Joe and Jada - Fat Joe, Jadakiss, Ashanti & Nelly on relationship & breakup, Verzuz, music & 'We Belong Together'

Summary

Podcast Summary: The Herd with Colin Cowherd Episode: Joe and Jada - Fat Joe, Jadakiss, Ashanti & Nelly on Relationship & Breakup, Verzuz, Music & 'We Belong Together'
Release Date: June 26, 2025

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1. Introduction and Welcome

The episode kicks off with Joe Crack and Jada Kiss introducing their guests: Ashanti and Nelly, generating excitement among the listeners. The hosts quickly delve into the heart of the conversation, bypassing formalities to address pressing issues within their network.

2. Relationship Dynamics and the Versus Event

Joe Crack initiates a discussion about a recent Versus event involving Nelly, expressing confusion and betrayal over perceived actions:

"Nelly came right in with like, yo, Crack, you trying to take the credit. It's the fucking truth." [01:31]

Fat Joe chimes in, attempting to defend and clarify the situation:

"I was trying to protect you, champ." [01:44]

The conversation reveals tensions surrounding the planning and execution of the Versus event, with Joe feeling set up and manipulated:

"But I didn't know you were setting me up the whole time." [03:32]

3. The Birth of Ashanti and Nelly's Baby

The hosts enthusiastically discuss the arrival of Ashanti and Nelly's baby, celebrating the new addition to their family:

"He a half a mill in the whole." [12:44]

They share anecdotes about the baby's early days, highlighting his energetic and joyful nature:

"He picking them up, up and putting them down in a minute, too. He trying to walk and all of that." [55:16]

4. Career Highlights and Projects

Fat Joe and Ashanti delve into their careers, discussing past achievements and current projects. Fat Joe reflects on his journey and the importance of diversifying his avenues:

"I wanted to show us fathers, single fathers, at that time." [20:12]

Ashanti shares her experiences balancing privacy with public life, especially while showcasing their family on camera:

"It's a lot. It was different, you know? Cause I'm a lot more private." [21:19]

5. Challenges in the Music Industry and Personal Anecdotes

The hosts reminisce about their struggles and victories in the music industry. They discuss how certain decisions, like altering song versions, impacted their careers:

"The Lean Back sounded nothing like the original." [42:03]

Fat Joe recounts his bold move to perform topless during a Cancun show to boost album sales, leading to a significant increase in record sales:

"This went up 10,000 a week, 20,000 a week. This went on fire." [46:07]

6. Promotion of Their TV Show "We Belong Together"

A significant portion of the episode focuses on promoting their TV show, "We Belong Together." They discuss the show's themes of love overcoming obstacles and the importance of maintaining strong relationships:

"Love overpowers hate over powers every other thing." [13:12]

They encourage listeners to watch the show on Peacock, highlighting its comprehensive eight-episode release:

"We giving y' all all eight episodes at once. Get your subscription, watch the whole." [47:37]

7. Reflections on Music and Collaborations

The conversation shifts to their collaborations with other artists and the intricacies of the music production process. Ashanti shares her experience with the hit song "What's Love," detailing the challenges and creative decisions involved:

"I did it first with him. Yes, I did it first with him." [38:07]

They discuss the importance of staying true to one's artistic vision despite external pressures:

"If it ain't, don't play with it, don't change the." [41:40]

8. Reflections on Crew Dynamics and Betrayal

Joe Crack and Fat Joe open up about internal challenges within their crew, touching on themes of betrayal and loyalty. Fat Joe emphasizes the importance of maintaining positivity and distancing oneself from negative influences:

"Does that person bring more positivity to your life than negative? And if it's not, then you need to get the fuck away from them." [64:44]

They reflect on past conflicts, such as issues with the St. Lunatics, and how these experiences shaped their approach to business and relationships:

"When the money is coming in, nobody wants to say nothing." [60:00]

9. Closing Remarks and Final Promotions

As the episode concludes, the hosts and guests reaffirm their commitment to their projects and each other. They reiterate the release date of their TV show and encourage listeners to engage with their content:

"Week, yes. The 26th." [47:40]

Joe Crack delivers a heartfelt message about authenticity and loyalty within their community:

"I've never seen nobody keep it more real with their crew than you." [59:59]

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Notable Quotes with Timestamps:

• Joe Crack: "Nelly came right in with like, yo, Crack, you trying to take the credit. It's the fucking truth." [01:31]
• Fat Joe: "I was trying to protect you, champ." [01:44]
• Joe Crack: "Love overpowers hate over powers every other thing." [13:12]
• Ashanti: "It's a lot. It was different, you know? Cause I'm a lot more private." [21:19]
• Fat Joe: "I'm a firm believer. Everything happens for a reason to a certain degree." [62:11]
• Joe Crack: "I've been in this game 30 years. I've been around so many crews." [59:41]

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Conclusion

This episode of The Herd with Colin Cowherd offers a candid and in-depth look into the personal and professional lives of Fat Joe, Jadakiss, Ashanti, and Nelly. From navigating complex relationships and industry challenges to celebrating new beginnings and promoting their collaborative projects, the conversation is rich with insights and heartfelt moments. Whether you're a longtime fan or new to their stories, this episode provides valuable perspectives on maintaining authenticity and resilience in the ever-evolving world of music and entertainment.

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Tune in to their TV show, "We Belong Together," premiering on Peacock this Thursday, July 26th. Don’t miss out on all eight episodes released simultaneously, showcasing the enduring bonds that keep their family and crew strong.

Transcript

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[Fat Joe]

Or yo, no talk. Every time I see Nelly. He was advocating when we weren't together.

[Jada Kiss]

Nelly. What?

[Fat Joe]

Every time I see him kiss Nelly. My God. How you been? That's great.

[Jada Kiss]

What do.

[Joe Crack]

Yeah, yeah. What up, y' all? It's Joe Crack the Dawn.

[Jada Kiss]

It's your boy Jada. You know what? It is, the Joe and Jada Show. First things first, we'd like to welcome our guests, Ashanti and Nelly. Make some noise. Just make some. Before we even get into any questions, you're Crack. I think they trying to steal a little bit of your percentage or something, you know?

[Joe Crack]

Let me explain something to you. First of all, I ain't even say nothing. Nelly came right in with like, yo, Crack, you trying to take the credit. It's the fucking truth. Why I gotta. Why I'm always getting scolded in this show?

[Fat Joe]

I was trying to protect you, champ.

[Joe Crack]

Don't protect. You know what's up.

[Fat Joe]

I'm trying to protect you. No, no, no.

[Joe Crack]

But you know what's up. Don't. I'm not lying.

[Fat Joe]

I was there.

[Joe Crack]

You was there? You was on my phone. Yo, listen, uh. Oh. They announced doing brother and sister. Hey, Joe, listen. They announced the verses. My first. Yo. I'm not even gonna lie to you. Come on. It was like, viral.

[Fat Joe]

I'm not gonna lie.

[Joe Crack]

It wasn't viral. It was viral for your call because it came so fast. I just said, yo, brother, you leave me there. I didn't know I was in for the fix, right? I'm like, yo, you know what? Premeditate you guys had just did the verses. You actually me up because your verses was so hooded, so ghetto. They was. No, no, I'm just saying. They shooting dice. No, I love it. It's the greatest. It's the greatest moment in hip hop I've seen in my lifetime recently. No doubt, right? I'm just keeping it real with you. But they definitely was. You wasn't at the bathroom. They were shooting dice and smoking blunts at the bathroom. Girls had to walk over dice games. This shit was C75. Oh, so you had me thinking I was the next verses, that it was going to be ghetto, you know what's up? I'm thinking about all these underground sauce. He called me, I said, man, Nelly might be too big for this because by the way, Nelly done sold 30, 40 million records.

[Jada Kiss]

We gonna get into way too big.

[Joe Crack]

So I said, yo, you know what? You might want to fall back, right? And then I'm going through it. And I said, man, we better call dirty.

[Jada Kiss]

So.

[Joe Crack]

But I didn't know you were setting me up the whole time. And so go. I call you back. He was like, I'm there. You're my brother. One thing I could say, you know, you might this, you know, okay, that's your wife.

