Dan Le Batard (2:17)

How often does that happen?

Andres Cantor (2:19)

Quite a bit. Quite a bit. Which is super, super nice.

Dan Le Batard (2:23)

You never expected any of this, right? Like, what did your professional dreams look like when you were first thinking about working in sports?

Andres Cantor (2:30)

I think we have something in common because I went to USC and wanted to be a professional writer. I started my career as a written journalist. I went through the four years of the journalism curriculum in USC without taking one television or radio course. Because I started writing for a magazine in Argentina, or actually a company, a publishing company that had five very, very popular magazines at the time.

Dan Le Batard (3:03)

You were going to be a sportswriter?

Andres Cantor (3:04)

I wanted to be a sports writer. I was a sports writer for many, many years, until I was called for an audition at the old Univision. Without having stepped in a day in my life in a TV studio, I had a break.

Dan Le Batard (3:19)

Your story is remarkable for a number of different reasons. But can you explain to people as someone who is now more identifiable as the voice of soccer than, I think, anybody in the world? I think I can say that fairly. Your early beginnings at Telemundo. Does anybody have any idea of how gritty and small and dirty and cheap all of that had to be? Because you were just trying to learn how to do things. And it probably seemed glamorous to people and wasn't glamorous at all.

Andres Cantor (3:49)

It wasn't glamorous. First, my start was at univision. I was 23. So it's. Everything that happened in my early professional life was super glamorous because I had never stepped on a TV studio in my life. So there I was, you know, the lights, the camera, the counting down, the three to one. It was awesome to me. And then we started traveling around the world to do games. And I said, this the best life I could have. And actually, it is 40 years detached from that moment. But I had no clue, honestly, of what to do, where to look. I mean, I have a funny story, if you want to know. I will never forget, and I believe I put this in writing somewhere. I went to the studio. My very first assignment was to the sports segment on the national newscast next to Maria Celestia Radaz, who at the time was, you know, young and upcoming, but a very good, you know, news anchor. So I said to the director, okay, so what do I do? Because I've never been in a TV studio or this situation. This Cuban lady, I forget her name. She tells me, very simple. Just read the teleprompter. It's a machine called Teleprompter. Sit in your chair like you have a stick up your ass in Spanish and just read and be yourself. I said, oh, that's easy. Okay, so I did this. And hola, hue a tarde como rejoicing. And then I sweated it out. And I said, how did I do? Great. And then I did the newscast, like every other day.

Dan Le Batard (5:30)

So hold on a second. So you go from a writing career in that instance to now I want to do something else. What I wanted to do, my vision. And everything is different now.

Andres Cantor (5:40)

Yeah, I go from writing four or five pages of literature because I thought I wrote very well at the time. And I went to Vegas, Uncovered boxing, and I went to the Oscars and covered the Oscars. And for me, the five pages that they gave me were novels and I thought I wrote very, very well. I went from that to writing 20 seconds of information. The transition, believe me, was very hard. It probably happened to you.

Dan Le Batard (6:11)

Well, it's God's sense of humor with you that you would love all of the words but be known for one above all, that you would have to be that efficient. And even there you wouldn't want to be efficient. So you lose your breath saying that one word for 30 seconds.

Andres Cantor (6:24)

Well, that took a long time to happen. But yes, definitely it was very funny because obviously, if you have to summarize my career with just one word, we know what.

Dan Le Batard (6:35)

But what a legacy though, right? Like, I don't know if you're thinking about any of those things now at your age, as you broadcast with your son, you become the first ever father son team on English sports television to be doing that particular thing on soccer. How much do you think about your legacy? Is it something that you think about at all?

Andres Cantor (6:51)

No, never. Honestly, never. I mean, I'm 62. I think I have a few World Cups left. I'm not going anywhere, either in Spanish or in English or in French for that matter. Who knows? I don't. I mean, we all work because we love what we do. I mean, at the end of my career, I'll just paraphrase. I always paraphrase athletes. You know, when you ask the same question of active athletes, they'll say, not really. I'm just looking forward to the next game. And I actually am, to my next broadcast game. And then, you know, when it's time to retire, I'll probably look back and say, whoa, what does happen now to me is I am, I mean, my viral call of the winning penalty kick in Qatar for Argentina, the fact that I am Argentinian did shake me a little bit because the recognitions that I've been getting all over the world actually, because of that, you know, two minute clip with me crying, you know, over Argentina winning the World cup, it just, it moves you a little bit because I got stopped in Australia, in Europe, in Argentina, anywhere I go, they say, hey, wait a second, you made me cry. And up to this day, people come up to me either in the supermarket that recognize my voice or people stop me and say, I cried with you. You made me cry. And you made me remember my parents are no longer alive. We watched the games with you when we were, you know, when I was young and there was a family connection. It's like really, really moving. So if that is considered part of what I did throughout My broadcast career whenever I retire. And that is the legacy. This is happening now, and it's very, very powerful.

Dan Le Batard (10:05)

You should know that this was as moving a goal call as there has been, because you were going to get an authentic feeling of you love this as much as you ever have. And you knew that you were seeing a moment that you somehow met with your broadcasting, even though the expectations in that moment had to be really high. But I'm guessing you didn't even feel the expectations because you were just simply moved and being yourself.

Andres Cantor (10:31)

Well, every time then I call an Argentina game, it's probably the toughest assignment I have because obviously I'm looked at. I'm looked at with love and hate, even by the Argentinians, because, you know, the Argentinians are watching or listening. They want me to always say good things about the Argentinian national team. So if they can't put three passes together, and I am very opinionated in my play by play, and I say, come on, guys, you can't put three passes together, you know, I'll get criticized and killed by the Argentinian community. And then on the other side, if I'm talking, I mean, the first 75 minutes of that final was the best any finalist played in a final of a World Cup. And I said so. And I probably got lots of heat from people that were not Argentinians. Argentinians, you might know, are not the best lights in the world. I don't know why. Really, we are the best. We're number one. We're world champion. No, but. So it's a very, very tough assignment. So I have to balance and be extremely careful with every word that comes out of my mouth. And when you have so many emotions going in the final of a World cup with your national team, and I'm on the record that I'm not a hypocrite, I mean, you ask me, who do you want to win? Argentina. La procesion ba pordento. I mean, I try to keep it inside. The second biggest compliment or the biggest compliment that I got after the final was from people not from Argentina saying how loud and long I yelled the mbappe goals because they said that they thought that I would say goal. Oh, France scored because they were scoring in Argentina. And that is a big, big compliment.

Dan Le Batard (12:18)

You pride yourself, right, on trying to be honest. And I'm not gonna. I mean, sort of objective or aspiring to objectiv. In the moment that Argentina wins the World cup, your mask falls off. Yes. And the professionalism too. Right?

