Episode 772 | "The Summer Track"

Summary

The Joe Budden Podcast: Episode 772 - "The Summer Track"

Release Date: November 2, 2024

Hosts: Joe Budden, Ish, Melissa Ford, and Parks

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1. Introduction

In Episode 772 titled "The Summer Track," Joe Budden and his co-hosts delve into a variety of topics ranging from high-profile legal cases in the music industry to personal anecdotes about Halloween festivities. The conversation is rich with insights into the complexities of artist-label relationships, the impact of legal battles on an artist's career, and the evolving landscape of the music business.

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2. Young Thug's Legal Saga

A significant portion of the episode focuses on Young Thug's recent legal developments. The hosts discuss the nuances of his plea deal, the conditions of his probation, and the broader implications for his music career.

• Legal Outcome:

  • Joe Budden summarizes Young Thug's sentencing: "Young Thug can't make gang-related music. He is banned from Atlanta for 10 years and has to do four annual anti-gang presentations/concerts" ([32:00]).
  • Ish expresses skepticism about the fairness of the plea deal, suggesting it's a "trap" designed to ensure future incarceration: "I think the 15-year probation and if you violate any terms in your probation, you go do 20 years. I think it's a setup" ([34:42]).

• Impact on Music:

  • Joe Budden ponders how Young Thug will navigate his artistry within the restrictive terms, proposing a shift towards more introspective or non-gang-related content: "I was like, yo, that sounds so beautiful. Why people don't try to do that" ([37:04]).
  • Melissa Ford supports the notion that Young Thug's talent will allow him to thrive despite restrictions: "He's talented. I think the talent will rise to the top" ([37:04]).

• Community and Public Perception:

  • The hosts discuss the role of public opinion and media in shaping the narrative around Young Thug's case, emphasizing the delicate balance between celebrating legal victories and respecting victims' perspectives.

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3. Halloween Reflections and Personal Anecdotes

Moving away from legal discussions, the podcast shifts to personal stories about Halloween celebrations, costume choices, and the social dynamics surrounding the holiday.

• Costume Controversies:

  • Joe Budden recounts his experience at a Halloween party where costumes ranged from traditional to provocative, sparking debates about appropriateness: "Something age-appropriate is needed" ([75:00]).
  • Ish and Melissa Ford highlight the challenges of balancing creativity with age-appropriateness in children's costumes, advocating for respectful and thoughtful choices.

• Halloween Parties and Security:

  • The hosts share experiences from Halloween gatherings, discussing the intersection of fun and safety: "Gangsters love karaoke" ([08:00]).
  • Joe Budden humorously navigates interactions with past acquaintances at the party, blending nostalgia with present-day reflections.

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4. Music Releases and Industry Insights

The conversation transitions to recent music releases, album reviews, and the strategies behind successful music promotions.

• Featured Releases:

  • Gibbs' Project: Joe Budden expresses enthusiasm for Gibbs' new release, anticipating its impact on the summer music scene: "He just dropped Gibbs and it's already making waves" ([30:22]).
  • Tyler, the Creator: The group discusses Tyler's latest project, analyzing its reception and comparing his artistry to peers like J. Cole: "J. Cole raps a lot better than Tyler" ([92:47]).

• Promotion Strategies:

  • Joe Budden critiques modern music promotion tactics, emphasizing the importance of authentic engagement over manufactured hype: "Numbers act as the stock report" ([37:08]).
  • Ish and Melissa Ford explore the sustainability of independent releases versus label-backed projects, advocating for artists to retain creative control.

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5. Artist-Label Relationships and Independence

A recurring theme is the tension between artists and their labels, with a focus on the pursuit of independence and the challenges that accompany it.

• Meg's Documentary:

  • The hosts analyze the documentary featuring Meg, discussing her struggles with label constraints and the impact on her personal and professional life: "She admitted she lied in the interview, which damages her credibility" ([119:44]).
  • Joe Budden emphasizes the importance of artists having the freedom to tell their stories without label interference: "Any responsibility comes with how you utilize your platform" ([161:16]).

• Path to Independence:

  • Melissa Ford and Ish advocate for artists seeking independence, highlighting the potential for greater creative freedom and authentic expression: "He could tell his side of the story through music" ([141:07]).
  • Joe Budden supports the idea but warns of the financial and promotional hardships independent artists may face: "You'll have to spend more of your own money... It's not scripted to be cute for nobody" ([154:44]).

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6. Social Issues and Personal Responsibility

The hosts engage in broader discussions about societal expectations, personal accountability, and the role of artists in influencing culture.

• Consent and Accountability:

  • Joe Budden and Ish debate the complexities of consent, especially in contexts involving intoxication: "If you are targeting women that are drunk for your sexual acts, then yes, that is taking advantage" ([121:40]).
  • The conversation underscores the importance of respecting boundaries and the ethical responsibilities of individuals, particularly those in the public eye.

• Cultural Shifts:

  • The group reflects on changes in societal norms, such as the evolution of Halloween celebrations and the decline of traditional diners: "I think brunch killed the diner" ([229:55]).
  • Ish and Melissa Ford discuss the impact of modern trends on established establishments and cultural practices.

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7. Conclusion

Episode 772 of "The Joe Budden Podcast" offers a multifaceted exploration of contemporary issues within the music industry and beyond. From dissecting high-stakes legal battles to sharing personal Halloween experiences, the hosts provide a candid and thought-provoking narrative. The discussions highlight the ongoing struggle for artistic independence, the significance of authentic promotion, and the broader societal responsibilities of public figures.

Notable Quotes:

• Joe Budden: "All it takes is almost one time to lose your life, to value life." ([05:20])
• Ish: "Some of the stipulations are damn near booby traps for you to go spend 20 years in jail." ([34:42])
• Joe Budden: "Numbers do matter to me. They act as the stock report." ([37:08])
• Melissa Ford: "He's talented. I think the talent will rise to the top." ([37:04])
• Joe Budden: "Any responsibility comes with how you utilize your platform." ([161:16])

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Final Thoughts

Episode 772 encapsulates the essence of "The Joe Budden Podcast" by blending in-depth industry analysis with relatable personal stories. The hosts' dynamic interactions and diverse perspectives offer listeners a comprehensive look at the complexities of modern life, especially within the realm of music and entertainment.

Transcript

[Joe Budden]

The thoughts, views, and opinions expressed by this podcast whose bullets its hosts are for entertainment purposes only. I repeat, it is not serious. It is not real. No one is exposing, revealing, indicting, or telling you anything about themselves. Also, we do not encourage you to try this at home. We are trained professionals who do not have your best interests at heart or our own. Enjoy the show.

[Ish]

I didn't know how.

[Joe Budden]

You didn't know much. He dropped. That's crazy what you've been doing. You've been under a rock.

[Melissa Ford]

Yeah.

[Joe Budden]

You ain't know that Keanu Day dropped.

[Ish]

Now, why would I know that?

[Joe Budden]

Come on, man, where you you been at?

[Ish]

I'm tight. I didn't know that Big Moochie Grape dropped. But anyway, go ahead. Y'all don't.

[Joe Budden]

You didn't know that Gibbs dropped? Freddie Gibbs.

[Ish]

I knew it was dropping.

[Joe Budden]

But you didn't know that it dropped.

[Ish]

No, I did not.

[Joe Budden]

That's what I'm saying.

[Ish]

I missed that. Those are the two that I missed. I caught everything else.

[Joe Budden]

Your music slider gotta come down.

[Ish]

No, it don't. No, no, no, it don't.

[Joe Budden]

No, it don't. To not know that Gibbs dropped. You think your music slider got us?

[Ish]

You knew Big Moochie Grape dropped?

[Joe Budden]

Yes.

[Ish]

What's the name of the project?

[Joe Budden]

Oh, I don't know. I just seen Big Moochie Grape and got super excited. The name don't even matter. The name of the product don't matter. That's an automatic. That's an Instant Cop.

[Ish]

Soon as you see him. That's an Instant Cop purchase.

[Joe Budden]

Come on. Come on now. Instant Cop.

[Ish]

Yes, man.

[Joe Budden]

Who?

[Ish]

Big Moochie. Don't worry about.

[Joe Budden]

It's All Right Ish.

[Melissa Ford]

A legend.

[Joe Budden]

Exactly. It's all right Ish. There you go. That's cool. I mean, I know. Cause I wake up at whatever time, I wake up on a Friday and I do still get that nerdy, geeky, ooh, let me see what's there. Cause I never know what's there, right? Until I go and look and see what's there, Right? Some days you get let down with a whole bunch of electronic music and gospel music. Some of y'all gossip, not the gospel niggas alternative. Some of y'all got some interesting covers. I like just looking at covers and weird names and pressing sample on some shit. Some weird shit going on. Like, all right, outta here.

[Melissa Ford]

I've just been seeing nothing but 30 year reissues. Saw a White Snake album up there. I was like.

[Joe Budden]

Yeah, man. And some days you get a treat like this morning.

[Ish]

A lot of shit.

[Joe Budden]

A lot of shit. Jacquese. I had no idea Jacquese was coming. I'm really excited about that album. The name of this shit is Some Shit Like Bedtime Fucking or something. Something I'm into. All right, listen. Anytime somebody I like with a voice say some shit they like. The Aim they album. Something like Bedtime Fucking. Yeah. That's my favorite place to do some fucking.

[Melissa Ford]

I like some couch fucking in the bed.

[Joe Budden]

If I gotta leave the bed, it's a task. Now it's a task for me. I'm sorry. I'm sorry. I like the bed. I do. I do.

[Melissa Ford]

It's a good place.

[Joe Budden]

Now, if you caught me in my 30s, in my 20s, I was into some wild. We thought on the roof, in the ceiling. All types of wild bathrooms. In the ceiling. Yeah.

[Ish]

In the ceiling.

[Joe Budden]

In the ceiling. Right at that Little gym on 46.

[Ish]

Car hump.

[Joe Budden]

The car. The car. Yeah.

[Ish]

The car hump.

[Joe Budden]

Yeah, yeah, yeah.

[Ish]

Car hump. Is trash super.

[Joe Budden]

The shower or over. Oh, my God. Peer pressure. The peer pressure growing up. Yeah. All that shit that we too old for. That looked fly when Patrick Swayze did it. Yeah, yeah.

[Ish]

In the movies.

[Joe Budden]

The movies.

[Ish]

Fuck it up.

[Joe Budden]

Yeah.

[Ish]

Movies fuck it up.

[Joe Budden]

I got in the shower, almost killed myself three times. Yeah. So all I take is one slip three times.

[Ish]

You think it's over on the cast up. Oh, yo, it's over. But yo, you kind of good, though. You five, seven. You could, like, get up under this.

[Joe Budden]

I'm six. One, one and two. I'm clumsy and I always been clumsy and never not been clumsy.

[Ish]

You as clumsy as a kid.

[Joe Budden]

I've always been clumsy. Why did I think I could get in the shower and be sexy?

[Melissa Ford]

I think clumps for a lifetime.

[Joe Budden]

You know how much shit is in there? Bubbles, conditioner, shampoo, big bar soap, loofah rag. Man, all of these obstacles.

[Melissa Ford]

Conditioner residue.

[Ish]

She five, three. Then you got to get up under. Yeah.

[Joe Budden]

Then she got a hair all in the way. She tasting like dove while you trying to kiss them. You eating soap. Soap bubbles all in your nose. Then you ain't. You ain't the smoothest on the insertion either. Now you got. That's the hard part. Big ass leg up.

[Ish]

That's.

[Joe Budden]

Now you done slip because you stepped on the bar soap. Now she gotta pick you up off the towel. Like I'll know. I'll come into bed.

[Ish]

I concur.

[Joe Budden]

Sorry for starting this way. And trigger warning to anybody that almost lost their life the same exact way. All it Take is one time to lose your life, to value life. True. That's it. Like the pussy. Ain't that in the.

[Ish]

Run that back. One time to lose your life. The value of your life.

[Joe Budden]

All it takes is almost one time to lose your life. Devalue your life.

[Ish]

You fucked me up for a minute.

[Joe Budden]

It's cool. Y'all caught up?

[Ish]

Yeah. Now we good. Now, you put. You put the almost in there.

[Joe Budden]

All right. Now, don't act like y'all went to a Harry Moore. That was the Slow School in Jersey City. How you know? Because you had to know.

[Ish]

Took you over there.

[Joe Budden]

What is it? Harry.

[Ish]

Harry and Sons.

[Joe Budden]

You had to know when you bumped into some of them. Something's off about this guy. Hey, Will, you went to school. If it ain't a Lincoln or a.

[Ish]

Snyder, that nigga be mad strong.

[Joe Budden]

Hey, Harry Moore. That was the first time everybody was on Curry Woods. Curry Woods. That. Hey, Harry Moore. Them niggas is coming first before you get to the projects. This is so fucked up. Oh, shit. And nobody out there knows what I'm talking about. Yeah. Mic check. Mic check. I'm glad they don't shout out to y'all listening all over the crazy. Every hood got a slow school.

[Ish]

That's a fact.

[Joe Budden]

That is a fact. And I do think it's your responsibility to know what that school is in case you bump into one of them above.

[Ish]

I don't think we had one, but we had the floor. They went to the same school. No, they was just. You was in the school. That's why you just ain't know.

[Joe Budden]

It's been a lot of things. They don't strike.

[Ish]

I ain't gonna say nothing, yo.

[Joe Budden]

No, the third, and I don't think this is, like, offensive. The Third floor, Yo, them be the niggas. That's brilliant, too. Some of them be the putting formulas.

[Ish]

On the gray mats.

[Joe Budden]

Got it, though. You good? Me?

[Ish]

You went on the whole 10 minutes about Harry Winston and now you gonna.

[Joe Budden]

Ask me, am I good? You? One part of the month.

[Ish]

Oh, man.

[Joe Budden]

Oh, yeah.

[Ish]

Clap it up.

[Joe Budden]

One part of the mouth.

[Ish]

Congratulations.

[Joe Budden]

Finally.

[Ish]

Yeah. You ain't had a.

[Joe Budden]

He ain't had a good month. There you go. But he did smoke that.

[Ish]

I haven't had a good month.

[Joe Budden]

Oh, here you go. Don't start, nigga. He talk about. Yo, why you can't just take a compliment?

[Ish]

It wasn't a compliment. That's how I compliment.

[Joe Budden]

Backhanded as. That's my style of compliment, though. Come on, give it up. Come on.

[Ish]

We did we clapped for him.

[Melissa Ford]

We did.

[Joe Budden]

Oh, all right.

[Parks]

It was genuine then.

[Joe Budden]

Can we get a feet look now? You got it out for me. Look what y'all did. Look what y'all did. Look what y'all did.

[Ish]

I can tell now I'm the farthest thing.

[Joe Budden]

Oh, Now I feel like I'm back in. Gangsters love karaoke.

[Parks]

Oh, yeah. That shit switched up real quick.

[Ish]

That nigga said gangsters love.

[Joe Budden]

Yeah. Yeah.

[Ish]

Y'all keep promoting. Y'all made it hot.

[Joe Budden]

Go ahead.

[Melissa Ford]

I saw the little video, and it looked like a little. A lot of dudes, a lot of fellas.

[Parks]

Sword fest.

[Melissa Ford]

A lot of fellas.

[Ish]

You went.

[Parks]

I did not go. I saw his story, and I was like, isn't it Girls like karaoke?

[Joe Budden]

Yeah, but when the bad girls like.

[Ish]

The girls coming behind him?

[Parks]

Yep. Yeah. No, I get that. I get that.

[Ish]

Promotion 101.

[Joe Budden]

Mm. No, she's been too busy with her pot.

[Parks]

I have. Yes, yes.

[Joe Budden]

She can't go.

[Parks]

Thank you, thank you, thank you.

[Joe Budden]

Come on. That was a sturdy 29 minutes of.

[Parks]

You know, suck a dick.

[Joe Budden]

It is not my day.

[Parks]

Where the fuck is it? You keep it up, buddy. You keep it up.

[Melissa Ford]

Keep it up.

[Parks]

Buck up, buddy.

[Joe Budden]

Yo, it is not my day today. That's what I'm getting from the crew. Oh, man.

[Ish]

This guy.

[Joe Budden]

Okay, okay, okay, okay.

[Ish]

Keep it up, buddy. You better watch it buckle.

[Joe Budden]

So we couldn't get a speech from Ish. Can we get a speech from you?

[Parks]

Thank you, Ricky Rock.

[Ish]

Why is self a life, bitch? Y'all?

[Joe Budden]

Fuck you, y'all. Hey, my shades ain't far.

[Parks]

You might need them.

[Joe Budden]

My shades are not far. I'm just letting you know.

[Ish]

That's my best friend.

[Joe Budden]

That's my best friend. God bless you. Mike, mike, Mike, Mike check. 1, 2, 1, 2, 1, 2.

[Ish]

And that's my best thing my best friend living TTG and everything he still don't flee Baby's rolling with me she gonna smile cause she don't bleed Shout.

[Joe Budden]

To wherever you might be listening from.

[Ish]

He that booted Jedi groceries he don't.

[Joe Budden]

That good.

[Ish]

Eat that wood Supply your bitch I got pistols.

[Joe Budden]

Inside them if.

[Ish]

They nudge bang.

[Joe Budden]

Cameras for the sneakers the coaster workers out there people that's my best that's my best and that's my bestie My bestie, My best friend.

[Ish]

Go Best friend living TTG and everything he still don't flee Babbage rolling with me she going to smile she don't.

[Joe Budden]

See Hundred thousand dollars positive out there down, down, down, down Tsunami 6.

[Ish]

Running around this Name. I just told her, make a story.

[Joe Budden]

A lot of people celebrating right now. A lot of people happy right now.

[Ish]

I told her. I told her, stop telling everything she's seen and told her guests in the.

[Joe Budden]

Back of my ring.

[Ish]

And I went, ain't trying to.

[Joe Budden]

I told her she got. Don't do that, Mel. Act like Cyndi Lauper's on. Come on, come on, come on. Let's get ahead now they're going. Act like Wilson Phillips is on. Come on. Shout out to the family and friends of Thugger. Got to feel good right now, fool.

[Ish]

I love her. I'm a sa.

[Joe Budden]

Yes.

[Ish]

Identity.

[Joe Budden]

Love them.

[Ish]

I'mma call my pop.

[Joe Budden]

Fuck the mother I pay them for Millie, Just shout my New York City strip clubs out there every time I got you Shout out to the first and last time. Listen out there.

[Ish]

No, I'm not missing. Not from la, but I got you to the city.

[Joe Budden]

I suck it.

[Ish]

I beat it down, Bitch, you beat.

[Joe Budden]

Me to the ceiling Stone in my.

[Ish]

Lifestyle I'm living too well. I can't even make it crap. That money keep her around and no way to head. I can't turn it down.

[Joe Budden]

It's Friday. I might have to move around tonight. I might have to move around tonight. I don't know. My favorite bartender is just running around in Foz. I might take a break. Also, if you go running around in a faja, please make sure it's a new faja. Yo, I seen some outfits this week, and I ain't gonna lie to y'all this week. Lot of limp balls on these fucking fajas out there. It's disrespectful. And if you wearing the faja with the plates in it, bitch, go home with the plates. Don't worry about it. They know what I'm saying. Protective plates.

[Parks]

Where are they?

[Joe Budden]

When the faja is not enough, they go inside of the faja.

[Parks]

Is it like boning?

[Joe Budden]

That's when you're. That's when you're hugging like robocop for real foolproof shit. But some is just faja. Some is the faja with the shit inside of it, okay? And they have different size plates depending on what procedure you got done.

[Ish]

Fuck. They trying to get some hops, Trying.

[Melissa Ford]

To get some bowls.

[Joe Budden]

If you are wearing the faja with the plates in it and you are at the party, just go home. It's not worth it. It's not worth it.

[Ish]

Trying to get their muscles up. No, she got on a weight vest. What?

[Joe Budden]

Hope everybody had a real good Halloween and all that recipes Clark. Oh, my God.

[Ish]

Stole that record from us, man.

[Parks]

What do you mean?

[Ish]

This record did not get what it was supposed to get because we were shut down. Had we been able to go outside that summer when this was out.

[Parks]

Oh, yeah, that would have been the summer track. Got it.

[Melissa Ford]

The summer track.

[Parks]

The summer bop. The banger, yo.

[Joe Budden]

Way to clean it up. That would have been a summer track, yo. What a fucking goof. All right, let me get these drops out the way real quick. So happy to be here with y'all today. Keep the applause going for the greatest cast in the world and us. All right? What episode is this?

[Melissa Ford]

772.

[Joe Budden]

Welcome to episode 772 of the JOE Budden Podcast, brought to you by Fueled by Powered by Prize Picks here. Pride Picks. I'm your humble, gracious, grateful, and happy to be here host Joe Budden, with a few really good people. To my right, Melissa Ford is in the building.

[Parks]

Hot and unbothered. Very unbothered.

[Joe Budden]

Hey. Oh, when people say that, they both. What's bothering you?

[Parks]

No, like, I really am unbothered, at least for the moment. Trust me, I will find something to be bothered about within about five minutes, I'm sure. Okay, but carry on.

[Joe Budden]

All right, well, Melissa Ford is in the building. To her right. Elizabeth's finest, huh? Woodbridge's finest, King Wawa Ish is in the building. Pottery. Yeah.

[Ish]

Speech. Speech.

[Parks]

Speech.

[Joe Budden]

Speech. Speech. Speech. Speech. Speech. Speech.

[Melissa Ford]

You're supposed to speech.

[Ish]

Yeah.

[Joe Budden]

This is.

[Ish]

When you do your speech, you better get the out of my face.

[Joe Budden]

Yo.

[Ish]

Go ahead. That's what you got to say today?

[Parks]

Damn. That's ungrateful.

[Joe Budden]

Damn.

[Ish]

You say thank you. Not to who?

[Joe Budden]

God.

[Ish]

Even those who voted you part of the world. It ain't a gimme. No, I can't.

[Joe Budden]

You had to work. I'm Joe. No, no speech.

[Ish]

Oh, he used that to promote his. That's why I say ikea. I see what you did. I see what you did. You got your new Ike line on.

[Joe Budden]

I can't see. Let me see.

[Ish]

Yo, dog, it say I key, and they tell you how to pronounce it.

[Joe Budden]

What's wrong with you? I can't see one of his. That's an ish hoodie.

[Ish]

That's all right, my boy. It's an ish hoodie.

[Joe Budden]

Yo, can I have my hoodie, please?

[Melissa Ford]

He got it. It's just at home words.

[Ish]

He was the one. Bring it. My apologies.

[Joe Budden]

It's all right, my brother. Next to ish, huh? Big freeze in the building. Not potter of the month.

[Ish]

Nope. Not. Not. Yo, you on your shit today. It's cool, it's cool.

[Joe Budden]

Yo, Flip is not here with us today, which only accentuates how immature I am when he's here.

[Melissa Ford]

Lead it to me.

[Joe Budden]

I be smooth, but gotta turn it up a little bit. Elmira's finest Parks is in the building. All right, Ian is here. Hopefully without his Twitter feed. Jules is here. Cory is here. Poe is here. J1 is here. A lot of orange. Lot of orange on you. A lot of matching. Lot of matching going. A lot of money.

[Melissa Ford]

Hey, I saw you brought out your finest Canadian tuxedo. You know what I mean?

[Joe Budden]

I guess this would qualify. This would qualify as a Canadian tuxedo.

[Melissa Ford]

Sitting next to a Canadian.

[Parks]

I like it.

[Joe Budden]

Oh, man.

[Ish]

It's true.

[Joe Budden]

That's funny, son.

[Ish]

It's true. That's hilarious.

[Joe Budden]

Erickson is here.

[Ish]

True, man.

[Joe Budden]

Tanner is here. Cevon is here. Remotely. And most importantly, each and every one of you guys out there are here. What's up, gang, gang, gang, gang. Hey, what's up?

[Ish]

How was your Halloween?

[Melissa Ford]

Super uneventful. Unfortunately. It looked like it was lit outside.

[Ish]

I was going to say it was 80 degrees in New York. And Halloween.

[Joe Budden]

Yeah.

[Ish]

And hoes.

[Melissa Ford]

Yeah.

[Ish]

Everybody. All of us are in relationships, so we didn't.

[Joe Budden]

She was with me.

[Ish]

Rats.

[Joe Budden]

No, no, no. I've been having a blast. But, I mean, you just gotta separate the. In relationships from. She was with me. It's two different. It's different. It's two different things.

[Parks]

So did any of you dress up okay?

[Joe Budden]

No, I dressed up as one.

[Parks]

I heard you just wore a mask. That's not really dressing up.

[Joe Budden]

That's dressing up.

[Melissa Ford]

Did the suit match the.

[Joe Budden]

No, I didn't have the makeup guy come over and make me Freddy Krueger.

[Parks]

Okay, okay.

[Joe Budden]

Like the girlies be. Y'all are extra. Y'all be in there for 12 hours. Shaw, they look cute contouring everything. Listen, all of that was Spirit Halloween. We went right to Pyramids.

[Melissa Ford]

We tried to go to Spirit Halloween. The line was around the block. I'm like, I'm cool.

[Ish]

What the fuck is Spirit Halloween?

[Joe Budden]

To the store, It's a pop up where people purchase Halloween costumes from.

[Ish]

It's a bunch of merrywears.

[Joe Budden]

Yeah, it's like a chain. Gotcha. Yeah. So anyway, yeah, they told me that. Listen, my dear friend and homegirl said to me, hey, man, please do me a favor. If you're coming to the Halloween party tonight, which is the day before Halloween, please just wear a costume.

[Melissa Ford]

Something, anything, right?

[Joe Budden]

Anything. Come on, Joe, please. Do it for me. And because I'm such an amazing friend, I did it. So you went and bought a mask. I went to Spirit Halloween. Me and my baby walked in there with all the fucking dusty ass kids and the hostile, hostile workers. Picked up the last Freddy Krueger in there. Here comes homie that works there. Hey, that's the last one.

[Ish]

So thanks.

[Parks]

Thank you.

[Ish]

And I got it.

[Joe Budden]

It's mine now and I'm gonna purchase it. And now I don't even know if I want to be Freddy, but I ain't putting it back.

[Ish]

Yup.

[Joe Budden]

So I'm gonna hold on to it. So I carried Freddie with me around there as he was ice grilling me. Then I went over to some other masks and shit. I seen the squid game guy, I think that was or whatever. I was just. I wanted to have that shit on. I wanted to be fly and then just put on a mask to appease my friend. So I picked up the squid games mask and the other little. I did a bad, bad thing mask. Like some black suede, ghost looking, faceless mask. Then I bought a mask that didn't even have eyes. It was just a silver. Looked like some alien. I bought like nine masks.

[Ish]

Okay, okay.

[Joe Budden]

From Spirit Hollywood. My baby took. Yes, Spirit Hollywood. My baby the whole time was screaming, baby, what am I gonna do? What am I gonna wear? Help me with it. I was out of there on her, totally ignoring her. But after I got my 9 mask, I went over there to the girly section, found a extra large something. Now all of the girly Halloween outfits were made to sexualize women for sure.

[Ish]

Oh yeah, that's the Halloween sport.

[Joe Budden]

Spirit Halloween was objectifying the women.

[Melissa Ford]

Duh.

[Joe Budden]

It was the French maids. It was the sexy nun. I thought Fenty was sponsoring this shit. I thought, she's not quite. She picked some shit out. There was the last extra large deer. I thought that shit would fit like a Glad bag over her big ass. But it didn't. That shit started sitting things up, poking shit out and like, bitch, sit down now. Like, what type of fucking are you a cop?

[Ish]

Mm.

[Melissa Ford]

You guys didn't do a little matching?

[Joe Budden]

I'm getting ready to break the law now. I get that. That's the first song I played when I got in the car. Ms. Officer. Like a cat cat. So now I get to be corny all night and say shit like, I'm ready to commit a crime around you. You look so good. I'm ready to jaywalk. Jaywalking's legal and New York has made Jaywalking legal. Give it up, Give it up, Give it up. Give it up for the people that like to hit people with their car. Hey, somebody got to die. If I go, you gotta go. Don't you be one to hit a pedestrian?

[Ish]

Yes.

[Parks]

Every once in a while. Yeah, Sometimes.

[Joe Budden]

Yes. Like monthly?

[Ish]

Daily, huh?

[Joe Budden]

Yeah.

[Melissa Ford]

Every other.

[Ish]

Every other day daily.

[Joe Budden]

I'ma learn y'all niggas that crush the street brave like I used to.

[Ish]

No, you ain't. No, you're not.

[Joe Budden]

One of these days. Nah.

[Ish]

No, you ain't. Nope.

[Joe Budden]

I am.

[Ish]

No, you're not. No, you're not.

