Joe and Jada - Conway The Machine on Griselda, Benny The Butcher, Jay-Z & NEW ALBUM on the way

Summary

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Podcast Summary: The Herd with Colin Cowherd – Joe and Jada: Conway The Machine on Griselda, Benny The Butcher, Jay-Z & NEW ALBUM

Date: September 2, 2025
Guests: Conway the Machine, Fat Joe, Jada
Theme:
An in-depth conversation with Conway the Machine about the rise of Griselda, the Buffalo music scene, overcoming adversity, and the business of modern hip-hop. The episode is rich with personal stories, insights from within the industry, and previews of Conway's upcoming projects.

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Main Themes & Purpose

This episode features Conway the Machine as he reflects on his journey from Buffalo’s gritty streets to becoming a pivotal voice in hip-hop. With Fat Joe and Jada facilitating, topics range from Griselda’s origins and industry evolution to personal philosophies, influences, and previews of new work. The discussion delivers a blend of humor, authenticity, and reflection on legacy while encouraging artists to remain true to hip-hop’s roots.

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Key Discussion Points & Insights

1. Conway’s Global Touring & Performing (03:07–05:24)

• Conway discusses performing internationally and the surprise of fans rapping his lyrics word for word, even when English isn’t their first language.
  • "For the motherfuckers to barely speak English and rapping my word for word, dog? It’s a different type of feeling." (Conway, 04:07)
• He credits legends like DMX and Busta Rhymes as major influences on his stagecraft.

2. The Origin of Griselda (05:24–07:24)

• Griselda began as a family movement in Buffalo, emerging organically: “It started with me, Wes, Benny, and Machine Gun Black. Rest in peace.” (Conway, 05:36)
• The group’s hustle was shaped by street realities and periods when members cycled in and out of jail.
  • After Conway was shot, the crew regrouped and focused on music seriously: “Once I got shot... it was just like, nah, bro, let’s just—go crazy. Just put everything in.” (06:45)

3. Breaking Out of Buffalo & Building a Movement (07:25–10:24)

• Buffalo’s distance from New York’s scene made success seem unlikely.
• Their rise was built on boutique, exclusive merch drops and independent spirit: "We was just letting nobody come to fuck with us; fuck it, we doing our own shit." (Conway, 08:53)
  • Hoodies and vinyl records sold out and fetched high resale prices, marking a new model for indie hip-hop collectibility.

4. The Fashion & Merch Factor (11:18–12:24)

• Fat Joe praises Griselda’s focus on aesthetics and merch: "They duct taped they merch to a rocket ship and took that." (11:42)
• The group’s embrace of style made their movement relatable to younger fans and distinctive in the underground.

5. Artistic Credibility & Influences (14:31–15:22)

• Respect from legends (Busta Rhymes, Raekwon, Prodigy, etc.) means more to Conway than mainstream acclaim: "That’s the award... to get my flowers from the MCs I respect." (Conway, 13:04)

6. Beat Selection & Creative Process (15:24–19:14)

• Beat selection is emphasized as vital: many legendary MCs “didn’t know how to pick beats.” (Fat Joe, 15:24)
• Conway’s process is grounded, often working alone or with close collaborators:
  • "I don’t really need a party... Me and the engineer, maybe one of my mans. That’s it." (Conway, 17:02)
  • He rarely writes lyrics down, instead developing lines in his head and recording directly.
• Conway discusses the inspiration behind spontaneous creativity: "The beat’ll wake me up out my sleep… that beat crazy, I'm gonna stop in my track." (20:42)

7. Building Drumwork Music Group (27:55–28:24)

• Conway highlights the growth of his label, Drumwork, supporting artists like Jae Skeese and Kendricks, with a label compilation album coming.
  • "We gonna… put that shit out this year too, probably." (Conway, 28:23)
• He describes the satisfaction in helping others achieve their dreams: "There's nothing like that—putting somebody on." (Fat Joe, 28:47)

8. Touring & Global Hip-Hop Experiences (30:29–34:23)

• Conway’s future tour plans in the US and overseas (notably shows in Greece and South America).
• Both share wild travel stories—Colombia’s unique energy, the thrill and dangers of touring in regions like Bogota.
  • "South America… it's electricity, a whole different type of energy. The line was around two blocks." (Conway, 32:44)
  • Fat Joe's anecdote about a dangerous promoter vividly illustrates the unpredictable side of international hip-hop.

9. Expansion & New Ventures (39:10–40:32)

• Conway is diversifying: launching Drumwork Exotics (cannabis), writing a short film, considering podcasting, and investing in more artists.
• He also touches on carrying his Drum Work Fest music festival forward (“gonna reboot that, probably bring it back 2026”).

10. Major Moments—Recognition from Jay-Z (42:41–43:17)

• The moment Jay-Z pulled up to Griselda’s LA show stands as a career highlight.
  • "I go for a towel, I look up, he's standing there on the stage just watching. I'm like, yo, am I bugging?" (Conway, 42:54)

11. Legacy, Giving Back, and Community Uplift (51:15–52:18)

• The responsibility to inspire and uplift Buffalo’s next generation is central:
  • "We ain't had nobody to give us advice or… show us a blueprint… so it's important."
  • Conway views legacy as “pouring it back in, putting it back in the pot.”

12. Industry Reflections & Artistry (54:31–58:13)

• Conway cites living influences (Rock Marciano, Sauce Walka, G Herbo, Clips, JID) and recognizes the value of authenticity over fleeting trends (“Microwave shit”).
• Conversation on crossing over, open to mainstream features: “I would love to… I can't wait to” (on working with big pop names, 57:27).
• New album announcement: “You Can’t Kill God With Bullets” dropping soon via Roc Nation, marking a major evolution for Conway and Drumwork.

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Memorable Quotes

• Conway on foreign fans:
  “For the motherfuckers to barely speak English and rapping my word for word, dog? It’s a different type of feeling.” (04:07)

• On the origins of Griselda:
  "It started with me, Wes, Benny, and Machine Gun Black. Rest in peace.” (05:36)

• On not chasing trends:
  "We ain't want to even sign no deals… Fuck it, we doing our own shit… We was getting into this stream era, this was the beginning of that, we went against that." (08:53)

• Fat Joe on Griselda’s approach:
  "They duct taped they merch to a rocket ship and took that." (11:42)

• Conway on rewards:
  "To get my flowers from the MCs I respect—that’s the award." (13:04)

• On creativity:
  “I don't really need a party. Me and the engineer. Maybe one of my mans. That’s it.” (17:02)

• On legacy:
  “It's important, you know what I mean? And that's what this is all about, you know what I mean? You can’t take none of this shit with you, man. But you can leave it here.” (51:15)

• New album tease:
  “Can't Kill God With Bullets. About to drop that, man… It was important to, you know, have this as part of my chapter.” (58:30)

• On faith:
  “God is the greatest, man.” (Conway, 59:17)

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Notable & Entertaining Moments

• Fat Joe’s stories about international touring mishaps, near-danger in Colombia, and quirky observations about Buffalo (“they got the Bronx crackheads up there!”) infuse the episode with humor and authenticity (06:58, 31:18–38:32).

• Conway’s creative quirks, like needing to sweep the studio before writing (18:02–18:25).

• Fat Joe and Conway bond over the importance of beat selection and authenticity in art, punctuated with industry-insider tales and playful banter.

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Important Timestamps

• 04:00–05:24: Global touring and performance influences.
• 05:24–07:24: Griselda’s formation and early family ties.
• 07:25–10:24: The struggle and blueprint for Buffalo’s hip-hop success.
• 12:24–15:24: Merch, fashion, and cultural influence on younger generations.
• 15:24–19:14: The art of beat selection and Conway’s creative process.
• 27:55–28:24: Drumwork Music Group’s growth and plans.
• 30:29–34:23: Touring stories—South America, Greece, danger and excitement.
• 39:10–40:32: Conway’s business ventures: cannabis, film, podcast, festival.
• 42:41–43:17: Jay-Z attending Griselda’s show: the validation moment.
• 51:15–52:18: Community uplift and giving back to Buffalo.
• 58:13–58:34: New album reveal (“Can’t Kill God With Bullets”).
• 59:07–59:34: Reflections on faith and spirituality in life and career.

