Episode 767 | "Gear Grinders"

Summary

Podcast Summary: The Joe Budden Podcast - Episode 767 | "Gear Grinders"

Release Date: October 16, 2024
Host: The Joe Budden Network

In Episode 767 titled "Gear Grinders," Joe Budden and his co-hosts delve into a myriad of topics ranging from personal anecdotes and industry insights to handling online criticisms and discussing current events in the sports and music industries. This summary captures the essence of their engaging and multifaceted conversation.

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1. The Tweet Incident: Clarifying Misunderstandings

Timestamp: [02:44] - [04:37]

The episode kicks off with a discussion centered around a tweet from Melissa Ford that inadvertently came off as threatening. Joe Budden addresses the misconceptions, explaining that the tweet was meant in jest but was interpreted differently by the audience.

• Joe Budden: "She typed it like a Karen. It's like, girl, if you gotta do all of that, then just use a different word."

Key Points:

• Melissa had tweeted something about being able to "get touched," which was misinterpreted as a threat.
• The use of explicit language led to audience confusion, thinking it was a serious threat.
• Joe clarifies that no one was explicitly named in the tweet, mitigating concerns about hacking or targeted threats.
• Parks shares his past experiences, mentioning multiple jail visits, adding depth to the conversation about personal histories and public perceptions.

2. Music Industry Shifts: Embracing Direct-to-Consumer (D2C) Models

Timestamp: [18:10] - [27:35]

The hosts transition into discussing significant changes in the music industry, particularly the move towards Direct-to-Consumer (D2C) models. They debate the implications of artists bypassing traditional labels to retain more control and profit from their work.

• Flip: "I sold more dope than I sold records. You niggas sold records, never sold dope."

Key Points:

• The D2C approach allows artists to connect directly with fans, potentially increasing their revenue.
• Concerns are raised about major platforms like Meta (Facebook) entering the music distribution space, challenging traditional DSPs (Digital Service Providers) like Spotify and Apple Music.
• Melissa Ford emphasizes the higher profit margins achievable through D2C, though Ian Dunlap points out the dependence on platforms like Meta for promotion and data analytics.
• The conversation touches on the sustainability of major labels and the future of artist independence.

3. TD Bank’s Money Laundering Fine: An Industry-Wide Issue

Timestamp: [54:50] - [58:37]

A significant portion of the discussion focuses on TD Bank's hefty fine for money laundering activities. The hosts analyze the broader implications for the banking sector and the selective accountability within large institutions.

• Joe Budden: "They got you with that. We're open on Sundays."

Key Points:

• TD Bank was fined $3 billion for money laundering but faced no criminal charges or jail time for executives.
• The hosts express frustration over the lack of personal accountability contrasted with the massive financial penalties.
• Ish draws parallels between the banking industry's practices and the music business, highlighting systemic issues where only financial repercussions are evident without personal consequences.
• The discussion underscores a perceived double standard in how financial crimes are handled, particularly for large corporations versus individuals.

4. Handling Doxing and Online Criticism

Timestamp: [70:00] - [86:57]

The conversation shifts to the challenges of maintaining privacy and dealing with online harassment, known as doxing. The hosts share personal experiences and strategies for managing negative attention.

• Flip: "I've been doxxed. Came to my crib before."

Key Points:

• Joe Budden acknowledges the prevalence of doxing and its impact on personal lives, emphasizing the importance of maintaining a thick skin.
• Ian Dunlap discusses his method of compiling criticisms to improve himself, viewing every hater as a potential consultant.
• The hosts debate the effectiveness of ignoring versus engaging with online trolls, ultimately leaning towards prioritizing personal well-being over public opinion.
• Melissa Ford highlights the emotional toll of online harassment and the necessity of setting boundaries to protect mental health.

5. Sports Industry Insights: Competition and Control

Timestamp: [115:00] - [128:05]

A dynamic segment explores the intersection of the sports and tech industries, particularly focusing on the rivalry between Meta and traditional tech giants like Apple. The hosts speculate on how these power struggles may shape the future of sports broadcasting and athlete representation.

• Ian Dunlap: "Microsoft has become more popular than Apple."

Key Points:

• Meta's venture into dominating the music and sports industry poses a threat to established DSPs and tech companies like Apple and Microsoft.
• The hosts discuss the potential for anti-trust issues and how Meta's strategic moves could disrupt existing market structures.
• The debate extends to the influence of major tech players on the accessibility and promotion of sports content, questioning who truly controls the narrative.
• Ish and Flip express concerns about the sustainability and motives behind Meta's aggressive expansion into different sectors.

6. Personal Anecdotes: Ferrari Tales and Event Experiences

Timestamp: [138:04] - [159:36]

Adding a personal touch, the hosts share amusing and reflective stories from their lives, including Joe Budden’s encounter with a Ferrari owner and discussions about attending various events.

• Joe Budden: "If you see me get the Ferrari, you mad."

Key Points:

• Joe Budden recounts an incident where he inadvertently intimidated a Ferrari owner at a gas station, highlighting misunderstandings that can occur in public interactions.
• The hosts discuss the obsession with high-end cars and the scrutiny public figures face regarding their financial decisions.
• Personal reflections on attending events like baby showers and sports gatherings showcase the nuanced balance between public persona and private life.
• Melissa Ford and Flip emphasize the challenges of maintaining authenticity while navigating fame and fan expectations.

7. Podcast Dynamics: Navigating Criticism and Maintaining Authenticity

Timestamp: [160:00] - [177:53]

The closing segments delve into the internal dynamics of the podcast crew, focusing on how they handle criticism, maintain authenticity, and support each other amidst external pressures.

• Joe Budden: "I've dedicated my life to the gig."

Key Points:

• Joe Budden stresses the importance of not taking fan criticisms personally, advocating for focusing on personal growth and the podcast’s success.
• Flip voices concerns about being misjudged and the difficulty of managing public perception while staying true to oneself.
• The hosts discuss the balance between engaging with listeners and protecting their mental health from the relentless nature of online feedback.
• Emphasis is placed on mutual respect and understanding within the podcast team, highlighting the camaraderie that underpins their collaborations.

8. Industry Predictions and Future Outlook

Timestamp: [178:04] - [207:02]

In the final hours, the hosts speculate on future trends in both the music and sports industries, including predictions about technology integration, artist independence, and shifting consumer behaviors.

• Ian Dunlap: "Meta's already in partnership with the labels."

Key Points:

• Predictive insights suggest a significant shift towards artist independence, with platforms like Meta empowering creators to bypass traditional labels.
• The discussion covers the potential decline of annual product releases by major tech companies (e.g., Apple) and the rise of innovative competitors.
• Melissa Ford and Ish highlight the strategic moves artists are making to secure better financial and creative control over their work.
• Joe Budden encourages listeners to stay informed and adaptable as industries evolve, emphasizing the podcast’s role in dissecting and understanding these changes.

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Conclusion

Episode 767 of "The Joe Budden Podcast" offers a rich tapestry of conversations that intertwine personal stories with critical industry analysis. From navigating online harassment to forecasting the future of music and sports industries, Joe Budden and his co-hosts provide listeners with both entertainment and thought-provoking insights. Their candid discussions and mutual support highlight the strength and authenticity that define the podcast.

For those seeking an in-depth and engaging listen, Episode 767 encapsulates the essence of what makes "The Joe Budden Podcast" a staple in contemporary media conversation.

Transcript

[Joe Budden]

The thoughts, views, and opinions expressed by this podcast, whose bullets its hosts are for entertainment purposes only. I repeat, it is not serious. It is not real. No one is exposing, revealing, indicting, or telling you anything about themselves. Also, we do not encourage you to try this at home. We are trained professionals who do not have your best interests at heart or our own. Enjoy the show. Mike. Mike. Mike.

[Ish]

There we go.

[Joe Budden]

Oh, man. One of my worst nightmares averted. My voice is still beautiful. Love when that happens.

[Melissa Ford]

Dude was all yelling.

[Joe Budden]

Nah, I'm just saying, you paused so much. Dude, it was a stretch. I was sick nasally. What up, Flip? Fucking olive inflamed back here. I don't want to say it. Pause. You know I sound good. Flip, you look good. What's up, man? Thanks for joining us. Thanks for joining us. What's up? How's everybody doing? How's everybody feeling? What's poppin?

[Melissa Ford]

Feeling great.

[Joe Budden]

What's poppin? What's poppin? What's poppin'what's? Poppin'though, it's good.

[Parks]

Amazing.

[Joe Budden]

All right, all right. Good to see everybody. Got my guy Ian Dunlap in the building. Glad to be back.

[Ian Dunlap]

I miss y'all. How y'all feeling?

[Joe Budden]

Real good. Good, good. Thank. Thank you for joining us. It's a beautiful day.

[Parks]

Glad to have you.

[Flip]

Good day, sir.

[Ian Dunlap]

We gotta come on.

[Flip]

My guy.

[Ian Dunlap]

What is up?

[Flip]

Doing it again. You doing it again? You all right? Doing stuff right under our nose. What's going on here? What's this? I fuck with you, but right or no? No, you're doing it. You do right or no? No, you doing it again?

[Joe Budden]

You can't. You can't get, you know, wifi. Yo, this nigga is once. He go, man. And read the tea leaves. Nah, it was a lot of that in the street. You think I am doing something under your nose?

[Flip]

Yeah, you are.

[Joe Budden]

Ian is our man.

[Flip]

I love him. Very nice guy.

[Joe Budden]

Great, great broad.

[Flip]

Amazing happens.

[Ian Dunlap]

I've been trying to collab with you for a minute, too. We gotta do something.

[Flip]

Oh, anytime. But we're not talking about that now. We try to throw you off. Try.

[Joe Budden]

No. There you go. Y'all got chemistry.

[Flip]

Good. This guy is crazy.

[Joe Budden]

Good. Good chemistry. Chemistry with your co hosts. That's a thing up here. This guy's a. Yeah, that's the thing up here. Hey. Very important to who needs to hear it. I don't know. How you interact with your co hosts is a thing.

[Melissa Ford]

It is.

[Joe Budden]

Yeah. That's all I got for y'all. All right, who's ready to rock.

[Parks]

Wise words.

[Joe Budden]

Who's ready to rock? Are we starting with male threatening bitches? Yeah, who you threatening bitches or male threatening somebody?

[Parks]

Oh, is that what we're gonna start with? I wonder if we're gonna start with some other shit.

[Joe Budden]

Well, before the music comes on, this is like a little pre start.

[Parks]

Okay, well, listen. Okay, I just. I tweeted something, and it came off like a threat, but I don't think that that's what it was.

[Melissa Ford]

That was a threat, Bill.

[Flip]

Was it a threat?

[Joe Budden]

What was it? It was a threat.

[Ian Dunlap]

What did tweet say?

[Melissa Ford]

And something about you could get touched or some shit.

[Ian Dunlap]

Oh, shit.

[Joe Budden]

Well, no, let me do it. Cause she bleeped out the word nigger.

[Parks]

In her threat, but I did say bitch ass in it.

[Joe Budden]

Bitch ass in asterisk. Asterisk A. So she type it like a Karen. It's like, girl, if you gotta do all of that, then just use a different word. And who was you threatening? They thought you got hacked. They said, oh, Mel, yeah. Cause they know you pussy. So they like. Oh, shit. They know. They like Mel is now. But then niggas went and got the fouls. They was like, yo, y'all know Mel used to run with the Rough Riders. I was like, no, I did not know that.

[Parks]

You know, Mel's been to jail several times too. Like, maybe I just suppressed that part of myself a lot because I really did not like my visits to jail.

[Melissa Ford]

I didn't know there was such hardened criminals in the room.

[Joe Budden]

I did not openly threaten people. I didn't know that, though.

[Parks]

I mean, I didn't put a name on it.

[Joe Budden]

It was, you know, Ron Eisley went to jail. Anybody think he tough? Neither. He did. Even though he's probably tough. Yeah, yeah.

[Melissa Ford]

He's probably back in the day, especially.

[Joe Budden]

Yeah. And now I think he'll stab you. His brother didn't get that pub back. His brother? No.

[Parks]

Nope.

[Joe Budden]

Oh, he took all those. All right, so what would you went to jail for?

[Parks]

Assault. Assault with a weapon, attempt to obstruct justice, intimidation of a witness. I told you guys, this story up here.

[Ian Dunlap]

I didn't know that.

[Flip]

No, you only told us assault.

[Joe Budden]

I did not know that.

[Flip]

You didn't add all extra stuff.

[Joe Budden]

That's crazy. Oh, shit. All right, so the tweet stands.

[Parks]

It stands.

[Joe Budden]

The tweet stands.

[Parks]

It stands.

[Joe Budden]

Oh, shit. Oh, my God. Also, I don't know who up here needs to hear this, but public threat to people is not good. It's also nobody's professional. Just so we're clear.

[Parks]

In my defense, I was, you know, I'd had a couple of spicy margs and maybe a little bit of brisket.

[Joe Budden]

The allegations.

[Parks]

Oh, yeah, yeah. We're not addressing that stupid ass shit mocktails. No, they were cocktails. Oh, they were cocktails.

[Joe Budden]

I'm starting. Yeah. Thank you. Yeah, I don't like the word cock and tails.

[Parks]

And in silence, spicy margs make Melly Mel spicy.

[Joe Budden]

Unless we in the sex club, they.

[Ish]

Called you ynw Melly. Yo, that shit is funny, bro.

[Parks]

I like that nickname. I'd like for it to stick.

[Ian Dunlap]

Peace and love in 2020.

[Joe Budden]

It's not sticking. Just so you know. It's not sticking.

[Parks]

Damn it.

[Joe Budden]

Ymw Melly. Such a goofball. What am I doing here? I'm doing. I need to get stronger. I got a free training session at.

[Ish]

My gym, and the guy, he threw.

[Joe Budden]

Me on the bench press. Right When I get there, he goes, give me eight reps.

[Ish]

So I gave him eight. Then he goes, give me one more.

[Joe Budden]

Why don't you just say nine? I told him, I can't do one more. And he goes, I can't isn't in your vocabulary. I was like, then I'm unable. That's definitely my vocabulary. I don't know a lot of words. So when I was in the gym.

[Ish]

Then it went to the men's locker.

[Joe Budden]

Room, to the steam room. And if you're not familiar with the steam room, it's a great place to start a relationship with another guy if you're looking for that. And I do not know looking for that, but there's a guy in there, his name was Travis. He was looking for that, and he asked me questions, lots and lots of questions. And I entertained those questions because I'm an entertainer. And so, like, I'm on my way out. I'm about to leave, and before I can, Travis goes, I'll see you later. And he waves like this tonight. Just like that. So I'm standing there, I'm thinking, like, I guess I'm gonna wave back. But when I did, all that came out of my hand was this. My point is, I may or may not have a boyfriend. Mike Shek. Mike, Mike, Mike, Mike, Mike check. One, two, one, two, one, two, one, two, one, two. The levels. The levels. The levels is good. Of course it's good. It's parks on the board. We don't sound like y' y'all niggas went to B H and spent the fucking $49. This man Static, and y'all talking over White noise like Ian Elliott Wilson did in their interview. But we here.

[Flip]

I sold more dope than I sold records. You niggas sold records, never sold dope. So I ain't hearing none of that street shit. Cause in my mind you motherfucker. Soap got rich Shout out to wherever you may be listening from But I'm a thinker Always for the ladies Always.

[Joe Budden]

For the ladies out there pushing see.

[Flip]

What'S good Virginia was popping but it's God's face in that mirror we was baby, but I wanted mine purer Ar blond hair blue eyed like the furor the judge and the jury the jury man froze watercolors on my neck Rhyming when you bloody we ain't the same color clarity of diamond Nah, I ain't got nothing in common with your pain in my heart it's as black as.

[Ish]

My skin we let this rise Shout.

[Flip]

Out to the niggas they bitches get.

[Ish]

Money all over the world no reading.

[Flip]

No writing Shout out.

[Ish]

All the parents.

[Flip]

Out there, all the kids out there Descended from kids worldwide Worldwide Queen what up Queens, what up, Brooklyn, what's good?

[Ish]

I was pissing my shorts 7 rich.

[Joe Budden]

I can't cut this off yet Wish I had a pistol before all the.

[Ish]

Friends out of fort overnight I seen.

[Joe Budden]

A go get a postal workers out there Teachers all over the world the truck drivers out there.

[Ish]

Waitresses out there.

[Joe Budden]

Everybody in the night life of course.

[Ish]

Living like a hoop star Black marble, white balls in my patron what up, what up, what up, what up Top down T my paper couldn't F my.

[Joe Budden]

Wealth pillar school in Ethiopia should enroll.

[Ish]

In myself Got body and mind, food for the soul when you feeding on hate, you empty my I never heard that song before.

[Flip]

Me neither.

[Joe Budden]

Really?

[Ish]

I never push a verse, man.

[Flip]

D.C. what's poppin?

[Ish]

Took my heart away from work yeah.

[Joe Budden]

Y'All know my vibe when it's fall in New York, man. Frock daddy is here. Frock daddy is here in the flesh.

[Flip]

Only hope I had was selling dope.

[Ish]

Was on my grind.

[Flip]

Cause times it's harder than to sell a float My mama taught me never steal never tell them folks I grew up looking.

[Joe Budden]

I don't know if I said that.

[Ish]

Earlier, but we love you. Late night.

[Flip]

Ambition.

[Joe Budden]

Hey, Jersey City, what's good?

[Flip]

I think we ready to get there.

[Joe Budden]

Shout out to the people that got us on the screens with the LEDs around 11. I love seeing that. Got us on projection screens and all that. I appreciate you.

[Ish]

Feels good to be loved, Feels good.

[Joe Budden]

To be hated too. But I ain't gonna tell y'all that part ego.

[Flip]

They gonna love me for my.

[Joe Budden]

Yeah, yeah, what's up? What's up? Yeah, what's up?

[Ian Dunlap]

What's poppin?

[Joe Budden]

Niggas gonna tell me I played the same Jeezy set. I know what I played. I know what I played. Oh, Joe, that ain't real rap. Ain't really his bag. If I get in my rap bag, a third of y'all will be lost out there. Watch y'all mouth when you talk to me. Keep my applause going. I hate reading stupid shit. I'm here today. I got a good night's sleep. Almost didn't. Fucking with Ian Dunlap, New York. Almost didn't. Messing with that Ian Dunlap and Pergola.

[Ish]

Boy, what a time.

[Joe Budden]

First floor bar. Not my normal style, but you got a call. No, I don't want to hang out with y'all. Y'all ain't getting no call.

[Ish]

No, you got a call.

[Joe Budden]

No, it wasn't a call. It wasn't call time.

[Ish]

Gotcha.

[Joe Budden]

It was alone time. I see. I posted my Kobe picture. Isolation is necessary.

[Ian Dunlap]

It's toxic.

[Joe Budden]

Yeah, it's time to get in my thoughts. Until Shorty came over there and fucking interrupted. But it was good to see Shelly. Shout out to Shelly.

[Ian Dunlap]

Yeah, an old girl from Houston.

[Joe Budden]

Oh, is that where she was from?

[Ian Dunlap]

Yeah.

[Joe Budden]

Setting the tone today. You good.

[Flip]

Stop, man. Stop it. Setting the tone. Stop, man. Stop it.

[Joe Budden]

Setting the tone today.

[Flip]

You still go back there and do that? I'm watching you the whole day.

[Joe Budden]

I'm setting the tone today.

[Flip]

You go back there and do that.

[Joe Budden]

Little whisper by example today.

[Flip]

When you whisper the parts, you got some cues. When you touch his shoulder. Your Parks, they got some stupid ass sign language shit where they understand each other. No, I don't like that baseball shit. Yeah, leave that shit in all the way, nigga.

[Joe Budden]

Shout out to the match. Congratulations. Way to come back. Way to come back and represent the city properly after getting cracked 9 nothing. So really happy about that. Go Yankees. You already know the vibes. Go Knicks. I guess. What episode is this? What episode is 767? Welcome to episode 767 of the JOE Budden Podcast, brought to you by Powered by A Few by Prize Fitz. Prize Fish Gang. I know a couple of y'all might have won out there this weekend. Toy star sending me, Hey, I just can't keep hitting. I was like, all right, all right. I'm your humble, gracious, grateful, highly favored host, Joe Budden here with a few really amazing people to my right. You're into the vibes, man. You had Smooth magazine. You had King magazine. You seen all of the fucking videos. You've seen the fucking just trail of greatness since 90 something. 99.99n was out before me. What was I doing when Mel was out? God damn, I was a pup. Still, I had no deal. Go ahead, Mel.

[Parks]

Hey, what's poppin?

[Joe Budden]

Melissa Ford is in the building.

[Parks]

I am. I am in full effect, Hootie.

[Joe Budden]

Who next to who? Fucking who next to her? Queen's flit. Mr. I do what the fuck I want around here, huh?

[Flip]

I don't see that.

[Joe Budden]

No, no, Mr. I do. I come and go as I please. No, no, mister. Make sure my re up is right, mister. Make sure. I'm tired of sitting still.

[Flip]

Let's go, let's go. Tired of that.

[Joe Budden]

Let's go. Turn it up in the fourth. That's right. Get your shit off, Flip.

[Flip]

That's right.

[Joe Budden]

Fuck these niggas.

[Flip]

Even if it's me.

[Joe Budden]

Even if it's me.

[Flip]

No, fuck it.

[Joe Budden]

It's time now.

[Flip]

No, no, it's time. I'm happy to be here.

[Joe Budden]

I'm happy to be and I'm happy.

[Flip]

I'm happy to be here with my cast.

[Joe Budden]

Good to see you.

[Flip]

Yes, thank you.

[Joe Budden]

To his right. Come on, man.

[Flip]

You that nigga, son. Yeah, why you. Matching sneakers with the hoodie, like. Look at the yellow. The yellow?

[Ian Dunlap]

Yeah, with the yellow. Kobe. I see you.

[Flip]

Let's go. You here. Smile n smile. Think we see the pictures, nigga. Some other chicks after your man behind you. We gonna get to that later. How you doing, nigga?

[Ish]

Introduce your man yourself.

[Flip]

Introduce.

[Ish]

You're an idiot, bro.

[Flip]

Introduce your man properly, man.

[Joe Budden]

Come on, man. King Wawa, huh? True King Wawa, huh? Huh? North Jersey's finest. You seen him in Elizabeth at Home Depot. Man, y'all know the vibes.

[Flip]

Ping pong master.

[Joe Budden]

Ping pong champion. We gonna get to that soon. We gonna get to that soon, huh? My man Bigish in the building.

[Ish]

Bigish.

[Joe Budden]

That's that ish available right now. Stop fucking playing with him. To his right. Come on, man. New shades but no shade. His new shade.

[Flip]

His eyebrows are sharp, too.

[Ish]

Ooh, eyebrows are sharp.

[Flip]

He got an eyebrow shaped up.

[Joe Budden]

Shaped her eyebrows up on him.

[Ish]

And you be going to poppy in them.

[Joe Budden]

Yeah, a little clean up. Oh, he got threaded.

[Flip]

Yeah, they got threaded.

[Joe Budden]

You got threaded. Why your eyebrows looking beautiful?

[Ish]

Never, bro.

[Flip]

All right.

[Joe Budden]

Come on, man. Come on. Why do your eyebrows look beautiful?

[Ish]

Cause I'm beautiful.

[Flip]

Come on, man.

[Joe Budden]

Come with the territory. You heard them.

[Ish]

I never peeped the eyebrows.

[Joe Budden]

Big freeze. Look at my eyebrows, though. Big freeze. Freezing. Big freeze in the building. Ian Dunlap is here. I introduced him earlier, but he's a great guy and we all love him. So make some noise, fam. Welcome back, Ian. Welcome back, Elmira. Finest fucking. The best engineer in the universe. That's why we don't sound like y'all. Y'all shit. Sound trash. We was just discussing it. We was just talking about how horrible all of you guys audio performance is. Oh, my God.

[Melissa Ford]

Almost unlistable.

[Joe Budden]

Oh, my God. How do you do it?

[Parks]

Even hard on the ears.

[Joe Budden]

How do you even do it? Oh, Grammy nominated. Yeah. You hear that? Jeremy Heck.

[Flip]

Yeah.

[Joe Budden]

Hey, Jeremy Heck. Can you hear that? A lot of other shows got a white boy. A lot of them ain't Grammy nominated. Jeremy Heck. Shout out to Jeremy Heck. Those guys over there.

[Flip]

You don't need a noise gate, huh?

[Joe Budden]

Elliot Wilson, man. Make some noise for Parks, man. They talking about. He never bought. Bought one Rolex. He never bought one. He didn't go in there and get one. No, no.

[Ish]

Two or nothing.

[Ian Dunlap]

Double.

[Joe Budden]

Yeah. Me and my dad. Boy loves his father. Loves his dad. Kissing. Oh, man, I love my dad, too. But I quickly learned the second that the gifts get really, really, really good, it's hard for him to go back down.

[Flip]

That's true.

[Ian Dunlap]

You gotta do quantity.

[Joe Budden]

Like, I tried to do something ill one year, the next year, he was right. He was looking for it. He said, hey, man, if you do that thing like you did last year, we set the bar. Yeah, that's a mistake. Never do that. Never set the bar. Poe is here, Corey is here. Erickson is here. Everybody is here remotely is here. And last but certainly not least, each and every one of you guys are here with us. How's everybody doing?

[Ian Dunlap]

Amazing. How y'all doing, man?

[Ish]

Feeling good?

[Joe Budden]

All right. There's not really anything super important to get to, so this is going to be. I'm just going to catch up with you guys and put a tinfoil hat on at some point. Ooh, I love it because Ian sent me Conspiracy theory topics.

[Melissa Ford]

Oh, that's your bag today. Okay.

[Ian Dunlap]

Absolutely.

[Joe Budden]

I really enjoyed watching you at the Barclays just run around and.

[Flip]

Oh, yeah, yeah, yeah, yeah, yeah, yeah.

[Joe Budden]

You are a success. I don't even have nothing to say. This my man.

[Flip]

What happened? Tell me about it. Tell me how you felt about it. I mean, it felt good. I mean, the Barclays did called and said I wasn't supposed to film in the Barclay. So I had to edit some parts out, man. But it was a great feeling, man. Facial recognition. The love I got from all the people was amazing. And it felt great being there, you know? That's what it is.

[Joe Budden]

That's dope, man. Good.

[Flip]

I went to the Wild N Out. Wild N Out. Backstage. Yeah, I went backstage and shit, and, you know, meant to talk to Nick for a little bit, but I was bombarded by people. I'm gonna catch him. I'm gonna catch him. You know, just flip. What up? I felt good, too. And. No, I'm outside, man. I'm outside. I'm here to work. Joe, you know, I know you got your little plan. We'll get into that. Me and Mel had a meeting this weekend. Me emailing Ian. We'll get to that. We said we gonna talk about it. We talked from it. You supposed to introduce it, but me emailing Ian. We had a meeting on the corner with some French people. I felt like I was about to be taken and stolen. But it was some freaky shit going on. Like, she speak. And she spoke. Like she speaks French now all of a sudden.

[Ish]

From Canada.

[Flip]

Oh, yeah, I forgot. I didn't know. I forgot about that. But, yeah, it was. It was great. I'm happy that you. I like you said. What?

[Joe Budden]

I'm stupid.

[Ish]

Why?

[Joe Budden]

What that got to do. I just rolled with it now. She from Canada. Of course. She knows a lot of people. French.

[Flip]

I forgot.

[Parks]

No, it's our second language. Like how you learn Spanish here? We learn French in Canada. It's part of our curriculum.

[Ish]

We don't learn Spanish.

[Parks]

Part of the curriculum. Right.

[Ish]

It's an official language, right?

[Parks]

Yes.

[Joe Budden]

No, I gotta learn the basic Spanish. Some stuff. I feel stupid pulling the translator app.

[Parks]

Out for, you know, how to say hello.

[Joe Budden]

Like I should know the fucking muy bien or whatever that is. Like the basic. Hey, how much?

[Ish]

Yeah, dinero.

[Flip]

But don't be like, ish. Cole.

[Ish]

Mucho, mucho, mucho. Cache, yo, cache.

[Joe Budden]

Friday night was the start of my spy adventures.

[Melissa Ford]

The start. There's multiple spy adventures this weekend.

[Ish]

Plural.

[Parks]

He's always on a spy adventure, but usually it's from his phone. Yeah, but he actually went outside this time.

[Joe Budden]

Don't reveal too much about me. I don't feel like the audience really knows that I'm sick. I think they know. The girls. No, no, I don't think they know the degree of my obsessiveness and how it works when it's in effect.

[Parks]

Okay, we'll keep that polluted over the.

[Melissa Ford]

Years, but you're right. Carry on.

[Joe Budden]

Yeah, quiet Friday night is normally my go out and thotted out night. But Ish was taking too many pictures in the streets. I mean, I'm here to tell the truth. That's your truth. Go ahead. So I had to come and investigate and see what was so what all the teeth was about.

