Joe and Jada - Kenya Barris drops GEMS on Black Hollywood, his new Jerry West doc, ‘Black-ish’ legacy & snitching in hip hop culture

Summary

Podcast Summary: "Joe and Jada - Kenya Barris drops GEMS on Black Hollywood, his new Jerry West doc, ‘Black-ish’ legacy & snitching in hip hop culture"

Podcast: The Herd with Colin Cowherd
Episode Date: May 12, 2026
Host: Fat Joe, with Clifford Taylor IV
Special Guest: Kenya Barris
Key Topics: Black excellence in Hollywood, "Black-ish" legacy, the upcoming Jerry West documentary, loyalty in hip hop culture, discussions on snitching, social media's impact, and more.

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Episode Overview

In an electric, wide-ranging episode, Fat Joe and Clifford Taylor IV welcome Kenya Barris—the visionary creator behind "Black-ish," "BlackAF," and much more—for an unfiltered conversation about Black representation in Hollywood, building legacies, the realities of loyalty and jealousy in entertainment and hip hop, and the changing rules around snitching and authenticity. The panel also dives into Barris’s new Jerry West documentary, the business of podcasting, family, loss, personal growth, and the negative/positive dynamics of social media.

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Key Discussion Points & Insights

1. Kenya Barris on Black Excellence & Creating Opportunity

• On paving the way: Kenya celebrates peers Ryan Coogler, Issa Rae, and Antwan for excelling at such a high level, saying success opens doors for others:
  • “‘The more we can succeed and do it on the level that is unquestionably excellent, the more that it makes room for other people to come up behind us.’” (02:15)
• Black representation: Barris reflects on looking at TV and not seeing himself, which drove him to create shows like "Black-ish" and "BlackAF."
  • “This is a man who looked at television and said, I don’t see us. And then built an empire, making sure we were seen...” (03:07, Clifford Taylor IV on Barris)

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2. Fashion, TV, and Authenticity

• Fashion on screen: Fat Joe and Kenya joke about the levels of fashion shown on "BlackAF" and Fat Joe’s own love for stepping out sharp, especially at Knicks games.
  • “When I saw Black as Fuck… it was a fashion show. …We never wore nothing twice on this show.” (04:42, Fat Joe)
• Behind-the-scenes realness: Kenya explains scenes were filmed in his actual house, blending real life and set life.
  • “We had to go from the set to my crib in the morning, sleep, get in the car, and then get out the car and walk back on… My mind. …I’d be like, this is crazy.” (07:15, Kenya Barris)

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3. Building Teams, Loyalty, and Navigating Success

• On "everybody gotta eat": Fat Joe shares lessons from his billionaire mentor about sharing success but keeping teams tight and avoiding entitlement.
  • “My mentor… his philosophy was everybody gotta eat. …It reflects on you when your team is living good.” (10:35–11:37, Fat Joe)
• Limitations of loyalty: Kenya adds, “If everybody’s gotta eat, everybody gotta cook too… crews that I really respect… everybody has a lane.” (11:55–13:00)
• On jealousy: Both warn about the toxicity of jealous crew or family members and how critical it is to cut off envious people immediately.
  • “If you believe one of your friends or family is even 1% jealous of you, you gotta get rid of them.” (19:13, Fat Joe)

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4. The Burden of Being a ‘Voice’ and Black Leadership in Hollywood

• Kenya addresses the pressure of being seen as THE voice for Black people:
  • “I’m a voice… but the part that causes problems is everyone’s got your name in their mouth… The blessing and the curse is that they need more of us.” (23:16–24:00)
• He emphasizes each move is highly scrutinized, doubling the pressure but also the opportunity to help others.

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5. Family, Health, and Giving Back

• Parenting and health: Fat Joe describes his lifelong diabetes struggle, and his use of peptides and newer treatments.
  • “…the weight loss stuff was a side effect… diabetes medicine…” (31:39, Fat Joe)
• Stem cell therapy: Heartfelt share about his son Joey, who’s nonverbal and on the spectrum, benefitting from expensive stem cell treatments.
  • “It will change your kid’s life. If you got it, get it.” (33:03, Fat Joe)

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6. Media Negativity, Social Media, and Influence

• Fat Joe and Kenya lament how negative moments get amplified despite positivity, leading to real-world consequences.
  • “It can be an amazing day in the world. And one negative thing, that’s all anybody would talk about.” (62:36, Kenya Barris)
• The podcasters urge creators to model positivity, showing it's possible to win without toxicity.
  • “We can see Coogler, we can see you… positive vibrations. …I think there is another version.” (67:52–68:08, Kenya Barris)

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7. Snitching, Hip Hop Culture, and Changing ‘Codes’

• Extended riff on “snitching”—who’s allowed, why street codes matter, and how social media has blurred that line.
  • “If you’re a criminal, you shouldn’t snitch… if you’re not under that umbrella, you have the right to remain silent or call the police.” (76:05–76:20, Clifford Taylor IV & Kenya Barris)
• Fat Joe notes the contradictions and personal confusion from these shifting cultural codes.
  • “Everything I grew up by and all the morals… got me confused. ...this shit.” (78:20–79:03, Fat Joe)
• Kenya observes: not all rappers are street, but many feel pressured to perform that role because of social media.

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8. Real and Fake—The Meaning of Authenticity in the Streets

• Panelists reflect on real gangsters’ humility versus how “tough guys” now act with bravado or clout for social media.
  • “The more tougher the guys is, the more dangerous it is, the more nicer the guy is when you meet him.” (79:52, Fat Joe)
• Kenya shares stories of LA legends who are true to themselves and keep a low profile: “He doesn’t need to talk about it… he is about it.” (81:46, Kenya Barris)

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9. Hollywood, The Jerry West Documentary, and Legacy

• The project: Kenya details making "Jerry West: The Logo" for Amazon Prime, the challenge of telling a story beyond basketball (“telling the story of more than a man”), and the privilege of interviewing icons like Michael Jordan.
  • “Jerry said… they all had the same thing, that they would die on the court if they had to… they had that killer mentality.” (45:50, Kenya Barris)
  • He also explains how the story evolved and how West’s candor about mental health shaped the film.

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10. Podcasting as Business & Behind the Scenes

• Fat Joe and Clifford Taylor discuss their unlikely pairing and show’s chemistry—and how their success upended podcast industry expectations.
  • “Me, I’m the guy they don’t admit. But I hit hits out the... I’m big Poppy Ortiz. ...I just win all the time.” (50:57, Fat Joe)
• Fat Joe describes the flood of opportunity and the reality of podcast industry economics—both the exaggeration and the new ground they’ve broken.
  • “...We went from YouTube to Netflix. ...We get paid to do a job I love to do.” (60:34, Fat Joe)

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Notable Quotes & Memorable Moments

On Jealousy

“One of the most dangerous things you could have in your life is a family member or a so called friend or entourage that's actually jealous of you…You got to get rid of them because it's a disease.” — Fat Joe, 19:13

On Black Representation

“The more we can succeed and do it on the level that is unquestionably excellent, the more that it makes room for other people to come up behind us.” — Kenya Barris, 02:15

Mental Health & Vulnerability in Black Men

“Men, our mental health, we often don’t examine in a certain way because we’re supposed to have a certain demeanor...that doesn’t always let in that part of you that allows you to sort of be vulnerable.” — Kenya Barris, 45:50

On Social Media Negativity

“It can be an amazing day in the world. And one negative thing, that’s all anybody would talk about that whole day.” — Kenya Barris, 62:36

On Codes & Snitching

“If you’re a criminal, you shouldn’t snitch… but if you’re not under any of them umbrellas, you have the right to remain silent or call the police…” — Clifford Taylor IV & Kenya Barris, 76:05–76:20

On Real Gangsters

“When you get around the real ones, you like, wow… He doesn’t need to be a gangster. He is a gangster …he doesn’t need to talk about it...” — Kenya Barris, 81:46

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Notable Segments & Timestamps

• Black Hollywood’s impact: 02:15–04:12
• Fashion culture & TV authenticity: 04:42–07:15
• Jealousy, loyalty, & building teams: 09:58–13:52
• Being a voice and under scrutiny in Black Hollywood: 23:00–25:00
• Diabetes, peptides, and stem cell therapy: 30:56–33:26
• Media negativity & social imitation: 62:33–68:08
• The rules and ethics of snitching: 75:42–79:52
• Conversations on real/fake authenticity (gangsters, legacy): 79:52–85:14
• LA and street safety: 85:21–90:45
• Jerry West documentary: 43:46–47:32, 90:49–92:06
• The evolution and business of podcasting: 50:13–56:04, 60:34–62:36

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Overall Tone & Language

The episode features candid, humorous, sometimes raw language—true to Fat Joe’s Bronx background, Kenya’s world-weary Hollywood wisdom, and Clifford’s grounded, generational perspective. There’s a sense of history, brotherhood, and generational dialogue throughout, mixing deep insights with light banter and personal storytelling.

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Closing Thoughts

This episode is packed with wisdom—from building legacies as Black creators in Hollywood, to handling success and loyalty, examining authenticity, and calling out both the positives and pitfalls of contemporary culture. Kenya Barris’s takeaways on Black excellence, storytelling, and what it means to truly “eat” and uplift your people are especially resonant, as is the ever-honest Bronx wisdom of Fat Joe on the dangers of loyalty and the changing rules of hip hop and street culture.

A must-listen for anyone interested in culture, legacy, and keeping it real in an ever-changing landscape.

Transcript

[Timbo]

Last night a blown call changed the game. This morning the Internet lost its mind and nobody's telling you exactly what happened. That's where Sports Slice comes in. I'm Timbo, and every episode we're cutting through the noise, breaking down the biggest moments in sports and giving you the real story behind the headlines. And we're going straight to the source. The athletes themselves, their locker room stories, their reactions in the moment, and the stuff nobody gets to hear. Listen to Sports slice on the iHeartRadio app, Apple Podcasts or wherever you get your podcast. And for more follow follow Timbo, Slice of Life 12 and the TikTok Podcast

[Fat Joe]

Network on TikTok, another podcast from some SNL late night comedy guy not quite on Humor Me with Robert Smigel and Friends. Me and hilarious guests from Bob Odenkirk to David Letterman help make you funnier this week. My guests, SNL's Mikey Day and head writer Streeter Seidel help an acapella band with their between songs banter. Where does your group perform? We do some retirement homes. Those people are starving for banter. Listen to Humor Me with Robert Smigel and friends on the iHeartRadio app, Apple Pod or wherever you get your podcasts. What's up guys? This is Clifford Taylor the fourth and on my podcast the Clifford Show, I'm bringing you conversations about all kinds of stuff like being an Internet famous referee. We're in the middle of a game. This linebacker, they know these kids. This linebacker walks up to me, he goes, hey ref, my mom wants you to wave at her. What?

[Clifford Taylor IV]

Time out.

[Fat Joe]

Quarterback on off is blue 42. Hey ref, my mama wants you to wave at her. What? Where's she at? Hey Ms. Parker. Listen to the Clifford show on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Commercial Announcer]

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[Kenya Barris]

That's why I'm so like proud of like Ryan and Issa and Antwan because I feel like the more we can succeed and do it on the level that is unquestionably excellent. The more that it makes room for other people to come up behind us.