[Joe Budden]

I hit that nigga on the bike a few years. A few years ago in Harlem. I told you what you did. My bad. His back tire. Two years off.

[Ish]

I smacked somebody in St. Thomas. Yeah, refer to the tag. They did not hit any pedestrians. That's true. You're right.

[Joe Budden]

I didn't. I hit a bike that the pedestrian was on right at the back time, and, man, then I booked it.

[Ish]

You cool.

[Joe Budden]

Long as you don't do it in Miami during spring break like Danny Le and them be doing.

[Ish]

Oh, come on. God damn it.

[Joe Budden]

If you just do it at home, where you know the streets and can't get caught up in traffic congestion, you.

[Ish]

Know that first right to me.

[Joe Budden]

Yeah. You can get out of there on them after you hit a pedestrian. That shit is fun. Keep crossing the street like you niggas is bulletproof.

[Ish]

This guy's a fool, son. I'll smack somebody in St. Thomas. You ride on the other side.

[Joe Budden]

No, I'm not gonna do it up country.

[Ish]

Your judgment be off a little bit. You be riding on the other side.

[Joe Budden]

Oh, yeah. That's why I won't drive in London. Oh. If I drive in London, nine niggas dying. That whole steering wheel on the other side with the roads that's shaped like croissants.

[Melissa Ford]

Yeah, Them roads is crazy.

[Joe Budden]

Them roads is croissants. Them roads is on a dock somewhere.

[Ish]

It's different. It's definitely different. And them shits be mad narrow, super cobblestone. Y.

[Melissa Ford]

People pull up on the sidewalk to get by.

[Joe Budden]

You gonna die on them docks. On the last Dateline, homie. Homie went to jail. White dude. They went on a hike, him and his wife.

[Melissa Ford]

That's always the way.

[Ish]

Yep.

[Joe Budden]

She ain't gotta start. She ain't come back.

[Melissa Ford]

Which one didn't come back?

[Ish]

She.

[Joe Budden]

The wife.

[Parks]

She didn't come back.

[Joe Budden]

She didn't. The wife tripped.

[Parks]

It's always her that didn't come back.

[Joe Budden]

Cause y'all Won't shut up sometimes. Hey, hey, now, let's. Come on.

[Ish]

Get a selfie.

[Joe Budden]

Get your hiking.

[Ish]

No, get a selfie. Back up. Right on the cliff. Oh, my God.

[Joe Budden]

The sunset.

[Ish]

Right there with you.

[Joe Budden]

Oh, man. Oh, damn it. My wife. Some crimes we gotta steal from the white black people. Don't try that shit. Cause we just don't hype. Yeah.

[Ish]

We don't go out there fucking with it.

[Joe Budden]

I just let her keep going through the phone. I just. I just. I'm black, so I just deal with this shit. Them whites saying, Honey, 3pm Tuesday, we're taking a trip, mountain climbing. They be killing the shit out of their water. God, the nut.

[Ish]

Yo, you're a fool, son. Two more steps back. Oh, the sunset, baby bomb. Babe, it's a little windy.

[Joe Budden]

One more step. And I've been busy in the house with work, which means she get to watch shows that she watch and I don't watch. So she watching some shit called Found. And every now and then, I peek up at the TV and give it a look. I ain't gonna kill it. I ain't gonna kill it. Cause it's a lead black actress, and she's clearly very serious about whatever she's saying in there. She is dramatic. So every time you look up, she's wailing her arms, she's stressed. Cause somebody got kidnapped. The geeky dude by the computer. Every time I look up, he crashed out. And they gotta take him to the hospital, but he come back and they rely on him for information. So that's funny. Apparently, this is, like, about kids that got kidnapped, that escaped, and now they kidnapped the kidnapper.

[Melissa Ford]

Okay.

[Joe Budden]

And he's helping them solve the crimes. But every time I look up, they don't find nobody. Now, my girls say they find somebody every episode.

[Ish]

I ain't seen it. I didn't see that part yet.

[Joe Budden]

Yet. And in the one episode, I did see, young black girl in the car trying to trigger Warning. Trying to do the carbon monoxide trick. That old trick in the car when you had enough of life. And she tried to. Carbon monoxide. So now the lead black actress gotta stand there and talk her out of it, right? She ain't just open the garage so she talking out of it. No, her white partner came and went straight to the garage thing to try to take the metal rod out and open the garage. He took 45 minutes to do that. Boy, was I having a blast. Yo, my girl is really into this shit. This is the dumbest, yo. He took 45 minutes. I'm like, oh, she about to die. So the black girl talk out of the, hey, it's not worth it.

[Ish]

Life is.

[Joe Budden]

But in the middle of the speech, the girl dies.

[Ish]

Oh, my God.

[Joe Budden]

I said, hey, she died fast. The whole show is sped up like they pressed forward 1.5. So she died. They open the garage, get her out of there, do some cpr. I said to my girl, I dare this girl. I dare this girl to be alive. I triple dare this girl to be alive right now. Sure enough. Anyway, that's not where we starting at. We starting with Thug for sure. Of course we starting with Thug. Thug is free. Let me hit the round of applause. Let me hit the round of applause. There we go.

[Ish]

Yes.

[Joe Budden]

Thug is free.

[Melissa Ford]

Thankful and honorable under God.

[Joe Budden]

Thank God. Cause y'all was beating me down with your Meg Doc opinions the whole day. Boy, I couldn't wait for the next news cycle. I was praying that alien come down. Anything? Anything happened? Murder on the train. Please, anything. Thug is free. Thank God. Forgot all about that damn doc they kept talking about. Which we will get to later. Gentlemen.

[Melissa Ford]

Let's start with that. Congrats.

[Joe Budden]

Let's start with congratulations. Come on. I'll clap it up again for him. I'm sure his family and loved ones could not be happier. I really enjoyed all of the Mariah the Scientists on her way to Fulton county to pick up Thug memes. Those were great.

[Ish]

They were funny.

[Joe Budden]

Those were hilarious. So what happened here? He's sentenced to 40 years. Five years time served, 15 years. I'm not reading this. I'm off the dome. 15 years probation, 20 years on the back end. If he violates said probation, his probation is what?

[Melissa Ford]

You can't go to Atlanta for 10 years.

[Ish]

Those are just.

[Joe Budden]

That's just some of them, yeah. He can't go to Atlanta for 10 years.

[Melissa Ford]

He's banned and he's got to do.

[Ish]

Community service per year.

[Melissa Ford]

And I think he's got to do like 100 hours a month or some shit.

[Joe Budden]

And he's got to do some benefit concerts.

[Melissa Ford]

Yeah, he can go to Atlanta for that.

[Ish]

100 hours a month. Fuck.

[Melissa Ford]

It was something like that. I forgot what it was. We're going.

[Joe Budden]

We're freestyling.

[Ish]

But he.

[Joe Budden]

Let's see.

[Ish]

Four charity events a year.

[Joe Budden]

Thug release stipulations. Young Thug can't make gang related music. Is banned from Atlanta for 10 years and has to do. And has to do four annual anti gang presentations slash concerts for Atlanta. Young Thug cannot have contact with gang members or co defendants other than Brother and Gunner. Technically, it's a 40 year sentence which he had to serve. And I'm getting some act. Had to serve the first five years in prison, but commuted to time served, followed by 15 years of probation. Also, there's a backload of 20 years. We said that. Which would be served in custody if he fails probation. All right.

[Ish]

I mean, there's a lot. It's a lot of wins. It's a lot of wins in there. Like, the judge clearly saw what the state was trying to do. And the judge looked at it as, this is some bullshit. Judge let him keep his passport. Judge allowed him to travel for music, understands he has other residences, other studios. So they didn't really. They weren't as hard on him with the conditions. It would have been hard for them to do that. Cause you can't take away his ability to make a living. And travel is a part of his.

[Joe Budden]

Ability to do that.

[Parks]

I mean, I feel like they could have if they wanted to, but it.

[Ish]

Would have been confided.

[Parks]

Yeah.

[Ish]

I mean, the main thing was what they agreed to or what they were close to agreeing to in the plea deal that he was about to make with the state. They were comfortable with him leaving that same day. It was just the conditions that they couldn't agree on. Yeah, yeah. And then they tried to tell the judge, nah, we want him to sit for 20 and all this other stuff. So it's like if you and the judge saw through it, like, yo, if you were okay with him going home a minute ago, don't try to tell me to keep him there. So they said initially they offered him a plea that he did not take based on just some of the conditions. So I guess they went in and fine tuned the conditions and then they agreed to. Both sides agreed. But my thing is. No, no, no, that's not what happened. What happened, There was no both sides agreeing. They could not come to the agreement. So he went, he did a non negotiated plea. Non negotiated plea is I'm gonna plead guilty to the charges. My team is gonna recommend what we think should be the penalty. And the state is. And the judge gets to make the decision. And we just gonna go whatever the motion. Oh, gotcha, gotcha, gotcha, gotcha, gotcha. Okay. They couldn't come to terms. Got you. Okay. I think it's a setup. Me personally, I don't necessarily like it. I mean, to set up for what? To go back. I never been in a position where I'm sitting in somebody's jail, so, I mean, I've been to jail before, but I Haven't been to jail for a long period of time.

[Melissa Ford]

20 years.

[Ish]

And I've been to jail facing life. I think that the 15 year probation and if you violate any terms in your probation, you go do 20 years. I think it's a setup. Like, I know, I don't know all the stipulations to his shit, but a lot of times you can't be around felons if you grew up how we grew up. Being around felons is normal, unfortunately. You get what I'm saying? And so some of the stipulations are damn near booby trap for you to go spend 20 years in jail.

[Parks]

That's just the way that parole and probation is really set up is for reset, you know, is for you to end up going back.

[Ish]

That's my point.

[Parks]

Tell them shut up.

[Joe Budden]

No, for real, this guy.

[Parks]

Go get your glasses.

[Ish]

No, I just think some of that shit is a setup. I think that the state couldn't win and he can't risk a mistrial because now if you get a mistrial, we gonna retry you. I don't give a fuck. If we gotta bring an undercover in here to sit on the jury. You gonna go to jail. Like, I just think he had to take his wins if they are wins and just hope to be on the better side of the law. Not being in jail's a win, of course, 1,000%. Yeah, 1,000%. So I said I can't judge his decision making. I never been sitting in jail with my life on the line. And not, not just that they still allowed him to work. Whereas like you look at NBA Youngboy or something, he can't do shit. Can't travel, can't do shows. Like you have to put a studio in your crib just to be able to do any recording. So it's some wins. It's some wins. It's a win. Even though you know it's a trap. It is a trap. Like Doug, that's hard. Fifteen years is hard. Fifteen years is hard for a square to do without breaking any law.

[Melissa Ford]

I think the trickiest part is they said he can't make gang related music, right?

[Ish]

He can't. Yeah, he can't.

[Melissa Ford]

I think that just leaves so much interpretation.

[Ish]

It does, but I mean, I think if you don't go in there and just be mentioning certain shit.

[Joe Budden]

You know what I mean?

[Ish]

That's obvious.

[Melissa Ford]

Yeah.

[Ish]

Then I think he'll be fine. I think that's easy. I think that's the easy part. I think some of the other stuff be the harder part again, like being around felons. I don't know necessarily, you know, weed ain't legal in every state. You get what I'm saying? So you might be in the wrong state with some weed now. You violated your parole. Like I don't know the real fine print. I'm just saying, I just look at it like there's some potential to be real.

[Joe Budden]

I agree with you guys. Trap. Sentiment.

[Ish]

Gotcha. But you home.

[Joe Budden]

I do agree with that.

[Ish]

You home.

[Joe Budden]

Yeah, no. Cause I was talking to somebody the other day and they, well, whenever the news broke and they were like, you know, echoing some of the same things like, oh my God, he can't do this and he can't make gang related music and he can't do this, he can't do that. How's he gonna live? The person was in front of me like really stressed, serious, like dead. Oh man, they fucked him. What's he gonna do? And as I pondered the answer to that.

[Ish]

Live better than most of Americans in the world.

[Joe Budden]

Most of the people in the world, Yes. I was like, well, he could obey the rules of the probation, go live, get a legit job, which you have, that pays well. Not be in communication with the people that are shooting at people. You already got you a lady. Go move to nice quiet town, make love songs with your beautiful model singer, some 8,000 foot shit with a million of dollars and be happy. And as I said it, I was like, yo, that sounds so beautiful. Why people don't try to do that from the rip, like, yo, this regular dude shit. And I'm saying that in a box even. Because he's not a regular dude, but just a normal legal life ain't as bad as niggas chop it up to be. I ain't gonna hold you when you.

[Ish]

Got some bread too.

[Joe Budden]

That's what I'm saying, right? Like I don't want to be the guy to just oh well, where we're from, it's tough to not talk to felons. Yes, I agree with that, it is. But tough times call for tough, tough measures. Yeah, yeah.

[Ish]

You are correct.

[Joe Budden]

There was a time in my life when I could not keep my little young ass away from sell off court. Every time I was up there, shout out my nigga, yeah. But every time I was up there, somebody was getting jumped, beat up, shot, stabbed, selling something on. We on a mission. Let's go. Jump this block, let's go this. Then one day my mom was like, yo, don't do that anymore. Like just stop doing that it's like, wait, huh? How. How can I not break in people's houses?

[Parks]

You just don't.

[Joe Budden]

No, for real, mom.

[Ish]

Like you don't understand my livelihood. That's what I do.

[Joe Budden]

You'll just stop doing it. And I just stopped doing it one day.

[Ish]

And life wasn't that bad.

[Joe Budden]

It wasn't the worst is all I say. Now, I ain't never been in it to the degree of what some of these charges indicate. But I don't think that young thug. I do think it's a trap. I do think it's a trap. But I saw something that said his lawyer wanted to even fight that one fight, all of that shit.

[Ish]

I heard that.

[Joe Budden]

But the guy been sitting in jail for what, it's gotta be five years. I'm assuming that the court keeps a better system than I do. He got time served.

[Ish]

He been there for like two months.

[Joe Budden]

Some change, but he got time served four or five years, however that works.

[Melissa Ford]

Yeah, Jail bath is different from Got.

[Joe Budden]

It, got it, got it.

[Parks]

Regular math.

[Joe Budden]

Yeah, what I'm saying. It's difficult to tell somebody that's been sitting for two and a half years.

[Ish]

To no that even if I fire, the loss is I could go to jail for the first time.

[Joe Budden]

Well, I'll still be sitting of my days and I'll still be sitting.

[Ish]

So 15 out here on parole or life.

[Melissa Ford]

Easy choice.

[Ish]

Easy choice.

[Joe Budden]

And my man who got out, who y'all killed and kicked his back in. Gunner. My man got out and kept the label where it's supposed to be put out.

[Ish]

Two monster boys.

[Joe Budden]

My man came out and kept the music scene right. He kept his smoking for me. Upon my return, I just had a nice good talk with Surf on the phone on the balcony right now. He sounds great, he's doing great, Good spirits, nice, healthy. But we just spoke about some of the advantages that come with getting a 2, 3 year timeout to just sit and reflect on what you was doing, how you was doing it and for your planning coming out, right? So like he and he seen the Prize Picks commercial in here, og you know what I mean? Yo, you gonna get you a bag, boy. And I'm stuck in here. I'm coming, I'm coming out, but I'm like gunna kept this shit rocking and now he get to build on the equity of, you know, the story. You know, hip hop, we love a story of this story and come home. I think if he never rap about a gang again, it's just gonna be fun for his fan base to figure out what he's saying. If he put. Try to say a riddle even. That's gonna be fun.

[Melissa Ford]

Yeah. Gotta be careful.

[Parks]

Well, how closely do you think that he's gonna be monitored and like, by who? You know what I mean?

[Joe Budden]

Oh, no, they're watching him under a magnifying glass.

[Parks]

And I understand that, but how do you monitor somebody that closely to where you're going to be able to say, oh, you were here at this particular time with this particular person and they're a felon and da, da, da, da. Like, you know, this is a real question.

[Ish]

It ain't that hard.

[Parks]

So what are you talking about? Like GPS monitoring and shit like that?

[Joe Budden]

Because that's barely one of us are monitored. And you watch too many docs for this. They fucking track phones. They go.

[Ish]

Do they go to the phone is pinging off or something at all.

[Joe Budden]

They go to the in the sky and see what phone is buy what phone. They'll have somebody on you, stake out.

[Ish]

You in a club, Defense Card club somewhere.

[Joe Budden]

Somebody else card get. Everything around is attractive.

[Melissa Ford]

Watching social media. He's very famous. It's easy to post a little picture of him.

[Ish]

He's coming home. He's Atlanta's child poster child. Every restaurant he goes into, people gonna be taking pictures. Him and Shorty not gonna be able to eat for a year without cameras.

[Joe Budden]

And young though. That's not. That's not tough.

[Ish]

That's not the hardest thing.

[Joe Budden]

You think, you think people don't know where you at if you get an eye on you? That's why. That's the thing that the clout generation be missing, right? Like all the clout is cool, but once the right eye get on you, that eye is on you. Do with that what you will, but I don't want certain eyes on me at all, bro.

[Ish]

I was eating breakfast the other day, right? Eating breakfast, dog dude is sitting there when I walked in. Like, I guess they recognized me or whatever, fam. The dude is sitting there and he's. I'm with my daughter. Like, I'm just playing with my daughter. And I see the dude putting his phone up. I think he was taking pictures of video recording me or something. And you want to go smack the shit out of him at the table next to you, but you can't prove that they taking pictures of you. You get what I'm saying? Like, that shit is a violation of your problem with my kid, B. And you got your phone up, like acting like, you know, and it was his girl's birthday, like, yo, dog, Pay attention to your chick. Fuck is you worried about me and my pancakes for? Nigga, stay over there. So he's a zillion times more recognizable than I am. And dog, they not gonna be able to do nothing. They gonna know where they are at all times. At least the first year or two. That shit is a layup for them. Like, they ain't hard.

[Parks]

Yeah, no, I understand that. And like, anticipate that the first couple of years. Absolutely. But this is a 15 year probation sentence. I don't.

[Ish]

I think the scrutiny will die down. But initially.

[Joe Budden]

What?

[Melissa Ford]

Yeah, first. Okay, first couple years.

[Parks]

Is there a way that the lawyer.

[Joe Budden]

Can even appeal some of the terms?

[Ish]

Not now that have agreed, no. Yeah, and that's the thing you want.

[Joe Budden]

And these.

[Ish]

You want to walk out the door, sign your life. I mean, your name right here. Like.

[Parks]

But it is possible that after, like, seven years of, like, completely good behavior and adhering to all of, like, the stipulations that the lawyer can go back in and say, okay, look, yeah, wallow, wallow.

[Ish]

Just got his done.

[Joe Budden]

Like.

[Ish]

But. Yeah, but that's at their discretion, right?

[Parks]

No, you know what I'm saying.

[Ish]

It's at the state's discretion.

[Joe Budden]

I don't want to speak about it like. It's an impossible feat.

[Ish]

It's not, it's not, it's not.

[Joe Budden]

It does sound daunting.

[Ish]

Just a stack deck, fam life or walk the straight and narrow.

[Melissa Ford]

I would be doing no features.

[Ish]

Yeah.

[Joe Budden]

Cause look, zero features.

[Ish]

Again, if you don't like these stipulations, there are. There is a place where you can sit down and we can make. We can monitor you 24 7, make sure you don't do nothing.

[Joe Budden]

Oh, I'm coming home. And do all the features now.

[Melissa Ford]

Fuck that.

[Joe Budden]

What? I'm coming home.

[Melissa Ford]

Someone take my little ad lib and put it on a little gang song. And now I'm fucking in trouble.

[Joe Budden]

No, no, no, no, no, no, no. I'm not talking about, like, brown paper bag money features. I'm talking about I'm coming home to do features with gang. Yeah, but not gang, because you can't say gang. But all of the people that were showing support. Nikki, I'm going to get with her 1000. Me and her got slaps. I'm right back to the slaps. Drake right back to him. Right back.

[Ish]

I'm right back then Drake. Right now, I might be at that nigga's house with some pancakes and fresh.

[Joe Budden]

Well, he'd do that for everybody to come home, whatever. So he's like an IHOP in that.

[Ish]

Way, because they don't be missing. Yeah, stupid son.

[Melissa Ford]

That part, it's gotta be under scrutiny from his team. Whatever you put my vocal on, I gotta make sure that this shit is not.

[Joe Budden]

I'm coming to get with Gunna.

[Ish]

You seen what Thug tweeted?

[Joe Budden]

Future.

[Ish]

He told Future, y'all stop. And Drake. And now I'm home, Yo. I said, let's get it. No, I said, this is a dog. Be here at 7.

[Joe Budden]

Yeah, everybody's getting a feature from me.

[Ish]

Yeah.

[Joe Budden]

I've been writing for however long I've been going. Two and a half years. I'm coming to get with all of my people that been lighting shit up. I am.

[Ish]

And he got a lot to say now.

[Joe Budden]

Puts Lil Baby in an interesting spot.

[Ish]

How so? Because he went out.

[Joe Budden]

Because Lil Baby has been the one continuing the Fuck Gunner narrative, okay? And the Gunner snitch narrative, okay? Only for Thug to pop out and say, hey, I need to work with people on my label.

[Ish]

Well, well.

[Joe Budden]

So now there's a peace treaty that gotta happen is what I would think.

[Ish]

Who better to mediate that than the person that allegedly was the person that got ratted on? If he comes at home and says, yo, he didn't rat or he followed instructions or he did whatever I told him to do, then all is forgiven.

[Joe Budden]

And if I'm gonna. I don't know if I'm piecing up or nobody. So I just don't know.

[Ish]

Oh, no. If I'm gone, I might not piece.

[Joe Budden]

I'm too hot to piece of the thug.

[Ish]

Yes.

[Joe Budden]

Sorry, my man. But the rest of y'all, no thug's my man. That went against me. We gonna get to it.

[Ish]

I'm not. I'm not. Peace. Y'all need me at this point.

[Joe Budden]

Now, this is the state case. Okay?

[Ish]

He didn't have a fair case, did he? It was the state. No, but in the recording that we was listening to Off Mike, it said that basically the fact that he didn't cop out to any of the murders or any of that other shit like the stuff that they charged him with.

[Joe Budden]

Oh, yeah, Let me play the clip. The least severe shit from my lawyer.

[Melissa Ford]

Lawyer absolutely won that plea deal for so many reasons. One, the prosecution got none of what they wanted. When you think about what the charges were and what actually got pled to. And two, he saved himself some major civil liability. Let me break that down. So first off, prosecution had charged this man with eight counts. Two of them were very serious. Two of them were basically saying that for years you were the leader of a criminal gang that committed murders and all types of violent acts all over the city of Atlanta. Those two charges, young thug did not plead guilty to. Had he pled guilty to those, he would have gotten serious time. And all the victims of all of this alleged criminal street gang activity, including the families of the murder victims, could have sued him civilly in court and said, hey, this man pled guilty to doing it. Now he's got to pay me. He pled nolo contender. The judge accepted that plea. The prosecution said, judge, you should not allow a nolo contender plea on those two counts. The judge said, I am going to allow it. So he doesn't take the hit for being the leader of this criminal street gang for years and years causing all these murders. He exposes himself to no civil liability. What did he actually plead to when they arrested him? They found him around a bunch of people who they claimed are gang members. They found a bunch of codeine, weed, cocaine, and some guns. And what they said is, hey, look, this is all street gang activity. And so what he said in court, the guns and drugs were around me. I'll take that charge.

[Ish]

I got mixed feelings. But his lawyer put on a masterclass and beat the shit out of the state. And the state feels stupid.

[Joe Budden]

They gotta feel that.

[Ish]

I mean, the state beat themselves all at the same time.

[Joe Budden]

Longest criminal trial in Atlanta history.

[Ish]

And you and you.

[Parks]

And it was a circus, and it.

[Ish]

Was a dub for y'all. Y'all wasted all the state and resources. Mad man hours, all of that shit. And y'all lost. And to answer, that's why you can't have them do a mistrial, because they gonna come back.

[Joe Budden]

And I'm just about to say OJ Rules is still in effect. The next one of you niggas that get up there, oh, yeah, they gonna fix y'all just for being mad.

[Ish]

And Mel, that's why they're gonna watch them even more.

[Parks]

Oh, because they took this.

[Ish]

L. They lost. They lost. We gotta get in here somewhere.

[Parks]

Yeah, that makes sense. That makes sense.

[Ish]

That's crazy, though. Oh. But we gotta be mindful. Some people did lose their lives in this whole process, you know, I mean, like, the people that they are accused of, you know, I mean, won't be. Want to be insensitive to them, because I've been getting some of that shit too. Like, people lost their lives. Whether Thug and them are responsible for it or not, people lost their lives. So I don't want to be insensitive.

[Joe Budden]

To That I never want to be insensitive to life loss. But in speaking about the thug case, you can't just pin that on him. I didn't.

[Ish]

I didn't.

[Joe Budden]

So speaking about him beating these charges to me don't necessarily say you trying to offend the families of. Or you being insensitive to the families of victims. Like, I don't. I don't. That's. That's slippery. That's slippery. Once I sat down and said, no, I'm not taking no plea. I'm fighting all these charges. I did not do that. I'm not responsible for these things. So I'm not the guy to decipher between the two. I haven't been handed the discovery. All I know is he's off. Yeah, for now.

[Ish]

Indeed.

[Joe Budden]

And that is. Hey, someone. That is a celebratory moment for some. And to your point, maybe not such a celebratory moment for others. And that's always gonna exist, right? Like on the news, they kept talking about, I forgot the dude's name, but the dude that choked out homeboy on the train is his. Today was his. Is his first day of trial. And as they were speaking about him fighting his case and painting him as like, ex marine and good guy, yada, yada, yada, they kept showing the video of the train incident. And all I could keep thinking was, now that's gotta hurt for the friends and family of this gentleman to have to see this run on the news from 5am to 10am for the next couple weeks. Yeah, yeah, yeah. So it's a blurry line. If I say something, he gonna shoot at me for the rest of the podcast.

[Ish]

Why you think he trying to shoot at you?

[Joe Budden]

Yo, Mel said it. I didn't say it.

[Parks]

Okay, I'll say it again. Who made the cheesecake that he was. That Ish was just eating?

[Ish]

And I said, ish made the cheesecake.

[Parks]

And both me and Joe looked like blink, blink, blank fucking stare.

[Ish]

Why men can't bake.

[Parks]

No, absolutely not. I know quite a few male bakers and cooks that are incredible. I did not know that this was part of his repertoire.

[Joe Budden]

Yeah, no, I know a few pansies myself.

[Melissa Ford]

Did you wear the apron?

[Parks]

Kiss the cook?

[Joe Budden]

Yo, that's that issue apron, man. That ain't even the funniest part. The funniest part is ice knowing that Ish made the cheesecake. How you know he was there?

[Ish]

Cause I asked him.

[Melissa Ford]

He helped.

[Joe Budden]

And he pulled the cheesecake out the fridge.

[Ish]

I said, yo, that ain't store bought.

[Melissa Ford]

He's a sous chef.

[Joe Budden]

Antoine. Look at him licking the cheesecake through his fucking teeth on the mic. That nigga getting the extra little cheese. This day is. You made cheesecake?

[Melissa Ford]

Would you make Swedish fish cheesecake? Sour patch cheesecake?

[Joe Budden]

Pink starburst cheesecake?

[Ish]

Yeah, you're a fool.

[Joe Budden]

For real?

[Ish]

Nah, I ain't make it. I bought it in, though. I didn't make it.

[Parks]

Oh, did wifey make it?

[Joe Budden]

I just want. You see, you always go the extra step. You always take the next step. That is like. It's there, but we didn't make it.

[Ish]

What's wrong with me making it? Tell me what's wrong with me making it.

[Parks]

I. I personally see nothing wrong with it. And I am going to have a piece.

[Ish]

Why would you be shocked?

[Joe Budden]

I see mad shit wrong with it.

[Ish]

You think only one nigga know how I make chicken wings?

[Parks]

No, I don't think that. I just don't really see you investing any of your time in the kitchen unless you're, I don't know, putting in a cabinet or something.

[Joe Budden]

Oh.

[Melissa Ford]

She said you can only bake cabinets.

[Joe Budden]

That's misandrist.

[Ish]

That's misandrist.

[Parks]

How? No, it's okay. All right. Okay, okay, okay. I'm gonna walk. I'm gonna walk it back. I'm gonna walk it back. Okay.

[Joe Budden]

You know you're a misanders, right?

[Parks]

I am not a misandrist. There's no way that I could sit up in this room, week in and week out being a misandrist. You guys are tripping.

[Ish]

You do it. Let me ask you. You say I'm a misogynist. You don't think I could sit on a podcast with four other women and.

