
Chuck suspects that a series of plane crashes aren’t accidents. Original Air Date: 1952 Starring: Glen Langan as Chuck Morgan; Adele Jurgens Support the show monthly at http://patreon.greatdetectives.net/ Support the show on a one-time basis...
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Adam Graham
Our week of Howard McNear continues. Remember that all information and offers in the episode are not valid unless currently featured on the Great Detectives of Old Time Radio website as these programs were recorded many years ago. But now enjoy a great Old Time Radio detective program featuring Howard McNear. Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This is your host Adam Graham. If you have a comment, email it to me. Box13greatdetectives.net Follow us on Twitter at radiodetectives and become one of our friends on Facebook. I do want to encourage you to check out our other podcast and today I'm going to focus on the amazing world ofradio@amazing.greatdetectives.net and this is where I do a lot of short series of stuff that's not related to detective programs and we do actually have a summer series. It will be starting around Memorial Day that will be over there and it will be chosen by our Patreon supporters. In the meantime we've been doing a sort of holiday series with programs being released on every holiday so you can listen to our specials for Washington's birthday, Lincoln's birthday, Valentine's Day, St. Patrick's Day, Easter and as well as checking out our old series that we've done including great movies over radio, Les Miserables With Orson Welles and and the Summer of Bogard. And that's all@amazing.greatdetectives.net Other podcasts include our war series, World War II series, the war the war.greatdetectives.net and the video version of this podcast at videotheater.great detectives.net as well as my comics podcast, the classic comics podcast@classycomicsguy.com alright, well, now it's time for today's episode of Standby for Crime, the last of the American Run. The title of today's episode is the Light.
Chuck Morgan
Stand by for crime. Hi, Chuck Morgan speaking. You know, being a newscaster in a radio station the size of Kop puts me in line to meet a lot of interesting people. Like Joe Stanley for instance. Joe was a scientist, had been employed by the government to work on some strictly hush hush project, the hydrogen bomb. I think he came out here to the coast once or twice a year to huddle with airplane factory executives, etc. And usually on such occasions he bunked with me. Last week Joe was here for a couple of days. Thursday morning, Carol Curtis, my secretary, and I drove him out to the airport to catch an early plane back to Washington. We said our goodbyes, watched the plane taxi down the Runway for its takeoff. Well, glamour puss, let's get started back.
Carol Curtis
No, wait, Chuck. I want to see the plane take off.
Chuck Morgan
Why, it's going to look like every other plane you've ever seen taken off.
Carol Curtis
Well, I don't care. I want to see it just the same. Besides, Joe wouldn't like it if we left.
Chuck Morgan
Now listen, if I know Joey sound asleep by this time, Flight 182 now.
Pappy Mansfield
Loading at Gate 3 for Kansas City, Chicago and New York.
Carol Curtis
You know, Chuck, there's something sad about saying goodbye.
Chuck Morgan
You like it though?
Carol Curtis
Yes, it's a. What do you mean I like it?
Chuck Morgan
Anytime a female can find something sad enough to weep about, she's in her element.
Carol Curtis
I'm not weeping.
Chuck Morgan
No, but you will before we get away from here.
Carol Curtis
Oh, is that so?
Chuck Morgan
Is that so? Hey, here comes Joe's plane now.
Carol Curtis
Oh, there's Joe. Look, Joe. Chuck, he's waving goodbye. Joe. Wave to him, Chuck.
Chuck Morgan
Nonsense, you didn't see Joe.
Carol Curtis
I did too. He was sitting way up front in that little egg shaped room.
Chuck Morgan
That was the pilot, stupid.
Carol Curtis
It was not. I guess I can tell a pilot when I see one.
Chuck Morgan
Okay, glamour puss, you win. Now come on, let's get going.
Carol Curtis
Chuck, wait.
Chuck Morgan
What's the matter?
Adam Graham
Now?
Carol Curtis
Joe's plane, it's Coming back.
Chuck Morgan
Oh, no. He's just circling around. He's trying to.
Carol Curtis
Hey, what are the motors? Stop.
Chuck Morgan
I see it.
Carol Curtis
Something's wrong.
Chuck Morgan
This was the biggest news story of the year. The fourth disaster of its type. Within six weeks, 68 people died as a result of that last crash. 50 of them were aboard the plane. 18 of them occupied an apartment house into which the plane had plunged. The co pilot, a man named Jenkins, lived long enough to be rushed to a hospital just before he spoke two words. The light. Well, it wasn't much to go on, but my friend Joe Stanley had died in that crash, and I was beginning to get ideas. That's why I took my problem to Pappy Mansfield, owner of Station kop.