[Fat Joe]

Yeah, yeah. What up, y'? All? It's Coker. The Dawn Coker.

[Clifford Taylor IV]

You know who it is. Your boy.

[Fat Joe]

A little something for the nose

[Clifford Taylor IV]

show, man. Every show legendary. Every show iconic. This one is so iconic.

[Fat Joe]

Sheesh.

[Clifford Taylor IV]

It calls for the Tom Ford, you know what I mean? He's talking about eyes.

[Kenya Barris]

The Thomases.

[Clifford Taylor IV]

We talking about eyes and sight and losing sight and things of that nature. But on a real serious tip, when you think of today's guest. You think about somebody who really changed the game. Not just in Hollywood, but in the culture. This is a man who looked at television and said, I don't see us. And then built an empire. Making sure we were seen from Blackish, the girls trips, the black ass fizzing. Everything he touches turns into gold. I say platinum, you ask me. And now he's stepping behind the lens as a director to tell the story of one of basketball's greatest icons. On top of all of that, he's working with my brother on something very special. I mean. Ladies and gentlemen, make some noise for the one and only Kenya Barrister.

[Fat Joe]

Thank you, my brother, young Kenya Barris. You got that shit on as usual, that little pull over.

[Clifford Taylor IV]

He got one of the only closets that I'm jealous of. And it probably was just not even his real closet. His Hollywood closet was. It was the rock of his real closet. But it was incorrect.

[Fat Joe]

Let me explain something to you.

[Clifford Taylor IV]

I still feel a little bit something.

[Fat Joe]

This the guy who beat me to it.

[Kenya Barris]

Never.

[Fat Joe]

I'm telling you, when I saw Black as Fuck and it just felt like you was just. They gave you an excuse to throw that shit on. It was a fashion show. And I said, if I'm on TV or something, I'm doing that same shit. We've been coming up on this show, we've been throwing that shit on. These niggas is dizzy. You know, before we came, they be wearing the Adidas suit. Just black teeth. We up on here Bottega. All type of shit. Hermes, Louis shit. Anything you could every day would never run out. And never run out.

[Kenya Barris]

You wear them. It's a throwaway.

[Fat Joe]

Not for me. You double up, man. We never wore nothing twice on this show.

[Kenya Barris]

When you wear it on the show, will you wear it out?

[Fat Joe]

Fuck, yeah. Really? Well, you know, now I don't go to the clubs no more.

[Kenya Barris]

I'm old.

[Fat Joe]

So I use the Nick game as the club.

[Kenya Barris]

Okay.

[Fat Joe]

If you ever wanted to know, that's hard. I'm telling you.

[Clifford Taylor IV]

That's why you go to the grown man's club.

[Fat Joe]

Let me tell you. That's how you step out. I used to sell drugs to impress the neighborhood. So I'm sitting on the couch with the ice on the dish. The new. You know, you get the wit to just drive around Harlem, and now we nationally syndicated. I go to the nick game like I'm at the fucking vop. I'm so fucking fresh, Ernest. Let me tell you something. You know, it's some shit when you see the leather and it just can't crumble like that shit just too neat. Be like, I don't know what he got on, but he got some shit on. I go to the game like it's a fucking club. I go in there, it just ain't no girls there, nothing.

[Kenya Barris]

Madison is great. Diamond Lights, too. Makes them dance.

[Fat Joe]

Last night, they said some shit. They said that Joe got that bling bling on. He got them diamonds on. And I say, yeah, you know, it's what we do. You know what I'm saying? That's how we paralyze the situ. But my point is black as fuck.

[Kenya Barris]

Thank you.

[Fat Joe]

I'm watching every episode. I swear to God. My stylist, Terrell, I called them every episode. I said, yo, this got that shit on, nigga. Like, he is not fucking playing with them. That was conscious, huh?

[Kenya Barris]

Yeah, man. Yeah. I got one chance. I'm a fat writer. I get a chance to be on tv, I'm at least put some shit on him. I can just come on.

[Fat Joe]

And then you was telling us off air that that was your actual crib that they turned into the set.

[Kenya Barris]

Yeah, that's. That's crazy. And then we had to go from the set to my crib in the morning, sleep, get in the car, and then get out the car and walk back on my. And I'd be like, this is crazy. This is blowing my mind. I'm saying, like, I forget sometime we would do that. I'm tired.

[Fat Joe]

You know, I did Night School, the movie, and Kevin Hart kept fucking with me because is this heavy actor? Or, like, my scene would be at 10 at night, but they come get me at 6 in the morning.

[Clifford Taylor IV]

The prep for TV is much different.

[Fat Joe]

I'm waiting all fucking day.

[Clifford Taylor IV]

Then they tap me in the trailer for 30.

[Fat Joe]

I get home one in the morning. I'm up at six in the morning, and I'm just sitting there till like, nine at night. And then like, all right, Joe, you're seen. And Kevin Hart Used to catch me sleeping all day and be like, yo, this ain't the fucking studio. You can't sleep. This is what. And I'm like, damn. I felt like, you know, like, is it like that for everybody or. No, look at that. So if you will Smith, you coming up in there, 9am Samuel Jackson.

[Kenya Barris]

I mean, even you shouldn't. The real Cav will tell you, like, you should be scheduled. You should know where your. Your day falls.

[Fat Joe]

I never did it again.

[Kenya Barris]

If it's five hours off, never did it again. 9:00am to 1:00am like, that's. Unless you're working all day. That's different. But you shouldn't have to sit around. Kev wouldn't let that. He doesn't do that now. That was a while ago.

[Fat Joe]

Shout out to them. That was $100 million opportunity.

[Kenya Barris]

That was a huge.

[Fat Joe]

Showing me love and giving me that opportunity. But never again. Pimping. Pimp my ride the biggest. Like Joe 10 at night. Come on. I'm like, yo, these. I'm eating a beef jerky. Like, yo, this crazy.

[Kenya Barris]

We're gonna bring you out of retirement. We're gonna bring you out of retirement.

[Fat Joe]

Oh, but you.

[Kenya Barris]

We don't bring you.

[Fat Joe]

You know what else for what we working with, we got a show called the Book of Jose with the Torero Brothers. And that's gonna just bring that whole 80s 90s New York. That shit gonna be crazy. Like, it's gonna be nuts.

[Kenya Barris]

It is. It's not just your story. It's. You're. The four is gone for hip hop, like, the idea of, like, all the moments that you've been there, you know what I'm saying? My favorite part is the moment that you saw a punishment in the crowd. Like, that's when the books are, like, in that crowded apartment, you know what I'm saying? And you see something that nobody else and you like, this is gonna. And I was like that. I was like, nyd, get a chance to do that, to have that moment. You know what I'm saying?

[Fat Joe]

But you do that with all your movies or when you take a chance with somebody, or you see a guy that writes and you like, all right, I think he could be. Cause you're putting your career, your word, everything on the line on others.

[Kenya Barris]

You know, when you see something and if you're smart, you get stingy with it. You know what I'm saying? Cause you're like. If you see something, you're like, yo, we can help each other, but I know. You know what I'm saying? Like, this is something special. Try to bring it out, but like, make sure that you keep that, you know, keep those people close to you. I think people. And now, you know, and make sure that they get taken care of too. I think that's important if you can.

[Fat Joe]

Yeah, everybody gotta eat. That's what, that's the whole, you know, my mentor, J.R. reitinger, billionaire, out of nothing. He taught me everything about business and his philosophy or ideology was everybody gotta eat. He did not feel good if everybody in the team wasn't eating. And he taught me different because I come from a crabs in the barrel mentality out the Bronx. I come in the, I'm the kid, I'm the leader, I'm. You know, he's come through me, then it trickled down, you know what I mean? But after I fucked with him, I realized everybody gotta eat. So now you come to my sneaker store, they look like they selling dope. They got fucking Benz trucks out there, Rolexes, Range Rovers. State of the art. Like, everybody gotta eat. State of the art. No, yo, everybody gotta eat. But it reflects on you when your team is living good and they doing great. You know, some guys, you know, what fucks me up is when people don't see the blessings of being down and they get that entitlement and they think, you know, the lights can't be turned off, right?

[Kenya Barris]

But everybody gotta cook, though. If everybody's gotta eat, everybody gotta cook too. And I think that's the problem sometimes, everybody. You sometimes feel like a day, right? You get around people and they feel like, you know, you want everybody, but everybody got to be a part of it. And everybody. You can't just, you know, expect it to just fall off people's your plate onto theirs. I'm saying I think everybody. That's why the crews that I really respect and I see them come up, everybody has a lane, you know, I'm saying. And when you start figuring out what everybody's lane is, everybody is not going to fit on the freeway, seriously. And sometimes you got to. I've gotten older and I've realized sometime now that you got to, you know, be like, your crew only can have a certain amount of lanes in it of your people. You really can be like, I can take care of you. You know what I'm saying? We can take care of each other. And then those people gotta have their people. But I feel like, I think that's a problem with us a little bit sometime is that we and people around us sometimes just feel entitled because we all came up Together, but, like, you want everybody to win, but the whole thing is the proximity of being around you, being around Jay, like, that's a win in itself.

[Fat Joe]

They don't understand that.

[Kenya Barris]

And I think the people talk slow

[Fat Joe]

for the people in the back.

[Kenya Barris]

When I look, when I look and I look and I look at the crews that I love, and I look and I see LeBron and his crew, Jayden's crew, like, people have jobs. You know what I'm saying? You and your crew, people have jobs. People have things that they do. And there's not that whole era of, like, people just be around to be around. I'm older, that I'm too old for that.

[Clifford Taylor IV]

We always talk about that on this show. Coming in the game early, you tend to. You think it's cool to want to bring everybody till you learn financially, mentally, spiritually, judicially. You had it up the head with bills and lawyers, and just taking in a big entourage turns into three, maybe three or four.

[Kenya Barris]

That's enough.

[Fat Joe]

And my circle's so small, it's like a fucking period. I can't even fit.

[Kenya Barris]

That's how it's supposed to be. And you got. Still got your crew, your seat. But I feel like the problem is that people feel like that they just should have. You know what I'm saying? And I feel like that causes resentment, it causes contempt, and that energy is toxic.

[Fat Joe]

You already know when it's a real moment. You need a real bottle. That's why we rock with 1800 tequila. These people been making tequila for 11 generations. That's a legacy. That's the OG status. They were the first to introduce Anejo. Set the standard before most of these brands even existed.

[Clifford Taylor IV]

And you could taste the difference for real. The 1800 Cristilino and Resposado is what we've been on lately. Smooth, clean, elevated, no rough edges. Just a premium pour that speaks for itself. You know when something is just built right? That's what this is.

[Fat Joe]

Real talk. That's just what it is. It's always around for the best nights. The wins, the celebrations. Then remember that night's stories.

[Clifford Taylor IV]

Whether you're keeping it low key with the crew or you pull up to something big, 1800 fits every sentence. It ain't trying too hard. It just is that 1800 tequila, real legacy. Real smooth. That's the move.

[Fat Joe]

One of the main things I've seen on social media, which is true in every which way, is I don't care if it's a family member.

