Usher Defends Diddy

Summary

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The Flo Show No Filter

Episode: Usher Defends Diddy

Host: Flo (Harold White)
Guest/Co-host: See Tuck
Date: March 27, 2026

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Overview

In this lively episode, Flo and See Tuck tackle the hot topic of Usher’s recent public defense of Sean "Diddy" Combs amidst Diddy's ongoing legal battles and tarnished reputation. The conversation digs into celebrity accountability, victim advocacy, and the ethical minefield of industry relationships. The hosts also engage the community in Flo’s personal fight for guardianship of his son and share updates on their burgeoning ventures—including an upcoming comedy sketch show and new music projects.

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Major Discussion Points & Key Insights

1. Community Call-to-Action: Support for Flo’s Guardianship Case

(02:42 – 19:38)

• Personal Plea: Flo spends the opening segment updating his community on his fight for guardianship of his son (also named Harold, aka King), who struggles with mental health issues.
  • Flo: "If you value the community that I built and you understand you've been hearing about my son...we are a great team, but to get him over the hump, I need guardianship." (03:24)
• Details for Support: He asks listeners to send character reference letters to court investigator Kimberly Collins (email provided) to vouch for his parenting and community impact.
  • Tips for writing: Stress independent initiative, the positive atmosphere of the community, and personal knowledge of Flo’s character.
• Community Engagement: Listeners and See Tuck encourage and affirm Flo’s request, underscoring the show's “family” dynamic: "If you consider me a friend, write the letter as a friend." (22:18)
• Flo stresses the therapeutic value of the show and its role in daily mental wellness for both himself and listeners.

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2. New Creative Ventures: Comedy Sketch Show Announcement

(19:38 – 25:00; 61:01 – 61:42)

• New Show Idea: Flo announces plans to launch a sketch comedy show inspired by MAD TV, SNL, and In Living Color, spoofing trending news stories in hip-hop and pop culture.
  • Flo: "It came to me...a MAD TV, Saturday Night Live, In Living Color type of thing...parodies and comedy skits based on trending news..." (19:42)
• Audience Participation: Listeners invited to submit show titles; Flo’s brother is named as the main comedic talent.
  • Plans to spoof current hot topics (ex: Diddy, Jay Z, T.I. vs. 50 Cent).

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3. Main Event: Usher Defends Diddy—Analysis and Critique

(25:02 – 47:44)

Background:

• Usher made public comments defending Diddy shortly before Diddy’s appeal for release, focusing on Diddy's legacy and positive contributions rather than the alleged wrongdoings.

Dissecting Usher’s Statement:

• Quote from Usher:

  "I don't have anything negative to say about Sean Combs because my experience was not what the world has seen and how he's been, you know, misrepresented." (26:18)

• Flo's Reaction: Outrage at Usher for disregarding victims. Flo argues Usher’s stance suggests that if abuse didn’t happen to him personally, it isn’t worth denouncing.
  • Flo: "So basically, it's just all you give a about is yourself. You don't care if he raped and killed a thousand people, but because he ain't great or murder you or yours, you don't got nothing negative to say. How do that sound, Sita?" (28:15)
• Broader Critique:
  • Flo and See Tuck call out a pattern among celebrities who ignore injustice unless personally affected.
  • See Tuck: "That's wrong...if it was your people, you'd want to call the cat, right?" (28:44)
• Victims Over Legacy:
  • Usher prioritizes Diddy’s business/monetary legacy over harm to victims.
    • Flo: "He talking about money. So you disregard that...we supposed to focus on the money and businesses he created...and say to the women that's been violated...just throw all that out?" (32:53)
  • Flo likens this logic to excusing R. Kelly’s crimes for his musical legacy.

Possible Motivations & Industry Pressures:

• PR Crisis Management: Discussion of how Diddy's PR teams coerce, pay, or threaten celebrities for public support.
  • Al B. Sure's Statement: Referenced as confirming such PR crisis tactics; claims Usher received a $1 million "brand ambassador fee" to defend Diddy.
• Dirt or Blackmail: Flo and See Tuck speculate Diddy might have harmful information on Usher, compelling his public defense.
  • See Tuck: "Diddy definitely got it...he gotta have something on him." (47:44)
• Comparisons to Other Celebrities: The hosts tie in similar patterns with R. Kelly and others, challenging Usher's selective morality.

Justin Bieber Angle:

• Speculation: Usher may have tried to get Justin Bieber to make similar statements supporting Diddy.
  • Flo posits that Bieber refused, leading to tension between the two (37:48 – 38:24).
  • Flo: "I bet you Diddy been trying to pressure Justin Bieber to come out and say the same type of that Usher just said...Justin Bieber said hell no." (38:24)

Notable Quotes:

• Harold White (Flo):
  • "He just took a crap on all...all the victims in this case, but all victims." (30:05)
  • "If you don't got nothing negative to say about a two time felon convicted of sex crimes who done beat ass on camera...What do you stand for then?" (31:47)
• See Tuck:
  • "There's a lot of people that speak, and I'm like, dude, what is you talking about?" (28:36)

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4. Industry Corruption & Coming Tell-Alls

(45:58 – 47:03)

• Al B. Sure & Kim Porter:
  • Historical context of Diddy’s relationships and industry alliances. Al B. Sure, a source close to Diddy’s circle, affirms dark industry secrets, claims of manipulation, and corruption.
• Suge Knight’s Book Announcement:
  • Suge Knight (Death Row Records) is reportedly releasing a tell-all book exposing Diddy’s misdeeds.

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5. Music & Creative Work Updates

(48:44 – 59:22)

• Flo & See Tuck Share New Music:
  • Updates on recent songwriting and music production, including the sale of their original country songs to an artist out of Pennsylvania.
    • Flo: "Our first time writing country songs...the person who wanted them bought all four of the records." (49:17)
  • Fun stories about recording in an unexpected "trapping his studio" and the collaborative process.
  • Shared snippets of tracks "Grown Ass Man" and "Candy from a Stranger" (50:45 – 58:23).
• Discussion:
  • Insights into songwriting on commission, referencing personal experiences with concept music and custom requests.

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Memorable Moments

• Flo’s Transparency:
  • "I get to wake up and I got the best job in the world..." (23:13)
• On Comedy Plans:
  • "We're gonna have a baby oil in the feds and everything, so it's gonna be funny, man..." (19:58)
• On Industry Ethics:
  • "Entertainment industry has no integrity and at the very least compromise ethics." – Listener “Ms. Sweet Tooth,” echoed by Flo (45:58)
• On Usher’s Defense:
  • “If he was to apply this theory about the legacy to R. Kelly, would he come to the same conclusion?” (36:04)

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Important Timestamps & Segments

• Community guardianship support call: 02:42 – 19:38, 62:00 – 64:56
• Sketch show announcement: 19:38 – 25:00, 61:01 – 61:42
• Usher defends Diddy analysis: 25:02 – 47:44
• PR blackmail/industry pressure: 37:48 – 45:58
• Music making & behind the scenes: 48:44 – 61:01
• Listener Q&A, wrap, and reminders: end segments

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Tone & Style

• Raw, candid, unfiltered: True to the show's “no filter” tagline, Flo pulls no punches calling out hypocrisy and defending victims.
• Community-first: Flo often pivots to gratitude for listeners, making listeners feel like family.
• Humorous & musical interludes: The heavy topics are balanced with laughs, banter, and music samples.

