, give us the whole facts of this.

[Carlos Miller]

And you know what? That's why when I had these conversations on the part, I like to just have conversation. I don't like. I don't talk to people who. Certain people that ask me, yo, what, what's the questions? Or something like that. I don't even talk to them.

[AT&T Advertiser]

Yeah, I don't really like. I think that's one thing that's getting overlooked. We don't do a lot of interview. Right. Sometimes we just want to have real life, organic conversations. And sometimes you can. When it's somebody you're a fan of and you got interview type questions or you know that you always wanted to ask him, you're asking, but it ain't like you gotta. So tell me how.

[Carlos Miller]

What were, you know, unanswered questions.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

Things that hasn't been answered yet. But to bring somebody in and like. So how did you. Yo, that's not what we own.

[AT&T Advertiser]

How did you start the 85?

[Carlos Miller]

Yeah, come on, bro.

[AT&T Advertiser]

Like that.

[Carlos Miller]

It's so much what we doing.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

We're too unique for that. We're impacting.

[AT&T Advertiser]

Sometimes you need to do that. So. Because you be you on different platforms and they have different audiences and you can be. You do have to be introduced to like.

[Carlos Miller]

But, but, but, but we do introduce it, but it's not the layered introduction the way they do it. So how does it do it? So how did you do this? So how did you. It's like, it's a, it's an overarching introduction of what we're talking about and then we dig into whatever we're talking about on it. But you answered a lot of these questions that, that people ask over and over about some of these things.

[AT&T Advertiser]

It's cool. I mean, of course, whatever they want to know. Yeah.

[Carlos Miller]

But I think podcasting is, at least on this side. I try to bring something where we just have a natural conversation and.

[AT&T Advertiser]

But you had a lot of good guests on here. You was getting. He was going back and forth with Dr. Umar and. Yeah, man, y'all, they got some intense moments.

[Carlos Miller]

Yeah, yeah, that was a good one, man.

[AT&T Advertiser]

That's hard, man. Keep doing your thing, bro.

[Carlos Miller]

Yeah, now we build and we.

[AT&T Advertiser]

I love to see different outlets, I love to see different interviews and, you know, just get different perspectives. When I'm at the crib and I'm just chilling, I click on everybody's shit just to see.

[Carlos Miller]

I know you. You consume a lot, man.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

You know, all the rap niggas that come in, you be knowing shit, bro.

[AT&T Advertiser]

I'm still a fan of the other culture of. You know what I'm saying? I get to look at the shit as a grown ass man now. Right. And really just, you know, like, okay, I see what they doing. Right? See what they doing. Yeah, some things. Yeah.

[Carlos Miller]

I think that Dr. Umar, man, for me, it kind of changed how I look at things now.

[AT&T Advertiser]

Cause I said, oh, what you mean.

[Carlos Miller]

With the content world, right? There's niches, there's things that only certain people can do well, you know, And I think if I can polish my live show. Cause that was a live show. That was a sold out live show with me and him. And I think if I can polish that and. And do that right, I think that's. It's something there. You know, I just think. And I. And I saw a lot of people adopt that, you know, adopt certain elements of even that conversation and reference that conversation when they speak with Umar. Yeah, they booked him after that. Like, a lot of people referenced that. Like, yo, man, I saw you on and man, y'all were talking about Dion and they got back.

[AT&T Advertiser]

Yeah, I would love to do an interview with him. Yeah. I wouldn't even say. I just let him talk.

[Carlos Miller]

Yeah, he go, I would.

[AT&T Advertiser]

I just. I would. He could literally just come on my platform and just talk. I ain't got shit to ask him.

[Carlos Miller]

Yeah, I think I kind of. And I changed how people dealing with him. Now people are now doing a versus thing with him. And I don't really like that because I didn't do a. If you listen to that conversation, we really had some, like, I tried to get him to explain a little more. Yeah, he was right. Making his points. But I want to dig into that. Why is that? Why you think that? Why do you think somebody would do that? And for me, I just think it. It added to that.

[AT&T Advertiser]

Yeah, well, you know, that's. That's kind of. That could. I could see how that could be. That could be frustrating, I guess.

[Carlos Miller]

Yeah.

[AT&T Advertiser]

If you keep asking a why? He's like, don't ask me why.

[Carlos Miller]

Nah, he said now he respect. He respect me too much for that, though.

[AT&T Advertiser]

No, I feel you.

[Carlos Miller]

Listen, you gotta think that's his fifth time coming on my show. He's the only person that came that much.

[AT&T Advertiser]

And he.

[Carlos Miller]

He hit me.

[AT&T Advertiser]

Pause.

[Carlos Miller]

Yeah, that's a big part.

[AT&T Advertiser]

That's a big part. Hey, man, that's dope.

[Carlos Miller]

But you know what I'm saying is there's this respect there. So he knew that I was trying to get him to explain to his audience some of those things. Like, we got the next one that come out next week. And then so we get intense about some things that now has come out that I was right about, because I told him that. Did you see the girl that. And it'll probably be out by the time this come out, but did you see the girl that had the big knot on her face and said, a dude asked for my number and they didn't give it to me. And these black men let me get the brick later.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

You know, he went crazy on black men about that. You coward, stupid mother.

