The Big Suey: David Samson's Case For The Marlins Hall of Fame

Summary

The Dan Le Batard Show with Stugotz Episode: The Big Suey: David Samson's Case For The Marlins Hall of Fame Release Date: February 12, 2025

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Introduction

In this episode of The Dan Le Batard Show with Stugotz, hosts Dan LeBatard and Chris Cody delve deep into the intriguing case for David Samson’s induction into the Miami Marlins Hall of Fame. Joined by David Sampson, the team engages in spirited discussions ranging from sports business intricacies to the humorous dynamics of podcasting personalities.

David Sampson’s Role and Sports Business Insights

[05:29] David Sampson:
"When you look at important figures in the history of the franchise, Am I in that conversation? I don't know how to argue against that."

David Sampson, the team president of the Marlins, articulates his perspective on the evolving landscape of sports business. He highlights his efforts to challenge traditional norms, emphasizing merit-based investments and strategic negotiations that have positioned the Marlins uniquely in the sports industry.

Key Points:

• Comparison with Darren Revelle: David asserts his prominence over established sports business journalists like Darren Revelle, stating, "I am more recognizable than Darren Revelle. More people could pick me out of a lineup than Darren Revelle." ([06:05])
• Arbitration Victory: Samson discusses the recent arbitration ruling that solidified his control over the Timberwolves, showcasing his adeptness in navigating complex business negotiations.
• Investment Philosophy: He underscores the importance of investing in programs that generate revenue, asserting, "We're going to pay the players who are good. We're going to pay the players who can be helpful to a program." ([18:09])

Marlins Hall of Fame Debate

The core of the episode revolves around whether David Sampson deserves a place in the Marlins Hall of Fame. The hosts engage in playful yet pointed banter, questioning and challenging Samson’s qualifications.

Notable Exchanges:

[25:00] Chris Cody:
"I need the guy that I was just arguing to find for me, Darren Revelle, so I can have a business off between you and Darren Revelle tomorrow where you guys have a competition to see who knows more about business."

[27:30] Jeremy:
"Jack McKeon has to be."

[28:09] David Sampson:
"It's not necessarily about who you like or what trade you didn't like. It's about people who mean something to the organization." ([29:36])

Humorous Assertions:

• Chris and Jeremy mockingly deny the possibility of Sampson’s induction, with Jeremy stating, "We have no time for a review unless you can do it in a minute." ([36:52])
• Gina adds a sharp jab, "You killed baseball in this market, you don't get to be in a Hall of Fame for killing baseball." ([28:03])

NIL and Title IX Rescinding Discussion

Shifting gears, the conversation transitions to the recent rescinding of NIL-related Title IX guidance, sparking a heated debate among the hosts.

David Sampson’s Stance:

[13:45] David Sampson:
"It's a business, they're running a business. ... There's a ton of investment that goes into it in order to try to bolster that and then duplicate that so these opportunistic investors or collectives will still exist." ([14:33])

Sampson defends the merit-based distribution of funds, arguing that resources should flow to programs and athletes that demonstrate revenue-generating potential. He emphasizes the importance of investment in developing talent and sustaining non-revenue sports.

Mike Ryan’s Counterpoints:

[15:07] Mike Ryan:
"Merit indicates that there is some sort of inequality in terms of, of, of what the, the how much they're deserving of getting this opportunity." ([16:10])

Ryan criticizes the merit-based approach, asserting that it perpetuates existing inequalities and favors those with established power and recognition, particularly pointing out the systemic biases in Title IX implementations.

Gina’s Perspective:

[17:15] Gina:
"When you strip away Title IX protections, the ruling class gets to define what is actually merit based." ([17:24])

Gina echoes Ryan’s concerns, highlighting the dangers of allowing powerful entities to determine merit, which can undermine the equitable distribution of resources in collegiate sports.

Movie Kisses Segment

In a lighter and sponsored segment, the hosts transition to discussing their top five sports movie kisses, infused with humor and personal anecdotes.

[32:32] David Sampson:
"Top five sports movie kisses. Number five, for the love of the game. The kiss between Kevin Costner and Kelly Preston. That was hot." ([32:53])

[36:07] David Sampson:
"The number one sports movie kiss of all time is in a movie called Major League with Rene Russo and Tom Berenger." ([36:25])

The segment showcases the hosts’ chemistry and playful interactions, providing a brief respite from the more intense discussions.

Conclusion and Final Banter

As the episode wraps up, the hosts engage in more humorous exchanges, solidifying the camaraderie and light-hearted nature of the show despite the contentious topics discussed.

[37:14] Gina:
"Can we. Let's do it. Yeah. Review it. Marty."

[40:18] Chris Cody:
"Sampson. Thank you, Chris Cody, you've never been better."

The episode concludes with the anticipation of future discussions and segments, leaving listeners eager for more insightful and entertaining content.

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Notable Quotes with Timestamps:

• David Sampson on Recognition:
  "I am more recognizable than Darren Revelle." ([06:05])

• Chris Cody on Hall of Fame:
  "David Sampson, a child. David Sampson, who's told us he's a f. Afraid of the dark." ([39:40])

• Gina on Title IX:
  "When you strip away Title IX protections, the ruling class gets to define what is actually merit based." ([17:15])

• David Sampson on NIL:
  "We're going to pay the players who are good. We're going to pay the players who can be helpful to a program." ([18:09])

Key Takeaways

• David Sampson’s Influence: The episode underscores Sampson’s significant role in the Marlins’ business strategies and his confidence in his contributions warranting Hall of Fame consideration.