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Conclusion

This episode offers both inspiration and insight, tracing the unconventional, DIY path Conway the Machine and Griselda took from Buffalo to the global stage. It’s a masterclass in staying true to culture, balancing business with artistry, and leveraging success to make room for the next generation. Conway’s humility and drive, supported by candid stories from Fat Joe and Jada, make this a standout conversation for hip-hop fans, creatives, and anyone interested in perseverance and legacy.

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Transcript

[Dan]

I'm Dan. He's Ty.

[Ty]

Hello.

[Dan]

And we're the solid verbal college football Podcast.

[Ty]

Tune in for previews, recaps, bits you won't hear anywhere else, and all the emotional support you need as a college football fan.

[Dan]

Join us all season long as we ride the roller coaster of this ridiculous sport.

[Ty]

Listen to the solid verbal college football podcasts on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Dan]

We don't just love college football, Tyler, we live it.

[Hunter]

I'm Hunter, host of Hunting for Answers on the Black Effect Podcast Network. Join me every weekday as I share bite sized stories of missing and murdered black women and girls in America. Stories like Erica Hunt, a young mother vanished without a trace after a family gathering on 4th of July weekend 2016. No goodbyes, no clues, just gone. Listen to Hunting for Answers every weekday on the Black Effect Podcast Network, iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Dr. Joy Hardin Bradford]

I'm Dr. Joy Hardin Bradford, host of the Therapy for Black Girls podcast. I know how overwhelming it can feel if flying makes you anxious. In session 418 of the Therapy for Black Girls podcast, Dr. Angela Neal Barnett and I discuss flight anxiety.

[Conway the Machine]

What is not normal is to allow it to prevent you from doing the things that you want to do, the things that you were meant to do.

[Dr. Joy Hardin Bradford]

Listen to Therapy for black Girls on the iHeartRadio app, Apple Podcasts, or wherever you get your podcast.

[Hunter]

Hi, it's honey German, and I'm back with season two of my podcast. Gracias. Come again. We got you. When it comes to the latest in music and entertainment, with interviews with some of your favorite Latin artists and celebrities. You didn't have to audition.

[Fat Joe]

No, I didn't audition. I haven't auditioned like over 25 years.

[Hunter]

Oh, wow. That's a real G talk right there.

[Fat Joe]

Oh, yeah.

[Hunter]

We'll talk about all that's viral and trending with a little bit of cheesem, a whole lot of laughs, and of course, the great B you've come to expect. Listen to the new season of Gracias. Come again on the iHeartRadio app, Apple Podcast, or wherever you get your podcast.

[Fat Joe]

This guy, he's very selectful with the artist to sit on the couch. He got a problem, he turns down guys is big. And your name came up and in one second he was like, yo, 100%, it's Joe the Dawn on my mafia.

[Conway the Machine]

You know who it is?

[Fat Joe]

Your boy Jada.

[Conway the Machine]

This is the Joe and Jada Show.

[Fat Joe]

Every show is exclusive.

[Conway the Machine]

Every show Is iconic. Today we like to welcome our guests. My brother, 1/3 of Griselda, 100 of drum work, east side of Buffalo's own Conway the Machine.

[Fat Joe]

Make some noise.

[Conway the Machine]

What up, what up, what up, what up, man? What up, man? My brother was good, man. Life, man, Life is good, man. No doubt. I seen you've been over the water, crushing them crowds, doing, you know, I mean, getting them bags, doing what we do. How was that? You was in some places.

[Fat Joe]

I never even.

[Conway the Machine]

I thought I'd been everywhere. When you looking at some of those shows like, damn, where's he? He conquering land. For real. No, no question, man. That is. That shit is unbelievable, man. Like, the way that. The way that they love hip hop, man, they tapped into the culture over there is. You know what I mean? It's overwhelming, man. The love I felt out there. Like, I was out in Colombia, I was out in Argentina, I was out in Georgia. I was everywhere. Like. Like you said, like, I was touching. I was touching land. I. I never thought I'd be. And I. I ain't think they could. They. They understand, like, what I'm bringing to the table with my lyrics. Yeah. So for. For the motherfuckers to be able to barely speak English and rapping my word for word, dog. It's a different type of feeling. Timeless family, you know, you do. You do my cloth, our cloth of music. So I follow you. I follow you. Griseld in a whole crew. I could tell you like stages, you like performing. Yeah, yeah. That's my favorite element of it. Yeah, yeah. Watching like, dog, man, watching dmx, watching Buster, you know what I'm saying? Those definitely two of the top performing saying, you know, I could just tell, like, they put a lot of emphasis in the stage performance part of it more than just like the pen, you know what I'm saying? And I just like to go out there and just have like an out of body experience. Just. Just leave it all on the stage, man. World. How for the people that don't know, how did Griselda. How y'. All. Did somebody meet in jail? Was y' all grew up. How. How y'. All. How did y' all even link up? Yeah, no, it's since the beginning. Like, since. Since the beginning. Like, is family. So it's like, you know what I mean? It started with like me, Wes, Benny and Machine Gun Black. Rest in peace, okay? Rest in peace, you know what I'm saying? Then my man Cutter. My man Cutter locked up right now, but he. You know what I'm saying? He started rapping this with us. But this is. Well, when we was older, like, you know what I'm saying? They was a little younger than me. I was always like the rapping, like I've been battle rapping and up since like I was 12 years old, 13 years old in the city, just. Just going crazy on whoever was. Was that guy at the time. They had to see me. So that started with that. And you know, them boys just seeing me, watching me, you know what I'm saying? Seeing how I get busy, it just turned into like, yo, something crazy. And then, you know what I'm saying, like, Benny just started becoming a monster himself, you know what I'm saying? And shit. Just, you know, man, we grew like that. That shit grew like that. But it ain't really like get. We ain't really take it to like the business side or really start trying to get serious till like after I got shot, you know what I'm saying? Once I got shot and like, everybody was home, like. Cause niggas wouldn't ever really be home from jail at the same time too. So like, Shane gonna be locked up, Benny would be home, Benny would be locked up, Wes locked up. You know what I mean? We weren't really never all on the streets at the same time until after I got shot. You know what I'm saying? And then after I got shot, it was just like, nah, bro, let's just. You gotta be the one to take us there. Go crazy. Just put everything in the get you sturdy, you know what I'm saying?

[Fat Joe]

Question I have is I've been to Buffalo.

[Conway the Machine]

Yeah.

[Fat Joe]

You know they still got the Bronx crackheads in Buffalo. Like, you wonder where the crackheads went. They in Buffalo.

[Conway the Machine]

Yeah. No, it's just crazy.

[Fat Joe]

The Bronx crackheads is in Buffalo. Right. And I've been there and it's. It's so hard to get out of Buffalo.

[Conway the Machine]

Yeah.

[Fat Joe]

So to explain to everybody out there, you from upstate New York, that's like a six, seven hour drive from the boroughs. Yeah, right.

[Conway the Machine]

Yeah.

[Fat Joe]

How did you have hope? Not only that, how did you really get on from Buffalo? And then the whole crew got on too. Like, how did. Did you think you could make it from Buffalo?