[AT&T Advertiser]

But think about it. That's one off situation. She dead ass wrong for that. But it's out there that be actually that probably needed to hit it.

[Carlos Miller]

And that's what he was saying.

[AT&T Advertiser]

That's it.

[Carlos Miller]

That's what he was saying.

[AT&T Advertiser]

That's what I'm saying.

[Carlos Miller]

You want to be passionate that you.

[AT&T Advertiser]

Don'T even know it's real or not.

[Carlos Miller]

Yeah. I said, damn, you give grace to the black woman in this conversation. You give grace to. I said, what do you say to the black men that say you're too hard, you don't give any grace to them. Even in situations where you're wrong about this girl, saying black men didn't defend her when this is an allergic reaction.

[AT&T Advertiser]

Yep.

[Carlos Miller]

And he was just like, well, I'm not gonna retract it. Because they need to hear that.

[AT&T Advertiser]

They do. And it's still a valid point. But it's like when it's directed at that at one particular incident, that's. That's false. Then it just loses validity.

[Carlos Miller]

Right. And I think it's gonan do great. It's gonna do great on YouTube because we go back and forth, he get heated. He telling me Cause I'm saying, yo, why black men gotta be blamed for everything? You know, because that's our role, to be blamed for everything.

[AT&T Advertiser]

That's a role that was given to us that we would never ask for. That's just part of it. As one of the drawbacks of being a black man. It comes with it. We always gonna be at fault. Because think about it. What have niggas ever done to anybody but each other? Thank you.

[Carlos Miller]

Don't do number.

[AT&T Advertiser]

But that's. That's. That's abuse. The violence is transferred. It's just a transfer of violence. That's it. Even that ain't a nigga's fault.

[Carlos Miller]

When. When you dealt with Netflix, what was that about? Did y'all have to audition? How do you get a deal with Netflix? How does that happen?

[AT&T Advertiser]

What do you mean, a deal?

[Carlos Miller]

How do you get a content licensing deal?

[AT&T Advertiser]

What do you mean with.

[Carlos Miller]

With Netflix? Like, I'm sure they license y'all content, or did they buy that, purchase that piece of content? I guess I'm asking what. What happened with your Netflix situation, man.

[AT&T Advertiser]

You just doing those live shows. It's like, if you think about what we do when we. When we go out and we record these live shows and we put them out on the platform, bro, we really producing and dropping a special every week. Why not link with the biggest platform that does that? It's just a natural progression. You know what I'm saying? They. They saw what we were doing. They send their team out, they send some people out, some people get on some phone calls, fix back and forth. It's a few lunches, it's a few emails. It's a process. It ain't just like they show up with the paperwork. You get what I'm saying this. It takes years to close a deal like that. Oh, most definitely gang violence.

[Carlos Miller]

That's hard. It's hard. We got D.C. in the building.

[AT&T Advertiser]

But, yeah, that's. That's. It takes years to make some like that. At least a year or two, just to make sure that the business is right and everybody's going to be satisfied with the terms and conditions. Right. Things of that nature. So big shout out to the whole department over there at Netflix, man, especially anybody that got something to do with the black people content on that app. Right, that department, whatever department.

[Carlos Miller]

Yeah, for sure.

[AT&T Advertiser]

Because y'all don't get enough credit. For sure, for sure.

[Carlos Miller]

To try to even hold that up or hold that down over there.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

Because they can whitewash that if they want. And for the most part, just Hearing.

[AT&T Advertiser]

That the people that own Fox owned tuba broke my heart.

[Carlos Miller]

We're gonna talk about that in a minute.

[AT&T Advertiser]

It didn't hold on all the way but a little bit. We ain't. You get what I'm saying? We can get it.

[Carlos Miller]

Yeah. We can get into.

[AT&T Advertiser]

It's kind of like finding that chick that you. You've been knocking off. Used to talk to one of your partners, right? Yeah, I ain't know. Yeah, you know, you gotta do background.

[Carlos Miller]

Checks on people, facts, but you know, but even that.

[Coca Cola Advertiser]

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[AT&T Advertiser]

On.

[Narrator]

Thanksgiving Day, 1999, a five year old boy floated alone in the ocean. He had lost his mother trying to reach Florida from Cuba.

[Carlos Miller]

Looked like a little angel.

[AT&T Advertiser]

I mean, he looks so fresh.

[Narrator]

And his name, Elian Gonzalez, will make headlines everywhere.

[Rufus Griscom]

Elian Gonzalez.

[AT&T Advertiser]

Elian Gonzalez.

[Narrator]

At the heart of the story is a young boy and the question of who he belongs. With his father in Cuba, Mr. Gonzalez.

[AT&T Advertiser]

Wanted to go home and he wanted to take his son with him or.

[Narrator]

His relatives in Miami.

[AT&T Advertiser]

Imagine that your mother died trying to get you to freedom. At the heart of it all is still this painful family separation.

[Narrator]

Something that as a Cuban, I know all too well. Listen to Chess, the Elian Gonzalez Story as part of the Michael Tura Podcast Network, available on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Dr. Maya Shankar]

Hey there. I'm Dr. Maya Shankar, a cognitive scientist who studies human behavior. On my podcast, A Slight Change of Plans. I marry science and storytelling to better understand how to navigate the big changes in our lives.

[AT&T Advertiser]

It was like a slow nightmare, you.