Pappy Mansfield
Now, let me get this straight, Chuck. You're basing this cockeyed theory of yours on the fact that the co pilot said something about a light before he died, Is that right?
Chuck Morgan
Plus the fact that this has been the fourth plane crash of its kind within two months under exactly the same circumstances.
Pappy Mansfield
Coincidence.
Chuck Morgan
And the fact that Joe's plane. On Joe's plane. Get this, Pappy. Two motors conked out. Can you call that coincidence? Those motors were checked and tested before the plane left the field.
Pappy Mansfield
I don't know.
Chuck Morgan
Look, Pappy, for once in your life, why not get with me? I've never let you down.
Pappy Mansfield
But this theory of yours that someone is trying to.
Chuck Morgan
Take a look at this map of the city. All right, here's the airport.
Dr. Robert Burden
Yeah.
Chuck Morgan
Over here is the apartment house the plane crashed into. So now over here is a hill. Now, there's nothing on that hill but an abandoned oil well. Practically every outgoing plane passes over that area.
Pappy Mansfield
And you're not going to tell me that someone is up there with a Buck Rogers Reagan?
Chuck Morgan
Stop papping a. Look, the derrick in that old well has been patched up in the shack at the bottom has been lived in.
Pappy Mansfield
Oh, dozens of abandoned whale shacks are occupied by hobos.
Chuck Morgan
And you think that one of these hobos fixed up that tumbled down derrick just for the exercise? Well. Well, all right, Pappy, there's something wrong about the whole thing. Look, it'd be a terrific scoop for KOP if we smelled out the raft.
Pappy Mansfield
Well, what do you want me to do?
Chuck Morgan
There's an engineer out of the KOP transmitter named Bill Adams. Bill knows more about electronics than Einstein. Let me have him for a few.
Pappy Mansfield
Days and close down the station. We couldn't operate without Bill.
Chuck Morgan
You won't be operating anyhow if someone scoops me on this story.
Pappy Mansfield
Well, okay, boy. We Both knew when we began this conversation that you'd get what you wanted. Only get this. Unless you return Bill Adams to the transmitter in good health.
Chuck Morgan
Well, I'll renovate. That was Pappy. Always pulling the hard to get along with act and then giving in. I picked up Carol and we drove out to where Kop's transmitter is located and had a talk with Bill Adams. Bill wanted to be helpful, but it was obvious he had his doubts about my sanity. Anyway, I gave him my ideas and asked him to check into them. But we came away from there with the feeling that we were wasting the time of Pappy Mansfield's highest paid senior engineer.
Carol Curtis
You know something, Chucky boy? I think Bill Adams thought you were nuts.
Chuck Morgan
Well, maybe I am, but they thought the Wright brothers were, too.
Carol Curtis
But they're older than you, though, right?
Chuck Morgan
Remark?
Carol Curtis
I think so. Well, where do we go from here?
Chuck Morgan
You are going to the city hall and find out who owns that oil well.
Carol Curtis
And where are you going?
Chuck Morgan
I'm going out to that demolished apartment house and have a look around.
Carol Curtis
Then that's where I'm going.
Chuck Morgan
Oh, no, you're not.
Carol Curtis
Oh, yes, I am.
Chuck Morgan
Oh, no, you're not. For the first time that I can remember, I won an argument with Glamour Purse. This was accomplished by driving to City hall and practically pushing her out of the car. It was late in the afternoon when I reached the apartment house. The workmen were just quitting for the day. I parked the jalapeno and walked around back. A man in Levi's wearing a hearing aid was putting some carpenter tools back into a box. Hello there. You one of the workmen?
John Sims / Ivan / Snide (Antagonist)
Yes. Just quitting for the day.
Chuck Morgan
Place was pretty badly damaged, wasn't it?
John Sims / Ivan / Snide (Antagonist)
About $50,000.
Chuck Morgan
I say, that's quite a hunk of money. You know, there was a friend of mine on that plane.
John Sims / Ivan / Snide (Antagonist)
Oh, a passenger?
Chuck Morgan
Yeah. I don't suppose any of you workmen picked up any of the personal effects of the passengers?
John Sims / Ivan / Snide (Antagonist)
Personal effects? Why, no, not that I know of.
