Episode 791 | "Dude Code"

Summary

Podcast Summary: The Joe Budden Podcast – Episode 791 | "Dude Code"

Podcast Information:

• Title: The Joe Budden Podcast
• Host/Author: The Joe Budden Network
• Description: Tune into Joe Budden and his friends. Follow along the crazy adventures of these very random friends.
• Episode: Episode 791 | "Dude Code"
• Release Date: January 15, 2025

---

1. Experiences at The Shaky Butt Strip Club ([02:31] - [12:00])

Overview: The hosts, including Joe Budden, Mark, Ish, Mel, and Parks, recount their recent visit to The Shaky Butt strip club. The discussion delves into their interactions with performers like Flip and Smalls, the culture of tipping, and the dynamics within the club.

Notable Quotes:

• Joe Budden ([05:49]): "Hey, somebody want to throw 75 grand on me, I'll take it."
• Mark ([03:01]): "We were at the Shaky Butt... We got wonderful interactions."
• Ish ([07:02]): "So N was throwing that money on y'all."

Key Points:

• The crew shares anecdotes about the generosity of patrons and the behavior of performers.
• Flip’s interactions with gang-affiliated individuals and streamers highlight the intersection of nightlife with broader social networks.
• Mel observes the disrespectful nature of some patrons, prompting discussions on maintaining swag despite the environment.

---

2. Journalism vs. Personality-Led Media ([24:01] - [35:00])

Overview: The conversation shifts to the evolving landscape of media, contrasting traditional journalism with the rise of personality-driven platforms. The hosts debate the integrity, preparation, and impact of journalists versus content creators and streamers.

Notable Quotes:

• Mark ([30:05]): "Anyone can make content, but not everyone has the discipline or research abilities for journalism."
• Joe Budden ([28:23]): "The next generation after the jazz is the streamers..."

Key Points:

• Concerns are raised about the dilution of journalistic standards as more personalities enter the media space without formal training.
• The discussion emphasizes the importance of research, preparation, and ethical considerations in true journalism.
• Hosts agree that while content creators bring fresh perspectives, they shouldn't replace established journalistic practices.

---

3. Child Support Debate: Jimmy Butler vs. Pat Riley ([155:07] - [167:00])

Overview: A heated debate unfolds regarding Jimmy Butler's request for an increase in child support payments to Pat Riley. The discussion explores the fairness, necessity, and implications of the proposed financial adjustments.

Notable Quotes:

• Mark ([163:22]): "She should have the same lifestyle as our kids. If you make 55K, that should cover it."
• Joe Budden ([155:25]): "Child support is based off what you make. She’s living the life off that money."

Key Points:

• Butler argues that his current support payments adequately cover his children's needs and seeks an additional amount to maintain their lifestyle.
• Pat Riley counters by questioning the necessity of the extra funds, suggesting that Butler's income sufficiently meets the children's requirements.
• The hosts debate the ethical and practical aspects of child support in high-income situations, highlighting the balance between parental responsibility and maintaining children's quality of life.

---

4. Music Industry Insights: R. Kelly, AI in Music, and Eminem Leaks ([184:52] - [214:59])

Overview: The hosts delve into various topics within the music industry, including the controversial legacy of R. Kelly, the integration of AI in music production, and recent leaks of Eminem's work. The conversation also touches on the challenges faced by artists in maintaining authenticity and integrity.

Notable Quotes:

• Mark ([217:27]): "R. Kelly was directly harming people while we were funding his music. That's why I can't support him anymore."
• Joe Budden ([220:18]): "R. Kelly is one of the greatest music discographies to exist, but his actions cannot be ignored."

Key Points:

• The ethical dilemma of supporting artists with controversial backgrounds is discussed, with a focus on R. Kelly's detrimental impact despite his musical contributions.
• The potential and pitfalls of AI in music are explored, emphasizing how technology can both enhance and dilute the artist’s original voice.
• Concerns about leaks and unauthorized sharing of music highlight the industry's struggle with intellectual property and artist control.

---

5. Relationship Dynamics and "Dude Code" ([237:00] - [251:00])

Overview: The episode centers on the concept of "Dude Code," discussing the unwritten rules among men regarding loyalty, respect, and handling disputes. The hosts examine real-life scenarios where these codes are tested, emphasizing the importance of maintaining integrity and avoiding unnecessary conflicts.

Notable Quotes:

• Joe Budden ([267:07]): "If you know I'm cheating, you should say it at any point, period. The dudes know what the code is."
• Savon ([278:11]): "If you have to rat, you broke the code."

Key Points:

• The hosts debate the applicability and relevance of "Dude Code" in today's society, questioning whether all men adhere to these principles consistently.
• Scenarios involving potential betrayals and the importance of confronting issues directly rather than engaging in public disputes are discussed.
• The conversation underscores the challenges of balancing personal integrity with the complexities of modern relationships and social expectations.

---

6. Sports and Celebrity Interactions ([251:00] - [289:00])

Overview: The dialogue shifts to sports, citing interactions between celebrities and athletes. Topics include LeBron James, Drake, and high-profile contract negotiations, highlighting the intersection of sports, entertainment, and personal relationships.

Notable Quotes:

• Mark ([276:09]): "He wants a two-year, $60 million extension per year. I don't think teams can afford that."
• Joe Budden ([242:11]): "Why am I not at the Hip Hop Awards? Why am I not at the after party?"

Key Points:

• The hosts analyze the feasibility and ethics of exorbitant contract demands in sports, using Jimmy Butler's situation as a case study.
• Discussions about the influence of personal relationships on professional decisions emphasize the blurred lines between private and public life.
• The impact of celebrity actions on their careers and legacies is examined, with particular attention to how public disputes can shape perceptions.

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7. Closing Remarks and Advertisements ([289:00] - End)

Overview: The episode concludes with light-hearted banter, reflections on past discussions, and mentions of upcoming events. The hosts also promote Prize Picks, encouraging listeners to use a promo code for participation.

Notable Quotes:

• Joe Budden ([295:25]): "Don’t miss out on the best place to win real cash while you are watching the playoffs."
• Mel ([295:27]): "Shout out to all the happy couples out there."

Key Points:

• The hosts recap some of the episode’s highlights, reiterating their support for various causes and individuals.
• Promotional segments seamlessly integrate into the conversation, maintaining the podcast's engaging and informal tone.
• Final interactions among the hosts showcase their camaraderie and the dynamic chemistry that defines the show.

---

Conclusion

Episode 791 of The Joe Budden Podcast, titled "Dude Code," offers a multifaceted discussion encompassing nightlife experiences, the evolving nature of journalism, ethical dilemmas in child support, controversies within the music industry, and the complexities of male relationships. Through engaging dialogues and insightful exchanges, the hosts navigate the intricate balance between personal integrity and public persona, all while maintaining the show's signature blend of humor and candidness.

---

Disclaimer: The thoughts, views, and opinions expressed in this podcast are for entertainment purposes only and do not reflect the actual views of any individuals mentioned.

Transcript

[Joe Budden]

The thoughts, views and opinions expressed by this podcast whose bullets its hosts offer entertainment purposes only. I repeat, it is not serious. It is not real. No one is exposing, revealing, indicting, or telling you anything about themselves. Also, we do not encourage you to try this at home. We are trained professionals who do not have your best interests at heart or our own. Enjoy the show. Turn this off.

[Ish]

No.

[Joe Budden]

I did ask, first of all, you. You in a great mood.

[Mel]

Amazing move.

[Joe Budden]

Lord woke us all up this morning, allowed us to meet today. Could not be happier. Yeah. Or somebody. Or whoever. Corey.

[Ish]

The universe.

[Joe Budden]

Even though the scientists now. Let me just tell you, Corey. And then I'm not talking to you no more for the rest of the day. The scientists are saying that the universe they believe to now have a start point. And if it has a start point, then that proves that something started it. Yeah. And that something would have to be. They did all that. Spiritual, transcendent, able. They did all of that.

[Mel]

Is you a non believer?

[Joe Budden]

Is you don't believe in God?

[Mel]

I knew you was an atheist. I knew it.

[Joe Budden]

Do you believe in God?

[Ish]

Of course I believe in God.

[Joe Budden]

But you one of them niggas that get around like your friends that believe in something else and still argue for that side, like, nah, I can see how it ain't a God. Oh, he's a cosplayer now. My man told me that he prayed one time. Nothing happened.

[Mark]

I forgot.

[Mel]

It's with the church. As a kid. I forgot. You know what I'm saying?

[Joe Budden]

Them Virginia churches, nigga, them was always.

[Mel]

Preaching fresh out of slavery, nigga.

[Joe Budden]

Those were the slavery churches with the pitchforks, fam. The KKK church.

[Ish]

First off, I went to church in New Jersey.

[Joe Budden]

No, you didn't. You went to church in Virginia with the assembly.

[Mel]

I know that church.

[Joe Budden]

You know the church. All right, line him up, boys. You stole something. Ain't cut your hand off. He went to one of them churches.

[Mark]

Nope.

[Ish]

The past.

[Joe Budden]

The other pastor. Different communion boy. Black blood drinking black. That's your man drinking black.

[Mark]

That's your blood.

[Joe Budden]

I'm in a good mood today.

[Ish]

Me, too.

[Joe Budden]

Just letting y'all know I got a whole lot of sleep this weekend. Sleep like you would think somebody is. But, nah, we thugging still. We still thugging.

[Mark]

You know what I mean?

[Ish]

You had clothes on while you were sleeping.

[Joe Budden]

I'm here dressed. Yes. All right, cool. But I didn't learn. I lied.

[Ish]

I lied.

[Joe Budden]

If I do it again. You just got me. You got me.

[Mark]

I'm calling Kat. Man, you say you got a lot of Sleep.

[Joe Budden]

I got a lot of sleep, man.

[Mark]

I was on Instagram, and it was about midnight. No, it was maybe one or two. I'm home. My wife's out of the country for the week.

[Ish]

Oh, so you was home.

[Parks]

That's nice.

[Joe Budden]

Go you.

[Ish]

You was home.

[Mark]

Go me. No, the point is, I was on Instagram. And you weren't asleep. And you weren't asleep, and Imani wasn't asleep. Y'all were at the Shaky Butt, the one strip club. Y'all don't call them that around here in Jersey.

[Ish]

No, no.

[Mark]

The Shaky Butt.

[Parks]

No, The Shaky Butt.

[Ish]

I would implore you not to do that.

[Joe Budden]

Don't do that. That was my first time ever hearing the Shaky Butt. The Shaky Butt.

[Mark]

Well, you know, you learn something new.

[Joe Budden]

We was at the Shaky Butt.

[Mel]

Not yesterday.

[Mark]

I didn't say it was yesterday.

[Joe Budden]

The other day, I had the con, Flip, to coming out. I don't know if I'm opening with Daddy. Your Parks was out of town. He was gonna meet us. Yeah, he was handling some bi.

[Parks]

I want to see Flip throw some bread, man.

[Mark]

No, you don't.

[Parks]

Why?

[Mark]

I saw that. I saw that.

[Parks]

It wasn't good for him.

[Mark]

It was giving.

[Ish]

You gotta go out a couple more times.

[Mark]

Yeah.

[Mel]

You know what?

[Parks]

It's in the wrist.

[Mel]

At the end of the day, you guys are haters. That's number one. Number two, I haven't been in the strip club or through money in a long time, so I forgot the format and how you.

[Mark]

It looked like your first time.

[Parks]

You just cash. You just cash.

[Mark]

That's your first time in strip club? Your first time throwing the money?

[Mel]

No, no, no, no. I mean, when I walked in there, you know, I'm. I'm. They know me. I'm flipping. Oh, happy to see me? You actually, man. But it's. I just really happy to see him.

[Parks]

He asked me to ask you.

[Joe Budden]

Flip knew a lot of people outside, which shocked me, because when people don't come outside, I from the rip assume it's cause they're afraid of what might happen to them. So Flip don't go outside. So I just thought that he was fearful of his life. But he came out, and once. Smalls, he with me.

[Parks]

Oh, he was safe.

[Joe Budden]

Smalls, he with me, man. Don't do that.

[Mel]

Smalls did ask.

[Joe Budden]

Smalls say, yo, is he with you?

[Mel]

And then Smalls gave me a hug and cracked the jokes.

[Joe Budden]

No, you knew Smalls. I was like, oh, shit. He knew Smalls. Then you knew the streaming nigga that pressed me. You knew some of Them gang members shout out to Tyler, you pressed me. The streamer dudes think gonna you up. They want to catch me on that stream. Fabio, foreign them smoke up. No smoke all in them faces. They didn't love you Shout out to Tyler, I gotta piece it up with the streamers. I do. Yo, if you're watching this and you're streaming, actually, you're not. Cause all you do is stream. Y'all don't know no world outside of streaming. Shout out to y'all, though. We gonna piece it up.

[Parks]

Now he was outside, so he knew some world.

[Joe Budden]

So Flip knew the little gang member dudes. Crypto dude was there. Blew a nice. Yeah, blew a nice 75.

[Mel]

He blew a nice diarrhea watching him throw. No, I didn't have five in front of Flip. Those crypto dudes are a little bit disrespectful. They don't throw money regular. They beat the girls with the money. And I was watching it.

[Mark]

Getting hit in the head.

[Joe Budden]

Wow.

[Mel]

Just taking. Wow. I said, yo, look at her just taking it.

[Joe Budden]

Hey, somebody want to throw 75 grand on me, I'll take it.

[Ish]

You want to throw.

[Mel]

I said, look at her face.

[Joe Budden]

Look at her face.

[Mel]

Joe, she don't like that. Joe said, that's not true. She got hit in the head. She hit her. So I hit her with the knot.

[Joe Budden]

So after a few hours, Flip did get a. He got some money.

[Mel]

Okay, I got a stack.

[Parks]

Yeah, cool stack.

[Joe Budden]

He got some money. Amani came in. Biggie Smalls hypnotized. Yeah, he Biggy Smalls hypnotized. Immediately that. No money, just blowing, just running his mouth. Hypnotized, gazing. Gazing in the eyes. I remember that. I used to work in Cindy's. Yo, shout out to my Jersey Cinderella Man. Cindy's little dollhouse action back in the day, though, before all the murders.

[Ish]

Doll house still open.

[Mel]

I know.

[Joe Budden]

I'm blown away by that, too, by the way.

[Ish]

Still open.

[Mel]

Yo, Imani, a different. When it comes to certain individuals in the club, the. He was in a. He was in a trans. Like he.

[Parks]

He was what?

[Mel]

Like he was.

[Mark]

I think you mean trans. Oh, I thought he said a train.

[Ish]

Let's be very clear.

[Joe Budden]

He was into trans.

[Mark]

What club y'all went to?

[Joe Budden]

He got bored of.

[Ish]

Nuts. Yo, yo, he was in a train.

[Joe Budden]

Y'all are crazy.

[Mel]

And then the crypto threw money. And once he hit Imani in the face with the bread, and Imani got out the truck.

[Joe Budden]

Wait, wait, wait, wait, wait.

[Mark]

Hold on, hold on, hold.

[Mel]

You know what I like about Joe, the money was falling on us. And I'm watching Joe. Joe just cool. Cause he understands the game, not me, nigga. The money started hitting me. I started getting up, getting uncomfortable, putting my hands in my pocket, walking in the circle.

[Parks]

You ain't shake something.

[Mel]

Nah, they just throwing. They just disrespectful. They just throwing money. But when Imani came and he was in his zone, the money hit him.

[Joe Budden]

Wow.

[Mel]

Woke him up, he thought. He said, yo, it hit me again. He threw it again, but not on purpose. But they throwing it at the women that's in the area, and it's hitting us.

[Ish]

So N was throwing that money on y'all.

[Mark]

I ain't gonna lie. I ain't gonna lie.

[Mel]

I felt the way, but it was raining on y'all. The nigga came after.

[Parks]

Did you pick any up?

[Mel]

The came after might have been for you. The nigga came after and whispered to Joe and said, yo, you know, I fuck. We fuck with you over here. We fuck with you, nigga. Like you up with us.

[Parks]

Oh, are you down with the crypto, bro?

[Mel]

I ain't like that shit at all.

[Joe Budden]

No, no. I'm disrespected outside, man. Yeah, they did say that they love me outside.

[Mel]

You know, we fuck with you, Joe. But they ain't. They walk right past me.

[Mark]

The.

[Mel]

They ain't with the bread. They ain't care.

[Joe Budden]

I get love outside. It's only on the Internet, where I. What are you? Bestiality and all this other type? Only on the Internet do these crazy things get said, man. But I'm in a good mood.

[Mark]

I'm sorry, Just one more thing. I brought this up not just to reflect on your field trip, but to point out that I didn't get an invite. That was the point. I was home without an invite. I would have liked an. I would like an invite.

[Ish]

Would you wait?

[Mark]

It's not. You focus on the wrong part.

[Ish]

Come on.

[Mark]

Probably not.

[Parks]

What did he say in the group chat before? Oh, that sounds dope, but I'm not going.

[Ish]

I'm not going, though.

[Mark]

I said, where's it at?

[Ish]

Yeah, where's it at?

[Parks]

I'm not going, but.

[Mark]

But I might have went the next week. That was the Girls Love karaoke joint.

[Joe Budden]

Mark, just so we're clear, I never would think to invite you to the strip club. Like, I think that your wife has, like, a really short leash on you.

[Mark]

Oh, shit, no. I'm allowed to.

[Ish]

I'm coming in.

[Joe Budden]

I'm coming in and telling the truth today about what? I think you Walk out the door at 12:45am of what house?

[Ish]

I didn't.

[Joe Budden]

Just don't see that when I picture you.

[Mark]

You know what? You know what? Withdrawing. You're on it.

[Ish]

Nah, nah, I know what you gotta do. There you go.

[Mark]

But if I was already out, I would stay.

[Ish]

I was about to say. That's the ish. I was about to give you the ish. I'll leave the house at 11. Nah, nah, the pie ran late, man.

[Joe Budden]

5Pm Just dressed for the night.

[Mel]

He weigh that Wawa in the parking lot. It's about 8:30 now.

[Ish]

Yeah, yeah, now you gotta leave the house at 11. Yo, I can't walk out my house at 12:45.

[Mark]

Oh, no.

[Ish]

I gotta leave the house at 11.

[Mel]

You got a formula to how you leave the house, bro? Like, I get it.

[Joe Budden]

He wear the trench coat to hide his little outfit. He wear the Burberry trench.

[Mel]

That's why coffee is your excuse. Yo, I'm going to Wawa to get a coffee. You know, that's your. You go there, you stay.

[Ish]

I got an espresso in my house. It's the. It's the. The P.O. box.

[Mel]

Oh, yeah, yeah.

[Joe Budden]

The hoodie store. The P.O.

[Mel]

Box.

[Joe Budden]

One of my workers car broke down on. On the highway or the house.

[Ish]

I got to go check on the house.

[Joe Budden]

Got to go check on one of.

[Mel]

These and your PO Box. Be near the.

[Joe Budden]

It's right by lookers.

[Ish]

The PO Box is by lookers.

[Joe Budden]

Right by lookers.

[Mark]

The PO Boxes.

[Joe Budden]

I'm still not off of Shaky Nuts either. He stepped on it. Shaky Nuts, they going to get you.

[Mark]

We got a good laugh at that for another five minutes.

[Joe Budden]

Oh, man. Big mail.

[Savon]

Hootie Hoo.

[Joe Budden]

Yep.

[Mel]

Working out here, moving and shaking.

[Joe Budden]

That's it. That's all the attention you get from me.

[Mel]

Never quit, don't stop believing Journey, nigga.

[Mark]

I'm on your.

[Mel]

Yo, I'm proud of you, nigga.

[Mark]

Thank you.

[Mel]

We.

[Mark]

I doubted you.

[Mel]

I was the first one.

[Ish]

Yo, get out of here.

[Mel]

Pack it up. She jumped on her audio up packet. You came like Queen Sheba corrected me.

[Savon]

Yeah, yeah.

[Ish]

See, that meet and greet match is correct.

[Joe Budden]

There you go. See, not just correct.

[Mel]

Hey, pack me up.

[Joe Budden]

No, no, see, she being nice. Come on, get in your bag. Smoking on.

[Ish]

Smoking on that improper.

[Joe Budden]

Smoking on that improper. Get that shit off. All the shit he did to you.

[Savon]

No, no.

[Mel]

And the meet and greet. The nigga smoke, so pass him look. Pass him a blunt look.

[Joe Budden]

So much grace. So much grace in class.

[Savon]

You lucky, boy. Always lucky.

[Joe Budden]

She got grace in Class.

[Mel]

I ain't gonna lie to you.

[Joe Budden]

You ain't gonna. Smoking on that H. Smoking on that la. Yeah, what's up? Stop jbn. Yeah. All right, listen. I'm in a great, great, great mood today. I have no idea why. I think my BM is getting too comfortable with me, too.

[Mel]

Yahoo.

[Joe Budden]

My baby moms I need.

[Savon]

Isn't that a good thing?

[Joe Budden]

Yeah.

[Ish]

I'm about to say. What's the problem with that?

[Joe Budden]

I mean, it is a good thing. I mean, she texts me over the weekend. Hey. Running to the mall just in Ken. Buying some new clothes. If you want to send something over. So I sent something over naturally. Yeah. You gotta stop that. As a baby dad, though, you can't do things you would naturally do. Cause it's a trick. Cause I wanted to send a text.

[Ish]

But I didn't just say, hey, big dog. Ain't that supposed to be.

[Joe Budden]

Ain't that, like one of the things in the. When you do the monthly. The shit. Ain't that included?

[Mark]

But you can't say that.

[Joe Budden]

You can't say that. So I didn't say it. I backed up out of there. I just got about.

[Mel]

You just sent it.

[Joe Budden]

I just sent it. Just sent it. Look at y'all. Y'all. They so stupid. But ain't it.

[Mel]

It is supposed to be included.

[Savon]

Yes, I would think so. Yeah.

[Joe Budden]

Yo, I'm gonna ask y'all later about Jimmy Butler and the $55,000 child support increase and how y'all feel about it. So even if y'all run away from this, it's coming. I'm. It's coming back. It's definitely coming back. All right. I was going to start with some Jam. Jam and Kim with some. With some Cam and Jim, but too close to home. Too close. Too close. And my heart is heavy. My heart is heavy over this. All right, who's ready to go?

[Mel]

We are.

[Joe Budden]

Why the fuck not? Big Mel.

[Ish]

Live your life, girl.

[Joe Budden]

Mic check, mic check, 1, 2, 1, 2. Mic check, mic check, 1, 2,. 1, 2, 1, 2, 2.

[Ish]

Yummy.

[Joe Budden]

So happy to be here with y'all. So happy y'all are here with me. Let's go. Shout out to all the happy couples out there. Lot of y'all popping out, revealing your significant others. And baby, y'all popping out with the babies.

[Ish]

A lot of babies.

[Joe Budden]

Lot of pregnancies out there. Shout out to y'all. All the happy couples. All the miserable couples. Couples, wherever you might be listening from.

[Mark]

Wait a minute.

[Joe Budden]

Hey, everybody. Who could walk out the house past midnight? Ya mean?

[Ish]

Huh?

[Joe Budden]

Shout out to y'all.

[Ish]

Shout out to y'all.

[Joe Budden]

Shout out to the hey, listeners. All the subgroups out everything. All the dope boys and the dope girls out there.

[Mark]

Yeah.

[Joe Budden]

All the streaming out there. What's good, what's good?

[Mark]

Always for the ladies, always for the Brooklyn. What's good? You know they want to take a nigga picture.

[Ish]

Delaware be more to Carolina Parlay.

[Mark]

Stay with you for now, Jigga.

[Ish]

Have a done dirty in a while.

[Mark]

You know my st on these streets for real. Detroit, what's going on out there?

[Parks]

What up.

[Joe Budden]

Dallas? Dallas, Dallas too now.

[Mark]

What up?

[Joe Budden]

Y'all good? Y'all good. Y'all good. Y'all good, Good, good.

[Mark]

The Carolinas, San Diego, San Fran. Look, I used to speed obsessive this Jay Z, man.

[Savon]

Sometimes you guys are funny.

[Mark]

I don't know to tell the truth. Yes, sir.

[Joe Budden]

Shout out to all the children listening.

[Mark]

To everybody in school, everybody in college. Lord, I pray you forgive Everybody on vacation out there. Everybody. Get to it, get to it. Most cases when the blazer won't miss, you case the point, make bullshit an issue. I see it to the end. My writing so personal, my heart bleeding through the bend. Make no mistake about me. There's only one nigga living. I got half a kick about me. I got love. I can kill a friend over fam, not drugs and vet me. Few people understand that love. You make a nigga die bleeding, it's nothing. You make a motherfucker die breathing. And you're saying something. Yeah.

[Joe Budden]

Podcasters out there, entrepreneurs out there. Nine to five is out there.

[Mel]

You're walking in depression.

[Joe Budden]

Yes, sir. Yes, sir. Voice nice and well rested, huh? Sounding like I got a good 82 in the tuck. Play with him if you want out there. Keep this applause going for the best.

[Mark]

Gas in the world.

[Joe Budden]

Neutral button. One of the largest podcast in the world. Not just urban. Not just urban.

[Ish]

Not just urban.

[Joe Budden]

We number one over there, but I want to bang with the whites. Yeah, I mean, we number one over there, but get me in the mix with the rest of them. Yes, sir.

[Mark]

As part.

[Ish]

What's that.

[Savon]

Look, I got small hands, a soft mouth. Okay, I'm doing just mccoll.

[Joe Budden]

And that is not Mel's drop. That's not Mel's drop. But I am going to have fun for at least two weeks with the button. I am. And flip and Mark, Mark, Mark, Mark. What episode is this?

[Parks]

791.

[Joe Budden]

Welcome to episode 791 of the JOE Button Podcast, brought to you by Feud by Powered by Prize Picks. Prize Picks, gang. You. I'm your humble, grateful, gracious, happy to be here. And fully dressed host Joe Button here with a few really amazing people to my right. Come on, man. Huh?

[Parks]

That didn't sound quite.

[Joe Budden]

Yeah. Big Mel, huh? Legend in this is they talking about. I don't know, another legend out there. Queen split. Queens get the money, huh? All star lineup.

[Mark]

Big ish.

[Joe Budden]

Why is this in Irvington? Come on, man, stop playing with us. Stop playing with us out here, huh? Scholar that got shot.

[Ish]

Yeah, Dual lives.

[Joe Budden]

He's like the Jackal himself. Freeze. The freeziest. Y'all know him, man Tormented you out there with some tweets, you ass, back in the day. Ask around. Ask around, huh? Mr. PhD himself, huh? Stop playing with him. Stop playing with Big Mark Lamar Hill, huh? Took a stand on CNN for us. I don't know about it. Sometimes all that black rapping, it hurts. He bugged. He bugged out with that. Just got the gig, too. Just got. Just got that. But listen, God works in mysterious ways. As part of bringing you right here back. Back home.

[Mark]

That's it.

[Joe Budden]

Back home with your people. God damn it. Mark Lamar Hill. Dr. Is in the house. Parks Elm's finest is here. Poe is here. Corey is here. Erickson is here. Ian is here. Keeb is here. Savon and Tanner are here by remote.

[Parks]

Happy day, Savon.

[Joe Budden]

Nobody got fired. We didn't downsize. Looking. Looking to add. Looking to add some ensemble cast members. I mean, everybody's here. No trouble in sight. Gorgeous outside, actually. No mysteries. What you want me to do? What do you want me to do? Hey, invest in the business, man. Gotta invest in the business. How's everybody doing? How's everybody feeling? What's going on in your mind, hearts, your souls, your spirits? Talk to me. Talk to me.

[Savon]

Feeling good?

[Joe Budden]

What's poppin?

[Mel]

Feeling great.

[Parks]

Everything's great.

[Joe Budden]

Last looks, Last looks. Lint, brushes, lip balm.

[Ish]

Oh, last look.

[Joe Budden]

All that shit that y'all like to do. You know what I mean?

[Mark]

Last look.

[Parks]

I was just waiting to say. Take that Steeler shit off. Season's over, bro.

[Mark]

Yeah, you.

[Ish]

Yeah, I lost the bet. Oh, that was. Oh, that was your last?

[Joe Budden]

Oh.

[Parks]

Wow, man, you had the purple toes to match. Oh, my God.

[Ish]

Put the hat on.

[Joe Budden]

Ice is changing outfit.

[Parks]

Oh, my God, you said so.

[Joe Budden]

Yo, you look so funny in Raven's merchandise.

[Ish]

I'm a man of my word, man.

[Joe Budden]

Who you bet with?

[Ish]

My cousin Andrew. Big Ravens fan. He was like, yo, you know, what was he.

[Mark]

What, was you gonna win some bread with the Kickstarter?

[Ish]

He didn't even want the bread. He was just like, yo, you gotta go in there and wear the raven shit. Whole pot.

[Parks]

Holy purple on the toes.

[Joe Budden]

That looks crazy on you.

[Ish]

It looked crazy buying it.

[Parks]

Oh, that's sick.

[Ish]

I was sick in the store.

[Parks]

You went to Liz.

[Savon]

You're gonna take it back.

[Ish]

I was sick in the store.

[Joe Budden]

A bet is a bet.

[Ish]

A bet is a bet.

[Parks]

A bet is a bet.

[Joe Budden]

A bet is a bet. Man, what's poppin? What's poppin'mel? Glad to have you back.

[Savon]

Thank you. Thank you very much.

[Joe Budden]

How was your weekend? How was everybody's weekend, man?

[Savon]

Mine was fabulous.

[Ish]

Mine was good. Y'all know I spoke about what was going on. My grandmother asked for the prayers and stuff. She had a setback, but as of this morning, she's doing better, so.

[Parks]

Good.

[Mel]

Shout out to Grandma, happy weekend.

[Mark]

Yeah, that's great news.

[Parks]

Good deal.

[Joe Budden]

I ain't gonna say nothing about Aunt Phyllis funeral. Nope.

[Savon]

Would you like us to ask?

[Joe Budden]

Nope.

[Savon]

Okay.

[Ish]

No, I ain't asking.

[Joe Budden]

Rest in peace to Aunt Phyllis. Shout to my family, woke up Saturday morning, attended services, and that's all you get from me.

[Ish]

I know what that means.

[Mel]

Yeah, you was watching people in the past.

[Ish]

I know what that means.

[Joe Budden]

Nope.

[Ish]

You went. You went.

[Joe Budden]

Physically, yes.

[Ish]

Okay.

[Joe Budden]

I didn't say nothing to nobody in my family about it neither, but maybe my mom, so rest in peace. That further tells me what it means.

[Ish]

Was it one of them things where.

[Joe Budden]

I think Aunt Janice put it together? I don't know.

[Ish]

Look, let me ask. Let me ask you. Let me ask you. Was it one of the things where you looked at your mom and y'all was on the same page without saying no words?

[Joe Budden]

Well, no, because my mom was seated inside.

[Parks]

Excuse me.

[Savon]

So where were you in the car?

[Mark]

They didn't let you in?

[Ish]

No, I get it. I get it.

[Joe Budden]

Please don't ask me on the property. I get it.

[Mark]

Yeah.

[Mel]

What happened to the funeral, bro? You're not a man that's late, neither.

[Joe Budden]

We sent one of my favorite aunts off with a blast, man. Shout out to Aunt Phyllis.