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Takeaways for New Listeners

• Real talk: The episode is a blend of unfiltered hip-hop commentary, social critique, and brotherly banter.
• Victim advocacy: Strong stance against celebrity cover-ups and a call for ethical consistency.
• Engaged community: Listeners are encouraged to participate in both personal matters (guardianship letters) and creative projects (naming the sketch show).
• Insider music & comedy: Get behind-the-scenes glimpses of music production and upcoming entertainment from the hosts.

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Selected Notable Quotes with Timestamps

• Flo:

  "You disregard that...we supposed to focus on the money and businesses...and say to the women that's been violated and the children who have been around to see this violations going on, we supposed to just throw all that out." (32:53)

• See Tuck:

  "Diddy definitely got it...he gotta have something on him." (47:44)

• Flo:

  "If you don't got nothing negative to say about a two-time felon convicted of sex crimes...What do you stand for then?" (31:47)

• Usher (quoted):

  "I don't have anything negative to say about Sean Combs because my experience was not what the world has seen and how he's been, you know, misrepresented." (26:18)

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Final Thoughts

This episode is a fiery takedown of celebrity protectionism, a passionate plea for community action, and a peek into the creative endeavors in the Flo Show universe. With original music, biting commentary, and a “family room” atmosphere, Flo and See Tuck deliver a bold, engaging morning session you can’t get anywhere else.

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Transcript

[Harold White]

Wake up, wake up, wake up, wake up. It's the flow show no filter. Back for another crazy episode? Put a one in the chat if you can hear me. Put a one in the chat if you can hear me. We about to get into it. Got a special, special episode. We talking about the Usher mess, Diddy mess and some of my mess. But before I get into all that, let me cover my ass. No Diddy. The thoughts, views and opinions shared on the Flow show no Filter are for educational and entertainment purposes only. I am not a professional. I am just good. Let's go.

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these thoughts, views and opinions Making sure backsides covered. No Diddy shout out to the waking bakers and the coffee crew. From YouTube to Spotify. I love all my subscribers. Can't forget about the trolls in the comments. Thank you for putting extra eyes on the content.

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[Harold White]

It's something about that intro show that just it do it every time, don't it, y'? All? Every time I hear the Flow show no filter intro show it just give me a boost of energy. How about y'? All, we got some serious stuff to talk about today. You got my like everybody like, like the live when as you come in the dough. Good morning, Grandma Kathy. We about to break down this whole Usher and Diddy situation. Usher defending Diddy and people like, what the hell? We gotta talk about that. Let me get this damn computer out my way. I don't need the laptop today. Let's see who we got in here. Roll call. Lazy baby. Grandma Kathy, Portia at least. Lord Johnny Gonzalez, Enoch See Tuck. What up, Sun Moon roots. Okay, I see. Come on in. Don't be shy. And if this your first time or if you're in here, come on in. We got a lot to talk about. First of all, before we get into this Diddy mess, I gotta make an announcement, so I need your help. Flow needs y' All Flow needs the community. If you all know that I've been dealing with me and my son King, his name, as a matter of fact, my son is Harold. My son's name is Harold and so my name is Harold. Just so y' all know it. There's no confusion. My son is named Harold. My name is Harold. I called him King as a nickname since the day he was born. So in order to help him with his. With his mental illness or mental health, I have applied for guardianship. I have a guardianship. I have a guardianship court hearing next week. I need every last person in this chat and every last person in this community to send an email just as a letter of support about what you know, about how I feel about my son, how I. How I. What I do for you. Just a letter of support. Send it to this email right here that I got on in the chat. This is K A Collins, K A C O L L I n [e-mail] and I'm gonna spell it out. K A C O L L I N S at C U Y A H O G A C O U N T Y dot G O V. If I never asked y' all for anything to do before, I need everybody. When I say everyone. If you. If you. If you value my. What I bring to the table, if you value the community that I built and you understand you've been hearing about my son. You know I love my son to death, and we are a great team, but to get him over the hump, I need guardianship and I need to know. I need these courts to know that I'm not playing. And I need to know. I need them to know that my community is not playing. And so we are going to do whatever it takes to get my son to help that he needs. And the more letters and the more y' all verify the type of person I am, what I mean to y', all, what y' all know, that what my son means to me and that y' all support me and getting guardianship on my son and that we are gonna hold him down and whatever. I don't know. I don't even. That's why I'm just kind of keeping it vague. I don't want to tell y' all what to say. I'm just giving you all the subjects of what to talk about. We all want to flood this court because I want them to know I'm not playing around. Yeah, you could blind CC me on it. If y' all know how to do a blind cc, you can ccmflo Daddy Flow at Gmail on there, but you don't have to. You can if you want to, but sending this letter to this. To this email will be great. If you Want to blind CC me at Flo Daddy [e-mail], more than welcome to do that as well. It's just basically a letter of support, or they call it a character reference letter. And basically the bottom line is saying that I support Harold and call me Harold, because not Flow is Harold, and my son name is Harold. I just want to be clear. We both named Harold. He named that to me. So call me Harold. You don't call. You don't got to call me Flow. And basically it said it's a letter saying that you support Harold and being granted guardianship of his son. And y' all know what to do. Y' all very smart community. That's why I don't even have to spell it out. I just want to make sure y' all know where to send the email. Like I said, if you're watching this, it's right here. I'm gonna leave this here pretty much most of the show. And if you're listening, my Spotify people, my Apple people, I love y' all to death, my subscribers, One more time. K a C O L L I N S at C U Y a H o G A C O u n T Y dot G O V. That is where I need you to email the letter of support or the character reference letter. Just telling them what you know about me, how you feel about me, how you feel about the community, what my community does for you, that I built, what I do for you. As we get up, we therapeutic for each other. We discuss mental health, we help each other with each other's mental health, Just all of that type of stuff. Let this court know that y' all support me. And I just want them to know that we are gonna get this done regardless. So don't try to. Don't try to get in the way of me helping my son. And I don't want anybody to stop me because this is what I'm doing. And once I put my mind to something, when it comes to. Especially when it comes to my son, I'm gonna get him right. And. And I don't. I feel sorry for anybody in my way. White. Yep. Last name White. Harold White. That's my last name. Harold White. Thank you. Thank you. So, please, I don't need one or two. I need everyone who listens to this and values what I bring to the table and values this community and. And. And want to see the best for me and my son. I need every last one of y' all to send an email to that. To that thing. To that. To that email address and supported me getting guardianship and why and whatever great things y' all can say. Thank you so much. Everybody got the information. Laura said she got my back. I appreciate you at least said. Want the blind copy. Sure. Yep. Creepy little B. Say, Creepy little beast, say now. Now you're talking. This is my wheelhouse. I got you with this letter. Thank you so much, creepy little beach. And of course, tell them a little bit about you got yourself too. When you send the letter. Tell them where you come from and all of that. What up, C. Tut?

[See Tuck]

What up, Flow?

[Harold White]

Good, good, good. You. You been. You've been hearing the show? You just got on?

[See Tuck]

No, I heard. I feel like you needed to stay that stage by yourself to explain all that.

[Harold White]

Oh, yeah, that was cool. I just didn't know if you. Was it. If you just came or not. So if I had to brief you on what's going on. But you already heard everything.

[See Tuck]

Yeah.

[Harold White]

Okay. Good, good. Everybody got my back, so other than that, y', all, it's great times. I'm happy. I feel great. I really feel good. My gym been. I've been doing my getting. Getting it in. In the gym, you know, that always feel good. I ain't sore. I ain't none of that feeling good. My boy see Tuck on here. We about to get it in.

[See Tuck]

They said, what about that doctor appointment?

