Hour 1: Getting Right To The Meat With David Samson

Summary

The Dan Le Batard Show with Stugotz Episode Summary: Hour 1: Getting Right To The Meat With David Samson Release Date: January 23, 2025

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Introduction and Guest Appearance

Timeframe: 00:17 - 02:01

The episode kicks off with the hosts, Dan Le Batard and Stugotz, engaging in their typical light-hearted banter, setting the stage for the day’s discussions. Stugotz introduces the episode’s guest, David Samson, the host of the podcast Nothing Personal. Samson is recognized for his unique approach to covering a wide range of topics, including sports, business, and intricate societal issues. Stugotz praises Samson’s ability to delve into unconventional subjects, highlighting the depth and breadth of his discussions.

Notable Quote:

Stugotz: “At Le Batard Show, David Sampson is with us. His podcast Nothing Personal covers an array of topics that is super unusual...”

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Oscar Nominations and "Emilia Perez" Controversy

Timeframe: 02:01 - 06:28

The conversation shifts to the recent Oscar nominations, focusing on the controversial nomination of Emilia Perez for Best Picture. Stugotz asks Samson about his obsession with the Oscars and whether he actively follows the nominations live.

David Samson's Insights: Samson expresses his disappointment in missing the live Oscar nominations due to his podcast schedule. He passionately defends Emilia Perez, arguing that despite its low Rotten Tomatoes score, the film deserves recognition for its storytelling, character development, and cultural significance. Samson emphasizes the film's role in representing transgender narratives authentically, asserting that it transcends traditional genre classifications.

Notable Quotes:

Stugotz (04:29): “For the record, I haven't seen it yet... It got the lowest Rotten Tomatoes score by far...”

David Samson (05:25): “It's an extraordinary movie, and before you criticize it, you should watch it.”

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Disparity Between Critical Reception and Oscar Nominations

Timeframe: 05:25 - 09:06

The hosts and Samson delve into the seeming disconnect between Emilia Perez’s critical reception and its Oscar nominations. They discuss potential reasons for this disparity, such as politicization of art and the influence of minority representation in media.

Samson counters the notion that the film’s nominations are purely politically motivated, suggesting instead that the Academy aims to spotlight films that challenge audiences intellectually and emotionally. He critiques mainstream media for favoring content that appeals to the "lowest common denominator," advocating for movies that elevate viewers’ knowledge and intellect.

Notable Quotes:

Stugotz (05:45): “Is it because it gets politicized?...”

David Samson (06:28): “We shouldn't be afraid to learn. It's like reading a Pulitzer Prize-winning book versus sticking with what’s comfortable.”

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Criticism and Defense of Movie Scores

Timeframe: 07:03 - 09:31

The discussion transitions to the role of movie scores in film, using Emilia Perez as a case study. Greg Cody criticizes the film's score for being used in a way that undermines its intended emotional impact, turning it "comedically" by the film's end.

Samson defends the importance of scores in filmmaking, explaining that they are integral to shaping the audience’s perception and emotional response. He remarks that a well-crafted score can transform a movie, likening it to a character that elevates the narrative beyond its visual storytelling.

Notable Quotes:

Greg Cody (08:25): “The way that the film was using it... making me laugh at the score.”

David Samson (09:06): “Scores to a movie are maybe the single most important thing that gets done after filming. Even more so than editing.”

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Mission Impossible Franchise and AI in Film

Timeframe: 09:47 - 19:53

The hosts pivot to discussing the Mission Impossible franchise, specifically the latest installment titled Mission Impossible: Dead Reckoning Part Two. They debate the film's direction, character arcs, and the potential for Ethan Hunt’s fate within the series.

David Samson expresses his appreciation for action franchises, countering any earlier dismissals of Mission Impossible. He emphasizes the entertainment value of such films, regardless of their Academy credentials, and shares his enthusiasm for the franchise's longevity and action sequences.

The conversation then shifts to the use of Artificial Intelligence (AI) in post-production, particularly regarding the Brutalist film. Samson explains that AI has long been a tool in the industry for refining performances, such as enhancing Hungarian accents. He speculates on the potential impact of AI revelations on Brutalist's Oscar chances, suggesting that while AI can be a double-edged sword, it is an inevitable part of modern filmmaking.

Notable Quotes:

David Samson (11:06): “It's not true what you just said. Just because it's not academy worthy... does not mean I don't love being entertained.”

Greg Cody (30:34): “AI has made this so much easier... but with every question that I ask it, it only gets more powerful.”

David Samson (19:53): “AI engagement has been going on for a long time and somehow it just came out... could I replace certain things? And the answer is it certainly can and it will.”

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Creating an Insult List and Cultural References

Timeframe: 13:14 - 30:20

In a spirited segment, Stugotz proposes creating a "Top 10 Old People Insults" list with the help of his co-hosts. The discussion explores the origins and meanings of various insults, blending humor with cultural insights. The team debates definitions and the appropriateness of certain terms, culminating in a list that features classic insults like "dipshit," "doofus," and "nincompoop."

This segment showcases the hosts' camaraderie and their ability to blend light-hearted humor with linguistic exploration, engaging the audience in playful banter.

