Episode 776 | "Love Out Loud"

Summary

Podcast Summary: The Joe Budden Podcast – Episode 776 | "Love Out Loud"

Hosted by: The Joe Budden Network

Guest: Leon Thomas

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1. Introduction and Guest Welcome

In Episode 776, titled "Love Out Loud," Joe Budden welcomes a special guest, Leon Thomas, to the podcast. The episode kicks off with the hosts engaging in their signature playful banter about personal grooming products and fragrances, setting a lighthearted tone for the discussions ahead.

Notable Quote:

• Joe Budden [02:44]: "But before you do, I just wanna say I can't take all the credit for my lovely post. I was inspired by Ice's lovely post that he did."

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2. Fragrances and Personal Anecdotes

The hosts dive into a humorous discussion about various fragrances like "Blue Nile" and "Love Spell," sharing their preferences and past experiences. This segment highlights the casual camaraderie among the hosts, interspersed with witty remarks about personal grooming habits.

Notable Quotes:

• Melissa Ford [01:34]: "It's a girl shit."
• Parks [02:35]: "But I have a problem with Ish."

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3. Friendship Dynamics and Boundaries

A significant portion of the episode revolves around friendship dynamics, particularly focusing on how friendships intersect with romantic relationships. The hosts debate the appropriateness of maintaining close friendships without involving one's significant other, emphasizing the importance of trust and clear boundaries.

Notable Quotes:

• Parks [16:18]: "We can like... A Combo that we was trying to have about friends or who when you know them and who you know them."
• Joe Budden [18:23]: "Clap it up for that, man. Yeah, Growth, growth, growth. That's really what it is. Growth and maturity."

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4. Mike Tyson vs. Jake Paul Fight Discussion

The conversation shifts to the highly anticipated boxing match between Mike Tyson and Jake Paul. The hosts express skepticism about the fight's legitimacy, debating whether it's a genuine sporting event or a scripted entertainment piece. They discuss the implications of such matches on the sport of boxing and the portrayal of athletes.

Notable Quotes:

• Ish [40:37]: "I 100% think this fight is scripted. Vince McMahon, WWE scripture, same 1,000%."
• Parks [41:32]: "If he was to be. So you don't think that they could mix the two?"

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5. Relationships and Personal Growth

Leon Thomas shares insights into his personal relationships and how they influence his music and personal development. The discussion touches on themes of fidelity, personal growth after breakups, and the challenges of balancing friendships with romantic commitments.

Notable Quotes:

• Leon Thomas [137:38]: "I'm really trying to build my touring business right now. We just sold out a domestic tour, which is really cool. It's really big."
• Joe Budden [138:03]: "Why are you talking not in the mic? Why are you not talking in the mic?"

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6. Music Releases and Collaborations

The hosts and Leon Thomas discuss recent music releases, upcoming projects, and the process of creating new music. Leon elaborates on his album "Mutt," the themes behind it, and his plans for a deluxe version featuring collaborations with artists like Summer Walker and potentially others.

Notable Quotes:

• Leon Thomas [134:16]: "Cause I feel like all of the mysterious drop every three years stuff is not the vibe. I think fans want more content."
• Joe Budden [155:50]: "You got it?"

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7. Pop Culture and Media Discussions

The conversation meanders through various pop culture topics, including TV shows like "The Office" and "Ozark." The hosts share their opinions on these shows, discussing characters, plotlines, and the impact of media on personal lives.

Notable Quotes:

• Imani [159:48]: "They're living under domes."
• Joe Budden [163:33]: "I'm not going to center Mel anymore. What I will say is, boy, y'all should have seen the look on Imani's face when Flo Rider came in that karaoke joint."

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8. Alien Conspiracies and Recent News

In a brief detour, the hosts touch upon alien conspiracies and recent news related to UFOs. They debate the credibility of such claims and discuss how the public perceives and reacts to potential evidence of extraterrestrial life.

Notable Quotes:

• Ish [114:00]: "They've been paying government money that have been paid."
• Imani [115:28]: "Did they show like the bottom of the ocean where the pods are supposed to be?"

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9. Reflections on Life, Aging, and Future Plans

Joe Budden leads a reflective segment where the hosts contemplate life stages, aging, and future aspirations. Leon Thomas discusses his plans for expanding his touring business, exploring acting opportunities, and maintaining a balanced lifestyle through meditation and self-reflection.

Notable Quotes:

• Joe Budden [156:31]: "I'm speaking only for me."
• Leon Thomas [135:25]: "I feel like all of the mysterious drop every three years stuff is not the vibe. I think fans want more content."

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10. Closing Remarks and Farewell

As the episode draws to a close, the hosts express their support for Leon Thomas, congratulating him on his album release and upcoming tour. They extend well-wishes and emphasize the importance of maintaining genuine relationships amidst the chaos of professional success.

Notable Quotes:

• Joe Budden [156:39]: "We got it. Leave him alone. When you see my side, don't say, what up to him. Just... I respect that."
• Leon Thomas [155:50]: "I appreciate y'all, for real. Thanks for coming here, being in the pod. This was kind of surreal. Super dope, man. It was fire."

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Conclusion

Episode 776 of "The Joe Budden Podcast" offers a blend of humor, personal anecdotes, and thoughtful discussions on relationships, professional integrity, and personal growth. With Leon Thomas as the guest, the episode provides listeners with an inside look into the challenges and triumphs of balancing personal life with a budding career in music. The hosts navigate through various topics with their characteristic flair, delivering an engaging and insightful listening experience.

Total Duration Covered: Approximately 1 hour and 57 minutes of content.

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Note: Timestamps are approximate and correspond to key moments within the episode. The transcript provided covers the initial segments up to approximately 2 hours and 56 minutes, with the summary focusing on the most salient topics discussed.

Transcript

[Joe Budden]

The thoughts, views, and opinions expressed by this podcast whose bullets its hosts are for entertainment purposes only. I repeat, it is not serious. It is not real. No one is exposing, revealing, indicting, or telling you anything about themselves. Also, we do not encourage you to try this at home. We are trained professionals who do not have your best interests at heart or our own. Enjoy the show. Everybody feeling good? Last looks feeling great. Get your lint brush. You know what I mean? Get your dental floss.

[Ish]

They get what we ate.

[Joe Budden]

Hit the last little bit of the cologne. Some of y'all got the samplers. The cologne sampler. Spray that little shit samples.

[Ish]

Hell niggas.

[Melissa Ford]

Down the piece of paper.

[Joe Budden]

You got the paper.

[Melissa Ford]

Shit, you just rub it on your wall.

[Parks]

Yeah, yeah, yeah.

[Joe Budden]

Spray that little shit. All right? Make sure everybody is good. The levels. The levels.

[Flip]

They gonna walk around with the page in their pocket.

[Joe Budden]

The levels is good. Everybody put their oil. You can do the oils. Some of y'all look like Egyptian musk. You know Egyptian musk.

[Ish]

Blue now.

[Joe Budden]

Get in your bed. Blue. Now, you was there. You was there. Blue now. Disgusting. Now, I knocked plenty of them off with that blue nail. Let him get a whiff on that neck.

[Flip]

Yo, bro, that shit was the hood favorite. I ain't like that shit.

[Joe Budden]

And I'm talking about my past. Not playing with none of you loser ass fans.

[Flip]

Yeah, you too rich for Blue Nile right now.

[Ish]

Blue Nile was our version of their love spel.

[Joe Budden]

Love spell. I bought some of that, too.

[Ish]

What the fuck is love spell?

[Melissa Ford]

It's a girl shit.

[Joe Budden]

It's a girl shit. Victoria's Secret shit. Love spell, Amber romance, the spray, the mitts. Mitt missed mist. That was the stripper favorite. And around shit from that was a stripper favorite from 9, 7, and on.

[Flip]

Are you pulling your sleeves down?

[Parks]

This shit came out the cleanest. Nigga, I don't know what the. This was in the cleaners.

[Ish]

You got bigger.

[Parks]

I got big.

[Flip]

What the.

[Parks]

Yo, y'all got me following y'all cleaners rule and like that.

[Flip]

2X my.

[Parks]

Hey, yo, listen. You wearing the knockoff. You know what you're wearing?

[Flip]

I don't.

[Joe Budden]

You know what?

[Parks]

That's the knockoff version of what we were talking about earlier. That's the knockoff version. You try to get away with it and be flying.

[Joe Budden]

All right?

[Flip]

It's not.

[Joe Budden]

It's not.

[Flip]

Thank you. This hoodie is three years old. My.

[Joe Budden]

It's not the knockoff.

[Flip]

It's not the knockoff. They knocked this niggas off.

[Parks]

Hey, yo, my. Hey, yo, why you jumping? You good? Hold on. I just called you Neiman Marcus. You all right? Stay out of me and my man business.

[Joe Budden]

I'm sorry.

[Parks]

Yeah.

[Joe Budden]

I'm sorry.

[Parks]

Yeah.

[Joe Budden]

But I ain't want you to say wrong shit. That's a fashionable piece.

[Parks]

Let me just talk my shit to my man.

[Joe Budden]

All right? All right.

[Parks]

Yeah. Fuck you, man.

[Joe Budden]

We got a very special guest here. Leon Thomas is here with us early.

[Melissa Ford]

What's good?

[Joe Budden]

How y'all feeling?

[Melissa Ford]

Leon Thomas came to sit with us.

[Joe Budden]

Man.

[Ish]

I like that. That's fire.

[Joe Budden]

So let's act. Let's act like we got some home training, at least for 40 minutes.

[Melissa Ford]

I don't think he wants that.

[Ish]

That's not what he want.

[Flip]

Brooklyn, huh?

[Leon Thomas]

We want the viral.

[Joe Budden]

Let's go the viral. Oh, my God. All right, so let me see. Let me see how I'm feeling here, man. Get into my bed.

[Parks]

Little weekend, huh? Long week.

[Joe Budden]

Long week.

[Flip]

Yeah.

[Parks]

You good?

[Joe Budden]

I'm great.

[Parks]

You look good.

[Joe Budden]

Thank you. I'm really good. Long week.

[Parks]

It looked like a long week, though. I feel it. I feel it. But, hey, hey. Who. Who am I to point the obvious out? You know? The elephant in the room is me, so who am I to point myself out?

[Joe Budden]

I'm cool. Okay.

[Parks]

Okay. Whatever.

[Flip]

Okay, okay, okay, okay.

[Corey]

But anyway, you can text me any day. Cause I can say and my peeps get plenty.

[Joe Budden]

Yay.

[Imani]

So many ways to see that.

[Joe Budden]

I hold this door. I made it.

[Leon Thomas]

I told you.

[Joe Budden]

Hey, my man Chris Green in the building.

[Ish]

Dress free.

[Joe Budden]

Sexy Chris, You've been in the game a long time, man. When you going to retire? Chris, Stop running around with m1, 2, 1 2. M1, 2, 1 2. So happy, so blessed to be here. Shout out to the person. Last time, listeners. Yeah, I mean, get everybody in their bag real quick. Yo, shout out to all y'all. Always doing it for the ladies. Always doing it for the ladies. Big Jersey, anytime. I'm in the building, too, by the way, just so we clear. Yeah, I got the key to Newark. Nigga, mute up when I'm talking. Fuck is wrong with you?

[Flip]

Go walking around the number blocks with the kid.

[Joe Budden]

Ask about me on Prince Street. Yo, I want friends. That's not haters. Shout out to Tweet, too, by the way.

[Flip]

There we go.

[Joe Budden]

Okay, I promise. We going now. Hey, yo, we know what a dog. Rest in peace to Leo. Rest in peace to all the legends. We lost Quincy Jo. Rest in peace, B. K with a real. Let's go. Hold that dog down, baby.

[Parks]

I am what I am.

[Leon Thomas]

I'm going to be who I be Deceit, do what I got to do.

[Joe Budden]

Go lie but keep it true Every.

[Savon]

Once in a while I break out.

[Joe Budden]

The backyard and roll and get reckless.

[Leon Thomas]

But I still know that home is.

[Savon]

Home and when I get there I'mma.

[Joe Budden]

Sit there take it up there Do I handle my business front Till I.

[Parks]

Bust my gun and empty the clip?

[Joe Budden]

If y'all was an artist and y'all went in the studio and the producer played this beat, y'all will pick it.

[Melissa Ford]

No.

[Parks]

No.

[Leon Thomas]

Yeah, I don't think so.

[Ish]

Wait, what year Survive, though. What year?

[Flip]

It's late 90s.

[Joe Budden]

Back then.

[Melissa Ford]

Yeah, I can see why you would.

[Ish]

Yeah, back then.

[Parks]

They buy this, though. They body this.

[Joe Budden]

This kind of crazy. You play with Timberland if you want. Back then. Up. Wake it up. Wake it up, Mel. Yeah. Leon Thomas, not Bridget. Wake up.

[Imani]

I do love both.

[Joe Budden]

Yeah, no, I do, too. I do, too. But still. Aha. Nah.

[Melissa Ford]

Because when he first dropped, I did for sure thought it was Leon Bridges. When people were telling me, oh, Leon Thomas got a new album.

[Leon Thomas]

That's my dog. I was just having a movie together, me and Leon.

[Melissa Ford]

And then he dropped, like, two weeks after you.

[Leon Thomas]

Yeah.

[Joe Budden]

No, we do love Leon Bridges up here. I'm just teasing Mel. That's an inside joke. Between. Between Mel and I, actually. I'll snitch. I'll snitch, I'll snitch.

[Leon Thomas]

Sorry, a little swabbing?

[Joe Budden]

No. Cause I just got a weird call the other day from Melbourne. Wait, first of all, what episode is this?

[Melissa Ford]

Seven hundred and seventy six.

[Joe Budden]

Welcome to episode 776 of the Joe Budden Podcast, brought to you by Fuel, By Power, by Prize Fixed, Prize Fix gang. I'm your humble, grateful, gracious. Happy to be here. Highly favored host, Joe Budden here with a few really amazing people to my right. You know her fucking name, man? Come on, stop playing with her. Big Mel. Big Melissa Ford in the building. Flip is here. Huh? Queens get the money issues here. King Wawa Ice is here. Come on, y'all know the vibes. Big Freeze. Leon Thomas is here. Parks is here. Poe is here. Corey's here. Chris Green is here. Jwan is here. Erickson is here. Tanner and Savon are here. By remote. And last, but certainly not least, each and every one of you guys. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Yes, sir. Ski. All right. How's everybody doing? We good.

[Ish]

We good?

[Joe Budden]

How's everybody feeling?

[Melissa Ford]

Good.

[Joe Budden]

Everybody looking good. You're smelling good. How was your week? How's your text inbox? How's your family doing? How's your friends doing? How are the pets? Are they well fed? How are your businesses going out there? How's the kids? How is everybody? How is every facet of your lives going?

[Parks]

Everything is well. Hey. Everything is well.

[Flip]

Work, work, work.

[Parks]

Hey, all we doing is work. Yeah.

[Joe Budden]

Mike, Chad, what's poppin? Yeah, wake up. It's the weekend. It's the weekend. I ain't got time for all that.

[Melissa Ford]

Sultry Johnny G. How did your birthday go? Because you know our girls always take our birthdays as their birthdays. So I'm assuming you took Sade's birthday as your birthday.

[Joe Budden]

My loan, my lone participation in Scorpio season has come to an end.

[Melissa Ford]

Yeah, right.

[Joe Budden]

I did it.

[Melissa Ford]

You still got this weekend.

[Joe Budden]

Meh. I think I did it well enough to where I'm off for the year.

[Melissa Ford]

Oh, shit. You bought that?

[Joe Budden]

I'm off. I'm off for that. We had a really good time. She had a raisin birthday.

[Parks]

Nice.

[Joe Budden]

We was all in love and shit.

[Melissa Ford]

Aw, nice.

[Joe Budden]

In love meaning we had dinner and like, talked.

[Imani]

Your post was so cute.

[Ish]

Yeah, you smoked lip.

[Joe Budden]

Good shit.

[Ish]

See, here y'all go. That shit dope.

[Imani]

It was. It was so lovey dovey.

[Joe Budden]

Yo, you know what's funny?

[Imani]

See, you let me ISO.

[Joe Budden]

For Mel. For Mel. Get your shit off Mel.

[Imani]

No, it was.

[Joe Budden]

No, no, get me back. Go ahead.

[Imani]

You are a marshmallow. That's what I said on your post, though. You are a marshmallow and it is.

[Joe Budden]

What does that mean?

[Imani]

It's so beautiful.

[Joe Budden]

I don't eat marshmallows.

[Imani]

Really?

[Joe Budden]

I don't know.

[Imani]

Not even by the campfire. The fuck?

[Joe Budden]

Okay, I go out there. I go out there and roast them, but before it's time to eat them, I'm fucking.

[Imani]

Oh, okay.

[Joe Budden]

Well, tmi, once I take her out there by the bonfire and we do then do that, we don't get to eat them. I'm fucking long before we get to. Hey, these are good s'mores.

[Imani]

Got it.

[Joe Budden]

I didn't even know it got to that s'mores. Yummy.

[Flip]

I watched some more.

[Joe Budden]

I roast marshmallows. Was trying to beat something down. Not because I think it's cool, yo.

[Ish]

Oh, this tastes good.

[Joe Budden]

Oh, you got any more of these anyway? What does that mean? I'm a marshmallow.

[Parks]

So off the inside.

[Imani]

Yeah, Your post was just very. It was lovely. Marshmallow.

[Ish]

Soft on the outside, she's saying, you pussy.

[Melissa Ford]

That's true.

[Imani]

No, that is not.

[Parks]

I get what she means.

[Imani]

You soft yeah, let me say this. I will say this, that you melt easy.

[Joe Budden]

She lost her whole vocabulary.

[Imani]

No, I will say this, that if that's the post for her birthday, I can't wait to see what your vows are going to sound like.

[Melissa Ford]

Oh, shit.

[Parks]

Oh, whoa.

[Joe Budden]

Are you always, like, doing this because I'm the girl?

[Parks]

It was a fire pose.

[Flip]

I'm the girl.

[Parks]

Let me tell you something.

[Joe Budden]

I know we joking and I'm trying to shut up to give y'all the Runway to get y'all jokes off. Cause I understand the game. The gig is the gig. But mad men in my life text me or called me about that post, but not laughing like Corey in support. Yes, my men called and said, yo, dawgs, you did that once. A pen, always a pen.

[Ish]

That shit was fire.

[Joe Budden]

I forgot you was an emcee. But you start naming some other niggas, a couple niggas. When y'all get to writing some shit, niggas hit me like I'm stealing some of that. Yo, that's fly. The fucking love out loud. All of that. All of that shit. Looking at you, so I totally understand it. I was in Apple. I was in the Apple Store. We was running around. As I was trying to get in my bag, I started writing this shit in Apple. Start tearing up a little bit back there by the Genius Bar. Of course, I can't even get enough alone time to cry in the Apple Store in peace.

[Melissa Ford]

Now you gotta take pictures.

[Joe Budden]

I sent your thick, stupid ass to the front. Cause you getting an iPhone and I dig a walker to the back. I'm trying to cry back there by the headphones, wiping my eyes tight. Babe, babe, sit with me. No. Leave me the fuck alone and let me cry. So I cried in the Apple Store. She cried reading it. It was cool, man.

[Ish]

That was fire, yo.

[Parks]

That was nice.

[Joe Budden]

And it made me think, man, listen, I don't know what impression I give off up here, but I'm with all of that. Loving out loud.

[Melissa Ford]

I see you remixing the lol, too. I see what you're doing here.

[Joe Budden]

Remix the lol.

[Melissa Ford]

Loving out loud.

[Joe Budden]

Yeah, lol, Love out loud. I'm with all of that.

[Parks]

We're trying to remix some shit, right?

[Joe Budden]

I'm with all this. I forgot how ill I was when I was in my romance bag. Like, I bought the card, found a pen in my house, started writing in it. Like, yo, nigga, what? I'm the man at, like, writing some mushy shit in a card. Are you kidding me? I see how my jersey is up there. Oh, play, boy. So, yeah, it was nice. It was nice. Dinner was nice. We went out after. That was nice. Everything was nice. Everything was just nice.

[Ish]

Happy birthday again.

[Melissa Ford]

Happy birthday.

[Parks]

Happy birthday, Sade.

[Joe Budden]

Yeah, Happy. Happy birthday. Christmas. Valentine's Day.

[Melissa Ford]

Mother's Day.

[Joe Budden]

Mother's Day.

[Melissa Ford]

Girlfriend day.

[Joe Budden]

Girlfriend day.

[Ish]

Sweetest day.

[Joe Budden]

Sweetest day. Your next birthday. Yeah.

[Imani]

Is that rose tower kind of part of the celebration?

[Joe Budden]

No, that was me trying to be festive in here. That's a Christmas tree made of roses. You are white as hell. It's not a rose tower. I thought it was not a rose tower.

[Parks]

That's white. Only the white people thought I'm black.

[Flip]

Did y'all.

[Parks]

That was a Christmas tree.

[Joe Budden]

Christmas tree. Christmas rose, roses.

[Imani]

It's lovely.

[Joe Budden]

I just thought that because you are fucking heathens. Yes, it is.

[Parks]

Christmas tree.

[Imani]

What is that? The. The ones that last like a year. The ones that have been treated.

[Joe Budden]

They're fake now.

[Imani]

I didn't go over and touch it.

[Joe Budden]

The shit look.

[Imani]

They look that good that I thought they were real. Thank you.

[Flip]

They look real.

[Joe Budden]

Did you think they were real?

[Ish]

They look real.

[Melissa Ford]

Yeah, I thought they was.

[Joe Budden]

I'll judge you the same. All y'all thought that was real? No. Yeah.

[Flip]

I thought you.

[Parks]

You know, why is that?

[Flip]

Why is that a judgment?

[Parks]

A Christmas tree with roses.

[Melissa Ford]

I guess we don't know what real flowers look like.

[Imani]

They just look really real and nice. Can't accept a compliment.

[Joe Budden]

Yeah.

[Melissa Ford]

Word.

[Parks]

But we happy that you had a great time.

[Joe Budden]

Thank you.

[Parks]

We happy. Sh. Had a great time. I didn't have such a good time. I'm not against pocket watching you. So what you did. I'm proud of you. I'm happy for you. For the first time during my pocket watching segment, I analyzed it and I was proud. I read it. It touched me, too. It made me wanna step my shit up a little more. Like I gotta say some fly shit. Cause these people be seeing this shit. And my nigga get his shit off. And I was. It was just all jokes aside, it was a wholesome moment. I think that she deserved and I think that you deserve. And that shit meant something to me, man. So salute to you.

[Joe Budden]

Thank you.

[Parks]

But I have a problem with Ish.

[Flip]

I knew the butt was coming.

[Parks]

Yeah, Ish. I got a problem with you. My man. Can I get my shit off, please?

[Joe Budden]

But before you do, I just wanna say I can't take all the credit for my lovely post. I was inspired by Ice's lovely post that he did. When I read it, you bitch. Your shit A little bit.

[Ish]

Hey, listen, man.

[Joe Budden]

Yeah. Cause Ice Post was. Girl, you strong as hell.

[Ish]

That's what my post was.

[Joe Budden]

Girl, you love, girl, I put you through the ring.

[Ish]

We'll fight.

[Parks]

I forgot.

[Ish]

Mike and Jake Paul won't.

[Joe Budden]

Be the only niggas won't win today. But that was the first draft of my Bulls. Like, oh, girl, you Scorpios are strong. Oh, you been through something.

[Parks]

Women don't like that.

[Joe Budden]

They don't like that.

[Ish]

No.

[Parks]

Yeah, women don't like that. I learned that, like, when I used to write things to my wife and I talk about, yo, we've been through a lot. All the fights and stuff.

[Joe Budden]

These Scorpios won't break.

[Parks]

They don't like.

[Melissa Ford]

Girl, I can't picture you being the most poetic.

[Parks]

I'm a poetic king, nigga.