[Conway the Machine]

Yeah. And no, like, nobody think they gonna make it. And nothing like football. Niggas don't think they gonna make it to the league. Niggas don't be niggas, you know what I'm saying? Like, it's crack. And that's it. You feel me? The streets. That's it. You feel Me and. But I always had the mind state, dog. Just the right people hear me, I'm outta here. Cause I just always felt like I ain't. It ain't too many niggas that could fuck with me. And this was way back then, like, you know what I'm saying? 96, 97, 99, 2000, you know what I'm saying? And I think it ain't happened for me, for us. I think that was a blessing in disguise, though, you know what I'm saying? Cause we was blessed with the journey. We was able to learn. We was able to watch eras, we was able to study film, watch y' all gang tape, you know what I'm saying? See how y' all doing. And like you said, like I was saying, like, I'm watching Busta Rhymes perform, watching DMX go crazy from the 50,000, you know what I'm saying? And I'm able to see that shit and learn and able to take little elements from everything and sharpen my blade till it was time, you know what I mean? But it's definitely, to answer your question, man, it's tough, you know what I mean? I don't really know how we did it, man. It's just. I think it was just time, you know what I'm saying? Like, we just got. Like I said, we got our shit in the right people to the right people, man. And it's just like the buzz, they started just talking, you know what I mean? But we was like, we was getting. So we was just on our bullshit. Like, we ain't want to even sign no deals or none of that. We ain't want to fuck with nobody. We was just letting nobody coming to fuck with us. Fuck it, we doing our own shit. We ain't really signing, but we. Shit just start getting too crazy. Like the hoodies and shit flying off the table. The CDs we can't sell. The vinyl's selling for like a thousand dollars. Like somebody will buy the vinyl for. For 50. And this, it's on eBay or something for like 1200. We looking at this like we getting murals painted in Japan and shit. Paris. It's like this shit getting too crazy. We need management now, you know what I'm saying? At least get some management and you know what I'm saying? That's how we met Paul and all that. But that's how we really got our introduction in the game. Just hustling and making our shit boutique, you know what I mean? It was like we was getting into this stream era. This was in the beginning of that. We went against that. Like, fuck that. You gotta come see me get this. Yeah, you can only get it. It's only 187 of these. You know, we having that one, a seven on the back of the hoodies. So the hoodies is getting marked up. Resale. They, like, took this formula from, like, the sneaker game. Took that same formula. Shit, man, we here today, man. You know what I'm saying? Fire.

[Fat Joe]

So it went from a mission impossible to get signed to something like that in Buffalo. Once y' all got popping, the whole Grisella, they was going out there trying to sign your cousins, everybody.

[Conway the Machine]

Buffalo, yeah, yeah. Nah, they out there. They been pulling up.

[Fat Joe]

They've been pulling up because, you know, I'm good friends with Bone Thug. They from Cleveland. That's been a little further to get on than Buffalo, right? And when they started popping, they signed every cousin and Cleveland they ever heard. They liked, didn't like, you know, this industry's the industry. They just pull up once they know, like, Warren G, he got snatched from under. He's Dr. Dre's stepbrother. They went out there and Leo Cohen went to Compton. You know, that's what they do.

[Conway the Machine]

Came to school Street CX to the Jets.

[Fat Joe]

Yeah, he wasn't scared. But you got to get it popping, though.

[Conway the Machine]

Got it. You got to get it. You gotta out hustle.

[Fat Joe]

One thing I love about you guys, first of all, you guys get it, right? Everybody don't get it. And the one thing I loved about you guys is, you know, I come from digging in the crazy. I come from the underground. Boom. Bats 100% right. But what I love about y' all is y' all always invested in your fashion, in your fly. That was a big difference.

[Conway the Machine]

Merch, too. They. They took merch to the. They duct tape. They merged to a Rocky ship and took that.

[Fat Joe]

But my thing is the fashion. Yeah, right? So I'm looking at y'. All. Y' all sound beats and rhymes.

[Conway the Machine]

Yeah.

[Fat Joe]

You know, that's where we come from. That's where we started. And then. But you guys was, like, throwing that shit on and all that. And I could go to an underground concert today, not for nothing, and they.

[Conway the Machine]

Gonna have some ocean.

[Fat Joe]

Yeah. They ain't wearing a shirt. They wearing whatever you gave them. Free Def Jam coming out now or something. They. They don't give a fuck. Right? And so. But these guys got it. They were like, okay, we're gonna be underground superstars. We're gonna throw that shit on. And who really started that or that's just what it was.

[Conway the Machine]

I mean, I was really the kind of the nature of it in a sense, like. But I think that's why too, like, you know, our music and like the young, young boys and kind of with us and. And like, tapped into our too, because we able to. They able to relate to us, you know what I'm saying? Like, we. We was outside doing that. We was the who was having. Having the. The Avrexes and on giving them, you know what I'm saying, a little $5 to go to the store or something, you feel me? So they looked up to us and stuff, and I think it just kind of translate worldwide, like. Like, look at them. Cause I ain't. I ain't that young. You feel me? So young. Tap in and with me and look up to me like, yo, what up, big bro type, what up? So, you know, we be having that on and we be talking that too. That's more relevant. But over them, them same type of. I mean, I got conductor in the cut. I got derringer in the cut. Alchemist. I needed, you know, too, man. I need a couple derringers, man. Yeah, Darren should get that, man. Right, man. Right. Diesel. Some of your influences, you work with a lot of legends. I mean, that. That should show a test of how you get busy. You get a lot of calls from us, from me, Styles Kane. Yeah. Dudes that really do music with substance. How you feel about that? Because niggas don't want to work with some of these garbage. Nah, yo, for me, that's. To me, that's the fucking. That's the award, you know what I mean? That's to get my flowers from the MCs. And I respect looking at this shit. Like, at the end of the day, I look at myself like I'm an MC. I'm true to this hip hop, this MCing element of it. Everything else, like, I don't really. You know what I'm saying? I'm emcee first for me. So it's like. For me to just get that love, get that embrace, you know what I'm saying? From niggas like Busta, from the Chef, you know what I mean? From Starks and them. You know what I mean? From y'. All. I feel me. That's what it is. I remember we had our first show ever. We ain't never sell a record or nothing. We did our first. First show. We was on tour. We did it at, I think Webster Hall. First stop was in New York City. And Webster hall, man, I came to the show with Prodigy, like, Prodigy was with us. Yeah, hanging all day. Y' all pulled up, you know what I'm saying? Ray pulled up and performed like, held us down. That was war elbow, dog. It was like a real hot as hell. I don't think it's gonna. It was crazy. I don't know if it's been no show like that in New York City. That. That feel was tight and intimate since that SOBs got. I mean, that. That Western hall. I've been to a lot of shits. Just the love. Like it was graffiti and shit on the wall. I know it was all type of little box cutters and pocket rockers in there. It was about 12 pocket rockets in there, you know what I mean? Couple butter knifes.

[Fat Joe]

A lot of MCs that were the greatest in the game didn't know how to pick beats. You guys know how to pick beats. I won't say their names because they're living, living legends out there.

[Conway the Machine]

I know you're not gonna say their name.

[Fat Joe]

Don't do it.

[Conway the Machine]

Home already know that. He ain't gonna.

[Fat Joe]

But there's some legendary artists. When people ask me, yo, why such and such ain't blow, Homeboy was the nicest. This and this and that. But when you heard they beat selection, you know, just now, we was just vibing to your shit. You play like five in a row. All them beats feel like they shooting heroin on the street. You know, the back room.

[Conway the Machine]

Yeah, heels are going down Harlem.

[Fat Joe]

I don't know the 60s.

[Conway the Machine]

No, I feel like that come from like, you know what I mean? Having access. Sometimes when you might got no access to no fire, you know what I mean? You making the best of what you got in front of you, you know what I'm saying? It's like, I don't been in times like that where the beast was, you know what I mean? Yeah, yeah. Then. Then we got Derringer, you know what I'm saying? He was in house. Like, I'm sleeping on a couch, you feel me? And I'm getting asked that. He making these shits on the spot now. We got al. We got conductors and you know what I mean? Different. Different. Like, it's just the. The access. We got the resource now, you know what I'm saying? I can. I can hit Swiss. I can hit different and get. I got the resource now, you know what I'm saying? But as far as, like, you know, that's what I put it as to, like, know what you said. Some are Legends. And you might not have. You know what I mean? A race to get. No, nothing crazy. And then you. You want to. You need the money or you're trying to put something out so bad like it. I'm just going. I'm gonna just pick the 10 hottest shits I got right here. It. You know what I mean? The 12. These 12. What's your creative process like? I know you need some Z. Yeah. What up? Yeah, yeah, yeah. I'm just smoking me one. You feel me? And a lot of. A lot of. A lot of reposado, you know what I'm saying? Some type of. Some type of sports, you know what I mean? Presentation on the screen and on mute. And some. The beats. Crazy. That's my stuff. And by myself, like, I just. Me and the engineer, maybe like one of my mans, like that said, I don't really. I don't need a party. Yeah. And then party. And I take nobody to work with me. Day I do what I see. I just gotta sweep first. Yeah, yeah. Same like you.