Notable Quotes:

Stugotz (28:24): “Someone who bleeps mothers or bleeps them over?...”

Greg Cody (28:51): “Nit comes from the Dutch word meaning nothing or not combined with wit...”

Stugotz (29:05): “Number ten, dipshit. What is that? Strong 10.”

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Ichiro's Hall of Fame Voting Controversy

Timeframe: 30:20 - 34:32

The conversation shifts to baseball, specifically the Hall of Fame voting for Ichiro Suzuki. Juju raises concerns about Ichiro receiving zero votes, which Samson disputes by highlighting Ichiro's exemplary career and contributions to the sport. The hosts discuss the implications of a single vote casting a shadow over Ichiro's legacy, emphasizing the subjective nature of voting processes in sports accolades.

Samson draws parallels between Ichiro's situation and past instances where deserving athletes were overlooked due to narrow voting margins, reinforcing his stance that Ichiro's exclusion is unfounded and represents a broader issue within the Hall of Fame selection process.

Notable Quotes:

Juju (34:04): “Ichiro and Derek Jeter have been the Most perfect candidates imaginable...”

David Samson (34:32): “It's ridiculous. We don't agree with anything in this country.”

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Closing Remarks and Final Thoughts

Timeframe: 34:32 - End

As the episode winds down, the hosts reflect on the discussions, reiterating their support for David Samson and his podcast. They touch upon the importance of recognizing hard work and dedication, whether in sports, film, or other fields. The episode concludes with humorous exchanges and light-hearted teasing, encapsulating the show's signature blend of insightful conversation and entertaining dialogue.

Notable Quotes:

Stugotz (25:54): “David, good seeing you... I urge you to check it out. No matter where he is in the world...”

Dan Le Batard (35:08): “Yeah, sure thing. Hey, you sold that car yet?”

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Key Takeaways

• David Samson's Perspective: Emphasizes the importance of diverse and intellectually stimulating content in media, advocating for films and discussions that challenge and educate audiences.

• Oscar Nominations Debate: Highlights the tension between critical reception and industry recognition, questioning the factors that influence award nominations beyond mere popularity.

• AI in Filmmaking: Explores the growing role of AI in post-production and its potential ramifications on the authenticity and perception of films.

• Hall of Fame Voting Issues: Discusses the subjective nature of accolades in sports, using Ichiro Suzuki's voting experience as a case study for broader systemic issues.

• Humor and Camaraderie: Demonstrates the hosts' ability to blend serious discussions with humor, maintaining an engaging and relatable atmosphere for listeners.

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This summary encapsulates the multifaceted discussions of the episode, providing insights into the hosts' perspectives and the depth of conversations with their guest, David Samson. From the intricacies of Oscar nominations to the nuances of Hall of Fame voting and the evolving impact of AI in film, the episode offers a rich tapestry of topics for listeners to engage with.

Transcript

[Dan Le Batard]

You're listening to Giraffe Kings Network. Ever since switching to T Mobile, something weird has been happening. I get to cut lines.

[Stugotz]

Oh, right this way.

[Dan Le Batard]

Who, me? I can stream shows at 30,000ft and I was able to buy reserve tickets for my favorite band.

[Stugotz]

It's not just you. With T Mobile, everyone can get VIP status. That means access to exclusive events and experiences just for being a customer. At T Mobile, VIP means y o u check out the VIP treatment@t mobile.com benefits.

[Mike Ryan]

You know that sound? It's the sound of money hitting your Venmo account. A friend paying you back. Or maybe it's getting cash back from your favorite business when you pay with the Venmo debit card. Or it's realizing you can pay with Venmo at checkout at thousands of brands. Now there are so many more ways to answer the question. What's your Venmo? Download Venmo. Today the Venmo MasterCard is issued by the Bancorp Bank N.A. pursuant to license by MasterCard International Incorporated. DOSH cashback terms apply. This is the Dan Levator show with the ST Podcast.

[David Sampson]

This episode of the Dan Leptard show with Stugats is presented by Venmo Juju.

[Stugotz]

Please put this on the poll and I ask for the audience for submissions as well. At Lebatard show, which of these cars would you be most likely to buy? The Volkswagen Belitnikov? The Ford Tagliaboo? The Chrysler Concepcion? The Chevy Taurasi.

[Greg Cody]

That's close.

[Juju]

That's good.

[Greg Cody]

It's close. Tags is still atop the mountain.

[David Sampson]

Can I add one? A Dodge Durant.

[Stugotz]

You think the Dodge Durant is better than the Dodge Dorset or the Dodge Saberhagen?

[Juju]

I like Durant.

[Greg Cody]

You like the alliteration Taurasi, I guess because it's so close to Taurus. But Tagliabu?

[Jeremy]

I don't think we beat Tagliabu.

[Stugotz]

I don't think we've beaten Tagliaboo yet either. At Le Batard Show, David Sampson is with us. His podcast Nothing Personal covers an array of topics that is super unusual. And I don't think there's an individual host I've heard anywhere in sports with the terrain that he is covering in sports, business and complicated issues. David, thank you for joining us. Before we get to the sports things of the day though, the Oscars. You are obsessed with the Oscars more than just about anything in entertainment. Everything just came out. What is your experience with this stuff? Are you waiting somewhere at the appointed time to make sure you get the information because you care so much about whether not the things that you thought were great in the movies are validated by the Academy.