[Carlos Miller]

Know, because every day you think, oh, surely tomorrow I'll be better.

[AT&T Advertiser]

And I would dream of being better. At night. I would dream that my face was quote, unquote normal, or back to the way it was. And I'd wake up and there'd be no change.

[Dr. Maya Shankar]

I also speak with scientists about how we can be more resilient in the face of change.

[Rufus Griscom]

You can think of the adolescent brain as like the social R and D engine of our culture. That they're something that looks like risky and idiotic to us is maybe their way of creatively trying to solve the problem of having social success and fewer of the things that bring you social failure.

[Dr. Maya Shankar]

Listen to a slight change of plans on the iHeartRadio app, Apple Podcasts, or wherever you listen to podcasts.

[Bose Advertiser]

The 2025 iHeart Podcast Awards are coming. This is the chance to nominate your podcast for the industry's biggest award. Submit your podcast for nomination [e-mail] podcast awards. But hurry, submissions close on December 8th. Hey, you've been doing all that talking. It's time to get rewarded for it. Submit your [e-mail] podcast awards. That's iheart.com podcast awards.

[Rufus Griscom]

I'm Rufus Griscom, host of the Next Big Idea. Each week on the show, I sit down with one of the world's leading thinkers, and together we try to answer a big question. I'm talking about people like Bill Gates.

[Carlos Miller]

Let's not let people with mal intent benefit from having a better AI.

[Rufus Griscom]

Michael Lewis. I am very self consciously running towards pleasure.

[Carlos Miller]

That's what draws me to material in the first place.

[Rufus Griscom]

Peter Attia.

[AT&T Advertiser]

Exercise is the single most important drug we have.

[Rufus Griscom]

And Kim Scott, you know, I spend.

[AT&T Advertiser]

A lot of my early parts of my career feeling a little bit miserable. And so to me, this is the interest in radical candor. How can we achieve things together and enjoy doing it and build great relationships while we do it?

[Rufus Griscom]

Listen to the next big idea on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[AT&T Advertiser]

Even that. Anywhere, any, anytime. Even if they. Even if it's that they still letting niggas go over there and do their thing, though.

[Carlos Miller]

I don't, I don't want to say.

[AT&T Advertiser]

Letting, but yeah, niggas over there doing their thing.

[Carlos Miller]

Yeah, but not letting. I think they're using that as, like they use us to get the wheels on it, to get the car rolling. And then in a minute, okay, this.

[AT&T Advertiser]

Is how we can counter that. We got to use that to get to the next step. We can't just let that be it. Then. If that's the attitude behind it, we need to be working on an exit strategy right now. Then if that's the emotion behind it, we either love it or we hate it. Because if we stamp it as we love it, it's gonna blow, of course. But if we ain't with it, it need to be said out.

[Carlos Miller]

But this will not trick us. They know how to trick us.

[AT&T Advertiser]

We can't allow. We can't allow it.

[Carlos Miller]

That's how they trick us, though. Incentivize us with a little paper boy. That's how Trump got us. That's how they all get us.

[AT&T Advertiser]

Trump didn't get us. What? He didn't get us. What you think he got us? What? He got the. That wanted to be got?

[Carlos Miller]

No, he got the.

[AT&T Advertiser]

He didn't get.

[Carlos Miller]

Talking about. I'm talking about black people as a whole, bro.

[AT&T Advertiser]

I don't.

[Carlos Miller]

For the most part, I don't. They're not paying close attention. He didn't get me with the passing.

[AT&T Advertiser]

What if they auto. What if that's the real.

[Carlos Miller]

What if they are paying attention but the information. Don't say that. We're not collective. We don't work together about nothing.

[AT&T Advertiser]

You know what I'm saying? Around and try to pass some that sneak around and actually work for the benefit of people he don't even with.

[Carlos Miller]

Of course.

[AT&T Advertiser]

You get what I'm saying? Yeah, I don't know. But.

[Carlos Miller]

But we just went through a lot.

[AT&T Advertiser]

Of who he is. He. He. He a crook too.

[Carlos Miller]

Yeah, of course. Now what I'm saying he got. That's why I say he got us. I ain't said he did nothing that was upstanding.

[AT&T Advertiser]

No, this is the thing about black.

[Carlos Miller]

It's a hat trick.

[AT&T Advertiser]

We love a villain and we love.

[Carlos Miller]

To feel like he winning.

[AT&T Advertiser]

I don't want it to sound like I fuck with him.

[Carlos Miller]

It's some people we love to feel like we winning.

[AT&T Advertiser]

I feel like he just. He.

[Carlos Miller]

Even if we not winning, though, he.

[AT&T Advertiser]

Do so much bad shit that they'll.

[Carlos Miller]

Drive an old Mercedes. A Drive an old Mercedes for the fact that it's a Mercedes. We love to just feel like it's a win. It don't even matter, bro.

[AT&T Advertiser]

So what are you saying? That black people settle?

[Carlos Miller]

No, no, I said you drive an old Mercedes.

[AT&T Advertiser]

Yeah, but it's by choice.

[Carlos Miller]

Yeah, of course, but I'm talking about.

[AT&T Advertiser]

But if that's just the one he wanted.

