The Chase Jarvis LIVE Show

You Don't Need More Hustle. You Need More Capacity.

Hey friends, Chase here Let's talk about hustle. Not the old-school definition of hustle — as in working hard, caring deeply, staying committed, and doing the reps. That kind of effort still matters. It always will. I'm talking about what hustle has become. The kind of hustle that glorifies exhaustion. The kind that mistakes motion for progress. The kind that tells you if you're not burning the candle at both ends, you're not serious enough about your dreams. And I want to say this clearly: You don't need more hustle. You need more capacity. Because without focus, vision, rest, and self-awareness, working harder doesn't necessarily move you closer to the life you want. It can just leave you burnt out, disconnected, and unable to do the work that actually matters. For years, I bought into the myth. I slept five or six hours a night. I worked ridiculous days — sometimes up to 20 hours. I thought that was what commitment looked like. I thought grinding myself down was the price of building something meaningful. And then I hit a point where my body and mind gave me a wake-up call. On a vacation in Hawaii, with nothing on my schedule for the first time in what felt like forever, I slept 14 hours a night for nearly a week. Not because I was lazy. Not because I lacked ambition. Because I was empty. And once I finally rested, everything changed. I was nicer. More creative. More self-aware. More connected to what I actually wanted and needed. I felt more alive. That experience changed the way I think about work, creativity, ambition, success, and fulfillment. This episode is about that shift. It's about why rest is not the enemy of ambition. It's about why capacity beats constant motion. It's about why the most fulfilled people I know aren't the ones who grind themselves into dust — they're the ones who learn how to stay in the game. Here's the thing most high performers eventually learn: You can't build a meaningful life on depletion. You might be able to push through for a season. You might be able to sprint through a launch, a deadline, a hard chapter, a creative breakthrough. There are absolutely moments when the work requires intensity. But intensity is not the same as sustainability. And if your only strategy is to keep pushing harder, eventually the cost shows up. In your body. In your relationships. In your creativity. In your sense of meaning. In your ability to actually enjoy the thing you've worked so hard to build. That's why the question isn't, "How do I hustle more?" The better question is: How do I build the capacity to do great work for a long time? Capacity includes energy. It includes sleep. It includes focus. It includes emotional bandwidth. It includes self-awareness. It includes the ability to know when to push, when to pause, when to recover, and when to come back stronger. This is not about doing less with your life. It's about doing the right things with more presence, more power, and more longevity. The Core Idea Rest is not a reward for finishing the work. Rest is part of how the work gets done. That idea can feel uncomfortable if you were raised on a steady diet of "work harder," "sleep when you're dead," and "no days off." But here's what I've seen again and again — in my own life, in the lives of people I've worked with, hired, interviewed, coached, and admired: The most fulfilled people are not striving toward some impossible standard for the sake of the standard. They work hard. But they also recover hard. They have intention around their effort. They know what matters. They know when their body needs sleep, when their mind needs space, and when their spirit needs something other than another task on the list. They understand that life is long. And if life is long, then the goal is not to flame out in one heroic burst of productivity. The goal is to stay in the game. You have to learn to rest rather than quit. That's the real shift. Because quitting often comes after we ignore the signals for too long. We push through fatigue. We override our own needs. We treat burnout like proof that we care. Then one day, we're not just tired — we're resentful, creatively numb, and disconnected from the very thing we once loved. Rest interrupts that cycle. Sleep interrupts that cycle. Self-awareness interrupts that cycle. And when you build those things into your life before everything breaks, you create a different kind of ambition. One that is not weaker. One that is not softer. One that is actually more powerful because it can last. What You'll Hear in This Episode This is a short micro show, but it cuts right into a pattern so many creative people, entrepreneurs, and high achievers struggle with. Here are the ideas worth listening for: Why hustle has become confused with progress — and why movement without focus can leave you burned out instead of fulfilled The wake-up call that changed my relationship with sleep after years of working extreme hours and running on too little rest Why recovery can catapult your creativity instead of slowing you down The difference between dumb hustle and smart hustle — and why working hard still matters when it's done with awareness Why "life is long" changes everything about how we pursue success, creativity, and fulfillment How to replace balance with harmony by learning to move with the seasons of your life Why short-term urgency and long-term patience might be the new pattern for sustainable success Timecodes (So You Can Jump to What You Need) If you're not listening straight through, here are a few landmarks to help you find the part that speaks to where you are right now: 01:50 – Why the old idea of hustle needs an update 02:35 – The wake-up call: working 20-hour days and finally crashing into real rest 03:31 – What changed after sleeping 14 hours a night for nearly a week 04:46 – How sleep became a catapult for creativity, awareness, and aliveness 05:12 – The secret hack to a long, productive, creative life 06:28 – Learning to rest rather than quit 08:16 – Why life is long, and why chasing one flash of success is the wrong game 08:45 – Working smarter, not just harder 09:35 – The difference between dumb hustle and smart hustle 10:26 – "Sometimes you're not blocked. You're just empty." 11:31 – Why harmony beats balance 12:37 – Short-term urgency, long-term patience Read This If You're Burned Out If you're tired right now, I want you to consider something: Maybe you don't need more discipline. Maybe you need more restoration. That doesn't mean discipline is irrelevant. It doesn't mean hard work doesn't matter. It doesn't mean you should abandon your standards or stop caring about the quality of what you create. It means your system might be running at a deficit. And when you're running at a deficit, everything gets distorted. Your work feels heavier than it is. Your relationships feel more difficult. Your creativity feels harder to access. Your patience shrinks. Your sense of possibility gets smaller. You start making decisions from survival mode instead of vision. That's not a character flaw. That's biology. That's capacity. And capacity can be rebuilt. Sometimes the most strategic thing you can do is sleep. Take a walk. Eat real food. Put the phone down. Get outside. Stop trying to squeeze one more thing out of a system that is asking to recover. Again, this is not an argument against ambition. This is an argument for ambition that doesn't destroy the person carrying it. The Trap of Success at All Costs There's an old model of success that says you have one shot. One opportunity. One window. One big break. One viral moment. One chance to prove yourself. And when you believe that, panic becomes the operating system. You chase. You grip. You overwork. You try to force every project to become the thing that saves you. You look at every opportunity through the lens of scarcity. But that world is fading. The one-hit wonder model is not the goal. The flash-in-the-pan version of success is not the goal. Achieving something at all costs and then clinging to it with your fingernails is not the goal. The new pattern is different. It's about building many things that matter over time. It's about pursuing curiosity. It's about understanding the seasons of your life. It's about knowing when to go hard and when to recover. It's about becoming wiser about your own needs and wants. The goal is not to burn bright once. The goal is to keep becoming. Questions to Ask Yourself If you want to turn this episode into action, take five minutes and sit with these: Where am I mistaking motion for progress? What am I calling "hustle" that might actually be avoidance, fear, or lack of focus? Am I giving my body, mind, and spirit what they need to stay in the game? Where am I depleted and pretending I'm just undisciplined? What would smart hustle look like in this season of my life? What is one thing I could stop doing that would immediately create more capacity? What is one recovery habit I could treat as seriously as my work? Am I chasing short-term validation at the expense of long-term fulfillment? A Simple Practice for Building Capacity Here's something you can do immediately — especially if you've been grinding, ove...