[Melissa Ford]

Oh, my bad.

[Parks]

Flip the Rapper. Yeah, I'm a poetic king. But that's the first time my wife had an issue with that. Like, yo, why you keep.

[Joe Budden]

Cause you can't do that.

[Parks]

Talking about.

[Flip]

All you doing is rehashing.

[Parks]

Why you keep talking about the stuff that we went through? We got past it, niggas. For 15 years. You be proud, nigga. Yeah, I am.

[Joe Budden]

They don't get that side, and they want to get past it privately. Like, don't tell the woman.

[Parks]

Listen, when you listen. I'm not these niggas. When you have. When you have issues or when you were younger and you had issues and you handle things a little bit different when a long period of time passed and you don't handle it the same way. I'm proud. I don't give a what she said. I am just proud of it, man. Proud of. You know, so she don't. So I guess they don't want to rehash the. But you gotta. You got to know where you come from in order to know where you're going. That's me.

[Flip]

I agree.

[Melissa Ford]

So well said. Well said.

[Joe Budden]

Clap it up for that, man. Yeah, Growth, growth, growth. That's really what it is. Growth and maturity.

[Ish]

Yeah, that's it.

[Joe Budden]

You flip Spear how bad about that poet?

[Parks]

Yeah.

[Joe Budden]

I thought you was getting to him.

[Parks]

I'm about to.

[Joe Budden]

You didn't know I was cuddly.

[Imani]

No, I knew that. I did know of that. But, you know, like, a lot of people said they forgot that you had the gift of the pen and you reminded everybody, well, and that I'm cuddly. We know you're cuddly.

[Flip]

I just had.

[Ish]

Well, she didn't. That's why she called you a Marshmallow.

[Joe Budden]

This hard exterior. I'm working on it. Even when I listen back to the part, my voice be sounding like I believe most of the shit I say. I want to change that. Like I be saying, like, I'm convinced. No, Like, I wanted. I wanted to chill, man. My blood pressure. Yeah. Anyway, I'm sorry.

[Parks]

Ayo. Ish.

[Joe Budden]

Ish. What's going on, man?

[Parks]

Yeah. One of my homegirls says she met you and she was thoroughly impressed by how, you know, cool you were. You had manners, you smiled.

[Joe Budden]

I don't know.

[Parks]

I don't know what all that shit is about, but you don't fuck with smiling. No. When she was telling me that I.

[Flip]

Supposed to be rude to your peoples.

[Parks]

When she was telling me that, I became possessive.

[Imani]

Did you know that it was his peoples? Did you know?

[Flip]

Yeah. She introduced herself.

[Parks]

I became possessive in it. And then I started calling her every day again, like, yo, hey, best friend. Like, you ain't gonna be cool with this nigga. Meet this nigga now. He's your favorite on the podcast, and he your favorite person to meet. Nigga, I'm your friend, and I haven't spoke to her in man long. She did. Yo, I saw Ish. I met Ish. He's a nice guy. I'm proud of you. She hit me with all that. Then I said, I read it.

[Melissa Ford]

I was sort of like, well, then.

[Parks]

I start responding back to back, too. Like, when the bubble was there, I started writing, yo, where you at? Let's hang out and shit. She was like, yeah, he was mad cool and shit like that. The guys are wonderful. I would love to come up there and shit. Come up where? Sure. You come up there through me, not through my man. Oh, I don't like shit like that.

[Joe Budden]

And not either.

[Parks]

And not even.

[Joe Budden]

Yeah, yeah, yeah. And not even. Just so it's clear.

[Parks]

Hold on, hold on, hold on. Me and you back on our shit. We back on our shit. So I could bring them. Bring them. I could bring them up here.

[Joe Budden]

Oh, great. That segues right through the one question I have throughout this whole ordeal. Got you. Scale of 1 to 10, how's this girl look?

[Parks]

Very important.

[Melissa Ford]

Oh, shit.

[Parks]

To me.

[Melissa Ford]

Oh, shit.

[Joe Budden]

Damn.

[Melissa Ford]

Don't y'all kids young?

[Ish]

Yo, that was crazy.

[Joe Budden]

She like a leaf.

[Flip]

No, she like, okay, all right.

[Melissa Ford]

You made it sound like she's about.

[Joe Budden]

To be a four. Very attractive lady.

[Flip]

Yeah, she was attractive. She was cool, though. Like, she was like a.

[Joe Budden]

That's even more important, right?

[Flip]

She was like. Like, when I started talking to her, she Was like a dude. So that, you know, we forgot she was even attractive.

[Ish]

She was like a dude.

[Parks]

I don't like that, though.

[Flip]

There's a lot of pretty airheads.

[Parks]

I don't want to mix friends. Like, I want to keep my friends group separate. I don't want you to know that. I know. I don't want you to know him.

[Melissa Ford]

Okay.

[Parks]

Because he goes here on the biggest scale. Like, they tolerate my. This is my thing. They tolerate my nonsense. That's why the only person I'm comfortable with is Joe. Because when I bring you around, my man, he show you how good time and that what looks good on me. But a. Like this light skinned bandit.

[Joe Budden]

Nah, he's the same thing.

[Parks]

I don't know. I gotta ask.

[Joe Budden]

Well, no, he might not buy the calamari.

[Melissa Ford]

Oh, shit.

[Joe Budden]

I take it. Yeah, he buy it. He gonna buy it.

[Parks]

This is. They his friends now. They walk like they not even gonna say hi to me if I'm with Hey Ish. You gonna hug him first like shit like that. I wanna avoid all that shit. Nigga, you my friend now. I'm back, I'm back, I'm back.

[Melissa Ford]

Y'all fucking friend stealers.

[Parks]

Nah, hell, I'm back in the friend pocket every day.

[Joe Budden]

Tell.

[Parks]

Yo, good morning. You good?

[Flip]

I haven't spoken to the girls.

[Parks]

I don't give a fuck. I'm avoiding it.

[Melissa Ford]

Look at jealousy, boy.

[Joe Budden]

Yo, that's crazy.

[Parks]

I'm a hater. I don't like that shit.

[Joe Budden]

Yeah, but it's still nice when an 89 just introduce themselves to you out the blue and know somebody, you know? True.

[Melissa Ford]

Yeah, yeah.

[Flip]

And sit and convert to that. Sit and converse.

[Melissa Ford]

She's like a dude.

[Joe Budden]

Like. And no.

[Flip]

Sit and converse for a while.

[Joe Budden]

That's true.

[Flip]

That's fine.

[Melissa Ford]

She could talk. She got an airhead aid.

[Flip]

Not at all mad cool. Now you speak to it, nigga. What's your point? Go ahead. What'd you say?

[Joe Budden]

You know I can't speak to it.

[Ish]

Why?

[Joe Budden]

I'm not as talkative as.

[Flip]

You're the best podcast in the world.

[Joe Budden]

I'm not. No, no. You talk about personality in real life here. I'm not as talkative in real life.

[Parks]

When I say that. Right. When I see him now, when I've been outside with it, he. He's not talkative.

[Joe Budden]

Yeah.

[Parks]

So when y'all say that.

[Joe Budden]

Yeah.

[Parks]

Are y'all basing it off of like. Oh, yes. Oh, okay.

[Joe Budden]

In action, Paul being talkative.

[Parks]

I. I don't know.

[Joe Budden]

Y'all better update the button.

[Parks]

He's been saying that for a while.

[Joe Budden]

Again, if there's new, there's new.

[Ish]

I know.

[Parks]

The old Joe, he talkative.

[Ish]

Both of them crying in a few minutes off talking.

[Parks]

And then that's it.

[Ish]

That's it.

[Imani]

Then the thumb comes out.

[Joe Budden]

That's it. So the thumb is different. That's when you're talking.

[Imani]

No, that's. That's a move. That's definitely a move.

[Joe Budden]

The move is there when talking is happening.

[Flip]

I know.

[Joe Budden]

I'm just talking about one of their friends while I'm out, coming up to me saying, hey.

[Ish]

Oh, hell no.

[Joe Budden]

Such and such and such. No, no, no, no, no.

[Imani]

You would just have.

[Parks]

No, no, no.

[Melissa Ford]

It don't matter how she look.

[Ish]

No, no.

[Joe Budden]

Ow.

[Parks]

No, no, no.

[Ish]

He's not talking.

[Joe Budden]

Not at all.

[Ish]

He's not talking. That's different.

[Joe Budden]

That fine shit don't work on me.

[Ish]

If he out somewhere and somebody just come up and say, oh, I know, Ish. I know, Ice, I know.

[Joe Budden]

Okay, thanks.

[Flip]

Nah, that ain't good for you. It depends.

[Joe Budden]

Joe, Joe, Joe.

[Ish]

Not talking outside.

[Joe Budden]

No, it do not depend.

[Flip]

Yo, when you came in.

[Joe Budden]

What?

[Flip]

That was like two years ago, I think when you came in, like, yo, I was at a cookout and the girl said that she was your ex girlfriend from high school.

[Parks]

Oh, yeah, I remember that.

[Joe Budden]

Yes.

[Parks]

He went to the.

[Joe Budden]

I was at Maddie's family's house.

[Flip]

I know, but I'm saying that a girl came up to you.

[Joe Budden]

She didn't come up to me. We're at her family's house. It was her family's. It was just her family there.

[Parks]

You mess with Haitians at the time. Oh, shit.

[Joe Budden]

That was Maddie's family's cookout.

[Flip]

I know, I know where it was. I wasn't even getting into all of that, but.

[Joe Budden]

But I'm guess I'm talking. If I go to my friend's family.

[Flip]

Cookout and one of her homegirls come up to you and start talking about.

[Joe Budden]

Ish, you're in a home. Ish.

[Ish]

I think that's a little different. If you in a mall. Let's say you're in a mall and a girl just walk up and say, yo, I know ish. I was just saying, I know Flip. I don't see him having.

[Joe Budden]

We was already talking in the kitchen. The family in the kitchen talking. And in the middle of the talk, she said, oh, sample factor. That's not the same.

[Flip]

Okay.

[Joe Budden]

Trying to pay me.

[Flip]

I'm not. I'm just. I'm polite to any of my friends. Friends.

[Parks]

Thank you.

[Flip]

Like that's just who I am.

[Joe Budden]

Especially if she's a. I know many have asked you to stop. I think that's what Flip is saying now.

[Flip]

I'm not gonna be an asshole about people's people.

[Joe Budden]

No, I understand that. A gentleman. A gentleman, that's for sure.

[Ish]

Like you said, especially not dead ass.

[Melissa Ford]

Yeah, right.

[Joe Budden]

You can't come on, be a four and I'm gonna be me.

[Parks]

Well, the four you make a little bit. The four, I don't care. Be friends with. Yeah, be friends with. You know, they need the coverage, bro.

[Melissa Ford]

Yo, some idiot.

[Joe Budden]

That's the problem when you've been with your girl or partner a really long time, you can't get off the. Hey, I know her.

[Parks]

Cannot.

[Joe Budden]

I've been knew her.

[Parks]

You cannot?

[Joe Budden]

No. That's my friend.

[Parks]

Can't.

[Joe Budden]

Why? Why you can't get off. You can.

[Imani]

But how do I not know her.

[Joe Budden]

Yeah.

[Ish]

Why am I just now hearing about her now?

[Joe Budden]

Yeah. If that's your peoples for this long.

[Imani]

You'Ve never crossed paths.

[Ish]

You never even said her name before.

[Parks]

But it also depends on your relationship, right? Like if your family, if your significant other secludes herself from your life or profession. I could meet anybody anytime.

[Flip]

I don't even understand that. I don't understand that you can either.

[Ish]

Of y'all significant others.

[Joe Budden]

No, y'all can't. What are you talking about?

[Ish]

Hold on.

[Parks]

I can go to a listening party and meet somebody, introduce and meet someone. My wife doesn't know who I met or have to know who the lady is.

[Imani]

And then you carry on like a 15 year friendship with that person and your wife, you never brought them up.

[Ish]

And then 15 years later is do.

[Parks]

Y'All bring friends around your family?

[Flip]

I don't even.

[Imani]

I don't know, even like the mere mention.

[Flip]

I think y'all on two separate pages.

[Parks]

Okay, I must be. I'm sorry.

[Melissa Ford]

Okay.

[Parks]

I must be on the. Yeah.

[Flip]

What were you saying? I was saying that it's girls that I've known for 20 years that my girl don't know.

[Ish]

Has she heard their name or anything? Maybe not. Are y'all. Y'all are close.

[Joe Budden]

Not what we're talking.

[Ish]

That's what I'm saying.

[Parks]

That's what I'm talking about.

[Flip]

What I meant.

[Ish]

Are y'all close?

[Joe Budden]

What we're talking about. You haven't been with your girl for 20 years. I know, but had you been with your girl for 20 years. That would not fly.

[Parks]

Why not?

[Melissa Ford]

No, that would fly.

[Ish]

I don't think so.

[Parks]

Yeah, I've been with so you said.

[Ish]

You could be with your girl for 20 years and have a friend for 20 years. And. And it's never come up.

[Melissa Ford]

Now, 20 years.

[Ish]

Now 20 years later, you saying, oh, yeah, it's my home girl. She been my peoples for 20 years.

[Melissa Ford]

Yes, I've done that. I've been with my wife for 10 years. And I've got friends from high school or whatever. That was 20 years ago. And they haven't met because they live in California.

[Parks]

And there's levels.

[Melissa Ford]

Not like close close, but we still talk.

[Flip]

There's some girls that I'm close with that my girl never met.

[Parks]

And there's levels of friendship, too.

[Joe Budden]

Hey, y'all got it? Yeah.

[Imani]

Okay.

[Flip]

Absolutely.

[Ish]

There's one little piece here. And this is no attacks at nobody. Y'all ain't dating black women. That ain't flying.

[Parks]

Yo, hold up, yo. I talking about thesea.

[Ish]

It's not flying.

[Parks]

Yo, Ice. It's not flying. Yo, Ice.

[Joe Budden]

See, you just shot the elephant in the room.

[Flip]

That's not an elephant. I've dated black girls my entire life. I've been the same way my entire life. Every black girl ain't the same. Every black girl ain't insecure or jealous or any of the other shit that every. Everybody different.

[Joe Budden]

Ice, I'm with him.

[Parks]

Why would you say some shit like that?

[Joe Budden]

That's not Ice.

[Parks]

Ice.

[Ish]

Okay.

[Parks]

Niggas dated black women before.

[Ish]

That's not what I just said.

[Joe Budden]

And could be the reason why you don't now. That don't prove it to me.

[Parks]

Wait, what do you mean? Just because you've dated black women before, your experience could lead to why you don't date them now.

[Ish]

Yes, that goes with anything.

[Parks]

That's for life.

[Joe Budden]

Y'all making it awkward. Yeah, I'm muted.

[Parks]

You can keep it pushing.

[Joe Budden]

Yeah, I'm muted up. What can we talk about that's not awkward? How y'all feel about the Gillian Wallow shit talking to Kodak real quick? I just want to throw that out real quick before we start talking about Mike Tyson. Anything else?

[Flip]

I heard about it. I ain't see it.

[Melissa Ford]

I watched it. Mixed emotions, I guess. I think it's dope. I think that once you introduce, like, the content piece, it becomes not real.

[Ish]

I mean, informative a little bit.

[Melissa Ford]

Yeah, potentially. But I think ultimately it's a dope conversation.

[Ish]

I think Wallow. I think Wallow's intentions are always in the right place when it comes to these things.

[Parks]

Yeah, he has a history of it.

[Joe Budden]

Right.

[Ish]

I see the jokes going around where it's like, usually once.

[Joe Budden]

Jokes to be made.

[Ish]

Yeah, it is.

[Joe Budden]

Once Wallows show up, that's like the grim reaper.

[Ish]

It's like getting the key to the city.

[Joe Budden]

Yeah. That's like you got 24 hours to live. Just think when Wallow is 0 for 99 in these talks. So I'm with the jokes.

[Ish]

Yeah.

[Joe Budden]

Just jokes. I also do believe that Wallow has enough equity built up to. Whereas he's genuine. I do think you can be genuine and performative.

[Melissa Ford]

Yeah.

[Joe Budden]

Like, it feels the Dirk one to me. Dirk stopped by the pod. Wallow had that talk. Young thug stopped by the pod. Wallow had to talk. Anytime I've seen him have this talk. They stopped by the pod. Them going to you.

[Ish]

Well, they.

[Flip]

No, the Dirk one.

[Ish]

I think they went to Dirt.

[Melissa Ford]

Throw it on the last.

[Parks]

Yes.

[Joe Budden]

No, but it was on their podcast.

[Ish]

That was out there, though.

[Joe Budden]

It was on their pod. It was still on their podcast.

[Ish]

I get it.

[Flip]

As opposed to being, like, outside, as.

[Joe Budden]

Opposed to just independent piece.

[Ish]

Gotcha.

[Flip]

Yeah.

[Melissa Ford]

We're in the parking lot. Throw these lavs on.

[Joe Budden]

Now, a piece may be coming from this. Maybe they did a sit down. I don't know. But all we saw so far is this standalone piece. And listen, I don't have. I'm not knocking. I'm really glad that we have Gillian Waller to go do that. Whether it's performative or not, somebody needed to do it.

[Melissa Ford]

Yeah. It needs to continue to do it.

[Joe Budden]

By the way, I like that role. I like that role for them.

[Melissa Ford]

Yeah.

[Ish]

And who better, you know what I'm saying? Like, that's. I think Wildo's the perfect person. Because a lot of times people don't want to hear it when it's coming from somebody. Cause, like, you didn't live this, or you don't really know what you're talking about. You can't say none of that to.

[Joe Budden]

Wallow nor Gilly, who lost gun violence.

[Flip]

Yes.

[Ish]

I'm sorry, but you can't. You can't say that to them. They are every. I can speak to y'all. Like, when they say they're the voice of the trenches. They say that for a reason.

[Joe Budden]

And I ain't gonna front, man. When we was all watching whatever fight that was, and the fight almost broke out between all them niggas in the crowd that was wallowing them in there, trying to defuse things. But the joke's gonna fly.

[Ish]

Yeah.

[Joe Budden]

And do y'all think that Kodak actually.

[Parks]

Listen.

[Ish]

That'S the problem. That's the real problem. A lot of Times these younger dude are not going to listen. Me and jwon were having a conversation earlier about that. You just. It's a different world. So it's like, yeah, I hear you, but you don't know what it is like out here today. Your time was your time. So you're speaking. You can't speak to whatever it is that's happening right now because it's just not your world. And that's just a young mentality. We've gotten game. I've gotten game from older people in my family and just homies that later on down the line you'd be like, damn, such and such was saying that. And then it might click years later. But in that moment, it's like, bro, I'm whatever age, and you 20, 25 years older than me. You don't know what's going on right now. Like, shut up. I ain't trying to hear it. And when you young, not saying Kodak is that young, but a lot of the young, young ones, you think this, you know, everything. Can't nobody older than me tell me nothing. Even though they live through.

[Flip]

That's it.

[Joe Budden]

Yeah.

[Flip]

That's the killer piece to me. Like, all of us, I'm sure I ain't grow up with everybody in here, but all of us, I'm sure had an older person telling you the do's and the don'ts and, yo, where they fucked up and they telling you from experience, and you just thinking, yo, you made that left. I ain't gonna make that left. You know what I'm saying? Like, everybody, like, that's why drugs, like, I ain't really never really fucked with drugs like that when I was young, because I saw what it did to other people. A lot of people try drugs for the first time thinking that it ain't gonna do that to me. It got hooked. You get what I'm saying? And it was that once they had that shit a couple times, it was over. I think it's a similar situation. Like, a lot of times you be in the street, you smarter than everybody. You could do it better, you could do it different, and it's not gonna get me. And I think that's what happens. But you gotta salute them niggas for trying to steer them on the right path.

[Joe Budden]

For sure. Yeah.

[Ish]

You still need it.

[Joe Budden]

Yeah, I think that's the bottom line. Shout out to Gilly Wallow. Shout to Kodak as well.

[Melissa Ford]

Yeah, for sure.

[Joe Budden]

Yeah. And not to go back to our earlier topic, that made it all awkward and weird, but I just Thought a little more. There is a such thing as doing too much with your friend while you're in a relationship.

[Parks]

There is?

[Flip]

Yeah, I think so.

[Joe Budden]

We can like.

[Flip]

I think it's a certain advance, that.

[Joe Budden]

Combo that we was trying to have about friends or who when you know them and who you know them. Really, if you. In a long term thing, do it matter when you met him? There is a such thing as. All right, now you're doing too much with your friend.

[Melissa Ford]

Especially when it's absolute sex.

[Flip]

Absolutely.

[Ish]

Yes, absolutely.

[Parks]

I agree with that.

[Joe Budden]

Okay, okay, just a second. Just. I gotta feel.

[Flip]

Yeah, but like not knowing them, like I could know a mil. I know a million people. I've been off the point since I was a child.

[Imani]

Not just knowing, it's the being close to.

[Flip]

I've been close to a lot of people. I might not have seen them in seven, eight years, but when I rekindle with them, it's like we never missed a beat. And there's girls that I never had sex with, I never kissed, I never nothing. And they was on some like my sister shit. Like they was like on my sister shit for 7, 8, 9, 10 years. And they might have moved away or whatever the case may be. And you lost that thing with them. They might move in town, you might see them in the mall, whatever the case may be. And you could pick up right where you left off.

[Joe Budden]

See, I think it's a cap on. On that close, close friendship when you in the long term or we're not.

[Ish]

As close no more.

[Joe Budden]

Yeah, no part.

[Ish]

I'm talking about when you, the person that moved away, you know, they moved to LA or some shit like that. Y'all might not be as close. That's still your peoples. Whenever y'all link back up, it's like no time was ever lost. But in that time apart, y'all might not be as close. I'm talking about when they say, yo, this been my like my other half, my ride or die for years. And then your significant other's like, okay. If you're this close to this person.

[Imani]

For this long and I don't know.

[Ish]

You ain't even never mentioned them.

[Imani]

Right?

[Ish]

I've never heard you on the phone like nothing. Where, yo, it's my homegirl. Such and such like, it. It seems like this might be a some. They might not. They might not believe it as much because it's like you just bringing a person up.

[Flip]

I think that's an insecurity thing. Me personally.

[Imani]

No, it's not an insecurity thing. It's like a. It's assurance.

[Flip]

If I'm telling you and you trust your man that I've known this girl for 15 years and this used to be my nigga, my ace. Like, this was my peoples. You might have never heard of them, but when they come back around, I think that you should trust your significant other to be telling the truth. I don't think that you should think that this person is plotting or this person is scheming or they doing something sneaky. I think that if you really love your man or you really love your girl, you gonna believe what they telling you.

[Melissa Ford]

I will say this, though, while all that is true, I also wouldn't put my wife in a position to feel uncomfortable by doing some like, no, oh, me. That's a whole different out laid. You know what I mean?

[Flip]

We said introducing a person to your girl like that going out shit is something different. Yeah, I'm talking about, yo, this is my people. She like, this is my strong peoples. You ain't have to necessarily hear of them. You might only be six years in. I might have known this person and was close with this person 10 years ago. And they left the relationship.

[Imani]

That's why Joe is saying, like, long term relationships. I think that you were talking past six years.

[Flip]

Six years is a long time.

[Joe Budden]

Six years is long term.

[Imani]

Okay.

[Joe Budden]

Five years is long term.

[Flip]

Four years is long term.

[Joe Budden]

Four years, long term.

[Ish]

Yeah.

[Melissa Ford]

I think it starts at three.

[Imani]

Okay.

[Joe Budden]

I'm cheating on you at three. That's not long enough for me to not cheat. Sorry, Sorry.

[Imani]

Okay. That is a really nice business, yo.

[Joe Budden]

And then you gonna say, yo, dog.

[Ish]

They be believing what I said. Look at how you just said it.

[Flip]

Nigga, look at your face now.

[Joe Budden]

I'm cheating on year three.