[Clifford Taylor IV]

Hold on, I gotta, I gotta. I Got a Crazy Joe moment before you, okay? Because I seen you back me up. This guy over here talking about, we baited CL Smooth. I don't like I almost turned into you.

[Fat Joe]

We got the big dog here.

[Clifford Taylor IV]

We don't bring people here to bait. You see what kind of quality do. You see what kind of guests we have here? People you could never get. What, a pseudo F. No.

[Fat Joe]

You catching the straight for no reason. No, no, no.

[Clifford Taylor IV]

He's not catching it. He's catching the red carpet of these other people that are saying this bad stuff about it.

[Fat Joe]

We have Pete Rock here. Pete Rock is. So I asked.

[Clifford Taylor IV]

You don't have set up questions. We have a genuine conversation on the couch. Nobody over there telling us not to ask. We don't disrespect. We got guests that you could never get. Now, go back.

[Fat Joe]

My 20th anniversary of Lean Back, we did the Apollo. We brought everybody. I begged Smooth and P. Rock to get back together. They couldn't see our eyes. So P. Rock comes up here, and I ask him, what was the fallout? So there's some guy in a podcast, God bless him, he's interviewing C.L.

[Kenya Barris]

smooth.

[Fat Joe]

So P. Rock said he was jealous of him or some shit. I didn't tell Pete Rock to say nobody did.

[Clifford Taylor IV]

It wasn't no cute cards. The man said was out of his. Came out of his.

[Fat Joe]

I'm gonna tell you something to your opinion, right? To double down on what you said, the same guy, he tells CL Smooth, y' all feel like Fat Joe baited Pete Rocket. Not true. I didn't know what he was gonna say. That same guy. After he said that, his next question was like, so did Pete Rock fuck your girl? Did he smash your sister? Did he what?

[Clifford Taylor IV]

Ha.

[Fat Joe]

I'm like, yo, you baiting the man

[Clifford Taylor IV]

talking about bait, and he doing the baiting.

[Kenya Barris]

That's the world that we live in right now. I just was having this conversation, and it's crazy. I remember when my. And I remember when Jay dropped the lyric, my dad had said it to me when I was a kid. This kid on the block. I had a mongoose, and I had a huffy.

[Clifford Taylor IV]

No.

[Fat Joe]

You know, I had a huffy.

[Kenya Barris]

And I wanted. I was, like, saying something. I was like, I hate Darnell. My dad was like, come here. He was like, what? Darnell, eat don't make you shit. And I was like, okay. Then when Jay said, look, I remember it popped back up. Anyway, I went back in the house talking to my great grandma, and she's like, what's wrong? I was like, Daddy cussed at me. And she's like, what's wrong? And I was like. I told her what he said. She was like, you know what he meant by that? And she was like, if Darnell's hungry and he eats, are you gonna have to use the bathroom later? And so I was like, no. She's like, so then why do you care about with Darnell?

[Fat Joe]

Eat?

[Kenya Barris]

And I was like, and I'm telling you. And I put this on my children. I put this on my life. I'm not trying to. I have a lot of flaws. I have never been jealous of a person in my entire. I've been envious.

[Fat Joe]

I be saying that.

[Kenya Barris]

I've been envious. I've looked at. I love Ryan Coogler. I've looked at Ryan Coogler's career and be like, oh, man, I wish I had. Like, I love, but I celebrate him. Jealousy is when you see somebody who you will love have something to be like, but you let it take away

[Fat Joe]

from that person, which they did that.

[Kenya Barris]

Yes. I've never been jealous of a person in my entire life. And when I used to hear people in high school, girls would be like, she's sitting there.

[Fat Joe]

She's jealous of me.

[Kenya Barris]

I was like, man, shut up. I'm jealous of you. Shit sounds stupid. Like, you know what I'm saying? I didn't understand it when people would say, and now as I got older, I started for the first time realizing that jealousy was a real, real, real emotion.

[Fat Joe]

Back to what I was gonna say before. Yeah, I had two albums. One's called Jealous One's Envy Joe and Jealous one. Still envy. And one of the most dangerous things you could have in your life is a family member or a so called friend or entourage that's actually jealous of you. If you believe that one of your friends or family members is 1.1% 1. I'm not saying 101% jealous of you. You got to get rid of them because it's a disease. And they sitting there and they're like, and you trying to be nice, bringing them to places with you. I brought guys to Madison Square Garden. I'm performing, they on the side looking at me. And I knew they was jealous.

[Kenya Barris]

It's the worst motion

[Fat Joe]

move. It's an old person move. I don't have nobody around me that I feel is jealous. If I feel you jealous, you gone. I don't care if you're a family member.

[Kenya Barris]

I don't fuck with you. You have to be, because it's like somebody on dope they can't get rid of. You know what I'm saying?

[Clifford Taylor IV]

And that stop, once they get on that road, it never changed.

[Fat Joe]

I don't even know how it happens. And so with me, one of the biggest. Believe it or not, one of the biggest problems I ever had was getting down with Roc Nation, right? Cause automatically they think I know Jay Z. When I tell you the dumbest dudes you ever seen in your life, the most illiterate friends that you, you know, their IQ is like a peanut, yo. When you go set up the meeting with me and Jay Z, and I'm looking at him like, yo, bro, what are you talking about? You ain't even sell an orange on the meeting for what the fuck? You ain't never meeting Jay Z. You think I'm a good. Let me tell you something. I'll tell you a story. I did it one time. I did it one time.

[Kenya Barris]

Underwood.

[Fat Joe]

No, no, but listen. Superstar rapper wants to meet the powers to be. It's the only person on the earth I introduced to the powers to be. They get him a situation, hook them up. The man don't want to pay the. I was mind boggling. I was just. I never look at this guy the same no more. I see him and I just like. And I'm. I'm like. And when they say, yo, what's up with.

[Kenya Barris]

Can I ask a couple questions?

[Fat Joe]

You know how Jay Z says it? He says, yo, what's up with your man? Yeah, that's my man now. No, it's hip Hop's man, Jadakiss. Hipstop man Met the man's hip hop man. Fat Joe's.

[Clifford Taylor IV]

That's yummy.

[Fat Joe]

I'm trying to look up. No, it's my man who didn't pay.

[Kenya Barris]

So let me ask a question. Was it clearly expressed?

[Fat Joe]

Of course. Business is business. You trying to get something done you can't do on your own. They put you in the right place, you get it done. And then you don't want to pay. Like, come on, my man. Like, nah, I can't even respect you as a man. Not only that, I have never brought a person into this building talking about, yo, great guy this, that. I'm like, wow, I can't. He know. And that. Well, who. Perhaps something for the nose.

[Clifford Taylor IV]

Perhaps.

[Fat Joe]

You know what, Kenya, let me tell you something, man. So they make you to be like. Well, you are. But they make you to be like, the voice of black people in America, Tyler Perry.

[Clifford Taylor IV]

It's a great position to be.

[Kenya Barris]

Instead of a voice, though not the part is the part that hurts, we need. I'm a voice, but I feel like the part is the part that causes

[Fat Joe]

problems because everybody's got your name in their mouth. Pause. Right? No, but everybody's like, yo, I know Kenya Barris. Kenya Barris is going to. I'm like, word.

[Kenya Barris]

I just keep my head down now.

[Fat Joe]

Gangster dudes, all type of dudes. No, Kenya Parish, he's just. I'm like. And they just expect so much from you.

[Kenya Barris]

Yeah.

[Clifford Taylor IV]

Set a high standard.

[Kenya Barris]

I just keep my head down, man. I mean, I feel like I love being able to do what we do. You know what I'm saying? Like, it's a blessing. I know every day you wake up and you're like, yo, like, I never thought this was possible. You know what I'm saying? Like, some of the stuff we. You know, I still like saying. I still remember dreaming about the things I do today. You know what I'm saying? Like, never thought it was possible, but I think the blessing and the curse is that they need more of us. You know what I'm saying? And I feel like the idea that the few of us that there is makes it harder. 1. Anything you do gets blasted immediately. Anything anybody says is immediately true. You know what I'm saying? Anything that you do is put under the microscope in a different kind of way. That's why I'm so proud of Ryan and Issa and Antwan, because I feel like the more we can succeed and do it on a level that is unquestionably excellent, the more that it makes room for other people to come up behind us, you know what I'm saying? The more you get to spread your wings because you're not under such a light microscope, you get to spread your wings. When everybody's watching everything you do, it makes it a lot harder. And there's just not a lot of writer, director, you know what I'm saying? But there's just not enough.

[Fat Joe]

I want to be an Illuminati, too. Me, too. Has anybody. Next time you have a meeting. Next time there's a meeting, don't they hold him in the building? No, no, no. Not true. Is it only 30 minutes away from. That's what they want to say. Like, looking at this. Come up here. You know, when you see big money. Look at this guy. Look at this guy. This guy looking 22, he just go. There's something about that. That level of bag that they know how to.

[Kenya Barris]

Mine is called Brit Witko. Minus makeup

[Clifford Taylor IV]

and.

[Kenya Barris]

And a good haircut.

[Commercial Announcer]

Today's show is Brought to you by our presenting sponsor, Hard Rock bet. Florida Sportsbook. Second round of the NBA playoffs are here. Fantastic on Hard Rock Bet. Every night. Your chance to score a major bucket winner. Go home Energy on the hardwood. Same game parlays. Listen, you want to. You want to go with a hot hand to drop 30 double doubles. Hard Rock Bet gives you tons of ways to stack your picks into a same game parlay built for the postseason. So if you're ever, like, late to tip off, don't worry. Hard Rock Bet lets you live bet all game long, first bucket to last. So try your first bet on Hard Rock Bet.

[Fat Joe]

Today.

[Commercial Announcer]

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[Clifford Taylor IV]

and

[Fat Joe]

Doug, there's nowhere I wouldn't go to help someone customize and save on car insurance with Liberty Mutual, even if it means sitting front row at a comedy show.

[Kenya Barris]

Hey, everyone, check out this guy and his bird.

[Fat Joe]

What is this, your first date?

[Commercial Announcer]

Oh, no.

[Fat Joe]

We help people customize and save on

[Commercial Announcer]

car insurance with Liberty Mutual.

[Fat Joe]

Together, we're married.

[Timbo]

Me to a human, him to a bird.

[Fat Joe]

Yeah, the bird looks out of your league. Anyways, get a quote@liberty mutual.com or with your local agent.

[Clifford Taylor IV]

Liberty. Liberty.

[Fat Joe]

Liberty.

[Clifford Taylor IV]

Liberty.

[Timbo]

Last night, a blown call changed the game. This morning, the Internet lost its mind. Highlights are trending, opinions are flying, and nobody's telling you exactly what happened. That's where Sports Slice comes in. I'm Timbo. Every episode, we're cutting through the noise, breaking down the plays and the controversies and the stories behind the headlines. We go straight to the Source the athletes themselves, their locker room stories, their reactions, the stuff nobody gets to hear. The laughs, the drama, the triumphs, the moments that never make the highlight reel. From viral moments to historic games, from buzzer beaters to controversial calls, we break it down, give you context, and ask the questions everybody wants answered. Sports Slice brings you closer to the action with stories told by the people who. Who live them. Listen to Sports slice on the iHeartRadio app, Apple podcast, or wherever you get your podcast. And for more, follow Timbo Slice, Life12 and the TikTok Podcast Network on TikTok.