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How to Find Your Creative Voice

2w ago00:19:39Tap to summarize

Hey friends, Chase here Let's talk about one of the most important questions every creator eventually asks: How do I find my creative voice? Or maybe you've heard it framed another way: How do I develop a personal style? How do I make work that actually feels like mine? How do I stop copying what everyone else is doing and start creating from a place that is uniquely my own? This question comes up all the time because it sits at the center of the creative life. Whether you're a photographer, designer, writer, filmmaker, musician, entrepreneur, or someone who simply feels called to make things, there comes a point where technical ability is not enough. You can know how to use the tools. You can understand the software. You can study the masters. You can follow the trends. You can learn the settings, the systems, the formulas, the workflows. But eventually, you hit a deeper question: What makes this mine? That is what this episode is about. And I want to be clear from the start: finding your creative voice is not about inventing some perfect brand identity overnight. It's not about locking yourself into one narrow lane forever. It's not about deciding, intellectually, "This is my style now," and then forcing every piece of work to fit inside that box. Your creative voice is much more organic than that. It is your fingerprint. Your point of view. Your taste. Your history. Your instincts. Your lived experience. Your way of seeing the world, translated through the things you make. And the only way to find it is to make. Not once. Not occasionally. Not only when you feel inspired. Again and again and again. The Big Question: What Is Personal Style? Personal style can sound like one of those vague creative phrases that floats around in the universe without ever becoming useful. People say things like, "You need to find your style," or "You need to develop your voice," but what does that actually mean? At its simplest, personal style is the thing that makes your work recognizable. It's the equivalent of your handwriting. You don't have to think about your handwriting every time you write your name. It's not something you consciously construct letter by letter. It just comes out of you because it has been shaped by repetition, history, muscle memory, and identity. Your creative style works the same way. It is the unique aesthetic fingerprint that you unconsciously put on everything you make. Think about music. You can hear a Prince song for just a few measures and know it's Prince before his voice even enters. There's a signature there. A rhythm. A tone. A sensibility. A way the work announces itself. Think about photography. You can look at an Ansel Adams landscape and recognize the scale, the drama, the tonality, the reverence for nature. It has a point of view. That's personal style. It's not just what you make. It's how you see. It's what you notice. It's what you repeat without realizing you're repeating it. It's the pattern behind the work. And that matters because without some kind of recognizable point of view, you're just bouncing around. You might be technically capable. You might be able to make a good photograph, a good song, a good design, a good film, a good essay. But if there's nothing distinctive about the way you make it, people have a harder time connecting that work back to you. Personal style is what helps the work become yours. Why Your Creative Voice Matters There are two big reasons personal style matters. The first is personal. If you spend your life chasing everyone else's style, you're going to end up miserable. Now, let's be honest: early in the creative journey, imitation is part of the process. That's normal. That's healthy. That's how we learn. You see someone whose work you admire and you try to understand how they did it. You copy a lighting setup. You study a sentence structure. You recreate a beat. You reverse-engineer a design. You try to make something that looks or sounds or feels like the thing that inspired you. There's nothing wrong with that. In the beginning, imitation helps you learn how to move the tools around. It helps you close the gap between what you see in your mind and what you're actually capable of making. But imitation is not the destination. If all you ever do is copy what's trendy, or borrow someone else's point of view, or chase whatever style is getting attention right now, you are not expressing yourself. You are expressing the culture around you. And that is a direct path to burnout. Because the reason we make things, at the deepest level, is expression. We make because something inside wants to come out. We make because it feels good to turn an internal experience into something real in the world. We make because creativity is one of the ways we become more fully ourselves. If your work is always a response to someone else's style, you lose that connection. You become a mirror instead of a source. The second reason personal style matters is practical. If you want to do creative work professionally, you do not want to be paid merely for your time. There is nothing wrong with getting paid for your time. That can be part of the path. But the ultimate goal is not to be treated like a pair of hands. The ultimate goal is to be paid for your vision. You don't want someone to hire you because you own a camera. You want them to hire you because only you see the assignment that way. You don't want someone to hire you because you can operate software. You want them to hire you because your taste, your judgment, and your perspective create value. You don't want to be interchangeable. The most recognized creatives in the world are not valuable because they can execute a task. They are valuable because they bring a specific point of view to the table. That's what separates craft from commodity. When people can recognize your fingerprints on the work, when they can say, "That feels like you," you begin to move into a different category. You're no longer just competing on speed, price, or availability. You're competing on vision. And that is where the upside is. The Creative Gap One of the most important parts of this conversation is what Ira Glass famously called the creative gap. The creative gap is the distance between what you can see in your mind and what you're actually capable of making right now. Every creator knows this feeling. You have a vision. You can feel what you want the work to be. You can almost see it, hear it, taste it. But when you sit down to make the thing, the result falls short. The photograph doesn't look the way it looked in your head. The song doesn't hit the way you imagined. The essay feels clumsy. The design feels flat. The film doesn't carry the emotion you hoped it would. That gap is frustrating. But it is also the path. Craft is how you close the gap. You make, you study, you adjust, you learn, you make again. Over time, your ability catches up to your taste. You get better at translating the thing in your mind into the thing in the world. But here's the trap: If you spend that entire process only copying other people, you might improve technically without ever developing a voice of your own. You might become skilled at imitation. But mastery is not just being able to reproduce what already exists. Mastery is being able to make what only you can make. Personal Style Is Your Point of View Your creative voice is not just an aesthetic. It's not just black and white photography, clean typography, heavy brushstrokes, fast sketches, cinematic lighting, sparse production, or bold color. Those things can be part of a style, but they are not the whole thing. Your style is the point of view underneath those choices. It is the reason you reach for certain tools. The reason you frame things a certain way. The reason you simplify here and exaggerate there. The reason you are drawn to certain subjects, moods, colors, rhythms, textures, or stories. The episode uses a great example from the world of design: imagine trying to design a tennis shoe inspired by a glass bottle of gin. Suddenly, the bottle becomes a filter. You might notice the transparency, the edges, the shape, the weight, the way light moves through it. Those qualities start informing the shoe. That is a useful way to think about style. Your personal style is the filter your work passes through. It's not limited to one medium. If you are a photographer, designer, musician, writer, or multidisciplinary creator, your style should still carry across what you make. The medium may change, but the point of view travels. That's when people can look at a piece and say: That feels like you. Not because you repeated yourself mechanically, but because your way of seeing is present. How Do You Find Your Creative Voice? Here's the part people don't always want to hear: It takes time. There is no shortcut that replaces making the work. You can think about your style. You can journal about it. You can moodboard it. You can study other artists. You can talk about your influences. You can define your values. All of that can be useful. But none of it replaces the act of making. The best way to find your personal style is to make as much as you can, at a regular cadence, ideally as quickly and consistently as possible. Because your style is not something you force into existence. It is something you discover through repetition. You make one thing. Then ten things. Then a hundred things. At first, it may feel random. You may feel like you're all over the place. You may try on other people's approaches. You may borrow. You may experiment. You may make things that don't feel like you at all. That's okay. The making is the sorting mechanism. Over time, patterns start to appear. You notice what you keep returning to. You notice what feels alive. You notice what feels false. You notice the choices you make when nobody is telling you what to do. And eventually, if you put twe...