[Ish]

Sorry.

[Joe Budden]

I mean, that may just be pardoned. Year one and two. I'm cheating for sure. You gotta establish yourself.

[Ish]

And I gotta make through some shit.

[Joe Budden]

I gotta see if it's real.

[Ish]

See how you walk through adversity. What Flint said. All these fights, all these stuff we've.

[Flip]

Been through, are you built for this?

[Joe Budden]

Gotta see how much she can take.

[Parks]

They built the turbulence they built to survive.

[Joe Budden]

Yeah. Ford tops, Old school.

[Flip]

Ford square ones.

[Parks]

Yeah. 1996.

[Melissa Ford]

Drive the car fast.

[Joe Budden]

Yeah.

[Flip]

Off road.

[Parks]

The square joint, kid. Off road.

[Flip]

This stupid, yo. Oh, man.

[Joe Budden]

Anytime you want to not work here, I'll sign the paper. No, I understand it. I'm listening to them. I'm hearing them through the male gaze.

[Parks]

I'm just saying.

[Ish]

Don't start that.

[Parks]

Hearing them, Hearing them.

[Joe Budden]

Yes. Through the male gaze. It's tough, yo. It's gotta be tough on women. Armani, they on the Internet calling you Thin Diesel.

[Melissa Ford]

Oh.

[Joe Budden]

Cool. And it was. It's true. A little bit like you resembled the nigga like, but thin. Like without the thin diesel. Creatine without the thin Diesel. Thin Diesel.

[Ish]

Fucking nuts.

[Flip]

That's funny, son.

[Ish]

That's funny.

[Parks]

Fuck said that, bro? These nuts.

[Joe Budden]

Nuts.

[Ish]

Come on, be funny. Yo, man.

[Parks]

Funny.

[Joe Budden]

Oh, man.

[Melissa Ford]

Y'all want to get into some of this Tyson shit? Speaking of diesel.

[Joe Budden]

Hey, you.

[Parks]

He's Diesel.

[Joe Budden]

Hey, you.

[Melissa Ford]

I'll pay the fee.

[Joe Budden]

All right. Mike Tyson vs. Jake Paul happened last night, but we're recording before it happened. So we're speculating and forecasting.

[Melissa Ford]

Indeed.

[Ish]

Yes.

[Joe Budden]

Who does everyone have and why?

[Ish]

I got Jake Paul.

[Flip]

My heart is all Mike.

[Parks]

Mine's too.

[Flip]

My brain is probably Jake Paul.

[Ish]

From a business standpoint. I got Jake Paul.

[Melissa Ford]

I think they're gonna make this shit a draw so they can try to do this shit two or three times and draw this bitch out and don't.

[Joe Budden]

Spots in your heart again.

[Melissa Ford]

Room for Mike, though.

[Flip]

But yeah, in your heart.

[Melissa Ford]

Yeah, of course in my heart. In my heart. Rooting from the bottom of my heart.

[Ish]

Once he flashes an old mic.

[Joe Budden]

Mel draw. So draw for the rematch. Yeah, I think you get a rematch either way, no matter what.

[Melissa Ford]

Yeah, that may be true.

[Joe Budden]

If they doing money grab shit now.

[Flip]

I'm thinking Mike beats him for the draw.

[Joe Budden]

Tell your heart.

[Flip]

Have you gone pitch the draw? Cause I think that if Mike loses, there is no rematch. I think that if you want.

[Parks]

It depends on how he loses, then.

[Flip]

Mike has to win.

[Ish]

I got controversy.

[Parks]

It depends how he lose.

[Flip]

It's possible.

[Parks]

If he put up a great fight and then he just get a lucky shot in, then I can see a rematch. If he's dogging Mike Tyson through the whole thing.

[Joe Budden]

Nah. What's the controversy?

[Ish]

It could be something like Mike ignoring in the round bell, keep going.

[Joe Budden]

Hurts him.

[Ish]

Can't continue and then build on.

[Parks]

Yeah, something tax the rap.

[Ish]

Gets a little. Something get a little out of hand on Mike's side and it's gonna cancel the fight or stop the fight and then that'll lead up for a rematch.

[Joe Budden]

And you think.

[Flip]

And you think that's gonna be planned.

[Joe Budden]

That will lead to the Netflix producer running out there, running out there to stop. Stop whatever's going on?

[Ish]

No, I 100% think this fight is scripted. Vince McMahon, WWE scripture, same 1,000%. I think the outcome is already determined. I think this is just entertainment. At this point, hold on the show and let's go out.

[Parks]

And this is the problem Jake Paul has though, because you guys keep putting him in that box, even though he started like that, like in that box. As far as not taking him serious or taking what he does serious, this is the problem. This is why he wants to keep going and going and fight everyone. Because every time he's associated with a fight, people are thinking that it's set up, it's a skit or it's wwe, you know what I mean? And it's not. No, it's not true.

[Ish]

I think it is. I think he's taking it serious, but I think he's not gonna be taken serious until he gets like fighting a 58 year old mike Tyson ain't gonna get him to take you serious.

[Flip]

But he done knocked out some other motherfuckers that were 58 years old.

[Joe Budden]

He ain't support no fighters. No, he support no fighters.

[Parks]

So.

[Joe Budden]

Well, let's stop with it. Cause believe what you want to believe, but I don't believe that they're gearing him up to be a professional fighter and enroll him in whatever weight class and he going about.

[Parks]

So you think the whole thing. Let me just get this straight.

[Joe Budden]

It's too much money.

[Melissa Ford]

I don't know if it would behoove them financially to become.

[Joe Budden]

Yeah, you're not even the same draw.

[Parks]

That's not true.

[Flip]

He's right.

[Ish]

He's not the game no more. The game has changed.

[Melissa Ford]

Did they say he's getting 40 million for this?

[Flip]

Like something like that?

[Melissa Ford]

I don't think that he would get that at a.

[Joe Budden]

No, he would not.

[Melissa Ford]

Yeah, probably nowhere near.

[Parks]

But the fans that's watching for Jake Paul will still come and funnel over from wherever they watched him for initially from the YouTube world. That's why he's a draw. He's bringing different eyes, a younger generation.

[Joe Budden]

Not a boxer. Draw.

[Ish]

Yes. Not a purist to the sport.

[Joe Budden]

Not a boxer. Exactly.

[Parks]

Anytime that he.

[Ish]

Entertainment aspect of boxing.

[Parks]

Yes, but he was boxing for real. Anytime that he boxed, people were watching. They saw the numbers. That's why Netflix went to them. He did it on his own. And Netflix went to them because the numbers that they.

[Joe Budden]

I know.

[Parks]

Same thing with Floyd and Logan Paul.

[Joe Budden]

I didn't see Netflix go to Triple G. I didn't see Netflix go to Canelo.

[Flip]

No, you ain't seen Netflix go get Canelo. You ain't seen Netflix go get Shakur. I see Netflix go get Tank. If anything, Netflix should go pick up Tank. Tank is the Biggest drawing, boxing right now.

[Joe Budden]

Tada. Well, no, there's no doubt about it.

[Ish]

He is in the sport of boxing.

[Parks]

Cancel the fight.

[Ish]

Because in the sport of boxing, it's Tank. It's not even a question.

[Parks]

No, Tank is the man.

[Ish]

Now when you start talking the promotion and the entertainment side of the exhibition boxing and that shit like that.

[Parks]

So you don't think that they could mix the two?

[Joe Budden]

They are mixing the two.

[Leon Thomas]

They can.

[Joe Budden]

It's just not a professional boxing match.

[Parks]

If he was to be. So if Jake Paul was to fight an actual boxer in his weight class, you saying that he won't get the views and the numbers and the pay per views the same?

[Joe Budden]

Yeah, that's what I'm saying.

[Ish]

No, it doesn't make sense.

[Parks]

The niggas that he was fighting, I didn't know some of them niggas and a lot of people were watching it. I purchased some of them shits.

[Joe Budden]

So have I. And none of them have been fighters.

[Flip]

Let's listen to this.

[Joe Budden]

They've been retired fighters that did mma. Retired.

[Parks]

And we still watched.

[Joe Budden]

Basically he's a drawer. We just arguing.

[Flip]

No, but the boxing purist didn't watch that fight. The boxing purist is not gonna watch.

[Joe Budden]

He ain't working his way to a.

[Melissa Ford]

Belt and I don't know that it would behoove him and to do so.

[Ish]

I don't think their business would.

[Joe Budden]

I don't think it would. I don't agree.

[Parks]

But we can move on. I don't, I don't agree.

[Joe Budden]

There's big money in exhibition boxing.

[Ish]

Absolutely.

[Joe Budden]

Clearly that's.

[Ish]

That's the game now. Yes. You see Floyd then retired like, yo, I went out undefeated. I don't ever have to have a professional fight again. I can crack them over the head every time I feel like it.

[Flip]

With an exhibition fight for 30 or 40 million dollars.

[Parks]

Yeah, yeah.

[Ish]

Over and over and over again.

[Parks]

Yes.

[Ish]

Or I go over here where I'm. It's a professional licensed fight and all of that shit. And I'm not making the same money.

[Joe Budden]

I'm at the age where I just bring race into everything. Now. I turned into. My dead boy used to hate when he did that. But that's the age I'm in. So I can't think about this fight without being racial.

[Parks]

I don't understand what.

[Joe Budden]

I mean, if Jake Paul beats Mike Tyson, then that sets us back 500 years as a people. God damn. Mike Tyson is black. Excellence is one of our most famous, prolific blacks, one of our most known beloved blacks. Culturally, we don't need fucking this. This white boy coming to make Mike.

[Flip]

Tyson, especially if he makes him look.

[Joe Budden]

Bad, that's different from Buster Douglas doing.

[Ish]

And that's why I say wrestling, because in wrestling, that happens. You have the. Somebody basically pass the torch or put you over. It's called that happens where you are at the end of your run and you gonna pass the torch to the guy that's gonna put whatever this is on his back for the next 10 years.

[Flip]

Apples and orange as far as butt. I get it.

[Joe Budden]

Yeah. Because in wrestling, everybody agrees to be a wrestler.

[Flip]

Yeah.

[Joe Budden]

If you are familiar with Mike Tyson's story. No, true. I have been beating people up since I was 8 years old. I have been fighting for food, for fighting to live, knocking out. I had a real anger management issue and I was a beast. So he fuck around and get in that ring and forget the script. He fuck around, getting there and say, fuck that money. Fuck your rules.

[Flip]

Getting hit too hard.

[Joe Budden]

I'm fucking him up.

[Ish]

Or he plays the game like. Or Mike is sitting here. I understand all this. I'm a businessman. I'm gonna come in here, I'm gonna do this at the press conference. I'm gonna sell the out this fight, and we're gonna go make a shit ton of money and ride off into the sunset.

[Joe Budden]

I think that's what's happening. And I feel. I felt safer, I felt more secure. When. Before they changed the rules, when it was exhibition rules. They no knock down, no such and such. I don't have the updated rules, but they changed the rules.

[Ish]

So I think all that's part of the work.

[Joe Budden]

Yeah. Yeah.

[Ish]

To build more hype.

[Joe Budden]

Yeah. I think they needed more viewers.

[Flip]

Yes.

[Ish]

Again, when we think Mike T. Tyson, we think knock out quick. That's what we think. So if that's off the board, if.

[Joe Budden]

He bite his ear off. My money, I got my money. I got my Netflix worth.

[Ish]

But look, if knockouts.

[Melissa Ford]

I'm just.

[Ish]

If knockouts and knockdowns is off the board, it's not. What are we watching for Mike Tyson?

[Joe Budden]

For Neum and his dick? I'm watching to see something that I don't normally see. I want something strange to happen. Yeah, like when we was watching that shit in the 90s and the nigga flew in with the balloon rose.

[Parks]

With a parachute.

[Joe Budden]

Yo, white people think they could just do what the fuck they want.

[Ish]

Just come fly out in the middle of the shit.

[Joe Budden]

Fly in the middle of the ring in a balloon, idiot. I want to see something like that.

[Ish]

And I get you. I'm just saying that this is every Super Bowl.

[Joe Budden]

Some white nigga run out eating my chips and like, look, see new now they about to tackle this out this watch.

[Ish]

He be busting security ass into one of them. Players say, all right, let me show you want to feel? Watch this. Nah.

[Joe Budden]

Yeah, players, they don't play like the.

[Parks]

Players, the players in sports and the wrestlers, when you go in the ring, they start the fans up.

[Ish]

They want to get in here. Yeah.

[Joe Budden]

Yes. Listen, when I interviewed Mike, that's bad. Funny, he swung on me playing and I almost hit the ground playing.

[Flip]

Cut through the wind, felt that.

[Joe Budden]

I felt the wind, the gush right, right through my face. Also that fist got close to my face in no time.

[Melissa Ford]

Felt the fear of God right there.

[Joe Budden]

Well, no, because I know he playing. He don't even mean that. He wasn't even in boxing.

[Flip]

No, they got enough control too to control that.

[Melissa Ford]

Yeah.

[Joe Budden]

See, if I'm in the hookah spot and Jake Paul get up wilding, I'm getting up to five fight. If I'm in the hookah spot and Mike Tyson starts wilding, I'm going to the car. I'm going to the car. I was in la. I was in LA when Mike had first got his face tattoo, whatever year that was, but that was the year I just started moving around, so it must have been 01 or 2000 or something like that, I don't remember. And he was in one of them LA restaurants and my first time in LA or one of them, so I don't. Didn't know where I was at. And he started bugging in there and there wasn't nothing nobody on the whole strip could do to stop him. You just had to wait until he.

[Flip]

Finished, till he calmed down. Yeah, Police would be like, mike, Mike, come on, Mike.

[Ish]

Juggernaut, dog, Juggernaut.

[Imani]

Yeah, that's exactly what I was gonna call him.

[Flip]

Literally, the police would be like, mike, come on, you right, big guy. Like, yo, dog.

[Joe Budden]

And that's that. And listen, y'all young niggas on the Internet talking about. Yeah, but he's 60 years old now that I'm 44, I'll tell you, a N shape, 60 ain't so far, it ain't what you think. Like a 60 year old that's in world class athlete, muscle memory, that ain't the same.

[Flip]

That's what I was about to say. A 60 year old. 60 year old Mike Tyson in shape is probably more deadly than most 35 year old niggas walking around the street.

[Joe Budden]

Absolutely, by far no problem.

[Melissa Ford]

I seen a little bit of him sparring and shit, bruh.

[Flip]

And he still looks.

[Ish]

I wouldn't even do that. Yeah, I wouldn't.

[Flip]

Smart. My man with the pads on his.

[Ish]

Hands, I'm like, yeah, this. Like, this fits right here.

[Joe Budden]

He now he about to do that for custom motto tonight. What's Rocky trainer that died. What was Rocky trainer name the old Mick.

[Flip]

Mick. Mickey.

[Joe Budden]

Mick.

[Flip]

Yo, Mickey.

[Joe Budden]

Yo.

[Parks]

You must for Apollo Creed, right?

[Joe Budden]

Yo. Yeah. I hope you join it for Mick tonight.

[Flip]

I hope so.

[Parks]

He slapped Jake Paul. Slapped it right in the face. I mean, Jake Paul. But he was selling. I think Mike was upset that he really crawled and. And stepped on the foot.

[Ish]

He selling it, man.

[Flip]

Selling the fight.

[Parks]

That's an insult.

[Joe Budden]

All right, so this is. Corey gives me all the Jake Paul fights. Wait, wait, that's right. He fought Anderson Silva.

[Flip]

Yeah.

[Joe Budden]

Oh, yeah. That's when Anderson Silva took that bag, cuz. Who in the world believed that Jake Paul can beat Anderson Silva?

[Flip]

Like, what are we talking, Boxing?

[Joe Budden]

In anything? In anything. In anything. All right, that's your opinion. I'm not trying to take it from you. I don't believe that. I was outside for all of Anderson Silver. And outside of fucking Jon Jones. No, I don't believe that Jake Paul is whipping Anderson Silver. But we got here Mike Perry, tko, sixth round. Ryan Borland, Andre August. All these are wins. Nate Diaz, he lost to Tommy Fury. Dub Anson Silva, Tyrone Woodley, twice Dub Ben Askren, Dub Nate Robinson, Dub Ali Essen Gibb. Dub. See, back to our conversation. When you trying to box for real, Nate Robinson's not going to be on your list.

[Parks]

True, that was early on, but that was early on.

[Joe Budden]

I don't give a fuck when it was. I don't care when it was. Nate Robinson won't appear on your resume. If you're trying to be a boxer. Like, we don't have to argue everything.

[Melissa Ford]

Yeah.

[Flip]

No, I'm not disagreeing.

[Joe Budden]

Are y'all gonna watch this? Is this inside or outside?

[Imani]

Inside.

[Melissa Ford]

Inside.

[Ish]

Inside.

[Melissa Ford]

Y'all welcome to come over if you want.

[Flip]

Outside of what?

[Parks]

Outside of the street, nigga. In the streets.

[Flip]

Oh, you mean.

[Joe Budden]

Oh.

[Flip]

Thought you meant, like, outside, nigga. Winter here.

[Joe Budden]

Winter is here.

[Flip]

Shit is real outside.

[Joe Budden]

Yeah, Winter is here. This shit different.

[Ish]

I was trying to thug it out.

[Flip]

No Heat last night was different.

[Joe Budden]

No. Yeah.

[Ish]

I got up that shit said. That shit said, feels like 26. I said, okay, okay, enough. Y'all win.

[Joe Budden]

Yeah.

[Flip]

It had to get that cold for.

[Ish]

You to cut the heat on. When you wake up and see that.

[Joe Budden]

Oh, I was about to be like the night before.

[Ish]

They ain't say that shit was real dropped.

[Joe Budden]

Y'all New Yorkers have gotten spoiled with this weather shit.

[Ish]

Yeah, yeah, yeah, for sure.

[Melissa Ford]

I like.

[Flip]

And, nigga, we old shit getting your bones. When you was a kid walking to school, it could be 27 degrees. You out there playing with your niggas. I was outside last night talking to my man. I was in Western Jersey.

[Ish]

Jersey.

[Flip]

It was colder than. I'm like, yo, dog, call me.

[Joe Budden]

I'm out of here.

[Flip]

Call me like, yo, holla at me.

[Joe Budden]

My.

[Flip]

I'm gone.

[Ish]

Like, this is different. It's remote start degrees outside.

[Flip]

Recluse.

[Parks]

You keep questioning it. You have to get attacked.

[Joe Budden]

No, no, you. I don't think it's because I'm a recluse, right?

[Ish]

No, you talk more than regular than.

[Joe Budden]

Yeah, you talk more than people.

[Ish]

I'm not talking. You talk more than. You talk way more than me. I'm not a recluse either.

[Flip]

Whatever y'all say. So.

[Parks]

He likes to.

[Joe Budden]

That's just saying.

[Ish]

We just saying that shit back. I'm not nobody knocking you for it.

[Flip]

I'm not. Yeah, no, he said, yo, you. You doing more talking. That's crazy. No, you talk some more.

[Joe Budden]

That's not knocking it. That's not knocking it. Talk some more. Never.

[Parks]

Okay, cool.

[Joe Budden]

Never say less. Ain't that much to talk about. They ain't even nothing to talk about. These.

[Parks]

But stop saying that because you be getting in the spots and seeing people and having our conversations with.

[Joe Budden]

Not at all. Not at y'all, clearly. Yo, for the rest.

[Parks]

Yes, you do.

[Joe Budden]

For the rest of the time y'all work here. Don't talk about nothing I do outside. Because y'all just be saying no. Because y'all don't be outside with me. Y'all don't see me, y'all. No, I don't.

[Imani]

I've never seen.

[Parks]

I don't do that all the time.

[Imani]

Never seen him do I do that.

[Joe Budden]

Like, when they talk about Just be talking.

[Parks]

No, but you just said the other day.

[Melissa Ford]

Opposite of it, actually.

[Parks]

Hey, you said the other day I saw somebody and I had a back in the pool for, like an hour.

[Joe Budden]

Let me take it a step further and make myself clear.

[Melissa Ford]

You don't even talk to the people he's out with sometimes.

[Joe Budden]

Yo, I barked on that, Ned. I apologize.

[Parks]

I love you.

[Joe Budden]

I barked on that for being in my sec, in the section I'm in and talking to people. Don't even talk by me. Don't do That I don't give a how it sound. It sound like I'm an that are in a section. Are there to be to not talk to you niggas? Nah. Intersection. Hugging, hugging. 10aminute. Hey, how you been? So I got stand there and look at all these doofy.

[Ish]

Move, move.

[Joe Budden]

Talk to them when you go to bathroom. Don't talk to these around me. That's me. Sorry, sorry.

[Melissa Ford]

You're a special sorry, buddy.

[Joe Budden]

I'm not with talk Moon talk over there.

[Melissa Ford]

I feel you, though.

[Parks]

Yeah, I'm not against that. Not against that.

[Flip]

Against what?

[Joe Budden]

And again, now I'm sorry.

[Parks]

I'm. I'm against how he handled it, but I'm not against feeling that way, dog.

[Joe Budden]

I apologize.

[Parks]

Yeah, I'm against how you handled it. He should just act to the yo. Go out there and go talk to them.

[Melissa Ford]

Well, because then you're also bringing a bunch of strangers into the circle. I get it.

[Parks]

But no. Yeah, please.

[Melissa Ford]

And now they want to pie with you.

[Joe Budden]

Oh, God. Yeah. I ain't even giving the entryway for yo. I know.

[Ish]

Flipping.

[Parks]

Yeah, yeah.

[Joe Budden]

All right. What? Sorry, sorry.

[Parks]

I don't give a fuck.

[Joe Budden]

Sorry. I gotta meet him. You gotta stand here with him. True. If you introduce me. Hey. I'll act like we. Oh, hey. Any friend of his is a friend of mine. That's mine. I'm so phony. You give mix any friend, you get it. Hey, you good with him, you good with mine. Hey, bring it in.

[Parks]

How many personalities?

[Joe Budden]

But if it ain't that nigga.

[Parks]

How many personalities you got? Like two, three.

[Melissa Ford]

Oh, we pardon.

[Joe Budden]

Now we cooking with some grease.

[Parks]

How many personalities you have? Because at first, initially, when I first came around, I thought that then I brought people around. You was extremely nice. Then it gave me a different view. Then I was outside with you. I was like, yo, Joe, you ignored everybody in there. So I'm saying, is it three personalities?

[Imani]

But wait, where do you bring them around him in here?

[Parks]

I did.

[Imani]

Yeah, Well, I mean, this different. He's on home turf here.

[Parks]

I'm the same way. Why you tapping me? What happened?

[Flip]

Cause he see them same niggas that he hugged in here and pay for the calamari in here and not say hi to them outside.

[Imani]

That is a fact. Same fact.

[Ish]

Hey, even further, he deserved whatever.

[Parks]

Come with him.

[Ish]

Look, the dude that. The dude that he said.

[Parks]

Cause they gonna come over them like.

[Leon Thomas]

Hey, y'all, look, look, look.

[Ish]

Flip the same one. He said if you introduce him next to him. Oh, if you good with him, you good with me. When they. When they not next to you no more.

[Flip]

Next week. Next week.

[Ish]

You ain't there no more, dog.

[Melissa Ford]

Sometimes it do be hard to remember a motherfucker, though.

[Parks]

They do that. That's different.

[Joe Budden]

I also don't expect to see none of y'all peoples when I'm out. Like, no one. I've seen Park's best friend, Bryant, with Parks. With Parks. I don't know if I'm the warmest. If he's just out and about.

[Ish]

Like, hey, Joe.

[Joe Budden]

I would say, hey, it's Brian, but it wouldn't. Brian's pretty cool, actually. Park's got cool people.

[Ish]

Yeah, Parks people's cool.

[Joe Budden]

Yeah, I like Parks people.

[Melissa Ford]

Well, thanks, guys.

[Joe Budden]

I don't love.