Andres Cantor (12:34)

And it's okay I think it's okay because at the end of the day, I mean, the World cup is a very powerful event. You have to be, you know, especially in Argentina. Argentina has an identity with its national team like I think no other country has. We live and breathe that team come the World cup. You know, we are all fans and especially I think there is a different type of connection with the people that live outside of Argentina. So, you know, for me to having called somebody else. Campion del mundo, Brazil. Campion del mundo. Italia. Campion del mundo. And this Campion del mundo. And okay, when is Argentina's time? You know, I called the 2014 final in Brazil. We came that close. I've called all the Argentina games since the 1990 World Cup. And hey, I was in Azteca Stadium in 96 as a writer working for Argentina, but I wasn't with a microphone in my hand. So, I mean, from then to 2022, I was waiting for that moment. And that moment happened and it happened naturally. I had nothing planned. I had. Everybody and their mother asked me, did you plan this? What did you have written? I said, I never write anything that I say because, you know, soccer is a fast moving game and whatever happened, happened.

Dan Le Batard (14:06)

Oh, but you also do the whole thing from your heart.

Andres Cantor (14:08)

Yeah, I mean, it came out from my heart. It came out from my heart at the moment that that ball went in. You can see if you analyze my anguish in my eyes while I'm looking down on the field. I'm like all the way up, you know, in the broadcast booth and I see the ball going in and I just went like, it's, you know, it's happening. And it was just a moment of joy. My kids don't like it, neither does my wife. When I say that I was probably the best part of my life because, you know, my wife come back when we got married, it wasn't. Yeah, kind of. And my kids say, hey, wasn't the day that I was born the best part of the day of your life? Yeah, in a different sort.

Dan Le Batard (14:55)

No. You're lying to them, you're lying to your family. You had the best moment of your life was calling that goal and weeping for two minutes because. And doing your job extraordinarily well in that moment. Showing, showing yourself to the audience, laying yourself bare. And I don't know, I don't know if it's forgetting broadcasting principles, but not needing to adhere to them. Like just feeling, showing everybody how you felt, honestly.

Andres Cantor (15:19)

But I don't think I, you know, I broke any broadcasting rules. Really, I was, you know, myself, and I've been doing this for 40 years, and I've been always very true and genuine. Genuine to my audience. They can see my face when I'm pissed off about the result or about how bad a team that plays. I mean, we're all behind the US national team bandwagon here, both men's and women's, because, you know, we're all Americans and we live here and we want them to do well. And every time I get to call a game that they don't do well, whether it be the men's or the women's, it shows in my face. And I'm very vocal about it.

Dan Le Batard (15:59)

I'm just saying that when it comes to broadcasting professionalism, I'm saluting what is a majestic moment that has no criticism. I'm just not used to seeing my broadcasters sob with their champions. It's not. It's not the most common thing in the world.

Andres Cantor (16:14)

It probably is not. That is the way I feel for this game. It's my life. I live. Think about football, soccer, 24 hours a day.

Dan Le Batard (16:24)

Well, take me through your history here. Like, where does your ambition come from? And how competitive were you at the start of your career?

Andres Cantor (16:32)

I was super. I mean, first and foremost, I was 23. So it was like I was sitting in the golden chair for many, many years. I started working at network that. It was the only network that televised soccer in this country on a regular basis. So I knew I was sitting on the throne and everyone was watching us. Whether we broadcasted Mexican League, Italian League, whoever we happened to put on air. It was the only source of getting your 90 minutes of soccer on a weekly basis, Saturday and Sundays. And I was the only one. This is crazy. It sounds absolutely crazy if I tell you that in 1990, 1994, 98, I've called every single World cup game for Univision. We're talking about 52 and 64 matches. That is a lot. Don't ask me how in the heck I did it. Probably I was. You know, my voice was younger than it is now, but it's unheard of. So I knew exactly what job I had and where I was sitting. And I always was very grateful. And I was obviously very aware of my surroundings because I knew that there were people wanting my job.

Dan Le Batard (17:54)

Well, how competitive. You're not giving up the seat for any reason, right? You're not going to allow someone else to sit in that seat and replace.

Andres Cantor (18:00)

You if it weren't for me? No, of course not. You know, I Didn't call the shots, but obviously the network liked me. My career exploded after 1994, so it was kind of, you know, easier to solidify myself as the number one voice of soccer. But actually, I was the only one until the last World Cup I did for them in 1998. I called every single one.

Dan Le Batard (18:26)

But how competitive were you? How unreasonably competitive were you? Because I don't think successes like this are an accident.

Andres Cantor (18:32)

No, of course. No. I'm super competitive. I mean, I am. I mean, it's bad that I talk about myself, but I'm 110% professional and I prepare as much as I can. And when I fail on a given instance that I think I should have said something different. I can't sleep at night. I mean, I prepare myself. I'm not talking about stats. I'm not talking about. I'm talking about something that I've seen on the pitch that could help understand the game better for my audience or that is relevant to what happened in that moment.

Dan Le Batard (19:09)

Still, you can't sleep at night. Still, you're that unforgiving of yourself.

Andres Cantor (19:13)

The other day it happened to me. I broadcasted the South Korean national team and I missed the player's name. There were like four Kims, four Lees. But when that happens, and this happens every time I call the South Korean national team, I have to give the first name of that Lee. Because If I have 10 or six Le Batards, you know, you're Dan. He's, you know, John. So. And I missed it. And it took me a while to. I missed the guy. He didn't score, but he had the pass, the assist, to the score.

Dan Le Batard (19:51)

But O quejeso, like, why wouldn't you be more forgiving of yourself at this point?

Andres Cantor (19:55)

No, it's not at this point. I was like this from day one, and I'm still like this. And it bothers me. I don't know, it's just a competitive. My. You said. How competitive was I. That's the way that I handled competition within myself.

Dan Le Batard (20:09)

Well, where does it come from? The ambition?

Andres Cantor (20:12)

Probably the. I don't know where it comes from. It's probably because of, you know, the Argentinian way of playing football and upbringing, I guess I always been very, very competitive. I mean, my friends hate. Hate it. I don't play that often. My niece don't allow me to play that often now. But when I was younger, my friends hated to be on my team because I was the most competitive out on the pitch. I yelled at everyone. I got into fights. Even with my teammates. They hated to be on my team.

Dan Le Batard (20:49)

This is hard to believe. You are a lovable person. You are just a rabid competitor.

Andres Cantor (20:54)

But you know what? It was when I started working on tv, I said very young, and we moved to Miami, and I started going to the pickup games here, and people started recognizing me. I had somebody tell me, hey, you better take me off, because you're gonna get in trouble and you're gonna lose your job because somebody's gonna punch you in the face.

Dan Le Batard (21:17)

But you don't know where it comes from. You haven't examined your.