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Stop Asking Permission to Create Your Life

3w ago00:11:45Tap to summarize

Hey friends, Chase here Let's talk about reality. Not the abstract, philosophical version. Not the version you argue about over coffee or read about in some dusty book. I mean the reality you wake up inside every day. The job. The schedule. The obligations. The story you tell yourself about what is "practical." The version of your life that everyone around you seems to agree is reasonable. And then there's the other thing. The thing you can see in your mind that does not exist yet. The book. The business. The body of work. The new way of living. The creative practice. The conversation. The project. The identity. The version of your life that keeps tapping you on the shoulder, quietly asking, "Are we ever going to build this?" This episode is about that tension. It started with a Nietzsche quote I love: No artist tolerates reality. But the point is not Nietzsche. The point is you. Because too many of us spend years — sometimes decades — living inside somebody else's plan for our one precious life. We inherit the well-worn path. We internalize the "shoulds." We mistake convention for truth. We tell ourselves that creativity is indulgent, impractical, selfish, lofty, or naive. And the more we repeat that story, the more it starts to feel like reality. But here's the thing I want you to hear clearly: Reality is not fixed. Reality is shaped. And one of the most powerful ways you shape it is by creating. This is the heart of the episode: You are not here to simply accept the world as it has been handed to you. You are not here to blindly follow the plan someone else wrote. You are not here to wait until the world gives you permission to make something, become something, or live in a way that feels more true. You are here to create. And I don't mean that in a soft, decorative way. I mean it in the most practical way possible. Creativity is not just painting, writing, photography, music, or design. Creativity is the foundation underneath every act of making anything in the world. A conversation is co-created. A relationship is co-created. A business is co-created. A life is co-created. You cannot build anything meaningful without creativity. Which means creativity is not extra. Creativity is your birthright. The Core Idea Stop asking permission to create your life. That's the message. Not because you should abandon responsibility. Not because every idea you have will work. Not because the path is easy, obvious, or guaranteed. But because waiting for permission is one of the most common ways we avoid our own agency. We wait for someone to tell us it's okay. We wait until the timing is better. We wait until we have more money, more confidence, more clarity, more proof. We wait until the world gives us a clean, logical reason to begin. But most meaningful creative acts do not start with certainty. They start with a pull. A nudge. A frustration. A vision. A refusal to accept that the current version of reality is the only version available. That is what artists do. That is what entrepreneurs do. That is what builders do. That is what every person who has ever changed anything does. They look at reality and say, "This is not the whole story." Why Creativity Is Practical as Hell One of the biggest lies our culture tells is that creativity is impractical. You've probably heard some version of it. Be realistic. Have a backup plan. Don't waste your time. That's not how the world works. Do something more responsible. And to be clear, I'm not arguing against responsibility. I'm arguing against the idea that suppressing your creative agency is responsible. Because the truth is, every useful thing around you was once imagined by someone. The chair you're sitting in. The phone in your hand. The building you're inside. The app you use. The song that changed your mood. The book that changed your mind. The business that changed your life. All of it was invented, dreamed up, shaped, built, and brought into the world by people who were no more inherently magical than you. They saw something that did not yet exist, and they acted. That is creativity. And the more you practice creating in small ways, the more you build the muscle to create in bigger ways. It's only by creating something that you learn you can create anything. And eventually, you start to understand that you can create not just objects, projects, or art — but change. Change in your work. Change in your habits. Change in your relationships. Change in your identity. Change in the way you experience your own life. What You'll Hear in This Episode This is a short micro show, but it goes straight at the heart of creative agency. Here are the ideas worth listening for — and coming back to when you need a reminder that you are allowed to build the thing you see in your mind. Why so many of us live inside someone else's plan without realizing it How culture trains us to see creativity as impractical when it is actually foundational Why creativity is your birthright and not a luxury reserved for a special few How creating in small daily ways builds the capacity for bigger change Why the current version of reality is not the final version What it means to stop tolerating reality and start shaping it How to identify the thing inside you that is asking to be built Timecodes (So You Can Jump to What You Need) If you're not listening straight through, here are a few landmarks to help you find the part that speaks to where you are right now: 01:50 – The Nietzsche quote that sparked this episode: "No artist tolerates reality" 02:24 – Why the trap of someone else's plan is an illusion 03:16 – Creativity as your birthright 04:16 – Why creativity is practical, generous, and life-changing 05:35 – Reality is shaped by us 06:32 – Bringing new ideas into the world, from books to platforms 07:26 – What happens when people tell you your idea is stupid 08:16 – Steve Jobs, reality distortion, and refusing the status quo 09:05 – Why it is your job to stop tolerating the reality you live in 09:50 – A direct call to action: what can you build right now? Read This If You Feel Trapped If you feel like you're living a life that doesn't quite fit, I want you to be careful with the story you tell yourself. Because the first story is usually, "I can't." I can't change careers. I can't make the thing. I can't start over. I can't say what I really want. I can't build something new. I can't disappoint people. I can't afford to be creative. I can't risk being wrong. But underneath "I can't" there is often something else: I'm scared. I don't know where to begin. I'm waiting for permission. I don't want to be judged. I don't want to fail publicly. I don't want to discover that the dream matters more to me than I admitted. That's human. But it is not the end of the story. Because the question is not whether you can transform your entire life overnight. The question is whether you can take one creative action that proves to you that the current reality is not absolute. Can you write the first page? Can you make the first call? Can you sketch the idea? Can you block the hour? Can you start the conversation? Can you make the prototype? Can you tell the truth? Can you take one step toward the life you keep imagining? That is where agency begins. The World Wants You to Be Reasonable The world has a narrative it wants you to fit comfortably inside. It wants you to do what is practical, measurable, explainable, and familiar. It wants you to make choices that are easy to defend at dinner parties. It wants you to stay on the well-trodden path. And again, there is nothing wrong with practicality. There is nothing wrong with stability. There is nothing wrong with being thoughtful, strategic, and grounded. But there is a problem when "being realistic" becomes a disguise for abandoning yourself. There is a problem when you use other people's expectations as evidence against your own intuition. There is a problem when you confuse safety with aliveness. Your creative life does not need to make sense to everyone at the beginning. Most new realities don't. The thing you see might not exist yet. That does not make it impossible. It makes it yours to explore. What Are You Here to Make? One of the questions I ask in this episode is simple: What are you doing to shift reality? Not someday. Not when the market is perfect. Not when everyone understands. Not when you finally feel completely ready. Now. And I don't necessarily mean some giant, world-changing, billion-dollar idea. Yes, some changes are massive. Some ideas become companies, movements, inventions, platforms, or bodies of work that reach millions of people. But not all meaningful change looks like that. Sometimes changing reality means changing the way you spend your mornings. Sometimes it means making art again after years away. Sometimes it means building a healthier body. Sometimes it means leaving a role that no longer fits. Sometimes it means saying yes to the project that scares you. Sometimes it means refusing to let the most honest part of you stay buried. Even if the only reality you change at first is your own, that matters. Because yo...