[Harold White]

Oh, I got my. Once I get off of here, I got a call. They already. They already processed me yesterday, so I gotta call them as soon as I get off the show today. If I hadn't to deal with the stuff with my son yesterday, I would have called yesterday. They emailed me yesterday. So thank you for asking me about it today when I get off the show. I was just talking this morning about it. When I get off the show, I gotta call them in, then I can make my appointment. So, yeah, appreciate you asking, but, yep, they emailed me back yesterday. And like I said, if I wasn't dealing with my son's stuff, I would have did it yesterday, but I was already planning to do it after this show. So after this show, I got a call to make. I appreciate y' all checking on me on that, but for sure I'm calling today and I'll let y' all know when my appointment is. So y' all can make sure I go up there and I'll. I don't chicken out. So that's that. What else? Any other questions besides that? Let me see. Flo, do we need to put any attention to. Her name is Kim. I'm glad you said that. The lady who y' all sending this to is Kim. Hold on. Her name is Kim. Kim Collins. So you could put. You could put Attention Kimberly Collins or attention to Cuyahoga Courts, but the email is going to Kimberly Collins and she is basically the court investigator. So she like, you know, investigate me, you know, make sure I'm fit to do it and also talk to my son and his mother and all of that. So figured sending it to her since she is doing all that is probably best. My. My court date is next week on the 2nd. April 2nd. So, yeah, attention Kim. Any other questions about that before we move on? Let me look and if you see questions or anything, see Tuck, bring it up. I'm looking around. What did I miss, guys? Everything okay?

[See Tuck]

Flow.

[Harold White]

Yeah. Black roses. Everything okay? I got a court. You might. You go back and listen to the beginning of the. Of the show, but I got a court. Court hearing coming up to get guardianship of my son so I can get him over to help him through his mental health situation. And I got everybody in the community sending a letter to. I must. Can't get to it. Letter to. Damn. Will it not go back? Oh, it's at 8:30. Yeah. So when did I put it up here? Where is the. Do you see the email in here or is it gone? See? Tough.

[See Tuck]

No, it's. It's further up.

[Harold White]

Okay. Where? I can't. Can you see it?

[See Tuck]

I. I have scrolled up and seen it. It's a while. You got to scroll through the.

[Harold White]

But it won't let me.

[See Tuck]

Hold on.

[Harold White]

Put this down. How did I get.

[See Tuck]

Well, not on the. You know, I did it on my phone. I ain't do it.

[Harold White]

Oh, okay. Well, no, I can't get it now. I got this damn keyboard. The keyboard. Okay, there we go. Yeah. Black roses. You just go to the beginning of the show. I put up an email address. I need everybody to send a letter to the courts. I'm doing. I'm doing a guardianship for my son. And I just need, like, letters of support or they. They also call care. Character references. Letter. Reference letters. And you can send it to the email address that I posted at the beginning of the show of, you know, your support. If you. So if you support me getting guardianship with my son to get him to. To his mental health issues and just, like, what, you know, what I. The things I do, just speaking of who I am and the community I built and, you know, what we do for each other, you know, which I'll get out of it, what type of person I am, and blah, blah, blah. Like I said, y' all know better than me what to say or whatever. Just be real. That's all it is. It really ain't nothing. Just be real. He's. He's not. I'm. I am supposed to be senior, but he ain't technically junior, so you just call him little Harold or Harold's son. Harold. Like they know who you talking about. See, I need some background info.

[See Tuck]

Flow.

[Harold White]

He just got anxiety, mental health. It's not really nothing. Anxiety, they just say anxiety, depression. That's really. It. Just mental health. You really could just say. Because the court. You got to memorize. The court got all the information. So when you say mental health. And like I said, his name is Harold, they know him by Harold, so make sure you address him as Harold, as my son. But the court knows everything. So when you just say mental health, they'll know what you're talking about. Like, you don't really have to go into too much detail. Creepy little beast that I posted above. But I also highly recommend that you tell in your letter that you took it upon yourself to reach out. So that way it doesn't seem like it is coerced. Effortless. Great, great idea. Creepy little beach. She says make sure. If you can in your letter, make sure that you let them know that you taking it. You took it upon yourself to reach out. And so it doesn't just seem like a chorus effort. Thank you like that for that, Creepy. Sending lots of blessings. Where's your son? He's at his mom's. He with his mom. We all live in Cleveland, so he with his mom. If you get a chance, type that in here. See, Tuck, you a realist, good friend. All right. Just making sure we got all the questions we needed before we get into this. Yep. And so I will do that today, y'. All. The doctor's appointment. Thank you. At least for sure. Like I said, they just. They just hit me back yesterday saying I'm able to make the appointment, so I got to do that today. Other than that, let's get into the show. Oh, another announcement. I got it. I got. I finally figured out my show. My other show. I've been trying to figure out another show that's not. Got nothing to do with, like, Kind of what we already do. And it came to me, and I'm putting it together, and I think y' all gonna love it. So Tuck, we doing. And you know, see, Tuck, you always can be a part of it in whatever capacity, but I am doing. I'm putting together a, like a MAD TV Saturday Night Live in color and Living Color type of thing where we will do, like, parodies and. And like, spoofs and comedy skits based on a lot of this trending news that we cover. My brother, if y' all don't know, my brother is, like, super duper funny and talented and been like that his whole life. So he gonna be the main. He gonna be like one of the main people. He the type person. He could play like three different people. But anyway, so, for example, this weekend we're gonna do a skit spoofing the Jay Z interview that he just. Man, my brother gonna be Jay Z with the dreads on and. And all of that. And so you see, so that is going to be the show, but it's going to be a real show. So we're going to be doing all, you know, all this, like, say, like, 50 Cent and T.I. going at it. We gonna spoof that. We gonna spoof all the trending shit and just put our spin on it. You know what I mean? And that's gonna be the show we're gonna do at least probably. We're gonna try to do, like, four. Four episodes a week. You know what I mean?

[See Tuck]

Yeah.

[Harold White]

I mean, four episodes a month. My back. Four episodes a month. And. And it's gonna be more like. More like In Living Color, though. So it's gonna be good. It's gonna be funny. And I. I already know it's gonna take off and it's gonna be a break from all this serious. We be talking about. Put a little spin on, you know what I'm saying? And we already. I. I kind of wanted to do something different, but I still wanted it to have something to do with what I do. You see what I'm saying? No, like, I think that's totally. That's comedy. That's totally kind of opposite of just the seriousness of what we do. But like I said, it's going to be covering all the trending stuff that we talk about. You know what I mean? Of course, Diddy. We already got an idea for a scene of Diddy in the Feds and just what we think going on, but in a funny way. You know what I mean? Like, just making fun of stuff. No filter too. So y' all know our style. No filter. So, you know, people might be getting mad a little bit. Celebrities already be mad. But, you know, we're gonna have a baby oil in the feds and everything, so it's gonna be funny, man. So. So. So we coming up with a name. So if you think of a name, send it to me, email it to me, put it in the chat. But it's basically in living color mixed with Saturday Night Live, and it's gonna be dope. So anyway, had a lot to announce today. Oh, yeah, it's gonna be. It's gonna be hilarious, y'. All. You could say, well, if you consider me a friend, you can say friends. If you just part of the community that I built on my daily podcast where we amplify messages for victims, you can also come from that angle. It's just about how you feel. But as far as the show, even if you say, if you were part of the community, just let them know. Every day, we amplify messages and speak out for victims pretty much every day. That's really our sole purpose. And we also help each other. You know, we therapeutic. You know, we. We, we. This show is therapeutic for me. I tell y' all that all the time. A lot of y' all send me messages on how it helps y' all get y' all day started or get through the day. All that type of stuff helps. Like I said, it should be a lot of letters, so it's gonna be a lot of people coming from different angles. But if you consider me a friend and. And. And. And you just want to write it as a friend, I told you, we all. I consider everybody family and friends. I tell y' all everything as if y'.