[David Sampson]

Well, I do a live show for metal arc from 8 to 8:50am Eastern, and the Oscar nominations come out at 8:30. And so for the last many years, I have missed the live announcement and I asked Coco, the producer, to feed the nominations in my ear as they're happening, and he refuses to do it because we're in the middle of a show. So then I end the show and now I have to talk about them tomorrow. But I'm already caught completely up to date. And it's one of the great sadnesses of my life that I miss the live nomination announcements. I used to love it. I would. There were times during owners meetings when I would step out because they would happen on normally on a. Things were different this year because of the fires, but normally on a Tuesday when I'd be in a meeting or a Thursday, whatever the day is, and I would literally step out and watch it live. But not this year.

[Greg Cody]

Dan, David, what's going on with this Emilia Perez thing? Because, look, for the record, I haven't seen it yet. I haven't been moved to see it. A lot of people whose opinion I value told me, like, this is not nomination worthy. And it's one thing to be nominated for a Golden Globe, and now it's nominated for Best Picture. It's got the lowest Rotten Tomatoes score by far. Not that that's gonna be the end all and be all by it, but I've just seen like isolated clips of this film and it's kind of confirming to me that it's probably not that great. Surely there had to be a better film to round out this nomination field for Best Picture. No.

[David Sampson]

Well, it actually leads with 13 nominations, and it helps that it's in the international category. It's unbelievable. The story itself is unbelievable. Forget the fact that it's the first trans woman to be nominated for Best Actress and her performance as Amelia Perez is the best of the year. But Demi Moore is certainly leading right now to win Best Actress. But you've got songs, you've got music, you've got a story, you've got drugs, you've got sex, you've got Selena Gomez, you've got an unbelievably gripping tale of what it is to be in a cartel and decide that you've had a crisis of conscience and it makes you change your entire life, including leaving your wife and kids, in order to live your truth and living truth when you've been part of murder and mayhem, and money is quite difficult. It's an extraordinary movie, and before you criticize it, you should watch it.

[Stugotz]

Why is there such a disparity between nominations and a Rotten Tomatoes score? Is it because it gets politicized? Because anything on the Internet that is made by something, someone who's a minority or a group that is transgender, you're going to get a wild fluctuation on the politics of a review.

[David Sampson]

No, I think it's anything without an exclamation point or a part two or Ryan Reynolds doesn't get enough attention. So this is just a movie that's not for everyone because it requires your head and your heart. And there's a lot of movies out there that are made for the lowest common denominator, and this is not one of them. And one of the great criticisms of the Oscars is that it. It really brings movies that are not widely seen to the forefront. Well, go see them, because they're really good, and you shouldn't be afraid to learn. It's like, oh, this won the Pulitzer Prize. I can't read it. I'm going to stick with just reading Stu Gotz's book. That's not how it's supposed to be. You're supposed to read books that improve your knowledge and intellect. And I think that's the same with movies.

[Jeremy]

So what you're talking about, Dan, and things being politicized. What's interesting about this is, like, the communities are sort of split on this. There have actually been several LGBTQ critics of this movie saying things such as, it seemed like the filmmaker was painting trans women as liars, and Glad said it was a profoundly retrograde portrayal of trans women. So that's been. Most of what I have been seeing is actually people criticizing it from that perspective of, no, this isn't actually. Even though we're using inclusion and using a trans woman as an actor and all of those things, it's actually sort of backwards in some of its ideals there. And so that's, I think, part of what has been the conflict. And also that Selena Gomez is not speaking very good Spanish.

[David Sampson]

The movie that we reviewed last week, Chasing. Chasing Amy, had a lot of people from inside the LGBTQ community criticizing the movie Chasing Amy as though it did not properly portray what it is to be lesbian or that you can become not a lesbian if you have Ben Affleck. Everybody's so quick to stand up and try to criticize. To me, I look at Emilia Perez. I look at it as a movie I don't look at it as a trans movie or an LGBTQ movie or a black and white movie or a musical. I look at it as see what the story is, see what the acting is, the writing, the directing, the music. And it's got all of that. And so that is the reason why I'm a supporter of it.

[Dan Le Batard]

David, Challengers biggest snub not getting a best score nomination.

[David Sampson]

Well, Atticus and Ross, as you know, they basically, the minute they put a note down, they're going to get a nomination. So that was a big surprise. The challengers got nothing. There was a possibility in screen play, but original score was supposed to be it. And listen, the movies that were nominated in regional score category, there are no schleppers in the category. The biggest snub of all for me happened in the documentary category. But you're right. Challengers not getting any love was certainly disappointing.

[Greg Cody]

Don't. Don't you think that the film itself didn't do the score any favors? Because, like, in a vacuum, I love the score too, but by the end, it was almost used comedically, and I found myself literally laughing at the score and the way that the film was using it. I guess that might be an argument for why it should be nominated.