Andres Cantor (21:22)

I mean, it comes from my personality. And super competitive in everything that I do. I don't. I play to win. I mean, I'm extremely competitive in business, in life, in broadcasting, in everything that I do.

Dan Le Batard (21:35)

So take me back to your acclamation to this country. How much of an outsider Were you 10 years before your broadcasting? You're 14 years old or you're thinking about going to USC. Where are you in your life? How difficult is the transition to the States?

Andres Cantor (21:49)

It was very, very hard. My parents, my dad a physician, gastroenterologist. My mom a psychologist. They move. I mean, we have similar stories, you know, because your dad came from Cuba, you know, my parents fled. My grandparents fled, you know, the Nazis, from Eastern Europe, Romania and Poland. They settled in Argentina. The military junta was about to take over in Argentina. My dad was a physician. Things weren't going very well. They moved to Sacramento. I had never seen a horse or a cow in my life. I came from Buenos Aires. I was playing soccer every weekend. I was going to see my beloved team, Boca Juniors every weekend. I had all my friends. I had my family. I didn't speak a word of English. It was super, super tough. I go back live in Argentina for a year by myself. I was in heaven, even though everything was very, very poorly.

Dan Le Batard (22:53)

How old are you?

Andres Cantor (22:54)

I was 14.

Dan Le Batard (22:55)

By yourself, you go back to Argentina for a year?

Andres Cantor (22:58)

I got stuck actually in Argentina because my parents were in the process of getting the green card. Their lawyer said, oh, you're both professionals. It's going to come out in the summer. So in the summer, when I finished my last year of school here or my first year of school, the lawyer said, you know, send your son. If he wants to go, send them. Because when the green card comes out, you have to go to the Argentine embassy, to the US Embassy in Argentina anyways. Well, it did not come out through the summer, so I had to wait a year or 11 months.

Dan Le Batard (23:32)

But we're Happier there because at least you spoke the language. That has to be very hard to be a young teenager and not speak any English in Sacramento.

Andres Cantor (23:39)

It was not only that, but they asked me, where are you from? Argentina. Oh, Rio de Janeiro. And say, oh, my God, this is going to be tough. No, it's Buenos Aires, actually, where I'm from. So it was really, really tough. I mean, I had to learn the hard way. Then when my family relocated to Los Angeles, they came, picked me up, grabbed me by the hair and said, you're not staying. You're coming back with us. And I did. And then I got. It took me a couple of years in LA to, you know, to start really learning the language. And I didn't have any visions of where I was going to go to school. I finished high school in la, and then I went to USC thinking that I wanted to be a professional writer, a sports writer. And I started writing about sports, like I said, about everything else.

Dan Le Batard (24:35)

Because do your parents think you're wasting your life and your career by making that choice? Because when I made that choice, my mother had to fight my father tooth and nail over that. My father didn't forgive me for a long time. I mean, he. He came to this country and paid for a private education so I would become an engineer. And so when I don't want to become an engineer because I want to become a writer, it's an asinine choice.

Andres Cantor (24:55)

Did you tell him?

Dan Le Batard (24:57)

I did, and he didn't like it. Like it's not what he wanted. And it's only. I think I would have ended up doing whatever he wanted me to do. You know, I don't need to tell you the Latino father, if it had not been for my mother saying, you cannot allow him to choose something that might lead to unhapp happiness. We're watching at the dinner table. You come home every day complaining about your bosses because you're not happy, and you're hearing your son say, I don't know what I want to do later in life, but I don't want to be at the dinner table complaining about what I'm doing for a living.

Andres Cantor (25:25)

Well, I remember vividly it happened pretty much the same thing. My dad didn't push me that hard, but he obviously wanted my brother and I to be doctors just like him. When I had to make the choice of going to USC and choosing my major, I remember they were in bed already was, you know, evening. I knocked on their door and I said, I have something to tell you. I'm going to Be a journalist. I'm not going into, you know, medicine. They looked at each other, and I think one of them said, we support you. And my dad said, pero te vaza morir de ambre. You're gonna.

Dan Le Batard (26:07)

You're gonna die of hunger, right?

Andres Cantor (26:11)

And then, you know, my dad, we.

Dan Le Batard (26:14)

Support you, but you're gonna die of hunger. Those two things don't feel necessarily like support.

Andres Cantor (26:20)

Well, I could care less, really, because I didn't want to be a doctor anyways. But it's funny because, you know, my dad remembers that day and every other time that he sees me, he goes. He comes up to me. Oh, boy, was I wrong. Thank God you chose journalism, because now, obviously. Let me take you back and take the audience back. Forty years ago, medicine was one of the best paid professions in this country. They didn't have to see 40 patients in an hour to make a buck. They only saw, like, I don't know, whatever it was, you know, 10 patients in a day. And they made a very good living. So that was. The standard of living, was very good. That is why they comment. And every time my dad sees me, he remembers what he told me, and he's lucky that I became a journalist.

Dan Le Batard (27:11)

Well, what do they have to say about. Have you watched the clip of you calling Argentina winning the World cup with them? Like, what are the conversations like about that as an achievement for you?

Andres Cantor (27:25)

They're obviously very, very proud. Actually, I have not watched the clip. I haven't watched too many of my games. You know, they watch on the other side now. They are super proud of myself because every time they go to a restaurant and they pay with a credit card, if there's a Latin owner or a Latin, you know, server, they see cantor. Do you have anything to do with Andres? I'm his dad. Oh, no, you're not. No, you're not. And he shows pictures and he gets, you know, either a discount or dessert for free.

Dan Le Batard (27:58)

Gets to celebrate just how wrong he was about trying to make his son on a doctor.

Andres Cantor (28:02)

Exactly. Exactly.

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Oh.

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Dan Le Batard (30:25)

What was it like for you emotionally, to broadcast a game with Nico? It was your son, I should say to the audience.

Andres Cantor (30:32)

It was super weird, honestly. I mean, super. It was a very proud moment. A Proud family. Every. Everyone was watching that game. I was a guest on his network, and it was, you know, they presented me like the legend we have the legend. Andres Cantor, you know, for the first time calling a game with his son. First father, son on an American broadcast booth in English. It was super moving, super touching, but I needed to be detached from that moment, because if not, I wasn't gonna be able to do my job. And I told Nico right away, hey, you take it. I'm here. I'm a guest. Forget that I'm your dad. Just let's pretend that I'm a guest on your network because I'm a guest on your network. So pick it up and just let's do how it's usually done. So in that sense, it was super smooth. And then I looked at him, and it was weird because he's so good at what he does and the way he sees the game and analyzes the game. That I had a lot of comfort by doing a game with somebody that I had never done a game before, but I knew that he knew about the game. And then I looked over and, you know, he's Nico. He's my son. And it's like you have to disassociate yourself from the moment because, you know, Latinos, we are very, you know, maybe.

