Podcast Summary: PTFO - From Ronaldo to D-Wade: Athlete Statues, Reviewed by Pulitzer-Winning Art Critic Jerry Saltz
Podcast Information:
- Title: The Dan Le Batard Show with Stugotz
- Hosts: Dan Le Batard, Stugotz
- Guest: Jerry Saltz, Pulitzer-Winning Art Critic
- Episode Title: PTFO - From Ronaldo to D-Wade: Athlete Statues, Reviewed by Pulitzer-Winning Art Critic Jerry Saltz
- Release Date: December 3, 2024
- Location: Elser Hotel, Downtown Miami
Introduction to Jerry Saltz
The episode features a candid conversation between host Pablo Torre and guest Jerry Saltz, a renowned art critic who won the Pulitzer Prize for Criticism in 2018. Saltz shares his personal journey, touching on his struggles with social media, his unconventional path to becoming an art critic, and his relationship with the art world.
Notable Quote:
- [03:28] Pablo Torre: "This is the ideal audience for me for this specific episode, I think, because I know of you as, of course, the guy who won the Pulitzer Prize for criticism in 2018."
- [05:04] Jerry Saltz: "It's been a good run. That's all. I'll say. It's been a great run. It's like the New York Jets."
Navigating Social Media as an Art Critic
Saltz discusses his tumultuous relationship with social media platforms, particularly Instagram and Facebook. He humorously recounts losing access to his Instagram account and being banned from Facebook due to his controversial posts of violent medieval manuscripts paired with satirical comments.
Notable Quote:
- [05:34] Pablo Torre: "How do you describe your relationship with social media?"
- [07:00] Jerry Saltz: "My online life is where all my fun is. It's where all my talk is."
Saltz’s Path to Art Criticism
Jerry delves into his early life, highlighting his lack of formal education in art and his struggles with personal relationships. He humorously describes his time as a long-distance truck driver and his eventual pivot to art criticism as a means to find purpose and connection.
Notable Quote:
- [11:12] Jerry Saltz: "I graduated at the bottom of my enormous high school class. I come from a very dysfunctional suburban Chicago family."
- [14:56] Jerry Saltz: "I became an art critic and I started writing absolute bull. And people seemed to like it."
The Role of Criticism in Art and Sports
The core of the episode focuses on evaluating athlete statues, with Saltz providing his expert critique. He draws parallels between traditional art criticism and the creation of statues honoring athletes, emphasizing the importance of originality and emotional depth over mere resemblance.
Notable Quote:
- [20:57] Jerry Saltz: "Anyone listening to this podcast will understand this. You would never look at every God damn New York Jets game and say they're so great."
Evaluating Recent Athlete Statues
Dwyane Wade Statue
Saltz critically analyzes the newly unveiled statue of Miami Heat legend Dwyane Wade. He points out the lack of resemblance and artistic depth, describing it as a "mini statue on an idiotic store bought trophy."
Notable Quote:
- [29:12] Jerry Saltz: "That's Dwyane Wade. So that's Dwayne Weed. Great, great athlete."
- [30:41] Jerry Saltz: "So you want to. And he looks like the Rock, he looks white, which is fine with me. But you know, it has no character, it has no ambiance, it has no internal scale, it has no feel for its material. It's crap."
Cristiano Ronaldo Statue
Saltz critiques the statue of Cristiano Ronaldo by Emmanuel Santos, highlighting its exaggerated features and lack of fidelity to Ronaldo’s actual appearance. He humorously suggests that the statue resembles the artist more than the athlete.
Notable Quote:
- [40:48] Pablo Torre: "So this is Cristiano Ronaldo. So, by the way, does this statue look more like the artist who made it or Cristiano Ronaldo?"
- [41:44] Jerry Saltz: "That's well said. I think if we saw the picture of the artist. We don't know, but that is one great sculpture. Whoa."
Brandi Chastain Hall of Fame Plaque
The discussion shifts to Brandi Chastain’s Hall of Fame plaque, where Saltz remarks on its lack of resemblance and expressive quality, comparing it unfavorably to more dynamic and meaningful artistic representations.
Notable Quote:
- [39:24] Jerry Saltz: "I would call it a travesty of mimosas. Meaning it doesn't look anything mimetic art."
- [40:17] Pablo Torre: "Not great is that she also looks like Gary Busey, I guess."
- [40:20] Jerry Saltz: "God. Yes. That's the grimace."
Comparison with Classic Athletic Sculptures
Saltz draws comparisons between modern athlete statues and classical sculptures from Greece and Rome, praising the latter for their portrayal of athleticism and motion. He emphasizes that great sculptures capture not just the likeness but the spirit and dynamism of the subject.
Notable Quote:
- [35:00] Jerry Saltz: "Some of the greatest sculpture ever made was made in Greece and Rome of athletes."
- [35:19] Pablo Torre: "Oh, and by the way, the kids out there should know this was an Oscar worthy screenplay performance. All of it actually. Good."
Interactive Segment: Butter Sculpture Evaluation
In an engaging and humorous segment, Pablo introduces a butter sculpture of himself, commissioned by his staff, and invites Saltz to critique it. The interaction reveals Saltz’s appreciation for butter sculptures, a nod to his Midwestern roots, and showcases his ability to blend humor with his analytical prowess.
Notable Quote:
- [43:32] Pablo Torre: "I have not seen this. So we'll be viewing this for the first time together. Genuinely."
- [45:13] Jerry Saltz: "I think it's just lovely. I want to touch it a lot. I'm going to touch it a little."
Final Thoughts on Artistic Integrity and Market Influence
Saltz concludes by reflecting on the influence of the market on art, expressing concern that commercial interests often overshadow genuine artistic expression. He advocates for maintaining artistic integrity and resisting the lure of monetary gain at the expense of creative depth.
Notable Quote:
- [33:11] Jerry Saltz: "It leaves an opening for art to get on with its business. And it's doing just great, having huge hits of what Werner Herzog called ecstatic truths."
- [38:46] Jerry Saltz: "This is art by committee. That's what it is. It looks like art by more than one person with no touch, no hand, only an idea. They're not even artists, those two guys. They're entrepreneurs. They're scammers."
Conclusion and Takeaways
The episode wraps up with mutual appreciation between Pablo and Jerry. Pablo reflects on the insights gained, particularly the notion that genuine artistic love requires rigorous criticism. Saltz emphasizes the importance of developing one's unique voice and avoiding envy of others' accomplishments.
Notable Quote:
- [46:26] Jerry Saltz: "It's a great, quiet, mute, stately object."
- [48:18] Jerry Saltz: "Thank you."
Key Insights:
- Artistic Criticism: True appreciation of art involves critical analysis rather than mere admiration.
- Art vs. Commercialization: The commercialization of art and sports memorabilia often dilutes artistic integrity.
- Authenticity in Representation: Athlete statues should strive to capture the essence and dynamism of their subjects rather than settling for superficial likenesses.
- Personal Growth: Developing a unique voice in any field requires dedication, self-awareness, and avoidance of external envy.
This episode serves as a compelling exploration of the intersection between art, sports, and commercialization, offering listeners valuable perspectives from a respected art critic.