[Carlos Miller]

No, no, no. I ain't talking about him. I'm talking about the guy that drives it when his money could have got him a new reliable vehicle he could have got.

[AT&T Advertiser]

That's not your call to make.

[Carlos Miller]

It ain't my call, but it's a responsible call to make.

[AT&T Advertiser]

No, it's not.

[Carlos Miller]

If he's driving that car, that's his business. But he's forcing it. He's acting like he's driving the. Like I know niggas that have put the keys out on the. On. They hang the keys out over. They.

[AT&T Advertiser]

Wait a minute. You overlooking something very important. Help me understand you looking at it like a old car. The who owned the car that might be his one. That might be the one that he wants.

[Carlos Miller]

Yeah. And I'm not talking about millions of.

[AT&T Advertiser]

Dollars in this car.

[Carlos Miller]

But you.

[AT&T Advertiser]

You bring. You don't see me in this mother. Nah, you bringing 91 cutlass.

[Carlos Miller]

Yeah, nigga, I with 91 cut list. I'm talking about a specific. A specific guy. I ain't talking about the guy who.

[AT&T Advertiser]

That's.

[Carlos Miller]

So we gotta have context of our conversation. Okay, let's back up a little bit. Cause we unpacked a lot of things, right? We talked about Tubi in about five seconds. Right there. We talked about Tubi. Dr. Umar.

[AT&T Advertiser]

Right?

[Carlos Miller]

And a few other things, right?

[AT&T Advertiser]

Shout out to Dr. Umar.

[Carlos Miller]

Shout out to Dr. Umar.

[AT&T Advertiser]

And ever put some respect on what I'm saying.

[Carlos Miller]

All I'm saying is. All I'm saying is we like to feel like we win. When I see black people. We're slaves. Assembles.

[AT&T Advertiser]

No, we're not. We gotta stop thinking like that.

[Carlos Miller]

No, this is the proof, bro. We spend all our money in the consumer market.

[AT&T Advertiser]

Who believe.

[Carlos Miller]

Why Google it? Why? Because we slaves of symbols. We going to get Nike, we go get Mercedes, we go get all these.

[AT&T Advertiser]

Even if we stop buying this shit, then what?

[Carlos Miller]

Then we put our money back in the community. We buy houses, we buy hospitals.

[AT&T Advertiser]

What does that do?

[Carlos Miller]

That builds the community up.

[AT&T Advertiser]

The money still has to be spent.

[Carlos Miller]

But it builds our own community. It circulates through our community. We take all the money we make and go spend it on things we don't own. That aren't like just bullshit, that's owned by other people. So what I'm saying is we're slaves to the consumer market and symbolisms.

[AT&T Advertiser]

I don't believe it.

[Carlos Miller]

Tell me how. Give me a. Give me something, some indicator that says we're not.

[AT&T Advertiser]

Because there is no we.

[Carlos Miller]

They spend billions of dollars on weave every. Every year. Black women do.

[AT&T Advertiser]

That's their business.

[Carlos Miller]

Of course that's their business. But I'm telling you that they don't need weave. They buy. This is fake hair. Horse hair. Some. That's what they want, of course, but I free will. You ain't listening to me.

[AT&T Advertiser]

Yes, I am.

[Carlos Miller]

Okay, so I'm saying we're slaves to the consumer market.

[AT&T Advertiser]

No, we not.

[Carlos Miller]

Why are we spending our money in the way.

[AT&T Advertiser]

Because we live in a capitalistic society. If you don't spend it, it's worthless.

[Carlos Miller]

Why do we spend it in the way that we do?

[AT&T Advertiser]

Because the same way you do. Look at you. You a gonna watch this and say, man, loon got four chains.

[Carlos Miller]

That's what I'm saying. Why you Know better.

[AT&T Advertiser]

Why you ain't invested in the black community.

[Carlos Miller]

No, I've invested.

[AT&T Advertiser]

You can't be a hypocrite on the platform.

[Carlos Miller]

I ain't a hypocrite.

[AT&T Advertiser]

Yes, you are. Because you just said we slaves and you won. Bought all them chains.

[Carlos Miller]

If I was a hypocrite, I'd say y'all.

[AT&T Advertiser]

You said we.

[Carlos Miller]

That mean I'm not a hypocrite.

[AT&T Advertiser]

Well, that's what I'm saying. Everybody see that. But what I'm saying, if I say.

[Carlos Miller]

We, that mean I'm not a hypocrite. If I say y'all, that mean I'm separating from y'all. I'm saying we. I got a Mercedes. I'm a slave to this same. I wear the.

[AT&T Advertiser]

Those are choices that you made. You could have easily not made them choice. Of course you gonna some of this money off.

[Carlos Miller]

That's what I'm telling you.

[AT&T Advertiser]

Well, why are you yelling at them?

[Carlos Miller]

Who's yelling?

[AT&T Advertiser]

But what I'm. When you saying we are slaves, people gonna hear that and be like, what the is you talking about?

[Carlos Miller]

No, they're not.

[AT&T Advertiser]

We're not claiming that.

[Carlos Miller]

Anybody that hears that and say and says that they're waste man.

[AT&T Advertiser]

What?

[Carlos Miller]

Waste man.

[AT&T Advertiser]

No, we don't use those terms in America.

[Carlos Miller]

We're in America right now.