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Don't Wait for Inspiration

4w ago00:12:46Tap to summarize

Hey friends, Chase here Let's talk about something that gets romanticized way too much in the creative world: inspiration. We've been taught to wait for it. To trust it. To believe that the best work comes when lightning strikes, when the muse shows up, when the feeling is right. And while inspiration is real — and beautiful when it arrives — it's also wildly unreliable. That's the trap. If you build your creative life around inspiration, you build it around something you cannot control. And anything you can't control is a dangerous foundation for a meaningful body of work. This episode is about a better way. A steadier way. A more durable way. It's about why creativity doesn't really grow from waiting for a feeling — it grows from compounding action. Small acts. Repeated over time. Daily deposits into the account of your craft. Tiny efforts that don't seem like much in the moment, but eventually become impossible to ignore. Because the truth is simple: you do not need to feel inspired to make something meaningful. You need to begin. And then begin again tomorrow. The Real Problem With Waiting for Inspiration At the start of the episode, I ask a question that's worth sitting with for a minute: When was the last time you made something just for the sake of making it? Not for a client. Not for social media. Not because someone was expecting it. Not because it was due. Just because you felt a pull to create. For a lot of people, that question lands hard. Not because the desire to create is gone — but because somewhere along the way, the conditions got heavy. The pressure increased. The stakes changed. Creation stopped being play and started becoming performance. And once that happens, inspiration starts to feel like a requirement. Like you need the right mood, the right window of time, the right environment, the right burst of confidence before you can begin. But that's backwards. Inspiration is not the engine. It's the byproduct. The people who make meaningful work consistently are rarely sitting around waiting to feel magical. They're working. They're practicing. They're trying things. They're showing up on ordinary days. They're making imperfect things and learning from the process. They understand that action creates momentum — and momentum often creates the feeling we mistakenly thought had to come first. The Core Idea: Creativity Compounds Most people understand compounding in the context of money. You invest a little. That investment earns returns. Then those returns start earning returns of their own. If you stick with it long enough, the early effort starts to multiply in ways that seem almost disproportionate to the original input. That same principle applies to creativity. Every day you make something, you are making a deposit into your creative future. You're not just producing one photo, one page, one sketch, one draft, one conversation, one attempt. You're building skill. You're building confidence. You're building pattern recognition. You're building stamina. You're building trust with yourself. That one photograph teaches you how to see a little better tomorrow. That paragraph in your journal makes the next paragraph easier to write. That rough idea you abandon still shapes the way your brain approaches the next one. None of it is wasted. That's important, because a lot of creative people dismiss the small efforts. They only count the big breakthroughs. They only respect the obvious wins. They think the work "counts" once it becomes polished, public, profitable, or impressive. But real creative growth doesn't work that way. The invisible reps are where the change is happening. Why the Early Returns Feel So Small One reason people stop too soon is because the beginning is incredibly deceptive. You show up. You try. You make the thing. And at first? Not much seems to happen. You don't feel transformed. You don't suddenly become excellent. You don't necessarily get recognition. You may not even like what you made. That's normal. It's a lot like going to the gym. The first handful of workouts don't make you feel powerful. Usually they make you feel sore. Awkward. Behind. You don't see visible results yet, so your brain starts questioning whether the effort is worth it. That's exactly where most people quit. Not because the process isn't working — but because the results are still compounding beneath the surface. The habit is the investment. The work is the interest. And in the background, whether you notice it or not, something is building. What Compounding Looks Like in Real Life If you commit to a creative practice, the shifts usually happen in phases. Day one: you make something and it feels mediocre. Maybe embarrassing, even. You put it out there anyway. Or maybe you keep it private. Either way, you made something. That matters. Day 30: you've stayed with it long enough to feel a difference. You might not be able to articulate exactly how you're better, but something is changing. You're a little less hesitant. A little more practiced. A little more willing to hit publish, or share, or trust your instincts. Day 90: now the changes are harder to deny. You're solving problems faster. You're making decisions with more confidence. The work has a different quality to it — one that may be difficult to name but easy to feel. Day 365: this is where it gets almost shocking. You look back at who you were when you started, and it's hard to believe that version of you made the early work. Your skills have evolved. Your identity has evolved. The way you think has evolved. Not because inspiration struck once in a dramatic breakthrough — but because repeated practice changed you. That's the magic most people miss. The transformation doesn't come from a single moment. It comes from stacking enough ordinary moments that they eventually become extraordinary. Inspiration Follows Habit This may be the most important idea in the entire episode: Inspiration follows the habit. It does not precede it. Read that again. We tend to imagine that creative people feel inspired first, and then they make. But most of the time, the opposite is true. They make first. They enter the work first. They return to the practice first. And somewhere along the way, inspiration catches up to them. The muse is far more likely to visit the person already working than the person waiting for certainty on the couch. This matters because it gives you your power back. If you believe inspiration has to arrive before you begin, you are helpless every time it doesn't show up. If you understand that inspiration often arrives after action begins, then you're no longer blocked by your feelings. You can move anyway. That doesn't make the process robotic. It makes it resilient. Why Daily Practice Changes More Than Skill When people hear "practice," they often think only about technical improvement. Better camera work. Better writing. Better editing. Better design. Better speaking. Better execution. And yes — practice absolutely improves craft. But that's only part of the story. Practice also changes your mindset. It changes your tolerance for uncertainty. It changes your willingness to be seen before you feel ready. It changes your ability to recover from a rough day or a bad draft or a failed attempt. It changes your relationship to discomfort. Over time, you become tougher. Not harsher. Not more closed. Just sturdier. You stop interpreting every hard day as a sign you've lost your way. You start recognizing resistance as part of the process rather than proof that you should stop. That's a deep kind of growth. And it's only available through repetition. What Most People Get Wrong About Creative Success A lot of people think the biggest differentiator is talent. Sometimes they think it's access. Or timing. Or luck. Or confidence. And while all of those things may play a role, one of the most underrated advantages in any creative life is much simpler: The willingness to keep going. Most people quit. They stop when the returns are still invisible. They stop when it gets repetitive. They stop when they feel embarrassed. They stop when the novelty wears off. They stop when they don't get immediate validation. They stop when they confuse discomfort with misalignment. But if you stay in the game — if you continue stacking daily habits, continuing to invest, continuing to return to the work — you start benefiting from a force that only rewards consistency. You begin to outlast the people who were relying only on excitement. You begin to build a body of work that couldn't have been created any other way. You begin to trust yourself not because everything feels easy, but because you've proven that you can continue when it doesn't. What You'll Hear in This Episode This is a short micro show, but it carries a big message. Here's what to listen for: Why making something for play matters — and how easy it is to drift away from that instinct when everything becomes about output, audience, or obligation How the concept of compounding interest applies directly to creativity — and why small repeated actions build more than we realize Why the early phase of practice feels unrewarding — even when it's working exactly as it should What happens at day 1, day 30, day 90, and day 365 when you commit to daily creative action Why inspiration is a result...