Dan Le Batard (32:03)

Repressed is the word you're looking for. Oh, well, wait a minute. So, no, you went a different way than I thought you were going there because I thought, okay, so you were trying to keep from crying there. You're pushing down everything so that you can remain professional.

Andres Cantor (32:17)

I'm trying remain as calm as I could because I didn't want to mix the fact that this was a moment because this moment could happen again. And it will happen again, for sure.

Dan Le Batard (32:30)

But a proud moment you're talking about. I think of the Latino man as being more constipated with his feelings. You're saying, no, we're criers.

Andres Cantor (32:37)

No, we are criers. I mean, at least I am. I mean, I'm very emotional about everything. I mean, I knew what was going on, but I kept it inside, because if not, you know, I mean, the. CBS Sports wasn't used to a Latino crying just because he has his son next to him.

Dan Le Batard (32:54)

Okay, but when you. When your team wins the World cup, you're allowed to sob for two minutes when you're feeling parental love. No, that's where I draw the line. I have to be. I think they wanted you there, at least in part, to mine. The emotion of the legendary moment we.

Andres Cantor (33:08)

Did Kind of manage the emotions because we gave a couple. He gave a couple of personal anecdotes. And at the onset he said, what should I call you? Pops? Or, you know, how do we go about this? I mean, we had those moments which were super, super nice, and I mean, out of the broadcast guideline book, but, you know, that's the reason we were there. And it was super, super emotional. At the end, I started crying like, you know, like a baby.

Dan Le Batard (33:37)

Tell me about that. What was happening at the end?

Andres Cantor (33:40)

Well, at the end we hugged and I asked him. It's funny because usually I give him advice or I gave him at the beginning of his career. And then at the end we hugged and I asked, how did I do? And he goes, you killed it. Really? Yeah. And then I went, see, I'm going to cry now. And then we went to the green room with all their people. And then when I got to the hotel, I broke down. I didn't want to break down in front of him because. Because I was happy. I was elated that I had to do this. It's called age then, and you're younger than I am, and it's going to happen with you. I have now suddenly a column in my career called Bucket List of Things. Either career or life of Bucket list of things. Even though I consider myself to be very young and active, but I have bucket list things, and that was one of them. And it's going to happen again. I know it's going to happen again somewhere, but, you know, bucket List checked and it was a lot of fun.

Dan Le Batard (34:48)

I find it interesting, though, that you would have to go in private to break down and that you wouldn't just share it with him.

Andres Cantor (34:57)

He knows because of what I told him when we had at the end, what I've told him, which I was more proud of himself than I was of whatever I did. But there were, you have to understand, like you have here in your company, there were 45 people around that are not used to, you know, hey, what's happening to the legend? Why is he crying? So I kept it to myself. And, you know, when I went like this in my room, started backtracking and thinking of what had happened, and I was. Because in that moment, I was a very proud dad. When I was on the booth, I was a very proud professional dad doing the game with my son.

Dan Le Batard (35:40)

You carry yourself with a great deal of gratitude. You love it every bit as much now as you've ever loved it.

Andres Cantor (35:45)

Yes, I love it every day. I mean, I'm loving It. I don't know if I love it more now than I. I loved my profession when I started, but I cherish every moment now. I savor it differently. It's, you know, the glamorous part. Been there, done that. It's just, you know, my job consists of trying to get people interested in a soccer match that perhaps is not as entertaining as it might be. And I have challenges because technology obviously has changed the way we have to broadcast because anything that I say now is scrutinized immediately through social media. And I turn my phone off just for sanity and mental hygiene until the end of the broadcast. And I'll answer or I'll realize that perhaps I did something or I said something that wasn't right. And then I fact checked and, oh, shh, again. I can't sleep that night. But I am enjoying. I'm full of gratitude that I get to sit in the best seat in the house in the biggest sporting events in history called Olympics World cup, you know, the big matchups in international football, World cup qualifying. And they pay me for it, and they pay me very well. What else can you. Can you do?

Dan Le Batard (37:23)

When you mentioned the Olympics, calling the Olympics in 2000 in English, doing it in English, was that meaningful to you? Where does that rank in terms of career achievements, the specifics of doing it in English?

Andres Cantor (37:38)

I believe we will have to, you know, fact check this, that I was the first Spanish language broadcaster to cross over into a major tournament to do English. I think I was. It was super, super important. Dick Eversole wanted me to do the Atlanta 96 Olympics. I was working at Univision back then. They didn't allow me to. And then it happened at NBC, bought Telemundo and they allowed me to go call the Games. And it was something that I wanted to prove myself. Like I told you, I'm super competitive. I knew I could do it. I had never done it. My music for Calling the Game is in Spanish, so I didn't know how I was going to do. You know how there are different styles in English language, play by play, broadcasting and soccer, they're more English from England driven. They're more subdued. I mean, sometimes, you know, I go make a coffee, the game is 00. I go make an espresso in my kitchen. I come back and it's 10 and say, wait, what happened with the volume? You know, they don't say anything. How could I not hear when the goal was scored? So it was something.

Dan Le Batard (38:54)

It seems impossible to. You must you have to announce the goal as if everyone in the world needs to hear that it was a goal.

Andres Cantor (39:02)

Of course, that's the biggest moment in the game. I mean, you. To. When there's a touchdown, you. I mean, I know you make silence, but somebody screams touchdown, you know, whatever. Or the hockey goal or whatever. But anyways, it was super, super important. I was very, very lucky to have a great team, you know, with me. That helped me through my nerves. I usually don't get nervous anymore. I mean. Oh.

Dan Le Batard (39:28)

But second language is tough. And I think your expertise, you just flowed right over the music. You are a singer, you are calling a game, and you are there providing accents. And that language, it's easier to do in your first language because it's a richer language. Trying to do it in your second language would leave you very insecure. Doing it for the Olympics is a lot of pressure to try and do all the prep you need to do and the lack of confidence you might have of a second language that you can't reach the song.

Andres Cantor (39:59)

Believe me, I was not insecure. Whatever follows being insecure. I was petrified, as I said. I had a very good production team that helped me along the way. And I'll tell you how insecure I was or how frightened I was. I was. Obviously, this was 2013 years into my career. It's not like, you know, the Olympics. I called in Tokyo. I called a couple of games. But second language, I know it's super tough. I didn't know. And believe me, thank God there wasn't any social media at the time because. Because the reaction would have been immediate. So first day off, I'm in my hotel in Sydney. I get a phone call. Remember, hotels used to have telephones. I get a phone call in my hotel room from Dick Evers office. He wants to see me. And this is halfway through the tournament. And I said, okay, I'm going there. Just chop my head, you know, he's gonna.

