Glenn Beck (39:14)
And that's honestly why I have said over and over and over again, hey, don't trust. Don't take it from us. Don't trust. I don't want your trust. I don't ask for your trust. Your trust is nice. I appreciate it. I am honored by it. But I'm telling you, I'll get it wrong. And don't trust in men. Men will always let you down. Trust, trust in God. Verify everything else. And the only way that this truth, the only way you can fight for this truth is if you know it yourself. So you might hear me tell a story and go, wow, is that true? And then hopefully my. My ultimate view of what I do is I'm a gateway drug. I get you interested in a story and you're like, that can't be true, or, wow, that's really true. And you start going down this wormhole of history and you start looking at things going, wow, you know what? I didn't even know this. Glenn, did you know this? Because that's when life becomes exciting, is when you're on a constant road of discovery, and it becomes yours when people say, glenn, I wish you were with me because I was talking to my friends and I couldn't remember. You shouldn't have to remember. And I know there's so much going on that you need us to do shorthand for you, but the ultimate goal is to get you so you know it so well that you don't have to remember. You'll know how to get on your phone and go, wait a minute, hang on just a second. You get on your phone, you can find the facts, you can find the story, you can prove it, as Stu just said, not. Not with my words, but with the actual facts, with the documents, et cetera, et cetera. And the New York Times is not expecting that from their audience anymore. They're, in fact, expecting them not to do homework. And it's doubly insidious because they are playing to their audience and they've sold their soul to that audience. But then they also know that the New York Times sets the table for everybody. Anybody who is a journalist, they look to the New York Times. Is it in the New York Times? Okay, then it must be also the New York Times, whatever they print, especially if it's got a catchy headline like that, it will go out and become very, very viral. So they're not only scooping up the intellectuals that they've already scooped up that are. That just want to hear that one side and point of view. They're not really intellectuals anymore, but also they're getting the dummies on the street that only read that headline who go, yeah, well, he's a racist. He likes slavery. Okay? So it's just an insidious business that they're in. Now. I just told you a minute ago what Donald Trump was saying, and I happen to agree with him. The Smithsonian is a garbage can right now, an absolute garbage can. It is taken everything, and it has its own perspective. And that's what it's going to tell the world who America is. I want to go to a museum where I learn something. I learned something about the bad and the good. We got it. Slavery was bad. We got that. Tell me something else that maybe I don't know. Okay. Jesse Owens. Jesse Owens, a hero. Everybody loves Jesse Owens. Why? Well, it wasn't always that way. You know, Jesse Owens, he didn't want to go to the Olympics. He pissed everybody off because some people said he should go to the Olympics that show a black man can beat the, you know, the. The white God of the Germans. And they wanted him to go to do that. Others said he shouldn't be used as a tool of our government to do that. And so when he decided to go, he really didn't want to go because he just. He just didn't want to go. He wasn't. You know, he's like, I'm not a symbol. I'm an athlete. But he went. And when he went, he became a hero to those who saw that and said, see Germans, White supremacy, really. Look at that. Look at Jesse Owens. But when he came back, he wasn't greed. All the Olympic winners were. Were brought to the White House. Jesse Owens was not invited to the White House by Roosevelt, Franklin D. Roosevelt, the God of progressives. He wouldn't have that black man at the White House. So he was reject. He goes over, he proves to the world that he is, that whites are not superior. And then he comes back and he's rejected in his own country by his own president. It's an incredible story. He led a very tough life, but as it went on, he became more and more a hero. We recognize him now as a hero. By the 1960s, the guy was absolutely known as a hero. He was very patriotic. He became an attache or a spokesperson or something for the State Department, and he would go around the world talking about America and, yeah, America has its problems, but look at the progress we're making. Okay? That's what Donald Trump is saying. Yes. Look at the problems we have. We should know that Jesse Owens was not invited to the White House by, by Franklin Delano Roosevelt at the time, but he now works for the State Department, and he's Spreading the message that, yes, we did those things, but we're getting better. Now. Let me tell you about Tommy Smith and John Carlos. I told you that I was in the portrait gallery, which is a