[Fat Joe]

Say no more.

[Joe Crack]

This my sister on another level, right? So I don't think people really understand that when we call brother and sister, that's a different type of talk.

[Fat Joe]

Yes, sir.

[Joe Crack]

So it's like. It's a different type of talk. It's like, yo, that's my sister. We have friends, associates, people. But when we in that lane, it's a different type of lane. And so I don't think nothing of it, man. And you came out there sleepwalking. You seen that. You was like. You walk across the whole shit. I see you. I've been duped. I've been taken for a ride. I've been taking.

[Jada Kiss]

It had nothing to do with you.

[Joe Crack]

Nothing. You think he was in the world? This guy's so rich. You think he care about coming to versus? I come over here, love this guy. You lied, man. You wanted your own back. Listen, and you caught a Birkin and a baby in the. You had a control with this.

[Fat Joe]

Never, never in my life.

[Ashanti]

A Birkin and a baby is amazing.

[Fat Joe]

But the scenario was a little bit different.

[Joe Crack]

Okay, right. I did.

[Fat Joe]

I saw the verse of what's name and I knew what was going on.

[Joe Crack]

I didn't.

[Fat Joe]

I was gonna just so happened I was up in New York.

[Joe Crack]

I was going to be there for.

[Fat Joe]

Something a little bit different.

[Joe Crack]

You was there early too. I was there. I was super early.

[Fat Joe]

So when it was like that, I was just letting you know, yo, I'm up here, you gonna need. I'm gonna be up there if you need me to pop out. I was just letting you know, cuz I. I knew where verses was going. It was different from the time I did it. This had been.

[Joe Crack]

This is Madison went to Madison Square Garden. Hold up one second.

[Fat Joe]

Different.

[Joe Crack]

You added to the delusion. Like you came in my Room early and was like, you got this. He can't mess with you. You. I'm like, y' all.

[Ashanti]

Yeah, we going.

[Joe Crack]

I'm like, yo, this guy got a thousand hits. Hold on. No, I wired. I told you to recognize the wire.

[Fat Joe]

I said, recognize the.

[Joe Crack]

And that wasn't. That wasn't me.

[Fat Joe]

That was your other sister.

[Joe Crack]

Had you. G. Had you pumped and ready to. She had you read. She had you ready to go.

[Fat Joe]

But I definitely said, no, you got to do you. You know, you got this because you're him. You were pacing. It was on your mind. You knew what you were in for.

[Joe Crack]

Oh.

[Fat Joe]

That'S a.

[Joe Crack]

You knew what you in for. You were like, yo, that's a different conversation. Got a thousand hits.

[Fat Joe]

Mo, this guy's got. I said, don't worry about.

[Joe Crack]

You know, you got this, babe. Let me explain. You got this. And then you got. Versus is the closest thing to a boxing match.

[Fat Joe]

Yeah.

[Joe Crack]

So when I came down, I said, at Uncle Dan's house in Jersey, when I came downstairs, the doorman was like, get him, Joe. I get in the car. I swear to God, I get in the car. The FedEx man was like, get him. Crack everywhere you go. Old lady crossing the street. Get him, Joe. Drag him. I was like, yo, I was like, canelo or something. I was like. And then just like a boxing match, when it got to, like, that 13th, 14th, and 15th thing, I just kept feeling body blow, body blow, body blow. I said, oh, my God, this guy, he's swinging for the fences, man.

[Fat Joe]

You guys had.

[Joe Crack]

How do you feel in that? Cause you was in the.

[Ashanti]

Oh, man, I felt like the tennis match, you know what I'm saying? I was like this. Okay, Jah joke, Ja Joe going back and forth. But, you know, I love both of y' all. You know what I'm saying? So I was definitely going to be there. But, you know, when I spoke to you after. Why you ain't telling me this nigga was going to be there? Why you ain't tell me?

[Jada Kiss]

Joe is just as guilty as dirty.

[Ashanti]

Thank you, Jada.

[Joe Crack]

I called my said, yo, I'm this woman for nobody. It's facts, factual. I don't go against her. For nobody. Her and Rem, I don't go against them. Right. This guy lined me up. I didn't think about it until he came out and started sleep walking through the. Yo, they got video of it when I came upstairs at rehearsal.

[Fat Joe]

Rem had him in there like, customado.

[Joe Crack]

Entice, you know, I say, you gotta get him, Joey. You Gotta just left, right, left. I was like, yeah, crack.

[Jada Kiss]

Look ready.

[Fat Joe]

Look like you was in there swaying.

[Joe Crack]

You announced. Not only that, like, she got pregnant behind this thing. Like, man, Shanti never got pregnant in her life.

[Jada Kiss]

Hold on, let me.

[Joe Crack]

Yo, what the hell?

[Fat Joe]

What the hell?

[Jada Kiss]

What the hel.

[Ashanti]

What the hell? What the hel.

[Joe Crack]

We heard.

[Jada Kiss]

What the Nelly. We heard you say that. That Nelly set you up. See, we heard Shani say you set her up. I was also a guest on that verse.

[Joe Crack]

Yes.

[Jada Kiss]

To do New York with y' all at the end. And being in this, in the crowd or being in the cut, where I was at watching the show before I went on. God is my witness. When you saw her, if we got the footage, it was like a kid with the bike. They put PlayStation, the bike.

[Ashanti]

He wanted everything.

[Fat Joe]

What are you talking about?

[Joe Crack]

No, you thought that was.

[Fat Joe]

At the end of the show.

[Jada Kiss]

You had a different glow.

[Joe Crack]

It was all mesmerized. She has a hit record called mesmerized. No, she got it now. We love you. You're dirty. Let me tell you something.

[Fat Joe]

This eyes was looking. All right.

[Joe Crack]

She was on fire. No, no, no. Hold up. You're a handsome guy. Pause. Whatever they want to say. You always been a handsome guy. The ladies love you. This woman listen around that. She was on fire. You seen all them bathing. She was in St. Croix too much. I'm like, yo.

[Ashanti]

I'm calling her like, yo, what the.

[Joe Crack]

Get out of there.

[Ashanti]

Get out of there.

[Joe Crack]

She's in Bahamas, Turks and Caico, everywhere. Bathing suit. I'm like. She's like. She. She looks more beautiful than when she was younger. This is a fact. You was looking at them on that ig, Correct, Joe?

[Fat Joe]

Did I. No.

[Joe Crack]

Y' all don't want to do the show. Hold on. I don't want to do this. You do it. You run the show.

[Jada Kiss]

Let him talk. Let me.

[Joe Crack]

Hold on.

[Fat Joe]

Was I by myself?

[Joe Crack]

What do you mean?

[Fat Joe]

I had somebody with me. I didn't come there for that.

[Ashanti]

Oh, and I was in a situation.

[Fat Joe]

When I walked in your room, it was somebody with me.

[Joe Crack]

I didn't even notice.

[Fat Joe]

Yeah, I know you.

[Joe Crack]

When I walked in your room.

[Fat Joe]

Room, it was somebody with me. I did not come there.

[Joe Crack]

I thought it was Jermaine Dupree. That's the only guy I see it with. You, Jermaine. No, no. I'm telling them because here's the thing.

[Fat Joe]

I did not want to cause no friction. I did not.

[Joe Crack]

You two brothers was there, you know.

[Fat Joe]

Me doing what you was doing, and I was like, yo, this is a beautiful situation.

[Joe Crack]

You know me.

[Fat Joe]

So I'm gonna keep it, Pete, all right?

[Joe Crack]

I'm. You know me.

[Fat Joe]

Yeah.

[Joe Crack]

And you know me. The audience kind of know me for 30 years, but they don't really know me know me. And some of the shit I say sound crazy, but I need 10%.

[Fat Joe]

Brad Pitt.

[Joe Crack]

This kid Muhammad Ali gonna make. I'm in this management contract for something, right? This guy looked like Muhammad Ali when he was born. Yeah. Have y' all showed him yet or he's gonna be on the show?

[Ashanti]

No, we didn't show him yet.