Chuck Morgan
The workman hadn't expected the question. As a matter of fact, I hadn't intended to ask it. It was just something to say. His eyes darted to the toolbox. I took a couple steps forward. There was a briefcase lying on the ground behind it. This yours?
Dr. Robert Burden
Yes.
John Sims / Ivan / Snide (Antagonist)
Give it to me.
Chuck Morgan
Wait a minute. Now. Some initials here. J.S. what's your name, friend?
John Sims / Ivan / Snide (Antagonist)
Man. Yeah, it's a John. John Sims.
Chuck Morgan
That's quick thinking. Suppose you open up the case and show me what's inside, huh?
John Sims / Ivan / Snide (Antagonist)
Why should I do that?
Chuck Morgan
Because I'M telling you to.
John Sims / Ivan / Snide (Antagonist)
Telling or asking?
Chuck Morgan
Telling.
John Sims / Ivan / Snide (Antagonist)
Well, I'm telling you to mind your own business.
Chuck Morgan
Take it easy, friend.
Carol Curtis
Let go my arm.
Chuck Morgan
I'll let go your arm, but first let you and me have a little talk, huh?
John Sims / Ivan / Snide (Antagonist)
I cannot open the briefcase. I haven't got the key.
Chuck Morgan
Where is it?
Post University Advertiser
It's home.
John Sims / Ivan / Snide (Antagonist)
I.
Dr. Robert Burden
Forget it.
Chuck Morgan
What's in the briefcase?
John Sims / Ivan / Snide (Antagonist)
Look, friends, I'm a draftsman.
Dr. Robert Burden
Ask the form.
Chuck Morgan
Where is he?
John Sims / Ivan / Snide (Antagonist)
He left 10 minutes ago. Let go my arm.
Chuck Morgan
Okay, sure. There you are. So far, Mr. Simpson, everything you've told me is very convenient. He left the key home, the foreman's gone for the day, and somehow it doesn't figure. That briefcase looks exactly like the one my friend Joe Stanley was carrying when I put him aboard the plane.
John Sims / Ivan / Snide (Antagonist)
All briefcases look alike. Who are you, anyway?
Chuck Morgan
The name's Morgan. Chuck Morgan. I'm a newscaster on station kop.
John Sims / Ivan / Snide (Antagonist)
I never heard of you.
Chuck Morgan
Fair enough. You know something, Simpson? I think you're a liar.
John Sims / Ivan / Snide (Antagonist)
Why you don't try that again.
Chuck Morgan
This time I might break your arm.
John Sims / Ivan / Snide (Antagonist)
Then give me my briefcase.
Chuck Morgan
Nah, I'm sticking my chin out on this one. I'm taking the briefcase with me and.
John Sims / Ivan / Snide (Antagonist)
I am swearing out a warrant for robbery.
Chuck Morgan
That's your privilege. Here's my card. The address is right there. If you're on the level, you can have me arrested. If you're not, I'll have you arrested. I took the briefcase and drove to kop. Kara was there and she had my script ready for the 7:00 clock broadcast.
Carol Curtis
Here's your script. What in the world is that?
Chuck Morgan
It's a briefcase. I just bought it from a secondhand dealer. He assures me that it contains a small fortune and $100 banknotes.
Carol Curtis
But, Chuck, it looks like.
Chuck Morgan
Never mind what it looks like. Stash it away someplace until I can get hold of a locksmith. What did you find out about the oil well?
Carol Curtis
The well and the hill are owned by Belfast Oil Corporation. They quit it eight years ago. Right now, all of their operations are in Texas.
Chuck Morgan
Good. Get hold of Bert Mayfair, police headquarters. And tell him I want him on hand when the locksmith opens that briefcase.
Carol Curtis
Okay. But, Chuck, where did you really get it?
Chuck Morgan
From an ugly man in blue overalls who's now swearing out a warrant for my arrest. When I did my 7 o' clock newscast and I told the listening public that at the 11 o' clock program, I hope to have some information that would break the airplane crash story wide open. But I wasn't anywhere near as confident as I sounded. I half expected to see the man in the Levi's and a police officer waiting for me in the corridor outside the studio. But the corridor was empty. So was my office. Not even Cara was around to needle me about the bragging I'd done over the air. So I drove out to my apartment on Wilshire. It was dark by now. I unlocked the door, went in. Before I could snap on the wall switch, somebody beat me to it. I spun around and found the ugly man in the blue overall standing across the room. This time he had a gun in his hand.