Dan Le Batard (40:56)

Dick Abersole, one of the most legendary production voices in the history of sports television.

Andres Cantor (41:00)

Yes. You know the guy that made Saturday Night Live, snl, the guy that worked with Rune Arledge on Monday Night Football. And he was Mr. Olympics for NBC for many, many years. The executive producer. He's the one that hires me. He calls me into his office at the ibc. He lived inside the ibc. He had a bathroom and lived inside the IBC during the Olympics and supervised every minute on air on NBC. He calls me onto the office, and I'm going there thinking, okay, here's my plane ticket on the Way back. Thank you, but no thank you. And he says, son, I will never forget, son, I want you to know you're doing a terrific job. The reaction back home is great. And he opens a closet and takes out, like, a varsity jacket and says, I only made 20 of these for very special people, and you already earned this, so please take it as a memento of. And, of course, if I was insecure up to that day because I was, you know, I was very nervous every time I went on air. From that moment until the final, I was Al Michaels, Vince Coley, Chick Hearn altogether.

Dan Le Batard (42:18)

Oh, wow. So you were on fire.

Andres Cantor (42:19)

I was like, I was on fire. It gave me, you know, such confidence that was incredibly comforting that this man, a legend in the broadcast business, gave me one of 20 varsity jackets. I had the NBC logo, NBC Olympics, and said, you're doing a great job. I said, whoa. Really? Thank God.

Dan Le Batard (42:43)

Do you still have it? Do you still have the jacket?

Andres Cantor (42:45)

I don't know where it went. I cannot for the life of me think, who threw the freaking jacket away. I look every time we find, you know, we go to the basement. Okay, let's look it up. I can't find it, and I regret so much not having it.

Dan Le Batard (43:00)

Can you explain to the people who may not know where it is that success and greatness are forever hungry? What would be a great example of how obsessive, compulsive you still are about preparation? Because you're not going to do your job lazily?

Andres Cantor (43:17)

Well, nowadays it's totally different than when I started. So now I have to double up because everything, all the preparation that I have, everyone else can have through either AI, through Google, through the club's websites, before, when I started, or throughout my career, this wasn't the case.

Dan Le Batard (43:40)

You were the reporter on your own information.

Andres Cantor (43:42)

Exactly. And I had to call the teams to call the players, have access to the coaches, to the media persons, etc. Etc.

Dan Le Batard (43:50)

Now you've got to find. Now you've got to find the different things that everyone else can't have to make your broadcast special.

Andres Cantor (43:56)

And it's my expertise on analyzing the game through the lens of the people that I know. If they want to hear how many. What's the average corner kicks that Arsenal takes on a given Premier League match, they know that, or at least they can find it. So it doesn't. I mean, I'll probably say they scored, you know, 38 goals from corner kicks in the last, you know, two seasons. That is a good stat. Perhaps if there's a corner Kick. It happened to me the other day because I gave that stat and they scored. I was very, very lucky. It doesn't happen often, but, you know, I have to enhance my broadcast in a different way because obviously the information that I have is also readily available for people. And the way you get scrutinized nowadays is through social media and they have direct contact. They think that they know you. You say you gave me a hug because you think they know me. Well, people think that because I'm in their living rooms every weekend, they get to say things to me like, I know them for their entire life. Hey, Andresito. Who? Andres Ito. What? Andresito. Do I know you? And so I have to be very well prepared beyond the stats that are obviously, you know, available.

Dan Le Batard (45:21)

Can you explain to the people from all of the places that you've ended up in pop culture? You've been a spokesman on campaigns, you've done super bowl commercials, you've done the late night circuit. So it's not just Letterman, but it's also Family Guy, the Simpsons. Of all of those things, is there one above all others that you'd put at the very top of looking around and being like, how did I arrive here?

Andres Cantor (45:47)

You are my better Argentinians of South beach sessions.

Dan Le Batard (45:51)

That's not true at all. That's nice of you to say, but I don't believe you for a moment.

Andres Cantor (45:55)

That's why I said you are my Argentinian.

Dan Le Batard (45:58)

You're just totally false. That's fraudulent, what you're saying right there.

Andres Cantor (46:02)

It's not 100% fraudulent. I told you. It's an honor to meet you, to be here. Probably the biggest repercussion is the Simpsons because it was a cameo with my name and likeness. There's a character saying, hey, Andres Cantor. And then, you know, it's my voice in the episode. And, you know, I watched the Simpsons, but I wasn't, like, a super, super big fan. And I know what it means. But just as much as people recognize me by the go call and by the video that made everyone cry, the other point of recognition is, oh, my. If you made it on the Simpsons, you're big. And that is like a common denominator of when people talk about the Simpsons. If you're in the Simpsons, you made it. I guess. I don't know.

Dan Le Batard (46:53)

You already feel like you've made it, though, right? Because there's something interesting about arriving but also trying to remain hungry, that you have to always feel, if you're competitive, like people are chasing you, like somebody.

Andres Cantor (47:07)

Wants to take Your job obviously nowadays, I mean before there was only one job. Now there's many play by play jobs around, you know, with many other networks. But obviously I have the best one because I am the main play by play announcer now for Telemundo going into 26 years and I get to call the best games. But obviously I always, I am very, very appreciative of where I am and it's been obviously amazing to be able to be the number one voice of soccer in America for the last 40 years. 40 years, four decades, that is. I look back and I know that is going to be part of my legacy for sure. I was, you know, I get emotional when people tell me you were the soundtrack of my infancy of, you know, I grew up listening to you every weekend. I love the game because of you. I've been doing this 40 years, that is a long time. And I cherish every moment that that happened and I'm looking forward to the next, you know, 20 perhaps. And I know that there are going to be very, very good years ahead of.

Dan Le Batard (48:21)

What were the dreams though, looking like you must have exceeding them. You've exceeded your dreams, every single one.

Andres Cantor (48:27)

But first and foremost, I never thought I was going to end up doing either radio or tv and I do both. I own my own radio company that owns the Spanish language ready rights to the FIFA World Cup. So I have a big production hat that I wear because I gotta put on the production of the World Cups. And I have a daily show just like you do every day in Spanish. And I have lots of fun. My company's 36 years in the make old and then, you know, it's super nice to be calling the World cup in 2026 and I'm looking ahead to things that are going to happen down the road, but it's obviously very, very challenging in today's world.

Dan Le Batard (49:12)

Can you tell me about the entrepreneurial side of what it is that you do the production, how many employees you have, why you're doing that, what's the reason for that?

Andres Cantor (49:21)

We started my. The founding partner of my company called Football de Prime started the company 36 years ago in the Bay Area with a daily show on Sunday nights just to give out the results of soccer matches. Then he says one day let's go after rights because content is king. You know, what chance do we have? Well, let's see. We entered the tender for the FIFA World cup rights of 2002 and 6, which were sold together and won them. We, we put a very high bid.