• Merit vs. Equity in Sports Funding: A robust debate emerges around the merits-based allocation of resources versus the need for equitable opportunities, reflecting broader societal discussions.

• Engaging Host Dynamics: The interplay between Dan, Chris, Jeremy, and Gina highlights the show’s unique blend of serious analysis and playful banter, making complex topics accessible and entertaining.

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This comprehensive summary encapsulates the essence of the episode, offering insight into the dynamic discussions and the humorous yet impactful debates that define The Dan Le Batard Show with Stugotz.

Transcript

[Dan LeBatard]

You're listening to Giraffkings Network.

[Stugotz]

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[Dan LeBatard]

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[Chris Cody]

Oh, right this way.

[Dan LeBatard]

Who, me? I can stream shows at 30,000ft and.

[David Sampson]

I was able to buy reserve tickets.

[Dan LeBatard]

For my favorite band.

[Chris Cody]

It's not just you. With T Mobile, everyone can get VIP status. That means access to exclusive events and experiences. Just for being a customer at T Mobile, VIP means y o u. Check out the VIP treatment@t mobile.com benefits.

[Mike Ryan]

Welcome to the Big Sui presented by DraftKings.

[Chris Cody]

Why are you listening to this show?

[David Sampson]

The podcast that seems very similar to the other Dan LeBatard podcast.

[Jeremy]

I'm sorry. I'm not going to apologize for that. In fact, the only difference seems to be this imaging.

[Chris Cody]

I have been tempted in restaurants just walking past tables to grab somebody's fries if they're just there. That hasn't happened to you guys.

[Jeremy]

I've done it.

[Chris Cody]

And now here's the marching man to.

[David Sampson]

Nowhere Fat face and the habitual liar.

[Chris Cody]

David Sampson is with us. Look at his face. David Sampson is seething. He's just. He's so mad. David. Look.

[Jeremy]

What's he mad about?

[Chris Cody]

David, We're a sloppy outfit. We're not always on time. I'm sorry you're so punctual. And I'm sorry we made you wait eight minutes.

[David Sampson]

It not even eight minutes Canadian. It's 9. 52.

[Jeremy]

Yeah, okay.

[Chris Cody]

I'm sorry we made you wait 12 minutes. David. I'm sorry. I'm genuinely sorry. I was dealing with. I'm dealing with crisis management here.

[David Sampson]

Then. Then it's my fault. I didn't realize that in the middle of a show there's a crisis that requires you to do this. But that's fine. I believe in you and your ability to discern crises.

[Chris Cody]

Okay, but while we're normally sloppy, late and inconsiderate, in this particular case, would you afford me the trust that I was something? And I know you've made it plenty clear that if we're a few minutes late, you're going to have sour, sour smell face as soon as we start.

[David Sampson]

I don't know what sour smell taste is. I merely am just sitting here. Can we start, though? Have we even started yet?

[Jeremy]

We have started.

[Chris Cody]

We have started. It's just.

[David Sampson]

Hello, Stu.

[Chris Cody]

When I did, when we started, you had a sour face as if you weren't happy to be here. And I believe that you should be happy to be here because you've got a successful podcast and because we've helped make you a successful podcast. And what do you. What do you. What's funny about that?

[David Sampson]

I am overwhelmed with gratitude. Overwhelmed. Like it towers over me every day. It makes me feel four foot five. That's how heavy the gratitude is that I carry with me every day for being in your orbit. Of course I love you and your show, but I also understand having been there last week when you were in New Orleans. I should point out, regardless of your view or the audience's view, we were on time.

[Chris Cody]

Oh, so you're going to blame me for this?

[David Sampson]

It's hard to not blame you because I've been there with you, and somehow you just get into conversations during a break. That's supposed to be 30 seconds. And I have Chris Cody just texting me, hey, man, sorry about this. I can't get him to stop.

[Gina]

Dan, run. Dan runs on Cuban time.

[Chris Cody]

That's what.

[Gina]

That's the time that we run on here. We don't run on American time. We run on Cuban time.

[Jeremy]

I don't think Chris wanted that out there.

[David Sampson]

I mean, it was just. He was waiting, so it was just a.

[Mike Ryan]

Hey, we'll be a second.

[David Sampson]

Dan's talking. That's all he said. One of the rules that I changed at the Marlins is that I no longer accepted Cuban time. When I got to Miami, that was a thing that I was told that, hey, the meeting may not start on time because we have something called Cuban time here. And I said, I don't know what that means. When there's a game at 7:05, the game's at 7:05. When there's a marketing meeting at 3. 10, it's at 310. So I don't really understand how you can use a great culture with amazing smells that I'm jealous of as an excuse to be late.

[Chris Cody]

I was arguing with someone, and it wasn't me.

[Jeremy]

I mean, it was.

[Chris Cody]

It was not.

[David Sampson]

Well, now I don't believe any of it.