[David Sampson]

Exactly.

[Dan Le Batard]

But I agree.

[David Sampson]

I think best score ever.

[Greg Cody]

I.

[Dan Le Batard]

It's like, it's so good, and it adds so much to that. Like, picture that movie with. Without the score. It's kind of like what?

[Greg Cody]

It's just like a horny alarm that goes off. Like, anytime it gets horny, we play this music. It's awesome, but it's making me laugh at the end and not taking it as seriously. But I guess that's the point. I'm not supposed to take it seriously.

[David Sampson]

And you know how scores happen in that the movie is filmed, there's no music to it, and then you go into a edit bay and the movie is playing, and there's the director sort of watching over the people doing the score and they're adding music. It changes the whole movie. Yeah, scores to a movie actually are maybe the single most important thing that gets done after filming. Even more so than editing.

[Greg Cody]

Well, editing's up there, but you ain't lying. Especially for certain genres. For horror, there's certain movies that you can't even imagine, like Psycho or Jaws. You can't imagine without the score. I guess the score in this film becomes a character in its own right. So again, more arguments for it being nominated.

[Dan Le Batard]

Look at this typical sports show, arguing about scores.

[Stugotz]

What are we doing David do. I don't think that Mike Ryan and the time works out so that Mike Ryan can indeed nominate Mission Impossible for this year's Oscars. But it has been reported that someone had a heart attack while watching Almost.

[Greg Cody]

An Almost Heart Attack.

[Stugotz]

An almost.

[David Sampson]

Well, it's an almost heart attack.

[Stugotz]

No, it's a heart attack. But that didn't end in death. It's still a heart attack.

[Dan Le Batard]

Is it's like when your right arm cramps. That's like an almost heart attack.

[Greg Cody]

Yes. Because of the stressful situation that I assume happens underwater. Keep in mind, Final Reckoning, it was supposed to be. Well, the original thing was Mission Impossible Dead Reckoning Part one. And they've just gotten rid of that and they're just calling MI8 the final reckoning. But it is almost a. Well, it is a direct sequel from the events that what happened in. From what happened in Dead Reckoning Part one, which as you know, has a submarine submerged in the Arctic waters. Ethan's gonna have to go down there and get something. So I imagine he's going to drown and die for possibly the third time in this franchise.

[Stugotz]

Samson has very little interest in the Mission Impossible movies. Why you just.

[David Sampson]

That's not true at all.

[Greg Cody]

No, it's the greatest action franchi franchise of all time.

[David Sampson]

Yeah, it's not true what you just said. It's not. Just because it's not academy worthy in acting or in directing or in writing does not mean I don't love being entertained. I've seen every single one. I don't like when you put me in the box because it serves the show or serves you to have.

[Stugotz]

Forgive me. I will apologize to you. I simply don't think of you and action movies because you never come on here wanting to talk action movies. I didn't think of that as a genre that you partook in because I can't recall in 20 years doing this with you. You coming on here wanting to review an action movie.

[David Sampson]

Well, the reason is that you guys do that without me. And what I try to do, including the movie I want to review today, is a movie that I don't know if everybody's going to see and if even five listeners or whatever your reach and roar is, if anyone gets out of their comfort zone and. And just the way Mike Ryan has me, get out of mine and watch movies that I otherwise would not watch, including what I'm watching this weekend. Mike is nominated for four Oscars. Is your best movie of the year.

[Greg Cody]

Are you saying Nosferatu?

[David Sampson]

I just didn't want to say Nosferatu. I wanted you to say it because it's your movie.

[Greg Cody]

To be clear. To be clear, it was a film that excited me the most. I don't think the best movie that I think I've seen all year from 2024 is probably a Nora. But I have to get around. I haven't seen the bulk of the best picture nominations. I'll get around to every single one of them. I am a little disappointed that Nosferatu didn't crack like some of the 10 best films. I thought it did get nominated for cinematography, which I thought was just jaw dropping in film. So I'm happy that I'm getting you out of your comfort zone. And as you might agree that horror is really pushing like some of the most creative boundaries in cinema right now.

[David Sampson]

Well, I'm hoping it's not a jump scare horror movie because the last movie that you said I shouldn't watch, it really wasn't a horror movie. It was just a horror to watch it. So I do view those as different. The genre of horror to watch, you can put Schindler's List in that horror movie to me is, you know, the Exorcist and the Shining. But I assume that Nosferatu is not that sort of movie. At least I hope not.

[Greg Cody]

No, it's not. Not that.

[Stugotz]

I want to ask Mike and David a question. When you both said during this segment, as you know to us, did you guys think we really knew or were you faking it is as you know, as a crutch. Were you confident that we knew or were you just lying to us, being polite?

[David Sampson]

I'll start with that. That's a verbal crutch that I do that comes off as hugely condescending and I shouldn't do it it because when I say, as you know, what I'm really saying to someone, whether it's in a negotiation or just in a conversation, is listen, idiot, I don't want to have to say this again. If you don't know this, it should be sort of imputed knowledge. So it's really said negatively. And I will try to cut that out of my speech.