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The Hidden Cost of Overplanning

Apr 1500:07:49Tap to summarize

Hey friends, Chase here Let's talk about something that looks responsible on the surface — but quietly steals momentum from your life underneath it. I'm talking about overplanning. Not thoughtful preparation. Not healthy strategy. I mean the kind of planning that masquerades as progress. The kind that lets you feel productive without actually moving. The kind that sounds smart, looks disciplined, and gets praised by the world… but keeps you from starting the thing that matters most. That's what this episode is about. Because there's a hidden cost to overplanning, and most people don't notice they're paying it until years have gone by. It shows up in the projects you never started. The ideas you softened so they'd be easier to explain. The creative risks you talked yourself out of because the timing wasn't quite right, the plan wasn't complete, or the path wasn't clear enough yet. And here's the truth I want to put on the table right away: clarity is not a prerequisite for action. It is a reward for action. That's the heartbeat of this episode. If you've been waiting until you know more, until you feel more confident, until the uncertainty settles down… this one is for you. What This Episode Is Really About This micro show starts with an idea I've been thinking about a lot lately: there's a kind of tax we pay in life, and it doesn't come out of our paycheck. It comes out of our potential. It's the tax of sensible decisions. The choices that seem wise from the outside. The decisions other people approve of. The instincts that keep you safe, polished, prepared, and socially acceptable — but also slightly removed from your own real life. That tax compounds quietly. And one of the biggest ways it shows up is through overplanning. Because overplanning gives us the emotional comfort of movement without the actual vulnerability of motion. It lets us say, "I'm working on it," while avoiding the part that actually asks something of us. It keeps us in research mode, optimization mode, comparison mode, information-gathering mode — anything except the one mode that changes our life: doing. The hidden cost of overplanning is not just wasted time. It's delayed becoming. It's the version of you that only appears once you start — and never gets a chance to exist if you stay in your head too long. The Core Idea Research can become a very convincing form of avoidance. That doesn't mean research is bad. Planning matters. Preparation matters. Reflection matters. But there's a line — and once you cross it, planning stops serving the work and starts replacing it. That's the dangerous part. Because when planning becomes a substitute for action, it starts to feel noble. It feels mature. Responsible. Strategic. It gives you a reason to postpone the scary part while telling yourself you're still being productive. But in reality, what's often happening is much simpler: fear is dressing up as wisdom. And fear is clever. It doesn't always say, "Don't do the thing." Sometimes it says, "Do a little more research first." Sometimes it says, "Wait until you can see the whole plan." Sometimes it says, "You just need one more conversation, one more framework, one more round of prep, one more sign that this is the right path." But so much of the creative process — and honestly, so much of life — only reveals itself once you're in motion. You cannot think your way into the wisdom that only action creates. Why We Overplan in the First Place Most of us don't overplan because we're lazy. We overplan because uncertainty is uncomfortable. Action creates exposure. It creates the possibility of embarrassment, failure, imperfection, missteps, and outcomes you can't control. Planning, on the other hand, gives the illusion of control. It lets you stay in a world where everything is still theoretical — and therefore still safe. That's why overplanning can feel so seductive. It soothes the nervous system. It makes you feel like you're reducing risk. It helps you avoid the messy, irreversible, identity-shaping moment where you stop talking about the thing and actually begin. But beginning is where the information lives. The real information. Not the abstract kind. Not the clean, organized, secondhand kind. I mean the lived information you only get by stepping onto the trail, making the call, hitting publish, building the draft, having the conversation, taking the first rep. You do not find your way by staring harder at the map. You find your way by moving. The Story at the Center of This Episode In this episode, I share a simple story about researching a hike. I spent weeks getting ready. Trail maps. Elevation charts. Reviews. Recommendations. All the inputs. All the signals. All the ingredients of feeling prepared. And then Kate and I got to the trailhead, stepped out of the car, and I confidently led us in the wrong direction. That's the joke, of course. All that preparation — and I still got it wrong. But the deeper lesson is what matters. Because despite all that, we ended up discovering a hike that became one of our favorites. Not because I had the perfect plan. Not because I knew exactly where I was going. But because we started walking. That's how creativity works too. That's how growth works. That's how so many meaningful things in life actually happen: not through perfect foresight, but through imperfect movement. You stumble. You adjust. You notice. You learn. You refine. And somewhere in that process, the path reveals itself. What You'll Hear in This Episode This one is short, but it lands hard. Here are a few of the big ideas inside it: Why "more research" is often just more delay — especially when the decision has already been made and the next real step is action How planning can become fear masquerading as wisdom — convincing, articulate, socially approved fear Why preparation doesn't always change what actually happens once reality enters the chat How creativity actually works — by starting now and figuring it out as you go Why clarity comes from motion rather than waiting on the sidelines for certainty to arrive Timecodes (So You Can Jump to What You Need) If you want to skip straight to the parts that speak most to where you are right now, here are a few landmarks from the episode: 01:52 – The "tax" of sensible decisions and the cost of staying safe 02:38 – The hidden cost of planning and how research can become avoidance 03:31 – The hiking story: weeks of preparation, wrong direction anyway 04:22 – What that story reveals about how creativity actually works 05:06 – Why planning is often fear masquerading as wisdom 05:19 – The central takeaway: clarity is a reward for action 05:36 – How a wrong turn can still lead you somewhere better 06:22 – Final charge: stop planning and start moving toward your dreams Read This If You've Been Waiting to Feel Ready There's a trap a lot of smart, capable, ambitious people fall into. We think readiness comes first. We think confidence comes first. We think certainty comes first. Then we act. But more often than not, life works in the opposite order. You act first. Then confidence grows. Then data arrives. Then discernment sharpens. Then clarity begins to form. This matters because a lot of people are not actually stuck because they lack talent, opportunity, or ideas. They're stuck because they're trying to solve a moving problem while standing still. And stillness, when it goes on too long, starts to feel like identity. You become the person who is "thinking about it." "Working on it." "Researching options." "Getting clear." Meanwhile, the only thing that would truly help is the very thing you're postponing: motion. Action is not what you do after clarity. Action is how clarity gets built. The Deeper Cost Nobody Talks About The hidden cost of overplanning is not just that it wastes energy. It's that it disconnects you from your own instincts. When you spend too long looking outward for answers, you start forgetting that some answers can only be found inward — and then tested through lived experience. You begin trusting frameworks more than your own body. Advice more than your own curiosity. Consensus more than your own direct encounter with reality. And while outside input has its place, there comes a moment when no one can tell you the next right move with more authority than the part of you that is willing to begin. That's the part overplanning muffles. It creates noise where there should be contact. It creates endless preamble where there should be practice. It creates the illusion that wisdom lives somewhere "out there," when in fact some of the most important wisdom arrives through participation. Questions to Ask Yourself If this episode hit a nerve, sit with these for a few minutes: Where in my life am I calling something "planning" that is actually avoidance? What decision have I already made — but keep surrounding with more research? What am I hoping more preparation will protect me from? What would change if I believed clarity comes after the first step, not before it? What is one action I could take today that would teach me more than another week of thinking? A Simple Practice for Breaking the Cycle If you've been circling something important, here's a simple way to interrupt the patt...