[AT&T Advertiser]

Waste man. Yeah. I'm listening to Drake. Do I look like that in America? Do I look like he's a waste man? Work for the garbage company? No, we don't.

[Carlos Miller]

He's a waste man.

[AT&T Advertiser]

Okay.

[Carlos Miller]

That's my word.

[AT&T Advertiser]

But what I'm saying is there is no way to universally speak for all black people.

[Carlos Miller]

Who said that?

[AT&T Advertiser]

What I'm saying is, like, you can't say they spend a billion dollars on weed.

[Carlos Miller]

I think you do. You got a phone or Google.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

You need to spend some time on it, because I'm telling you that if I'm going by the numbers you disregard.

[AT&T Advertiser]

We can't keep using the same arguments for the last 30 years.

[Carlos Miller]

Who is. I ain't never said.

[AT&T Advertiser]

Chris Rock made a whole movie called Good Hair and said that. Now it's not. It's a billion, trillion dollars.

[Carlos Miller]

I never.

[AT&T Advertiser]

Whatever black women spend on their hair. Do you understand that white people outnumber black people in America? Like 6 or 6 to 13 or 1 or some shit. We wave. We're a minority. Just the.

[Carlos Miller]

They do not in the way that black.

[AT&T Advertiser]

Yes, they do. If it's. If they outnumber us by that many, that means that it's.

[Carlos Miller]

White women buy more.

[AT&T Advertiser]

10 times more white women in America buying weed in black women.

[Carlos Miller]

Yes, I believe that you're saying pure by numbers of people. Yes.

[AT&T Advertiser]

By volume alone, we are still in last place. What are we talking about?

[Carlos Miller]

We talking about, you know, okay, let's play.

[AT&T Advertiser]

Let's play the devil's advocate loan. What would happen if black women stopped spending money on weed? What would happen?

[Carlos Miller]

Well, nothing. If they have no direction with what to do. And if. And if us as black men don't accept them with their natural hair.

[AT&T Advertiser]

Okay, so if black men.

[Carlos Miller]

So this is the overall problem again. We are slaves. This is okay.

[AT&T Advertiser]

This is free will.

[Carlos Miller]

Yeah, but a lot of dudes want to see they woman with this. They don't want her with her natural hair. They'll tell her go get her hair done. We can't ignore this. What are you doing? Are you playing some game? Were you ignoring these things?

[AT&T Advertiser]

No, I just think that these arguments are dated. None of that shit will change anything about the structure of America.

[Carlos Miller]

Not without any direction.

[AT&T Advertiser]

Without even with direction, people still gonna do what the they want to do and buy what they want to buy. It's already hard enough to be a in America. Ain't nobody finna not try to make the most of it. You certain you gonna have to buy.

[Carlos Miller]

Make the most of it.

[AT&T Advertiser]

Increase your quality of life. They have done such a number on black people that we buy this to try to hide and mask the insecurities.

[Carlos Miller]

Told me I can't speak for black people. And then.

[AT&T Advertiser]

I'm not saying you can, but you can.

[Carlos Miller]

You just. What you just done. You just told me that. Just said we doing this. Cause we've been through hell and just told me I can't speak for black.

[AT&T Advertiser]

Ain't that a bit all I'm saying? There is a reason for everything.

[Carlos Miller]

You don't listen, you get lost.

[AT&T Advertiser]

There's a reason.

[Carlos Miller]

Don't listen, you get lost. You literally argue me for seven to 10 minutes, okay, that I can't speak for black people. And proceeded to say when you make a.

[AT&T Advertiser]

When you make an outrageous statement like what we slave?

[Carlos Miller]

Has some facts from like, we slave. We slaves to symbols. Don't we not slaves.

[AT&T Advertiser]

Nothing, man. That's we not slaves to shit.

[Carlos Miller]

That's weird how.

[AT&T Advertiser]

That's weird behavior, man. You must don't know the intensity of what slavery actually is. Ain't slave to a motherfucking thing.

[Carlos Miller]

We spend our money likes I say this. Let's rephrase that. We spend our money like we're slaves to symbolism, bro.

[AT&T Advertiser]

That's because we live in a capitalistic society. If we live somewhere where money didn't. Where love was the currency, we would be out here loving the out each other.

[Carlos Miller]

Who says love isn't the currency?

[AT&T Advertiser]

Not in this country.

[Carlos Miller]

Who says that?

[AT&T Advertiser]

The people who founded this country on capitalism says that once you.

[Carlos Miller]

There's people living.

[AT&T Advertiser]

There's a who been in the streets, but there's a who in media. Ain't you don't mix love and money.

[Carlos Miller]

I don't. But there's people living in this country that is love based.

[AT&T Advertiser]

You know why?

[Carlos Miller]

You're speaking for the whole country. You told me I can't speak.

[AT&T Advertiser]

No, I'm speaking. I'm speaking from my little one for black people. My little 166 millionth. The same way that I'm sitting here saying shit. There is nothing we can say that could universally apply to all black people.

[Carlos Miller]

That's what I'm trying to tell you. So especially for the. For the whole country.

[AT&T Advertiser]

Right? You see?

[Carlos Miller]

And so for you to say in the country. This country ain't got no love. It's like, bro, it's. Some people in this country right now don't care about no Mercedes. They don't give a. About a name brand. They don't care about a lifestyle or nothing.