Dan Le Batard (49:54)

I was going to say that's expensive to win. To win that bid sounds risky. It sounds scary.

Andres Cantor (49:59)

Super risky. We're very young and have good bankers that lend us.

Dan Le Batard (50:06)

What's the amount of money? Can you say? Is it, is it too secret? Like, how scary was it? Let me ask it a different way.

Andres Cantor (50:13)

I didn't sleep until we made the money back by selling advertising. I can't tell you the, you know, the confidentiality.

Dan Le Batard (50:21)

Understood. I'm not. I didn't mean to be crying. I wanted to place in front of the audience the size of the risk.

Andres Cantor (50:27)

A lot of millions of dollars that we didn't have that, you know, we obviously knew we were going to sell in advertising. But then we bought this In August of 2911happens, you know, the world is, you know, paralyzed for a long time. We had two, two advertising contracts fall out of our hands. They were ready for Signature and two big top 10 companies pulled out. So it was very, very scary for a long time. And then now, come 2026, this will be our seventh consecutive. We are the longest FIFA media, MRL media rights licensee in the US regardless of language or medium because, because ESPN lost it to Fox, Univision lost it to Telemundo in audio. In radio football, the premier remained the longest. So we invested a lot of money. This one is the most expensive of all, obviously because it's here, Canada and Mexico, but obviously most of the games in the US but we're looking forward to it because everyone is excited.

Dan Le Batard (51:34)

But why do it? Why not just keep doing what you were doing? Why the need to expand into something that is so far outside of the realm of what you're great at?

Andres Cantor (51:43)

We wanted to. First we started syndicating our show before buying rights. So we started in that business. It became very. Started to become lucrative. It was kind of hard to, you know, it was hard to get the affiliates on board. But then when we bought the rights, understanding that content was king, that it was going to be very hard to make, make a good living off just a show. And then we pegged it and tied it with FIFA World cup rights. That changed the equation. So now we have a very robust network of 170 stations that carry my show and that carry the World Cup. And we wanted to venture into radio. I love doing radio as well. And we did. And at the same time that I was doing my television that I always say that I wear all hats because I am the play by play announcer. I'm the sports personality for the network. But then I am the owner of my company that has all this investment behind it.

Dan Le Batard (52:49)

Do you partake in the silliness when I'm sure daily someone comes up to you and says, do the gold call for me personally? What percentage of time will you actually do that for somebody? Because they must think you're a jukebox and you must get it daily, every day.

Andres Cantor (53:08)

And I stop and I explain to them why I won't do it. Because if I do it to everyone that asks, I will have no voice on the weekend to call the games. But I do stop and talk with.

Dan Le Batard (53:19)

Them and say, hey, but nobody gets it, though. You will not allow anyone to cheapen it by taking it out in the wild and selling it. It's a pure thing meant to be around the games where they pay you a great deal of money for it. No one gets that for free.

Andres Cantor (53:34)

I sold bottle openers with my go call. You did like this and went, oh, back in the day when ringtones were a thing, we sold ringtones with my voice. I did alarm clocks that every hour I had to turn it off because it was annoying like hell. But every hour went, oh, he knew that was, you know.

Dan Le Batard (53:54)

Have you trademarked it? Do you have it? Is it.

Andres Cantor (53:56)

No, we couldn't trademarked it because the trademark office said, what's the word? How many? Okay, how many A's?

Dan Le Batard (54:01)

How you know, how many Ls, like, right.

Andres Cantor (54:04)

Buffer has, you know, a phrase. That's right. Yes.

Dan Le Batard (54:06)

Buffer, yes.

Andres Cantor (54:07)

This is just a word.

Dan Le Batard (54:08)

You don't even say the phrase because you're well aware if you say the phrase anywhere, he charges you for it.

Andres Cantor (54:13)

Michael Buffer, he's calling me, you know, within five minutes. Of course I know the guy. I know how it goes. So, yeah, I mean, I tell everybody, just wait for the weekend. It's happening on the weekend. Weekend. Hey, NFL fans, what's your favorite touchdown? For me, it's the next one. With DraftKings Sportsbook, an official sports betting partner of the NFL, every touchdown could put cash in your hands. First scorer, anytime, touchdown. Live bets. Every snap is an opportunity. Your team hitting pay dirt pays out to you. Download the DraftKings sportsbook app now and use code BEACH, that's called B, E, A, C, H to turn five bucks into $200 in bonus points bets. If your bet wins in partnership with DraftKings, the Crown is yours.

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Dan Le Batard (55:31)

Does any one of your nine Emmys mean more to you than the others?

Andres Cantor (55:35)

The 2022 obviously meant a lot. Everyone means a lot. I mean. But I really wanted to win the 2022 because of the FIFA World Cup. I thought it was like a, you know, full circle. Argentina winning the World cup and me winning the Emmy because of my work in the in the World cup itself. And actually I don't know if you or your audience remembers when Messi came back to Argentina, he posted a picture of him drinking mate in his bed with a World cup trophy and I did exactly the same photo with Miami drinking mate in my bed after I won four fights or months after the final.

Dan Le Batard (56:17)

Can you explain to people just how far soccer has come in this country from what it is that you saw at the beginning versus what it is that you see now?

Andres Cantor (56:26)

Well now at the beginning there was no professional league. It started two years after the World cup in 1994 1996. Now we have a very robust league of 30 professional teams. There was a stat that surprised me. I did not know MLS contributed 206 players in this last international windows to their national teams. So we have players that are good, that represent their country playing here in the U.S. i wish the U.S. men's and national team would be doing better because we're less than a year away. We have to to get everyone excited about this team because the World cup is here and everyone and their mother will know that the World cup is being played in our country come next year. Whoever doesn't know, they will find out, believe me, and it will be a big deal. We need the US to do good, to do well next year to get everyone more excited about the game if they're not already. So from when I started way back in 1987, no professional league, just friendly games, no name recognition on national team players, etc. To today. You know it has changed tremendously for the good. Now the teams need to up the ante and play better and make an impact on the field because you know, a winning team is always more likable than a losing team.

Dan Le Batard (58:02)

Forgive me for reading here But I just wanted to get right. All of the campaigns for global brands that you've had a part in. The super bowl ads. What were, what do you remember about the stories involving the super bowl ads that you did? Just the idea of you doing super bowl ads as a symbol for the American dream on coming to America as an immigrant, learning the language and getting into super bowl ads is an achievement. What do you remember about those?

Andres Cantor (58:29)

I remember my phone exploding with WhatsApp messages. I was on a plane during the super bowl and the super bowl ad came out and I knew, you know, what was happening. So it's obviously to have my name, my face on a Super bowl commercial, knowing that I'm being watched by whatever it is, 140 million people. It's super nice. And the list of sponsors, luckily throughout the years, it's quite.