[Stugotz]

But do you. Do you recall what both of you said to us on as you know? Because I don't know. But I didn't know when you said it. And in both instances, both of you were saying something that I thought was obscure. You're enough that the audience and me did not know, would not know, could not be expected to know. I may have that wrong. I did kind of stop listening because it was so condescending.

[Dan Le Batard]

David, are you in a retirement home?

[David Sampson]

No, I'm in the Odessaga hotel in Cooperstown. Not a retirement home. It's a place where hall of famers are. So I agree with you. It looks on the old side.

[Greg Cody]

I'm telling you right now, you're on a wooden chair.

[Stugotz]

At your mind you is so very Cooper's down. It smells from here like Cooper's down. I feel like somebody in the 1930s has sat in that chair. After being on a train riding across the country with dizzy Dean.

[David Sampson]

I had the weirdest thing happen in my room today is that while I was in the bathroom and getting ready for my shows and going to sleep, I was thinking about which hall of famers were in this room, because this is where the hall of famers stay when they get inducted in July and all the hall of famers come back. And we're here today to introduce the new class of hall of famers. And I. And I never think this way because I always want to assume I'm the first TUs to be in any room I'm in because otherwise it's too gross. But I was thinking, like, what if Johnny bench, like, squatted right here? And I assume that something happened just.

[Stugotz]

Like that in that hotel, Just visually definitely haunted. Like there. There has absolutely been ghost ass on that toilet.

[Greg Cody]

David.

[Mike Ryan]

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[Greg Cody]

Hey Jeremy.

[Jeremy]

Yes, Mike?

[Greg Cody]

Have you ever had a fireside conversation during a football Sunday during the winter?

[David Sampson]

Sure.

[Jeremy]

We don't have a lot of fireplaces down here, but I've had the premise of it.

[Greg Cody]

I wish I could, but it's South Florida. When it gets down to the 60s, we're like. We're bundled up, but certainly no fireplaces. Still too warm for that. But we do have our football Sundays. And one thing that always makes football Sundays good. And I know you've had plenty of experience in your life with this Miller Time.

[David Sampson]

Oh, yeah.

[Greg Cody]

Miller Lite makes the winter better. It makes football Sundays better. It makes even hanging out around you better.

[Jeremy]

Thanks, Mike. That was kind.

[Greg Cody]

I appreciate that. You're my friend. When I have a Miller Light in my hand, pretty much everybody is my friend. Because we are like minded. Because we like beer that actually tastes like beer. Oh, and now the new year. It's the perfect time to have Miller Time. Miller Light is brewed for taste. People out there, I want you to listen to me. And Jeremy, you too. Because you know, it hits just different than other light beers. The original light beer since 1975 and still the very best one. Miller Light. Great taste. 96 calories. Go to millerlight.com dan to find delivery options. Nearly. Or you can pick up some Miller Lite pretty much anywhere they sell beer. Tastes like Miller Time. Celebrate responsibly. Miller Brewing Co. Milwaukee, Wisconsin. 96 calories and 3.2 carbs per 12 ounces.

[Dan Le Batard]

Yeah, sure thing. Hey, you sold that car yet?

[Juju]

Yeah, sold it to Carvana.

[Dan Le Batard]

Oh, I thought you were selling to that guy.

[Juju]

The guy who wanted to pay me in foreign currency, no interest, over 36 months.

[Stugotz]

Yeah, no.

[David Sampson]

Carvana gave me an offer in minutes.

[Juju]

Picked it up and paid me on the spot. It was so convenient.

[Dan Le Batard]

Just like that.

[Greg Cody]

Yeah.

[Dan Le Batard]

No hassle.

[Stugotz]

None.

[Dan Le Batard]

That is super convenient. Sell your car to Carvana and swap. Hassle for convenience. Pickup fees may apply.

[Stugotz]

Don Le Batard. You don't remember the idea?

[David Sampson]

I was probably like, that kind of thing.

[Juju]

Something. Okay, no, the home run call was that kind of thing. A swing. That kind of thing.

[Mike Ryan]

St. Oh, it's a good call.

[Juju]

Thank you. And plus, it doesn't matter who's hitting it. Like you're not tailoring it to a particular name. You know, all that jazz, you know, you don't got to do that.

[Mike Ryan]

You just.

[Juju]

Oh, that would be a great call. Swing, that kind of thing.

[Mike Ryan]

This is the Dan Lebatar show with the Stugats.

[Greg Cody]

David, as you know, there is a controversy surrounding the Brutalist and its use of of post production AI to refine some of the Hungarian accents, which affects the performance and how we perceive them of some of these actors directly. And it may actually cost the Brutalist a best picture because it seemed like all the momentum was going towards that. But now you're going to have an AI debate surrounding one of the most critically acclaimed films of the year. What's your take on this?