[Parks]

All right, man. All right, all right. We got it.

[Joe Budden]

We got it.

[Parks]

We got it. Leave him alone. When you see my side, don't say, what up to him. Just. I respect that. I mean, that's old school rules. Don't stay, what up? Because he's not your friend. I mean, you're my friend.

[Joe Budden]

Strengthening boundaries.

[Parks]

I agree.

[Joe Budden]

You can always strengthen boundaries. That's all I got, man. I hate to make myself sound like that on here. I want to appear friendlier. I want to appear friendly. But y'all. I tell these things to y'all, and people, I feel like, have to love me unconditionally. But the other people, I don't feel like they should know that. Let me get my front on.

[Melissa Ford]

You do not want to.

[Ish]

You don't want to hear.

[Melissa Ford]

Because that comes with something.

[Flip]

I know if you appear friendlier, people.

[Imani]

Are going to react.

[Flip]

Then people are going to approach you as if you are friendly.

[Joe Budden]

I know, and I'll get it.

[Ish]

So why do you want to appear friendlier?

[Flip]

You got it, bro.

[Joe Budden]

Because I don't think that millions of people should. It comes off mean. And I'm not mean. All right, all right.

[Ish]

All right.

[Parks]

This shit is dark.

[Leon Thomas]

You're not.

[Imani]

You're not mean.

[Flip]

You're an institute from a beautiful mind.

[Joe Budden]

Just.

[Parks]

I just fucked around and found out that, man.

[Melissa Ford]

I'm trying to lead the map.

[Flip]

Yeah.

[Joe Budden]

Yo, do any of y'all know why they killing Sky Jackson's baby daddy?

[Flip]

No.

[Ish]

Cause he ain't rich.

[Parks]

No, not cause he's rich.

[Ish]

I said, cause he ain't rich.

[Parks]

Oh, yeah. And he doing bullshit out here. But, you know, no matter who you are, you be Scott Jackson. You could be latoya Jackson, any type of Jackson. Sometimes the fly bitches or the bitches, that's about something or where they come from. They like Bum. Not saying he's a bum, but they like niggas that's into some shit.

[Joe Budden]

They like that.

[Parks]

They. I think it's something in women that feel like they could save a man. I could save him. I could change his life. And niggas just be on some bum shit.

[Joe Budden]

I'm gonna say women people do like projects. Yeah, they do.

[Ish]

Yeah. I've tried to save a couple security, bro.

[Joe Budden]

Oh, please.

[Parks]

For singing it out. People like projects and shit like that. And he just. He looked crazy. He just got locked up, right? He just got locked up and.

[Flip]

I don't know.

[Parks]

She's pregnant by him. He. It's just nasty man coming about this. I don't know his name. Mad is coming out about this young man, and it looks crazy. And I kind of respect the game. He got her.

[Joe Budden]

Nah, that is looking like Crash out Central.

[Parks]

Crash Bandicoot. That look crazy. This other came out.

[Joe Budden]

Then the gay dude came out. Outed him.

[Imani]

What?

[Ish]

Wait, excuse me.

[Parks]

Yeah.

[Joe Budden]

Outed him. Yeah. Oh, man. Sky Jackson, baby daddy has had a lot going on this week. You know that. Because we don't talk about Sky Jackson or her baby daddy on the show.

[Flip]

Right.

[Joe Budden]

She's had. They had a lot going on.

[Melissa Ford]

I read that they became friends through pen pals or something. I don't know if that's true. I'm just.

[Imani]

Pen pal. Like a jail program.

[Melissa Ford]

Yeah.

[Flip]

Oh, okay. He was one.

[Joe Budden]

You know that's not what a pen pal means.

[Imani]

Well, she's put the right.

[Joe Budden]

Exposed herself. Exposed herself.

[Flip]

I mean, today it could be a pen pal.

[Parks]

Yeah.

[Joe Budden]

A pen pal has nothing to do with jail.

[Flip]

No, it don't.

[Parks]

It doesn't, but that's it.

[Imani]

But there are pen pal programs through penitentiaries.

[Joe Budden]

Yes. And you clearly have been a part of some. You look like you'll get a pen pal program.

[Parks]

She has. She admitted that she was. Yeah, she had a pen pal.

[Melissa Ford]

She had to get back. Back.

[Joe Budden]

She had to get.

[Parks]

Hey, yo. And real quick, man on you. I just saw.

[Joe Budden]

She's gonna try anything but just be a good woman.

[Imani]

What?

[Joe Budden]

She gonna try anything but just be a good woman.

[Imani]

Make it make sense. What are you talking about?

[Joe Budden]

You know what? These out here. I'm getting a jail pen pal. I ain't got to show up for him.

[Imani]

You're such a dick.

[Joe Budden]

Would you. Getting paid for what? For writing in jail.

[Melissa Ford]

Community service. She had to pay back her debts to society for all them felonies.

[Imani]

This was like a million years ago. I had a pen pal. It was like 25 years ago, maybe. No more. It was like 30.

[Joe Budden]

Did he ever come home?

[Imani]

I don't know. Wrote a couple of times.

[Flip]

You had a 17 year old pen pal.

[Joe Budden]

That's before cat lady was a thing, maybe.

[Imani]

Hold on. 28 years ago. Thanks for doing the fucking math.

[Joe Budden]

Would you do it today? Would you do it today?

[Parks]

She mad at a. Did the math.

[Imani]

No, I don't think so. No, not. Not today.

[Joe Budden]

Got it, got it, got it.

[Imani]

Yeah. Got a lot of my plate right now.

[Joe Budden]

So you never wrote to the women, the women in jail?

[Imani]

No. No, I did not be an allegation.

[Joe Budden]

And my heart goes out to anybody here who has a lot in their play right now. If there's any way that I can help, hit me.

[Imani]

Okay, well, that's. Yeah, that's base. We'll talk after.

[Joe Budden]

All right. What?

[Parks]

Just go ahead, man. I. We got you. I got you.

[Joe Budden]

I got you.

[Parks]

Champ.

[Joe Budden]

Oh, champ. It's like when my girl called me super.

[Flip]

Works like.

[Joe Budden]

Yo, stop playing. Stop playing. Don't call me superstar or Joe. All right, it's time for my favorite part of the show. Prize Picks. All right, you know what time it is? Prize Picks is the number one daily fantasy sports app in all of the land. Super easy, very simple to play. You can get this done in under 60 seconds. All you have to do is find a dollar. Not even, because they give you $50. Now look across all sports, all sports. Pick two to six players. Look at their projected stat line. Pick more or less for your chance to win big. Who am I going with this week since A.J. brown did that shit the other night? Crunch time in my fantasy league. You know what, man? I want to say, oh, no, they on a buy. They on a buy. Kyler Murray won't fucking share the ball with anybody in a red zone. He's just running his little tiny ass in there every time. Trey McBride is open. I'm going to go with Derek Henry. Seems like a safe one. More than 70 rushing yards. Let's go for Travis Kelsey since he woke up. Let's get him for more than 50 receiving yards. I'll go for Steph Curry for more than four three pointers. And let's keep it in the family. But in the frenemies family, I'll go with Klay Thompson for more than three three pointers since he's been on a little tear out there in Dallas.

[Flip]

Yo, that. That's a. That's a money getter right there.

[Joe Budden]

Yeah, that's a good ticket, that ticket, right?

[Flip]

Yeah, yeah, yeah, yeah. I'm Going, yeah, no, pick that ticket up right there.

[Joe Budden]

It is not the worst. If you download the app today and use promo code JBP, you'll get $50 instantly after you play your first $5 lineup. I repeat, download the app today and use promo code JBP and you will get $50 instantly. Instant. You will not have to wait after you play your first five dollar lineup. So good luck to all participants out there and run your game. All right, what you got for us? Flip.

[Parks]

So I was watching a video and Goldfinger was talking about Shout out to Goldfinger. Shout out to Goldfinger. The night that. The only night in New York City where they played back to back, they played the Jay Z and Nas ether. Super ugly.

[Melissa Ford]

Take over all that.

[Parks]

Take over all that. And one thing that stuck out to me was saying that Melissa Ford was bartending that night. This Melissa Ford? This Melissa Ford.

[Imani]

I was actually waitressing.

[Parks]

Waitressing? Yeah, they said she was bartending. And you, like, you were part of a lot of history. I was and need to give you your credit.

[Imani]

Thank you.

[Joe Budden]

You always find it out.

[Parks]

No, because they sent it to me.

[Imani]

The clip is circulating.

[Parks]

Thank you, Mel.

[Joe Budden]

Oh, are you viral?

[Parks]

Finally, Mel, you help me viral out there.

[Imani]

The clip is circulating.

[Joe Budden]

Take that, Dr. Ruth and Anna Shishka Heisler.

[Parks]

Were you in the. How did it feel that night, Mel?

[Imani]

It felt like chaos was two floors and it felt like all of us on the second floor that the floor was going to collapse. Like it was. It was electrifying. It was. You knew that it was a historical moment. You could feel it, you know, and it's just like. It's the kind of thing where you look around at everybody that's there and everybody's kind of like absorbing the same thing and knowing that this is a moment that will be recorded for history.

[Parks]

Gotcha.

[Imani]

It was. It was epic. Everybody came to chaos. Like everybody. It was so dope. It was so dope. Those are really, really, really, really good days.

[Parks]

Maybe video evictions do contribute a lot to hip hop.

[Melissa Ford]

Oh, here we go.

[Parks]

I'm just.

[Imani]

I'm not touching it. Not with a ten foot pole.

[Parks]

Sorry, man. The fact that they acknowledge that question. The fact. I just thought it was dope, man. Melissa Ford, you say you're.

[Joe Budden]

You're an industry plant.

[Ish]

Oh, shit.

[Parks]

Oh, shit.

[Imani]

In what way? How would I be an industry plant?

[Parks]

Yeah, that's fly.

[Joe Budden]

I'm asking. I'm not concluding. I'm asking what the fuck your story is. Little X and Hype Williams and who else? Another One of them big, big, big, big, big names.

[Imani]

No, it was X. So it was X discovered me kind of thing.

[Joe Budden]

Discovered, yes. There's that plant word. Discovered you in Canada somewhere. Just as a pretty girl in Toronto.

[Imani]

Yes.

[Joe Budden]

Brought you back here and put you next to every hot rapper in every hot video. Because he had them all.

[Imani]

No, that's not how it worked. That wasn't how it worked. X was on the come up. So he was still. He was.

[Joe Budden]

X was Hype Williams mentor. I mean, Mentee mentioned Mentee.

[Imani]

I. A lot of people think that. A lot of people think that. So he was. Hype Williams had a company called Big Dog Films. And what X was doing, he was doing a lot of storyboarding, but he wasn't getting like the really big projects. And if you ask X who really put him on and gave him his first really big opportunity, it was most Ford. It was Tim's story. You sarcastic fuck. Yeah, so like, that's just, you know, what X has always said. So, you know, when I started doing music videos, it wasn't for massive names at the time.

[Joe Budden]

Because your first video was what?

[Imani]

My fir. My very. My very first video was a Glenn Lewis video. Oh, yeah.

[Joe Budden]

So you're a plant.

[Imani]

I'm not a plant. I got, literally, I got discovered and then, you know, X. No, X used me and then Hype used me and that was.

[Joe Budden]

That's a plant.

[Imani]

It's not a plant. I was one of several girls from Canada that were used consistently in music videos and big name music videos. That's just. We grew with X.

[Parks]

That's a cactus.

[Melissa Ford]

Yeah, a succulent.

[Parks]

That's a cactus. Don't touch it. You can get stuck.

[Joe Budden]

It's something. Yo, you're stupid.

[Parks]

Yo, she changed again.

[Ish]

It's the same thing when you see like one of these newer rappers with their producer. They come in the game together, get hot, and the producer go on to get hot. The rapper going. It's kind of the same shit to me. Because if X wasn't X at the time.

[Parks]

True.

[Ish]

They're both on the come up. He just happened to have Melissa Forward, who wasn't Melissa Ford at the time. They came up together.

[Imani]

My first American video was Tommy's Theme from the Belly soundtrack.

[Joe Budden]

Shit.

[Imani]

And that was the locks that made Men.

[Ish]

I don't see it as a plan.

[Flip]

That was your first what?

[Imani]

That was my first American video.

[Ish]

That's my shit right there.

[Imani]

And then three days later, I got the call from Hype's people to go do 112 anywhere. But I Mean, like, it's casting directors that, you know, booked for X and booked for hype.

[Joe Budden]

I just don't think they use plant when it comes to video vixens, because.

[Imani]

There is no plant. Like, then the industry.

[Parks]

She's just a pretty.

[Imani]

And also, the industry did not not plant us because they didn't concern themselves with us.

[Joe Budden]

Oh, right. Don't try to victim this out.

[Imani]

No, it's not that. It's just like, we were. We were casted and that was it. That was basically. That was basically it.

[Parks]

There was no assumption that we were.

[Joe Budden]

Going to do it.

[Parks]

Were you always cast you wasn't. Were you always casted? Sometimes they called you and said, we want you in this video, or you're going to be in this video.

[Imani]

You wasn't being cast. I guess that's being casted.

[Parks]

I thought casted. Just go, okay.

[Melissa Ford]

I don't think a conversation about that started with her being a waitress. I think that kind of says that you're not a plant a little bit. You're still working, like, a regular job, right?

[Imani]

Exactly. When I got here, you know, I had to supplement income. I was also illegal as fuck. So I needed a job that you're.

[Joe Budden]

Working on that now.

[Imani]

Yeah.

[Melissa Ford]

Progress.

[Imani]

One day tomorrow. Yeah. Perfect timing, too, right?

[Joe Budden]

I'm not going to center Mel anymore. What I will say is, boy, y'all should have seen the look on Imani's face when Flo Rider came in that karaoke joint. What? What happened? You're not on the mic to defend yourself. That's hate. That nigga. Flo Rider came in there, went to his little spot, he looked at me and said, they do. So that said, you was right. We gotta get Flo ride out of New York City.

[Ish]

He's moving like that. You said that?

[Joe Budden]

Yeah.

[Parks]

Stop moving, man. Shining, glowing, smiling.

[Joe Budden]

I'm such a messy.

[Flip]

That's why they called you Thin Diesel. That's why you. Flo came in there with some muscles.

[Joe Budden]

You was in there like, I'm stupid. I'm gonna tell him I said no. I think he bought a crib out here. Oh, the glow.

[Parks]

Leroy, I respect what he.

[Ish]

What color was his aura?

[Parks]

Green.

[Imani]

He had green aura and $80 million.

[Parks]

I mean, people flocked around him. I told you. When we saw. I saw him at the restaurant. Everybody was around the table. He was just smiling, happy, mad, generous. I told you. I said my little joke to him. That's my sister. He said, oh, I love her.

[Joe Budden]

Peace.

[Parks]

She's great.

[Imani]

And stop doing that shit. Stop being brother.

[Parks]

You're not my sister anymore. Well, let me not say that part, but I don't say that anymore. That was a long time ago, man. We knew we got past that.

[Imani]

Okay, Okay.

[Joe Budden]

I thought it's somebody else in the club too. When they come inside, it may not be Flo r, but that was funny. But I don't think people talk about Tyson chan enough. Sorry. That's what I got.

[Parks]

Tyson chan say something.

[Joe Budden]

Any one of y'all say something. I dare you.

[Imani]

He's a tough night for y'all.

[Joe Budden]

I'm speaking only for me.

[Flip]

Yeah, he's speaking for.

[Joe Budden]

I'm speaking for me.

[Ish]

Some man said, nah, you ain't talking for him.

[Joe Budden]

No, I'm speaking for me. I can't speak. Fools a tough outfish.

[Imani]

Okay.

[Joe Budden]

You see? Huh?

[Flip]

He too tall.

[Parks]

Has is ever.

[Imani]

Wait, he's too tall? Like, what do you mean too tall? Too tall for who? Like, what is he, like six, seven, two.

[Flip]

Oh, seven, two.

[Parks]

Yo, you never answer that question. I mean, we crack jokes and Joe always say who's a tough night for you? But you never acknowledge who's a tough night for you.

[Flip]

We've sat in there, had fucking, what a lot of niggas was tough.

[Ish]

A lot.

[Parks]

I'm talking about a lot.

[Ish]

Like, a lot.

[Flip]

I've been outside a long time. It was a lot of niggas that.

[Joe Budden]

Felipe Lopez, when was Tyson Beckford?

[Flip]

Tyson was tough.

[Imani]

Was Tyson Beckford.

[Flip]

Tyson was tough in his day. Like, Tyson was him.

[Imani]

Today.

[Flip]

Tyson was tougher than a lot of. And Tyson is New York grown. So Tyson was tough, bro. Like, fuck that nigga was, yo. Cause the end that nigga could. He was like, he was just floating in different circles. Like, he was floating in different circles. Like that nigga was in the bougie part. You know what I'm saying? Like, he was in the bougie shit. So you think you could get away from the athlete niggas in the bougie shit? Here come this squinty eyes with tattoos like, get the outta here, man.

[Parks]

Take your joints.

[Flip]

That was a. Yeah, we bump heads, lie. Yeah, that was a monster. I give a credit. I don't have no problem with that.

[Joe Budden]

Nigga had to up the talk game, right? Wait, wait.

[Parks]

Don't go to that bathroom. Don't go to that bathroom.

[Flip]

Them was outside with. Tyson had a car that I don't. I don't know what the name of that was. You remember what I'm talking about?

[Joe Budden]

Tyson Chandler Beckford had this funny car.

[Flip]

My. It was some. I never heard of the Import the G. It was some foreign. Some funny foreign that ain't nobody around here have.

[Ish]

He was the first person I seen.

[Flip]

With that GTR like, yo, that was a problem, bro.

[Joe Budden]

I can't say nothing bad about it. He was always a cool.

[Flip]

Nah, he cool as always. No, look, so you cool. You want to cover every fucking magazine on the planet? Fuck are we talking about? That nigga was a problem. I mean, so, yeah, you gotta start.

[Ish]

Chatting, gotta talk a little.

[Flip]

Listen, man, what you might do in a day. It might take me two months.

[Ish]

The alternate route. Salon.

[Flip]

Hey, yo, man. Sean Steady wins the ring.

[Joe Budden]

Is there anything in music that you guys would like to discuss? It was.

[Melissa Ford]

A lot of music came out today.

[Joe Budden]

Let's see. I don't know any of it. I don't know anything.

[Melissa Ford]

Cashdall Drop Cash down Drop.

[Flip]

Cash Doll Drop. Congrats.

[Ish]

Cordade. Yeah, I got it a little bit.

[Joe Budden]

Yeah, I need to get to that.

[Melissa Ford]

That should sound good. I listened to it one time. No deep dive, but very little brother to jcole and early Kanye vibes.

[Joe Budden]

Ooh, yummy. Yeah, great. Yeah, sounds like a treat.

[Melissa Ford]

Yeah. Lot of dope bars. Wayne's on there twice. Yay's on there. Actually. Juicy J ties. It's. It's a really solid project.

[Joe Budden]

Shout out to Corday, man.

[Melissa Ford]

Yeah, man, for sure.

[Joe Budden]

I mean, one to get with him, but I'll hear the album on my own, see what's going on, see what's popping. I know it's some heat on there. Word was getting around town that it was one of those. So again, I will check that out. Shout to Corday.

[Melissa Ford]

Yeah.

[Joe Budden]

What other music?

[Melissa Ford]

J1 dropped the EP with Seth. Gnarly. Sounded really good from what I heard. Arab and Davies dropped a project. There's a mary project out.

[Flip]

Yes.

[Melissa Ford]

070. Shake. Maxo cream dropped. Friend of the show.

[Joe Budden]

Hey.

[Melissa Ford]

Yeah, it was. It was a. There's a lot of. No, like, gigantic release, but a lot of good music came up. I didn't get to sift through all.

[Joe Budden]

Of it yet, but I need to hear what Maxo's talking about. Out. And Shake.

[Melissa Ford]

Yeah.

[Joe Budden]

And cordae, but.

[Flip]

And J1.

[Joe Budden]

Yeah. He worked here. That. Every week. Cool. That was definitely every week.

[Flip]

Oh, man.

[Joe Budden]

Yeah. I'd like new snow Allegra music.

[Melissa Ford]

It's time. It's definitely time.

[Flip]

Her. Her. That's what I'm waiting for.

[Joe Budden]

Goes without saying. Yeah.

[Flip]

Both of them like that.

[Imani]

You know who's working on some new music? Amerie.

[Joe Budden]

Yeah, I saw the clip. I saw the clip. She in there with. She in there with.

[Flip]

Fuck.

[Joe Budden]

Got a brain freeze.

[Melissa Ford]

Rich Harrison.

[Joe Budden]

No, not Rich Harrison. Troy Taylor, huh? Yes, sir. There we go. Yeah, he in there with Troy. Okay. That mean it's Heat. And it sounded like Heat. That little clip that went around, it did.

[Imani]

It did.

[Joe Budden]

It did sound like Heat. Shout out to Amerie. Shout out to Amerie, man.

[Ish]

All right, did y'all see the footage floating around of the altercation with Offsetting him in Paris?

[Joe Budden]

Yes, I did. Who did you fight with?

[Ish]

I don't know how true the story is. You know, with social media, you get bits and pieces. Apparently there was an artist out there in Paris that paid Offset to For a feature and video appearance, et cetera. He wasn't happy with what he got. Now I'm hearing that Offset showed up late, like, really late, and they wanted some money back, but he didn't want to give him any money back, and a fight broke out.

[Melissa Ford]

Yeah, you're not getting no money back.

[Ish]

Hold on. If I pay you to do something and we agree on, yo, this time, this, this. It's contracted. I gave you whatever deposit you required, and you didn't uphold your end.

[Joe Budden]

How'd that work?

[Ish]

Or if I paid you the whole thing to get you out here, I don't get nothing.

[Melissa Ford]

Talk to Handler or something like that.

[Flip]

You beat? Nah.

[Ish]

You know you beat.

[Parks]

Yeah, I mean, yeah, he was out. He was outnumbered.

[Flip]

I mean, um, yeah, supposedly they said he showed up, like, two hours, three hours late to the video spot, and they said the dude didn't want all the money back. He wanted, like, either some compensation or something, like, with the time. Cause I guess they might have had the video crew for a certain amount of time, whatever case may be to offset his losses. No pun intended. But they won with the.

[Parks]

All sales are final, nigga. All sales are final.

[Melissa Ford]

And when you're dealing with someone that's like a star on that level, you gotta leave some room for some.

[Parks]

But don't know you like that. You up and coming. I don't know you. I mean, we respect the French artist.

[Joe Budden]

Beyonce is not the only one that gets.

[Ish]

I'm just saying you don't know him.

[Parks]

Like.

[Joe Budden]

Yeah, but that.

[Parks]

Even though there should be respect in the work, I do agree with that. But at the same time, you should give yourself enough leeway room for these things to happen. You should.

[Flip]

So let's just say, hypothetically, I don't know, but let's just say he should up three, four hours late. You can't necessarily plan that into my whole video Crew's time and everybody's time.

[Joe Budden]

Like you.

[Flip]

You ain't controlling everybody's time. In. In the event that the feature is leaked.

[Parks]

How big?

[Flip]

Sorry, I don't know.

[Ish]

Most rap videos is to that artist. It could be big as shit.

[Flip]

Yeah, some niggas on my bread right now and it's a feature in Paris. I got offset on my shit. We shooting a video. I paid True.

[Imani]

Had he already done the feature?

[Joe Budden]

Yeah, yeah.

[Flip]

He might have already did the audio, but the video.

[Imani]

Yeah, that's what I meant. That's what I meant.

[Flip]

Be important.

[Parks]

Some are just late.

[Joe Budden]

They.

[Parks]

They complain about the rock being late all the time for movie productions. Eight hours late. Some is just late.

[Flip]

Damn.

[Joe Budden]

I mean. All right, sorry.