[Chris Cody]

I was. And so we were Busy. And it's not Cuban time. You were looking at me. You could see on the screen. Anyway. All right, we will start. Nothing Personal is the name of his podcast. And he's also doing the Sporting Class with Pablo Torre and John Skipper. It's an award winning, critically acclaimed thing that is no longer just me saying over and over again, hey, there's nothing like this in sports business. You haven't heard an hour like this. It's actually been seen now by the people who cover this stuff and like sports business. And they're like, oh, shit. This per square inch has more business terrain that's being covered than like, leaps and bounds beyond wherever Darren Revelle got famous. Like, this is sports business being covered better than anyone's covering it. So that's his other podcast, the Sporting Class.

[David Sampson]

Darren Ravel right now is like, man, how did I get that stray?

[Chris Cody]

What, you got the stray or Ravel got the stray saying, if for Darren.

[Jeremy]

Revel, it's a quote.

[David Sampson]

Thank you, Chris.

[Chris Cody]

Hypothetical quote. I didn't even mean it as a stray. Darren Ravel is the singular business sports journalist that other people think of when they think of sports business. Yes or no?

[David Sampson]

No.

[Jeremy]

No. Who is David?

[David Sampson]

I'm gonna say it could be me.

[Chris Cody]

Really? Okay, so that's. That's what you. That's okay. All right, here we go.

[Gina]

I think I found them.

[Chris Cody]

So just. Just to be clear, let you think right now that the nation thinks that you're a better and bigger sports business journalist than Darren Ravel.

[David Sampson]

You'll have to hold on, please. I'm getting a call from my agent. I'm live on the air, so I can't talk now. That's how important I am that I'm getting calls while on air, because there's barely a time I'm not on air for you. With such gratitude I say that.

[Chris Cody]

And still not. And still not as famous as Revel, like, you think you're. What? I don't even know what he's doing. What's Sampson doing there? You think that you're bigger than Ravel? I think you're better than him. And then they say he's catching a stray, but you are better than him.

[David Sampson]

I would say that I am more recognized. I mean, now we're getting into an ego thing, but I'll do it. And I. And I know Darren well, friend, but here we go. I am more recognizable than Darren Revelle. More people could pick me out of a lineup than Darren Revelle. And when it comes to business acumen, for someone who's done it and been there and is able to articulate it in a way that an audience can appreciate, understand, and laugh at. I think that I have a leg up there as well.

[Chris Cody]

Look, this is a bold claim that David Sampson is making, and it's a. He's shooting a national and international, like a salvo across the career of Ravel, saying, I have surpassed you. I don't believe anyone other than David Sampson right now is saying that. I think Sampson's the only one saying that. Who else is saying that?

[Jeremy]

I said it.

[Chris Cody]

I mean, you're willing to be out there publicly with the idea that David Sampson is more recognizable as a sports business figure than Darren Revel?

[Jeremy]

1,000%. Yeah.

[David Sampson]

Yeah.

[Chris Cody]

I don't know.

[Jeremy]

I mean, really, we're just piggybacking on your thoughts. You were the one who took Ravel out, and so we just, you know, we all kind of just followed your lead.

[Mike Ryan]

I mean, he did catch a needless stray.

[Gina]

Yeah, totally needless.

[David Sampson]

Needless. And it keeps going now.

[Jeremy]

Yeah.

[David Sampson]

He started a new company called Clicked Media where they do memorabilia stuff. Now we're helping.

[Gina]

What was that?

[Jeremy]

Huh?

[David Sampson]

Clicked.

[Chris Cody]

Yeah. You want to say that correctly?

[Jeremy]

Yeah.

[Chris Cody]

Yes. Ck.

[Jeremy]

Slow down.

[David Sampson]

Ck Clicked Rapers, the movie with Adam Sandler.

[Jeremy]

We know that.

[Gina]

Okay. There you go.

[David Sampson]

With an ed.

[Chris Cody]

Yeah, it sounded funny. David, tell me all you can. Pablo Torre did a deep dive on all of the dysfunctions in the Minnesota Timberwolves ownership. And a Rod who you negotiated with and learned how little he knew about business is now running the Timber or won the arbitration hearing that he needed to win. And what has happened there is how interesting to you? Like, what does it mean? Explain it to me better than Ravel would.

[David Sampson]

Well, he wouldn't explain it to you at all. So there you go. It is extremely interesting to me. And I didn't say that a Rod was bad at business. I said that he wanted to own a team as badly as Derek Jeter wanted to own a team. And having the two of them both want to own the same team is what drove up the value of the Marlins to heights that it never should have gotten to. The competition between a Rod and Jeter continues to this day. And don't be fooled by the act they have on fox. Those guys are not friends. And the reality is what Alex is doing in Minnesota, where he's putting in hundreds of millions of his own money, where Jeter put in nothing, really, and got a salary, actually, and what? A Rod is going to own a percentage of the Minnesota Timberwolves that Derek never came close to with the Marlins. So a Rod's actually seen his truth come to pass. And it happened because he got a favorable arbitration ruling because the octogenarian owner of the Timberwolves, a guy named Glenn Taylor, sold the team to A Rod and Mark Lorre years ago for 1.5 billion. Now the team is worth more. So Glenn Taylor was trying to get out of the deal, saying that A Rod and Mark didn't properly finance it. It went all the way to an arbitration, and the arbitrators ruled two days ago that a Rod gets the team. So now they have to get approved by the National Basketball association and Adam Silver and the owners, which they will. And they will then take over a team that many people think will leave the Timberwolves in a better place than it was under Glenn Taylor. And I, for one, am excited to watch him run a team because it's way different to plan a team or to run a team. And I think he's got a chance to be really good at it because he's always been willing to learn and listen and engage with people who have done things that he hasn't done. And if he keeps doing that, he's going to be really good. Of course, the number one thing he can do is not sign a contract the likes of which he signed with Texas. That will be the best first step.