[Parks]

I'd be the only guy week in and week out? I don't know. I really don't know. I have no idea. We would have to.

[Joe Budden]

I hate when he gets you like that. He got you. You know, he could sit on the podcast with four other women week in and week out, but you won't cop to it because that especially a lit podcast, right? You as a misandrist. I don't even know the word can sit here with.

[Parks]

Define it right now.

[Joe Budden]

Bitches that hate niggas. Ding, ding.

[Parks]

That is exactly what it says in Webster's.

[Joe Budden]

Yes, bitches.

[Ish]

You know what's wrong?

[Joe Budden]

What? That's your definition. That hate.

[Ish]

Oh, man.

[Joe Budden]

Well, what's the misogynist Niggas that hate. I said I'm gonna stop saying that word.

[Ish]

I'm gonna stop saying that.

[Joe Budden]

I'm gonna stop saying that word. No, I promise I am.

[Ish]

I've already stopped.

[Melissa Ford]

We had a whole jar.

[Ish]

Yeah, no, I've already stopped.

[Joe Budden]

Well, somebody stole all the money out the jar. That was.

[Ish]

That's disgusting.

[Joe Budden]

That is disgusting.

[Melissa Ford]

Start dropping some again.

[Joe Budden]

I must get that stash back up.

[Ish]

No, I'm about to stop.

[Joe Budden]

I am. And yeah, the be going crazy. It is disgusting.

[Ish]

I ain't gonna stop that one.

[Joe Budden]

Why you stop bitches in that I've.

[Ish]

Never said to be word, so that's easy for me.

[Melissa Ford]

You don't even say it. Like, if you stuck your toe.

[Joe Budden]

No, you can tell that never got bitches. I've never said the B word, not in my entire life. That's just not a word that's in my vocabulary.

[Melissa Ford]

What you say when you step your toe.

[Joe Budden]

Fuck.

[Ish]

Shit. God damn it.

[Joe Budden]

What you say when you made the whole roster happy and nobody know about each other? You just talk to all of them and they all chilling. What'd you say then?

[Ish]

What roster?

[Parks]

Have you ever carried a roster?

[Joe Budden]

You've never had a roster?

[Ish]

No.

[Parks]

I think that that is wonderful, personally.

[Ish]

Thank you.

[Parks]

Yes.

[Joe Budden]

That ain't what a few from your roster said. That nigga is lying. That nigga was a poster.

[Ish]

Said that nigga was a coach at one point. Is you talking?

[Parks]

I just. I just chose to believe him because I have believe.

[Ish]

We believe black men, right?

[Parks]

Exactly. Exactly.

[Ish]

Oh, yeah. Okay, Panda. That's cool.

[Joe Budden]

You don't believe anything from black men.

[Parks]

What the are you. You know what? You're not going to start that narrative. I'll punch you right in your face. I will punch you right in your face. And violence, the threat. Do not put that.

[Joe Budden]

She wants to punch a black man in the face for just being expressive.

[Melissa Ford]

Doesn't seem right.

[Ish]

No.

[Joe Budden]

Yeah, that's angry. What do you guys. What do you guys think? Like, Young Thug comes home to Kevin Lauz not being at 300 anymore. Kevin Lauz, who took the stand for him. He comes home to a new music ecosystem for sure.

[Ish]

Yeah.

[Melissa Ford]

Whole world's changed damn near.

[Joe Budden]

And I mean, I want to jump the gun and say an ecosystem that is probably trying to function differently than it did in Young Thug's heyday. I don't know if he's dealing with people that care. Like Kevin Laos taking the stand. That's care.

[Ish]

And it got highly emotional.

[Joe Budden]

It's care. Kevin Lyles and many people that care about the music and the musicians are no longer. Are no longer so hands on. Do we think that that plays a part or has any effect moving forward?

[Melissa Ford]

I think he's all right. He's established enough that he'll be fine.

[Ish]

And he's. And he's talented. And the talent. I think the talent will rise to the top. I think when you that talented, people that are lesser talented, they're the ones who need somebody that care a little bit more to do the extra for them. Thug has. I don't see him having any problem. Plus, he has anticipation through the roof. So whatever he dropped, they're gonna run to it. And like I said, this is a very talented person. So he's gonna be able to put something together that ain't gonna be no bs.

[Joe Budden]

How fast do you think he gets back to it?

[Ish]

I think he might.

[Joe Budden]

Do you think he takes some time off to chill, relax?

[Ish]

No.

[Joe Budden]

Get with his love.

[Ish]

I think he's gonna have to take what's some time. Yeah, what's some time?

[Melissa Ford]

He's got to be very picky and choosy about shit that he's had in the stash. You know, going back to the lyric thing. Like, you gotta be careful with everything.

[Joe Budden]

Now, features that maybe basically gotta start from scratch.

[Melissa Ford]

You kind of do.

[Joe Budden]

You kind of gotta start from scratch. When I say sometime, I mean a year.

[Ish]

No, hell no.

[Melissa Ford]

I don't think it takes a year.

[Ish]

He'll have an album out in six months. I think he'll have an album out in six. Think, dog.

[Parks]

His nothing but time to write.

[Ish]

His favorite list is Yo, I want to beat. He probably getting beat packs in the mail right now. He can go call Usher. He could go call Chris Brown. He can go call whoever, who's who of musicians and have them on his project. And that's just the ones that he fuck with. That's not to count these other clout chasey motherfuckers out there. That's true too. That's just gonna be attached to him. That's a good point. So now the other big names out there are gonna run over there to try to get him as well. It's endless opportunity.

[Joe Budden]

As far as his attorney, yesterday's price is not today's price at all.

[Ish]

No, and I'm sure the prices are.

[Joe Budden]

He gotta get a lot. He gotta. I know we giving him a lot of praise, but he deserves more.

[Ish]

His attorney?

[Joe Budden]

Yes. That boy got judges removed. Went and did his time.

[Ish]

He ain't have to do the time.

[Joe Budden]

But he was going to do it.

[Ish]

He volunteered.

[Joe Budden]

He did, but he was going to do it. Like, that's a different level of lawyer.

[Melissa Ford]

Wrote some of the greatest acronyms. We've ever heard Pushing positive.

[Ish]

He a rapper. He a rapper.

[Melissa Ford]

Yeah.

[Joe Budden]

Yo, think about Brian Steele.

[Melissa Ford]

Yeah, think about that.

[Ish]

For real. Think like, yo, just the fact that I stood tall on principal and said, y'all, I'll take the days. Lock me up. I'll take the days. But then I had enough wherewithal to go get all the other local judges, I mean, lawyers, and have them ride with me to come get this judge out of here. Like, all of that shit was just genius. The fist bump is enough. Like, he's standing up there like, yeah, that's a classic picture.

[Joe Budden]

And this would have to give hope to Durkheim.

[Ish]

It would.

[Joe Budden]

This would have to.

[Ish]

Yeah, it would depend.

[Melissa Ford]

Depending on.

[Joe Budden]

I mean, what's up. Freeze.

[Ish]

Different charges. That's all I'm gonna say. Different charges. Things look a little different on that side. I mean, thugs charges or worse.

[Joe Budden]

I don't.

[Ish]

More severe.

[Melissa Ford]

Was Durks local or Fed?

[Ish]

I was just getting ready to say, and this is a Fed case. That's different. This is a fed case over here.

[Joe Budden]

Yeah, it's true. That's different.

[Ish]

That is highly.

[Joe Budden]

Yeah, you are correct.

[Ish]

So.

[Melissa Ford]

But yes, to some degree, it still.

[Joe Budden]

It still had case sounds Fedsy.

[Ish]

It did. No, I didn't.

[Joe Budden]

Yes, it did.

[Parks]

RICO charges sound.

[Ish]

The charges sounded best.

[Parks]

Yeah.

[Ish]

Case was just saying how sloppy that played.

[Joe Budden]

Yeah, but that gets. At all. But that gets into the hands of the state.

[Ish]

That. And that's what separated.

[Joe Budden]

The state can handle some shit sloppily. But in terms of the charges and the accusations and the story that they were trying to paint, that story sounds Fedsy.

[Ish]

I'm shocked the feds ain't picking up. I'm shocked the feds ain't pick it up. Which is why I think. Another reason why he took that, too.

[Joe Budden]

Yeah.

[Ish]

Now we can't deal with them coming in to take this up.

[Joe Budden]

Can they still.

[Ish]

I don't know. It depends on how they wrote that shit. I don't know. Not my area of expertise. I don't.

[Melissa Ford]

I would think that that would be like a double jeopardy or whatever type of situation, but I don't know.

[Joe Budden]

I don't know if double jeopardy applies there. Let's wait until we get a fact before we just start saying shit. I would want to know that. I would want to know if the Feds are still able to come pick that up somehow. And I want to know if they didn't or just aren't picking it up. Is it because they felt like it was a weak case?

[Ish]

State might afford them to take it cause a lot of times the state feel insulted when the feds come take their cases and shit like that. So they'll fight to get their cases. And it was a big name case. The prosecutor was on a come up. Remember she was talking mad shit in the beginning of this case. It was other ones coming. Yeah. Like, yo, be clear, we not gonna rest in Atlanta until all of these criminal enterprises abort the job.

[Joe Budden]

She was talking, I felt like she was clout chasing.

[Ish]

Yeah. So I'm gonna fight you for the case so that I think it's a slam dunk. I'm gonna get my props up. I could be running for mayor in a couple years.

[Joe Budden]

And this is a, this is a huge win for those that feel like just a bullseye was placed on the back of hip hop artists for how they move, how they sound, how they rap. Huge win for lyrics being used in court and what that looks like for artists. Lot of wins on a lot of different fronts.

[Melissa Ford]

True.

[Joe Budden]

I woke up to all this stuff. I was taking the goodest of naps.

[Ish]

So it says, yes, the federal government can take over a state criminal case, but it's relatively rare. Federal intervention only happens when there's a significant federal interest at stake. So they said basically they'll take over in the middle of the case too. Not most times after the case has already been.

[Parks]

And a lot of the times the reason will, why feds will come will get involved is if the charges involve multi state jurisdict jurisdictions.

[Ish]

So they said that if they wanted to, they could. It says the government can also prosecute a defendant who has already been convicted of a state crime for the same conduct. This is because the dual sovereignty doctrine allows more than one sovereign to prosecute someone without violating double jeopardy. So they can. It's just rigged.

[Joe Budden]

Got it. All right, well, we want to continue to. We want to continue to treat this as the celebratory moment he still is right this second. That's, that's what we want to do. So again, I know his friends, family is going crazy. Associates, coworkers, could not be happy employees. Yeah, yeah, I heard, I heard he.

[Ish]

Is an amazing person. Like one of my homegirls was like, yo, he's just the nicest guy. He greets you like ma'am, sir. He does. You know what I mean? Like all of that. Like yes ma'am, no ma'am, like shit like that. So they said that he's mild mannered, like quiet and reserved and he's just an amazing person, but might be a switch.

[Joe Budden]

Listen, man, Gangsters don't die. They get chubby, they move to Miami. Yo, you can do this. You can do this. It don't have to be such a tall, tall task. Take your millions, take your girl, take your loved one, success and go.

[Ish]

Yeah, that's it.

[Joe Budden]

And go.

[Ish]

And talent speak for self. I mean, shit, we look at like a Bobby Shmurda, you know, he came out, you know, people ridicule him because he's making a different type of music. But again, my nigga, this is my freedom. Y'all can say whatever the fuck y'all want. I did my time, I came out. And I can't associate with certain things or type of shit or I'm gonna go back.

[Joe Budden]

Cool.

[Ish]

I'm gonna do this. Y'all say what y'all want from the comfort of your homes.

[Melissa Ford]

Go listen to old shit.

[Ish]

Yeah, like, that's my thing. Like, I was saying that even when the Dirk News came out, people like, oh, you know, if it is. Listen, bro, I'm a fan of these cats music. I can still go back and listen to the old shit. So you don't have to do that anymore, thug. I can go listen to the old. So if he come out and do a complete pivot, yeah, people are going to say, oh, he watched whatever they could say, hey, listen, man, that man is home with his family, his kids, doing what he got to do for him. A lot of y'all would do the same shit in the same situation. And I think. I think his talent level so allows him to do a bunch of different shit.

[Joe Budden]

Yeah.

[Ish]

And he has done the level. He's done that. Talent levels, he meant.

[Joe Budden]

So I want to know what happened between Shmurda and Rowdy. I do. It's like the topic that everybody's fucking tap dancing and tiptoeing around. What happened? Where is that? 30 for 30. Something happened. It ain't my business, but I wanna know. You don't wanna know. Oh, yeah, you wanna know?

[Ish]

I wanna know.

[Joe Budden]

Come on.

[Ish]

I have my theories, but what's a theory? I'm cool.

[Joe Budden]

Okay, please.

[Ish]

Out your mind.

[Joe Budden]

Fucking sit down. The theory is, if they got together, they would come up with a fire summer track. Their summer track. Oh, my Lord.

[Ish]

Doozy.

[Joe Budden]

All right, all right. Mel, don't look over at my ad. You don't have an ad yet.

[Parks]

Okay?

[Joe Budden]

I listened all 29 minutes. It was not an ad. Don't look over here. This is for year.

[Parks]

The intro episode in year 10.

[Joe Budden]

You know what I mean? But episode one, you don't. You don't have to look over at mine.

[Parks]

No, no, no. I'm just. I'm. I'm considering all the sponsorship offers that.

[Joe Budden]

Are coming in right now.

[Ish]

Hey.

[Joe Budden]

Huh? Yeah. What'd you think of that cheesecake man? Yeah. You hurt? What the guy doing you hurt?

[Ish]

Why would I have thoughts on that?

[Joe Budden]

Well, you're just a co worker, so I'm asking what. Yeah, yeah. Ooh. Hooty, Hootie. Who do you.

[Ish]

Yeah, I don't even see the correlation.

[Joe Budden]

Yo, you just don't even matter. So what? They ain't gotta correlate? Don't try to college word me out of the fun. No, I don't seem to correlate.

[Ish]

Oh, shit.

[Joe Budden]

Yo, I seen a meme the other day that reminded me that we had the yellow pages and White Pages delivered to our door.

[Ish]

Hell yeah.

[Joe Budden]

I laughed for about an hour.

[Melissa Ford]

Big ass boy.

[Ish]

Damn sure did.

[Joe Budden]

We could go home and just get somebody's phone number. Sometimes when the girls said no, I looked up.

[Ish]

Yeah, but they'd be like, you can't even. I'm not listed.

[Joe Budden]

Remember that? And it was 700 of them. It was 700 Sasha Jacksons. I was like, yeah, I called 100 of them too.

[Parks]

That is crazy.

[Joe Budden]

We are old indeed. Yellow Pages and White Pages, dog.

[Ish]

I just was talking about when you had to print the MapQuest directions off the printer and put them shits in the car with you going somewhere you ain't had no business to do something you ain't had no business doing. You know what I mean?

[Joe Budden]

Little missions niggas is ancient. All right, it's time for my favorite part of the show. Prospect. Yo, yo, yo, yo. Now, now, secretly, I've been teasing the crew. I'll share it.

[Melissa Ford]

Here we go.

[Joe Budden]

Here we go. Yeah, I'll share. Secretly, I've been teasing the crew because ever since I've started this prize picks ad, it has worked on us.

[Melissa Ford]

That's true.

[Joe Budden]

Like we are. I've heard my coworkers plan trips around where they're able to play prize picks.

[Melissa Ford]

Successful trips.

[Joe Budden]

I've heard my coworkers talk about where they're going to pick up their winning money. I've seen my coworkers be down and out. Come to work depressed, sad, and stomach turning because they lost somebody.

[Ish]

Catch the right pass.

[Joe Budden]

Yeah.

[Ish]

Or Jalen Hurts doesn't get one more rushing yard.

[Joe Budden]

Now, brother Freeze. Hit right. So clap it up for Freeze, brother Freeze. That attic tick is getting some usage. At least there's some value in it.

[Ish]

Allegedly hit.

[Joe Budden]

Allegedly hitting. Yeah. Freeze. You're doing pretty good. You are doing pretty good. Prize picks is super easy. It's almost too easy to play judging by these guys. Look at the Pookies.

[Ish]

Keep calling me, man.

[Joe Budden]

Prize picks is super easy and simple to play. But some of you probably lost a lot with Aaron Judge over the course of the World Series. That was a monumental fall off and collapse from Aaron Judge. I'm not going to kill him because he's the captain. And if Soto don't resign, then that's where the chips fall. And Soto sound like he didn't give a fuck about the Yankees when they asked him about resigning. I think he's signing too, because I think the Yankees are going to pull out.

[Ish]

No, I think he's starting. I think that was his.

[Joe Budden]

Pay me well. Yeah, I think he's going to the highest bidder and I think that will be the Yankees. I ain't gonna kill Judge, but it.

[Ish]

You know, happens to the grass.

[Joe Budden]

You know how tough it is to fall off like that.

[Ish]

It happens.

[Joe Budden]

No, it don't.

[Melissa Ford]

Baseball can get streaky, bro.

[Ish]

That's not true. It happens. So it happens to a lot of people. Playoffs or one series, they play like shit.

[Joe Budden]

No, don't.

[Ish]

Okay?

[Melissa Ford]

It shouldn't. To super, super.

[Joe Budden]

Aaron Judge's batting average was something ridiculous. Like over.300. Like 320. That's an average over 160 games. That's tough. So this is an elite club already.

[Ish]

Indeed.

[Joe Budden]

Everybody don't get in here at all. You know how tough it is for that to be your batting average and then you go down to 133 in a series. No, everybody can't come to this poker table and say, hey, I qualify.

[Ish]

Maybe they can't.

[Joe Budden]

I don't think we see this like that. And I'm not going to talk about that Freddie Freeman right now, but one of these days I'm coming in here to talk about that Freddy Freeman. I'm not right now. Now's not a good time for me to say what I think about Freddie Freeman. Even though I looked him up, I googled him. He's him still.

[Ish]

I was about to say. Huh?

[Joe Budden]

You got, you tell me off every game. I ain't saying it. Shout out to Freddie Freeman and his family. Congratulations to the Dodgers. They won. They were clearly the better team.

[Melissa Ford]

For sure.

[Joe Budden]

I picked a great game for my dad to go to. Yeah, man. The only game the Yankees won. A lot of home runs, a lot.

[Melissa Ford]

Of hits that last game.

[Ish]

That was some bullshit, bro. I wouldn't even say they were clearly the better team.

[Joe Budden]

They were clearly better team.

[Ish]

I just think that the Yankees made mistakes and pivotal points.

[Joe Budden]

Game 1 were very clearly the better team. It was very clear. The Yankees this year, as in past years, a lot of years with Boone as the manager, just don't know how to get runners home from on base. They can't put the ball in play.

[Ish]

To even get a sack.

[Joe Budden]

Fly dog. And that's that.

[Ish]

The dog.

[Joe Budden]

That's how.

[Ish]

That's how the dog.

[Melissa Ford]

That last game they lost because that egregious inning of bad defense. Jesus, that's like.

[Ish]

That's some Dallas Cowboy.

[Joe Budden]

No, they was up 5, zip. I went to go make some food, I came back, it was six five, they was down.

[Ish]

I nodded off on the couch and I woke up, it was 6 5.

[Melissa Ford]

You missed a bunch of.

[Ish]

I nodded off on the couch. I had to watch you sit on SportsCenter. The boom.

[Joe Budden]

That decision in game one, bringing in.

[Ish]

The closer, that's why, look, game one and game five, honestly speaking, the balls, no pun intended, they fall where they fall. But game one and game five could have easily been the Yankees. Easily. So that's why I'm saying. I don't know if I wouldn't even say. I mean, all hats off to the Dodgers. They did what they did. But I wouldn't necessarily just say they were clearly the better.

[Melissa Ford]

What y'all think about, homie? They won four trying to snag the ball off the glove.

[Ish]

I like it. New York shit.

[Joe Budden]

New York.

[Ish]

Some New York ignorant.

[Joe Budden]

It's very ignorant and has no place at a baseball game. But we in New York.

[Melissa Ford]

Yeah, yeah.

[Joe Budden]

We down three, we down three, zip, we down bad. Take the ball. And no harm, no foul, right? It was still out, still called out. It didn't really have an effect on the game. It was some real ignorant New York.

[Parks]

Shit to do the whole.

[Ish]

Give me your arm, open the glove.

[Joe Budden]

Up, you ain't catch this. And they walked him right out of there. They did, like safari at the Nikki concert.

[Ish]

Safari.

[Joe Budden]

Say that didn't happen, but still, for the joke purposes, that's what I'm saying. They walked him right out of there.

[Melissa Ford]

Totally worth it.

[Joe Budden]

I think he's banned for life.

[Melissa Ford]

Still probably worth it.

[Joe Budden]

Google that yourself. I'm not sure, but they banned his ass for something.

[Melissa Ford]

Still worth it.

[Joe Budden]

And I couldn't tell if dude next to him was trying to help him or help the outfielder.

[Melissa Ford]

I think he's trying to help him. I think he was trying to.

[Joe Budden]

I couldn't tell on the playback.

[Melissa Ford]

That was the Garoskill.

[Joe Budden]

I couldn't tell. Couldn't tell on the playback. Anyway, prize picks is super easy and simple to play. All you have to do is select two or more players across all sports. All sports look at their projected stat line and pick more or less for your chance to win big. I have done amazing recently with Derek Henry and the likes of him. So who am I to fuck tradition up? I am going with Derrick Henry for more than 70 rushing yards.

[Melissa Ford]

Easy money.

[Joe Budden]

I'm going with Pat Mahomes for more than two passing touchdowns. Eh, he's gotta heat up at some point. And I'm going with Luka Donkic for more than 32 points and Steph Curry for more than five three pointers. I am okay. Luka's struggling, but he's gotta wake up soon too. Don't forget to use promo code JBPP. If you download the app today, you'll get $50 instantly after you play your first five dollar lineup. I repeat, download the app today and use promo code JBP and get $50 instantly after you play your first $5 lineup. So good luck to all participants out there and run your game.

[Melissa Ford]

That's right.

[Joe Budden]

It's a hot. It's a hot weekend coming up too for sports. At least for me anyway. 5 and 3.

[Ish]

You lost this week.

[Joe Budden]

Last week. Yeah, yeah, yeah, yeah, I did.

[Ish]

Aaron Rodgers.

[Joe Budden]

Reed. Jaden Reed. Jalen Reed from the Packers. Drake London put up seven points for me, my kicker. I tried to do some fancy shit. Got rid of McLaughlin from the Buccaneers. Took the Denver kicker. Denver scores a bunch of touchdowns. So the field goals count for less. One point in me to death. You have three points, four points. Yeah, if I get five more points, I win my fantasy matchup. I had enough of Reed. I shipped his ass out. Traded him to G Spin.

[Melissa Ford]

For what?

[Ish]

Who you get?

[Joe Budden]

I traded Reed and Hunt for Charbonnet and Puka. Charbonnet. I shipped right to my. Right to the waivers. Charbonnet has no place on my team but Puka. I did it.

[Melissa Ford]

Probably get a little more steady points.

[Joe Budden]

And I still got a bench. I still got Calvin Ridley on my bench. I got Josh Downs on my bench. I got Mo Stert on my bench. Like, I got a bench. Okay, I got a bench.

[Ish]

I'm not hurting.

[Joe Budden]

Yeah, I'm cool. I'm cool. Back to Halloween. Halloween was cool. I went to spirit Halloween. I got my mask. I went to the Halloween party that night. Girls love karaoke. Turns out niggas do too. Niggas love girls and niggas love karaoke.

[Parks]

There's a lot of performances.

[Joe Budden]

Street niggas love karaoke.

[Ish]

Don't you think?

[Joe Budden]

Brooklyn gangsters loved karaoke.

[Parks]

Please tell us the song.

[Joe Budden]

So I was there early. Yeah, I got notice the first time I went and it started late. So this time I came late and just walked into the abyss. To quote someone that was there, Damn. I see so many people that I was locked up with.

[Melissa Ford]

Ocean.

[Joe Budden]

Me personally, I saw so many people that I hadn't seen in about some 10 years, some 15 years. I just knew some of the faces that were there. That's another reason I felt old. I've been all over the place. I knew too many of these. I knew too many niggas in there. I was like, okay, this is different. Like, my man asked me if I wanted him to walk me to my car when I left. Like, what was that? I was wondering. I was back in those days. I said, no, no, no, I got it. I got it.

[Melissa Ford]

You felt safe.

[Joe Budden]

Well, until I walked to my car and seen the nigga in the shiesty and the gray Nike Tech.

[Ish]

Oh, man. On Halloween.

[Joe Budden]

Just standing there on Halloween.

[Ish]

You're lying.

[Joe Budden]

No.

[Ish]

You with wifey. You can't even really.

[Joe Budden]

Ugh. Don't rob me in front of wifey.

[Ish]

Yeah, no, don't lie.

[Joe Budden]

Wait till she flies home. Cause I'll be back. My dumbass.

[Ish]

No be like, yo, I spared you. Yo, give me that bracelet next time I see you.

[Joe Budden]

Yeah, yeah. But it was a good time in it.

[Melissa Ford]

I owe you on the robbery.

[Ish]

Spared you.

[Joe Budden]

It was still a good time in there. Just the ratio was a little different than we're used to it being. Hopefully they'll get back to their normal vibe. But it was good seeing everybody. Fucking Mayno Fav. Fucking. Who else was there? Slow. There's a few niggas in there. A few niggas in there. Good times. Good times. A lot of the women were dressed provocatively, of course.

[Melissa Ford]

I wonder if it's still going to be carrying over to this weekend.

[Parks]

Halloween?

[Ish]

Yeah, it was last weekend. You think they're going to do it this weekend?

[Melissa Ford]

They might do it again.

[Joe Budden]

Do what?

[Ish]

Not mad at it if they do.

[Melissa Ford]

I know there's some Halloween parties this weekend.

[Ish]

You could do it next weekend. I don't care.

[Melissa Ford]

Every weekend.

[Joe Budden]

No, you can't do that. You can't throw Halloween parties after Halloween, fam.

[Melissa Ford]

I think it's happening.

[Joe Budden]

Y'all gonna look stupid.

[Ish]

Halloween fell on a Thursday.

[Parks]

Yeah.

[Joe Budden]

Yes. It's over.

[Parks]

And people were out.

[Ish]

Friday, niggas. Is outside. You caught the bridge and tunnel crowd didn't really get it off on Thursday. You're bugging. They getting their shit off?

[Joe Budden]

Well, yeah, they did because there was no public school in New Jersey or New York on Friday. Or New York Friday. They got it off.

[Ish]

Wait, what?

[Joe Budden]

There was. There's no school. You'll do it at school. Yeah, there's no public school. Yesterday they got money.

[Ish]

It was the 22nd. They getting it off again.

[Joe Budden]

Oh, your daughter got a special school in. But anyway.

[Ish]

Anyway.

[Joe Budden]

I don't think that you could do that. I don't think you could throw a Halloween party after Halloween. It's November now.

[Melissa Ford]

Thanksgiving.

[Joe Budden]

It's Thanksgiving time.

[Melissa Ford]

Although most people are skipping, right?

[Joe Budden]

Yeah.

[Ish]

Christmas tree is going up. You know what happens on Thanksgiving? The food tastes better the day after. Nah, I ain't the same with Halloween. Shorty outside.

[Joe Budden]

Correlation.

[Ish]

You want to say shorty outside the night?

[Melissa Ford]

No, it's going to be.

[Ish]

But I'm not mad at it. Let me be clear. Please go outside in your scantily clad outfits. Take plenty pictures, Upload them to your Instagram.

[Melissa Ford]

That's true.

[Ish]

So that we can look at them. So they can hit the Explore page. Exactly. And I can critique your outfit. I'm not gonna critique you. No, I wanna see how much detail you get. Yeah, yeah. You know what I mean?

[Joe Budden]

Yeah.

[Ish]

Commit to it.

[Joe Budden]

Campbell's soup is putting out candles that smell like Thanksgiving food.

[Parks]

Oh, that sounds nasty.

[Melissa Ford]

Some stuffing.

[Joe Budden]

That's what my girl said until I started reading something.

[Ish]

It depend on the food.

[Parks]

Like a gravy scented candle. That sounds nasty.

[Ish]

I got that turkey.

[Joe Budden]

You think black. Black.

[Parks]

Stop it right now. Stop it right now.

[Ish]

Yo, cinnamon yams might not be that bad.

[Parks]

Okay, that's fine. Because there's cinnamon candles, pumpkin pie candle.

[Joe Budden]

You ever had yams?

[Parks]

Okay.

[Joe Budden]

For real?

[Ish]

Yes, I did.

[Joe Budden]

Yes I did.

[Parks]

Last year at Sweet Potatoes Yams.

[Ish]

Yes.