[Joe Crack]

Not even in out.

[Fat Joe]

I'm leaving that to her birthday.

[Ashanti]

Yes. We sang Happy Birthday in the uk. Nine months. Uncle was there.

[Fat Joe]

Got a good baby, man. Oh, she knocked out.

[Joe Crack]

Yeah.

[Fat Joe]

He's just always laughing. He doesn't cry.

[Jada Kiss]

Me beautiful. His energy.

[Fat Joe]

Oh, man. Great energy.

[Joe Crack]

Great energy. I told everybody, I said like this. I'm on the red carpet. It was like, did you see Ashanti and Nelly's baby? I said, the most beautiful in the world. This man was born. No, this man was born with a full set of hair.

[Jada Kiss]

He got that mango.

[Joe Crack]

I'm not exaggerating. I'm sorry. Y' all don't see him yet, but this guy's a star. And I know I got at least to get some type of paper off of this meal.

[Ashanti]

Me and you, we got you, uncle.

[Fat Joe]

Me and you both.

[Joe Crack]

Cuz he. He a half a mill in the whole.

[Fat Joe]

Because I was on tour when he decided to come out two weeks early.

[Joe Crack]

So he kind of cost me two shows.

[Fat Joe]

No, he cost me two shows in a party. And I need my money.

[Jada Kiss]

He started more than half a million.

[Ashanti]

Yeah. You know, Half a million. We gonna make that up. We gonna make that up. Don't worry about it.

[Joe Crack]

We gotta. He gonna need a birth of a legend.

[Ashanti]

Yeah.

[Fat Joe]

We appreciate it.

[Ashanti]

Thank you.

[Joe Crack]

So, you know, love.

[Ashanti]

Yes.

[Joe Crack]

Love overpowers hate over powers every other thing. You know, sometimes hearts miss each other. It ain't always guaranteed to hit each other and find the right thing. And so you guys definitely spun the block and came back and your hearts joined together. And there's nothing like that for you guys to make a TV show called We Belong Together. This is like, thank you, Jada. Thank you. Amen.

[Fat Joe]

Amen, brother.

[Joe Crack]

I mean. I mean, I know what it's like. I'm just asking you. Y' all both more mature. Y' all figured out. Damn, man. That was my guy. You figured out. That was my girl. We both well off in life. Thank God.

[Fat Joe]

I think that's basically it, man. We had a chance to see. And I hate using that example, but it is. I mean, I mean, it's in a way not to minimize it, but it's like getting a chance to test drive a vehicle. Then you know, like, yo, that's the one. That's the one. You know what I'm saying? It's like, well, maybe it ain't something. Nah, it's all that and then something. So it's just like, yo, this is the one that you feel you want to ride off into the street.

[Joe Crack]

You ain't been saying much.

[Ashanti]

I'm listening.

[Joe Crack]

This is a male driven ladies to speak up. And that's, and that's amazing. She ain't talking.

[Ashanti]

I mean, I agree, you know, I said, I feel like what's meant to be will be, you know. We were together off and on for 11 years. We broke up for almost 10 years. And I didn't know what was going to happen, you know, the next time I saw him, we hadn't seen each other until that night. So, you know, when the breakup first happened, it's like when you see him, I'm like, oh, I'm a punch. You know what I mean? I hate him. I'mma just, you know, it was one of those. So being that so much time went by, that was the first night in almost a decade that we saw each other, talk to each other, anything. So for it to happen like that, it was just like, oh, that was gone.

[Joe Crack]

She got the Birkin and the baby.

[Ashanti]

The Birkin and the baby.

[Joe Crack]

And the ring.

[Ashanti]

Don't play with me.

[Joe Crack]

Hello, Hello. She got the ring, the ring. Lorraine, she says, she says to me, she said, I don't know you. She asked me what time, yo, bro, why, you know why. It ain't working out for me like that, right? And I was like, yo, sis, you know when a guy take you on a date, you got moms, 10 cousins, DJ security, like, yo, on a date with a whole 12 clip, imagine you take a girl, yo, I like you. Let's go on a date. It's the whole fam. I said, yo, sis, maybe if you cut off some of the entourage on the date. She was like, you think so? I said, yo, I tell you. But the, the moral to the story is this woman has managed to have the cleanest reputation in this business because she had her mother and her family and her thing. You ain't, you ain't with no washed up stories and all that. You got a prime time, right?

[Ashanti]

Thank you.

[Joe Crack]

And so no No, I mean, I'm telling you, I attribute that to you, of course, but I attribute that to your mother and your family for being there. Because the biggest problem, even in my projects when I grew up, is women being influenced by other women. Women got dirt on her. She definitely want a friend to get dirt on her. Yo, but talk to him. But this, yo, but this.

[Ashanti]

Yeah, right.

[Fat Joe]

Facts.

[Joe Crack]

And so she ain't got no dirt on her face. Clean. And so I love that for y' all, too. Now, this man right here, I don't know if he knows. He took me on my first real tour, and Keisha Cole used to open up for us, and she would sing what's Love, would be behind the curtain singing what's Love live. And we went all around the country, and you and your entire crew, right, Just all of y' all treated me with so much love over the years. You guys. Every time I see you guys, you bring a smile on my face. I mean, all of you guys, all of your guys are amazing. And this is. This, this, this. This is a beautiful thing. Thank you. And has this slown up your schedule or y' all still.

[Fat Joe]

Nah, we still pure.

[Joe Crack]

Pure.

[Ashanti]

Absolutely.

[Fat Joe]

Definitely. I mean, with her, obviously, with the baby, she's trying to less as possible, but I'm doing the rest of the tour. The rest of the year. We did Australia, Canada, and Europe. She was actually with me for a majority of Europe, and then now we start back here in the States and the end of this month towards her a couple weeks or something like that. So thank God I'm still 26 years later.

[Joe Crack]

It's going down. Friday, July 11th. Netflix and most valuable promotions are bringing the fight of a century the whole world's been waiting for. It's Serrano, Taylor. This is. The trilogy is crazy. The first two fights was legendary. We're gonna see who the true winner is. Katie Taylor is chasing ultimate glory. Amanda Serrano is fighting for redemption and revenge. Boricua. This is more than a fight. It's the first ever women's boxing trilogy, and the world is watching.

[Jada Kiss]

Trilogy is crazy.

[Joe Crack]

That means we want to see redemption. Live from the iconic Madison Square Garden in New York City. Another thing. Yo, these girls is fighting in msg. It's Taylor versus Serrano one last, last time. It's about to get personal. You don't want to miss the smoke, the stakes sky high, the rivalry, the legendary who will win.

[Jada Kiss]

I like Serrano on this.

[Joe Crack]

I like her, too. If you are not tapped into this fight, you missing everything in the world. Watch Katie Taylor vs Amanda Serrano Friday, July 11 at 8pm Eastern, 5pm Pacific live only on Netflix. That's that Netflix, boy. That's gonna be going down on Netflix. Baby, don't leave the crib. If you ain't got a ticket to that Madison Square Garden, tune into that Netflix. Taylor Serrano, July 11, Netflix. You actually live on the road. Like, we work hard.

[Fat Joe]

Yeah.

[Jada Kiss]

About the show.

[Joe Crack]

We.

[Fat Joe]

The show.

[Jada Kiss]

Tell us about that.

[Fat Joe]

Well, you know, I did. I did a reality show, so to speak, because I was before Nellyville, but I wanted to show us fathers, single fathers, at that time, you know what I'm saying? And I just thought it was a. A great way to show. Show the rest of the world that you can still be in here and still doing what we doing. You know, you. You got your baby girl with you. You always keep your babies with you and things like that. And I thought that that would be a dope process. But doing this right here, I just wanted people to get a chance to exactly the things that you talked about in the qualities of this young lady right here. You know, they don't get a chance to see her charisma, how funny she is and everything from that standpoint. And, you know, it's 20, 25, so you're looking for different avenues as well. You know, we got to think business at all times.

[Jada Kiss]

That's a fact.