[See Tuck]

All.

[Harold White]

As if we family and friends already. So, I mean, from my relationship stuff to my son to my life to my ups to my downs, we talk about it all. So if you consider me a friend, write the letter as a friend. And. And. Oh, yeah, look, at least. See, look, look, look. The show gonna be. Look, at least say you gotta spoof the whole butt warts and how you spread it through the detention center. That's what I'm saying, Tuck. This show. I'm telling you, this show gonna go about to be funny. Oh, man, I can't wait to have him in all this, all his robe, and he's doing it when the sex worker come in and did. He ain't did it. Yeah, yeah, take that. Take. Man, that sound like Diddy.

[See Tuck]

No, it ain't me. No, this ain't Diddy, No Playboy,

[Harold White]

No. Thank you for the $10. Holla. The latest news has been crazy as always. Thanks for keeping it a hundred. Fluency Tuck are the best. If you ain't a member, you missing out. Can't wait for what's to come. Thank you so much for the ten dollar holler. Black Rose. Yeah, we building a beautiful thing here. I love it. That's why when I'm sharing y' all what I'm going through, I just really want to tell y', all, it's all in love and happiness. I get to wake up and I got the best job in the world. And that's because of y'. All. It's hard for me to be down or upset about things that happen in life. Because it's life. It's gonna happen. You know, you need pain to appreciate the joy. If everything was joy, you wouldn't know what joy was. So you know it's all a balance. So I just want y' all to know that, like I just share it because I'm transparent, but mentally and where I am in life, I am. I couldn't be happier because like I said, I bust my ass to be where I'm at right now. And because of you all, I wake up every morning and I got the best job in the world. I would do this shit for free. But I'm able to feed my family, feed myself, feed my son, and live out my dreams because of y'. All. So I could never be down or just sad about things like this. Just life. And we just deal with it. But other than that, we good. I'm good. So I appreciate each and every one of each and every last one of y'. All. So see Tuck, Usher coming out defending Diddy right before the appeal. Diddy is trying to get released, y'. All. Told y'.

[See Tuck]

All.

[Harold White]

Why would Usher come out first of all putting himself in a bad light? Because he talking about things with Diddy being taken out of context. He. We should focus on his legacy, man. Damn, Usher, what is your. So just so just. We'll just take a squat, pull you and just take a dump on all the victims. This dude is whole ass a two time convicted felon in the feds right now, bruh.

[See Tuck]

He got found guilty.

[Harold White]

He got found guilty and we ain't even talking about him beating Cassie's ass on in 4K. Did we take that out of context? Is it something more to it that we did she. Did she. Did we not see what we saw? Usher?

[See Tuck]

Was it? AI talking about what'd you say it was AI?

[Harold White]

Yeah. Was it AI? So let's start off with Ushers. I'm disappointed Usher for this, y'.

[Guest Commentator]

All. I mean, this might be a bit controversial, but in the same way, I think many people choose to look past the reality of what our country is, the standards that we now stand on. We can't ignore the reality of the history. But in many ways, I think certain people are prosecuted and maybe not recognized for the greatness, you know, that they offer. I don't have anything negative to say about Sean Combs because my experience was not what the world has seen and how he's been, you know, misrepresented.

[See Tuck]

Yeah, we know. Yo, all right. This ain't like the world scene. We know. We know that.

[Harold White]

We know that. And guess what? Usher just touched on why I don't with these celebrities and why none of y' all don't with them no more. And where their problem is. Listen, the devil is in the details. Like I told y', all, I'm the king of taking a person's own words and exposing them. I don't have to. It's a lot of stuff I can say, but they don't. Nothing hit harder when you take a person's own words. So, Usher, you got all these fans around the world that been that. That been. They've been paying and buying you tickets and supporting you. These fans have went through all kind of stuff. You got fans who have been sexually assaulted. You got fans that have been had they ass beat. It's just a lot that your fans go through. And you right here in the beginning of this thing, of this interview or whatever the hell this is, you say you don't have anything negative to say about Sean Combs because your experience, which I'm not even debating if you lying or not, because it don't matter. I'm just using Usher's own words because your experience is not the experience of what others or whatever the way he put it. So basically, it's just all you give a about is yourself. You don't care if he raped and killed a thousand people, but because he ain't great or murder you or yours, you don't got nothing negative to say. How do that sound, Sita?

[See Tuck]

That seemed like the pattern would look. That seemed like the pattern with a lot of them.

[Harold White]

Exactly.

[See Tuck]

Like. Yeah, exactly. Not even just Usher. Like, it's a. There's a lot of people that speak, and I'm like, dude, what is you talking about?

[Harold White]

What do you mean?

[See Tuck]

Like that. That's. That's wrong. Oh, man, we shouldn't. We shouldn't bring. Man, if it was your people, you'll be. You want to call the cat, right? You know, you don't want to line him up with the firing squad is.

[Harold White]

When we stand for justice, we ain't standing when. That's why celebrities are so phony. When they stand, they try to take a stand for justice. Because Usher has stood for stuff in the past or spoke up in this and that. You didn't speak up because that happened to you. You didn't speak up because that happened to your family. You quote, unquote, or allegedly spoke up because you stood for something. Yeah, but now all of a sudden, now when it comes to Diddy, you don't have anything negative to say because the experiences that are out there didn't happen to you or whatever the.

[Musician]

You said.

[Harold White]

So basically you saying fans shouldn't support you at all because you just totally all about you. And as long as it don't happen to you or yours, you. You ain't got nothing to say. So why are we giving him our money? That's complete. He just took a crap on all. Not only. Not only the victims in this case, but all victims. What kind of world would we live in if we didn't have nothing negative or nothing to say about someone? Because whatever didn't happen to me, if that's the case, I wouldn't even have a show. David being. Or Diddy. David the singer or Diddy or any of the other people, they didn't technically do nothing to me. They didn't do nothing to. To my family. But what that got to do with me speaking on what's real and supporting victims. I didn't like that from the beginning. When Usher said that. I said he exposing himself. And even to him, trying to. Even him trying to. To cover it up and make it sound good. You exposing yourself because what type of is that to say, yeah, you going through a problem. Let's. Let's make it straight. Direct. You going through a. No, no, I'm going through a problem. Let's make it real. This. Let's talk about my son. And I say, see Tuck. And I just poured my heart out to see Tuck about what I'm going through with my son and how the courts is screwing me over. And I'm just speculating. I ain't saying the court's screwing me over. This is for story purposes. And then see Tuck say, well, I ain't got nothing negative say about the courts because they ain't never did nothing to me. I don't want to with C Tuck no more after that. You feel me? That's just what Usher just did.

[See Tuck]

Yeah, he just did it. He did it on a more broader scale because exactly, like he don't know these. He. He's just basically offended them like that.

[Harold White]

Yeah.

[See Tuck]

But like kind of like the demeaning. They demeaning their situation a little bit.

[Harold White]

Yeah. Down playing it demeanor being dismissive. Well, it ain't happened to me. So I don't got nothing negative to say about a person. So if you don't got nothing negative to say about a two time felon convicted of sex crimes who done beat ass on camera, you don't got nothing negative to say about him. What do you got? Negative. What do you stand for then?