[Ish]

No. And the other side of that be kind of like you just said, flip. I don't nobody know. You take advantage of the little man. Like out of here. Me, what you gonna do?

[Flip]

I know I'm somebody out here.

[Ish]

And that's sometimes.

[Parks]

And they showed him. Oh, yes, they showed him. They punching his man all in his head, you know, Officer like, that's my man. You're hitting my man.

[Ish]

And they can't hit you. But because your security holding you down, they don't. And shout out to security. Because he tried to get it.

[Joe Budden]

He.

[Ish]

He tried his hardest to get away from security. Wouldn't let them out. I mean, he got a little. He got. He got his in. He wanted to jump.

[Parks]

I respected it. But I like the security. Security job is to protect the artist.

[Joe Budden]

I get the money.

[Ish]

That's the job.

[Joe Budden]

The money.

[Ish]

Whoever the money is.

[Parks]

His man was getting punched in the head, kicked all type of. They were doing this man. They threw the girl on the floor. All type of them.

[Ish]

We not hired to protect you. We are hired to protect you.

[Parks]

That's my problem. You protect all of us.

[Joe Budden]

Okay?

[Ish]

Now we go leave to get your man. And now something happened to you. Because now we're gonna be security was off their job.

[Flip]

It depend on who paid the security.

[Parks]

I rather secure the security. Go fight them and let me get away. You go fight them. Go on the line to fight them. They beating up my man. You saw they did this man.

[Ish]

Was.

[Parks]

Punching his man in the head. Nah, I'm agreeing with you. I gotta go back home with these.

[Flip]

Hey, y. The label might have paid for that security.

[Joe Budden]

Dude.

[Ish]

What happened?

[Flip]

The label don't know Kit, Katie, that or Shawna.

[Joe Budden]

They don't know them. They don't know them.

[Ish]

You know what I'm saying?

[Flip]

I'm protecting the investment. Him and that's that. But thoughts and prayers.

[Melissa Ford]

Yeah, yeah. Thoughts and prayers.

[Flip]

Give their money back out of.

[Ish]

Yo, hey, they lucky they got out of there. We seen ain't get out of there.

[Parks]

We heard a lot of stories about uk yeah.

[Ish]

No, no, I'm not. He don't talk about out.

[Parks]

Yeah, yeah, yeah.

[Joe Budden]

So, damn. That was one of the greatest moments.

[Flip]

That was funny, son.

[Joe Budden]

That was funny.

[Parks]

Stop, man.

[Ish]

Stop, please.

[Parks]

What the is wrong with you, bro?

[Joe Budden]

That's.

[Parks]

That's when you decide to come in and talk.

[Flip]

Hey, yo, that's what I'm gonna do. I'm coming here and make you put on a dash. That is hat. Put your hat on. Put it straight. We're straight. Turn it.

[Joe Budden]

You have to actually bring the hat.

[Flip]

Oh, I know.

[Parks]

Bring it in. He still ain't get the hoodie?

[Flip]

No, it's in my car.

[Parks]

Yo. Ish. Go down, get the hoodie. Go down, get the hoodie, bro. What's the message?

[Ish]

You said you bought the hoodie.

[Flip]

It's been in my car for a week.

[Imani]

You know, you can go get it right now.

[Parks]

Go get the hoodie, Ish. It's like, go get the nigga the hoodie, bro.

[Imani]

You didn't park in Timbuktu.

[Ish]

You park next to me. Get the hoodie.

[Flip]

Okay.

[Parks]

Gave you your money and all that.

[Joe Budden]

Word.

[Ish]

We was on Joe to give you a bread because we thought you gave me.

[Flip]

I'm about to diss all of y'all because y'all wasn't on Joe to give me my bread.

[Parks]

Yes, we was.

[Flip]

Y'all brought the bread up one time when I owe Joe money. Y'all was in concert up here like y'all was the Rockettes. Give him his money. We we. Give him his money. We we that owe me money for months. Y'all ain't say a peep.

[Parks]

I sat right here.

[Flip]

Like the four tops of this one. 1, 2, 3, 4.

[Joe Budden]

Yeah, the four times I literally said.

[Ish]

Hey, Joe, can he get his bread? He said, you know what? Yes.

[Parks]

I just made it happen.

[Ish]

I'm on 20, man.

[Flip]

Yeah, I got you out of here.

[Parks]

Look at that hoodie, bro.

[Flip]

Oh, man, you is something else, boy. I ain't gonna even get into it. It's cool.

[Joe Budden]

You got it?

[Flip]

Yeah. Need pom poms. I'm gonna bring some up here, too, too. With some little Hulu skirts.

[Joe Budden]

Crazy.

[Flip]

So can I get a J? J?

[Parks]

Can I get a O?

[Flip]

O?

[Joe Budden]

Yeah.

[Flip]

I'm bring them up here for y'all.

[Ish]

What you think about all this?

[Joe Budden]

I think you enter in a Slip. Slippery slope when you start asking for money back due to tardiness in the music business.

[Melissa Ford]

Yeah, yeah.

[Flip]

It makes. But some of these.

[Joe Budden]

I can't speak to the culture over there.

[Flip]

Yeah, yeah.

[Joe Budden]

I don't know what happens over there.

[Flip]

But you can speak to the culture here. That might be brown.

[Ish]

That might be brown paper.

[Melissa Ford]

Two hours.

[Flip]

That might be brown paper bag money. And to some niggas, to get a feature of that magnitude, it might have been really expensive.

[Joe Budden]

Brown paper bag rules out the window when offset walks in.

[Melissa Ford]

Yeah.

[Joe Budden]

When you're trying to book Offset or anybody of that stature, you know how.

[Melissa Ford]

It is when you get like a nice car and now it's more expensive to maintain the car. Like, if you get someone that is of a certain ilk, it's gonna be some shit that comes along with it.

[Joe Budden]

Unfortunately, you have to fulfill their rider.

[Flip]

Yeah. So.

[Ish]

Yeah.

[Flip]

So if you fulfilled it, let's say.

[Joe Budden]

You fulfilled it and you gonna sit there and wait. Have y'all ever heard the Khaled story of Rihanna doing Wild Thoughts?

[Imani]

No.

[Joe Budden]

Nah. Went to the studio and spent the night and every hour they said, yeah, she's coming, she's coming and she's coming, and she's walking at 5am and then you still gotta wait. Do you want your hit?

[Flip]

Absolutely. Thousand percent.

[Joe Budden]

Or do you not?

[Flip]

No, I'm agreeing with that.

[Joe Budden]

You could have your ego and pounce the up top the head. But all right, now you ain't what you got.

[Flip]

I'm not. Again, I'm not disagreeing with none of that. I'm just saying you talking about two industry people, right? Rihanna's industry, Khaled's industry.

[Joe Budden]

Like it is Offset is industry.

[Ish]

I know, but the other nigga might not be.

[Melissa Ford]

Well, here's your first lesson.

[Joe Budden]

Once one industry person enters, industry rules have entered.

[Melissa Ford]

Yeah, unfortunately, I can see if he didn't show up at all, then. Yeah, that's a different.

[Flip]

Evidently not, because his man got his ass whipped. So they wasn't on industry time. They was on real people time, where I spent my real money to get this real artist that should have shown up and done what he was supposed to do. For real.

[Joe Budden]

Again, I said, I can't speak for the culture out there.

[Imani]

Exactly. There's probably.

[Ish]

Truthfully, depending on how dude responded to that, could have. Could have. How we got to this.

[Flip]

That's possible.

[Ish]

It could literally just have been man out of it. Like the disrespect. Like, we don't know you. You some little. That just. Yeah, I'm here. I Could have walked in with my ego. Oh, now you disrespect. It has to be checked.

[Parks]

Because when he was by. When he was by the van or whatever, he was the. Was going over there, like, trying to attack Offset, you know what I'm saying? So, like, y'all doing all this aggressive. Even if there was a conversation to be had. I'm not gonna have a conversation now.

[Flip]

It might have been a conversation I had about already. Conversation.

[Ish]

He leaving, like, out of here. I'm out. Like, oh, what? Out of here, y'all. No. No who. This is an away game.

[Flip]

Yo.

[Ish]

Hip hop.

[Flip]

Hip hop. And it's everything. Typically, the people inside of hip hop had one foot in the street and one foot out. And sometimes that one foot could be two feet deep.

[Joe Budden]

You never know the people, and then that's their exit.

[Flip]

That's true for some. I'm not disagreeing with you. It's definitely a way to. I'm not condoning it. You get what I'm saying? I'm not saying that it's cool. I'm just saying, like, everybody died. Gonna handle. Handle certain. The same way everybody built differently.

[Melissa Ford]

I'll tell you what else is going to happen. It's gonna make it real difficult to get another feature from an American artist. Like, for sure. Grand opening. Grand closing on that one.

[Joe Budden]

Probably.

[Flip]

Sure.

[Parks]

Depends.

[Ish]

I. I agree.

[Joe Budden]

I agree with.

[Parks]

If you have the money, listen, shout.

[Joe Budden]

Out to MC Grape.

[Parks]

Stop. Yo, if. Remember, man. Stop, bro.

[Joe Budden]

I ain't going out there. The tariffs. Oh, Mad at the T is hot.

[Flip]

Oh, man.

[Joe Budden]

Yo, speaking of tariffs, New York State has purchased Dame Dash's portion of whatever that was.

[Ish]

One third. Yeah.

[Flip]

Interest.

[Ish]

They bought his steak. Didn't they say the auction was supposed to start at 2.2mil or something?

[Melissa Ford]

I think it was one.

[Ish]

Yeah, it was one.

[Joe Budden]

Okay.

[Ish]

Well, I know they bought it for one.

[Flip]

It was one. But they had no takers.

[Ish]

They said it was two other bids.

[Melissa Ford]

Once Hope came out and said, go ahead.

[Ish]

But one bid was for 233, and the other one was for, like, 250. Those are the two bids?

[Flip]

Yeah.

[Parks]

And then New York State bought it.

[Ish]

New York. New York State got it for a million. And apparently they had, like, people pull it together to get it. It wasn't direct. Like, they can sell it and it's not a risk to them for whatever they get for it.

[Parks]

Got it.

[Flip]

You know what that mean? Jay Z called somebody to call somebody to call somebody and say, yo, get niggas a million dollars. Wells.

[Melissa Ford]

Could be.

[Flip]

It's a write off for him, dog.

[Joe Budden]

Let me get that True.

[Flip]

Cost to doing business.

[Imani]

Isn't he going to own it anyways in like four to six years?

[Flip]

They said six years. And then somebody said it's a rumor, but I don't know. I don't know. Joe and Parks will have to speak to that.

[Joe Budden]

I don't know. I just wouldn't go put that on me.

[Flip]

Guess what?

[Joe Budden]

Nothing about this going on when you own that thing.

[Flip]

You now, you can repurpose that shit. You can do a whole bunch of.

[Joe Budden]

Other shit with it. True.

[Ish]

So you got any plans for that?

[Joe Budden]

I ain't going to lie to you. For what?

[Flip]

When you.

[Ish]

When you get pump it up back like, I know you think far ahead.

[Joe Budden]

So I've added it to my asset list, if that's what you're asking.

[Ish]

No, I just meant like something like, yo, now that I have it, I have control, I could. I might look to do XYZ with it. Have you thought. Put any thought into that?

[Joe Budden]

No, if I did, I'd have rerecorded already.

[Flip]

Why though? Yeah, I'm saying when it finally comes to your possession, right? When it finally is said and done and it comes into your possession, then I don't know how it works. This is a question curiosity. Like, so when the Knicks play it or when whoever plays it, is that now all of your spanking?

[Joe Budden]

Yes, but that's also someone actively working service music.

[Flip]

Oh, got you, got you, got you.

[Joe Budden]

So to get it, to get it played, you ain't just hearing pump it up like this. By chance, all these years later, there's somebody back there working it.

[Flip]

Yeah, true. Okay.

[Ish]

See, I didn't know that side. I'm just thinking they saw.

[Joe Budden]

So when it comes back to me, that person will no longer be working it or that group will no longer be working. And that's totally up to me now when the phone rings, I'm taking the call.

[Flip]

Gotcha.

[Ish]

Got it.

[Joe Budden]

But concerns of will I continue to actively try to work pump it. I probably even thought about that. Yeah.

[Flip]

Okay.

[Ish]

Curious.

[Joe Budden]

What?

[Parks]

Nah, I like it.

[Flip]

I mean, you know, I get on the phone for a couple.

[Parks]

Yeah, you have eating too, you know.

[Joe Budden]

We know, you know, we know.

[Ish]

Step it up.

[Joe Budden]

Just to talk to them.

[Flip]

Step it up.

[Joe Budden]

15, how was your day yesterday? Three hours later.

[Ish]

Your age. So how'd it go? Oh, oh, we need to talk about.

[Parks]

I'm still on the phone with him now.

[Joe Budden]

Hold on.

[Flip]

Crush Groove Part 4. We in that bitch. You know what I mean? This is not what special person just.

[Ish]

Want to Talk to people.

[Joe Budden]

Juice.

[Flip]

Juice Part two.

[Imani]

Do you think that you'd sound the same if you tried to re record it now?

[Joe Budden]

No, I know I would not sound the same.

[Imani]

Okay.

[Joe Budden]

You think I still sound like I'm 22?

[Imani]

I mean, I wondered if you thought that you still sounded like you were 22.

[Joe Budden]

You think I'm that delusional.

[Imani]

Sometimes? Delulu is the salulu.

[Joe Budden]

Okay.

[Imani]

It's a good place sometimes. It's a good place to be.

[Joe Budden]

How do you envision yourself being when you enter a home, a nursing facility?

[Flip]

Oh, bam.

[Ish]

You can't do that.

[Imani]

I have actually thought about that. I have actually thought about that. But me and my girls have a plan to create our own retirement village.

[Joe Budden]

Oh, that's interesting.

[Parks]

Yeah, it's fire, man.

[Imani]

Like, Boosie's backyard, like, overseas.

[Parks]

And just hire a bunch of young niggas to come take care of y'all.

[Imani]

Bam.

[Ish]

So, like a brothel Smart.

[Imani]

No, not a sister.

[Parks]

Do they sign NDAs?

[Joe Budden]

That's funny. A system.

[Parks]

Do they.

[Joe Budden]

That's funny.

[Parks]

Do they start NDAs?

[Imani]

I mean, at that point, it won't even matter if you want to talk that. Hey, I don't care. I'm old as. I'm on my way out.

[Ish]

Holy.

[Joe Budden]

Okay. All right. Mel, have you figured out where y'all want to do that?

[Parks]

Bali.

[Imani]

I mean, there's a few places we've been talking Thailand, Bali.

[Ish]

So no extradition.

[Joe Budden]

And you still, like, what. What age? Do y'all see that being a realistic thing? I made some calls recently to see about moving this whole podcast to Florida. I did. Oh, yeah, I did.

[Imani]

Really?

[Joe Budden]

Yeah. Enough was enough to start just seeing what's going on out here, but then they said that you have to actually live in Florida for more than half the year to get the perks.

[Imani]

Yes.

[Joe Budden]

And they trace. They'll. They're tracing you. Yes, they are.

[Imani]

Everyone thinks that I get free health care because I'm Canadian. I'm like, I have to live in Canada for more than six months out of the year to be able to take advantage of the benefits. I can't.

[Ish]

And they monitor all of that.

[Imani]

They taxes.

[Parks]

So you couldn't get a place out there and just.

[Joe Budden]

No.

[Parks]

Oh, you have to live.

[Joe Budden]

You get a place out there. You have to stay there for more than half of the year, six months in a day.

[Ish]

How would they know, though?

[Parks]

You got Corey.

[Ish]

How would know if you stayed there? Like, you mean, like, what if you're not posting? Or like, how would they know physically that you're there?

[Joe Budden]

It's Deeper than your Instagram?

[Ish]

No, no, I'm just.

[Parks]

I get what you said.

[Joe Budden]

They know all of the tracking systems that they have.

[Parks]

They do.

[Joe Budden]

Where you are.

[Ish]

Okay.

[Joe Budden]

If any card in your name is popping up. Okay. So they monitoring it like that? Yeah, they protect. They just question. I was shocked too. What would.

[Flip]

What would be the advantage?

[Melissa Ford]

No, stay.

[Joe Budden]

Taxes. Taxes, yeah, for sure.

[Imani]

Wow.

[Joe Budden]

Big T. I think that's a realistic. Those are realistic thoughts for me in the next few years.

[Parks]

So how close. How close were you to wanting to move it? Like, where were you? You were just inquiring or you was like, yo, if I. I was just think taking.

[Joe Budden]

I was thinking, thinking. Got it. I was think tanking. Just floating. Just floating past. That's all.

[Parks]

But if it worked in your favor, does that thing happen, like, within a month, if you understand what I'm saying, or do you pace yourself out? Some people will say, get the call, yo, we could do it. It's instant with you. It's not. It's not instant.

[Joe Budden]

It wouldn't be that for me. I would take time.

[Parks]

Got it.

[Joe Budden]

Okay. That would be like a culture shock for me.

[Ish]

Absolutely.

[Joe Budden]

I really commend. And I thought about this. Just talking shit now, but I thought about this when I was watching Maddie and the girls love karaoke thing. I really, really commend and hold people in a high regard. That was one place with their whole life set up. Women, friends, family, fucking partners, jobs. You know where the supermarket is, you just know where everything is. And they get up and just go. Manny just came to New York and it looked like. I mean, yeah, she's her family, but that don't matter.

[Flip]

Nah, women do that.

[Parks]

Okay, go ahead, listen.

[Joe Budden]

To be able to get up, go and get it moving and shaking across the country. Yes, yes. I tip my hat to that shit.

[Flip]

Women do that shit a lot.

[Joe Budden]

Yeah. For me, that. That I did it. I would be fearful.

[Ish]

You did it?

[Joe Budden]

Yeah.

[Melissa Ford]

From New York to Chicago, upstate New York to Chicago and then here.

[Flip]

Yeah, I. I know women like toying up. Like, your girls will just be like, yo, I'm about to move to la.

[Joe Budden]

You.

[Flip]

Like, you about to what? What do. They'll just be gone. Dc, Louisiana, Atlanta. Like, I know girls that just will pick up. They'll. They'll set this emotion. I want to move to such and such. You'll be like, okay. And they'll really set that in motion. In six months, they be gone.

[Melissa Ford]

See, I know doing that, 3040s, a different conversation.

[Ish]

I know quite a few people that's done it but it was out of necessity. It was just, yo, I afford it here. It's like, yo, I gotta go somewhere where the cost of living is lower than this. And there's people that was born and raised here their whole lives. Shit, I said myself when I moved, you know, we make the jokes where I lived at mpa, but being born and raised in North Jersey, you think that's the norm.

[Flip]

That's true.

[Ish]

And once you live somewhere else and you see what a dollar could really get you, you like, oh, shit's different. I got mad. I remember I told y'all I was mad as fuck. Like, I felt like I was wasted too much time up here because the money that I had and what I was doing, I could have got so much more.

[Flip]

You'd be progressing there.

[Joe Budden]

Yeah, that's back to me saying, 44 be kicking my ass. Like, you gotta answer even. You gotta think of questions and answer them differently today. Like, my whole life has been, yo, would you leave New Jersey? No. No. My kids is here, my parents are here. Everybody's here. My job is here. Everything I love, I know this like the back of my hand, but at 44. But look, when people your age start asking you, hey, how much longer do you envision yourself here? Like, they asking something different, and you.

[Flip]

Gotta look at it different and think about this. Not even. It's just a factor. I'm not trying to be funny. You got enough money to live here comfortably. It's a lot of motherfuckers running around, dog, that are just literally maintaining above water. Like, they like this with it.

[Ish]

They trading literally, bro.

[Flip]

I told my man the other day, my man, he older. He broke up with his girl.

[Joe Budden]

Oh, damn.

[Flip]

He 50 something years old, my nigga, he has a roommate and he can't. He can't. You know what I mean? I'm like, yo, dawg, I was like, yo, I'm not trying to be funny. Go to Pennsylvania.

[Joe Budden]

Yep.

[Flip]

You got to, like, go to Pennsylvania, dog. The cost of living is half, and you just gotta have to do, like a 45 minute commute. But rather than live, you know what I'm saying? Like, this shit is real up here.

[Joe Budden]

And for me, Florida is the happy medium for me and my girlfriend.

[Flip]

You talking about state tax. These niggas are talking about food.

[Ish]

Yeah.

[Flip]

You feel what I'm saying? Like, that is different for a lot of people. Like, this shit is real.

[Joe Budden]

And then not to make it morbid, because we can get off of this. Once you start thinking about, like, where you want to be Laid to rest. And how then it just opens up.

[Flip]

The scope of all of that shit. Look, that's 40 year old thinking right there. It is all that is on my platform plate. Literally be thinking about all our now mortality.

[Joe Budden]

Should I play Frankie Beverly right now?

[Flip]

No.

[Joe Budden]

What else is important or unimportant?

[Ish]

Tell us about the sexiest man alive.

[Imani]

Hey, Jim from the office.

[Joe Budden]

Look at me screaming. I'm not beating the allegations. Yeah. I want to let you cook.

[Leon Thomas]

I'm like.

[Joe Budden]

I was happy for Jim.

[Imani]

Yeah. Jim from the office. John Krasinski was named the sexiest man alive. Interesting choice.

[Joe Budden]

That's hate. I'm not.

[Imani]

No, not hate.

[Joe Budden]

Rolling with it.

[Imani]

Yeah. Yeah, I'm rolling with it. I'm rolling with it.

[Joe Budden]

I like she also said Lou Rolls was sexy.

[Imani]

I never said Lou Rolls was that old nigga.

[Joe Budden]

I said.

[Imani]

I said Ernie Hudson was sexy. You will never find. I love fucking Ernie Hudson. He is a sexy. And so is Dennis Haysbert. Okay. Like I like the AARP crowd.

[Ish]

Anywho, Morgan Freeman.

[Imani]

No, you're pushing it. Yeah.

[Flip]

Freeman to toss you up.

[Joe Budden]

Don't play with Morgan.

[Parks]

Morgan.

[Flip]

Yo, girl.

[Joe Budden]

Don't.

[Parks]

Don't know information you may know personally. Don't be a flip. Flip meat business out. Morgan.

[Joe Budden]

A kid.

[Parks]

He crazy.

[Flip]

Morgan.

[Parks]

I don't give a. Morgan, are you.

[Flip]

There any way this right here?

[Joe Budden]

Yeah, he doesn't look like that.

[Imani]

He doesn't look like that.

[Leon Thomas]

That's.

[Imani]

That's his.

[Flip]

You cap it for him?

[Joe Budden]

No, I'm informing you. He doesn't look like that.

[Imani]

That's his character from the office. Have you ever watched the Office?

[Flip]

Never.

[Joe Budden]

Excuse me.

[Imani]

Wait, what.

[Flip]

What happened?

[Imani]

Wait, what?

[Flip]

You out here caping for him like. He don't look like that no more, daddy. He look way better. What's wrong with you?

[Imani]

Y. I mean, google the pictures from. From people. The sexiest cuz. They. Yeah, they put a little.

[Joe Budden]

Wanted you to get a current picture. A gym, a beard. Does a lot.

[Imani]

They gave him like a leather.

[Melissa Ford]

You never seen a sexiest man?

[Ish]

None of that.

[Melissa Ford]

Congratulations, Jim.

[Joe Budden]

Peace.

[Parks]

How you.

[Joe Budden]

Yeah, yeah, there we go. That's Jim.

[Ish]

He not sexy to you?

[Imani]

He's not a. He's not a. He's not a conventional beauty, you know. Oh, he's, you know, he's.

[Corey]

He's.

[Imani]

He's got quite the schnoz, but you know, wow.

[Joe Budden]

He's still.

[Imani]

He's attractive. He's tall, he's good looking. He's, you know, he plays very likable characters.

[Joe Budden]

If you're doing that, what if you doing that.

[Imani]

Yes.