Dan Le Batard (59:00)

I'm going to name them. I'm going to name some of them. Budweiser, O'Reilly, auto parts, AT&T. Pepsi, Geico, Snickers, Gatorade, Dove, Adidas, Nike, Volkswagen, Chevrolet, Chevrolet. Am I missing anything giant there? Like you couldn't have imagined?

Andres Cantor (59:13)

Pepsi, Coke.

Dan Le Batard (59:15)

Yeah, I said Pepsi. I didn't say Coke. I didn't realize Coke. You did both of them.

Andres Cantor (59:19)

I mean, it's amazing that I did phone companies, cars. I was very, very fortunate. The Geico Geico was a super cool commercial way back in the day. Yeah, the brands are kind of impressive.

Dan Le Batard (59:36)

What are the dreams? When you were a sportswriter at usc, what was the highest you were going to be?

Andres Cantor (59:41)

What? I had this fantasy of going back to Argentina, believe it or not, and becoming the editor of El Grafico magazine, which was the equivalent of Sports Illustrated in its heyday. So I wanted to be the editor of the Argentinian Sports Illustrated of Argentina.

Dan Le Batard (60:00)

And now you're just as American as you are Argentinian? No. Or is that fair to say?

Andres Cantor (60:04)

It's fair to say, yes. I lived here more than I lived ever in Argentina. You know, my life has been made here. My kids were born here in Miami. I'm, I'm. I breathe 305.

Dan Le Batard (60:20)

So which are you most Argentinian? Miami and. Or American, if you had to. If you had to choose one.

Andres Cantor (60:25)

Good question. Well, American in the global arena, but I'm very Miami. I love the 304. I publicize the fact on my socials every time I'm on the water or I see something that we live, or at least I live in the best city in the U.S. the other cities hate me for that. But I don't think there's a better city to live than Miami.

Dan Le Batard (60:52)

And how did you become more of a Miami and than an Angelino?

Andres Cantor (60:57)

I have a tough first year when I moved, but then I started liking Miami a lot. I mean, it has changed dramatically. It's still, you know, very beautiful. I loved la, but I mean, la, it's a different animal. It's too big to get, you know, go have a cafecito with a friend. You have to drive an hour. Now in Miami, you almost have to drive an hour to go.

Dan Le Batard (61:24)

Yes. Now with the traffic, you do have to do it the same. But your original, your original broadcasting influence was Chick Hearn of the Lakers, correct?

Andres Cantor (61:32)

Yes. Well, I listened. I liked the way he simulcasted the games. I like basketball. I watched The Lakers on KCAL, channel 9. He was the voice of both radio and TV for the Lakers for many, many years. And he was the closest thing to an Argentine play by play soccer announcement that I could find, both on radio.

Dan Le Batard (61:58)

Or television because of how fast it.

Andres Cantor (61:59)

Was, because of phrases and the way he kept people engaged. And, you know, it was a pleasure listening to him as much as it was listening to Vin, to Vince Coley. I mean, it was poetry in motion, you know, it was. You get. You know, I say that my style perhaps is eclectic, even though it's a different language. I remember how Chick Hearn used to have his catchphrases, how he changed rhythms within the play by play, how he gave the insights about the game, even though he had a color man, color analyst. And here the roles are a little bit more defined. He was very opinionated on the game himself. And then Vince Coley was just in a very slow paced game. Not only did he give you the insights of what was going on, but it was just poetry. And the control of the language that he had was absolutely amazing.

Dan Le Batard (62:56)

Do you remember the first time that you did your first goal call? Do you remember roughly how long it was and did you know immediately, this is something I'm going to keep. I'm gonna have to keep doing this?

Andres Cantor (63:08)

I knew I was going to do it that way because that's the way I grew up, listening to people calling goals, the broadcasters calling goals. I remember vividly the. The first day they called me for an audition. They said that we were going to tape two games that were going to air on the network. I mean, they didn't tell me that until I got there. I was talking about being nervous and frightened and insecure. Never had been in a TV studio in my life. They put me to do color Commentary in the first game, then we break for lunch. The guy that ended up hiring me says, I can tell that you know a lot about soccer, but. But when he says, but I'm about to shake his hand and say thank you for everything and, you know, go home, he says, can you call the second game? And I did. And then, you know, when I called the goal, I see his reaction, like, you know, he looked at me kind of like in surprise that I was. Even though, you know, in Mexico, I don't know if way back then, because he was Jorge. I love him. He passed away recently. I always remember him very fondly because he's the man that gave me my first job. And the reason I'm sitting here talking with you, he went like this. And then, you know, I guess he liked it. He called me within the week and offered me a full time job.

Dan Le Batard (64:34)

And then you knew that it had hit or you. Because it looks from the reaction that he wasn't sure that it was, it worked or not.

Andres Cantor (64:41)

He got caught by surprise, I think, because I did yell a lot. I don't know how long it was, but it was a lengthy goal, actually it was shorter. It was more goals, There were shorter goals. It was goal, goal, goal. I didn't know. I mean, that's the way I knew. And that was the music in my ears of my infancy and the way I grew up listening and watching games on tv. So I. I had no other way of calling the goals. And I did not know that this was going to catch everyone's attention the way it did first in the World cup in 1990, which we broadcasted back then on Univision. Then, of course, I had no clue what was going to happen in 94. My career just exploded beyond control in 1990.

Dan Le Batard (65:36)

Have you had a player move you because that particular player told you, you have no idea how much it moved that player to have you call your goal the way you call your goal.

Andres Cantor (65:50)

I am hoping to meet Gonzalo Montiel, the guy that scored the winning penalty kick in 2000. He started following me on Instagram. He didn't text me. I did meet a couple of the Argentine national team players. Players, actually. The coach moved me. I moved the coach. FIFA invites me in February, this two months after Argentina wins the World cup, to be a presenter at the FIFA best awards. And Scaloni was going to win coach of the year, obviously, and he was there. So I go up to him for a picture and the minute he sees me, he says, oh, my God, oh my God. The Way you made me cry and my family cry. Cry. I only kept your video on my phone when he was there with his kids. My kids told me, that's him, that's him. When they saw you come in. And I say gringo, because they call him gringos. Caloni, gringo, tajodiendo. I was so humbled. I couldn't believe what the guy was saying. Are you freaking kidding me? You made the whole country cry. You messi your team. No, no, no, no, no, no, no. I want. No, no. I want the picture with you. He said, no, no. Come on. No. It was like the most bizarre moment.