[See Tuck]

Exactly.

[Harold White]

Let's continue saying that every man is perfect.

[Guest Commentator]

I'm not saying that all of us don't have flaws, but I can't, with any sense of humanity not recognize the valuable contributions that this man made for us as black entrepreneurs, for us as businessmen, for instance, people who transition, you know, culture and ideas into something that's tangible and becomes business. So many people benefited from what he created.

[Harold White]

Money.

[Guest Commentator]

And I acknowledge that.

[Harold White]

So you acknowledge the money. So you acknowledge the money. Let's just listen. When he said what he did for. He talking about money.

[See Tuck]

Yeah, he ain't talking about. He ain't talking about morals.

[Harold White]

Yeah, he ain't talking about morals. He ain't talking about more. He talking about money. So you. So you disregard that and you think we all supposed to focus on the money and businesses he created and say the, the women that's been violated and the children who have been around to see this violations going on, we supposed to just throw all that out. And I was always a big Usher fan back in the day. And even with all this going on, I didn't have too much bad to say about Usher, to be honest. He get cooked now. Fuck Usher. I don't like this at all. Like, he totally destroyed me with this.

[See Tuck]

Yeah.

[Guest Commentator]

And that's why I see him as legacy. Yeah. You told Shannon Sharp you learned a lot about business during that era. Absolutely.

[Harold White]

What'd you learn?

[Guest Commentator]

Puff was a mentor, but he was, he was like, you know, you have that really, really hard teacher, you know, but you're watching something in his mind.

[Harold White]

I bet he was a hard tooth.

[Guest Commentator]

The level of discipline that came with that time in business, especially in an era that was trying to prove itself culturally in hip hop. Now you can't turn on the television and not see the influence of hip hop.

[Harold White]

That's right.

[Guest Commentator]

But the people who actually made that appropriate and other forefathers are people like Sean Combs and not just in the great times.

[Harold White]

So now you mentioning Sean Combs with our forefathers.

[See Tuck]

Yeah.

[Harold White]

What the is you doing, Usher? I don't like this. I wish I was. They ain't gonna sit down with me for no interview. Because then my next question after he got into all that word salad would have been right here with lazy baby said, well, I'm saying there were plenty of people that benefited from R. Kelly's contributions. So is that how you feel about him, too? Come on. Cause I'm about to put you all the way in the cooker since. Since we. Since. Since it's about contributions over prostitution. So you telling me R. Kelly. So we supposed to do the same for him too, Usher? Oh, I would. I would have loved to hear his answer.

[See Tuck]

Crazy.

[Harold White]

Because you sound crazy right now, bro. I'm gonna let it continue.

[Guest Commentator]

That they had musically, but in the idea of being able to. To find ways to monetize culture and create something that was not just black or white. It was colorless. It was green. That's who I see that man as. And that's what I choose to remember. I put respect on his name because I realized that, you know, what I learned as a businessman before I even understood what business was, came as a result of seeing the incredible things that he was able to do and the way that he positioned himself as a businessman. There are trials and tribulations that come with the pressures of success and power. But what we choose to do with it is what I hope that you see with me and hopefully all the people that I'm involved with. Right.

[Harold White]

How did you get your first deal, man? See, Tucker, I'm so disappointed. Usher, man,

[See Tuck]

they sound like he fell off them roller skates and bumped his head.

[Harold White]

And I'm glad they cooking his ass on social media, too, Though. Elise says Usher is full of. Bet Dillard got something damaging against him. Yep. Enoch said Dillard was his sugar daddy. Ms. Sweet Tooth said the same thing. So if he was to apply this theory about the legacy to R. Kelly, would he come to the same conclusion? That's what I said. That's. See, they sit down with people who ain't gonna really ask them, because I definitely would have went there. She said, what about you? I know you wouldn't have just left with that.

[See Tuck]

See, he would have been on there crying like, I'm fighting for my life. Yeah, Usher would have to ask her for some.

[Harold White]

Yeah, so. Huh?

[See Tuck]

Oh, no, that's what I'm saying. He definitely would have had to ask her for some.

[Harold White]

So before I get into what some of the celebrities, like Albie Shore actually posted on his story, which is some information that I already had. But now that he posted on his story, we can talk about it out loud. But before we get into that, now, I think this is something nobody else brought up. You know, I'm the king of bringing up. But nobody else brought up this in plain sight. Now, Usher coming out with this. Now let's revisit that Usher and Justin Bieber argument. I bet y' all they've been trying to get Justin Bieber to do some like this, what Usher just did. I bet you Diddy been trying to pressure Justin Bieber to come out and say the same type of that Usher just said. And that probably may us Justin Bieber go the off. But just think of the time.

[See Tuck]

Rightfully so.

[Harold White]

I don't know. But think of the time and now it all makes sense. Ushering Justin Bieber get into a heated exchange.

[See Tuck]

So it ain't no telling how old that interview is.

[Harold White]

Yeah, but he knows about it. You feel me?

[See Tuck]

So that. That probably was a result of the interview.

[Harold White]

Yeah, exactly. Whether. Because either way, if that was an old interview, we know it just came out. You know what I'm saying?

[See Tuck]

No, that's what I'm saying. Like, it probably would have came out like a couple days ago.

[Harold White]

Right.

[See Tuck]

Or a couple days before they synced each other.

[Harold White]

Exactly.

[See Tuck]

And then he's like, man, you. You up there doing that, and they on there.

[Harold White]

