The Dan Le Batard Show with Stugotz

"Hour 2: HIT IT, BRUCE! (feat. Walmart Austin Butler)"

Date: February 11, 2026
Location: Elser Hotel, Downtown Miami
Key Guest: Lucas Zelnik (Comedian)

Episode Overview

This episode features a lively discussion with stand-up comedian Lucas Zelnik, known for his quick-witted crowd work and recent rise in popularity via social media. The crew also dig into NBA drama, the quirks of sports television punditry, and indulge their trademark brand of meta sports banter, including a memorable Chris "Mad Dog" Russo audio bit played over Bruce Springsteen.
Episode Tone: Playful, irreverent, smart, occasionally self-mocking.

Key Discussion Points & Insights

1. Comedy, Crowd Work, and Social Media

• Lucas Zelnik’s Standup Journey

  • Lucas waited to tell his loved ones about his comedy ambitions until he had some experience (00:43).

    “Being a comedian is kind of like being gay. You want to really make sure you are before you go out and tell all your friends you are.” — Lucas Zelnik (01:00)

  • He spent almost two years unsure if comedy could be a career, and reflected on getting better over time (01:25).

• Rise of Crowd Work & Its Reputation

  • Crowd work has become a popular clickbait strategy for comedians on social media, which older comics sometimes resent (02:21).

    • Lucas admits he leaned heavily into crowd work when he was new and his written material wasn't strong, which aligns with the stereotype that it's for comics “that don’t have good jokes.”
    • Now, as his act has improved, he enjoys selective crowd work, noting “no one needs more than 45 minutes of jokes” in an hour set (02:21–04:05).

  • Social Media Impact:

    • During the pandemic, crowd work clips went viral, especially for younger audiences who hadn’t been to live shows before, boosting Lucas’s following (03:00–04:05).

• Audience Expectations & Interactions

  • Lucas notes that comedy audiences may expect more crowd work due to social clips, but he manages expectations and keeps disruptive heckling in check (04:35).
    • “The more experience you get as a comedian, the more terrifying crowd work becomes. When you’re really bad, crowd work makes a lot of sense because anything’s better than these terrible jokes I’d written about Hitler.”—Lucas Zelnik (05:25)

• Approach to People in the Audience

  • He finds it's easier to make fun of confident men on stage, using the example of calling straight men gay as a comedic 'easy in,' which he notes is less funny with gay men and can cross lines (06:28).
  • Lucas believes in treating everyone equally on stage but acknowledges it can make some people uncomfortable (06:32–07:47).

2. Comedic Process, Bombing, and Recovery

• Handling Hecklers & Audience Energy

  • Lucas emphasizes reading the audience — letting them “play [him] like a puppet” to follow where the energy and laughs are (07:58).
    • “If the audience can get a bigger laugh than you, you can’t be the guy who’s like ‘well, that wasn’t funny.’ You listen to the audience for everything.” — Lucas Zelnik (08:00)

• Zen-Like Approach to Standup

  • Rather than forcing “an agenda,” Lucas adapts or abandons crowd work or written material depending on audience response (09:03).

• Bombing vs. Killing on Stage

  • The pain of bombing is “so much stronger” than the satisfaction of killing:

    “Killing feels like the job… If I bomb, I have like a crisis of identity because I feel like I cheated these people.” — Lucas Zelnik (11:15)

  • Lucas shares his most recent “bomb” story in Philly, due to a quiet, disruptive heckler and lack of club support (12:33).

• Anti-Bombing Strategy

  • “My strategy is double down until it either comes full circle or some people are walking out.” — Lucas Zelnik (17:21)

3. Comedian Comparisons & Long-Running Jokes

• 'You Look Like' Comparisons

  • Lucas shares some of the odd comparisons he gets, including “Walmart Austin Butler” and “Tanner from Love on the Spectrum” (17:49).
  • Claims he rarely gets compared to athletes, possibly due to not looking very athletic.

• Joke Longevity

  • Still performs a joke he wrote six years ago:

    “I’m not religious because I grew up rich, so I never needed that excess hope.” — Lucas Zelnik (18:28)

  • This joke (part of a now-expanded set) is an example of how bits develop and mutate over the years.

• Material Inspiration

  • Lucas gets much of his material from contemporary political and cultural discourse, noting the content is universally topical but seen from different perspectives across the country (19:30).

4. NBA, Wealth, and Dysfunction

• NBA All-Star, Load Management, and Wealth

  • Transition to NBA conversations:
    • Referencing Woj’s stories, the culture of load management (and Mad Dog’s rant on the subject, see: [Mad Dog Sound Segment, below]), and the outsized role of money and ownership arrogance.
    • “What does $48 million mean to Steve Ballmer? He earns that in a fraction of a day.” — Mike Ryan (30:01)

• Wealth, Rules, and Accountability

  • Discussion about how extreme wealth creates a feeling of invincibility among owners, who feel they can circumvent the rules and buy their way out of trouble (29:49–30:48).

5. Sports Punditry: Hall of Fame, Dungy & Belichick Debate

• Tony Dungy, Rodney Harrison & Hall of Fame Voting

  • The crew explores why Tony Dungy won’t reveal if he voted for Bill Belichick for the Hall of Fame, seeing his reticence as essentially confirmation he did not (31:27–33:25).