[Parks]

Last year. The pods giving that you missed.

[Ish]

Yes.

[Parks]

We had lovely yams here. Lots and lots of yams.

[Joe Budden]

He did miss it. That's true, he did.

[Ish]

He missed it.

[Joe Budden]

He was at Malcolm on Ice or some.

[Ish]

That's funny, son.

[Parks]

Are you coming to Podsgiving this year?

[Ish]

Probably.

[Parks]

Okay, just checking.

[Joe Budden]

No, he's not.

[Parks]

Yeah, he'll with us.

[Ish]

At all.

[Melissa Ford]

Are we doing Podsgiving the day after Thanksgiving?

[Parks]

Day after.

[Melissa Ford]

Day before.

[Joe Budden]

Damn. Day after. It's a Friday.

[Melissa Ford]

Oh, so we can turn up. Yeah.

[Joe Budden]

The day after the Friday. Yeah, yeah. I gotta. I gotta. I gotta. I gotta pick a chef now. We're dwindling down. That's true. I know. And I gotta do something for my girl. Birthday. Oh, I hate November. I hate it. Why can't the love just be enough?

[Ish]

Christmas next month.

[Joe Budden]

I could skip that.

[Ish]

You can skip Christmas with your girl?

[Melissa Ford]

I could do a lot of things.

[Joe Budden]

If you go crazy on the birthday, Christmas could really be like a card. Well, it gotta be a card anyway.

[Ish]

You go crazy on a birthday, Christmas could be.

[Joe Budden]

What?

[Melissa Ford]

Crazy.

[Ish]

You can go light. What the fuck you talking about?

[Joe Budden]

Or you can go light on the birthday and go happy on a Christmas.

[Ish]

Okay, what type of weights you lift? What weights you lifting?

[Joe Budden]

Five pounds, I bet. Five pound dumbbells. Real life. Okay, Something real life.

[Ish]

Five pounds of gold.

[Joe Budden]

You think you talking to all that? All that spending money on tangible material. So surface level, it's over.

[Melissa Ford]

Started now.

[Joe Budden]

No, it's over there.

[Ish]

When it stopped.

[Joe Budden]

Huh?

[Ish]

When did stop?

[Joe Budden]

When did it stop?

[Ish]

Said it's over. I want to know when the game was over. When was the fourth quarter? When the clock is zero.

[Joe Budden]

The state of the economy been up for a minute. Yeah, but it's getting upper.

[Ish]

It is getting up, but you're in a different state.

[Joe Budden]

Yeah, but you just gotta be. You just gotta be wise. No, it's up for me too. I know, it's fucked up for me too.

[Ish]

I know.

[Joe Budden]

Like, I don't want to get on the pod and misrepresent myself. It's tough.

[Ish]

I swear to God. So you're not going to answer the.

[Joe Budden]

Question though, about when? Yeah, I think just as the economy just started to go right back to the economy.

[Ish]

Economy been fucked up for four years. All right, bro, you got it.

[Joe Budden]

And on top of that, right, like just with this window that black women have been thriving in professionally, like now ain't the time for some nigga to come along and fucking try to control.

[Ish]

Be a misogynist, controlling narcissist.

[Joe Budden]

Like, we want to support the liberation, right, and the independence.

[Ish]

All women don't stand for that. You know that, right?

[Joe Budden]

That's going on. I think mine do.

[Ish]

I think she did double check with her.

[Parks]

You know, I honestly, I think that even the most staunch feminist is okay with a birthday gift. I think so. I think so. I don't know though.

[Joe Budden]

It's never in question. It's just about like, what's the gift? Yeah, I mean, she.

[Parks]

I feel like she's kind of made it clear what she wants for her birthday. And we all know.

[Ish]

We do.

[Parks]

Yeah, we talked about it up here.

[Ish]

You know what you want.

[Parks]

I mean, unless.

[Melissa Ford]

Love and affection.

[Parks]

Oh, personally, she Gets that regularly, though.

[Melissa Ford]

Admiration.

[Parks]

They are in love.

[Ish]

Appreciation.

[Joe Budden]

Appreciation.

[Melissa Ford]

All the A words, all the shunts need.

[Joe Budden]

All of this. All of it. When y'all girl's birthday? Who's the next girl birthday up? You Virgo. So no. How about yours?

[Ish]

My girl birthday. Pass.

[Joe Budden]

When.

[Ish]

When was my girl birthday? The end of July.

[Parks]

Okay.

[Joe Budden]

Y'all got it made like special Ed. Boy. Summertime birthdays.

[Ish]

Wow.

[Melissa Ford]

Spring.

[Joe Budden]

I just told you. Summertime birthdays not close to Christmas or Valentine's Day or any of that.

[Melissa Ford]

Mine's not too far from Valentine's Day.

[Joe Budden]

When is it?

[Melissa Ford]

April.

[Joe Budden]

It's. Man, far.

[Ish]

That's far enough.

[Joe Budden]

Far enough.

[Ish]

That's far enough.

[Melissa Ford]

It comes. It feels pretty quick.

[Joe Budden]

Not when she been paying rent all year.

[Ish]

Took you half time 12. I'm gonna get you something nice.

[Joe Budden]

Girl don't feel quick at all. If that's the case, get you something real nice. Oh, man. All right, what else? What else we got? Y'all want to talk about new music? New music? New music I ain't heard, so don't ask me. And I don't know if I'm listening to nothing. I'm listening to Gibbs.

[Melissa Ford]

Gibbs drop.

[Joe Budden]

I'm listen. Drop two who?

[Melissa Ford]

Westside Gun. Drop the ep.

[Ish]

Listen to.

[Joe Budden]

I'mma listen to that. I already heard Bank. Bank was fired.

[Melissa Ford]

I skimmed through banks. I'm gonna listen to it more in.

[Joe Budden]

Depth this weekend, but I ain't committing to listening to all you. All that Uzi. Sorry, buddy. I'm not checking it.

[Melissa Ford]

I need someone to tell me that's amazing.

[Joe Budden]

Music dropped and it was quiet for. Why didn't we know Uzi was dropping?

[Ish]

No, no. I mean, he was teasing that it was coming soon, but there wasn't a date.

[Melissa Ford]

It's okay to say rolled.

[Joe Budden]

I'm cool.

[Ish]

He didn't put a date out.

[Melissa Ford]

Yeah, but.

[Ish]

Yeah, we could be old. I'm fine with that. You know, I love. I love being old.

[Melissa Ford]

I'm a lead on that one.

[Joe Budden]

All right, so who came out? Gibbs came out.

[Ish]

Big Moochie came out.

[Joe Budden]

All right, so we'll start there, break.

[Melissa Ford]

It down track by track. How was the mixing? Who produced?

[Ish]

No, you just listened who came out.

[Joe Budden]

But go ahead. Go ahead with what? What are you talking about?

[Ish]

No, I'm saying that that's another one that came out. That's true. We said Banks, but we all heard Banks early Gibbs. I didn't get a chance to listen to him. Tyler ruined it for me.

[Joe Budden]

What do you mean?

[Ish]

Drop it on a Monday and allowing me not to have to Rush to try to listen to music and then come in here and talk about it. That felt great.

[Joe Budden]

It should go back to that.

[Ish]

And now with these albums dropping while.

[Joe Budden]

I'm busy at 12 o'clock in the morning.

[Ish]

I woke up this morning and was like, oh, shit, this dropped. I came in here. Oh, damn. Even more shit dropped that I didn't know about. I'm just not in a hurry to wake up first thing in the morning on a Friday, try to cram as much music as I can to get in here and talk about it.

[Melissa Ford]

Give a half assed review.

[Ish]

Yeah, I'm just not doing it no more. When I come across something that I think is fire, whether it be a week, couple days, whatever, down the line, I will let y'all know and that will be when I give my review on albums going forward. I'm tired of rushing just so we could talk about something. That shit whacked me now.

[Joe Budden]

I agree. I could agree more.

[Melissa Ford]

Yeah.

[Joe Budden]

But shout to you niggas for sneaking out album.

[Ish]

Congrats.

[Melissa Ford]

Congrats, everybody.

[Ish]

And yo, that might go to what you were saying.

[Joe Budden]

Where?

[Ish]

Ain't putting no money behind nobody no more. So I'm saying even that could be why we didn't know Uzi was coming out. Ain't no promotion money going behind nothing no more. So now, all right, yeah, you got a date. You drop your album, let them find it, and whatever happens happens. But we not invested no money enough. And that is Atlantic.

[Melissa Ford]

Yeah. Especially I'm sure, with people that they feel like are established and are going to do what they do anyway.

[Ish]

They're going to do what they do.

[Melissa Ford]

Yeah.

[Joe Budden]

I want to hit the round of applause for Tyler for his projection.

[Melissa Ford]

It's like 253 or some shit like that.

[Joe Budden]

Yeah. Yeah. Sheesh. Wow.

[Ish]

I thought it was more than that.

[Joe Budden]

No, that shit just kept going up.

[Melissa Ford]

That's a lot.

[Ish]

That's on a short week.

[Melissa Ford]

Yeah.

[Joe Budden]

250 in four days is nuts. That is absolutely ridiculous. A testament to his work ethic through the years and just staying true to your core. Like, he don't try to play to anybody outside of his core. And it's worked. You've just seen gradual improvement from him in terms of sales. And now he's there.

[Melissa Ford]

And it was great rollout, albeit short. Like the visuals, everything looked the same. Looked like it made sense. It looks like there's a little story behind it. It was fly.

[Ish]

That shit works everywhere with him. Whether it be the festival, you know what I'm saying? The festival will go and sell out now. Like he is. Just. He's gotten to that point where he's curated his fan base to support him in whatever he does. They had the TV show, that shit was working. Just whatever he put out, he got his people willing to spin for it now.

[Joe Budden]

And don't listen to this part and get the lying on me, dawgs. I never said Tyler, the creator is a better rapper than J. Cole. Y'all niggas just be rushing to say I said some shit. No, nigga, say you said it. I never said that, bitch. They pissed me off lying on me all through the week. And I gotta wait a few days to come in here and correct myself. Fuck y'all.

[Ish]

Damn, that's fucked up.

[Joe Budden]

That was Parks that said Tyler had a better discog.

[Melissa Ford]

I probably did. I said.

[Ish]

I started and he said he. Yeah, I said every category outside of the features, which is what separated. That's what took Cole on his just rocket ship, the feature run. But everything else, Tyler is either right there with him or maybe a notch above or below.

[Melissa Ford]

Cole's got better singles rapping. Cole's got better singles.

[Ish]

Yeah, for sure.

[Joe Budden]

He does Tyler and Fish.

[Ish]

He does rap.

[Joe Budden]

What?

[Ish]

You said rapping. I said the feature run is what did that. What separated them in rap. That's what separated. Because it showed that Cole is more versatile. I can rap great on everything.

[Joe Budden]

Where Tyler Cole raps a lot better than Tyler.

[Ish]

J. Cole can rap rap.

[Joe Budden]

J. Cole raps a lot better than Tyler. I ain't no disrespect.

[Ish]

It's not even close. I'm saying it.

[Joe Budden]

This fucking cool hip hop circle. Odd future cool. We love Tyler. That's awesome. He can't rap with Jermaine Cole.

[Ish]

He can't. I would love to see it. He cannot. I would love to see it. There's very few people that can rap with that boy.

[Melissa Ford]

J. Cole's the best rapper of his generation.

[Ish]

Yeah. Like that boy. I'm at it. I would love to see them.

[Melissa Ford]

But Tyler does make great albums. I stand by that.

[Joe Budden]

Tyler would getting that verses and. And panic.

[Ish]

Well, we ain't saying nothing about no verses.

[Joe Budden]

I'm just saying, any metric you want.

[Ish]

We never put them in a conversation in the verses.

[Joe Budden]

Okay, okay.

[Ish]

I'm just checking. We're talking about one that makes. That can make commercial hit records and one that does not. So. And that's what a versus is for. That would not work well at all.

[Joe Budden]

Okay.

[Ish]

Okay.

[Joe Budden]

Congrats to Tyler. Yeah. Phenomenal feat. Phenomenal feat. Gibbs and the rest of you niggas. I'll listen to it this weekend.

[Ish]

I'm getting to it for sure.

[Joe Budden]

I'll listen to it this weekend. I'll be back next week with my review of. Of things. I'm hearing really great things about that Gibbs project.

[Melissa Ford]

It sounded good for what I heard. Sounded good. Sounded mixtape a little bit good. In a good way.

[Joe Budden]

Good. I don't know if we bigged up Glorilla enough for her numbers. Then. Something funny was going on with Meg's numbers. I'm not the guy to report on that because, you know, bias.

[Melissa Ford]

Yeah, I heard eight, but then I saw 20. I don't know what the fuck is going on because it was also the deluxe thing. So I don't know if the old numbers count. I don't know what.

[Joe Budden]

Yeah, I don't know what's going on either. Was projected at 8, then the projection changed and it was over 40.

[Melissa Ford]

Oh, 40. Yeah. Okay.

[Ish]

I don't care about none of that number.

[Melissa Ford]

Me either.

[Ish]

I'm saying every time the num. The topic of numbers come up. Yes. Even with the Tyler thing. That's amazing. Just because nobody's really doing that. So we do want to shout certain things out. But your numbers don't determine anything.

[Melissa Ford]

I like big. Give a. I like bigging up great numbers. I don't like shitting on bad numbers. Shitting on someone for getting bad numbers. Like, that's not necessarily.

[Ish]

It's just not as. It's just not a metric for me to determine if your music is good.

[Joe Budden]

Numbers do matter to me. The numbers do matter. They don't matter in terms of deciding what music is good or not. I agree with that. Yeah. But the numbers to me act as the fucking barometer. The stock. The stock report. I big up. Tyler.

[Ish]

That's whack.

[Joe Budden]

Because I don't think so. Because it's not an artist thing. When we start talking numbers, for me, we're not talking artistry anymore.

[Ish]

Wait, when you say the numbers act as a stock report, you talking about. So that particular artist, their stock is based on the number? Or you just saying in general.

[Joe Budden]

Can be. But if the numbers can be manipulated.

[Ish]

And it's bullshit, then how do we. That's what I was saying. That's why I say that's why.

[Joe Budden]

But the numbers tell you that too. And I want the numbers to tell me. It's like when everybody was raving about whatever that Travis Scott first week number was, and then that second week number came. Like, I like that. Investigative. They weren't telling you anything. But that tells you something.

[Melissa Ford]

Even if they push the button, that tells you something.

[Joe Budden]

Yeah, that's what I'm saying. Like, even with Meg. Right. Like, for me, I see the play on the blackboard, but the numbers is gonna tell what is and what's not or why aren't they being manipulated? Right. Like, if we putting you on everything smoking, if we tagging you to host the awards, we getting you to commercials, we doing this, we putting you everywhere feasible. Somebody that spent some or has something to do with this, want to see a number come back. At the end of the day, it tells a story.

[Ish]

But if they don't come back now, what story does it tell? When you have big Boy branding, Big Boy marketing, all of these looks and then your numbers don't come back, what does it say?

[Joe Budden]

It tells you that whoever is on your team is not looking for their payday. From the music aspect of what's going.

[Ish]

On, they'll take it from.

[Melissa Ford]

There's a bunch of different. There's a lot of different storylines that come out of that.

[Ish]

No, I was asking. I didn't know.

[Melissa Ford]

I'll say that your marketing shit doesn't work. It's not impactful. It could be we don't care about music. It could be There's a million different things that numbers could say.

[Joe Budden]

Yeah, I agree with that. But numbers are not. They don't. They're not a reflection of artistry, quality of music and quality music.

[Ish]

And that's where I get pissed off.

[Joe Budden]

I'm celebrating Tyler because we've seen it from A to Z.

[Ish]

Yes.

[Joe Budden]

So you have to sell. You have to celebrate those numbers. We have a good idea and we've seen enough to know that ain't a whole bunch of bundle tricks and label games. This is somebody working a fan base and growing it to where it is today. Same with Glorilla.

[Ish]

It's a lot of vinyl. It's a lot of vinyl selling there.

[Melissa Ford]

That's amazing.

[Ish]

But, yeah, to me, that's even better. Which solidifies it. Yeah, they actually went out to purchase. He had the. But again, preparation. Had the vinyls ready to go when the album dropped. Like. Yeah, these shipped out right away. A lot of these acts album drop Friday. And if you. If you prepaid or whatever to get the vinyl, you're not going to get your vinyl for a month.

[Melissa Ford]

A lot of that is drop prep.

[Ish]

Yeah, yeah.

[Joe Budden]

They.

[Melissa Ford]

They haven't pressed single.

[Ish]

They haven't done anything yet. They calculate all the orders and then they're ordering.

[Melissa Ford]

Basically shipped to order vinyl's expensive.

[Ish]

Yeah. I was about to say. Yeah, you gotta be a top tier artist to really do that.

[Melissa Ford]

Well, not even that. You just don't want to make more than you're gonna sell. Like, you don't have to be. There's plenty of independent artists that do it and probably aren't selling but a couple hundred pieces and have them ready for.

[Joe Budden]

Yeah. Buy them. You can't make the order. Yeah, you gotta order. Yeah. So now that's on you. How much you gonna get sold? Or else you'll be sitting with.

[Ish]

That's what I'm saying.

[Joe Budden]

Whatever you order.

[Ish]

So to Ice's point, when they have them pre order and you get a quote unquote idea of where your first week numbers are, then you can now hit the manufacturer and say, press this many.

[Melissa Ford]

Yeah, but it takes a while to get violent.

[Ish]

Yeah, but now it takes a minute. You said it take a moment. Yeah, it takes a minute.

[Joe Budden]

That's what takes longer than. Yeah.

[Melissa Ford]

Depending on your situation. Yeah.

[Ish]

Okay.

[Joe Budden]

Glorilla numbers more of the same. This is a new act. There ain't nobody back there pushing a whole bunch of trick buttons to see what happens with her. She just organically did it. And the label and her people were waiting to see the numbers, too, to measure her impact. And it got measured. It got measured. In some cases, the numbers help you to celebrate what you need to celebrate with artists. That's all I'm saying. Go Tyler.

[Melissa Ford]

Yeah.

[Ish]

Yeah.

[Joe Budden]

I love. Now I want to know if Tyler thinks he raps better than J. Cole. I think he thinks that.

[Ish]

I think you think he does.

[Joe Budden]

And I am all for any rapper thinking that every rapper should think they're.

[Melissa Ford]

The best rapper in the world. What's a koi rapper?

[Joe Budden]

Yeah, it's true.

[Ish]

No, I'm nice but shy rapper. They all nicer than me, though. I'm cool.

[Joe Budden]

But if I get on the track with what that's true, Yo. I never, ever want to hear a rapper acknowledge another rapper is better than them ever. Even if it's true.

[Melissa Ford]

Even if it's painfully obvious.

[Joe Budden]

Yeah. I don't want to hear that.

[Ish]

You're supposed to believe you the best at whatever the you do.

[Joe Budden]

Why you made a base.

[Ish]

I disagree.

[Melissa Ford]

But modest rapper Shaw brother right here.

[Ish]

Nah, I just think that you can acknowledge that somebody's greater than you and that's your inspiration to be better at what you're doing. Like, if I hoop and I know that Steph Curry is better than me, I'm not gonna come out here and be like, yo, I'm better than Steph and think that that's some macho shit. No, Steph Curry's better than me. It leaves room for growth and improvement in what I'm doing.

[Melissa Ford]

That's a little different.

[Ish]

Yeah, but that's different.

[Joe Budden]

Yeah.

[Ish]

I was gonna say, even in rapping, if I looked at. If I was a rapper and I looked at Jay Z or I looked at Coogee Rap or I looked at some other niggas that I know are better than me, it just leaves room for improvement.

[Parks]

I mean, you can admit it to yourself, but you're not gonna publicly admit it. Because part of being a rapper is to have, like, bravado.

[Joe Budden]

Who you think make a better house than you? A lot of niggas, but who?

[Ish]

Caesar Toll Brothers?

[Joe Budden]

A lot of people just shout them out.

[Ish]

No, I'm just saying K Hovnanian has a nice product. The Davies. Davies just be on some cheap shit.

[Parks]

He's naming massive developers and shit like that.

[Ish]

The Davies can't really. I feel like I was about to say some African.

[Joe Budden]

I feel like he contradicted his point.

[Ish]

No, I was about to say some African shit, but I get busy.

[Joe Budden]

We got it, brother. See, the same way you said that, or. Rappers don't want to talk with that tone. Rappers don't want to talk.

[Ish]

No, because I don't just be up. I want to be up here on no arrogant shit. Yeah, I'm cool. But why?

[Joe Budden]

If you arrogant?

[Ish]

I'm not ish. That's the point. You be trying to tell.

[Joe Budden]

And they don't like me for it, too. All right? So I'm shutting down because I don't want to push a false narrative. The rest of y'all, hold on, hold on. What's the.

[Ish]

What's the Davies? That's what you said.

[Joe Budden]

The Davies.

[Melissa Ford]

Davies.

[Ish]

If you were. Whatever level that they're on, like, in terms of the amount of buildings, whatever they had, if you was on that level and he said that, what would you say if he brought that same name up? If he brought up. Cause that's what I brought up.

[Joe Budden]

The Davies.

[Ish]

Well, I'm just saying that's what we're talking about. Like, when you mentioned Tyler and J. Cole, Tyler's doing them same numbers. So I'm in that conversation with y'all. It's not even.

[Joe Budden]

Like.

[Ish]

I know you told me this. The Davies. They've built damn near all of this. You, with respect, haven't built all of this. I. Yeah. So I'm saying if you did something similar. I was about I was about to say my work better than this. There you go. Talk your.

[Joe Budden]

Now you talk. And Akon just do a list. Now. Once you start dissing one, you just gotta get better than. And the Toll brothers. Yeah, what's up? Ain't even no toll no more. We just driving over the bridge. They didn't pay no toll.

[Ish]

The Toll brothers.

[Melissa Ford]

Fuck out here.

[Ish]

The babies, the babies, the babies. This guy's a fool.

[Joe Budden]

Okay. Also, my last thing on my Gangsters Love Halloween party that I went to. Let me tell y'all this about an RB party. I'm gonna. If Johnny Gill My, my, my comes on and you niggas don't start singing, y'all should get the fuck out or I'm getting the fuck out. Somebody got you. Niggas are murderers.

[Ish]

I was last.

[Joe Budden]

Yo.

[Ish]

But the murderers acknowledged the red dress.

[Parks]

That's right. That is a fact, dog.

[Joe Budden]

I was singing My, my, my and there were men that were not. Not even a head nod.

[Parks]

That's a correct.

[Joe Budden]

Almost like Mel when anti up comes on.

[Ish]

I got two questions about the party. One, did any of the murderers actually perform?

[Joe Budden]

That's the other thing about gangsters loving karaoke. Them niggas gonna grab the mic and not sound like the song.

[Ish]

Well, that's karaoke.

[Joe Budden]

No, it's different.

[Melissa Ford]

It's different.

[Joe Budden]

No, no, no, no.

[Parks]

And what's their choice of songs?

[Joe Budden]

May know should have been arrested for what he did on that microphone.

[Melissa Ford]

What'd he say?

[Joe Budden]

I wasn't trying to record. It was confessions or some shit.

[Ish]

I thought it was dope.

[Joe Budden]

Like some that we know.

[Ish]

Wasn't it a duet?

[Joe Budden]

It was something that. We know the tune. We know the key that that song is supposed to be in. And May know, man. May know is my man.

[Ish]

I thought it was fly.

[Joe Budden]

Don't do that again, yo.

[Ish]

Nah, I thought it was fly.

[Joe Budden]

Right after my, my, my I'm singing away. Freddie Jackson. Come on. I'm looking around at these nigga. Come on, y'all. Y'all rock me tonight for old times. Say all these niggas just cocking back.

[Ish]

I'm gonna rock that nigga when I get out of here, son.

[Joe Budden]

Yo, all these niggas in there just looking at the ops and victims and dogs on. Yo, enjoy yourself.

[Ish]

You stupid. Would you? My second question. Did anybody do Fantasia when I see you?

[Joe Budden]

Everybody did.

[Ish]

All right, cool.

[Joe Budden]

They played that before got started, but then the whole building thing. But that's one of them songs that gangsters respect.

[Ish]

That's what I was gonna ask you. How did they respond to that record as long as.

[Joe Budden]

Oh, no, they sung that.

[Ish]

Okay, cool.

[Joe Budden]

They sung that.

[Ish]

If they ain't singing that, you gotta leave. You have to leave. If you in there with the gangster.

[Joe Budden]

That'S a new generation sing. My, my. When Johnny Gillard might not know that.

[Ish]

It's a couple records. Can we talk? Come on. And ain't singing that. I have to get out of here. True.

[Joe Budden]

Yeah.

[Ish]

That's the point.

[Joe Budden]

If. Can we talk? Come on. And they not singing. Someone is getting shot after.

[Ish]

No, I'm leaving. No, they already lining them up. Word. That's what happened.

[Melissa Ford]

Ah, didn't see that coming.

[Joe Budden]

Or I'm ready for that matter. It is a few songs.

[Ish]

It's a couple songs.

[Joe Budden]

And lucky I was DJing, I'd have had a blast with you, gangsta nigga. Secret Gardens coming on now. Be. Be James Ingram. Come on, Be tough and James Ingram at the same time. Is you talking about good times? Good times.

[Ish]

Secret Garden is coming off of this.

[Joe Budden]

Yeah. Come on. Bush your gat and here in the garden. Beat the bars.

[Ish]

Yo.

[Joe Budden]

All right, what else? What else is there? Drake put out a video for no Face. I have no comment on it. What say y'all?

[Melissa Ford]

I didn't see it.

[Ish]

I didn't see it.

[Joe Budden]

My podcasting days is coming to an end, if y'all haven't noticed, too. I don't have nothing to say about none of this. I don't care about it. I don't give a flying.

[Ish]

Did you see the video?

[Joe Budden]

No, I didn't see that video.

[Ish]

I watched it. I saw it. Well, one, I like the song, so I like the song I wanted.

[Joe Budden]

That's the only song I purchased from the pack.

[Ish]

Yeah, I like. I like that song. So I was like, all right, let me see what he do. I didn't understand the driving through the mall shit, but okay. I mean, whatever.

[Joe Budden]

They're gonna kill somebody in the mall.

[Ish]

No, it's a flex.

[Joe Budden]

Oh, okay.

[Ish]

But I didn't get it. But other than that, I mean, it was cool. For the theme of the song.

[Joe Budden]

You can't even shop if you driving through the mall.

[Ish]

I'm driving.

[Joe Budden]

What?

[Ish]

You said it was an Escalade. It was.

[Joe Budden]

Whatever it is. I got to run a Lula. Gotta find parking.

[Ish]

No, nigga, I'm a parking right of Lululemon. And jump out and get in. Put my bags in and keep it pushing the Lou.

[Joe Budden]

You're going to jail.

[Ish]

Not if I'm drinking.

[Joe Budden]

Try to park in front of Lul if you want, but anyway, Anyway.

[Ish]

But, yeah, I wasn't mad. That was funny. I wasn't mad at the video. It was short. But again, I. With the song. So if I like the song and. And you don't fuck up the video, which they didn't do. It was just some. It was tough Mafia boss Drake type shit. I got a whole bunch of niggas with me. They all. We waving an OVO flag and they all got on OVO shirts and, you know, just talking tough on the record. Gotcha. Not mad at it, though. I mean, it's. It tracks.

[Melissa Ford]

Congrats.

[Joe Budden]

I like the song. You're not watching the video. I don't like Mob Drake. Y'all heard me. Y'all heard that from me already, so nothing new there for me.

[Ish]

So you seen them stupid niggas put me with the OVO niggas behind me on the shirt. That shit was funny.

[Joe Budden]

I ain't gonna lie. October's very own.

[Ish]

That shit was hilarious.

[Joe Budden]

Yeah, and you look like him. You did. I'm not trying to be. Y'all gonna make him shoot at me for the rest of the bar. And I don't want to get shot at.

[Ish]

No, you want him to shoot.

[Joe Budden]

I do not want him.

[Ish]

You've been shooting at him.

[Joe Budden]

Yeah, but I don't want him to shoot it back at me. Yeah, I'm just using for entertainment purposes. I love him.

[Ish]

What I'm shooting for.

[Joe Budden]

You mean some of that you ain't trying insane. This so stupid. You trying to hurt me. Yo, this guy's a idiot. That was a cool poster.

[Ish]

No, was funny.

[Joe Budden]

That's what you got for it.

[Ish]

I laughed.

[Joe Budden]

I laughed. Y'all seen Drake's new chain? I got a question about it, but I can't ask. Cause, you know, bias.

[Ish]

It was a gift, so he didn't purchase it himself. I'm trying to find a way to shoot that.