[Fat Joe]

Welcome to my new podcast, Learn the Hard Way. With me, your host and your favorite therapist, Kier Gaines. And in recognition of Mental Health Awareness Month, I'm bringing over a decade of my own experience in the mental health field and conversations with so many incredible guests. I'm talking Trip Fontaine, Ryan Clark. Sometimes when we're in the pursuit of the thing, we get so wrapped up in the chase that we don't realize that we are in possession of the thing and we're still chasing it. And we don't know when we've done enough. Because people, scoreboard wise, life becomes about wins and losses. Steve Burns, Dustin Ross. Cause you find it important to be a good person while you're here on Earth? Or are you a good person because you're afraid? Cause that's two different intentions. Intentions, bro, absolutely. And that. That's two different levels of trust. I want you to just really be a good person. Join me, Kier Gaines, as we have real conversations about healing, growth, fatherhood, pressure and purpose on my new podcast, Learn the Hard Way. Open your free iHeartRadio app search learn the Hard Way and listen now. What's up, guys? This is Clifford Taylor iv. And on my podcast, the Clifford Show, I'm bringing you conversations about all kinds of stuff, like being an Internet famous referee. We're in the middle of a game. This linebacker, he know these kids. This linebacker walks up to me, he goes, hey, ref, my mom wants you to wave at her. What?

[Clifford Taylor IV]

Time out.

[Fat Joe]

Look, quarterback on offense, blue 42. Hey, ref, my mama wants you to weigh better. What? Where's she at? Hey, Ms. Parker, listen to the Clifford show on the Operation iHeartRadio app, Apple Podcasts, or wherever you get your podcast. You know I'm about. I'm with them Peptides I didn't get. I'm with them. If y' all want to know what Illuminati talk about the that Reddit get you better. That Reddit too would top so Tell

[Kenya Barris]

me about what's the Peptides.

[Fat Joe]

Well, you know, I'm diabetic. I've been diabetic since I'm 12. 12. Hey, yo, you fat. This motherfucker. When you. I didn't know if I should see the fat boys. Don't with me. We have a shoot out here. Yo, I was. Yo, this motherfucker. We've been around each other too long. He know everything. The point is it came out.

[Kenya Barris]

I remember the day you came back from lunch. Yeah, no, no, no, no.

[Fat Joe]

But I've been. I'm. You know. But in any case, right now you see everybody with weight loss stuff. The weight loss stuff was a side effect.

[Kenya Barris]

Yes.

[Fat Joe]

To diabetes. That was diabetes medicine. And by the way, they figured out you can lose weight like ozambic and all these things. But that's. That's the 2G. I take the triple G. The third G is the gorilla. That bread at tuata. That bread will get you better. I'm. You see my cheekbones and all that shit.

[Kenya Barris]

What does it do? Because I've heard people.

[Fat Joe]

It makes you young. It make you good. I did but did not do my sugar to test that. It wasn't my A1. My was out of my shit. It make you the best. If you want to know what it is.

[Clifford Taylor IV]

What about.

[Fat Joe]

Let me tell you something. I'll tell you some other shit if we talk about. Yeah. Going to the gym. But let me tell you about some other shit. All the parents. Listen. Autism Awareness Month.

[Kenya Barris]

Yes.

[Fat Joe]

Right. You know my son Joey on the spectrum. Right. Let me tell you what I've been doing parents is very, very expensive. But I get my son the stem cells every six months. It's very, very, very, very expensive. If you could afford it. Change his life. Joey now tries to walk. Joey even tries to. The other day he called the lady party like he never said nobody's name in his life.

[Kenya Barris]

Oh my God.

[Fat Joe]

Like he never walked. He never. My son is nonverbal. Nothing. He's doing shit. He get up and start dancing. Like what stem cell. I've been giving it to him for two years every six months. He just. The reason why I remember. Cause he just had his dose today. It's very expensive. But it will change your kid's life. If you got it, get it.

[Kenya Barris]

Yeah, I gotta. It's interesting. I've seen you with Joey. I've seen. And your relationship to family is enviable. You know what I'm saying? The idea of how you. I call. You're like my mom right here. Joey's come like I remember you. Not when I was going through my divorce. You told me you were like, get your wife back. You're like, you gonna walk in the club a Lakers gonna be cupping her

[Fat Joe]

ass, pumping her ass. That's what you gotta do.

[Kenya Barris]

You were like, you gonna. It's gonna.

[Fat Joe]

If your wife's a baddie. That's what you gotta do. You gotta say to yourself, okay, yeah, there's plenty of fish to see. You know, fucking can you.

[Kenya Barris]

Barras.

[Clifford Taylor IV]

You don't wanna come in and Rui Hachabora.

[Fat Joe]

How about Domingus Palmin? He make her ass look small. You walking club live. She on the couch.

[Kenya Barris]

That was a hell of a five.

[Fat Joe]

You do a way. You put the. On the Instagram. You put the shade room. You outside all these girls. When Steve Nash Doran from the Pistons

[Clifford Taylor IV]

come in with your girls. Old acid.

[Fat Joe]

We gotta watch the guy. What's the guy from the Knicks? Cool guy. He never plays Daddy. Yeah. When Darby is Ben Wallace.

[Clifford Taylor IV]

Yeah.

[Fat Joe]

Ben Wallace possession.

[Clifford Taylor IV]

Big James Odin come through with your girl. The Davis brothers.

[Fat Joe]

Yo. Now, devil's advocate, one of my friends was where. Let me tell you something. One of the devil's advocates of this Devil's advocate. The devil's one of my niggas was breaking up with his wife.

[Kenya Barris]

Okay?

[Fat Joe]

Right? And now this might be Boston to the NBA. No, he was breaking up with his wife. And for all the wives that know Fat Joe, I'm the guy that will talk you. Look what you did. You said you was going through a divorce. What? I said, get your wife back, brother. You don't want nobody. I do that to everybody. I don't know their situation. I'm the guy who talks the guy into staying with his wife.

[Clifford Taylor IV]

Him at a good time. Everything is timing. And certain things.

[Fat Joe]

Well, I tell my wife.

[Clifford Taylor IV]

I know for a fact you can't fix this. If somebody come home and all this stub shoes is out there. One of them delagin ones. And you can't. Where you fix is over. He's no fix. So timing is always walking your house.

[Fat Joe]

And the got the loafer sneaker. You see those? Yo, you seen the loafer? Yo, you're a fashionable. Yo, Kenya. You're a fashionable guy. Would you ever wear loafers?

[Clifford Taylor IV]

It's a leaker. It's a loafer and a sneaker. We call it a leaker.

[Fat Joe]

Where's the stylist? In the room. Who? Yo, why you ain't burning them shits already? Oh, my God. Yo, Kenya, I gotta. Oh, no.

[Kenya Barris]

With this with. This with the cuff over them. They're cool.

[Clifford Taylor IV]

Oh.

[Kenya Barris]

But. But when it comes up a little bit, it's a little, you know. I mean, with the pants down. I like the shape of it. Yeah.

[Clifford Taylor IV]

You gave them the best compliment of all. They look like spatulas if you ask.

[Fat Joe]

Listen. Shit is horrible, dog. So what the. I was talking about just before that your friend. All my friends. Breaking up with his wife. Joe, come over here. This, this, that. I go over there. Yo, you've been with your wife since high school. This, this, that. I said, yo. Are you sure? I'm sure, Joe. Well, if you walk in Club Liv and Elijah Juan is cuffing your wife's ass on the couch. He said, what if I caught her sucking your dick? I still wouldn't give a fuck. I said, oh, no, he's divorced.

[Clifford Taylor IV]

Yeah, he could. He was serious.

[Fat Joe]

Oh, no, he's done deal.

[Clifford Taylor IV]

He was serious. Yeah.

[Fat Joe]

Not pay off Records told me to test the. Whoa. Cause my shit usually worked. Cause I'm a storyteller, so I visual I put you in the place. Yo, listen, I know this is fun and games. Do you think this shit is cool? But when you see her. He said, I don't give a about it.

[Kenya Barris]

Is he serious?

[Fat Joe]

Yeah, he left 18 years later. He got a bike.

[Clifford Taylor IV]

Something happened. Detrimental. Yeah.

[Fat Joe]

Because he's just getting cleaned out.

[Clifford Taylor IV]

You try to hit him with the visualized he Double Jim. He told it. That's nothing.

[Fat Joe]

What you told me detrimental.

[Kenya Barris]

Something detrimental happened.

[Clifford Taylor IV]

Whatever she did, it was way worse than.

[Fat Joe]

Yo, where's the envelope? Told him, you are not the father. Hit him with what happens.

[Kenya Barris]

That'll do it.

[Fat Joe]

That will do it. Man said, yo, Kenya, the man, Maury Povich. I asked him, right? Because we all know.

[Kenya Barris]

Yeah.

[Fat Joe]

What's a moment in our life that you know we know? Right. Like, so you ask me, Joe, what's your favorite verse ever? I'm saying, well, with big L, you know, we know. I said, yo, Maury, what's your biggest episode that changed your life? He said the woman had twins and was telling the guy he's the father. When they seen the result. He was the father of one twin. Is this Googleable?

[Clifford Taylor IV]

That's really facts, huh? He was the father of one.

[Fat Joe]

What? They was bumping heads. Yo, this is crazy. He was the father one and somebody else was the father the other baby. It is possible to have twins with

[Kenya Barris]

two different fathers, yes?

[Clifford Taylor IV]

Yeah.

[Fat Joe]

No. Fraternal and identical. That's. No, that's the wrong term. Fraternal. Fraternal means they. They don't look the same. My brother is twins. Fraternal twins. It's called heteropaternal. Hetero. Fraternal. How rare fraternal make that word writer. She was fucking everybody back to back, back to back to back. Really simultaneously back. This was maybe that was her perfection.

[Kenya Barris]

Oh, my God.

[Fat Joe]

Two lovers is not the father. Yo, K, what's.

[Clifford Taylor IV]

How you doing? Out of battle.

[Fat Joe]

Slack off screen. Okay, Twins. One of them is the father, the other. Nah, that and that.

[Clifford Taylor IV]

You might as well just let the other nigga have the other nigga.

[Fat Joe]

Yeah, Nobody beat that 18 year child support, huh?

[Clifford Taylor IV]

That's a winner.

[Fat Joe]

Take that 18 years out there first.

[Clifford Taylor IV]

Just charge the other one to him, too.

[Fat Joe]

What about the basketball player? He gave the girl a flat deal. She spent that million dollars?

[Clifford Taylor IV]

Yeah, Was paid for the whole way.

[Fat Joe]

He said 18 flat?

[Clifford Taylor IV]

Yeah.

[Fat Joe]

Yo, I found under the pillow, yo, this guy's making all type of money now. He. He did hear that. He hit that one shot deal. When to take all everything must go. She took the million dollars.

[Clifford Taylor IV]

Stupid.

[Fat Joe]

Ran out. That bitch.

[Kenya Barris]

That was crazy. That was such a bad lawyer. I was like a weed of people fresh out of law school, just taking. That's no money. I mean, good for him. Good for him.