garbage can. Not the art, but the building. They have turned it into a garbage can. It's disgusting. And then some of the stuff is not about America. Why? I told you why is there that girl's bike, you know, with a Cuban flag and a chase sticker on it? What the hell is that? And it's not just that one bike? Because I could go into that room and go, okay, well, there's that bike. And so let me figure out the context of it, etc. Etc. But by that time, I was so sick of all of the propaganda, I didn't care to learn about it. And I went into one of the last rooms right before the bike, and like the vertebrae of a dinosaur, there was these hanging from a ceiling. They had taken the cast of, I think Tommy Smith, who held up his fist. It was one of them, maybe it was both, but they held up their. Fit their fist. In 1968, say Black Power, okay? Black Power. That's Panthers. They were terrorists, so they hold up Black power. So some artists took the cast of both of their fists and their forearms and made it into this art sculpture where it's just an arm and that fist over and over and over again. And they laid it out like a giant vertebrae of an animal. And it takes up a good portion of this huge room. It is the main feature of that room. But you don't even know their name. You don't even know their name. Tommy Smith and John Carlos. Why? Well, I think you don't know their name because they weren't effective. Why? Because they were promoting Black Power, Black Panthers, terrorism. That's not America. That's not America. Let me tell you another story that you don't know. And if you want to put that vertebrae up, great, put that vertebrae up. But I want this story told in the same room and prominently displayed next to the vertebrae. So Owens was not part. Jesse Owens was not part of the 1968 Olympics. He was traveling around the world, but he was in Mexico City. And I think he was at that moment in the stadium for the Black Power, okay? And in Mexico City. Here's what I. Let me just say what I can verify. I'm not going to tell you what I. The story, I think how it worked. Let me just what I can absolutely verify. After the protest, Owens met privately with Smith and Carlos in Mexico City. Multiple accounts say he tried to counsel them and his message was very different from theirs. Owens urged them to avoid confrontation and to think how their actions would be perceived internationally. He reportedly told them that they could accomplish more by working within the system rather than defying it so dramatically on the world stage. Now that sounds like, let's have a cup of tea and just talk. I don't think that's the way it happened. This is my opinion. I don't think this is what what happened. Because there are other accounts that said while he understood the anger of the black American because he had lived it unlike they lived it, he had lived it decades before. So he understood what they claimed they were going through in comparison to him. Really, not so much. He was very upset that they embarrassed the United States and undermined the Olympics. Remember, he's an athlete. That's why he didn't want to go to the Olympics in Berlin. He's an athlete. He's not a politician, he's not a symbol. And he's like, you're undermining the purpose of the Games in the first place. It's the Games, and it's a unifying thing where we bring all nations together. And that's not what the Olympics are for. They're not for political protests. In 1968, Jesse Owens was seen as a model of racial progress, and progress had been made. He was the African American who humiliated Adolf Hitler and the Aryan supremacy narrative in 1936. He then made progress from a guy who could not even go to the White House to now being part of the government preaching patriotism and patience in the civil rights struggle all around the world. Patience, Patience. This is what really hacks me off on this story. Patience. Why are progressives, historically, from the early 20th century, why are progressives called progressives and not communists? Because you could call them communists or fascists. In the early 1900s, that was the model they were going for. Why aren't they called those things? Because back in those days, that wasn't deemed a bad thing. We didn't know yet. They're called progressives because communism and fascism required a bloody revolution. And so these guys were sane communists, sane fascists, if you will. That said, we don't want want to have a bloody revolution. We want to take it step by step, bring people along, have patience, and we will finally get there. So that's the way to win according to the progressive of the era. What does he do? He's saying, you can't do this. You're embarrassing, you're setting us back. You're dividing. Stop it. Patience. Which is a good progressive trait, hmm? Which one won in the end? Which one actually furthered civil rights? The Communist Black Panther Black Power guys that you don't remember. Or Jesse Owens. Because it's the same choice we have to make today. Revolution or work within the system.