[Parks]

That's all it matters.

[Mel]

Rest in peace.

[Joe Budden]

We had a blast. Happy home going. They went out and ate. They. They did it. They did it. Wow.

[Ish]

Okay, I'll do it, though.

[Joe Budden]

No, no, no, no. I'm telling you, I'm in a good mood.

[Ish]

What we doing? What we doing?

[Joe Budden]

What we doing? What we doing? Where you want to start? Where you want to go? Anywhere in the world? What we got? What we got? What we got? Want to give Me a take, give me a take, give me a take, give me a topic, Topic take, take take.

[Mark]

How you feel?

[Joe Budden]

How you feel, how you feel? Topic take take, Bold take, Bold take.

[Ish]

Hey, what we got? What we got? We'll start with Cam and Jim.

[Mark]

Got to.

[Joe Budden]

I mean, nah, I don't want to, but.

[Ish]

But yeah, we kind of have to.

[Joe Budden]

No, we do have to. Cam and Jim.

[Savon]

It's heating up.

[Joe Budden]

So Monday came and everybody was waiting for Monday. Correct. Cause before you say a word, I. I do got it. I'm shouting out Cam for the return. That's how. That is how you return. He.

[Ish]

It was over the plate for him.

[Joe Budden]

That thing was 300, 300,000 views in two hours. That thing was moving like hotcakes. We as a people love a mess. I know that. We don't never want to say that. We love to see a mess. Boy, do them numbers jump when it's a God damn mess outside. So, yeah, but then he doubled back. He got Elliot on episode two.

[Parks]

Listen to that today.

[Joe Budden]

Which. Yeah, which I, you. You commend for being able to invite people that you had smoke with or that had smoke with you or negative things to say about you on your show. That is respect. That is a skill that means you put in the gig first. So before we get into anything, I do want to shout him out. That's how you return the show. He's doing it. Elliot.

[Parks]

He walked it all back.

[Joe Budden]

Of course he walked it back with Savon, which is up. We love a mess. What he said on that other show down the dial took off. The cleanup was on Savon show and that's family, but didn't get the same traction. So I'm glad that he was able to go on Cam shit and clean it up. Elliot. Yeah, for 20, 25. Stop that. Take Elliott. That's a bad.

[Parks]

I really like the retort of I wrote too. I was a rapper. Yeah, that was great.

[Savon]

To me, Elliot was a rapper.

[Joe Budden]

No, no, Cam, man, please go to Starbucks. Please, please go Starbucks and get a hot apple cider for me.

[Parks]

Elliot's thing is usually like, I'm a journalist. I'm a journalist. I've been writing. I've been telling stories, blah, blah, blah, blah. These rappers, athletes, so and forth, so forth are not.

[Savon]

Got it. I understand.

[Parks]

But Cam's retort was, I wrote too, since I was nine years old. It wasn't in the same format, but I'm a writer too.

[Ish]

Still was writing.

[Mark]

I understood.

[Joe Budden]

I mean, and he told him people don't give a fuck about all of that writing shit today is personality based. If you out there chasing a guest, then you already lose.

[Ish]

Yeah, that is a fact.

[Joe Budden]

Like he was honest with him. Nothing that I haven't already told Elliott a million times, but whatever.

[Mark]

Elliot wasn't all the way wrong though, either.

[Joe Budden]

In what?

[Mark]

He was like 90. He was 90% wrong.

[Ish]

He was dinosaur wrong.

[Joe Budden]

He was all the way wrong.

[Ish]

What's his 10% that he was right?

[Mark]

He didn't say it well. Cause he was all the things on that show. But I think what's missing is when you are a journalist and then you open up the space to everybody who's not journalist. I'm fine with that. I don't care. But it can be confused and people can start to think that that other thing is journalism. And the danger of that is two things. One, it changes your expectations. Like every time Shannon Sharpe interviews somebody and people get mad at what he didn't ask and what he didn't do. It's like, he's not a journalist. He's like, that's not what I do. Don't expect that of me. But to me, it also gives the guests an out. Cause now they go to the places where they don't actually have to confront a journalist. Politicians do it all the time. They go on these shows, they aren't gonna ask them real questions because they don't have to. So that's the audience thing. The second thing for me is, you know what? I'll leave it there for me. That's the big issue.

[Joe Budden]

I got a problem with your very first sentence. And then I'll toss it right to you.

[Ish]

Because in real journalism, that doesn't take place either. It's very, very few platforms nationwide where the tough questions are asked. And that's in any forum, in any genre of journalism. Yeah, but we barely ask questions, though. It's not unique journalism anymore. This ain't the sick. I don't even think it was happening back then.

[Mark]

But it's not just about the tough question. It's also about the preparation that goes into it. It's about knowing the story, reading the story, being informed on the story.

[Mel]

Those are things.

[Ish]

Yeah, but a lot of times you got these folks that are coming in and say, yo, we're not talking about this, we're not talking about this. We're not talking about this, we're not talking about that. And all your preparation, you was prepared to ask them about abcd and they tell you, we can't touch this. And since when has Journal either? We touch It. Or. Or we're not doing it. If you try to touch him, we're not doing an interview.

[Mark]

I feel you again.

[Ish]

What's happened is these acts have taken the power back to themselves. That's true. See, that's really what it is.

[Mark]

And I'm okay with that.

[Joe Budden]

But that's where my issue is with his first sentence, which was. And then you open this up to. No, nobody opened this up to these personalities. Nobody just created. And probably if they had the choice, Elliot might not have clearly by how he feels about things. But you didn't open it up. We. It's such a. It's such a. The illusion of some type of control that you have.

[Ish]

That's true.

[Joe Budden]

Right. We didn't. The next generation after the Ponds, there's the streamers, after the journalists, there's the personalities. We needed the Stuart Scotts to run up in the companies and teach them what some sauce.

[Ish]

The bridge looked like.

[Joe Budden]

It's a bridge one and two. Once the birth of the iPhone got here. Yeah, we're doing it ourselves now. So the journalists needed a publication or a publisher or some type of platform. It's the personalities that took this shit in our own hands and was like.

[Parks]

Well, that's not entirely true. Journalists today.

[Joe Budden]

Yeah.

[Parks]

Journalists can do the same thing, different outlets.

[Mark]

They can use the same protocols today.

[Joe Budden]

Because we all have the same rights. But I'm talking about the chain of command that we grew up in, which was. Cause that's what Elliot talks about and that's what Elliot made his heyday xxl, the sauce.

[Ish]

But I think it's almost. Let me word this right. I think it's almost a jealousy thing. Because what happens is a lot of journalists were behind closed doors and a lot of them niggas got the personality of a wet mop. And so when you get this athlete or when you get this rapper or you get this other individual that didn't come from a journalistic background, they didn't have formal training in journalism. But when they get on that. That microphone, I. E. Joe, and get to going. It gets to going.

[Joe Budden]

Yeah.

[Ish]

So now you putting these. It's more sauce out of a job.

[Joe Budden]

It's more sauce in the chili.

[Ish]

Because I can learn it. I can learn the stats. Gilbert Arenas can learn the stats. You know what I'm saying? But you can't take some of these journalists, sports journalists, and give them what he got.

[Joe Budden]

When you journalists was there, we had to taste the ground beef. We had to. It just tastes like journalists. It just tastes. It tastes like that's my problem with listening to Torre talk about Kendrick and fucking Drake. Not that he shouldn't. Not that he don't have a really valid journalist. Take an opinion. Journalist. Tory Torre.

[Parks]

Sort of a journalist personally.

[Joe Budden]

But I want to hear. Yeah, throw some sauce in the mix. Everybody got their own sauce. The podcasters, the personalities, the streamers, too. There's nothing wrong with the field having sauce.

[Mark]

But my issue is at this point, sometimes we act as if there's no value to journal, that basically anybody can do it. It's like thinking about iPhone. Everybody takes pictures now, and now we act like you don't actually need a photographer. There's something that a photographer can do that is a unique skill that no matter how many iPhones or high quality, powerful cameras we pull out, they can't do unless you're trained at it. And again, I'm not mad at all these people having platforms. I think they should. You know what I mean? I think they should. I think they should do it. I ain't got nothing bad to say about that. I'm just saying that sometimes in the midst of that, we lose the value of actual journalism. That's all I'm saying.

[Mel]

A lot of people like a lot of journalists.

[Ish]

I don't agree.

[Joe Budden]

I think that's a small sample size.

[Parks]

I think that we all.

[Mark]

Which is why I said 10% of what he said.

[Parks]

I think journalists, podcasters, media members and artists all scratch each other's backs. And if we just realize that and recognize that, we could all be cool, man.

[Ish]

I think the journalists used to. It was only them. Yeah. Like now they was the gatekeepers now. It was like you had to go and interview with this journalist because you're not being talked about in xxl. If you go sit with Elliot and let her talk to her now, we don't need you.

[Mark]

That's right. And that's a big part why they matter.

[Ish]

They opened up and now they could do this, they could do that. I could go over here, I could go here. I could upload and talk to myself. I could talk to whoever I want and still get it out there when.

[Joe Budden]

The gig needed to. Y'all lost your power. They call one. I want to see R. Kelly with Gayle King and not act.

[Mark]

But now R. Kelly don't gotta go to Gayle King because he can go to those other places that won't press him or won't do the research and don't have the resources or the interest to do that. They just don't care about it.

[Ish]

Why do you not? I don't necessarily think that that's true. I think that if somebody had somebody, if Kamala Harris would have came and sat down with us, I think everybody in their own right would have done as much research at home as possible to make that interview interesting and provocative. I don't think that we would have just sat here like so you kind of. And this is my thing. I never hear nobody disjournalist. I hear the journalists diss the other people. It's not the other way around. Nobody's jealous of the journalists. The journalists are jealous of the athletes or the rappers or the other people that have jumped into this particular medium. It's not the other.

[Parks]

Yeah, well, in fairness to journalists, they have fucking decimated, right? Print media especially.

[Ish]

I'm not disagreeing.

[Parks]

So they're defensive for.

[Joe Budden]

So go find a swaggy way to journal agreement.

[Mel]

Listen, anybody can go to school for journalism, but journalists that's trying to be content creators. Not everyone can be a content creator. Not everyone has that soul.

[Joe Budden]

So I can pick up disagree.

[Mel]

I can pick up right now and decide to go to school.

[Joe Budden]

You said you a hater.

[Savon]

You said you disagree.

[Mark]

Yeah, I disagree with the premise.

[Mel]

I could pick up right now and decide to go to school and be a journalist. But a journalist cannot come into the field and interview a nigga with the sauce and the swag. It don't mean you're gonna be a.

[Parks]

Good journalist, by the way.

[Mark]

But that's what I'm saying.

[Parks]

Journalism is still a creative platform. Just cause you say, hey, I want.

[Mark]

To get a journalist, don't mean you're.

[Parks]

Gonna be a fucking good journalist.

[Mel]

But I'm pretty sure, I'm pretty sure with my character and my uniqueness and originality, it would get more recognition than a journalist. That put the work in for over the years. But this time, this day and age.

[Joe Budden]

Somebody close us out. Because journalists are not important enough for the A block on this show.

[Mark]

Except that every story we talk about on this show is based on reporting, original reporting that somebody did, which is journalism. Journalism isn't just the interview. Journalism is actually breaking a story, creating a story, developing a story. So by the time you get to the newspaper, by the time we get on that board, everything on that board only exists because a journalist gets it.

[Ish]

That's not true.

[Joe Budden]

That's not true.

[Mark]

But not everything. I take a step back.

[Joe Budden]

I don't even think a lot of.

[Ish]

Things, a lot of that don't. Because we get to see it in real time now.

[Mark]

Hear me Out. Hear me out. Hear me out. I overstated that point. I concede that point.

[Ish]

Gotcha.

[Mark]

I don't want to stay in that minor point. Let's take the bigger point I'm making, which is that the news that we talk about in the world gets reported. You're saying anybody can be a journalist, but not everybody can be a content creator.

[Joe Budden]

True.

[Mark]

And I could say the opposite. I could say anybody can make content, but not everybody has the skills, the mind, the discipline, the research abilities to do journalism.

[Joe Budden]

I agree with.

[Mark]

You can learn, but the truth is in the middle. You could be a mediocre journalist or you could be a mediocre content creator. They both are legitimate skills. But again, the world has now shifted where it's like journalism is just that the facts and this is the real talent. And that's not true. That's what I'm saying.

[Joe Budden]

That may be true. I just can't identify with.

[Ish]

The demand for journalism is down.

[Savon]

That's a fact.

[Joe Budden]

I'm not mediocre. That's it.

[Ish]

People.

[Savon]

People have.

[Ish]

People don't want that no more.

[Savon]

People don't give a fuck about the tenets of journalism. It's objectivity, truthfulness and accuracy. People don't give a fuck. A lie can get halfway around the world before the truth gets its pants on and nobody fucking cares.

[Mel]

Would you be able to? Would you, Mel?

[Ish]

Would you?

[Mel]

And we not gonna.

[Joe Budden]

They're gonna say that I'm being a dick. But just somebody close us in closing.

[Savon]

Go ahead.

[Joe Budden]

I would like to talk about Kim and Jim.

[Ish]

Close it off.

[Mark]

Let's jump.

[Mel]

I was just gonna ask Mel, from her experience. Cause Mel is very intellectual when she reports on something.

[Joe Budden]

Right.

[Mel]

And when she talks about something. But Mel has also had to shift to be more of a content creator to get more people to see.

[Savon]

I'll just say this as an answer. I didn't go to school for journalism, but I have a lot of respect for that, for the craft of journalism. So I try to apply journalistic ethics when I do my interviews. But I never claim to be a journalist because I didn't go to school for it. I don't have the degree, but I really have like a large amount of respect for the ethics. And I try to adhere to them when I am in an interview.

[Joe Budden]

Got it.

[Savon]

And that's how I'll leave it.

[Mark]

I woke up this morning to Jim Jones. That snippet of Jim Jones's song, which was. It didn't get to the part where he was really getting at where he was Getting at Cam and Jim. Cam and Jim.

[Mel]

No, no. I mean, not cam. Cam in 50.

[Mark]

Cam and 50. Thank you. But I was like, okay, this is round two. I heard your last episode. We were kind of. Y'all were kind of debating whether there would even be a response and what the response would be. That's why I was trying to get y'all take on that. Like, how do you feel about Cam's response this morning when he really kind of broke down all the things personally?

[Ish]

Niggas knew a response was coming. Yeah, you know, a response. He's been telling you a response was coming. I think Cam took it light, honestly. I don't think he said anything that hasn't really already been said. I saw people talking about the Jim BMF story, but Jim told that story. You know, these things are information that's already out there. I think he did show some form of, yo, I'm gonna address this. I don't want to do this no more, and I'm done. But he didn't go as hard as we know Cam to go. And I think he. That was out of some. Some form of love still there.

[Joe Budden]

Well, he said it. He said, I noticed a pattern. When people are aggressive with you, it's peace. But people like me, who love you, you do this with. So he. He said that out of his mouth.

[Parks]

He did.

[Ish]

And we've seen this before. That's my thing. Like, we. We saw this back when Jim went up on Flex couple years ago. I don't know, seven, eight years, we saw this exact same thing. Cam uploaded a response and kind of said a lot of the same shit. A lot of the same exact shit. So again, it's just repeating certain points. I still don't like it. I just don't like it playing out like this. That's my thing.

[Joe Budden]

I don't like any of it. Let me preface anything I have to say in this conversation with I hate it. As a New Yorker, New Jersey, Same. Don't like it at all. I don't like it. And while he said some of these or most of these points before Cam, I feel like it's different because we continue to see y'all together. So we've seen y'all do the verses. We've seen y'all do the kith ad in Madison Square Garden. That was big for me. Dipset still is. Personifies New York. I'm sure Kiff felt the same way. So it's different after you see them. I think they were rumored to go on tour at one Point, I think that was the Locks tour. I might be freestyling. So for it to happen now after all of that is like, okay, what. What has. What's happened? What's going wrong? Maybe nothing. Maybe we just are able to work through tension.

[Ish]

That's what I take from it. Yeah, I think we not cool. We not cool. But we got business together.

[Mark]

And that's what they said.

[Ish]

I'm not gonna let it fuck the money up.

[Joe Budden]

Yeah.

[Mark]

They hadn't seen each other before the verses. And then they say we ain't talk after the verse.

[Ish]

I looked at the way Cam even promoted the verses. Jim and Juels was going hard for weeks. Not a peep from Cam until like, the day before or something. And he put the flyer up or something and said, yo, switch. The check cleared. No check. That's all he said. It was like, basically, this is business. I got paid. Here's my obligation to post. See y'all there, even there. I talked to some people that were at the Versus over there on that side with them. They was like, yo, we didn't know if Cam was coming. No, they said Cam was about to leave.

[Mel]

No, no, no. I was there. Cam came like. Nobody knew Cam was coming. The way. The direction he came. He came and went upstairs. They didn't see him. There was no communication between them. Them niggas. Cause Juelz and Capo was in the same dressing room by the exit. Nobody. Cam wasn't there. I think Cam was upstairs and nobody knew.

[Ish]

They was like, we don't even know if he gonna show. That was what I was told from folks.

[Mark]

And that Steve Stout thing. I mean, Cam was saying the whole time, like, he never wanted to do this. He always wanted to do a tour. It was always more lucrative. They wanted to do Versus. He wanted to do the tour. And they just decided he gave in after the check got right, which I understand.

[Ish]

Even in that they said that Cam was the reason that the check got right.

[Mark]

Right, right.

[Ish]

Jadakiss said, shout to Cam. They was going. They accepted a dollar amount. Cam did the negotiation for everybody. And they got a way bigger, bigger payday than what they was going to get originally. Even in that, Vince said they. Cam got all the money. Like, yo, we he in order to get him here. Hey, we. You take ours.

[Joe Budden]

Oh.

[Mark]

Oh, wow.

[Ish]

So it's like, this is just business. I don't with y'all. Y'all know I don't with y'all, but I'm not about. I'm about my money.

[Joe Budden]

I would just think I Didn't like hearing Cam belittle Dipset and not belittle, but to him, it was just like he minimized. Yo, this was from 01 to 08 09, and that was it. Like, that's it.

[Ish]

It's over.

[Joe Budden]

And I'm like, not as a New Yorker, bro. Not as a New Yorker. We see the after effects of what y'all did and what y'all built and how people feel about you. Part of a large part of why New York. Get to talk like New York is cause of Dipset.

[Ish]

That's a fact.

[Joe Budden]

So, yeah, it bothers me to hear from.

[Ish]

To see this from a fan standpoint.

[Joe Budden]

Yeah. But Gam is looking as a. He sounded hurt at whatever Jim said. He sounded hurt. Jim was like, yo, I came up with the pink. I came up with the aesthetic. But when he mentioned it, he was like, you built the whole everything. Now, if you took it like that, I understand Cam feeling away. If you took it like something I created, my man or anybody else is running around saying he's the sole person responsible for it or in large part responsible for it. You're gonna take offense. You're gonna take offense.

[Ish]

But we've seen, like, again, when Jim.

[Joe Budden]

Jim.

[Ish]

They tell a story of when Jim created Bird Gang. Cam go and trademarks it. Like, it's been moves here where it's like, I'm just about the business.

[Joe Budden]

Like, all of that's personal. I don't know. I don't want to get into nothing personal.

[Mel]

I agree.

[Joe Budden]

I'm. I'm a fan of the movement. This bothers me, all of that personal. Whatever's really going on between these niggas, I don't want to know.

[Ish]

I feel like we shouldn't. I don't even. I. I don't even like hearing it. I don't. If y'all got beef or whatever you want. I don't want to call it beef. If y'all have friction, static, whatever. I kind of want y'all to just be able to deal with that. I don't feel like the public should even hear this.

[Joe Budden]

I do think that shit. I do think Cam took it easy on him, But I also think that Jim kind of could predict that Cam would have a response and his name would get trending. Like, Jim been in this shit for a long time. He didn't just, by happening happenstance, sit with Justin La boy and give him all of this shit, right? I don't believe that. I believe if he gave him. Gave him what? He gave him, he knew what was coming and had a plan. His caption underneath the freestyle says, who am I to fuck this moment up or miss this moment? I got an album coming. I got a movie coming. Everything is coming. And I'm dropping something now. So. I mean, niggas ain't stupid out here now. As much as I hate to hear from it, boy, did I laugh at some of the shit Cam said. Now I'm laughing As a 44 year old man, so. So. Well, Cam is funny, but I wasn't laughing at Cam trying to be funny to Jim because I love them both. I'm not in that. I'm just laughing as like an adult at some of the shit Cam was saying. He said, yo, nigga, you're not. You're not from Harlem. He named four blocks. He named four to five blocks and said, we ain't see you nowhere.

[Mark]

I was like, okay, all of this, man.

[Joe Budden]

Wait, what else he said that was funny? He said some funny shit. Oh. He said when he went in his on his diatribe about all the people that Jim has pieced it up with. See, Cam was doing that to be funny. I think that's dope.

[Ish]

It is.

[Joe Budden]

Yeah.

[Mark]

And he said it was dope at the end.

[Joe Budden]

At the end he said that. But you know why? He said, I think it's dope to piece it up with people that you had friction with. Especially if niggas got to shooting over it. That's kind of fly to me. When he was telling his the Jim Jones origin story of. Yo, we was already outside. Me blushed, McGruff, yada, yada, yada. And we would see you and you would say, yo, y'all niggas is.

[Mel]

I got the free crib.

[Joe Budden]

Y'all niggas is hot right now. I hear what you're doing. Like you was a fan. I was like, okay. Gotta take his word on what happened. But what's wrong with that? Y'all was hot as fish grease if Jim is around. Yeah, yo, y'all killing. You wanna come through the free crib Like Jim as a hustler, has embodied that since. And Jim was in what mean the world to you, which is 98. Once you get to talking about Children of the Corn and all of that, that's for the heads.

[Mark]

Yeah, yeah, yeah.

[Joe Budden]

That's for the heads. But when you got your shot, Jim was next to you. And I have to assume that you saw value in it. Cause you kept him there. I hate to see him go. I just hate to see him do this.

[Mark]

Can we just add Though the comedic value was enhanced by Mace snickering in the background while eating popcorn.

[Joe Budden]

Hardcore.

[Mark]

That shit was amazing. That was the best part to me. Every time when he's like, you was in the ocean tasting water, all you hear is Mace laughing. That shit was perfect.

[Joe Budden]

Well, I don't have to. I don't have to say nothing. If I taught you how to rap. I'm not trying to be funny.

[Mark]

No, no. Damn.

[Joe Budden]

What is there for me to say? I taught you how to rap and you say it. Give me some popcorn.

[Mark]

He said, in a new joint too.

[Joe Budden]

Yeah.

[Mark]

Taught me to rap. I went platinum.

[Joe Budden]

And he did, and he did.

[Mark]

And he rapping kind of good these days.

[Ish]

He'd been rapping.

[Joe Budden]

Jim been rapping good.

[Mark]

I'm just at this age. He's still rapping good.

[Ish]

He's still getting better.

[Mark]

Yeah.

[Ish]

Every project, Jim keeps getting better. I've been saying this for years.

[Mel]

That's a fact.

[Joe Budden]

But Jim do keep alluding to, I gotta move this way and do what I gotta do. Cause the lieutenant ain't take care of the capo. Yeah. Like, I don't know what that means. Like they got personal shit.

[Mel]

Personal shit, man, that.

[Joe Budden]

That only them two will know.

[Mel]

It'd be so hard to speak on when two of your friends go at it. It's hard to speak on it, man.

[Joe Budden]

Cause you gotta be. That's why you gotta wear the socks.

[Mel]

I like the way you look. I gotta wear capo socks and the Cam socks, right?

[Mark]

Both.

[Mel]

Yeah. I mean, Cam is funny. If you know where Cam come from and how he speaks is funny. And Jim, you just respect Jim on how he handles things, man. I do think that. That I am. I like how Jim is preparing to drop an album and taking advantage of the opportunity, man. He's always been a businessman, and Cam, as well, has been a good businessman. It's just a lot of things on the inside. And that shit happens when you come up. When you come up. You know, we look at the person that put us on and feel like, yo, you could have did more and you should have did more. But we don't know or we don't remember the sacrifice they had to make to get us in that position. I'm not saying anything about Capo and Cam. I'm just. I'm pretty sure that Cam has a reason and Jim has a reason. There's a lot of with it. That whole Harlem, man, is different when it comes to the bread, man. It's different when it comes to the bread. Them niggas be oh, you ain't pay me. Yo. You ain't do this. Yo, damn. You ain't do this. It's just crazy. It's a lot of that come with that and they piece it up. So I guess it's all about business. Me, I can't do that. It'd be too personal for me. You have to give me a bag to calm down. Like, pay me my back end retroactive shit. Then I'm beating cool.

[Joe Budden]

That was the other part that was funny about what Cam was saying. He was saying, yeah, you're not from Harlem. You're not from All. And Cam could say all this brought up Jaja name.

[Mel]

He started picking up that name.

[Joe Budden]

They was getting real Harlemy, but he could say all this stuff. But me, as a listener, you know, I know a lot of Bronx that claim Harlem. I do.

[Mel]

Me too.

[Joe Budden]

I didn't really think about it until they started doing. I knew a lot of Bronx that.

[Ish]

Took that trek over that little bridge.

[Joe Budden]

And spent their time in Harlem. And then said, your grandma lived here, Used to come over here? Yes. And I was like, well, then if my grandma is over there and I'm coming over there, I'm always over there. I ran around here. I mean, it don't help that. I mean, my whole professional career, Jim has been from Harlem.

[Mel]

Yeah.

[Joe Budden]

As a New Yorker, whether Cam is right or not, Jim is from all.

[Mel]

I'm gonna ask you a question real quick. You hear that when Jim allude to yo, the Lieutenant Leonard, they wanna be the east side. You hear when Jim allude to the lieutenant not taking care of the capo, Then you hear the other niggas, some niggas that was a part of Burger Gang say that Jim didn't take care of them. Right?

[Joe Budden]

So, like, see, I don't hear none of that before. You did.

[Mel]

Not recently, like, but that was some of the things that when I interviewed zsa, she said, or you know, different people say, yo, Jim ain't do this and stuff like that. Or, Jim did this or did it like this. Do you feel like once we get in a position in life, you being from the industry, that.

[Joe Budden]

I'm not from the industry?

[Mel]

Excuse me. I don't know what the fuck you doing.

[Joe Budden]

Yeah, but don't do that, all right?

[Mel]

Do you feel like you heard that nigga? Do you feel like we start the pocket watch and we start to get it, or we do you? Where does that come from? Is other in our air? Is it pocket watching? Is it knowing your worth? When I think it's everything okay.

[Parks]

Expectations is a big one.

[Mel]

Expectations.

[Ish]

Yeah.

[Mel]

So we're not doing it from the heart. We're doing it with expectations. We're doing it for our own reasons.

[Joe Budden]

There's no artist alive that didn't think the person running this couldn't have done more.

[Ish]

But a lot of time, it do be in your ear too.

[Mel]

That's what I'm saying.

[Ish]

Telling you, like, yo, he should be doing this.

[Joe Budden]

This.

[Ish]

This should be happening. Oh, look, if he doing that, why you not doing this?

[Joe Budden]

Why am I not. Why am I not at the Hip Hop Awards? Why am I not at the after party? Why am I not at the BMI ceremony?

[Ish]

Why?

[Joe Budden]

You know how many times during the year there are for artists to say, hey, why did that happen for me? Like, consumers don't ever really look at that. But almost every week, a artist could find a reason to say, why not me? And it's tough, and it's easy to.

[Parks]

Pass that buck on to the people that brought you in.

[Mark]

Mm.

[Joe Budden]

Yeah.

[Mel]

Okay.

[Mark]

Got it.

[Mel]

That's what I was.

[Ish]

Oh, damn.

[Parks]

He wasn't looking out for me. He was at the Grammys while I was not at the Grammys. Well, maybe you weren't supposed to be at the Grammys. Or maybe there's a bunch of reasons why I wouldn't.

[Mel]

I think people just want to be in the business and know the logistics of it. Like, they want to be in it. They don't want to take the word of the person that's putting them on. Right. They want to be like, I want to be in the room when the business deal is going on instead of just trusting your man word. And I think that's that thing that goes on in this business since the beginning of time.

[Joe Budden]

Put on is a put on. It's an opportunity for you to get it popping to do something for you.

[Parks]

Yeah.

[Mel]

Hey, yo, real quick.

[Parks]

But a lot of people don't take it.

[Joe Budden]

They don't.

[Ish]

A lot of people take a put on the handheld.

[Joe Budden]

Yes.

[Mark]

Right.

[Ish]

Like, you have to escort me to the top.

[Joe Budden]

That's why I cut hands off. Yeah, I cut the hands, right? I don't play none of that shit. That's another reason why we ain't never getting to managing artists and all that. The expectations of an act.

[Mel]

Now, I mean, you could just make. But I want to just be honest and speaking from experience, because Cam got me a bag before, right? But when I was going through what I was going through, I just made it look good. And the niggas thought I was getting more than What I was getting. So if I got a new truck based off of a skit and a like, yo, we over here struggling, but you pulling up with a new truck. You didn't understand how I got it. So we make it. Sometimes you can make it look good.

[Parks]

For that's another big part too, for sure, right?

[Mel]

And then it will make the people that you would feel away instead of just asking.

[Parks]

A lot of music and entertainment business is someone fronting like they did something crazy, but they really pull a string over here or got something on.

[Mel]

It was crazy. Parks and took that church, wrote me a letter, oh, you got a new truck?

[Mark]

I'm out.

[Mel]

It happened. And it's like, nigga, wait. You don't know. We still in the same position. I was just able to leverage some shit to get this shit right. But that don't matter after everything.

[Parks]

Or I had a deal over here that had nothing to do with what we're doing musically. And that's where I bought the shit from our own real estate.

[Ish]

Go buy your own truck. The fuck you talking about? Stop going to strip your own truck.

[Mel]

Yeah, but if they. But ish. If they feel like they're putting in the work to help you get to a level and they feel like that you didn't like, if I go and say, we have no money, this business that we're in is not making any money, and then you see me pull up with a truck, then to them.

[Ish]

It'S like, yo, you're lying to me.

[Mel]

You're lying to me, but that's not what it is.

[Ish]

Or you hiding the money. Feelings ain't facts, my nigga.

[Mel]

I agree. I agree.

[Mark]

And that's where trust come in. Is there a way to be a rap group and this not happen? Cause it's so. I mean, I look at the locks. That's a great example of, like, the group staying together.

[Parks]

De La Sola's probably the only two Dayla.

[Mark]

And then after that, I don't even know who else. I can't even think of nobody else. I mean, it seems like most people groups don't last. Is this just an inevitable part of being a music act or a hip hop act?

[Parks]

Like, I mean, hip hop especially. It's usually a lot of alphas. Like, no one wants to listen to a rap group with, like, some passive dudes. Usually that's pretty rare.

[Ish]

It's not hip hop in regular business. Business break up, you just don't hear about it. It's not. It's not publicized. You're not on the front row with a fan base that's millions of people strong. The niggas that might have started Apple, or the niggas that started this company, or the niggas that started this company, they may have dissolved that friendship and that partnership after a period of time. Again, it's just not in the forefront.