[Jeremy]

Ravel has 1.9 million followers on Twitter. David has 43,000.

[David Sampson]

So. So let me just be clear about that, Stu, guys.

[Jeremy]

Okay.

[David Sampson]

If you look at that, I'm with you, by the way. Hold on. Okay, that means that Dan Revel. Go look at the LeBatard show. That means that. That Darren Ravel is that much bigger than dan and the LeBatard Show. And it's not even close.

[Jeremy]

Right? No, I agree.

[David Sampson]

In the value of him and his company. And his show puts everyone else to shame.

[Chris Cody]

We're not talking. We're not talking about value. We're talking about fame.

[David Sampson]

You don't think you're more recognizable than Darren Revell?

[Chris Cody]

Not really. Not really?

[David Sampson]

Yeah. That's wrong.

[Jeremy]

You're being humble.

[David Sampson]

Oh, yeah. I mean, it comes off strangely. Actually.

[Chris Cody]

I don't even. I don't even. I mean, he's associated with sports business. People are fascinated by sports business. And he's got the unique personality of being someone in this community of people who like sports, of being sort of famously dorky. Like, well, here, you know, he'll run 40 yards and. And is a personality like he's. He's a bigger personality than I am.

[David Sampson]

It's a famous. I'm not saying that he's not known or that he's not a cool guy or a dorky guy. I'm saying that when it comes to sports business, if you've got two choices of where to get info from, you're going to go to me, not him. And I'm also saying if you've got two people to make an appearance in an event, you're going to go to you and not him.

[Gina]

David, I have a sports business question for you. The Department of Education has officially rescinded nil related Title 9 guidance, basically making it okay for nil to have a rev share that it is not an equitable split. This is certainly going to get challenged in court, but this is massive news. Basically the schools that don't really have much interest in having to invest in non revenue sports now have the okay from the Department of Education to not your thoughts.

[David Sampson]

It's a business, they're running a business. And it's. It's like with metal arc or any business, you want to give the money to the people who are producing and to the people who can generate revenue. That's the reality of what these programs are doing. And you're going to see programs disappear and become less relevant because programs are losing money. And when you've got private equity investments or you've got collectives who are funding players and teams, it's based on merit, as it should be. This will be challenged in court because there's. Everything that he's doing is being challenged. But there are certain things and not just the penny and hopefully the nickel going forward that are gonna be changed, that will actually be to the better. I just don't agree with the way in which they're going about it. But certain things make sense to me. I don't wanna be told who to pay money to because I am putting some imputed value of someone's worth based on something other than what their actual worth is.

[Chris Cody]

Why are you shaking your head? Mike?

[Gina]

Jeremy and I have thoughts on this. It's a tough look. I think women's basketball, especially in the collegiate game is showing you when you finally actually put resources behind this, the sport can grow and be a revenue sport for you as well. I think that there is. In the Big 12, there's good softball stories. Women's gymnastics has been huge for nil and athletes that have benefited from that. It's like any business. You also need seed money to invest to actually see how this grows. And in this golden age of sports media rights. I don't think we should be pulling back also. Just we're taking a step back decades in terms of progress when it kind of, it finally felt like we were making real inroads on making this, these non revenue sports actually revenue generators.

[David Sampson]

But Mike, we're not pulling back actually. This is not putting a cap on what NIL can be. This is actually just talking about the distribution of it. And when you talk about investment in gymnastics or other women's sports, when a Caitlin Clark comes around, there's a ton of investment that goes into it in order to try to bolster that and then duplicate that so these opportunistic investors or collectives will still exist. But you have to have personality, you have to have Twitter followers, you have to have the ability to show a return on the investment. And I don't think there's anything wrong with that.

[Mike Ryan]

I have an issue with framing this as if it has anything to do with merit, because that's the reason Title IX was, was originated in the first place, is we were not investing in women's sports the same way we were in men's sports. We were not giving equal opportunities. And if we're creating another, we all know that NIL runs college sports now. And if you're not going to have. This is no different than, than a lot of the, the under the cause of DEI and ripping away all of these other opportunities for any level of equality that we've instituted over the last 60 or 70 years in this country. Like this is just a microcosm of all of that ripping away in nil in particular, a demand to have some level of financial equality for men's and women's sports is a major issue that's representative of all of the other issues that we're having right now, like Google kowtowing to removing Holocaust Remembrance Day and Pride Month and Black History Month and Hispanic heritage from their calendars like it's all related.

[David Sampson]

David, I don't disagree and I'm not happy necessarily where we are in many of those regards, but I was trying to just explain the difference. I was trying to simply explain the difference of what this attempt is being made. It's to have allocations according to merit. And you say merit is the wrong word.