[Fat Joe]

You see what I'm saying? So she gets, she gets to think about everything else for me, and that's a blessing. But I got to think about the, you know what I'm saying, moving this shit forward and, and keeping the platform.

[Joe Crack]

What's it like for you, you, movie star, you number one singer, you all of the above. What's it like being on TV with cameras around your family?

[Ashanti]

I mean, it's, it's, it's a lot. It was, it was different, you know? Cause I'm a lot more private. And I just felt like when we spoke about it, obviously this was his idea. And at first I was kind of like. But then, you know, we're married, so I'm a team player. So I was down, you know what I mean? And it's like. Like us just having real lives and careers and traveling. We just got married. I had a baby. That's a lot. So it's kind of like we had to find time for the cameras, you know what I'm saying? To kind of capture everything. So it was. It's a little bit of a lot, but it's worth it. It's worth it.

[Fat Joe]

She got so many other great ideas that she wants to get off the ground. And you know how business work, you know what I'm saying? You gotta have avenues, outlets, platforms and things to get those out, you know what I'm saying? You can have great ideas all day, but if you ain't got nowhere to put them, if you ain't got nowhere to push them, or if you don't, you just sitting in the crib, you.

[Joe Crack]

Know what I'm saying?

[Fat Joe]

You ain't got no block of no workers. You just sitting in the house with a bunch of.

[Joe Crack]

Bricks, you know what I'm saying? I knew an artist who was, for the time being, he made nothing but hit records. And I would check on him in the studio, and he would, yo, I made this, and this shit be fire. And everybody go crazy in the studio. He would go, ah, it just ain't right. And he would erase the song. Every night, I would hear hit after hit after hit. When it was like that Method Man, Red man thing, he'd be like, let me play you this. And I'd be like, yo, this not quite ready. The guy never came out and never became a superstar. Right? And so the problem is, a lot of people, they procrastinate to the point that you talk out. You talk yourself out of the ideas, you know? And so in this age, you know, we had Jim Jones up in here, and he bought a little film studio in the Bronx. He got them doing podcasts in there. We need to take matters in our own hands.

[Ashanti]

Absolutely.

[Joe Crack]

And follow through with the ideas.

[Fat Joe]

Exactly.

[Joe Crack]

I'm with Shanti. We at the Beacon Theater. And I never forget. Well, we could go into everything, but I never forget when we got that phone call mama that she sold over 500,000 her first week, her first album. We jumping up and down like the wizard of Oz. Yeah, Guinness Book. We jumping up and down in the middle of the street like, you know, the Wicked Witch is dead. Because I don't know if you remember how intense that was. It was like, what is it? What's the number? I remember what's going on? And we started running around. How does it feel to be on the Guinness Book and be one of the biggest female superstars with the most longevity and relevancy in the game?

[Ashanti]

I mean, honestly, it's a blessing. I'm super, super humbled. And it's funny when you talk about that, remember, I didn't know what none of that meant. You know what I'm saying? It's my.

[Joe Crack]

I'm a new artist so maybe we happy for you.

[Ashanti]

Yes, everybody's happy. And I'm looking at like, well, is that good? 500,000. Is that a good number? You know what I'm saying? I genuinely had no idea.

[Joe Crack]

Is it a good number?

[Ashanti]

So I was just like super appreciative. And to be able to be here today and still as we both were in an arena in London to a sold out 20,000 seater, holding a mic out, allowing people to sing on records is a blessing. You know what I'm saying? So I'm just so happy. I'm grateful, you know.

[Fat Joe]

Oh, man. You know, we very competitive in our house because you know, we didn't done.

[Joe Crack]

That means the baby got all. That's the dagger though, that she throws. Like my debut did a half. No, no, she don't. But you did 11. You did a half the first. I'm looking at the video. Okay, hold up. 26, 33. Hold up, Jada. That wasn't a week. 26 or 33. That wasn't a week. That video come out.

[Fat Joe]

That was not a week.

[Joe Crack]

Bringing the numbers is 10 million solely week. Not talking about the week.

[Jada Kiss]

Listen, let me run down the hardware that they got in their house. A lot of hardware. Just listen. Ladies and gentlemen, Nelly. Three Grammys, four American Music Awards. Two BET Awards, nine Billboard Awards. Nelly has sold over 21 million albums in the United States. One of the best selling rap artists in American history. Country Grandma Diamond 10 million Nellyville diamond plus one 11 million now Ashanti. One Grammy, two American Music Awards, six Hashcap Awards, eight Billboard Awards. First debut album 500 Find a Thousand. The first week triple platinum chapter two platinum Concrete Rose platinum hardware.

[Joe Crack]

36 Christmas movies. Lifetime favorite baseball. Could be. Have a Christmas tree with Razzleberry. Just. I've been counting on money forever.

[Fat Joe]

It's competitive in the house.

[Jada Kiss]

And a star.

[Ashanti]

Oh, and a star.

[Jada Kiss]

Can't forget the star.

[Fat Joe]

Can't forget the star. Yeah, it gets real in there.

[Ashanti]

We love that though. We love that.

[Jada Kiss]

That's beautiful.

[Fat Joe]

I met Ashanti to put that under.

[Joe Crack]

Let me tell you something. I met Ashanti. Shanti.

[Fat Joe]

It's a blessing.

[Joe Crack]

Could we. Could I talk about that?

[Ashanti]

Talk about it.

[Joe Crack]

Shanti was like the studio. We was just a studio body.

[Ashanti]

You could call it a studio rat. That's what they used to say.

[Joe Crack]

That's what they used. I'm not saying that, but I'm just saying that studio body. She up in there. And the first day I met her, she was so upset because they broke into her car and stole her radio. This woman was ready to file charges to the moon and back. What happened? You just stole my radio. Crackhead broke them. I mean, it was like somebody murdered somebody. I'm up in that. I'm like, yo, they stole a radio with the Benzi box.

[Fat Joe]

Oh, you take the box.

[Joe Crack]

They stole her.

[Ashanti]

She was my radio.

[Joe Crack]

And, you know, so I would see her in the studio. And then one day I asked him, I said, yo, what does the girl do, right? Cause they was like gangster rappers, right? So I'm like, ah, she sings R and B, right? And then she did the Big Pun.

[Ashanti]

Big Pun.

[Joe Crack]

I said, you want to write a hook for the Big Pun thing? And she killed it.

[Jada Kiss]

Smoked that joint.

[Joe Crack]

She smoked that joint. And then we did the what's Love?

[Ashanti]

Yep.

[Joe Crack]

And then after that, it was the princess of that was it hip hop and soul. And she.

[Fat Joe]

Yo, no talk. Every time I see this, he was advocating when we weren't together. Nelly, what are you doing? Every time I see him kiss Nelly, my God, how you been? That's great.

[Joe Crack]

What are you doing? You say that's why you need that percentage, you know? See, now you got. At first, he thought I was bugging out. Now you got. Yeah, you like Joey Tripping. It's crazy, right? Because I also think of one situation. Not to bring up anything negative, because we this. But I remember the time I got into it with 50 Cent. Who? Yo, Fifth. What's up? We perform in Germany in two days. But I remember the time when I got into it with him at the MTV Awards. You know, his business is really crazy, right? Cause you think everybody your man, everybody this and this and that. Well, you was the only person out of all the rappers that I knew that I seen get up. And you was telling me, yo, I got you. Like, I'm holding you down in that. When I was like, yo, 50 said this. And then he came back and dissed me, but you had my back.

[Fat Joe]

Well, I knew Five.

[Joe Crack]

Five.

[Fat Joe]

Me and Five always had a great relationship.

[Joe Crack]

And that kind of distorted that.

[Fat Joe]

Well, no, because. And just to say, what was we at MTV Awards.

[Ashanti]

That's where I thought he was going.

[Fat Joe]

We were at the MTV Awards, and they were sitting like a table right behind us. Now, I didn't have too much to drink. I'm hyped. This is right before Kid Rock and.

[Joe Crack]

Pamela and Tommy Lee slapped.

[Fat Joe]

Tommy Lee slapped the shit out of Tommy Lee.

[Ashanti]

Yeah.

[Joe Crack]

So there was something before Chris Rock. We was sitting on the table, right?