[Melissa Ford]

Journalism.

[Joe Budden]

What was the teeth? What's the teeth about? I had no idea. So teeth. Yeah. On all the pictures he smile.

[Melissa Ford]

Oh, he showed a lot of teeth.

[Joe Budden]

He's happy. Yeah, but nah, nah, too much teeth for me.

[Melissa Ford]

Okay.

[Joe Budden]

So Friday night I learned on Patreon it's just going the Paddle of the Sexes. Boy, I thought that was hilarious.

[Parks]

Why I went last year.

[Joe Budden]

Wait, was this on Brand? On Brand? We saw you last year with your nipples out at Paddle of the Sexes. The Reddit found it.

[Parks]

Yeah, I mean I wasn't hiding apparently.

[Joe Budden]

At the ping pong. No, with the nips.

[Parks]

You're welcome. Anyways, go on.

[Joe Budden]

If I see that, I think I got a freak. I ain't gonna lie.

[Parks]

I mean girl.

[Joe Budden]

Girl. Anyway, Pat or the sex?

[Parks]

What I was gonna say. Keep. Keep up with that fucking narrative. What? Anyways, Pad or the Sexes?

[Joe Budden]

I'm going to spy on ish1 and Mel was out with a shoulder injury. But I know she went to Paddle with the Sexes last year. So I was hoping to catch her at a ping pong table after she told me that she was going to have shoulder surgery.

[Ish]

You would have walked in like I got necks.

[Joe Budden]

See that? I'm here to clear up a few conspiracies. Y'all think Mel called out cause of whatever she had shoulder surgery, little rotator cuff. So I was going. I had dare her would have played ping pong that night. But I did. But she was not there.

[Parks]

I was not there. I was at home recovering, convalescing, if you will, from my shoulder surgery.

[Melissa Ford]

Convalescing.

[Parks]

Convalescing. Word of the day.

[Joe Budden]

So the real fun begins and I just get to watch Ish float around.

[Melissa Ford]

Even better.

[Joe Budden]

Yeah, go ahead. What do you think? Play with. I mean, I don't even have a big takeaway here. It was just fun watching.

[Flip]

What did he do? What did you see? What stood out to me?

[Joe Budden]

I would love to hear this one. Go ahead.

[Ish]

Put that rapper brain to use. Did he play the whole room? Put that rapper brain to use.

[Melissa Ford]

Canoodling.

[Joe Budden]

Okay, A little. Cause the audience don't know. Slate is from the old school. We've done Slate. We Know Slate For 20 years we've been familiar with Slate for forever. So I walk in there, and I didn't plan on telling this story. I was just gonna crack on it. It's floating around, but all right, fine. Y'all force it out of me. So I walk up in there. It's me, it's Corey. We got fucking Buck, Buck and Dwayne and Dirk. They all mad big. We get right to the front.

[Ish]

Nigga Said Joe had security with him.

[Joe Budden]

This is for a foundation. It's for a foundation. Great. Cause the girl in the front is somebody that they got to work the front and explain the foundation and what you need to do to get in. Younger, younger girl, but really diligent at doing her job. So she got me and these four giant niggas standing here while she explained to me the process of paying to get in. Paddle of the sexes.

[Melissa Ford]

What was the ticket?

[Joe Budden]

I don't know. Cause all I heard was, blah, blah, blah, blah, blah, blah. But I like to let people do their jobs, so go ahead. So I was like, all right, I'll make a foundation. She was like, great. So just walk over there to the long tables where the line is. They'll give you a ticket, you'll pay some money. You sign your name, and yada, yada, yada, yada, yada, yada, yada. For mad long. She's standing there until somebody with sense came from behind the curtain and said, no, no, no, no, no. And I said, no, I was just gonna let her go. Thank you. That was.

[Parks]

That was a great spiel.

[Joe Budden]

So then she bring us in there, Shareese. And it's like a content house. Say, hey, we gonna get you in front of this msg. Step and repeat, and we gonna get you to do the MSG interview. Sit down for five. I said, no.

[Flip]

No, you're not.

[Joe Budden]

I said, no, you're not at all. Nothing remotely close.

[Melissa Ford]

You should just give Corey to what.

[Joe Budden]

You'Re saying is gonna happen. And I walked away from her and went and stood over there, and everybody just had phones and videos. It was recording. Constant reminder for me, why don't normally come to these types of shindoos. Ish.

[Melissa Ford]

Did you do the podcast?

[Ish]

Podcast?

[Joe Budden]

Whatever.

[Melissa Ford]

The.

[Flip]

Whatever.

[Ish]

You did the MSG interview.

[Melissa Ford]

Okay, okay, okay.

[Joe Budden]

Well, anyway, when I finally go bust through the curtain where everything is. Cause I was at the bar early at the entrance. When I bust through the curtain, it's an arcade.

[Flip]

Okay.

[Ish]

That could be lit.

[Joe Budden]

Hold on now. Yeah, I'm not all the way.

[Melissa Ford]

I'm in here.

[Ish]

I'm here. I'm following so far.

[Joe Budden]

It's an arcade.

[Melissa Ford]

A good one.

[Flip]

Yeah.

[Ish]

What they had, though, a little basketball.

[Melissa Ford]

Hoops, a little street fighter, I don't know.

[Joe Budden]

And it was a lot of ping pong tables. Right?

[Ish]

Okay.

[Joe Budden]

Playing ping pong.

[Ish]

Okay.

[Melissa Ford]

Heads to paddle.

[Joe Budden]

Yeah. Yeah. I don't know why I thought paddle with the sexes meant it would be a game, a featured game or two highlighted, and people would be watching that. This was just a bunch of people playing.

[Melissa Ford]

I was like a ping pong ball.

[Joe Budden]

Ping pong.

[Ish]

It was a tournament.

[Parks]

No, it's a tournament. Yeah. So you go through each and every.

[Melissa Ford]

Like, I've seen some ping pong bars popping up. That's the thing, too.

[Joe Budden]

Anyway, yeah, I went and stood in a corner and hid, like, the first corner I could find.

[Melissa Ford]

Sounds like you.

[Joe Budden]

But then the drunk girl that worked at Def Jam back in the day started talking to me a lot. And I kept peeking over there to see Ish, but Ish was standing where he could be seen over there. He was illuminating, of course. Mad bright standing there, light skin as hell. He didn't walk around, but he stood there just trying to have this fucking mystique, Morris Chestnut face. And I want to walk over there and talk to him, but he right under a spotlight. It's like he always in the brightest place that you could be in the spot. So now I never walk over there to him because that ain't my style. Male voice pop up in my head. You two are like vultures playing me. Opposite sides of the room. And it's like, it's not that. It's not that. It's just not, ugh, I can't go over there. I can't. So Corey goes over there. They talk. We stand there for about 10 minutes. I tap Corey, give him a little sign, and we get the fuck up out of there. And that was it. And then I couldn't go anywhere for the whole Friday night because I fell asleep as soon as I got home because it up my nap time. Going to spy on him. Going to spy on him. Up my nap time.

[Melissa Ford]

He didn't even come back with.

[Joe Budden]

And that was the end of that. Yeah. No, you ain't going to the spot. No, no.

[Ish]

I was wondering.

[Ian Dunlap]

You went to the spot.

[Ish]

I ain't get a phone call. No, we was going. I was going.

[Joe Budden]

You know what I mean?

[Ish]

Okay.

[Melissa Ford]

So now we got to rely on you. I did paddle the Texas recap.

[Ish]

Nah, I think it was. How'd you do in the tournament? I didn't play. I wasn't one of the contestants. I Didn't play. It was a dope event. Shout out to Cherise, shout out to Edgar.

[Flip]

Cause you just.

[Ish]

You're a monster dog. But no, it was dope. It was basically like Joe said it was. It's a charitable event where ML played last year. So let's say it's 16 people or 30 people. And it's basically just bracket all the way down. Yeah, bracket. And then the winners win. But it wasn't what Joe saying. It was just a whole bunch of ping pong tables with people playing. It was a little festive. It was bright. He did come in, hide in the corner like he be on his normal shit. That nigga wasn't gonna come over there and talk. Well, he might have came over here if it was dark and talked to me. But I was just standing by the DJ and Corey talked over there. It wasn't what he'd say, but.

[Flip]

So y'all didn't talk at all on the spot? Yeah, we did.

[Ian Dunlap]

Okay.

[Flip]

You and Joe smoke on the spot?

[Joe Budden]

Yeah.

[Flip]

Okay.

[Joe Budden]

Just not in the arcade.

[Ish]

Yeah, we was at the Barcade. So it was broken down in sections.

[Joe Budden]

A lot of hard working people in it.

[Flip]

Got it. Can we.

[Joe Budden]

You don't want to go down that alley, do you?

[Ish]

So listen, this fool comes over to me and says, yo, could you get me out of here with these regular Joes? I don't want to be around the working class people.

[Joe Budden]

Ish. Oh, shit. I'm editing that right out of there. Don't worry. Hey, don't worry. I'm editing that right out of that broadcast. That's what we doing.

[Ish]

Yo, it's too many nine to fivers in here. Oh, my God.

[Joe Budden]

Oh, my God.

[Ish]

I'm like, yo, this guy is crazy.

[Flip]

How could he tell?

[Ish]

I have no idea how you could tell. It was too many nine to five. I mean, you could tell kind of.

[Parks]

What's a nine to fiver look like?

[Flip]

Yeah, I know a lot of nine to fivers that put that on. So, like, is it?

[Parks]

I remember back in the day, nine to fivers, we. Well, we all used to bridge and tunnel.

[Joe Budden]

Bridget.

[Flip]

Tunnel works.

[Joe Budden]

Does anybody know what bridge and tunnel means?

[Parks]

I think I'm officially bridging tunnel now.

[Melissa Ford]

Though, a little bit.

[Joe Budden]

No, you're not.

[Flip]

I don't know what bridge and tunnel is.

[Joe Budden]

Bridging tunnel.

[Ish]

Bridge and tunnel? Is that what New Jer. What New Yorkers call the people that come over the bridge or through a tunnel to get to New York to go to the afternoon.

[Joe Budden]

The people that went Monday, Monday through Friday. And now we're going outside the bridge.

[Flip]

And tunnel or the ones that don't go home and change.

[Joe Budden]

I don't think.

[Ish]

No, I'm not saying.

[Flip]

Did they come directly from work? And then with the.

[Parks]

There was a time in which showing up at the club or the lounge in your business casual was completely acceptable.

[Flip]

I heard about it.

[Joe Budden]

I think it's just stuck in that era.

[Ish]

Oh, wow.

[Parks]

It's a good era. I can't lie.

[Joe Budden]

I like that era, too.

[Flip]

But this got on is expensive. You can't tell if he.

[Ish]

That's not what happened. What happened was we started talk. You know, we guys. We started having a girl talk. And it's like, yo, some ice in here. And Jerome's like, get me out of this.

[Joe Budden]

Like, y'all know this ain't my bag. Get me the fuck out of here. Bitches with jobs. I'm sorry. Get me. Get me.

[Flip]

So they had, like, ties on and shit.

[Ish]

No, nigga, I don't understand whether you are.

[Flip]

Understand what the hottest.

[Ish]

Have you come in a spot?

[Flip]

Okay, so they didn't have no jewelry on it.

[Ian Dunlap]

One of those super bad bitches in there.

[Ish]

Now, it was some. Some monsters in there. So they look like they work behind a bar. Yes. For.

[Parks]

For lack of monsters are monstars. Monstars with the asterisk.

[Ian Dunlap]

Both.

[Joe Budden]

Yeah.

[Ish]

So that was it. But so.

[Joe Budden]

So I ain't see a goblin. I didn't. I didn't see Joe.

[Ish]

Halloween is different than our Halloween.

[Joe Budden]

No, it's probably like the beginning of Night of the Living Dead when everybody's. Norma got bit.

[Ish]

Yo, you an idiot. Yo, before the zombies took over. Yo, this guy's a idiot. But long story short, I had fun. And then. So my man was in there, and he's like, yo, what we doing after? So was like, yo, pergola. What? So everybody's like, yo, go to Saint. Go to Saint. I've never been to Saint. Saint is some new spot in the city that's pergola esque. Okay, okay, cool. Go to Saint. We get in the car. It's me. So Mandy got a birthday cake and some other shit. She like, yo, can I put shit in your car? I'm like, yeah. So Mandy rides with me. So my man and his people, they four deep. They go in another car. Boom. We get to the spot, it's packed. Like, it's wall to wall people.

[Melissa Ford]

I walk in, 90 fiver still.

[Ish]

I don't know. No, it was mixed. So I walk in, my man taps me on the shoulder. I turn around who is it? Ima, Good old E. Nat and Rachel. They out gallivanting on the town. They hit a couple different spots. So I'm like, yo, I never been here before. It's packed. We finally can't get a table. I'm about to leave. They say, yo, come back in. We got y'all a table. It's six of us, right? They got us a table for four. So we already on some nine to five brokey shit. Cause we gotta cramp in on some. You know what I mean? Table for four, six of us. Yeah, I know. Go ahead, judge.

[Joe Budden]

Boom.

[Ish]

We get down, everybody starts ordering. Order a hookah. We getting food, drinks, whatever the case may be. Mind you. I know Mandy. I know my man. And then I know my man's peoples that I just met. Super fly dope. She was one of the contestants at the Paddle of the Sexes. The other two people, I don't know, but they was in my man's car. So I'm gonna welcome them like I welcome my man. Everybody down. Boom, boom, boom, boom, boom. About an hour goes by. My man hit me with the yo, all right, cool. The bill comes. The bill comes. As the resident male at the table, I'm like, all right, cool. I don't know these motherfuckers, but what.

[Joe Budden]

You mean as the resident males? Other males. Two males.

[Ish]

No, listen, listen, listen. So as the resident male, I'm like, all right. I don't know them, but cool. The two men gonna split the bill down the middle. Sure, right? My man gets up, I get up. I'm like, yo, how you want? You know what I mean? You got card, cash, how you want to do it? My man gives me, yo, who them he?

[Ian Dunlap]

They rolled with him, though.

[Ish]

I said, I don't know them motherfuckers.

[Flip]

Who them?

[Ish]

He like, dog, I don't know them. And I said, me either.

[Parks]

But these are the people that roll with him.

[Ish]

Yes, they roll with my man. He says he don't know them.

[Ian Dunlap]

Come on.

[Ish]

His peoples recognize one of the girls, and they was like, yo, where y'all going? Could we come? And they said, yeah. But the girls get to the table. My N. A, they ordering up. They espresso martini, and they. One of the girls even took a to go bowl.

[Melissa Ford]

Oh, shit.

[Ish]

Oh, y'all was goofy, right?

[Parks]

Wow.

[Ish]

So I'm looking at my man, and I'm like, yo, my nigga. Now my other brain kicks in, like, I ain't paying for these bitches. Long story, less long. My man gives me a 20. Yo, hey, look he my man, and he not a cheap dude, but I think he might just didn't, you know what I mean, that day. And I end up paying. I paid 80% of the bill. I was furious.

[Joe Budden]

Damn.

[Ish]

So, look, I'm dead as I was furious.

[Melissa Ford]

How high was the tab support?

[Ish]

It wasn't crazy, but it was the principal.

[Melissa Ford]

600. Okay.

[Ish]

But I didn't know them. You get what I'm saying? So my thing was, I don't know y'all. We not conversing with y'all. None of that shit.

[Ian Dunlap]

Y'all didn't talk at the table.

[Ish]

Barely. Like, barely.

[Parks]

They were just over there eating. They were too busy eating.

[Flip]

How did they look? Nigga being thirsty.

[Ish]

That's what y'all get.

[Joe Budden]

It's good for you niggas.

[Ish]

I'm happy.

[Joe Budden]

That's for real.

[Ish]

I wasn't being thirsty. They was surprised.

[Joe Budden]

That's all I.

[Flip]

That's why you want to pay?

[Joe Budden]

Cause what is going on in the world? I'm going to get my shades if y'all keep this up. Audience, we not talking about nothing, but we staying right here for a second.

[Ish]

I was on fire.

[Ian Dunlap]

You still get mad at your man, though. Not them.

[Ish]

I'm not.

[Melissa Ford]

Yeah, that's how you.

[Ish]

I'm not mad at yourself.

[Melissa Ford]

Well, that, too, but.

[Joe Budden]

No, go to bed. Go home.

[Flip]

Yo, people go outside.

[Joe Budden]

You was at the arcade.

[Flip]

People go outside, go eat.

[Ish]

Everybody in a hermit crab like you was outside enjoying themselves while they out.

[Joe Budden]

Yo, it's over for that. It's over for enjoying.

[Ish]

Okay, wait.

[Parks]

Can I get a call if you got.

[Joe Budden]

It's over for us. Huddling up at the end of one spot, trying to figure out the next spot. Hold up.

[Ish]

Let me ask you. That's not bad.

[Flip]

No, we already clarified that. It wasn't no M4.

[Ish]

It wasn't whack.

[Joe Budden]

They wasn't. Well, they pulled something out. The nine to Fiver Club put them in a. Organized the transport. They organized the transport, man. Need to move the cake. So we've organized this. But so listen, we know what time.

[Ish]

It is, so let me tell you what happened. Me and my man started talking. Mandy done had one too many.

[Joe Budden]

Hey, yo, I know y'all ain't over.

[Ish]

There talking about the bill.

[Joe Budden]

This some tacky shit.

[Ish]

I said, yo, she's right. I said, yo, chill.

[Joe Budden]

But she right on that.

[Ish]

I said, yo, chill over there, like.

[Joe Budden]

Nine to five, right?

[Ish]

So she like, no, no, no, but we really over there having a conversation like. Like, who are. Don't even know their names, right? If she got long, that's your man fault. Long story. I paid a bill. We walk outside. I'm walking Mandy to get a cake because she called the Uber. She like, why was you. I said, I don't know them girls. She said, you lying. They ordered. They ordered the most.

[Joe Budden]

Of course they did. They saw a lick.

[Ish]

Yo, listen, the funny part of that is. And I said. And I said, dog, this is the that be talking about. Did they say thank you? Yeah, they did.

[Flip]

How do they exit outside?

[Melissa Ford]

That's worth a couple hundred dollars?

[Flip]

Oh, they walked outside.

[Parks]

That's how they exited.

[Ish]

We all walked outside together.

[Flip]

So you didn't say to them, like, who are you? You didn't say that?

[Ish]

No, I. I was too late at that point. They already got you.

[Melissa Ford]

Being mad about it is really the problem.

[Ian Dunlap]

For real?

[Flip]

Yeah, it is.

[Melissa Ford]

You gotta just take.

[Joe Budden]

Take it.

[Flip]

You gotta get at home.

[Ish]

You have no choice but to eat it. What I'm saying is the level of entitlement that, like, ain't reach. Like, they was going fake pay. You know how girls didn't pay.

[Flip]

But I could picture. I could picture you and your man. I could see you standing there. Are the girls supposed to make it.

[Ian Dunlap]

Come out with you?

[Ish]

No, but they didn't come out with you.

[Ian Dunlap]

This homeboy car y'all got in the car.

[Parks]

No, but they got into the car.

[Joe Budden]

Make me feel broker than I am.

[Parks]

No, but what's crazy is, like, it looked like it was a carpool situation. Like, can we ride with you? Going to the next.

[Ish]

Not him, the book, his friend don't know you.

[Parks]

That's my point. If there's simply just a carpool situation, why does that now mean. Oh, you're sitting at the table with.

[Ish]

Us because this man was thirsty.

[Flip]

That's why it was dark.

[Parks]

Is that what that was?

[Ish]

I don't think he was trying to. I ain't got to be trying. Hold on. You could be thirsty and not trying to.

[Melissa Ford]

That's true.

[Ian Dunlap]

True.

[Parks]

Really?

[Ish]

Yes.

[Melissa Ford]

Yes.

[Flip]

Oh, yeah.

[Joe Budden]

Was it Uber?

[Ian Dunlap]

His car.

[Ish]

His car.

[Joe Budden]

This sound like, come on, yo.

[Ish]

But that was crazy. My. Like, I. It just was the level of entitlement that somebody could come out with some strangers and eat Hardy and not even.

[Ian Dunlap]

Real God reach my car.

[Joe Budden]

Yeah.

[Ish]

And you don't know this man. So at my. Me just my ego gonna be like, I'm not letting no strange buy me no food. I'm gonna reach for my money and attempt to pay for my.

[Melissa Ford]

Yeah, but you're a dude.

[Parks]

No, no, no, no, no, no, no.

[Ish]

I Know what it is? Mad girls that reach for their wallet like, no, I'm gonna pay for my shit. I don't know these n. It's a video that just some. Some chicks on TikTok or whatever comes with. Yes, I seen it and went viral because they was complaining about the dating scene in D.C. talking about something. Yo, we at the bar, we walk in, we looking like something. We got that on, and nobody bought us drinking. All they want to do is stare at us. She was like, talk to us after we bought. After we paid our tab is when the dude started talking to us. And they're complaining about it. Yes, they gotta pay their dues, man. But what I'm saying is to women, go out with the expectation with no money. Yeah, I don't even need to bring no. Go out with no money.

[Parks]

I mean, well, there was a point in time in which an attractive woman. Hold on.

[Flip]

Because I'm.

[Joe Budden]

No.

[Parks]

Because I'm on the side of these two chicks should have definitely said, what is our part in this, Bill? Because who the fuck are you? But there was a point.

[Joe Budden]

Y'all don't need to go outside. What world is it? I hate to be that guy. Y'all sound archaic.

[Flip]

Crazy.

[Parks]

Which part of it is archaic?

[Ish]

Until none of it.

[Ian Dunlap]

If you put the girl in your car and transport it now, you are.

[Melissa Ford]

Paying for her date.

[Ish]

You are correct?

[Joe Budden]

Yes.

[Parks]

I don't think so at all.

[Ish]

It depends on. He's right.

[Joe Budden]

I would like us to finish that on Patreon.

[Parks]

Done. Okay. Because I still have a lot of questions and comments about that situation.

[Ish]

Yeah. And we could play the clip of the other girls from D.C. because it kind of goes into the same shit.

[Joe Budden]

Well, their clip is four minutes long.

[Ish]

Oh, well, we could get the gist of it and then comment on it.

[Joe Budden]

Mel, you look cute in your little Target outfit.

[Parks]

This is aloe. Don't even try and play me.

[Joe Budden]

I thought that's.

[Flip]

I thought that's a rental company.

[Parks]

What?

[Flip]

Alamo.

[Parks]

Alo.

[Ish]

I thought you about to say aloe Vera.

[Flip]

I said it's a clothes suit.

[Ish]

I like your outfit. To him, Alo is Target.

[Joe Budden]

Yeah, I'm about to say that's still right. Al Nia's bottom. That's in the middle of Target. It's.

[Parks]

It's not cheap. It's not cheap.

[Joe Budden]

Target ain't the cheapest.

[Flip]

Target ain't cheap. How much the outfit cost, Mel?

[Parks]

I mean, the hoodie was like, you.

[Joe Budden]

Buy your own drinks at the bar, and then we move on.

[Parks]

Yes, sometimes I do. Sometimes Anyway, sometimes I do.

[Melissa Ford]

We got a yay leak.

[Joe Budden]

We have a Kanye west leak.

[Melissa Ford]

I don't know if it's. I don't know how you call this anymore. It's an Instagram drop.

[Ish]

Oh, that might be a. That's.

[Melissa Ford]

That's a new category.

[Ish]

It's not a leak. It's got to be a drop.

[Melissa Ford]

Yeah.

[Joe Budden]

Let's hear it.

[Flip]

It's been a long time coming Yeah.

[Joe Budden]

I cut it off there because I thought it was AI.

[Parks]

Yeah, AI.

[Flip]

It's a few things I'm overcoming.

[Joe Budden]

Yeah. This smells like.

[Flip]

Think about it every night and day to try to stay away to keep.

[Joe Budden]

My eye now don't take this disrespect.

[Flip]

I'm sitting here trying to redirect I think about it every night and day to try to stay away to keep my eye here so don't take this disrespect I'm still here in a trifecta. It's been a long time coming how.

[Joe Budden]

Much longer is this?

[Melissa Ford]

It's only a minute 45. And we're 45 through. We don't gotta play the whole thing, though. I don't think it's like no deep.

[Ish]

Dive with a beat drop.

[Melissa Ford]

No.

[Flip]

Think about it every night and day to try to stay away to keep.

[Ian Dunlap]

My eye.

[Joe Budden]

All right.

[Parks]

It's kind of reminded me of the old Kanye. College dropout.

[Melissa Ford]

Yeah.

[Joe Budden]

Yeah.

[Melissa Ford]

I like it musically.

[Ish]

He go back to that.

[Melissa Ford]

Yeah.

[Joe Budden]

It don't sound bad. Don't sound bad.

[Ish]

I mean, I'll wait.

[Joe Budden]

I don't love it. I'll wait till it's done. Yeah. Same should make me want to go turn on Sam Cooke.

[Flip]

Yeah.

[Ian Dunlap]

Shout out to ye, though.

[Joe Budden]

But I do like the war going on between labels and the DSPs. Maybe. Or artists in the DSPs, but someone.

[Ish]

In the DSPS can't be artists.

[Melissa Ford]

Meta in the dsps.

[Parks]

Well, isn't the fact that they're dropping on IG kind of like a. A step into, you know, defiance against these DSPs.

[Ish]

They can't do shit without the label. So this would be, like, it could be label versus DSP or something. And I don't think this is just the artist saying, hey, we gonna do something different over here?

[Joe Budden]

Whoever it is, versus the dsp, I like it.

[Ish]

Some need to change. I don't think it's a test.

[Joe Budden]

Yeah, they're saying that. They're saying that Glorilla released her album D to C. Really smart. Let me see. I don't. I think we should be paying more attention to this. I think I also saw ACT say that or somebody say that. Labels were pretty upset about that J. Cole track. Not labels. DSPs were upset about how that J. Cole track was released.

[Melissa Ford]

I wouldn't be surprised.

[Ish]

Yeah, dog, I think it's a test. I think it's a test that everybody's seeing how we can circumvent them. Cause they taking the lion's share of the bread.

[Melissa Ford]

I would hope so.

[Ian Dunlap]

Meta's already in partnership with the labels, though. What people aren't talking about enough is the beef that Tim Cook and Zuckerberg have.

[Joe Budden]

Ooh, tell me. Spicy. I like this.

[Parks]

Is this a tin foil hat situation?

[Ian Dunlap]

This is real shit. Okay, so when Zuckerberg got them little curls and shit and then went to that world conference, him and shout out to Meta.

[Ish]

That nigga ain't gonna fuck his Shout the metal.

[Ian Dunlap]

Not at all. Shout out to Alvin Marin, everybody there. That's the next territory that they want to dominate is the music industry. So Daniel Spotify, Zuckerberg, Tim, they all got a little clash of the titans ego shit going on right now. So Zuckerberg has been doing incredibly well. Turned that shit around two years ago. And if everybody's on ig, why, and everyone's promoting on my platform, why not circumvent and move some of y'all over here, give you a little exclusive deal. Universal line some shit up. Tick Tock dropped the ball to the moon, genius.

[Joe Budden]

I was about to say it sounds like the Tick Tock shit all over.

[Ish]

Again, but we're not.

[Joe Budden]

Yeah.

[Ian Dunlap]

So it ties into the Google anti trust shit because of YouTube, which I don't think will happen, but if they become publicly traded now, it's gonna be meta versus YouTube. YouTube is gonna be bigger in the TV. I don't know if you saw it. You can, like make a real TV series and upload it on YouTube now.

[Parks]

What?

[Ian Dunlap]

Yeah, yeah. So it's a real battle of who's going to run the music industry in the television industry, like in the next decade.

[Joe Budden]

Huh?

[Ian Dunlap]

You can't count Zuckerberg out, man. Nah, he's fucking beast.

[Ish]

He a different type of thinker.

[Ian Dunlap]

So dropping a fucking ball for the last three years too. Who has Apple? How so you've been rerocking the same phone for.

[Melissa Ford]

Oh, yeah, they've been doing that for 15 years.

[Joe Budden]

I don't think Apple cares.

[Ian Dunlap]

They have to.

[Ish]

They don't. Weren't they trying to put their feet in it at one point?

[Ian Dunlap]

They have to.

[Joe Budden]

Why? Tell me why.

[Ian Dunlap]

Why do they have to care about the phone?

[Joe Budden]

Oh, Shit. I'm sorry, go ahead.

[Ian Dunlap]

Why do they have to care about the phone?

[Joe Budden]

Why do they have to care about anything?

[Ian Dunlap]

Um, watch. Time.

[Joe Budden]

Listen.

[Ian Dunlap]

Time. You guys know that shit's incredibly important. And for the first time in our adult life, Microsoft has become more popular than Apple. People are falling out of love with the phone.

[Ish]

They are.

[Ian Dunlap]

Huawei has a fucking tri fold phone in 4K. Yeah, give me some innovation.