John Sims / Ivan / Snide (Antagonist)
All right, Mr. Morgan. I'll take the briefcase. Now, the conclusion of standby for crime.
Chuck Morgan
Well, the guy wasn't pretending this time. The gun was all he needed to give his face that ratty expression that it came by so naturally. So it's you again, rat face. What's the matter? Are you afraid the cops would put your name in that warrant instead of mine?
John Sims / Ivan / Snide (Antagonist)
My time is short, Mr. Morgan. Hand over the briefcase.
Chuck Morgan
There's a smart remark. How am I going to hand over something I haven't got?
John Sims / Ivan / Snide (Antagonist)
Then you will tell me what you did with it.
Chuck Morgan
Will I?
John Sims / Ivan / Snide (Antagonist)
Or I will take measures to force you to tell.
Chuck Morgan
Such as shooting me, I suppose. Don't be a jerk, Simpson, or Sampson or whatever your name is. Shooting me would mean you'd never find the briefcase.
John Sims / Ivan / Snide (Antagonist)
You are quite right. It would be stupid of me to shoot you. But there are other ways.
Chuck Morgan
Oh?
John Sims / Ivan / Snide (Antagonist)
In exactly one minute, your telephone will ring. The man at the other end will have some interesting information for you. About Ms. Carol Curtis.
Chuck Morgan
About Ke. That one won't work either, buster. I left Carol at the studio 15 minutes ago.
John Sims / Ivan / Snide (Antagonist)
Did you think, Mr. Morgan, was it before or after your broadcast that you last saw Ms. Curtis?
Chuck Morgan
That was B. Simpson. If you touch that girl, I'll break.
John Sims / Ivan / Snide (Antagonist)
You'll do nothing, Mr. Morgan. Nothing at all.
Chuck Morgan
Leave the phone alone.
John Sims / Ivan / Snide (Antagonist)
This time I'm giving the orders. Hello? 3486. Right. Put on the line, please. Very well, Mr. Morgan.
Chuck Morgan
Hello?
Carol Curtis
Hello, Chuck? Chuck, is that you?
Chuck Morgan
Carol, where are you?
Carol Curtis
I can't tell you, Chuck. They'll kill me if I do.
Chuck Morgan
Why, those dirty.
Carol Curtis
It's no use, Chuck. You can never find me. Please give them the briefcase. Please, Chuck.
Chuck Morgan
Yeah, yeah, sure, sure, I'll give it to them. But what about you?
Carol Curtis
As soon as they have the briefcase, they let me go. They promised.
Chuck Morgan
They promised, huh?
Carol Curtis
Listen, Chuck, it's important that I get away from here so that I can give you that information you asked me to get for you. At City hall this afternoon. You want to know about that, don't you?
Chuck Morgan
I stood there holding the phone, trying to get the numbness out of my brain. Congratulations. If Carol was so afraid of being killed, why didn't she tell her captors where the briefcase was? It was. She was had stashed it away. Why did she keep reminding me about the information she got in at City Hall? She'd already told me about that, and suddenly I had it. The oil well. That's where she was being held prisoner. She was trying to tell me by referring to the information. Ah, smart girl, that blonde secretary of mine. Yeah, so what? I could still feel Rat Face's gun pressed into my back. Then I thought of something. The phone I was holding had an extension cord on it. I'd had it installed when I moved into the place because sometimes I like to walk around while doing my telephoning. I hung up slowly. My fingers curled around the heavy base of the phone.
John Sims / Ivan / Snide (Antagonist)
Well, Mr. Morgan?
Chuck Morgan
Right, Mr. Simpson. Well, Buster, that takes care of you. Buster seemed to be sleeping peacefully and deeply. I got a couple of belts, buckled them around his arms and legs and found him away in my bedroom closet, for future reference. Then I got into the car and headed for the oil well. It was about 8:15 when I turned into the side road that skirted the base of the hill. I'd parked the jalopy and started up toward the summit when the thunder. The thought occurred to me that maybe I should have had the police in on this. It looked like it was going to be big stuff. But Carol was up there and in trouble. And I hadn't had time to do much thinking about anything else. As I got up toward the top of the hill, I realized how deserted this spot was. It was a strange feeling below. The lights of the great sprawling city spread out endlessly. Her head, the skeleton like framework of the well Derek was etched against the sky in ghostly silhouette. Then a figure stepped in my path and I caught a glint of steel. I lunged forward, wrapped my arms around his legs. He fell over my shoulder and I had him in a fireman's grip. I spun around and let go. He landed about 10ft down the slope and cracked his head against a rock. Well. That was number two. The next one might not be so easy to handle. The whale shack was just ahead. Light streamed from beneath its floor. I stopped and considered the situation. I'd be crazy to go barging in. Or would I? Wasn't it the last thing anyone would expect? Then the problem was solved. For Me. The door opened and Carol Curtis stood framed against the light.