[Fat Joe]

And Kid Rock is sitting with us. And Tommy Lee is like a Table over. And my cat, Kid Rock. That's my cat, too. He hot. He hot as fish grease. He's sitting right there. He's like this. I should go. And I'm gassing him. He's not gonna go do this.

[Joe Crack]

You gassing him. Well, I'm not.

[Fat Joe]

Not gassing him. You know what I'm saying?

[Joe Crack]

I'm like, if it me, if it was me, you know what I'm saying?

[Fat Joe]

So he does what he does.

[Joe Crack]

So what he did, he smacked cool. Because he.

[Ashanti]

Remember Tommy.

[Fat Joe]

Tommy Lee.

[Joe Crack]

You remember that MTV Awards out in Beach?

[Ashanti]

Yeah. We were sitting right next to them.

[Fat Joe]

We sitting at the table. But. But Five was right here, right? So I'm hyped. I didn't got hype. I didn't got big. I said, babe, I'll make that apologize. You want me to go over there? What you meant, don't be looking. I you want me to go make. She was not. No way in my heart that I'm thinking she gonna tell me to go over there. She's like, yeah, babe.

[Ashanti]

Yep, yep.

[Joe Crack]

That's a New York girl.

[Fat Joe]

So kiss. I'm like, I'm going. So I turn around, she can't see my face. I'm walking towards Five, like, hey, man.

[Joe Crack]

Let me highlight you.

[Fat Joe]

You know, table full of G unit. You know what I'm saying? I'm like, oh, God, this gonna ride. This is not gonna go well. You know what I'm saying? And I started laughing. Coming. He cracked. He cracked a smile. And I was like, hey, fine, man. Hey, man, do me a favor. Do me a favor, will you, old lady? Man, do me a favor, man. Apologize for Man Ashanti.

[Joe Crack]

I'm sorry. That's exactly what he says in the.

[Ashanti]

Middle of the whole crowd in the audience.

[Fat Joe]

I was like.

[Joe Crack]

I turned back around to her talk about it. By the way, I had personally 20 meetings with him over her.

[Ashanti]

Oh, my God. Yes.

[Joe Crack]

Without her even knowing. I done had sat down with him 20 different times and was like, yo, bro, she got nothing. Like, you know, that's my sister you bugging out. This. This. This 20? Yeah.

[Fat Joe]

No, he just told me to mole. I know she got nothing to do anymore, but what you want me to do is war, man. I was like.

[Ashanti]

I was hot.

[Joe Crack]

Yeah, you was hot over that, right?

[Ashanti]

Yeah, I didn't have nothing to do with it. And then after he said he signed, I was like, yeah. I was like, okay.

[Fat Joe]

I was like, thank you. I thought that shit was gonna go left. I swear to God.

[Joe Crack]

I thought I was alone. Sure. And with those guys. They love it.

[Fat Joe]

Yeah.

[Joe Crack]

You know what I'm saying? Those guys love it.

[Fat Joe]

Well, fortunately enough, when we came in the game, we've always had a great relationship with everybody. I've. We've been fortunate enough to stay out of a lot of different scenarios. Even when you came down to one of my first birthday parties.

[Jada Kiss]

Whoa. Down there in St. Louis. What hotel was that?

[Fat Joe]

It's the downtown. I forgot.

[Jada Kiss]

Millennium. It was a millennium, ladies and gentlemen.

[Fat Joe]

Something like that.

[Joe Crack]

In Atlanta.

[Jada Kiss]

One of the craziest birthday parties. It was the craziest birthday party I ever been. I can't even say one of them. It's crazy. Yo, he was in a Hotel. Yeah. DJ Kicking. He had everything you could think of.

[Joe Crack]

St. Louis.

[Jada Kiss]

His room was one side of the hotel. Are you hearing me?

[Joe Crack]

I'm on the floor.

[Jada Kiss]

Not a suite. One whole side was his room. It was a big ballroom. It was incredible. It was crazy.

[Fat Joe]

It was definitely big for our city and things like that, man, they come, you know. Cause we was huge locks. Huge locks. Fans, you know.

[Joe Crack]

You were spitting. You were spitting. And they never really gave you credit for your lyrics. And spitting. They look at you as. You so big. 21 million.

[Jada Kiss]

Somebody getting credit for spitting.

[Joe Crack]

No, no, no, no, no. I'm just saying, as an emcee, as a spitter, he was spitting.

[Fat Joe]

I take the bag.

[Joe Crack]

You listen to his shit. He was spitting. And it never really gave you credit lyrically.

[Fat Joe]

But you know what? It always felt a little different. Because I try to find my place in everything in life. Find my place. You see what I'm saying? It don't matter what I'm in. Find my place. And I hate to tell people to stay in their place. Cause I don't want it to be like, you can't grow. But if I find my place, I'm gonna stay in my place. You know what I mean? And I found my place. And it's not about. I said, give me my bag now. Bring my flowers to the grave. I don't give a shit about none of that. Cause flowers die. You know what I'm saying? I need my bag now. So if you bring me my shit now. I worry about everything else. I ain't never really worried about credit. Because all the people that I fuck with, I fuck with. Like, just knowing that y' all good people, we good people. Knowing I got this woman right here and everything else underneath the table. I ain't worried about it. On the surface, like, this man said 21 million. But that was in two albums.

[Joe Crack]

They ain't even talking country song and all that, right? You was country before country 2003. What's that song with the. The country song over and Over Again.

[Jada Kiss]

Is one of my favorite songs too.

[Fat Joe]

Yeah. And that was in 0304 and Universal told me I was. Told me I was crazy. I was coming off of Nellyville. They had just cut me a 13 million dollar check and I said, yo, I want to do a country song. They passed the fuck out. Why you coming off of Nellyville? You just had Dilemma Hot in here. Now you want to do country? Yes, because I'm lining up my avenues. I know if I land all of these different avenues, doors are going to start closing. And if this door is closed, this door is open. If this door is closed, this door is open. I got all those number one singles and they all on every different, different format. Country, rhythmic, top four.

[Joe Crack]

But when you heard Nelly I. Yeah.

[Fat Joe]

Now.

[Joe Crack]

Need you Nelly I thinking, nah.

[Ashanti]

That was a little before my time. You know what I'm saying? That was. When did Dilemma come out? When did l come out? Yeah, that was before my time.

[Joe Crack]

So you was just watching the video, like, oh, I need this guy, this guy. And what's the story with. Because I want the real story because I've never heard you explain this, right? The fabulous record. I hear it every day of my life with Tamir. If there's one record I hear every single day of my life, maybe I listen to the old school stations, I don't know. But the joint with Tamia, I. I.

[Ashanti]

Can'T escape also into you, right?

[Joe Crack]

But what happened with you?

[Ashanti]

So this is what happened. Me and Fab did the record, right?

[Joe Crack]

Also you did it first with him, no.

[Ashanti]

Yes, I did it first with him.

[Jada Kiss]

He.

[Ashanti]

They got the clearance, I'm assuming from Tamiya to do the. To redo it because it was originally her song. So nt was her song. So he asked me to do the hook. We went and did the hook. He wanted to shoot a video. I don't mean to talk about the past, but he didn't want to clear. He did not want to clear me being in the video. So they was like, yo, what sense does it make to go with this single? And we can't shoot a video, right? So they went back to Tamia and asked. Asked if she would do the video. And then they put two versions out, so mine was on the radio. And then they had I go all.

[Joe Crack]

Around the world with you and I watch you perform that record. And I said, this must have been her record because you ain't singing nobody else's records. And you sing that song so passionate.

[Jada Kiss]

Thank you.

[Joe Crack]

And I'll be like, did they steal this from her? Like, did she write this? Like, I knew there was a story behind this one record because you're doing another show. And I'm like, I tell Lorena, too. I was like, yo, man, I think Ashanti. That was her record. They took it from her. You know, I seen some crazy about what's the JLo? I just seen it. It's one of them Internet where you say.

[Jada Kiss]

My.

[Joe Crack]

It was Shante Moore's record.

[Jada Kiss]

Oh.