[Ish]

That's true.

[Ian Dunlap]

Even the Apple fanboys are like yo, when are we going to get something new, Ice?

[Ish]

I didn't say it, I said it.

[Ian Dunlap]

I said you Apple Vision pro.

[Joe Budden]

I get 33% of all yalls business through the app store. Why do I care?

[Ian Dunlap]

But they trying to fight this shit.

[Joe Budden]

It's not enough.

[Ish]

And how long can you do that? It's not going to sustain itself for a decade. I do think they're gonna. You got to come out with a new pony. Yeah, that fight is gonna come. It's already hit. You already took care of it in Europe.

[Ian Dunlap]

And Tesla may not be the one to do it, but in 2011 metal was supposed to release a phone for free. They didn't want to do it for whatever reason. Shouts to chamath coming up with the idea. But let's say if open AI or chat GPT gives you a free smartphone but I get to get all your data and upload it and improve our algorithms. That's gonna hurt the market share.

[Ish]

It'll kill em. It's gonna kill.

[Ian Dunlap]

I don't wanna panic when shit gets rough. I wanna see whenever they said they're not gonna release a phone annually anymore. Yeah, that's big.

[Parks]

I was thinking that like once we got to the 16, I was like so is it gonna be like every single year? So we're eventually gonna get to the number 25?

[Ish]

No, they said every other year they're gonna start releasing. Releasing the phone. They're gonna stop releasing the phone annually.

[Parks]

Yeah.

[Ish]

So that's gonna. That's a revenue hit.

[Ian Dunlap]

Yeah. And when so much your revenue is tied to one product. Yeah, it's tough man. It needs some more innovation. Breaking news.

[Ish]

Glorilla drops her new album Glorious Direct to Consumer and cuts out the DSP middleman leaving them feeling some type of way. That from Tracks this morning. I mean it a very smart move. I mean artists are starting to realize they don't need a label anymore. I mean a lot of these labels are farming everything out and they're just banks. So why do you need them? I mean in the DSP thing, I.

[Joe Budden]

Mean you get lost in the song right now.

[Ish]

I don't know what he's talking about.

[Joe Budden]

I don't know what he's talking about.

[Ish]

That album is 1000% on the D.

[Melissa Ford]

Maybe physicals were DTC. That's possible.

[Ish]

Gorilla can't cut the label out.

[Ian Dunlap]

Yeah, the label signal.

[Parks]

I was wondering what the direct consumer is like. Like a physical album.

[Ish]

It can be a download too. You can do digital.

[Melissa Ford]

Rest in peace. Brownsville, Ky. Actually, who just passed away. He's been pioneering that for a while.

[Ian Dunlap]

Yeah.

[Joe Budden]

Rest in peace. Yeah. That was horrible. It was. That was a really sad story. Rest in peace. Car.

[Melissa Ford]

Rest in peace.

[Joe Budden]

Somebody else pass.

[Ian Dunlap]

I just heard him.

[Joe Budden]

Got it.

[Ish]

That I know. Off the top of my head.

[Joe Budden]

Got it, got it, got it.

[Ish]

I think everybody just testing it to see what could stick. You know what I'm saying? We gonna throw shit at the wall. If something stick, then we gonna run with it. I think everybody's really trying to get away from the dsp.

[Melissa Ford]

I think everyone should. In the. In this world where they're constantly evolving the algorithms and constant. Constantly evolving the pay rates. If you have a method to. To reach people directly, I'm doing that.

[Ish]

Even if you reach them on a smaller scale, your profit margin could be higher.

[Melissa Ford]

Exponentially higher. Not even close.

[Ish]

The problem is when a lot of y'all assigned to the label who got the deal with the dsp. True, true. That's where the problem falls at. So you gotta get some type of leverage to either get out of that.

[Joe Budden]

Deal, rework that deal.

[Ish]

Something to where now you got some control of your music. Cause the label don't give a damn that you not making no money. We cooking over here. No, you're right.

[Ian Dunlap]

But even if you don't do it with the label, you gonna have to pay Meta for the push.

[Ish]

Yeah, if you're big enough. But if you're a big enough artist, do you have to. Yes.

[Ian Dunlap]

Like if you Kanye.

[Ish]

I'm just saying if you Kanye or if you Drake or if you Taylor Swift and you go direct to consumer and you sell a million units, if you sell 2 million units and you tell a Swift I don't know what her deal is, because I've heard her deal is amazing at the label. But I'm just saying you could potentially have the same revenue stream that you did sign with the label.

[Joe Budden]

But look you.

[Ish]

So he thought we talking out with the Meta situation, like using Instagram and all of that, being that it's on my platform. Oh, you're going to pay me? Yeah, you're gonna pay me or they.

[Ian Dunlap]

Won'T pay for this.

[Ish]

You're gonna pay me. We'll hide you with a button.

[Flip]

Yeah, that's a fact.

[Joe Budden]

Yeah, it's all above my pay grade.

[Melissa Ford]

Although there is a lot of leverage, though, actually, if you talk about Taylor Swift or Drake. If they release on Meta, they might not need a cut because we're getting all the data from all the traffic you're going to bring for this one song or whatever, you know, I mean, like, before, that might be a loss that Facebook or whoever Meta is willing to take.

[Flip]

I don't think the labels are going to take this line down, though. They're going to come up with something.

[Melissa Ford]

Of course.

[Ish]

It's a cat and mouse game. As soon as somebody there's gonna something new come up, they're gonna find a way to infiltrate and take it over. And you just got to keep going. Yeah, I'm happy you got a lot of music.

[Joe Budden]

Yo, me too.

[Ish]

That nasty, that music business.

[Ian Dunlap]

Absolutely.

[Ish]

Absolutely.

[Joe Budden]

I want to enshrine this fucking podcast. I feel like it's just about to be the culmination of everything this podcast has said since inception.

[Ian Dunlap]

Absolutely.

[Joe Budden]

Like, you could just predict when shit is about to get bad. I feel for the artists out there. Yeah. Again, I do feel for the artists. Yeah.

[Melissa Ford]

It makes it confusing too. Like, if you don't know where it's going, what am I aiming for? You know what I mean? Like, it's a good point. Where's the money getting made? How do. What do I do?

[Ish]

Like, yo, if you're an artist today, right, do you even know, like, any business, like, if you own a restaurant, you could say, yo, I sold this much jerk chicken. I sold this much oxygen. Like, I know where my revenue streams are coming from. So now I'm gonna put more focus over here. If you are artist, do you even really understand how you get paid? I think they just get a check in the mail or. You know what I mean? Like, do they really understand how it is that they get paid? Meek spoke to it, bro. Forget how you get paid. They don't even know what they selling. As an artist, you get told a number from them, which is crazy.

[Joe Budden]

You did this.

[Ish]

You had this many streams. You don't know. You don't know what you're doing. I put a song out. I don't know what that song did. All I know is what y'all told me. What y'all told me could have sold y'all. They just told y'all. Pump it up went gold 20 years later. It don't make no sense.

[Joe Budden]

Beat Shaka Khan.

[Ish]

I beat Shaka Khan on purpose.

[Ian Dunlap]

By the music industry. Because if I own 30% of Spotify and got Daniel's hands behind his back, now I can take my hands off it and say, it wasn't us, it's them, while I own. That true. While some of the music industry is falling apart.

[Ish]

Crazy.

[Joe Budden]

Sorry.

[Ian Dunlap]

Same as banking.

[Joe Budden]

This is interesting. Yeah, it really is. I love it. I love it.

[Ish]

This is. I like. I like the artists out there now that's trying to figure it out. Like the ones that you can see. It's certain ones out there you can see that's like. They see it too. And they like, all right, let me try to get ahead of this and get with the next move. That's the interesting part to me to watch. But the rest of the ones who just are really just being sheep and gotta follow whatever's next.

[Ian Dunlap]

Yeah. So for what?

[Joe Budden]

All right, since y'all in your geeky mature bag, let's get right to TD Bank. Shit.

[Melissa Ford]

Okay.

[Joe Budden]

TD Bank. Busted. You did it. That's his bank.

[Ish]

That ain't my bank.

[Joe Budden]

You left it. They got you with that. We're open on Sundays.

[Ish]

That is huge.

[Joe Budden]

That work.

[Flip]

That work.

[Ish]

They have my business for America's most convenient bank.

[Joe Budden]

Yeah. On Sunday. I bet it is convenient. The mob need to get to the bank on Sunday. Right after Church TV bank has accused them of. Not accused.

[Ish]

Not accused.

[Flip]

It's over.

[Joe Budden]

They done proven that they had been money laundering and had to pay what? 3 bill.

[Ish]

$3 billion. 3 billion small fines.

[Joe Budden]

Small?

[Ish]

That's nothing.

[Melissa Ford]

That's insane.

[Ish]

No, the crazy part is this the shit that ain't nobody going to jail.

[Melissa Ford]

That's the great.

[Ish]

That's a rico, my nigga. You are washing money for the cartel.

[Melissa Ford]

Yeah.

[Ish]

You are an active participant in a criminal enterprise.

[Parks]

So who do they pay that 3 bill?

[Ish]

The SEC, probably, or the government some way shape or form.

[Joe Budden]

Look at you ready to go in there?

[Parks]

Who do I gotta aim these cannons?

[Joe Budden]

Oh, my God. You see how she's changed? The little aloe outfit?

[Ian Dunlap]

You gotta keep the peace, yo. It's a cost of no business JP Morgan got caught with.

[Ish]

No, they didn't. No, they didn't.

[Joe Budden]

You doing a lot of shadows.

[Ian Dunlap]

Gotta keep the relationship intact.

[Ish]

They didn't get caught with nothing. They didn't confess to nothing. They didn't get indicted for nothing. These niggas got convicted and had to pay $3 billion. That's a different ballgame than being some alleged Accusation.

[Ian Dunlap]

Yeah, yeah, yeah.

[Joe Budden]

But most of the banks have. I mean, bank of America, there was that whole thing. Hsbc. There was that whole thing.

[Ish]

If you was the CEO of. If you was the CEO of Budden Enterprises and they caught you funneling money for the Mafia, your ass would be under somebody's jail.

[Joe Budden]

Joe Budden is not breaking the law.

[Ish]

I know, I know.

[Parks]

We know.

[Joe Budden]

I'm not doing none of that.

[Ish]

You should me occasionally.

[Ian Dunlap]

Different rules for.

[Joe Budden]

No, I'm not. No, I'm not breaking.

[Ish]

But you get what I'm saying? Like, yo, dog, the CEO don't do no time.

[Ian Dunlap]

Maybe it happened and it wasn't on his watch.

[Parks]

Somebody's got to take eyes my like, yo, ain't nobody machines did not do.

[Ian Dunlap]

This the same way that the music business has eyes. But nobody goes to jail for a lot of the. That happens there.

[Ish]

They don't get convicted.

[Ian Dunlap]

Some of them got convicted four.

[Joe Budden]

This shit different.

[Flip]

This is different.

[Ian Dunlap]

We gonna talk. We gonna talk.

[Ish]

No, no, no. I'm just saying. $3 billion a fine. You think nobody go to jail.

[Parks]

That's crazy.

[Ish]

That's nuts to me, B.

[Ian Dunlap]

It's costing no business, man.

[Ish]

You try it. It's above our pay grade. But I think that sucks. Me personally.

[Joe Budden]

What sucked more that nobody went to jail or that them two girls got that shit off on you and your stupid. Which one are you?

[Ish]

Yeah, I feel like the.

[Joe Budden]

They scare me. You in the club just standing on principle.

[Ian Dunlap]

Yeah.

[Joe Budden]

Yo, you niggas.

[Ish]

What you mean?

[Joe Budden]

But that's part of my realization about Ish and Imani. I'm glad you said Imani. Was there anywhere that Imani is. I shouldn't go?

[Ish]

That's funny.

[Ian Dunlap]

Why you say that level?

[Joe Budden]

Cause it's that. Yeah, it's that like, he liked that.

[Ian Dunlap]

You think TD has done more harm than the music business?

[Joe Budden]

What'd you say?

[Ian Dunlap]

Do you think the music business in aggregate has done. I'm not taking up for TD or Sinaloa.

[Joe Budden]

It sounds like it cleared up.

[Ish]

No, I'm saying no, I don't think. But you gotta think about the time limit that the music business has been predatory. That shit has been going on since the 30s.

[Ian Dunlap]

TD bank, my business.

[Ish]

Yeah, TD. TD bank is relatively new in comparison to that. Yeah, but what I'm saying is across the board, when you start talking about justice and legality, if that was anybody else that got caught and admitted to smuggling cartel money. My nigga.

[Melissa Ford]

Yeah, someone's doing some type of time.

[Ish]

Somebody going to jail. What the fuck is we talking about? Ain't nobody going to jail. Like, that's just. That's crazy to me. That's all I'm saying. Like, I understand the concept, like, but.

[Flip]

They usually work out deals for the payout, right? So you pay us this much and nobody. They usually work shit out like that.

[Melissa Ford]

They usually make someone fall on some type of sword.

[Ish]

Yeah, they said El Chapo, who wasn't even him, had more money than Bill Gates and Warren Buffett. He wasn't even a top nigga.

[Ian Dunlap]

Yeah, yeah. Mayo was the real one.

[Ish]

What we talking about?

[Parks]

Yeah, and it was all in TD Bank.

[Ish]

No, I'm just saying just imagine. No, no, I'm saying just how much. Imagine how much money they were smuggling if they had more money than Warren Buffett and Bill Gates.

[Flip]

He about to go sign up right now, don't you. You want to go to Mexico, right.

[Ish]

With a 10.

[Joe Budden]

Chap off.

[Ish]

You know what I'm saying? Like, that's just a different type of money.

[Ian Dunlap]

Yo, what's the cost of business for them to have illegal businesses here?

[Ish]

Sure.

[Ian Dunlap]

It's trade offs, man.

[Joe Budden]

You ain't gonna do all that crying over there. All that crying you be doing.

[Ish]

You might. They will knock off them tears. Might get some results.

[Flip]

Yeah.

[Joe Budden]

Oh, that don't happen.

[Parks]

No, it does not.

[Flip]

Oh, who the fuck does it?

[Joe Budden]

I'd like to hear about y'all, too, but after I. Cause that was. I really wanted to know what was going on with y'all on Sunday. If I wasn't busy, I'd have drove over there to Hoboken.

[Parks]

Did you just stalk the situation? Did you come, sat down?

[Joe Budden]

I'd have sat in, but.

[Ish]

Would you let them know you was there?

[Joe Budden]

Yeah. Okay. No, I'd have been at the table, but I saw enough. I saw enough of them. I saw enough of them. Sunday, Hoboken brunch. Yeah, you go ahead. I'll get the call. I'll get the call.

[Flip]

You know everything that's going on.

[Joe Budden]

Not everything. I'd be the last to know certain things, but once I find out, I do try to be proactive and be of service. Don't get quiet when I say I'm of service. Y'all niggas don't support me enough.

[Flip]

We support you.

[Parks]

You are a great mediator.

[Joe Budden]

Thank you.

[Flip]

No, he's not.

[Joe Budden]

Now it seemed like I was fishing for the. Now it seemed like I was begging for the compliment. Right?

[Flip]

He's not a great mediator.

[Joe Budden]

Who ain't a great mediator?

[Flip]

Not you.

[Joe Budden]

You don't believe that.

[Flip]

To squash something yeah, no, I don't think so.

[Joe Budden]

For real.

[Flip]

I don't think you're a great mediator. I don't think you put just. I think that you, like, if it's mediation from one to five, that is a mediator. I think you'll be like, four.

[Joe Budden]

Oh, that's good.

[Flip]

No, nigga, it's not.

[Ish]

So one is good, five is bad, nigga.

[Joe Budden]

Oh, five is bad.

[Flip]

I thought five is bad.

[Joe Budden]

Sorry.

[Flip]

One to ten. I'm sorry, you at nine.

[Joe Budden]

You don't believe that you pardon right now?

[Flip]

No, I don't think you're a great mediator.

[Joe Budden]

A great.

[Flip]

You could get. When two people arguing, you could get in and make all parties calm down and. Yeah, no, I don't think so. You don't know what to say. You don't know what to say. You just be like, yo, hold on, yo, yo, wait. Yo, wait, hold on. We. You start looking at your head. No, that's not mediation.

[Ish]

What's going on here?

[Flip]

Yeah, what's going on?

[Ish]

That's your favorite.

[Flip]

You should slow down.

[Ish]

That's your favorite. What's going on?

[Joe Budden]

What is happening?

[Ish]

The last time two people was arguing up here, you said, yo, just don't break my table.

[Flip]

Yeah.

[Ish]

It'S not mediation. You wanna let niggas get it in.

[Flip]

Just that.

[Joe Budden]

But I'm not mad at, like a quick scuffle if nothing breaks.

[Ish]

That's not mediation.

[Joe Budden]

It's not mediation, though. No. Because I'm gonna break it up when it get.

[Ish]

It's not mediation.

[Joe Budden]

After we decide who would have won, you gotta break it up a little bit.

[Flip]

That's not mediation.

[Joe Budden]

That's Mel. Mel stormed out. I called her.

[Flip]

No, you didn't.

[Parks]

No, you fucking did not. Actually, I was trying to say that.

[Joe Budden]

No, not that day.

[Parks]

No. Yeah, two days later we watched him.

[Joe Budden]

Not the next day, definitely.

[Parks]

Oh, but let Mel have done something. I get a call with the mother.

[Flip]

We saw your phone go bing, bing, bing, bing.

[Parks]

I was literally like, hello?

[Flip]

Yeah, right on there. I saw your phone doing that. And you looked. And you just looked at me and got mad at me.

[Joe Budden]

I told Mel I was going to call. I'm sorry, audience, but we need our little therapy today. I told Mel I was going to.

[Flip]

Call her in the text while you up here.

[Joe Budden]

Yeah, yo, tomorrow I'm going to hit you, right? And then she said, oh, great, that's awesome, because I'm leaving the dentist to have nine and then I'm going to the dog vet. So after 3, I should be clear by 3k. I'm beefing with my girl dog. And now Hunger Games time. I love. I love a little. It was a good beef, too. This was gonna last a few days. It had to go archive a few times. Oh, you want black.

[Parks]

So needless to say it again.

[Joe Budden]

Talk about that using, huh? No, we both did mutual archive. Yeah, it was a mutual archive. Yeah, but ain't nobody cares. So once. Ain't nobody care. I think we made up.

[Ish]

You did that before.

[Ian Dunlap]

I'll go right on the break. Go back something new. Come back.

[Ish]

You ain't doing no archive.

[Ian Dunlap]

Yeah, archive.

[Joe Budden]

You got to hit the archive.

[Ian Dunlap]

Yeah.

[Flip]

So, yeah, archive.

[Joe Budden]

Get rough. You got to go archive the. The good one, too. Your favorite pick of your all.

[Ian Dunlap]

Yeah.

[Flip]

How many pictures you archive?

[Joe Budden]

Birthday pic, red dress. Archive.

[Parks]

Archive the pics.

[Joe Budden]

Yeah, we archive.

[Flip]

She thought she so old school. She thought you talking about archived the cassette.

[Joe Budden]

Polar rings.

[Flip]

Did you put them away in the closet?

[Joe Budden]

You put the photo album in the show?

[Ish]

Oh, man.

[Parks]

Okay, now I get it.

[Joe Budden]

We a darker.

[Flip]

No, but you're not a good mediator.

[Joe Budden]

I think that.

[Flip]

I think if you.

[Joe Budden]

Oh, but wait. My point was, now that me and my girl is beefing, you get to the back burner.

[Parks]

I was already there.

[Joe Budden]

Ooh. Well, get further back.

[Parks]

I will.

[Joe Budden]

So now when I'm done beefing, I'll give you a call. I did y'all had the brunch. And we'll hear about it in two seconds. Let me just get this out of the way. Time for my favorite part of the show. Prize bail. Eric said ISO on me. Please cut them out of my prize pick. Shit, we've been cut out. I don't want to hear argument a debate. I don't want to hear friendship cut. It's on me. Prize p. Yeah. Don't clap your head. Stolen sleepers. Don't try to get. Come over here. All right. Prize Picks is the number one daily fantasy sports app in all of the land. Really, really easy to play. All you have to do is select two or more plays. And it's a lot to get to out there. We got WNBA action. We got baseball heating up. We got basketball, we got football. It's a lot going on. Or you have do is select two or more play more players across sports. Any sport, pick more or less on their projected stat line for your chance to win big. They also have season long games. Yeah, Justin Jefferson keep getting busy. He keep getting busy. I don't know why I didn't draft him, but I'm going with Justin Jefferson for more than 83 receiving yards, Jordan Love, who kicked up the other day for less than 257 passing yards, and Saquon Barkley for more than 67 and a half rush yards. Download the app today and use promo code JBP to get $50 instantly after you play your first $5 lineup. That's right. All you have to do is download the app and use promo code JBP to get $50 instantly when you play your very first $5 lineup. So run your game, and good luck to all participants out there. Go, prize picks.

[Parks]

Go prize picks.

[Joe Budden]

Good time out there. Okay, Flip and mail. Mail, mail. It's never a day of peace. It's never peaceful. Some of y'all look at this and say, oh, I could just sit there and talk, dog.

[Melissa Ford]

Yeah, good luck.

[Flip]

So that's it.

[Joe Budden]

Take it away.

[Flip]

Come on, Melissa.

[Joe Budden]

I'm clearing out. Y'all go ahead and get your shit off.

[Flip]

We discussed this. Yeah, get your shit up.

[Melissa Ford]

Oh, you got a script?

[Flip]

No, but Melissa. Ladies first.

[Parks]

Okay.

[Flip]

It's not an age thing neither.

[Parks]

I don't know exactly how much everybody. How much they know.

[Flip]

Well, you unfollowed me on Instagram, and.

[Parks]

I sure the fuck did.

[Flip]

You want. You unfollowed me. You unfollowed me. And somebody. Somebody posted. That's how I found out.

[Parks]

Then I said, okay, wait, I just wanna know how. Why did people go searching for that? Like, how did they know to go searching for see?

[Joe Budden]

And I wanna call that out because I feel like you've been doing this long enough to know that people search.

[Parks]

For that, but how would they know at that particular time?

[Joe Budden]

I just went on a whole rant not even two weeks ago, saying how you still have to follow people, that you have beef with facts, because people are watching to see if the unfollow.

[Ian Dunlap]

Has a big thing.

[Joe Budden]

So you just was emotional and hit the unfollow on your co worker. I knew nothing about any of this part.

[Flip]

Yeah, that's how I found out.

[Ish]

I'm finding this out.

[Flip]

I was quiet about. I mean, you mentioned that, you know, you threw little jokes out there. And I told her that, like, Joe would say, you can't do the same shit that you did the other day. This is all dude cast. He was throwing little seeds and stuff. But I. When I went home, they said, yo, Melissa Ford, unfollow Queens for what's going on. I said, huh? I went, and she did. On Twitter and Instagram.

[Joe Budden]

Need I remind you that how you interact with your coworkers is a huge part of the gig. But go ahead.

[Flip]

Go ahead, Melissa Ford.

[Parks]

I mean, I just. Okay, fine. Maybe I was slightly emotional about the situation, and I unfollowed you for a second. I followed you back.

[Flip]

No, you didn't. Aw.

[Parks]

I think I did.

[Flip]

You're a liar.

[Parks]

Okay, listen. I don't know what I was going through last night, but apparently I'm threatening people. I'm posting definitions. A lot was going on, so I think that I followed you back last night.

[Flip]

Got it.

[Parks]

But I just have to check up on myself because that was like. That was.

[Flip]

Tell us what happened, man.

[Parks]

The people you bugged, the out is what happened.

[Flip]

Okay?

[Parks]

You bug. You bugged the fuck out. And I couldn't even look at you because my neck was fucked up. So I just was like, who is this motherfucker talking to?

[Flip]

Okay.

[Joe Budden]

Yes.

[Flip]

And so can you give them some clarity? Because bug died, they may think that I was loud and aggressive.

[Joe Budden]

No.

[Parks]

On this day, he was not loud. He was not loud. Which was. Made it. Which is what made it even more frightening.

[Flip]

Yes.

[Parks]

Yeah. Cause you were quiet.

[Joe Budden]

There go Karen words.

[Parks]

What?

[Ish]

Frightening.

[Joe Budden]

Frightening. But go ahead. You did that shit. And I have had to hear nothing but Karen words from Melissa all week describing your behavior.

[Parks]

Okay, well, it has. Insidious.

[Joe Budden]

See? Insidious.

[Parks]

Yeah.

[Ian Dunlap]

That's tough.

[Joe Budden]

You put me in a tough one, man.

[Parks]

Yeah, it was. It felt.

[Flip]

I did.

[Parks]

It was very dark. Yeah, it was very dark. Yeah. And your commentary was just. It was not nice.

[Joe Budden]

You.

[Parks]

You were not nice to me.

[Flip]

Yes.

[Parks]

You were not nice.

[Flip]

I know.

[Parks]

And so I packed up and walked the up out of here.

[Flip]

You did.

[Joe Budden]

What do y'all think about men who move or off of hearsay?

[Flip]

That's a good question.

[Ian Dunlap]

Think it's a mistake.

[Flip]

Yeah, but not if it fits. That's how I feel.

[Parks]

That's what makes it. That's. That's what. That's what hurts.

[Ian Dunlap]

Some level of clarity we got to confirm.

[Flip]

I move over here, say if it fits me. Like, if. If I hear somebody say something that he said and it fits him, I'm gonna be mad at him. What if he didn't say I'm gonna be mad?

[Melissa Ford]

Why don't you ask first?

[Flip]

Because. Fit the character of people.

[Parks]

No, because sometimes people can tailor some bullshit to say.

[Flip]

True, true.

[Parks]

You know, I've had people say that I said things, and because it was a. It was sarcastic or whatever, it was kind of intelligent and witty, they were like, oh, I could see Melissa saying that. I'm like. But I didn't.

[Flip]

So I think it's hypocrisy because I wouldn't want anybody to judge me over anything as well. I mean, it's just, it's. It's a thin line because I wouldn't want anybody to say that. I was just complaining about that.

[Joe Budden]

Recently, Flip heard some shit in the.

[Parks]

Street and got his panties in a bunch.

[Joe Budden]

Got all mad.

[Flip]

Oh, shit.

[Joe Budden]

Came back, totally barked on Mel. That's not in a loud and aggressive way, but totally went off on Mel. Brought up some shit from the pod three weeks ago before he left. Like, niggas, remember what happened three weeks ago? I like, God damn. And then charged his car up on off time at the company building while we discussed it.

[Flip]

That wasn't wrong. I don't think that was wrong. When I did the chart and trying to talk to you through the part of the problem.

[Joe Budden]

This is a show.

[Parks]

It really is.

[Flip]

I mean, this is a show. I mean, it's not until all. All the homies just like, yo, Flip, you. You shouldn't have did it at the job. If you had a problem with Mel, you should have pulled it to the side.

[Ian Dunlap]

I took it to the side.

[Flip]

I didn't argue with anybody. I said, I accept it. I mean, especially Michael. Paul made it worse because he's so sophisticated and shit. He seems so disappointed. What did he do?

[Joe Budden]

You did that in front of company, Michael.

[Ish]

What was it?

[Parks]

Yeah, Sitting right between you guys.

[Flip]

He was like, oh, God. He said, you know, I can't judge you, but I wouldn't have did. It's just the way he started talking.

[Ish]

It hit my soul.

[Flip]

I said, michael, I understand. He hit my soul a little bit.

[Ish]

You.

[Flip]

You do things different, right? So I know when you're upset because you have this look on your face, you start to turn red. But then you try to play it off of the camera. You're good at that.

[Joe Budden]

Who?

[Flip]

You?

[Joe Budden]

Me? Okay.

[Flip]

Yeah. But every once in a while, you'll give me the look. Like when your phone was going off, buzzing with Melissa. I don't know why she would text you during the part, but your shit was going off. You said you, like, you just.

[Ish]

You just.

[Flip]

You was human, but you handled it well. And it goes back to the point. Who I think is a better mediator, I would have to say Imani is why? Because even during that segment, he was like, yo, flip, you was wrong. You shouldn't have did it like that. I wouldn't have done it like that. And he gets into details to try to break things down in the moment.

[Joe Budden]

Imani is a Great mediator.

[Flip]

Yes.

[Joe Budden]

Amani is a great.

[Flip]

He was like, yo, that was wrong.

[Joe Budden]

I don't aspire to be the level of mediator that Imani is. Just so we're clear. Got it, got it. Never talk to. Just know. I don't aspire to be that level of.

[Flip]

Corey is a bad mediator, cuz he insults. He insults you. Yo, that was some ass. Out of here. Cory, chill. Like n. You is emotional. Out of here. That's. That's how Corey talks.

[Parks]

I like that you got all variations of everybody's.

[Joe Budden]

I did.

