Podcast Summary: "The Broadway Show: Uncut" – Episode: '& Juliet' Hits the Road!

Release Date: December 4, 2024

Introduction

In this vibrant and comprehensive episode of “The Broadway Show: Uncut,” host Tamsen Fadal delves into the exhilarating national tour of “& Juliet,” a modern twist on Shakespeare’s classic tale of Romeo and Juliet. This musical infusion blends timeless storytelling with contemporary pop anthems, offering audiences a fresh and entertaining take on a beloved narrative. The episode features in-depth conversations with David West Reed, the Emmy-winning writer behind the musical, and Paloma Young, the Tony-winning costume designer responsible for the show's spectacular visual flair.

Spotlight on David West Reed: From Broadway to TV and Back

Timestamp [00:05 - 20:08]

Tamsen Fadal opens the episode by introducing “& Juliet,” highlighting its unique blend of Shakespearean drama with modern pop music hits such as “Baby One More Time,” “Since You’ve Been Gone,” and “Roar.” She teases an upcoming segment with costume designer Paloma Young before transitioning to her first guest, David West Reed, known for his work on the acclaimed TV series “Schitt's Creek.”

Career Journey and Resilience

At [00:51], David reflects on his aspirations and experiences in Broadway:

“I’ve always wondered what it’s like to just be able to, like, I’m gonna drop by the theater and see audiences delighted by my work.” ([00:52])

He candidly shares his earlier setback with the Broadway show “The Performers,” which opened in 2012 but closed merely four days after its debut due to unforeseen circumstances like Hurricane Sandy:

“Every time I see a poster or a digital thing on a taxi cab, I’m still like, that’s my show.” ([01:30])

David discusses the emotional toll of the show's closure and his journey through professional uncertainty:

“It really didn’t seem like I would get another chance to be on Broadway.” ([03:12])

His perseverance led him to television, where he contributed to “Schitt's Creek,” eventually catching the attention of the producers of “& Juliet.” This transition underscores his resilience and adaptability in the face of adversity.

Creating “& Juliet”: A Fusion of Shakespeare and Pop

David elaborates on the conception of “& Juliet,” emphasizing the collaboration with pop icon Max Martin:

“Max was in every workshop. He was so kind and patient and just soaked up this whole Broadway process.” ([06:07])

He explains the musical's premise—using Max Martin’s extensive catalog of pop songs to reimagine Shakespeare’s narrative, allowing for creative flexibility while maintaining high standards:

“Max wanted something really different. So I said, how about this Shakespearean story?” ([07:09])

David shares insights into the dynamic and iterative writing process, where songs were continually swapped and reimagined to fit the evolving storyline:

“It was this amazing sandbox to say, we need a song for this moment. How about this one?” ([11:31])

Expanding Horizons: Roy Orbison Musical “In Dreams”

Beyond “& Juliet,” David discusses his upcoming project, “In Dreams,” a stripped-down, intimate musical based on Roy Orbison’s catalog:

“Roy Orbison’s music is so musical theater. It’s operatic, full of emotion and pain and heartache.” ([16:09])

He highlights the distinct tonal shift from “& Juliet” to “In Dreams,” showcasing his versatility as a writer.

Advice for Aspiring Writers

David offers valuable advice for young writers:

“Create the things that you would want to go see. Never be chasing what you think people want and just focus on what you would want to see yourself.” ([17:33])

His mantra emphasizes authenticity and passion over market trends, encouraging writers to pursue their creative visions unapologetically.

Behind the Scenes with Paloma Young: Costumes that Tell a Story

Timestamp [20:15 - 42:36]

Transitioning to the show's visual elements, Tamsen introduces Paloma Young, the esteemed costume designer for “& Juliet.” In her conversation with Beth Stevens, Paloma delves into the intricate process of blending Elizabethan attire with modern pop culture aesthetics.

Design Philosophy and Inspiration

At [21:47], Paloma explains her approach to melding historical and contemporary styles:

“We approached the design of the show as styling—like a fashion magazine spread, mixing high and low elements.” ([21:47])

She emphasizes the importance of allowing characters to express individuality through their costumes, reflecting both their Shakespearean roots and modern influences:

“Each character has pieces that have been around since the 16th century, mixed with contemporary streetwear.” ([23:00])

Research and Execution

Paloma details her extensive research process, drawing from Elizabethan and Renaissance fashion, modern streetwear, and iconic pop star looks. She shares specific examples, such as Juliet’s outfit inspired by Britney Spears’ denim ball gown:

“Juliet’s jumpsuit is a homage to Britney Spears and Justin Timberlake’s iconic denim ensemble.” ([31:26])

Durability and Practicality

Addressing the practical challenges of Broadway productions, Paloma discusses the necessity of creating durable costumes that withstand rigorous performances:

“We wanted costumes that look broken in but are hearty enough to be danced in eight times a week.” ([38:21])

She highlights the innovative solutions her team employed, such as adding stretch panels to corsets and using ballet bodice structures for added flexibility.

Easter Eggs and Character Storytelling

Paloma incorporates subtle design elements that serve as Easter eggs for attentive audience members. For instance, Anne Hathaway’s character is symbolized by the wild country rose, contrasting Shakespeare’s Tudor roses:

“Anne has a primrose tattoo, directly opposite Shakespeare’s Tudor roses.” ([40:06])

These details enrich the narrative, providing depth and additional layers of meaning to the visual storytelling.

Audience Recommendations

Paloma encourages new audience members to engage deeply with the show, appreciating both its vibrant party atmosphere and the nuanced costume designs:

“Come see this show because it always feels like a party. It appeals to every age group, especially young people.” ([41:32])

She underscores the show's universal appeal, making it accessible and enjoyable for both theater enthusiasts and newcomers alike.

Conclusion

This episode of “The Broadway Show: Uncut” offers an insightful exploration of “& Juliet,” shedding light on its creative genesis, the resilience of its writer David West Reed, and the visionary costume design by Paloma Young. Through engaging interviews and behind-the-scenes revelations, listeners gain a deeper appreciation for the intricate artistry that brings this innovative musical to life. Whether you're a seasoned theatergoer or new to Broadway, this episode is a must-listen for anyone passionate about the magic of live performance.

Key Quotes:

• David West Reed on feeling supported by Schitt's Creek:
  “God, I’m worried about that guy. And then I was like, oh, he works at Schitt's Creek. I’m not worried about him.” ([01:56])

• David West Reed on the creative process of "In Dreams":
  “Roy Orbison’s music is so musical theater. It’s operatic, full of emotion and pain and heartache.” ([16:09])

• Paloma Young on costume design approach:
  “We approached the design of the show as styling—like a fashion magazine spread, mixing high and low elements.” ([21:47])

• Paloma Young on the show's vibe:
  “It always feels like a party. It appeals to every age group, especially young people.” ([41:32])

Tune In: To catch more behind-the-scenes insights and extended interviews with Broadway’s biggest stars, visit www.thebroadwayshow.com or watch the Emmy Award-winning program airing in 140 television markets across the US.