[Parks]

Well, there's just less nostalgia with Apple than there is with a album or.

[Ish]

A good fan base. Yeah, we still listen to Dipset.

[Parks]

We're not using The Apple from 1983.

[Joe Budden]

Yes, yes to that. But in business, it's typically assume that all parties know how business goes.

[Ish]

I was about to say that part too. I was gonna say a lot of us come from a place where we don't have any business background. You know what I mean? Not shouting at nobody that never went to school. But people don't even have the foundational pieces that come with business 101 in school. So again, I'm an advocate of college. But you learn certain shit on your climb, and a lot of these people never learned that shit. And so they be buttin heads on like, little, little, little foundational shit because none of the people involved know business.

[Joe Budden]

And that's compounded by. Right. Like, if our relationship spans over the course of 30 years, and we started broke, then you got rich, then you got broke, and then I got rich, and then we had argument over this song, how the money should be broken up, and then you got an artist, and then they got rich, and then you signed vato and it like, it's 20 years of different points that could be strenuous to the relationship. Business aside, just you dealing with your emotions, having to watch 30 years of whatever you've seen from your man, like, it's tough. It's tough. I ain't gonna hold you. It is tough.

[Parks]

And again, in rap, and that's why.

[Joe Budden]

You see so many people go through it.

[Parks]

And again, in rap, rappers are the man. But in a group, it's hard to have 2, 3, 4, 5, 6, 7, 8. Wu Tang was 9, 10 demands. That's difficult to manage that.

[Mel]

Yeah, I mean, praise.

[Joe Budden]

Yeah. Like, imagine going to, going to you in a group, and now you got to go tell the group members, yo, I'm the man.

[Parks]

Like, just try it in, like, a band. The man was a little more clear.

[Joe Budden]

Yeah, it's tough to say. Like, Mel wanted to be on the billboard. Like, there's no way. There's no way to say, hey, Mel, you're the man.

[Savon]

Thank you. I appreciate that.

[Mel]

Yo, yo, Joe, real quick, a Lot of people try to discredit Jim, but, you know, like, he was the director of a lot of those videos, like Santana Town, like he. The Dipset Anthem. Like, he really put his work in when it came to that.

[Mark]

So that's the underlying piece for me, too. It's the money and it's also the. Sometimes people don't feel celebrated because in some groups there is a clear alpha and everybody's not the alpha. And the people who aren't, though, feel like they get ignored. So Jim, for a long time, based on interviews I've seen, has felt like people weren't celebrating enough what his contribution was. Or if you look at other rap groups, you know, people don't realize I was writing these rhymes or I was doing these beats or I was doing this and I didn't get credit for it. And I think a lot of times that ego thing or that insecurity thing builds up and that goes a long way. You see that with state property. You see that? Go ahead.

[Ish]

I'm sorry, that's an ego thing. I was about to say that's the ego thing. A lot of people not really willing to play the background.

[Parks]

True.

[Ish]

You know what I'm saying? Like, everybody ain't bigs. You know what I'm saying? Like, you gotta think about very few people in hip hop or chic have played that role. Like, I don't give a fuck. Long as the money coming in, I'm good. I don't need my face on the COVID I don't need none of that shit. Everybody can't really do that. And that's. To me, that's an ego thing and an insecurity thing for sure.

[Joe Budden]

Yes. Again, I'm not disagreeing, but if I'm doing all of this shit, I don't have an ego because I want my credit. I want my name at the end of the movie to say, hey, styled by Joe Budden or visual by. Credits are there for a reason. Like, yeah, it's on the back of the movie. Movie. But, yeah, my family is waiting to see my name up there.

[Ish]

Cool.

[Joe Budden]

So, yeah, that's on the.

[Ish]

I gotta be at the trailer.

[Joe Budden]

I think that's on the person. If you want. If you want your hard work and all of your. That you got going on to be credited to you, then you have to put yourself in an infrastructure to where it's like that. Yeah.

[Parks]

It's also difficult sometimes to know that at the time what you're doing is what you're doing.

[Mark]

Right.

[Parks]

You know what I'm saying, like he. He may have just been going shopping and finding some clothes, not realizing that is a title that could be credited.

[Ish]

You know, I gave you the direction.

[Mel]

You find that out later on, though, Paul.

[Joe Budden]

Yeah.

[Mel]

You find out as you find out as you become a part of the business that, oh, because initially when things are happening, we don't want to do the research. We trust the person that's putting us on. Right. I'm trust you. We don't do the research. But if you take your time and read, you know, the fine print or understand it in real time, and maybe sometimes we feel like if we do take that time that we may miss an opportunity.

[Joe Budden]

Right.

[Mel]

I think that's how we were bred in society or the neighborhood that we come from. You know, every opportunity, you know, you don't want to miss the opportunity, so you jump on it fast or somebody else would get on it.

[Ish]

What if we learning together?

[Mel]

But sometimes the people that.

[Ish]

You're right, but sometimes a lot of.

[Mel]

People on the fly, sometimes the people that's interested, they're not interested in everyone. So a lot of times you won't be able to. You won't be able to learn together.

[Joe Budden]

Great point.

[Parks]

True, true.

[Ish]

That makes sense.

[Joe Budden]

Great point. Listen, take me out the group chat. These gentlemen love each other and are millionaires.

[Mel]

Yes, they are.

[Joe Budden]

And did it.

[Parks]

Salute to both of them.

[Joe Budden]

That mean anything that they talking about or got going on is personal to them and is none of my business. Get me out of it. Even though I'm always happy to get new Jimmy music for sure. Always happy to get new gym music and love everything the Cam is doing over there and love the freestyles in the front of the.

[Parks]

Yeah.

[Joe Budden]

But Jim and Cam for me is up there with Hov and Dame Wayne and baby Outkast. Outkast. It is up there.

[Ish]

Yeah, it's up there.

[Joe Budden]

It is one of the greatest relationship breakups.

[Parks]

Friend rivals.

[Joe Budden]

Yeah, yeah. But I won't even say rivals because they love each other.

[Parks]

Well, rivals, maybe. Friend, competitors. Yeah, whatever. However you want to word it.

[Joe Budden]

Friends gone, unfriend. I don't know.

[Savon]

Frenemies, I don't know if they're really enemies.

[Parks]

You know what I mean? So competitors, frenemies.

[Ish]

That's why it's frenemies.

[Parks]

Friend peditors.

[Joe Budden]

Friend peditors. Oh, my.

[Parks]

I don't think they're enemies. I don't think it's real.

[Mel]

No, they're enemies neither. I don't think they love each other.

[Joe Budden]

But I do.

[Mel]

I do agree with Mark, though. When he said that, you know, when Joe just mentioned the different frenemies or competitors, whatever you say, you know, when you. It looks crazy. None of them. Everybody falls out the same way.

[Parks]

Yeah.

[Mel]

And it's like a pattern. When is it going to change? Who's going to stay? You know, you talking about De La Soul. I don't, you know, salute to them, but the young don't know about.

[Joe Budden]

De La Soul. Ain't nothing to fight about. Keeping on.

[Ish]

Ain't no tension in the relationship.

[Joe Budden]

We both broke. They had to be friends for 40 years. The label will give us our one day. Shout out to Dale. Soul man. Shout out to everybody, man.

[Parks]

Rest in peace, Dave.

[Mark]

Speaking of friendships, I keep watching this Drake LeBron thing bubble up. And last week I was frustrated. I've been mad at LeBron about this, actually. I was mad that he made me take Drake's side.

[Joe Budden]

You know what I mean?

[Mark]

Like, you know what? You probably been a bad friend.

[Ish]

Right.

[Mark]

I'm just saying. But, like, look, whatever.

[Joe Budden]

What a fucking pussy.

[Mark]

Look. But now what I'm hearing, all the, you know, I seen the, you know, all the stuff, you know, the act stuff, I've seen the DMs, all that stuff. It's just a lot of dry snitching. And I can't respect that. To me, this is something Drake can't recover from more than losing a battle or even suing Universal. To me, this is like the worst of the worst thing you could do to somebody.

[Parks]

It's bad, in my opinion.

[Ish]

I still think he could recover from.

[Joe Budden]

This and I'll play Drake. What did I do? I didn't technically do anything.

[Ish]

That's why I could recover.

[Mark]

Does anybody not believe that he's Geppetto in this?

[Joe Budden]

Can't prove it.

[Ish]

One and then number.

[Joe Budden]

Can't prove it. Yes, that DM looked funny, but you can't prove that I'm doing that or.

[Ish]

Or even in a DM situation. Let's say, hypothetically, you're talking to your person you think is your friend about a scenario or something. Just incompetent. No, it wasn't.

[Joe Budden]

You knew that wasn't your friend, but.

[Ish]

Still wouldn't be incompetent, whatever the case may be. You talking to somebody and you're explaining to them why you're upset about something and you use that as an analogy.

[Mark]

I would never use that as an analogy.

[Joe Budden]

It's nasty and it's corny, but you can't prove that it's with malice.

[Mark]

This is some white man shit.

[Ish]

What about the freestyle.

[Joe Budden]

You can't prove that. That's with malice. So what do you, what do you call it? I didn't say a name. I hate that y'all making me take the side.

[Ish]

No, no, I'm just.

[Joe Budden]

Somebody has to. You said in the conversation, don't make me have to ruin your public image. Yes, I'm talking about LeBron, but who knows how I'm talking about that? And I didn't say his name.

[Mark]

It's a lot of circumstantial evidence, though.

[Joe Budden]

That's what I'm saying. It is. It's circumstantial evidence, but it's a lot of. If you incorporate real niggas know.

[Mark]

Right. That's all I'm saying. And I guess real niggas. His family know.

[Joe Budden]

Yeah, exactly.

[Mark]

That's fair.

[Ish]

That's why he could bounce back.

[Mark]

It's disgusting, though. It's really disgusting. I, I, I, yeah.

[Ish]

I didn't expect this from Real nowadays in this culture, like, that is so good point, dog. Yeah, that.

[Joe Budden]

Real is over.

[Ish]

That is played out.

[Mark]

How about this? Basic human decency.

[Joe Budden]

Oh, that bit.

[Ish]

Well, then, if that's the case, then. Then he has a shot point. Yeah. Facing human d. Decency.

[Joe Budden]

How?

[Ish]

You got me caping for him. He got a right to be tight.

[Mark]

Yeah, but you don't get tight and then respond by doing some white man shit.

[Ish]

You don't dictate how somebody responds to your disrespect. But you talking about real.

[Mark]

Yes, you do.

[Ish]

So. No, you don't.

[Mel]

There's ethics in response.

[Mark]

Exactly.

[Mel]

There is ethics in response.

[Mark]

If you slap me, I can't shoot up the. I can't shoot up your block.

[Ish]

Who says? Who says, though?

[Mel]

Why not?

[Mark]

I shouldn't.

[Mel]

Nobody says.

[Savon]

But it's like there's rules of engagement.

[Ish]

No, it's not smack, Mel. I mean, if I smack Mark right now and he slammed me on that table and stomped the dog out of me, he well within his right. He's not wrong.

[Joe Budden]

Y know my rule. He is wrong.

[Ish]

He ain't wrong to me. He would be wrong to you, cuz he breaking your break.

[Mel]

The table I plan on breaking.

[Mark]

But if I went to your family reunion and shot up the whole family, everybody would say that shit's too far. That's all I'm saying.

[Ish]

Too far to them, not to you. You determine what's too far for you.

[Joe Budden]

That is what's happening out here.

[Ish]

And that's really what's happening out here. New Year, you punch A in the face in the club Wait, hold up.

[Parks]

Let me say morals.

[Joe Budden]

I'm not saying that.

[Ish]

They've been saying New Year's, New Year's.

[Joe Budden]

Eve, and this is a popular thing now where people are afraid to go to the funeral of the person that they love that just died because they come in there, there to clear the funeral.

[Ish]

That's not new. That ain't new. That's been going on for decades. Chicago was doing that back in 20. LA was doing that.

[Joe Budden]

Don't tell me about all these other places. I don't know nothing about New York. That was not a popular thing.

[Mel]

It wasn't insane.

[Mark]

Why are we insane?

[Savon]

The take you guys have right now is in direct opposition. I'm going back, like, months and months and months. When we were watching Love and Death, we were talking about the consequences of actions. And I was just like, there's consequences to your actions? It may not be. It may be like, you know, a really, like, intense consequence that might not match up to what the actions were, but there's still consequences.

[Joe Budden]

And y'all were like, I don't remember.

[Ish]

I don't even know. A lot of death is. I'm trying to remember the show Love.

[Savon]

And Death was where Candy, the chick with the axe.

[Mel]

Okay. When she killed the neighbor.

[Ish]

When she killed.

[Savon]

When she killed her lover's wife. Yeah, her lover's wife.

[Ish]

Yeah.

[Mel]

I remember that story.

[Savon]

And you guys were. And I was basically, there's consequences to cheating.

[Joe Budden]

You're like, but murder.

[Savon]

And I was just like, you can't dictate what the consequences are going to be based on what the action was.

[Mel]

You said a story. We just want, you know, solid work.

[Joe Budden]

Teaching us how to change our take from pod to podcast.

[Mel]

We went against. We're hypocrites. We went against you because it was just the right thing to do at that moment. We're hypocrites, man.

[Savon]

Got it.

[Joe Budden]

Thank you.

[Mark]

I appreciate it.

[Mel]

You know, you are right and you right.

[Joe Budden]

But, man, we talking about dude code.

[Mel]

Yeah.

[Joe Budden]

In dude code. If you know that I'm cheating, you should say that at any point, period. We don't. We don't have to. They don't need a big deep dive and a whole unpacking. The dudes know what the code is.

[Ish]

But the problem is everybody don't subscribe to Dude Cold.

[Joe Budden]

Well, that's why you ain't supposed to.

[Savon]

Not adhere to. Dude, you lie.

[Joe Budden]

Talk well, because I want to hear Mark and Mel.

[Mark]

Go ahead, man. I apologize.

[Savon]

No, I was just saying a lot of dudes do not adhere. They. They Front like they adhere to dude code and then they are the biggest pillow talker in the fucking world. And gossiping little bitches.

[Mel]

What's my bitch code?

[Joe Budden]

Trauma.

[Mark]

That's facts.

[Savon]

It's not trauma.

[Joe Budden]

I didn't say nothing.

[Savon]

It's not trauma. I quite enjoy it.

[Mel]

You do.

[Joe Budden]

Dudes being bitches.

[Savon]

I think it's fucking hilarious.

[Joe Budden]

But I'm speaking about the men that do subscribe to dude code and well, I guess to your point that say that think they're associating with people that will.

[Savon]

Yeah.

[Ish]

Not for nothing, I don't know this.

[Savon]

Man mistake on there.

[Ish]

But we've seen a pattern. That show he don't really subscribe to Dude Cold.

[Mark]

And that's, that's what I don't respect.

[Ish]

We've seen a pattern.

[Mel]

Listen, you did it with Kendrick. If I do something with you that could potentially then he shouldn't be the.

[Joe Budden]

One to go get the girls and bring them back.

[Ish]

That's real. But let me say this right. Never mind.

[Joe Budden]

No, no.

[Ish]

For that it's going to sound like I'm caping for him. It don't matter.

[Joe Budden]

It don't matter. Don't matter.

[Ish]

We talking. Talking. We turning the blind eye to niggas crossing him.

[Mel]

No, no.

[Ish]

We have.

[Joe Budden]

Wait, I, I am.

[Ish]

We have.

[Joe Budden]

What was the cross?

[Mel]

I went to a concert and rapped because I'm a part of the Los Angeles Lakers and I went to go support la.

[Mark]

Oh, that's bullshit.

[Ish]

That's bullshit.

[Mark]

That's what publicist answer.

[Ish]

And you fronting. Wait, what's the.

[Mel]

No, no, listen.

[Ish]

There have been times up here.

[Mark]

What happened is you scared he jumped in your abuser.

[Ish]

There have been times up here where you took the neutral stance.

[Mel]

Yes.

[Ish]

Based on a relationship that you've had.

[Mel]

You're right.

[Ish]

So if you had a relationship with these people and these people are saying disparaging things about you that are very, very serious.

[Joe Budden]

Yes.

[Ish]

You would never sit up there and be dancing and mouth in the song.

[Mel]

I would not.

[Ish]

That's what I'm saying.

[Mark]

Right. And that's.

[Mel]

Maybe that's the cross.

[Mark]

Maybe both me and you are that type.

[Mel]

If flip.

[Ish]

If flip shows up right there.

[Mark]

If Flip shows up to a Jim Jones video where Jim is dissing cam and you end the video cam has a right to feel away.

[Ish]

You fucking ain't Absolutely true.

[Mark]

That's what I'm saying.

[Ish]

And vice versa.

[Mark]

And vice versa. And Drake feels away because LeBron showed up and very public. I mean that, that's, that's, that's Obvious. That's fucked up.

[Ish]

One assumption in there.

[Joe Budden]

But what a.

[Ish]

What are y'all talking about?

[Mark]

That's not a.

[Ish]

That's not a. That's y'all niggas being apathetic and acting like no don't have personal relationships. True.

[Joe Budden]

I can explain what I'm saying. No, he does have a right to feel however he wants to feel at who he perceived to be a friend. Moving funny. I'm not calling nothing on that.

[Parks]

All right.

[Mark]

Okay.

[Joe Budden]

What you do with that information is what will make you a.

[Mark]

That's possibly true and that's what I'm saying.

[Mel]

But does that warrant you to try to destroy my family?

[Mark]

But no, look, I'm saying Drake.

[Ish]

But in the same breath. But in the same breath y'all will say that the response is up to the person that's responding.

[Joe Budden]

Yo, I'm talking to that can't pick and choose.

[Mel]

Hold on.

[Ish]

That he didn't. He hasn't showed that he really subscribed.

[Joe Budden]

I'm not holding him to. I'm only dealing with people that are no man cold and understand man cold. Anybody outside of it could have any perception that they want matter. I'm only talking to the people that know what we talking about.

[Ish]

Man cold is if we fall out and I try to pop the chick. Is that man cold?

[Joe Budden]

I fell out with mad at you niggas. And I know y'all dirt. I would never.

[Mark]

Exactly.

[Joe Budden]

I would never. And I hate y'all niggas.

[Ish]

Not even hate.

[Joe Budden]

But I don't fuck with y'all niggas. And it's some juicy dirt.

[Ish]

Why though?

[Savon]

That would make me a bitch.

[Joe Budden]

A bitch, dawg.

[Ish]

If a nigga snitch on me, you don't gotta snitch back.

[Parks]

Huh?

[Ish]

You standing in what you believe. So if me and you do a crime and you rat on me.

[Parks]

Uh huh.

[Ish]

I don't gotta go to court and rat back on you.

[Savon]

Are you talking about integrity here?

[Ish]

Because I'm feeling like I'm going by what I think is I agree with that.

[Mark]

Sound like you agreeing with us. So Drake is wrong.

[Ish]

No, listen. Yeah. About the ratting part. If he did that. Yeah, he's. But I don't know that he did that or I don't know if he put that out there for the world to. I don't know that.

[Mark]

You don't know that.

[Joe Budden]

Well, we can't prove it.

[Mark]

But you do know we know it. We can't prove it.

[Joe Budden]

You're from Newark. Now you do know you're from Newark.

[Mel]

I wonder how to make.

[Joe Budden]

You started with that analogy. Using that analogy, putting the line in the song and now.

[Ish]

I didn't start with that.

[Mel]

No, you did start.

[Ish]

I talked about the line in the song and all that other stuff.

[Joe Budden]

But you talked about the analogy that he used.

[Ish]

Yeah, in the dm. Yeah, yeah, I think. I think that if I make. So let's. Because again, it's unknown shit that we are just assuming to be true.

[Joe Budden]

Not me.

[Ish]

Look like the dudes hit me in my DMs.

[Joe Budden]

That dude dudes be in you.

[Ish]

I'm like, no, they don't.

[Mark]

The dudes hit you, nigga.

[Ish]

They don't hit me.

[Joe Budden]

He dissed me. Cause I said that.

[Ish]

Yeah, you're right. But look, the dude. What's the dude's name that Drake was.

[Joe Budden]

I don't even know his name.

[Ish]

Texan.

[Parks]

I don't know.

[Mark]

Oh, I know you're talking. I can't believe Chris Griffin or something.

[Ish]

That nigga hit me in my DMs. I'm telling the truth. I'm like, question mark. I don't even know who you are. And he was like, yo, I'm the dude that da da da da da. So my thing is even in that.

[Parks]

You answer all your DMs.

[Mark]

I saw the thing too, you know.

[Joe Budden]

It'S okay to just leave it.

[Ish]

I didn't know what he was talking about.

[Mel]

I didn't know what was.

[Ish]

Bruh again.

[Joe Budden]

Uncle Pa. Boy. What?

[Mel]

I'm starting to see how you got that mass production of hoodies, my nigga. Because dude, you getting a check from them N over there, son.

[Ish]

What, nigga?

[Mel]

Ovo. Oh, ovo.

[Ish]

There you go. Stop.

[Mel]

It's not no real conversation. The that Chris. Whatever that put the dm. I wish you some hit you up and you had a conversation with it.

[Ish]

I didn't have the issue. And then they got sent to four questions.

[Mel]

Did you respond?

[Ish]

Stop. Did you respond after you don't. No, I did not respond. You didn't respond after you.

[Mark]

And then what happened?

[Ish]

And that's it. He told me who he was and I kept it moving because I didn't know what the he was talking about.

[Mel]

Why you didn't engage a conversation with him? Cuz he's talking about Drake. Back to my point, bro.

[Ish]

Stop, bro, please.

[Joe Budden]

I'm not.

[Ish]

I'mma tell you. Stop.

[Joe Budden]

I'm not accepting this crazy because you know, man, threatening me now to stop.

[Ish]

I'm not. I'm not. Stop that pie. I'm not.

[Joe Budden]

I think you know, man code and I'm not.

[Ish]

Yeah, I. I agree.

[Mark]

I'm just.

[Ish]

What I'm saying is this.

[Joe Budden]

I think you. You playing devil's advocate. I get that.

[Ish]

I'm just saying, like, yo, if he did that and purposely did that, that, that is some sucker shit. You are ratting. If you purposely did that, that is some sucker shit. I don't know that to be true.

[Joe Budden]

But you believe it to be true.

[Mark]

That's what I'm saying.

[Ish]

If.

[Mark]

If you had to put your money on it, what would you put it on?

[Mel]

They all doing sucker shit.

[Ish]

I don't know these niggas, so I'm not putting my money up on nobody that I don't know.

[Mark]

I'll tell you.

[Ish]

I don't know what these niggas morals. I think. I don't know nothing about.

[Mark]

Drake is meticulous. Drake thinks about every step, every stage, every reaction in action. And I. And I can tell you with certainty that he at the very least knew that this is how the world was seeing it. And there's no way you'd want the world to see it that way if that's not what you did. Nobody wants to look like they rat. And if they're not ratting, when he goes after Kendrick, he.

[Ish]

He does the same contradicting yourself.

[Mark]

How so?

[Ish]

Because if the nigga is that meticulous and you know you're gonna get looked at by the world as a ass. You think I'm a meticulously plot that out so that the world could look at me as a ass?

[Mark]

I think yes.

[Ish]

I think he's crazy looking at him.

[Mark]

Like I think he's crashing out.

[Ish]

The world is not looking at him like you are not. The world purposely did that. I'm going on record saying that's some ass cool. And I think that he knows better. If y'all. Y'all the. That be talking about how matic and plot being years and all that other shit. And if he did that, we've seen six, eight, ten months of him not being as meticulous as y'all niggas claim he is.

[Mark]

I think he's meticulous. I think he just has a bad strategy. I think he's not.

[Ish]

Which means you ain't not fucking meticulous.

[Mark]

No. Or you're just wrong. He's not like us. He is a different kind of person. His mind works. He does not mind looking like a dude that just snitched on somebody. He doesn't mind going after Kendrick's girl or saying, you know, I mean, you cheating and Doing this, that, and the third. He does not mind doing that shit. He doesn't mind threatening. I'm gonna ruin your public image. Who the says that to anybody about anything?

[Ish]

True.

[Mark]

All that.

[Ish]

To me, that's just his version of don't make me expose you to those who don't know you. He was trying to do that. True. And just his way of doing it is I'm gonna ruin your image.

[Mark]

Right, bro?

[Ish]

Y'all, y'all, y'all, all right. Y'all got it.

[Joe Budden]

And that segment does not condone cheating.

[Mel]

I think they're all doing bitch shit.

[Ish]

I think all of the shit is disgusting.

[Joe Budden]

That's it.

[Mark]

The.

[Mel]

That put the DMS out. That was corny.

[Ish]

Super corny.

[Mel]

Drake doing what he did in.

[Joe Budden]

In.

[Mel]

In the record to allude to LeBron cheating his wife is corny. Especially after we watch how Savannah was acting at the basketball game. That's corny what she did.

[Joe Budden]

Basketball game.

[Mel]

Well, however, that. That whole situation. You remember what I'm saying, Joe? I forgot.

[Joe Budden]

Yeah. No, I got the picture of my phone. Yeah.

[Mel]

How she was. She was just. I forgot what it is. But Joe had talked about it before.

[Ish]

Grill and Drake.

[Joe Budden]

Yeah, I can show you the picture.

[Ish]

No, I'm good. I just.

[Mel]

On top of that, we heard a lot of stories.

[Ish]

We heard a lot of stories.

[Mel]

Hold on, let me just say this. We heard a lot of stories about LeBron. We heard about the. A lot of stories that Drake is saying, she wasn't playing with that boy. A lot of stories that Drake is saying.

[Mark]

Oh, that one. Yeah, yeah, yeah, yeah, yeah, yeah.

[Mel]

We heard, we heard. We heard. We heard people allude to it.

[Joe Budden]

We know this look. And we know what happened when we.

[Mark]

Ish.

[Joe Budden]

Invite me to your house. I'll show you what they talking about. Hey, invite me to your house. Me and you gonna walk in the kitchen and just have a talk. And these are the looks that.

[Ish]

Quick question.

[Joe Budden]

Yes.

[Ish]

So you going down a list of corny shit? Just by definition.

[Mel]

Yes.

[Ish]

Is what Bron did corny?

[Mel]

If that's his man's in the middle.

[Mark]

That shit corny.

[Mel]

In the middle.

[Ish]

Okay. Wow.

[Mel]

In the middle to me.

[Mark]

How. Please explain that to me.

[Ish]

And this. This is the point where comes out.

[Mel]

It's not because you're asking me a question. Right?

[Mark]

Are you getting paid for he.

[Mel]

Yeah, I am. See, I could see. I can say it. He went to the. He went to the concert to support Kendrick. He's friends with both of them. Right. And yeah, it's corny. I'm in the middle. But it's corny.

[Mark]

It's corny. It's not in the middle.

[Joe Budden]

Sensitive. I'm in the middle, though, with the Marty Rosen corner.

[Ish]

A thousand percent.

[Joe Budden]

Why?

[Ish]

Because if you're my friend, DeMar DeRozan has publicly. LeBron has never publicly.

[Joe Budden]

I'm everybody's friend. I don't care about that friendship. I'm your friend. And I'm your friend.

[Ish]

Specifically, I think Damar is more corny than LeBron's. You my friend, you stay the fuck out of a beef with your other friend.

[Mel]

So am I not supposed to vote?

[Joe Budden]

That's if you living by a code.

[Ish]

True. So based on what my ethics are, that's corny.

[Joe Budden]

All right, we being circular. Let me hear from you.

[Ish]

I said I think DeMar was way more corny than LeBron was. If what they both said to be true. Where I'm going through depression, you my man. You talked me out of that. You brought me through that. Now I'm here at the show. It ain't like y'all didn't know what was gonna happen at the show. Y'all knew. The world knew. We tuned in to watch not like us be performed on that stage. You up there dancing around, doing all of this.

[Mark]

It was in the video.

[Ish]

In the video, like, so all of that.

[Joe Budden]

To me, he's corny because Drake helped him out of a dark depression when he got traded from the Raptors. Is that. That's what you saying?

[Ish]

I'm saying that if that's my man's and you helped me out of some shit like that, I know you don't, but do certain.

[Joe Budden]

Tell it to somebody that cares about what mans do. DeMar DeRozan is from Los Angeles.

[Ish]

So tell your man cold shit to somebody that give a fuck about what.

[Joe Budden]

Man, Rosen might be third cousins with Kendrick. Cool.

[Ish]

Then let Kendrick talk.

[Joe Budden]

Lamar DeRozan probably was depressed being shot at by gang members when some other gang members had to pull a blicky fireman. His relationship.

[Mark]

LeBron made that soup.

[Joe Budden]

His relationship with LA or Kendrick, I'm sure supersedes whatever this raptor y'all talking about is by decades.

[Savon]

Okay?

[Mel]

That's all I'm saying.

[Mark]

You stay out of it.

[Ish]

Yo.

[Joe Budden]

Stay out. Crazy.

[Mark]

If you had beef with one of my closest friends in the world right now and that made a video, I would not go in the video video. Even if I'm a million times closer to him, with him more. He did more for me, I'm still not gonna go in a video where he's dissing you.

[Parks]

But you worked with Joe today. They didn't work together. That's a false.

[Ish]

It's not a false equivalence.

[Parks]

Drake and DeMar DeRozan do not work together.

[Ish]

Drake and DeMar DeRojan might be closer.

[Joe Budden]

Than Mark and Joe.

[Ish]

Huh? Drake and DeMar DeRozan might be closer to Mark and Dro.

[Mark]

I'm sure they are.

[Ish]

What are you talking about?

[Mark]

I don't even get invited to the strip club.

[Ish]

Nigga, you had rap beef with my brother, My biological brother. And I made sure to stay out of it, to not get in the middle.

[Savon]

I think what Drake's realizing in real time is that his perception of the investment that he put into these friendships is not being reciprocated.

[Mark]

Exactly.

[Savon]

And that is why he's fed the. That's why he's doing what he's doing.

[Joe Budden]

I would like to respond to what you said, because that's kind of my point with all of this shit, but I don't. I don't think that's true. I had what with your brother, Rap beef. Say it one more time for me. Rap beef, which is a little different from real beef.

[Ish]

Joe, before you.

[Joe Budden]

Hold on, hold on.

[Ish]

Yes, now can I respond to that? You are correct. It is a little different. Now let me respond. Before you laid pen to paper, you caught me and said, yo, what is your brother trying to do? Because the shit he's saying on Twitter and this, that, and third, is he trying to take it there or what? Did you or did you not.

[Joe Budden]

I don't remember.

[Ish]

Yesterday I was here working what you did. So it.

[Joe Budden]

That makes you sound strong in the argument when I don't remember you.

[Ish]

Well, I gave you the option to remember it.

[Joe Budden]

Yeah, you gotta give the option to remember. But okay, I'm a great human. That's what that call sounds like again.

[Savon]

It sounds like you value your friendship with Ice. It sounds like you value.

[Joe Budden]

I'm saying that rat beef and real beef or street beef or any other beef.

[Savon]

Drake's not a street motherfucker.

[Joe Budden]

It's not the same.

[Savon]

Maybe he doesn't have a clear understanding of what street.

[Mark]

But that's part of. But that was part of Drake's point is that this has crossed the line from just a rap spar.