[Flip]

I mean every. Cuz, you know, I know when you like to leave and no disrespect, you think like, everybody was on your side.

[Parks]

Oh, that's. That's nice.

[Flip]

They was like, nobody, Nobody. They understood. They understood my frustration, but they were just like, you should have spoke to me.

[Parks]

You had seven hours, motherfucker.

[Flip]

Yeah, I was quiet.

[Parks]

Seven hours to pull me aside outside and say something to me. That was why I wanted to punch you right in your face.

[Joe Budden]

And they just left a petting farm.

[Parks]

For real. That's what the funny parts and shit.

[Joe Budden]

Don't go to the petting farm and be best of friends. Feeding goats and rabbits and then come here and do that.

[Parks]

And that's the last thing I know is that.

[Joe Budden]

Act like this is the petting farm. Like all that friendly Goo Goo Gaga bullshit that y'all was on. Do that here. Don't come here and fucking. Oh, my Lord. Yo, y'all trying to give me high blood pressure. The doctor came here and told y'all niggas my blood pressure.

[Parks]

Yeah, well, so anyways, we worked it out over the weekend. We had Ian as a mediator. Ian Schwartzman, not Ian Dunlap. But you would have been fantastic.

[Flip]

Ian wanted to. Yo, Mel was saying some crazy shit.

[Joe Budden]

Ian Dunlap wouldn't have been a great fucking mediator. Yes, he would. Oh, please. He just cool with all the ops. And he cool, so you can't say nothing to him.

[Ian Dunlap]

What ops I'm cool with?

[Joe Budden]

He ain't mediated nothing with none of my ops.

[Ian Dunlap]

I tried. I've tried.

[Flip]

You don't want to hear nothing from public and privately.

[Ian Dunlap]

You know that.

[Joe Budden]

No, it's up for. It's up for life with those failures. Is you talking about. I don't wanna mediate nothing, nigga.

[Parks]

Anyway, okay. Anyways. Well, the other Ian, Ian Schwartzman, he mediated.

[Flip]

Yeah, he wanted to laugh at a couple of things Mel was saying. Cause Mel is funny when she gets emotional, she starts saying some. She Turns into a white woman. For real? Yeah, it turns into a white woman, but, you know, we got through it.

[Ish]

Well, I'm glad, y'all.

[Joe Budden]

I'm glad. Thank you. Good.

[Flip]

Thank you.

[Joe Budden]

We.

[Parks]

Peace today.

[Flip]

And, you know, he said that I will not be getting kicked to the curb. He said that he feels that you guys got some things you guys are talking about where Ian and Joe feel like I'm trying to get fired.

[Joe Budden]

Paul.

[Flip]

So they said they're not. They're not giving into that request. I have to do something violent.

[Parks]

Well, I did say that if I were Joe and Ian, I would make anger management courses mandatory for you.

[Flip]

Yeah.

[Joe Budden]

Yeah. You said they don't hear how white she is.

[Parks]

Does anybody agree with that?

[Flip]

Ian agreed with her.

[Ish]

She's white.

[Flip]

She's white, too.

[Joe Budden]

It's okay. It's okay. It's okay. All right, so I'm glad that you guys made up. Yeah.

[Ish]

We need to cast, you know, I.

[Joe Budden]

Mean, everybody group hugs.

[Flip]

No.

[Parks]

Okay.

[Joe Budden]

Yeah.

[Melissa Ford]

Y'all just hugged.

[Joe Budden]

Yeah, we're good.

[Parks]

Well, we did.

[Flip]

Yeah. Okay, good.

[Joe Budden]

There we go.

[Flip]

Good. Daisy was happy to see me, but she tried to keep Daisy away like she wasn't a man. She the type of parent that keeps.

[Parks]

A kid away from you.

[Flip]

Don't go. Don't go to your father till the police come.

[Parks]

But people were thinking that my. My. My threat was towards you.

[Flip]

I love that.

[Melissa Ford]

I thought it was, too. Honestly, I loved it.

[Flip]

We had a conversation.

[Parks]

So, wait, why did you tweet questions? I don't know.

[Flip]

It popped up on my timeline. I just wanted to tweet that.

[Joe Budden]

Okay. You guys. Okay, Sir.

[Flip]

Got it.

[Joe Budden]

Wanna get into Sam Mitchell, Docs and homeboy live on air.

[Melissa Ford]

That was funny. Speaking of professionality in the workplace.

[Joe Budden]

Well, homeboy was playing with him. He was. He shouldn't have played with him. Now, I saved this clip 90 million times, so let me find the right one.

[Melissa Ford]

It was like, three different, you know.

[Joe Budden]

Oh, yeah, see, there we go. There we go. Cause you played with him. Yo. Niggas gotta be careful of making inappropriate jokes at work.

[Melissa Ford]

True.

[Joe Budden]

Agreed.

[Ish]

Yeah, don't say.

[Melissa Ford]

Especially when you on the air live.

[Joe Budden]

What that mean? What that mean? Nigga, shut up. You think I make inappropriate jokes at work?

[Ish]

You do, too.

[Joe Budden]

You think it, too, about y'all. I don't ever think I make a joke that make one of y'all want to hit me. Wait, I'm wrong.

[Ian Dunlap]

What say ye?

[Joe Budden]

Wait. Y'all want to hit me? Wait, wait.

[Ish]

Immediately.

[Joe Budden]

We might need some mediation. You want to hit me?

[Parks]

He Was here and he heard that Never.

[Joe Budden]

Oh, that was close.

[Melissa Ford]

Still break the tables.

[Joe Budden]

Yeah. Sam Mitchell. I ain't breaking the tables. Sam. Sam Mitchell. He shouldn't have made this joke. This is inappropriate to make to your co worker live on air. But it. Go ahead. Let me let him get his off.

[Flip]

What do you think about the fact that Steve Curtis has been going on as head coach?

[Joe Budden]

Yeah, I saw that. The coaches. The coaches don't get the medals. I guess it just tells you what international how they value coaches. Not at all.

[Flip]

I'm surprised.

[Joe Budden]

How do coaches don't get a gold medal. I'm surprised coaches get a paycheck for this show.

[Flip]

I think maybe you should do this pro bono, my friend.

[Joe Budden]

Last time I looked at my check, it's pretty close. So, hey, I'm taking donations. Why don't you come up off some of that money you got since you over there bragging about it?

[Ish]

I mean.

[Joe Budden]

Yeah, no. Did you rent your beach house out down in Florida during the hurricane? Oh, let's talk about it. Or do I need to go? How about your townhouse over over in Buckhead? Hey, what's going on?

[Ish]

You want to call me out? Yeah, let's play. You screaming broke and hungry.

[Joe Budden]

Let's just see it.

[Ish]

I know what you have and where.

[Joe Budden]

You live, young fellas. So you need to stop. I think we have snitches on the show today. No, we don't have snitches. We have Sam. Tell us Mitchell. We have truth tellers.

[Flip]

Sam, what do you think about?

[Joe Budden]

You're the one who crying poor destitute up here. When do I need to keep going on further more and more? Or do you want me to stop right now? Go to this game? You gonna stop messing with me on national tv? I done told you about that. See, we talked already. Hey, do I need to give out that dress? Cause you're not at home right now.

[Parks]

Look at this.

[Joe Budden]

Look, they cut to the game in Seattle. I miss that place. They should. Oh, they should still have an NBA team. I love Seattle. One of the best NBA cities ever. They won a championship. The fact that they do not have a team.

[Ish]

I don't understand it.

[Joe Budden]

That needs to be an NBA team.

[Flip]

Well, for tonight they.

[Joe Budden]

You are the history of championships and now an Olympic gold medal.

[Ian Dunlap]

That's crazy.

[Joe Budden]

I think that's your house. No, that's your house.

[Flip]

Why didn't people like that?

[Joe Budden]

All right, that's crazy.

[Ian Dunlap]

That's insane.

[Ish]

You gotta leave people to alone.

[Flip]

Did he get in trouble?

[Joe Budden]

We haven't heard about it.

[Ish]

They calling for him to get fired. They try to clean it up. People calling for him to get fired.

[Ian Dunlap]

Yeah.

[Melissa Ford]

Look at the addresses.

[Flip]

Is that his real house?

[Parks]

He said that's his rental property.

[Joe Budden]

Oh, Flip investigates.

[Melissa Ford]

There you go.

[Flip]

Gotta go to Florida.

[Joe Budden]

Hey, what do y'all think about this? I think that dude Chris was completely out of line. I think so when you started it.

[Melissa Ford]

I think Dachshund is wrong though.

[Ian Dunlap]

Dachshund is insane over that little criticism.

[Ish]

Yeah, but look, it depends on that. Might have just been the straw.

[Joe Budden]

Yeah.

[Ish]

Because he said, yo, I've asked you time and time again to chill out. Trying to embarrass me playing with what I'm saying, so stop playing.

[Parks]

And also the age difference too.

[Joe Budden]

Like a different level.

[Parks]

Sign of disconnect.

[Flip]

Older don't care. When you older, you don't care.

[Joe Budden]

Yeah, you're not.

[Ish]

You're not some older don't tolerate disrespectful.

[Joe Budden]

I don't think homeboy is familiar with Sam Mitchell's game at all.

[Ish]

That part. Maybe he learned.

[Flip]

I'm not familiar.

[Joe Budden]

Vince Carter.

[Flip]

Oh, he fighting Sam.

[Joe Budden]

Sam Mitchell has a reputation. I don't want to say what the rep is because I'm unsure of it.

[Ish]

Just an old head, hard nosed dude that they don't play that like you can't say certain to some of these old and that say today. These young kids say today.

[Joe Budden]

And honestly, if I'm saying Mitch, right, like just listening to the context of what he's saying. I don't know this Chris dude from a hole in the wall, but it sound like he got the bulk of the bulk of the budget and Sam Mitchell did not. So for you to make that joke on air when I was referring to coaches and how they are viewed internationally and how we should be getting paid when we're not. For you to say, I'm surprised they paid you for this show.

[Flip]

He said that?

[Parks]

Yes, that's what he was saying.

[Flip]

Yes, that's what he said.

[Joe Budden]

That's what. That's what.

[Ish]

The dudes are surprised coaches get paid.

[Parks]

You should be doing this Pro Bowl.

[Flip]

Yeah. Oh, yeah. He turned up on them.

[Ish]

Yeah, but you can tell. And again, you could tell. Like, yo, I warned you before.

[Joe Budden]

That's the thing.

[Ish]

He ain't just jump out the window.

[Flip]

That old up though. You could tell he never playing with it.

[Ish]

It's not over your dog. When the old start pointing at you, they be one step away from throwing that hook. Then start.

[Flip]

Sometimes you. Sometimes people. When I guess when you older, you Have a lot of. A lot more patience. You could tolerate more. You know, you appreciate the situation that you in or the gig, but you could take. But so much old head.

[Ish]

Don't be having the patience. It's the opposite.

[Joe Budden]

And I am against doxing.

[Ish]

Yeah, I don't. I think he. I think he went too far.

[Flip]

But he wanted to show the. You ain't going to do nothing. If I put your address out, you ain't gonna do nothing.

[Ish]

He punked him or just stop. I'm prepared to go where I need to go.

[Joe Budden]

And you're not home right now. You at work.

[Flip]

Nigga said you not home.

[Joe Budden]

You said you're not home.

[Flip]

That shit a little foul, though.

[Ian Dunlap]

If something happened to his house, then.

[Flip]

Yeah, that's just foul. Who becomes responsible? See, but that is.

[Joe Budden]

That is real doxing. I think sometimes the definition of doxing be even unclear.

[Ian Dunlap]

Too loose. Yeah.

[Joe Budden]

Yeah, right.

[Ish]

Like, I didn't even know what that meant.

[Flip]

Doxing is when you put somebody's address out there.

[Ian Dunlap]

There.

[Parks]

I didn't know.

[Joe Budden]

Job, address, any private information that you make public.

[Flip]

It's a crime, though, right? Isn't it a crime?

[Joe Budden]

It's a crime. But I mean, who about to about to go through all of that? Unless it's to that nature? Yeah, if you put my address out on tv, then, yeah, I might. I might follow up on that one. But this other.

[Parks]

It was a live broadcast.

[Ish]

Yeah.

[Parks]

Okay. I was wondering why they didn't edit.

[Joe Budden]

What.

[Flip]

What. What's the station that.

[Joe Budden]

I don't know.

[Ish]

Maybe NBA tv. One of these.

[Flip]

Okay, got it, got it, got it, got it, got it.

[Joe Budden]

Like.

[Ish]

Cause it's going on, like, at halftime of the game. It's like.

[Joe Budden]

Like that.

[Ish]

So they'll be giving the commentary.

[Joe Budden]

And. Have any of y'all ever been doxxed?

[Flip]

Yes.

[Ish]

No.

[Joe Budden]

What?

[Flip]

I've been doxxed. Came to my crib before.

[Joe Budden]

Yes, I know about you getting doxxed.

[Flip]

You saying, yeah, your house.

[Ish]

I met people, came to your house. Yeah. How you think they got the address?

[Joe Budden]

I thought they was the neighbor.

[Ish]

Niggas could follow you and get your address.

[Parks]

So they came to your house and did what?

[Ish]

No. And said, oh, shit. The nigga ish really do live.

[Joe Budden]

Made him strip.

[Flip]

Somebody rang his bell and made him strip. Them nigga.

[Joe Budden]

Get. Neck it right now, nigga, or else.

[Ish]

Or else.

[Joe Budden]

Or else.

[Parks]

I ended up getting mail sent to my house.

[Flip]

Ooh, whoops.

[Ish]

Well, no, that's not funny.

[Flip]

My name.

[Ish]

That ain't funny.

[Flip]

A male. A male stripper.

[Parks]

Or mail, like well, okay, maybe a package.

[Flip]

Oh, yeah.

[Joe Budden]

You keep getting packages sent places. That's.

[Parks]

No, that. I don't know that person. My address got. My address got out and this guy decided to send me magnums in a dildo.

[Flip]

Mel, stop it.

[Joe Budden]

What year?

[Parks]

2013. 2013 or 2012.

[Joe Budden]

Yeah.

[Flip]

And what did it. What did the note say?

[Ish]

Get ready. For real.

[Flip]

I see you. What color would you give? Black or white?

[Parks]

I thought that you could use this. Oh, and I was.

[Ish]

He knew you was uptight too.

[Parks]

I was you.

[Ian Dunlap]

Thoughtful.

[Parks]

It was a big white dildo with magnums.

[Joe Budden]

Oh, he knew you.

[Flip]

Yeah, he knew you. Even.

[Joe Budden]

That's on brand.

[Parks]

Yeah, it was m. With.

[Flip]

You shot that show when you. When you. The. The show that you shot. Was it at that time?

[Parks]

Oh, maybe. Yeah, maybe.

[Joe Budden]

She been famous long time.

[Parks]

Maybe in around that time. But yeah, he's. It was lube, magnums and a dildo. I was just like. I don't really understand the connection. Sex with a dildo, you never know. I think that's the same.

[Flip]

You can't get burnt from a dildo.

[Parks]

What?

[Ian Dunlap]

It's got a question. Got a question.

[Joe Budden]

You kept it.

[Parks]

I kept the. I kept the condom.

[Ish]

You tried him out.

[Parks]

I did not to try him out.

[Flip]

You gotta be a sick to try out a dildo. Sick of a random.

[Parks]

It was a little too big, so. No, it was what it was. It was like 14 inches. Anyways.

[Ian Dunlap]

Okay.

[Ish]

Yeah.

[Joe Budden]

I don't know how to segue. Y'all do that to me quite a bit. Well, you actually.

[Ish]

You've been doxed.

[Joe Budden]

Actually, I haven't been. Not to my knowledge, no.

[Melissa Ford]

Yeah, you have. We got docs together.

[Flip]

Oh, yeah?

[Joe Budden]

Yeah. Fucking. What's shorty? Yeah. Azealia Banks. It's my girl.

[Ian Dunlap]

Oh, for real?

[Joe Budden]

It's my girl. Azealia Banks Put me and Park's phone number out. Yeah.

[Flip]

Really?

[Joe Budden]

Yeah.

[Flip]

You had to.

[Joe Budden]

And I kept the same number.

[Flip]

Did you have to change the number?

[Joe Budden]

I kept the number. Yo, call me. You wild. Call me.

[Ish]

Y'all some flop.

[Joe Budden]

Some hotties. Some of them was podcast fans. Like, they wasn't all like. That's why I was like. Like this.

[Melissa Ford]

It was mostly. Yeah, it was mostly.

[Joe Budden]

Mostly fans. It wasn't. They wasn't attacking me, okay? They was bigging me up and shit. Somebody was cute, so I kept them. How do I know if they texted me Ish.

[Ian Dunlap]

Facetimed you send me a picture?

[Joe Budden]

Y'all think I answer random facetimes?

[Ish]

We've seen you answer random facetimes talking to us.

[Joe Budden]

I Don't know what y'all are talking about.

[Ish]

I don't know about.

[Joe Budden]

I don't know what y'all are talking about.

[Ish]

If the conversation start getting good, Joe, I've seen you answer random facetime. You ain't know who it was. You put the phone down like this when you answer it to see who it was.

[Flip]

You've done that. I remember those stupid shit.

[Ish]

I don't know who this is.

[Joe Budden]

Hold up. Hello? I'm not doing that on the docks on the docs weekend. I'm probably going to avoid unknown FaceTime. In unrelated news, they saying that RJ Barrett owes a male escort some money.

[Melissa Ford]

Huh? The rest of money.

[Ian Dunlap]

J. Barrett, will you please send me.

[Ish]

The rest of the money you promised.

[Ian Dunlap]

Me for me in my ass?

[Joe Budden]

We can fight to the. Please send me the rest of the.

[Ian Dunlap]

Money you promised me for me in my ass.

[Parks]

Do you guys need a reason now?

[Joe Budden]

The volume was a little low there, but he said.

[Ish]

It was loud and clear.

[Joe Budden]

Thank you, Parks.

[Ish]

Yeah, we heard it.

[Joe Budden]

I don't know if that's true or not. It was just funny.

[Flip]

What did he say?

[Melissa Ford]

Said, send me the rest of the money for fucking me in the ass.

[Joe Budden]

Oh, wow.

[Flip]

Straight like that.

[Joe Budden]

Yes.

[Flip]

Yeah, that's what he said.

[Melissa Ford]

Well, no, that's what? Use those terms exactly.

[Joe Budden]

The world that we live in, I've never been fucked in the ass, but I feel like that's a good time for money to be on the wood.

[Melissa Ford]

Yo, pause.

[Flip]

What the hell? Y'all pause.

[Joe Budden]

Wow. This is not one of those things.

[Ish]

That ain't no IOU on that one.

[Joe Budden]

Yeah, you're not gonna do that. And then I'm asking for mine. Sorry, buddy. I don't know how RJ Barrett got that off. If he indeed got that off. He has not replied to these allegations.

[Flip]

Who's RJ Barrett?

[Ish]

RJ Barrett, basketball player.

[Joe Budden]

The basketball player went to Duke. He was drafted by the Knicks, third overall in the Ja Morant draft. Now he is in Toronto.

[Flip]

Is he nice? Yeah, he could.

[Joe Budden]

It was Zion, then it was Jones, and then it was RJ Barrett. And I'm not mad at him. Listen, hey, if that's your bag, that's your bag. But pay.

[Ish]

Nah, you got it.

[Joe Budden]

But pay.

[Flip]

I want to ask this question.

[Joe Budden]

Stop shorting the sex workers.

[Flip]

What's up with these niggas? Not willing to pay? Like, it's like, are you challenging these niggas to come out and talk about your private business? Why y'all niggas just don't pay? That is true, right Unless you feel like if I pay, I'm gonna get exposed anyway.

[Ian Dunlap]

Anyway.

[Joe Budden]

Yeah.

[Flip]

Like. Like, what is the thought if you have a bouncing his balls off your chin, Pay the. If you don't want the world to know. For real, pay him.

[Ish]

Hey, he right.

[Joe Budden]

I mean, when he's right, he's right.

[Ish]

It's very simple. It's simple. He ain't lying.

[Flip]

But some people don't like to be. I. I seen some of the celebrities, man, they don't pay. They said they take that to court. They take it to court. But I don't know, man.

[Melissa Ford]

Your honor, he had my balls on.

[Joe Budden]

His chin, and I just feel like RJ Barrett could bag any dude he want. Like, why you gotta pay, homeboy? I don't know.

[Parks]

Well, I mean, is he out?

[Ish]

Same reason why the niggas do it with chicks. The ones that could bag any girl that they want, they pay.

[Joe Budden]

Why?

[Ish]

Because they want to expedite that process.

[Flip]

That's a fact.

[Joe Budden]

Get this over and done with. Yeah, but guys don't talk. Clearly they do.

[Flip]

What, you don't think gay niggas talk?

[Ian Dunlap]

Straight men talk.

[Parks]

Y'all are a knitting circle.

[Joe Budden]

Actually, the is talking more than the girls.

[Parks]

Yes, absolutely. That's a fact.

[Flip]

You know what's so crazy?

[Joe Budden]

And be more emotional, Joe, When I.

[Flip]

When I. When I was younger, I was and around the. They were able to identify the ones that don't talk. Today you can.

[Joe Budden]

That's not true.

[Flip]

For real.

[Ish]

Was talking back then. Yeah. Yo, dog, I know that. That. I know that won't snitch to the police. Like went to court. Did they time when they're kind of women?

[Flip]

No, I'm talking about the were I were able to identify the women that wouldn't talk. That's what I'm saying now, you know, the women not talk all the time. I'm talking about that you are able to identify. Keisha won't talk. I could do whatever I want.

[Ian Dunlap]

Yeah.

[Flip]

Like today, you can't tell. You think A is solid, man.

[Ish]

She screenshots that be.

[Joe Budden]

Not just that.

[Ish]

That goes into why people always ask that question. Why do the rap niggas or the entertainers fuck with the same couple women?

[Flip]

They know.

[Ish]

They don't talk. They hold it down.

[Flip]

Good callback.

[Ish]

Yes, that's a really good point.

[Flip]

That's very good. It's hard to find the real ones, rj.

[Joe Budden]

Pay up.

[Ish]

Yeah, pay that up.

[Joe Budden]

Pay up, buddy. It was a bad night in Toronto. Had to order some fucking.

[Melissa Ford]

Pay a.

[Joe Budden]

Ticket on the late night. Late night. Bussy, man, you can't be used.

[Flip]

Vanish mode no more. Nigga got the other phone. Vanish Mo need to come up with something where another device is recording it.

[Ian Dunlap]

Jim Jones got it.

[Flip]

Oh, for real.

[Ian Dunlap]

Sneaky link app where you can't record the screen even with another phone.

[Flip]

Shout out to capo. Okay. Yeah, yeah, yeah.

[Ian Dunlap]

Not that I've used it, but I'm.

[Flip]

Not gonna use that. Yeah, yeah. I'm not gonna use that. Shout out to capo.

[Joe Budden]

Yo, honestly, the best defense is to just be faithful, y'all. Honestly. Yeah. Or take a break. You don't get caught.

[Flip]

Or to have a great. Or have a great rebuttal for every time you get caught.

[Joe Budden]

Court.

[Ian Dunlap]

No, that's.

[Melissa Ford]

That's too much a rebuttal for the butt sexes.

[Flip]

Somebody. There's some people in here that have great rebuttals. You can't. I don't want to point no elbows at, but, you know, these got great rebuttals, and I'm pointing my elbows forward, not at. Look this way. Not even. No, not you and not you.

[Joe Budden]

I'm just saying elbows and funny. I don't know who you. I'm just saying.

[Flip]

I just feel like. Like this. Some niggas in the world have great rebuttals and they get their shit off.

[Joe Budden]

Yeah, you stupid. You said on the break.

[Ian Dunlap]

Take a break.

[Joe Budden]

Take a break. Go get your shit off and come back.

[Ian Dunlap]

Yeah, what about two weeks and come back?

[Joe Budden]

But what about when. That's your plan. But your partner fixes the break earlier than you anticipated to break gone. No.

[Ish]

And you ain't. You ain't tapped yet.

[Joe Budden]

Oh, man.

[Flip]

How do they fix the break?

[Joe Budden]

The worst.

[Parks]

An apology might fix it the worst.

[Flip]

But then how long can that. How can. How long? Okay. All right, so listen. If you argue with your significant other, right? And you have a plan like. All right, if this argument go the way I think it's gonna go, I'm gonna get my shit off for the next three weeks. So look.

[Joe Budden]

So look.

[Flip]

But then if they apologize and become humble, how long should their apology last?

[Joe Budden]

Well, it's your job to keep up the fight.

[Flip]

Listen to this fucking demented.

[Ian Dunlap]

I don't believe it. You. You actually changed his time.

[Parks]

You said before the best apology is changed behavior. And it's gonna take me a minute to see and assess.

[Ish]

How does it change Toxic Avengers?

[Flip]

Look at you. Oh, man. How do you keep the fight up?

[Ish]

You ain't hear this nigga, dog. You didn't hear Toxic Avengers before?

[Ian Dunlap]

Yeah, I don't believe you. This time. We've been back and forth for a year. Let's give it some space.

[Flip]

What if they come to the crib? What if they pop up at the job?

[Ian Dunlap]

I had one pop, but the resort had to.

[Joe Budden]

Oh, that's my girl thing, too. All right. I didn't want to have come up here.

[Ian Dunlap]

Pack these bags real quick.

[Flip]

I think, y. I love when you tell the story. It's like you.

[Joe Budden]

Oh, no. She just said that to me the other day. I'd be trying to go too crazy, though, but I guess, yeah, she got to be tough. You got to be tough.

[Flip]

You got to. You got to be tough.

[Joe Budden]

I got two days a piece.

[Ian Dunlap]

Damn.

[Joe Budden]

Then text game. All right, all right. You can unarchive them joints now.

[Ish]

You got two days of peace.

[Parks]

Of peace.

[Joe Budden]

Yeah, yeah, yeah. I break up with mine just to get some peace.

[Ish]

I had a good joint.

[Joe Budden]

Been sad.

[Ish]

It's cool.

[Parks]

Some peace.

[Joe Budden]

Scared. Scared to shoot. Blow your fucking.

[Ian Dunlap]

That's fine.

[Ish]

You won't.

[Joe Budden]

But it's. Blow your fucking brains out. Yeah. That's why you paid that calamari.

[Flip]

Oh, that's why you.

[Joe Budden]

And she brought a man home. And she brought a man home. And y'all stood there at the table to talk about it for a second when the check was there and the waitress looked at y'all, and Mandy looked at y'all.

[Ish]

Shorty was gone. The waitress, nigga, Mandy was hot. The next morning, Mandy texted me, y'all, I can't believe them bitches.

[Joe Budden]

I said, dawg, oh. I text Corey the next morning, yo, I can't believe this.

[Flip]

You probably did.

[Ish]

I don't know why, but okay.

[Joe Budden]

I said, I cannot believe it. Hey, do y'all judge people that. Oh, my God. Come on, let's talk. Y'all judge.

[Melissa Ford]

The answer is yes already.

[Joe Budden]

Yo, the niggas that gotta put all their cards in the thing.

[Ian Dunlap]

I hate that.

[Flip]

Like, cards in the what?

[Melissa Ford]

It's like six credit cards in the book.

[Ian Dunlap]

Yeah.

[Ish]

Oh, no, Joe. I'm not cheap, fam. So what's black book?

[Flip]

The wallet?

[Ish]

No, the table. You know I ain't cheating.

[Flip]

You ain't cheating.

[Ish]

You know everybody. Me and Flip fight over the bill. Yeah, me and Flip go out. I got it. No, I got it. No, I got it. No, I got it.

[Flip]

I learned that from Eric B, Uncle E and Star. We all went out to eat, and I started. I was young, like 2009 or whatever, 10. And I said, yo, who's gonna pay for what? Every. Pull me outside. We don't do that where we From. And I never did that again. We don't do that. We don't ask about paying a bill. If you got it, you got it. If I got it, I got it.

[Joe Budden]

Lesson to learn.

[Ish]

No, that's a real grown man lesson.

[Flip]

He pulled me outside. What's that called that restaurant in Harlem.

[Melissa Ford]

Sylvia. When he gets a vent mowing. I hate when he gets vent.

[Flip]

Stop. Sylvia. One fish, two fish.

[Joe Budden]

One.

[Ish]

One fish, two fish. Was it.

[Flip]

It was good.

[Parks]

Yeah.

[Joe Budden]

What?

[Flip]

Man, how you know all the spots she was outside? She got a. Oh, you can't.

[Ish]

And pretty one. She's a foodie.

[Flip]

Wait, wait, wait, wait, wait, wait, wait, wait, wait, wait.

[Ish]

What?

[Joe Budden]

No. Ain't she a foodie? I ain't going to do that to Mel.

[Ish]

Hold on, hold on.

[Flip]

Hey, if you get in trouble at.

[Joe Budden]

Home, I won't go came.

