This is The Digital Story Podcast #749, July 28, 2020. Today's theme is "Resting on Your Laurels Can Hurt You - AP Switches to Sony." I'm Derrick Story.

Opening Monologue

Prior to the mirrorless revolution, Canon had the camera industry pinned to the mat. I remember attending an invite-only press event at PMA back in the day, and marveling at their confidence and swagger. And for good reason, they were dominate. But soon after, serious photography began to evolve away from the DSLR, and Canon was slow to innovate. And just last week, the Associated Press announced they were switching to Sony for all of their photography and video work. Today's top story on the TDS Photography Podcast.

Digital Photography Podcast 749 Resting on Your Laurels Can Hurt You - AP Switches to Sony.

Change has been in the air for quite some time. A few months ago I read a story where at an important hearing DSLRs were deemed too noisy, and were allowed to shoot only at specific times. Silent mirrorless photographers could capture at will.

Since many of us are mirrorless shooters, we can imagine the benefits of these cameras over DSLRs during the daily grind of reporting. Mirrorless are lighter, more agile, and definitely quieter. If you had to carry a bag all day, every day, what would you choose?

Meanwhile, Sony continued to add necessary pieces to complete the professional photographer puzzle. They launched their professional service, they put long, wide aperture telephoto lenses in the roadmap, and they carefully integrated stills and video into the same camera system.

Then a week ago, the other shoe dropped: the Associated Press (AP) officially announced their switch to the Sony Alpha system. "With hundreds of staff photographers and videographers around the world, and thousands of freelancers who contribute, the AP is a massive and trusted source that covers both the expected and unexpected." Here's what they had to say about it.

The following interview quotes are from the story, 'We're confident that they can deliver': We talk to AP's Director of Photography about switch to Sony on DP Review.

"We liked the idea of having the color quality and the image quality being close to the same between stills and video equipment. So if a stills photographer helped out a video colleague with a little filming, or B-roll, it would fit in the edit. And if we were to pull a frame grab from a 4K video camera it would have the same basic feel as a photograph from a stills camera."

"And the lens mounts are the same, so if a videographer was working with a stills photographer, he or she could borrow a 600mm f4, or a stills photographer could try a cine lens to get a certain look. It just gives us some unique opportunities."

"The vast majority of the stills photographers will get a9 Mark IIs. We will get some a7R IVs for the videographers, and a couple for some of our entertainment shooters who do a lot of portraits. But the standard kit will be an a9 Mark II."

"On the video side there are six different cameras that might become part of the kit, from broadcast cine cameras all the way down to small palm-sized cameras, depending on the assignment. But we have six cameras spec'd-out on the video side."

Next, here are some quotes from the article, Why The Associated Press Just Switched To Sony on alphauniverse.com.

"We're excited to switch to this new technology partly because it can operate quietly, which makes it easy for us to go places that before the noise of a shutter might be distracting. Now we can go places and tell stories from different perspectives that we couldn't before. We also like the fact that what you see is what you get in the viewfinder. So if your color balance is off or your exposure is off, it is apparent immediately. We also like that it's lightweight." says David Ake, AP Director of Photography.

"For the very first time we'll have interchangeable lenses between some of our video cameras and some of our still photography cameras. That's extraordinary. We've yet to kind of really plot out what the effects of that will be to us at a year's time or two years time, but we know we're going to be able to work in a much more flexible, nimble way," says Derl McCrudden, Deputy Managing Editor.

I think there's also the sentiment that Sony is going to stay on the forefront of visual storytelling, and that investing in them will help AP stay at the top of their game as well.

Results from Our Listener Poll on the Near Future of Physical Workshops

We had an excellent turnout of 72 participants for last week's poll on physical workshops. Here's a summary of the results.

On the plus side, 27 (37 percent) respondents felt that a January workshop in Costa Rica was interesting to them and that they would consider it, at least from a pure health perspective. Fewer of those were optimistic about the feasibility of our planned event in October.

35 respondents (49 percent) ruled out the possibility of either workshop all together, based on the information that they have now. The availability of a vaccine is a major consideration for them.

10 respondents (14 percent) don't feel like there's enough information now to make a decision. I would say the odds of someone from this category signing up are slim.

This information is so valuable and has been a tremendous help to me. Along with other key elements, your comments will help direct us on a positive course moving forward.

In that spirit, I will announce my plans for the remainder of 2020, and the first half of 2021 on next week's TDS podcast. Included in that discussion will be both the October Eastern Sierra event, and my participation for Costa Rica in January.

I'm Now Writing on Medium

I've started publishing articles on Medium.com as @derrickstory. Posts that aren't anywhere else include: "How IBIS Saved the Day, er, The Night," "From LA to San Francisco, 61 Days in a Different World," and "My 10 Years with Olympus Cameras." If you're interested in these topics, I'm posting an article a week. You might want to stop by and follow.

After mentioning this last week, I was thrilled so see that many of you from our TDS audience were hanging out on Medium last week. Thank you so much for chiming in. I think this is going to be an excellent complement to the work we're doing on TDS.

Comet and Night Sky Images from TDS Members

The night sky has been a welcome relief for many of us. Fresh air, interesting subject material, challenging work, and no masks! Here are some of the excellent contributions from our TDS Public Group on Flickr (a great place for photography, BTW.) I've picked a few of my favorites.

Ripping and Cataloging Audio CDs Now Available for Inner Circle Members

In this 40-minute video, I show you an easy way to incorporate audio compact discs into your current digital music library using iTunes/Apple Music for Mac or Windows.

You'll learn how to choose the best codec for your music, how to easily incorporate album artwork, and tips to keeping everything organized along the way.

It's available right now, for free, to TDS Inner Circle Members. And if you're not part of the Circle yet, you can sign up today and watch the movie right away. Just click on the Patreon tile that's on all the pages of The Digital Story.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Organizing and Archiving Digital Photos

It's a concern that lingers in the mind of just about every digital photographer: "How do I preserve my digital images and make them accessible while doing so?"

If you've had those thoughts, then help is available now. My latest LinkedIn Learning/lynda.com title, Organizing and Archiving Digital Photos is a complete course that shows you a variety of options and techniques to take control of protecting your image collection.

As your photo library grows, it becomes more important to back up your work. In this co...