[Fat Joe]

But I gotta sweep at the sweep.

[Conway the Machine]

Sweet.

[Fat Joe]

Actual sweep. They be dirtying it up.

[Conway the Machine]

Nah, it's just. It's just like a. Like a phobia.

[Fat Joe]

I gotta sweep.

[Conway the Machine]

Oh, CG Yeah. Ain't even dirty. It's not even on the floor first.

[Fat Joe]

Before you go after live.

[Conway the Machine]

Yeah, I gotta sweep.

[Fat Joe]

Sweeping it.

[Conway the Machine]

I'm sweeping something. The negativity.

[Fat Joe]

You write. You write at home or you write right at the studio.

[Conway the Machine]

I'm doing both. Like, a lot of.

[Fat Joe]

I used that.

[Conway the Machine]

Don't even. I don't even be hitting no pad. A lot of that. Yeah.

[Fat Joe]

Off the top.

[Conway the Machine]

Yeah. I mean, I ain't really freestyling. Yeah. I'm thinking of it. I'm giving it thought. Smoke me one or two. And then I'm like, all right, I might take me a nap or something. Wake up. Yeah, I am ready. Load me up. And. And then I just go like that. So a lot of that on that album I hadn't even wrote. I ain't right that. Write that down. Ew. I'm writing the lyrics down now. Cause, you know, like, yo, I need the lyrics. I need the lyrics. So I gotta go back and listen and shit. Like, damn, what the fuck? I said, you know what I mean?

[Fat Joe]

Is there a difference from being high writing lyrics or being sober?

[Conway the Machine]

For me. Nah. For me. Nah. You know what I'm saying?

[Fat Joe]

People say they gotta be high to write. Do you think it's a difference, sis?

[Conway the Machine]

Puts me in a better comfortable. I mean, sometimes you don't need for.

[Fat Joe]

Me, it's really the beat.

[Conway the Machine]

Yes. If the beat is super fucking incredible, I don't need nothing. Yeah. You know what I'm saying? Yeah.

[Fat Joe]

Cause I used to write, and then, you know, towards my later stage in my career, it's more like, let me go in the studio, throw that beat on. I don't even want to hear it before then. Right then it just. Yeah, I'm just flowing this shit. Like, you know, they asked me one time, and this guy was incredible. I was overseas on one of them tours as some journalists from some fucking country out there. He said, man, what's the process of writing? And I explained to him that once they put a fire beat on, it's like, remember when we was in kindergarten and all that? And they would make them books that the fucking trees popped out and all that. Yeah. The rhymes just pop out. He was looking at me like I was crazy, but I realized I was sounding crazy while I was explaining it to him. But that's how it really worked. When they throw the beat on, you know, to me, to beat, tell me what to say, whether good or bad, happy, sad, party, whatever, right? The beat always tell me what to say.

[Conway the Machine]

That's how it is for me. For me too. I need that beat and I need to be in a good space. But that beat will wake me up on my sleep. I don't care what kind of space I'm in. That beat crazy. I'm gonna stop on my track. Like, I did a song on my last shit. I was leaving the studio, it was like 6:30 in the morning. I've been in there, I already did like four shits. I'm drunk. I'm all, I'm on my way. I'm ready to go to sleep. I'm leaving. So the producer came in. I ain't never worked with this producer or nothing. He just plugging his shit up while he cleaning the joint. This nigga plays, son. I'm like. I stop at the door like, yo, what's that? Nah, I had to have that. And I ended up being on my album. That shit was crazy. That shit was crazy. That's how it works with music. They don't. They give us the least credit. But they know, though, for it being an art form. But it's art. When you hear something that measurement rises, you. You gotta have it. Yeah. You know what I mean?

[Fat Joe]

Like I tell you all the time, this is how we do it. It's Friday night and I'm done. It fun. You go to a party, you Throw that on you rocking. I just told Test movie last time you played that at a party all the time, man. I just told Tess Move he gonna DJ in my house for my birthday. I said, yo bro, strictly Harlem. I want to feel like you. I want to thank you. I want do not play. I need that vibe because for some reason I'm telling Chris today, right? I say how they was killing dudes in that time, right? Like when you. If you think about when they the music I'm talking about, you know, you know, ain't good time young man or mama used to and you in a club and the beautiful woman that dance, they dancing. I'm not talking about hip hop. How do they get the clapping? Owe money dudes was clapping over their girls. This, this like if you think about that time, right? That's it.

[Conway the Machine]

That's the fact.

[Fat Joe]

You like how the hell these guys shoot the place up. Like what I heard. Yeah, they need. They owed money that somebody with somebody girl, one of them somebody, you know. And so they got the clapping. But you know, make me happy.

[Conway the Machine]

Yeah. Yeah.

[Greg Rosenthal]

Football is back. That's right. The new NFL season is here. And you should be listening to NFL Daily as we march along to Super Bowl 60. This is a show for sickos like me. NFL Daily is your kind of show. It's in the name NFL Daily. You'll have fresh content in your feed all season long. Myself, Greg Rosenthal and an all star cast of co hosts will preview and recap every game all season long. Josh Allen coming off an MVP season.

[Fat Joe]

And now lateral to Allen and reaching for the pylon. Are you kidding me? It's a touchdown. Have you ever seen that one before?

[Greg Rosenthal]

Rookies making a name for themselves.

[Fat Joe]

Bulldozer. He is bouncing off defense. Sanders and Drag down.

[Greg Rosenthal]

And of course the Eagles trying to win another Lombardi.

[Conway the Machine]

What a game, what a season, what a team. Eagles fans savor it and rejoice.

[Greg Rosenthal]

Listen to NFL daily on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Dan]

I'm Dan, he's Ty.

[Ty]

Hello.

[Dan]

And we're the solid verbal college football podcast.

[Ty]

College football season is here and you know what that means.

[Dan]

Your team is going to break your heart three times probably before Halloween.

[Conway the Machine]

Uh huh.

[Ty]

But fear not. The solid verbal will be right there with you through every soul crushing loss and impossible comeback.

[Dan]

Join us all season long, all year long, as we ride the rollercoaster of this ridiculous sport.

[Ty]

Whether you're a die hard fan or a casual observer, we'll help you make sense of all the chaos and of course, celebrate the madness. Tune in for previews, recaps, bits you won't hear anywhere else, and all the emotional support you need as a college football fan.

[Dan]

We don't just love college football, Ty, we live it.

[Ty]

Listen to the solid verbal college football podcasts on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Ed]

My name is Ed. Everyone say hello, Ed.

[Fat Joe]

Hello, Ed.

[Ed]

I'm from a very rural background myself. My dad is a farmer and my mum is a cousin. So like, it's not like.

[Wisecrack Host]

What do you get when a true crime producer walks into a comedy club? I know it sounds like the start of a bad joke, but that really was my reality nine years ago.

[Ed]

I just normally do straight stand up, but this is a bit different.

[Wisecrack Host]

On stage stood a comedian with a story that no one expected to hear.

[Ed]

On 22 July 2015, 23 year old man had killed his family. And then he came to my house.

[Wisecrack Host]

So what do you get when a true crime producer walks into a comedy club? A new podcast called Wisecrack, where standup comedy and murder take center stage. Available now. Listen to Wisecrack on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Michael F. Florio]

I'm Marcus Grant.

[Dan]

And I'm Michael F. Florio.

[Michael F. Florio]

And together we host the NFL Fantasy Football Podcast. Fantasy season is here and the question is, are you ready to dominate your league? Because if you're not locked in with us, the NFL Fantasy Football Podcast podcast you're already playing from behind. Every episode, we're breaking down the biggest fantasy headlines, injury updates you need before kickoff, and matchups you can exploit to bury your competition. We're talking sleeper picks, breakout stars, and the players you can't afford to bench. Whether it's rookies making noise or veterans keeping their value, we cover it all.

[Conway the Machine]

Whether you're drafting for the first time.