[Parks]

She got a py.

[Flip]

And pretty.

[Ish]

Which.

[Flip]

Slow down.

[Ish]

Which means that in the 90s and the early 2000. Yes.

[Ian Dunlap]

Okay, okay.

[Joe Budden]

All right.

[Ish]

I would flip, cuz I was like.

[Ian Dunlap]

Hold on.

[Ish]

What happened? Oh, yo, you.

[Joe Budden]

Can you sit down?

[Flip]

Sit down, please.

[Joe Budden]

This is an audio broadcast.

[Flip]

He started texting me.

[Joe Budden]

Bitch, what you did over there.

[Flip]

How does he know how it.

[Ish]

Look, this is nuts.

[Ian Dunlap]

That's crazy.

[Joe Budden]

What was we talking about? Sorry.

[Flip]

The bill, the bill, the bill. One fish, two fish. And Mel being outside that you paid the bill with.

[Joe Budden]

Yeah, that was on a date. Y'all was on a hot date and didn't know it somehow.

[Flip]

But you gotta get mad at your man is why. No disrespect to your man. He paid 80. But not that he went half. If he went half or a little more. Then.

[Joe Budden]

Get to the 20% if these are your joints.

[Flip]

I know, true.

[Melissa Ford]

Yeah.

[Flip]

I think that he realized it was ugly when they got in the light.

[Ian Dunlap]

Fact.

[Joe Budden]

Yeah.

[Flip]

Those is tricky.

[Ian Dunlap]

They wasn't ugly.

[Flip]

Cuz there some girls that can pull it off. Yeah, some not.

[Joe Budden]

They pulled it off.

[Ish]

They pulled it off.

[Flip]

They only pulled it off cuz he live on principles. If he was a like me. Hold up.

[Joe Budden]

I told y'all that principal is ass. And there's some places that you're not supposed to stand on it. Like the club. Joe.

[Flip]

You would have did the same thing, Jo. You would have paid for that whole. Joe, of course you would have paid for the whole. So you want your car there.

[Joe Budden]

That wouldn't have been. We would have been getting out of there.

[Ish]

Yeah, true.

[Joe Budden]

We not going to debate my principalities right now. I agree, but I'm just not going to play with homeboy like that. Again, but that's good for H2. Being a little hangout man with his man.

[Ish]

No, but typically, it's my man. He don't do that.

[Flip]

Yeah, that's what he said.

[Ish]

Like, I'm telling you, we go out, he'd be like, yo, I got it.

[Joe Budden]

How do you know if your man.

[Ish]

He'll be like, yo, I got it.

[Joe Budden]

Times and can't do it.

[Ish]

That's a possibility. And if that's the case, then you can communicate.

[Flip]

What did he say to you before.

[Joe Budden]

He gave you the bread?

[Ish]

This is my thing. What did he say afterwards?

[Flip]

I don't got it like that right now.

[Ish]

Nah. Cause he'll tell me that.

[Flip]

Oh, yeah.

[Ish]

He'll be like, yo, I ain't got it. So the bill came, he looked at you, you said you ain't know the chicks. What happened? I don't know him either. No, but what did he say? Y'all saw the bill. This too many. We gonna bust it down.

[Flip]

Ian Dunlap is good at math. What's 20% out of 600? Ish. Ian?

[Ish]

$30. I mean, 20%. $12.

[Joe Budden]

Hold up.

[Ish]

I'm sorry.

[Ian Dunlap]

What?

[Joe Budden]

That is what?

[Ish]

600. 20%.

[Joe Budden]

20% of 600.

[Ish]

My apology.

[Joe Budden]

He got offended. His math. My apology.

[Flip]

He got offended.

[Ian Dunlap]

$12.

[Ish]

You know, I'm nice with this. I'm sorry.

[Flip]

$120. That's kind of.

[Joe Budden]

Oh, my God. Let's see, let's see. I want to congratulate Chauncey Billups and Vince Carter, Basketball hall of Fame, along with Doug Collins. Real big news. Really deserving crew. So shout out to them.

[Ish]

Who else was it? Doug Collins.

[Joe Budden]

Doug Collins as well.

[Ish]

Gotcha.

[Joe Budden]

Yeah, I wrote this. It's not important at all. I was just shocked that there's a new Matlock and she's a girl.

[Ish]

A woman.

[Parks]

It's Kathy Bates.

[Joe Budden]

Yeah.

[Parks]

Shout out to my girl Skye Marshall. She's on that show.

[Flip]

I used to hate Madlock as a kid, man. All the old people used to watch that show.

[Ish]

My mother used to watch Matlock. You was watching shit back in the day.

[Joe Budden]

Yeah, I watched Matt religiously.

[Flip]

Matlock was ill. Son, as you got old like this, it was great.

[Ish]

We've been on the Murder, Death, Kill for a long time.

[Parks]

Such a good show.

[Joe Budden]

I could argue that a lot of these crime shows kind of stole Matlock sauce.

[Ish]

They did.

[Flip]

Really?

[Joe Budden]

In terms of the way he solved.

[Ish]

The way they solve him.

[Joe Budden]

Yeah.

[Ish]

That's what?

[Joe Budden]

Last two minutes. Hey, he dragging that to the last two minutes. He going to see the hairpin on the floor connected to something earlier.

[Ish]

He was wearing an earring. The earring was missing.

[Joe Budden]

And then I noticed such and such and such. Manlock was ill. I didn't know. Manlock is ill.

[Flip]

I used to hate it as a kid. My mom used to watch it. I hate it.

[Joe Budden]

My grandma used to be watching Murder She Wrote. Get that out of here. Matlock is on.

[Ish]

You hear the theme song? The song, come on.

[Joe Budden]

And I thought I was a genius when I told a producer, yo, try to flip this Matlock for me. Yeah, yeah, y'all. Let's see what else is important or unimportant out there. Life Jennings says that he tried to do a Tiny desk. Tiny Desk says that he is not a big enough act to do Tiny Desk.

[Melissa Ford]

That's not fair.

[Ish]

That's fucked up.

[Joe Budden]

Where does everybody stand on that?

[Melissa Ford]

That's not fair. They've had smaller artists on their bunch. Like, I'll bring it up.

[Flip]

I don't know.

[Melissa Ford]

Off top, because I go to look at him, like, I don't really know who that is.

[Ish]

And like.

[Flip]

I mean, how many records live Jen had?

[Ish]

Or like, in another genre that you just might not have been familiar with? No, that Life Jennings album was amazing.

[Flip]

Album, classic album.

[Ish]

Right there. Hood classic.

[Joe Budden]

Right there.

[Ish]

It's right there.

[Joe Budden]

It's right there for sure. Hood, classic, City, and.

[Flip]

Come on, Joe, you're a music bug. Tell me what that first.

[Joe Budden]

Nobody calls the classic and I love Life.

[Ish]

No, I said it's right there. I said it's a hood classic.

[Joe Budden]

That.

[Ish]

That first Life Jennings album.

[Joe Budden]

I won't argue that. But classic, I don't know.

[Ish]

It's not a classic.

[Joe Budden]

And maybe the smaller acts that did Tiny Desk, because I'm sure Parks is right about that. Maybe they were relevant current, smaller acts.

[Melissa Ford]

That may be true.

[Joe Budden]

Like, Life is from my day. Our day, or when did they go.

[Ish]

Away for a while.

[Joe Budden]

Life. Yeah. But I don't think he ever returned. Yeah, with.

[Ish]

Because he just went on tour or he's on tour currently. But not just that. When did those smaller acts do it? Like what Tiny Desk was then.

[Joe Budden]

And maybe.

[Melissa Ford]

No, they're still. I'm not gonna. I don't want to sound like I'm on nobody, so I'm not gonna to call their names, but there's a bunch on here that they have 8,000 views. You know what I'm saying? Like, they're not the biggest of artists.

[Parks]

But were they, like artists that had something kind of going on at the time?

[Melissa Ford]

As someone who keeps tabs on shit Outside of even hip hop or whatever in the music industry, I'm not familiar with a lot of these artists, and some of them I am familiar with. It's like they don't really. I don't know how they got up here. No disrespect.

[Joe Budden]

Got it, got it, got it. I'm on the fence. I'm on both sides of this argument. I do agree. I think Tiny Desk has had smaller acts and let life come up there. That platform looks like life. Live band. A guy that could really sing and he's got enough music to where if you're unfamiliar with some of these, maybe you gain some new audience.

[Melissa Ford]

Now, it could be a situation. I'm sorry to cut you. It could be a situation where it maybe just didn't come out the greatest. And they just use that as an excuse.

[Joe Budden]

You think they taped it? He made it sound like he reached out and they said.

[Flip]

That's what I'm saying.

[Parks]

That they turned down.

[Joe Budden]

Now, on the other side, I do think that. I do think that companies reserve the right to run how they feel like running for sure. Or. Or on that side.

[Melissa Ford]

They do a great job over there.

[Ish]

Or just evaluate the return.

[Joe Budden]

It's a lot of artists that be trying to come up here. And. Yeah, I mean, there's no nice way to say it, but no, you're not big enough to come up here. You either gotta be big enough to come up here, which I don't wanna sound like. That's that part of the criteria. So for. Or you gotta be liked or people gotta wanna get. We gotta wanna know. You wanna get to know you liked your song or something like that. But other than that, I'd rather pour into my cast than pour into one of y'all out there. That's just.

[Ish]

Hey, it's one. We overlooking too, that it could be with life and not saying this is the case, but he could have piss somebody off.

[Ian Dunlap]

True.

[Ish]

Cause this is a relationship.

[Joe Budden]

This is what it sounds like.

[Ish]

And that's just the excuse that they gave him. But whoever we got a relationship with might not fuck with you or something. I ain't gonna front or something. Somebody.

[Joe Budden]

This don't even sound like how Tiny Desk would turn you down.

[Parks]

Right.

[Joe Budden]

Right. Unless what you saying is kind of accurate. Yeah.

[Ish]

It could be somebody on your team. It could be because you'll have somebody up here based on the relationship. You know what I'm saying? Skane call you or somebody call you that you.

[Joe Budden]

And it gotta be a relationship. And it got. It gotta be some type of relationship. You know, Skane called me the other day about something. That's my man. That's my man.

[Ish]

Gotta do it.

[Joe Budden]

That's my man.

[Ish]

Gotta do it.

[Joe Budden]

You know, I love dollar and his wife and Gabby. Let me see, let me see, let me see. What else? What else is important or unimportant? Life, Jennings R goes out to you. Hopefully you do get that. What else is important or unimportant?

[Ish]

We never talked about it. Kendrick Perkins having his nil deal company and I wanted to get y'all thoughts on it.

[Ian Dunlap]

That's amazing.

[Ish]

You say it's amazing.

[Ian Dunlap]

That's an amazing concept.

[Joe Budden]

All right.

[Ish]

For those who don't know, tell me. You know, the college athletes can now sign a name, image and likeness deals.

[Parks]

Okay.

[Ish]

So Kendrick Perkins is signing. Is starting a company where basically I give you an upfront amount for a piece of your. Was it all time earnings.

[Ian Dunlap]

Yeah.

[Parks]

Wow.

[Melissa Ford]

That's.

[Flip]

Where is he from?

[Ian Dunlap]

Texas.

[Ish]

I think he was a basketball player.

[Flip]

No, I know who he is. But where is he from?

[Ish]

I have no idea where he's originally from.

[Melissa Ford]

That's smart.

[Ian Dunlap]

I mean, it depends on what the splits are too.

[Ish]

It depends on the splits. But it's like we talk label talk sometimes.

[Parks]

Is it in perpetuity, like forever?

[Ish]

That I'm pretty sure to be in whatever deal y'all make. So it could be. It might not be. I don't know for sure.

[Joe Budden]

Well then what's the problem?

[Ish]

This is the thing. Ice before, because we touched on it before and pre pot they were saying it was kind of predatory. Predatory. I think it just depends on the terms. I think it depends on the actual athlete. Like, I think the money matters. I think that when somebody puts out their money for a product, they're the person that's taking a risk. So if I'm pre paying you for whatever, you could break your leg. I don't get my money back or you cannot produce and I don't get my money back. So I think, I think it's 50.

[Joe Budden]

50.

[Ish]

It's a way to look at it.

[Melissa Ford]

As long as there's big money somewhere, someone's going to middleman. It absolutely happens everywhere. In every field, damn near. So it's unsurprising. It's unsurprising. And it's not necessarily predatory. It could be great for the.

[Ish]

It's a case by case basis. Absolutely.

[Melissa Ford]

Whatever you negotiate honestly.

[Ian Dunlap]

And if he gets some talent that isn't maybe as known, it could be a great. That might have. Yeah, it really depends.

[Ish]

Like everybody. Not angel Reese, everybody, not Shador Sanders, everybody. You know what I'm saying? There's some smaller cats that might go to some smaller D1s that could use 100 grand, that could use 200 grand and you could potentially bring an advertising dollar that they would have never gotten. And now because I put them together, like Steve Stout said, Steve Stout says he's taking the artists and he's taking the advertising and combining them. Yeah. So I think, you know, has there.

[Flip]

Ever been a player under the radar that ended up killing it in the NBA that was under the radar. End up being the stars.

[Ish]

People go under undrafted and end up being a star. Yeah.

[Flip]

Three years in a row.

[Melissa Ford]

Was a second round pick. Yeah.

[Flip]

So that can work.

[Parks]

Same with football.

[Flip]

So it could work out for Kendrick then?

[Joe Budden]

It could.

[Ish]

Yeah, it could, it could.

[Joe Budden]

What do you guys think about Kamala Harris trying to appeal to the black vote, the black male vote?

[Ian Dunlap]

I think it's smart. Maybe a little bit too late. I think it should have been done a lot earlier. Shout out to her.

[Parks]

And I mean this. How long? But this has been like a very.

[Joe Budden]

Short campaign or whatever the is that she had said. So we're not just talking out our ass.

[Ish]

I think, I think what Obama has proved, I think even in the last election, what has been proven is that the black vote is really, it really matters. Like again, until they counted all the votes in the urban Atlanta area, until they counted all the votes in the Philadelphia area, Georgia and Pennsylvania, which are two swing states, were still up in the air. And when they started counting all those votes in the inner city, that shit. One Georgia and one pa. So I think that their teams should be instructing them to appeal to us. All right, I have the policy that they're looking to create says to provide 1 million loans that are fully forgivable, up to 20,000 for Black entrepreneurs and others to start a business. Support education, training and mentorship programs that lead to good paying jobs for black men, including pathways to become teachers. Protect cryptocurrency investments so black men who make them know their money is safe. Launch a national health initiative focused on the illnesses that, excuse me, disproportionately impact black men. Legalize recreational marijuana and create opportunities for black Americans to succeed in this new industry.

[Ian Dunlap]

I think it should have been launched in August.

[Ish]

So you're saying it's just too late to do it now?

[Ian Dunlap]

It may be. Kudos to the White House being incredibly gracious to me. Kudos to you. I'm sure she love you do.

[Parks]

When did her campaign Officially start.

[Ish]

That's what I was about to ask. I think that she got thrown into the fire and had to scramble to work shit out. And now some of these things are just settling. So now we putting some new initiatives out, I think. When did Bob Biden dropout?

[Parks]

Wasn't it like June or something?

[Ish]

It was the summer. No, I'm just saying it was the summer, so I don't know. It was late, so I don't know.

[Flip]

She didn't have enough time.

[Ish]

Yeah. They was gathering their thoughts, basically, and Biden dropped out July 21st.

[Joe Budden]

Yeah.

[Ian Dunlap]

So I think it should have been launched in August because the women demographic she had on like that day that they made him step down. Sororities went crazy in raising.

[Ish]

Yeah, yeah. The women.

[Ian Dunlap]

So the black male voters needed. And because a lot of men are leaning towards Trump.

[Ish]

A lot of black men are leaning towards Trump.

[Ian Dunlap]

I think this should have been attacked a lot. Really good, though.

[Ish]

Do you think maybe they didn't count for that? Like, just out the rip? They didn't.

[Ian Dunlap]

They probably thought they were going to have a black male vote.

[Ish]

They was going to sweep the black belt, period. I agree with that.

[Ian Dunlap]

Yeah.

[Ish]

What you think?

[Joe Budden]

I hope it works.

[Ian Dunlap]

Yeah, me too.

[Joe Budden]

I'm not paying any mind because my vote is already made. I vote my soul.

[Ish]

Got you.

[Parks]

How did black men vote in. In the last two elections, the one that Trump won and then Biden.

[Ian Dunlap]

A lot of men silently voted for Trump.

[Ish]

A lot of black men voted for Trump. And now in the polls, black men are leaning heavily. Trump. I mean, not probably not the majority, but he's a good portion. He's getting a nice portion of the black male vote per the polls. And I know friends of mine, like, I argue with one of my niggas damn near weekly. He did seven years in jail. He just came home. He been home not even a year. And when I tell you he is pro Trump. On a different level. Yeah, it's a different level. So, you know, I mean, I mean, hood dudes, they really fucking with Trump. So it's going to be interesting to.

[Ian Dunlap]

See how race is going to be a lot tighter than we initially thought to. It's going to come down to, I.

[Joe Budden]

Mean, your mind made up. Yeah, I won't ask. I feel like it's invasive.

[Ian Dunlap]

I'll support.

[Joe Budden]

And you got a few more months of trying to get that Trump money or the other side's money, no matter.

[Flip]

What. Hold on.

[Ish]

Just, just to answer your question from 2020, this says most black men supported Biden, but overall Democrats have noticed that they've been losing black male support since 2008. Yeah. So it's been dwindling. So, yeah, they.

[Ian Dunlap]

They kind of should have left at some point. Yeah.

[Joe Budden]

Go ahead, flip me.

[Flip]

Question. I had a question for you. Stay out. Y'all business over there in that. That world that you in. What is it called?

[Joe Budden]

Finance.

[Flip]

World finance. Financial literacy. Oh, whatever. I'm sorry. I do investing. You do what?

[Ian Dunlap]

Investing.

[Flip]

Investing. How do you deal with the attacks that some of your counterparts you know, get? How do you deal with it? Because you seem like a nice guy, very humble and very knowledgeable. And when you see these things and the attacks, do you feel like you become involved in. Are you involved? Do they group you up in it, or you just.

[Ian Dunlap]

Yeah, sometimes I get lumped in. But the thing that I always try and tell people is, like, if you're consistently hearing the same message, there's truth in it. So even when. If a bunch of attacks come, I'll get on the phone with some of them content creators and say, well, what should we do different? He got to clipping me up. Eaton Dunlap. Hey, what you think we need to do? Because a lot of times the truth is they want to be friends, too. So if I can get the consult. To me, a hater is the best consultant you can ever hire.

[Flip]

Okay.

[Ian Dunlap]

I got a document 40 pages long. Every criticism of me.

[Parks]

Really? Who compiled that?

[Ian Dunlap]

Me.

[Parks]

Him.

[Ish]

That nigga. That niggas a meticulous.

[Parks]

I do know that niggas, but he also has a team, so just.

[Joe Budden]

Yeah.

[Ian Dunlap]

So if you're. If you're loving and enough to tell me what I'm doing wrong, I'm gonna jot that down and thank you. So I'll be more humble, more gracious, more kind.

[Joe Budden]

What you guys think of that? No, that. What do all of you think of that? His approach. All of y'all. Each and every one of y'all, not you icing parts. What do you all think of that?

[Flip]

That he writes it down?

[Joe Budden]

Anything.

[Flip]

I think it's a crock of shit.

[Ian Dunlap]

You've seen me do it.

[Joe Budden]

It's not a trick question.

[Ish]

I just wanna know, why not ask?

[Flip]

He just smooth and answering questions. How much get you better than it.

[Joe Budden]

Because they're not Iceland parks. Ain't y'all three.

[Ish]

Whatever that means.

[Joe Budden]

Yeah.

[Ian Dunlap]

I mean, of course it frustrating.

[Flip]

That's what I'm saying.

[Ian Dunlap]

Like, if you're here for a year, there's some truth somewhere that you need to fix.

[Flip]

But what I'm saying is that If. If, say. If people that you're associated with is being accused of something and you're looped up into that, do you look internally or you just writing down on how to.

[Ian Dunlap]

No, I got a vet, too. I got a man. My main connector meta got locked up. That was my friend.

[Flip]

Okay?

[Ian Dunlap]

They tried to loop me in and say I knew what some of the bullshit he was doing. I'm like, I'm rich. I ain't know nothing about that bullshit he was doing.

[Flip]

Okay, got it. So you. Okay, got it.

[Ian Dunlap]

But I gotta face it. Opposed to running from it and be.

[Flip]

Like, so you face it?

[Ian Dunlap]

Yeah, you gotta face your shit head on. Gotta face it.

[Flip]

You don't become an Uber driver and stuff like that. I do things different. You go straight into it. Nah, my fault.

[Joe Budden]

Like Cesar Pinna. You gotta look Joe Lee like Cesar Pina.

[Flip]

Why did you single me Ishamel and say we different? Because you have an angle there. But I didn't catch it.

[Joe Budden]

I don't have an angle. I just believe how y'all three react to criticism is different than how me, Ice, and Parks react to criticism. It wasn't deep.

[Parks]

I think you like it, though.

[Joe Budden]

I know you do.

[Parks]

Yeah. I mean, I think.

[Joe Budden]

I know you think that, but you don't.

[Parks]

Does anybody agree with me? Do you think that Joe likes that?

[Flip]

Likes the criticism?

[Ish]

Yeah, I don't think like the criticism.

[Flip]

I don't think he like the criticism.

[Joe Budden]

I just.

[Flip]

I think he knows how to handle it well. But then everybody's not him.

[Ian Dunlap]

He hates it.

[Ish]

Actually, I think Joe. I think Joe sees the bigger picture, and as long as the bigger picture and the engine is still moving, and I take that as it comes into territory. It's part of the gig.

[Flip]

And some people are able to disconnect easier than others. Like Ice. Ice will just disconnect. That's something that he. That he is Parks. You don't really pay attention to the Internet.

[Melissa Ford]

I do, but.

[Flip]

Yeah, but you pay attention to the Internet.

[Melissa Ford]

I'm on the Internet all day. I don't let it affect me emotional.

[Flip]

You disconnect. You don't let that you.

[Joe Budden]

I don't, but I've learned to appreciate it.

[Ish]

And dog, 20 years in this, appreciate that.

[Flip]

That's what I'm saying.

[Joe Budden]

Yes. I've learned to appreciate how everybody handles things differently and in their own way. So I don't say it not malicious. I say it just because it's something to be mindful of.

[Flip]

But you came up here and said that we should have a character to put out to the audience. Right? But then if we have a character, how will we be able to show our real self? People connect with authenticity. They like when you. Your real self. So if we put a character there, like, that's what. That's what my problem is, is the character and the me and the real me, so that I can speak from personal experience. My character that I'm putting up there and then me in real life, that shit is not easy.

[Ish]

They totally different people, you know, I.

[Flip]

Mean, when people approach you in the street and approach you expect your character, it's not easy to deal with. So then what do you say to that? My father said, yo, you signed up for it. You have to be you. You signed up for this, you wanted this. You have to know how to navigate through it.

[Joe Budden]

Wise words from a decent man. I couldn't agree with your father.

[Flip]

That's what he said to me. Like, you can't get mad at people.

[Ish]

What Flip does. I agree with that. In Flip's case, because he created that character. Sure.

[Joe Budden]

True.

[Ish]

He created that character. You put that character out there. You benefited from that character.

[Joe Budden]

I did.

[Ish]

So now you can't now turn around. Sometimes you gotta take everything that comes with that character that you put out there.

[Flip]

But sometimes they.

[Parks]

The character's not just. The character's more of a Persona, you know what I'm saying? Like, I don't have a character. I don't have a character like what he's created. I have more of a Persona that I've created in terms of just being poised and composed and sexy and whatever all that other shit is. But when I'm in, say, I don't know, baggage claim, and I just got a phone call that a loved one has cancer. I don't want to be who you think I am at that very moment. So those are the. Those are the navigational kind of, you know, moments where it just. It is extraordinarily complicated.

[Ish]

That's an extreme. But just.

[Flip]

That was.

[Parks]

But, I mean, but. But. But that happens frequently. And that's why so many celebrities will be like, you know, they get approached by somebody who they want you to be, who they believe you to be in that moment. And when you just have a. When you just got bad news or you're having a bad day and you don't react the way that they hope, then they get online and they're like, yo, I met so and so. They're a piece of. And blah, blah, blah. And that's when you say the whole. You signed up for it. I'm just like, nah, I'm still, you're still a human being at the end of the day. And it needs to be a little bit more respect paid to the fact that we're human.

[Flip]

Look what they did to Macau Coke. Not Macau. What's the guy that passed away, the short guy?

[Joe Budden]

Recently?

[Flip]

No, he passed away a long time ago.

[Parks]

Corey Feldman, the one.

[Flip]

What you talking about, Willis? Oh, Gary Coleman, you know, I mean, to be identified as that character, a character that he's built over the years. To be identified as that when he just wanted to live his life. Look, look what it did to him. Like these things that happen where I, I, I'm just saying.

[Joe Budden]

No, Are you comparing you Mel and ish to Gary Coleman?

[Flip]

No, I'm not.

[Joe Budden]

No.

[Flip]

I think that you so rude. Why are you so fucking rude?

[Joe Budden]

Am.

[Flip]

No, in all reality, the thing is when we speak about male, Male flip might be a little bit because of my size. Oh, that's racist.

[Joe Budden]

You do look like Webster.

[Ish]

Might be Webster.

[Flip]

Yo, you gonna let him say that?

[Ian Dunlap]

I got a spam.

[Flip]

You use my black card like, like Mel. Mel has a. Mel has a. So you call it a Persona where her professional, male professionalism, how she speaks and puts it. I think it's a character on the podcast or on her shows that I may have watched. It's not the same how Mel is behind the scenes. Mel is not that sophisticated behind the scenes.

[Parks]

Mel on some bullshit lies and treachery will get you.

[Joe Budden]

No, Joe.

[Flip]

Keep it real. Mel, you not that sophisticated behind the scenes. You don't use none of those big ass words.

[Parks]

I might be a little gangster.

[Flip]

Yeah, you're not. Well, not gangster. But you're not that. You're not that.

[Parks]

Shut up.

[Ian Dunlap]

I think we should all be mindful of the energy and Personas that we put out.

[Joe Budden]

True.

[Ian Dunlap]

Even for me when I was going through. And I'll call you like, yo. Wow. Some of us. You said it like, yo, some of us. You. All these people not attacking you because you an angel. And then you learn how to be softer, more gracious with people and a lot of that shit go away.

[Flip]

I think it's kind of unfair coming from Joe, though, because he has so many experiences experienced in so many years. Like he fought through it. That's just how I feel. I know he don't like to hear that.

[Joe Budden]

It's a Crocker.

[Ish]

I think what I said stands. I think that you just look at it like, yo, the gig is the gig.

[Flip]

He was at the beginning. Remember what you went Through. Half the people didn't go through what you experienced. Half the people ain't go through at the tv. And all that going down, bouncing up ain't experienced that. Your wounds. Your wounds made you who you are today. So imagine you. You took all the wounds for everybody and coming in fresh, and then we going through what you've been through. You know how to navigate through the battlefield. A lot of niggas don't know how to navigate through the battlefield. That's just what it is. And then you put this.

[Joe Budden]

Not.

[Flip]

I don't say. I don't want to say expectation, but you say, yo, you guys should do it like this and do it like that. And I do agree with you. Cause when you say it, it makes sense, but it's not as easy as you say it is. Oh, how'd you make it seem?

[Joe Budden]

And see?

[Ish]

And now to my. The way I treat it, I have experience. Cause I've been on the other side of it.

[Ian Dunlap]

Oh, yeah, yeah.

[Parks]

Where you were a troll.

[Flip]

Yeah, yeah.

[Ish]

That's really it for me because I've been on the other side of it. I can identify these people.

[Ian Dunlap]

Yeah.

[Ish]

So I know one y'all don't mean the y'all saying. Which is why when you're out and you run into people, it's all love. It's all love.

[Ian Dunlap]

Yep.

[Flip]

True.

[Ish]

Like you just said your haters, once you reach out to them. Yeah, they do what I tell you all the time. They just want acknowledgement. They just went, hey, look at me. Unfortunately, I say this, I feel like. I feel like a broken record. Negativity stands out more. It does.

[Ian Dunlap]

Absolutely.

[Ish]

Y'all can sit there and read the comments and read this, and it'll be a thousand people praising you. You don't even see it. But once that one person is on your ass, you see that they know. And then you reply to that. They know you reply to that. So it feeds them. So it says, okay, let's stay on his ass so we can get replies.

[Joe Budden]

That's what I'm about to say. Like. And once you show people to me anyway, what grinds your gears? Yeah, the people that enjoy grinding gears. It's coming to grind your gears. I'm one of those. I enjoy a little gear grinding, pause. So if I see that, that piss you off? I used to have the same fight with my girl. Yo, check that bitch. Well, why didn't you gonna know that this is a checkable offense? Yeah.