[Joe Budden]

Listen, I'm not arguing. Drake already said it was personal for me. He said it, so I'm not arguing nothing. I'm taking him at his word. And he has a right to take all of that shit personal.

[Ish]

And everybody over there that. That played on that side it's up for you niggas forever.

[Joe Budden]

And niggas got a right to not give a fuck about how Drake feel about their behavior.

[Mark]

That's true, too.

[Ish]

And now he's going to move the way he moved towards you niggas and vice versa.

[Joe Budden]

Okay? But for the audience watching, when you start exposing cheating secrets, and I don't know any of that to be true, when you start doing that, the audience reserves the right to say you a bitch.

[Ish]

A thousand percent.

[Joe Budden]

Exactly.

[Ish]

A thousand percent.

[Joe Budden]

That's the end of what I have to say about it.

[Mark]

So LeBron's a bitch and Drake is a bad. I'm sorry. LeBron's a bad friend and Drake is a bitch. Is that the.

[Savon]

That's the.

[Mark]

Is that the summary?

[Joe Budden]

Yo, I sit here for 10 years and tell you niggas that none of these people are friends. So for me to have this conversation under the guise of friendship. Stop it. Like, tell that shit to somebody else.

[Ish]

But to the nigga believed it. Up to the nigga that believed it.

[Joe Budden]

Yes. It's different. Yes.

[Ish]

You look at everything. Nobody's friends. But to the. That really believed him. That was my friend. Yeah, you did that. You my. Oh, all right.

[Joe Budden]

Okay.

[Ish]

It hit a little different to him.

[Mark]

And that's what Drake was saying in the Free. Drake didn't go down the list and say, all you that I saw in the Hampton. I have the same issue with. Y'all are fake. Y'all are industry fake. I don't fuck with y'all. I'm just gonna get y'all head nods and keep it moving. But you. That's different. Drake doesn't think everybody's his friend. He just thought that person was his friend. And I think that's a reasonable. In this business, I'm sure there's one or two people y'all consider friends out of the thousands of acquaintances. LeBron was his person. He got a fucking tattooed on his body. He might really think that's his friend.

[Ish]

Well, that. That you just. I was with you.

[Mark]

What part did I say wrong?

[Mel]

You said what?

[Ish]

Man, he got a lot of people tattooed on his body.

[Mark]

That's fair.

[Ish]

We never met tattooed on his body.

[Mark]

That's all. Fair enough. Fair enough.

[Ish]

He ain't shooting for him.

[Mel]

Well, Flip. What? I don't got Drake on my body. No, honest.

[Joe Budden]

The most I've ever paid attention to guy friendships.

[Mel]

That's not.

[Joe Budden]

Jim Cam. LeBron and Drake, like, some value friendships. Different, though, Joe.

[Mel]

You act like publicly that you don't value. Value friendships, but you Value friendships as well. You probably are able to mask it better than others. But, you know, some people just value friendship different. That's it. I understand what they're saying now. Like, I would be mad if a nigga was dissing me and you fucking went to his concert and he's calling me a PDF. I would be mad too, a thousand percent. But I would also say, like, that doesn't warrant you to destroy my family.

[Mark]

Right? That's the angle. I said it's both true.

[Mel]

That doesn't like, you know, we can discuss that. We can fight. But then now my family can be destroyed forever.

[Joe Budden]

Huh.

[Ish]

I don't think you're trying to destroy his family. That ain't for that.

[Mel]

A lot of heard.

[Mark]

I agree.

[Mel]

Listen in the.

[Ish]

If Drake purposely put that out there. He's trying to destroy this man. All Drake knows or create turmoil on this man's family. But for all you know, if this. If you my man and you know what's up. Me and my wife done fought. We done been through all of that. That ain't trying to destroy my family. I'm trying to destroy your public image.

[Mel]

Yeah, I'm sorry.

[Ish]

I'm trying to show them that you are not. Not who you.

[Mark]

That still embarrasses his wife.

[Ish]

And now you're embarrassing my wife to the world.

[Joe Budden]

Yeah.

[Ish]

Now you are embarrassing my children to the world. You are trying to destroy my family and throw something in my family's bag. That's some. It's still.

[Joe Budden]

I'm with trees.

[Mel]

Listen, in the industry, you hear about the phone shit. You hear about these little. But nobody comes and talk about it. It's an unspoken rule of. I see you make sure you put the phone away. Lock the phone up in the Ziploc. But we not gonna come up here and expose it. Cause it's just man, I don't want a to expose be w You see yo, you over there too. Oh yeah.

[Joe Budden]

I wouldn't give a if a stole out of my house. I am not getting on Twitter to say I'm gonna tell you how he was cheating.

[Mark]

Why you give Drake the same voice you give your woman impersonations.

[Joe Budden]

I wasn't giving that voice. I wasn't giving that voice to Drake because I'm not saying that he said that right. You can't prove that.

[Ish]

He can't put that on him.

[Mark]

That's true.

[Ish]

That was my only just speculating. And if he did that with malicious intent and malice, you are on some goofy ass or you might have been trying to do it Speaking from man.

[Joe Budden]

Code it look like. But the journalist would never report on just what something looks like.

[Mark]

That's right.

[Ish]

Journalistic integrity.

[Joe Budden]

Now it's time for my favorite part of the show. What else we got to say about dream?

[Ish]

That's a good one.

[Joe Budden]

It's time for my favorite part of the show.

[Mark]

Prize picks.

[Joe Budden]

All right, it's playoff time. Which means now it's more important than ever that you use promo code jbp. And it's now or never. So don't miss out on the best place to win real cash while you are watching the playoffs. And you can now win up to 1000,000 times your money only on prize picks. And prize Picks now offers MasterCard for quick and easy deposits. Give it up, give it up, give it up. Give it up. Good to see playoff football.

[Parks]

Well, it wasn't the greatest weekend.

[Joe Budden]

Good to see playoff football in occurrence happening. It was intense, the games. I didn't love the games with the exception of the fucking Redskins, the red Commanders. That's racing.

[Ish]

That's racist.

[Mark]

That's racist.

[Joe Budden]

You cannot gonna beat the allegations.

[Ish]

I love that.

[Joe Budden]

You want to change the name back? Yeah. You want to change the name back.

[Ish]

I'm just 48, so I remember that.

[Joe Budden]

The Redskins have it. What am I saying? Yeah, Commander's game was really, really good. Let me give picks since the Lions did not play last week and I gave you Jameer Gibbs, I'm giving you Jameer Gibbs again for more than. He's gonna go crazy. I got him for more than 90 rush yards. Let's go say Quan. I'm riding with the good guys. Let's go say Quan for more than 80 rush yards. Cooper cup went off so let's go with Puka Nakua, my man, fantasy star for the last two seasons. Give me him for more than 70 receiving yards. And does Travis Kelsey pick up this week and I'm staying away from him. Him staying away from him. Give me, give me. Yeah, I want to pick somebody else. Who else is playing D?

[Ish]

Travis Kelce. After not playing two weeks healthy Travis Kelce.

[Savon]

He said he didn't want too scary.

[Joe Budden]

I don't know what Taylor Swift did to him in the house. It's too, too spooky for me. I don't know. In that Eagles game, it looked like AJ Brown had another fight to the head coach in him him. If he don't get the ball again, maybe I'll go A.J. brown. Yeah, give me A.J. brown, another fantasy star. Give me A.J. brown for more than 60 receiving yards and give Me Pat Mahomes for more than 250. Pat Mahomes to show up.

[Parks]

That defense, though, boy.

[Joe Budden]

Actually, never mind. Scratch Pat Bones. Give me Josh Allen.

[Parks]

There you go.

[Joe Budden]

Yeah. Yeah. Give me Josh Allen.

[Parks]

That Houston defense ain't no joke.

[Joe Budden]

Yeah, Houston. Houston.

[Parks]

That's secondary is.

[Joe Budden]

And.

[Parks]

And pass.

[Ish]

Jesus can be in the secondary with Moses as a safety. Pat Mahomes is Pat Mahomes, bro. We gonna see.

[Parks]

We gonna see.

[Joe Budden]

Yeah, but they ain't scored more than 30 points all year.

[Ish]

He averaging 245 yards a game, but okay.

[Parks]

But he said 250, so.

[Ish]

Okay.

[Joe Budden]

Pat Mahomes. I'm so glad we don't have to hear from Sky Mahomes. What's his little brother name again?

[Ish]

I forgot.

[Joe Budden]

What's a little brother name? It's some people. I'm so glad today went away, but now's not the time for that. Download the app today and use promo code JBP to get $50 instantly after you play your first $5 lineup. I repeat, if you download the app today and use promo code JBP, you will get $50 instantly when you play your first $5 lineup. So good luck to all participants out there there and run your game. That's right. God damn it. Now it'll bother my OCD for the rest of the week that we had that entire gym cam conversation and did not play the gym.

[Parks]

That's the wrong plug. Yeah, that's just gonna charge you up.

[Joe Budden]

Well, where's.

[Savon]

Right here.

[Mel]

Right here.

[Joe Budden]

Oh, there it is. Thanks, Mel. Yeah, it's gonna bother me if we don't play the gym. Freestyle snippet that he put out out.

[Parks]

That was hard.

[Joe Budden]

Jim Jones rapping might not be for everybody, but. But I absolutely it's for me. I absolutely love it. I'll take it. Any wore pink in the video I.

[Ish]

Ain'T even peep that.

[Joe Budden]

Yeah. I love it. I want you to know one thing. I love it.

[Parks]

Static what up?

[Ish]

You gotta remind them who you are Remind them who you are.

[Joe Budden]

Gotta remind him who you are sometime Talk to him now.

[Ish]

Looking like he sees seen gotti and all my do their time you know my team been 7 years since I seen sh been 7 years since I saw now we got to fly straight cuz he got four fell I've been going to the tunnel since you saw belly hadn't been through the most talking about we fake bloods I had to spin for the coast that was 20 years ago. Let's go Talk about the outside what they put in everything on the post no we not jacking that got a place that we go that we not packing that you know we flip this whole like an acrobat and everything that you are I'm coming back for that so more you want to accident told me how to rap and I'm platinum.

[Joe Budden]

Listen it's all good. I love it same I. I absolutely love and what I'll say listen man to the. To the dudes that are fortunate enough to have been in this game 20 plus years, right like we getting a little. We getting a little older so time we got time on our side. To the people that have been in this game more than 20 years. There'll be ebbs and flows, ups and downs, peaks and valleys. There's going to be a time where it wasn't the greatest. I see people keep bringing up the ruckus. I was there, I seen it whoopty do. Well I wasn't there but I was outside so I seen it whoopty do what else they keep bringing up like who gives a man we didn't see. All I'd be needing to know from is will you fight and can you fight? That's it. After that it's up to your own make up your own view and you.

[Ish]

Get more props for fighting instead of learning knowing how to fight. I get the props that will fight.

[Joe Budden]

More than the niggas that yeah like it's nothing. Jim will fight especially on that airport escalator. Elbow. Elbow room when I'm on the airport escalator. Whatever airport that was. What else though Freddie gives you like who. Like what are you? When you've been here long enough, you don't need to be set, don't need to be said. Shout out to Kim. Kim and jam. Why do I keep doing that? Shout out to Cam and Jim. Shout out to Mace. Shout out to Mace. I just had some popcorn the other day. Went to see dinner thieves too.

[Ish]

Hey.

[Joe Budden]

10:45 on a Sunday night. So when I ordered my buffalo spring chicken rolls and ate them, shit, I took a nap. I was dozing off in there and every time I woke up, what she ate I didn't care about. Well, who, who ate? I'm a faithful black man.

[Savon]

That's dry snitching right there.

[Joe Budden]

No, it's not.

[Ish]

He could have been with his girl.

[Joe Budden]

No. Or I could have been alone.

[Mark]

True.

[Joe Budden]

My girl been here too much. Go, go.

[Mark]

How long does it take for you to miss her?

[Joe Budden]

That's why I like dating people with kids. Like eventually they will have to get.

[Mark]

Back to like their kids.

[Ish]

Hello.

[Joe Budden]

What?

[Mark]

How long she gotta be away before you want her back again?

[Joe Budden]

Are you asking the room?

[Mel]

I asked him that in the kitchen.

[Mark]

I'm asking everybody. You made me think of it. Yeah, to everybody. I'm asking. Cause my wife's been going for like, a solid four days, and now I'm kind of like, okay, I wish she was here again. But the first four. The first four, I was great.

[Mel]

Don't let Joe front. The Was in the kitchen. Said, I wish I had the Shakur.

[Mark]

What that show was.

[Joe Budden]

I wish my girl was here to bring me.

[Mel]

Yeah, I see. You miss your girl, don't you? They try to ignore me. Don't do that. I hate.

[Joe Budden]

No. My girl being here is the only way I'll get my money's worth. Can't say that. Why?

[Mel]

She will pop up. No.

[Joe Budden]

Cause she is so great at that. Domesticated. But when it's long gone business. Like, I need my charcuterie board. I need you to take the stand. I need mine. I need mine for a few things. So when you're not here, maybe. Maybe a day.

[Ish]

Shout out to the domesticated ones, man.

[Joe Budden]

I be wanting mine back. Shout out to Baby out there. Shout out to mine. Stay in the car singing with me.

[Mel]

Let's go, Big Ish. I'm missing you.

[Joe Budden]

You throw that on a R B night, boy. Boy.

[Ish]

Yeah.

[Joe Budden]

So probably by the day. I always miss mine, man. I have a good time with mine. The bed feels so lonely and empty without her.

[Parks]

Oh, yeah.

[Mark]

I need a couple more.

[Joe Budden]

But.

[Mark]

But y'all don't live together. When you live together, I feel like you need, like, two or three days to get that out your system. You know what I mean?

[Joe Budden]

We ain't gonna live together when we live together. These houses I'm looking at over there, these houses I'm looking at, I could live.

[Mark]

Should be another wing.

[Joe Budden]

I could live in the movie room. Oh, shit. Come down. Come down those four flights.

[Savon]

You saw what Cheryl Lee Ralph said. The reason her marriage for 20 years has worked is because they do not live in the same house.

[Mark]

They don't live in the same coast.

[Savon]

That part.

[Joe Budden]

Part?

[Savon]

Yeah.

[Mark]

Vincent Hughes lives in Philadelphia and she lives in la.

[Savon]

I think that is awesome. Yes. Let's have. Let's have a couple of homes.

[Joe Budden]

Some of your beliefs. When are you going to. Nope, nope, nope.

[Ish]

It's a trap.

[Joe Budden]

It's a trick. I'm leaving. I'm leaving. She tried to trick me.

[Savon]

I was breadcrumbing. I was breadcrumbing.

[Ish]

All right.

[Joe Budden]

Yes, I am.

[Savon]

I like that little reverb.

[Joe Budden]

You said you had a question.

[Mark]

Oh, no, no.

[Joe Budden]

That was.

[Mark]

That was.

[Joe Budden]

I'm.

[Mark]

I'm good.

[Ish]

You clarify how many more days before she come back?

[Mark]

Another. I think, like, she's four. Four. And I'm getting to the point now, like, damn near, Mr. From Color Purple. Like, the crib is not right.

[Mel]

You did leave her for about four or five days. She was.

[Mark]

When she was sick, I was protected. No, no. I said, that's different. I'm just. I didn't really. I really didn't want the food.

[Mel]

Let me live.

[Joe Budden]

If you want. If you want to go out tonight.

[Mark]

I'll go out with you.

[Ish]

It's a part that he missing.

[Mel]

He should be turning up.

[Ish]

You miss it, cuz you home with the baby?

[Mark]

That's part of it. That's a.

[Joe Budden]

That's a big part of it.

[Mark]

Cuz that wears.

[Ish]

That's the part. He.

[Mark]

He is kicking my ass. I mean. And I'm not.

[Ish]

You be low key. Dry snitching, too.

[Mark]

It's all special.

[Ish]

Yo. I ain't dry snitching.

[Joe Budden]

Yeah.

[Mel]

This is why you keep your business to yourself, right? Cause we like Ish. What about you?

[Mark]

I like being at home with the boy.

[Joe Budden]

It's all good.

[Mark]

It's just I'm not as good at this shit like Ish was killing me. Cause he said, you gotta. He needs a coat. Cause it's wintertime. Like, we not going. We only walking three feet.

[Mel]

Your son needs a coat.

[Ish]

Somebody put his son under his arm like this and walked him to the car with no coat. He trying to protect the strip.

[Mel]

What's wrong with you, Yo?

[Joe Budden]

Well, can I ask you a question? Yeah. Y'all ever seen Mark walking in with a coat? I never seen Mark in the cold. Just jean jackets and Hillman hoodies.

[Mark]

I. I wore one. But you weren't here. You were away. I had coat on. It was really cold that day up in Queens.

[Savon]

It's cold outside today.

[Mark]

I park right.

[Mel]

You're low on the iron right now.

[Mark]

Yeah.

[Mel]

It's not.

[Joe Budden]

Yeah, the iron is low.

[Ish]

Ate this morning.

[Mel]

You got the sky.

[Ish]

Whatever.

[Joe Budden]

That.

[Mel]

Sick. It's not that cold.

[Ish]

28. It was cold. Ain't no wind blowing exact.

[Mark]

See?

[Savon]

Thank you. There's wind.

[Ish]

All right. It's cold wind.

[Mel]

You know what? You show me that no matter what degrees you got and like that, like, still got up. When it come to being, you're a good dad. But being a pops put the coat.

[Mark]

On a child, it's stupid. This is just so that people on the street don't stop me and tell me me that baby need a coat. That's the only reason. It's so that every auntie on the corner don't.

[Mel]

The baby needs a jacket.

[Mark]

We only walk into the car. The car is heated. My house. I pull up in the driveway, the boy only walking three feet.

[Joe Budden]

The boy.

[Mark]

And you can't wear. Here's the thing. You can't wear a coat in the car seat. So you put the coat on. Then you walk to the car and you gotta take the cook so you looking like, oh, you can wear a.

[Mel]

Coat in the car.

[Mark]

No, you can't.

[Ish]

You absolutely can wear just you being frugal. Buy a big costume. To have a child and a coat in the car.

[Mark]

Exactly. It's dangerous.

[Mel]

Really.

[Joe Budden]

That's why you take the coat.

[Savon]

It's an added pattern.

[Joe Budden]

Make it in the car.

[Mark]

And so instead of putting a coat on, having this crazy two year old run around in the cold, I just take him without the coat, carry him like this.

[Mel]

And the wind is hitting his head like the wind, while his head close to the wind.

[Mark]

O.J. oh, that's probably bad. Herschel Walker gets you the car, I strap him into the seat and then we go.

[Ish]

Gotcha.

[Joe Budden]

Okay. Okay.

[Mel]

All right, Ma.

[Mark]

And I hope my wife ain't looking on the security camera.

[Joe Budden]

Does your wife listen to this pond?

[Mark]

Not the whole thing. If you notice what I talk about in minute two versus what I talk about hour two very different.

[Joe Budden]

Got it.

[Mel]

Don't doubt her. She read the descriptions, my homework, the in the descriptions 1 hour and 12. Mark talks about holding his son. Them Savon whoever to put that together them be violated you I don't like.

[Mark]

That that you know I heard the.

[Mel]

Time I told he right. I be talking crazy hour two, three. Yo, I saw this girl now she pressing the button. Them man them remote. I don't like y'all.

[Joe Budden]

That used to be my happy birthday. But it that used to be my strategy. She started listening to the very last second. You used to get this all the time in the world. The Patreons was the all. Oh yeah, yeah yeah. Oh yeah. Why y'all think I don't play you.

[Mel]

His his don't say she hear whatever.

[Joe Budden]

She don't hear her friend hurt. Ish.

[Mel]

Don't say I love my mother in law. I love my family. I love my children.

[Mark]

Ain't talking now y'all even talk about my mother.

[Mel]

She was an actual chef. She paraded a food for the baby. Oh I'm so appreciative.

[Mark]

I ate good.

[Ish]

Still same.

[Mel]

But how to see? Can't restart talking and he look close the curtain.

[Joe Budden]

It's a new year. It might be time to redo that whole G card thing.

[Mel]

Nah, not really. It should still be up.

[Mark]

Joe, I can't wait till your lady come back, man. All this 12:30, sit in the house. All this you talking, man. G card. You ain't going to have no.

[Mel]

Y'all going to stop playing with sh.

[Joe Budden]

I'm him, man.

[Mark]

Put your jersey in the rafters.

[Joe Budden]

But I'm him.

[Mel]

Listen, another one for the other.

[Joe Budden]

The other number. When I change my number, it's up there already.

[Mel]

Yo, mom, he not that I. I know he not listen.

[Joe Budden]

I know.

[Mel]

Yo, we talking in the kitchen. Just regular. And guess who come in shade from behind quiet too with. With the heavy ninja.

[Mark]

She like I just cuz she don't.

[Joe Budden]

Walk, she float Y and Jo be.

[Mel]

His expression be the same thing. Like.

[Mark]

It'S like a dead man.

[Mel]

Like he be so shocked.

[Joe Budden]

Well, that's the thing. That's why get can't trip me up no more. I know who I'm with.

[Mel]

You're right.

[Joe Budden]

He said that to me. I don't play.

[Mel]

He said that to me.

[Joe Budden]

I don't play. See, that's the G card for me. Just not playing with the person you love so you don't risk losing them.

[Mark]

That's real.

[Ish]

You learn it.

[Joe Budden]

Okay.

[Mark]

That's a new G card.

[Mel]

That's the platinum.

[Joe Budden]

Well, yeah, yeah, yeah. It's the black car.

[Mel]

You were now watching the master at work. Remember I told you that that drop belong to you? Cause you be doing some.

[Joe Budden]

I ain't going to find that.

[Mark]

And as soon as she moved watch joke be doing spaces at 1am on Friday nights. And you're going to be in a house. You ain't going nowhere near no place.

[Joe Budden]

I think it be different have a side house anyway.

[Parks]

A side house, okay.

[Mel]

She probably would go to the side house.

[Joe Budden]

That LeBron problem. You could have just had the Toronto crib. You ain't need to go go to Drake's. You rich enough to just had a little side by the airport. You know how we come on.

[Mark]

I don't know nothing about that.

[Joe Budden]

You don't know about it?

[Mark]

No, I don't do. No, I really don't.

[Joe Budden]

You did used to cheat. You said that on this podcast.

[Mark]

No, I never said that. I never said you had women that.

[Joe Budden]

You were with that you cheated on in the past. You did say that.

[Mel]

Not in A relationship.

[Mark]

I never said that. I said. I. I have. I have been polyamorous, but I've never. I've never been committed to my. Cheat on.

[Mel]

That's what he said.

[Mark]

Yeah, but I've had. I've had some.

[Joe Budden]

Polyamorous is the new age ways.

[Mark]

Nobody ever thought. Nobody ever thought I was gonna monogamous, and I wasn't, is what I'm saying. Nobody ever thought that they were the only person when they weren't.

[Mel]

Oh, so if you had the other crib, all parties knew what could happen.

[Mark]

I didn't ever need another. When you do it, when you move like that, you don't need no other crib.

[Joe Budden]

We got this tall mute up. Don't say nothing. Yo, we got it.

[Ish]

Saying a word.

[Joe Budden]

G. Talk to him. Talk to him.

[Mel]

Under that hoodie blue, you got a new. Let's get it.

[Joe Budden]

What else?

[Ish]

What else?

[Joe Budden]

What else is going on that's important, unimportant. Oh, Jello. Jello.

[Mark]

Shout out to him.

[Joe Budden]

LiAngelo Ball.

[Mel]

It's old for jello. What make that a. I thought it was over for them. I don't eat that gelatin, but I used to. I used to eat jello.

[Joe Budden]

We could tell. We could.

[Ish]

Look at.

[Mel]

We all ate Jello. Yeah. Know how to make it? You got to put that in the freezer, right?

[Mark]

I don't know how to make it.

[Mel]

But I used to eat it used.

[Mark]

To be in the free lunches, and that's how I. That's the only time I used to eat it.

[Parks]

Jello shots.

[Mark]

Oh, and Jello shots. And Jello shots.

[Parks]

Good for a Jello shot.

[Mel]

Oh, got it.

[Parks]

Yeah, it.

[Mark]

I don't eat this no more pork.

[Mel]

I don't know how it's made Parks. That mixture they be. I don't know how the they do it.

[Parks]

Vodka and jello and water.

[Mel]

Yo, ma'am, if you was on the Soul Train line, right, would you have the big afro or the Felicia braids? Cause you know you be trying to freak shit out. Or would you have half and half like.

[Joe Budden]

I see.

[Ish]

For real, man.

[Savon]

That's a hard choice. I'd probably rock my fro.

[Joe Budden]

You rock.

[Mel]

Okay, now would you do the bell bottoms and do this. That stupid shit, or would you like stupid shit? Cause you know, you always say your. Yo, I was there for my looks in the videos. I can't dance. So how would you go? You have to go down the line, man.

[Joe Budden]

And your hair's thinning. Now.

[Mel]

Why would you say that?

[Joe Budden]

Cause I asked her before why she don't Rock the Afro.

[Savon]

That is not what my response was. That was not my response.

[Mel]

And she don't like made his own.

[Ish]

He just made his own sh the fuck up.

[Mel]

So how would you do. You wouldn't dance down the line. You would just walk.

[Ish]

No, you can't walk. You gotta.

[Mel]

You gotta exactly give her a be.

[Ish]

Feet Soul train line right there.

[Savon]

I think the.

[Mel]

Not a lot of women, Mel, probably do this stupid.

[Savon]

Yeah, I probably. I, I, I'd figure it out.

[Mel]

Big man.

[Ish]

Got some rhythm for this one.

[Mark]

Big man.

[Mel]

You got to do the spin right here, man.

[Savon]

Wait, what the is happening right now, big man?

[Joe Budden]

Oh, no, big man. Hey, we doing the, the Jennifer Hudson walk line. What's the girl name?

[Parks]

There you go.

[Ish]

Yeah, I don't know Jennifer Hudson.

[Mel]

It is Jennifer Hudson.

[Joe Budden]

When all the girls were sexually harassing Action figure. Ish.

[Mel]

Oh, yeah, yeah.

[Mark]

So she. Action figure is a year.

[Joe Budden]

So she cut the look at you on this dick. So they cut the comments off.

[Mark]

Actually, they had to.

[Joe Budden]

What do you think about that? What do you think about Jennifer Hudson cutting the comments off because all the women were sexually harassing Aaron?

[Savon]

I think that it was the right decision to make.

[Mel]

Why your foot moving up like that?

[Joe Budden]

You good?

[Savon]

I'm fine.

[Joe Budden]

Well, don't you think there should be, like. It should be a louder voice, like, over all topics that involve sexual harassment? What? I just don't see many people having a conversation and moving the needle about all the women that were sexually harassing that man. Talking about, look at his crotch, look at his dick. One night with you. Come here, cat daddy. Fuck your wife. Like all that shit that they were saying in there. Here, dad, if a guy said it, it be horrible.

[Savon]

I personally think.

[Joe Budden]

I'm with you. I know I'm with you. Shout out to liangelo Ball got. I don't know. I don't know.

[Parks]

The number kept changing. 8 million. 13 million.

[Ish]

8 million guaranteed.

[Joe Budden]

I have no idea what the labels give out.

[Ish]

Guaranteed deal.

[Mark]

They guaranteed him 8 million and they said he gets the right to own all of his music and they give him his own label. I was gonna ask y'all what that actually means.

[Ish]

Publicist talk.

[Mel]

Sounds crazy.

[Joe Budden]

Yeah, Listen, I bought it.

[Mark]

Me too.

[Joe Budden]

When it came out, I bought. Hey, hey, wait a minute.

[Ish]

Hey.

[Joe Budden]

New. New. Shout out to.

[Mark]

My pockets Blow.

[Mel]

Don't know. Tell me what they talking about. I ain't listening.

[Joe Budden]

Fix your face up. Mel, I'm fine.

[Savon]

I'm just, I'm. I'm not hating. I'm just processing.

[Mark]

He moved 100 of those too. Didn't he?

[Joe Budden]

94,000.

[Mark]

That's a good number.

[Joe Budden]

Yo, these are liars. That's my take on this. These are liars. They're lying. I don't know why they think everybody.

[Ish]

Is stupid because they are running around believing this.

[Joe Budden]

The music business is in absolute shambles. Artists, executives, a rs. People are getting laid off left and right. Majors are consolidating. They are getting rid of imprints, people with imprints. It's an absolute mess out here. And y'all want me to believe that LiAngelo Ball is the one to come and resurrect things? Because I think this song is a little bop.

[Parks]

And it is.

[Ish]

It's bop.

[Joe Budden]

Yeah. But I could think that.

[Ish]

So if he sold 90,000, that. That's just totally out of here.

[Joe Budden]

More reason for me to say that these niggas are lying sacks of shit. Don't tell me you sold 94,000 independently and then rushed to go sign some deal.

[Mark]

Well, that's the part I didn't.

[Joe Budden]

I don't. I don't believe.

[Mark]

Why would you want to do that as him?

[Ish]

Because he's not in the music business.

[Mark]

But I mean, he's surrounded by smart people, lawyers, his whole family. I just. It seemed like a bad choice. Choice?

[Joe Budden]

My. If my younger brother has a 260 million dollar contract, I'm in the music business.

[Mark]

That's what I'm saying. So you don't need an $8 million?

[Ish]

I don't need.

[Joe Budden]

I don't need anything. And if. And who's younger brother?

[Mark]

Lamello Ball.

[Joe Budden]

Lamello Ball.

[Mel]

Oh, yeah, you're right.

[Ish]

That's Mellows. He younger? Yeah.

[Mark]

Oh, I thought he's the middle child.

[Joe Budden]

Lamello's the young, the classic middle child. And if my older brother has a 80 million dollar deal, I'm in the music business.

[Mark]

That's what I'm saying.

[Joe Budden]

Like, I'm in the music business. The music business is a bank. It's some money and some people with connections that's going to press some buttons. And none of them are doing it now because of the fires in la. Our thoughts and our prayers are with everybody battling all the fires in la. I know too many people out there. I haven't called you because I assume that y'all are all busy dealing with real life. But I love y'all. I'm praying for y'all and my heart goes out, out to y'all. All of that is devastating. Still, that can be an active thought in my head along with every conspiracy theory that I have about what's going on out there and I do have a bunch of them.

[Ish]

I've been calling everybody I know out.

[Joe Budden]

There, just, just saying.

[Ish]

And some people are up, some are, you know, they didn't get to them yet. So I'm like. It was getting closer. So we leaving. It's. It's up, bro. There's no nothing to joke about with that.

[Joe Budden]

Yeah, no, not at all. All. Not at all. So yeah, back to this. These lion here and then Def Jam, huh? If y'all don't knock it off. Def Jam ain't I got. I know people have been. Let me. Shut up. But stop it. Just stop it. Enough. Enough.

[Mark]

So this is all a big PR stunt for both of them, that's all?

[Joe Budden]

Yes, sis man. That's all this is.

[Mark]

I don't get it.

[Joe Budden]

A bunch of gibberish about absolutely nothing.

[Savon]

What's the end result or the hoped for?

[Mel]

Bring more attention.

[Ish]

What do everybody that do that shit for? Clicks in attention.

[Joe Budden]

That's it.