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Are You Climbing the Wrong Mountain?

Apr 800:11:47Tap to summarize

Hey friends, Chase here. I want to talk about something that might be uncomfortable — but if you're willing to really look at it, it can change everything. What if you're working incredibly hard… at the wrong thing? This is one of the scariest patterns I've seen — not just in the creators I coach, but in my own life. People are climbing. Grinding. Achieving. But they're climbing a mountain that isn't theirs. What's Really Going On Most people don't realize they're succeeding at the wrong thing. From the outside, it looks like progress: Momentum Validation Money Status But internally? There's a low-grade unease. Something you can't quite name. You tell yourself: "I just need one more win." "One more level." One more external yes." But what if that feeling isn't about not being there yet? What if it's because you're on the wrong mountain entirely? Why This Happens We humans are mimetic creatures. We learn what to want by watching what other people want. In a world optimized for visibility, comparison, and performative success… that instinct goes into overdrive. We chase what's celebrated. We optimize for what's rewarded. We pursue what looks like a "good life" from the outside. And somewhere along the way, we stop asking the most important question: Why am I doing this? Not the polite answer. Not the resume answer. Not the Instagram caption. The honest one. The Core Idea When you're unclear on your why, you default to someone else's. And when that happens, success becomes incredibly easy to misplace. You can chase: 100,000 followers A bigger team More money A certain lifestyle But if you don't know why… You can end up winning a game you never meant to play. What You'll Hear in This Episode Why we unknowingly adopt other people's goals How mimicry shapes our definition of success The danger of chasing external validation without internal clarity Why "one more win" can actually be a trap How to start defining your own version of success Timecodes (So You Can Jump to What You Need) 02:00 – The idea of climbing the wrong mountain 03:02 – The feeling of low-grade unease 03:27 – Mimetic behavior: why we want what others want 04:16 – The most important question: why? 05:21 – Why people succeed at the wrong thing 05:47 – The reframe: you might be pursuing the wrong end 06:13 – That restless feeling is actually alignment 07:06 – Clarity over chaos: small shifts, not big resets 07:33 – Interrupting mimicry 08:06 – Trading achievement for energy 08:29 – Choosing one honest action 09:16 – Stop outsourcing your ambition 09:38 – The danger of succeeding at the wrong thing 09:59 – Finding your mountain If You Feel That Unease, Read This That restless feeling you can't shake? It's not dissatisfaction. It's alignment trying to get your attention. And the fix isn't blowing up your life. It's pausing. Pausing long enough to get honest about what you actually want. Not what looks good. Not what's rewarded. Not what other people expect. What's true for you. Three Ways to Reorient Yourself 1. Interrupt the Mimicry If nobody could see what I'm doing, would I still want this? 2. Trade Achievement for Energy Which of your recent wins actually energized you — not just relieved pressure? 3. Choose One Honest Action Do one small thing aligned with what you actually care about — even if no one sees it. The Truth Most People Learn Too Late The fastest way to feel trapped isn't failure. It's succeeding at something that was never yours. I've lived this. I've climbed the wrong mountains. And when I found the right one? Everything changed. Your Assignment This week, get clear. What would you pursue if no one was watching? What actually energizes you? What's your mountain? You don't need a perfect plan. You just need enough clarity to take one honest step. Until next time: Stop chasing someone else's definition of success. Get clear on your mountain. And start climbing the one that's actually yours.

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Talent Is a Lie (Here's What Actually Matters)

Apr 100:08:44Tap to summarize

Hey friends, Chase here Let's talk about something that quietly holds a lot of people back — something we've been taught to believe for most of our lives: Talent. The idea that some people are just born with "it." The gift. The spark. The thing that makes them exceptional. And if you don't have it? Well… maybe you just weren't meant for this. Let me be clear: That idea is mostly a lie. Not because people don't have natural inclinations or perspectives — they do. But because what we call talent is usually something much more accessible, much more practical, and much more within your control. This episode is about breaking that illusion — and replacing it with something far more empowering. The Myth of Talent We've built an entire mythology around the idea that greatness is reserved for a select few — that some people are simply born with abilities the rest of us don't have. But here's what most people don't see: From the outside, confidence and competence can look exactly the same. And from the inside? It often feels like you're just barely holding it together. There was a time in my own career when things were moving fast — faster than I could fully explain. Big investors. Big opportunities. Big rooms with people who had built massive companies. And the whole time, I had one thought running on a loop: "If they could hear what's going on inside my head right now… this meeting would be over." Because I didn't have it all figured out. I didn't have a perfect plan. I didn't have a polished roadmap. I was just… figuring it out as I went. And yet, from the outside, it looked like talent. That's the disconnect. What Talent Actually Is What we call talent is usually this: Practice — repeated over time Reps — more than most people are willing to do Early attempts — messy, imperfect, often embarrassing Consistency — showing up again after a bad day Resilience — continuing when it's not rewarding yet Talent is practice with better PR. That's it. It's the willingness to: Make things before you feel ready Be bad at something long enough to get good Keep going when yesterday didn't go your way That's what creates the gap between where you are and where you want to be. And here's the part most people miss: The gap is usually much smaller than you think. The Real Gap Most people assume they need: More time More money Better tools More connections But the real gap? It's reps. More practice. More attempts. More time actually doing the thing. Ask yourself this: What skill can you develop without practice? There isn't one. And yet, so many people sit on the sidelines waiting to feel "ready" — waiting for confirmation that they're talented enough to begin. That confirmation never comes. Because it doesn't exist. The Question That Actually Matters So if the question isn't: "Am I talented enough?" Then what is it? Try this instead: "Am I stubborn enough?" Stubborn enough to: Keep going when it's uncomfortable Show up when it's inconvenient Do the work when it's not glamorous Stick with something long enough for it to compound Because that's what separates people who eventually get "labeled" as talented from everyone else. Not natural ability. Relentless continuation. Why Most People Stay Stuck Here's a pattern I see all the time: Someone says, "I'm not very good at this." So I ask: "Show me your work." And most of the time? There's nothing to show. No reps. No attempts. No messy drafts or early versions. Just an idea of what they might be bad at. That's not a talent problem. That's a practice problem. What To Do This Week If you take one thing from this episode, let it be this: You don't need to prove anything to anyone else. You just need to prove something to yourself. So here's a simple challenge: Pick one thing you've been saying you want to get better at Do it poorly — on purpose, if you have to Repeat it daily for the next week Focus on reps, not results Not to impress anyone. Not to publish. Not to be perfect. Just to build momentum. Because momentum is what turns effort into skill — and skill into what the world calls "talent." Timecodes (So You Can Jump to What You Need) 02:00 – Why the idea of "talent" is misleading 03:00 – Behind-the-scenes reality vs. how success looks from the outside 04:40 – Why confidence and uncertainty can look identical 05:06 – Talent as practice, repetition, and reps 06:03 – The real gap between you and your goals 06:30 – The only question that matters: are you stubborn enough? 06:54 – Why most people never get started (and how to break that cycle) If You Needed Permission… This Is It If you've been waiting for a sign that you're "good enough" to start — this is it. Not because you're already great. But because greatness isn't a prerequisite. It's a byproduct. Of reps. Of practice. Of showing up again and again. You are talented enough. The real question is: Will you do the work? Because if you will — consistently, imperfectly, stubbornly — Everything else takes care of itself. Until next time: get your reps in, trust the process, and remember — talent isn't the gate. Practice is.