[Joe Crack]

And Ronnie Jerkins produced it for her. But he told to make it the number one. The first single. She didn't go with it at the first single. And he gave it to JLo, took off with that.

[Ashanti]

Oh, wow.

[Joe Crack]

That's like them stories.

[Ashanti]

Yeah, that's almost like always on time. You know that Brandy was supposed to do that. Yeah, Brandy was supposed to do it. I happened to be in the studio, put a shot to you on there and see what happened.

[Joe Crack]

Shaunti always sounds good at that one. Cause you know, JLo was supposed to be what's love?

[Ashanti]

Yes, I remember when you told me that. That was back in. Like, we was on a. It was not a zoom you stream. We was on something and I didn't know that. Remember, we were talking.

[Joe Crack]

That's the truth.

[Ashanti]

I didn't know that.

[Joe Crack]

First of all, let's just say rest in peace.

[Jada Kiss]

Her God was supposed to be on. We are the.

[Ashanti]

Who took the record, Jada? Who took your spot?

[Jada Kiss]

I was supposed to do Bruce Springsteen part. They called Bruce. I'm telling you, it was a toss up. They took Bruce, though.

[Joe Crack]

I'm telling you what happened, right? So I get to the. They call me Irv Gotti and Ja Rule three in the morning. I go to the studio. This studio was out of my pay grade, too. It was one of them big shits with the big like the hit Factory.

[Fat Joe]

Speak it like you big ass space.

[Joe Crack]

I've been recording in bummy studios my whole life. I get up in there like this. So they press the thing and it's. It was love, right? She's on it. And he's like, the Latino connection. You and your sister jlo, this will be life changing. This is. He's selling me all this shit and I'm like, yo, but what's up with the girl on the. She sounds perfection. So I be having this thing called, like, demoitis. If it ain't, don't play with it, don't change the. Don't just.

[Jada Kiss]

Just like that.

[Ashanti]

Like that.

[Joe Crack]

No, I'm saying. I ain't gonna lie. We did Lean Back. Scott start sending mix and he added bells to it and all. I was like, oh, no, I want the demo. I said, we leave. Huh? And it was the best is fire.

[Jada Kiss]

Cause I been at I can. I didn't have a name for it.

[Joe Crack]

No, what it is, is. What it is is. You know what you doing.

[Fat Joe]

You like it the way you like it.

[Jada Kiss]

Is it any worse feeling in the world than when they send it back? And it sound nothing like.

[Ashanti]

Nothing like the original.

[Joe Crack]

I'm not going to say this. The Lean Back sounded nothing like the original. He just added, like, cowbells and. And I was like, yo, bro, you.

[Jada Kiss]

Know, knock yourself out. The one that the world had ain't the one that I went to Virginia and sat with Pharrell and did. He changed the beat, the whole shit.

[Fat Joe]

Oh, yeah. No, press that.

[Jada Kiss]

No, no, not. It's the whole. I know about post production. This was. I rhymed on the old.

[Joe Crack]

That's a whole nother song. I was mad as hell.

[Jada Kiss]

Ice pick, rest in peace. Shout out to Pharrell. They like, trust me. I'm like, no, this is a whole nother. And it still came.

[Ashanti]

Yeah, it hit.

[Fat Joe]

A lot of times you got to go with your gut. But sometimes. Sometimes it pays to.

[Jada Kiss]

Not too many out of work.

[Fat Joe]

Well, it depends. It depends on who it is, because.

[Jada Kiss]

You could trust somebody else.

[Fat Joe]

Some people got. They know what they doing. You know what I mean? But a lot of times, you know, you got to go with your gut. I had things switched up again and shit. My first single, Country Grammar again, I never heard the radio version. Never heard boom boom. The chorus was going down, down street sweeper Going down down your street in a Range Rover street sweeper cocked ready to let it go Shimmy, shimmy, Coco. What? Listen to it.

[Joe Crack]

Pow.

[Fat Joe]

Light it up and take a puff Pass it to me now Never in my life heard boom boom down, down, baby, your street in the rain go boom boom Ready?

[Joe Crack]

Clean version.

[Ashanti]

That's the.

[Fat Joe]

Never heard it. I cried.

[Joe Crack]

Cried. They are trying to ruin me.

[Fat Joe]

I knew it, and I ain't going to even lie, boy, listen. I blamed it on New York. See, they don't know country music.

[Joe Crack]

I swear to God.

[Fat Joe]

I swear to God.

[Joe Crack]

I see New York embraced you. And there's always a big lie, right? There's a big lie. And I'll say, no, no, there's a big lie.

[Fat Joe]

No, no.

[Jada Kiss]

We got this thing that all. Our guest is from the Bronx.

[Joe Crack]

She shot the video to what's Love in the Bronx? Fordham University. Don't do that to yourself. Listen, let me tell you. You up. What I was gonna say, yeah, you did it. But let me tell you something. He goes, so I'm scared to fly at the time. I get on the tour bus, I go from Vegas, I drive all the way down to Cancun. Got stuck up about six, seven times, all by cops. The Mexican dudes, this small, guns as tall as these lights in the middle of nowhere. 100 pesos. Yo, by the seventh time, I was. I had to grab the Bible. No, no. I had to grab the Bible and open it up and be like, God, please, I can't get robbed no more. It wasn't even for money. It was my. My sanity. I was like, yo, they stick to the US up every hour. Some guy, some cop is pulling us off, getting us for 100 hours, doing.

[Jada Kiss]

Calling each other.

[Joe Crack]

Get them, listen. So I get the Cancun, right? And at that point, we perform it for spring break. So my album is only selling 5,000 a week at the time. So I say, yo, I gotta kill this. I tell Lorena, I said, yo, Lorena, I gotta do something crazy. Crazy. She said, go topless. Oh, I said, what? Go topless. Ain't no big guy ever come out there and have his all open. Just throw a little towel on you. We went topless. Yeah, me and Ashanti.

[Fat Joe]

It's out of here. Ain't look back since.

[Joe Crack]

I felt bad for you. Now when I look at it, because I was a big. I never stunk in my life, but I was a bit big boy sweating. I said, damn. Shawnee must have been like this fat, like, wrong with him. And let me tell you something. The white people discovered Fat Joe once. What's Love came on. I never performed for blacks and Spanish people. For the first two years. I was bar mitzvahs, rodeos, all type of shit. I'm getting the bag back. I'd be like, yo, when we gonna perform for black people? Like, what's going on? That means you. You get in the bag, right? And so the kept. After we did that performance, all the white shows, like Soap Talk, Saturday Night Live, they was like, this guy is called Joey Crack. And they had a arrow at my butt crack. And the white people loved it. This went up 10,000 a week, 20,000 a week. This went on fire. We sold 2 million records. And it's really because that one performance turned that up on fire. Because they Were making fun of me, but I guess it was like via moment.

[Fat Joe]

I had a time before, but it was confidence. They can make fun, but they. You.

[Ashanti]

They remember moment.

[Fat Joe]

Goddamn right. That's the moment, man.

[Ashanti]

That's history right there.

[Joe Crack]

No, no, we got big history.

[Ashanti]

We got big history.

[Joe Crack]

We got the biggest. Yo, that Peacock, right? Peacock is where we find that show.

[Jada Kiss]

Where can they check the show out?

[Fat Joe]

Peacock check out. Come out this week?

[Ashanti]

Week, yes. The 26th.

[Joe Crack]

Thursday.

[Fat Joe]

That's why you got.

[Ashanti]

We giving y' all all eight episodes at once. Get your subscription, watch the whole.

[Jada Kiss]

Come out crushing the game, cuz, you know, you get thirsty, you see one episode or two, they're giving you all eight at once. Make sure y' all check that out on Peacock. It's called We Belong Together. Y Belong Together.

[Joe Crack]

Nelly.

[Fat Joe]

That's the.

[Joe Crack]

You have strong ties to the atl. How did that come about.

[Jada Kiss]

Man? Shout out to so.

[Fat Joe]

So deaf family been going to Atlanta for a long. For a long time, man. And I mean Atlanta. Huge influence on Nelly. Obviously, I'm a huge dungeon family. Dungeon family.