    • “It’s tantamount to taking the Fifth Amendment. … The first rule of being a Hall of Fame voter in any sport should be full transparency.” — Greg Cote (31:27)

  • Rodney Harrison’s On-Air Call Out:

    • Rodney Harrison directly tells Dungy his exclusion of Belichick is egregious, emphasizing Belichick’s impact even on Tom Brady’s legacy (32:13).

• Who Should Vote for Honors?

  • Randy Moss argues only coaches and players should vote for the Hall, but the crew notes this approach has its own biases (35:33).

6. "Mad Dog Russo" Audio: HIT IT, BRUCE!

Segment Starts: 22:10

• The Show Plays a Hilariously Melodramatic Mad Dog Russo Rant Set to Bruce Springsteen (‘Hit it, Bruce!’)

  • Mad Dog claims he once did his show with a ruptured appendix (and was later hospitalized), drawing a parallel to NBA players sitting out for "load management."

    “I did an hour show with High Heat, sick as a freaking dog... And three days later, I was in the Stanford hospital... operated on me for three hours to get an appendix out, a ruptured one. And Jaren Jackson can’t play in the fourth quarter, making $50 million a year? … Springsteen at 80 years of age playing three and a half hours every freaking night!” — Chris Russo (22:41)

  • The Le Batard crew loses it, loving Russo’s self-mythologizing and epic delivery.

    • “He just shouted his name. Did you hear him? Chris Russo. He just said his name.” — Mike Ryan (25:22)

  • Extended riff about how Springsteen’s music is the soundtrack to Russo’s rants.

7. White Castle Bet & NBA Futures

Segment: 37:21

• Bet the Castle Segment: Tony makes a “futures” bet, choosing the Denver Nuggets (+450) to win the NBA Finals, noting Jokic’s impact and the “cannibalism” expected in the Western Conference.
  • Extended riffing on White Castle burgers and how the segment sponsor makes everyone’s mouths water.
    • “That is a tasty burger, Dan.” — Mike Ryan (38:52)

8. Meta Banter and Show Tics

• On Being Voiced Over, Vulnerability, and Voyeurism
  • The show teases Jeremy for being caught on camera working alone, singing, etc. They riff on bullying, being too mean, and voyeuristic gags (20:17–21:46).
• Greg Cote’s ‘Larry David’ Personality
  • Greg claims his Larry David-like personality predates the show “Curb Your Enthusiasm.”
    • “I have the soul of a Borscht Belt comedian. I should be in the Catskills in 1945 opening for Shecky Greene.” — Greg Cote (16:49)

Notable Quotes & Memorable Moments

• On Coming Out as a Comedian:

  “Being a comedian is kind of like being gay. Like, you want to really make sure you are before you go out and tell all your friends you are… you don't want to have to walk that one back.” — Lucas Zelnik (01:00)

• On Crowd Work:

  “The more experience you get as a comedian, the more terrifying crowd work becomes.” — Lucas Zelnik (05:25)

• On Audience Control:

  “The audience doesn't really know this, but they kind of control the show… they sort of play me like a puppet.” — Lucas Zelnik (07:58)

• On Bombing vs. Killing:

  “Bombing is so much stronger than killing… If I bomb, I have, like, a crisis of identity because… I cheated these people.” — Lucas Zelnik (11:15)

• On Wealth & NBA Owners:

  “What does $48 million mean to Steve Ballmer? Isn't that something he can make in a fraction of a day?” — Mike Ryan (30:01)

• Mad Dog Russo’s Legendary Rant:

  “Chris Russo can play hurt when his appendix is ruptured but Jaren Jackson Jr. can’t play the fourth quarter being paid 50 million a year.” — Mike Ryan (25:32)

• On Comedy Persona:

  “I have the soul of a Borscht Belt comedian. I should be in the Catskills in 1945 opening for Shecky Greene.” — Greg Cote (16:49)

Timestamps for Key Segments

• 00:08–13:00: Lucas Zelnik’s comedy journey, crowd work, social media, audience management
• 13:00–19:45: Bombing stories, recovery, double-down strategy, “You Look Like” comps, joke development
• 20:00–21:50: Show banter — Jeremy’s vulnerability, bullying jokes & video gags
• 22:10–26:12: Mad Dog Russo/’Hit it Bruce’/Springsteen sound segment
• 29:49–30:48: NBA owners, wealth, load management, Ballmer and the rules
• 31:27–34:35: Hall of Fame voting, Tony Dungy v. Belichick, Rodney Harrison on-air call out
• 37:21–39:09: “Bet the Castle” NBA Nuggets pick, White Castle riffing

Final Thoughts

This episode fuses NBA intrigue, sports media meta-commentary, and comedy craft with the show's signature blend of intellect and absurdity. Lucas Zelnik brings sharp self-deprecation and insight into both his own career and the wider world of modern stand-up, while the crew riff on everything from the NBA’s richest owners to the politics of Hall of Fame voting — all spiced by Mad Dog Russo’s unforgettable, saxophone-backed diatribe.

[For full Lucas Zelnik tour info: lucaszelnik.com]