Transcript
Greg McKeown (0:03)
Welcome. I'm Your host, Greg McEwen, and I have written two New York Times bestsellers, Effortless and Essentialism, and created this podcast and An Essentialism Academy. And all because I want you to be able to achieve significantly higher contribution in your life, even 10x contribution, but without burning out. Have you ever wanted to make a higher contribution but just felt like you've run out of time, effort, energy, even hope to be able to do it? Have you found that in your current busyness you have under invested in your personal growth? If you have, then you're in the right place and this is the right episode for you. Today I have invited back my friend Dr. Ben Hardy onto the podcast I had him on recently. But we ended up talking about inflection points and tipping points and the power of that kind of thinking to achieve limitless results. So we said, okay, that's episode one. Then we talked about Rob Dyrdek. And so we had an episode where I interviewed Rob Dyrdek. Thank you, Rob, for being a case study of what it looks like to achieve that kind of limitless, endless growth and continual improvement. And so now, as promised, we're getting back to the episode originally planned, which is to have Dr. Ben Hardy tell us about why it is easier to do 10x than 2x. By the end of this episode, you will be able to shift your mindset from the limits of 2x thinking to the freedom of 10x thinking. Let's begin. Remember to teach the ideas in this podcast to someone else within 24 to 48 hours of listening. Ben Hardy, welcome back to the podcast.
Dr. Ben Hardy (2:18)
Thank you. Happy to be with you, Greg.
Greg McKeown (2:20)
So for context, for everybody who's listening to this, who doesn't know what's just happened, I had a whole conversation with you. It was supposed to be about this new book that you're working on, but we ended up talking about the power of inflection points in our lives, how those can lead to tipping point changes where our sense of who we are has changed and we're evolving and going forward. And it just ended up crescendoing into a conversation about Rob Dyrdek. And so now we're back to talk about what we originally planned to, which is this new, marvelous manuscript that you're writing and working on. We're getting a sneak peek at those thoughts before they're finalized. The book is called 10x is easier than 2x. And really, I want to start this conversation with you telling the opening story. It's a momentous story. Can you do that? For us.
Dr. Ben Hardy (3:28)
So the reason I think Michelangelo is an interesting character in the context of this book is a few reasons. One, his famous quote about how when he was talking to the Pope, you know, the Pope asked, what's the, what's the genius that allows you to do what you do? And he base in talking about the statue that David specifically, he said, I just take away everything that's not David. That's an interesting idea because every time you want to go for 10x, like you do it by taking away everything that's not the 10x. So like that, that was interesting. But like, just looking at Michelangelo's life, he did that over and over and over again. So like he had multiple, what I'll call 10x jumps, which for me are like he, he, he, he jumps into a completely new potential for himself. So the first was probably defying his father. And you know, not in a negative way, but he got an amazing apprenticeship, which was probably really hard to get and really rare, and got to live in the Medici palace. Like that, I would say was a 10x jump. Because within that new situation, he now had access to all new learning. He could get like parchments and he could actually get marbles to work with. And so in that new context, he had a lot of options. His past self didn. And so within that, there was a lot of learning. But then Lorenzo Medici died. And so Michelangelo had to go back home. But he was at that point really committed to going into sculpture and getting really good at this. And so he found a way to get a big piece of nine foot marble and he wanted to do a big Hercules. And so I looked at that Hercules kind of as his next 10x jump because in order for him to do the Hercules at the level he wanted to, he had to get right really, really good at understanding human anatomy. And so like, he didn't believe he could actually sculpt a big 3D, like life size sculpture of a person without really understanding physical bodies. And so that led him to ultimately sneaking into one of the churches and dissecting bodies late at night, like the night before they got buried. Like, he'd go in, dissect the body, like study it, study its features, study the movements of the body, handle it like. And he did that for a really long time because he wanted to develop the mastery of understanding how to, how the body worked, how to make it look like his sculptures were alive and like actual vibrant.