Yeah, more like, hey, Justin, man, you. You know, we reach out. We need you to do a sit down. Diddy needs you to. Or Puff needs you to, you know, tell the world, blah, blah, blah. You know what I'm saying? Because for Usher to do that, just think about it. Just as powerful as Diddy. First of all, we know Diddy is. First of all, we know Diddy pressure Usher to do this in whatever way. And we're gonna get into a couple of reasons in a minute. So we know that. We know Usher just. Because even if Usher felt this way, which I don't believe he do, even if he did, he wouldn't just come out right now and just say that and just throw himself to the wolves if he didn't have to. You know what I mean? Keep that. So let's just go with the. We pretty much know Diddy pressured him because he knew what. What that could do. But you don't think Diddy know how powerful it would be if Justin Bieber was to come out and say what Usher just said. Like, man, I, I, I Diddy did a lot. Puff did a lot for me, the same Usher said, I don't have nothing negative to say about him. That would be a powerful statement. You think Diddy the way Diddy harasses everybody. You don't think he'd been trying to harass Justin to say that? Because think about it. When Diddy was even being investigated, he was pulling up on Justin Bieber. We got footage of him, and Justin Bieber is trying to act. But you know how somebody trying to act cool but really they can't wait to get away from you? That's the vibe Justin Bieber was giving me. Like, because, you know, he can look intimidated at did he right saying so it's like Justin Bieber was trying to be cool, but he also was like awkward and wanting to get, wanting to get away from Diddy. So I'm telling y', all, I just feel this in my gut that Diddy and and, and probably through Usher been trying to get Justin Bieber to do the same thing. He just got did Usher just did. And Justin Bieber was like, no. And as a matter of fact, he went the off about it. I'm telling y', all, it's just too coincidental that they got into it and then this come out. Too coincidental. It has to be. Has to have something to do with it. So I just thought about nobody else put to like, everybody kind of forgot about the altercation now. Everybody focusing on Usher defending Diddy. It got me to thinking, like, wait a minute somehow. Because another thing is when, when Usher and Justin Bieber got into seemed like that's the type of altercation that happens. It's at Jay Z and Beyonce party. So it's somewhere where they know it's gonna get out. It struck me as like it's a deadline or something. That's how people move when it's like this need to be handled now. You know what I'm saying? So that's what make me even think it too. It's like they could have got into it. It could. But that's how it be when somebody pressing you and thirsty and desperate to get something done. It's like we, if we got to handle it right here and scream, we gonna scream right here. So don't be surprised if Justin Bieber either, either come out or he might not say nothing. But I'm telling y' all Usher probably tried to get Justin Bieber through the pressure of Diddy to come out with this same type of statement. And. And Justin Bieber said hell no. Because I'm telling y', all Diddy is. This is pretty much Diddy's last real attempt to be able to get out. So Diddy trying everything he can for this upcoming appeal hearing or whatever. And it's but to go back to what's what, all the stuff that's in play. So if y' all not aware these celebrities especially like Diddy had these crisis. These PR crisis teams that. That go through and handle dirty work. They'll scrub the Internet if. If somebody like Al B. Sure come out with evidence against Diddy and talking. The PR crisis management team is paid to make Albie Short look crazy or whatever. This is what they do. And so I've been knowing about it for a while. I just couldn't speak on it because, you know, it wasn't my place and it was information that I was given in confidence. In confidence. But now that I'll be sure has come out and said it. This was posted on his story about the Diddy and Usher situation. Another strategy gone wrong by the the incarcerated PR crisis management team at the expense of a superstar in exchange for validation right before the schedule appeal for early release. Who in that public relations office comes up with this stuff? This their job is to coerce or pay or threat by the money or just threats to have somebody like Usher come out and speak positively about Diddy. Because whether. Whether it's because he got some on Usher, whether it's a money thing, I don't know what the reason is exactly. But common sense, we know it's something. It could be a combination of the two. Could be money. And you know, they know that. They know where the bones is buried. They know where the bones is buried. And then also in. In I'll Be Sure's post and if y' all know I'll Be sure is him and him and Diddy both dated Kim Porter. Diddy took over Albie Short's son Quincy as his father. And that's weird and that there's a lot going on with that. But one thing about I'll Be sure he been in. He'd been involved in all this from the beginning. He knows a lot. He been in it since Uptown Records. He was the star artist on the label where Diddy got his start at. So he know a lot of the behind the scenes and inside information. And we all know he was near death. So also he posted it is alleged that a sizable charitable one million dollar donation was issued with a memo stating brand ambassador fee and two two Usher his either him personally or one of his companies or whatever. And I'll be sure put stay strong little brother. You are the biggest artist in the world and somebody knows it. Your legacy is intact. Basically I'll be sure saying he know Usher been put up to this and bro, you gotta be stronger than that if you think about it. Remember when, when remember when what's his name Russell Simmons was in Bali and Usher went out there for a random visit or something and it looked weird. I don't know if y' all remember when that happened, but it seems like Usher is kind of like their little puppet because who would be thrusting theyself in all this crap on their own? Like

[See Tuck]

man, Russell went to Bali and ain't never came back. He said the man I see y' all from the CEO.

[Harold White]

Yeah Choc the ones that say exactly. Flow Ticket got the info. Johnny Gonzalez says ticket got the info. Let's see what else somebody else said. Oh yeah. Flow. And I'm glad you mentioned that Johnny Gonzalez that Suge Knight is putting out a tell all book about Diddy that's going to tell all the all the behind the scenes stuff that we probably didn't know about or whatever. So yeah, so definitely Sug. It's a lot going on that Diddy is scared of. Ms. Sweet Tooth. Says she and to be honest, it doesn't really surprise me because the majority of the entertainment industry has no integrity and at the very least compromise ethics. Yeah. Creepy little beast says Justin looks like it has affected him immensely. Justin will be the one to go the f off and still watch him. He'll be Biggie next. Yes. It's real.

[See Tuck]

Yeah.

[Harold White]

At least says that would be a bestseller. Talking about the tell all book that sug night is dropping. Let's see, let's see what else we got in the, in the chat. Usher would have been better off being quiet. Yep. But he had no choice. Or in his mind he had a choice. To me he had a choice. But he, he, he, he did what they had, man. I think, I think the money one thing but I think more or less it got to be dirt what you think it'll make you do, you know, because I don't even think the money would have made Usher really do it. Not just the money.

[See Tuck]

Even though he said it though he like yeah, all these things was all these. He did it's colorless all it was was green. I'm like, all right, yeah, whatever. But no Diddy definitely got it. Got something on me. He got. He gotta have something on him.

[Harold White]

Yeah.

[See Tuck]

Cause ain't no way you would walk back no stuff like that, or even, or, or not even acknowledge it and be more so in support of the person even though they did that much wrongdoing.

[Harold White]

AC Tuck, Grandma Kathy said your energy now. He said, she said you need it now. Hey, Grandma Kathy. It's funny. Hey, Grandma Kathy, man.

[See Tuck]

Yeah.

[Harold White]

You need a nap?

[See Tuck]

Yeah, I need, I need rest. I need rest. That's what I need.

[Harold White]

Hey, you know, hey, look, hard work, Work hard.

[See Tuck]

What's up?

[Harold White]

Hey, look, that was me yesterday. That's why between dealing with my son and all of that and the other two days I had did all them coaching sessions because I lined everybody up for Monday and Tuesday. Me and my brother got together. My brother had to make some country records, so I helped him write and produce and write and put beats together for his country records. As a matter of fact, all four of the songs we wrote and produced, the person bought them, the company. So our first, our first time writing country songs, the person who wanted them bought all four of the records.

[See Tuck]

We did what it was like on some sync licensing type stuff, huh?

[Harold White]

Yep, yep, yep. Well, they bought, they bought, they bought the whole. They bought the whole thing. And like, two of the beats, we working out with the producer, with the other producer, but. Yeah, yeah, but they, but, but he purchased the, the actual song, the rights to the hook and the song and the intellectual property. But like I told y', all, we very musical. And like, I would have been. We would have been happy if we'd have sold one of them or even two would have been good. But for them to pull up and, and, and buy all four, it was, it was just amazing. So it was a good week. But yesterday I was feeling like C Tuff I couldn't do. I needed one day to recharge. I'm running around and it was just, it was just. See, Tuck, I feel you, bro. Bro, trust me just on that, man. But. Check this out. We just vibing today. Hey, we just vibing today.

[Guest Commentator]

Are you serious?

[Musician]

Hey, I've been working all week Going hard for me and mine Bartender name Brittany Baby, hit me one more time I got pain only God and Jack Daniels understand Baby, save a dance I'm a grown ass man, man hey, another round. You know I'm paying Hey, I'm a grown ass man Only I could understand what you going Through I'm a grown ass man. Hey she want a grown ass man. Hey she drinking on Reposado she looking for Desperado she talking about tomorrow she loving my truck she shallow hey all that ass won't fit on my saddle hey, you know, we catch my spot,

[Harold White]

so we got it. So it's a. It's. I can't say who bought them. That's like confidential. But there's an artist who. Artists that. That's. That's looking for country records. They out of. They out of Pennsylvania. Pennsylvania somewhere. Somewhere in the mid Midwest. And like I said. So we met up with them and they copped him. But we did. We did our thing. It was funny.

[See Tuck]

Oh, that's what's up.