[Mike Ryan]

Merit. Merit indicates that there is some sort of inequality in terms of, of, of what the, the how much they're deserving of getting this opportunity. And I just think that the merit element is an issue because that is the term that we are using to justify eliminating all of these types of programs across the board. And I can understand that a privatized thing such as NIL is different than what goes on specifically in the government. But Title 9 is a part of what we do within our government. And so I think that we're really blurring the lines all the way across the board. And that's an issue. Like, merit is not how this gets divvied out. It's powerful white men giving more to powerful white men. Like, that's how we know how this works.

[Gina]

When you strip away Title IX protections, the ruling class gets to define what is actually merit based. Which is awfully convenient when they're the ones making the investments.

[Mike Ryan]

Right.

[David Sampson]

Am I confused here, Mike? Is Title 9 being rescinded or is.

[Gina]

It the Title 9 protections? The Title 9 protections, which means.

[David Sampson]

That's my point.

[Gina]

Yeah. Which means, like athletes, women athletes inside the ncaa, their sports. If you lump their sports against some of the bigger men's sports, the women's sports are generally classified more as non revenue. And it allows schools to just paint with that broad brush and realize we don't actually have to make a sizable investment in this.

[Mike Ryan]

And same as anything else, by the way, like, we can have this conversation when they do rip away Title IX if you want, and parse the semantics of what this is versus when they ultimately rip away Title nine. But this is. This is the first step in doing so.

[David Sampson]

Right.

[Mike Ryan]

I mean, we all see the writing on the wall, just like we've seen with any of the rest of this.

[David Sampson]

I think we should panic right now. And I'm just curious. I'd like you to think about one thing, Jeremy. Imagine if a podcast comes out and it doesn't have an audience, really, and there's no commercials, there's no monetization. But Meadowlark is forced to give that podcast a percentage of its on airtime. It's not based on a return on investment. It's based on nothing but, oh, well, let's do this. For this show, which has not proven to do anything for the bottom line. Do you think that's fair?

[Mike Ryan]

I think it's a false equivalence in what we're talking about. I don't believe.

[David Sampson]

It's not an argument to keep saying that merit's the wrong word. It's a false equivalence. I'm asking you a very simple question, and I understand if you don't want to get into the debate because it can get personal in a way. I don't mean to get personal, but I'm asking a simple Question that. What we're saying with this ruling is that we're going to keep giving money to players. They're going to keep getting paid, but we're going to pay the players who are good. We're going to pay the players who can be helpful to a program. And the program being profitable is exactly how these other sports can survive.

[Mike Ryan]

And the lack of resources going toward any of those other programs don't allow you to create the stars that exist like juju Watkins right now or Caitlin Clark or any of the other stars that we speak about in any other women's sports.

[David Sampson]

I've heard that argument for 20 years. If you don't invest in something, then how can you bear the fruits of that investment? You know how much money baseball spent trying to find an Indian baseball player? So much money. And finally they said, you know what, this is stupid. We can't find anybody. I think they had those two Pirates guys. They were trying to open up that market the way Yao Ming did for China and the NBA. At some point you just say to yourself, wow, this is throwing good money after bad. But surely the single most important economic principle.

[Gina]

Allow me to help you though, given like you cited, Caitlin Clark. This is not that. If we want to get into false equivalencies and every sport for the most part found itself where many non revenue women's sports find itself right now, which is how we generate an audience. Even American football had to start from a base level of zero. Hell, we have something worldwide that is the biggest sport proof of concept. The biggest thing in sports entertainment is soccer. And we spent three decades trying to invest in it to make it a revenue generator in this country. And we can in college athletics. We are certainly not in the black when it comes to mls. Things take time. It's not going to stop Apple from investing into it because we know through time, through investment, we can get there.

[David Sampson]

And there are companies that have tremendous budgets for R and D and there's a percentage of breakage in all of those budgets where you don't assume that there will be any fruit that comes from that investment. Pharmaceutical companies do it, media companies do it. It's a very common thing. But at some point you've got to allow the companies to make the decision of where they're going to buttress an investment and where they're going to cut it off.

[Dan LeBatard]

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[Unknown]

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[Stugotz]

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[Chris Cody]

Don LeBatard.

[David Sampson]

We love you. We've got you. We've all got each other. Let's go right now.

[Chris Cody]

Stugats.

[David Sampson]

One, two, three. Brett. One, two, three, Brett.

[Chris Cody]

This is the Dan lebatar show with Stugats. So I have a problem on my hands here, David. I need the guy that I was just argu to find for me, Darren Revelle, so I can have a business off between you and Darren Revelle tomorrow where you guys have a competition to see who knows more about business. And we put you up against each other. Are you good with that? Get on that Coogler, please.

[David Sampson]

Is that what you were arguing about? 12 minutes.

[Chris Cody]

That and other things. So let's see if we can do that tomorrow. I'd like to find Ravel and have you go against each other. I also need to get to because I think we're outside of the local hour. But I really do think there's a topic here that the entire room would engage on excitedly, and it's that the Marlins have a Hall of Fame now. And who do you put in the Marlins hall of Fame? Now? This is something that the nation at large could not give one flying bleep about. Not one flying. Like, not. I am acknowledging on the front end. This is the sports talk nobody wants, right?

[David Sampson]

This has PFPI hall of Fame vibes.