[Fat Joe]

I tell you, sometimes it worked against him. No, no, sometimes worker gets him. I walk in the club one time, this girl who I don't know her name, but she was around in Miami like she was a beautiful girl, but she was out, let's say seven days a week, forever. And she ran up to me and she was pregnant. She was like, look, I'm in the club. She said, your brother. And she told me, who? Ooh, nah, nah. I might get sued right now. We on a different level right now. But she told me who. And the fucking bitch went and sat by the bar over there and was looking at me the whole night like, got him. Well, she ain't no. That nigga went broke around that time. Bankruptcy, legend. It was over.

[Kenya Barris]

The best ever.

[Fat Joe]

Got him. She's sitting over there. I said, damn, I just loaned that nigga 20,000. I said, she's done. She don't even know. She thought she was in for this. And she said, got him.

[Clifford Taylor IV]

She was in for section eight.

[Fat Joe]

Man, I've been around a long time. Kenya Berg, you called me the Forrest Gump. She told me, got him. Your friend, your brother is sat by the bar and I was watching it the whole night. I was like. Because she was like, why is she out a seductive? She was one of Them. But listen, I'm looking at her the whole night, right? I'm like this. Because, you know, I don't. I don't get high or nothing. I'm just. Devil Ms. Prada. I'm looking at her and I said, man, little does she know, they come repo Evans, Rainbow. I don't think she got paid to this day. That shit was about 20 years ago. I don't think she made the dollar.

[Clifford Taylor IV]

Let me hear about what. Tell us about the logo.

[Kenya Barris]

I got a chance to meet and tell the story of the logo. Facts like it really. And I went into it and be completely honest, not even thinking he would. You know, I just. I was gonna get the chance to meet him. Did not in any way, shape or form think he would let me do it. And, you know, when you. Sometimes you go around white people and, you know, immediately they're comfortable, there's a certain energy. He has that energy, you know what I'm saying? He had that energy. Like, you knew immediately he was super comfortable. And also, he had a bullshit detective, you know what I'm saying? You know, when some people are talking and, you know, when they've been around and we just hit it off, and when they called me and said, you know, I could do it, I really was like. I got nervous because I was like, oh, this is. This means something, you know what I'm saying? Especially after you read his book, because his book is so honest about the life that he had. And he was there before the NBA, was with the NBA, black and white, you know what I'm saying? Dave Bob Koose, you know what I'm saying? And all the way through till now. That's why so many people showed up and said, yes. And I. You know, but for me, it was telling the story of more than basketball, telling the story of more than a man. He's telling a story about somebody who was an icon and who I learned a lot from and who I became from the family. And I. For me, the story that. Like, when I met mj, I had never met MJ before. I wanted to. And I went on, literally nervous, whatever. And to see him walk in, he has an aura, you know what I'm saying about it. He has aura. He walks in. You can almost can hear him walk in, you know what I'm saying? Something feels different in the room. Like the temperature change, you know what I'm saying? He comes in, he sits down. It's all there. The moment he started talking about Jerry, though, it changed for him. Like, he changed from usually, you know, he talked about his experiences and he has that same provider, but now he's talking about somebody that he looked up to.

[Fat Joe]

MJ told me Dr. J was his idol.

[Kenya Barris]

He told me that when he talks to me, he probably spoke about him differently, you know what I'm saying?

[Fat Joe]

Yeah, he did. And he put him in a different.

[Kenya Barris]

He said he felt like the NBA. The trinity for him was Jerry, Mike, Kobe. And Jerry basically said the same thing. He said all three of them, they were all friends, they all talked, they all exchanged texts. And he said they all had the same thing, that they would die on the court if they had to. You know what I'm saying? That was that they had that cold blooded, just killer mentality. And I think that was. That interview changed and pivoted for me how I wanted this to be, because I was like, the dude who's the dude has this kind of respect for him. And I wanted to make it more than about basketball. And I started like getting into. And Jerry was really up on like mental health, you know what I'm saying? Like his own mental health. And now men, our mental health, we often don't examine in a certain way because we're supposed to have a certain demeanor. You're supposed to keep stuff. You're supposed to sort of be a certain way. And that doesn't always let in that part of you that allows you to sort of be vulnerable, allows you to be sort of like, I need help. I'm not, you know, saying like, it's so. And I think that that was a big part of his life. I think it was a big part of like what his family had to deal with and what he had to deal with, you know what I'm saying? So it just. It was a crazy four years to do. It was a crazy journey. And it made me really respect documentary filmmakers, is they have to do it in reverse. You say this is what your documentary is going to be. But truthfully, if you really want to do a good job for someone. If I did either of you guys stories, I would not be able to go into it saying what it's going to be. I would have an idea of what I thought I wanted it to be. But then as I talk to people and I hang out with you and we talk and I see things, it kind of tells you what it's going to be. And your job is to build a background.

[Fat Joe]

You know what's crazy? You were starting with a Skyrizi moment because I got to go use the bathroom right now the documentary. Start with the Skyrizia Old man break. Give me two minutes. Skyrissey.

[Clifford Taylor IV]

It's a beautiful pill with a story to tell.

[Kenya Barris]

The 12 was hilarious. I was like, is it really 12? He wasn't 12 when he had not read.

[Clifford Taylor IV]

I'm not sure. It was either 12 or 13 or 14. That's. He said it so much. That's why I can. I know that. I know the number.

[Kenya Barris]

That's young.

[Clifford Taylor IV]

I've been diabetic since I was about 12. Right, J, it's 12. Yeah.

[Fat Joe]

You got it. It's 12. You listen.

[Clifford Taylor IV]

That's all I do is listen. I become a professional, avid listener with this new gig right here.

[Kenya Barris]

How you liking it?

[Clifford Taylor IV]

I love it.

[Fat Joe]

It's fun.

[Kenya Barris]

Is it different?

[Clifford Taylor IV]

Definitely different. I think the dynamic works for us. Cause it's like. It's like yin and yang fricking frat.

[Fat Joe]

I love that the age gap that's

[Clifford Taylor IV]

not too far apart makes it perfect, too, because I actually grew up looking at him. But then we actually got some contemporary time, being in the game together and went through some of the same things.

[Kenya Barris]

What made y' all want to do this? Was there a moment y' all hanging out and we should, like, we should do this?

[Clifford Taylor IV]

Nah. A few years back, they had the Rock team. We had a few meetings to do something, and then it fell through. And then out of nowhere, I guess volume came back, like, yo, we want to be interested in creating a show

[Fat Joe]

with Joe and Jayla.

[Clifford Taylor IV]

And we was with it because we was already gonna do.

[Kenya Barris]

Had y' all done something together before?

[Clifford Taylor IV]

No, we never did.

[Kenya Barris]

How did they know it would work?

[Clifford Taylor IV]

Yeah, he asked how they know it would work. They thought it wasn't gonna work. This. They counted us out. There he goes. Are we rolling.

[Fat Joe]

Now? I'm trying to explain something.

[Clifford Taylor IV]

You're messing up the angles.

[Fat Joe]

Listen to what I'm saying. I gotta show you. No way has so much swag. I sit there. Thank you. He was like. I said this. He been a sugar. What the.

[Kenya Barris]

What we're talking about.

[Fat Joe]

We talk about that logo, Joe and Jada.

[Clifford Taylor IV]

He asked us.

[Fat Joe]

I know, but you saying earlier that his swag was crazy. What are you talking about?

[Clifford Taylor IV]

He asked us how did we get to here with me and you and

[Fat Joe]

the people thought I was not here when I left for the piss break.

[Clifford Taylor IV]

You got two nice ears to listen while you went on your Skyrizing promotion, Me and my brother was chopping it up. You said, yo, how did. How'd y' all even get a show? What Made y' all get together and da da, da, da, da. And how did y'. All. How did they know it was gonna work?

[Fat Joe]

I'm telling them they didn't think it. He's top five dead or alive.

[Clifford Taylor IV]

He's still.

[Fat Joe]

There's actually. I'm trying to tell him.

[Clifford Taylor IV]

Go ahead. He's actually.

[Fat Joe]

There actually are human beings walking around thinking that he's top five rapper of all time. Right? So he comes with a whole different type of authenticity, an aura around it. Me, I'm the guy they don't admit. But I hit hits out the. I'm big Poppy Ortiz. I go in there, I clean them bases. Bases loaded. I smack the out the park. They all the time. But they don't want to give it up. They never give nothing up to me.

[Kenya Barris]

Can you right?

[Fat Joe]

Nothing. I just win all the time. Everything's number one. You get yours. We're number one all the time. How you think I give a. I walk in with that Louis Vuitton first. Different. I don't give a. I don't care. Kenya. I don't give up. You think? I don't know. They always do a top five fashionable rappers. These niggas can't wash my socks. They make this list. I'm like, they must not know that jacket I had on that night right next to him was 37,000 out of here with that. You want me to convince me I'm not winning? Are you know how high my ceilings is in the crib? This crazy for the get out of here. So I go like this. I said we go. Right?

[Clifford Taylor IV]

Joe and jadashow.com. we got new merch fresh off the precious. Go get it. Bam. By the big bomb going jadishow.com. you can get these little cold for a T shirt with a hoodie.

[Fat Joe]

It's my favorite right there. I need an extra large [e-mail]. go there. Get it. I think by now they exaggerated the number. So the numbers they were saying everybody who had a podcast. It was like just got 50 million. Like they made money. They were the first to the gold rush. But the numbers a little exaggerated.

[Kenya Barris]

Right?

[Fat Joe]

It's great money. But because we smashing them like so we. I know I'm in the algorithm of the money. We're there, right? So. So I pretty much know what these guys could be making or not. Like, you know, because I know the numbers. So these guys are not like us. Unless you got kidnapped in Africa. Unless you perform in the.

[Kenya Barris]

I told you what happened.

[Fat Joe]

I just told the shit. Unless you got. Unless you perform in a favela in Brazil where they just killed 69 cops the day before there, where you're performing. Unless you perform in the club in Brooklyn with a guy, you don't know if the promoter is going to pay you or he got three German Shepherds, you ain't did this. Sorry. And the worst nightmare ever was when somebody, another podcaster, who was the King or whatever, turned on that YouTube and said, Jesus Christ.

[Kenya Barris]

Yeah, y' all came out.

[Fat Joe]

They gave this nigga a microphone. And then Jada, little by little, warming up, he's doing his facial expressions. He's bringing this. They like, holy shit. These niggas like the odd couple. They. They going crazy up. We going crazy. Let me tell you something. I'll tell you something. I admit to something. So we got to deal with Netflix. The other day I went, you know how they put episodes or more? I don't know if you've done this.

[Kenya Barris]

Yeah, yeah, yeah, yeah.

[Fat Joe]

Yo, bro. Every day. If it ain't cardi B, it's Dr. J. If it ain't Carla, it's Kenya Barris. If it ain't him, it's this one, it's that one. It's the young Miami. This is insanity. What we doing up here? This ain't normal. This ain't normal. You can't take that. I'm not delirious. This ain't normal. If you. Look, I dare you. When you go to the hotel, you go to Netflix. Look at the episodes and more. Yeah, John Lego Jamo. This one. That one. This. This. This. I don't even know. Because we just come to work. We get paid to do a. I love to do. He don't like to talk shit like me, but I love it. I am a shit talker, you know? They used to come to kill me. Kenya Barris, man, I gotta give it to you, because, you know, you're a real one. But I'm gonna tell you, they used to come kill me. Like, kill me.