[Flip]

Your response is legendary.

[Joe Budden]

Yeah, though.

[Ian Dunlap]

That's good.

[Ish]

But you try to get that Off. He's right.

[Ian Dunlap]

That's true, though I ain't saying works.

[Joe Budden]

With her, but that's my thinking. If I let the girl know that this is grinding your gear, you who I care about. Of course not her who I don't.

[Flip]

I agree with you, then.

[Joe Budden]

Now we've allowed somebody who don't matter, and it's inconsequential.

[Parks]

What's the difference between that and, like, establishing a boundary and a boundary with who?

[Ish]

Standard boundaries.

[Flip]

These motherfuckers don't have strangers.

[Ish]

Yeah, yeah, they don't.

[Joe Budden]

We see that. That I was just.

[Parks]

Yeah, boundary with strangers, like, don't get.

[Ish]

How do you enforce that with a stranger?

[Parks]

In the moment of your interaction, you let them know I'm not the 1, 2, or 3.

[Ish]

So what is. Okay, so all they're gonna do. So let's play that out. What does that say to the thousand people that just watched you do it that just want to. Want to reply from you? What does that say to them who wouldn't get attention, who would never normally get the reply? But because you just told them I'm not 1, 2, or 3, what does that tell them? Okay, the way to get her to reply is to do what?

[Ian Dunlap]

Yep.

[Parks]

Well, that's true. Historically, I have always turned the other cheek. I have taken the high road so many times, I get nosebleeds, so that's usually my M.O. still, I just kind of got a little fed up with that shit, so. Hence spicy. Mel has been around for a little.

[Joe Budden]

While, and I ain't gonna hold you speaking for me. I'm not shooting at nobody here. I'm not shooting. None of y'all even know we talking about this now. I forgot the shot anyway. Fuck was I about to say? No, I wasn't shooting a joke. Oh, podcasters in general that complain about this type shit. To me, it just sound like when the spoiled, rich, white kid in school is fucking complaining about some shit. I was just saying when y'all was outside. I've tried to think of a simpler gig than this.

[Ish]

Yeah, I can't.

[Joe Budden]

Like, if you niggas. Not you niggas. If people. If people can't fucking deal with what comes along with podcasting, this new boom that happened to come about where people. We privileged enough blessing. We privileged and blessed enough to work somewhere twice a week, not counting anybody's side giving gigs. Everybody got side gigs. The weird economy is everybody needs side gigs. That's true. But I think this is a pretty good gig. So it's like the people that's oh, they out there complaining. They called me this. They said this about me. It's like, yeah, but are we just totally discounting the blessings?

[Ian Dunlap]

True.

[Melissa Ford]

And the more words are we moving.

[Joe Budden]

The blessings to the sign?

[Ish]

And it goes back to what I said about focusing on how negativity just standing out more. You're not even looking at all the positive shit because you focus on a little bit of negativity.

[Joe Budden]

My life has changed too much, too drastically, quickly for me to worry about what Becky453 thinks about things more.

[Melissa Ford]

The words of Tyler the creator, man, just log out.

[Ish]

Cyber bully.

[Joe Budden]

Nor are there many people that they've said worse things about than me.

[Ian Dunlap]

Yeah, yeah.

[Ish]

For you. Yeah.

[Joe Budden]

Like develop a fucking thick skin. Put the fucking phone down. Ignore them niggas. I'm going back to my normal life. Flip, you be outside, so. And y'all be outside, so. I can't speak to that, because if it takes me locking myself in a room, I will.

[Flip]

I understand what you saying.

[Joe Budden]

What it takes me locking myself in a bathroom or closet. If my problem is outside, then I will. I have committed life to this thing.

[Ish]

But that's the thing, Joe. The problem is not outside. Because once again, when you see people outside, they cool as hell. Love.

[Joe Budden]

They buying you drinks and water, sending you charcuterie boards.

[Ish]

Yeah, that's what I'm saying.

[Joe Budden]

It's too much love to even focus on. On. On the head.

[Flip]

I want to ask you a question.

[Joe Budden]

And if you. I got you. And if you talking to a large enough audience, then you're gonna get some hate.

[Ish]

It comes with it.

[Joe Budden]

Like, I'm. I'm prepared. I'm prepared for that. Like, it kind of fuels me. Pardon me. A little bit.

[Flip]

What you think you're gonna be. You're gonna be honest and ask you this question.

[Joe Budden]

I gotta get a question first. I want to reserve the right to lie.

[Flip]

So listen. So this is where the confusion comes.

[Joe Budden]

You gotta keep a lie.

[Flip]

This is where the confusion come from, even when it comes to you. Right. So I can speak for me and you, like, if you engage and I talked. Well, I say it sometimes. Engage with people that are saying things about the gig or me. Right. And aren't you giving them credence to keep going, like. Cause you are the head of the crop, right? So you the head of the ship. You're engaging people. Yo, we don't like Flip. Flip is doing this. That nigga's annoying. You're not saying anything. But you're there. You're listening.

[Joe Budden]

I'm Present.

[Flip]

You're present. You're not saying anything.

[Joe Budden]

And I've recently learned that y'all don't like that.

[Flip]

Yeah, well, I didn't. But now I don't give a fuck. Cause I get it.

[Joe Budden]

I've recently learned.

[Flip]

I understand. I understand it. I understand it now. You know what I mean? That's like the same thing when I was doing interviews in fifth. Probably didn't like me sitting with Smurf or talking to his son. Even though I'm defending fifth. He's saying, like, why would you even sit there in the first place knowing that I'm going through this? It's just a. I guess I don't know if it's an old school mentality thing. I don't know. But even with you, like, if you sitting there talking and they feel comfortable, wouldn't that give them more ammunition to keep going?

[Joe Budden]

Joe.

[Flip]

Joe was with us. Joe listened to us say it. So let us keep saying it. So then.

[Ian Dunlap]

But look at it like this, and it may still hurt. But when McMahon was selling Austin vs Cena or Austin vs Rock, he'll listen to them say, Austin sucks. But WrestleMania, you're right. Still fucking draw like crazy.

[Flip]

That example was brought to me, too. But that example was brought to me, too. Yeah, like, you got to look at it as. Joe is Vince McMahon. Not personally, but, like, you know, Joe. Yeah, I had to clear that. But it gives the audience, like. We speak to Joe about it. Who the are you? We speak to your. Your boss.

[Ian Dunlap]

Yeah.

[Flip]

We don't give a how you feel or nothing. So we're gonna tell them how we feel, we're gonna say it, and we're gonna go a little further.

[Ian Dunlap]

Yeah.

[Flip]

Because we, you know, sometimes the boss give people ammunition unintentionally. So what do you say to that? When I say that? Like, even if we don't. Even if I don't like that, what do you say your intent is? What do I say what your intent is? Like, what do you say about that? How it comes off to people that it matters to you?

[Joe Budden]

Well, listening to how you feel about it or how you felt about it.

[Flip]

I felt. Yeah. I don't feel.

[Joe Budden]

And I know Itch made mention of it before. Mel feel like she wanna make mention of it, but don't. I don't know. But I receive. I receive. How y'all feel about it? I don't give a fuck.

[Flip]

Yeah, I like that.

[Joe Budden]

I don't give a fuck about.

[Ian Dunlap]

Did you give a fuck?

[Joe Budden]

No.

[Ian Dunlap]

Why?

[Joe Budden]

Not at all. I shouldn't give A fuck why?

[Ian Dunlap]

If we're talking about.

[Joe Budden]

It's a full circle moment. Right. There's a lot of great research in criticism.

[Ish]

You started with that.

[Ian Dunlap]

Yep.

[Joe Budden]

You started with that.

[Ian Dunlap]

Yeah.

[Joe Budden]

If you on a stage, if you on a public stage. And again we starting with all the blessings. I'm starting with the blessings facts.

[Ian Dunlap]

Same.

[Joe Budden]

If you on a public stage that has afforded you those blessings lessons, then you should feel good enough to be able to hold it down when the other side starts coming. Yeah, I feel like that. One, two. Engagement is engagement. It don't say good. Good engagement. It don't say praise, compliment, complimentary. Engagement is engagement. You talking to somebody that through the down years of his career, my engagement has always been better. Better than the A level in premiere X. Because I'm there. Just because I'm there, I don't have to be talking about nothing. Oh he did. It's like when I'm in the strip club on a Thursday night and one of the in the project say, yo, you here. Yo, yo. You know I. You know I respect you. My. You just did it right here with us. Yo.

[Ish]

By yourself.

[Joe Budden]

Yeah. It's as simple as that matters for me. So engagement is engagement. I know what people are paying for for engagement.

[Flip]

You right.

[Joe Budden]

Yeah. I see it.

[Ian Dunlap]

Big facts. Yeah.

[Joe Budden]

And I know how much it costs.

[Ian Dunlap]

Yep.

[Joe Budden]

Right.

[Flip]

Yeah.

[Joe Budden]

So I'm not. Nobody is going to trick me into thinking that the blessings are a negative.

[Ian Dunlap]

Yeah.

[Joe Budden]

And even if they come in a bad shape box or bad built damaged box, it is all a blessing. Who the fuck is anybody here for people to be talking about, myself included. Now I've done enough for however many years. I gave him enough to talk about. But in the grand scheme of things, everybody's insignificant. Yo, who the fuck are y'all? Who the fuck am I? They talking great. Yeah.

[Ish]

Awesome worry when they not big facts.

[Ian Dunlap]

Yeah.

[Ish]

That's when you work.

[Joe Budden]

It could go another way. I'm looking at all the podcasters that died for the engagement and look at the shit that they're they going and secretly trying to hire. The people that that's engaging in all like dog. Like dog.

[Flip]

True.

[Joe Budden]

I don't take none of it for granted. I want to respect everybody's feelings on the matter because everybody don't have to handle shit the same. But I don't take none of the blessing for granted that come with this shit.

[Ian Dunlap]

Yeah.

[Joe Budden]

I don't. And that includes some of them n. I don't want to talk to if they saying something I don't want to Hear I remove myself I'm back to the anon.

[Ian Dunlap]

That's it.

[Joe Budden]

Yeah, that's it. Hey, if I go in the club, hey, at the Paddle with the Sexes, homegirl from Def Jam, yaddy, yaddy, yadda, yadda, yadda. Guess what? I ain't mad at her. Sweet girl, sweet girl. I'm going.

[Ish]

Yep, I'm going.

[Joe Budden]

She ain't do nothing wrong.

[Ish]

Stay there and still do what you want to do.

[Joe Budden]

She looked to the side, got excited. Great, I'm gonna go. Last week, in my estate, whatever that was I was doing, I'm in the city at a time I ain't normally in the city. Nine to five hours. This noon is some. I'm walking downstairs. I'm on, like, Wall Street, Soho, one of them shits. Not soul, but one of them shits down there. Where is working? Go downstairs.

[Ish]

Stop.

[Flip]

He had to say. He tried to throw. So he went for Wall Street. He was on Wall Street.

[Joe Budden]

He was on Wall street, one of them blocks that I don't be on, but I go downstairs for a little smoke break. And I'm sitting there, it's in and KE and a girl walk by. And, hey, you know, you look like Joe Bud. That don't never work with me. Hey, and I get that all the time. She kept walking, but she was puzzled the whole way down. I know that nigga. She was on the bun. I think.

[Ish]

I think.

[Joe Budden]

Yeah. And then some more people came. Yo, you Joe Budden? Take a picture. There's some more people came now. It's like a crowd. You would think Pump it up is at its peak. The way that these people is over here crowding. They done followed me in the building. They trying to guess what floor I'm going, you going to.7 inches. That way anybody over there goes. What you talking about up there? Hey, that's invasive. That's intrusive.

[Ish]

I'm sitting there, I tap in.

[Joe Budden]

I said, hey, that Prize Big shit must be working. That little commercial. I feel like people. That was a lot just now.

[Parks]

You've been all over.

[Joe Budden]

That's not for me. I hate all of that. I am an introvert. Leave me alone. I don't want to talk to nobody. And most of my fans sometimes respect it, but in the event that they don't. No, I'm grateful for the ruckus.

[Ish]

I'm grateful for the ruckus.

[Joe Budden]

I just made some fucking girl date. You telling a man on the phone annoying that nigga. Like, there's nothing for me to complain about. There's nothing for me to complain about.

[Ian Dunlap]

So you should lose the fan base.

[Ish]

I've seen people go, so.

[Ian Dunlap]

For real, go crazy. Adam, if you need help.

[Joe Budden]

Adam.

[Ian Dunlap]

Some friends in Chicago.

[Joe Budden]

Adam. Adam is jumping in the coffin. He jumping in the coffin, lowering it himself.

[Ian Dunlap]

Yeah.

[Joe Budden]

It's over 20.

[Flip]

What did you.

[Ian Dunlap]

You know, you one of my favorite whites ever.

[Ish]

But yeah, Adam, I with you too.

[Joe Budden]

But it's over my. You. You. I love that your rain on the top is short. Like leprechauns. There are people in their room somewhere. You know, Hope said on whatever DVD that was, there's a right now eating a bowl of cereal, coming right to.

[Ish]

Some shit and beating on the table.

[Joe Budden]

That's the same thing here.

[Ish]

That's true.

[Joe Budden]

So every second that y'all or y'all or anybody dedicates to something else, there's somebody eating a bowl of cereal that's just sharpening a sword, trying to get better and trying to come take your. Trying to come take your spot. I don't have time to talk about what these niggas on the Internet think about me. They think I'm a piece of shit. Now watch this.

[Ian Dunlap]

Yep.

[Joe Budden]

Now watch me get to it as.

[Ish]

A piece of quote unquote. And. And they gonna keep watching you.

[Ian Dunlap]

Big facts.

[Joe Budden]

That's what I'm saying. Most of them hate. Even in Joe Budden TV community. Now all the haters done got in there. Now all everybody that hates me is in there. I'm so appreciative.

[Ish]

Yeah.

[Joe Budden]

Run it up there somewhere for people that hate me to centralize, to commune and talk about. And talk about you and talk facts. And they talk about everything. Everything. As annoying as that be. Sometimes they try to get to it. Yo, I think Joe's about to fire Melissa. He sent her home. Oh, my God. She was belligerent. Joe's not gonna run his business like that. That little be annoying. Guess what? Love it.

[Ian Dunlap]

Still gotta listen.

[Joe Budden]

Absolutely love it.

[Ian Dunlap]

And if you producing the show, give you some little bullet points.

[Joe Budden]

Absolutely love it. Rap rapid fan base. Rabid fan base. Yeah.

[Flip]

Out there.

[Ish]

It's people that would pay.

[Melissa Ford]

People that do.

[Joe Budden]

And you know the other part?

[Ish]

You can't put a number on it to try to get that level of engagement that that community has.

[Melissa Ford]

There's people that would pay for the hate.

[Joe Budden]

You're right. The other part is I'ma always view it differently, at least in this infrastructure. Because I was here from the day one.

[Flip]

Yeah.

[Joe Budden]

When none of that exists.

[Flip]

But is it.

[Joe Budden]

See me on a classic Joe right now, you are. You are don't do that. Don't step in right now. I'm just saying, when you there from day one and there's nothing and there's no money. There's no company giving money. Nobody's thinking about y'all podcast or whatever the fuck y'all doing. And you trying to grow 10,000 listeners to 20 and 20 to 40 and 40 to 60 and so on and so on. And then still gotta wait for people to come give you some money. Then the companies change their mind. Want to give all the white people in the TV shows the money. This shit is all. So when you there for every step of the way.

[Ian Dunlap]

Yeah.

[Joe Budden]

You can't take none of it for granted. Like I used to tell them niggas about tour. Savon. And them niggas shout out to Savon. By the time Savon started coming on tour, it was four season hotels. It was big, big, big sprinters. The luxury sprinters. If you know something about sprinters, they don't all cost the same. We got the one with the phone chargers.

[Melissa Ford]

Yeah.

[Joe Budden]

We got the one with the USB. USBs by every seat. Yeah. TV's a good driver. Not one of them bums that's on the. Hey, sexy paneling on the floors. It was different by the time he came around.

[Melissa Ford]

Good drivers.

[Joe Budden]

We were the drivers before in a Suburban somewhere, bro. Suburban. You know how I feel going to pick up the second half of 2500. Like, what? What the fuck are y'all niggas talking about out there? And what you complain about? I'm on a video somewhere about to beat up a promoter from Bermuda that was over here. Cause he owed Slaughterhouse money over here. Then booked us again over here. Now we fighting at an airport. It's like your dog. If you. If you was there. Word fucking up the mix on ols 3. Drunk off. Drunk off of banks.

[Ish]

Coming down.

[Flip]

Coming.

[Joe Budden]

Yeah. For real. Parks ain't give a fuck. Parks come downstairs mad. L, we in the van, not the truck, man. Tyo, go get this fucking white boy from upstairs, man.

[Flip]

We gotta go.

[Joe Budden]

We have to do what the fuck he want to do.

[Flip]

Like.

[Joe Budden]

When you come from the humble beginnings, even though I started out this part talking shit about the 9 Vibrant. But when you come from the humble beginnings.

[Ian Dunlap]

Yeah.

[Joe Budden]

There is nothing to not appreciate. There is nothing about this to not appreciate. It's almost disrespectful to not appreciate it. Work. That's how I feel about it.

[Ian Dunlap]

Yeah.

[Joe Budden]

Like so all these.

[Flip]

Do you. Do you feel.

[Joe Budden]

Don't get me started.

[Flip]

Do you feel like it's panic mode. Meaning that you watch podcasts or people, companies that were up and that probably didn't appreciate everything and they end up going down. Do you feel like, do you go in. I don't wanna say panic mode, but going to a defensive mode where you like. I'm not gonna let this go. I'm not gonna let this fall.

[Ian Dunlap]

Paranoid.

[Flip]

I'm gonna. I'm gonna do you. Yeah. Does it come from a place of paranoia? I'm not gonna let this fall. I'm not gonna let the company go under. If I have to sit here with park for myself, if I have to put a camera in front of me, I'm gonna do whatever it takes to make this keep rising. That's why I wanna hear all the critiques and comments from the people. Do you feel like that you come from that standpoint?

[Joe Budden]

The people is. That's an aside.

[Flip]

Fuck the people. But even in general how you do your business.

[Joe Budden]

I've dedicated my life to the gig. Yeah, I've dedicated.

[Flip]

What's the difference between panic and dedication?

[Joe Budden]

Doing it on the, you know, when I. You know, when I panic. I understand your question. Thank you.

[Flip]

I'm sorry.

[Joe Budden]

My, my. The panic set in when I. Me and Ian was just talking about this at the bar last night. Yeah, we was just talking about this. Panic set in when I was relying on the company to pay me my worth at the end of the contract.

[Flip]

Ah, I got it.

[Joe Budden]

Okay.

[Ian Dunlap]

Yeah.

[Joe Budden]

Gotcha. That feeling never sat right with me anywhere. It was unsettling for me. It feel like standing before the judge and waiting to see what the verdict. You're just powerless. Like you could be the best thing on earth or the worst thing on earth. What they come back and say is where it is. And now if they don't say what you want them to say, now you have to go out in the world and prove it and do it. See, that's what I mean by giving my life to the gig. There's nothing that a company could tell me. Cause I gave my life to the gig already. So when I leave you, I'm going to do exactly what I said. When I leave you, I'm your competitor.

[Ian Dunlap]

Yeah.

[Joe Budden]

When I leave you, I'm your competitor. So how we working this out? So when that panic set in, I want to make sure I never stand.

[Ish]

Before this judge again.

[Joe Budden]

I want to make sure I never feel this.

[Ish]

Nobody had that. That power over me is again.

[Joe Budden]

Yep. And if I really believe that this is where the business is going, if I believe in it then it's time to stand. Stand in that I'm gonna commit to that standing at. So panic birthed D to C straight to them niggas. No middleman subscription only, premium model. Like what? That's my point today because I panicked back then. There's absolutely nothing panic about today. And I hate telling people that because I love when the engagement says, Joe should panic. Yeah, Joe should panic right now. Oh my God. What is Flip gonna do? Well, it's not the same. Oh my God. My lose, man. Oh, it's your numbers looking a little honey up there. Oh, this might be the fall of Joe. Joe's coming down. This nigga been on top too long. It's a crowd of people that just wait on me to fall.

[Ish]

That's.

[Joe Budden]

That's a fact. I like that. Yeah.

[Ian Dunlap]

Give you motivation to keep going.

[Joe Budden]

Wait. Yeah, y'all waiting on me.

[Ish]

You know what I took to get here, dog?

[Joe Budden]

Yeah, yeah. No, it's too precious. It's too precious. It's too precious. I feel you. I'm never turning back. I'm never turning back.

[Melissa Ford]

I'm appreciative. Life in the back of the Tahoe. So how am I not going to.

[Joe Budden]

Be appreciative that part? We was having a blast until Corey fell asleep driving.

[Melissa Ford]

Well, he was always asleep driving. Let's be clear. He was on autopilot.

[Joe Budden]

Yeah. No respect. There's nothing that the fans could tell me. My tax wealth management people told me the second that I no longer earn the way they think I'm gonna earn, I'm on the hook and have to pay for whatever the fuck I said. Wait, what? Yeah, it's like, you good, man. Just keep earning. Yep.

[Ian Dunlap]

Model of life.

[Joe Budden]

I said, so you gotta. So it costs money to have money.

[Melissa Ford]

Yes.

[Joe Budden]

And the second you don't, you'll need money. Yeah.

[Melissa Ford]

Uh huh.

[Joe Budden]

They say. Yeah. They say, you know, I'm out of here. I'm leaving. I'm leaving. You gotta get to work.

[Ish]

It was in life.

[Joe Budden]

But when you. No, because I knew it already because they had taught me that. But to bring it back to the point, what the fans are saying is not. It's not even time for that. It's the state planning who's going to be where. What's going on When I plan. Yeah, what's going on? What does my portfolio look like and why it ain't looking like I want it to look. We'll get to that in the video. Help me out. Yeah, my little Microsoft. I need a little bit, but yeah, Assets I'm. It's about the real now, at 44. Like these. These.

[Ian Dunlap]

Even in the space and business, you got to stay paranoid to prosper. Like, at one point, intel had the control of the chip market and lost it to Nvidia.

[Joe Budden]

Lost it. They did.

[Ish]

That is true.

[Ian Dunlap]

The White House gave them a bill, gave them billions. No one wants to touch Intel. It's overworld with AMD first, TSM second, AMD Far third. You have to stay paranoid, and you got to listen. I'll call LaRusso once a week. What? I need to do better. I hate when I see that little black screen in my face. Yo, what you think you should consider? Okay, cool.

[Joe Budden]

Who do you call?

[Ian Dunlap]

LaRusso. You know, I'll call him once a week, get some intel. Oh, yeah.

[Flip]

Is that an op to you?

[Ian Dunlap]

Yeah, he opps everybody technically. But thank you for all your guidance and support.

[Ish]

Yo, this nigga here, boy.

[Joe Budden]

Hey, Mom, I don't know who that is.

[Flip]

The lawyer. The shit that I see on the billboard, you know? Huh?

[Ian Dunlap]

Yeah, yeah.

[Flip]

Okay.

[Ian Dunlap]

Yeah. I've learned not to advertise on the broadcast.

[Parks]

That's why Parks is writing that down.

[Joe Budden]

Life is too good for me to have ops out there. I'm not. I'm not gonna lie to you. I'm not gonna lie to you. And it's too many that'll trick you out of your spot.

[Flip]

Absolutely.

[Ish]

That's what they want.

[Ian Dunlap]

That game.

[Flip]

That's their game.

[Ian Dunlap]

Yeah.

[Flip]

What do you say?

[Joe Budden]

Out your spot. All your friends ain't happy for you. It's a lot. All your friends ain't happy for you.

[Ish]

They're not.

[Joe Budden]

Like, you could think. You could think that niggas is niggas, but when you. You doing something that they doing, you doing something that they doing, Everybody don't want none of you niggas on this size of a podcast.

[Ian Dunlap]

Facts.

[Joe Budden]

You right.

[Ish]

I know that's facts.

[Joe Budden]

Like, I'm not lying at all. At all.

[Ian Dunlap]

I've dealt with it.

[Flip]

I mean.

[Joe Budden]

And I know how Old Joe is set up. Old Joe is. Is easy to trick out the spot. It's important for me to evolve daily. I used to be, nigga, I was coming to your crib.

[Flip]

That's what I was saying this weekend. That's what I was saying this weekend about you. Cause they was like, yo, that nigga put up with a lot of bullshit. And I said, well. And they feel like it's unfair, right? And I cracked a joke about it. I think the Patreon. But I was like, I think that What Ian explained to me and what Joe said is that they see a little bit of Joe in me. I may be a little bit. A lot more erratic, but they. He understands. A lot of times. A lot of times he understands where I'm coming from, so it's easy to defuse the situation. Y'all understand. I've seen that before. You shouldn't handle it this way. Even Parks. Parks. I don't give him a lot of credit, but even times he pulled me to the side, and he'll say, like, yo, I seen that. I seen that behavior before. Try this way. You know what I mean? So people do think that. Yo, there's a lot of people.

[Ish]

Let the white man tell you what the do, huh?

[Flip]

No, it's not about. Yeah, yeah, I do be saying that. But people be up here.

[Joe Budden]

I've dealt with more since you and Mel got hired than I have in my entire.

[Flip]

Somebody said that to me at the baby shower, son.

[Joe Budden]

Really?

[Flip]

The nigga's a patroni.

[Joe Budden]

Yes.

[Flip]

Shout out to him. He's a patroni. He gave me some clothes, yo. He pulled me to the side. He said that same. Yo, I've been watching this for years, since you and Mel been up there. Him talking about his business structure. Him talking about so much other things. Things like the. Just. It's been a lot of. It seemed like it's been a lot of things that company has been going through since you've been up there.

[Joe Budden]

And I'm like, I'm gonna fix it.

[Ish]

I don't.

[Joe Budden]

I said, I don't know.

[Flip]

I mean, I said, I don't know. I don't think so.

[Joe Budden]

But I love y'all, man.

[Ian Dunlap]

Yeah.

[Joe Budden]

I just love y'all.

[Flip]

Why were they.

[Parks]

Why were we the catalyst?

[Flip]

Because they. I don't know.

[Ish]

They.

[Flip]

They watched the whole. They watched the whole transition, man. They watch the whole transition.

[Joe Budden]

That's what they say.

[Parks]

All the shit you've gone through, me and him coming here is the most shit you've had.

[Flip]

She really wanted to throw me on the butt under the bus. She said, me say you.

[Joe Budden]

Yeah.

[Flip]

Say you, man.

[Joe Budden]

Yeah.

[Flip]

She pointed at me. Yeah. They got. I take it, him more so than me, right?

[Joe Budden]

I'm not saying that it's the same battles, but.

[Flip]

But how. But you had to know that going into it, Joe.

[Joe Budden]

No, I did not.

[Flip]

Yo, you had.

[Joe Budden]

No, I did not. Y'all lucky I'm eating off you.

[Parks]

I think I.

[Joe Budden]

That's a joke.

[Parks]

Necessity.

[Ish]

It's a joke.

[Parks]

I came in here and tamed the savage beast.

[Joe Budden]

I Feel like I saw a picture.

[Flip]

Of a car you was in. I almost got a heart attack. I almost crashed my new.

[Joe Budden]

Oh, Friday.

[Flip]

I was crash my new year. Finally I saw the new car that he left.

[Ian Dunlap]

You got the roar.

[Joe Budden]

I bought the roar.

[Melissa Ford]

You got it.

[Ish]

Why you almost.

[Flip]

I said, look at this nigga son.

[Joe Budden]

Get one to inspire the ill. I don't know if I told this here, but, I mean, it don't really matter. We ain't talking about nothing. So I'm just running my mouth about shit. So my people, my management people call me and they like, all right, so the car will be shipped back to Jersey on this day when you want to pick it up. I said, excuse. Excuse me. So I'm not picking it up, nor am I driving it from Elizabeth to me.

[Ish]

No, they gotta drop that off.

[Joe Budden]

Drop my shit to the door. And they can come and do the whole manual teach you thing that they do here, say, all right, well, the inspection's in Jersey City. So when you gonna get that done? I said, I'm not driving to get it inspected. Are you not. I didn't buy the car to drive.

[Flip]

I didn't buy the car to drive it.

[Joe Budden]

I didn't buy the car to drive it. I still gotta go find a car that I want to drive.

[Flip]

Yeah, that's rich.

[Joe Budden]

Came back down rich.

[Flip]

Can't stop, won't stop, right?

[Melissa Ford]

I wouldn't want to drive no Ferrari in these roads.

[Ish]

Hell no.

[Flip]

So when you gonna drive it to.

[Joe Budden]

The hookah spot and back? Yeah, that's.

[Ish]

That's all you need.