[Parks]

Do we know who the gift was from?

[Ish]

Yeah, the comedian dude, Ben something. I forget his name.

[Joe Budden]

Ben Da Dawn.

[Ish]

Ben Da Dawn.

[Joe Budden]

Ben Nadone. Yeah. Yeah.

[Ish]

What's the significance of the drum? Yeah, I'm trying to find it. What is it?

[Parks]

Oh, I did see it.

[Ish]

Yeah, it has. It's multicolored.

[Joe Budden]

Mute up during a Drake topic like you normally do.

[Parks]

Shut up. I don't. But. Okay.

[Ish]

And it had some words on it, said like, it's given bad friend or something like that.

[Melissa Ford]

Okay.

[Ish]

It's pink, blue and yellow with a bunch of white diamonds in it.

[Joe Budden]

Look at me. Just read. Y'all don't stop looking at me. No, you said you had eight down. It says it's given. It says all the gay and his.

[Ish]

Beads in his beads.

[Joe Budden]

It's multi, which some people say means something.

[Melissa Ford]

Salute.

[Ish]

Salute. Man, I. You know, friends by friends. Chains. I don't fucking know, bro. That shit's weird to me. I don't know. I don't want a chain with the. With the baddie lingo on it.

[Melissa Ford]

Congrats.

[Ish]

So. I don't fucking know. I don't fucking know, bro.

[Joe Budden]

That shit is set full of pussies if I am. But all right. What would y'all say about me if I got a chain to say? 8 down would be.

[Melissa Ford]

I'll make fun of you for the rest.

[Ish]

I will call you a bird. What does eight lock down mean?

[Joe Budden]

It means something.

[Parks]

Glad you asked.

[Joe Budden]

That down too real eater.

[Parks]

Gobble gobble.

[Ish]

Come on. Yo.

[Joe Budden]

I think that's what it means. What say y'all?

[Melissa Ford]

I just thought it meant someone lost a couple toes or something.

[Ish]

No, eight toes. That.

[Joe Budden]

Mean dude got the fire mouth.

[Ish]

Got that weddy.

[Joe Budden]

He ate. Yo. He ate the whole gat.

[Ish]

Yo, we gotta grow up.

[Joe Budden]

Come on.

[Ish]

We have to grow up.

[Joe Budden]

Cuz, how you compliment a. That got the fire mouth. How do you even do it?

[Ish]

Yo, you ain't.

[Joe Budden]

That's what I'm saying. Yo you. Oh, bro. Yo. Yo, dog. Yo, gang. Damn, boy.

[Ish]

N. You did that.

[Joe Budden]

Oh shit. You did that. Oh shit, gang. That's fire. Who knew you did your big one. Oh, man, y'all gross. Oh my God. So I was getting a haircut the other day and Darren came in. Shout out to Darren. Darren's my man that gave me my chicken dip recipe. Many years ago. Fireman retired. Was struggling with retirement and having too much time on his hands. And then I don't know what happened. When I seen him the other day he came in. Oh shit. Darren. So what the hell you been up to, man? How's retirement now? And he says, well, I picked up some part time jobs here and there, but now I'm hanging out at the Moose.

[Melissa Ford]

Ah, lodge. Yeah, coming. Part of lodge gang life.

[Joe Budden]

Okay.

[Melissa Ford]

I got some friends that do the lodges. The various lodges.

[Joe Budden]

Let's have a talk. Slow down.

[Melissa Ford]

Let's do it.

[Joe Budden]

I knew moose to mean something different.

[Ish]

Please tell me what you knew to mean. Cause I don't know what it means at all.

[Joe Budden]

A fat pussy, big shit. I thought it was the large joint that's the shit when she doing the jumping jacks. But it vacuumed the spandex in it. Fur burger. This nigga said a Fur burger, yo.

[Ish]

You need to be quarantined or something.

[Joe Budden]

Yo, what the fuck is wrong with you? So then he's like, no, this is the. This is a club. It's a club for older men where we hang.

[Parks]

Mm.

[Joe Budden]

And I was like, yo, man, you still making those burgers? Cause he get busy on the grill. And he was like, yo, if you come by the Moose, if you come by the Moose, I'll make you a burger. On such and such day, I'm giving out burgers. I now the chicken dip. I now put them in empanadas. Oh, shit. And if you come by the Moose, we can get it going. My barber says, you don't want to go by the Moose. It's some old head shit. Some old nigga shit. It's some old man. Really old man wash, right?

[Melissa Ford]

There's also Elks, but, yeah, Elks is the elves. All the big beer.

[Joe Budden]

I know Elks, but I didn't know there was a Moose.

[Ish]

Yeah, yeah, I know.

[Joe Budden]

So I'm like, dog, I love Darren's burgers, and I love the chicken dip. I'm going. I'm going in the Moose on this day to get the food.

[Melissa Ford]

Heard some good things about that.

[Joe Budden]

I said, man, what else y'all be doing up there? He said, well, on Thursday nights, watch the game. We play spades.

[Ish]

Spades and dominoes. No, it's coming.

[Joe Budden]

I said, excuse me.

[Ish]

Like, nigga disrespected you.

[Joe Budden]

I've been running around here, and these.

[Ish]

Old heads be nice.

[Joe Budden]

Niggas won't even play me and my dad no more, struggling to get a game. And y'all right there at the Moose, playing like I don't live nearby.

[Ish]

Disrespectful.

[Joe Budden]

And then it hit me. Holy. All the they saying they do at the old spot. What the fuck is ho is this talking about? Sorry, Barber. Spades and chicken dip. Empanadas with the game with some fellas.

[Ish]

And some real burgers.

[Melissa Ford]

Might play some pool or something.

[Joe Budden]

It sound like that's where go to get y'all.

[Melissa Ford]

For sure.

[Joe Budden]

It sound like this is where go to get away from their wife. Yeah, like they kick it. Yeah, yeah, yeah, dog, I've been looking for this place.

[Melissa Ford]

Yeah, they've been there.

[Joe Budden]

It's a long story. Less long.

[Ish]

You join.

[Parks]

You join the club.

[Joe Budden]

I'm going to the Moose.

[Ish]

They're going to clean them up good, too.

[Melissa Ford]

You get the little drink tokens and with the. You know, man, what? Yeah, when someone buys you a drink.

[Joe Budden]

They give you a little token Here I go. My crackhead ass. Y'all play spades for free, or y'all do a little bit of. A little bit of like, yeah, man, we just play for free. It's a good time. It's like, oh, yeah, that's right. Old niggas. Yeah, that's right.

[Melissa Ford]

I'm sure you could probably drill.

[Ish]

They can make it interesting. These niggas be nice. That's how they do it. A lot of niggas will play ace down and shit like that. Man, them niggas hustling you. They nice. We play for free. You come in here, I mean, we.

[Joe Budden]

Can put a little wager on it, make it a little interesting, you know?

[Ish]

Make a light on yourself, Joe ass. Coming up out of. Yeah, you know the old head. Make a light on yourself.

[Joe Budden]

You know better than that, right? I ain't seen. I ain't seen your uncle since.

[Ish]

Rest in peace.

[Melissa Ford]

Holy.

[Joe Budden]

You are idiot. I thought that he died. That is my man. Rest in peace. Holy. Dad explains it.

[Parks]

Stupid ass.

[Joe Budden]

Ice brought his uncle over there one good time, maybe two good times.

[Ish]

No, it was once he come back.

[Joe Budden]

And he never came back.

[Ish]

He would not come back.

[Joe Budden]

Know what time it is with me on that spade table? Stop playing Rest in peace to unknown.

[Ish]

Shout out to pop.

[Joe Budden]

Don't be stupid. Don't be stupid right now. Ish.

[Ish]

Shout the population.

[Parks]

Are you bringing pops to the. To the moose?

[Joe Budden]

It's a 1v1.

[Parks]

Okay, I'm sorry.

[Joe Budden]

You think that was the appropriate time to shout out my dad? I wonder why we talking about spades.

[Ish]

And being nice to spades.

[Joe Budden]

What are you. But why you shout my dad out right there?

[Ish]

Cause your dad is really nice to spades.

[Parks]

He's insinuating he's better than you.

[Ish]

I didn't insinuate anything.

[Joe Budden]

Well, he's my dad.

[Parks]

Okay, Well, I mean, my dad.

[Joe Budden]

What's your record against me since you won Shout niggas out speeds.

[Ish]

It ain't that bad.

[Joe Budden]

Yes, it is.

[Ish]

I mean, you probably winning, but it's not that bad.

[Joe Budden]

Well, what's not that bad?

[Ish]

If we play how many games?

[Joe Budden]

It's been 20 years.

[Ish]

I'm saying. So have we played 20 games? Probably won like seven, eight out of 20. I mean, it ain't 15 to five.

[Joe Budden]

It's 13 to seven.

[Parks]

He's the math guy, too.

[Joe Budden]

Shit right there.

[Ish]

I'm telling you, y'all probably won 60% of the games.

[Joe Budden]

Okay, I ain't saying nothing. The beat already looped.

[Ish]

Oh, yeah, let him get it all.

[Joe Budden]

Yeah, go ahead. Hey, the beat already Loop. Get that off. Holy. Oh, God.

[Ish]

Oh, man. You at the moose Would be hilarious.

[Joe Budden]

I'm going to the moose bingo.

[Ish]

Football and food and stories.

[Joe Budden]

Yes. Yes.

[Ish]

That's the. I've been looking for the where the.

[Joe Budden]

40 year old be.

[Melissa Ford]

It's them type spots.

[Joe Budden]

Because he said, oh, it's all in spot. I'm like, what's always 30s, 40s, 50s? I said, oh, me, oh, me. All right, we had the moose with it. That's it. What else? What else? What else? What else is important? The Meg doc. Anybody seen it? Y'all got prime.

[Ish]

I have prime. I do watch football.

[Melissa Ford]

I turned on football and I saw Meg there and I said, I'm gonna watch football, though.

[Ish]

Yeah, I'm trying to watch football and.

[Melissa Ford]

I haven't gone back.

[Ish]

She started crying. I ain't really want see that, respectfully. Exactly. So tell us about the doc.

[Joe Budden]

Has anybody seen any clips from it? Has anybody heard anything about it?

[Parks]

Yes.

[Joe Budden]

Like what say you guys about the matter? I'm biased, so I can't lead and kick her back in. So I have to lean on y'all to do something right here. Well, you can't anyway, before I kick her back in.

[Ish]

You can't because you part of the document, so you gotta.

[Melissa Ford]

Oh, Joseph Ladakh.

[Ish]

Yeah, Joseph.

[Joe Budden]

Yeah, they put me in a doc. They obeyed them fucking fair usage laws. It was a quick couple of seconds at every turn, you know.

[Melissa Ford]

Take it away, Bill. Sorry.

[Parks]

No worries. The clips that I saw that I think everybody else has seen is where she reveals that she did in fact have sex with Tory Lanez, and that when she was doing her interview with Gayle King, that she lied during that interview. That I know, right?

[Melissa Ford]

No.

[Ish]

Oh, wow.

[Parks]

That was.

[Melissa Ford]

I didn't think people lied to Gail.

[Parks]

Every once in a while. I think that happens.

[Joe Budden]

Oh, this is the girl clip.

[Ish]

First of all, I know that, yes, I lied to Gayle King. First of all, I know that. Was even gonna ask me about that, which is always gonna talk about the shooting.

[Joe Budden]

Why'd you ask me about Tori?

[Ish]

That's not what this. This is about. Even if I was, I fucked this nigga like once, maybe twice on a.

[Joe Budden]

Drunk night, but you kept catching me out of my fucking mind.

[Ish]

Maybe three times or later.

[Joe Budden]

Dude, that's the clip. What say you guys about that clip that I just played? So you can't keep saying, yeah, I heard it, or maybe what? Something. Yeah, I heard it a little bit. I seen it. Now that I've played it for you guys, let me play it again.

[Ish]

Lenin line.

[Joe Budden]

First of all, I know that was.

[Ish]

Even gonna ask me about that, which is always gonna talk about the shooting. Why'd you ask me about Tori?

[Joe Budden]

That's not what this is about. Even if I was I this, like once, maybe twice on a drunk night, but you kept catching me three times a lady. All right, what do you.

[Ish]

Kind of disturbing a little bit. She talked about it being drunk nights. And then she also went on to say something about her being out of her mind or something to that effect. Almost justifying she only had sex with him, like in a inebriated state. You get what I'm saying? Like, it almost was like, yo, I was out of my mind when I fucked him. Not I liked him and I thought he was attractive and appealing. So I had sex with him. I did it under these pretenses.

[Joe Budden]

It's framed. It's framed like I was taking advantage of once or twice or three times.

[Ish]

Well, even if he ain't taking advantage of him, I only fucked him cause I was drunk.

[Joe Budden]

You know what I'm saying? That is taken advantage of.

[Ish]

So drunk can't consent.

[Joe Budden]

There's no about it. Y'all have taught me that. Yes, we've learned that there's no about it. If you are targeting women that are drunk for your sexual. Your sexual acts, then yes, that is taking advantage of a woman. Society has taught me that.

[Parks]

But not necessarily targeting.

[Ish]

Target is a mean word.

[Parks]

But yeah, because I mean, he could.

[Joe Budden]

Have been taking advantage of.

[Parks]

He could have been drunk at the same time. So it's two drunk people having fucking sex. And everybody in this room has had drunk sex.

[Ish]

Yeah, but that ain't shit. Wait, am I tripping?

[Joe Budden]

Yeah. I don't know what's going on.

[Ish]

We've said that before. And it don't matter.

[Parks]

What I'm saying is I don't necessarily think that that's what she's alluding to when she's saying this. Like, that's just. That's. I think that that's putting a lot of sauce on that.

[Ish]

I didn't get that from it either. I got that a little bit because she said it was more than once. Like, it was once or twice or whatever. And every time I was drunk and I was out of my mind. And that's all. Now that makes it seem like if I was in my right mind, I would have never fucked with this person, kind of. Okay, that can be inferred almost. So I ain't really like that part. You know what I'm saying?

[Joe Budden]

I thought that that was inferred, the framing of it. Cause that sounds very different from. My best friend was fucking this dude and she was really into him. So much so that I wanted to see what was good with him. And when she had the boogie, I started fucking him and then got her fired from ever working with me. That sounds very different.

[Ish]

Or me. Or. I fucked him so much and I have feelings for him that she and I got into a beef when the cat came out the back.

[Joe Budden]

That's the only part that I don't like about. Well, it's not the only part, but that's one of the parts I don't like. I keep saying those two appeared to like each other. They wasn't a secret. And then this news came out. They was out.

[Melissa Ford]

They were on Instagram.

[Joe Budden]

They were. They were publicly frolicking with one another. I had spoken to him at the time. He was head over heels into her. I can't speak for her because I did not speak to her, but it looked like it. But they appeared to like each other. One, two. If this was just some drunk sex here and there, then when he stayed at that Kylie party and you left.

[Ish]

You don't get emotional.

[Joe Budden]

You don't come back to get him and place him in that vehicle and then have the fight. If there's no emotions here, you don't have the fight of Kylie wanting to fuck him and finding out that your friend fucked. There's no emotions here. Yo, dog, you just a drunk night move. Beat it. Beat it.

[Ish]

Oh, I agree with that. Cause supposedly, allegedly, in the story, she made the driver turn around, right? Talking about, I left my slippers there.

[Joe Budden]

Yeah.

[Ish]

Let me go back and get my slippers. And when he was in the pool with his boxers on with Shorty, why I gotta leave if I was a piece of drunk dick?

[Joe Budden]

Get your slippers.

[Ish]

Cause I know that's not what you came back for, but get your slippers and leave.

[Joe Budden]

Yeah, like, niggas know how that go. And if you omit. If you omit that fact that they was fucking on such a national platform, like with Gayle King, well, then we hear it and say, oh, Tory's just a cockamamie lunatic. Corey's just. Corey. Well, he's a cockamamie lunatic. Corey's foul. But Tory would just be a cockamamie lunatic who couldn't take being insulted or being with a woman that was more successful than him, quote unquote, and just started shooting at her. And if that's the story, you sticking with cool. But niggas with brains that don't really. Let me speak for me, because there's plenty of people with brains that think otherwise. That don't. That don't.

[Ish]

It's painted different. It's a different brush. It's a different brush.

[Joe Budden]

It's a very different brush. You know what you're doing by lying to, like, all the girls? Like, oh, she did. She could. She'd be able to lie on her pussy if she wants to. Yeah, but not in this case. Not in a case where you're going to court and alleging certain things and accusing certain things. Now is not the time to lie.

[Parks]

Yeah, it's. I haven't seen the entire. I haven't seen the documentary, you know, so I reserve the right to have, like, another opinion about everything else that she says. But this clip does nothing for her. Like, it looks. It makes her sound really bad because she. The story keeps on changing. And so with the mindset of, well, if you lied about this, then what else did you lie about? Then this. This really fucks with your credibility. It just. It just does. Like, just a normal person thinking, well, if you're capable of lying to you lying about this and lying on national tv, then what else?

[Ish]

As light as having sex and implying.

[Melissa Ford]

That you get out of your mind drunk and you're making decisions that you wouldn't normally make. Yeah, some of that.

[Parks]

I will also say, you know, when it comes to the interview, a lot of people were shocked, shocked by the fact that that question even came up. Because, I mean, she's there because. And she's ROC Nation. Am I correct in saying this? She's ROC Nation's artist. Before you do an interview of this magnitude, considering everything that was going on, there's going to be some questions that are off the table. And so it's. It was always interesting to me, like, how that question even got snuck in.

[Ish]

Why?

[Joe Budden]

Because it's relevant.

[Ish]

It's very relevant. And why would that be?

[Joe Budden]

It's one of the most relevant.

[Parks]

This man is fighting for freedom in his life because. Because I'll tell you why. Because this was not the court of law. This was an interview with Gayle King. And her and her label was meant to protect her publicity and make. And make her position, position her to be seen in the best light. So that. So.

[Ish]

So that's not journalism and it's not an objective interview.

[Parks]

Listen, I'm asking.

[Joe Budden]

This is asking ridiculous.

[Ish]

I'm asking a question. Is it real journalism? Because in a real journalistic interview, it happened.

[Parks]

It happens every day. It happens every day that a big name artist comes in and sits down for an artist in front of a real journalist. And the people in power say, you stay away from this. You stay away from this. You stay away from this. You stay away from this.

[Ish]

We have people come sit here and.

[Parks]

Instruct us not to tell certain things or ask certain things.

[Ish]

No, you do not ask about this, this, this, this, or this.

[Joe Budden]

Y'all telling one side of the coin. All of that is a given. We know that people have publicism. Certain questions are typically off limits. The other side of that is, then you get the journalist who's a journalist. Then you get Charlamagne. Who's gonna ask Tyla, no matter what her team says, hey, what's up with this? Gayle King, I would assume I've never met her, falls into that boat of, yo, this is a question that's important for what we talking about. I'm gonna ask it. It shouldn't have been so. Dog, you saw her R. Kelly interview. Like, it shouldn't have been so out of the realm of possibility that this question would come up as it pertains to.

[Ish]

Even if y'all told her not to.

[Joe Budden]

Yeah, even if you told her not to. And I don't think that Gayle is accepting in that instance from Meg and ROC Nation questions that I'm not asking. I'm Gayle King. You need this story. Yeah, I don't need this story.

[Ish]

That is true.

[Joe Budden]

I'm me.

[Ish]

I'm doing y'all a favor.

[Joe Budden]

Yes. I don't even know how many hip, the hop, the hibbity, the hippity hop cases.

[Ish]

That's true. I agree with that.

[Parks]

So can I ask a question just because. I don't know. I don't remember. But. But when she gave testimony in court, did she admit that they had slept together in court? Because I can't remember that part.

[Ish]

I don't know if it ever came up.

[Joe Budden]

It did come up in court. It did come up in court. And I want to say that she.

[Parks]

Answered it honestly because she couldn't. She couldn't perjure herself.

[Ish]

It did come up.

[Parks]

Okay.

[Ish]

It did come up because we said something about it.

[Parks]

My confusion is, like, I don't understand why she's talking about it in the doc now and why she's talking about it so cavalierly. You know what I mean? Like, oh, that bitch.

[Ish]

And it was one of the big parts of the. It was a. And it was one of the bigger.

[Parks]

Again, I didn't say it, so I don't. I Don't know what. I don't know what. It's crying.

[Joe Budden]

She got emotional. She was the victim. She did a lot of victim. Woe is me. Damn. This is what happened. I'm going to play the clip where she goes in the montage of her going in on bloggers and the potters and all of that shit.

[Parks]

Okay.

[Joe Budden]

It wasn't a cavalier thing.

[Parks]

Okay. Then I.

[Joe Budden]

For her, it was a very heavy moment of expressing herself throughout.

[Parks]

From that clip. I. Because I. Like I had said, I have not seen the entire documentary from that clip. It didn't look crying.

[Joe Budden]

She's crying. She's crying here. Her hair's a mess. She's being vulnerable and transparent. It's not just. I'm saying this in. In passing. It's not.

[Melissa Ford]

She did admit in court that she lied in the interview.

[Ish]

Yeah. Yeah, she did.

[Joe Budden]

Okay.

[Ish]

I remember.

[Parks]

So then I guess that that was.

[Joe Budden]

A big thing at the time. So much so that I was shocked that this was such a big news story. I was shocked that this took up the news feed for the day until Thug got free. We know she lied.

[Parks]

Cause she admitted.

[Joe Budden]

We kinda know why she lied. Like, why is it a thing now that she's saying she lied? And I don't like her calling Gayle Gang a bitch like this. But I guess. I guess also the thing about being drunk. You was drunk that night. On the night. That's what I'm saying in question. Here's the clip of. It's a lengthy clip, but I'll play most of it. No, that one. You thought that you could pass me up in a man R. That's.

[Ish]

I got a restraining order.

[Joe Budden]

Make some noise.

[Ish]

Miami going to Rolling Loud.

[Joe Budden]

He came on right after me. I get somebody out here a million dollars if they can guess who a help y'all make some noise for Troy Lan. You thought that you could pass me up in a. He shouldn't have did.

[Ish]

That was just trying to show.

[Joe Budden]

That was foul. We could do whatever we want to do.

[Ish]

And then he was chopping up horse legs and his music videos.

[Joe Budden]

A horse like bro. I think it's making Snake.

[Ish]

They said like the H.G.

[Joe Budden]

That'S not nice.

[Ish]

What is that the hot girl special? Is it Hot girl Summer?

[Joe Budden]

That's really sick.

[Ish]

He was constantly threatening me and everybody was laughing and everybody was supporting him.

[Joe Budden]

LeBron is publicly speaking about how good Tory Lane's music is.

[Ish]

He a solid dude.

[Joe Budden]

In the chat, bro. Why did all the men in the.

[Ish]

Industry decided they needed to jump in? Yo, you heard the Baby Smash, Megan, Thee, Stallion. Multiple times he said he did, even the day before the got shot. Was there a reason that you felt.

[Joe Budden]

Like you should, you know, indicate y'all had a relationship or some sort or. Sorry. Clearly say, it is what it is.

[Parks]

50 Cent trolled the hell out of Megan the Stallion.

[Joe Budden]

I don't like that girl.

[Ish]

Makes a demon, bro.

[Joe Budden]

I'll cut it off, dear. That was my little part in the clip. He's saying, I don't like that girl. Yo. I think we should bring back saying who we don't like.

[Parks]

We can do that. We can do that.

[Joe Budden]

Pussy ass.

[Ish]

I didn't know that went away.

[Joe Budden]

Yo, all y'all walk to Starbucks. They can move. Get out the fuck away, pussies. And yes, it did go away. Look around, look around. Who says y'all don't like him? Nobody says that. Nobody says, yo, I don't like them.

[Ish]

No, they say it if they think they could beat the person.

[Joe Budden]

No, they say, I don't hear it.

[Ish]

They don't say it if they think they can't beat the person. No, no, no. They say it if everybody else is okay with not liking that person. Good point. That's a great point. Once you tag lame, the game has followed the leader. So that's what it is. If it's okay for everybody to not like them, then, yeah, I don't like that person.

[Joe Budden]

Y'all believe Meg only fucked Tory three times?

[Ish]

She said two.

[Joe Budden]

Two times.

[Ish]

No, I do not. It's not my business. I don't give a fuck. But no, just to answer that question.

[Joe Budden]

I want this story to go away. I do. I'm over this. I don't care anymore. Tory's gone. I gotta wait for chicks. Tape six. That's that. Meg's career is continuing to do whatever the fuck it's doing. Why is this still a thing? It's over, yo.

[Parks]

It's over because the documentary came out and now she's. Now she's saying things in her own words. So that's why it's got, like, another, you know, news cycle or five.

[Ish]

They keep happening.

[Joe Budden]

No, like five years old. Every forgot everybody died during the pandemic.

[Ish]

We get new. We get new updates with Tory when he files an appeal or whatever the case may be. And that breathes more life into it. That's a legal thing.

[Joe Budden]

I'm.

[Ish]

I'm just saying.

[Parks]

Well, no, it just puts him back in a new cycle in general, about the story.

[Ish]

Even with him, when he was dropping music and doing the prison tapes and doing, like, Everything. These two are married for the rest of eternity. So whatever one does, they both are gonna pop back up. Now on the other side, I'm not mad at her telling her, getting her shit off.

[Parks]

Neither am I. I am everybody else.

[Ish]

Getting their shit off, everybody else telling they side of how they feel about things.

[Joe Budden]

Go ahead.

[Ish]

Yeah, I might not watch it, but I'm not mad at you doing that. Does he ever get an opportunity to tell his.

[Parks]

He's absolutely gonna get his opportunity. Yeah, he's done it multiple times.

[Ish]

He was doing it in music. That's what got him up. Yeah, he was doing it.

[Parks]

Yeah. And everybody sat up here and agreed that some of the shit he was doing was egregious and just out of pocket. Everybody up here said that maybe if.

[Ish]

He told his side in a different way, he wouldn't be in this position. Oh, no, he did a lot of that. Him. He did a bunch of goofy. Yes. My question was that.

[Joe Budden]

Don't have nothing to do with his question.

[Ish]

Has nothing to do with my question. What's your question? My question is, does he get an opportunity to tell his side of the story within the next 10 years? Him mentioning stuff in a rap, him doing dumb shit in public or in a rap is not him telling his side of what he's doing. There's two things. Hold on, hold on, hold on. Let me. There's two things. He had that chance. He could have told us out on the stand.

[Joe Budden]

No, he didn't. He didn't.

[Ish]

He had that opportunity, he could have told his side of exactly what happened on the stand.

[Joe Budden]

Well, that's the part that makes it corny for me because nobody can say with certainty why he didn't.

[Ish]

Exactly. That's one. And I'm not saying he had the chance. And if that's the case, he did not. But why she finally gets a chance? You saying she finally get a chance to tell her side? She took the stand too. She's free. That's my point, dog. Are we saying the same shit?

[Parks]

There's a difference between you being the defendant and you being the witness or the, you know, the person that this happened to. She gets up there, she's being asked questions. The reason why he doesn't get up on the stand is a lot of defense attorneys will tell their clients, don't, I cannot protect you from the prosecution and what their questions are going to be. And it might open up a really big hole that you're going to fall basically into.

[Ish]

Mel. Ice said he had an opportunity. Ice said she finally Gets an opportunity to tell her side of the story.

[Parks]

That's what I said in this documentary.

[Ish]

Yes, that is what I said. She gets a chance, and he's asking about him. Hey, man, y'all said that he had an opportunity to tell his side of the story on the hot seat.

[Parks]

Yes.

[Ish]

So is her opportunity to tell her side of the story on a hot seat equal to his?

[Parks]

The reason. The reason why? No, it's not.

[Ish]

Let me answer. No, she's the victim. No, it's not. She was the victim in this. We are talking about telling a story from somebody's perspective. It don't matter what role you played in it. You could have been the victim. You could have been the aggressor. We're talking about telling a story and an opportunity in which to do something.

[Melissa Ford]

Why can't he tell a story?

[Parks]

Exactly.

[Ish]

But in the next 10 years, he'll be able to tell it.

[Parks]

But this is the way that he.

[Ish]

Could tell it now.

[Parks]

But this is the way that it would have played out.

[Ish]

Messages out, and he's getting records still out. He could tell his side of the.

[Parks]

Story, but the way that it would.

[Ish]

Have somebody, if he's not protesting, he.

[Melissa Ford]

Could tell his story.

[Ish]

They took it. But if somebody can go, that's too.

[Joe Budden]

Easy to say because y'all don't know.

[Ish]

Why he didn't tell his story.

[Joe Budden]

Nor is anybody trying to figure out why he didn't tell his story. Because we already running with whatever stories were given to us, and we're running.