[Clifford Taylor IV]

Are you listening? Yeah, they used to come kill him.

[Fat Joe]

They had every reason to kill me. Every reason to kill me. I deserved it, is what I'm trying to tell you. And when they come and. Come on, guys, we're all Puerto Rican. We bought Equal. Why would you want to kill me? They ain't got the gun in my face like this. I deserve it. Come on, guys, don't worry. You know, that's the.

[Kenya Barris]

That's the show.

[Fat Joe]

I get the fuck out of there every time. So you gonna put Fat Joe up in Here to tell a story. And we the realest in the game. You guys are done. Everybody had to pack their shit up and pull out the white flag. You think I don't know? And there's one thing I don't respect. And in a personal shot, because Jada does, right? I don't respect that You've been hot, hot for 10 years. And we did. We only did one year. We're number one.

[Kenya Barris]

Yeah.

[Fat Joe]

Now, I don't want to hear last year, Ryan Cougar, I seen you shot him out four or five times. Why? He the hottest nigga now.

[Kenya Barris]

He's been the hottest.

[Fat Joe]

No, he's the hottest now.

[Kenya Barris]

Yeah, he been.

[Fat Joe]

He been in recent award memorabilia ever. His hardware is now. Bro, don't talk about these old niggas. They had to be the same derat. Not me. You can't trick me out of. I'm. Yeah, I'm crazy. Yeah, I'm insane. But it's all in good reason.

[Kenya Barris]

Yeah.

[Fat Joe]

And I know what it is. And you not young niggas scared to death. Y' all threw that shit on you. Wait, let me tell you something. I'm from the South Bronx. I'm telling you. I'm from the South Bronx. They invented hip hop music. I was there as a kid for the invention, as a fan. Not crosstown. Not this. Grandmaster Flash, my brother was a crate boy. Melly Mel. Mr. Ness lives in my grandmother's village. The first female MC, Shy Rock lives in my projects. IKC, the first Latino MC. Nah, nigga, I'm there. I'm in the Mecca. I'm there. I'm not crosstown. I'm not hearing rumors. I'm not this. I'm there in the soil. I'm just telling you all that to let you know that the Bronx ran hip hop for about the first 12 to 13 years. There was nothing. You could be Eminem and rap, and you live in Brooklyn. You not getting it. Nobody. It was just Bronx mania, right? It was a time like that. I'm in junior high school and we doing the talent show. I do she'll only Come out at night. Demeaning every time. Nothing to do. I seen that here. I performed that, right? Hauling notes, right? Three girls came out to dance and they played Run DMC in the Bronx, home of hip hop. All we knew was the Bronx. I watched 1000N look and say, oh, it's over. This going to Queens fast, like easy pass. I watched the whole Bronx. They played Run DMC for the first time. The whole said, we knew it Was over. That was like. That's what happened to all these podcasters when they saw Joe and Jada. They said. They said, let us front. Let us try. Let us keep going. And trying to act like we the one. You ain't been kidnapped.

[Clifford Taylor IV]

You ain't been killed. You ain't been kidnapped.

[Fat Joe]

The Iron Sheik didn't ask you for perhaps something for the. No, I see. They just not. And the fluidity is. And they. It's just not the same. We need more.

[Clifford Taylor IV]

You got a strength of coffee.

[Kenya Barris]

It's always. It's the new energy is everything. I feel like I love it.

[Fat Joe]

Listen, we went from YouTube to Netflix.

[Kenya Barris]

First of all, what was the one we did now?

[Fat Joe]

We did it on my IG.

[Kenya Barris]

Yeah.

[Fat Joe]

We went from YouTube to Netflix. Everybody said, you crazy. This, this, that. They used to diss me every day. I don't know. They used to diss me every day. Now I've been looking at them. So the way these guys. The up and coming. Let's just say the up and coming podcast is. Cause you don't like me to say I'm not seeing you. There's a section of YouTube that's like AM radio. Good morning. We are now without stepped up. Without them knowing they're doing better every day. Their content was us. So Fat Joe say some crazy. Yeah, I met the algorithm. They whole show is out of here. We giving them content and they're like, yo, fuck these guys. They ain't really hot. Now we on Netflix. They don't have Netflix and chill. So they can't really do the commentary every day about.

[Clifford Taylor IV]

They do have Netflix.

[Fat Joe]

I thought. Miss. Miss. I thought everybody has Netflix and chill. Don't got 9.99. You think I need that customer out of here? Like, I don't know what these people talking about. If you ain't got Netflix and you ain't got 9.99, you can't buy a fucking button. I hate Fat Joe. I'm not worried about you. I'm worried about the money. That's all I'm ever worried about. Of course we're preserving the culture. Of course. This is hip hop. This is where everybody feel comfortable. We never do negativity on it.

[Kenya Barris]

I love.

[Fat Joe]

This is all positivity.

[Kenya Barris]

I'm sick of everything being negative. The negative shit. You know what I'm saying? It can be amazing day in the world. And one negative thing will come up and that will be the Internet is so happy saying, like, literally, it could be. Arguably, everyone's like, this is the best Day ever. And the one negative thing, that's all everybody would talk about that whole day. So I love that.

[Fat Joe]

So ice spices in McDonald's. Yes. Some girl starts with her. Look how Fat Joe thinks. Crazy Fat Joe girl smacks Ice Spice. Right?

[Kenya Barris]

Who was wrong?

[Fat Joe]

The girl you can't put hands on, on the Ice Spice, eating her chicken McNugget, whatever. And the girl come up in there, she's like, yo. She smacks her Ice Spice. A real girl, she got Ice Spice,

[Clifford Taylor IV]

got the fuck out of it. She gotta get rid of that friend.

[Kenya Barris]

Done. That's that circle getting smaller.

[Clifford Taylor IV]

Got out of there on the pew.

[Fat Joe]

Listen, I'm talking about negativity in social media. Ice Spice gets smacked.

[Clifford Taylor IV]

She's.

[Fat Joe]

Of course. She's from the Bronx. She gonna defend herself. She gets up, tries to get about these two females. A day later, the pretty girls, what's their name? Dress Dior. And all of them, they fight in the club. Whoever them girls are, huh?

[Clifford Taylor IV]

Who?

[Fat Joe]

Jada Waiter. All right?

[Clifford Taylor IV]

Because you gotta get.

[Fat Joe]

If you don't know who Jada Waiter is or dsdr, you see something's wrong with you, brother.

[Clifford Taylor IV]

You don't know nobody's name.

[Fat Joe]

You know, I'm fried. But I know who they are. They get it popping in the club when they hit two females,

[Kenya Barris]

somebody just died, too.

[Fat Joe]

Hello, little kid. Hello. He got it. He got it. He got it. The girl come up, she smack us. He got it. The girl smack Ice Spice. They get it popping.

[Clifford Taylor IV]

Yeah, I heard that.

[Fat Joe]

The two pretty girls get it popping now. The two pretty girls in UK want to get it popping. Fucked up. She ran over her with a car. Now she got a body. She killed the girl. The other pretty girl murdered her. This is all generated registration. She's all generated from social media negativity. They seeing this, they seeing. They don't. They'll. They'll. They'll mimic everything till somebody dies.

[Clifford Taylor IV]

That's a great valid point you made, my brother.

[Fat Joe]

Hello.

[Clifford Taylor IV]

Very you. It took an hour and a half, and it was very effective. We all got that

[Fat Joe]

social media. I have you doing shit you don't want to do.

[Kenya Barris]

Yeah.

[Fat Joe]

And so all this negativity, all that, I don't even. You know what? I'm going to be honest with you. I know everything that's going on. But I'm pretty much in the bubble now. I go home, I do my graffiti. If I don't go to a game or somewhere, I'm getting paid. I stay home. It's just like that right now in the streets. And Social media and all that, it just got me. I look, you know, I've always been a guy. I never got high and all that. I've been a guy that could look at you and be like, oh, no, I don't want to do that. That's what happens. So I'm looking at social media. It's so negative. I'm like, let me just stay my ass right here.

[Kenya Barris]

Keep your head down.

[Fat Joe]

Because this shit and they love it and they celebrate it, and they come every day that they start some more shit. And they start. And I'm just looking at all this shit and everybody's ratting and everybody. How about there was a time where people used to ride horses, not cars. Somebody's grandmother or grandfather saw the horses turn into a car and then turn into a phone. They then turn into an airplane. That worked. Where's he going? I'm at the point where this nigga

[Kenya Barris]

starts conversations way ahead

[Fat Joe]

and then back.

[Kenya Barris]

I gotta see where this goes.

[Clifford Taylor IV]

You can figure out.

[Kenya Barris]

This is. It's always.

[Fat Joe]

It always.

[Kenya Barris]

It always lands. Let's land it. Come land it.

[Fat Joe]

I don't know what I was saying no more.

[Clifford Taylor IV]

It was.

[Fat Joe]

Besides, we started with horses.

[Clifford Taylor IV]

Somebody.

[Fat Joe]

I don't even know what else.

[Clifford Taylor IV]

Somebody on a horse that turned into a car turned into a phone. And then you stop.

[Fat Joe]

Because we're watching the evolution of destruction through this source of social media. And so I just gave you an example.

[Clifford Taylor IV]

Nah, I don't. Are y' all listening to this?

[Fat Joe]

I just gave you. No, but I, I. Today's mathematics. Can I. All this shit goes into. Yo, what can I add to this,

[Kenya Barris]

though, in a good way. That's just what you're saying about the chicks fight. Not even think about it like that.

[Clifford Taylor IV]

That was great. That was great.

[Kenya Barris]

I. I must say that there's a other version of it, too, that if that can happen on the negative side, we can see Coogler, we can see you. We can see literally the positive vibrations. And I'm not even that kind of person. I don't even talk. I'm saying.

[Fat Joe]

But like, no, that's good shit.

[Kenya Barris]

You know what I'm saying? We can. I think there's a version of people start emulating. I don't need to talk shit about another person to be dope. I don't need to bring talk to my else down to be dope. I don't need to do this. I cannot fight and still be hard. You know what I'm saying? I feel like, you know, I felt like there is another version that people can look at, you know what I'm saying? And that's why I was so when I look at, like we talk about Will Smith, you know what I'm saying? Like, Will, for every year of his life that we knew him, kept winning without being what everybody said you had to be. That's why I was so, you know, upset to see anything that happened, if you know what I'm saying, Negative to him. Cause I feel like everybody has a bad moment. But I still remember and I'm still gonna always root for. Because he did it so big, so long without having to do the shit they said we had to do, you know what I'm saying?

[Fat Joe]

Also, let's shout out Chris Rock, like the gentleman, and he's a legend. But Will Smith's moment was almost like a young Disney star. You ever see the. Like, Zendaya has to go from Disney to euphoria, you know, just Justin Bieber goes from a Disney star to 76, tattoos in his face. And this because they try to eliminate that. That image, I think. How about. I know Will Smith premeditatedly smacked.

[Kenya Barris]

Oh, you think so? Yeah, I think he was having a bad day.