[Harold White]

Thanks. And the funny part is, the first day we recorded them, we was in a super. Because she took no. We were scrambling for a studio because our main studio canceled and we had a deadline. So my brother had to go to the hoodiest trapping his studio ever and do country. They don't even know that we. That he do regular. So we went in there and just. With the country, they was tripping.

[See Tuck]

Where you all end up going?

[Harold White]

Oh, Woodland, bro.

[See Tuck]

Man, what. What studio? What studio on Woodland?

[Harold White]

It's called Ghost. Ghost Studio. Go something, you might turn into a ghost, man. But hey, we had to meet our deadline. But, man, imagine in the middle of the trap, the most hood is blackest ghetto studio ever. And you go in there, and you go in there, record that type. Hey,

[Musician]

hey, look, she asked me where I've been. That's when I start lying.

[Harold White]

Cause when she get the truth, that's when she starts crying.

[Musician]

Why? I'm treating you like I don't love you and I can't trust myself. That's why I can't trust you. Big truck off,

[Harold White]

New guy. Oh, yeah. See, Tuck, we ready for you. Kentucky be in the studio, man. We gotta get in the studio together. We was also cut. We had cowboy hats on and everything.

[See Tuck]

Oh, yeah, y', all, y'. All, y' all locked and loaded boots, man.

[Harold White]

They bought all four songs. We couldn't. We was happy as hell. Like, oh, okay, so now we could really go in, in, in, in, in, in.

[See Tuck]

And then, like, concept. It'd be cool doing concept songs too, because I'm kind of like, easy. Because, like. Yeah, yeah, tell me what you want I bet I got you.

[Harold White]

Yeah, yeah. It's like, I got you.

[See Tuck]

That's just like. It was like. Like a couple years ago, it was this dude out in California. He had DM Me on Instagram, asked me to write a song for his son for his. It was like his 10th birthday or something like that.

[Harold White]

Okay.

[See Tuck]

Wrote it, wrote a whole. I'm like. He's like, so what all do you need? I'm like, tell me about your. Tell me about your kid.

[Harold White]

Okay.

[See Tuck]

He just ran down how old he was. Favorite color, favorite sport. I'm like, who is favorite player in the sport? Put all that in the song.

[Harold White]

Oh, yeah.

[See Tuck]

Made sure. I'm like. I'm like, what's his favorite song? He. He said it was. It was a Post Malone song. I'm like, I hit my homeboy. I'm like, sample this real quick. And then he end up sampling it or whatever. And then I sent it to. He paid me like, 500 for that.

[Harold White]

Oh, yeah.

[See Tuck]

Made sure I ain't cussing. So that way when he. He had played it for him at his birthday party and.

[Harold White]

Oh, yeah. Oh, yeah. Oh, yeah. No, that was dope, y'.

[See Tuck]

All.

[Harold White]

Nah, nah, man.

[See Tuck]

Like, I. I can. I'm type. I can make a song about tube socks, and you'll be not in your head. For real?

[Harold White]

No, that's what I said. It was fun to do. And like I said, all the tracks was picked and produced and put together by me, so. So, like. So I feel good that I picked the right tracks and stuff, for sure. You know what I'm saying? Last one. I'm just sharing my little country vibe with y'.

[See Tuck]

All.

[Musician]

That's it. On five foot five eyes, brown ass round. She from my side but she look from out of town okay Stumbled in the bar it's been a hard damn

[Harold White]

week I hate this job.

[Musician]

Baby say hello with her eyes even speak hey, hey. That's when I took a shot of whiskey and I started feeling frisky I walked right up to her I told her my name was trouble

[Harold White]

what?

[Musician]

Y' all don't even matter don't even matter Candy from a stranger hey Candy from a stranger, stranger Candy from her Next thing you know Candy from a strange hey, hey she got an exy hate show didn't wait show didn't hesitate Hips to the left, hips to the right Lips on my lips. Do a little dance on me Three for your friends on me Do a little dance with me now honey, this ain't trust this lust But I'm down for a little danger Come on Candy from a stranger

[Harold White]

hey. Candy from a stranger we was vibing.

[See Tuck]

No, that. That sound. That sound like some. Something that's like on some little black cowboys for real.

[Harold White]

Yeah, that was the one that made him say, man, give me all them. But that was his one.

[See Tuck]

Yeah, no, that. That one.

[Harold White]

He was like, bring that back.

[See Tuck]

Yeah. You know that. Yeah.

[Harold White]

Say that for last.

[See Tuck]

Right, Right.

[Harold White]

But, yeah, Candy. Candy from a stranger. We was in there getting it. It was a lot of fun, y'.

[See Tuck]

All.

[Harold White]

I. I feel good to even share that with y'. All. People wouldn't know early in the week, we running around making country songs and, like, and we got to make some more. So hopefully see, Tuck can come in there with us on and get a little break, man, and vibe with us, man.

[See Tuck]

Oh, no, for sure.

[Harold White]

A little country blessing. I love music, and we've been doing rap so much and so long. It feel good just doing a new. Like, a whole new genre of music. You know what I mean? And like you said, it's kind of easy, especially when you musical anyway, to do, like, concepts and stuff, and you can kind of get in character and just, you know, learn about the cult, different culture of, like, what the words they use, if you notice. You know what I mean? The words. We get into all that. You know what I mean? Like, we ain't on there talking about, we drinking patrol. Like, we know Patron and this that we know, like, the wording and what people with the words they use and the stuff they talk about in country music and all that. Like I said, we really musical.

[See Tuck]

Like, no, for sure. You got. You got to do that. That's like, even. Even if you, like, trying to tap in, like you said, you trying to tap into a new sound, it's best to do the research on the. Like, even if you go. Even if you going in, like, like you said, you venturing off, like, go to them back to the artists. Like, all right. Yeah. Okay. Why he do it like this? Why would he pick this type cadence? Why he, like. And really dissect it. That's how you really get the result that you're looking for.

[Harold White]

Yeah, yeah, yeah, yeah.

[See Tuck]

That's the approach that I always took.

[Harold White]

Somebody said they got a grown ass man. So those was the two that they want to pick for sit. Like, they like. Like, they want to really, really put money behind his grown ass, man. The very first one I played and then Candy Form a Stranger. Those are the two that they was like, oh, yeah, we want to run with those and just think those just references. That ain't even the song. That's just a reference and a hook and a concept. So, like, when the song.

[See Tuck]

Song done, they gonna. That's just basically the Skeleton. They gonna.

[Harold White]

Yeah, it's the skeleton.

[See Tuck]

Yeah, they gonna fill in the meat and everything like that. So when you do the reference song, basically you just, just say, like, I just rap. Just say I make something and I rap out the whole thing. And I'm just saying it word for word. I might be making that for a singer, but the way. And you'll be able to tell it by the way that I kind of like drag it on. So like my, instead of me having a bounce with the beat, it'll be more spacing when I say my sentences. And then next, you know, it'll be translated to a singer and you understand why I had them spaces in my sentences.

[Harold White]

Right, right, right, right. So I appreciate y' all listening to the new, the new music we've been working on. We're gonna be doing new, new stuff. More stuff to come. We're gonna be working on that show C Tuck. We gotta come up with a name for the, for the comedy skits. And like I said every time that way we, we gonna have unlimited material because we, we got trending stories every week. So we just don't spoof them. You know what I'm saying? Like, whatever the story is, we're gonna have some where we just spoof exactly what happened and then we're gonna have some where we just kind of make up what we think happened. Kind of like, you know, like I said with the, with the Diddy and the fans, we don't know what's going on in there. But I got a funny ass skit about what I think going on in there.

[See Tuck]

Yeah.