[Ish]

With, he told us a story he told. We ain't acting like through his defense and said, shit. No, through him. What story did he tell through his defense?

[Parks]

That he didn't do it, that it wasn't his gun, and that he didn't shoot her. That's the story. So if he had decided to take the stand, the defense would have been the first one that questions him. And the questioning was obviously going to be like, you know, softball law, softballs lobbed at you. To be able to tell the most sympathetic version of what happened from your perspective, then that leaves him open to the prosecution to come in and hit him with a bunch of questions that might jam him up. So most defense attorneys tell their clients to stay off the stands, man.

[Ish]

Track one off of the Daystar album is Money Over Fallout. He told his story of what happened.

[Joe Budden]

What'd he say?

[Ish]

He said it, you know, I didn't do this. You know, I didn't do that. This is like he went and said his version on a record.

[Joe Budden]

Bruh this is the irony in all this is there are a. There's a community of people that feel like he's not gonna tell his story because he's protecting black women.

[Ish]

Well, no, I think that's what you want. I don't think that's his motive. I don't think that's his intent. I think his intent is I'm not gonna tell what happened. Cause now I'm gonna get looked at like a rat. And we know how our society looks at rats and snitches. So now I'm gonna sit here and be the fuck quiet and not tell what really happened. That's some people's interpretation of what he's doing. First, to say that is dumb. That's some people's interpretation of what he's doing as hell.

[Joe Budden]

Here's my question to you. It's gonna make me sound like an idiot, but I'll ask it anyway. How long can she tell this story?

[Ish]

Forever.

[Joe Budden]

Tell me forever.

[Ish]

This one. Forever. Because this is. This ain't.

[Joe Budden]

Never mind. I'm asking.

[Ish]

I'm.

[Joe Budden]

Is it forever?

[Ish]

Has she told the same story? But anyway, I don't care about.

[Joe Budden]

I'm just saying whatever your. Whatever her story is and however she wants to, she can tell it.

[Ish]

Yeah. Why she. She don't gotta stop.

[Joe Budden]

Got it. Okay. Why this subject make y'all get all quiet?

[Ish]

No, not at all.

[Joe Budden]

Why? It seemed like y'all cool.

[Ish]

No, my thing. My thing is it's a touchy subject because somebody got injured.

[Joe Budden]

Right.

[Ish]

So you. You want to be sympathetic and show.

[Joe Budden]

Y'All scared cause she's suing that girl.

[Ish]

No, no.

[Joe Budden]

Milan groin got nothing.

[Ish]

Me? Nah.

[Joe Budden]

I just think I'm happy about that too. Why? Because you can't just get on the microphone and say things. I say that all the time. There is some responsibility that comes with how you utilize your platform. And if you get on here and just start saying crazy shit about people with no foundation basis or merit, then you open to what comes from that. And Milagro, as much as I love her, is down with that click of. It's like bush league reporting. She's down with that gorilla style. It's like a gorilla style tabloid, tabloid, US Weekly type style reporting.

[Ish]

National Enquirer.

[Joe Budden]

So, yeah, the national enquiry. And them niggas got lawsuit money put to the side for when stupid shit like this happened. You don't. So you get on the YouTube with all that rigor, Monroe, and you take what comes to you, and the girlies are gonna be the one to do it. That is Cardi and Tasha. And now here we have it. Meg and fucking her. So, yeah, I think Meg is well within her right. She's gonna get up there and say, I lost sleep, I lost money, I lost this. I lost opportunities. I'm stressed. I thought about ending things. Trigger warning, just whatever you say. And, yeah, Malaga have to go figure it out. Two birds, one stone.

[Ish]

I agree. I think what's gonna happen is you.

[Joe Budden]

Can'T sue me for something.

[Ish]

When he finally speaks, like, if he gets the opportunity to do a documentary or some shit again, albeit it might be a long time from now, I think it'll change some of the public opinions and bring a little bit of doubt into the situation. I think a lot of people got doubt.

[Parks]

They already do.

[Ish]

They do. But when he gets an opportunity to talk, I think they're gonna have more doubt.

[Melissa Ford]

So he should do it. You said should.

[Ish]

Absolutely. I think he should. So how do you think he should do you think he should do? I think he should do it in a structured manner in the same way that everybody else does in a doc or in a some. Because this is a doc. You understand what I'm saying? So it has some structure to it. It has some production to it. It has some. Hmm. Pull up this, pull up that. Y'all the DOC kings, y'all understand what's going on here?

[Melissa Ford]

I see plenty of jail folks calls.

[Joe Budden]

That's what I was now watching. The Meg.

[Ish]

That's a part of it.

[Joe Budden]

Yeah, yeah.

[Ish]

Then the rest of the team do all the other.

[Melissa Ford]

The media, and he's in there.

[Ish]

Give your story. Let us paint and do all of the. Get the graphics and this picture and.

[Parks]

Like, he can put it together tomorrow.

[Ish]

I don't know about tomorrow, but, like.

[Parks]

What Ice is saying, he doesn't have to be out of jail for it to happen. I guess he can give a fairly quick response to this. His side at this point.

[Ish]

What's done is done. Y'all done went to court. You done been found guilty, sentenced, all of this. I. I would have expected you to have been come out, and that's you. Everybody don't think like you and everybody don't live by the same rules and laws that you live by. That's true. Everybody different. Yep. You right. So some niggas are sitting in jail for life and knowing that they ain't do some shit.

[Joe Budden]

All right.

[Ish]

Salute to them. I ain't doing that.

[Parks]

I just thought the timing was really.

[Ish]

Strange of her doc.

[Joe Budden]

Yes, well, the timing was a little strange.

[Parks]

Yeah.

[Ish]

Why?

[Parks]

Because like you said, everything is said and done. He is, you know, he's in jail. He was convicted. He's going through the appeals process. She has gone on with her life. She's, you know, she's doing what she's doing. Why bring it back up now? Because it was. There was so much negativity, you know, and she discusses this in the doc. It just seems strange to talk about it now because now you're just reinvigorating the conversation or reopening wounds that you.

[Ish]

Said you wanted to heal from that part.

[Parks]

So that's what's. It's. That's what's strange to me.

[Ish]

That's a good point.

[Joe Budden]

Well, you know, and as an accompanying piece to your album, that's what makes it odd a little bit. You just put out whatever you put.

[Ish]

Out, and it wasn't moving.

[Joe Budden]

Yeah, but I mean, maybe she just learned that it wasn't moving. Maybe the plan was for this piece to accompany my project and give me a big boost. I think that was a bad plan. I think it backfired a little bit in terms of how she's perceived. Yes, there's a lot of people that are praising her and celebrating her. But on the flip side of that, I don't think it's working the way.

[Melissa Ford]

Especially because the album isn't really dealing with that at all.

[Joe Budden]

That's the point.

[Ish]

She didn't really do anything. Not saying she has to, but she didn't do anything to the doubters. If anything, she gave them more ammo. So if I look at it as if whatever you're putting out, your supporters are already there. If you're not trying to get those people, that's. I don't know. You know, if you're not trying to do that, I don't understand the purpose of it then. Cause everything, everybody I saw was just like.

[Parks]

And that's exactly.

[Ish]

Yeah, it's the lying part that comes out.

[Parks]

And that's exactly what I mean.

[Joe Budden]

That's what's real.

[Ish]

Like, it's not even, sorry, I'm gonna cut you. It's not cut off. It's not monitoring a woman's body count and all that type of stuff that they try to make it out to be. It's just the fact of. Okay, well, now you're saying you did lie about this. That's why so many people are focusing on it, because you were so adamant that you didn't. All right, so that's a lie.

[Joe Budden]

But we been knew it was a lie.

[Parks]

We did.

[Ish]

Yeah. But Then they hear her say it in her own words. That and there's people that might.

[Joe Budden]

Well yeah. She got understand and said I fucked that.

[Ish]

That shit we saw Rapunzel.

[Melissa Ford]

Not with the violins behind.

[Ish]

No. Yes. That's not. Bitch. Yeah, I fucked that motherfucker. I only fucked him once or twice. I was out of my mind. I was drunk. It's a different. And that you now you tell a lie. And telling the truth.

[Joe Budden]

Well that's what liars do. Cause that was a. That was a plate of lies. Fresh out the microwave on seven minutes. Hot, steaming hot steaming lies. Y'all gonna learn out there. Humans, I'm not talking to men or women. Humans, y'all gonna learn about fucking the liabilities and that's it. She was a liability for him. He was a liability for her. The end. I don't wanna have to hear about it for five and six years when y'all are fucking people that are liabilities.

[Ish]

Why do you think that? Why think what if that don't happen? Let's say that.

[Joe Budden]

But it hasn't happened. It happened.

[Ish]

You can't predict that. It's some people.

[Joe Budden]

I disagree with that.

[Ish]

It's some people that hold a bigger risk than others. You say you can't predict that.

[Joe Budden]

If I could have predicted that them girls that your man put in the car and brought to Saint that night wanted you to pay for the calamari. I know everybody cannot predict the exact situation.

[Ish]

No, no, no, no, no. You might can predict if she's. If the rumors are to be true and how she's been acting while drunk. We've heard stories. You can predict that, yes, this could be a liability.

[Parks]

And also, can we keep in mind that these are like young, hot, rich, you know, 20 somethings, they get fucked up and stuff like that. So their ability to assess risk is next to fucking nothing. And they think that they get. They get told. Yes. It's not. It's not a cop out. I'm not using it as a cop out. It's. It's just simply a reason.

[Joe Budden]

But it is.

[Parks]

It's just. It's simply just a part of the package.

[Ish]

When you was 20 something, you was wild and crazy, you couldn't hold it down.

[Parks]

No.

[Ish]

No what?

[Parks]

No, I wasn't. I particularly was more reserved. But that's me. But that's who I've always been. I've always been on the more reserved side. I've never been wild and crazy. Shit, I've come up here and said, fuck, I wish I was more wild and Crazy and did the shit I was accused of, you know, but that's her. This is me. You know, I'm saying, like, I don't look at it with judgment, so I'm just looking at this whole situation of everybody's young, everybody's rich, everybody's hot, everybody's famous, and they're all fucking consuming whatever.

[Ish]

And you know what? Now that I'm thinking about it, they're.

[Parks]

Not really thinking about the risk as.

[Ish]

A liability, because I'm rich in all of this shit. I usually get away with exactly that.

[Parks]

Part because they're constantly told yes, not even told yes.

[Ish]

But if something happens, we fix it. We make it go away. We make it go away. That's true. I agree with that.

[Joe Budden]

Yeah.

[Parks]

No.

[Joe Budden]

Okay. Well, speaking only for myself, the tall, drunk doofy slide is a liability. Sorry that I have to be the bearer of bad news for y'all, but.

[Parks]

Did you always know that? Come on.

[Ish]

Tall drunk, goofy slide. Yo, what's wrong with you?

[Joe Budden]

Sir, the tall, drunk doofy slide is a liability. Especially if they tick tock. Like, what the are y'all. I'm sick of this clean. Pardon. Y'all know when you see the drunk girl in the club, that may be an issue.

[Parks]

You guys are speaking from the perspective of 40 something.

[Ish]

Nah, not just that. You talking about the club. She's not a Mexican.

[Joe Budden]

The Napoleon complex be a liability, too.

[Ish]

That'd be true. That's a good point. That'd be true.

[Joe Budden]

You know that the short nigger, at some point, probably gonna get some violence, is gonna have a day. What the fuck are we talking about here then? Use your own discernment. Don't listen to Joe. But my life is and has been nuts and shouldn't be the example for any of y'all listening out there. Use your own discernment there. That's what I have for you. And I'm sick of this shit.

[Ish]

Yeah.

[Joe Budden]

I'm tired.

[Melissa Ford]

Tired.

[Ish]

Unless a video pop out.

[Joe Budden]

Oh, then I'm back. Wait, wait, wait, wait, wait, wait. Video pop out now? If a video pop up, I'm back. I don't even think Meg is suing Milagro. Like, a lot. I didn't read the whole thing.

[Ish]

A lot to who?

[Parks]

What was said?

[Ish]

Yeah.

[Parks]

Does anyone know?

[Ish]

It was a deep, fake video that went around. And Meg is alleging that Milagro promoted the video.

[Melissa Ford]

A deep, fake sex tape, correct?

[Ish]

Yeah. Deep fake sex tape.

[Parks]

Oh.

[Ish]

So she. And then in the complaint, it showed that Milagro had liked or favorited the A tweet. With the video in it. And then tweeted, hey, if y'all want to see it, go look at my likes.

[Parks]

Got it.

[Joe Budden]

And then say she would. Milagro was somebody in a Tory camp. I don't know if that's true or not, but it's sure fun to listen to. Like when you see how people report on certain shit. Like, oh, oh, nah, okay. He that girl. I don't know that to be true. So don't sue me. Don't sue me.

[Melissa Ford]

I'm messy.

[Joe Budden]

Shit. Yeah, sorry, sorry. Hey, this is all we had till Thug came home. What you want? This is all that was. I was so shocked that they was all right. I'm never talking about it again until that video. Oh, yeah.

[Ish]

Like I said, if a video drops.

[Joe Budden]

Until that video comes and I double down and triple and quadruple down and everything that I said in that doc, can't even fucking search my name no more. All these fucking Meg beats that shit. Yeah, I am you. Right? I said it. I said it, meant it would say it again. Oh, man, this guy's awesome. And prayers to all involved.

[Melissa Ford]

Yes, Thoughts and prayers.

[Joe Budden]

Thoughts and prayers always to all involved. It's so good to pause when people already know, like, who you don't fuck with. No, for real. Cause then I ain't even gotta dance around. Gotta find no safe way to loophole. Is just like, hey, fuck her.

[Ish]

Oh my God.

[Joe Budden]

Yo.

[Ish]

So Ari Linux in Dreamville?

[Melissa Ford]

Nope. One mess to another one. This is the messy segment of the pod.

[Joe Budden]

Yeah.

[Melissa Ford]

You know, I.

[Joe Budden]

Why is this messy?

[Melissa Ford]

Because she put out an 18 minute video saying that she didn't feel safe and protected and she wants to be dropped from the label. I didn't listen to the whole 18 minutes. I don't have that type of.

[Joe Budden]

I did.

[Ish]

Did you?

[Joe Budden]

Yep. During a morning sig. It was bright and early. You went back to back with us. Oh my God. I watched the sunrise to that. That whole 18 minutes. It was beautiful. In about.

[Melissa Ford]

I started to. Once I started hearing all that, I don't feel safe and protected. Cuz they put my single out or something.

[Joe Budden]

Oh, that's when I put my phone closer to my ear.

[Ish]

Oh my God.

[Melissa Ford]

Had to buy my own Google Ads some.

[Joe Budden]

And I said all right.

[Ish]

Yep.

[Joe Budden]

All right. Who feels passionate about this one? This is another one. I'm bias in. Are you?

[Parks]

Is that a real question?

[Melissa Ford]

Well, I feel like on some levels he can relate to label issues, so.

[Joe Budden]

That'S why I'm biased.

[Melissa Ford]

Yeah.

[Joe Budden]

Oh, you meant bias because I don't fuck with her, right? No, no, no, no, no, no, no. I'm an artist. I'm an artist first. So anytime an artist is having trouble with their label, at their label and has grievances, I wanted to be able to get the fuck out of there.

[Parks]

Okay, so since you listened to the 18 minute perspective, are you agreeing with her?

[Joe Budden]

I agree with any artist that feels suppressed with their business partner.

[Parks]

Okay.

[Joe Budden]

Any one of them. Do I agree with how she went about it? Not necessarily. Because you write back on social media after you said you were done with social media.

[Ish]

Well, it ain't December yet.

[Joe Budden]

And you're looking for the fans to come out and wave the flags for you, dog. Call the lawyer. Yeah, that's it. That's all you gotta do. Once you see that they playing with you a certain way, once you're not feeling like you're being treated properly, all you gotta do is call a lawyer and get the property process started. Pissing people off that have to let you out of a contractual agreement, I don't ever think is the greatest idea until.

[Melissa Ford]

No, because you might start. Not letting you out because. Nah, fuck you now.

[Joe Budden]

Yeah, just let me. I'm not letting you out.

[Ish]

And that's where the court of public opinion comes in. And when the public starts to be like, no, that's fucked up. Yo, that's fucked up. No, that's fucked up. You might be like, we don't want to take this heat.

[Joe Budden]

That only matters on the Internet.

[Ish]

Yeah, I was getting ready.

[Joe Budden]

I can assure you that the company people don't give a fuck what the court of public opinion is saying. As long as I get 70 cent off of your dollar, 80 cent off of your dollar, I'm just sitting here collecting. I want your talented ass to get out there and work through all the turbulence. I'm eating. Fuck. What they talking about?

[Melissa Ford]

If buy your own Google Ads, then go ahead.

[Joe Budden]

Yeah, got you.

[Ish]

My thing is this is in a time where we already said the labels. No labels. Are spending no money.

[Melissa Ford]

Right.

[Ish]

You're not a. No disrespect, but you're not an A1 act, so why. What are you expecting the label to do in a time where it's down for everybody?

[Joe Budden]

Or B2 or C3?

[Ish]

Seriously, I'm just.

[Joe Budden]

There's a pecking order. Don't make me the bad guy. But that's my point. But there's a pecking order here.

[Ish]

If the A1 act ain't getting no money, put up behind them.

[Melissa Ford]

Oh, Cole's getting money.

[Joe Budden]

He's.

[Melissa Ford]

He's good.

[Joe Budden]

No, no.

[Ish]

I'm talking about money behind him. I'm talking about promotion. And like, Cole. Cole comes with a lot of promotion on his own.

[Joe Budden]

You can't promote her if you're at Drake House trying to make up. I mean, Drake House.

[Ish]

Who.

[Joe Budden]

Who.

[Ish]

Who's the A1 in her field? SZA.

[Joe Budden]

SZA.

[Ish]

Summer.

[Joe Budden]

Summer.

[Parks]

Summer, right.

[Joe Budden]

Her.

[Ish]

Her.

[Joe Budden]

Yeah.

[Ish]

SZA's been complaining about her album getting pushed back. Well, that's what's happened until the.

[Parks]

Wait to the A1s.

[Joe Budden]

That's.

[Ish]

That's a TDE thing, though. They all do that. It's her label. I'm just saying.

[Joe Budden]

SZA never once said give me away from them.

[Ish]

I'm just saying. Or that they. Or that I'm not protected by them.

[Joe Budden]

Yo, some people think that TDE orchestrates.

[Ish]

I say that all the time.

[Joe Budden]

Artists beefing with them, that's part of the rollout. Some people believe that that's fake. I don't know if I'm on that side. I am, but, Ari, shit is not fake. No, I just don't get it. Right. Last year, two years ago, whenever it was, she was just in with Jermaine. I don't know who paid for that, but I don't think it was free. And if it was, go. J.D. but I don't think it was free. The money that it cost to get that pressure record to wherever it was in top 40 or urban. The cost cost. We also put you on a Rod Wave tour. You didn't have a blast. You didn't like it, but somebody put you there. You've had features with Jasmine Sullivan, whose album was critically acclaimed. You've had features with some of the big dogs that are in your field. Real quick, putting her on a Rod.

[Ish]

Wave tour, giving her some bell here. Could that be if you're her. Could that be the. Y'all ain't protecting me. Y'all ain't really?

[Parks]

Yes.

[Ish]

Cause you putting me in a. Y'all not putting me in a position to win on a Rod Wave tour. Yes, you potentially opening me up to new eyes, but they ain't. Rod Wave is on tour right now. You know who we got? Tootsie Moneybagg. Yo, people like that, where it's a little bit more in line. The fans ain't gonna necessarily get up here booing and throwing shit, dog.

[Joe Budden]

If you asking me to speculate, I think that somebody on the Rod Wave side had to be convinced to let her on the tour. I think Favorites was called in from people in higher positions. Okay. So, yeah, we did this, we did that, we put you on a tour. Now it's time to get a look at what's coming back.

[Ish]

If you put me on a tour I'm pretty much set up to fail on.

[Parks]

Yeah, I was gonna say, does that negate.

[Melissa Ford]

But that's not.

[Ish]

Why is that? Why is that?

[Melissa Ford]

That's not something you know in advance.

[Ish]

That somebody at the label should know in advance. No, that's impossible to know.

[Melissa Ford]

He's a. He's a huge artist. We just saw him do.

[Ish]

So just because somebody's a huge artist, you take anybody that'll mesh well on anybody.

[Melissa Ford]

A country star or something like that. So if I'm a lady, I wouldn't.

[Ish]

Know who you would better pair with on a tour.

[Joe Budden]

That's not true.

[Ish]

50. 50.

[Joe Budden]

But that's not true. It's not even 50. 50. That's. That couldn't be further from the truth. I talk all the time up here about. We just said with Kevin Lyles about the people that are hands on with music and know a little bit about music, how they've been pushed out of the music business. There are people in the music business that ain't thinking about none of that shit you talking about. We looking at numbers, dollars and something.

[Ish]

Okay, so that's what I'm saying then.

[Joe Budden]

All we looking at is if Ari Lennox is on this tour, she is in front of 20,000 people. This amount of nights. Yes. Whether it's the perfect marriage, whether it meshes, they don't give a fuck about that. We been spending money. We trying to get this girl in front of us some exposure to get our money back.

[Ish]

Got it? I got it. Like I said, if you're her.

[Joe Budden]

And. Wait, hold up. Real quick, hold up. And because I hate that everybody's pussy now. Like, we just in a time where the pussiest thing to say is the right thing to say. How they put her on the toilet. They weren't protecting her. News flash, the label ain't there to protect you. The label's not there to protect you. Sorry, that. That has to permeate this.

[Ish]

What did she mean by protection.

[Joe Budden]

Dog? The label is putting you in positions that they think and they control. Your rights and your movements that they think will be advantageous and for you to win.

[Ish]

All right?

[Joe Budden]

So you get out there and bump your fucking head. I'm tired of these spoiled fucking acts, yo. You know how many times I was put in a position to fail, but the upside was enormous? So you give it a go. Enough for this Crybaby shit.

[Ish]

It's not crybaby shit, though, Joe. It depends on if she meant physically protected. That's something different.

[Parks]

And that's why I think that you write about the. About the tour and the reference of protection to her.

[Joe Budden]

Oh, baby, they threw the. Oh, my God.

[Ish]

You guys are.

[Joe Budden]

Answer me. Somebody ever threw something at you? Ice, answer me, let's talk for real. I ain't going to yell. Let's talk. Has anybody ever thrown anything at you? Yeah. Has anybody ever thrown anything at you?

[Parks]

Yes.

[Joe Budden]

If somebody said to either one of you, hey, go down that road, potentially there's millions and millions of dollars there. But somebody might throw something. Somebody might throw something at you. Are you going or are you not? This is not a trick question.

[Ish]

Listen, I'm going.

[Joe Budden]

What say you?

[Parks]

Yes, I'm going to walk down that.

[Ish]

Street now back to her. You also. If y'all. If y'all are sitting here saying that the label is just caring about making their money, right? I need to know the product. I have. If this. If her mental. If it affects her mental, it affects her ability to work. It affects all of this shit. We not making no money. So why am I going to put. I'm sabotaging myself at that point?

[Joe Budden]

I don't know.

[Ish]

I don't know that prior to.

[Joe Budden]

You need to know that.

[Ish]

Care not there no more.

[Joe Budden]

Hold up, let's talk.

[Ish]

But you don't know that prior to.

[Joe Budden]

Let me talk to you.

[Ish]

You know who you dealing with?

[Joe Budden]

The people that care aren't there anymore. 1, 2. Music business is football contracts. They never lose. The second that this ain't working out, you're done. And if you've been looking around, all every label has been doing is consolidating for the past year and a half and getting rid of extra baggage. You gotta know that as an artist. So if I can't take. If Ice is signed to me and I can't go put you on a health pod or Joe Rogan podcast on Kill. Tony, if I can't put you in front of all these eyes and you produce, I ain't gonna go home and figure out, hey, where can I put him to produce? No, I'm getting Ice the fuck outta.

[Ish]

Here, which is what she asking for. Let me get the fuck outta here. That's what she's saying.

[Joe Budden]

I think she will receive it from the major. I don't think whoever her parent company is, is so in love with her. I think her fight comes from whatever the Dreamville, from wherever the Dreamville contract is.

[Melissa Ford]

I think it'd be the other way around. I'm pretty sure Cole and his people would probably be like, all right, go ahead. I think Interscope, one of the people.

[Joe Budden]

Above, would be like, normally with a production company, they're responsible for the curation and the development. So, I mean, she sounds unhappy with them just for. And nobody's spending, and y'all not convincing them to spend. But even if we get to the root of what she talking about, it's something that every artist is dealing with right this very second. Shit. Coily Ray just announced that she got her release papers. Independent now. She sounds super excited about it. Sorry, Billie, I didn't report on all that shit. Billy boy, it was juicy.

[Melissa Ford]

It was, Billy.

[Joe Budden]

But you my man.

[Melissa Ford]

She was all yours.

[Joe Budden]

So I didn't report on it, but it's rectified. Corly Ray says independence is here. All y'all in the koi pond. We out now, right? She sounds happy about it. Fabio. Same exact thing. Recently put out a post. Yo, this is my first time being independent. Fuck the numbers in the streams. All that shit was fake anyway. And I know everybody says that, but all that shit was fake anyway. Boy, am I super excited about this new independent journey. I think we're gonna see a lot more posts like that for sure. From X.

[Melissa Ford]

And it might go good for some.

[Joe Budden]

And it might go. And it might go bad for some. I don't think that Ari's gonna have a hard time getting the release now. What you gonna do with your release?

[Ish]

And now you got.

[Joe Budden]

Now if you've been crying at every fucking turn for the past seven years with support, talking about, oh, I'm uncomfortable. Oh, my God, he looked at me. Oh, my God, they threw the fucking Pepsi bottle at my head. Oh, my God. Why is no spending my money on Google Ads? Hey, yo, this shit ain't ugly. It ain't. It ain't scripted to be cute for nobody. It ain't.

[Melissa Ford]

You're gonna spend a lot on Google.

[Ish]

Ads on your own, and you're gonna be sad.

[Joe Budden]

You're gonna be sad. Yo, a record you thought was gonna work is gonna fail. A record that you didn't think was gonna work is gonna take off. And you're gonna have a fan base come to you because they think that that's what you want and that's not what you want. You have to argue with your management, argue with your labor, argue with your publicist, argue with your lawyer, argue for people to see your fucking vision. There is no easy way to do this shit. And I'm tired of all these new age acts complaining at every turn about shit that you signed up for. Y'all did this. You could have been independent from the jump, but you don't. Because Cole, because Dreamville, because Interscope. It's the best of the best. Who said no? Nobody until you go out there and bump your fucking head a couple of times. So I hope that she gets her release because I support artists getting their release.

[Ish]

And you're gonna bump your head more independently it for sure.

[Joe Budden]

And you're going to spend more of your own money. You think them Google Ads is kicking your ass? Y'all tell people all the time, make sure that that contract you want to get out of is that contract that you want to get out of. Because I listen to all 18 minutes and all I heard was I don't have. Marketing girl is a lot of is much bigger problems that you can have.

[Ish]

Yeah.

[Joe Budden]

Because now let's say you go make the record of your life. You got your release like you asked for. Now you made the record of your life. You made her damage for you. What you doing with it?

[Ish]

Great point. If you don't have no marketing money.

[Joe Budden]

And no budget, what are you doing with it? Fucking 50 Cent just went on, can you even afford to be Breakfast Club or wherever you went? And he was talking about. He was responding to Amari Hardwick's comments about being underpaid on ghosts. 50 was like, I think he overvalues himself. And he went on and said more. But it got me to thinking. Well, not me thinking, because I know the answer to this already. But presented to the audience, who is the kingmaker? Like, who made. Who made that power universe go? Amari Hardwick, Bibby or Ghost? Because if it's Ghost, then it's the people that created ghosts.

[Ish]

It's the writers.

[Joe Budden]

And if you leaving it to the people that created ghosts, we can go create ghosts.

[Parks]

50, 50.

[Joe Budden]

No, it ain't.

[Parks]

It is.

[Ish]

That's not true.

[Parks]

It is.

[Joe Budden]

Explain it to me.

[Parks]

Because, listen, you can have a fabulous script. It's words on paper. It's the interpretation of the actor and the artist that makes those words jump off the paper and become the performance and become the character that we fucking love to hate or hate to love, but we still are fucking invested.

[Ish]

I agree with that.

[Parks]

That's why I say it's 50, 50, 52.

[Ish]

But until it is, there you go. So do you think so do you.

[Melissa Ford]

Think that's why so intellectual property exists?