[Jada Kiss]

That's the only way to go away.

[Fat Joe]

Goody Ma. Rest in peace, Rico.

[Joe Crack]

Goody Mob, big gift.

[Fat Joe]

CeeLo Green. There is no Nelly without CeeLo Green. You see what I'm saying? Like, just understand. Understanding that Big Gilp and then Outkast, you know what I mean? Like, outkast changed the whole way I was doing music, hearing them brothers, you know, and then met up with JD My man Big Bob, who was security for JD at the time for a long time and still is. He's just helping me out, like. But, yeah, man. And J.D. that's part of why me and J.D. is so close. And a lot of people.

[Joe Crack]

J.D.

[Fat Joe]

Did have an opportunity to sign me. I tell that story all the time. But me not knowing the business, I was a little bit upset with JD at the time. But knowing the business, I found out, you know, at that time, he had just signed. What did he just sign? Mace Harlem World. It's at the same time, he had just signed Mace Harlem World. And the homie Mace, you know, was going through his life and whatever he was going through and had to step away for a minute. So, you know, those dominoes fall on a lot of different people at the time. And I was trying to come out right then and right there. But the thing about it is, JD Always kept a friendship with me. As far as, yo, I can't sign you, but you a cool motherfucker. And I was like, shit, this guy ain't gotta Let me hang with him. And you know what I mean? And he was still keeping it pee. So that's like a big brother to me, man. And I've always been a so. So deaf fan. And Tip and everybody else. I don't know, man. Stl, the ATL got strong ties anyway. Like, a lot of people from STL in Atlanta, you know, Here, too, New.

[Joe Crack]

York, A lot of. They even got a Bronx Day in Atlanta. They got every day in Atlanta kiss. They never want to pay me to do Bronx Day.

[Fat Joe]

They never want to pay.

[Joe Crack]

They got a Bronx Day. You don't get fat, Joe, you gotta go do that other. This is bad. They have a Bronx. I'll be wanting to go for free, James.

[Fat Joe]

Bronx, you got.

[Joe Crack]

They got.

[Ashanti]

Joe. Gotta be there to make it official.

[Joe Crack]

With these people, man. Like, this is the biggest disrespect in the world. I'mma tell you an ill story, right? I'm at a show with Nelly. I think we was in Nashville, right? And the next day was like, the Grammys or something. And you asked me before the show, you said, yo, you going to the Grammys? I said, yeah, I'm going to the Grammys. The mall, this and this and that. He was like, yo, come with us. I show up, we go to the private airport. Everything laid out. We go inside. This guy, he could really. He ain't scared of planes. He knocked out so fast.

[Fat Joe]

That's my way of not being scared. Back in the time. It's just like, yo, just go to sleep. Whatever happens is gonna happen.

[Joe Crack]

Yo, I can't sleep. It's out of my hands, bro. I cannot go to sleep if I don't take a pill. Like, I'm going overseas or something like that. I can't go to sleep. So what I'm trying to say is the plane lands. When it lands, there's a Bentley, a Rolls Royce, right outside with a driver. Nelly gets out, goes down the stairs, they open the door, they close the door, and he leaves. I said, this motherfucker Rich. Listen, he ain't take a picture. No. You know, people get in the private. They start, yo, the picture in the private birthday parties in the private. This guy looked like he do this for breakfast. Like, I seen him go, I swear to God, no, he was tripping. No, no, I swear to God. He walked right into Rolls Royce in la and he drove off. And I was like, did I really fly over here with Nelly? You took the Rolls Royce?

[Ashanti]

I mean, you know, come on, bro.

[Joe Crack]

How you doing, sis? You real happy in life. Huh?

[Ashanti]

I'm amazing.

[Joe Crack]

I've been watching your interviews. You've been hinting towards another baby. Yeah. So you want another one?

[Ashanti]

I definitely do. I love my son. Can we not have another one?

[Joe Crack]

The other one gonna be not as nice as this one.

[Ashanti]

Everybody says that.

[Joe Crack]

No, no, I'm just telling you the truth.

[Jada Kiss]

Why?

[Joe Crack]

If one come like an angel. Holy. That Hempstead, Long Island. He coming out like, yo, like, you want me. Oh, my God. I didn't know that.

[Ashanti]

This thing I got.

[Joe Crack]

Because you got the nice one.

[Fat Joe]

Yeah, you.

[Joe Crack]

You, James. Same thing. What she think it's a game is when you got the baby up, the angel first, the nicest one, you get the other one. I mean, you know, he might throw some building blocks at you and like that, you know, you might get a girl. Now the women. Yeah, the girl's the hardest thing, right? I know. I know. You know. You know what's crazy, man? Nah, I won't go there, mama. But shout out to your sister. But, you know, my whole life I watched Azzy and Lorena argue about from four, three years old outfits. I'm not wearing that. That's not my style. That ain't my swag. To this day. They be like. I'll be like, yo, you know your mom's got swag. Like, she's trying to help you. I don't care, dad. This ain't my. It's what I want. I'm not. But that's what the girl give you.

[Ashanti]

Yeah, I want a girl, though. Balance it out. I got my boy, you know, I want my little baby.

[Joe Crack]

What if you get a boy that we still. We're still out there working.

[Ashanti]

We may have to. We may have to shoot one more time. I think now, one more time.

[Joe Crack]

I'm not. I'm not messing with God, but I think now you could get like the injection and pick. If your baby wants blue eyes like this.

[Ashanti]

Yeah, like a Build a bear baby.

[Jada Kiss]

Build your baby like a car right now.

[Ashanti]

Yeah, like a builder, man.

[Joe Crack]

Y. I'm telling you, I see some people that have a baby and the baby. I never even seen the girl pregnant. And then she got a baby. The baby got blue eyes. They. Yo, my baby's here. You like, yo, what the.

[Fat Joe]

Like, nobody got blue eyes in the family digital.

[Joe Crack]

Not one family member they got like that. But she says she wants another baby.

[Fat Joe]

We got minutes. She won't long as we. As many nannies as we need. I can't chase toddlers at 50, man. That's rough, Joe. That's A workout, Joe.

[Joe Crack]

You work out every day, though.

[Ashanti]

Thank you.

[Fat Joe]

No, not as much as I used to. I gotta get back in there. But I mean, I'm just saying, she's learning now. Cause he's active.

[Joe Crack]

Very active.

[Jada Kiss]

From my little video footage, I seen a nephew, he got a lot of energy.

[Fat Joe]

Yeah, he picking them up. Up and putting them down in a minute, too. He trying to walk and all of that. And he's getting close, so. And he's rough.

[Ashanti]

Very rough.

[Fat Joe]

He's rough, bro. Like he ain't scared of you. Know what I'm saying? Like, you can pick him up, throw him up there. He laughing on the way down.

[Joe Crack]

Let me ask you a question, right? And if you don't want to answer it, we don't answer it.

[Fat Joe]

That's no way.

[Joe Crack]

Oh, we throw it. I'm just gotta keep it real. No, I gotta keep it real, right? Or throw it out. You tell me. Throw it out.

[Fat Joe]

Come on.

[Joe Crack]

We editing it. When I see the stuff like St. Lunatics suing you and like that, yo. What? How do you feel about that?

[Fat Joe]

I think for the most part, they had no family show. No, no, no, no, no, no, no.

[Joe Crack]

This I'm talking about.

[Fat Joe]

Family have no problem.

[Joe Crack]

That's what I'm talking about. Family.