[Michael F. Florio]

Or chasing another championship, we'll give you the edge, the insight and the confidence to make every move count. Weekly analysis, hot takes and insider knowledge all in one place. So what's it going to be? Another just okay season or total fantasy domination? Listen to the NFL Fantasy Football podcast on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Fat Joe]

You know what makes you happy, brother?

[Conway the Machine]

Me. With my dog, man, no doubt. You know what I'm saying? With my little bulldog, my little French bulldog, man. Other than that, being left alone. You feel me? Yeah. No phone. My phone off. Chilling. I find my happiness doing that for me. Playing a little 2K or something or in the studio. Listen, a dope beat makes me happy.

[Fat Joe]

That's right.

[Conway the Machine]

What's going on with drum work? We get into it, man. I got, you know, Skis, my artist Jay Skis put out. We put him out. We started him in like 20, 20, 20, 21. But he, he just did another. He dropped like two. Two shits this year. He tore. He did a tour this year. I got a sk. My man Kendricks. I got a couple of shooters, man.

[Fat Joe]

Nice roster.

[Conway the Machine]

Nice roster.

[Fat Joe]

No, that's beautiful.

[Conway the Machine]

We're doing music. We got an album, a compilation, like a album with all of us. We gonna, you know what I'm saying? Put that shit out this year too, probably.

[Fat Joe]

You know what's beautiful that people don't understand is like when God give you the opportunity to be the first to get on and live your dream out, and then you go back to say, all right, I'm gonna share it with you.

[Conway the Machine]

Yep.

[Fat Joe]

You know what I'm saying? There's nothing like that. Putting somebody on, helping them see their vision go through. And that's very commendable because you could just be thinking about yourself, you know, I could think of phenomenal artists that we love to death that never put nobody on, meaning, rap wise, you know, so when you go out your way to do that, you know, we all get, what, shortcomings or we, we all try to help certain people that went bad, you know what I'm saying? But for the most part, that's a beautiful thing to share your journey and your dream with some up and coming artists.

[Conway the Machine]

Yeah, no, it is, it is. You know, especially for me, like, because I was always the type of person I don't really, like, I don't mesh well with everybody. Like, I don't really hang around a lot of people. I don't keep a lot of. I keep a small circle. So, you know what I mean? For me to even, you know what I mean, Just open up, pause like that, like, you feel me, and let people just come, come with me, you know what I mean? Jump in the back seat, man. Let's ride up there together. Is, is. Is actually inspiring for me, you know what I mean? It's actually doing more for me than them, you know what I mean? Because I'm getting out of my, my, my old self, you know what I'm saying? Out of your element. Yeah. Being just a short, temperate, hot headed type dude. I'm just more patient with things now and I know how to calm myself down. I'll get upset and stuff. So that's why I like to be alone. Like the isolation, you know what I mean? No doubt. Which you got going any more touring? What's going on? You got.

[Fat Joe]

You going back out?

[Conway the Machine]

Yeah, I'm about to tour. I'm about to tour the States starting in November. I think I got a show at the end of October, though, out here. I'm not sure. But yeah, I'm going back on that road, you know, I stay on that road. No doubt. Touching them people. Yeah, I like to be. I like to be on that stage and just, you know, with my fans, man, you know, taking them pictures and signing 30 vinyls, you know what I'm saying? Wait, with the vinyls, they got apple tags on. That's a fact. You know, where you at? Got like 30 hours, so they like. Nah, I got them all machine, you know what I mean? But, yeah, I'm going back on road. Going back over overseas and I got some couple of shows out in Greece, you know what I'm saying? 5.

[Fat Joe]

No, I'm outside Mongolia. You ever been to Mongolia? That's when you know, crack trying to get the bag when he go to Mongolia. I had a dude in jail with me, a white boy, you know, it's real racial in jail, But I put him down without coup. Nobody wanted him. But I seen it. I seen the strength of him. I used to call him Hong Kong's Mongolia, right? So one day he comes up to me a month later, he says, hey, boss. I said, what's up? He said, I just realized Hong Kong and Mongolia is two different places. I said, I don't give a fuck. We lucky I gave you a nick. Hong Kong's Mongolian. I'm going to Mongolia. That. That's a trip. Who's on there with the bag is on the show.

[Conway the Machine]

Who you going there with?

[Fat Joe]

Superior. If you hear Fat Joe, you know I hate the fly. You hear me flying in Mongolia. Is this that like eight hours after China some wild. It's a mission. I gotta go to Dubai. From Dubai to China, then Mongolia. You're gonna stop in Dubai, pick up a couple of, you know, bags, and then, you know, what's up, man, you.

[Conway the Machine]

Know what's going on, you know what I'm saying?

[Fat Joe]

But you know, that's that Mongolia, man. That far as we gonna see what it is. Where you been at? Where the fans was the craziest about y' all everywhere, nigga.

[Conway the Machine]

Oh, man. Probably somewhere you didn't expect. Probably. Probably in Greece and probably South America. South America was Daisy it was crazy, bro. South America is. It's electricity, man. It's a whole different type of energy. Insane, dog. The shows was shows. The line was around two blocks.

[Fat Joe]

I got crazy. Promoter. Whoever your promoter was, I needed.

[Conway the Machine]

I need my praise.

[Fat Joe]

I didn't do so good. Yeah, Latino, I'm gonna keep it real. That's one of the only places I ain't do good. Like, I sell my shit out all the time. Yeah, but I went to South America. That was light work. But I seen Wu Tang go out there, and that was crazy. And I was like, damn, I must have went with a whack promoter.

[Conway the Machine]

Now. That was crazy. I need his promoter.

[Fat Joe]

Yeah, we need that guy.

[Conway the Machine]

That was insanity out there, dog.

[Fat Joe]

Wow.

[Conway the Machine]

Well, we shot the video out there in Bogota. You know what I mean? We was just out there. That's what he's lying. Videos in Bogota, you doing? The danger element was. Was definitely profound, though. Yeah, it's heavy. The danger is in and out. Hurry up. You got that shot. Let's get out of here. Go, go. Cartels over there abducting people and all type of Bogota. The nigga's name Anglice in Gleeke, you know, in Gleek, right?

[Fat Joe]

You want me to tell a story? Do you want me to tell a story? I got one.

[Conway the Machine]

Let me hear you.

[Fat Joe]

So they paid me wow money to go to Columbia. Like, wow money, right? And they did, like, stadiums, and they were empty. They had a little 500,000 people shit. Supposed to have 10, 15,000 people. I walk in after the second show in the hotel and fly hotels, this guy blew the bag. And I see his workers just looking, like, mad nervous and shit, you know, people who are being nice to me and all that. And he was over there talking to him like this. I walked over, said my wife upstairs. I went in. My wife. I was like, yo, what's up, papi? He said, what's up? I would like to take a bat, a bat with nails in it, and put it in your ass, turn it inside.

[Conway the Machine]

Said by the Rockets.

[Fat Joe]

So I'm like, take a bat with nails, turn it in your ass. I want to hang you upside down. And then he start talking. All this is in Columbia. Columbia, right. So I get it. He lost a super bag with just what he paid me. Then he had to rent stadiums. He thought Fat Joe was gonna be pandemonium. And shit was light work, right? So he talking crazy Tony Montana shit. But I tell him when he finished, I said, yo, you know what, man? You miss your calling. You should be in Hollywood writing them Scripts. Cause the shit you saying, no, I'm not gonna lie. Shit. Phenomenal. Like, you got that shit, you know? But me, I don't give a fuck. I'm not really scared of you, my man. So it is what it is. You should stop arguing. What you think? I go upstairs, the next day, we go to Medellin. My daughter grew up with a little girl. Since they was in kindergarten. Her father comes to school and all events. I know I'm Colombian. Man dressed nice, nice. Most decent guy, this, this, that. He invited us to his house in Medellin. So we got four cops, our security. We get to the block to the hill, because it's up on a mountain. And they was like, big mistake. You're not going up. I said, yeah, I'm going up there. He was like, no way. No way. I'm like, senor such and such is my friend. He said, he's your friend? I said, he's my friend. We go up there, bro. They made. I don't know if you know what sancocho is. They made a pot of sancocho soup. This shit was like a human could fit in there. They was like this. Then they had a living room. A living room where the glass opens. You. You was. You wasn't with us ass. And the horses was doing. Pasafino's doing them horses, you see, with the tricks and this and this and that.