[Ish]

Get more eyes on you.

[Mark]

So what kind of deal would he really in reality if. This is all bullshit, right? I get it. I get why they both might do that.

[Joe Budden]

Well, somebody said that it is a licensing deal and the 8 million is in advance, but there's a cap on how much of that is paid out and when it's paid out. So again, it's all language. Semantics.

[Mark]

So even the guaranteed is not guaranteed guaranteed. It's more of a I might have.

[Joe Budden]

Gave you half a mil. Even if I lie and say I gave you a mil. I mean, I don't know the labels to be so generous nowadays. But again, I'm a dinosaur. I'm far removed from this.

[Parks]

And if there was something that would give money to it would be the viral hit from someone that doesn't make music. I don't believe that's been the trend for a while.

[Mark]

That makes sense.

[Joe Budden]

I don't think it would be a Def Jam. I don't think there is a Def Jam gym. I don't think there's a Def Jam. I think they all lying. But again, I don't know. I don't know. Congrats on whatever you got going on.

[Parks]

For sure.

[Joe Budden]

I like the song.

[Parks]

The song is a slap.

[Mark]

I heard he got at least one more hit him.

[Parks]

And maybe he's got another one. Who knows?

[Joe Budden]

See, that's how people get these lying ass deals. Little rumors like that right there. I heard he got two. Another one.

[Mark]

Lonzo. Lonzo played a snippet of it in the locker room. It's not It's. It exists. I've heard it. I'm just saying I didn't hear enough of it to vouch for it, but it's people saying it was hot flash.

[Joe Budden]

To y'all out there. Everything sounds doper in the snippet.

[Mark]

Oh, man, that's true. That's true.

[Mel]

Timmy Turner. Timmy. Timmy. Timmy Turner sounded crazy in the snippet, man. It still was good. But he's right.

[Joe Budden]

Shout out the designer, man. I hope he's doing well, man. Yeah, there's a few people I think about out is. I hope they doing all right after all they went through. He got. Oh, Fetty Wap was all right, too. I could do a whole episode on all the people that I hope are all right.

[Ish]

Do you.

[Mel]

Do you speak from that? Because you. You came out of it.

[Joe Budden]

If I didn't come out of it, I would. I would hope that these people are.

[Mel]

You came out of it for real. Your God don't play about you. You put your hand through the grave like the undertaker now for. And walked out.

[Joe Budden]

None of it's possible without the fans.

[Mel]

Hey, you won't lose it again.

[Joe Budden]

Now you. A lot.

[Mel]

I like how you talking because you still humble, man. We had a little talking in. In the strip club, and you Vulnerable moment, and you, you know, I get it.

[Savon]

You had a vulnerable moment.

[Mark]

You get vulnerable in the strip club.

[Mel]

No, I'm just saying. Now you just talking to this man.

[Savon]

Wait, wait, wait, wait.

[Mel]

Hold on, hold on.

[Savon]

We haven't even gotten the play by play of you, him, and Imani at the strip club. Is there anything that you should seem.

[Mel]

To be very interested in?

[Savon]

We all are.

[Mel]

Let me be careful. Let me know. I promised. Okay, sure. I'm just saying real quick. I'll get to that. I'll let him lead that. But it's just a vulnerable moment, man. The nigga still got, you know, even though he. He still got little humbleness to him. I'll say that. Still a little humbleness. It could be a trick, but I know in the moment, I looked at the environment, I said, oh, this is a nice place. Place to tell you.

[Savon]

He had, like, a tear in his eye.

[Mel]

Nah, he just was just. I understood what he was saying, and that's. That's what it is. So when he says lines like that, like, yo, I really feel for Fetty Wap or Designer, we crack jokes on him. But I know that he genuinely feel that way because he don't really talk about it. Cause we fuck with niggas. But the situation wasn't too favorable. And he fought through that. Now you have a number one.

[Joe Budden]

You can't fuck with me.

[Mel]

Yeah, you fought through it. You were patient. You know what I mean? You fought through it.

[Parks]

It.

[Mel]

And I speak to the, that, that, that, that, that was in charge of this. They're like, he fought through it. William Cor. I don't know how he did it. He got through it.

[Ish]

He laughed.

[Mel]

I said shut up. For real.

[Joe Budden]

So put some money to the side on a rainy day for a lawyer man, no matter what you're doing out there, that especially for you entertainers get, get, get you a lawyer that's going to read all 907 pages of the. That they put in front of you you so that you don't find yourself working out of some irreversible debt and that you could never just get your fear shot. That is a fact.

[Parks]

That's good advice.

[Ish]

That is very good.

[Joe Budden]

That's it. That's it. Leangela boy, you are a liar. What happened?

[Mel]

Yeah, yeah, he's a liar. No, I was gonna ask about the P word. Where is it? Perpetuity. What's the, what's the word that they put in the contracts with no matter what?

[Savon]

Perpetuity.

[Mel]

That's one of them. And there's no way out of that, right?

[Parks]

Depends on how this is written.

[Mark]

Get a real good lawyer.

[Joe Budden]

Yeah. Okay. Well if you flip the signature page, last page should say you. That's another P word that's right there.

[Ish]

We got him.

[Joe Budden]

We got him.

[Ish]

You talking about the fires And I just wanted to say like Beyonce was supposed to been announcing something and there rumors about what it's going to be, whether it be Act 3, whether it be she's performing at the rodeo show and she pushed it back due to what was going on. And I, I think that was pretty dope of her just because it's like we always say these celebrities don't know how to really read the room. And because if she would have said something, people like, yo dogs, you see what's going on out here. Nobody really want to hear this right now.

[Savon]

She's pretty good at reading.

[Joe Budden]

Yeah, she's real good.

[Mark]

Yeah.

[Savon]

She's never really been accused of being like tone deaf whenever there's some going on and pushing product and whatnot.

[Joe Budden]

The Weeknd did the same. The Weeknd pushed back his album and tour. There's a few labels that push back all Grammy related activities. I think Universal did because of what's going on out there.

[Parks]

But the Grammys are still going on. They Said because they want to help bring more awareness and donations, I guess. Whatever.

[Mark]

They're such good people, right?

[Parks]

Kind hearted.

[Joe Budden]

Maybe they'll bring Taraji Hinton out and do some. Yo, Taraji. And Kamala was so funny that year on the awards, that commercial they shot. Yeah, we were there in, like a fake dressing room or something. Oh, look, we were just so depressed, girl, so bad. What would you do if you were? No. Well, funny you should ask Taraji. Oh, man.

[Mark]

Yo, speaking of politics, you see, Michelle Obama announced today she's not going to the inauguration, which I think is a really big deal. She also didn't go to Jimmy Carter's funeral, and it's just because she don't want to. Well, I mean, I said she don't.

[Savon]

Want to be in the room with Trump.

[Joe Budden]

If Drake will tell him, Lebron, he might got the Barack foul, got the obesity shit. Oh, shit, it's hot in the Obama house. I'm joking, by the way. I'm joking. These niggas will sue the shit out of me. But no, I didn't see it.

[Mark]

And that is a pretty big deal. It's a big deal. They just announced it, really, as we started recording. And they didn't give a reason. Just like they didn't give a reason for the other thing. But after inauguration, when Trump won the first time, she was very clear in saying that the reason she was making those facial expressions and the reason why the memes were saying all that, she said it was all true. She said, I was not happy to be there. I didn't like looking around. I didn't like seeing everything we worked for disappear. I didn't like seeing the lack of diversity, all of that stuff. So it tracks that now with Trump coming back again, she don't want to be there. And I actually respect the shit out of that.

[Savon]

So the fuck you right?

[Mark]

And that's what black women do. That's what black women do. Stand up and they like, look, you gonna see this on my face. I'm not gonna hide it. And I'm not showing up to this shit. I love Jimmy Carter, but I'm not showing up to his funeral either. Cause I don't wanna shake Trump's hand. Kamala had to look at Trump that whole time. All the motherfuckers that look at Trump, she don't want to, so she's not going. I respect it.

[Joe Budden]

Yeah. And I don't think she's a fan of Carrie Underwood.

[Ish]

I, I, I respect the inauguration one, not the funeral, because you, you making a moment. That's not about you. About you.

[Mel]

I agree.

[Mark]

How's that different than the inauguration? It's not.

[Ish]

It's not about the person that your beef with is either at the funeral. It ain't about Trump. This is not Trump's funeral. This is.

[Mark]

I see Carter. That's fair.

[Ish]

I see this as Trump's inauguration. I can get you not going to that. I don't fuck with him.

[Mark]

Right. You're the star of the show.

[Ish]

I'm not gonna go to this just because he's there.

[Mark]

I can see that.

[Ish]

That's all.

[Mark]

I can see that. It's just so much pomp and circumstances in funerals too, where you gotta shake hands and pretend you like people and shit.

[Mel]

You saw Donald Trump post the conversation between him and Barack with the subtitles, what they were talking about.

[Mark]

I didn't see the subtitles. I saw the clips. Was it real?

[Mel]

I don't know. It looked funny to me.

[Mark]

I'm gonna find a journalist and see. But that's crazy. The fact that Obama was sitting there talking to Trump, that's the shit that you. And then everybody's dissecting that for the next three weeks and Michelle Obama's not playing that shit. She's like, I'm gonna sit here with my mouth shut and look unhappy. So I'm not gonna go.

[Mel]

I mean, it's not real beef. Sometimes you talk to niggas, right?

[Mark]

Yeah, I don't think it's real beef. I think that was my point. All that time, all y'all breaking up with family members and never speaking to people.

[Mel]

Exactly.

[Mark]

Over Trump versus this person. And these motherfuckers in the back room having jokes, laughing, breaking bread together like they all run the same empire, like, you know what I mean? They all two wings of the same bird. Fuck em. That's all I'd say.

[Joe Budden]

What are your thoughts on the price gouging going on in Los Angeles?

[Mark]

It is unconscionable. It's the same shit I was saying back in Covid it, you know, when I was. I had got my hands on a whole bunch of masks and I was, you know, selling them through Amazon. I felt terrible about it. I'm just kidding.

[Mel]

Oh, shit. You had me fucked up.

[Mark]

Yeah.

[Joe Budden]

Word.

[Mark]

That second shipment, man, I was like, no, but I hate to see exploitation, you know, and in moments of crisis, we should be dropping prices, not raising them. That's all. I hate it. I hate every bit of it.

[Mel]

What are the prices?

[Ish]

Sounds good in theory, but, man, the.

[Savon]

Prices of like, Airbnbs and rental spots, it's. It's astronomical. Like they doubled. Not doubled. Like they went up by like 2, 300%.

[Mark]

That's crazy.

[Savon]

That's insane.

[Mel]

I thought Airbnb was giving them out for free.

[Joe Budden]

Ish. What do you think on the, on the landlord side?

[Ish]

I. I mean, I think from a humanistic standpoint, you gotta realize that people are in a crisis and mad people.

[Joe Budden]

That's why I asked about the landlord side.

[Ish]

I know we talking about the upper part, like the Palisade part. Those people. Okay. But the lower part is where I hear that the people are gonna be in need and are in need. Allegedly I forgot the name of the Alta Altadena.

[Savon]

And also, it's a misnomer that everybody in the palace is. Was wealthy. There was people who inherited homes. You know, there was people. There was apartment buildings in the Palisades. There's people who were, you know, lower to low mid income, you know, living paycheck to paycheck. People, citizens living in the Palisades. Like it really is not just like celebrities in the Palisades in Malibu. It's not. It's businesses, it's regular working people that were affected by this. So the price gouging, first of all, isn't it illegal to do that when a national disaster has been declared? I feel like it's illegal to do that.

[Mark]

I know it was. There were new laws that were imposed during COVID about commerce. I don't know about like rental properties and things like that that may be carved out. I don't know enough about that to say, but it shouldn't be. I don't want. Even if you're rich, I don't want you exploited. I don't want anybody exploited. And we live in this world now where you can do like. I went to try to get some tickets for the Apollo to watch the Luther thing. I wanted to see it live at the Apollo. And the tickets with book research. Yeah, actually. And it was $30. The ticket was $30. And I just forgot to hit the button. I didn't want to tell my wife that I forgot to hit the button to get the tickets. So I was like, I'll just buy them. I'll buy them. Secondary market, 400, $650 just on principle. I was like, fuck y'all. I'm not going to do that. But it's like now we live in a place where people, if they feel like they can get you, they will. That can't be how we operate to each other. We gotta be better to each other than that, man.

[Ish]

All that shit sound good, man. Capitalism, the real world we live in.

[Mark]

Is supply and demand, and that's capitalist.

[Joe Budden]

That's why capitalism is crisis is where.

[Ish]

Make a lot of money, pray for crisis.

[Joe Budden]

You start talking about the humanistic.

[Ish]

Oh yeah.

[Joe Budden]

You ain't get the other side of that as a landlord. Like. Like real, real.

[Mark]

Would you do it?

[Ish]

I'm not sure. Maybe. Maybe not. It depends on the circumstance.

[Joe Budden]

Answers. Wow.

[Savon]

I'm a landlord and I wouldn't.

[Mark]

I. I respect that. I. I'm a former landlord.

[Joe Budden]

You ran off with cake money.

[Ish]

Not. Not just that. Not just that.

[Savon]

You're such a hater.

[Ish]

Not just that. Anybody. What. What's. What dictates market rent.

[Mark]

I'm willing to be flexible in determining that. But there are numbers that we would all agree are unconscionable. That's all I'm saying. So, for example, if the average rent in the place you rent places is what's the average rent you charge? If you don't mind saying, let me not do that.

[Ish]

It depends on the area.

[Mark]

Let's say the average rent is 2000. Where you rent and there's mass flooding and fires in the area and you start charging people 10,000. I think that's fucked up.

[Ish]

There are some people that think 2000 is fucked up.

[Mark]

Maybe. And I said I'm willing to debate that number. But there's a number that we probably all agree. I'm only doing this because people are desperate and have no choice. And when you're doing something because people are desperate and have no choice, that's where it's fucked up to me.

[Ish]

When you bro, then what's the difference? Well, I guess because it's the crisis part, but rarity, like, you know what I'm saying? A pair of fucking Travis Scott sneakers That's selling for 30 times, 40 times the price.

[Parks]

That it's not a necessity because people don't need it.

[Mark]

People aren't desperate for. No, no, no.

[Joe Budden]

I'm giving. God.

[Ish]

I'm saying that is rare. No shit is rare. I want you to run the price up. I want your take. Tell me your take. I agree, Mark, but you ain't agree. When Covid was going on and landlords wasn't getting paid and they was in financial jeopardy and at risk of losing their houses and the government was giving people extra money. And we sat in here and had a conversation how people were doing better actually during COVID and getting extra money and the government said they didn't have to pay their Rent. And you said, fuck them landlords.

[Joe Budden]

I can't hearken back to all of that, but you and I have had that conversation a bunch. No, I'm on the side of the people, not the landlords. Sorry, sorry.

[Mark]

That landlords are people.

[Joe Budden]

I'm on the side of the mass. The mass.

[Mark]

The people like the mass people.

[Ish]

So you're not on the side of unfairness. You on side of. Because again, the scenario during COVID a lot of people were getting unemployment plus an additional $600 a week. Week. A lot of those people were making more money than when they actually worked.

[Mark]

Right. And they should pay the rent.

[Ish]

And then the government said, you don't have to pay your rent. So niggas was going out buying new cars and all this other shit. And landlords were literally losing their houses.

[Mel]

Yeah.

[Mark]

And that's.

[Ish]

I had six houses in pre foreclosure during COVID Six. I had personally and could have potentially lost my houses. So fuck the landlords. Because they are supposedly the rich people, the big empire. Everybody that's a landlord. Most landlord landlords. Ice's grandparents are landlords. They mom and pop. And those people use that money to survive off of. You understand what I'm saying? Everybody. Not fucking Donald Trump or what's homeboy's name from Joe Button. You get what I'm saying? So a lot of the Kushners and like everybody is not those. Some of these people are the same exact people that just got burnt out in Palisade that are living check to check. A lot of. A lot of those landlords are living check.

[Mark]

Yeah.

[Ish]

So that's why I'm saying it's a circumstantial thing. It's just not one.

[Mark]

Yeah, but that's the argument for making sure that middle and working class landlords do Are protected. That's not an argument for landlords exploiting people, the masses who are vulnerable.

[Ish]

You answered my point. And my question was to Joe. The landlords got exploited in that particular.

[Mark]

Situation, and we gotta fix that. I'm agreeing with you.

[Ish]

And so that's why I wanted to hear his take on that particular situation. Cause a lot of landlords lost their houses.

[Joe Budden]

That's true.

[Mel]

But I thought the government was gonna pay the landlords.

[Ish]

Government ain't pay nobody shit.

[Mel]

Okay, then that's.

[Joe Budden]

That's.

[Mel]

Then I'm with.

[Mark]

I'm. They paid me. I got that PPP money.

[Ish]

That. That's not.

[Mark]

No, no, no.

[Mel]

That's my point.

[Mark]

I'm saying they should have given landlords the same protections they gave other small business.

[Mel]

The government only were protecting the people in need. They didn't protect the landlords. There's nothing. There was nothing out there that any programs that protected you.

[Ish]

It depended on how you owned your homes. So some people, like if you owned your home in a personal name, there was some shit that you could have done to not be in foreclosure. But even a lot of those banks took the money that you missed out on and just put it on the back of the loan. They didn't necessarily compensate you for any other things that you lost.

[Mark]

Right.

[Ish]

So I just think that we pick and choose.

[Joe Budden]

I hate your Covid example because like I told you back then, the owner has things that he has to pay and that he is responsible for whether there's a rent today or not. You own the property. It is yours.

[Ish]

You're wrong.

[Joe Budden]

How so?

[Ish]

That's like saying, my mortgage, I pay a mortgage. Right. But I'm providing a service. So regard.

[Joe Budden]

You just added something to what I'm saying.

[Ish]

Quick question. You got a house, and everybody in that house moves out, and you have trouble renting that house for three months.

[Joe Budden]

You have to pay it.

[Ish]

You still got to pay the mortgage. Right. Whether it's empty. So what he's saying is whether it's empty or not, that's your asset is still on you. You have to take yes or no. Yes and no. So when somebody's living in your house and you paying some of the. You paying some of the utilities and all of those other things, even when the house is vacant, I have the ability to rent it. Again, when somebody's living in my house not paying rent and I can't get them out, you are taking my option to rent that house. That's why I asked you the question. You were having a trouble of renting it for three months.

[Mark]

Yeah.

[Ish]

Because you still have the option to rent it. But you did not. This is January. You don't get the house rented till April.

[Mark]

Yeah, but I think what he's saying is when, when it's empty, I'm, as a, as a business owner, I'm taking a risk that I may not be able to rent it out. Right, but I think you take that.

[Ish]

Same risk when you rent it.

[Mark]

Right, but his point is, when the government creates a situation where I can't.

[Ish]

Get rid of the person and said, I can't kick you out and you have to live here for the next two years, you are taking my option to rent the house out.

[Mark]

Now, it's not a gamble. Now it's an impossibility.

[Ish]

Not apples and apples.

[Joe Budden]

And my heart goes out to the people that lost everything that they had, their businesses, were unable to pay rent before. It goes to the landlord that was going to have to pay this either way. Sorry that you had your arms cut off.

[Ish]

So if that's the case, if somebody don't come sit down and eat in your restaurant, you still got to pay your bills, right? Correct. A thousand percent. If somebody don't come eat your. Your spaghetti, you still got to pay the rent to the landlord, right?

[Mark]

Yes.

[Ish]

So what's the difference? We look at landlords like they not business owners. You are running a business. If you run one home and you got a three family household and you have three tenants, you are providing a service the same way somebody's providing food to a customer. It's no different. I'm providing safe and adequate housing to you. I deserve to be compensated for that. The same way if I own a sneaker store and somebody runs out the door with my fucking sneakers in their hand, it's the same thing.

[Joe Budden]

I don't think that the renters should have been put out in the street and been without shelter.

[Ish]

I don't think that either. And I don't think the landlords should have had a government moratorium that says that they don't have to get their money. And again, when the government was subsidized.

[Joe Budden]

But I think that's a landlord beef to the government.

[Mark]

That's what I'm saying.

[Mel]

I agree with that.

[Joe Budden]

Not to the people.

[Ish]

You're wrong.

[Mel]

No.

[Ish]

When the government is paying people extra money.

[Joe Budden]

See, that's pocket watching.

[Mark]

You said the government's incentivizing people not to pay the rent.

[Ish]

No.

[Mark]

Yes.

[Joe Budden]

That's what he said.

[Ish]

The government told people they didn't have to pay their rent. I gave you more bread.

[Joe Budden]

There's a reason. They didn't just wake up and decide that there were, there were reasons why they did that. And I think those reasons are paramount.

[Ish]

To whatever the landlord said.

[Mark]

I think you're the blind spot. Right. So. So hear what I'm saying.

[Ish]

So you don't. You, you just forget the reasons that the go. The, the. The government is paying people extra money for a reason.

[Mel]

Yes.

[Joe Budden]

Okay.

[Ish]

So these people are not desolate. Some of them.

[Joe Budden]

That's not true.

[Ish]

The government is paying you extra money because you can't go to work.

[Mark]

Because you can't work.

[Ish]

Which is what you were going to work to pay your bills. Exactly. And to live. So now if I'm getting We're supplementing that because you can't go to work.

[Mark]

So. So that's what I'm saying. You're the Joe.

[Ish]

If we didn't have to come to work and the government told you, you still got to pay us, but we didn't have to pod, you will feel away.

[Joe Budden]

Say it again.

[Ish]

I don't have to. You heard me.

[Joe Budden]

No, say it again.

[Ish]

If you. If the government told you you had to pay us and we didn't have to come to work and we didn't have to pod for the next two years and you still had to pay all of our salaries, you will feel away.

[Joe Budden]

How does that correlate to what we're talking about?

[Ish]

Because I'm telling you the service being provided by the landlord is safe and adequate housing. And you are saying that you have to have these people living your house for free, which is you paying them for free, and they don't have to provide nothing back to you.

[Joe Budden]

I don't think the podcast example is that.

[Mark]

But also, I think we gotta take a step back. That's what I'm saying. You're the blind spot. Meaning that the law was created so that big businesses, big landlords, big corporations, big property companies aren't taking mass amounts of people and putting them on the street when they can't afford it.

[Ish]

But it affected everybody.

[Mark]

And that's why I'm saying the problem with the law is that people like Ish get hurt too. So I'm saying the fix isn't to stop the moratorium on evictions. I think we need the moratorium on evictions, but to create a mechanism so that Ish still gets his money. And I'm saying we could do both.

[Joe Budden]

But Ish getting his money comes secondary.

[Mark]

That's what I'm saying.

[Joe Budden]

The masses being properly sheltered. And it don't say that because the government said to give niggas some money, that those people now have to take what their only income is and hand it to a landlord. You talking about people with kids? You talk about people with income.

[Ish]

That's what they was doing anyway when they was going to fucking work. They were taking their income, paying their bills. So if the government is subsidizing your income and giving you potentially more than what you were making when you were going to work, you should still be responsible for paying your bills.

[Joe Budden]

Ignored what I said.

[Ish]

No, I didn't.

[Joe Budden]

Okay, then you didn't reply to what I said. That money the government was given so people could live.

[Mark]

That's not.

[Joe Budden]

You say it's not pay rent. Not pay rent. You equate in the two.

[Ish]

What do you go. So the money you get from going to work is for what? What the money you get from going to work.

[Mel]

Shopping, food, family.

[Mark]

I get what you're saying.

[Ish]

Your salary from going to work is to do what?

[Mark]

But here's the issue. The money the government give you isn't a salary. So that's the difference.

[Ish]

They're replacing your salary because you can't go to work.

[Mark]

No, no, but listen what I'm saying, listen what I'm saying that is true. If the money I. If I make $600 a month and the government gives me $600 a month, the issue is 100% right?

[Ish]

They were giving them. Now they were giving you. Yeah. So now If I make $900 a.

[Mark]

Month, so they give me 1200.

[Ish]

Now if you making a thousand dollars dollars a month.

[Mark]

Right.

[Ish]

The government was giving them 1600amonth.

[Mark]

I'm with you. Right.

[Ish]

So if you could pay your bills on a thousand, how the do you not pay your bills on 1600?

[Mark]

And, and I'm agreeing with you at that point. But I'm saying for a large number of people, the amount that they were getting in income was less than what? I'm not wrong.

[Joe Budden]

You tell me.

[Mark]

Are you telling me he is wrong? Are you telling me that everybody in the country that got a government subsidy got $600 more than their income?

[Ish]

Mark, number one, I'm asking this a direct question. I'm going to answer them. Mark, number one, you have to know the median income of the people in the country. That's number one. So a lot of people in the United States of America, if you do 600 times 52 weeks, they are bringing home more money than they bought home from their fucking jobs. Dog. This is what I do.

[Mark]

Yeah, you have to fact check. I don't believe that. That's not my understanding.

[Ish]

You're wrong.

[Mark]

What am I wrong about? I'm asking you what am I saying that's wrong.

[Ish]

The government was giving people an additional $600 a week on.

[Mark]

On top of their weekly income, on.

[Ish]

Top of their unemployment money.

[Mark]

But unemployment isn't your full check.

[Ish]

You asking me a question? You're asking me a question? Please let me speak. So if you make do the median income in the United States, of course there's going to be outliers. Do the average. Because you all want to talk about the masses so fucking much. So we're going to stay on the masses.

[Joe Budden]

But your whole principle, let me Finish that outlier.

[Ish]

No, I'm not. No, I'm not.

[Joe Budden]

Most outlier is the person that, during the pandemic, took the fucking bus down or whatever they was giving and now they was up and it was balling and it was doing better than ever.

[Ish]

I think that's the outlier income. Median income in the United States is 37. $500 a week from the government for 52 weeks. You are doing better than you was when you worked. Yo, why do y'all act like y'all don't understand what I'm saying? This is mad. 600 times. 52 weeks is $31,200. And that's the additional, no tax on top of the unemployment you were getting the average person.

[Mark]

Unemployment is your income.

[Mel]

Unemployment is half.

[Ish]

Now y'all being willfully obtuse, boy. Just read it in math numbers.

[Mark]

Hold on. Just listen to what I'm saying.

[Joe Budden]

Listen.

[Mark]

Listen to what I'm saying. Listen to what I'm saying. You're saying that you get the unemployment and now you get this extra six. I hear you. I'm not being obtuse. I understand. The income you're saying they're getting is unemployment.

[Joe Budden]

Yes.

[Mark]

Unemployment is not your full income. Unemployment. Is that not true? Is that accurate?

[Ish]

Correct.

[Mark]

Let me ask what percentage of one's income?

[Mel]

Income.

[Ish]

I know that.

[Mark]

What percentage of. Of your income is unemployment?

[Ish]

I don't know.

[Mark]

So if you don't know, it's smart.

[Joe Budden]

It's not half.

[Ish]

It's a little bit more than half.

[Mark]

But it's more than half.

[Ish]

But let me just ask you a question.

[Mark]

So what I'm saying is. So what I'm saying is if I'm getting unemployment plus $600, that I'm not getting $600 more than my normal income. Cool.

[Ish]

Can I ask you a question?

[Mark]

That's basic madness. I'm wrong.

[Ish]

He broke it down in math. Median income. We don't. Because we talking to masses. I just said the median income in the United States is 37,585. That's the median income. That's the median.

[Mark]

Okay.

[Ish]

The additional 600 alone equals 33. That's. The additional is 31,200. No tax. If you. So you're talking about. That's before you get unemployment on to that money. It's going to be more.

[Mark]

You have the right to vote for. I'm not following.

[Ish]

You serious?

[Mark]

Yes.

[Ish]

All right. Wait.

[Mark]

No, I'm telling you I'm not following what you're saying.

[Ish]

37,000 is what you Made at work, which means your take home Pay is about 25k.

[Mark]

Cool, right? There's several things you said. I don't agree. I don't accept the premise is what I'm saying. I'm rejecting the premise.

[Ish]

But go ahead 37. Which premise are you rejecting? 37. You don't, you don't.

[Mark]

I'll tell you why I reject the premise. Continue.

[Ish]

We talking masses. So we did medium for the entire country. 37,000. That is the that you can Google number. He looked it up on the phone. I'm not making it up. So from before you even get an unemployment check, the government is giving you 31k. So let's say you got 60% of your 37,000 plus the 31k. You are making more money than you made when you were physically going to work. You are getting 60% or 70% whatever unemployment is of the 37k plus an additional $31,000. You are thereby making more money than when you are physically getting up at 6 or 7 o'clock in the morning to go to work. You are making more money now to sit at home. That is a fact one and then you don't have to pay your rent which is people's biggest expenditure that they have. So now you are up, up because you're getting more money than you was making at work. And your biggest bill that to shell out for. You don't have to pay it legally you are doing. If they told us all in here we don't have to pay our rent tomorrow. Everybody's up now. Let's say Parks, whatever you make, you got an additional 2500amonth. Plus you ain't have to pay rent. What are we missing?

[Mark]

Okay, so go ahead, keep going. Listen, I'm just mask.

[Ish]

It ain't emotional, it's mask half.

[Mark]

You're referring to the economic impact payments, right?

[Ish]

Yes, that was the EIPS.

[Mark]

Okay.

[Ish]

The 600 additional which was on again.

[Mel]

And there's no taxes, was it 600 liquid or was. I thought it was 600 in food.

[Ish]

Or $600 check per week. In your additional 600 cash, 2200amonth.

[Joe Budden]

They said you had to pay back.

[Ish]

No, you have to pay right.

[Mel]

Now I know that the supermarkets and food was became higher at the time as well. Like food was higher, stuff in the supermarket was higher. So you know, I don't know. I just remember that. Yeah, I'm sorry.

[Ish]

You made more money and paid out less.

[Mel]

I get what you say.

[Ish]

That's all it was.

[Mel]

That's.

[Mark]

I got You, I don't want to get in the weeds of this, but again, what, what do you laugh at? Am I missing something?

[Ish]

No, yo, fam, it's okay for just to be like, yo, that makes sense.

[Mark]

Yeah, but I never said what you said didn't make sense. Remember, I began from the place of there's a blind spot. And I think the blind spot is people like you don't get paid. That was never my issue.

[Ish]

And most landlords, contrary to popular belief, are mom and pop landlords. Most landlords are not these big gazillionaire.

[Mark]

Right, but the problem is not that. The problem is who gets evicted. And the idea was to have to have a mass stoppage of it. Right? Again, I'm not disputing the point you're making about this. I don't accept the median as a measure because the people, because the people who are catching the most hell aren't at the median, they're below the median. So that's why I was saying. I hear you. I'm not disagreeing with you. What you're saying, that was my problem with his terms.

[Joe Budden]

Whatever number he started at, them niggas, they didn't want to pay was struggling to pay his rent in the first place.

[Ish]

That makes my point even more valid.

[Mark]

I don't think so.

[Ish]

Listen to this.

[Mark]

Well, let me say that I heard you out.

[Parks]

I'm also not sure that a higher percentage people didn't.

[Ish]

If you were below the median, that means you're doing way better than you were doing before. Because if the median is 37 and the government is giving you 31 off.

[Joe Budden]

The rip, I don't think that's the landlord's place to say in a time of a crisis.