[Joe Budden]

I didn't know you was going to do that.

[Imani]

Do what?

[Joe Budden]

Then I'm rewinding back to the Sky Jackson topic to ask a question I wanted to ask.

[Imani]

Oh, okay.

[Joe Budden]

Why are they killing her? Baby daddy choice. As if. To use your words, as if she's a conventional beauty.

[Imani]

You know what? These are two very.

[Ish]

Please get that. Understood.

[Flip]

I have an answer for you.

[Imani]

Sky Jackson is kind of like. She's an. She's kind of like the adopted kid kind of thing. People have watched her grow up. It's true. It's true.

[Joe Budden]

All right.

[Imani]

Don't get me. Don't get me into the Kiki Palmer bag.

[Parks]

It's.

[Imani]

It's very similar to the. It's very similar in the way that people have watched Sky Jackson grow up and they kind of feel like a sense here.

[Ish]

I'm mad. I ain't got Holy.

[Imani]

I've got some glasses in my bag if you want to borrow.

[Joe Budden]

Holy.

[Imani]

They're unisex.

[Melissa Ford]

Some lady frames.

[Joe Budden]

Hey, shout out to Scott Jackson. I mean, you ain't just about to sit here and do all this with Jim. And anytime we say something about something, we get hammered.

[Imani]

Well, I mean, I'm not the one that put him on the COVID of Sexiest, you know, Man Alive. You know, it was their choice. I'm like, okay, it's. It's fine. Brad and what's his name and George have had it enough times.

[Joe Budden]

Have you never seen the Office?

[Melissa Ford]

Yeah, please, let's get to.

[Ish]

This is the important part.

[Imani]

I feel like you avoided.

[Melissa Ford]

I think you should go to the car.

[Joe Budden]

Off the phone, Go to the car.

[Melissa Ford]

Get the hoodie, come back, and then go watch the Office.

[Joe Budden]

Hang on. The car.

[Melissa Ford]

In the car? Yeah, sure, in the car.

[Ish]

I don't.

[Flip]

I didn't really watch TV that much like that when the Office was out. It's not my thing. Like before. Before I met my girl, I didn't really watch TV that much at all.

[Ish]

The Office is still good, though. Like, you could watch it now.

[Melissa Ford]

It didn't go bad.

[Ish]

Yeah, it's.

[Joe Budden]

It's still great. Gonna do that.

[Imani]

It's hilarious.

[Flip]

I missed the boat.

[Joe Budden]

No, you didn't. The boat there.

[Melissa Ford]

It's still right there.

[Parks]

Yeah, that's right.

[Imani]

You can still watch it. It's really funny. It's so.

[Joe Budden]

Sleeve cover.

[Flip]

Yeah, look.

[Joe Budden]

What? The thing. He's sturdy about.

[Flip]

No, I wasn't even saying. I'm just saying I never. I never saw the Office.

[Melissa Ford]

That's blessed.

[Ish]

Let me tell you. Like, look, you know the way you look at me when I say I don't really rock with the infamous like. Like the fact that you've never watched the Office is. It's that same look I'm giving you. I don't understand.

[Joe Budden]

And it might be worse.

[Melissa Ford]

It's worse. I think it's actually worse.

[Joe Budden]

It might be worse than whatever I was trying to. It is worse.

[Flip]

It's not worse.

[Melissa Ford]

It's worse.

[Joe Budden]

It's worse.

[Flip]

Me not watching the Office is totally different than a hip hop historian. An aficionado.

[Joe Budden]

Yeah. He never claimed to be never such.

[Ish]

A part of the problem.

[Flip]

I didn't say he did. Ice is revered.

[Ish]

No, he not.

[Flip]

Yes, he is.

[Ish]

Exactly.

[Flip]

Hate.

[Joe Budden]

I'm talking to you. Go ahead.

[Flip]

People hate Ice.

[Joe Budden]

Yes. Revered.

[Flip]

He's still revered as a hip hop.

[Imani]

But they still do respect you.

[Leon Thomas]

As the artists put their shit out.

[Flip]

Would send Ice their album first for his opinion. Pre drop.

[Joe Budden]

Watch the Office.

[Ish]

Yeah, watch the Office.

[Joe Budden]

I don't know what that gotta do.

[Flip]

Watch the.

[Joe Budden]

Watch the Office. Big dog. Dog. Like, watch it like, asap.

[Flip]

I'm good.

[Joe Budden]

Yeah.

[Ish]

Like this weekend.

[Joe Budden]

Did your girl allow you to watch the Penguin finale? Whoa.

[Ish]

Did you allow me? Yeah, we ain't caught up yet. We got two more to go.

[Flip]

He said, did your girl allow you?

[Joe Budden]

Yeah. Spoke collectively eight episodes.

[Ish]

Yo. It's a lot of.

[Joe Budden]

We're doing episode. I damn near seven on the re. Watch. Oh, go ahead. Because I've gotta watch with my girl.

[Ish]

Watching all this other man.

[Joe Budden]

That's all you saw yet.

[Imani]

I haven't seen the finale yet. I'm sorry. It's. But it's phenomenal. It's so good.

[Joe Budden]

It's so good that you're just letting the finale sit down.

[Imani]

No, no.

[Melissa Ford]

You did the same with Ozark, but not the finale.

[Joe Budden]

I never started, so. It's not the same. It's not the same. I never started Ozark. I put episode one to finale away from when I was ready to go.

[Ish]

And he was like, I did. I'm holding off on the last couple joints. I'm waiting. It was.

[Joe Budden]

No, he said there was something else. There was something else watching.

[Ish]

And you chilled out. And he was like, I don't want it to end.

[Joe Budden]

I didn't want it to end. Yeah, that's recent too. Yeah, that's recent.

[Ish]

It was something.

[Flip]

My thing with now that the Penguin.

[Joe Budden]

Like, I'm still mad at that.

[Ish]

I got. I got.

[Flip]

I got a. I got a theory. But I'll let it rock until everybody finishes.

[Ish]

I'm gonna get to it.

[Flip]

I think we kind of overrated.

[Ish]

We inching our way up there.

[Joe Budden]

I think we're overrating.

[Flip]

I think the acting is so good that is drowning out the storyline.

[Imani]

What do you mean? Okay, never mind. I guess. I guess.

[Joe Budden]

Yeah.

[Flip]

Wait till we all get.

[Imani]

Okay.

[Joe Budden]

See, I'm on the rewatch of it and I'm catching shit that you ain't catching that I missed in the first time. Now, knowing the ending, like things that they kind of hinted to and alluded to or that jazz club.

[Flip]

What he was doing.

[Joe Budden]

No, just about the storyline. Like, I think that's episode two or something where he's telling somebody. Yeah, me and. Me and my mom, she used to take me to jazz club all the time. And then he looks at the girl and says, you was there, right? Or what? Like, just things like that, that come full circle later. The rewatch is good. Good. I'm not saying Penguin is one of the best HBO shows of all time. Like the industry.

[Flip]

Not even close.

[Ish]

It's too early.

[Flip]

It's not even close.

[Joe Budden]

It's not. It's nothing.

[Ish]

It's not even in the conversation.

[Joe Budden]

It's not.

[Ish]

It's not in the conversation.

[Joe Budden]

But was it a great watch? Yes.

[Flip]

Yeah, it was good. Like, stop that.

[Ish]

One season and now I'm throwing it up here with sci fi classics.

[Flip]

Like, I just think the acting was superb. Like, I think the acting was superb. We sitting here talking about him, his mom, the girl Sophia and the black girl did a pretty good job. His. His girlfriend.

[Joe Budden]

Yeah, his joint.

[Imani]

Was her name Tina?

[Joe Budden]

I forgot.

[Flip]

But I think I just. I just think the acting was really good.

[Imani]

Yeah, episode four was really hard to get through. Where it shows her at Arkham.

[Ish]

That was a flashback one, right?

[Imani]

Yeah, yeah, that one was hard. No, that shit was hard to get through. It was painful.

[Ish]

No, it was just long for us.

[Joe Budden]

Why was that painful?

[Imani]

I mean, just because, you know, she's not the hangman and her family served her up on a fucking platter to go to a mental institution. And then just what she had to endure in the mental institution. Like. Yeah, exactly. Electric shock therapy.

[Joe Budden]

Like, bro, you know, I know how Sean feels. Oh, shit.

[Imani]

Did he say that that's what he went through?

[Joe Budden]

Did he have to.

[Imani]

I mean, that's not a ness. That's not a normal practice. And. Well, nor was her.

[Joe Budden]

Get back.

[Ish]

Let's leave out here. Got a little trick for them.

[Joe Budden]

Anyway, I'm gonna tell Penguin. But you never finish Penguin.

[Ish]

Sorry.

[Joe Budden]

Like, we're supposed to be talking about the end of it.

[Imani]

Yeah, yeah. Okay, sorry.

[Joe Budden]

And don't do that, because actually, yeah, that's y'all. I'm not going to gender war us out here, but it's y'all women that big up. Fucking Angela Bassett and Waiting to excel. Left Eye and fucking Andre Rising. And what Shorty did is right along the same. Like, women love that shit.

[Imani]

Well, I mean, y'all just don't love.

[Joe Budden]

It when it's getting to the family for the family doing. But if you do that to a dude, put the gas mask on, huh?

[Imani]

Well, two of those instances. Well, two of those instances were fictional movies. The Left Eye thing, you know, I don't.

[Ish]

Lorena Bobbitt. Y'all loved it.

[Joe Budden]

They always love it.

[Ish]

And that wasn't fictional at all.

[Imani]

Okay.

[Joe Budden]

Shout out to the cops that found his dick.

[Melissa Ford]

That's an awkward search, but you did it.

[Joe Budden]

No, that could have went a whole different way if they didn't find that thing.

[Imani]

Yeah, I mean, he wouldn't have had a porn career if he didn't. If they didn't find that thing.

[Joe Budden]

And you know what? A lot of you niggas out there, that's where y'all fuck up. Sleeping around people that you shouldn't be sleeping around. That's a fact.

[Imani]

And also, that was his girl. And also acting like you don't know your girl.

[Joe Budden]

So what?

[Imani]

A lot of guys love to go with. Go for the crazy girl because they think the pussy's better than anything on this planet. You guys are like, oh, my God.

[Flip]

Let's do the first part of that.

[Ish]

Let's do the first part of that. It do be.

[Joe Budden]

Look at the trauma coming out.

[Imani]

It's not.

[Joe Budden]

It do be a little true. Let me get over here.

[Parks]

Crazy is the best. For real. It is, Mel.

[Imani]

Okay, I'll take yalls word for it.

[Joe Budden]

You don't have to.

[Imani]

Yeah, okay. Okay. That is ill. Well, I will never ever be person.

[Parks]

It's so crazy. But a crazy girl, they get wet on the spot. Like a waterfall. Like a waterfall. They get mad and they just go. You start hearing TLC your head. You not talking about stupid.

[Flip]

No, I don't believe.

[Parks]

Hey, come on. All the crazy joints, the fire. Why do you think niggas still take chances with them? We talking about the break the windows.

[Joe Budden]

Your friend that introduced herself to him, is she crazy?

[Parks]

Yes.

[Joe Budden]

Like appears that way. All right, all right.

[Imani]

Wow. Okay.

[Joe Budden]

Nobody has any thoughts on the little baby two pack.

[Melissa Ford]

I didn't know what happened.

[Ish]

I only heard the first record, the 5am joint. I didn't forget what the second one's called But I didn't hear that one.

[Joe Budden]

I mean, it's one of them. Shit is hard to me.

[Flip]

I only heard one.

[Ish]

I only heard the 5am I heard.

[Flip]

One and it sound like it's typical.

[Joe Budden]

Yeah, very simple, baby.

[Flip]

No, I gotta hear the second song.

[Ish]

Yes, but I said that.

[Flip]

Yes, I'm gonna say this. The song that I heard. He was saying some, but it was just the same flow, same cadence, same every. It just sound like all repetitive, but when you listen to the words. He was saying some. He was really saying some.

[Joe Budden]

One of them records I like a lot.

[Ish]

I'm off Lil baby.

[Joe Budden]

Okay. That's all.

[Parks]

Y'all heard that Imani Three Pack?

[Melissa Ford]

I did. It's not out yet, though.

[Joe Budden]

Oh, I have not heard it. I haven't heard it. Okay.

[Parks]

I just wanted to make sure, you know, I thought he would let his brothers hear it before he.

[Ish]

Oh, no, you don't do that no more.

[Joe Budden]

Then when I was jamming to the little Instagram snippet, he cut it off as soon as his vocals.

[Parks]

Yeah, I ain't like that either.

[Joe Budden]

Death to death. To let him hear them vocals. It's cool. All right.

[Ish]

That's cool.

[Joe Budden]

All right. What else you got?

[Ish]

We got aliens.

[Melissa Ford]

We do.

[Ish]

We got actual confirmation of aliens.

[Melissa Ford]

We do. From credible citable sources.

[Ish]

Under oath, under oath and open senate.

[Imani]

But haven't they been saying this for like the last few years?

[Ish]

We got a little bit more details now though.

[Imani]

Okay, what's the details? That they're living amongst us?

[Ish]

Yeah. Ah, they've confirmed they live underwater. Underwater?

[Imani]

They're living under domes.

[Ish]

Underwater. There's some humans that live down there with them. People have been paid that have been. They've received government money that have been paid.

[Joe Budden]

I'm.

[Ish]

They've been paid for being like injured by UFO aircraft. And. Yeah, they're confirming.

[Melissa Ford]

I watched the whole two hour press conference. Shit.

[Parks]

Did they show any receipts, like why we believe. We believe all white people? Like we don't believe them.

[Imani]

Did they show like the bottom of the ocean where the pods are supposed to be?

[Melissa Ford]

That's what the whole. That's what the whole hearing was about, is that there's government agencies that are keeping this information from other government agencies. So they're trying to get that clear because essentially taxpayer dollars and we just. Resources are getting put to that, but no one can know anything or verify anything.

[Parks]

Got it.

[Flip]

So like, like every other governmental agency.

[Melissa Ford]

I don't know if that's true. I mean, I don't.

[Flip]

We don't know what's going on with the CIA.

[Melissa Ford]

The government themselves is not privy to. The government?

[Ish]

Yeah, Shadow government. Some other going on over there?

[Flip]

We watch Lioness, and they have a government agency that other government agencies don't know what the.

[Joe Budden]

Put Lioness to the side and start office. Yeah, Word.

[Ish]

I'm not off that.

[Parks]

Yo, you like the office?

[Joe Budden]

It just started.

[Flip]

Oh, y'all awesome.

[Parks]

Well, I love the office.

[Ish]

The office is amazing, dog.

[Joe Budden]

Yeah.

[Flip]

Gotcha.

[Ish]

Yeah, Like I could rewatch the office today.

[Flip]

My girl might have watched it.

[Joe Budden]

You probably not gonna meet anybody with bad things to say about the office at all.

[Flip]

It's possible.

[Imani]

Impossible.

[Ish]

Gotcha.

[Joe Budden]

All right. But. All right.

[Imani]

Okay.

[Melissa Ford]

The aliens are here. I think we're gonna find out some real evidence.

[Flip]

They created a governmental agency a couple years ago with the sole focus on aliens. Aliens, yeah. And allocated a nice amount of budget to it. So I think at that point they was like, yeah, gig is up. We can't hide it no more.

[Ish]

Still no evidence. You think we're gonna get evidence soon?

[Melissa Ford]

I do.

[Ish]

Soon.

[Flip]

I think it's pictures and all that shit and they just suppressing them.

[Melissa Ford]

Yeah, there is. That's what they're saying in the thing I'm saying.

[Ish]

Do you think the public gets wind of this?

[Flip]

I think the public is not really ready for that. And I think that's why they be hiding us also.

[Imani]

I don't think that we'd believe it in this day and age of AI. I don't think that people. We'd even believe our own eyes.

[Flip]

That's a good point.

[Imani]

They're like, oh, here's the receipts.

[Ish]

And they're like, yeah, now they can bring them out, yo.

[Joe Budden]

Yeah, yeah.

[Ish]

Here you go. Ain't nobody gonna believe it, no way. It's good.

[Melissa Ford]

True.

[Flip]

So the was down there in the pot holding his breath.

[Ish]

They know it's underwater, bro. I don't know the guy. You seen. You seen Black Panther 2?

[Flip]

Joke. That look like me now, down here.

[Ish]

Yeah.

[Flip]

All right. Okay.

[Parks]

So the humans and the aliens are cohabitating. All right. It.

[Melissa Ford]

They might be.

[Ish]

Could be.

[Joe Budden]

Okay, some of these motherfuckers.

[Parks]

I can watch this on Offspring. I can watch this on YouTube.

[Flip]

This conqueror stuff might hit.

[Ish]

I ain't gonna hold the permanent wet way.

[Parks]

You an old ass freak, boy. I'm starting to look at you different with you.

[Flip]

Listen, bro, you never know.

[Ish]

Yeah, y'all nasty, y'all. The alien.

[Melissa Ford]

The alien fish, y'all are nasty.

[Parks]

Some of them are smash. Mermaids smashing in Mermaids.

[Joe Budden]

Tough. You're Sickle. My bad.

[Imani]

It's okay.

[Joe Budden]

I already pray for you.

[Ish]

I'm a work in progress.

[Flip]

You know, some of these is aliens out here.

[Ish]

Some of these is hitting aliens.

[Flip]

Yeah, definitely.

[Ish]

Never mind.

[Flip]

You got it, bro.

[Ish]

That's up.

[Joe Budden]

So Mel calls me the other day on a day that it's like, why is she calling me? I don't talk to none of y'all outside. So Mel calls me. What time was it?

[Imani]

It was like 9ish? Maybe PM oh yeah.

[Joe Budden]

PM yeah. What day was it?

[Imani]

It might have been Wednesday.

[Joe Budden]

Yeah, like Wednesday at 9pm I answer because I think she got a flat tire or a damsel in distress somewhere. I think she got arrested. You know, all of the above. The emergency contact. And she says, hey, Zh Do. Hi. Do you know Boogie Fland? And I say, why? Like, who's that? She says, he is a college star. Apparently he's gonna be a top 10 pick.

[Melissa Ford]

Oh, she was under Brittany Rhoda.

[Joe Budden]

So then I put him in the Google. So I put him into Google and. And yeah, the star back court back there. Yada yada, yada yada. So this is odd. Like, why has never known her to be this? Why is she doing the college scouting now? And why is she telling me about it? And she says, so I'm quiet still. She says, and he's. It's just cousin or something like that. Didn't I say that? I mean, didn't you say that?

[Imani]

Something like that.

[Joe Budden]

I'm like, all right, come on, get.

[Flip]

To it, get to it.

[Joe Budden]

She said, huh? How you feel? Want them on? And that's what she did with Leon Bridges. So that's our inside joke. Yeah. When Leon Bridges dropped, she called 90 times to get Leon Bridges on this show after she was on that stage.

[Imani]

No, you're talking about October London.

[Joe Budden]

Oh, that stage too. You just been on stage. I done forgot the stages. But Leon Thomas out, however.

[Leon Thomas]

What's up?

[Joe Budden]

My man is up here now. We love your album.

[Leon Thomas]

For sure.

[Joe Budden]

For sure.

[Leon Thomas]

I appreciate it.

[Joe Budden]

We absolutely love your album. It's great.

[Melissa Ford]

It might be album of the year.

[Imani]

It might be R and B. Yeah, it's great.

[Joe Budden]

It's great. I'm not even appreciate that, man.

[Imani]

Did you know that when you were.

[Leon Thomas]

Recording it, I was really just catching a vibe, you know, I feel like vibes don't lie. Yeah, the vibes don't lie.

[Joe Budden]

Don't flirt, lie.

[Leon Thomas]

I never heard y'all say that.

[Ish]

That me up.

[Parks]

Vibes don't lie.

[Joe Budden]

What?

[Imani]

It's a name of a song. On the album.

[Joe Budden]

Okay, you should probably, you should probably listen to me.

[Parks]

Hey, hey, I can meet somebody and like they vibe and not have to, you know what I'm saying? Vibes don't lie my way into it. Salute. I think it's fly.

[Joe Budden]

Yo, who hurt you?

[Leon Thomas]

Yo, listen, who did it?

[Joe Budden]

That's really my only question for you. Album is great. Yada, yada, yada. Who produced yada? Who did that to you?

[Leon Thomas]

Nah, listen, you know, LA is filled with situationships.

[Imani]

Oh my God.

[Leon Thomas]

But I think it was really my long term relationship. I was with a girl for probably like four years. I think post that I was like, okay, let me talk my shit, you know?

[Joe Budden]

What happened? What did she do to you?

[Leon Thomas]

It was nothing bad.

[Joe Budden]

She fucked you up.

[Leon Thomas]

Nah, it was nothing bad. I just think, you know, la, you can get sold a lot of dreams, you know, and I think it's really tough as two artists trying to, trying to come up together.

[Joe Budden]

Well, she was an artist.

[Leon Thomas]

So then, you know, it didn't work out like I thought it would. But wait, do people know?

[Joe Budden]

Do people know and we just out the loop?

[Leon Thomas]

No, no, no, it was public. Yeah, yeah, yeah. I was with a girl called Aliya Kad here, that's my dog still. We so cool, man.

[Joe Budden]

Your voice gets off.

[Leon Thomas]

It's love for life. It's love for life.

[Parks]

She broke up with you. We got it.

[Ish]

Y'all see what he doing? He trying to shoot a shot because she artist. Yeah, yeah, she can go in the studio too.

[Joe Budden]

Clean it up, people.

[Leon Thomas]

She cool people clean that up. But I feel like I like to make a lot of my songs dramatic, you know, I mean, I come from the acting space. I think, you know, people want to hear the drama, bro.

[Melissa Ford]

So that's true.

[Leon Thomas]

I try to make that work. As a lyricist.

[Joe Budden]

Nah, you don't pin, you don't sing. Fucking far fetched. And it be love. That's not true. I'm calling Cap. I heard that song. I love this song. Bitches be lying. Bitches be lying, yo.

[Leon Thomas]

No, no, no. It definitely gets real in la, but, you know, I think all of it deserves, you know, it's, it's documentation.

[Joe Budden]

Yeah, that's one of the reasons I won't move to la. Is all of that shit really Louisiana? Yeah, well, first of all, it'll be a bill. It's a bill, right? It's not. I'm not saving money moving la. But outside of that, it's definitely all of that illusion. Masters of illusion.

[Leon Thomas]

A lot of smoke and mirrors. For sure.

[Imani]

Smoke and mirrors.

[Leon Thomas]

A lot of smoke and mirrors. But, I mean, I find my peace in meditation, trying to be like, you know, as good of a person as I can be, catch a vibe. But I think it's important for me to document everything that's going on and also shout out to my boy, busy crook. You know, I co Write a lot of my records with him. He's out in Miami. That's another expensive city where, you know, shit gets real crazy. So I think between both of our, you know, just lives and putting that together, you know, it's really turned into some really good R and B songs.

[Joe Budden]

Now, before we talk about the rest of this, I saw you out the other night, huh?

[Flip]

Yes, sir.

[Leon Thomas]

Yes, sir. Little karaoke.

[Joe Budden]

Good songs, you know.

[Melissa Ford]

Yeah, yeah, I was gonna go too, man, but I thought it was just gonna be Brooklyn drug dealers.

[Parks]

Yo, I was gonna go too. Yeah.

[Leon Thomas]

Nah, it was definitely. It was definitely crazy out there. It was a vibe.

[Joe Budden]

What's up?

[Leon Thomas]

You know what's funny? I met you some years ago in la. I was in the studio with Mike Zombie.

[Joe Budden]

Shout out to my big jersey, my man, Big jersey.

[Leon Thomas]

So we came through and we were making some beats. I think you were actually about to drop something. You were like, thinking about dropping something. And, you know, we talked and you asked me what I did, and I said I was an actor and a singer and a producer. And he was like, n. You gotta pick one. And I was like. It was just funny. I was like, damn, was that trash?