Dr. Robert Burden
Carol.
Carol Curtis
Hello, Chuck, Is that you? We thought we heard someone.
Chuck Morgan
Carol was looking at me steadily, a look that told me to watch myself.
Carol Curtis
Come on in. I want you to meet someone.
Chuck Morgan
You all right, grammar puss?
Carol Curtis
Oh, yes, I'm fine. Chuck, I want you to meet Dr. Robert Burton. He's an inventor.
Dr. Robert Burden
Well, how do you do, Mr. Morgan? How do you do? Ms. Curtis has been telling me about you. What an interesting life you have. I've heard your broadcast many, many times. Yes, I have.
Chuck Morgan
Thanks. Look, Bama, Dr.
Carol Curtis
Burden was kind enough to untie me after that other man left. But of course, I had to promise not to run away.
Chuck Morgan
Yeah, sure, but what other man are you talking about?
Carol Curtis
Well, his name, I. I think is Snide or something like that.
Dr. Robert Burden
No, a dreadful person, really dreadful. Not at all like Ivan.
Chuck Morgan
Who's Ivan?
Dr. Robert Burden
Ivan. Ivan stole. He's the gentleman who pays me to stay here and work on my invention. He pays me well, too.
Chuck Morgan
Does this Ivan happen to be a man with blond hair who wears a hearing aid?
Carol Curtis
Yes.
Dr. Robert Burden
Yes, indeed. That's exactly who he is. It was Ivan who repaired the derrick. Oh, you know him, then?
Chuck Morgan
Yeah, a telephone acquaintance.
Carol Curtis
Dr. Burdon has been telling me about his invention. How about explaining it to Chuck, Dr.
Vrbo Advertiser
Burden?
Dr. Robert Burden
Well, I don't know. Ivan might object, and after all, it is his invitation.
Carol Curtis
But if Ivan doesn't know, it won't make any difference. And Chuck would never tell anyone. Would you, Chuck?
Chuck Morgan
Cross my heart and hope to die. What kind of an invention is it, Doctor?
Dr. Robert Burden
Well, it's an electric current interceptor.
Chuck Morgan
A what?
Dr. Robert Burden
Here, let me show you. Now, this is a small model. It looks like a pistol, doesn't it? Well, you see, I pointed at that electric bulb over there and puff, the bulb is out.
Chuck Morgan
Well, I hope.
Carol Curtis
Quite a gadget, isn't it, Chuck?
Chuck Morgan
Yeah, quite. How do you do it, Doc? With mirrors or something?
Dr. Robert Burden
Oh, no, no, no, no, no, not at all. It took me years to perfect his instrument. As a matter of fact, if it hadn't been driven, I might never have succeeded.
Chuck Morgan
How's that?
Dr. Robert Burden
Well, you see, during the last war. I get the idea, but I had to have financing. Naturally, I went to the government. I thought they might be interested in an invention that could put an airplane out of commission merely by projecting a ray toward one of its motors.
Chuck Morgan
Yeah, I should think they might.
Dr. Robert Burden
What happened, Mr. Morgan? Believe it or not, no one would listen to me. Oh, I went back time and time again and finally, well, finally I became sick.
Carol Curtis
Doctor, Burden spent three years in a sanitarium.
Chuck Morgan
Ah, I see. And when you were released, you met Ivan.
Adam Graham
Yeah.
Dr. Robert Burden
Oh, fine man, Ivan. He felt that if I came up here to live away from everybody, I could work on my invention undisturbed. Ivan arranged for the turning on of the power and the telephone. Just everything. I've been quite comfortable.
Chuck Morgan
When did you get this invention of yours working?
Dr. Robert Burden
Well, about six weeks ago. Oh, I tell you, it was exciting. Ivan was most pleased.
Chuck Morgan
I bet. How did you test it out?
Dr. Robert Burden
Why, on a plane coming out of the airport, of course. That's why Ivan wanted me to come up here in the first place. He said we'd have plenty of subjects to work on. Oh, and he was right too. Oh, I tell you, it was a thrilling moment when I put that first plane out of commission. Oh, it made a tremendous crash.