Dan Le Batard (67:05)

Well, tell me. Take me. Take me through, if you would, in your own words, the articulation of where it is you connected with a country, with a community, with your past, with your dreams, with your gratitude. Because there's no way that you don't break into tears like that in broadcasting if what you're feeling is not an overwhelming sense of grat, of feeling touched by God, because you're allowed to experience any of that.

Andres Cantor (67:33)

First and foremost, I would say, was a sense of pride of who I am as an Argentinian, even though I am an Argentinian American. As we discussed, this is Argentina is my blood. And it transported me back to Argentina. I felt part of them, of them, the team winning and. And of all Argentinians. I felt I was representing all Argentinians living in this country. And I know how much every immigrant suffered. Nobody has had an easy path in this country. That was the first thing that I was super proud that I was able to call my country with what it means to me from a soccer standpoint, to win the World World Cup. This was the pinnacle of the athlete's career and the broadcasting career of Andres Cantor. I mean, I've called 12 World Cups. I saw Argentina as a teenager win the 78 in the stands. I saw Argentina win as a writer in 86. But, you know, 40 years detached from those moments. I am who I am in the world of broadcasting, in the world, in the US whatever. And this moment was their moment, but it was my moment. I had been waiting for this, Dan for 38 years. And I felt that Argentine pride in myself.

Dan Le Batard (69:03)

Were you surprised at all at what came over you? Were you surprised at the size of it?

Andres Cantor (69:08)

I was surprised that I was able to speak, that I was able to compose myself. I was crying like a baby. I was like trying to put words together without sobbing, because I knew people were watching the final of the World cup, which broke all ratings record. I mean, the responsibility that you have at that moment is huge. And yet here I'm sobbing, trying, trying to, you know, utter words that have meaning, because I believe put. If you remember, it's Argentina, Campion del Mundo, champions of the world. But then I start mentioning the past world champions that had died. There was a song that accompanied the Argentine national team, Muchachos, I mean, it became super, super popular that mentioned that Maradona was rooting from the sky for Messi and for Argentina. So. So I paraphrase the song, you know, De Felicielo, Luiso, Diego. But then I added seven more names of past Argentine world champions that, you know, passed away. And then I referenced Messi and the coach. And honestly, as I said, I had nothing planned because not only am I super competitive with myself, I'm extremely superstitious. Extremely superstitious. So I did not want to have anything prepared in case of. Because I know I was going to jinx.

Dan Le Batard (70:43)

How superstitious are you? Explain to me the length that your Superstitions go.

Andres Cantor (70:47)

Minute 74 of the final of the World Cup. I'm with Manolo Sol, with Claudio Borgi, former Argentine winner in 86, Maradona's teammate. Argentina was having the game of their lives. France wasn't touching the the ball. Minute 74. I tell Vici Borgi, Borgi, is what we're seeing real. And the minute I said that, I said, why did I say that? It haunted me because you don't do that. You're going to, you know, I jinxed the freaking final. Within two minutes, Mbappe scored two goals and it was tied 2, 2. And then I couldn't get that shit out of my head. I said, why? Why did I say that? You want to know how superstitious I was? Game one. Argentina loses to Saudi Arabia. Unheard of. The upset of the entire history of the World Cup. Argentina with a 36 match unbeaten streak. I put on a brown suit. We lose that, I'll never wear that thing again. Second game, I knew exactly what I had, what I wore. Blue suit, blue shirt, the underwear, the socks and my shoes. Argentina wins against Mexico to zero. I keep the same suit all the way to the final. I have the suit at home. I have my underwear at home. I have the socks at home, framed on the wall. I have the picture. I should frame it because.

Dan Le Batard (72:26)

Frame your underwear. Frame your underwear. Put it over the television.

Andres Cantor (72:29)

That is exactly why Messi won the World cup, because I wore. And game day, I went through the same ritual. I sat in the same table at the restaurant in the hotel, the lady. We had to have the same server, and I ate exactly the same thing every time Argentina played.

Dan Le Batard (72:48)

The last question. The toughest question. The toughest question for last. You said earlier that your wife and the kids say that that shouldn't have been the happiest moment of your. It should have been with them. I give you one and only one that you can do. You only get to choose one. I'm the asshole here and asking the question. You get to call the Argentinian goal that wins the World cup or you get to broadcast the game with Nico, your son. Which one do you choose?

Andres Cantor (73:12)

No, I'll double up. I already called the World cup goal, the Argentina winning goal.

Dan Le Batard (73:22)

So.

Andres Cantor (73:22)

So if it comes to 2026.

Dan Le Batard (73:25)

No, no, no, no. I'm saying I give you the only that you've done these two things. Don't try and sneak out of this question. I know I've pinned you down here. You only get to choose one. The experience that you had with your son that made you weep like a baby in the hotel room afterward, or in the experience you had with your country where you wept in front of all the world. Oh, that's right. I pinned you down, Nico. You're going to lose.

Andres Cantor (73:49)

Yeah, you're going to lose, Nico. You're going to lose. You're going to lose. He's. He's. He's forgiving because he's probably the same way.

Dan Le Batard (73:56)

That's all right. You'll get more chances.

Andres Cantor (74:00)

You know what? Then I want the nigger to be an engineer just like you. I wanted you to be an engineer. Why is he in this profession? Forget it.

Dan Le Batard (74:07)

Senor, Gracias. I'm honored that you would come in here and spend this time with us. It's been a pleasure to hear your voice for 40 years.

Andres Cantor (74:14)

Thank you. And I hope you. You get to listen to me cry again in 2026 with Argentina.

Dan Le Batard (74:21)

You're a big blubbering fool is all you are. I think Nico might not forgive you, though. I think he's going to be. He's going to understand. He's going to understand.

Andres Cantor (74:31)

Before we go, I have to say something on record because you. You viralized a moment of my career. I don't know if you remember this, but you viralized the moment of my career before social media after I called the Landon Donovan goal in South Africa for my radio company, and within an hour of the match, I guess, you know, somebody had heard it, and you called me on air on your show and replayed the moment. That had happened with the US Making it to the national to the next round with Landon Donovan's goal in extra time.

Dan Le Batard (75:11)

I think it's the biggest goal in American history, isn't it? It's in the conversation. Anyway.

Andres Cantor (75:16)

It might be. It might be. But you took, you know, the time to call me to South Africa even though I wasn't doing the games on tv. You were, you know, you, your production, were listening to the game in the radio and it was super, super nice to be on your show way back then. Well, I thank you with that viral moment.

Dan Le Batard (75:34)

I love what Spanish radio has been a allowed to be in South Florida for a long time. I don't think there's much like it anywhere in the United States. It is the wild, wild west Spanish. As you know, Spanish radio gets away with more than any other radio gets away with.

Andres Cantor (75:48)

FCC doesn't speak our language.

Dan Le Batard (75:50)

They're not monitoring it because no one speaks the language. Gracias, senor. Unplace el.

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