[Joe Budden]

It made me.

[Leon Thomas]

I was like, yo, I probably should focus on one right now.

[Melissa Ford]

But then you did, though, right?

[Leon Thomas]

I did, actually, yeah. I actually kind of stopped acting for a little bit and started focusing on the music and shit really started popping off.

[Joe Budden]

See, I gotta stop telling the truth to niggas that you just meet.

[Melissa Ford]

Yeah.

[Joe Budden]

I think that's when we had to. Did the house have a pool?

[Leon Thomas]

It did have a pool. Hollywood Hills situation. You talking about saving money, but you.

[Flip]

Was balling out, you know what I mean?

[Joe Budden]

No, no, no, no, no. That was a nice crib. It was a good bargain. Airbnb, but it was a good bargain on the air, though.

[Leon Thomas]

It was definitely fly crib.

[Joe Budden]

I do remember that now. I do remember that now. Yeah.

[Leon Thomas]

You was on a balcony. I was like, wow, that's crazy. He was down by the pool, you know, you just asking questions. It was interesting you was there during.

[Melissa Ford]

The day or at nighttime?

[Leon Thomas]

Nah, nighttime. Nighttime. Cooking up after the club and shit? Yeah, yeah, Just cooking up, catching the vibe.

[Joe Budden]

It was good times back then. Absolutely, man. I've had some of my best nights in LA.

[Melissa Ford]

Facts.

[Flip]

Yeah.

[Ish]

Yeah.

[Leon Thomas]

I mean, LA's definitely a good party city if you wanna pop out.

[Melissa Ford]

Yeah. If you can find it, you know where they at.

[Leon Thomas]

I feel like hanging around. Ty usually finds the right ones, though. You know, Ty Dolla sign is definitely like, you know, runs the clubs out there.

[Melissa Ford]

Yeah, I can see how that would happen.

[Leon Thomas]

Yeah, sure. Keith, though, he doing his thing.

[Joe Budden]

Don't say so. Now you should be too damaged to want to enter a new relationship anytime soon.

[Leon Thomas]

I actually. I'm looking right now.

[Melissa Ford]

Relationship reveal.

[Flip]

Oh, okay.

[Leon Thomas]

Because I feel like for the next album, I definitely want to document the process of falling in love, you know, I know. I don't want that to sound, like, cheesy, but I think it's important. I think it's important, you know, Fire.

[Joe Budden]

Yeah.

[Leon Thomas]

There's so much toxic shit in the marketplace, like Facts. I'm on that. I'm on that.

[Parks]

Right.

[Flip]

I want to find love.

[Parks]

All right, that's fine.

[Melissa Ford]

I'm a date for my next album.

[Ish]

Ladies.

[Joe Budden]

That's how you know. Don't even use that. Yeah, that's how you know some bullshit, yo.

[Leon Thomas]

Okay.

[Joe Budden]

Do you consider yourself part of Toxic R and B?

[Leon Thomas]

Absolutely, absolutely. But I think it's all about balance, you know, like, on the same album, I have a record called I Do, where I'm talking about, you know, wanting to marry the girl I'm with, you know, answer your phone where I'm begging and pleading on some, like, in the rain R and B shit. I think you gotta have balance in this generation. You know, with all these podcasts going on, I feel like they need a soundtrack, you know, we need to figure out what that sounds like on record. And R and B is definitely, you know, really great when you're holding up a mirror and showing society yourself.

[Joe Budden]

I agree with that. Yeah.

[Imani]

It's profound.

[Melissa Ford]

Yeah.

[Leon Thomas]

Hey, man.

[Joe Budden]

Nick.

[Leon Thomas]

Nick.

[Parks]

You gotta get it right if you go do it.

[Melissa Ford]

Came out of them. Some of them shows.

[Joe Budden]

Oh, yeah. No.

[Leon Thomas]

Yeah.

[Joe Budden]

I thought all them was in lifetime 360s.

[Leon Thomas]

Nah, nah, nah.

[Joe Budden]

How they let you get away See, Nick.

[Leon Thomas]

Hey. Hey, man. I was independent for some years, to be honest. Yeah. But I mean, shout out to my team now.

[Melissa Ford]

You with Ty's got a label, right?

[Leon Thomas]

Yeah, yeah. Ty's got a label with Motown, and they really been holding it down. We've been doing our.

[Melissa Ford]

It must be nice having someone that's kind of an OG older brother vibe.

[Leon Thomas]

Absolutely.

[Melissa Ford]

Also helping you on the business end.

[Leon Thomas]

Yeah. Cause, I mean, he's going crazy with ye right now. And I mean, just to see, like, his process of like, putting vultures together. I was out there in Italy with them for like three months. And just seeing, like, the character development for that, for that first album was really interesting. Cause, I mean, we didn't really know exactly how it was gonna turn out. And it's so cool to see it, you know, go number one. Carnival just got nominated for a. Watching that process, being a fly on the wall and actually working on some records as well with them really helped me just kind of, you know, finish out my own album with a little bit more, I don't know, just poise, you know. I feel like when I came back, I was like, moving a little different, talking a little different, just being around.

[Melissa Ford]

People with that type of.

[Leon Thomas]

Yeah, definitely, Definitely gained my glow in Italy. We was out in Florence, and when I came back, I just felt really, really ready to release this joint.

[Imani]

Did you get to travel around while you were in it? Italy, Florence is beautiful.

[Leon Thomas]

I was like, Florence was so beautiful. I just really stayed put. And to be honest, to have an opportunity to work with ye, like, I was really hyper focused on just making sure I was at my best. Everybody got about Shorty rather quickly, right? Yeah, for sure, for sure, for sure.

[Joe Budden]

Now how tough was it to stop talking to some people from your past once you got back from Italy? Changed up on these niggas Switch up. I'm around, I'm around. Sessions is different.

[Leon Thomas]

It ain't even like that. It ain't even like that. But I feel like isolation is important, especially when I'm trying to get focused, prep for tours, you know, really being my best. And if it's not a real relationship, I think we need to kind of clip things and, you know, get focused on what's gonna work, you know?

[Joe Budden]

Do you have a favorite song on the album?

[Leon Thomas]

Yeah. Yeah. It's funny she mentioned Vibes Don't Lie. That was a joint that really, like. I played that shit probably like 40 times after I made it. And like, for me, I listen to my music, but I'm not one of those people who's like, in the car at the crib. You gonna hear my shit all the time. So, you know, that was one of those joints I was playing every day.

[Imani]

Feelings on silent.

[Joe Budden]

Yeah.

[Leon Thomas]

Feelings on silent.

[Flip]

Yeah.

[Leon Thomas]

That was. I made that in Italy too. So, like, when I came back, you know, we were staying at the Four Seasons, the Medici estate. They had like this crazy ass garbage.

[Joe Budden]

Right there.

[Leon Thomas]

But, I mean, he set up Like a studio in a hotel, you know? So, like, during my breaks, I would walk around the garden and I was listening to that beat from Conductor. Shout out to my boy Conductor, no doubt came back ready to. Ready to really, like, you know, tear shit up, catch a vibe.

[Joe Budden]

Just let this rock for a little bit.

[Flip]

Yes, sir.

[Joe Budden]

Let him get in his bag. Right? Wait up. Can you. Hey, when you. When you're making an album, do you listen to. Are you the type that listens to other music when you're outside of the. That session or. Hell yeah, is it. I can't listen to anything because I'm. I'm focused.

[Leon Thomas]

Yeah. But I was just stuck in like the 60s and the 70s for like a lot of the end of the album. Like around the time I made this song, I was listening to this record called Morning Sunrise every day. And I wanted to capture that same vibe and feeling without using the same chords, you know, And I think we did a good job of like, really having that cool, soulful, funky vibe, you know, it's very laid back. But a lot of my music is chill because I feel like I'm a pretty laid back. So I want to kind of, you know, put my energy, you know, on the record.

[Joe Budden]

When we was at the spot. When we was at the spot the other night, shout out to Jozzy. She came in there.

[Leon Thomas]

Yeah, yeah, that's my dog.

[Joe Budden]

Yeah. And I saw that and I was like, hey, wait a second.

[Leon Thomas]

Yeah, I wouldn't mind.

[Joe Budden]

I wouldn't mind hearing that.

[Leon Thomas]

Oh, for sure. I mean, we've worked on a lot of records over the years. It's just interesting. Cause, like, you know, when, you know, Diddy was doing his Love camp, I was around Jozzy a good bit, but we just never found time to, like, really cook something new up. I think a lot of our old songs are probably like six years old now.

[Joe Budden]

Yeah. I would rename the camp if I were gonna. Still not good timing. Yeah, I would make Not Good Timing. It would be a new name if I was referenced.

[Leon Thomas]

I mean, you know, just for reference.

[Joe Budden]

But yeah, yeah, you know, what's up?

[Parks]

What's going on?

[Joe Budden]

Why y'all all tight in the face here?

[Parks]

I'm just. I'm just admiring, you know, I'm just. I'm just admiring the work from.

[Joe Budden]

That's it.

[Flip]

Appreciate it.

[Parks]

That's all it is. Watching my sister do a great job and her interviewing skills and her ad libs. That's why I put my hoodie on, because she's very you on point. I mean, that's a. You know, and I like it and I appreciate. I appreciate your work.

[Ish]

What is your.

[Joe Budden]

So what is your. What is your five year plan for you? Like, what does it look like? Does it look like an album every year? Does it look like multiple projects every year?

[Leon Thomas]

Yeah.

[Flip]

Yeah.

[Joe Budden]

Are you gonna dip out a little bit? Try to hold some mystique?

[Leon Thomas]

I feel like all of the mysterious drop every three years stuff is not the vibe. I think fans want more content. I think collab albums would be important just to kind of keep the marketplace flowing. I'm really trying to build my touring business right now. We just sold out a domestic tour, which is really cool. It's really big.

[Ish]

Really big.

[Parks]

How many cities?

[Leon Thomas]

14.

[Imani]

When does it start?

[Leon Thomas]

It's already started, actually.

[Flip]

Right after this.

[Leon Thomas]

I gotta fly to Boston to do you Gotta Go. But I'm just really excited about the future, seeing how these shows are feeling. New York was crazy. That's why I'm a little hoarse. Cause it was like insane. I'm mad at Ms. Just like sold out energy and the love that's in the room right now. I can tell we're building something really special.

[Joe Budden]

So when you say I'm building out my touring business.

[Leon Thomas]

Ticketing business. Yeah, man, you know. Cause I can do all these festivals and act like all those people are there for me, but I'm down to do these 500 capacity rooms and like build that ticketing business. Sell merch.

[Ish]

Here we go.

[Joe Budden]

Somebody gets it.

[Flip]

Somebody understands.

[Leon Thomas]

Yeah, yeah.

[Joe Budden]

No, I keep telling them. They tricking you with all that festival shit. Festival acts giving you the big bag.

[Leon Thomas]

It's just like, yeah, nah. But I mean, I'm also down to do festivals for everyone for sure.

[Joe Budden]

But you know, like, you gotta do both.

[Leon Thomas]

Yeah, I'm definitely doing both right now. And you know, shout out to Caroline Yimm and wme. She's been really holding it down. And my manager's really helping me build a solid touring business. Cause I feel like that's where a lot of my money is gonna live for the next five years. But yeah, yeah, I got a lot of plans, man. I wanna do some films as well. You know, dip back into my acting bag a little bit later on, probably in the next two years. But right now it's just about, you know, continuing to really create at a high level as an artist and build this touring business, you know. Really simple, but it's a lot of work.

[Joe Budden]

What do you love about. Well, let me. Before we do that, what's changed the most for you with this Album and the release of it.

[Leon Thomas]

It's interesting. Cause I always call the industry a high school. And I think, like, right now it's like, I feel like I'm getting invited to the cool kids table. A lot of people are noticing me in the hallways now, you know, I mean, like, niggas knew I went to the school for years, but, like, now it's just a lot of love, you know, so I'm taking that in stride. I'm not, like, trying to get revenge and not work with people. Cause they maybe played me four years ago. I'm just seeing it how it is, you know, like, you know, success is an important thing to lock in. And my team worked really hard to have a successful release. This rollout wasn't easy. This road wasn't easy, but I'm down.

[Joe Budden]

How long were y'all rolling out, man?

[Leon Thomas]

We. We worked on this rollout for probably four months, six months.

[Imani]

That's a lot.

[Leon Thomas]

Yeah.

[Imani]

That's exhausting.

[Leon Thomas]

So that was just like, a lot of interviews and, you know, playing the game. And I'm just really happy that, you know, people are noticing the music, man. I mean, seeing the Twitter conversations, seeing the tiktoks, like, I can tell, you know, resonating with the frequency I put out.

[Imani]

It's phenomenal.

[Leon Thomas]

Thank you.

[Imani]

What's the title? Mutt.

[Leon Thomas]

Mutt. It's just the element of control. I feel like I've watched not just in my own life, but even with a lot of high power men, like, successful men, when they're before that big relationship, they're dealing with a lot of women who are trying to get them to sit. You know, it's like a metaphor. It's like a metaphor for, like, women really trying to just, like, sit down. You're mine now. And most of these niggas are not on that. Like, they, like, I'm making too much money. There's too much attention. You know, I'm not gonna sit. So if you really look at the documentation, just throughout the entire album, I'm just talking about that push and pull of like, a girl really trying to just get a dude to act right, and he's just not really doing it.

[Imani]

Was there any kind of, like, specific, like, arrangement to the album?

[Leon Thomas]

Yeah, I wrote a script before I actually, like, finished everything. And the storyline was essentially like, you know, a guy who breaks up with a girl, goes on his player arc, and then right around I do is where he finds somebody that really loves. Loves him to pieces, and then she breaks his heart. And that's where answer your phone comes in and it's. It's like, you know, kind of like a story of karma, which I think a lot of people underestimate when they out here being players. So.

[Flip]

So the next album gonna be I got somebody else to answer the phone.

[Parks]

Yeah.

[Flip]

And now we on our journey.

[Leon Thomas]

Who knows? I mean, honestly, like I'm documenting as I go, bro. So it's just like trying to. Trying to live a good lifestyle so that the music is potent, you know, I think it's gonna be important, you.

[Joe Budden]

Know, when you broke up, when you got out of your long term relationship, did you. Was there a period where you fucked away the pain?

[Leon Thomas]

Absolutely. And that's not healthy.

[Joe Budden]

Did it work?

[Leon Thomas]

So it's a horrible way to do it.

[Joe Budden]

Just giving yourself to people.

[Leon Thomas]

Yeah, you too much.

[Joe Budden]

So frustrating.

[Leon Thomas]

But I feel like for me, this was a. This was an album of self reflection. You know, I really got into meditation. You know, I like her dose rooms a little bit.

[Flip]

You know, she you up.

[Leon Thomas]

Full hippie.

[Joe Budden]

Mode when she started dating again. Did you find out?

[Leon Thomas]

Oh, absolutely.

[Joe Budden]

Yeah.

[Parks]

You was hurt.

[Joe Budden]

Damn.

[Leon Thomas]

Try to spin a block too.

[Flip]

I said straight bubble.

[Leon Thomas]

Wait, wait, wait.

[Parks]

That's why you cut them off?

[Joe Budden]

Oh, damn it n crazy. Yeah, take some water, man.

[Leon Thomas]

It happens.

[Joe Budden]

Were they still homies? And how did you find out all of this?

[Leon Thomas]

Hey, listen, you know, the streets talk, you know.

[Joe Budden]

Oh, you stalked the gram, all right.

[Melissa Ford]

You stalked the gram talks.

[Leon Thomas]

Nah, literally. Literally, you know, you know, it's got a little phone call. I said, oh, okay.

[Joe Budden]

Well, do you appreciate those calls or do you rather them not happen?

[Leon Thomas]

I'd rather they don't.

[Joe Budden]

Like, why are you.

[Leon Thomas]

It's none of my business.

[Joe Budden]

Y'all know I loved her.

[Leon Thomas]

Yeah, yeah, it's none of my business, you know, but it all makes for good songs, man.

[Joe Budden]

Was he better than you in anything?

[Leon Thomas]

Ah, maybe rapping.

[Joe Budden]

Oh, oh, wait. She got with another musician.

[Parks]

We got her.

[Joe Budden]

Like a known rapper. Somebody you might know.

[Leon Thomas]

I don't know.

[Joe Budden]

I ain't gonna ask no names. I ain't asking no names.

[Leon Thomas]

But yeah, I mean, I ain't trying.

[Joe Budden]

But not like a.

[Leon Thomas]

Ain't trying to get messy.

[Joe Budden]

But not a local rapper.

[Leon Thomas]

No, definitely not a local rapper.

[Joe Budden]

No worldwide rapper.

[Parks]

Oh, no.

[Melissa Ford]

You heard of slaps in Italy?

[Joe Budden]

No, no, not in the garden.

[Parks]

That's how it go. That's the game.

[Joe Budden]

It builds character.

[Leon Thomas]

It's what it is, you know, Keep it pushing.

[Parks]

I'm. I'm happy you saying it is what it is, but it wasn't. It Is what it was when you found out. But I'm happy that you grew.

[Flip]

Yeah. Did I say that?

[Joe Budden]

Meditation works.

[Leon Thomas]

Meditation, work, meditation.

[Joe Budden]

Play it cool.

[Parks]

Play it cool.

[Ish]

Play it cool.

[Parks]

Keep it peace. If the nigga up. You know, you don't set no balls your way. You know what I'm saying?

[Leon Thomas]

It is what it is.

[Joe Budden]

Hey, we have a debate up here every now and then. Would you have felt better if it was a nobody dude?

[Leon Thomas]

Nah. I mean, honestly, regardless, like. Like, I'm not tripping, bro. Like, life is good. I'm super blessed right now and I'm working on some amazing. I don't really take anything like that personal. It just is what it is. She wasn't with me.

[Joe Budden]

What's your sign?

[Leon Thomas]

I'm a Leo.

[Parks]

I'm a Leo, too.

[Leon Thomas]

Yeah. Confident as, like, I'm good, but we.

[Parks]

Be fronting a little bit, but I got you.

[Flip]

Stomach wasn't confident.

[Leon Thomas]

I wasn't really feeling that.

[Joe Budden]

Leo's hit the streets for life after they get done. Leos are in the streets for the rest of their life after that, man.

[Leon Thomas]

Well, I don't want that for myself.

[Parks]

We'll see what's happening.

[Joe Budden]

You going to be all right. All right, so he's got marriage in his plans, building out his touring business, getting hard tickets, get married for the.

[Melissa Ford]

Album, and then see what happens.

[Ish]

Divorce album might be lit, too.

[Joe Budden]

That's true.

[Melissa Ford]

Divorce album.

[Parks]

He's documenting and he's documenting. Finding love, you know what I'm saying, so.

[Joe Budden]

Which is great. That sounds expensive.

[Flip]

Yo, how old are you?

[Leon Thomas]

I'm 31. Yeah, so it's around that time for me.

[Melissa Ford]

That's about that time.

[Leon Thomas]

Yeah, it's around that time.

[Joe Budden]

Around that time to what, 31.

[Leon Thomas]

31 to 35, I'm thinking is like my range, like, you know, giving myself R B.

[Parks]

Your Range Rover?

[Leon Thomas]

No, my range. To maybe find my person, get married.

[Parks]

Do the whole thing, decide to get the business.

[Joe Budden]

Where you from?

[Parks]

New York.

[Leon Thomas]

New York. I'm from Brooklyn.

[Parks]

It worked.

[Joe Budden]

Two parent household.

[Leon Thomas]

Yeah, well, no, my parents are divorced, but, you know, stepfather was amazing. My stepmom's amazing. So it's like, you know, four parents.

[Melissa Ford]

Yeah, four parents.

[Leon Thomas]

It was lit. And actually, you know what's funny? My mom and my stepdad had an independent record label in the early 2000s, Oscar. And they dropped a record called Pump it Up.

[Parks]

Oh, shit.

[Joe Budden]

What year was it?

[Flip]

You wrecked my whole house.

[Leon Thomas]

You wrecked my whole house, bro. Like, everybody was stressed. They put mad money, put their life.

[Joe Budden]

Savings into this guy.

[Melissa Ford]

That's Crazy.

[Joe Budden]

Here come Def Jam, bro. That's funny.

[Leon Thomas]

Drop went insane. It was like. Okay. Yeah.

[Flip]

Wow.

[Melissa Ford]

So this pumping up wasn't as much of a slap as his pump.

[Joe Budden]

I don't.

[Leon Thomas]

Nah, it's okay. It was a beautiful song, you know, shout out to W. That's my dog for life. But, you know, it was just like. It was just a funny moment now looking back at it.

[Joe Budden]

Yeah. Life is funny like that.

[Leon Thomas]

Life is funny like that. Yeah. Full circle, bro.

[Joe Budden]

So you won't be getting anybody Christmas gifts.

[Leon Thomas]

Why not?

[Joe Budden]

I mean, I think because you're searching for your person.

[Flip]

Yeah, he just went to Italy and found somebody else. Three of them, I mean.

[Leon Thomas]

Yeah.

[Flip]

I don't know.

[Leon Thomas]

I feel like a Christmas gift could be chill. Something chill. Nothing too epic, though. I mean, if I really like a girl. Yeah, I'm down.

[Joe Budden]

Nothing too epic. Yeah, that could be misleading.

[Leon Thomas]

Nothing. I mean, like, you know, nothing too.

[Imani]

What's epic?

[Leon Thomas]

I'm talking about a laptop or something like. Like, you know, super expensive.

[Joe Budden]

A laptop.

[Leon Thomas]

Thinking like, something chill. Something chill, you saying?

[Flip]

But wait, the laptop is too expensive?

[Leon Thomas]

Nah, not too.

[Ish]

I don't know.

[Joe Budden]

For me, I would be real.

[Leon Thomas]

I'm cheap as. Yeah, that's how I gr.

[Imani]

You Leos are usually very generous.

[Leon Thomas]

And, you know, hearing that and that.

[Melissa Ford]

We could get like a MacBook Air or something like that, you know, I mean, like.

[Ish]

Get a refurb.

[Parks]

Crazy.

[Melissa Ford]

Last year's model.

[Joe Budden]

Get a U. Shit.

[Leon Thomas]

Nah, nah, nah. Figure it out, Figure it out. We saving right now, but yeah.

[Parks]

Oh, my God.

[Flip]

So, yo, you moved from Brooklyn to la?

[Leon Thomas]

Yeah, yeah, I moved from Brooklyn to la. That's when I was doing all the Nickelodeon stuff. They moved my whole family to Los Angeles. Big move. At like, 16, 17.

[Flip]

Oh, so you've been out there for a minute.

[Leon Thomas]

I've been out there for a nice minute, man.

[Melissa Ford]

You didn't experience none of that wild shit that we seen in the doc, right?

[Leon Thomas]

No, no, absolutely not.

[Joe Budden]

Jesus.

[Parks]

He was shitty.

[Leon Thomas]

My mom, she's really. She does not fucking play, you know, so it's not like I was just there alone, though. You know what I mean? She was always, like, holding it down. And I feel like my energy, too, is very standoffish. There's no energy that would ever lead somebody to believe that they could. Try me.

[Joe Budden]

Yeah.

[Parks]

Shout out to mom.

[Leon Thomas]

Yeah, for sure. My protector. For sure.

[Imani]

She was your momager.

[Leon Thomas]

Yeah. I feel like I'm like her startup. Like, we really work together. I mean, being a child.

[Parks]

Well, after they pump all the money into the joint yeah. All the money to the record. You know me. You had to.

[Joe Budden]

Yeah.

[Flip]

Now you had to spend the block.

[Joe Budden]

Hold it down.

[Leon Thomas]

Shout out to Joe.

[Ish]

You.

[Parks]

Y'all want to hear that song?

[Leon Thomas]

I gotta find it. I know it's somewhere out there. Online for sure.

[Parks]

Got you.

[Flip]

Pump it up.