Chuck Morgan
Yeah, yeah, I read about it. Weren't you worried about the passengers?
Dr. Robert Burden
Worried? The passengers? Well, that's funny. I never thought of that.
Chuck Morgan
I'll bet Ivan did. Particularly the planes on which important government officials were riding. By the way, Doctor, I suppose you have the plans of your invention down on paper.
Dr. Robert Burden
That's a funny thing. Ivan keeps asking me about them. Why should I put them down on paper when they're all right here in my head?
Chuck Morgan
No reason at all. Except if you ever wanted to sell the idea.
Dr. Robert Burden
No, no, but I don't siree. I've had my experience of that sort of thing and no one would listen to me. Just as long as Ivan will pay me, I'm gonna stay right here and.
Chuck Morgan
Continue to blast planes out of the sky.
Carol Curtis
Does that seem Quite right, Dr. Burden? With all those passengers aboard?
Dr. Robert Burden
Yes, those passengers. It's funny, I never thought about them before. I must do something about Anna. I really must.
Pappy Mansfield
Yeah, yeah, yeah.
Chuck Morgan
Well, in the meantime, Dr. Burden, suppose you tell me just.
John Sims / Ivan / Snide (Antagonist)
All right, Morgan. Get your hands up. Snipe.
Chuck Morgan
Close the door. Well, well, if it isn't Rat Face and the gentleman who rode down the hill.
John Sims / Ivan / Snide (Antagonist)
A more permanent fate is in store for you, my friend. Doctor, what have you told these people?
Dr. Robert Burden
No, no, no, no, Ivan. No, no, you mustn't be displeased. I merely told them about my invention.
John Sims / Ivan / Snide (Antagonist)
You fool. Now it will become necessary for me to dispose of both of them.
Chuck Morgan
I'll bet that would break your heart. You're so unused to killing people. After all, only 68 died because of that last crash.
John Sims / Ivan / Snide (Antagonist)
So two more won't make any difference, will it, Mr. Morgan?
Chuck Morgan
Except that you still don't know where the briefcase is.
John Sims / Ivan / Snide (Antagonist)
The Secret of the ray gun is, I think, far more important than the plants contained in the briefcase.
Chuck Morgan
You see what kind of a rat your friend is, Doctor? He's going to murder Ms. Curtis and me and then continue to induce you to blast planes out of the sky, killing innocent people.
Carol Curtis
Yes, Yes.
Dr. Robert Burden
I must do something about those passengers. I simply must. Now, Ivan, do you suppose that we could arrange something?
John Sims / Ivan / Snide (Antagonist)
You will continue to experiment with the plays I suggest, or there will no longer be funds to permit you to continue working on your inventions.
Dr. Robert Burden
No, no, no, no.
Chuck Morgan
I'm making a murderer out of you, Doctor, without your realizing it. This man is an agent.
John Sims / Ivan / Snide (Antagonist)
Shut up, Snipe. Take care of the girl. All right, Morgan, this is it.
Post University Advertiser
Stop.
Chuck Morgan
A change had come over Dr. Burton. His voice held a commanding quality of vibrance that made us all turn and stare at him. Ivan's gun was still trained on me, but he turned his face to watch. The doctor Snide had taken two steps toward Carol and stopped.
Dr. Robert Burden
Drop that gun, Stucker. From now on, I'm giving the orders.
Chuck Morgan
Ivan didn't answer. None of us did. We all saw what was happening. Dr. Burden had his ray gun pointed at the electric hearing aid on Ivan's head. I could see the indecision on Ivan's face. He was wondering whether he could swing his gun away from me and get the doctor in time to save himself. I could almost. He could almost hear the thoughts racing through his mind. He knew that Dr. Burton had suddenly had a change of heart. If he, Ivan, didn't succeed in shooting the gun out of the inventor's hand, it would mean the ruination of all his beautiful plans. It would mean the gas chamber for himself. And Snide, there was only one course open for him.
Dr. Robert Burden
Drop that gun, I said.
John Sims / Ivan / Snide (Antagonist)
I'll drop it.
Chuck Morgan
Carol and I got back to the studio in time for the 11 o' clock broadcast. It made a good story. Of course, everyone wanted to know about the ray gun. But Ivan's bullet had entered the inventor's heart at the precise instant the ray gun had sent Ivan to his ancestors via the hearing aid. So the secret died with Dr. Burden. And all I know is what the doctor told me and what I saw. Yeah, sure, there were plenty of skeptics. Even in this age of atomic weapons and jet planes and radar projected electric impulses, a lot of people weren't ready to accept ray guns. However, if no more motors conk out after planes leave the airport, it'll be pretty conclusive proof that Dr. Burden did invent some sort of Electric current interceptor. Well, anyway, time will tell that story. There was one question that Carol wanted cleared up, so she caught me about it at lunch the next day. Mmm.