[Conway the Machine]

It was in the living, man.

[Fat Joe]

They had a swimming pool, the horses, they were swimming and shit in the living room. So imagine how we watch NFL. They got the horses tapping, doing this and this and that, right? I never seen no shit like this. I've never been a part of this. I get back to the hotel, the promoter, dude who just told me he wants to shove a bat in my ass, flip me, I'm so fat. Joe, why didn't you tell you know Mr. Mountain? I said, I didn't even know he was that dude. He's in Miami undercover. Nicest guy seeing him at school. And he looked like ghosts. Like ghosts. He was the Colombian ghost. When I go over there, he was like, why you don't tell me you know Mr.

[Conway the Machine]

Miles? Did not.

[Fat Joe]

I say, this is my guys, my. Sorry for everything I said the day before. I'm so sorry. Did I said n. It's all good, brother. It's all love. And I happen to know the guy by mistake. That's my Columbia story.

[Conway the Machine]

That was a good one. How's it going? How's it going? That was a good one. What else you got? Going on outside of music now, you like to invest. I know you like the. You got the label, you do the merch. You do shit. You got any cannabis? You got. Yeah, you got some cannabis? We got some. We got some drum work, exotics, you know what I'm saying? We got. I'm writing a little short film. Five. I'm about to. About to dabble in the podcast space. No doubt. Why not? I gotta get some back. I gotta like some full, like full review too. Another. Another little space like that and just getting, getting, getting more artists.

[Fat Joe]

He's still a foodie.

[Conway the Machine]

Yeah, yeah. Only certain, though. I don't really eat anything though, you know, I mean, but certain turn away. Yeah, I'm a fuck with him. I'm a fuck. You know what I'm saying?

[Fat Joe]

You know, I went to Thailand. We did Rolling Loud. We did Rolling Loud and Thailand.

[Conway the Machine]

How was Thailand? Do that one, man. I told him I wanted to do that.

[Fat Joe]

All right, but listen, it's a little bit of a culture shock or whatever, but the point is, I stood in the hotel, I was scared. I'm gonna keep it real.

[Conway the Machine]

You don't know.

[Fat Joe]

I was in the fanciest hotel you could be in, man. This shit was incredible. I was scared to eat, like, if it wasn't like eggs and turkey, but I was not eating this. Sure enough, I go on Instagram and little Uzi is eating like a chocolate beef fried roach or some. That went viral. I said, I am not leaving this room. I'm sitting here watching cnn. Regular breakfast at the. Listen, the hotel was out of control, fly. You know, I'm sitting. My sweet is here, Cardi B's here, little Uzi. Like everybody was somebody. So the was too fly. But I was scared. With no disrespect. I was scared to like try like.

[Conway the Machine]

Go in the street. And that's how I did. You still got your festival? Yeah, I still got the festival. I mean, last year, that was. Yeah, yeah, that was crazy. Yeah, yeah. His own festival, the Drum Work Fest. We did it for a couple of years and we gonna reboot that. I mean, probably bring it back 26, another 26.

[Fat Joe]

You know, I'm up there two, three weeks from now. And yeah, seeing that buffalo, the God coming through. You know what I'm saying?

[Conway the Machine]

Yeah, yeah, it's a hip hop and.

[Fat Joe]

All the young kiss coming, my man. Shout out to my barber. Should have went to heck, you know, my shit's symmetric. My. You can look at this 3D from everything.

[Conway the Machine]

You see what I gotta deal with?

[Fat Joe]

No But Shoulda went to Heck. His wedding is that same day and I can't make it because I got that show in Buffalo. It was a time, but shout out to Shoulda went to Heck and his wife to be. How'd you meet Elkams?

[Conway the Machine]

Just on Twitter. Like he heard something once. Al know you could spit, he'll reach out to you. That's exactly what happened. Like, he. He tight as I got like a. People was tagging me. He didn't even know my Twitter handle. I ain't even really had that many followers or nothing. I just started the page and he was. He seen that freestyle I signed. I was on YouTube like, Yo, Ukraine DM me the number. Like, yo, that's link. Well, next time you come to la, come through. And we did that. And the rest was restless history. That's fine.

[Fat Joe]

Love Alchemist, bro. I'm glad everybody, you know, he always was that dude. But I'm glad they acknowledging it now and they seeing his greatness, you know. You know, a guy like Alchemist, quiet, real hip hop. And now he doing Erykah Badu album. I listened to the Freddie Gibbs album. I listened to, you know, pretty much anything he got to do with. I tune in on Alchemist. What were some big moments for you? Like, who did you meet? What was the time that someone came up to you and just said, like, you guys?

[Conway the Machine]

Oh, man, probably. Probably hov. Probably hov. We was doing that show out in la. He pulled up. Yeah, he just pulled up like they was at a game or some shit. You feel me? Across the street at the stables, and nigga just pulled up, watch the show. Like I'm performing. I go for a towel, I look up, he's standing there on the stage just watching. I'm like, yo, am I bugging for me?

[Fat Joe]

N. You was bugging. Even though it happened. Don't do.

[Conway the Machine]

I was bugging.

[Fat Joe]

I mean, I invited him to 36 birthday parties. He ain't never pull up.

[Conway the Machine]

Yeah, yeah, that kd, you know what I'm saying? That pulled up to a show, was tapped in, just like knowing the music. Easy Money Sniper. He love. He love hip hop. It's a hip hop level. We got some dope beats, too. Yeah, KD produced.

[Fat Joe]

Yeah, I ain't know that. Yo, kd, Katie, kd one of them dudes that if I big him up or something, he'll diss me on Twitter. You know, I keep telling you, I got certain guys that when I big them up, they. They'll diss me for the culture. They'll be like, yo, Craig footage. I don't really know about that. It's like, I got a selective list now that I could big up. You can't even big up 20, 24.

[Conway the Machine]

Big up, KD.

[Fat Joe]

That's my boy trying to tell you. I big him up, yo. I never seen a better dude at the Rucker. This, this, that. You cat crack that day. I'm like, yo, this guy. Like, I can't. I don't know, man. Gang, we in the media space now.

[Conway the Machine]

Yeah.

[Fat Joe]

So we ain't in the rapper space. You got the hoodie. Yawn.

[Conway the Machine]

Still.

[Fat Joe]

You chilling. We out here talking to dudes. Sometimes I big dudes up and they come at me like that. That's not how I. And I'm on, man. I beat you up, dog. Like, so kd. I remember that Jay Z. You know what I mean?

[Conway the Machine]

Yeah, that went viral when Old pulled.

[Fat Joe]

Up to his man, west side Gun. Man, I love this guy, man.

[Conway the Machine]

He.

[Fat Joe]

I remember going down Times Square, and he had the whole. The big billboard, but he had the Balenciag. Like that motherfucker. He want to dress right like. I love that shit. Like, he got that fucking Balenciaga 3 quarter on this with the. I'm like, I had to step out the car because you know that shit hip hop. But that's that shit right there. You know what I'm saying? So shout out your man, west side. Gunner, Benny, you guys. You know, pretty much you guys just restored a feeling, right? A void that was really, really missing. And even guys who felt like you, who were nice like you, they chose the other route. Trying to be the gimmick or the new or the this or the that.

[Conway the Machine]

Microwave shit.

[Fat Joe]

Microwave shit. And y' all just said, you know what? We going beats and rhymes. And then you caught everybody. Like a hov that loves real hip hop. The essence, the purity. Cause very rare with the youth to see somebody. Cause that is the harder route. The beats and rhymes. Correct.

[Conway the Machine]

Yeah.

[Fat Joe]

Cause the overnight success is the gimmick shit. You understand what I'm saying? But you know, not to say some of them ain't nice. Oh, my God. Some of them. You know, not too many.

[Conway the Machine]

Overnight. It's not. It's not too many overnights, you know.

[Fat Joe]

But that's what we feel like.

[Conway the Machine]

Pain.

[Fat Joe]

There was a huge void there. You know what I mean? And guys who were doing what you were doing never really took off.