[Ish]

It's not.

[Joe Budden]

I don't think it's time for you to sit home as a landlord, pull out your calculator.

[Ish]

When it's a Crisis Going everybody 600 crazy, it's a crisis for everybody, Joe. And again, the landlords are people. What are you talking about? Most homeowners in the country are people too.

[Mark]

What the fuck is you talking about? Again?

[Ish]

So everybody's going through a crisis. And again, if the government subsidized one person crisis and turned a blind eye to the other motherfuckers, that's not fair. The other people that they gave subsidies to are doing better than they were doing when they was at work. That's the point I'm making.

[Joe Budden]

Landlords didn't receive any give backs, perks or anything during that time. That's my question to You. That's my question to you as a landlord.

[Mark]

Lord.

[Joe Budden]

That's my. That's my question to you.

[Ish]

Yo, we the pot up, bro. Let's just move along.

[Joe Budden]

I don't think so. I would like an answer to my question.

[Ish]

No, not really to answer your question. So what they did, they got their debt not forgiven. Like if you are in a foreclosure status. So let's say you owe $50,000, penalties, fees, all of this shit and back mortgages, right? So it's not just the mortgage that you. Let's say your mortgage is two grand a month. So it's $24,000 a year. By the time you get to $24,000 a year and they add on penalties, interest and all that other shit, you could legitimately be at 45k that you owe out with attorney fees, et cetera, et cetera. So what they did was take that $50,000 and threw it on the back of your mortgage. So you still had to pay it. You just weren't in arrears no more with regards to foreclosure threat.

[Joe Budden]

That's what happened. Not you had to pay back the fucking loans they gave out, but that rent had to be paid back back.

[Ish]

You're wrong.

[Joe Budden]

All right, all right.

[Ish]

What you're saying. Had to be paid what? The mortgages had to be paid.

[Joe Budden]

Something had to be paid.

[Ish]

Landlords had to.

[Joe Budden]

Don't make me call my accountant. Like at the end of the year.

[Ish]

All the landlords had to pay their mortgage money back. Yeah, that's what I'm telling you. I know. I'm not talking out the side of my ass. My. I'm a landlord.

[Mark]

I need to. Again, I'm not. I don't know enough about this to disagree. I just, I'm. I'm not seeing the $600.

[Joe Budden]

Took your money and went to Gucci. Took your money and went to Louie, get a violin and try me a ribbon.

[Ish]

I'm not crying at all, cuz I, I overcame it. What I'm telling you is the same.

[Joe Budden]

People and you look good doing it.

[Ish]

No.

[Joe Budden]

So don't try to pitch this story a struggle to me.

[Mark]

Not.

[Ish]

I'm not saying I'm struggling. I'm telling you, though, you're saying that the same people that got.

[Mark]

Hold on, hold on. I'm. I don't mean. I'm looking here. Get. I'm seeing. I'm still trying. I'm, I'm. Everything I'm saying says the economic impact payments weren't weekly, but they were one time Payments.

[Mel]

That's what I thought, too.

[Ish]

That's not true.

[Mark]

They weren't getting 600.

[Ish]

Ice was getting the money. I wasn't. I was working. But my. My girl that I was with at the time, she was getting that every. Every week. Every two weeks with unemployment cuts. I'm telling you. What, bro?

[Mark]

What was she getting? Tell me.

[Ish]

600 unemployment plus $1200 because she was getting paid bi weekly.

[Mark]

Okay, again, I can see the point. I'll do some research.

[Joe Budden]

But shopping with your shit.

[Ish]

You're right. I don't want to sound cynical, but what I'm saying, she was staying home, making more money than me, right?

[Mark]

I'm gonna ask y'all to send that to me. I haven't seen that.

[Ish]

Back to our original thing. Back to our original thing. That's why I said it's a humanity piece in this. But you're asking some of the same people, let's just say hypothetically, that got fucked during COVID to now say that they have a humanistic bone in a body and they not going to up the rents and take advantage of opportunity when the opportunity is available to them. That's what I'm saying. You didn't give a fuck when the opportunity was on the other side. So some people don't give a fuck. Now, I'm not saying I'm one of those people. I'm telling you that some of these people might look at it as I'm taking advantage of an opportunity the same way people took advantage of an opportunity and I was on the downside.

[Joe Budden]

I'll end with I wouldn't do it.

[Ish]

Neither would I, but I wouldn't make more money than I'm making at work and not pay my landlord rent neither.

[Mark]

Shit.

[Ish]

So you're picking and choosing then? When morals matter. We picking and choosing when we give a fuck about people.

[Mark]

When morals matter, I think we should always. And I think if we find a blind spot or a contradiction, I think the answer is to resolve that contradiction.

[Joe Budden]

Not to government tell me I can't pay rent.

[Mark]

Guess who ain't paying rent, And I'm okay with that. Again, I don't think people should have to pay rent.

[Ish]

And if a tell me y'all could charge $9,000 a month for some, that was $3,000 a month. A could say I'mma charge it.

[Mark]

Yeah, I don't see. But can you off air, send me the thing that shows that that's $600 a week? Because what you're saying, that makes a lot more sense to me and I would say you're right. If people are making that much money. I just never saw any evidence of people making that much money.

[Ish]

You're frank group, ain't them?

[Mark]

Well, no, I mean, I looked up economic income. The.

[Joe Budden]

The.

[Mark]

I looked up the policy, and it seemed like people were getting $600 three times. Not every week.

[Ish]

No, that's the stem. No. You went to the mall during that time.

[Mark]

I didn't.

[Ish]

You did. Short Hills mall. A mad house Gucci line was down the block.

[Mark]

Oh, people. I mean, people went to the mall with PPPs.

[Ish]

No, we couldn't. We couldn't keep crab legs in the store. I ain't seen so many classic AO bottles.

[Mark]

Wait, but that's from the stimulus check, right? That's what I'm saying. You're saying every week people got $600.

[Ish]

An additional $600 per week.

[Mark]

Okay, if it's true, I'm not saying you're wrong. I haven't seen that.

[Joe Budden]

This has dragged on long enough. I am now, to break the monotony, going to play a song from some unknown white girl on TikTok. I like this trend of the girl broke up with a man and she's not a musician audition, but she made a song and I laughed at this for nine hours straight. Wait a minute. Oh, you live in LA with your boyfriend. It's a video too. And everything's going amazing until he says.

[Ish]

Babe, I want to move back to Texas closer to my dad.

[Joe Budden]

You give up half of your courage. Let's go.

[Ish]

This might be a hit.

[Joe Budden]

Yeah, take off months of work, deplete your savings to pay for movers, and drive to Texas. So worth it for the love of your life that wants a future with.

[Ish]

You because he said so. So you spend a month waiting for.

[Mark]

Your to arrive and then another month.

[Ish]

Moving in, building furniture and stuff, and you're so happy.

[Joe Budden]

Vacation.

[Ish]

We're incompatible.

[Joe Budden]

Oh, no. Yo.

[Ish]

What is wrong with you?

[Joe Budden]

Yo, yo, she getting her bars off too.

[Mel]

How do you hit a part? When it broke up, she calmed down.

[Joe Budden]

That shit was fucked up. Yo, I ain't gonna hold you.

[Parks]

No, they gotta save TikTok, man.

[Joe Budden]

Nigga is h. It's fucked up.

[Ish]

Why would he do that to that white girl?

[Joe Budden]

Why? Niggas don't know how to. We don't know how to break up.

[Mel]

He sent a letter.

[Joe Budden]

Ish.

[Ish]

He sat down on a new couch. She said that just arrived and wrote her a letter that said, we're not compatible. We have nothing in common. After they've been together three and a half years and moved from California.

[Joe Budden]

Quit a job.

[Ish]

Her savings depleted her savings.

[Joe Budden]

All that scammers is up. Oh no.

[Ish]

City boys up a thousand. City boys up a thousand. You didn't try to flirt.

[Mel]

We just told my dad a scammer man. He just got 850,000 pretending to be Brad Pitt in a relationship with the old. With a 60 year old lady. And that's. She's. She's going. She's suffering from depression. She's getting.

[Parks]

Now don't laugh at 60 years old. You should know who Brad Pitt is.

[Ish]

No he was sending pictures.

[Mel]

He was sending pictures from the hospital bed.

[Ish]

Somebody some AR or something.

[Joe Budden]

This look like.

[Mel]

This story even say cheese posting it cuz we just surprised at this how the he got away with it.

[Mark]

I need.

[Mel]

I need to come up with a come up like that.

[Parks]

Wait, so she thought it was actually Brad Pitt?

[Mel]

Yeah, he said he needed money. He said that he needed money for the surgery for cancer. He also needed money to go to fight the get the lawyers to fight to fight Angelina.

[Joe Budden]

Angelina Jolie and their divorce.

[Mel]

Nice French woman scammed out of 80. 850k in fake Brad Pitt romance. 53 year old French woman was duped. 800 now she's going to the hospital for depression and she's trying to hit a lawyer. Salute.

[Mark]

Salute. Huh? Salute.

[Parks]

850.

[Mel]

Hey I'll be watching. Hey yo, listen some pictures I went down a rabbit hole on YouTube and I watched people that scam the Indian scammers, you know the scammers overseas that scam you. They're scamming them back and it's a whole operation.

[Ish]

So no the Jamaicans got.

[Joe Budden]

Whoa.

[Mark]

No I'm serious.

[Ish]

Let me finish my saying.

[Mel]

They don't have the video scamming the Jamaicans back. They have people ping them getting them back. Cuz they put money in your account. They put like 10,000 in your account so you could them taking a 10 and keeping it. Yeah some crazy. Go to YouTube. Watch that mar.

[Mark]

I'm going to. You going to be glued.

[Ish]

Huge huge bro. You going to be glued be calling you. Yeah I got you know you got to put it on the green dot card.

[Mel]

Then I'mma put it.

[Ish]

Yeah.

[Joe Budden]

I hate scammers. Text me to. Hello. Your resume has been recommended by multiple online recruitment companies.

[Ish]

I ain't even know you.

[Joe Budden]

Could LinkedIn. Well that's how I know they scamming cuz I ain't never had a resume. Therefore our company offers you remote online job which is great. Remote part time Full time online job to help yada yada yada, update data, increase visibility and booking things, and provide free training. Now, I'm only reading this because I know at least three people that thought they got a new job. True. They begin until they made a phone call, went into work, yo.

[Ish]

No, we just need to verify your social.

[Mel]

Yeah, right.

[Ish]

Yeah, get you on payroll. Yeah, we got to get all your.

[Joe Budden]

No, they going crazy.

[Ish]

And send a picture of your license too.

[Joe Budden]

The working hours are 60 to 90 minutes, depending on your schedule. And you can earn 480 to $1,980 a day if you are willing. The Basic salary is 800 for every 5 days of work. 5 day paid trial period. Yada, yada yada. They make that shit sound good.

[Ish]

Too good. That's the problem. We just need to finalize this paperwork. We're gonna send this over to you. We need a copy of your license, your social. You're gonna put the social on the application.

[Mark]

Oh, true.

[Ish]

I mean, date of birth on the application. You gotta send a picture of that license. Oh, no, yo. Oh no. I had to pack up drive to.

[Joe Budden]

Know what if we wasn't recording, I would have played that song three more times. But we working, so. Oh, my Lord. Why he did that to her?

[Mel]

That song was a hit. I need to hear it again. I'm going go listen to that song is hilarious.

[Ish]

Yo. She had added a little more ramen to it. That could have been a smash. I ain't going to hold you. She's too busy getting the bars off, man.

[Joe Budden]

He took a family vacation, yo. Families, yo. Yes, they'll tell you to end that. What else, what else, what else, what else?

[Ish]

Jimmy Butler.

[Mark]

Jimmy Butler.

[Joe Budden]

Which part of Jimmy Butler? Pause. The child support part or him versus Pat Riley?

[Mark]

I was just talking about the child support. All right, The Pat Riley part I feel the way about too, but.

[Joe Budden]

Well, let's do the child support first. That's fine. We have child child support experts. Child support experts up in this piece. So. Yeah, what we got.

[Mark]

But what happened?

[Joe Budden]

The girl is getting how much?

[Mark]

So here's the story.

[Joe Budden]

She want an extra 10k, right?

[Mark]

Right. Cause the newsroom just reported that she was asking for 55K, which was a little misleading. Or 65K. She's making 55 already and was asking for a $10,000 increase for three kids. For three kids. Ages 5, 4 and 1, I think. Or 5, 2 and 1 5, but they're all under 5.

[Joe Budden]

Paid a woman.

[Mark]

That's my easy answer. Jimmy Butler's argument Is she. Or his lawyer's argument was she does not work.

[Joe Budden]

And we were never married.

[Mark]

And we were never married. But first she does not work part is important because he's saying the 55 covers the kids. The extra 10 is really for a lifestyle that she's trying to maintain without working. And then he says she's trying to live the life of an NBA wife by not working, which we never work in.

[Joe Budden]

So she should not be responsible for having to upkeep her quality of life.

[Mark]

Exactly, exactly. That's, that's the. Oh, that's the argument.

[Joe Budden]

And, and this is where, what county?

[Ish]

Where what?

[Mel]

How many children hold up?

[Ish]

So currently she's 3, 5, 55.

[Mark]

All under 5.

[Joe Budden]

Yes.

[Mark]

Yeah, currently.

[Ish]

Where is this at? Where's this case at? What state?

[Mark]

I'm not sure what state. I'm not sure what state.

[Joe Budden]

Somebody Google it real quick.

[Mark]

It might be Texas, but I'm not.

[Ish]

Sure what I'm gonna say is $660,000, that's no tax because you don't pay tax on child support.

[Mark]

Right.

[Ish]

That's the equivalent to like one point, let's say a million dollar job. Right. So I, I just think that if you make a million dollars a year from your job, you could take care of three kids. That's my opinion.

[Joe Budden]

Hey, the woman.

[Ish]

Because again, child support is supposed to be dual.

[Joe Budden]

I think it's la.

[Ish]

It's supposed to be dual. So if she don't work, there are some judges that will make her go work. Yeah, some judges be like, ma'am, you have to get a job. If you want more money, you need to work.

[Mark]

I'm struggling with it because the pay to woman is the easy part even. First of all, if I had a 40, 50 million dollar contract, he's about to get an extension, I probably wouldn't be spending my time haggling over $10,000 a month.

[Ish]

I think it's a principal thing more than a money thing.

[Mark]

It absolutely is a principle thing. You got a one year old with this person, so you just got out of something too. So this also feels like emotional sour grapes. Yeah, it's a whole lot of shit happening. You don't have a one year old with somebody and you get to the stage unless a whole lot of shit is happen in the middle. To me, the argument that you're not a wife is a bad argument. It's a better argument when you got one with somebody, when you got three kids, one of whom is like 12 months, 12 months old. You're not my wife. You Shot up in that thing three times. Like, to me, at this point, like, the wife. Not wife is. That's legal. To me, the bigger point is, like, just y'all are co parenting. Y'all have a relationship. Let her have this life, whether you.

[Joe Budden]

You.

[Mark]

Because you can afford it. And. And she's asking for it.

[Joe Budden]

That's why I keep saying pay the woman.

[Ish]

Yeah, I'm with you.

[Mel]

I can't find a way is that.

[Ish]

I couldn't find it either.

[Joe Budden]

You put three up in there, knowing that she didn't work.

[Mark]

Right. Right.

[Ish]

And just put one up in there.

[Joe Budden]

The end. Yeah, it was recently yesterday.

[Ish]

This ain't no.

[Joe Budden]

Yes, it's an extra ten grand or there's an option.

[Ish]

There's the other side of that, which.

[Joe Budden]

Is move to New Jersey or Texas.

[Ish]

No.

[Joe Budden]

And we don't go through this in Jersey and Texas. Now get your kids.

[Ish]

Try to get your kids. See, niggas never want to do that part.

[Savon]

No, they don't.

[Joe Budden]

We ain't doing that.

[Ish]

Niggas never want that side.

[Joe Budden]

Oh, no.

[Ish]

Why we assuming that?

[Mel]

Why we change the lifestyle?

[Mark]

Well, I don't want to speak for Jimmy's. I don't know. I know when I looked at his new home in Architectural Digest, he had a new room for a young kid. So he clearly wants to do some caretaking. But he may not want to have three kids full time. And what I suspect, though, is if he did in his life, he probably end up spending just as much to take care of them three kids and have nannies and support and travel as.

[Mel]

He would paying the mom 55,000. Don't you think?

[Joe Budden]

Yeah.

[Mark]

As Jimmy Butler. Yeah. Not as us, but as Jimmy Butler.

[Joe Budden]

Yeah. As men, we always look at it wrong. If you have it and you could afford your kids to live a certain lifestyle, then I assume that you would want to.

[Mark]

Right. Jimmy's saying, I'm paying for their lifestyle. I'm not gonna pay for yours.

[Ish]

Yours, but $10,000 extra.

[Savon]

Not necessarily a.

[Ish]

If I'm paying you 55, I'm paying for your lifestyle, too.

[Mel]

A month.

[Mark]

It depends on what that 55 includes. For example, if you pay for private school daycare, that ain't. I mean, that'll eat up all that. I don't know. He might be paying that on top of it. I don't know the situation. Oh, I don't know. What, is that crazy?

[Ish]

I'm just saying, three kids. It ain't like she asking for 110. She's asking for 10 extra. If you paying 55 already.

[Mark]

Yeah.

[Joe Budden]

And 20 a kid in LA. A little bit more than 20 a kid in LA. It sound like. I'm not familiar with LA, but it sound like it's part of course of what they do out there.

[Mark]

Yeah, that doesn't sound crazy to me. That doesn't sound crazy to me. I say just pay her 10,000amonth to me. Extra isn't that big a deal. And I think a woman who has three of your children should have the same lifestyle.

[Joe Budden]

Hold up for a minute, Mark. Cause our math guy, we doing all of this math right now.

[Mel]

660,000 a year.

[Joe Budden]

I'm bad at math. Honestly, too. Yeah.

[Ish]

We have to use a calculator.

[Joe Budden]

Math man. Like, what do you think? What do I think about what?

[Ish]

What do I think about what? Which piece.

[Joe Budden]

The increase to ask what should or should not happen.

[Ish]

I mean, based on the information that we have, I think it's emotional. I think that if you.

[Joe Budden]

And again, you, Jimmy Butler, you fight it.

[Ish]

I fight it.

[Joe Budden]

Got it.

[Ish]

I fight it. Again, not based on the money. I fight it based on the principle. So I don't know the other things. No, I don't know the. No, I don't know the underlying things. Again, let's say hypothetically, Jimmy Butler is paying the nanny or paying for schooling, or paying for these other things in addition to the 55k. Like that's what happens a lot of times. So now I'm paying for all of these things and you just getting $55,000 to live with.

[Joe Budden]

It's fly.

[Ish]

It ain't that many Chanel bags in the world.

[Joe Budden]

It is.

[Ish]

You get what I'm saying? And again, it's child support, not ex girlfriend support.

[Joe Budden]

Nah. Yeah, that's where, that's where. That's where it lose me.

[Mark]

Yeah, me too. And I. I get your point. But there's a distinction to me.

[Joe Budden]

Child live is how the ex girlfriend live.

[Mark]

That's what I'm saying.

[Ish]

That's not how.

[Joe Budden]

Not so.

[Ish]

Because it's a lot of parents that.

[Joe Budden]

Oh, it don't have to be true.

[Ish]

Yeah.

[Joe Budden]

Is what you say.

[Mark]

We're saying it should be. We're saying it should be like, for example, if I got three kids by you, I want my kid to live in a building.

[Ish]

Or keep talking about the kid. Joe said, yo, how the kids live? The mom.

[Mark]

I know, hear me out. Let me finish the thought. You get what I'm saying? What I'm saying is, if I have three kids, I want my kids to live in a certain kind of house in A certain kind of neighborhood as their mom. I want you to have that kind of lifestyle too. You know what I'm saying? I want you to have that. If the kids are able to afford this kind of meal, right? I want you to be able to eat that same. I don't want you, them three going to the restaurant.

[Ish]

Necessities are necessities, right?

[Mark]

And I'm saying at that lifestyle, you.

[Ish]

Know, I think that at that lifestyle, whatever my kids have, like, I think you should have a quality dope car to get my kids back and forth wherever they need to go. I think that you should have good cars. Like, yo, again, if you need a Range Rover, go get a Range Rover. If you need this, go get this. If you want quality food, get quality food. We talking about a million dollar salary, people, right?

[Mark]

And so that extra hundred, it's a.

[Ish]

Lot of us that are surviving and we don't make a million dollars. We eat very well and we drive decent cars and we live in decent homes.

[Mark]

But if you.

[Ish]

So it's a middle area. I hate when we get into these situations where we look at it like it's feast or famine. Famine. It's not feast or famine. You making $55,000 a year and you don't work.

[Joe Budden]

A month.

[Ish]

A month. Pardon me? And you don't work.

[Mark]

But he's making 55 million. And I'm saying that that's. And that's the problem. I mean, it might be, but I think how much I make should matter.

[Joe Budden]

Child support is based off of what you make.

[Ish]

Not when you make a certain amount of money. They cut the calculations out. When you make a certain amount of bread.

[Joe Budden]

Oh, well, when I was doing it, I didn't make a certain amount.

[Ish]

There you go.

[Mark]

Yeah, so that's what I'm saying. I'm saying I'm talking about the shoulds.

[Joe Budden]

Thank God I didn't go back.

[Mark]

You know, you're the way that 17%.

[Ish]

Down there tore your fucking head off.

[Joe Budden]

I gotta shout out my baby moms, both of them. I do, I do.

[Ish]

You the win.

[Joe Budden]

That was peace.

[Ish]

That's 17%. Shit. Now. They had fucking what?

[Joe Budden]

Yeah, no, that was peace to them.

[Ish]

But they wouldn't do that to me.

[Joe Budden]

That's a good looking out.

[Ish]

They wouldn't do that to you.

[Mark]

Mel, what do you think as a woman?

[Mel]

I'm not here.

[Joe Budden]

Well, she ain't said a word. Melt you out.

[Savon]

That's a lie.

[Mel]

I like when she gets stuck, I get stuck. You can tell her mom, be elsewhere. Did you catch her I'm not.

[Ish]

Don't do that.

[Savon]

Don't do that. I'm present here and I'm watching it.

[Mel]

You know, they want to get off her dick. They want to pick off flip. Answer the question there quick.

[Joe Budden]

Go.

[Savon]

If you, if you, if I agree with the fact that she has three kids, you got her used to a certain lifestyle. You want your kids raised in that lifestyle. I don't see a problem with it. He makes an exorbitant amount of money. I just don't see the. It's at that point another 10 grand. That's nickel and diming to him. You know what I mean? And I think that it's just for the sake of being emotional or whatever the case is.

[Mark]

Do you think you should have to work?

[Savon]

I think it's a luxury to be a stay at home mom these days, but I think it's beneficial to the children, honestly, to have your mom.

[Mark]

But do you think you should have to work? But do you think you should have to.

[Joe Budden]

To work?

[Ish]

And what if he paying for like a nanny or something?

[Savon]

That I don't know. What if she's dirty? What does that mean? What if she's dirty? I don't even. Translation, what does that mean?

[Mark]

I didn't follow that.

[Joe Budden]

But you don't need extra 10.

[Ish]

I think. No, I just think we, we. We've fallen deaf on what $55,000 is every single month. Month. Like, I just think we forgetting what that is and what that means. You get what I'm saying? Like, we looking like, yo, when you make 55k that you're not short on anything. Yo, like what do, like, yo, dog.

[Mark]

I'm not convinced of that though. Not at that lifestyle with normal people. Yes, but I'm saying if you have a lifestyle where Mark do the mortgage.

[Ish]

What's the mortgage?

[Mark]

The mortgage might be 30, 40,000amonth.

[Ish]

Oh, not mortgage, rent.

[Mark]

I don't know their, I don't know their life.

[Savon]

There's so many variables that we don't know.

[Mark]

Especially since they just got out of a relationship. I'm, I mean, again, so that's what I'm saying. They could be in the house that they lived in. I'm sure that if there's a mortgage, it's in the hot mid.

[Ish]

It's in the $5,000 a month. Right, but I'm sure because she don't work, that house is in his name.

[Mark]

Right.

[Ish]

She not qualifying for a mortgage for sure. So that's an expense and a liability that he incurs. I'm just Talking about when we break down $55,000 a month. Month. We, we are sitting up here acting like a lifestyle cannot be maintained with 55 grand.

[Mark]

It depends on what you got to do with that 55. If you got to pay for school, out of the 55, that's, that's more than half of it.

[Savon]

And that's true.

[Ish]

No, it's not true.

[Savon]

Yes, it is. If you're three kids, do you think that Jimmy Butler's kids are going to private school? No, they're going to Montessori. They're going to some private school.

[Ish]

Montessori school cost a month.

[Savon]

I, no, I personally do not. But if we're talking about la, it's probably really fucking expensive.

[Mark]

It is easy for an exclusive, an exclusive school to be between 50 and 100 a year.

[Joe Budden]

Would you agree with that?

[Ish]

50 grand, right?

[Mark]

There's three of them.

[Ish]

One is 12 months. He's not in a $50,000 a month school. Might be $50,000 a year school. He's 12 months old, bro.

[Mark]

It might be daycare then. But, but it's the same principle.

[Ish]

She don't work. What daycare?

[Mark]

See, okay, so that's, you don't work. So, so, so that's, that's where it gets even more interesting, right? There's a question then we have to have about what domestic labor looks like and what the value of it. It. You think that's what's funny about that? Why is that funny?

[Joe Budden]

It's not funny to me.

[Mark]

I, I, I mean, I really missed the. You don't, we don't. I'm saying domestic, domestic labor is labor, Right? So what I'm saying is if mom is at home, I mean, y'all laughing, but just hear what I'm saying. If mom is at home all day.

[Joe Budden]

Stay at home all day.

[Mel]

Okay, so she wants a nanny, and she wants a nanny. And he's saying that you don't work, so you don't need a nanny. This is his.

[Mark]

And she wants to use the money to.

[Mel]

Putla states that circumstances have changed in the timesharing agreement and that there's no need for a nanny.

[Ish]

Who says?

[Joe Budden]

Butler.

[Mel]

Yeah. Especially if she's going to school later this year.

[Mark]

Yeah.

[Mel]

And Brianne being enrolled in preschool or childcare. So she wants a nanny. He's saying that you home, you're not seeking employment, so you don't need a nanny.

[Mark]

And this is what I'm saying, this is why I'm saying.

[Mel]

I kinda agree.

[Mark]

And this is why I'm saying we need to Think about domestic labor a little bit differently.

[Mel]

Okay.

[Mark]

If she worked a job and worked eight hours a day, would she be entitled to a nanny?

[Mel]

Yes. Cause she'll be able to pay with her salary. No, no.

[Mark]

But I'm saying forget about salary for a minute. The idea is if you don't work, you don't need a nanny. I agree with that and I'm challenging that argument and saying if I worked eight hours a day, you wouldn't have a problem with me having childcare for other hours in the day. Right. If I'm at home with the kids for those eight hours, does that mean I'm 20? Is that not enough? Should I be working 24 hours a.

[Mel]

Day with the kids? School. Big Mama took care of 15 kids while pops went to work.

[Mark]

And I'm saying that might have been a problem. Big Mama wanted help. Big Mama couldn't get no help.

[Ish]

Maybe.

[Mel]

But we not she. She. She made it look good, mom.

[Joe Budden]

And Big Mama was and sucking on Mr. Johnson from around the corner. Not Jimmy Butler. Yeah, Big Mama. Big Mama was and sucking on the broke mechanic down the street at Piggly Wiggly. We talking about that put the work in. Went and sucked on a rich for a reason and got it.

[Mel]

Got you. But still she know and I do.

[Joe Budden]

And I agree with Mark on the fact that just because you a stay at home mom don't mean that you don't want and deserve an inning. True.

[Mark]

That's what I'm saying.

[Mel]

That's because I don't agree with that.

[Joe Budden]

Stay at home moms don't feel like picking up. Picking up three kids, taking care of your kids.

[Mark]

Domestic labor is still labor. I'm saying you're still doing work.

[Mel]

New mothers are lazy.

[Mark]

But that's not 24 hours a day.

[Mel]

New mothers are lazy.

[Mark]

Bro.

[Mel]

That's laziness. Take care of your fucking kids, kid. You get 55,000amonth. Go get your sister.

[Ish]

Let me say it.

[Mel]

Get your sister. Move that in the crib. Speak my language. Get your sister, move in the house with you. Get somebody from somewhere and move them in the house with you so they can help you take care of the kids.

[Ish]

I don't stand on flip side in that.

[Mel]

I stand on it by myself.

[Ish]

What I'm saying is $55,000 a month is enough to pay the nanny. No, listen. Three small kids is no small feet by any means. That is hard. One small kid is hard. For two parents in the same house. That is a monster. Three kids, one parent is a she can. That's what I'm saying she could barely think, right? So I'm not. I'm not. Trust me. She could be right.

[Mark]

That's what I meant about the value of domestic.

[Ish]

You can't go to the bathroom.

[Mark]

That's what I'm talking.

[Ish]

Take a shower. You can't take a. You can't do any of these things. You got three small kids. So a nanny is definitely deserving of this lady, if not two.

[Mark]

That's all I was saying.

[Ish]

What I'm also saying though is 55k a month is enough to get that done.

[Mark]

Maybe. Again, I don't know their lifestyle. I don't know what they're spending. But if we came to an agreement of 55 based on the lifestyle we have, and now I'm adding a nanny to the mix, 10,000amonth is not crazy.

[Mel]

Is this based off a lifestyle or.

[Mark]

It might be 20amonth. I don't know how much nanny costs.

[Mel]

Ish. Are you a mark basis is only purely off. Solely off a lifestyle. Because I know niggas that had three young kids and take care of their.

[Ish]

Children and make less than a million dollars.

[Mel]

Way less. What are we talking about? Are we talking about the new times? Are we talking about keeping up with the Joneses? Like what. What do we like people take care of young kids? Let me ask you, stay at home, mom take care of young kids without help all the time.

[Mark]

Let me ask you, why are we normalizing it?

[Ish]

No, it's your children too.

[Mark]

I'm not talking about you personally. I'm saying it's the dude.

[Ish]

I'm saying you say saying that and, and this is a fact. My. When we break up, your lifestyle gonna change. We was boyfriend and girlfriend when we break up.

[Mark]

And I'm saying my kids shouldn't at the level.

[Ish]

Yo, bro, what do we.

[Mark]

No, no, no. Let me be clear about what I mean because I agree with you in part and I disagree on the other part. I'm not saying I gotta still send you Chanel bags.

[Ish]

That's what they're saying. The girlfriend's lifestyle should be the same is what we are saying. We not together no more. You can't get the Rollie no more. You being the mother of my children don't entitle you to a rolly or to some short Chanel bags and some other. My. My objective and my obligation is to make sure that my kids have an optimum style of living. And we all know that 55 grand, you can do that.

[Mark]

And it's almost impossible.

[Joe Budden]

Know what else you could do it with 65 grand.

[Mark]

You can really do it with 65 grand.

[Ish]

You know what, though? Next year, 75 sound better.

[Mark]

So.

[Ish]

And the year after that, 85 sound better.