[AT&T Advertiser]

You know why?

[Carlos Miller]

Living in the woods.

[AT&T Advertiser]

You know why?

[Carlos Miller]

Why?

[AT&T Advertiser]

Because they can't afford that. You have to act like you don't.

[Carlos Miller]

There's people going on Joe Rogan podcast all the time. There's millionaires that's that live in the woods.

[AT&T Advertiser]

Just cause think of how many people who go on there who just comedians who doing gig to gig though they going on there hoping to be millionaires. Facts. But we live in the type of society where you need money to live. Get the full experience of this. Now if we lived in somewhere where we had to go out and find our own food and be entertained by the people who we live around and live in a community and be around people. And like I said, love was the currency and we didn't have to worry about how much money we had in the bank and like that and we were outside with it for real, then we. It would be another something else. But we live in America. Do you think.

[Carlos Miller]

Does Netflix try to. Does Netflix own that content or y'all own it?

[AT&T Advertiser]

What content that y'all did for them?

[Carlos Miller]

Did they pay y'all for it or did they.

[AT&T Advertiser]

No, it's a. It's different. It's a different situation. We produced it and worked with a production company and Once they put it on the platform, they gonna have it on there for however long they gonna have it on there, and then it is what it is.

[Carlos Miller]

So will it be on the 85 app? I guess, is my question at some point.

[AT&T Advertiser]

I don't. I don't know. I don't know.

[Carlos Miller]

Maybe that's interesting, though. Maybe that's something to look into. I mean, I guess that's a piece of content if they.

[AT&T Advertiser]

No, but it's like, it's not. To duck the question, like, we own some of it, but of course they're not gonna let us own all of it and. Right. I mean, it ain't one of them type of situation.

[Carlos Miller]

I think they. They're interested in owning the content that's on their platform. They're playing a different game.

[AT&T Advertiser]

But see, we played a different game too, because it's like you have to use that leverage to get in the game. They're always going to get you on the.

[Carlos Miller]

That's why they. They come and give Chappelle 40 million because they're saying, listen, we want to own this. We don't want to play the game where you, you know, own it and we want to give you 40 and we want it. Is that okay?

[AT&T Advertiser]

Do you believe that?

[Carlos Miller]

That's what their best was being reported. And even when Kevin Hart, who would report that?

[AT&T Advertiser]

Think about how this shit works.

[Carlos Miller]

Netflix.

[AT&T Advertiser]

Why would they do that? Why would they go and tell somebody the details of a contract that they got with David?

[Carlos Miller]

Because I guess they want to. They want to level the market for people like you.

[AT&T Advertiser]

Why would they want to do that?

[Carlos Miller]

Because they don't want you to be unreasonable and think it's a $40 million number on a comic without it being ownership on their side.

[AT&T Advertiser]

Why would you. Why. What would make you think they would give. Just give Dave Chappelle all this money?

[Carlos Miller]

I believe Dave Chappelle to be worth $40 million.

[AT&T Advertiser]

What do you mean, worth?

[Carlos Miller]

Three specials.

[AT&T Advertiser]

What do you mean, worth?

[Carlos Miller]

You said, what would make me think they would give him the money?

[AT&T Advertiser]

Right.

[Carlos Miller]

It speaks to his worth.

[AT&T Advertiser]

They don't give nobody shit. That's what I'm trying to get you to understand. Nothing in this business is given. They didn't give Dave Chappelle this money. They know how much money that he is going to generate.

[Carlos Miller]

Yeah, but that's.

[AT&T Advertiser]

Yeah, they know how much.

[Carlos Miller]

That's the math.

[AT&T Advertiser]

They can say, hey, Loom, we love your. Your podcast. We, we would love to sign you to Netflix and give you a special. We know that you generate money. We Know that we can go sell $500 million worth of ads against you coming to our platform. That's why you get these numbers. Yeah. They don't just pull numbers.

[Carlos Miller]

I don't know that. And I got deals everywhere.

[AT&T Advertiser]

No, but the way that you say it, you gonna mislead people and make them think that they just.

[Carlos Miller]

Tell me what I said. That a mislead?

[AT&T Advertiser]

That they gave that man that money?

[Carlos Miller]

Nice. Come on, man. They know what I'm talking about.

[AT&T Advertiser]

They don't give nobody shit.

[Carlos Miller]

You think that.

[AT&T Advertiser]

Yeah.

[Carlos Miller]

I'm talking about why they came and offered him $40 million. Anybody that's below that standard don't watch this show. People watching this show know when I say Netflix gave Dave Chappelle 40 million, they ain't just. Ain't nobody nice in this world. We ain't talking like that. We talking about business.

[AT&T Advertiser]

But you gotta understand that that ain't. We don't even know if that's the number.

[Carlos Miller]

Whatever the number is, we know they interested in owning the content on that platform because I hear comics time and time again speak to that. Big comics. Speak to. Yo, the reason why the front end is so much is because they're interested in owning it and not showing the numbers. Not even giving you real data as to what it done. They'll tell you something.

[AT&T Advertiser]

But that's the thing about it. I'll be trying to get you to think. Get out of this mindset. They don't have to give you.

[Carlos Miller]

If you ain't bidding with somebody, they don't got to show you the numbers.