[Melissa Ford]

And even that's a little iffy, that road ain't through.

[Flip]

Yeah, that's just beautiful, though.

[Melissa Ford]

Cave dies road.

[Joe Budden]

Yeah, but they fixed it a little bit, and I'm doing 2 miles per hour, so everybody sees you.

[Melissa Ford]

That's true.

[Ish]

Lights on.

[Joe Budden]

You gotta wait for the lights on. Huh?

[Ish]

Lights on.

[Joe Budden]

What? Inside, it's like, what?

[Parks]

Interior lights on.

[Joe Budden]

I didn't even know she had interior lights.

[Flip]

Is your windows down?

[Ish]

That's the stunt word. You will see me are stopped at the corner. Remember clubs had to let out. See, in Jersey, clubs had to let out. Niggas will stop at the corner. Put the good song after the show is the cut the lights on, light turn green.

[Joe Budden]

You know what's funny about the Ferrari story? And this is just poetic justice of life or God sense of humor or just things coming full circle? Circle. We was coming from a pod one time. Me, Ice ish, Corey, when we was in Queens with Parks and we stopped at the gas station.

[Ish]

Oh, yeah.

[Joe Budden]

Oh, that's.

[Ish]

And my man had to.

[Joe Budden]

Y.

[Ish]

Had the.

[Joe Budden]

And I looked at that, like, what the is. What is that? And so is there getting gas?

[Ish]

You start talking.

[Joe Budden]

I got out the car to go talk to him, and he thought I was a mugger.

[Flip]

Did he?

[Joe Budden]

No, I'm just adding source store. I'm just adding source on the story. But he. And I said to him, I said, hey, man, not to bug you, but that is a beautiful, beautiful car. Like, how'd you do that, historically? And he said, well, I'm a such and such surgeon. Recently got a promotion, life is going good. And this was a gift that I got to myself for my birthday or something that just passed. And I always looked at it, but I never thought about it. I know. I said, fuck it. I went and got it, and I love it, man. It's beautiful. And I looked, man, wow. And I took my bummy, bummy ass, my dusty ass back to the truck, looked at these guys. Hey, he's a surgeon. Remember that? I remember that. He's a dental. He's a dental surgeon.

[Flip]

I remember that story.

[Joe Budden]

Yo, you stupid.

[Ish]

Yo.

[Flip]

So, yeah, but since you got your Ferrari, it didn't put no dents in your pocket. You good, right?

[Joe Budden]

If you see me get the Ferrari.

[Ish]

Some dents have been put in my head, my pocket, my back.

[Joe Budden]

No, no, not. By the time I get to Ferrari, I could have got 30 Ferraris.

[Ian Dunlap]

That's a lesson in itself, though.

[Joe Budden]

If you see me go get. If you see me go bug out, that means that years and years and years ago, if I was trying to be that guy.

[Ian Dunlap]

Yeah.

[Joe Budden]

Then we could have been that guy. But it's no fun. That's how you stop being that guy.

[Ish]

You lose it?

[Joe Budden]

No, that Ferrari, I ain't. I forgot I bought it. I told you. Come sit down. Man. Sick.

[Ian Dunlap]

Come sit.

[Joe Budden]

Hey, once we got off all that mature bullshit, start getting some real shit. What's up? What's up, man? I ain't really. I'm waiting. Next year. That's a little toy. I'm mad. This ain't. This ain't. This ain't it. This ain't it. This gonna sit right there until homie call me and say you still like nice things. What you got? What you got? Yes. Wait till next summer. Summer, 20, 25. Fuck this shit. Flip, come sit down, man. Come work with us. All right, where we at? Where are we? Where are we?

[Flip]

You know where we at. You know where we at.

[Joe Budden]

We at work.

[Flip]

I was just criticizing you and your moves. I'm watching it very close. And you try to play this. What role does he try to play?

[Joe Budden]

Parks.

[Flip]

When you just.

[Joe Budden]

Subtle role.

[Flip]

Like. I don't. I have nothing going on.

[Parks]

Incognigro.

[Flip]

Incognito. But we watching you, bro.

[Melissa Ford]

I would have said that.

[Joe Budden]

I'm cool.

[Flip]

You'll be canceled. All that engineering didn't start talking about some German. I can't say that either, but I'm just saying. Yeah. Hiring different people ringing in. You just doing whatever you want in front of our faces. And because of the contract we signed, we can't say. We can't even question you. Yo, what's going on? Nothing. Because, hey, we've been told.

[Ian Dunlap]

I don't know.

[Flip]

I don't give a man, get out of just. I don't trust you. You just up here sitting there. I just walked in. Mark Lamont here, that's my man, too. I like him.

[Melissa Ford]

So either. While we got you here, what's. What should I be buying?

[Joe Budden]

No, no, no. Don't get off. Let it. Let flip get his off. Let flip get his off.

[Flip]

It's not really hate. I feel like, what do you expect when somebody's job is cemented in the earth.

[Joe Budden]

Yeah. With all the job security in the world.

[Flip]

What should I invest in? Give me Norton and whatever that that used to call.

[Ian Dunlap]

Norton.

[Flip]

It was Norton. Yeah, that. That used to give you. Viruses act like they didn't.

[Joe Budden]

I told y'all how I felt about y'all on Patreon with the old Mark Lamont.

[Flip]

You said that. Yo, I'm bringing Mark Lamont Hill on the pod so each one of you can get a day off.

[Joe Budden]

Facts.

[Parks]

Yeah.

[Flip]

How does that work? It's one, two.

[Joe Budden]

What? We're gonna mix and match. I'm mixing and matching. Everybody get a day off.

[Flip]

So what if a decided to still show up?

[Joe Budden]

Oh, didn't show up and stand on side.

[Flip]

Oh, so they don't sit in no respect.

[Joe Budden]

No, I'm. There's no world where I want to hear from 10 people.

[Flip]

Got it.

[Joe Budden]

He's coming because he's amazing.

[Ian Dunlap]

Yeah.

[Flip]

He's an incredible talent.

[Joe Budden]

Absolutely. He's coming here because he's absolutely, absolutely amazing. And I don't know if the world knows that he is as amazing as he is. He's been. You know them buttoned up niggas? Yeah, you know them. That's what I was watching. Every m. Every mic button got some Joe Button in them. Now pause.

[Parks]

Oh, no, he definitely has all of them buttoned up.

[Joe Budden]

Clean cut.

[Parks]

That the girl?

[Joe Budden]

Yeah, that's what I'm saying. Yeah, yeah.

[Flip]

Stop commenting.

[Parks]

It is on the record. The record.

[Flip]

All I'm saying. Okay. Yes. I got the cue.

[Joe Budden]

So.

[Flip]

Yeah.

[Joe Budden]

Mark, how did you.

[Flip]

How did you pull that together? Huh? Like. I'm just saying, like, what did you. What did you do? What did you. How you pull that together? I don't like shit like that, nigga. You got me for the low, huh?

[Joe Budden]

Why?

[Flip]

Huh? Let's talk about it. You got me for the low, nigga. How you pull that together?

[Joe Budden]

Low is subjective. Low is subjective. Do you wanna talk about it? Oh, no, just.

[Ian Dunlap]

Can I ask you a question, since you asked me one?

[Ish]

Sure.

[Joe Budden]

Second.

[Ian Dunlap]

I know they talk about the job security, but what was your framework to make it? Were you so valuable that you had a job security question? I don't.

[Melissa Ford]

I don't. I don't know if it was really that intentional. And I don't know that my job is the most secure. I mean, I think it is, but.

[Flip]

P, stop. Don't try to relate to us. P. Don't try to be that. You awesome. You know that, Piggy man, shut up.

[Joe Budden]

I'm trying to relate to. What are y'all going through? Yeah, what are they going through when he says this?

[Flip]

No, I'm saying. Okay, yes.

[Melissa Ford]

Why are you still threatened by other people coming up here?

[Joe Budden]

Me?

[Melissa Ford]

Yes.

[Flip]

I'm not really threatened by you Been.

[Melissa Ford]

Ranting about being threatened by it for the last two.

[Flip]

I have a plan to exit Parks.

[Melissa Ford]

Why?

[Flip]

Why? That's what you want to say. I have a plan. I'm not threatening. I'm just. I'm going tell you do. I have a plan to exit, so I have to be able to use.

[Joe Budden]

I got a plan for you not to exit.

[Flip]

Exactly. We're going back and forth. So I have to. I have to. I have to see who wins.

[Joe Budden]

I have to throw up there trying to get that wilding out gig. I'll come right backstage at the Barclays. You and everybody. Yeah, y'all, I'm a free agent. Free agent soon. Trying to be seen. Hey, hey, Con. I seen. I seen. You need another man up here. I could do all of this stuff. You not low out there trying to get a job. I see. When all you be trying to get. I.

[Ish]

You do, right? And shout Mike Ruger out, too. I saw you. I saw you.

[Ian Dunlap]

Damn.

[Flip]

Are you crazy?

[Ish]

I saw you. That's all I'm saying, bro.

[Joe Budden]

Mark Lamont is here as an additive Pause.

[Flip]

Yes, to answer your question, I'm not intimidated by anything. All jokes aside, I Mean, what I do feel, though, is that you are an important.

[Joe Budden]

Yeah.

[Flip]

He expresses that. How important you are to the gig. And even though you're not a guy, that. That's a show off type guy. I don't know if I'm saying it right. You know, you're very humble.

[Joe Budden]

Yeah.

[Flip]

The truth is the truth. Right, Right. You've been there since the beginning, and you don't act like it. You just sit in the back. But we. I put the respect on you. I feel like it's just secure me.

[Joe Budden]

Yo, you know what's funny?

[Flip]

And I think that's fly.

[Joe Budden]

You know what's really underrated in this business? And I hate that. This podcast. I don't hate it, but that this has turned into, like, this type of Patreon vibe. But you know what's really underrated? Just being a good human.

[Parks]

True.

[Flip]

Just being.

[Joe Budden]

Just being a good human and being where you supposed to be and just doing what you supposed to do and feeling how you're supposed to feel and just showing up as your best self is really just underrated. For all the. That you're saying about Parks and how great the mixing sounds, he's great. Just a good guy.

[Ian Dunlap]

Yeah.

[Parks]

Yeah.

[Flip]

Very good.

[Joe Budden]

Work hard. Good guy. When them niggas was calling for Ice Head. I'll get him out of there. When his voice was all scratchy, I was like, ice is a good man. What are y'all talking about? Yeah, what are you talking about? He's a good guy. I'm not a good guy. I'm not a good guy.

[Flip]

Go around the room. Go around the room. You stop at the two people that you said earlier. Like, I'm getting down to the bottom. You stop the. I'm getting down to the bottom. You see Fox? You see he stopped and pointed to him. You see Fox?

[Joe Budden]

I feel like y'all three have the most shit with y'all, but y'all are tasked. Y'all are tasked with that. So for me, it's interesting to see y'all manage that. I don't necessarily watch that with Ice and Parks because. Because the same way the sun is gonna come up in the morning, Parks is gonna be Parks, and Ice is gonna be Ice. Any variable could get either one of y'all three to just show something different.

[Parks]

That's a very diplomatic way of putting it.

[Joe Budden]

That's the truth.

[Parks]

I know.

[Joe Budden]

I ain't trying to be funny.

[Parks]

I know you're not. It is true.

[Joe Budden]

And I used to do that, so I'm with it.

[Ian Dunlap]

Yeah.

[Joe Budden]

And I Do think that everybody is a good person, like, at your core. But you have to work. You have to. You have to work. It's constant work to be a good person. Real. Like, I work on my nice people voice. Like, when I want people to think I'm a nice person, I work on the voice. It's the same as standing in the bathroom area working on wrapper hands. Like, when I want to seem more sentimental than I am, I try. And, man, it's hard. I gotta work on it. We got a couple more minutes with Ian, so anything that we need to get from Ian. And Ian sent over a great list of conspiracy theories. Oh. That we just did not get to at all.

[Melissa Ford]

That's.

[Ish]

Can we get this?

[Joe Budden]

So. Yeah, I would like to. Please. Ian left me at the bar by myself with the escorts. Is that a conspiracy theory? No, no.

[Ian Dunlap]

That's. Yeah.

[Ish]

Why you do that for her?

[Ian Dunlap]

I have to be here. Be here early.

[Ish]

He had to be here too, though.

[Ian Dunlap]

Yeah. Well, Cadence is different. Has studied the market in the morning.

[Melissa Ford]

I still want to know.

[Joe Budden]

She was tossing it, too.

[Melissa Ford]

Aside from escorts market Tuesdays.

[Ian Dunlap]

No, I'm good on that.

[Joe Budden]

All right, let's see.

[Ian Dunlap]

I'm investing in putrid. Good.

[Joe Budden]

What to invest in if Kamala Harris wins. I think we kind of did that a little bit.

[Ian Dunlap]

I'll do Vanguard BlackRock tickers B. Okay. Nvidia, please hold. I'm begging. If I made you money, please put yes in the comments 101.

[Ish]

No, I won't.

[Ian Dunlap]

Microsoft, of course, because they own 49% of OpenAI, which is going to be probably the biggest IPO of a startup this decade. Visa for sure. Shout out to the CEO of Visa. I saw him at the White House when I was there.

[Parks]

And you said hold for indeterminate years. Okay.

[Ian Dunlap]

Minimum five years.

[Joe Budden]

You're always looking for advice. Shut the.

[Ian Dunlap]

Eli Lilly for sure. As that health care space makes more money. Eli Lilly is incredibly important. And then Starlink, whenever that goes public.

[Joe Budden]

Do you guys think that the dude from Minority Report has a case in terms of Elon Musk and the designs being similar?

[Ian Dunlap]

Oh, from iRobot.

[Joe Budden]

Yes.

[Ish]

They are very, very similar. Very similar.

[Ian Dunlap]

Very similar. But if you didn't protect your ip, that's the part that sucks, yo. It's a direct copy and ripoff, but it's something I've learned. Trademarks are key. Protecting your IP is key.

[Joe Budden]

Question number two. This is for the room. Biggest lesson learned in the past decade. Give it to me. And these are quick. We quicken this. We quicken this past decade. Damn decade.

[Melissa Ford]

What's that, 20 personal lesson or like.

[Ian Dunlap]

Yeah, that's personal.

[Melissa Ford]

Hmm. Stay on top of your fucking finances, taxes, all that shit.

[Flip]

I agree.

[Ish]

Everybody ain't your friend.

[Parks]

Buy insurance even though it's a fucking racket.

[Joe Budden]

Uh.

[Ish]

Stop trying to impress the outside world.

[Joe Budden]

Hmm.

[Flip]

I have another one. Do not fall for the damsel in distress because they end up getting a building the next month.

[Joe Budden]

God damn. With your cake money.

[Flip]

Yes. Let get over that.

[Ian Dunlap]

That's funny.

[Joe Budden]

You hear some of the Tesla robots were being controlled by humans?

[Ian Dunlap]

Yeah, yeah, yeah.

[Melissa Ford]

Oh, they had someone back there with a little remote control.

[Ian Dunlap]

Yep. Not fully autonomous how he projected. Yeah.

[Joe Budden]

Will Drake and Kendrick ever be cool again?

[Ish]

No, no, no.

[Joe Budden]

Hard no.1. That for me. How many kids do you think Epstein had and left money to.

[Melissa Ford]

Oh, shit.

[Joe Budden]

I like this one.

[Ian Dunlap]

This is.

[Joe Budden]

That was one of my favorite ones.

[Ish]

And left money too.

[Joe Budden]

That was one of my favorite ones.

[Parks]

Did he have any children that like that he talked about or are we talking about illegitimate?

[Ian Dunlap]

Talked about, huh? I don't have enough time because I got a heart out. But one day we got to have a conversation about where some of that money was routed too.

[Joe Budden]

I'll fly you out here for that talk. Let me fly you out.

[Ian Dunlap]

Yeah, to the agency. I'm on your side.

[Joe Budden]

Let me fly you out. Thoughts on Kamala Harris playing? We did that. What percentage of the NBA and NFL is rigged? All of his rigged now controlled by the referees with gambling and play seeing some real wonky.

[Melissa Ford]

I don't think it's all of it, but I do think that there is a percentage.

[Ish]

I think the winners be kind of damn near like you almost got if.

[Joe Budden]

If you.

[Ish]

If you even watched the game last night.

[Ian Dunlap]

Absolutely.

[Ish]

That game was a horribly officiated game. And it was almost like, yo, we can't let the jets win this game.

[Melissa Ford]

I think there's also inherent biases that creep into sports and have forever. I think that Pat Mahomes is going to get a roughing the penalty roughing passer against them every single time. Same way Michael Jordan never got called for a foul. You know what I mean? There's some shit that's inherent, but I do think it's stepped up now with.

[Ish]

I really think it's more of that. I think people just putting a lot of it on the betting. Maybe I could be naive, but I think it's just certain people are going to get certain calls or not get. And when you lose money, you're going to blame it on the betting part.

[Ian Dunlap]

But you don't think the gambling market being so big now, like, at one point in our community, I think gambling will surpass passive investing as a primary investment vehicle.

[Joe Budden]

I agree with you.

[Ish]

That's true.

[Ian Dunlap]

It's coming.

[Ish]

It might be that now. It might be that now in our community. What you talking.

[Ian Dunlap]

The conversations that I be having at.

[Ish]

Bank, they're like, bro, in our communities, bro, that might. That's. I ain't gonna lie. That's the thing now.

[Melissa Ford]

It ain't too far off the stock market, and you can actually might have a little bit of knowledge about the.

[Ish]

I ain't even know the. Still play street numbers. One of my people hit the street numbers the other day for 30 grand.

[Joe Budden]

I was like, God damn right.

[Ish]

They still got that.

[Joe Budden]

Street numbers ain't dead. I know.

[Ish]

30 grand. Some one of my people just hit.

[Joe Budden]

Top five potters of the year outside of the show. I'm never acknowledging nobody outside of this show.

[Ish]

That's not true. We've definitely acknowledged people outside the show.

[Joe Budden]

And I won't do it today. Oh, okay. Gotcha. I won't do it today.

[Ian Dunlap]

Save for another day.

[Joe Budden]

All everybody's failing.

[Ian Dunlap]

Great majority.

[Joe Budden]

Everybody's failing. I know that's gonna sound like some bullshit, but, I mean, yeah, everybody is. Shannon the bell curve.

[Ian Dunlap]

Shannon I with Shannon Gilbert. Gil been cooking.

[Joe Budden]

I love, love them. I got. I'm never. I'm never talking about the sports people. Okay. I'm not talking about the sports people at all. I don't even know nobody at all. All right. Ian has a heart out. I'm asking y'all the rest of these good questions. You. We got to get together and.

[Ian Dunlap]

Absolutely.

[Joe Budden]

And we talked. We talked last night. We'll. We'll get to.

[Ian Dunlap]

I'm not playing Flip this one Plan.

[Joe Budden]

I'm not playing 2025.

[Ian Dunlap]

I swear to God plan. I loved you. Can we collab at some point? I'll ask you for you.

[Flip]

I didn't hear what you said before that.

[Joe Budden]

You said, don't spread yourself then. Oh, yeah.

[Flip]

Hit me up, man. Hit me. Hit me up. Oh, don't look at me.

[Joe Budden]

You trying it. You trying to get fired, but it won't happen.

[Flip]

No, I'm not trying to get fired.

[Joe Budden]

Sit there on your phone. You just doing what you want, buddy. I don't care.

[Flip]

No, don't say that.

[Joe Budden]

You're not getting fired.

[Flip]

I don't want to get fired.

[Joe Budden]

Text that. Text, Text that. Yo. Say it ain't going like I planned. Hey, G Money. Hey, G Money. He look like he's keeping me. Let's make some noise for Ian. D, man, fly ass suit. I'm trying to fly. You're looking good.

[Ian Dunlap]

Thank you.

[Joe Budden]

You're looking good out there. Ian looked at me when the escorts was on our heels. He's like, how do you do it? How do you just ignore that?

[Flip]

How do you keep the moment?

[Joe Budden]

I do that.

[Ian Dunlap]

I say, are you still out of trouble?

[Flip]

Yeah.

[Joe Budden]

I said, I don't do this. I don't come to places like the Pergola Bar and see that. I didn't even have my ring on.

[Ian Dunlap]

True.

[Joe Budden]

I didn't even have my ring on.

[Ian Dunlap]

No bracelet either too.

[Joe Budden]

No. Yeah. Not at all. Actually. I was wearing this sleeves covering all that. They did. They could smell it.

[Ian Dunlap]

They got wafa.

[Joe Budden]

Huh? They got wafa.

[Ian Dunlap]

Big facts.

[Joe Budden]

No comment. No comment. We ain't like the athletes where they just could pull up what podcasters is making.

[Ish]

It ain't that.

[Ian Dunlap]

Thank God. Thank the Lord down here.

[Ish]

That's crazy.

[Joe Budden]

They don't need to even see us.

[Ish]

Scary.

[Flip]

You know what I noticed real quick? What?

[Joe Budden]

You notice flip when get older they.

[Flip]

Don'T wear earrings anymore.

[Joe Budden]

I got earrings on.

[Ian Dunlap]

I kept losing my.

[Ish]

I got stuck.

[Flip]

I don't see you earrings in your ears.

[Ian Dunlap]

I kept losing. That's why I stopped.

[Joe Budden]

I got a dick.

[Flip]

That'll make you.

[Joe Budden]

I didn't say nothing about that. Did you have your ears pierced?

[Ish]

You had ears pierced?

[Joe Budden]

Yeah, many years ago. Huh.

[Parks]

When you stop.

[Joe Budden]

When I got infection in my ear.

[Flip]

The that's why.

[Joe Budden]

And I didn't have no ill earring when I got my pierced. I had some. I seen that had that in their ear. I was like why did I even walk into this club?

[Ish]

I was going to get something.

[Flip]

How can you tell when it's like.

[Joe Budden]

Cuz they get an ear infection.

[Flip]

Yeah.

[Ish]

That KE on the back of that mouth.

[Ian Dunlap]

Big ass fat.

[Joe Budden]

It's ready to get a big ass earring and walk in.

[Ish]

That is. That's you disgusting.

[Flip]

When's the last time you put an.

[Joe Budden]

Earring in your ears like Naquan bro, it's been decades but you think it's time again my I was about to.

[Ish]

Get some ripped because you remember back in the day we used to have a big ass earring. The screw backs. I used to sleep in my shits.

[Ian Dunlap]

Oh yeah.

[Ish]

And that r rip. It was a rip in my ear.

[Ian Dunlap]

Yeah.

[Joe Budden]

Oh that's like Mel when she sleep in her makeup.

[Parks]

I don't though.

[Joe Budden]

Mel don't go to the bathroom. Mel tipsy as hell and wipe it all off. No, she get right.

[Parks]

I my makeup wipes.

[Joe Budden]

Never have to wipe your makeup off like you dirty ass you got in bed like this.

[Ish]

You wipe the girl makeup pores all.

[Joe Budden]

Clogged in my pants. Yeah. My girl now don't really wear makeup. Yeah.

[Ian Dunlap]

Put the little t. The wipes.

[Joe Budden]

Yeah. That's like romantic a little bit.

[Melissa Ford]

You never did that.

[Flip]

Paul said why he does that.

[Ian Dunlap]

Go moisturize that shit. Thank you so much.

[Melissa Ford]

That's just Friday.

[Joe Budden]

She was so excited I did that shit for real. You gained some points. Ian, come back soon, man.

[Ian Dunlap]

Thank you. I love you all.

[Joe Budden]

Come back soon. We love you. Good luck with you. Shouted out all your fucking partners. The White House don't play meta.

[Ian Dunlap]

Gotcha, Zuckerberg.

[Ish]

That be like, yeah, Danny. Oh yeah. Or Josh.

[Ian Dunlap]

Yeah, Josh Brown. Book out.

[Ish]

Karen.

[Joe Budden]

Ian tried to pay last night.

[Ish]

That yeah, he always tried.

[Joe Budden]

He tried to pay last night.

[Ish]

He always.

[Ian Dunlap]

I wasn't violating last time either. For the record.

[Joe Budden]

You violated me.

[Ian Dunlap]

No, I'm being a good friend.

[Joe Budden]

Don't be a good friend to me.

[Ian Dunlap]

That. Why not?

[Joe Budden]

I'm going to pay.

[Parks]

Was when this. Was this when we were all at.

[Joe Budden]

Yeah, I'm going to play with me. I'm rushing.

[Parks]

No, not last night. The last with the time he's talking about.

[Joe Budden]

Oh, when is like you around. I just go. I just go find shorty early.

[Ish]

Here.

[Joe Budden]

Before money man comes.

[Ish]

Listen to male egos compete.

[Melissa Ford]

Yeah, yeah.

[Joe Budden]

You think that's ego? Of course it is ego.

[Ish]

Absolutely.

[Joe Budden]

I don't think that's ego at all.

[Ish]

Above. And you got mad at your friend for paying the bill.

[Joe Budden]

No, no, no. Not a real life.

[Ish]

How dare you pay the bill over. That's the ego talking right there.

[Joe Budden]

No, that's. I don't look at it that way at all.

[Ian Dunlap]

How you looking at it?

[Ish]

Yeah, please let me consideration.

[Ian Dunlap]

You invited me out as a guest. I should at least contribute to the table.

[Joe Budden]

See, I think that's his ego.

[Ish]

It is his ego.

[Joe Budden]

I invited you out. If I have to play ego. I invited you out as a guest to a spot that we all go to. It ain't for you now to pay for this entire table. I invited you out. If you do that. Thank you. But you've paid a bunch like you paid. You paid. It ain't like a. So no, I gotta race. I think that's like a. It's like a courtesy thing. Like, it's like a respect thing. I respect this guy so much. I know I gotta be.

[Ish]

And I know how he get down.

[Joe Budden]

Yeah, I know. He gotta be the. He got such a good heart. If I don't do it this way, he gonna keep doing it that way. So you just gotta be. That's not an ego thing for me. That's like a selfless type of. Yeah, I respect this guy.

[Ian Dunlap]

Yeah, I respect you, too.

[Joe Budden]

And that's the opposite. Him and his man fighting over the calamari. Yeah.

[Flip]

For real.

[Joe Budden]

That was ego.

[Ish]

Stop.

[Joe Budden]

That was ego far from hell.

[Ish]

Again. I know that wasn't ego. No, if it was ego, I'd have been like, oh, yeah, this ain't nothing to swipe. That would have been nothing. I don't know, y'all.

[Joe Budden]

Oh, my God.

[Ish]

I think I could have picked what's my man name that used to be singing outside the cafeteria selling the flowers. I could have took coming to the mix.

[Melissa Ford]

Yo, yo.

[Joe Budden]

Oh, no. He was giving them away. He gave away the flowers.

[Ian Dunlap]

Gentlemen.

[Joe Budden]

Yo, He's a gentleman, yo.

[Ish]

All right, asshole.

[Joe Budden]

Ian, thank you, buddy. Thank you again. Good luck with everything you're doing, all your endeavors. Come on, man. Cuff sitting right over the rolly. Talk to these. He ain't kissing you. A handshake will suffice. A handshake will suffice.

[Parks]

Shout out.

[Joe Budden]

You ain't always got a bad.

[Flip]

You sack mail and did, like, this.

[Joe Budden]

Length in the whole.

[Flip]

You did that, man.

[Joe Budden]

Whole ass cheekbones.

[Parks]

Haters.

[Joe Budden]

Okay, before we go, are y'all buying into what they saying LL Cool J meant by saying he?

[Flip]

You mean that thing?

[Joe Budden]

Blow, sweetie.

[Flip]

Delicious.

[Joe Budden]

Give me two scoops. Love me good. Damn. Hollister Hollywood. But is he good in hip hop? And I was a lyricist. I never knew what he was talking about right there. It was just fire. Who cares? Flavor in the air remix. Now they're saying he, she, and it was a transgender in the video, and then that same transgender was at the urinal or another transgender at the urinal in the big Pop up video, which was a continuation to warning when she was in the bed next to Big. So some of these things are coming up now. Do y'all think that LL knew and he she was about that?

[Ish]

No, no, no, no, no.

[Joe Budden]

So what do you think it was about?

[Ish]

About just LL being LL yeah. What's pink cookies in the plastic bag? Getting crushed by a building. Don't nobody know what the fuck that is, man.

[Joe Budden]

Yeah, but there wasn't a mascot in a plastic bag being pink in the video, so it's like, I'm not mad at he she.

[Flip]

First of all, are we sure that the person that was in that video Is a transgender?

[Ish]

Yeah.

[Joe Budden]

Yes.

[Flip]

Why? Cuz we get. We have nobody found where they at today. Where the.

[Ish]

They passed away.

[Flip]

They passed away?

[Joe Budden]

Yeah. Oh, I'm just saying. Yeah. Like I know. But it was confirmed. It was confirmed that this person was a transgender. All right, so y'all think ll didn't know?

[Parks]

No.