[Jeremy]

Jack McKeon has to be.

[Chris Cody]

This is the thing. This is the thing. This show wishes to talk about. This.

[Jeremy]

Oh, it's the greatest.

[Chris Cody]

This show wishes to talk about how few or how many Sampson would allow through those hallowed doors that no one else cares about.

[David Sampson]

I got the call that this was happening.

[Jeremy]

Yeah.

[David Sampson]

And what I thought the call was is, hey, it's the. We're doing something and we'd like to bring you back to be a part of it. Because I haven't been invited back to do anything. And I haven't been back in seven years.

[Chris Cody]

You think that they were inviting you to be a part of something hall of Fame related.

[David Sampson]

Not to be inducted, but to be part of a ceremony, to be part of recognizing the past. I was not recognized during the anniversary or even invited to, like, watch it. The anniversary of the World Series championship. So I thought that that's what the call was. But in fact, it was a call preparing me for the fact that the Marlins were doing a Hall of Fame and wondering whether I'd be willing to cover it.

[Chris Cody]

Cover it?

[David Sampson]

Like, mention it in my show.

[Jeremy]

Right.

[David Sampson]

Is that what cover it means?

[Jeremy]

I'm guessing David thinks he should be in the Marlins hall of Fame, and I'm not. I'm not certain he's wrong. I mean, he did win a World.

[David Sampson]

Series as team president and got a ballpark opened. Yeah. And so do I think that I should be in the first class? Absolutely not. Do I think that when you look at important figures in the history of the franchise, Am I in that conversation? I don't know how to argue against that.

[Chris Cody]

Let's.

[Gina]

Allow me.

[Chris Cody]

So. Yes. On. Everybody back away. Just back away. Because. David, what's. What's about to happen right now. No, no, no, no, no. David, you want to take a wild guess? David, David, David. David. As you claim to be a Hall of Famer in the Marlins hall of Fame. Okay.

[Jeremy]

Not first ballot, though.

[Chris Cody]

No, no. Just so. So. So he knows. Just so that he knows. Okay. We know that David's a teammate and everything else, but what I saw flash across Mike's face is never, like, never, never, never. And I was right behind him with over my dead body. Over my dead body.

[Jeremy]

Like me with the Wade statue.

[Chris Cody]

Will David Sampson be allowed in the Marlins hall of Fame? Never. Never.

[Gina]

Absolutely bleeping not. I screamed it. The other mics might have picked it up.

[Chris Cody]

No.

[Gina]

You killed baseball. In this market, you don't get to be in a Hall of Fame for killing baseball.

[David Sampson]

I did not kill baseball. I saved baseball on the market.

[Mike Ryan]

Actually, if.

[David Sampson]

If there were a Hall of Fame.

[Mike Ryan]

Killing baseball, you'd be first ballot.

[David Sampson]

Mike, I would like you to never go to a game or an event. I'd like you not to have a moment with your child. I'd like you to just pretend that the park doesn't exist.

[Gina]

Me too.

[David Sampson]

And when it comes.

[Gina]

Every.

[David Sampson]

Every year.

[Jeremy]

Attack.

[Chris Cody]

That used to be the Orange bowl, and it smelled like urine, and we loved it.

[David Sampson]

Thank you.

[Chris Cody]

You killed sports on that burial ground.

[David Sampson]

I'm not going to. First of all, the smell of the Orange Bowl. This is what we want to protect in Miami.

[Gina]

Take me back, brother. Oh, my Gosh, we were looking for a soccer specific stadium. We were. Oh, should we play the lease at Hard Rock Stadium for? We had a perfect plot of land. Well, it was imperfect. It's actually a terrible plot of land and they're actually never developing yet. I'm happy that we have, like a sports and social going up there now. Finally. It took 15 years for there to be some kind of investment that David told us would happen immediately and never actually happened. Instead, it's the same exact house I used to park at.

[Chris Cody]

Oh, my God. They were going to save the economy in the neighborhood. And it's just.

[David Sampson]

I was making up that part.

[Gina]

You don't say you were going to.

[Chris Cody]

Save the local economy, you thief. Just that hall of Fame just.

[David Sampson]

I just wanted one or two square blocks around the Orange Bowl. And listen, the hall of Fame, it's not necessarily about who you like or what trade you didn't like. It's about people who mean something to the organization. What is it? What is your view of Karl Barger? Is he someone who should have had his number retired or not?

[Gina]

I thought it was excessive.

[David Sampson]

Because he died young.

[Gina]

I thought it was excessive. I wasn't aware of why it was honored. I asked questions and I'm like, probably not. Probably not.

[Chris Cody]

Chris Cody just whispered to me that David dying is his only shot. And what I say is that at the funeral for David Sampson, we should absolutely open around him two hall of Fames. The hall of Fame that he gets to go into, that is the hall of Fame first ballot of people who killed the sport in this market. And also the hall of Fame on people who saved the sport in this market.

[Jeremy]

It has.

[Chris Cody]

Because that stadium did indeed save the. It would not be here. Like, they would not have a place to play. Like, it'd be seven people at a football stadium that we'd still be doing.

[Gina]

Now I will activate radio Mom B. You will not get within 50 yards of this building.

[Jeremy]

It has to be tragic, though, his death.