[David Sampson]

Yeah, there are people in the industry who know the truth about this, which is that sort of AI engagement has been going on for a long time and somehow it just came out. And you have to wonder what is it a coincidence that it's around the Brutalist, which is obviously a controversial topic. It's a three and a half hour movie that will make people examine things they prefer not to examine, but the movies in you. And as you know, Mike, there's a lot of fake stuff in the movies. As a matter of fact, everything is fake. It is. Now, Tom Cruise may do his own stunts, good for him. But there's a lot of stuff going on in Mission Impossible that may not exactly be as it seems. And the way movies are edited and cut and the way in which they're filmed, it's all meant to make the audience think something is happening for art sake that's actually not happening. And if you think AI, the whole reason for the strikes was what AI was going to be used for. And if you take it even further, could I replace certain things? And the answer is it certainly can and it will.

[Stugotz]

Put it on the poll, please. Juju at LeBatard show. What would you be more likely to drive a Porsche Candy Audi or a Lamborghini Scalabrini at Lebatard show, which one of those two automobiles would you be more likely to drive? David, I know that the audience and everyone here is tired of Jimmy Butler stuff. Do you have anything interesting that you believe is not being said at this trough of Pat Riley's way is being undermined from the inside in a way. And one of the reasons this show is reacting this way is because we've never seen it before.

[David Sampson]

I just hope Pat Riley stands his ground, actually. I hope that he tells the other teams whether it's Phoenix, it doesn't matter who, that this is the package he wants. And he won't take anything less. And if Phoenix can go out and get it from Utah and myriad other teams and deliver to Pat a huge win for his franchise, then I'm happy to trade Jimmy. Otherwise, I'm happy to let him sit. He's shooting nine shots a game, playing 24 minutes a game. Suspend him for whatever he does and try to save the money for Mickey. I'm in on all of it. I think that Pat Riley is over player empowerment and he is manifesting this sort of angst and sick of it. And he's doing it all directed toward Jimmy, and I'm here for it. But in terms of his team and in our team, I hope that he does not give in and trade Jimmy without getting back what he wants.

[Stugotz]

Jeremy, would you look something up for me, please? Because I should make a correction. While I've never seen it happen to Pat Riley in Miami, I did see it happen to him in New York. One of the famous funny stories is Anthony Mason was one of his players. Anthony Mason, Jay Fiedler's brother at LeBatard show. Put that on the poll. Did you know that Anthony Mason and Jay Fiedler were brothers at LeBatard show? He was having all sorts of problems with Anthony Mason. He suspends Anthony Mason or there was a fight or something. And Anthony Mason was seen at a time that people thought he should be taking basketball very seriously in the audience of the Ricki Lake Show Show. And this was a very big controversy in New York that Pat Riley couldn't get control of Anthony Mason. Look up the details for me on that. Because Anthony Mason had a number of different conflicts. It's what he's doing. David. What you said he's doing appears to be what he is doing. And I was just talking about what a misery it would be to step into that place. Like, I understand the players got the power and stuff and the player will make a mess. Mess. But, man, what a misery. Like if Jimmy Butler thought he wasn't having joy playing basketball before. To show up to work just to collect your paycheck so that your entire team could be looking for things you're doing wrong so that they could suspend you again. Like, that's a horseshit situation to be in, to be walking into every day as an employee.

[David Sampson]

Haven't you ever been in an atmosphere in a relationship where people are separated or divorced, but living in the same house for whatever financial reason? Or people at work who don't get along but show up just to get their paycheck and you can tell who those people are, that they're trying very hard not to do anything so they get suspended or they get fired. This happens in every workplace in the world, and basketball is no exception to that. And the thing is, in sports, we try to give in to players so much because we're worried about pr. Well, Pat Riley, with age and with success, hopefully, is getting back to the point where his give a meter has lowered, to the point where he doesn't get impacted by anyone saying or thinking anything about what he's doing. And that's why I think Jimmy Butler should just rot at the end of the bench. I wouldn't trade him even if I got the package I wanted for spite alone. But I think Pat. I think Pat. I'm just telling you what I would do to Jimmy Butler for what he's doing to Pat Riley if I were Pat Riley. But I think Pat understands that if he can get the exact right package, he'll take it.

[Juju]

David, in your time with the Marlins, I wonder if you ever had a player who presented to you a Butler type situation.

[David Sampson]

So the minute we left Greg, Christian Yellich did it to Derek Jeter, and Derek Jeter sent Christian Yellow to the brewers in what became one of the worst trades the franchise has done, except for the ones I did. And that was a. That was a major thing when the player doesn't want to be there. And Derek Jeter actually went public saying, I don't want players around who don't want to be here. Stanton many times said to me that he wanted to be traded. He wasn't happy with the direction of the franchise. And we had just said to him, you know, we're not trading you. As a matter of fact, we're going to offer you so much money that we're going to make you stay here forever. And which is what we did. So there were players throughout, but. But a lot of them were. Were side players, like a Jeff Baker, who is just a miserable, unhappy player. And what you do in that case is just release him.

[Stugotz]

David, good seeing you. Thank you. The podcast is nothing personal. I urge you to check it out. No matter where he is in the world, even if it's a haunted hotel in Cooperstown, he is doing it it daily. Thank you, sir. Appreciate the time.

[David Sampson]

Take care.