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Perfect Is Dead: Why Your Flaws Are Your Creative Advantage

Mar 2500:11:37Tap to summarize

Hey friends, Chase here Let's talk about something that might feel uncomfortable at first — especially if you've spent years trying to get better, sharper, more polished, more "professional." Perfection is dead. Not metaphorically. Not eventually. I mean right now. And if you're paying attention to what's happening in the creative world — especially in an era of AI, automation, and endless content — you're starting to feel it too. The things that used to signal quality… now feel generic. The things that used to impress… now barely register. And the things we used to hide — the rough edges, the quirks, the imperfections — are quickly becoming the only things that actually stand out. This episode is about why your flaws — the very things you've been trying to smooth out — might actually be your greatest creative advantage. The Shift: Why Perfect Doesn't Work Anymore We are living in a moment where perfect is easy. AI can generate flawless images. Software can smooth every imperfection. Templates can make anything look "professional." And that's exactly the problem. Because when everything is polished… everything starts to look the same. Even the platforms themselves are saying it out loud now: authenticity is becoming scarce — and therefore more valuable than ever. :contentReference[oaicite:0]{index=0} That means the bar has shifted. It's no longer: "Can you make something good?" It's: "Can you make something only you could make?" The Biology Behind Why Imperfection Wins This isn't just a creative opinion — it's biology. Your brain is wired to ignore predictable patterns and notice disruptions. A perfectly uniform image? Your brain tunes it out. A slightly off note. A crack in a voice. A strange framing choice. A human moment that feels a little too real. That's what grabs attention. Because deep down, your brain is constantly scanning for something unexpected — something that might matter. Perfect is predictable. Imperfect is alive. The Trap: Safe + Skilled = Invisible Here's where a lot of creators get stuck. You develop skills. You learn the tools. You refine your process. And then… you start playing it safe. You aim for clean. You aim for polished. You aim for "what works." And without realizing it, you drift into something dangerous: You become technically good… but creatively forgettable. Because: You + safe choices + powerful tools = something that looks like everything else. The Core Idea Your imperfections are not flaws to eliminate — they are signals to amplify. Think about what we love: Film grain in photography Light leaks in old cameras Vinyl crackle in music A live performance that almost falls apart A handwritten line that isn't quite straight These aren't mistakes. They're evidence of humanity. And in a world that is increasingly synthetic, that evidence is everything. What You'll Hear in This Episode This episode is a fast one, but it hits deep. Listen for: Why perfection is becoming a liability in the age of AI How your brain is wired to prefer imperfection over polish Why "safe" creative choices lead to invisible work The difference between sloppy and intentional imperfection How to use your uniqueness as a creative advantage Timecodes (So You Can Jump to What You Need) 02:00 – Why polished, perfect work is losing relevance 03:24 – Authenticity as a scarce and valuable resource 05:08 – The neuroscience of why imperfection grabs attention 06:30 – Deliberate imperfection as a creative strategy 07:24 – Why being human is your biggest advantage 08:28 – Why "who you are" matters more than "what you make" Read This If You're Trying to Get It "Just Right" If you've been stuck tweaking, refining, polishing… Trying to make something perfect before you share it… Here's the reframe: The goal is not perfection. The goal is presence. Because perfection is something machines can fake. But presence — your perspective, your quirks, your lived experience — that's something no system can replicate. Questions to Ask Yourself If you want to apply this today, sit with these: Where am I over-polishing something that doesn't need it? What parts of my work feel the most "me" — and am I hiding them? Am I optimizing for approval instead of expression? What would I create if I stopped trying to make it perfect? What's one imperfection I could lean into instead of fix? A Simple Practice for Leaning Into Imperfection Try this: Pick one project this week. Remove one layer of polish. (Less editing, fewer filters, fewer constraints.) Leave something raw. A moment, a thought, a texture. Ship it anyway. Not because it's finished. But because it's real. Final Thought In a world where anything can be generated, replicated, or perfected… Your humanity is the differentiator. Your uneven lines. Your strange ideas. Your awkward delivery. Your lived experience. That's not noise. That's the signal. Perfect is dead. Long live your flaws. Until next time: stay curious, stay honest, and don't polish the life out of your work.

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You Don't Need Everyone

Mar 1800:10:24Tap to summarize

Hey friends, Chase here Let's talk about something that quietly holds a lot of creators back — the belief that your work needs to resonate with everyone. It feels natural. We're wired for connection. We want to be seen, appreciated, recognized. That's human. But when that instinct starts driving your creative decisions, it can pull you further and further away from the very thing that makes your work meaningful in the first place. So here's the truth I want you to hear clearly: You don't need everyone. Not their approval. Not their attention. Not their validation. In fact, trying to get all of that is one of the fastest ways to dilute your voice and disconnect from what matters most. This episode is about what happens when you stop chasing everyone — and start creating from a place that's actually true to you. The Core Idea If you try to make something for everyone, you end up making it for no one. I see this all the time — creators, entrepreneurs, builders of all kinds trying to shape their work so broadly that it appeals to the widest possible audience. And on the surface, that makes sense. More people should mean more opportunity, right? But in practice, the opposite tends to happen. When you aim at everyone: Your message gets softer Your point of view gets less clear Your work becomes harder to connect with Because the things that actually resonate — the things that stick — are specific. They're personal. They come from a real place. The goal isn't to be liked by more people. The goal is to be meaningful to the right people. What You'll Hear in This Episode This is a short, focused episode, but it cuts right to the heart of what matters: Why we're wired to seek approval — and how that instinct can quietly shape our creative decisions The hidden cost of trying to please everyone — and why it leads to weaker work The simple framework for creating work that actually resonates Why authenticity isn't a buzzword — it's a requirement for connection How small audiences can create big impact when the alignment is right Timecodes (So You Can Jump to What You Need) 01:51 – Why creators feel pressure to be liked by everyone 02:21 – The problem with trying to appeal to everyone 03:22 – Why pleasing everyone leads to weaker results 03:45 – The three-step framework: create, share, repeat 05:01 – Why people can feel whether you love your work 06:19 – Stop looking sideways and start creating from within 07:08 – Why you don't need a massive audience to succeed 08:13 – Finding your people through consistent creation The Shift That Changes Everything There's a subtle but powerful shift at the center of this conversation: Stop trying to get your work liked. Start making work you actually like. That might sound simple, but it's not always easy. Because it requires you to: Trust your own taste Follow your own curiosity Create without immediate validation And that can feel uncomfortable — especially in a world that constantly shows you what everyone else is doing. But here's the thing: People can tell. They can feel when your work is coming from a place of genuine interest, curiosity, and care — versus when it's shaped to chase trends or approval. And over time, that difference compounds. You Don't Need Everyone — You Need the Right Few One of the biggest myths in modern creative culture is that success requires a massive audience. Millions of followers. Huge reach. Constant visibility. But the reality is much more grounded. You don't need thousands of people to love your work. You need a small number of the right people. People who: Understand what you're making Connect with it deeply Care enough to engage, support, and share And those people don't show up all at once. They show up one at a time. Through consistent work. Through honest expression. Through putting something real into the world over and over again. Questions to Ask Yourself If you want to turn this episode into something practical, start here: Where am I trying to please everyone instead of being specific? What kind of work do I actually love making — regardless of response? Am I creating from curiosity, or from approval-seeking? Who are the "right people" for my work? What would I make if I stopped worrying about being liked? A Simple Practice If this idea resonates, here's something you can do right away: Make one thing this week that you genuinely care about Don't optimize it for reach Don't shape it for approval Just make it true to you Then share it. Not because everyone will like it — but because the right people might. And that's how this works. Final Thought The more you try to be everything to everyone, the harder it is to be anything meaningful at all. So stop chasing the crowd. Start making what matters to you. Share it. Repeat. You don't need everyone. You just need your people.