[David Sampson]

It's got to be a newsmaker, real newsmaker.

[Jeremy]

He can't live until he's 92 and just pass away old age. It has to be tragic.

[Chris Cody]

Not going to be never like Mike says, but it will be only if he lives into his thousands. Because he's not human. Because he's not. He's not a human being. David, before we get to your review of the week, I am told that you have a sponsored segment. Now, I don't know how it is that this happened. I don't know how it is that top Five kisses is something that you're here to do in a sponsored segment. Segment. Can you please take me through what it is that we're doing right now?

[David Sampson]

Business. We're trying to have a functioning company where we acknowledge and take care of our sponsors and we do things that are monetizable so that you all can get paid. Are you actually asking me how and why we do this? Could have just said, david, you got a top five. Go for it. Jesus, Dan, can you onboard that better?

[Chris Cody]

It is. It is. No is the short answer.

[Jeremy]

That's how he does it.

[Chris Cody]

And. But I didn't know how I was going to segue from the fun we were having to. David wants to talk about kisses.

[David Sampson]

Fun to say Valentine's Day is coming up on Friday, February 14, and I assume that everyone's going to do something nice for either themselves or someone else. And David, do you have a top five list? And I would have said this top five is brought to you by NYX professional makeup shop [e-mail] or a retailer near you. And then I would say, get the music ready. I've got a top five sports movie kisses. Let's do it.

[Chris Cody]

All right. There's music, huh? There's not music. Okay, so I'm glad you guys.

[Gina]

Is that my fault, too?

[Chris Cody]

Yeah.

[David Sampson]

I've been working on boards or movie kisses.

[Chris Cody]

Okay. Yes. Yes. Because, guys, Chris and David Sampson work so hard on how to do this. Well, for the sponsor, they've got a top five list of top five movie kisses. Any Oli or we're just starting with number five.

[David Sampson]

Oh, no, I have Oli. No, this is Oli just for use to Rocky. The kiss between Rocky and Adrian.

[Jeremy]

It's a good one. Yes, it is.

[David Sampson]

It's a good one.

[Jeremy]

Yeah.

[David Sampson]

I have another Oli, and this one's for you, Dan. The kiss between Richard Dreyfus and Terry Garr at the end of Let It Ride when he says, I'm having a really good day.

[Chris Cody]

This is a movie that only David and Richard Dreyfus are trying to get keep alive in the American conscienceness. It's just not worth you bringing up every segment.

[David Sampson]

It's a Hall of Fame movie.

[Chris Cody]

No, it is not.

[Gina]

Worst event.

[David Sampson]

And I will take that to my grave. Which it was a moment sooner than you thought. Can I go to number five, Chris?

[Jeremy]

Sure.

[David Sampson]

Top five sports movie kisses. Number five, for the love of the game. The kiss between Kevin Costner and Kelly Preston. That was hot. That's it, Chris.

[Chris Cody]

He's got sultry Music for you. Now we finally got some. Now, see now, now this is how you say Valentine's Day. See, look, a little effort from Chris Cody.

[Jeremy]

It still kisses in sports movies.

[Chris Cody]

That's right. But this is how we do it.

[Jeremy]

The kiss.

[Chris Cody]

That's right.

[Unknown]

Kissed off the glass.

[David Sampson]

Number four, the wrestler kissed between Marissa Tomai and Mickey Rourke.

[Chris Cody]

Tomei, Tomei. You got your own Venmo. Fine. Bucket.

[Jeremy]

Tomato, tomato.

[David Sampson]

I. I'll get to the Venmo bucket in a minute because I actually followed the rules of the Venmo bucket and Venmoed money into the bucket. And I was made fun of by certain people saying that nobody actually does the Venmo.

[Gina]

No, I'm crossing swords. Come on.

[David Sampson]

Crossing streets.

[Gina]

Die on the ball, boys.

[David Sampson]

The number three sports movie Kiss, which is brought to you by Nick's professional makeup is a movie called Love and Basketball. There is a kiss between the characters Quincy and Monica. You may want to watch that. Number two, who's not interested in tennis?

[Chris Cody]

You may want to watch that. You may want to watch the eyebrows. Like why did you raise your eyebrows? The whole thing. Super horny was. It was, it was. It was. You creeped all of us out. You. All of us were made uncomfortable by your eyebrows. Please don't do that again.

[David Sampson]

Okay, number two challengers. There is a three way kiss between Zendaya, a guy named Mike B. The actor and Josh O'Connor. If you haven't seen Challengers, the score should have been nominated for Oscar and it wasn't. This scene when they're on the bed, you're thinking to yourself, what am I about to see? And then you don't see it.

[Chris Cody]

Okay, I think I, I do want to do. I think central Samson. I do want. I think this is a good character.

[Mike Ryan]

He's right about challengers though.

[Chris Cody]

Number one.

[David Sampson]

The number one sports movie kiss of all time is in a movie called called Major League with Rene Russo and Tom Beringer at the end, after they've won the pennant and they kiss in a way that makes you feel like sports is life.

[Chris Cody]

That was, by the way, after Tom Beringer with a man on second surprised everybody with a bunt. And the guy scored from second.

[Gina]

Wrestling snipes.

[Chris Cody]

Because no one was expecting Tom Behringer to be able to leg out a bunch.