[Stugotz]

I should have mentioned to him, and I will tell the audience he did some very good work on Ichiro. He knows Ichiro. And I know that Greg Cody had his hall of Fame ballot and was passionate about it. And we never got to yesterday, all of the arguments that were breaking out all over the studio about an assortment of things. I heard you telling your son that you regret not voting for Juan Pierre. I thought you mishandled yesterday's show. I thought you creating the illusion that you were the voter who had snubbed Ichiro. The one vote that didn't make it unanimous for Ichiro. We still don't know who that voter is. Correct. I believe that. That that voter has been called a numbskull by John Heyman, protector of the hall of Fame, fame and all sacred baseball things. And that voter hasn't been smoked out yet. Correct. So that people can shame him or her for his or her terrible vote.

[Dan Le Batard]

What are you willing to call them? Are you willing to go to dipshit?

[Stugotz]

Well, Greg Cody has a list. Thank you for asking, Jessica. That is expanding throughout the show. Stugotz was helping him with it. It used to be a top five list of old people insults because numbskull is very good. But now we're ready to do top 10. Top 10, Greg Cody, old people insults. Any Oli or are we going straight to number 10?

[Juju]

We've cut out all the fat. We're getting right to the meat.

[Stugotz]

All right, number 10, dipshit. What is that? Strong 10. What is that?

[Greg Cody]

Good question. We're on it.

[Dan Le Batard]

A guy who doesn't vote for Ichiro to be in the hall of fame.

[Stugotz]

Okay, I've got other questions like this because I put it on the poll. Do you know what a dipshit actually is? I don't know it as anything other than an insult, but I was thinking the other day, out of nowhere, on mother bleeper, is that someone who bleeps mothers or screws them over? Like which? Mother bleeper is someone who has sex with mothers or just screws them over? Someone who betrays mothers. I don't know which one of those two things it is.

[David Sampson]

Eileen.

[Stugotz]

Betrayal. Do you?

[Juju]

Yeah, Yeah. I think I would too.

[Stugotz]

You guys. Don't you. You don't. Okay. I. I would have assumed that that's someone who's having sex with mothers.

[Dan Le Batard]

Then that would be a compliment. That'd be a cool guy.

[Stugotz]

Would it be that in this country, Oedipus.

[Greg Cody]

So in the 1930s, dip didn't just mean like dipping something into something. It also was a slang term that meant fool or simpleton. So it was just basically combining that with.

[Stugotz]

So a fool dipped in.

[Greg Cody]

Yeah, yeah.

[Stugotz]

Number nine, doofus. Number eight, blockhead.

[Mike Ryan]

I think that's a dipshit.

[Juju]

Hey, it's my list. Get your own.

[Dan Le Batard]

Fair enough.

[Stugotz]

Number seven, Buffoon.

[Juju]

Number six, Numbskull. Five, Loon.

[Stugotz]

That's very high.

[Juju]

Four, Fiend.

[Stugotz]

That's made a comeback. Number three, Nitwit. That's a good one. What is a nitwit? What is I got your back? It's just something that rhymes with wit.

[Dan Le Batard]

No, no. Wit.

[Stugotz]

Number two.

[David Sampson]

Feels like this could have been a top five.

[Juju]

Gutter snipe.

[Stugotz]

What?

[Juju]

Gutter sniper.

[Stugotz]

Put it on the poll, please. Juju. Have you ever heard the insult gutter snipe? Number one. That's very high.

[Juju]

Nincompoop.

[Greg Cody]

Nit comes from the Dutch word meaning nothing or not combined with wit, which is, you know, you got it. Witless.

[Dan Le Batard]

Very good at origin words, I guess.

[Stugotz]

Put it on the poll, please. Juju at LeBatard show. I think the audience is going to side with me on this. I also think it's not something the audience has considered. Mother bleeper. Question mark. Someone who bleeps mother or bleeps them over at Le Batard Show.

[Greg Cody]

I got your back. Hang on.

[Stugotz]

Thank you, Mike. I do appreciate you chasing all of these things down like the old days. It feels good. It feels good to just have Mike Ryan chase things around.

[Greg Cody]

For me, honestly, AI has made this so much easier.

[Stugotz]

Where did you land Cody on etrial? Because one of the things that I have been trying to celebrate in sports around here over the last, I'm going to say 10 years of watching everything become content. Argument, culture. Sure. Everything is to be complained about in sports instead of celebrating is just that we're living in an era of real mastery. Like to see LeBron postering people at 40 is crazy. Even as LeBron and Anthony Davis are saying we don't have enough help. It's just crazy to see Ohtani doing what he's doing after seeing Serena Williams do what she did. But what Ichiro did as mastery, because it came from another land and because he wasn't revealing in interviews and it could be hard to traverse the cultural language barrier. I don't think that people understand what we're talking about with what Ichiro could do with a baseball bat that had no precedent in the sport. I remember being in a clubhouse one time with Rafael Palmeiro and a baseball bat. And he is holding the baseball bat and he's bouncing the baseball on the baseball bat. And he could do it for an.

[Greg Cody]

Hour like Tiger did.