[Conway the Machine]

Yeah.

[Fat Joe]

And so when y' all start taking off and y' all start creating your.

[Conway the Machine]

Own shit, it made it feel.

[Fat Joe]

We love loving that yeah.

[Greg Rosenthal]

Football is back. That's right. The new NFL season is here and you should be listening to NFL Daily as we march along to Super Bowl 60. This is a show for sickos like me. NFL Daily is your kind of show. It's in the name NFL Daily. You'll have fresh content in your feed all season long. Myself, Greg Rosenthal and an all star cast of co hosts will preview and recap every game all season long. Josh Allen coming off an MVP season.

[Fat Joe]

And now lateral to Allen and reaching for the pylon. Are you kidding me? It's a touchdown. Have you ever seen that one before?

[Greg Rosenthal]

Rookies making a name for themselves.

[Fat Joe]

He is bouncing off defense.

[Greg Rosenthal]

And of course, the Eagles trying to win another Lombardi.

[Conway the Machine]

What a game, what a season, what a team. Eagles fans savor it and rejoice.

[Greg Rosenthal]

Listen to NFL daily on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Dan]

I'm Dan. He's Ty.

[Ty]

Hello.

[Dan]

And we're the solid verbal college football podcast.

[Ty]

College football season is here. And you know what that means.

[Dan]

Your team is going to break your heart three times, probably before Halloween.

[Conway the Machine]

Uh huh.

[Ty]

But fear not, the solid verbal will be right there with you through every soul crushing loss and impossible comeback.

[Dan]

Join us all season long, all year long, as we ride the rollercoaster of this ridiculous sport.

[Ty]

Whether you're a diehard fan or a casual observer, we'll help you make sense of all the chaos and of course, celebrate the madness. Tune in for previews, recaps, bits you won't hear anywhere else, and all the emotional support you need as a college football fan.

[Dan]

We don't just love college football, Ty. We live it.

[Ty]

Listen to the solid verbal college football podcasts on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Conway the Machine]

Foreign.

[Michael F. Florio]

And I'm Michael F. Florio and together we host the NFL Fantasy Football Podcast. Fantasy season is here. And the question is, are you ready to dominate your league? Because if you're not locked in with us, the NFL Fantasy Football Podcast, you're already playing from behind. Every episode, we're breaking down the biggest fantasy headlines, injury updates you need before kickoff, and and matchups you can exploit to bury your competition. We're talking sleeper picks, breakout stars, and the players you can't afford to bench. Whether it's rookies making noise or veterans keeping their value, we cover it all.

[Conway the Machine]

Whether you're drafting for the first time.

[Michael F. Florio]

Or chasing another championship, we'll give you the edge, the insight and the confidence to make every move Count weekly analysis, hot takes and insider knowledge all in one place. So what's it going to be? Another just okay season or total fantasy domination? Listen to the NFL fantasy football podcast on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Ed]

My name is Ed. Everyone say hello Ed. I'm from a very rural background myself. My dad is a farmer and my mom is a cousin. So like it's not like.

[Wisecrack Host]

What do you get when a true crime producer walks into a comedy club? I know it sounds like the start of a bad joke, but that really was my reality nine years ago.

[Ed]

I just normally do straight stand up, but this is a bit different.

[Wisecrack Host]

On stage stood a comedian with a story that no one expected to hear.

[Ed]

On 22 July 2015, a 23 year old man had killed his family. And then he came to my house.

[Wisecrack Host]

So what do you get when a true crime producer walks into a comedy club? A new podcast called Wisecrack where stand up comedy and murder take center stage. Available now. Listen to Wisecrack on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Conway the Machine]

Legacy where you see yourself, drum work, Griselda in the next five years. Rich like y'. All.

[Fat Joe]

I count everybody.

[Conway the Machine]

Pocket.

[Fat Joe]

You come in with a staff. He come in with a staff of five.

[Conway the Machine]

I count everybody.

[Fat Joe]

He got the, had the bucket low like it though. He got some money, this guy.

[Conway the Machine]

How important is it to give back, you know what I mean? Showing the, the younger, the, what they call these guys, the Y ins in Buffalo that you know you can make it. It's some hope, some sense of encouragement. It's extremely important, man. Cause especially coming from Buffalo, we ain't had that, we ain't had nobody to, to give us no, no advice, no encouraging words or even show us a blueprint on how to, you know what I'm saying, make it in that space. So it's important, you know what I mean? And that's what this is all about, you know what I mean? You can't take none of this shit with you, man. But you can leave it here. You can leave it lie here. You came back. So I don't want it to end, you know what I'm saying? What we was able to accomplish for the city of Buffalo and the whole upstate, you know what I'm saying? I don't want it to end with just us. So we gotta, we gotta, you know what I'm saying? We gotta pour it back in, put it back in the pot, you feel me?

[Fat Joe]

Yeah. Like I said, I seen Wanda, I seen Tyrone, I seen June Bug. All the crackheads from 88 up there in that. In that Buffalo, they shipped them up. I'm telling you, I was outside in Buffalo, I said, God damn. Got the Bronx crackheads up here. So let me. Let me ask you something in the streets. Perspective, right? Because you said one of y' all was always in jail. I never heard that perspective. So being from Buffalo and upstate, the cops and all the jails. Yeah, but all the jails are up there, right? And so, like, when you go, you got a bigger crew?

[Conway the Machine]

No. I wonder if they send them down. Did they send us up there? No.

[Fat Joe]

This is the question. Do you go to jail upstate?

[Conway the Machine]

Yeah.

[Fat Joe]

With everybody you grew up with? Is all y', all, like, deeper?

[Conway the Machine]

Yeah, yeah, yeah. It'll be a lot of Buffalo in upstate Pens.

[Fat Joe]

And even the cops like here, we can't relate to them. Right. So if you in Rikers island, you got some black Spanish cops, they talking to you like black and Spanish cops. Then you go up north, and that's. That's gay and all that. Yeah, yeah, but you're already dealing with them. Y' all live Buffalo. So y'.

[Conway the Machine]

All.

[Fat Joe]

Y' all know who. Uncle Tom.

[Conway the Machine]

100%. Yeah.

[Fat Joe]

Scottskirt.

[Conway the Machine]

No, that's a fact. 100%.

[Fat Joe]

Yeah. I never knew. Every time I went upstate to visit somebody, I always thought of, like, is there, like, a Buffalo crew or upstate crew that. They right there, go in there. They across the street Now, I don't want to go there. Don't do that to me. I'm not good with the cold.

[Conway the Machine]

They in there.

[Fat Joe]

I'm a sunshine that below zero. My brother did time upstate, man, that. I don't give a. What clothes you sent them. That was cold. He'd be like, yo, Joe, I ain't go outside this cold. Couple of artists, you ain't got to say top five, but a couple of artists to pave the way for you that you. That, you know, you consider living legend. You know, you really. What they work.

[Conway the Machine]

There's plenty of. There's plenty of. You know, I mean, it was just, like, recent. Like, I'm gonna say. I'm gonna say. Like, I'm saying my Mars Rock Marcy. Yeah. Shout out to Rock Marc. I'm gonna say my Sauce Walker.

[Fat Joe]

Sauce Walker's nice to you.

[Conway the Machine]

I.

[Fat Joe]

With Sauce Walker.

[Conway the Machine]

Yeah.

[Fat Joe]

Hey, Jada, why you always act like I'm. I'm just saying. That's a great. I like him. I like.

[Conway the Machine]

I like. I like. I like Herb, I like G Herbal. Herb is my.

[Fat Joe]

Can't lie to you. Just had a show in Vegas. When I walked off stage, they played the record and I had to ask like four or five. I said, who's that? Yeah, who's that? Who that? And then it was like, yo, that's G. Herbal.

[Conway the Machine]

I was like, nah, Herbal like that. Herbal's nice. Herb. Herb nice.

[Fat Joe]

That record kind of like touched the third rail.

[Conway the Machine]

Yeah. Nah, Herb nice.

[Fat Joe]

Every now and then a record you hear a song and that shit touched third rap. Oh, this shit crazy. Yeah, that's your guys.