[Fat Joe]

No problem with answering. With answering this. I think people were misinformed when we started the Lunatics. First of all, Murphy Lee was a year out of high school. Bam. The stage, my brother Kewan. And then once we got the deal, City Spud went to jail, right? So me and the oldest one, we were the ones more engaged on the business side of things and how things were transpiring. I think everybody else was just happy to be there. So you know what it's like. If you in a group, you got some people that's going to the meetings, some people that's on the phone call, some people that are in those rooms when certain situations are being discussed and how they go. And you got other people that's. Nah, I just leave that to y' all. Nah, I just leave that to y' all. I leave that to y' all. So when the thing came up of how everything got broken down in the beginning, we had a fucked up deal in the beginning. So the way things got spreaded out was that the oldest member of the group, the manager, is his best friend, our business manager is his best friend, and our road manager is his best friend. So. So they negotiated everything, they put everything into perspectives. And you see what I'm saying, and I'm trying to because they still got other things, but they were influencing the other ones. So when the ones that did not know what happened found out what happened, now you see us back on tour, except for one. Because, long story short, the truth just needed to be told. And people needed to find out not just why it is, but how it is. And when you found out how it was, you understood. They understood.

[Joe Crack]

I've never seen nobody keep it more real with their crew than you, I said, and I want you to know, if I'm sitting in New York and I see this shit, it's like a sledgehammer hit me and bust my head open like a fucking watermelon. You know, they say you been with you. They say you don't understand. I'm telling you the truth.

[Fat Joe]

No, but they say you don't understand who you. You are with until you go through something negative. That was our first time ever going through anything that wasn't positive. Because, you know, we were very, very fortunate, very, very blessed that when we first came out, we were rocket shipping, you know what I'm saying? So when it got to a point to where, okay, now everybody needs to. Everybody's trying to pay attention to something they should have been paying attention to since day one. But here's the thing, bro. Ever since this group been informed, I've always had the most money. From the time we came into this crew. I came into this crew with two cars, my own apartment, and everything else that was. You see what I'm saying? I've always paid my own way and other people's way to get through certain things. So I've never not paid attention to business, you know what I'm saying? Never not paid attention to business. Used to insist people pay attention to business. Used to ask people, you know, what's going on? You know what? These, these, these, you know? But like you said, when the money is coming in, nobody wants to say nothing. And then obviously they look up on the day that the money is not what they think it should be and then wonder why they don't have it like that. But we all go through trials, tribulations.

[Joe Crack]

You know, horrible times in hip hop.

[Jada Kiss]

Yeah, you put that well, my brother.

[Fat Joe]

No, I appreciate it. I know you can understand it because.

[Joe Crack]

I'm telling you, you gotta reflect. I'm. I've been in this game 30 years. I've been around so many crews. We love the locks because their brotherhood cannot be influenced.

[Fat Joe]

They don't even know that.

[Joe Crack]

That's why you're together like this. You know what I'M saying the locks is. I think their whole dynamic to me is that they never let nobody break them up. They together that I think that's what the streets love. So when I just evaluate the whole hip hop game, and I've been around everybody, I've never seen nobody keep it more real than you. And I love everybody, so I'm letting them know I'm not. But I never seen nobody take care of their crew more than you. So it was shocking to me, just, you know, sitting back, you know, and sometimes you don't know you can have that effect on somebody else. But I was just like. You know what I'm saying?

[Fat Joe]

No, but I've always. I've always thought you said the same thing, you know. You know, that's your sister, you know, she like, what the fuck?

[Ashanti]

Yeah, I was pissed.

[Fat Joe]

I was looking at it, you know. Cause she can read certain shit.

[Joe Crack]

Like.

[Ashanti]

Like, yeah, you know, I said, he's the most generous person I've ever met when it came to that, the family and that group and the. The percentages. And I was like, you giving out what?

[Fat Joe]

In the beginning, coming off tour, I come. We come off the Nelly tour. I split it down the middle. I take half and I give them half. So if we come off a tour with $20 million, I take 10. The group get 10. No, but the group get day 10 and go home. I take my 10 and I pay commissions. I pay everything else. Everybody else get to go take their money and go and go sideways. You know what I mean?

[Joe Crack]

Like, so, you know, betrayal, man, you can't build the wall high enough. That shit have jumped right over the wall. That shit hurts.

[Jada Kiss]

You know that? I think the only thing that might be closer similar than worse than death. It hurts you that much?

[Fat Joe]

Yeah, because it all. It's always for somebody who, who love that you trust at that time to. To show himself. You know what I'm saying? Because can't nobody you don't know or don't care about hurt you like that, Right? You know what I'm saying? Because you either.

[Joe Crack]

It's always somebody, you know, they say it's the ones closest to you, but it's always some. Somebody you know, that can really, really hurt you.

[Fat Joe]

And then you'll be like, man, yo.

[Joe Crack]

I'm just speaking about me now, you know, I'm just saying how many times I done looked out for this person, how many times I gave him a chance? How many times people told me, yo, don't have them around you? How many times this. This and that, and then you still went all out. And then they wind up doing the unimaginable.

[Fat Joe]

Firm believer. Everything happens for reason to a certain degree. And, and a lot of times what I, what I had till, you know, I talked to my, my nephew J.T. jason Tatum, and shout out to JT, you know, he, he had his injury, you know, But I, I was telling them, yo, don't look at it like that. This is, this is for something. But here's the tricky part. It's, it's not always. And what you think it is, it may not be for music. You see what I'm saying? Like, what's happening to you here may be needing you to look somewhere else. It may be time. Like I was talking to jt, I said, yo, it may not be about basketball. I said, because you're him in basketball. It may be you need to spend this time with your son. It may be something you need to spend this time with mom. You may need to go back home and do something. It may not have nothing to do with basketball. So when something affects you that deep, take a full 360 look at it. Take a full 360 look at everything that's going on around you. Because, just because that's what put the brakes on it don't mean that that's the problem. It just means that you needed to stop for something and you have to pay attention to what it is. But that's the only way you going to grow, Period. Now you can get mad, say that that motherfucker wrong and keep going, but something else going to happen. I'm telling you something else gonna happen. Cause you never, you never fixed it. You put a band aid on the shit. You never fucking addressed it. You know what I mean? And not to bring it back full circle, but that's why I think me and her are sitting here to this day. Because it was always about a full circle.

[Jada Kiss]

Look.

[Fat Joe]

It was never about, you know, does this person bring more positivity to your life than negative? I don't give a fuck who they are, Joe. I don't give a fuck who they are. Kiss. It could be your mama, your daddy, your auntie, your uncle. It could be your fucking kids. Does that person bring more positivity to your life than negative? And if it's not, then you need to get the fuck away from them. And sometimes, like you said, family will be the first ones that'll do it to you. But your family should always bring more positivity than negative. It shouldn't even be close. But if it is, then you know goddamn well. And anybody else around, man, just stay positive.

[Joe Crack]

Put him on a mural.

[Fat Joe]

Put them in. Hell, yeah.

[Joe Crack]

Be talking some, bro.

[Fat Joe]

Put the boot on that car.

[Joe Crack]

Listen, guys. No, we love you guys, man.

[Fat Joe]

Thank you so much.

[Jada Kiss]

Appreciate you. You know y' all out promoing the show.

[Fat Joe]

What's that?

[Joe Crack]

You ain't get on to this. Rewind the time, man. Yeah.

[Jada Kiss]

Kiss Cafe.

[Joe Crack]

Look at this right here. This. See, no grays. No, I don't. I don't want that for you.

[Ashanti]

Rewind the time.

[Joe Crack]

I'm not. I don't want that for you, but you see this? Listen, Tyson, Beckford, what's the numbers? We got? Tank? We got. Why look 53 when you could be 43? Why be 43? You could be 32 now. I don't need to tell you I never went against her. Sis got a glam squad life. Yo, if she tell you she like you with that gray, she lying, bro. She trying to keep you. That's cool. I'm saying when.

[Jada Kiss]

I'm getting.

[Joe Crack]

I'm not.

[Fat Joe]

Nothing, no, I'm not knocking at all.

[Joe Crack]

We got Callie, Travis, Kelsey on Joe.

[Jada Kiss]

I'm holding, he trying to force it.

[Fat Joe]

I'm holding On y. I'm holding.

[Jada Kiss]

Give me a deal I rewind.

[Joe Crack]

Time.

[Jada Kiss]

That ain't this, that ain't this.

[Fat Joe]

That ain't this.

[Jada Kiss]

Thank our guest Sh&Nelly for coming on the Joe and J Show.

[Joe Crack]

Yeah, we love you.

[Fat Joe]

The volume.