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Why Hearing "No" Is Part of the Creative Path

Mar 1100:10:11Tap to summarize

Hey friends, Chase here Let's talk about something every creator experiences — but almost nobody talks about openly. Rejection. If you're pursuing anything creative — photography, writing, design, building a business, launching a project — you already know the truth: you hear a lot more no than you hear yes. But here's the twist. Most people think rejection is the signal to stop. In reality, rejection is often the signal that you're doing the work. In this episode, I'm unpacking why hearing "no" isn't something to avoid — it's something to learn from, grow through, and ultimately embrace as part of the creative path. Because more often than not, "no" doesn't mean never. It means not yet. Let's start with a simple truth: If you're putting your work out into the world — pitching clients, submitting work, applying for opportunities, launching ideas — you're going to hear "no." A lot. And while that might feel discouraging at first, it's actually a sign that you're in the arena. That you're taking risks. That you're moving forward instead of sitting safely on the sidelines. The reality is that creative careers are built through repetition — through attempts, through iteration, and yes, through rejection. You don't get ten yeses without hearing a whole lot of no along the way. That's just the math of putting your work out there. The trick isn't avoiding rejection. The trick is learning what rejection is trying to teach you. The Core Idea "No" serves a purpose. In fact, it serves several. First, rejection can be a powerful motivator. If you're competitive — and most creators are — hearing no doesn't mean the door is closed forever. It means there's an opportunity to learn, adjust, improve, and show up stronger the next time. Every pitch that doesn't land teaches you something. Every opportunity you miss reveals something about the craft, the market, or the way you're presenting your work. And if you treat rejection as information rather than judgment, it becomes one of the most valuable feedback systems you have. Second, rejection naturally filters out the people who aren't committed. Most people hear "no" a few times and decide the path isn't for them. They interpret rejection as proof that they're not good enough — instead of recognizing it as part of the process. But if you keep showing up, learning, refining, and improving, you start to realize something important: Persistence quietly reduces the competition. The longer you stay in the game, the more people fall away. Not because they lacked talent. But because they lacked the willingness to keep going. Rejection Is a Signal — Not a Verdict Another powerful reframe is this: A "no" usually doesn't mean your work will never succeed. More often, it means your work isn't quite there yet. It hasn't found the right audience yet. Or it hasn't reached the level it needs to reach yet. And that distinction matters. Because if the answer is "not yet," the only real response is to keep creating. Keep refining. Keep putting your work out into the world. Every swing increases the odds of eventually connecting. If You're Not Hearing "No," You Might Not Be Trying Hard Enough There's another perspective here that might surprise you. If everything you do gets an easy yes, you might not be pushing yourself far enough. You might not be taking big enough swings. You might be staying inside your comfort zone. The legendary racecar driver Mario Andretti once said: "If everything feels under control, you're not driving fast enough." The same is true in creative work. If you're constantly hearing yes, it might mean you're only playing it safe. And playing it safe rarely leads to the most interesting work. The projects that matter — the ideas that stretch you — almost always come with a higher chance of rejection. Because they're new. Because they're different. Because they challenge expectations. And that's exactly why they're worth pursuing. When the Yeses Start Coming Eventually, if you stay consistent long enough, the yeses do start to show up. Clients say yes. Projects get approved. Your work gains traction. And that's a great feeling. But here's the caution: Don't start chasing yeses. Because the moment you begin optimizing only for approval, something subtle happens. You stop pushing the edges. You stop experimenting. You stop risking failure. And the work becomes safer — and softer. The goal isn't to avoid rejection. The goal is to keep challenging yourself enough that rejection remains part of the process. That's where the real growth happens. What You'll Hear in This Episode This episode dives deeper into how rejection actually fuels creative progress. Here are a few ideas to listen for: Why hearing "no" is an unavoidable part of building a creative career How rejection can become a powerful motivator instead of discouragement Why persistence naturally reduces competition over time How "not yet" is often the real meaning behind rejection Why taking bigger creative risks means accepting more no's How success can sometimes make your work safer — if you're not careful Timecodes (So You Can Jump to What You Need) 02:13 – The reality of hearing more no's than yeses 03:05 – Why learning to love "no" changes everything 03:33 – Using rejection as motivation 04:26 – How persistence reduces competition 05:32 – Why rejection helps refine your craft 06:53 – If you're not hearing no, you might not be pushing hard enough 07:46 – When the yeses start coming — and the trap that follows A Reframe for the Creative Path If you're hearing a lot of no right now, here's something to remember: You're not failing. You're participating. You're testing ideas. You're developing craft. You're building the resilience required to create meaningful work. The creators who ultimately succeed aren't the ones who avoid rejection. They're the ones who understand it. Who learn from it. Who keep going anyway. Questions to Ask Yourself If this episode resonates with you, take a moment to reflect on these: Where in my creative work am I avoiding rejection instead of learning from it? Am I taking big enough swings with my ideas? What feedback might be hiding inside the last "no" I heard? What would it look like to treat rejection as data instead of judgment? What's one opportunity I could pursue this week — even if the answer might be no? The Big Idea The creative path isn't paved with approval. It's paved with attempts. Experiments. Iterations. And yes — plenty of rejection along the way. But every no gets you closer to the right yes. So instead of fearing rejection, learn to welcome it. Because if you're hearing no, it means you're moving. You're risking. You're putting your work into the world. And that's exactly where the magic begins. Until next time — keep creating, keep pushing, and don't be afraid to hear a few more no's.

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All episodes

You Don't Need More Hustle. You Need More Capacity.

How to Find Your Creative Voice

Stop Asking Permission to Create Your Life

Don't Wait for Inspiration

The Hidden Cost of Overplanning

Are You Climbing the Wrong Mountain?

Talent Is a Lie (Here's What Actually Matters)

Perfect Is Dead: Why Your Flaws Are Your Creative Advantage

You Don't Need Everyone

Why Hearing "No" Is Part of the Creative Path