Podcast Summary: The Broadway Show: Uncut – Episode: 'The Wiz' Hits The Yellow Brick Road

Introduction and Episode Overview

In this engaging episode of "The Broadway Show: Uncut," host Tamsen Fadal introduces the upcoming North American tour of "The Wiz," commemorating its 50th anniversary since its original Broadway debut. The production boasts an extraordinary set designed by Academy Award-winning Hannah Beechler, known for her work on "Black Panther." The episode primarily features in-depth conversations with the show's director, Shelley Williams, and production designer, Hannah Beechler, offering listeners a behind-the-scenes look at the revival's creative process and its cultural significance.

Interview with Director Shelley Williams

Revitalizing a Classic

Paul Wontorek initiates the discussion by delving into the historical impact of "The Wiz." He remarks, "I don't know if people really understand the initial impact when this show landed on Broadway. It was big." (00:35). Director Shelley Williams echoes this sentiment, describing the original run as "seismic." (00:59). She elaborates on the initial skepticism surrounding the show's longevity, which was swiftly dispelled by its infectious music and captivating performances.

Cultural Representation and Legacy

Shelley highlights the show's pivotal role in providing authentic Black representation on Broadway. She shares, "It's also, you know, a show where black people were like, oh, this is us." (02:08), emphasizing the importance of seeing oneself reflected authentically on stage. She praises George Faison's choreography for showcasing the versatility and artistry of Black performers, noting it was a revelation, especially for young Black audiences like herself who sought representation.

Vision for the New Production

When discussing the vision for the new tour, Shelley reveals a personal connection, stating, "My entry point are my two girls. I have a 13 year old and a 12 year old." (04:56). She aims to portray Dorothy not just as a solitary figure but alongside peers—the Scarecrow, Lion, and Tin Man—as friends navigating their journey together. This shift underscores the importance of finding one's tribe and celebrating individuality within a supportive community.

Casting and Auditions

Shelley recounts the overwhelming interest in casting the revival, mentioning, "The amount of emails, Instagram posts, videos from high school productions. I mean, in every way." (12:34). She reflects on the rarity and significance of assembling an all-Black creative team, noting the emotional impact it has on performers who see themselves represented and celebrated. Shelley shares, "We are honoring the legends that created the opportunities for us to be here." (12:17), underscoring the deep respect and responsibility the team feels in bringing this story to life.

Conversation with Production Designer Hannah Beechler

Personal Connection and Inspiration

Hannah Beechler joins the conversation to discuss her role as the production designer. She speaks fondly of her roots in Dayton, Ohio, and her connection with director Shelley Williams, stating, "We are from the same small town in Ohio, Dayton, Ohio." (15:42). Hannah reveals that her decision to work on "The Wiz" was deeply personal, driven by memories of attending theater with her late father and a desire to honor his legacy.

Design Philosophy and Research

Hannah delves into her research process, explaining how she immersed herself in the original musical and movie adaptations to understand their foundational elements. She emphasizes the integration of Black American culture into the set design, aiming to celebrate Black excellence and its profound influence on broader culture. Hannah shares, "I wanted this to be like a celebration of black excellence. And I wanted the show to look timeless." (08:24).

Integrating Cultural Symbols

A significant aspect of Hannah's design is the incorporation of Adinkra symbols—Western African icons that convey deeper meanings. She explains how these symbols are embedded within the set to represent Dorothy's journey and the broader narrative of the human experience. For instance, she details the quilt patches in the French Quarter Oz, which blend historical significance with artistic flair: "The patches are from quilts from about mid 18th century, before the Civil War, that a lot of the Quakers would put outside their houses on the Underground Railroad." (31:58).

Balancing Technology and Tradition

Hannah discusses the delicate balance between modern technology and theatrical tradition in her design approach. Coming from a film background with extensive experience in large-scale productions, she brings a fresh perspective to Broadway by incorporating digital design elements and innovative techniques. However, she remains committed to preserving the traditional aspects of theater that foster a unique sense of community and connection. Hannah states, "I never want to see that change. Because for me, theater has this... tradition." (37:05).

Set Design Highlights

The production's set is a blend of magical elements and cultural homage, featuring moving scenery that symbolizes Dorothy's ever-evolving journey. Hannah enthusiastically describes the integration of glitter and unique textures to create an enchanting and immersive environment: "Everything is glitter everywhere in the show. I was like, glitter everything." (33:58). This choice not only adds visual appeal but also serves as a metaphor for the magic and wonder inherent in the story.

Insights on Representation and Cultural Impact

Both Shelley Williams and Hannah Beechler emphasize the importance of cultural representation and the enduring impact of "The Wiz." Shelley reflects on how the original production taught her about her Black identity at a young age, stating, "I saw myself... it's the first time I saw me on stage. And that was exciting." (02:15). Hannah extends this by expressing her desire to inspire future generations through design, aiming to leave a legacy of kindness, empowerment, and worthiness: "When I leave this world, I want to leave a legacy." (34:48).

Conclusion and Final Remarks

The episode concludes with a heartfelt endorsement of the upcoming "The Wiz" tour. Both Shelley and Hannah convey a deep sense of passion and responsibility in their roles, committed to honoring the original legacy while infusing it with contemporary relevance and cultural depth. Paul Wontorek expresses his excitement, "I love that. You gave me chills. I can't wait. I can't wait to see this." (07:32), highlighting the enthusiasm shared by the creative team.

Final Thoughts

This episode of "The Broadway Show: Uncut" offers a comprehensive exploration of the new "The Wiz" production, highlighting the collaborative efforts of director Shelley Williams and production designer Hannah Beechler. Through their conversations, listeners gain valuable insights into the creative process, the significance of authentic representation, and the fusion of tradition with innovation that defines this revival. The episode serves as both an informative and inspiring preview for theater enthusiasts eager to experience the magic of "The Wiz" on its renewed journey down the Yellow Brick Road.

Notable Quotes:

• "It was seismic." – Shelley Williams (00:59)
• "It's also, you know, a show where black people were like, oh, this is us." – Shelley Williams (02:08)
• "My entry point are my two girls." – Shelley Williams (04:56)
• "We are honoring the legends that created the opportunities for us to be here." – Shelley Williams (12:17)
• "This was based purely on emotion and my connection." – Hannah Beechler (17:41)
• "I wanted this to be like a celebration of black excellence." – Hannah Beechler (08:24)
• "Everything is glitter everywhere in the show." – Hannah Beechler (33:58)
• "We are honoring the legends that created the opportunities for us to be here." – Shelley Williams (12:17)
• "When I leave this world, I want to leave a legacy of kindness, empowerment and worthiness." – Hannah Beechler (34:48)
• "I can't wait to see this." – Paul Wontorek (07:32)