[David Sampson]

Not even Tom could barely do it. Nobody was an intense 90ft.

[Chris Cody]

But again, Wesley Stein scored from second in the amount of time it took a collapsing Tom Behringer to arrive at first terrible omission.

[Gina]

Not having Bugs Bunny and Michael Jordan kissing. Yeah.

[Chris Cody]

Samson, we have no time for a review unless you can do it in a minute.

[David Sampson]

No, that. That was the segment, Dan.

[Chris Cody]

Oh.

[Gina]

I still haven't spoken to him about Nosferatu.

[David Sampson]

I wanted. Mike, I didn't know you were in because I can never understand the schedule. But I did watch dosfratu and I do want to review it with you on the air because it's still with me.

[Gina]

May we? Can we. Let's do it. Yeah. Review it. Marty. Marty Scorsese turned out to be a big Robert Eggers guy. Loved it. Robert Eggers. His whole. He's been quoted as saying, I never want to make a movie in the modern era. I only want to do period pieces. It's a bit divisive. Mostly because of a mustache. I'm curious to hear your thoughts because you don't like horror movies.

[David Sampson]

Well, I won't watch horror movies until you asked me to. And the jump scares in the beginning, I almost didn't make it through. Nosferato is nominated for multiple Academy Awards, especially in a category that you wouldn't expect. Cinematography. It is one of the. It is one of the most beautiful film shot of the year. Why do I say it it? Because you are looking at Lily Rose Depp, who got her way past the idol. You are looking at one of the scars guards who is playing in makeup. That should win best makeup. And he is 10ft tall playing the. How much do I owe? Just tell me.

[Chris Cody]

Seven. Seven.

[David Sampson]

I'll pay whatever you want.

[Gina]

What happened here?

[Jeremy]

Whatever we want.

[Chris Cody]

$7.

[David Sampson]

I'll venmo anything you want. I don't exactly know how to get the doorbird to go on silent when my phone's on silent.

[Chris Cody]

Oh, that was your phone. Okay, so that's $12. You now. Because you also coughed several times into the microphone while trying to.

[Jeremy]

Just make it 20.

[Chris Cody]

Let's.

[David Sampson]

Okay, so an even 20.

[Chris Cody]

Yes, yes. Go ahead. $20.

[David Sampson]

I'm happy. I. I will acknowledge it. I'm mortified by it. I don't know what to do about it.

[Chris Cody]

Finish your review.

[David Sampson]

My review is that if you have an opportunity to appreciate filmmaking and you can get through the fact that it is a period piece that is scary, that's in black and white, that. That has blood, that has a strange sex scene, maybe the strangest sex scene I've ever seen. And Mike, I consider Nosferatu for my top five kisses of all time. When she goes in to kiss the vampire, which we can talk about, but I felt like the open sores took away from the beauty of the moment, but not the artistic value of it. It's a movie, Mike, that I absolutely loved. And here's a secret for you, Mike. I watched it twice because the first time through I had my eyes covered for a decent percentage of it. And I wanted to get the whole experience with eyes wide open.

[Chris Cody]

Go ahead, Tony, make fun of Samson. No, I just like.

[Mike Ryan]

I like the idea of Samson sitting by himself, dark.

[Gina]

All of a sudden he's like, oh.

[Chris Cody]

Listen, listen to me.

[David Sampson]

That's what I do.

[Chris Cody]

I want you to imagine this because it's how I imagine it. David Sampson, a child. David Sampson, who's told us he's a f. Afraid of the dark. David Sampson, who has since conquered his fear of the dark. I imagine him and his insomnia in a very large room watching a horror movie when he doesn't want to watch horror movies. And now he is five year old David Sampson wearing thong sandals.

[Mike Ryan]

Five years old with a bag of candy.

[Chris Cody]

Yes.

[David Sampson]

I can't deny that any of that is not true. I do. I did watch the movie twice alone. And I did do it when it was light out and I did do it in a room with lights on first time through because I didn't want to add to my level of fear. However, there was no candy during the movie. I was too scared of choking because I was anxious and I felt my throat closing. So I don't eat candy when I'm watching a movie when I have anxiety.

[Chris Cody]

Sampson. Thank you, Chris. Cody, you've never been better. Your musical choices were really artistic. There. Coogler. Business off tomorrow. Samson and Ravel. Thank you, Samson.

[Gina]

Hey folks, it's Mike Ryan. It is big game week and I've got just the thing to make your big game time a Miller Time. From fireside conversations to football Sundays, winter means more moments with the coolest people in your life. Make these moments even better with Miller Light, the great tasting light beer for people who love beer. A new year is a perfect time for friends, family and great tasting light be beer tastes like Miller Time. Miller Lite is brewed for taste. It hits different than other light beers. When you're hosting your ultimate game day party, why don't you bring out a beautiful silver platter of that amazing white can and know you will make everybody there happy. Because Miller Lite is the original light beer since 1975 and still the very best one. Miller Lite great taste. 96 calories. Go to millerlight.com stand to find delivery options near you or you can pick up some Miller Lite pretty much anywhere they sell beer. Tastes like Miller Time. Celebrate responsibly. Miller Brewing Co. Milwaukee, Wisconsin 96 calories and 3.2 carbs per 12 ounces.

[Chris Cody]

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