[AT&T Advertiser]

If you. They go show.

[Carlos Miller]

It's number six on the. The little thing of the. Like, I'm talking about, you know, maybe you.

[AT&T Advertiser]

Wait a minute.

[Carlos Miller]

You're on the business side.

[AT&T Advertiser]

But that's what I'm trying to get you to understand, bro. Listen to this.

[Carlos Miller]

Demographics and things.

[AT&T Advertiser]

The numbers. That's what. Dude, you're not listening.

[Carlos Miller]

Yeah, I'm never saying the numbers.

[AT&T Advertiser]

The numbers.

[Carlos Miller]

Because watch this, watch this.

[AT&T Advertiser]

If I'm Netflix, I'm never saying it's my platform. Do you understand? I can put any thing. I want to send 456.

[Carlos Miller]

That's what I'm saying.

[AT&T Advertiser]

So you, as a consumer, you gonna watch this?

[Carlos Miller]

Not a consumer.

[AT&T Advertiser]

As I'm saying, as somebody watching my platform, If I put 85 south and number six and I. And they shouldn't even. It ain't even came out yet. It's the first day. They gonna think that this shit got some big numbers behind it.

[Carlos Miller]

Ain't got nothing to do with what I'm saying.

[AT&T Advertiser]

You just said that.

[Carlos Miller]

I said the hard numbers, the demographics behind the scenes. Okay? When someone there's value to every viewer, there's an ad company that wants to sell something to every person that clicks on the 85 south podcast Netflix show.

[AT&T Advertiser]

Looking at it in a small.

[Carlos Miller]

I'm looking at how Netflix looking at it. They're selling that data, bro.

[AT&T Advertiser]

Wait a minute.

[Carlos Miller]

Netflix, the whole company, Everybody's selling data right now.

[AT&T Advertiser]

Wait a minute. I'm trying to get you to even understand what Netflix is. It's the Netflix. This is where you watch all the movies at, right?

[Carlos Miller]

Yeah.

[AT&T Advertiser]

You think that it's just. They got one Netflix deal. Do you understand? They got ads against every movie on this motherfucker.

[Carlos Miller]

That's the whole point I'm making.

[AT&T Advertiser]

This is a trillion dollar company.

[Carlos Miller]

Of course. So I'm telling you that. But take in mind, with it being a trillion dollar company, every number counts. That's why on YouTube and things, you can have fake views and certain things because they'll they auditing this because they're selling ads against it. So what happens is Netflix is taking that hard data that they're telling you is useless. And it's unfortunate that you were this high in the business and thinking this data is useless when this data is so important.

[AT&T Advertiser]

You look, you're not even hearing what.

[Carlos Miller]

I'm listening. Go ahead.

[AT&T Advertiser]

You're not hearing. Well, how many. How many motherfuckers have a Netflix account?

[Carlos Miller]

First of all, plenty. Everybody.

[AT&T Advertiser]

Do you think they give a fuck what you watching on there or they want you to have this account?

[Carlos Miller]

Who?

[AT&T Advertiser]

The company?

[Carlos Miller]

Hell yeah.

[AT&T Advertiser]

You think they give a fuck what you watch?

[Carlos Miller]

They don't, right? I do.

[AT&T Advertiser]

You can have a Netflix account and never watch nothing. You don't watch Netflix every day.

[Carlos Miller]

I think there's extreme value in what is actually being watched on Netflix. I 100 think that the value of Netflix lives in the people that are actually watching. I do think that subscription amount because.

[AT&T Advertiser]

If they gave a. If you watched it or not, the would be free. No, it's not free. This is $20, right? A month. 25amonth.

[Carlos Miller]

Yeah. And they ain't dead every month from a business perspective. So what I'm telling you is it's a game being played. They have a subscription model. What people are paying the 20amonth. But if you're telling me that you think that the actual viewership of a company like Netflix is null and void. That's absurd, bro.

[AT&T Advertiser]

Okay. All I'm saying is they Sell ads.

[Carlos Miller]

Against the viewership of that company. Against the click through rate. They don't sell ads just on based on who's signed up. They sell ads versus the click through rate.

[AT&T Advertiser]

All right, long. It's. It's. It's way more complicated than that.

[Carlos Miller]

I'm okay, Tell me because I'm in it. Tell me. I know you in it too.

[AT&T Advertiser]

I don't have time. We would be here all day for me to have to try to break down how these people make all this money off of this. They don't give a if you watch this or not. Honestly, the numbers matter to who give a about numbers. The ad, the people who trying to buy some space. You know, it's different and that's what I'm saying. And that's only a 1 difference between.

[Carlos Miller]

Subscription revenue and ad revenue avenue.

[AT&T Advertiser]

Right, bro? Even. Even without all that, they still straight.

[Carlos Miller]

Yeah, but as a business, you have to sit down like you have people in your offices sitting down trying to figure out how to amplify your app, how to amplify your content, how to amplify your comedy on all different levels. And you're telling me that these, these sections of the business don't matter. I'm telling you the viewership is where they sell the. The ads against. The same way that you guys do with your YouTube 85 south and with your. Your audio with black effect. You sell ads against that audio in that video.

[AT&T Advertiser]

No, man. Do you not understand how the world is working right now? Yeah, Netflix is just like Google for movies. They got every movie in the motherfucking world. Every movie you could think of.