[Fat Joe]

I met. I'd seen him right after he told me, yo, he had that coming. He might, he might.

[Kenya Barris]

I think he did feel that way.

[Fat Joe]

No, he said, I don't care what he thought. You was one of the first celebrities I seen with Will. After that, you seen some screening of some shit. But the man told me, yo, he had to get that. I said, damn, Will ain't give a fuck. It wasn't like a spur of the moment.

[Kenya Barris]

It was something that was a hell of a place to do it.

[Fat Joe]

Did it momentarily fuck up the bag, you think, for Will?

[Kenya Barris]

Yeah, we'll agree to that. I'm saying, but the bag is so big, you know what I'm saying? It's at a certain point you're like, was it worth it? You know what I'm saying? Not maybe for him it was. But I feel like my point I was trying to get is I think I love that y' all don't fucking sit up. And like, I feel like so many men right now, and this is no offense to women, but are not handling themselves like men, you know what I'm saying?

[Fat Joe]

Like, they say that again, please. Stop for the men out there. You're not handling yourselves like a man.

[Kenya Barris]

Like, I don't think men sit up and gossip.

[Fat Joe]

It's the fucking truth and talk, you

[Kenya Barris]

know what I'm saying? Publicly, you know, we Might stuff behind, but we'll talk, you know, to each other. But the idea of, like, that is not a manly trait, you know what I'm saying? To get on and, you know, and gossip, gossip, gossip, gossip, gossip. And I feel like that's becoming celebrated. And it's not something that if men

[Fat Joe]

come up here, everything changed. That's why I stay home. I'm home. I'm in the time machine. Everything changed. Ben slept with a woman 20 years ago. He bring this shit up 20 years later. Yo, I fuck such and such in 99, 89 and shit. Like, yo, bro, we don't need they doing that.

[Kenya Barris]

That's so against Covid.

[Clifford Taylor IV]

Yeah, that's.

[Kenya Barris]

It's just so weird, yo.

[Fat Joe]

Everything we thought, the snitching shit outta control. Like, I'm ready to snitch on somebody. I'm ready. They fucked me off. I was the last of the Mohicans. Let me tell you something. I'm so anti snitching, like, it's so much in my DNA, in my blood, that I go to the Knicks game, right? And I'm celebrating. You know, I go in there, the parking attendant is nice, the cops are nice, the security's nice. The khalizzy, the guy who gives me the khalizzys, Everybody's happy. It's one guy who's security. I'm talking about. The Garden's really, really white. You really see who the real employees are. And there's one Puerto Rican in the whole stadium. He's security, and he's by my seat. And if you see this or your nephews or your sons show you, please just watch it, man, for yourself. And every time, everybody knows Fat Joe. Every time I try to get up to take a picture, he goes, yo, the line, yo, not now. This is the only Puerto Rican that work in this shit. Keep fucking with and I tolerated because I'm a nice guy. And everybody loves Fat Joe and this and this. And I say, you know what? Had to talk to myself, my inner self. I'm about to snitch on you. Sniffles

[Kenya Barris]

it starts so far ahead.

[Fat Joe]

It's so far. Have you ever seen our leader of the New York Knicks, our great owner who takes care of us, James Dolan? Have you ever seen him?

[Kenya Barris]

I don't know what it is.

[Fat Joe]

As much as this man took care of me and looks out for me, he always got a face like he don't want to be bothered. You ever seen that? He be there like, so he know I salute you, and he salute me. Fat Joe, number one fan. But I don't bother that man for nothing.

[Clifford Taylor IV]

Yeah, he looks like he doesn't want to be bothered.

[Fat Joe]

No, no, he looks like he don't want to be bothered. I was this close, okay? I went to the Garden one day, and I said, okay, nigga, I'm telling. No, no. It's fucking day. 25 years. I never asked Mr. Dolan for shit in my life. Nothing. I don't bother him. Stay. I said, today. This motherfucker tells me I'm standing on the line or somebody's walking through. I said, I'm going to Mr. Dolan. Cause he's right there. Hey, Mr. Dolan.

[Kenya Barris]

Yeah.

[Fat Joe]

This guy harasses me.

[Kenya Barris]

Him.

[Fat Joe]

Him. In front of the stadium, this man. And I always. I don't know how to fire people. I don't like to get people with your. But whatever happens to him, if he's cleaning toilets, from there on, he's up and down.

[Clifford Taylor IV]

He deserves it.

[Fat Joe]

The niggas on unemploy. And that one day is where I realized the Puerto Rican man with God. That was the one day he smiled at me and was like, hey, Mr. Joe. I said, this motherfucker was God right here. I said, shit, they saved this motherfucker. Cause I'm snitching. I'm going to Mr. Dolen. Yo, this man, I can't take it. He's him. Thank God. He smiled at me yesterday, you know? So when I got.

[Kenya Barris]

This is the whole thing. I don't understand. I'm gonna be real. The whole everybody snitching at the same time. The idea, though, of what. When is snitching okay, and who is it okay for? Like, the reason that I feel like it's not okay for what we're here for. Cause these are niggas from the street who does a cold and what they live by. If that's what you're gonna live by, that's what you gotta die by.

[Clifford Taylor IV]

If you're a criminal through crime, you shouldn't snitch.

[Fat Joe]

I agree. But I tell my child, if you're

[Clifford Taylor IV]

not under any of them umbrellas, you have the right to remain signing or call the police or call and call for help.

[Kenya Barris]

There needs to be a distinction put out to do that. Because it's becoming too. It's too many rappers and street niggas that are telling people, you can't snitch. You can't. And I'm like, that's. That's a culture.

[Clifford Taylor IV]

That's rules.

[Kenya Barris]

That's for that culture. And for that lifestyle, that's the rules.

[Fat Joe]

But I'mma tell my child Snitch the rules.

[Clifford Taylor IV]

You know, I don't.

[Fat Joe]

You know, I got a guy, I put on one of my albums. He's from Atlanta. Ooh, Bank.

[Kenya Barris]

Oh, who?

[Fat Joe]

Big Bank.

[Kenya Barris]

Okay.

[Fat Joe]

He got a podcast, Shout out to Big Banks, that real shit. The other day, he put a picture of one of them white boys crying that shit. He put a song beyond it. Like, I forget what song it was. It was the funniest shit in the world, but we've reached a moment. We've reached. It was a pivot. What you call it? A pivot. Not an end of the. He played end of the road. It was the end that. It's like everybody you thought was real,

[Kenya Barris]

right, they failed you.

[Fat Joe]

And you sitting there, you just like. I mean, the snitch is this. Go, Your mom gets robbed, your lady, your wife gets robbed, your daughter, son, whatever. They could call the cops on everybody. But if you out here pretending to be a gangster, if you out here talking in your music like you some super extra gangster nigga, and all of a sudden you get. It's like, what's my man from In Living Color? Remember the educated. What was the educated guy?

[Kenya Barris]

Damon Wayans, when he was Damon Wayans,

[Fat Joe]

when he was the educator, all of a sudden, you were educated. Y', all, I'm a businessman.

[Kenya Barris]

Yeah.

[Fat Joe]

I'm snitching this shit out of control. You had me fooled. So I stay home because all the rules I grew up by, it ain't it no more. It ain't.

[Clifford Taylor IV]

And.

[Fat Joe]

And. And I've been living by a code that they almost got me confused. Like, did I lie when I go up to heaven, am I gonna go up and speak to my guys and they're gonna be like, man, you fell for that shit. You moved like, you know what I'm saying? Cause my whole life, I try for the. Yeah. Am I floored? Am I not a perfect guy? Am I this. Yeah, you correct. I'm a sinner. Whatever you want. But for the most part, I try to follow the rules. Like, really follow the rules. So everything I grew up by and all the morals and all the codes, this shit got me confused. So I'm sitting here like, yo, this shit.

[Kenya Barris]

But that's social media, too, because I feel like it's squashing everybody into one. And it's like everybody who's a rapper ain't from the streets. You know what I'm saying? But they feel like they have to be or have to assume you know, have people assume that they are because they want to be part of a lot.

[Fat Joe]

Like Tyler the Creator.

[Kenya Barris]

Yeah, but Tyler the Creator's from LA and from the hood, you know what I'm saying? Like Tyler the creator.

[Fat Joe]

How about that?

[Kenya Barris]

People don't know. Tyler Crater's not like a yee like Tyler Crater is. Like, he just don't. He chooses to rock the way he does. But he's from Hawthorne and Carson. I'm saying, like, he from a real part of la. He grew up around real niggas, you know what I'm saying? He just is the way he is and those are real dudes around him. And I love the fact that he doesn't feel the need to sort of be something that he doesn't feel like he is, but he's not.

[Fat Joe]

That's the way it works for me. Since day one, I have friends who are the nicest, sweetest guys, tell the greatest jokes, worked hard their whole life, this, this, that. And I respect them for who they are. You ain't gotta be extra tough for me. How about the tough guys don't act tough? The more tougher the guys is, the more dangerous it is, the more nicer the guy is when you beat him. I met guys that. Their fucking reputations. You're doing a movie with one of these gangster guys from la, right?

[Clifford Taylor IV]

Who?

[Fat Joe]

Who?

[Kenya Barris]

Mike Conception.

[Fat Joe]

Mike Concep?

[Kenya Barris]

Yeah.

[Fat Joe]

You know, how legendary is that name?

[Kenya Barris]

He's a.

[Fat Joe]

Every time I got around him, he was a perfect gentleman.

[Kenya Barris]

That's right.

[Fat Joe]

So every time you hear all these rumors and when you get around the real ones, you like, wow.

[Kenya Barris]

I was just a Top's house, right? Top.

[Fat Joe]

Another one.

[Kenya Barris]

Top is a legend. He's a reputable.

[Fat Joe]

No, no, he's a super legend bounty hunter.

[Kenya Barris]

He's a reputable. You know I'm saying, one of the most lethal hoods in Los Angeles.

[Fat Joe]

Beyond respect. In a different way. I know of him.

[Kenya Barris]

That's right.

[Fat Joe]

Forget the hood. I know his jail time.

[Kenya Barris]

Yes. And when I was at his house,

[Fat Joe]

he was beyond respected in jail. His people are wildly respected in jail. Yeah.

[Kenya Barris]

You go around town and it is. He is happy to be in his beautiful home. Beautiful home. He lives next door to Elon Musk and the King of Qatar. And he says he don't want none of the street, you know what I'm saying? Like, but he knows what he. He is what he is. And he's a real one. And I feel like, to me, that's what, you know, I respect the idea when I Go around him. I feel at home, I feel comfortable, you know what I'm saying? He doesn't need to be a gangster. He is a gangster, you know what I'm saying? Exactly. And I feel like he doesn't need to talk about it, you know what I'm saying? He is about it.

[Fat Joe]

You know, for me, it gets overwhelming, right? So shout out to the one year anniversary of my brother, Rich player. He got dynasty. Commodity, cannabis in Harlem. You ever come to New York? Dynasty. But I go there for his one year anniversary. Every gangster. I counted in my one hour there, 350 years of jail time. And my one, I'm sitting there. I'm not gonna lie to you. It gets overwhelming for me to hear everybody telling gangster stories. And it won't stop. And for me, Fat Joe. I'm gonna tell you something about Fat Joe. Fat Joe talk a lot.