[Joe Budden]

Does any of this change how you feel about Biggie's sexual preference?

[Ish]

No, I didn't feel anything about Biggie's sexual preference ever.

[Joe Budden]

Or view his sexual preference.

[Flip]

I don't think it was a question.

[Ish]

No.

[Melissa Ford]

I don't care what he's into.

[Parks]

Exactly. We're super woke now.

[Ish]

A me ready to die, though.

[Joe Budden]

Oh, I 100% care. And I'm thinking about it.

[Parks]

Why do you care?

[Joe Budden]

Because of Puff. Oh, because of Puff. Because if we open our mind and think that about Biggie, then who's. Who's to say that we're not looking at that? Kind of like we look at Justin Bieber?

[Ish]

I look at it differently just based on their age.

[Parks]

Yeah.

[Ish]

So I think that's a little different.

[Parks]

When did they, like, first.

[Joe Budden]

Well, the age is different.

[Ish]

That's what I'm saying.

[Joe Budden]

Like, so opportunity's not true.

[Ish]

I agree with the opportunities here, but it's.

[Joe Budden]

And I could take y'all way. I could take y'all down this, but I won't.

[Ish]

That could tie into a bunch of.

[Joe Budden]

Hey, bleep this out. Bleed this out. And you know what they were saying about.

[Ish]

And when you saw the video of Craig Mack when he was giving his testimony in the church, like the things I've seen, I. Mace. Mace said, dog, it got.

[Joe Budden]

Mace said the same. Yeah.

[Ish]

Mason. Mace said, yo, it got to a point. Yeah. All of them retired and turned to God.

[Joe Budden]

If we're close minded to the stuff, then we. Then we won't even view it through this lens.

[Flip]

Maybe she was beef shit in the street. Yeah.

[Joe Budden]

I mean, so. So you say. And so people think. But I think that Mace and some other people are storing secrets that they never spoke.

[Ish]

I know the people that wrote his book. Cameron wrote his book. And she was like. She took. He's so stupid. She said that we not recording no more.

[Joe Budden]

Yes, we. We are. Yeah.

[Flip]

Oh, man, you a hype.

[Ish]

No, you had him said.

[Joe Budden]

Yeah. I ain't getting to that after my whole apology.

[Ish]

No. Cause you was like, yo, you don't.

[Joe Budden]

Even know where we at. No.

[Ish]

Cause you was like, yo.

[Joe Budden]

No, I just wanted to bleep out that Craig Mack part because I think it's insensitive and irresponsible to paint that like that. Gotcha. Rest in peace to Craig Mac Mac Biggie. Just everybody. All right. I don't have.

[Flip]

I went to a crazy baby shower.

[Ish]

What made it crazy on Sunday?

[Flip]

Cuz it's just baby showers are different. Now shout out to Ali Cat and Sasha.

[Joe Budden]

But shout them out.

[Flip]

I. I saw a lot of Hollis standing in front of the baby. There's mad chairs. It was mad girls there. But they. They were standing in front of the baby shower lined up. I'm like, what we got? Think we had Amazura. It's not a party. Sit down.

[Joe Budden]

The baby shower's a party. Now goes down to the baby shower. You crazy.

[Flip]

My is so hood. They want me to come stand with them. No, Junior, record these. Record them.

[Parks]

They're standing there doing what?

[Flip]

Standing lined up in front of the baby shower. Just standing there in unison.

[Parks]

Like inside the baby.

[Flip]

Inside. I never saw that before. I said I never saw this before. It must be some holla.

[Joe Budden]

Meatballs. Must been trash. The me balls. Get all them inside facts.

[Flip]

No, they were inside, but they were standing in the front. You know what? You know where the chairs and usually be at.

[Joe Budden]

All right, y'all. They serving the food.

[Flip]

They weren't outside. They were inside.

[Joe Budden]

Or actually I don't even announce it once you see one come out with a plate.

[Ish]

Yeah, a little leaning his.

[Joe Budden]

A little lean.

[Ish]

He got balances.

[Joe Budden]

Big plate. Yeah. Everybody start looking.

[Ish]

Everybody do one of these on them.

[Parks]

Wait, when you get that.

[Joe Budden]

Yeah, yeah, we out.

[Flip]

Fights go down to the baby showers.

[Joe Budden]

I've heard about them.

[Ish]

Yeah, I've heard about some shouldn't, but I'm not surprised. I ain't surprised, nigga. Fights go down at funerals.

[Joe Budden]

Well, that's.

[Flip]

Yes, that happens.

[Joe Budden]

They happen at funerals for sure. I'm done here. There's nothing else that I want to say outside of that Timberwolf Nick game the other day. Really hurt my soul. Soul. It really hurt my soul. Also, I've been texting Mark lamont pictures of injured 76ers. I saw it.

[Ish]

I saw it, bro.

[Parks]

Why didn't you text them to ice.

[Joe Budden]

In the pre game? No, I don't need to text it to ice. But that little hip, that looked awkward. That Paul George. And you got Joel Embiid saying he plans on never playing back to backs. So that's again on load management now. So my heart goes out to you Sixer fans that y'all thought y'all and us was about to have some season long rivalry. Bill. Anyway, that Timberwolves game hurt my heart. Dante Dividendio. Devon Denzel looks amazing in that jersey. And he was popping mad, mad shit to the bench and to what sound like Tom Tibet. And then I thought it was all jokes until the end of the game when him and Rick Brunson almost squashed Brunson.

[Ish]

Got into it when he was on the line, too.

[Joe Budden]

Yeah, but wait, you saying Brunson the coach Rick or Jalen?

[Ish]

No, Rick, what happened was he was shooting at Tibbs from the foul line.

[Joe Budden]

And Brunson jumped in.

[Ish]

I thought, I can't go to the hole. Yeah. Then Brunson jumped in in defensive Tibbs. And at the end of the game, Brunson was like, yo, you know, you just did some to defense. And he was like, what? And they started getting to it. He's like, yo, mind your business. I wasn't even talking to you. I was talking to Tibbs. You know what I'm saying? And he said some slick shit. Rick Brunson turned back around, but Jalen kind of got into the middle of it.

[Joe Budden]

It hurt my heart. It hurt my heart. I ain't gonna lie to you. And when one of your favorite players leave your team and go somewhere else, they be looking like George. They be cooking all them Euro steps, deep shooting. He was cooking our ass. He was. I watched that game. I think the Tim Bulls made out great in the trade, and I think the Knicks did, too. But I don't really want to see Cap, but I think both teams Timberwolves.

[Ish]

I think it was a good trade.

[Flip]

Are we still in pre. Are y'all still in preseason?

[Joe Budden]

Yeah, the season starts next week, and.

[Flip]

The Knicks are looking good.

[Joe Budden]

October 22nd. They look good. I think they're gonna be a top team in the league. I mean, I just don't want to. They just. Yeah, I just don't want to see it like that. But whatever. I'm gonna watch it. I'll be at the game. Go, Knicks. Go. Go, Knicks. Go, Mets. Go, Yankees.

[Flip]

I want to ask him about the Mets. The Mets. The Mets are. How far are they from making. Like, where are we at now? They got to win.

[Ish]

It's one more.

[Melissa Ford]

Three more games.

[Flip]

It's one more, and then they'll make the series.

[Joe Budden]

They need three more games, then they make the World Series. As of right now, the Yankees need three more, and they make the World Series.

[Flip]

Y. If it's the Subway Series, it's going to be nasty.

[Joe Budden]

New York.

[Flip]

New York going to be Queens.

[Ish]

It's going to be nice.

[Flip]

New York going to Be crazy if the subway series happened again.

[Ish]

So you ain't do the interview, but that's kind of what they was asking. You would have really liked the interview.

[Joe Budden]

Oh, the msg. Yeah.

[Ish]

Cause the MSG was basically just talking about the resurgence of New York sports, the spirit of New York sports. And surrounded by New York sports.

[Flip]

Yes.

[Ish]

You a die hard New York sports fan across all of the. You know what I mean? So it would have been something genuine that would have been right up your alley. You would've had the Giants.

[Flip]

Would you go to a game, a baseball game, if they.

[Joe Budden]

100%.

[Ish]

That nigga likes baseball. He really likes baseball.

[Flip]

He likes baseball games.

[Parks]

Baseball games.

[Melissa Ford]

I'm going to a subway series.

[Flip]

Oh, you are? You are?

[Melissa Ford]

Yes.

[Joe Budden]

The other day they showed a few of the basketball players that went to a hockey game for the first time. And they was having never been to a hockey game.

[Parks]

So much fun.

[Joe Budden]

I would like to go to a Rangers game.

[Ish]

When I used to live across Rangers, yo. When I used to live across the street from the joint down there, I used to go to the devil's game. That shit was, yo, the devil shit be on fire. Fire.

[Joe Budden]

So the devil's got you out. Devils made sure you stop coming to them. Just watching from home hockey be dope.

[Ish]

The only thing is, I don't drink. So when you like the people that be drunk at the hockey games, they have a blast.

[Melissa Ford]

That's why you go.

[Ish]

That's the point of going to sports games. I don't do that. But sporting events, period.

[Joe Budden]

I would like to go to a hockey game. It's fun this year. Well, hockey next year. That's all I got for y'all out there, man. I don't have anything else that's important or unimportant. Sorry. Hopefully you enjoyed this broadcast. I feel like I just ran my mouth. I just ran my mouth. I feel like we ain't talk about shit topic wise.

[Melissa Ford]

What's the shit going on?

[Ish]

That's what make us us, man.

[Joe Budden]

Word. That's true, man. That's true. We are us. Okay, so sleeper time. Well, now let me check this part of the show. Now let me check part of the show. Just make sure that nobody, I mean somebody, Somebody might need us out there. Mm. Y'all talk. Give me a minute.

[Ish]

Somebody gotta need some help, man. We don't we the relationship.

[Melissa Ford]

Who better?

[Ish]

Who better than us?

[Joe Budden]

Yeah.

[Ish]

Get you through your hard times.

[Joe Budden]

For sure. I'm posted up, observing the scene, smoking, drinking, pills, guns. Whole lot of wild energy. But I'm Having fun. So it's cool. I'm not with shout out to everyone in front behind the scenes. First to Ice Joe Parks and J1. Y'all have had. Have you all had the chance to listen to Big X to Plug's new album? Take care. I think it's fire. Sure is. However, I want to get yalls thoughts. Second to Joe ish and Amani. Have y'all heard of an R B artist named R A I C H E and her album Loveland? No, I haven't heard that. Who I think is signed to Atlantic Girl, Atlantic is over with. Disclaimer. I'm not on a payroll. I'm just trying to. Trying to see if my ear for music is weak. And that is from DJ Stydem Stidham. I haven't heard that artist yet, but I will check it out to see how I feel about it.

[Melissa Ford]

I still gotta listen to Big xl.

[Joe Budden]

Yeah.

[Ish]

Chance to album is fire. I was mad I missed it. Like I didn't know it dropped. But Indy, you know how that goes.

[Melissa Ford]

Yeah. They don't put you right in that little top section.

[Joe Budden]

All right, I think I'm going with Raven Lanay featuring Ty Dolla Sign. And this record is called Dream Girl. We don't need talking there's nothing left to say Just the whole project is fire Whole project is fire time we know it's not complicated there's not a B equation I cuz the taste is all I need and then we fade away Let go of all your vacation you don't have to get short imagination we don't temptation.

[Flip]

Giving into temptation I'm putting out center location baby girl I'm on my way. You say you want to leave la. Okay we can stop for the weekend.

[Joe Budden]

Yeah.

[Flip]

Know what's on your mind what you thinking yeah.

[Joe Budden]

Love is not complicated.

[Flip]

There'S not a perfect equation.

[Joe Budden]

What if I told you I want you right now and tonight and tomorrow forever. Does that make you nervous? Well, I think you deserve it. I want you to close your eyes. You just let go. Brand new music from Raven L featuring Todd Dollar Sign. That record is called Dream Girl off of her Bird's Eye project. Absolutely phenomenal project. If you have not heard it available in your phone and on dsps. Maybe never know anymore.

[Melissa Ford]

That's true.

[Joe Budden]

Shout out to her man. Dope shit.

[Ish]

But before I play my sleeper real quick. Cause we was talking about Big X the plug.

[Melissa Ford]

Yeah.

[Ish]

And mentioned that he's independent. Just wanted to give a shout out to 2 Chainz because he announced that he's not resigning with Def Jam and he's going fully independent.

[Joe Budden]

Okay.

[Melissa Ford]

Salute.

[Joe Budden]

I like congratulations out here.

[Ish]

That's getting to it that way.

[Joe Budden]

Congratulations to 2 Chainz.

[Ish]

I'm gonna play a record off of Pharrell, put the piece for piece soundtrack out.

[Joe Budden]

I'm.

[Ish]

Excuse me. Piece by piece.

[Melissa Ford]

Okay.

[Ish]

Which is the Lego Movie. The movie's out.

[Joe Budden]

I'm gonna go see about it, too.

[Ish]

I told y'all, I think it's gonna be great. I haven't had a chance to see it yet.

[Joe Budden]

And they say it's his life story.

[Ish]

Yeah, it's his story just told in LEGO through legos.

[Joe Budden]

Huh.

[Melissa Ford]

I'm gonna go see that.

[Joe Budden]

He about to break Lego Chad up. Lego Chad about to break.

[Melissa Ford]

That's crazy.

[Ish]

But my record is called Virginia Boy. Remember remakes. It's Pharrell and Tyler the creator. Yes, it is he Magnum the verb Lord Mermaid city is where I was born I prefer words instead of using swords but ended coming off once I press record first keyboard was Korgan, then Triton. I'm simply reciting none of this I'm writing Let me explain why I'm a multi hyphen Raised in Atlantis of course I love Poseidon Peace to Tiffany Everybody.

[Flip]

Love the Titan didn't have a bold like my goddaughter arrow being pulled down.

[Ish]

Like crabs in the barrel by snakes who like to rattle on your uphill battle marching cavalier deaths in my bone marrow A black Martian with alien carols Peace to LV Something in the war.

[Flip]

To help me build a pyramid because.

[Ish]

My dad's name is Pharaoh from Virginia.

[Joe Budden]

Boy from Virginia boy from Virginia Boy.

[Flip]

From Virginia Boy from Virginia boy from Virginia boy from.

[Joe Budden]

Yes, it is he.

[Ish]

Gap two live from the city of the angels by the sea Listen to me, you come here, bro, you kissing the ring? You get lost in the south and we clipping your wings Hopped on in the world west side that side I.

[Flip]

Would kick, kick, kick, push to the.

[Ish]

Other side south bay where they drown if they get it out of line Dark red, light blue when they keep a magic wand but it was fun, though. I had a keyboard download they had a front row like where the sun go? Cause they would lock that ass up like Rapunzel dog that's a no no dog now we got flaw now we were skateboard, baby we ain't on no call see I been aboard yeah, I'm a la California baby and for reals.

[Flip]

From Virginia Boy from Virginia boy from.

[Joe Budden]

Virginia boy from Virginia boy from Virginia boy from Virginia boy from Virginia Boy.

[Flip]

Martian DNA for that ass that ass.

[Ish]

That ass that ass that ass that.

[Joe Budden]

Ass that ass that ass that ass.

[Ish]

That ass that ass that ass Da. And that's a Virginia Boy remix. Pharrell and Tyler the creator off of the Piece by piece soundtrack.

[Melissa Ford]

I like it Fire Speaking of independence and again RIP Ka this is I love.

[Flip]

I love, I love, I love pick me up Namalo used to hardly expel now I'm hell with the poets that was all you're doing was filthy you built me when I was all ruined how you sold me with compliments really helped out bolstered all confidence in my self doubt it was time for my thirst she was clearly a wealth it eventually made me empty I was merely a shell non observer was on the verge of cracking till you said I had a gift when you heard me rapping with your warm respect Since I was taken aback former partners had me feeling like wilds making was whack didn't offend me saw something in me I was blind too who knew to finish finding me I had to find you to close the thought support was life saving my death is minor you got me living life major I stayed forever you make me better I love.

[Ian Dunlap]

I love birth when hurt or sick the only person I seek could write a play about strength on how you.

[Flip]

Work in the week wanted to give you the world I saw you here struggling all praise to the father I had you here mothering sorry for the times I was belling in my teens but you know I had felon in my genes was bad man in badlands chasing desire for viewing what you went through I learned grace under fire saying you proud of me the sweetest words ever pure soul I know no moms you deserve better whatever ailments you nurse me back to health defend me even when the enemies affect myself show me love when all I seen was hate said I was special to impress you wanted to be seen as great it's my kiss and thank you for the unconditional and though I may not see you as much I'm always messing sacrifice was a facts of life you.

[Joe Budden]

I.

[Flip]

Love, I love held me down when I needed it most by the shoulder to cry on or I needed the toast and would never let me go it alone Everybody called slum but we know it is home from where we from we supposed to be dubbed? We both shared a different dream we was closer than blood learned from you how to pour my heart in the song way ahead of your time it's just hard to get on ain't Gonna lie just want wanted to buy houses for the fam move motherhood give him thousands of some land them nice sessions of eternal life lessons that I still use today when I'm up tight stretching always said we was veteran survivors and even though you pass you'll forever be the lobbiest Was an honor to see you shine I was blessed son cause in the end as far as friends he was the best one gave so much and behaved so clutch I love I love.

[Melissa Ford]

That'S Brownsville car I love rest in peace and thank you for your contributions.

[Joe Budden]

That was fire Big ish.

[Melissa Ford]

He's really dope. It's artsy rap.

[Joe Budden]

Yo, yo, before ish go too. Not that this is super, super, super important. I thought I was gonna laugh and get a good little kiki out of it. Have y'all heard Lance Stevenson freestyling?

[Melissa Ford]

I did see it. Yeah, he was on the radar, right?

[Joe Budden]

I ain't gonna lie to y'all.

[Ish]

He body's not bad.

[Flip]

Shout out to Lance.

[Melissa Ford]

Yeah, Lance is all right.

[Ish]

Oh, Hollywood, I'm with all the stars I got a load of cars universal.

[Joe Budden]

We just flew from Mars like it's.

[Ish]

No tomorrow Rolling on almost quarter charge.

[Joe Budden]

Check my order, no time for no.

[Ish]

G500 standby passports about stamp so no telling when I'm going land by BK I was born ready in a snow Song set a campfire got to work.

[Joe Budden]

On my social skills don't talk to.

[Ish]

Me cause I'm anti speed racing like.

[Joe Budden]

Rick Bobby what made you think that.

[Melissa Ford]

He wasn't gonna be able to move?

[Ish]

I grew a money tree I'm the.

[Joe Budden]

One you just wanna be she wants.

[Ish]

That double D checks in advance the money in front of me she got.

[Joe Budden]

A bag, I got a bag we.

[Ish]

Going way, way, way up Hunting the.

[Joe Budden]

Cash, doing the dash we going way, way way I got the new money marathon in the chase.

[Ish]

Yo, he was.

[Melissa Ford]

Out there blowing LeBron's ear or whatever.

[Flip]

The he was doing.

[Ish]

The way he riding the beat is crazy.

[Joe Budden]

Yo, I ain't going to lie the.

[Ish]

Way he rode the beat is crazy.

[Joe Budden]

All right, my bad. Go ahead.

[Ish]

Nah, you good. I'm going to. Young lady's name is Amaria and the song is called Fly.

[Joe Budden]

That's my girl right there. She don't miss my baby, you know.

[Flip]

I'm on the right can't shake it.

[Joe Budden]

Don'T want to send me one Been waiting for you oh so long Talk, talk.

[Flip]

Are you liking what you see?

[Joe Budden]

Yeah, yeah, yeah, yeah oh, you wanna dance with me no matter what they.

[Flip]

Say I'm all you need with you.

[Joe Budden]

O I feel so bright.

[Melissa Ford]

That is Amaria. Fly and shout out to the bas and drums.

[Flip]

Neutral button.

[Joe Budden]

Yeah.

[Melissa Ford]

They was in that pocket, boy.

[Joe Budden]

Yeah. That was fire.

[Melissa Ford]

God damn.

[Parks]

You got mine, Sparks.

[Melissa Ford]

I do okay.

[Joe Budden]

What Tam Impala dropped?

[Parks]

It's Galant, actually.

[Joe Budden]

Oh, same. Same thing. It's on the Melody and Sleepers page.

[Parks]

Not yet.

[Joe Budden]

All right.

[Parks]

It's called Centigrade, featuring nail nails.

[Joe Budden]

Forever would hate for guilt to be the driving force in a carnal tug.

[Ish]

Of war.

[Joe Budden]

Keep it copacetic Skim the waves, the ripples Try to make it change course Some pissed out in the cross wins Lucky for us we're in.

[Flip]

The same boat Mercury drops until we get the koi it's not a mystery nature's blow we keep losing accusations I.

[Joe Budden]

See conversations we don't get back Time touching those worth away Perhaps the hesitation losing sleep it's winter to me if I could just hibernate you set a.

[Ish]

Word away Seasons just flow we'll come.

[Joe Budden]

And go so are we just wasting time?

[Ish]

Should we let Faith decide?

[Joe Budden]

And I know that happy spring time forever but how do we make it through the seasons together? Misconceptions magnify.

[Flip]

Can'T we take it all?

[Joe Budden]

The tractor Something great Def.

[Flip]

Rumination World.

[Joe Budden]

Is w. Closer to the p.

[Ish]

Can.

[Joe Budden]

We take it all? The sh. In time.

[Melissa Ford]

That is Centigrade by Galant and Neo. Neo.

[Parks]

Thank you.

[Joe Budden]

Not too sh.

[Parks]

I like it kind of sexy.

[Joe Budden]

All right. All right. Yo, dog, I thought we was gonna.

[Ish]

Get one pot without it happening. We almost did it.

[Melissa Ford]

Almost. Almost there.

[Joe Budden]

It ain't. It's record. Oh, no. These stupid election niggas keep calling my phone. Get outta here.

[Flip]

Should have answered it.

[Ish]

You ain't gonna do what you supposed to do for that payola, man.

[Joe Budden]

Ish. What up? How you feel about your cowboys, man? We got a. We've had Namari Cooper and Devonte Adams trade since we've started recording, which made me think to ask you.

[Ish]

It's frustrating being a Cowboy fan.

[Joe Budden]

He would have to be.

[Ish]

Amari didn't want to leave. We got rid of Amari for peanuts. What did y'all get for him? I didn't see it. We kept Gallup after an ACL injury and gave Gallup a shit ton of money and let Amari, your number one receiver, go. So imagine if we had Amari and Ceedee right now. That's one. Derrick Henry wanted to come to cowboys. We ain't even really interviewed a nigga, and he out here putting up MVP numbers. Looking like HE12 again.

[Joe Budden]

Again. Eric Henry look ridiculous.

[Ish]

We can't run the ball, and we can't stop the run, so. And we not even really protecting deck, so I ain't even really as mad at him. You know, I come in on him, too, but it ain't even really his fault.

[Joe Budden]

Yeah, the Cowboys. I. I don't know, man.

[Ish]

You couldn't stop a runny nose out that.

[Joe Budden]

My heart. My heart goes out to y'all.

[Melissa Ford]

No, it doesn't.

[Flip]

It don't.

[Joe Budden]

No, I do. I do, actually. I'm not trying to be funny. Like, Cowboys get the prime time slot. Normally, you want to see a good game, you don't want to see the Lions throw it. The head coach was in the end zone. I think it was just throwing it to the waterboy.

[Flip]

Hey, hey.

[Joe Budden]

Let's try this. Give a, bro. It was disrespectful out there, but, you know, revenge game.

[Ish]

We're gonna get them.

[Joe Budden]

Revenge game.

[Ish]

I'm over here angry with my team. They steal us. Talking about they starting Russell Wilson next week.

[Joe Budden]

Why, stupid.

[Ish]

Yeah, dog. And then they be wondering why these teams don't be good. Good. It don't be no continuity. Just be trying.

[Joe Budden]

That's nasty. All right, I think I'm ending this bad boy. Let's see here.

[Ish]

You came in pretty good. Pause to see what you.

[Joe Budden]

I came in on some rap. I'm ending on some rap.

[Ish]

There's some good rappers.

[Joe Budden]

I never heard that before. Offended me. Oh, Joe played the same Jeezy set.

[Ish]

I ain't gonna lie.

[Joe Budden]

Hurt.

[Ish]

I was like, wait, he did this? But I like the record, so I'm.

[Joe Budden]

Not gonna complain, but, damn, that was by design.

[Ish]

I. I hear you, but, you know, Jeezy got a lot of records. If you're gonna put a set together, you play the same three.

[Joe Budden]

I played the same three. For energy purposes only.

[Ish]

He got other ones you could do with that?

[Joe Budden]

No, no. I wanted those records to get good energy from me and my guys, and that's what I did them.

[Flip]

Oh, shit. I mean, it was cool at first.

[Joe Budden]

The last thing y'all should ever want me to do is get in my rat bag so y'all could be confused. Hopping walls.

[Ish]

The people, they started, you know, to.

[Flip]

Talk about things that make sense.

[Ian Dunlap]

I like the rock.

[Joe Budden]

Without. I don't know where that come from.

[Flip]

Amazing.

[Joe Budden]

I don't even know. I.

[Flip]

It went down like this.

[Ish]

Soldiers getting the M.O. the splinters on racket they benches since it's war.

[Joe Budden]

Ancient sweet.

[Ish]

This click.

[Flip]

This spare Clown rock and rock Be the rooks hold the squid Keep us.

[Joe Budden]

In your bridge Lord knows we need to be there until the next scenes.

[Ish]

To me in squad to three say roughness monster as he really can't be See him in action as he transformed.

[Joe Budden]

That man to me Enemies, keep us in your prayer Lord knows we need to be there Till the next time I bid you a do Farewell. Adio. Cerebral. All that good stuff, man. Remember, life is a series of moments.

[Ish]

Eternally rest.

[Flip]

In the east.

[Joe Budden]

So let's make this moment last as if it's all we have. Wait, what?

[Parks]

You've never heard this before?

[Joe Budden]

No. He ain't never heard none of them records.

[Flip]

My first introduction to hip hop was Jay Z.

[Ish]

Walk around town with the pound strap down.

[Flip]

You know how Matt come through on the club.

[Ish]

That's volume three.

[Melissa Ford]

Holy.

[Joe Budden]

Oh, my God. Barks is right.

[Ish]

Yeah, yeah.

[Flip]

I used to listen. I told you my mother had an AM station in Hanova. Drop me to school Only Radio Disney.

[Joe Budden]

Oh, I was in high school in North Carolina. Going crazy. These run is underrated. Talked about.

[Ish]

Very underrated.

[Ian Dunlap]

You know what I'm saying?

[Flip]

Check it out.

[Ish]

I walk around town with the pound strap down the side. I would go get all this like I would go get this and recirculate this instead of death.

[Flip]

Hey, my first cdf. Rough Riders, Volume one.

[Ish]

Like this is. I be going to steal and change.

[Melissa Ford]

It a little that's my other.

[Ish]

That's all I say Sticking the back.

[Joe Budden]

Come follow me don't mind tricks the body's crazy Whatever's lazy when they hit.

[Ish]

The flow I'm Swayze, I, I break.

[Joe Budden]

You whatever type of the buck shot me. The incredible lyrical individual. You can get a ball if you want to take the pool.

[Ish]

Whatever I see, I attack.

[Ian Dunlap]

Liv, you.

[Joe Budden]

Should be ashamed of yourself, man. It's fine.

[Ish]

I wasn't outside.

[Joe Budden]

He was rapping. You could have heard it inside. We don't care.

[Ish]

He keeps trying to point it out.

[Joe Budden]

Long as you heard it. Long as you heard it. I don't care where you heard that. All right, we out of here, man. You think there vibes? Yeah, you think this vibes? Cartel Vibes. Cartel. First concert in Jamaica. February, December, December, December. A lot of people going to Jamaica. Oh, no ego.

[Ish]

I woke up in the morning hop before I hit my block.

[Flip]

Everybody slips the wa Take a trip to the.

[Joe Budden]

Dip dig the deep I ain't got nothing I'm just jamming I'm ending after this I'm ending after this.

[Flip]

I was 7 when this came out. Well, I tell you, bring your light.

[Ish]

And roll your finger back up on your light until you see the fire.

[Flip]

Finger from left to right, then front to back.

[Joe Budden]

Contact.

[Flip]

Whenever I keep the head scoping.

[Joe Budden]

Don't front. You know I got you. Y'all hold it down out there. Hopefully y'all enjoyed this broadcast as much as we enjoy delivering it to you. Hi, Mom. I love you. Shout out to the fans. We couldn't do it without y'all.

[Flip]

You know I got your openness. The original heads, me and the original crook. You know I got you open. Check the dialect from my doctor friend.

[Ish]

My man.

[Joe Budden]

My man.

[Flip]

Jbp. Jbp.

[Parks]

Where would you be without the JBP.

[Joe Budden]

Ass?