[Carlos Miller]

I would argue damn near without.

[AT&T Advertiser]

With the exceptions of certain movies, I would argue you. But if you get a brand new Netflix account at your new house house and you watch one movie, do you not know that they have enough information about you to put all the that you might possibly in your lifetime while you have this watch? If you come over my house and I've been watching Rambo and all this whole other. It's gonna be some on my Netflix that you won't even know how to get to on your Netflix. Do you not understand that we are literally in the Matrix? No, I get Netflix num. They don't give a if you watch it or not. If you don't have it, you're not gonna be able to watch at this point.

[Carlos Miller]

That's it.

[AT&T Advertiser]

That's all I'm saying. And for you to say, oh no, this is. It's not just like, hey, it's not walmart where you just walk in and they got these, get money off owning the site, subscriptions. The who they know who watch this on tv, who watch this on their phone, who got it on their computer, on their iPad. But this is one of the biggest companies in the world. So what I'm saying is we, we don't even understand the scope of this. Like this is it. Like this is huge. It's that. Yeah, it's the new way that we're gonna have to watch movies from here on Now.

[Carlos Miller]

I know that.

[AT&T Advertiser]

So they don't give.

[Carlos Miller]

But see they put that, they put that, they snuck that extraterrian with the ads and so they, that's, that's the thing, that's another generation of revenue. So they have a tier where you can have no ads. They have a tier where you can go, you know, just see.

[AT&T Advertiser]

Let me show you how good they are at business. Business. Do you actually believe that they losing money?

[Carlos Miller]

Of course not.

[AT&T Advertiser]

That's all I'm saying.

[Carlos Miller]

Of course not.

[AT&T Advertiser]

You said that they in the red every quarter.

[Carlos Miller]

Yeah, that. But I'm telling you because they playing this subscription game. Well when the money come in, they put it back out on content because they want to own everything that's on their platform. So they spend the moat. Why you think they stole comedy from hbo? First it was everything.

[AT&T Advertiser]

That is absurd. That is absurd.

[Carlos Miller]

You don't think that they bullied the market and took comedy from HBO by offering comics upsurge amount of money?

[AT&T Advertiser]

No.

[Carlos Miller]

Comedy Central and hbo, they took it from them.

[AT&T Advertiser]

No.

[Carlos Miller]

Okay, what's your argument against that?

[AT&T Advertiser]

Because I'm a comedian.

[Carlos Miller]

Okay, so tell me, do you know.

[AT&T Advertiser]

That HBO could come and give me a deal right now and it still be the, the I could have a HBO special still HBO ain't went no.

[Carlos Miller]

Right now I can argue. I believe that now before a moment. Netflix stole the market from them, bro. They was, they was. They took every comic and gave them high amounts of money to do specials on Netflix, bro. They turned it damn near to a comedian platform.

[AT&T Advertiser]

I feel like I'm arguing with my uncle at the house on Thanksgiving.

[Coca Cola Advertiser]

The holidays are about spending time with your loved ones and creating magical memories that will last a lifetime. So whether it's family and friends you haven't seen in a while or those who you see all the time share holiday magic this season with an ice cold Coca Cola. Copyright 2024 the Coca Cola Company.

[AT&T Advertiser]

On.

[Narrator]

Thanksgiving Day 1999, five year old Cuban boy Elian Gonzalez was found off the coast of Florida and the question was, should the boy go back to his father in Cuba?

[AT&T Advertiser]

Mr. Gonzalez wanted to go home, and he wanted to take his son with.

[Narrator]

Him or stay with his relatives in Miami.

[AT&T Advertiser]

Imagine that your mother died trying to get you to freedom.

[Narrator]

Listen to Chef's Peace, the Elian Gonzalez story on the iHeartRadio app, Apple podcast or wherever you get your podcast.

[Bose Advertiser]

The 2025 iHeart Podcast Awards are coming. This is the chance to nominate your podcast for the industry's biggest award. Submit your podcast for nomination [e-mail] podcast awards. But hurry. Submissions close on December 8th. Hey, you've been doing all that talking. It's time to get rewarded for it. Submit your podcast today at iheartradio. That's iheart.com podcast awards. Hi, I'm Marie.

[AT&T Advertiser]

And I'm Sydney.

[Bose Advertiser]

And we're Mess. Well, not a mess, but on our podcast called Mess, we celebrate all things messy. But the gag is not everything is a mess. Sometimes it's just living. Yeah, things like J. Lo on her third divorce, living girls trip to Miami, Mess, breaking up with your girlfriend while on Instagram Live liv Ing.

[AT&T Advertiser]

It's kind of mess.

[Bose Advertiser]

Yeah, well, you get it.

[AT&T Advertiser]

Got it.

[Bose Advertiser]

Live Love Mess. Listen to Mess with Sydney Washington and Marie Faustin on iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Dr. Maya Shankar]

Hey there. I'm Dr. Maya Shankar and I'm a scientist who studies human behavior. Many of us have experienced a moment in our lives that changes everything, that instantly divides our life into a before and an after. On my podcast, A Slight Change of Plans, I talk to people about navigating these moments. Their stories are full of candor and hard won wisdom. And you'll hear from scientists who teach us how we can be more resilient in the face of change. Listen on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.