[Conway the Machine]

Yeah. Right now. That's what I'm. That's what I'm listening to. I'm with right now. You know what I'm saying? Yeah. Listening to that clips, you know. You know shit that's out right now, you already know that I get from Jed. Jed is nice.

[Fat Joe]

Go to that show. James, you call me by everything else. You ain't tell me the Clips was here too. I was sitting on the couch. I was doing absolutely nothing.

[Conway the Machine]

Group text of all these shows and then tell us that one.

[Fat Joe]

The Clips, bro. You think we wasn't pulling up? You got to be out of like this. I wanted to be in attendance. I don't want vip. I would have been right in the crowd loving this show.

[Conway the Machine]

Real hip hop shit, James.

[Fat Joe]

You see when I say they be trying to do to me, like I'm trying to go to the. I'm going with the family to the Bad Bunny concert. And I got the call. I ain't really want today, even though it's nothing but love, but I got the call. Yo, we don't want you to see people. We're going to take you through the house where you get the free drinks with the. I thought we was going to be in the crowd like, you know, vip. Vip. They don't want that. We supposed to pull up at this place.

[Conway the Machine]

They ain't letting you see humans.

[Fat Joe]

No, they ain't let me see humans me. You think I'd be joking about that? They just gave me the call, heard you coming. No humans, we're gonna. No humans, we're gonna slip you in backstage, put you through the. I'm like, I thought I was gonna really act up, you know what I'm saying? But yeah, the Clips. Clips album is he's album crazy, man. I hope. I hope what they did just beats and rhymes continues to do the numbers they did. Now everybody wanna make up Hoax and just that them boys did numbers. Know what I'm saying? For not commercialized like, you guys, you'll ever do a song with like, Selena Gomez and like that.

[Conway the Machine]

I would love to. I can't wait to.

[Fat Joe]

Are you ready?

[Conway the Machine]

Hell yeah. Yeah. See, I've hung out, I've hung out.

[Fat Joe]

With D. Lipa a couple times.

[Conway the Machine]

We, I, I definitely threw that on the table with my man Clovis. Like, yeah, man, we got, we gotta get in that studio together, you know what I'm saying?

[Fat Joe]

I see it. I see, you know, me, I'm, you know, you know, I started underground, brother, and my dream was to be a big artist and a superstar. And, and the minute I got the opportunity, I did it. You know what I'm saying? Then you, you know, I get it. I see what you saying. I fuck with that. Everybody don't fuck with that. Just everybody don't.

[Conway the Machine]

The goal is did not get the out of here. So you got the new album in the distro deal with Roc Nation. Tell us about that. Bagalicious. No, you can't Kill God With Bullets. About to drop that, man. It was like I said.

[Fat Joe]

What?

[Conway the Machine]

Can't Kill God with Bullets.

[Fat Joe]

These titles, it was important for me.

[Conway the Machine]

To, you know, do have as a part of my chapter to be fucking with Roc Nation. And you know what I'm saying, bring my album, bring my business over here with them. You know what I'm saying? Yeah. Lit now. Lit. You know what I mean? BTC man. Belt the coolo. Giving belt, man.

[Fat Joe]

Belted Cool. Tc not surprised. I ain't think of that one right. Cool little puppy. We gonna whip your ass for real.

[Conway the Machine]

How's your relationship with God? Or the most high or, you know? Yeah, well, God is the greatest, man. God is the greatest.

[Fat Joe]

Say it for the guys in the back. God is the greatest, man. Say it for the back of the congregation, you know, I, I, that's how I feel, right? So if God forbid, I got shot right now and I got five seconds, I'm praying to God that's, that's how much belief and faith I have in God.

[Conway the Machine]

Who else you going to pray to?

[Fat Joe]

Or some guys don't want to pray to? It is what I'm trying to tell you is I've seen a guy preaching in the UK and a man took his time to stop and argue with him. That's fake. This you preaching fake you. This, this is, you know, it's good to see because I never seen that before. I never seen somebody, you know, have that energy and that perspective against God. But some guy was, they were just arguing with the guy in the uk he was like, hey, God told me to tell you he loves you. This, this that we don't care we about. You know what they. This there's the opposite side of that. So, you know, to know that God is the greatest, you know, is the greatest key to have. I mean, for me, you know what I'm saying? Like, you know, God is everything to me, but for real, it's hard.

[Conway the Machine]

Very beautiful.

[Fat Joe]

This guy crazy, man. That was beautiful. Y'. All Jada crazy. Y' all think I'm crazy. He witty like a month. Now I know why you top five. Cause you be shooting me every episode like this. Hey, Joe, what about them legs? What I'm looking at this guy about to get you a destroying me into a leg deal. About to get you a deal.

[Conway the Machine]

There you go.

[Fat Joe]

This did what?

[Conway the Machine]

100 million for the calf.

[Fat Joe]

Now, this guy's insane. But, brother man, we like to thank you for taking the time out. Pulling willets.

[Conway the Machine]

Check it out. Look forward. He down with Roc Nation. Distro drum work is coming. Yeah. Griselda's already here.

[Fat Joe]

I know what we doing.

[Conway the Machine]

Yeah.

[Fat Joe]

Btc Delta Cooler. I got to tell you, we sit down and thank God. A whole bunch of artists want to sit on the blue couch. And my business partner, I gotta say, y' all think we doing good. And Fat Joe crazy. But this guy, he's very selectful with the artist to sit on the couch. He got a problem. He turns down. Guys is big.

[Conway the Machine]

Yeah.

[Fat Joe]

And your name came up. And in one second, he was like, Yo, 100%. We need to react. You know me for a guy like me, I look up. I don't even say nothing. I ain't even. Because I don't think that ever happened. When someone is mentioned and he's like, yo, 1 million percent, I just look up. Okay, stay down. I guess we got him on the show. Cause he got them co sign. Woo. He's a hard one to get. Sometimes everybody come up same thing with axes. Yo, don't say nobody's name. Yo, y' all kiss. Yeah, man. Let me tell y' all think he's a nice guy, this guy. Diabolical boy. I just be like, you know, I don't. Listen, bro, we just want you to know we love you. Contributions to the game.

[Conway the Machine]

Ladies and gentlemen, make some noise. To Conway the Machine. Yeah.

[Dan]

I'm Dan. He's Ty.

[Ty]

Hello.

[Dan]

And we're the solid verbal college football podcast.

[Ty]

Tune in for previews, recaps, bits you won't hear anywhere else, and all the emotional support you need as a college football fan.

[Dan]

Join us all season long as we ride the roller coaster of this ridiculous sport.

[Ty]

Listen to the solid verbal college football football podcasts on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Dan]

We don't just love college football, Ty, we live it.

[Hunter]

I'm Hunter, host of Hunting for Answers on the Black Effect Podcast Network. Join me every weekday as I share bite sized stories of missing and murdered black women and girls in America. Stories like Erica Hunt, a young mother vanished without a trace after a family gathering on 4th of July weekend 2016. No goodbyes, no clues, just gone. Listen to Hunting for Answers every weekday on the Black Effect Podcast Network, iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Dr. Joy Hardin Bradford]

I'm Dr. Joy Hardin Bradford, host of the Therapy for Black Girls Podcast. I know how overwhelming it can feel if you Flying makes you anxious. In session 418 of the Therapy for Black Girls podcast, Dr. Angela Neal Barnett and I discussed flight anxiety.

[Conway the Machine]

What is not normal is to allow it to prevent you from doing the things that you want to do, the things that you were meant to do.

[Dr. Joy Hardin Bradford]

Listen to Therapy for Black Girls on the iHeartRadio app, Apple Podcasts or wherever you get your podcast.

[Dan]

Our iHeartRadio Music Festival, presented by Capital One is coming back to Las Vegas, Vegas September 19th and 20th, streaming live only on Hulu. Ladies and Gentlemen, Brian Adams, Ed Sheeran, Fade Chlorilla Jelly Roll, Sean Fogarty, Lil Wayne, LL Cool J, Mariah Carey, Maroon 5, Sammy Hagar, Tate McCrae, the Offspring, Tim McGraw. Tickets are on sale now at AXS.com get your tickets today AXS.com.