[Mark]

And that's where ish. I'm saying the agreement with me for the extra 10 makes sense in this case because there's a concrete ask attached to it. I don't think you should get it just because you want it. I don't think the sky's the limit.

[Ish]

But Jimmy said their parenting time has shifted and all that other shit, which means that's why he's standing against it. Which means he might be taking the kids more and you not having the kids as much as you. You used to. Because that's what matters is Red. That matters.

[Mark]

All of that matters. Right. There's an arrangement where it wouldn't make any sense. I'm speaking in general terms because we don't know the specifics of the situation. I'm saying $55,000 in general is enough to keep a great lifestyle.

[Joe Budden]

In general, somebody closes out.

[Mark]

But if you make $60 million, I'm saying the money they make their lifestyle shit and their monthly expenses are so high that it wouldn't shock me that $55,000 a month isn't stretching. Stretching to meet that lifestyle as it would to meet most rich people.

[Mel]

In closing, Mark, what Jimmy Butler is asking is for. He's entitled to an accounting of the mother's use of funds.

[Mark]

I think that's 100%.

[Mel]

That's what he says. He said, which, you know, the amount that he's paying exceeds the maximum that these children possibly could need. And now he wants to see.

[Ish]

I want to see where the money goes.

[Mark]

See where the money is. Now. If the money is going. If the money's going to restaurant and bags and shit, then I agree that's not what it's for.

[Mel]

So you agree that he has the right to see where the money is allocated? Absolutely.

[Mark]

I don't think she should be living lifestyles of the rich and famous off the money. I'm saying personally, her personally, I'm saying the kid off. Collectively, they should be living the same lifestyle. I'm saying she. So if you do a forensic accounting and you turn out that of that 55, 40 of it is going to her wardrobe. Yeah, that's fucked up. That's not right. But if I look at it and it's going to daycare, it's going to food, it's going to the nanny, it's going to tennis lessons, it's Going to the nice. Then I'm saying. Then I'm saying, yeah, give it the other 10 and let it.

[Ish]

I'm not disagreeing with that. But that's not what y'all said.

[Mel]

We got it.

[Joe Budden]

We.

[Ish]

We can move on.

[Joe Budden]

Whose side are you guys on in Jimmy Butler vs. Pat Ryland?

[Ish]

I don't know the full extent of it, so you got to bring me.

[Mark]

I always lean toward the white man on this. It's a safe bet in the NBA.

[Joe Budden]

Pat Riley is saying, your best years are behind you, and we're not paying you top dollar or premium dollar for none of this. You talking about. You're 36 years old. It's over. We're not giving you the extension. We're not giving you none of that shit.

[Mark]

He wants a two year, $60 million extension per year.

[Joe Budden]

Butler is saying, I'm him. I took the team to the finals twice. Was it twice?

[Mark]

Yeah, you the one paying attention. Cause y'all weren't in the playoffs.

[Joe Budden]

But yeah, yeah, now's not the time for low blows.

[Mark]

Always the time twice.

[Joe Budden]

And Paul's flat. Yeah, yeah. Jimmy Butler saying, I took you to the finals twice. I am who I am. You built a team around me and pay me. Who.

[Mel]

Whose side are you on, Joe?

[Mark]

Pat.

[Ish]

He's definitely a Pat.

[Mel]

You're on Pat's side.

[Joe Budden]

Yeah.

[Mark]

Got it.

[Mel]

Is it? What have you done for me lately?

[Joe Budden]

Yeah, you pay. You pay for what you will do. Not. Not. Not what you have done.

[Mel]

You got it.

[Joe Budden]

You paid off off your projection. You paid off your potential. You paid off all those things. The second the dad goes away, I'm not paying you no more. I don't give a fuck how great of a day you had last week.

[Ish]

If you still performing and the projection is. You can still perform, then, yeah, we can pay you that.

[Joe Budden]

Did Jordan. Did Dragon Universal one?

[Mark]

Except Dragon Universal.

[Mel]

Did Jordan get top dollar when he went to the Wizards?

[Joe Budden]

Jordan never got top dollar.

[Mark]

That's not true. That's not true. He got top dollar for those three years where he gave him $30 million.

[Ish]

A year, still won top dollar.

[Joe Budden]

It's not top dollar.

[Mel]

You know what I'm saying?

[Mark]

It was so top dollar that it took another almost 15 years for. For anyone else to match that salary. Even when he absolutely got top dollar those last three years. The problem was it was payback for all the years where he wasn't getting.

[Ish]

And it wasn't top dollar because it didn't take too much. Y'all still making a ton of money off me packing out the stadium every single night. So if y'all to let me walk up. The thing with the Jimmy Butler thing is, yo, we can let you leave or we can trade you and we could potentially get back what you are bringing. Right now. The Miami Heat are not favored to go anywhere with regards to the Eastern Conference. So now, us keeping you at top dollar is not necessarily a good business move for us. We can go get some pieces and get back some young dudes that we could possibly build around with the current talent that we already have, and sayonara. If the market warrants you to get 30 million, somebody will give it to you.

[Mark]

Here's my issue. And by the way, fact check. Jordan got the contract in 96, 97 to 30 million. And it took until Steph Curry, until 2017, 2018 to match that. So it took exactly 20 years for somebody to beat Michael Jordan's annual salary. Like I said. But the bigger point to me is sometimes they give you a contract on a promise. Like, remember when Kobe was washed and they still gave him big money at the end of the. When the Bulls gave Michael Jordan money at the end, it was, this is a thank you. And we have an institutional agreement to that. So.

[Mel]

I see.

[Mark]

And if that's the deal, fine. But I don't think Pat Riley moves like that.

[Ish]

I'm about to say, we ain't got.

[Mark]

That if we ain't got that understanding.

[Ish]

If y'all had that understanding, we wouldn't be having this conversation.

[Mark]

No, no. Sometimes you do, because sometimes the owners renege. They renege. That's all I'm saying. And so Pat Riley has just had such a bad track record lately with D. Wade, with LeBron, with less, Kyle Lowry. But there have been multiple stars who have said, Pat Riley ain't shit, or Pat Riley has shitted on us on the way out. So that. That weighs in one way. Jimmy Butler's had a bad exit everywhere. The Bulls, the Timberwolves, the Sixers. Now, Jimmy ain't always wrong. It's like when you get two people that are assholes and you don't know which one to believe. And this is like the perfect marriage of people who don't know how to. Who don't play well with others. So I lean toward Pat Riley in this simply because Jimmy Butler doesn't deserve the money. At this point, I'm not Giving Jimmy Butler 50, $60 million a year.

[Ish]

But that's. That's relative. Jimmy might think he deserves it. If you deserve it, then go out and get it. Then go out into the market and get it. If others agree. And the market is easy.

[Mark]

Right.

[Ish]

You get what I'm saying? Like, the market is easy. If you looking for a job in most. In most arenas, fam. I mean, not arenas. I mean, just in most form. Somebody. Somebody. Somebody will give it to you. If I'm an accountant and I think my skills are X and I think my experience warrants this, then I'm gonna test.

[Mark]

This is where maturity comes. This is where maturity comes in. Because when Jimmy doesn't get the number, just like in Minnesota, instead of waiting till June and going on the market, he's like, fuck it, I want to go now.

[Joe Budden]

Yeah, Just like I fucking thought. Because you niggas with all that googling shit while I'm in the middle of podding and can't do it my damn self. Michael Jordan got $30 million for two years.

[Mark]

Right? We're saying the same thing. I said, you said three.

[Ish]

He said three.

[Mark]

Okay? The point is, it took 20, didn't get.

[Joe Budden]

No. They. They tried to piece him up at the end.

[Mark]

That's what I said.

[Joe Budden]

Yeah, but when you said three, it made me think, oh, he got 20 for a little longer than.

[Mark]

No, no. The disagreement was. I said it took 20 years for someone. It was so much bigger than everybody else's. Because the argument. Because you said he wasn't top dollar. It wasn't top dollars. It was not only was top dollar, it was top dollar so long, it took 20 years for someone to match it. And you said it didn't take 20 years. And it did take 20 years.

[Joe Budden]

So talking about for annual salaries to become a lot larger than.

[Mark]

So am I. It took 20 years for somebody to match his annual salary. That's my point.

[Joe Budden]

You keep saying that based off the two years. If I got 90 years out of you for fucking dirt and won six chips and I piece you up off the back for two, that's not annual to me. You got two years worth of salary.

[Mark]

And that's exactly what I said, too. I said he got shitted on for so many years that even the big checks they gave him were just makeup for before.

[Joe Budden]

I'm not talking about how long it took for somebody to actually make that annually. And by its true definition, I'm talking about the Kevin Garnett and the people that broke the mold of what he looks like. Yeah. In the NBA. And that didn't take 20 years is what I'm saying.

[Mark]

Derrick Coleman, you talking about overall contracts?

[Joe Budden]

Yes, we're talking about.

[Mark]

I wasn't talking about that. Okay, I wasn't talking about that. My point was they gave him a bloated salary at the end to try and help him, but Michael Jordan never really got paid what he was supposed to.

[Mel]

So would Jimmy Butler. Would he receive money somewhere else?

[Ish]

He could. It's possible.

[Mark]

Somebody give it to him. But the problem is Jimmy Butler's not good enough to determine whether you win a championship or not. Unless you're so close to one. And if you're that close to one, you don't have $50 million to pay one guy.

[Joe Budden]

You're the last one to know that you're not like that no more.

[Mark]

That's the problem. That's the easiest way to put it.

[Joe Budden]

You're the last one to know. Because the warriors were interested in bringing Jimmy Butler over there. And then Pat Riley was like, I need Wiggins, Kaminga, three, four, five first round picks. They're like, wait a minute, we talking about Jimmy Butler? Right?

[Mark]

Right, exactly.

[Ish]

No, now you're trying to be a dick, though.

[Joe Budden]

No, you want a. A haul of a return for somebody who is deemed a premier perimeter player.

[Ish]

But if you deem it player that you don't want to pay, now you asking for.

[Joe Budden]

You're 36 years old. Everybody ain't LeBron.

[Ish]

I'm agreeing.

[Mark]

He's saying, Pat Riley's being difficult, asking for more than he deserves to. To punish Jimmy. Knowing you can't.

[Ish]

You can't look at it like, yo, you not good enough to give you this bread. But then when I go to trade you, I'm asking for the whole truck, this kitchen sink, and the mattress.

[Mark]

Somebody's gonna be an idiot or desperate.

[Ish]

That's what's gonna happen.

[Mel]

So Jimmy Butler's good, but not that good?

[Ish]

No, he's great.

[Mark]

He's great.

[Ish]

He's on a down.

[Joe Budden]

He's on the downside of his career.

[Mel]

Got it.

[Joe Budden]

Okay. I'm. It's what Universal is saying to Drake, thank you for what you've done. We view you as on the downside. Drake's like, I'm Drake still, nigga, pay me. It's the same shit.

[Mark]

It's the exact same shit. And the problem is the team. Like, I don't. I can only think of three teams where Jimmy Butler would be a difference maker on when you win a championship or not. And none of those teams have the budget to pay. Have the budget to pay. And the teams that we think might do that actually aren't that good, like the Lakers. I don't know if he'd be A difference maker. But they don't got the money, the resources or the roster.

[Ish]

And if you saying he tried to get that from Golden State, he gonna tell the Lakers. Get him the whole fucking staples.

[Mark]

Exactly, exactly.

[Joe Budden]

I know they asked for a bunch from the Lakers.

[Ish]

I want Reaves, Canelo, Mac Rui. Three picks, some money.

[Mark]

He'd be great on the Knicks. He'd be great on the Knicks. But again, John is smart enough to not give up this so much for you.

[Joe Budden]

Do a lot of talking about the Knicks.

[Ish]

I don't know if he'll be a good on the Knicks.

[Joe Budden]

Don't talk to me about the Knicks. Look, your team just had to have a secret meeting with Adam Silver, Bud, Sea League and everybody. Hey, can we keep the Sixers here? Please? Can we keep the Sixers?

[Mark]

Look, y'all look good, dog.

[Ish]

Actually, he would be good at the Knick.

[Mark]

He'd be great for the Knicks. He'd be perfect for the Knicks.

[Ish]

And he played with Tibbs before, but did now. Did him. And he'd be great on Sixers too.

[Mark]

He'd be perfect on the Sixers. He would be perfect.

[Joe Budden]

My clothes are sent to me. Butler, please.

[Mel]

You know what?

[Mark]

Fuck y'all, man. If I say anything Philly related, y'all just shut down, man. Even if it makes sense. Yeah. No, the hate is real.

[Joe Budden]

In Philly related news. In Philly related news, Philly related news. Beanie Siegel is using AI for his voice restoration. If you remember being Seagull, had that problem with his voice. He started rapping. It sounded a little different.

[Mel]

I think he got shot.

[Joe Budden]

Yeah. And now there are he. He. He previewed a clip of him rapping and what AI did to help his voice sound like it used to sound good. Lie.

[Ish]

It sounds good.

[Mark]

I love it.

[Ish]

They said absolutely.

[Joe Budden]

Fire. Do we have that clip? Anybody have clip?

[Parks]

I can find it here.

[Joe Budden]

You find it. The clip sounds great. I'm really happy for Beans. It was up to say when his voice was going through that. But that was a big part. Your voice is a big part of who you are as a rapper.

[Mark]

Yeah, like.

[Joe Budden]

And when it changed, like, even though you're a great emcee, it takes away.

[Ish]

Some of the delivery. Delivery, it's tough.

[Joe Budden]

But this shit right here, my guy.

[Ish]

Flip phone stay ringing.

[Mark]

IPhone or airplane.

[Joe Budden]

Yep.

[Parks]

I love it.

[Joe Budden]

Can't wait to hear more.

[Mark]

I usually hate AI.

[Ish]

I'm down with that.

[Mark]

This is perfect use of AI.

[Ish]

That's great. They said that whatchamacallit was exploring doing the same thing. Who dlc Power.

[Mark]

Oh, that'd be great.

[Joe Budden]

It should.

[Mark]

I love all of that, man. I want. I. We need more music from Mack. I go and see him live when I can. And we did a party for him in Philly two years ago. And it's like when I hear him perform live, it's kind of a letdown because his voice isn't as strong. And so I get disappointed and shout out to Mac. He's still great. He's still a legend to me. And one of the few people that watch this whole on just about every track they on. But I need to hear him like the old Beanie Siegel. The reason Beanie Siegel, you know what I'm saying?

[Parks]

This is a case where I would not be mad at him rapping over his vocal live. Like, if you just play it with the vocal all the way up and add a little bit.

[Mark]

I'm not even mad at crazy.

[Parks]

I'm not even mad at all.

[Ish]

That sound good. That was no mix, no nothing. That's just right there.

[Mark]

Almost everything I heard him.

[Ish]

I. I just let it. He from Philly.

[Mark]

Is that not factual?

[Ish]

He's from Philly.

[Joe Budden]

Let's do it real quick. Reservoir Dogs for three minutes.

[Mark]

Reservoir Dogs.

[Joe Budden]

I do not think think the Beans was.

[Mark]

Let me take a step back. I'll say he is as good or better. Wash is a lot. He's as good or better than Now.

[Ish]

I'm with you on Reservoir Dogs.

[Joe Budden]

He is as good or better on Reservoir Dogs. A wash. I don't. I don't see.

[Mark]

I, I think. I think Beans had the best track, the best verse other than Sauce on Reservoir Dogs. But I, I, that's. That's. Thank you, my man. Pause somehow Vestibule, yo.

[Joe Budden]

Yeah. But I also want to say not to grab my whole venger cape. Oh, boy. A lot of those were Chris Paul alley oops from hov for him to do that.

[Parks]

Okay.

[Mark]

What you talking about?

[Parks]

He still did it. Still did it.

[Ish]

He still gotta do it, though.

[Joe Budden]

Even the story, even the whole story of Reservoir Dogs in the studio set the opportunity.

[Mark]

You talking about.

[Joe Budden]

Yeah, but where your plate. Nobody knew who the fuck Beanie Siegel was when Reservoir Dogs.

[Mark]

And that's why he had the best verse.

[Joe Budden]

You on the joint with. With the locks with Sauce. Heavy hitters in here is hov's decision to put you where he put you for sure.

[Ish]

You still got to deliver.

[Mark]

You still got to deliver.

[Ish]

We you can be set up for the coach reverse and don't be a rookie and the point.

[Joe Budden]

But you're going to Deliver if the guy that signs you knows you have that capability and puts you in the position.

[Parks]

Wait, actually, actually, let me. Let's not underplay it too. He didn't deliver. He windmilled, dunked that shit.

[Mark]

Like, come on down for the weekend. Locked up with dirty white balls and Ricans. You could have gave it to him with a little jump.

[Joe Budden]

That's it, you guys. How do you spell reservoir?

[Mel]

Let's go.

[Mark]

He difference between assistant and assistant?

[Ish]

No, again, like, yo, you. You drafted me. You ain't know I was going to do this when you. You're starting point, right?

[Mark]

But look, Reservoir Dog, I make it.

[Ish]

Hot blooding your block the best way professional no Father Poison in your X ray It's I'm sick and that Biggie pole sit on my wall Nothing to lose, just load the clip up in the groove and shake rhymes to the poster so I swear big move my team you would think was on Thorzine how we flaw said don't give a With this pipes it's time to apply.

[Mark]

It now Got a quiet town and tie it down, make lie it down y'all know where to buy it now be Mac, I supply it now my swap roll deep and fawn paws with.

[Ish]

Two sheep couple of fives, a six.

[Mark]

A few jeeps bag enough coke to.

[Ish]

Last a few weeks.

[Mark]

You really want to test my name and test my game until you hear me test my aim Y'all nuts like test the ghost hit you up in.

[Ish]

Your apartment building Best of you best.

[Joe Budden]

For you to keep on walking Heat.

[Ish]

From the knocking, keep on talking Platinum Desi Bezzie.

[Joe Budden]

All right, I'm glad I did that. He don't have the first or second verse in this. Best verse in the song. He don't have the best.

[Mark]

Now you going to say kiss best.

[Joe Budden]

Or second best verse?

[Parks]

The Argument.

[Ish]

It ain't even third or fourth to be me crazy argument.

[Joe Budden]

But he windmilled not to me. He did win.

[Mark]

He killed his opportunity and it's as good or better than hoes I think it's actually definitely not better at all.

[Joe Budden]

No way.

[Mark]

Now that I heard it again, Kisses versus fire. But it's really about they both gangsters don't get die to get chubby, right? That it's just that bar that's hot.

[Ish]

Styles.

[Mel]

No, no, no.

[Mark]

I'm talking in terms of the elite.

[Joe Budden]

I'm not doing this with you.

[Mark]

Styles kills it. I mean, they all kill it. Styles, they all killed it. Sauce had the best one to me.

[Ish]

Sauce got the best.

[Mark]

But part of why Sauce and beans Is at the top is because they're the ones that people didn't expect to have the best verse. It's a surprise. It's a surprise.

[Mel]

Sauce.

[Mark]

Sauce ain't at the top either.

[Joe Budden]

No, you.

[Mark]

You wild.

[Joe Budden]

I could be my memories. No, no, I meant in the song order wise. Oh, no, I didn't mean order.

[Mark]

I'm only talking about who had the best version.

[Mel]

Who had the best version.

[Ish]

To me, it's sauce money.

[Mark]

I'm saying it's sauce, then it's beans.

[Ish]

I. I think it's sauce. Kiss Jada, then. Beans.

[Joe Budden]

Sauce. Kiss her. Hov. Yeah, them three. Any one of them. To me, those are the three for me.

[Mark]

You get.

[Joe Budden]

I don't even think about Beans or hov on any track that they've done that features Scarface. I think Scarface is the only one you could say.

[Mark]

Somehow some way, Beans is versus. I mean, again, these are all great verses on everybody. Somehow, some way. I take. I take Beans. It's on. On state property track, on state property album and on. Oh, they getting busy. No, they getting busy. I said. That's the. I think they match there.

[Ish]

I think. Keep up or better.

[Mark]

This is a keep up or better.

[Joe Budden]

Oh, okay. You got it. By the time is on. Came hov was hip to Bean's tricks and he rapped, rap, rapped on. It's on.

[Mark]

But so did Beans.

[Joe Budden]

I know. I mean, for a lot more time.

[Mark]

Oh, oh, I see what you're saying.

[Ish]

For a lot more time.

[Joe Budden]

I'm not letting you do that again to me, Beans.

[Mark]

Where have you been, Beans? That nigga's damn near crying.

[Joe Budden]

Yeah, that.

[Ish]

That.

[Joe Budden]

That one I give you.

[Mark]

I mean, come on.

[Joe Budden]

Yeah, sure. That one I give you.

[Mark]

Still got love for you after that one. Same thing.

[Joe Budden]

I'll give you that one too.

[Ish]

You got that one, Beans.

[Mark]

Like, I think I proved my point.

[Joe Budden]

Don't talk bad about hov when I'm here.

[Ish]

You can't do that.

[Mark]

I love hov.

[Joe Budden]

I know y love when I'm around.

[Mark]

No, what you say? What?

[Ish]

2 out of 17 songs now as.

[Joe Budden]

I walk in the studio.

[Mark]

I got 6am on the way to the club. What about that joint?

[Ish]

Do it again.

[Mark]

Do it again. Thank you. I can't think of no, not for me.

[Joe Budden]

No.

[Ish]

No way.

[Joe Budden]

Wait, no.

[Mark]

Matt come through on some on the club.

[Ish]

We do do.

[Mark]

Stop.

[Joe Budden]

What we do is beans.

[Mark]

What we do is beans all day.

[Joe Budden]

What we do is beans today Blow.

[Mark]

Them horns like cold train.

[Joe Budden]

Don't make me play it cuz maybe.

[Mark]

I don't you might have to play that. Please.

[Joe Budden]

Come on, y'all.

[Mark]

You kidding me.

[Joe Budden]

Somehow this feels nostal. Nostalgic.

[Mark]

So, man, y'all.

[Joe Budden]

Mel, I'm about to play this little slap from Freeway.

[Savon]

I know who that is.

[Mark]

Again. Hov had the best bar. Gotta kill witnesses, cuz free beer is sticking out.

[Ish]

But look at the whole.

[Mark]

That's. That's what got you.

[Mel]

That's what Hovs and quarters.

[Ish]

Let me get a free cold.

[Mark]

Never slacking, man Sipping in a black.

[Mel]

Ring Faster than a red ghost Getting.

[Mark]

Ghost on Pacman one time no, I got an actor kick that black gang like Got to kill witnesses.

[Ish]

Still I cry tears of a hustler Wipe tears from a mother Pull out be for our brothers. You are really.

[Mel]

I'm about to say.

[Ish]

You don't even got. You have to play. You skip.

[Mark]

Beans whole verse and play.

[Joe Budden]

Beans, we're really glad that you got your voice back, but he definitely got. Still got love for you. Yeah, he definitely got that. And where have you been? And where have you.

[Ish]

Where have you been?

[Joe Budden]

For sure, actually.

[Mark]

Come on, man.

[Ish]

Like, he.

[Joe Budden]

But Beans kept up with hov the most.

[Ish]

He did.

[Joe Budden]

He did.

[Mark]

That's why I said on every track.

[Joe Budden]

You said it different than me.

[Mark]

Yeah, Cole heard y'all. Y'all hear.

[Joe Budden]

Y'all still love him.

[Mark]

The point is. And I love Hov, too. Beans keeps up with him better than. In fact, better than anybody, I would say, who has that kind of volume with him. Okay, yeah, okay. Nas keeps up, too. But you know what I'm saying, they don't got as much volume.

[Joe Budden]

Volume.

[Mark]

They got what, four. Four tracks. Maybe the Ludicrous Joint. The. The. The. The. On the Nword album.

[Ish]

Not Kiss. Keep up, X. How many songs Hoff's kissing with Hov?

[Mark]

That's though. That's what I'm talking about with volume. It's like, ain't that many people got volume.

[Ish]

It's not. It's not that many.

[Mark]

Yeah. And I mean, maybe. Yay.

[Mel]

You know what I mean?

[Ish]

Volume number.

[Mark]

Yay keeps up.

[Parks]

Yay keeps up.

[Mark]

But it's a lot easier to keep up with other people. It's a lot easier to keep up with other people writing it, right? I could keep up with Button. If I get somebody to write it.

[Ish]

Ain't writing it right.

[Joe Budden]

No, you couldn't. Please.

[Mel]

Please.

[Joe Budden]

Anyone Go get Shaa. Anybody you want to go get. I mean, not Shaa. What's my. What's my.

[Mark]

Go.

[Joe Budden]

Go get Ms. J. Shout out to Ms. J and Bombadia and Shaa. I was Mad as hell when SH1 I was ice cold too. Getting, getting, getting. I was getting.

[Mel]

It's some head.

[Joe Budden]

I was like, hey, hey. And that was one. Now you got Damn. Huh? What you say?

[Ish]

This.

[Joe Budden]

Oh, my God.

[Mel]

What is that?

[Joe Budden]

I like that song.

[Mark]

Nothing.

[Joe Budden]

No, I know guy Cod. There you go. Ish was there for all of the women that wanted to pop me that I wanted nothing to do with. He was there and remember him with his elephant memory ass. I don't remember none of that.

[Ish]

But the same argue with me about some he ain't do Mr. No memory.

[Mel]

I know you got it, dog.

[Joe Budden]

You remember that. I forgot and don't want to ever think about you remember the fantasia.

[Savon]

What happened there?

[Joe Budden]

When I see tweet was gonna get me.

[Ish]

Lunell was gonna get you.

[Joe Budden]

Oh, Lunel did say she wanted to me, right?

[Mark]

Yeah.

[Savon]

Yep.

[Mel]

I ain't gonna lie. That's how you stayed afloat.

[Ish]

Yo.

[Mel]

You did you doing a lot of behind the scenes. That's how you stayed afloat.

[Joe Budden]

You think. You think I was selling dick idea?

[Mel]

You was wild.

[Ish]

Yo. That was impressive.

[Mel]

That was impressive. Yo, Tweet. I wonder what happened.

[Ish]

I would have humped album was crash crazy. That album was.

[Joe Budden]

I came home sick about a quarter to three. I ain't going to hold you. Let me get. Let me give rock on some props real quick, man. And I don't like giving rock on props. That album was crazy. Hummingbird sometimes will play a song.

[Mel]

It's going to freeze these n. Yeah. Love you, nigga. Hey, they be asking about music. I'm like, y'all got to speak to ice first, broccoli.

[Joe Budden]

And I ain't never giving you props again. But I forgot about this the other day when you threw it on. Hold up now. I ain't gonna hold you. He threw this shit on. I was like, oh, this used to be my. Then I started singing to somebody across from the bar. Duck ass nigga. Get it. Hey, you wasn't outside, man. It's before your time. Let's go.

[Mel]

For real?

[Joe Budden]

For real. Gabe slacks the yo. Come on, Phil. Commers. Here we go. Oh, my God, that's hard. Yo, what happened to Pharrell?

[Mel]

He runs around and say God bless you to people that condemn him.

[Savon]

Hell, in Miami, he's creative director of Louis Vuitton.

[Joe Budden]

What does that have to do with him getting on the MP and doing Chad argument?

[Mark]

He retired like you. You talking about out of respect.

[Ish]

Chad, here's my down music news. Estg's back. Got the album coming out two weeks Weeks. Finally.

[Joe Budden]

I'm not listening to none of you through the summertime. I don't give a what y'all do. I don't want to get on that. I ain't gonna hold you. Fridays come. I forget that the new music even dropped. I ain't checking for none of this.

[Ish]

I'll be there for that.

[Joe Budden]

Hey, go make it memorable and timeless. None of you niggas is dope. None of y'all niggas are original. All y'all sound like either somebody else or like you've been sounding. None of y'all are innovative. I don't care about y'all. Yo. And then y'all wonder why the state of the music business is in such a disarray. Y'all are trash. I ain't even talking about estg because he went away way. But I don't care.

[Parks]

I got bad bunny to get me through. I'm cool.

[Mark]

That bad bunny is crazy.

[Joe Budden]

That. Yeah, that bad bunny.

[Parks]

You see the residency?

[Joe Budden]

You did too, in the residency?

[Parks]

No, no, the resident. He's doing a resident. Puerto Rico?

[Ish]

Yeah.

[Joe Budden]

Oh, Puerto Rico.

[Ish]

It's a month.

[Parks]

It's a. It's a month. It's 21 days or something like that.

[Ish]

21 episodes?

[Joe Budden]

Yeah, the first.

[Parks]

The first 10 days is only for Puerto Rican residents. I'm trying to get tickets later. Later on, but.

[Mel]

Yeah, you going to speak.

[Ish]

Okay.

[Mark]

I might go down there for that. That might be worth it.

[Parks]

Might be.

[Joe Budden]

Puerto Rico before you get with vibe.

[Mel]

Cartel academics just got with vibes. I mean, I'm trying to find the time with them with the new structure so I get to it.

[Ish]

A blamed it on you, son.

[Mel]

No, no, I'm blaming.

[Ish]

I can't get the vibes because of the new structure. You know what I mean?

[Joe Budden]

I didn't even know what new structure he was talking about sleeping on spaces.

[Mel]

And that's cool. I'm almost there, though. I'm gonna start traveling. I'm going to Argentina.

[Mark]

I told you.

[Mel]

I'm gonna find out why they.

[Joe Budden]

They.

[Mel]

They whitewash.

[Joe Budden]

You're on all the white places.

[Mel]

No, they.

[Joe Budden]

They.

[Mel]

They eliminated anything black about Argentina. I tried. You know the ex president? Oh, he died years ago, and I tried to speak to his son. I'm on a mission.

[Ish]

Oh, you want some real investigative journalism?

[Joe Budden]

I think I'm. I'm going to g this summer. I'm doing it. I am.

[Mark]

You should.

[Joe Budden]

I'm going to Ghana this summer. Enough is enough. I've been too many other places I'm going. And Dr. Umar, you never mind. Never mind. Dr. Umar. I know that trick. When you. When you post the same girl a few days in a row in different outfits.

[Ish]

Oh, n. He had three different ones.

[Joe Budden]

Yeah, but Simba was there at some point in the day. They was. Umar is getting his shit off. Umar. Mark Lamont. I got a list of people that use that educational black power.

[Mark]

I don't.

[Joe Budden]

Well, because you're faithful when you're married.

[Mark]

Exactly.

[Joe Budden]

But in the event that you were not, I already know what you would be doing.

[Mark]

Nah, that's fellow.

[Ish]

Yo. What. What year did you get married?

[Mark]

2023 the last month.

[Joe Budden]

Oh, that's mad.

[Mark]

But we were together before we were married a couple more years after that.

[Joe Budden]

When did.

[Ish]

How did you get rid of 2019. You was out here.

[Mark]

Nah, man.

[Joe Budden]

How'd you get rid of all your joints? And when did you stop practicing polyuranism?

[Mark]

That was only one night.

[Ish]

Polyurethane?

[Mark]

No, that's a good question. How did I do it?

[Joe Budden]

So your wife dead or dad poly?

[Mark]

She chooses on. We both strongly advocate for monogamy, so that made it easy. Neither of us wanted to do that. You know what I mean?

[Joe Budden]

You had a tough time in the poly streets.

[Mark]

No, I just was over it. You know, you ever. You ever just get to a point where you just like, I've had enough.