Carol Curtis
This chicken salad is delicious.
Chuck Morgan
I personally go for hamburgers.
Carol Curtis
You can eat chicken salad for once and like it.
Chuck Morgan
Need it, but I won't like it.
Carol Curtis
Say, Chuck, there must have been some reason why you're convinced that Ivan was a phony.
Chuck Morgan
Well, as a matter of fact, it was. However, I'd rather not mention it.
Carol Curtis
Rather not mention it? But why?
Chuck Morgan
I just rather not, that's all.
Carol Curtis
Chuck Morgan, you tell me.
Chuck Morgan
Oh, no. Glamour purse. You might think me immodest.
Carol Curtis
Oh, fiddle dee dee. Come on, make with the words.
Adam Graham
Well, if.
Chuck Morgan
If you insist.
Carol Curtis
I do.
Chuck Morgan
All right. You remember when I first met Ivan at the apartment house?
Carol Curtis
Yes.
Chuck Morgan
Well, I explained to him that I was Chuck Morgan, newscaster at kop.
Adam Graham
Well.
Chuck Morgan
Well, he said he'd never heard of me.
Dr. Robert Burden
Oh, ch.
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Adam Graham
Welcome back. I actually enjoyed that episode quite a bit. Now, in defense of Chuck's belief that the guy was a phony, you have to keep in mind that he lives in a world where, you know, practically everywhere they go. Everybody's heard the newscast, everybody knows who he is, you know, even people hundreds of miles away that, you know, he drives to me. Oh, yeah, Chuck Morgan, we've heard your newscast. And then to run into somebody who says, never heard of you. Well, I can understand the suspicion. I mean, it would be like if Mr. Keen came up to somebody and they said, Mr. Keen?
Dr. Robert Burden
Who?
Adam Graham
Never heard of a Mr. Keen. And then you could just immediately say spy saboteur, because he is, after all, the famous investigator. A neat trick with the phone extension cord. And it does show that. Unfortunately, one downside of our modern technology with Bluetooth headsets and such is it leaves us with less handy lethal weapons, you know, in case we're being kidnapped by spies. Also, I think this episode was a good illustration about what that listener was emailing us last week when he talked about the relationship between Chuck and Carol. Because even though there are things that we don't like about it, from a modern perspective, it's still pretty clear that he cares about her and that she is a very intelligent, intelligent, smart character. Who is able to, you know, really play a good role in the story and better than a lot of other female sidekicks. You saw that in the way that she communicated the clue, you know, quite cleverly and in a way that the kidnappers wouldn't pick up on. And then you could also see it in the way that Chuck rushed to a rescue and only when he got there, thought that he should have called the police because he was in such a hurry to save her because he cared so much, which is really state sweet, even if it's not particularly wise and all that. Plus we get another appearance by Howard McNear. So overall, that's a nice, that's a nice end. And I have to say that despite some of the problems in the series that I've overall enjoyed it. It's not been the best series we played, but I've enjoyed it more than some others like that strong guy. And certainly we've had some interesting discussion. I hope you've enjoyed it. And even if you didn't, I hope you enjoy what we have in store for you over the coming weeks. All right, well, that will actually do it for now. I do want to thank our Patreon Supporter of the day and thank you so much to Doug. Doug has been one of our patreon supporters since October 2016, and he's currently supporting us at the Detective Sergeant level of $7.14 or more per month. Thanks so much for your support, Doug. Next week we'll be back and we'll be presenting an episode of a series we played previously, but it's a newly circulated episode of Dr. Tim Detective. And then tomorrow we'll be bringing you Rocky Jordan. In the meantime, send your comments to box Thirteenreatetectives.net follow us on Twitter at radiodetectives and become one of our friends on facebook.com RadioDetectives from Boise, Idaho, this is your host, Adam Graham, signing off.