[Harold White]

Saying. So we gonna do that. And like I said, we definitely about to do the Jay Z interview where he was just up there talking about the moon and the stars and, and

[See Tuck]

man, that whole thing I don't understand, man.

[Harold White]

Yeah, we about to go in on Jay Z ass. We got. Oh, we got some funny on that one. So I just look forward to it. Please, before we get out of here, one last reminder. Please send in that letter for my son, for the guardianship. I gave all the information at the beginning of this show, but this is very important to me, so I'm going to give some more. Get the information again one last time at the end of the show. Candy from a stranger. Hey. Hey. See, that's the one though, ain't it?

[See Tuck]

No, yeah, that, no, that, that was sliding. I ain't gonna. I ain't gonna hold you.

[Harold White]

Yeah, yeah, that's the one that I, I love. And that was the last one we did Too. Like, we did that one right before we met up with the people. Like, literally.

[See Tuck]

No, that's how. Like. No, that's how when I be recording, like, I get. I had. Or I. I got OCD with my. So when I'm writing, I write in the order that I received the beat.

[Harold White]

Okay. And then so.

[See Tuck]

And I. I'm like, a stickler about that. But even when I'm recording, I already have my, like, mapped out. So say I'm doing five songs in this session. I do the ones that I. I'm gonna knock out or the ones I think is, like, be a filler song for a project or something. Then I lead the ones at last. And I always tell my homeboy, I'm like, no, I'm like. I say these for last. I'm like, yeah, you're gonna be. You're gonna want to do some crazy when you mixing this. And I'll be right every time.

[Harold White]

Oh, yeah. That's how it be too, ain't it?

[See Tuck]

Yeah.

[Harold White]

No, that's exactly how I go. You don't know the order. Like, you might have a different order, but once it's dropped, I mean, once you actually do them, you know, one is the one like, oh, no, this end up just. This end up being crazy for sure. Or this end. But like I said, this is a filler. And you know what I'm saying? This is this album filler. Because you don't want it all to just be like, single, single, single. Yeah, but you do want them fillers. There it is. So, y', all. I put the. I put the. I put it one more time. The email. This is for guardianship. Y' all know about my son King, but his name is Harold, and my name is Harold. I just want to make sure y' all know that when y' all do the letters and you say, he ain't.

[See Tuck]

He is. He Junior.

[Harold White]

He ain't technically Junior, but he Junior. You know what I'm saying?

[See Tuck]

No, I'm just talking about, like, how it's printed in. In the system.

[Harold White]

No, it's not Junior.

[See Tuck]

It's just here.

[Harold White]

It's Herald White tape. He got me and his mom's last name. Okay.

[See Tuck]

So that's what I'm saying. Just so the108.

[Harold White]

Yep.

[See Tuck]

Email, they can reference. Yeah. Hero White. In regards to Hero White tape.

[Harold White]

Exactly. Yeah. Thank you for the clarification, C. Tuck. And so, yes, I put it back up in there. And y' all know the situation. Y' all know I love my son to death, y'.

[Musician]

All.

[Harold White]

Know, I've been working with him through getting them over the hump on his mental health stuff. And to really get him all the way there, I need guardianship so that I could have a little bit more control and really have him, you know, do what he need to be done. And like I said, he. Even the doctor said it's easily reversible. The doctor diagnosed him and everything, so I know what he need. And I just need y' all to send letters to this person, Kimberly. Her name is Kimberly A. Collins. Send her a letter, let her know how you feel in support of me. And for whatever reasons, just make it good. And other than that, man, I appreciate everybody. Just wanted to make sure I got that in one last time. And.

[Musician]

I told her, my name's Trouble. What's your name? Please stop looking at that boat. Don't even matter. Don't even matter. Candy from a stranger.

[Harold White]

Hey,

[Musician]

I'm getting candy from a stranger. Stranger.

[Harold White]

Don't be out there getting candy from those strangers. Y' all a stranger danger. But we gonna go with the real song. Get up out of here. I appreciate y'. All. Y'. All. Every day we get up and like I said, it's therapy, man. I can never be down. I got a whole community behind me with y' all support and love and knowing that every morning when I open up this laptop, I got a group of hundreds and hundreds and thousands of people that got my back and know I got their back that I could talk to, man, I. I can't do nothing but feel good. Like Grandma Kathy said, AKA King, we gonna get this done, and we're gonna be celebrating. We're gonna look back and say, remember when I had y' all send them letters in? And King gonna be right here in the background, and we're gonna be having a ball. So you got anything else to say, Scott, before I bring up everybody's favorite. Everybody's favorite outro intro song, man.

[See Tuck]

No, bro. Why? The Department of Consumer affairs did a report on the gas that Sonoco on 2 22nd talking about they got found traces of water in the gas.

[Harold White]

Burning faster, man.

[See Tuck]

Let me. I said, oh, my God. I'm like, so not only y' all charging $5, you would have put water in my.

[Harold White]

You go. You.

[See Tuck]

Now you gonna up the engine. I got to pay all this money. I'm like, man, I'm like, somebody gotta get they ass whoop. I go in there just to waste their time. Like, damn, y' all pumps emptied in the. I don't want no gas. Y' all.

[Intro Voice 2]

Where y' all water at?

[See Tuck]

I heard y' all good.

[Harold White]

Oh, we gotta talk about. We gotta go in depth about that tomorrow, do some research, detect. Because I seen somebody that didn't even know people been posting that. Is it just me or is this gas running out faster? Yeah, you to say that we need to deep dive tomorrow, so y' all look out for that Mo Diddy news. Epstein. Whatever. But without further ado, we gotta put on everybody's favorite intro song before we get the hell out of here. Swan. And 1, 2, and a 3, and a 4.

[Intro Voice]

Yes, the flow show no filter.

[Intro Voice 2]

8:30am Eastern Time. Tap in.

[Intro Voice]

Yeah, it's the flow show no filter.

[Intro Voice 2]

8:30am Eastern Time, tap in.

[Intro Voice]

Yes, the flow show no filter.

[Intro Voice 2]

8:30am Eastern Time, tap in.

[Intro Voice]

Yeah, it's the flow show no filter.

[Intro Voice 2]

8:30am Eastern Eastern Time, Tap in.

[Intro Voice]

Wake up, wake up, wake up, wake up, wake up, wake up. It's the flow show, baby.

[Intro Voice 2]

Giving you these thoughts, views and opinions. Making sure backsides covered. No Diddy shout out to the waking bakers and the coffee crew. From YouTube to Spotify. I love all my subscribers. Can't forget about the trolls in the comments. Thank you for putting extra eyes on the content.

[See Tuck]

You.

[Intro Voice]

Yes, the flow show no filter.

[Intro Voice 2]

8:30am Eastern Time, tap in.

[Intro Voice]

Yes, the flow show no filter.

[Intro Voice 2]

8:30am Eastern Time, tap in.

[Intro Voice]

Yes, the flow show no filter.

[Intro Voice 2]

8:30am Eastern Time. Tap in.

[Intro Voice]

Yeah, it's the flow show no filter.

[Intro Voice 2]

8:30am Eastern Time, tap in.

[Harold White]

See, Tech might you might have stepped in the studio, put it for the next intro to the to the comedy skits movie said, don't be mad. It's Saturday Night Live in color, man.

[See Tuck]

Just let me know, man. I'm available, man. Just let me know.

[Harold White]

All right, so as y' all know, how we always get out here is we love y'.

[Musician]

All.

[Harold White]

As always. We love y', all, but we are.