[Parks]

I understand that. So my point is, is that Amari Hardwick isn't talking about day one. I was underpaid from day. He's talking about the whole scope, the whole six years. So. So season one after season one for six years. Oh, what? Well, five.

[Melissa Ford]

However many years.

[Parks]

Five. Because he died, Right?

[Ish]

Four or five. Go ahead.

[Joe Budden]

It doesn't matter.

[Parks]

Okay. Basically, he kind of became the show people watched for ghost performance. They did.

[Melissa Ford]

That's untrue.

[Ish]

And that's where the problem lies. That's wrong because. Respectfully now. Respectfully, too.

[Parks]

They like this. They like.

[Ish]

He did an amazing job. People bought into power, the entire collective. And this. We have proof of this because niggas is watching Tariq. Niggas, pardon me, are watching Tommy and Kanan and all of the other things associated.

[Joe Budden]

Let us cook for a second.

[Ish]

It's not as a result of Amari Hardwick. It's as a result of people buying into the power universe and what it offered. I think the script, especially in the first couple seasons, was amazingly written and they were all carrying out. It was a whole bunch of moving pieces. He was a big piece in that pause, but he wasn't like the end all, be all to the power universe. So I think it was a marriage. And if you. I wouldn't say it was 50. 50. I would say it was 70, 30. I kind of disagree now that I'm thinking about it, because I think about what Robert Downey Jr. Did for the MCU. It's different. How?

[Parks]

How?

[Ish]

Nobody gave a fuck about nothing MCU until Robert Downey Jr does Iron Man 1 in 08.

[Melissa Ford]

That's why I say it is a thing until it is. Isn't.

[Parks]

But that's what I'm saying is like Amari Hardwick is talking from the perspective of having. There was no for the. For those four or five seasons, whatever the case is. So he's not talking about being underpaid from, like, day. You know, day one.

[Ish]

There's no.

[Parks]

There's probably not much of an expectation, but when it's season five, is there an expectation that my pay is going to increase dramatically because of what I have delivered season after season after season? Then, yes, I would say that he has a right to that. To that.

[Ish]

Someone make me sound like I'm caping for the whites. Tell me what Amari Horror was in before Power.

[Parks]

I can't right now.

[Ish]

I bet you can't tell me what Robert Downey Jr. Was in before Iron Man Jail.

[Melissa Ford]

He was in a bunch of shit before.

[Ish]

He making jokes.

[Joe Budden]

He trying to be funny.

[Ish]

Yo, Amari Hardwick. I remember.

[Joe Budden]

Hold on. No, no, no.

[Ish]

Amari Hardwick. I remember him being in the movie with the rock with the kids. He was a gang banger.

[Joe Budden]

Dude.

[Melissa Ford]

That one that.

[Ish]

You can't. You can't put Amari Hardwick, no disrespect. And Robert Downey Jr. In the same thing. When you start talking about.

[Parks]

We're just talking about the circumstance.

[Ish]

Yeah. Different circumstances. I'm walking in the door as somebody that's established already.

[Melissa Ford]

When you become the draw, perks.

[Parks]

Okay, so you don't think that Amari Hardwick became the draw after season three, season. Season four, season five.

[Melissa Ford]

Respectfully. No, no.

[Parks]

Okay.

[Ish]

No, he was. Yes.

[Joe Budden]

He was not the draw.

[Melissa Ford]

He was a draw.

[Joe Budden]

He was not a draw.

[Ish]

He was a draw, and he was part of it.

[Joe Budden]

It was a draw.

[Ish]

He was a big part of it. I'm not gonna do that to him. Yeah, we. I'm not. But everybody had bought Tom.

[Joe Budden]

The creators of Ghosts saw a way to continue this storyline without you.

[Ish]

True.

[Joe Budden]

We get to lean on all the equity built from your great performance, and now we're gonna develop the sun even bigger.

[Ish]

To my Robert Downey point, we do.

[Joe Budden]

Not need what y'all are calling the draw.

[Ish]

And it works.

[Joe Budden]

Amari is my man. I absolutely love him and hope that he finds another role that is as successful for him. But the people that are putting this show together. Everybody has a comp.

[Ish]

But check it out.

[Joe Budden]

Everybody has a comp. No, let me talk a comparable.

[Parks]

Somebody who's like, could easily replace you.

[Joe Budden]

Yo. If Ghosts don't take this role, we're putting somebody else in this role that we think can do the role.

[Ish]

True.

[Joe Budden]

And if that person don't take it, the story goes on and on and on. Like, I don't know. I don't want to say. People overvalue themselves because you got to hit while the iron is hot. You do have to hit while the iron.

[Ish]

And I think that if you are.

[Joe Budden]

Helping, in the event that you turn away, it is totally on you, what you do from there. And if it don't pan out, it don't pan out. When I left Spotify, they didn't plan for me to pan out. They planned for me to say, hey, we're offering you this money. Take this money. The end.

[Ish]

You know what else they plan for Their backup plan to work. And that's what I'm saying about power.

[Joe Budden]

Yeah.

[Ish]

They let them go because they felt like we could spin off with all this other shit. If that don't work, you're doing what the MCU is doing, and that's bringing Robert Downey Jr. Back with a big battle. And that was my point.

[Joe Budden]

But sound like he argued our point.

[Ish]

You argue on my point. You are arguing my point that Robert Downey Jr. S value was so high that when they killed him off, Marvel felt the need to go bring him back and give him another role. Because that's a draw. He couldn't sustain after that. That means he was the draw. Right?

[Joe Budden]

If you go get the comp. Hey, I left them n. Went and got Rogan. Hey, game over, right?

[Ish]

You've never seen the Power Universe go re write Ghost back in the store?

[Joe Budden]

No.

[Ish]

That's what I said. Because it worked. Only because it worked. Which means he wasn't the draw for the Power Universe.

[Joe Budden]

He's not the draw. It's over. It's over.

[Ish]

If you gotta go get Robert Downey Jr back, he's a draw.

[Joe Budden]

And if you gotta go get Ghost back, he's the draw.

[Ish]

No disrespect, and no disrespect to Amari.

[Joe Budden]

Hardwick, because I think he played a.

[Ish]

Lifetime role in what we gonna look at his power.

[Joe Budden]

And a phenomenal actor. And I did like that movie. He did one of the movies he did after. I don't know, he did some shit with Jennifer Lopez. He did some shit where he was dressed all bummy. I like that. But did it get the acclaim? No, no, no, no. He's forever Ghost. I said, listen, I say all the time, man, who's the kingmaker? The guy with the idea or the guy that can execute?

[Ish]

I think it's 70, 30. I just. Both, but yeah. I just don't think it's 50, 50 sometimes.

[Joe Budden]

Me neither.

[Melissa Ford]

The perfect world is 50 50, but it rarely is.

[Ish]

You said you think it's 50 50.

[Parks]

Yeah, I do.

[Joe Budden]

Just.

[Parks]

Just from the perspective of seeing what.

[Joe Budden]

You'Re gonna execute without an idea.

[Parks]

Listen, I understand, but try to answer.

[Joe Budden]

Me first and then go ahead.

[Parks]

You can't. That's why I say it's 5050 one.

[Melissa Ford]

Handed without the execution.

[Parks]

Exactly.

[Ish]

You could.

[Joe Budden]

Because you could.

[Ish]

You could. You could probably. The idea is more. The idea is more valuable than the.

[Parks]

How many ideas have we seen Crash and Burn that were fucking phenomenal because the execution sucked ass?

[Ish]

Yeah. And how many people have we seen create amazing ideas and had subpar talent?

[Parks]

That we both. That's why we're. That's why I'm saying 50 50.

[Ish]

The idea is.

[Joe Budden]

I'd much rather have the idea and fail at the execution and then Go have the idea and fail again. And then go have the idea and fail again. Know what? I'm gonna keep getting ideas.

[Melissa Ford]

Listen, the lawsuit, the laws itself tell you what the value is. The laws are in intellectual property, which is the idea.

[Ish]

True.

[Joe Budden]

Yeah, that's true.

[Melissa Ford]

I. The laws don't protect the performance nearly as much as they protect Brian Michael Cox.

[Ish]

Brian Michael Cox and other amazing writers may be harder to find than somebody that can sing.

[Joe Budden]

Yes, That's a fact.

[Parks]

Okay.

[Joe Budden]

That is a fact.

[Parks]

Okay.

[Joe Budden]

Yeah. Sorry, buddy.

[Parks]

Okay.

[Melissa Ford]

It's usually skewed one way or the other.

[Ish]

Yeah, it is. And again, shout out to Amare, because.

[Melissa Ford]

Some great systems can make out of nothing. Nothing. Some great ideas can have whoever pushing the idea.

[Parks]

But to me, Amari was not overselling himself. He wasn't. He. He became Ghost. And nobody could think about, think of anybody else to do that role.

[Ish]

That's true.

[Parks]

And so.

[Melissa Ford]

Well, that's hard to do that.

[Joe Budden]

We killed the role and we have your son and your partner.

[Melissa Ford]

It's hard to do that.

[Joe Budden]

And you're in your arch nemesis. Everybody gets a show now, except for you.

[Parks]

We always.

[Ish]

That's based on the hard work that he put in.

[Parks]

And we always have these conversations of, can you imagine, you know, this role being played by anybody else? We do this all the time. When it comes to movies and television shows.

[Joe Budden]

They run without him.

[Ish]

Yeah. Yes, they run without him.

[Joe Budden]

We old enough to see. We know the other envelope like, right? We. We've seen characters beat. The show goes on, goes on.

[Ish]

And sometimes it don't.

[Melissa Ford]

We saw here.

[Joe Budden]

Yeah, I mean, I didn't want to bring it up, but.

[Parks]

Wait, you said what?

[Joe Budden]

It's the same shit you niggas be thinking. Y'all are irreplaceable. And the nigga with ideas don't look like that.

[Ish]

I agree with that.

[Joe Budden]

I'm gonna wake up tomorrow and drink coffee and have a slew out another idea. I'm gonna look at the sunrise and just be writing them down. And then I gotta find son or.

[Ish]

Just the new black. Yeah, yeah, I get it.

[Joe Budden]

Who can execute this? Now that's a talent in itself. Finding people to execute your ideas.

[Melissa Ford]

For sure.

[Ish]

Yeah.

[Joe Budden]

You wanna be shout out to the executors out there and shout out to the people with ideas. You all are needed if I have to pick one. I always want ideas.

[Ish]

Always. Okay, I agree.

[Joe Budden]

That's just what make me ill. Cause I'm an execute too.

[Ish]

That part too.

[Joe Budden]

I'm ill. I'm 100% ill. They can't tell me shit, you cool, but that's what. No, no, I didn't say, yo, dog.

[Ish]

I'm not patting your back.

[Joe Budden]

Yo, I didn't ask you to pat my back. But you repeated my shit and it kicked me in the back. Don't pat me, but don't kick me. I did not kick you, fam. Go ahead. God damn. Fucking. I'm fine.

[Melissa Ford]

Cool.

[Joe Budden]

Fucking. They threw something at her. Yeah. Shut the fuck up. My business accountant robbed me of every penny I had. Along with countless of others my first two years in the music business. They said there was nothing that could be done. I much rather somebody throw something at you. At me? Throw the Pepsi in my head. I was thirsty anyway. All right. Got this car somewhere over here from when that clocked me with that 3 liter Pepsi in the bodega by Lincoln. We was fighting Charles. Shout out to Charles. Yeah, we got the scrapping in the bodega. Lunchtime. All that. You gotta, you gotta. You have to get used to leaving school for lunch. There's things you have to learn. It's different from the cafeteria. We used to goin over there by Crowns and go to the bodega to get something to drink afterwards. And Charles set it up. It got lit. It got lit.

[Ish]

These kids, they ain't gotta worry about that at all.

[Joe Budden]

I started doing my numbers, that nigga turned into John Wick. He fucking reached his hand back, grabbed that 3 liter Pepsi. Bow in the face. Caffeine, the big mom.

[Ish]

I remember the three liter. I ain't know.

[Joe Budden]

Three liter they selling in the bodega.

[Ish]

The hit you with the plastic.

[Joe Budden]

Yes. In the bodega. 3 liter Pepsi. What you wear right here?

[Ish]

What you hit him with?

[Joe Budden]

Wherever that scar is. My fist. Oh, yeah.

[Ish]

He won.

[Joe Budden]

It's a lot of them. It wasn't a fair.

[Ish]

Oh, it just wasn't Charles. It was Charles and the rest of the boy.

[Joe Budden]

It was Charles was in charge all the rest of the Lexington. Charles was in charge and it was me and a few niggas. We scrapped it out of the bodega. But then more of them was coming.

[Ish]

So you hot tailed it after you scrapped it.

[Joe Budden]

Ran away. Got it.

[Ish]

Smart man. Smart man.

[Melissa Ford]

Yeah. Let's fight another day.

[Joe Budden]

Ran away.

[Ish]

That's right.

[Joe Budden]

Got up out of there, ran away and avoided Lexington Avenue for the next seven months until I could have a conversation with somebody to see if we can get things right. Man, what happened?

[Ish]

Go smooth that out, man.

[Joe Budden]

15, 16. Yeah. Yo, where you used to be at?

[Ish]

What's up?

[Joe Budden]

All over.

[Ish]

Don't hurt. See, you think I'm always trying to shoot at you.

[Joe Budden]

I don't want to talk to you.

[Ish]

I'm not shooting at you, though.

[Joe Budden]

I don't want to talk to you. I don't want to talk to you about anything that happened in my life.

[Ish]

Got you.

[Joe Budden]

That's not the friendship I want. I want our sh to be like, today and tomorrow.

[Ish]

Okay, cool.

[Joe Budden]

Not all my yesterdays. Nah. I don't like how your face look when we start talking about my shit and not enough of your shit. We don't talk enough about your past, nigga.

[Ish]

We not get enough.

[Joe Budden]

We're not even doing. I want to talk more about your past. I do. Not now.

[Ish]

It's cool.

[Joe Budden]

Not now. It's all right. But it's coming.

[Ish]

Gotcha.

[Joe Budden]

It's cool. Elliot Wilson is reporting that Drake and future have squashed the beef. I'm biased, so I toss it to my cast.

[Melissa Ford]

Round of applause.

[Ish]

Yeah. Hey, give me some more slaps, man. That's all I care about. Give me the slaps. I don't give a fuck if y'all friends or not, but y'all, if y'all are able to work together again, great.

[Joe Budden]

Get to it.

[Ish]

I think they've both said this, though, publicly.

[Joe Budden]

No, hold up. She being quiet during the Drake topic again.

[Parks]

I clapped it up. That's peace.

[Joe Budden]

Cause that's the gig.

[Parks]

What do you mean? Hey, I'm happy that they're glad.

[Joe Budden]

Back on the promo tweet for your podcast.

[Parks]

Oh, my God, here we go.

[Joe Budden]

Melissa Ford bears it all, and I heard it.

[Parks]

Okay, Joe, if you don't leave me alone.

[Joe Budden]

Did you write that?

[Parks]

Leave me alone.

[Joe Budden]

After my.

[Parks]

Leave me alone in.

[Joe Budden]

In spirit of flip.

[Parks]

No, you didn't write. No. I have a team.

[Joe Budden]

I didn't think you.

[Parks]

Back up.

[Joe Budden]

I dare you.

[Parks]

Back off.

[Joe Budden]

I'm bearing it all on this. This 29.

[Parks]

I bear it a lot. I was brave.

[Joe Budden]

Well, it's a health pot.

[Parks]

Okay?

[Joe Budden]

So that's important to know.

[Melissa Ford]

It is.

[Joe Budden]

It's a health pot.

[Parks]

I talked about some very personal things. Yeah, I did.

[Ish]

That's right. She bared it all anyways. Bore. Bore. She bore it all. Goddamn. Elizabeth teaches.

[Melissa Ford]

I don't think you want to associate boar with entertainment.

[Joe Budden]

Y'all are the worst. Can I just say my favorite part? Go ahead. She gotta say it. Consent.

[Ish]

Oh, that. Yeah, yeah. Can't give consent for her.

[Joe Budden]

You can't give consent for her? No, I just say my favorite part of the part.

[Parks]

Fine.

[Joe Budden]

19 minutes in.

[Ish]

Yo, he got the tom st.

[Joe Budden]

He's sick. 19 minutes in, Mel is sitting there using all the college words and not saying nothing at all. And the producer finally had enough. And the producer says, hey, that's cool, but you're going through something you could share, like your personal experience about what we're talking about rather than all this bullshit. What say you? And then you said, I'm not ready to talk about that. And then he said, Cause he's a dude. All right, all right. No pressure, no pressure. And then it was an edit. Fast cut to your video vixen days. I was like, wait, half. What the fuck? I love that part. I love hearing another producer frustrated with.

[Melissa Ford]

Hot and Bothered out now, man.

[Ish]

Shout out to Hot and Bothered out now.

[Joe Budden]

Keep him talking about. I want to keep hearing from that little. When that mic. I mean, that nigga was tight.

[Ish]

Yeah, you can hear him saying that.

[Joe Budden]

Yes, they left it in and promoed it. That's their promo clip.

[Parks]

Yeah.

[Joe Budden]

And they cut it off like something suspenseful was coming after that.

[Parks]

The music and everything. Yeah. Had a whole voice of God thing going on.

[Joe Budden]

It's great. Yo, Jim, personally, what you think of that? No. And they gonna write you beers. It off. Hot and Bothered out right now. They talking about. There we go. They talking about.

[Melissa Ford]

Pick up four.

[Ish]

I need a hot.

[Joe Budden]

And next episode, she gonna share something, so don't worry. It's coming, y'all. I listen at the 16 minute mark, I felt like I had a yo. I thought that she was gonna include men somehow. It was just 29 minutes of vintage pussy. It was 29 minutes of. Yo, when you retro, y'all pussies get old. This shit gonna have a little flap and it might not get the wet. And when you get old, this is so not working. Your pussy can't get as active as you need it to be.

[Ish]

They lose the.

[Joe Budden]

Yeah, so. And listen, if you're young listening, you gonna get older and have a whole pussy, too. So these are the things you will have to bear with.

[Parks]

God, I just.

[Joe Budden]

Yeah, I started patting my crotch like.

[Melissa Ford]

My shit still get wet. Y'all good?

[Joe Budden]

Is my dick good? Oh, my God, that was sick.

[Parks]

It was disgusting.

[Joe Budden]

Okay.

[Parks]

That was fucking disgusting.

[Joe Budden]

Oh. Oh.

[Parks]

I just. I just love being up here talking about my. Talking about my pussy with a bunch of fucking guns.

[Joe Budden]

Whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa. You brought it up.

[Parks]

You brought it out.

[Joe Budden]

No, I'm going out my pussy. I didn't say nothing about yours.

[Ish]

Yeah, we don't want to hear about yours.

[Joe Budden]

You tried it. You tried that Meg shit just now, she tried to frame it a certain way. No, no, no, no.

[Parks]

No imitating me.

[Joe Budden]

Listen, you guys, pussies at 60 are different. 60 pussies is the metropod.

[Parks]

You know what?

[Joe Budden]

What's this word you said?

[Parks]

Don't even say it. Don't even say it.

[Joe Budden]

I don't even know it.

[Parks]

Exactly. Don't even say that word.

[Joe Budden]

Metropod.

[Parks]

I don't know what you're saying right now.

[Joe Budden]

See, sorry, you tell me. That's it.

[Parks]

Because I thought. No. Atrophy. Is that the word you were looking for?

[Joe Budden]

Look at you. Look at you.

[Parks]

Because that's kind of what you're saying right now.

[Joe Budden]

That producer. Let me tell you something. After that producer chimed in, it was seven minutes left apart. That got her the out. All right, all right. You got it, girl. All right. Just wrap up.

[Ish]

What you talking hot and bothered out now?

[Melissa Ford]

That's right.

[Ish]

Word.

[Joe Budden]

Don't worry. Flip getting these jokes too, when he get back. Hey, don't worry. Hey, everybody that's trying to venture into solo shit is getting jokes. Sorry, on the network. Not on the network. You just wait till Flip step, baby, you better called out.

[Melissa Ford]

You think that's why he called out?

[Joe Budden]

Yes. Well, I think that he realized he had a day in the tone on Halloween and was like, oh, shit, let me use my Dana Tuck. That's what I think he did. I also think that was pretty convenient. Cause Imani called me the day after and said, yo, you seen Flip? And I said, yeah. And then know what Imani said? He said.

[Ish]

Yo, that's fucked up.

[Joe Budden]

And then he said, that's crazy. I can't wait for Friday. Friday, I'm coming in early. Look at that.

[Ish]

He damn sure got here early.

[Joe Budden]

That's up with some Caterpillar boots.

[Ish]

Come here to kick your man back here early. Caterpillar what?

[Joe Budden]

Flip, get your ass in here, boy. You and Mel. Hey, anybody getting it? If is hoodies ain't working, he was gonna get it too.

[Ish]

Who said they work?

[Joe Budden]

Whatever. You want me to answer you?

[Ish]

Absolutely.

[Joe Budden]

Okay. As soon as. What was last month? Breast cancer awareness. As soon as we needed to stop being aware of that, you had a whole new IKEA line. We got an IKEA line that's really for press.

[Ish]

That means it's Thanksgiving.

[Joe Budden]

I don't think that the unsuccessful companies move like that.

[Ish]

That's what, a 5% of Thanksgiving?

[Joe Budden]

Yeah, he got them, right? It's cool creation. It's cool.

[Ish]

I don't know what it is. I ain't buying what he's selling.

[Joe Budden]

I don't think failing companies even put out 300 colorways. I think they meet with the board and figure out how to cut things down.

[Ish]

Facts. Yeah, we gonna give them these.

[Joe Budden]

I think your shit is working. But if it didn't.

[Ish]

Boy, you just laugh at your friends, huh?

[Joe Budden]

Y'all laughing me?

[Ish]

You laugh at their failed business ventures.

[Joe Budden]

You laugh at my scoliosis.

[Parks]

No, we don't.

[Ish]

It's not a failed business venture. You got scoliosis with a Ferrari. That makes up for it.

[Joe Budden]

That. No, I don't.

[Ish]

You just drive like that.

[Parks]

You good dog.

[Ish]

You know what I mean? You straight shorty, and I'm a kid.

[Joe Budden]

Y'all are bad friends.

[Ish]

I mean, you good doggy. This guy's crazy, bro.

[Joe Budden]

So then Mercedes sent me a letter talking about, hey, you got come back. 17 months left, but we'll pay for it all if you just resign. If you resign, we'll get you into something new. My mom sent it to me. I don't check the mail. You can't reach me talking you talking about? But I called him up here.

[Ish]

That's what you say, yo.

[Joe Budden]

I said, yo, what. What you got for me over there? They send me Pictures of some two tone Maybach. White and black, 5v12, 680, whatever the it is. Special design on the inside, yada, yada, yada. You know, I hate that Two Tone. I hate that.

[Ish]

I think. I think they do it on purpose. I think there's a way.

[Joe Budden]

There's a way to do it like a drug dealer. I think this looks like some drug dealer. I'm going show it to y'all and tell me if it looks like some drug dealership.

[Melissa Ford]

Okay?

[Joe Budden]

You seen the one I'm talking about? No, you didn't. How you seen that?

[Melissa Ford]

It's in the monster shed.

[Joe Budden]

First person only.

[Parks]

No, that's the brother.

[Ish]

That's the brothers.

[Joe Budden]

It's in the brothers chat. Not a white and black. For real.

[Ish]

You told us about the 680. Before I went, I went 580, whatever it is. I went and looked at it. I seen it.

[Joe Budden]

How you think it look?

[Ish]

I think they try to separate that from an S class. So much so that they could bump up the price. They got to do something to make it. You know what I mean? Like really, really, really stand out from the S. So I think they make it two Tone. Almost as an identifier.

[Parks]

That just amazing to almost make it look like a Rolls or something.

[Ish]

No, it's a Maybach. When you see it coming down the street, you know it when you see it, it stands out. That's what I think.

[Melissa Ford]

But that is kind of a rollsy.

[Parks]

That's what I mean. I know what a Maybach looks like. Crazy.

[Joe Budden]

Oh.

[Ish]

I'm sure you know what every car looked like o.

[Joe Budden]

Oh. Especially BMWs.

[Parks]

You. Don't we have. Don't we have sleepers?

[Ish]

I'm trying to get my sleeper for my man.

[Joe Budden]

She wouldn't be a W. Like this. Are. These are my retention rates. I'm Melissa Ford.

[Melissa Ford]

I'm still in jail cells.

[Ish]

Oh, man.

[Joe Budden]

Oh, that was my second favorite part of the part.

[Parks]

Oh, cracker.

[Joe Budden]

Ask me my second favorite part of the part. I love Melissa Ford. It's her saying, first of all. All right. Second and third. I did my first. I'll do my second and third. No, for real, cuz I listen to shit. You know, I've listened to. I'm a supporter. I'm in the Mel Hive. Who do. My second favorite part was the whole podcast. Mel telling people what her podcast was about to be about. I like that. Even though it.

[Melissa Ford]

Let's get to the third hit.

[Joe Budden]

It started the third was Mel saying, for those of you who are unfamiliar with who the fuck I be, I had a very glorious start as a video vixen, which was such a revered career back then. But then there was a seismic shift in how we were regarded. Drinking my coffee. Like, wait. A seismic shift. If I had a nickel. But every time you brought that video fixing and shit. Are you proud of it or not?

[Parks]

Do you know that I have to talk to the audience? Like, there's going to be some people that have no clue who I am.

[Joe Budden]

I think that's Cap.

[Parks]

Why?

[Joe Budden]

I don't agree with that. I don't think you ever have to talk about being a video vaccine if you don't want to.

[Parks]

I don't necessarily want to, but I want to go through the, you know, my career in chronological order.

[Ish]

Okay.

[Parks]

Yeah. So that was just me talking to people that may not be familiar with who I am. So I'm just like. I'm giving them the Cliff Notes. Notes.

[Joe Budden]

What's on that Android?

[Ish]

My sleeper that I'm sending my man.

[Joe Budden]

Yeah, I got mine queued up, too. I'm ready to go.

[Ish]

That's all I'm doing. Seeing what I want to play.

[Joe Budden]

That's all I told y'all. Drinking future squash.

[Parks]

Yeah, you're first. We're waiting on you.

[Joe Budden]

I'm making sure everything is copastatic. Everything is cool.

[Ish]

There's one up there.

[Melissa Ford]

There is one up there.

[Joe Budden]

We Gotta get to it.

[Melissa Ford]

We wanna do it.

[Joe Budden]

We have to.

[Melissa Ford]

How do we do it?

[Joe Budden]

We have to. Cause by the time the patreon comes out. Yeah, you can. Yes. Come on. Come on. Let's do it. What do you guys. Halloween just passed. There's a topic going on. I won't tell y'all how it's going on. But the topic. The topic, huh?

[Parks]

I know how to do it.

[Joe Budden]

How to do what?

[Parks]

Y'all have daughters. What were they for? Christmas or. Sorry, Halloween.

[Joe Budden]

Christmas, whatever.

[Parks]

Halloween. What were they for Halloween?

[Ish]

My daughter was Elsa from Frozen.

[Parks]

Adorable. Okay.

[Melissa Ford]

She was a chocolate chip cookie.

[Parks]

So cute.

[Ish]

Stop, stop.

[Joe Budden]

Yo, we'll jump.

[Ish]

We will jump you in here.

[Parks]

I have to see this.

[Joe Budden]

Yo, you can't.

[Ish]

Man.

[Joe Budden]

Who just can't leave the sweets alone. You are addicted, my brother. Your daughter didn't want to be a cookie man. Get a grip.

[Melissa Ford]

Get a grip.

[Joe Budden]

That is not. All right. Chocolate chip cookie.

[Parks]

Okay.

[Joe Budden]

And Elsa. Yes. There's a topic going around about questionable Halloween outfits for children. The content, because somebody's child was Lil Kim for Halloween and they made a video and the Internet reacted and responded. How old Was the child? 8.

[Ish]

What the costume look like?

[Melissa Ford]

The song was Crush on you.

[Ish]

That's enough for me.

[Joe Budden]

Yeah. They were rapping the song.

[Melissa Ford]

Yes.

[Joe Budden]

I mean, they were rapping the song.

[Melissa Ford]

Censoring out the inappropriate parts.

[Parks]

It's a lot of.

[Melissa Ford]

But it's a lot of.

[Parks]

That's a lot.

[Melissa Ford]

Even with the censors, it's still.

[Joe Budden]

But dressed like him. Inappropriate. Yeah, Yeah. A few different outfits.

[Ish]

Oh, it was a couple.

[Joe Budden]

Okay.

[Melissa Ford]

Yeah.