[Joe Budden]

Oh, my Lord, I'm.

[Flip]

Find that.

[Joe Budden]

Oh, what's the one thing you hate about Torn?

[Leon Thomas]

I won't say hate, but could do without. Yeah, I could do without the wear and tear on the body. I mean, you know, I just did another tour where I was open up, opening up for a blast. And I took like, probably like 20 flights or something like that. I mean, flying every day, different airports. Yeah, it was definitely. It was definitely tough. It's a real grind, you know, for sure. Especially. Cause I'm not doing it on like a crazy super high level. Yeah, there's not a lot of help, you heard, so, you know, I'm doing what I. To just make it work economy. Nah, nah, nah, nah. We still flying first, but, you know, it's different.

[Joe Budden]

But still.

[Leon Thomas]

But still, like. Yeah, it's not easy.

[Melissa Ford]

You have to carry your bag easier.

[Parks]

Yeah, yeah, yeah, yeah.

[Leon Thomas]

You gotta tap in 20 flights in a row. I mean, you'll see.

[Joe Budden]

Nah, it is. Yeah. That's rough.

[Melissa Ford]

That's right.

[Joe Budden]

No, it's work.

[Leon Thomas]

It is, yeah. It's definitely work.

[Joe Budden]

And that wear and tear on the body, it's a real thing.

[Leon Thomas]

Not for sure.

[Melissa Ford]

Got you sick all the time, Health conscious, DIA types.

[Flip]

Just a lot more meet and greets.

[Joe Budden]

Meet and greets. Meet and greets.

[Leon Thomas]

I'm doing all that.

[Joe Budden]

Hey, how much that meet and greet?

[Leon Thomas]

You know, something special. I think we're doing like Chris Green.

[Joe Budden]

How much is that meet and greet? No, no, the price of it.

[Leon Thomas]

The price. I think it's like $200.

[Joe Budden]

Okay. Y'all niggas, boy, that's the way it's.

[Flip]

At $200 times how many people.

[Leon Thomas]

I mean, you know, we're getting like 80 to 100, 150.

[Joe Budden]

I feel like the entire music industry stole meet and greet from tech9.

[Leon Thomas]

Oh, word.

[Parks]

That's a fact.

[Joe Budden]

That's how I feel.

[Melissa Ford]

Was he the first one doing it?

[Parks]

That's a fact.

[Joe Budden]

The first one I could think of.

[Parks]

That's a fact.

[Joe Budden]

You know somebody different? Chris Green. You a dinosaur. You old as me. No older than me, actually, in this. Can you think of somebody that started doing meet and greets before Tech 9?

[Flip]

That's crazy.

[Joe Budden]

I would want a piece of everybody's meet and greet.

[Melissa Ford]

A meet and Greet.

[Parks]

If he was tech, Right?

[Melissa Ford]

Tech got a lot of money.

[Joe Budden]

Anyway.

[Parks]

He does.

[Leon Thomas]

He's doing all right.

[Joe Budden]

That's how business in America goes.

[Flip]

Yeah.

[Joe Budden]

If I think of a concept and y'all go on to use that concept.

[Flip]

Go pat. In a meet and greet.

[Leon Thomas]

Go ahead.

[Joe Budden]

I mean, I didn't think of it. I stole it from Tech, too. Call. I should have touched it. I went on that tour. I went on that tour, see what was going on.

[Flip]

Crazy.

[Joe Budden]

You got jacked. I hear you. You gonna get sued. All right. Nah, God damn else. All right? I don't have. I don't have anything else. Cause he does have to go. He does have to make the tour. Shout out to Boston.

[Leon Thomas]

Yeah, I appreciate it.

[Joe Budden]

Lot of fun times in Boston, too, as a single man. Good vibes.

[Leon Thomas]

Good vibes.

[Melissa Ford]

Definitely some good vibes.

[Joe Budden]

K Birdians. You like? K Birdiens.

[Leon Thomas]

Yeah, for sure.

[Joe Budden]

Hey.

[Leon Thomas]

Y'All think it's funny?

[Flip]

Yeah. Yeah.

[Ish]

If you know, you know.

[Flip]

If you know, you know.

[Melissa Ford]

That's a fact.

[Flip]

Trilingual quatro, lingual respect.

[Joe Budden]

Is there anybody? Is there anybody? Tell me what albums or artists you are waiting for.

[Leon Thomas]

I'm waiting for. I'm waiting for Frank Ocean to come back and drop some shit.

[Joe Budden]

Why?

[Ish]

I want to hear.

[Joe Budden]

Wait right there.

[Leon Thomas]

You know, with Frank, you don't.

[Imani]

With Frank, no, we do, but. But do you have some inside, you know, information?

[Leon Thomas]

He's working for sure.

[Joe Budden]

Okay, for sure.

[Leon Thomas]

Definitely in the studio, cooking when nigga.

[Joe Budden]

Short circuiting in here. We gonna allow this?

[Melissa Ford]

I believe that he's working, but I don't know if we're not working anytime soon.

[Parks]

He could be working.

[Joe Budden]

All right.

[Ish]

Yeah, he could work.

[Leon Thomas]

There's a movie dropping with 824.

[Melissa Ford]

Okay.

[Leon Thomas]

It's all on the way, so I'm excited for that.

[Flip]

He might know something.

[Leon Thomas]

I'm just saying, like, I know that shit.

[Joe Budden]

Like the Bernie shit.

[Ish]

We'll get the Andre 3000 rap album before that. I mean, so we'll get that before.

[Leon Thomas]

Y'all think he's just never gonna drop again.

[Ish]

I think Frank don't give a fuck about music or not. He don't care.

[Joe Budden]

So tell me your thoughts on. I don't know if it's real or not, but the rumor from a couple of weeks ago that Frank posted on his burner on the Reddit. Did you see that?

[Leon Thomas]

No, I actually didn't see that.

[Joe Budden]

The rumor was going around, hey, we found Frank Ocean's burner on Reddit.

[Leon Thomas]

Okay.

[Joe Budden]

But they say that all the time. This person wrote, I want to almost find one of y'all. Googled the shit. But he was saying how. I don't know how much longer I want to participate in this and do this. I'm losing touch with reality. Nothing has seemed real ever since I started recording and became this. Don't get me wrong, I'm extremely grateful and blessed.

[Leon Thomas]

That's crazy.

[Joe Budden]

But, like, I just feel like whatever the fuck he was saying, but it was really deep and sounded Frank Ocean ish. Yeah. So I don't doubt that he's working. So when you say he's working.

[Leon Thomas]

No, no, no, no. I have a homie Dylan Wiggins, who worked on a lot of stuff with Solange, and his uncle is Rafael Siddiq. Really, really talented producer and musician. And I know they were doing, like, probably around like, six months ago, eight months ago, you know, some sessions in Miami, and I was, like, kind of jealous. I wanted to be at those sessions too, you know, So I was like, yeah, yeah, yeah. I definitely, you know, to me, as a fan, I was pretty excited to hear that he's back in the, you know, in the studio vibing out.

[Joe Budden]

But I got Frank and Rihanna in the Rihanna boat.

[Leon Thomas]

Yeah, I think so.

[Melissa Ford]

Huh.

[Joe Budden]

I think that he's making fire to play for himself.

[Flip]

Let me ask you this.

[Joe Budden]

For him and the kickback that he throws, whenever he throws it, I don't think it's for mass consumption.

[Flip]

Have you ever met him?

[Joe Budden]

Who, me? Not that I remember.

[Leon Thomas]

Well, I never met him.

[Flip]

Money are coming to play sooner or later.

[Joe Budden]

Later, what you say?

[Flip]

I think. I think money will come into play sooner or later.

[Joe Budden]

Like, I don't believe that.

[Flip]

I don't.

[Ish]

Yeah, I don't think. I don't.

[Flip]

Certain people don't matter.

[Joe Budden]

What about him?

[Flip]

That's true.

[Joe Budden]

I think he's caked the up.

[Melissa Ford]

Yeah. Too.

[Joe Budden]

And I think he rather not be.

[Ish]

He don't give a about that.

[Joe Budden]

I think he rather not be.

[Flip]

I think no. If he caked up, then I definitely.

[Ish]

Believe in the play. He's caked up.

[Melissa Ford]

He's caked up.

[Joe Budden]

He's kicked up. It ain't a money thing.

[Ish]

Just off of the. He rolls on and featured on, like, he's definitely.

[Joe Budden]

I were waiting for Frank. Give me a realistic answer. Give me somebody that might actually put it out.

[Leon Thomas]

Actually, I will say this. I was in the studio with Summer Walker, and she has some amazing music on the way. As an R and B lover, like, I'm fucking hyped for that shit to drop. We actually work on some dope shit too. So I hope she keeps it. And I hope so. That's the one I'm really hyped about for hopefully next year. We'll see. We'll see when she wants to drop. But, you know, I'm a fan. It was cool to get the sneak peek and really hear some good vibes.

[Joe Budden]

I got Summer with two classics under her belt and hopefully a third on the Way that Girl Don't Play.

[Leon Thomas]

She's amazing. She's amazing. And it was, like, potent. It was, like, amazing lyrics, great tracks, and it was cool to kind of even, you know, put together a track with her right after I heard a bunch of. And I'm definitely gonna be sending some more stuff her way.

[Joe Budden]

Well, why the hell you ain't text her for your shit?

[Leon Thomas]

Well, we'll see what happens. You know, we got some stuff on the way. I don't wanna speak too soon, but I definitely wanna. Wanna tap in. I actually just met her for the first time, like, three weeks ago, so, you know, I'm really hoping we can actually do one for my deluxe.

[Joe Budden]

So you really. You really are you right at the. You've been around, but like you said, you really at the beginning of.

[Leon Thomas]

Of something fly.

[Joe Budden]

Yeah.

[Leon Thomas]

Something dope.

[Melissa Ford]

That's how I'm gonna put them on the map.

[Joe Budden]

I can hear it. I could feel it. I see how your peers. I see and hear and listening to you, how your peers are responding to this body of work.

[Leon Thomas]

For sure.

[Joe Budden]

Phone ringing Tour.

[Leon Thomas]

Let's go.

[Joe Budden]

Depends up the features. Yeah, that's. That's how this thing goes.

[Melissa Ford]

Trajectory is pointing.

[Joe Budden]

Yeah. I'm super excited to. To watch your journey.

[Leon Thomas]

Yeah, I'm definitely doing a deluxe for Mutt. You know, I've been talking with Anderson Paak and a couple other big homies that I feel like could really just add, like, elements to a big shine. Like all of my homies that I worked with in the past, like, three years, four years, I'm just tapping in with now to say, okay, how can we really point more fingers back to this copyright as an album? And, you know, we missed the mark to be able to be nominated for this year's Grammys. So it's like, we. We got a year of, like, promoting this motherfucker, so I want to make sure that the Lux is going crazy. We gotta swing, you know.

[Imani]

How many. How many more songs are you gonna add?

[Leon Thomas]

I'm looking just to give y'all the exclusive. I'm looking to do, like, five extra songs.

[Joe Budden]

Okay.

[Leon Thomas]

And then, like, maybe one remix of.

[Joe Budden]

A joint that people really like that Mutt remix.

[Ish]

Yes.

[Leon Thomas]

Freddy Snap, he sent that back same day. So, like, he just blacked out.

[Melissa Ford]

You seem like one of them dudes.

[Leon Thomas]

And that's my boy, too. So it was cool. It was cool to get that call because, you know, sometimes when you hear, like, he's thinking about it, but then they get the actual phone call and, you know, get the record right back. Same day was a dope moment.

[Joe Budden]

Yeah. Freddie needs to be in a mental institution. He's sick.

[Leon Thomas]

He's insane, bro.

[Joe Budden]

Not only is he sick, but. But I'm sure that he related to a lot of the content on the project.

[Leon Thomas]

Oh, absolutely, absolutely, absolutely. Definitely resonated with my brother.

[Joe Budden]

You know what I'm saying? That's nor. When. When the verses come right back, like.

[Melissa Ford]

He had to look for it.

[Joe Budden]

Stay right there.

[Melissa Ford]

He had to walk in the garden. He did not have to walk in the garden.

[Joe Budden]

And that's the dope about. You could get some shit off, like on the feature that you maybe not want to do on your shit, so.

[Leon Thomas]

Exactly.

[Joe Budden]

Yeah. Like, he wanted to kick a few bitches backs in that he couldn't really do on his album. Yeah, yeah.

[Melissa Ford]

He did a little bit of that, too.

[Ish]

That was your back.

[Melissa Ford]

Yeah.

[Flip]

That was funny.

[Joe Budden]

Yeah. But I feel like that's new for free. I'm happy about that. I'm happy about that.

[Leon Thomas]

Yeah.

[Joe Budden]

Cause he been. Should have been kicking bitches anyway. Yeah. Oh, man. Y'all got anything else?

[Flip]

No, no, no.

[Joe Budden]

Cause I will not be the reason that he misses the Boston show.

[Leon Thomas]

No, no.

[Imani]

I gotta do it.

[Leon Thomas]

Gotta do it. But I really appreciate y'all, for real. Thanks for coming here, being in the pod. This was kind of surreal. Super dope, man. It was fire.

[Imani]

Good luck in Boston.

[Joe Budden]

Listen, everything comes full circle, man.

[Leon Thomas]

For sure.

[Joe Budden]

We're extremely happy for you up here, yo.

[Leon Thomas]

Thank you, man. I really appreciate that.

[Joe Budden]

For real. And if you need our support in the future, unless you fall off, then don't reach out for you if your trajectory still stays the same. We. We here. N. I appreciate that, man.

[Leon Thomas]

I'mma keep swinging. I appreciate y'all.

[Parks]

Yeah.

[Leon Thomas]

Unless you fall off is pretty crazy honest, bro.

[Joe Budden]

And for the record, I don't. I don't. I don't foresee it. I don't see that.

[Leon Thomas]

I like that.

[Joe Budden]

I don't see that for you seems legit.

[Ish]

Flip side to that is when. When it hits sky high, you got to still come back.

[Joe Budden]

And don't forget about it. Don't do the other side. People say that no, you don't. If you get Dwayne Johnson out of here, then we would understand. What time, man? Make some noise. Make some noise. Leon Thomas album out now in your phone on dsps. He's on tour. We got a Mutt Deluxe coming.

[Parks]

Yeah, let's go.

[Joe Budden]

Let's go, man. Let's go, love.

[Leon Thomas]

All right, y'all. Much love.

[Joe Budden]

Good dude. Leon Thomas for sure, man. I with him. Super cool, super talented talent, good personality. Good guy. I'm rooting. Fam.

[Ish]

Same, same, same, same for sure.

[Imani]

Can't wait for that deluxe.

[Joe Budden]

Yeah, same.

[Ish]

Yeah, y'all really love that album. Yo, y'all ain't stop talking about that.

[Imani]

You haven't listened to it.

[Flip]

I'm not R and B guy, but it doesn't matter.

[Imani]

Yes, it's that good.

[Ish]

I took your word.

[Imani]

Okay.

[Flip]

That's fire, though. That's why I ain't watched Office.

[Joe Budden]

Same reason I'm going with a record by Valiant. And this song is called Little Red. Writing brand new music from Valiant. Record is called Little Red Riding. Available in your phones and on DSPs.

[Ish]

Right?

[Joe Budden]

This second.

[Melissa Ford]

Stuff.

[Joe Budden]

Good shit. Good shit.

[Ish]

I'm going to Fayetteville. This is out the Hole by Moray. Oh, you got me?

[Melissa Ford]

Yeah, I got you.

[Ish]

Let's go.

[Parks]

Me too.

[Savon]

From the bottom to the top and made it out the hole New car used to live no, you be acting like you know but you don't really know Red like green light 1, 2, 3 but some always on go from the bottom to the top of nigga made it out the ho New car big crib to say Now I used to live no, you be acting like you know but you don't really know Red like green light Took a step back now I'm back in Almost gave up I'm lying man I'm copying Had to load it up S Now I'm strapping Made a couple million off the rapid City Naturally made me lace make it in my sleep so I be sleeping like a babe Much money probably have another bait many bit Means it's going to be comfortable to raise them the sun is amazing down talk your never thought I live like this I done cried Making tears just to drip like this and I get merged from the pain ear my I mean I'm grown now I got clear go got that too far away but right here it goes Hate the th that don't mean I got a ph My.

[Joe Budden]

To.

[Savon]

The top of Made it out the oh new car, big crib this ain't not where you should live no you be acting like you no but you don't really know Red light, green light, 1, 2, 3 but some always on boat from the bottom to the top and made it out the hole New car, big creep this ain't how I used to live no, you be acting like you know but you don't really know Red like green light, yeah, back again like I made part two I'm really living how y'all say y'all do Got the cheese in my smile like I do Take my designer panda no bamboo I mean now my kid living better than me it's the type of soul and I love what I see Right on my ups and my down Me a G now I'm an angel in the demon Watch how you speak I mean put me in I can see in the still humble But I'm loud when I be making the math had to learn to be assertive when it come to them Bands be trying to find an exit after getting them grand Loyalty shouldn't come with a price but nowadays want an extra piece of the pie but can't bake their own cake so I ain't giving no mind Be Tony Hawk, get on board, learn the crime from the bottom to the top of nigga made it out the ho New car, big crib this ain't not where you should live, no, you be acting like you no, but you don't really know Red light, green light, 1, 2, 3 but some always on gold from the bottom to the top and made it out the hole New car, big creepy say now I used to live no, you be acting like you know but you don't really know Red like green light.

[Ish]

And that is out the hole by Moray that was fire Glad, glad, glad Moray is back man, I was wondering, you know, what's been going on.

[Melissa Ford]

Yeah, it's good to hear from him.

[Ish]

Absolutely good to hear from him.

[Melissa Ford]

I'm going to dmv. This is Corday and Kanye. No bad news.

[Savon]

No news today no bad news today no bad moves today Nothing to prove today no news today no bad news today Nothing to prove today Times I use I got a call from my Mako doing the bid 30 years but still the same I knew as a kid Put a smile on his face to see me doing my I asked did he have commissary and he said is she lit? And this mom just graduated she just got her degree and on the phone I hear his glee he bought as proud as can be we spent the hour reminisce how he was wild in the street but by his attitude you think he's getting out in a week he told me no news today no bad news today no bad moves today Nothing to prove today no news today no bad news today Nothing to prove today Times I used to pray.

[Joe Budden]

Hey.

[Savon]

Running the bro that's bad news Gang affiliated tattoos stakes is high like Waggoo but who wax you Top down in the jack coop Them boys really from the concrete they'll make your wig split like a rap group okay now got bread so I'm staying out the way now first class from the Greyhound. You should have stayed down playing James. No more bust downs bro just came home from a touchdown I told him don't look back or round he never listened say you on demon time this the exorcism, bro Copper lows it's off my name he throw some extras in it so much money piling my accountants earning their percentage My daughter's the heiress, princess I took her to Paris, Venice, her closet Embarrassed bitches Chanel, diaper bag it I don't like to brag she fly just like her dad humble, just like a mom I sit back and write my rhymes Think about this life of mine While listening to life and time no news today, no bad news today no bad moves today Nothing to prove today no news today, no bad news today Nothing to prove today Times I used to pray.

[Melissa Ford]

That'S Corday Kanye West. No bad news Cordial is super tough.

[Ish]

I'm dying to finish that album, bro.

[Melissa Ford]

Check it out.

[Flip]

I'm going to a young lady her name is Sailor and the song is Pookie's Requiem.

[Corey]

I need to let you go I'm hard to get older I'll say one.

[Joe Budden]

Thing.

[Corey]

Black lipstick, eyebrow bleaching Making stone my memes and my music I will be happy I will be happy.

[Joe Budden]

In.

[Corey]

And out in every reality Always a true thing not requiem a dream of the I got me a real snotty nose from with these real snotty hoes and I've accepted that's how life goes One moment you're on top Next is stepping in the doctor in your brand new phase O it yeah, I'm a wreck up on my dreams yeah, I'm a wreck oh, Pookie, I'll be happy I hope you're happy. Got you a mini me Bet she meets your mom Bet y'all get a dog, you name it after me. Hey, Boogie. I'm in and out in every dream A dream of.

[Melissa Ford]

That is Sailor Pookie's revenge. I like it I didn't really know what to expect with that title.

[Ish]

Yeah, me neither. I thought it was about to be some B. Some fiends.

[Melissa Ford]

I did too.

[Ish]

What you got for us, Mel?

[Imani]

Mine is by hombre. It's part two. Drake and Drive. We played this already, huh?

[Joe Budden]

It don't matter. I like it, I leave it. Yeah yeah, you my son.

[Corey]

But I'm in the hills I'm in the hill take full of my car seat what could I find auction can I pull up little body I don't still I'm alone now you know what drinking and driving but if you listening don't bet you can't nothing is the same girl I know I left you finally you couldn't persuade me to stay trusting you you would have been a woman but.

[Joe Budden]

I.

[Corey]

Trust you know.

[Parks]

You know the.

[Corey]

Sun drinking is driving don't want to tell you too much I'll make songs for women this perfect time think I need some money I know you going to try to find me when my new drop that won't make me stop just come through right yeah in the night alone hopefully you're not too far gone yeah took the night you only on my phone only way you want it so I ain't spinning back best way to put it I've been back on my bully yeah these days I'm so detached I know I should let it go try not to think about you too much you want to be the one you know what.

[Melissa Ford]

Part two Drake and drive Shout out to Ombre.

[Joe Budden]

Love Ombre that is a vibe friend of the show Ombre we love you if you're listening for sure. Oh man. Remember that October. Listen man, keep us in your prayers. Lord knows we need to be there. Until the next time I bid you a do Farewell Adiosa riba Dirty eyes to la vista ar Remember life is a series of moments and moments.

[Parks]

So let's make this one last as.

[Joe Budden]

If it's all we have. Want you to teach them things. Any weekend plans? Weekend plans?

[Parks]

Weekend plans, anybody?

[Joe Budden]

Weekend plans?

[Parks]

Yeah, going outside.

[Joe Budden]

Okay. Okay, guys.

[Flip]

Gang is outside. God damn.

[Ish]

Y'all said that kind of fast. That's what's up. Not me.

[Parks]

I'm be out of town.

[Ish]

I'm in the crib. I'm waiting for that football game Sunday.

[Melissa Ford]

Who you got?

[Joe Budden]

Baltimore.

[Melissa Ford]

Oh, yeah? Let's see what y'all made of.

[Joe Budden]

That's it.

[Flip]

I got Baltimore.

[Ish]

Let's get it. That's cool. You can have them. I got Pittsburgh. God damn it.

[Melissa Ford]

In Baltimore. Or P. I don't know.

[Ish]

I don't care.

[Melissa Ford]

Y'all usually do good against the.

[Ish]

Not usually. We've been kicking their ass.

[Melissa Ford]

Let's see you guys see it.

[Joe Budden]

Why are you talking not in the mic? Why are you not talking in the mic?

[Imani]

Why are you talking in the mic?

[Joe Budden]

Because we're at work. No, it ain't. You can say it. Say it.

[Melissa Ford]

Yeah.

[Joe Budden]

This is my son right here. This my girl running from it. You are my son. Son. I send her the song. Please can you email. You got Mel's email?

[Imani]

No, cuz here's the situation.

[Joe Budden]

I'm not talking to you. Ice, do you have Mel's email?

[Ish]

I do have Mel's email.

[Imani]

I know the song.

[Joe Budden]

When you get home, just send this song now.

[Imani]

I can't. I still. I feel like this is like cocaine 80s or some like that. I like an EP you just can't get anymore.

[Joe Budden]

Ice, please.

[Imani]

So if you have the in.

[Joe Budden]

I'm not talking about you.

[Imani]

I mean the average person. So just because you have it in serato doesn't mean that I'd be able to find this.

[Joe Budden]

I left it just for the white girl curse out that I knew what's coming.

[Flip]

You knew?

[Joe Budden]

You knew what's gonna happen.