[Clifford Taylor IV]

Hello.

[Fat Joe]

But the people that know, they know he don't talk a lot. The shit I can't talk about, I keep to myself. Legendary. Yeah. Like, I got a treasure chest of out there. Like with the. Who killed Hoffa the Wow.

[Kenya Barris]

Yeah.

[Fat Joe]

For some reason they want to come to me. For some reason, all these guys who did the most historical you ever heard in your way, I'm sitting in Dubai one day. I'm not lying to you. I'm sitting in Duke, in Dubai one day with white linen on with the C shot. Everybody come crack. What's up? I killed such and such in Dubai.

[Clifford Taylor IV]

Who?

[Fat Joe]

Well, a dude had the nerve to tell me he killed Tupac. And the dude is a superior gangster of the ages. Nigga, they got movies about him. So I'm sitting there like this. I'm looking. One day, I got a tuxedo on with a fucking bow tie. Somebody come up to me and say, yo, you seen the movie Pray the Fool Joe? Yeah. I'm the guy who gave Rich Porter, the guy to 10, the 10 keys. He did this. And that's why he get like. I don't know why they have to tell me every aspect of a man. American gangster culture and break it down. I don't want to hear that if I'm with these, yo, let's get money, man. Let's eat a. A sandwich or something. Like, why I gotta eat it? No, it becomes overbearing for me. It becomes. It's too much gangster. And right now I'm looking all these niggas telling and all that. I'm like, yo, I don't even know what. I don't know what's going on you

[Kenya Barris]

talking about Mike Assessment? Mike told me. He was like, you from here know a lot of people, you have these relationships, you know what I'm saying? I grew up in the city, and so people come in and he was like, you don't want no parts of that. He was like. Because once you start going down, he was like. Mike is like, go buy some real estate. Let's go to the Dominican Republic and hang out. He's like, once you start putting yourself. And there's a lot of people we all know, that say they from hoods, they ain't even from la. I'm saying they getting pressed, they getting taxed, because they want to be a part of it. So that once you become a part

[Fat Joe]

of it, how do they want to be a part of it?

[Kenya Barris]

You can't get out of it.

[Fat Joe]

They want to be a part of it.

[Kenya Barris]

Yeah, they want to be a part of something. They want to feel like the. And it's all fun and games until it's knocked out.

[Fat Joe]

What? No, it's never fun and games. And the thing about you ain't getting up. Let me tell you the biggest problem with la. Crime, politics.

[Kenya Barris]

LA is not safe.

[Fat Joe]

It's not safe.

[Kenya Barris]

I just want to say that right now, LA is not safe.

[Fat Joe]

And what I'm trying to tell you is I done been with the King of Bel Air. I'm talking about the Jerry west of the gang, the logo of all logos. Ooh. These things. We can't talk about Kiss. But what I'm saying is I done come out the club and niggas front on him. The guy on the Mount Rushmore, the fucking guy went to the moon first. The illest nigga ever lived. Yo, homie, what that bout, homie? I'm like, yo, if they don't respect the fucking John Gotti, I'm sitting there with the John Gotti of LA like this, like. And they trying to play with him. I'm like, yo, they got no respect out here. One of the biggest rules you have to learn in life, don't invite me to Yonkers. If there's a crazy nigga in Yonkers that could scream on me and try to stick me up in front of you, don't do it. People invite you to they hood, don't go to Yonkers.

[Clifford Taylor IV]

Nothing's gonna happen to you.

[Fat Joe]

I'm not saying that, Kiss. I'm not talking about you personally.

[Clifford Taylor IV]

Oh, if Yonkers with me, they gonna give you.

[Fat Joe]

I'm not talking about Yonkers with you. That's great. But I've been in situations where I done went places with guys that I thought had the juice. There didn't. I'm talking about younger, before rap. And they ain't really had a juice. So you think you with that dude and then they acted funny. You like, you're my man. I thought you had this online. You ain't got this. Everybody got juice. Everybody from here, everybody there. Till you go there, find out that nigga be like, yo, get out of here, Joe. It ain't safe. It's stuff alive right now. Like, are we lying? This shit smoking mirrors like a motherfucker out here. And I overstand that. So that's why. You know all the crazy guys, the real killers, they love Fat Joe. I never had a killer, not like Fat Joe. In fact, when I chill with them, they tell me I'm crazy. They say, you crazy. Fat Joe, this guy. I've been with guys that their name is so scary in New York that I've talked to them and I got a million dollars of jury on like this. Excuse me, Joe, one second. They go across the street, they stick up a rapper, a known rapper, come back with the chains in their neck. And, you know, I just go over there, you know, I stick up such and such. You know, this. And I'm looking at them, I'm saying, you what? Yeah, just rob such and so. Okay, this, this, that and so. I don't understand that language. You know, I don't understand that. That's why I stay home and I draw a lot.

[Kenya Barris]

Keep your head down.

[Fat Joe]

It's stuff a lot. You know, these. The point is, listen, guys. Whether you rap, whatever the case may be, don't go to somebody's hood and they acting and pretending like they got the power. You shoot dice in that lobby and the real guy comes out. Cause the money stay on the floor. They say, leave it here, right? What they say at them dice game, they be like, yo, yo, yo, yo, Wood. No, not money on a good gun. Nah. When it come out, be like, yo, leave it all there. Even Fat Joe know better.

[Kenya Barris]

I was how Mike got put in a wheelchair gambling at a crap game.

[Fat Joe]

Wow.

[Kenya Barris]

It wasn't gang banging. It was at a crap game.

[Fat Joe]

That's how it happened.

[Kenya Barris]

Yeah.

[Fat Joe]

My man Black Ant was the nicest, the best guy in the world. He was not pussy. He lost a game over a dollar and they stabbed him in the heart. Cause he ain't have the dollar. That's a true story. I told you his name. Black Ant from McKinley Projects. The best guy in the world. He didn't have the dollar. They stabbed him in his heart. I'm in Harlem getting money. I'm just. Before rap. I'm in Harlem getting money. And some guys. Some guys are shooting dice. Some guys are shooting dice across the street. Of course, I go, not my business. It's a legend. Bob Lemon. I'll tell you his name, Bob Lemon. He did, like, 30 years with boy George and all east side of Harlem. I started shooting dice. I start beating these. I'm not even a gambler, Kenya. I start beating these guys and all. Fat Joe know how to do that. You know how this. Then I realized, like, how am I getting out of here? I had to give everybody some money. I was like, yo, yo, ran in my truck, got the fuck out of there. I realized, oh, shit, I overstepped my boundary. I ain't even from here, nigga. They'll take my head off stuff a lot.

[Kenya Barris]

So, yeah, you guys should watch the documentary.

[Fat Joe]

Thank you.

[Clifford Taylor IV]

Is it on Hulu?

[Kenya Barris]

It's on Amazon Prime.

[Clifford Taylor IV]

Amazon Prime.

[Kenya Barris]

It's called Jerry west, the Logo.

[Fat Joe]

You know what? Jerry west taught me

[Clifford Taylor IV]

how to shoot the Turnaround.

[Fat Joe]

I'm watching Kobe Bryant's funeral on tv. Michael Jordan is giving his speech, and he's in tears and he says, I believe he said, I. I told my wife I didn't want to do this because I knew they were going to make me a meme at that moment. Because some people try to act like they're not on social media or they're not watching. Everybody got a dummy account. They try to act like this. So I'm really thinking, Michael Jordan ain't on social media. He playing golf now. He on the boat. He. You know, he not fucking with that, right? But when he says, my wife. I told my wife that I didn't want them to make a meme. The camera shot to Jerry west, and he immediately started laughing, like he knew what he was saying. I said, this motherfucker on social media, Jerry west, he understood exactly what Michael was saying, no matter how. Because he's a logo. He gotta be old now. How old is he now?

[Kenya Barris]

He was 83 when you passed.

[Fat Joe]

That motherfucker would. Laughing and shit. Like, oh, meme. I said, yo, everybody watches social media, Even Jerry west, the Logo knew what time it was with that, you know. Great work, Kenya Barris. I can't wait till we get our shit started. I need to meet Tyler Perry. I need to meet Tyler Perry and all your other Illuminati friends. Issa. Issa. Gotta have a bag for me.

[Kenya Barris]

Tyler would love to come.

[Fat Joe]

I need them all. I need. They did. You know, y' all got that little, you know, I know.

[Clifford Taylor IV]

Syndicate society crew. We need in. I can read. You know, I'm registered. I'm SAG registered, man.

[Fat Joe]

I want to shout out Netflix for supporting us and giving us the bag. I don't lie to you guys. This is a race to. To the paper guys sending me watches for half a million. That's what the texts I get when I'm home. They like, yo, this is the 1 of 5. This is the one. Like, I'm not. I'm not trying to be broke. Never. And thank God I told him one day I stood home. You know, you love your family, but the one day they leave, the house feels like a sanctuary, don't it? It's so nice. You get to eat whatever the fuck you want. You chilling. You watch it. And I start looking at my light bulbs in the house. Fucking light bulb.

[Kenya Barris]

You're so far ahead of the story.

[Fat Joe]

And I'm like, no. What I'm trying to tell you is I grew up so fucking poor. Everybody was running around here with leather V bombers. I had the plastic. My nigga. I tell Mayor Mayor from Patterson Projects, he's like, yo, this. I say, bro, you know why? I know your project? There's a hundred projects in the Bronx. He said, why? Face To Face was right behind your project. You know what Face To Face is? Face To Face is when your mother goes and begs welfare to give us some food stamps so we can eat breakfast.

[Kenya Barris]

Oh,

[Fat Joe]

I'm from the soil. The bottom of the shit in the summer. We ain't had no ac. You had to sleep on the floor low. It's cooler. No paper toilet. Wet the newspaper. Wipe your ass with the newspaper. Y' all want this or not?

[Clifford Taylor IV]

No paper toilet.

[Fat Joe]

No paper toilet.

[Clifford Taylor IV]

Paper toilet.

[Fat Joe]

They don't want it. Y' all hear this toilet paper. Thank you. You know Puerto Ricans, we say, throw us a picture. I never knew what the that meant.

[Clifford Taylor IV]

Throw me a picture.

[Fat Joe]

Throw me a picture. Like. But my point is, Kenya, when you get to looking at the light all these years, I look at my light bulbs like, we got light bulbs. This is expensive. Light bulbs light baccarat. Expensive baccarat. You know what I'm saying? I sit. I'm just so blessed. What you mad about? 2 time a fellow I seen your face. Yeah, but that's how I feel. Every day I'm looking at them penny loaf of shits you wearing over there. You got nursing school. They're not even nurse shoes. They're nursing school shoes.

[Clifford Taylor IV]

You got Toll booth working shoes.

[Fat Joe]

Listen, Kenya Burris, thank you so much, man.

[Clifford Taylor IV]

This ain't that the logo, man, on Amazon Prime? Make sure you check out.

[Fat Joe]

I'm watching that shit tonight.

[Clifford Taylor IV]

You Heard Crack and Kiss. Make some noise for our brother Kenya. Barris.

[Fat Joe]

You Sam?