[Joe Budden]

The red one was, I think the one that had everybody like, okay. We don't want to put that costume on an 8 year old and have her rap the lyrics to Crush on you, which is.

[Melissa Ford]

There's even. It's always explicit.

[Joe Budden]

Yeah.

[Ish]

And the shit people doing for, I guess, content purpose. I don't even know. But. But y'all know how many weirdos and creepy motherfuckers is out here? So not only. Like I tell people, stop posting their kids, period. I mean, you do what you want, though. But I suggest that just because you don't know who's looking at these pictures and what they doing with them. That to the side now you want to dress to her, like seductively.

[Parks]

Provocatively. Provocatively.

[Joe Budden]

Yeah.

[Ish]

Like.

[Melissa Ford]

And little Kim do the video.

[Ish]

The song, a lot.

[Melissa Ford]

I mean, I'm not throwing my name, but the lyrics to that song.

[Ish]

I know the lyrics to the song.

[Melissa Ford]

It's weird. It's weird.

[Ish]

Yeah, it's A lot I'm not. You already know where I stand. Like that's not my thing. I don't want my kids even. And this might sound idealistic, I don't really want my kids thinking about nothing sexual until they get to an age where I can have that real conversation with them. So I want my kids to be as. Be a kid. Be a child as long as I possibly can. You know what I'm saying? In this day and age, you want to kind of push that backwards.

[Parks]

That was a really interesting costume though. Like Lil Kim from Back all the way. What, 96? Yeah, that's a really interesting costume, that part. That's what I mean.

[Ish]

True.

[Parks]

So who's. So whose idea was this costume?

[Ish]

I didn't even think about that. That is true.

[Parks]

Which makes it even weirder.

[Joe Budden]

Well, he's fly with Kim.

[Melissa Ford]

That's cool.

[Ish]

Don't mean that 8 year old knows that.

[Joe Budden]

So she could have met Kim and researched Kim and just wants to pay tribute to Kim. I think there's a way for kids to be Kim and it be age appropriate is what I'm saying. Right.

[Melissa Ford]

There's other songs, first of all.

[Joe Budden]

Yeah. I don't want to make it sound like Kim is fucking.

[Ish]

I get what you mean.

[Joe Budden]

But like you can do it.

[Ish]

There's a way to do it. Not that way.

[Joe Budden]

The way that it was done just came off. Off came off poorly and made everybody say that Halloween costumes should be age appropriate.

[Melissa Ford]

Yeah, absolutely. And then the content is what made it worse. Like even the outfit itself is weird. But okay. But when you do the song in the video, that's where it. For me it became super duper weird.

[Joe Budden]

Well, shit, that was a trend this Halloween that I've seen more than others. Right. Like people dressing up in their costume and then showing you where they're costume is from. Yeah. Like Sierra was Glorilla and she did the Glorilla Speedy interview. A lot of people just did this. They did the clips of hey, this is where my costume is from. If you don't know.

[Melissa Ford]

Yeah, because a lot of it's like from some celebrity posted a random outfit one time or pop culture moments.

[Joe Budden]

They did.

[Ish]

It's a lot of. Because a lot of these costumes are hey, what are you.

[Parks]

Yeah.

[Ish]

And you want to be creative. You don't want to do the nurse or the Velma or. So some of that shit you gotta show somebody. Like everybody did Julia Roberts, Pretty Woman last year. You don't have to show that anymore. Where the hell was you at? No, I'm Just playing. But you don't have to show that. This year they were showing, like, it was creative shit where they would take a costume from some star in the series and post these niggas was making memes as their costumes. Yeah, like, that's where we at now. That's where we at. So you have to explain it, because everybody don't know what the fuck that is. So that's why there's gonna be more of that. Of I gotta tell y'all where this costume came from. Cause y'all ain't gonna know.

[Joe Budden]

I wish the girl I saw that wore a thong over the old five would have told me where that costume was from.

[Ish]

Yeah.

[Melissa Ford]

What I thought over the fathas.

[Joe Budden]

You saw it, right? And that's my people.

[Melissa Ford]

Did you pick any limp balls off it?

[Joe Budden]

That was my homegirl, too.

[Ish]

It's bad, man. That's your homegirl, huh? You tapped her and told her not at all. Okay.

[Joe Budden]

Not my place. Women should be able to wear whatever they want.

[Ish]

Her body, her choice. She should be able to wear the faja with the plate without a man with the plates if she wants.

[Joe Budden]

Go home. Go home if you're doing it. Yeah.

[Ish]

I mean, stupid.

[Joe Budden]

Yo. We don't need to see that. It's like when strippers be stripping with the birth control patch on his shoulder. Like, just go home. Just go home, Yo.

[Ish]

Well, I think that was the nicotine joint.

[Melissa Ford]

We got both.

[Ish]

Yo.

[Melissa Ford]

Some of the good establishments.

[Parks]

I feel like the shoulder is the nicotine patch, and then the birth control patch is on the side of the butt. But.

[Joe Budden]

Yep.

[Parks]

Quick delivery system.

[Joe Budden]

Yeah.

[Ish]

So I was talking about the show.

[Joe Budden]

The nicotine patch is never in the same spot because it can't be applied to the same spot.

[Ish]

Really Gotta keep moving it.

[Joe Budden]

You have to move. You have to change the spot every time you put it.

[Ish]

Now, does it only be arms or can it be legs?

[Joe Budden]

Anywhere you want.

[Ish]

Okay, so why? So it could hit your bloodstream.

[Joe Budden]

Gotta ask Michael Paul, but I would assume so. I assume it loses its effectiveness.

[Ish]

Gotcha, gotcha, gotcha.

[Joe Budden]

If you keep putting in the same spot. That's what annoyed me with that. Took that off me so fast out of here. I'm smoking. Smoke the batch. Crazy. Is there anything else that we need to get to before we get out of here? Next week is election.

[Melissa Ford]

It is.

[Joe Budden]

Oh, yeah. Happened fast, yo. It did happen fast.

[Melissa Ford]

One thing I noticed about the selection cycle is the barbershop. And really, the barbers came up. I just saw Obama getting a haircut with the barber. I Seen Trump sit with the barber. I seen Kamala sit with the barbers. The barbers. That's the spot, apparently. Salute it is.

[Ish]

Yo, yo. You know election day a holiday, right?

[Joe Budden]

Oh, I don't know if you was here when I asked everybody if they wanted off for election day.

[Parks]

I wasn't. I must not have been here either.

[Joe Budden]

Well, you're never here.

[Parks]

This is such a lie.

[Joe Budden]

Everybody else.

[Parks]

Flip's never here.

[Joe Budden]

No, no, you're never here.

[Parks]

Flip's never here.

[Joe Budden]

Flip has better attendance than you.

[Parks]

Mel lies. No, he doesn't.

[Joe Budden]

Yes, he does.

[Parks]

No, he does not.

[Joe Budden]

Flip has in his contract that he don't have to be here two times. You just stay away.

[Parks]

I do not. Anyways.

[Joe Budden]

And then you tried to take the Tuesday off and make it a Friday off. I heard about that.

[Parks]

I didn't know if.

[Joe Budden]

All right, but don't lie. I'll call.

[Parks]

I'm not lying. I just did. I was just like, hey, can I come in on Tuesday instead? And then instead do Friday? I didn't know that it was just Tuesdays.

[Melissa Ford]

No.

[Parks]

You know, now I know.

[Melissa Ford]

No one's half the battle.

[Parks]

And then I shut the fuck up.

[Joe Budden]

Oh, yes.

[Parks]

Yes, I did. Yeah, let it go. Yeah, let it go, Joe.

[Joe Budden]

Listen, though, I got a beautiful sleeper for you guys.

[Ish]

There you go. There you go.

[Joe Budden]

I have a phenomenal man. Tell him. Get out of there. This is off of Jacques's project. Project is called baby making. I'm going to the title track. This song is baby making.

[Ish]

Lights down enough room let's get serious serious maybe I'm curious to know is this real or just for show? Only thing that's playing in my head is laying in your bed it's dripping down your legs Set the room lights are red tonight is going down but let's make a baby tonight soon as the lights go out Take care of your body rubbing on yourself Climb on top of me, babe until you go out let's make a baby tonight soon as the lights go out Take care of your body r know yourself Climb on top of me, babe until you d yeah Climb on top of me, babe Let it all out loud you deserve surrounds for me kiss no doubt we should make a movie Start on right cloud all that talking she ready tell me time get on your belly bro you know tricks to give.

[Joe Budden]

Tonight.

[Ish]

Soon as the lights go Take care of your body rubbing on yourself Climb on top of me, babe until you do if I had one wish it would be to be right here making love to be right There's Nowhere else I rather be love the fact that you're my beauty girl and I'm your beast now you be pleased toot that ass up on the flow flow Arch your back and throw it back and show me what you know yeah you the best I ever had good girl but you left when I be smacking on that ass let's make a baby Take care of your body rubbing on yourself climb on top of me babe until you do baby soon as the light go Take care of your body ring on yourself climb on top of me bab until you.

[Joe Budden]

It's brand new music from jquery that record is called Baby making off of his brand new project also titled Baby making available in your phone and on DSPS right this second Shout out to Jaquese good luck with everything sound good.

[Ish]

News Joe Biden all right I'm going up to going to Queens man banks put out Halloween Havoc 5 let's go and this record is season of the psychos Car won't slip I got too far pull strings sing you a song AR is my guitar your muscle there's a special graveyard for bodyguards walk up out the body scar broke jaws and hardy halls you ain't never packaged in the front Ferrari cars leather green golden purple color of Mardi Gras to talk to me it's business all the milarkey dog cowers hiding uniform inside they hobby fraud I'm a visionary brand too strong to be a subsidiary arrow target all backs even gotta get rid of family my feet should be sandy garage large and a living nanny journey men would rather have odd jobs they ride to spare me they got the itch again I'm serving you smoke for listening I'm cold as Michigan grew up rough as your skin this a different pin sounds like bullets when whistling even relationships won't get you in the riders never steady obstacles could be deadly sticks don't gotta convince me I witnessed it already I can handle my own weight is never too heavy amazing with a racing act like you never met me 100 miles and I'm running gun in the E way this is top tier worthy of replay smokes in the air keeping the streets gray this year Halloween fell on the weekend season for the cycles the Jacks, Normans, the Michaels never had my number they allow on a stack of bibles I'm gonna make them pay for comments back then my rap is fightful any show up in the washer gets rinsed I'm back in cycle be careful for what you write though let's just say you made a typo for I catch you on the rebound Clear this out like a ISO is to pass into the band is a massacre on the canvas and I'm solo I don't trust the passenger Cause they scandalous many stones rips cracking they get you feeling See your favorites in my rear view While backing up in my cameras Go ahead and hang yourself plenty rope in my arena hear me laughing Everything is a joke to hyena hobby damaged goods won't know how to cope without a beamer I needed someone to hummus but never found a feature I done seen so many dark days Comfortable around the reaper this is ether from here on out there's nothing cheaper Riders never steady obstacles could be deadly Snakes don't gotta convince me I witnessed it already I can handle my own weight Shit is never too heavy Amazing with erasing act like you never met me 100 miles and I'm running gun in the E way this is top tier worthy of replay Smokes in the air keeping the streets gray this year Halloween fell on a weekday. And that is season of the Psychos. Lloyd Banks Halloween Havoc 5 in your phones DSPs everywhere and he's also selling it direct fire.

[Melissa Ford]

Fire. Shout out to Banks.

[Joe Budden]

Shout out to Banks let's go Bank.

[Melissa Ford]

I'm playing some Shane Noir I'm going upstate Buffalo this is Shadow Puppet featuring Brady Watt and a gentleman's name I cannot pronounce.

[Ish]

My thoughts is paralyzed by poor black mothers it starts with a family tree from a poor black couple My heart is like a grave site Niggas can't take the stench full of dead bodies Just one look at it make em flinch My brain is my bank but they say it don't make no sense but my tongue is a.

[Joe Budden]

Different story it paints visions for me.

[Ish]

Cause my eyes been blind from the blind eyes I turn became a bride to cry my right to rhyme my words but my ears is what I use to stand through hand Walk by faith what I feel is what I fear Visionary thoughts Witness killings of my peers all the memories I lost putting ribbons in my head we all struggling but to them it's all a puppet trick we want the cause of craze but our people was taught to covet it the goals I used to call a bucket list but somehow I lost touch of it Tasting of that apple left me waiting in the shadows Shadows.

[Joe Budden]

We be the outlines of bodies on a black Impressions of a being without substance Invisible to those who don't want to recognize our work we be the chalk outlines on the Sidewalks of cities and towns where our death becomes a pattern of purpose.

[Ish]

I was like David amongst the giants but the reward of true success it comes from trying how.

[Joe Budden]

We programmed to think as a people.

[Ish]

It comes from science and the only way to accept rebirth it comes from dying I fought paying a care From Deschla street off of Broadway it's hard days to go from my activist to a car slave the school are hard knocks to see graduations a long way Cause right before that's when the devil becomes a prom date I struggle with expressing myself I had no sanity so now I paint pictures with words Using my hands to speak for niggas who try stealing my art I cut the hands of a thief and keep it as a house pet like the Addams.

[Joe Budden]

Family yeah can only judge me by.

[Ish]

A gavel Blood was shed from Eve that made us hungry for an apple can learn an art of war and see you bloody from the battle can appreciate the sun until you studied in.

[Joe Budden]

The shadows Shadows to exist only by the will of someone else to plant seeds for us to harvest we be the crust of the pie that we bake but can't eat Serve to those who have suspended on our existence to hold up a world we're excluded from we be the graffiti on the brick walls of buildings A shout out to the world we are here A portrait of rap we be the siren sounds screaming through the hood Stopping traffic Running red lights searching for Greek we be the faces reflected in the puddles left by the rain Waiting for the sun to evaporate our souls we be the blood stains on our clothes after being shot by the police and still we find a way to survive.

[Melissa Ford]

Shade Noir, Shadow Puppet featuring Brady Watt and Abiodun Ole I think is maybe Salute. Lotus Child out now.

[Ish]

Biggest going to Elijah Blake. Nice project. You'll like it. Yo, it's Project Dope. You'll like it.

[Joe Budden]

A few weeks later I have it already. I do like it, you're right. Tell me what I like.

[Ish]

Elijah Blake and Karen Lomax. Read the room. Hey, let's go to food. Take me out of these riches I don't want to stay here I just want to lay down with you Feed me, open my kisses I don't want.

[Joe Budden]

To stay here I just want to.

[Ish]

Take all of you Come and give me up tonight I don't even mind the stories they're right about us in the morning no, I won't even close the blinds Let them see my pride with the wind with the room with the room Take me out of this nonsense I don't want to care Nobody compare us to you let's go somewhere less unless we get under make a little mess so come and keep me up tonight I don't even mind the.

[Joe Budden]

Story is they write about us in.

[Ish]

Morning no, I won't even close the blind to let them see my bride dream screaming again.

[Joe Budden]

To hear this world.

[Melissa Ford]

Let'S read the room Elijah Blake and Kareem Lomax. That's hard.

[Joe Budden]

That was fire. I don't know if it's real or fake or not, but y'all seen Angel Reese put out all the missed calls from. From.

[Ish]

That was Sentel.

[Joe Budden]

No, but it's funny still hilarious.

[Ish]

Hilarious still.

[Melissa Ford]

Tell me.

[Ish]

I fuck with now. They done got a bunch of other.

[Joe Budden]

Ones that Sentel tweet talking about. Andrea says that the real love of her life is Bronny James. Yo, Sintel be cooking. Centell's funny.

[Melissa Ford]

Yeah, they're funny.

[Joe Budden]

Why we can't report on Centel fake shit. Because it's fake.

[Melissa Ford]

We can't report on it. We can lie.

[Ish]

We can just lie.

[Joe Budden]

Yeah, he got Shaq looking muddy as hell in these missed calls.

[Ish]

Facetimes all holy.

[Joe Budden]

Also, daylight savings time is this weekend.

[Melissa Ford]

God, I thought we got rid of that.

[Joe Budden]

No, boy, that was only you reporting fake news. Centel.

[Melissa Ford]

No, they Sentel.

[Joe Budden]

You got Sentel.

[Melissa Ford]

I do have Sentel.

[Parks]

Is it just one more year?

[Joe Budden]

No. No. Y'all are using. No, but neither are y'all. Y'all keep using this big platform to not be sure about things. That was an idea they floated. They wanted to pass it. There's nothing, nowhere that says next year is the last daylight saving time. If I'm wrong, say it now so the audience can know. If not, y'all are just spreading bull. Y'all are Centel.

[Melissa Ford]

We're Centaur. Fuck it.

[Joe Budden]

Mel is always Centaur. Didn't they drop the charges on Eric Adams?

[Parks]

Notice how I punted Eric Adams? Fucking question.

[Joe Budden]

Yeah, but Google it. Ask Siri.

[Parks]

I'm asking my cast.

[Joe Budden]

No, we not fucking Torrey.

[Ish]

Yes, the Senate approved the Sunshine Protection act back in 2002. And 2002 back in 2022. Excuse me. Excuse me, but back in 2022, the Senate approved it, but they have not put a date in when it's gonna end.

[Joe Budden]

Oh, I think y'all are corny for wanting it going, actually.

[Ish]

Why?

[Joe Budden]

The time going back is trash.

[Ish]

Why just one time? I don't need all that.

[Joe Budden]

The time going forward is trash. The time going back. We beat lit for an extra Hour.

[Ish]

No, be sleeping for an extra hour. It gets darker and that's lit, too. Everybody ain't gloomy, glossy, like, I'm good, yo.

[Joe Budden]

However y'all paint this, an extra hour of anything is great sunlight.

[Melissa Ford]

Yeah, but they get rid of an hour of the other end.

[Ish]

You lose an hour somewhere, you gain an hour somewhere. I would rather take sunlight.

[Joe Budden]

You've been pale your whole life. Now you telling me about what the sunlight is gonna be.

[Ish]

I know, I. You wake up at 4am you don't need an extra hour of sleep anyway.

[Joe Budden]

That would be 3:00am yeah. And that's gonna force me to say, okay, I'm going back to bed. Holy shit.

[Ish]

Oh, man.

[Joe Budden]

Yeah.

[Ish]

That shit gonna suck, though. Yeah.

[Joe Budden]

Shit. Be right outside. Now we lit. That's when the DJ got on the mic and say, y'all thought it was over, but we rock it. Oh, nothing. We not gonna hold those seven plugins.

[Ish]

Not realize that's when.

[Joe Budden]

It used to be fun being in a club one day. Like now that the clock going Forward when the DJ is like, yo, y'all, 30 more minutes.

[Melissa Ford]

Why are we doing so jams already?

[Joe Budden]

Yeah. That's disgusting. I went to the hookah spot on Halloween. Nice and calm and empty. Nice and empty.

[Ish]

Yeah, cuz everybody was over there.

[Joe Budden]

Thank the Lord. Thank the Lord. I ain't going none of them Halloween parties. It's cool.

[Ish]

I went to all of them on the ground.

[Joe Budden]

Word. I was there.

[Ish]

I was there in spirit.

[Joe Budden]

That should be a good beat off night.

[Ish]

You want to change it to a nurse?

[Joe Budden]

Do you? Mel, did you dress up Halloween?

[Parks]

No, I did not.

[Joe Budden]

Talk about a buzzkill.

[Parks]

I mean, I dressed up for fucking Halloween and none of y'all fucking did it.

[Joe Budden]

You killed it. No, I was.

[Parks]

I did, but I didn't even get a chance to see that.

[Joe Budden]

I was only talking to you about your real life. Yeah. Not the pod and us you killed last year.

[Parks]

Thank you.

[Ish]

That was one of the best costumes I've ever seen.

[Parks]

Thank you. Thank you.

[Joe Budden]

It's tough to kill two years in a row, though.

[Parks]

No, I just didn't have the energy for that shit this year.

[Joe Budden]

Yeah, Heidi Klum always has energy.

[Parks]

I had a fucking launch. You know, I had other priorities every year.

[Joe Budden]

Heidi Klum has the energy.

[Parks]

She does.

[Joe Budden]

No matter what she has going on.

[Parks]

Yeah. She's also stinking fucking rich, so, you know, she can hire a whole fucking team to do all that shit.

[Ish]

You got a team.

[Joe Budden]

You have a team.

[Parks]

I got a team doing other shit.

[Ish]

Well, have them do that too, right?

[Parks]

She's a glam squad. Sorry. Maybe I should say she has a glam squad.

[Joe Budden]

You have a squad?

[Parks]

I have a.

[Joe Budden]

You have a lamb squad. You got some type of squad, I think.

[Parks]

Okay, we're gonna wrap up the sleepers.

[Joe Budden]

Okay.

[Parks]

Mine is all in, Mr. Carmack.

[Joe Budden]

Featuring Kalan. Stupid.

[Ish]

So lamb.

[Joe Budden]

Lamb. And I don't want to go to the party and sit next to their aggressive stud either. After the break.

[Parks]

You know I'm looking for.

[Joe Budden]

You know I'm searching for. Let's go. Cr Linux. It ain't hard. Look. Oh, Dreamville will smoke this now. They were promoted.

[Melissa Ford]

I can see the Google Ad sound.

[Parks]

Don't want to come in away if.

[Joe Budden]

You eat day to day. I know that's your.

[Parks]

I don't want to take away or.

[Joe Budden]

Ever distract your babe from what you're doing. But you know that I got goals.

[Ish]

And you know I know my broke.

[Joe Budden]

Ain'T nothing Stop that, May. And you know I hate control But I know you hating Bo yeah, we @ this halfway point but to me what it is and what it seems I'm all in if you all in, baby. We're at this halfway point between what.

[Ish]

We saying, what we Hall SA.

[Melissa Ford]

This is Mr. Carmack and Kalani all in. Hate to cut the little piano piano.

[Joe Budden]

Vibe, but seemed like that was going.

[Melissa Ford]

To keep going for a little while.

[Joe Budden]

Oh, did it go longer?

[Melissa Ford]

Yeah, I was going to go for another 30 seconds.

[Joe Budden]

Oh, that excites me.

[Parks]

You were saying something about not wanting to sit next to a stud at the Halloween party.

[Joe Budden]

Aggressive studs got it.

[Parks]

Okay.

[Joe Budden]

No, I don't want to sit next to aggressive stud anyway. They don't want to feel like they about to battle you for the bitches. They winning.

[Ish]

They winning.

[Joe Budden]

Yo, Ma, they be winning. Yo, chill, Ma, all right? Your Caesar's sharp. Your Caesar all right. Your jean jacket is giving, boy. I got that. You got that? You got.

[Ish]

Put that on. They be tricky.

[Joe Budden]

You put that on.

[Ish]

They be tricking now. Crazy.

[Joe Budden]

They. That's racist. That's racist.

[Ish]

I'm telling you. That's the new thing I heard about. They be spending hell of bread. I'm telling you that. That ain't new. Oh, well, I'm just learning out about it. That's crazy.

[Joe Budden]

What's crazy? That studs tricking. Why? That's crazy.

[Ish]

I want no smoke, bro.

[Joe Budden]

The studs is tricking. And they got their strap in the trunk big, too, so they could just go pop the car.

[Ish]

They don't even got Papa Blue Boy or nothing.

[Joe Budden]

Oh, man, she Might have her on the club. Shout out to the studs out there, man.

[Melissa Ford]

For real.

[Ish]

This time. Right here, man.

[Joe Budden]

Damn. Rest in peace with Homie Corn. That's crazy to me. Welcome home, Thug. Rest in peace. Rich Homie Quan and Clark Kent. Hopefully y'all enjoyed this broadcast as much as we enjoy delivering it to you.

[Ish]

Hey.

[Joe Budden]

Act like this Dolly Parton, man. Come on, keep us in your prayers. Lord knows we need to be there. Until the next time we bid you Ado farewell Audio Sa Vista Arvois. So long, goodbye or a simple head nod to suffice. Remember, life is a series of moments. And moments pass. So let's make this moment last as if it's all we have. The baddies are insecure to stagnate. Women want to travel. And the close minded women want you to teach them things. Grab you a Tylenol, you might need it. Free to wave. Any fun weekend plans? Fun weekend plans for anybody out there? Come on, give me something good. Give me something good. Y'all going to the November Halloween party?

[Ish]

Oh, yeah, they got one.

[Joe Budden]

Oh, Park's nightmare on Steinway.

[Ish]

That.

[Joe Budden]

Wait, wait, wait, wait. Y'all didn't just do that. Which one of y'all just did that? Yo, we so old and corny. I ain't doing nothing. I ain't got nothing important going on this weekend. I don't think I'll be chilling. I'll be with my baby till I drop him off at Granddad's. I say that just fights. Oh, man, Mel, you ain't doing nothing this weekend?

[Parks]

No, I'm just working. Sorry.

[Joe Budden]

Okay.

[Parks]

And pre birthday.

[Joe Budden]

Hey, Scorpio season it is. Hey, any hot plans? Any hot plans?

[Parks]

Trying to put together like a little birthday launch party situation. Don't know if it's gonna happen, but trying.

[Joe Budden]

You're launching your birthday launch of the pod that launched already.

[Ish]

Hot and bothered.

[Parks]

Oh, my.

[Ish]

Hot and bothered birthday party.

[Parks]

A hot and bothered birthday party. That's right. That's right. I'm just gonna direct my commentary over here.

[Joe Budden]

There you go. There you go.

[Melissa Ford]

Can we bear all at the birthday party?

[Parks]

Bear all is bear all. Yes. Emotionally, of course. Yeah, Always safe space to be vulnerable.

[Joe Budden]

You, Karen, use whatever you can, boy. Hey, it's my birthday launch party. What are you supporting? My launch, My birthday. Both.

[Ish]

Both, that's right. Two guests.

[Joe Budden]

When your birthday? November. What?

[Parks]

Seventh.

[Joe Budden]

Girl, you been on your ninth episode by then. What? We're talking about the launch. Yeah, that's it. I ain't doing. I'm chilling. Staying black. Trying to stay Alive out here. That's it. Y'all hold it down out there, man. We'll be back, same time, same place, next week. Stay safe. Keep your head on the swivel at all times. Stay positive. Positive vibrations. High vibrations. High frequencies only. Yeah, I think this is the tail end of my melody run. Yeah. Yeah.

[Melissa Ford]

It's prime melody run.

[Joe Budden]

Yeah, it's my melody for sure. All right, man. Yo, I hope y'all talk to somebody that loves y'all this weekend. Not me. Talk to your therapist too. Also, shout out to the that know where to get a good brunch from, man. Shout out to you other that be hungry.

[Melissa Ford]

Maybe I'll take it to patreon Sunday.

[Joe Budden]

At 1:00pm A theory about brunch.

[Melissa Ford]

I think brunch killed the diner.

[Joe Budden]

Killed the diner?

[Melissa Ford]

Yeah.

[Joe Budden]

Interesting. I can't wait to hear more about that.

[Melissa Ford]

I don't know if there's too much of a deep dive, but I think it did.

[Joe Budden]

No, I like it. I like it. I like where we are.

[Melissa Ford]

There's no fucking diners anymore.

[Ish]

Go to Topps.

[Melissa Ford]

At least in the city. Let me put it that way.

[Joe Budden]

This nigga named the chain diner tops.

[Ish]

Ain't no chain tops. Ain't no damn chain tops.

[Joe Budden]

Is not until we stops.

[Ish]

And what's that? Harrison. Harrison. Harrison. Yeah, and it is.

[Joe Budden]

It's lit.

[Ish]

Lit all day, every day. Lying around the corner all day.

[Melissa Ford]

Yeah, but that's kind of the point. I just want, like, some eggs you could get. I want to be lit.

[Ish]

You. No, no, no. We talking about lit. That food is. Food is amazing.

[Joe Budden]

Yeah. Real. Never been. Harrison. No. All right, y'all.

[Ish]

Idiots.

[Joe Budden]

Yo, go to Harrison.

[Ish]

This nigga there one time. Of being there every day.

[Joe Budden]

No, I believe you, but I would have to, because guess who's not going there. Harrison.

[Ish]

I know.

[Joe Budden]

To Topps diner.

[Ish]

I hear you.

[Joe Budden]

To wait in line. Y'all wait in line at Topps or y'all use your face card.

[Ish]

I don't. I get a reservation when I go.

[Joe Budden]

Y'all use your face. Y'all using your face card for the wrong shit.

[Ish]

I don't have a face card.

[Joe Budden]

Don't use it at Topps.

[Ish]

I don't use it.

[Joe Budden]

Yes, you do. When Mandy's not dead. You gotta yo this nigga.

[Ish]

See, this nigga dis respectful.

[Joe Budden]

Let me end this before you think of that.

[Ish]

Hey, get out of here.

[Joe Budden]

Hey. Hope y'all enjoy it. Be beast.

[Ish]

Yo, what's that name?