[Stugotz]

He could do it for an hour because he just knows how to land the ball on the part of the bat that he wishes it to hit. And Ichiro was more than whatever that mastery is like. When I'm watching this documentary between Greg Maddox and Barry Bonds and I'm watching the two of them talk about the level of expertise that we're talking about here, it's something that you'd hear from LeBron on his JJ Redick podcast, which is better partnership than the one they have in basketball. What Ichiro did professionally from another land is a bit of one of these mysteries where you're like, I don't understand how he was able to combine the arts from his homeland on discipline to do something that is a failure game. And he failed at it less than most because of how he could control a baseball. Bad.

[Greg Cody]

I've got the origin of mother bleeper. So it's not actually bleeping one's mother. It was used like, you know how you have a huge battle, the mother of all battles? This Sunday, we have the mother of all AFC game. So what this signifies is you are essentially the mother of all bleepers. How about that?

[Stugotz]

That's a stunner right there.

[Greg Cody]

Chat GPT, man.

[Stugotz]

People say they don't learn anything from this show. I'm saying everyone in the audience just learned that right now. I'm saying there's not a person who knew that out there, not one human.

[Greg Cody]

Being out there, a little conflicted morally because of how great ChatGPT is in terms of an efficient search engine. But with every question that I ask it, it only gets more powerful.

[Dan Le Batard]

Sometimes it is just wrong, though.

[Greg Cody]

And I was like, yeah, I asked it, hey, can you give me some great television shows with a comma in it? And it gave me Friday Night Lights. And I'm like that. I'm like, chatgpt, you're wrong. Chachi. PT was like, you're right. I do have that wrong. I'm like, hold up.

[Jeremy]

So it's like, Greg, Cody.

[Greg Cody]

It's just like, look it up.

[Dan Le Batard]

This is the first step to you falling in love with ChatGPT.

[Greg Cody]

It's happening.

[Juju]

It's overrated. Google it.

[Greg Cody]

I read an article, some lonely people are falling in love with AI boyfriends because they just need a companion.

[Jeremy]

When you Google, there's AI too, Greg. So at this point, we have no information. And they're going to get rid of Wikipedia, so that's good too.

[Juju]

Okay. Yeah. Wikipedia's been trying to beg money for years now, huh? Whenever you go on it. No, ichiro. In my 10 or 12 years voting, my 10 or 12 years voting, ichiro and Derek Jeter have been the Most perfect candidates imaginable. And it is funny though, the fact that he didn't get one vote. He was one vote from being unanimous and now it's a national scandal. Ridiculous. We don't agree with anything in this country. You could ask, do you believe this.

[Greg Cody]

Is a new and unimproved Dan Levatar.

[Mike Ryan]

Show with the Stugach Gamble on by.

[Juju]

DraftKings My God, I wish this was on the air. Seconds left. I was timing my dismount so that it would be perfect. Can't work out. I hate the sound of that horn. It almost sounds like somebody scored a goal in a Panthers game. But I just hate everything about it because that time I had it all figured out. I in nine seconds I was timing it right down to them and that horn. Totally unfair, Mother.

[Greg Cody]

Hey, Jeremy.

[Jeremy]

Yes, Mike?

[Greg Cody]

Have you ever had a fireside conversation during a football Sunday during the winter?

[Jeremy]

Sure, we don't have a lot of fireplaces down here, but I've had the premise of it.

[Greg Cody]

I wish I could, but it's South Florida. When it gets down to the 60s, we're like, we're bundled up, but certainly no fireplaces. Still too warm for that. But we do have our football Sundays. And one thing that always makes football Sundays good. And I know you've had had plenty of experience in your life with this Miller time.

[David Sampson]

Oh, yeah.

[Greg Cody]

Miller Lite makes the winter better. It makes football Sundays better. It makes even hanging out around you better.

[Jeremy]

Thanks, Mike. That was kind.

[Greg Cody]

I appreciate that. You're my friend. When I have a Miller Light in my hand, pretty much everybody is my friend. Because we are like minded. Because we like beer that actually tastes like beer. Oh, and now the new year. It's a perfect time to have a Miller time. Miller Lite is brewed for taste. People out there, I want you to listen to me. And Jeremy, you too. Because you know it hits just different than other light beers. The original light beer since 1975 and still the very best one, Miller Lite. Great taste. 96 calories. Go to millerlight.com dan to find delivery options near you. Or you can pick up some Miller Lite pretty much anywhere they sell beer. Tastes like Miller time. Celebrate responsibly. Miller Brewing Co. Milwaukee, Wisconsin. 96 California calories and 3.2 carbs per 12 ounces.

[Dan Le Batard]

Yeah, sure thing. Hey, you sold that car yet?

[Juju]

Yeah, sold it to Carvana.

[Dan Le Batard]

Oh, I thought you were selling to that guy.

[Juju]

The guy who wanted to pay me in foreign currency, no interest over 36 months.

[Stugotz]

Yeah, no.

[David Sampson]

Carvana gave me an offer in minutes.

[Juju]

Picked it up and paid me on the spot. It was so convenient.

[Dan Le Batard]

Just like that?

[Greg Cody]

Yep.

[Dan Le Batard]

No hash hassle?

[Stugotz]

None.

[Dan Le Batard]

That is super convenient. Sell your car to Carvana and swap. Hassle for convenience. Pickup fees may apply.