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Date: January 6, 2026
Host: Adam Graham
Main Cast: Chuck Morgan, Carol Curtis, Pappy Mansfield, Dr. Robert Burden, Ivan/Snide/John Sims
Episode Original Air: Stand By for Crime - "The Light" (last of the American run, featuring Howard McNear)
In this riveting mystery from the "Stand By for Crime" series, Chuck Morgan—a radio newscaster—finds himself investigating a series of suspicious plane crashes, one of which claims the life of his close friend, government scientist Joe Stanley. As Chuck chases a cryptic clue ("the light") uttered by the co-pilot before his death, he and his secretary Carol Curtis become entangled in a high-stakes plot involving a deadly invention, a sinister agent, and the moral fallout of scientific ambition gone awry. The suspenseful narrative unfolds with sharp banter, clever clues, and a dramatic confrontation at a lonely hilltop oil well.
“This was the biggest news story of the year. The fourth disaster of its type within six weeks, 68 people died as a result of that last crash…”
—Chuck Morgan (06:40)
“You’re basing this cockeyed theory…on the co-pilot saying something about a light before he died?”
—Pappy Mansfield (07:18)
[09:27–12:29] Chuck and Carol split up—Carol to check the ownership of the oil well (city records), Chuck to investigate the crash site where he meets a shifty workman, “John Sims” (Ivan/Snide), who’s suspiciously possessive of a briefcase suspected to have belonged to Joe Stanley.
Chuck seizes the briefcase after a tense exchange.
“Suppose you open up the case and show me what’s inside, huh?”
—Chuck Morgan (11:06)
“Listen, Chuck, it’s important that I get away from here so I can give you that information you asked me to get for you. At City Hall this afternoon. You want to know about that, don’t you?”
—Carol Curtis (16:37)
“It took me years to perfect this instrument… I thought the government would be interested in an invention that could put an airplane out of commission merely by projecting a ray toward one of its motors.”
—Dr. Robert Burden (21:27)
“Drop that gun, Ivan. From now on, I’m giving the orders.”
—Dr. Robert Burden (25:29)
“Well, he said he’d never heard of me.”
—Chuck Morgan (28:24)
Carol and Chuck’s Banter at the Airport:
“Anytime a female can find something sad enough to weep about, she’s in her element.”
—Chuck Morgan (05:34)
(Classic 1940s-style banter establishing their relationship.)
On Relentlessness and Instinct:
“For once in your life, why not get with me? I’ve never let you down.”
—Chuck Morgan to Pappy (07:42)
Carol’s Intelligence as a Sidekick:
Carol’s subtle clue during her forced phone call:
“It’s important that I get away from here so that I can give you that information you asked me to get for you. At City hall this afternoon.”
—Carol Curtis (16:37)
(Signals to Chuck her location under captors’ noses.)
The Inventor’s Tragic Blindness:
“Worried? The passengers? Well, that’s funny. I never thought of that.”
—Dr. Robert Burden (23:05)
(A chilling moment of scientific detachment.)
Showdown at the Oil Derrick:
“You are quite right. It would be stupid of me to shoot you. But there are other ways.”
—Ivan (15:28)
“From now on, I’m giving the orders.”
—Dr. Robert Burden, turning his own invention against Ivan (25:29)
Chuck’s Modest “Tell”:
“Well, he said he’d never heard of me.”
—Chuck (28:24)
(His tip-off that Ivan was no legitimate workman.)
[29:01] Adam Graham shares thoughts on why Chuck is suspicious of Ivan, noting the trope that everyone in Chuck’s world would know him as a famous newscaster, so not being recognized was a red flag.
Adam also calls out Carol's intelligence and resourcefulness, highlighting her clever clue and vital partnership, stating,
“It’s still pretty clear that he cares about her and that she is a very intelligent, smart character...She communicated the clue quite cleverly.”
Adam reflects on the plausibility of the "ray gun" and its role in the story, noting that while it strains credulity, it fits the era’s pulp tone.
“Stand By for Crime: The Light” is a quintessential piece of golden-age detective radio, blending noir mystery with speculative technology and wry humor. The writing leans into snappy dialogue and high stakes, and Carol comes across as resourceful and sharp, not just a damsel to be rescued. The inventive “ray gun” plot provides suspense and a touch of science fiction, while the final moral reckoning (“I must do something about those passengers. I simply must.” —Dr. Burden) adds gravitas to the pulp action.
Adam Graham’s commentary at the close summarizes the series’ strengths—its character dynamics and clever narrative twists—while giving fans a behind-the-scenes appreciation for the show's enduring appeal.
For Old Time Radio aficionados or mystery newcomers, this episode combines action, deduction, and postwar anxieties in a brisk, entertaining package.