[Savon]

They have not.

[Mark]

Fair enough. I mean, you know.

[Joe Budden]

Hold up.

[Mel]

That's Imani's bag. That bag, you saying? That's what Imani is Now, hold up, Big Mark.

[Mark]

If I had enough and I had.

[Mel]

To come in here and sit here for four hours and just look you in your eyes and give me free drinks, you freak.

[Joe Budden]

Mel, my nigga.

[Mel]

Eat with pipe.

[Mark]

Pineapple out you.

[Joe Budden]

Are you muddying? You muddying your good brother's name?

[Savon]

I take it back.

[Joe Budden]

Public airways.

[Savon]

I take it back. I'm sorry.

[Mel]

No, no, I took it back and I'm sorry.

[Mark]

I didn't know you talking about. I didn't even. I didn't even catch.

[Mel]

I wasn't talking about that.

[Joe Budden]

She said they. She's never talking about you when she says they.

[Mark]

No, so. So this is what I tell you. In my 20s, I was just everywhere. So. And then I got a point where I didn't want to do that no more.

[Joe Budden]

It was just.

[Mark]

It wasn't. It was unhealthy. Like, I was like, it. It was unhealthy.

[Parks]

Cause some shit.

[Mark]

No, no, no, no. Mentally unhealthy. No, physically. Physically I'm good. Was good. Still am good. Never not been good.

[Joe Budden]

But you don't have to prove nothing to us. I mean, if it was rough, then it was rough.

[Ish]

And we in hour three. She not listening.

[Mark]

No, but by the time I got to my 30s, it was more like the serial monogamy thing anyway. It was more like I was moving fast. Like every relationship or dalliance might only be two weeks. Three weeks.

[Parks]

Dalliance?

[Ish]

I never heard that one. Hey, yo, this did not say he was going through serial monogamy every three weeks.

[Mark]

What I'm saying is that's what serial monogamy is.

[Ish]

Let me get this off.

[Mark]

That's literally three weeks. No.

[Ish]

What are you talking about?

[Mark]

That's serial monogamy.

[Joe Budden]

That's a fling.

[Ish]

I'm running through these joints.

[Mark]

Fine, fine, fine, whatever. And as. As I got through my 30s, those. Those times got longer. So then it was like, oh, I'm seeing somebody for four months, six months. But then it always kind of ended. Let's go. So when it was time to actually end everything with everybody, it wasn't like I had five people I had to call. It was like one person had to call who I was seeing, and maybe other people had to call who I would check in with.

[Joe Budden]

No, let's check in. Send some money for eggs.

[Mel]

I see y'all bag, though, bro.

[Ish]

I can check in. When you monogamous, I still talk to.

[Mark]

You on the phone. We still talk. You know, I still talk to you on the phone. I still text. But certain texts are inappropriate once you like, in something serious. Even if we not fucking. No more texts.

[Joe Budden]

What is that? And what does that got you up out of there?

[Mel]

Hey, yo, you saw me on cnn. Shit like that?

[Joe Budden]

What is that? What is that text? What text is inappropriate? Like, what type of. What style stylistically? Cause I know that varies across relationships.

[Mark]

Depends who we talking about. We talking about somebody that you was.

[Joe Budden]

Cause it says all the time up here that he is able to maintain a platonic friendship with people that he may have once been like that with.

[Mark]

Yeah. So I might have some. I'll give you an example. I may have somebody who back then, not now, who I had a platonic relationship with after we dated. And they might be like, yo, I seen you on Such and Such. Yo, I still want to you, or you still. You still look, you know, I mean, some. Some like that.

[Joe Budden]

And what's inappropriate for you?

[Mark]

That's an appropriate. Wait, wait.

[Joe Budden]

You on the hook for what they text you?

[Mark]

I mean, yeah, you got. Because I argue you got to nip that in the.

[Mel]

But shut it down.

[Joe Budden]

I'm Arguing that now. I wouldn't.

[Ish]

Huh.

[Mel]

How do you shut it down?

[Ish]

I'm arguing that you can't just let that fly.

[Mark]

You can't let that fly.

[Ish]

That's disrespectful to.

[Mark]

Yeah. You can't let that flip fly. Yeah.

[Ish]

So go ahead.

[Mark]

You can't let that fly.

[Joe Budden]

So I'm responsible for what somebody gonna sex with?

[Savon]

No. How you respond.

[Joe Budden]

No, no, no, no. I'm not talking about a response. Maybe I didn't respond at all. Maybe I dubbed it. Maybe I checked her in real life. But I'm not about to be responsible for what somebody texted me out the.

[Mark]

Clear blue for that. For example, if you. If sometimes my response was a non response, and if you get an. If they get a non response twice, they probably ain't gonna do it no more anyway. But if you respond smiley face.

[Ish]

You entertain it.

[Mark]

You entertaining that.

[Joe Budden]

You can't text nobody. I miss that no more. No, no, no, no. Damn it. That's just still as wet as I remember it.

[Savon]

No, no, no.

[Mark]

That's bad. That seems past the line slightly, but it's past tense.

[Ish]

Yeah, just coming. Coming down your thigh still.

[Mel]

Yeah, that dripping, y'all.

[Mark]

Oh, yeah. Nice.

[Joe Budden]

Rules only exist because women don't know how wet other women's pussies be.

[Mark]

And sometimes people. People trying to spin the block, right? So if I ain't seen nobody in two years, that should be down the leg, Right?

[Joe Budden]

Right.

[Mark]

I'm trying to change subjects.

[Joe Budden]

I'm saying if your pussy is dripping down the leg.

[Mel]

The leg, you know, the shit go down the head.

[Joe Budden]

And I'm assuming you don't. You're not gonna be in my phone reading everything I said. Then maybe once a year.

[Mark]

And that's the move right there.

[Joe Budden]

You do a little. Nah, that's did used to get. That was crazy.

[Mark]

That's just.

[Joe Budden]

That's just still crazy.

[Ish]

Mom, you can't.

[Mel]

Yeah, you can.

[Mark]

Somebody can see it, though. I. I text as if. If my wife were to look at my phone. Smart, you know, and she would never look at my phone. But I. And she. She's the password. I gave her passwords, everything just for same, you know.

[Mel]

Well, you don't get password your got taken over. You don't give.

[Ish]

She took the password.

[Joe Budden]

Yeah.

[Mark]

Your G card.

[Mel]

I did.

[Ish]

She got her face in your phone too.

[Mel]

Yeah.

[Joe Budden]

Well, the G. What's G to me?

[Mel]

Like this.

[Ish]

You could do this.

[Joe Budden]

What's G to me is your phone being partner ready, like, here, you can have my phone. There's nothing in There. Who I am in front of you is who I am behind your back.

[Mark]

That's all I'm saying.

[Joe Budden]

That's what I'm saying.

[Mark]

Like. Like there's no. There's no. There's no text that my wife could look at and feel uncomfortable or. Or that I would feel uncomfortable doing. I'm comfortable with everything I communicate in my.

[Joe Budden]

What you do when you're old work is calling your wife names in your phone.

[Mel]

Hell, no.

[Mark]

That wouldn't happen.

[Mel]

I want to play like that.

[Mark]

That wouldn't happen.

[Mel]

Can't do that.

[Mark]

But if it happened, then I would have to shut that. Yeah, you have to check it.

[Mel]

I like that.

[Joe Budden]

Yeah.

[Mel]

You can't play.

[Joe Budden]

You can't say.

[Ish]

This over here. Double check.

[Mark]

She is like that.

[Ish]

You got a point, y'all.

[Joe Budden]

Crazy is crazy. I'm kidding, though.

[Mark]

Yeah, yeah, I'm kidding.

[Joe Budden]

And I'm potting. Even if it happened in the past.

[Mark]

Yeah, but. But no, man, oh, man. No intellectual pimping for me. You know what I'm saying?

[Joe Budden]

I'm just talking shit.

[Mel]

I just.

[Mark]

Just regular dude, you know what I'm saying? And you meet people in relationships and that's it. No, I mean in the sense of. I just. I'm not trying to exploit nothing. If people are. If people find intelligence attractive, sure.

[Ish]

I don't think he lean into that.

[Joe Budden]

Yes, he does.

[Mark]

Not in a way that's like. I'm just. I'm just. That's just who I am.

[Joe Budden]

I'm just me.

[Mel]

I respect that.

[Joe Budden]

Yo, it's gotta be me. Let me ask you something. Based off that conversation me, you, and Ish was having during COVID when the government told us that we don't have to pay rent, were you paying yours?

[Mark]

Not the one in Brooklyn. Because I didn't have it. Couldn't afford it. The rent was 6,000amonth. Rent was 6,000amonth. I was like, I don't have 6,000amonth right now. I did not have it. Okay. Not. Not. Nope.

[Joe Budden]

But I was the only dummy running around paying rent.

[Parks]

But, you know, I was paying rent.

[Mark]

But I still pay my rent.

[Joe Budden]

Rent. But I respect the landlord, Joe. No, for real.

[Ish]

I clunk you with this phone.

[Mark]

And also.

[Ish]

What?

[Joe Budden]

It wasn't paying rent.

[Mel]

I clunk you. You guys are old line.

[Mark]

Yeah. And it wasn't isha's. It was Mr. It was like Mr. Roper. It was a big ass company. And I still paid it before. Yeah, by the end. But during that time. No, I didn't pay them.

[Joe Budden]

I was Mr. Roping never got paid. Yo, that was at Jack house every second. Yo, dog, you got over here. Y'all eating like.

[Savon]

Come on, Company.

[Joe Budden]

Thank you. Wait, what did he just say?

[Savon]

He said, who's Mr. Roper?

[Joe Budden]

Mr. Roper.

[Mark]

Wow.

[Savon]

It was Mr. Roper. Then it was Mr. Furley.

[Ish]

Mr. Furley son was in the closet. I heard the show before.

[Joe Budden]

Mr. Furley was gay.

[Mark]

Mr. Yeah, he seemed a little too.

[Joe Budden]

Obsessed with J. Yeah, he wanted to Jack.

[Mark]

He definitely wanted to.

[Ish]

Mr. Furley used to be flirting with.

[Mark]

Jan and then Chrissy.

[Joe Budden]

That's by. Yeah, that's by. He was trying to get the.

[Mark]

He wanted to that whole house? Yeah, the flamingos.

[Joe Budden]

They know every time he came, Jack went in the kitchen.

[Ish]

Mr. Fur used to block.

[Joe Budden]

Three's company owed us an episode of Jack getting.

[Ish]

Some coochie from the mall.

[Mark]

That's crazy.

[Joe Budden]

They really dropped the ball with that one.

[Mark]

They really did. All them years in the house.

[Ish]

No, it's the seventies. If the Threes company came out right now, threesomes.

[Joe Budden]

That's a show that need a reboot.

[Ish]

70S, early 80s.

[Joe Budden]

Yeah, they trying to squash the history of what Quaaludes was doing in the 70s 90s, dog.

[Ish]

Three's company, though.

[Joe Budden]

I've seen what Molly did to to yesterday.

[Ish]

Booty shorts in the espadrilles.

[Joe Budden]

What Janet with a. With Uber out. Yeah, what Janet? And Uber X Black.

[Mark]

Janet was the one for you, not Chrissy.

[Joe Budden]

No, I was Janet guy.

[Ish]

I was a Janet guy too.

[Joe Budden]

I was Janet guy.

[Ish]

That a little short hair.

[Joe Budden]

Always short hair.

[Mel]

That's your hair.

[Joe Budden]

Boy, they get you couldn't cook nothing. Wasn't holding Jack. Damn. Really? Janet don't anybody that the. Anybody that the show cast it as the sex symbol. I wanted somebody else. Like Kelly on Saved by the Bell. I was on Lisa.

[Ish]

Lisa's.

[Mark]

Yeah, Lisa Turtle. That was an easy family matters.

[Joe Budden]

When ur was chasing Laura around, I was on the Best Friend that Died.

[Ish]

Yes, all day.

[Parks]

Beautiful.

[Mark]

Rest in peace.

[Joe Budden]

Oh, my God. Angel. What an angel in disguise. She was, you know, she was beautiful. I never went with whatever they was trying to. Trying to do.

[Mark]

Yeah. They also didn't pick the baddest joint to be the baddest. John.

[Ish]

It depends on what you like because thought Chrissy was the.

[Joe Budden]

The 11 3's company, right? Yeah.

[Mark]

Yeah, that's you.

[Savon]

Blonde hair, big boobs.

[Mark]

Suzanne Summers.

[Ish]

Suzanne Summers, yeah. She went on to get Thigh Masters. Janet was selling weed Make Nobody.

[Joe Budden]

When she left, I might have popped Lisa and Jesse before Kelly.

[Mark]

So like Facts of Life, you The Joe.

[Ish]

Me too.

[Mark]

Facts Life out of what was the brunette?

[Savon]

No, the street tough brunette Joe. Joe was there was Blair the blonde.

[Mark]

And it was Joe.

[Ish]

Natalie.

[Savon]

Y'all were not Natalie.

[Mark]

And then Tootie.

[Joe Budden]

Man, why you always talk like you know who we would and who we wouldn't and call up a picture of Natalie. Why you act like that?

[Ish]

I don't know who Natalie is.

[Mark]

I think you would Natalie in the stretch.

[Savon]

Okay.

[Mark]

You don't know these shows either. Spin off of Different Strokes.

[Joe Budden]

Ice don't know none of this, yo. And he don't care. And don't make him tell us that he don't care.

[Ish]

I'm not saying nothing. I'm minding my business, letting y'all talk.

[Mark]

I was just surprised. I'm sorry. So Facts of Life. Who you smashing on Facts of Life?

[Ish]

I'mma pop Blair before Joe.

[Joe Budden]

You take the good, you take the bad, you take them both, and then.

[Mark]

You have the Facts of Life. Man, the back.

[Joe Budden]

I don't remember.

[Mark]

I think you. I think you did Nancy McKen. I think. I think you did Joe.

[Joe Budden]

I'm telling you, I'm still mad that y'all know Nancy Reagan suck a good dick. I am. I. I'm still not over that.

[Ish]

We don't know. Puts back on the throat. We heard.

[Mark]

They all said.

[Ish]

They all were saying it, though. They all say they got to have some kind of.

[Mark]

They was like, you got to meet Nancy. Like, it was like executives were like. Like, I get it.

[Joe Budden]

I'm just mad that y'all knew that, like, the A be seized.

[Ish]

That was a thing, bro.

[Joe Budden]

It shouldn't have been for y'all. Like, the way my brain work. If my dick wasn't of time appropriate, age appropriate, when that person was that person, then I missed the boat. Hey, I wasn't like that in the 50s and 60s. I missed it. By the time I got on Earth, I wasn't checking for Dancy Reagan as.

[Mark]

Well, but she's the goat.

[Joe Budden]

60S, 70s, it wasn't that.

[Mark]

It's like.

[Ish]

But dog dicks in the 80s. Ronald Reagan was the president in the 80s.

[Parks]

Yeah, yeah, but he was already.

[Mark]

Yeah, she was doing this in the 60s on the MGM lot.

[Ish]

That news came out, like, 20, 21.

[Joe Budden]

She beat Monica.

[Parks]

Yes.

[Mark]

Yeah.

[Joe Budden]

Now y'all base that on. Oh, from what I hear, Nancy Reagan.

[Mark]

Was like the Wilt Chamberlain of this. That's why the kids today know Will. Nancy Reagan was like the Wilt Chamber.

[Ish]

She gave niggas a hundred.

[Mark]

It's forty.

[Mel]

Rest in peace.

[Joe Budden]

Rest in peace. Rest in peace.

[Mark]

She was crazy at the rim. Well, thank you. I've been working here too long. I got to get the out of here.

[Joe Budden]

Man, oh, man.

[Ish]

Going hang.

[Joe Budden]

Somebody's talking. Come up on Pierce Morgan and Ronald Reagan.

[Ish]

Ronald Reagan is locked like the Republican Kobe, right? He alaniz to the Kobe mix for the Republican.

[Mel]

They love him, dog.

[Joe Budden]

They gonna tip me.

[Parks]

He made up maga.

[Mark]

Word they gonna be mad at.

[Ish]

It's crazy.

[Joe Budden]

So off of our Beanie Siegel whole conversation. I did want to ask y'all if you could pick any rapper in the world for you to be on the same song with them five to ten times. Who do you think you would get the better of majority of the time?

[Parks]

Joke button.

[Mark]

That's what I was going. That was my guess. That's literally what I was going to say.

[Ish]

I got to write it.

[Joe Budden]

That's peace. Okay, Joe Button for you.

[Mark]

Yeah, for sure.

[Ish]

I got to write it. I'm getting a writer, cuz that matter.

[Joe Budden]

You got to be a family member.

[Ish]

Oh, oh, you got. You got a lot of to pick from now.

[Joe Budden]

I got a lot of Button. Now I'm shooting a gift. I'm definitely, definitely going say, Joe Day, brother already did it.

[Mel]

So do it again.

[Mark]

Five tracks. I killed you.

[Ish]

But no Joe was on my list.

[Mark]

Yeah.

[Joe Budden]

All right, so Joe Budden, Joe Button.

[Ish]

This is corny.

[Joe Budden]

Like a trick question.

[Ish]

Yeah, this is corny.

[Mark]

You know what it is for me? It's like beating anybody else in the track wouldn't give me any satisfaction. But like destroying you in a track and then sitting here afterward, that would be fun. I think that's why everybody feels that way.

[Joe Budden]

All right, well, let me just direct my comment to you. Since you the voice of how everybody feel. I don't think you could beat me in nothing. That Pierce Morgan. Morgan is not present. Like, if one of them little social thought leaders, them white, you be around if they not present. I think I got you. We're doing basketball. We are going to do spades. What else?

[Mark]

You said you don't shoot pool, right?

[Ish]

I ain't gonna hold you.

[Savon]

Yo, bowling.

[Mark]

Bowling.

[Ish]

You bowl today, though?

[Mark]

I think he got pool.

[Ish]

I keep pushing that pool.

[Mark]

He was the only one who didn't answer. He's the only one who didn't answer.

[Ish]

I'm all right.

[Joe Budden]

I'm all right. I'm not good at pool.

[Mark]

He nice, so I'm not. That wouldn't count.

[Joe Budden]

I'm not good at pool.

[Mark]

I saw. I saw the couple playing basketball. So then it's like, I don't know how well you self self assess bowling skates.

[Ish]

Back to. Back to your question, though.

[Mark]

Yeah.

[Mel]

This playing with a lot of them legend. He getting away with a lot of playing with up here, bro. Play this.

[Joe Budden]

I'm short so I can't hear everyone at the same time.

[Ish]

I said back to your question. I'm going after a lot of them 80s legends. I'll get a couple of out of here today.

[Joe Budden]

Kumo D and them.

[Ish]

Yeah, all them. You ain't beating all them. Marley Mall. Don't rap.

[Joe Budden]

What's the muscles? The bridge Melee.

[Parks]

Mel.

[Joe Budden]

Mel.

[Ish]

Melly Mel out of here. Melly Mel. Yeah, I'm going after them.

[Parks]

Nah, you're not getting Melly Mel.

[Mark]

You're not getting Kumo D or Kumo D. Crazy. I say every. Yeah, maybe before Kumo D, you should.

[Ish]

Start pre and post.

[Mark]

Kumo.

[Ish]

I'm going to get them.

[Mark]

You gonna get G rap too.

[Ish]

I'm going to get them.

[Mel]

I leave Uncle. I better leave Kumo.

[Mark]

I'm saying I think they all going to eat.

[Ish]

I'm not going.

[Joe Budden]

Yeah, what about Shan? You think you get Shan getting.

[Ish]

Getting Shan out of here.

[Joe Budden]

Yeah.

[Savon]

Big Daddy Kane.

[Ish]

Shan was. Shan was going at him.

[Joe Budden]

Big Daddy Kane rap better than all of us right now. I'm not playing with a second.

[Savon]

I wanted to see what he was going to say.

[Ish]

No, no, no, no, no, no.

[Parks]

As long as you know your limitations.

[Ish]

Yeah, yeah, yeah.

[Joe Budden]

That's mailbag. Them old legends.

[Mark]

Hey, y'all so Trash man.

[Joe Budden]

What else is important or unimportant? You talk playoff.

[Ish]

Is this sports?

[Joe Budden]

That's it. I think a.

[Ish]

Nothing else out.

[Joe Budden]

It's cool with me. I'm satisfied. Let me just check my. Check my mental Rolodex, which is the notes in my iPhone.

[Mel]

Yo, Mark.

[Mark]

Yes, sir.

[Mel]

I hope when this nigga play you in basketball like you, you, you. You play well.

[Mark]

I'm okay.

[Mel]

Nah. Cause you talk a lot of shit.

[Mark]

I haven't talked a lot of shit. You only hear me talk shit. You don't hear him. He started his whole beat.

[Mel]

I don't pay attention to this nigga. I pay attention nigga.

[Mark]

You know when he has to do bracelets.

[Joe Budden]

No, no, no.

[Mel]

Listen. What I'm saying is that I don't pay attention. Yo, I didn't hear you say you.

[Ish]

Don'T talk a lot of shit.

[Mel]

Wait, hold on.

[Ish]

Stop.

[Mel]

You gotta hear this. Cause y'all do that a lot. And I don't hear him say it again.

[Ish]

You don't got no headphones.

[Mel]

He said a lot of Slicks.

[Mark]

Why don't you say nothing, Slick?

[Mel]

What are you just gonna listen?

[Mark]

I said nigga. You said you don't pay attention. I said nigga. You notice when he gets a new bracelet? I'm saying you do pay attention to him.

[Mel]

No, but not when he speaks. Cause the nigga will talk you into a fucking lake. I'm not paying attention to that, period. You talk a lot of shit because you're good at talking. And I hope that you can back it up. I hope that you play basketball. Door and shut this up, period.

[Mark]

Oh, so you want me to win is what you said.

[Mel]

I don't want you to win, but I want you to. Farewell.

[Ish]

Hey, Mark, I ain't gonna hold you. Don't lose. Cause you. You saying you don't. You talked a lot of. About both of them.

[Mark]

Okay, that's not true.

[Joe Budden]

That's not true.

[Mark]

This is what happened.

[Mel]

This is what happened.

[Mark]

This whole exchange started with us minding our own business. And this coming up saying y'all niggas can't play no basketball.

[Mel]

No, I'm not.

[Mark]

You're not athletic. Nobody who can read that good can jump, basically, is what you said.

[Mel]

Pops called up and shut down.

[Joe Budden]

Free tonight for Monopoly. Talk stupid to me like you talked last part. Free tonight.

[Ish]

I got some money.

[Joe Budden]

I'm free tonight. Let's start with availability.

[Ish]

I have some money. I'm free.

[Mark]

For what?

[Joe Budden]

Are you available and. Yeah, you don't. You don't do this one. We talking.

[Mark]

We talking about taking Monopoly.

[Joe Budden]

See, See that.

[Ish]

That. That's. That's what get them every time, right?

[Mel]

And you don't have a sitter.

[Mark]

Mark, stop.

[Joe Budden]

Don't.

[Mark]

He's going to be at my house. I got a table. I got a game.

[Mel]

Okay, okay.

[Joe Budden]

You also have a daytime curfew. Mind your business.

[Mark]

Oh, not today.

[Ish]

And it's not regular Monopoly.

[Joe Budden]

I figured, oh, if it's not today, you can stick around, chump.

[Mark]

What makes it. I gotta go pick up the baby, though. But I could come back.

[Ish]

That's my. That's my line all the time.

[Mark]

Depending on what y'all talking about. Can y'all just tell me what the Monopoly.

[Ish]

I really think he would be good. So I really to introduce him to.

[Mel]

The game the way he has to.

[Joe Budden]

Be able to be outside longer than.

[Mark]

How long does this monopoly take? 10 hours?

[Joe Budden]

No, 90 minutes.

[Mark]

What's. What makes this Monopoly different than regular Monopoly?

[Joe Budden]

It's mega Monopoly. We'll tell you about it off here.

[Ish]

Tell you about it.

[Mark]

Okay.

[Joe Budden]

We'll tell you about it off here. Oh, Three dice core. Are we going are we going to the Canelo Crawford fight?

[Mark]

Yes, sir.

[Joe Budden]

I think that might be one that we should be at.

[Ish]

It's worth it. Where is it? Vegas.

[Joe Budden]

Vegas.

[Mel]

Vegas.

[Joe Budden]

I think that's one that. Okay. September. I think I want to say September. I told you I'm. Forget it, man.

[Ish]

No, I'm just. I just know before you was always saying the fight in Vegas was never your thing.

[Joe Budden]

You wouldn't go to them shits Canelo Crawford.

[Ish]

So I'm to even hear you say that, it's like, okay, I see it change. I can change. But as of today, who you got?

[Mel]

You know who you got that he can't say nothing.

[Joe Budden]

I, I, I want to, I want to go black. It's going to be that boy. Canelo is.

[Ish]

I'm going be rooting for Bud, but.

[Joe Budden]

Yeah, I'm rooting for Bud, but Canelo's different. Sucks, bro. Canelo's different.

[Ish]

He losing a step too, but he's tough still.

[Joe Budden]

Yeah, but Bud had to go up.

[Ish]

I know, but Canelo ain't the same Canelo, but he's still tough.

[Joe Budden]

He's uncomfortable that way.

[Mel]

He going, would you go out there to the fight?

[Mark]

Yeah.

[Ish]

A thousand it he. He a hard out, though, cuz you.

[Mel]

Can'T wait to mix.

[Joe Budden]

I'm going and I'm bringing my girl and I'm being faithful.

[Mel]

You can't wait. If Frank Lucas makes this go. Who can't? He got this Vegas. You can't wear the Frank Lucas makes it Vegas.

[Joe Budden]

It's hot.

[Savon]

It's freezing in the winter.

[Mel]

Really?

[Savon]

It's the desert. It's freezing in the winter.

[Mel]

Not in September, though. I went to Vegas in tem was hot.

[Joe Budden]

As she telling New York at night, it's freezing in Vegas.

[Mel]

It is. You're right. You're right, man.

[Mark]

Right.

[Joe Budden]

No, you're right.

[Mel]

You right about that. I'm going to that fight. It's come out there. Put the mink on.

[Joe Budden]

I'm scared to know what they going to want for a good ticket.

[Mark]

Yeah, it's going to be stupid, exploitative.

[Ish]

This the one exploitative.

[Mel]

Get a box.

[Ish]

Yeah, that's up.

[Mel]

Up.

[Mark]

And that's why I ain't going.

[Ish]

Tickets up to seven grand. That's up.

[Joe Budden]

No, that's a luxury.

[Mark]

Yes, a luxury.

[Joe Budden]

It's a luxury. You do not need to go be at the Canelo Crawford fight. Right?

[Mark]

Unlike like heat, but you need four walls.

[Joe Budden]

Thank God we got landlords like is. Hey, we need. All we need is Roof over our heads, man. Thank thanks. Is make sure.

[Mel]

Make sure the heat is right. Is make sure them old ass radiators. The steam shits is out.

[Joe Budden]

Is mad as hell.

[Mark]

During co he was tight during company.

[Mel]

He was passionate. My man suffered, man.

[Mark]

I appreciate you got houses about to get going. I respect that.

[Joe Budden]

I understand he survived. Look at him. Look. Came out stronger.

[Mark]

He thrived.

[Mel]

Driving clean.

[Joe Budden]

Hey Kanye. Did some do it fly. What he sold. He sold something or something.

[Parks]

Some real slippers or something.

[Mark]

He just posted some new joints. $20.

[Ish]

He went off on Adidas first because he was like, you know, we severed business ties. Yet when I search Yeezy, y'all come up before me. And y'all still got all my. On your site and everything. So he went on a whole rant about that. And they took it all down. Down like Adidas took it down. Yeah, it's all down.

[Mark]

Good for them. Good for him.

[Ish]

And then he went and launched the new. Was it like a slipper?

[Savon]

Yeah, like the slipper socks.

[Joe Budden]

It's not.

[Mark]

No, like actual slippers.

[Ish]

It's something new.

[Mark]

I saw them. There's 20. I wouldn't buy them, but they looked all right.

[Parks]

Why would you buy them?

[Mark]

I don't support. Yay. That. That. That. That. That Nazi. Anti Semitic was too much for me. Got it. I can't. I. I can't. I can't fuck with with that. Not until. If he. If he apologized or actually felt different about it. But I actually think he's up on that. But I also think Adidas did him dirty.

[Parks]

Even musical. You wouldn't support.

[Mark]

No, I don't. I don't even stream his stuff anymore.

[Joe Budden]

You're not getting a new album?

[Mark]

No, no. If I hear it's gonna be here.

[Ish]

Mark don't play that. Is anybody else that you don't.

[Mark]

I ain't seen a football game since.

[Ish]

I'm with you. I'm with Cap now.

[Mark]

You with Cap every time. Every time. Steelers lose, you with Cap.

[Ish]

Cat lying, right? That's the cat.

[Mel]

So you don't support what he said. You said. That's why you don't fuck with him.

[Mark]

Yeah. When he said Hitler wasn't that bad. Yeah, I definitely don't support that. Yeah, yeah, yeah, yeah.

[Savon]

And slavery was a choice.

[Mark]

Slavery was a choice for that part. Cause I don't fuck with none of that.

[Mel]

You know, you a nigga that would.

[Ish]

Is anybody else.

[Mel]

You a nigga that went in front of the. You a nigga that went.

[Mark]

A lot of people who I got that line for R. Kelly's another person. You know what I mean? I don't even like to be in a room when it's playing. I asked DJs or people to turn the shit off.

[Joe Budden]

Never that.

[Mark]

That's just me again. I don't think everybody has to do that. That's my own personal choice.

[Ish]

I'm with you.

[Joe Budden]

I'm never cutting off that R. You what R. Kelly.

[Ish]

I don't play R. Kelly, and I don't force it on nobody else. Pause.

[Joe Budden]

You.

[Ish]

You do what you do. If I'm somewhere in his playing, it is what it is. But you would never hear no R. Kelly in my car in.

[Joe Budden]

In nothing play.

[Mark]

And I got a rule in my businesses. You cannot play it here as a. As a company rule.

[Mel]

Kels.

[Joe Budden]

I'm down with teacher. I'm down with Teacher Moses.

[Mark]

I love Teacher Moses.

[Joe Budden]

We playing that off. Yo. Why?

[Mel]

Ah, come on, Mark.

[Mark]

You really asking why? Cuz he pee on people. Kids.

[Savon]

It's called conviction.

[Mel]

You say he kill what he pees on people's kids. Yo, listen, I don't know about that. I'm talking about the artist. The song.

[Mark]

Yeah, that artist pees on people's kids.

[Joe Budden]

Who he peed on. On. Did you ever think that you would get this rich? Like, if y'all. I hate hearing the people say, oh, the songs remind me that. Like, there's not songs that don't remind you that. One, and two, R. Kelly ain't making none of them. Ain't making none of the money from his catalog.

[Mel]

It ain't his Pete on Step in the Name of Love.

[Ish]

It's just personal that I just. I don't separate. I can't separate.

[Mark]

This is why I do it. There's a couple reasons. One, I don't want to endorse him. I think there was a long time where people were making fun of what R. Kelly did, making light of it. And I think us continuing to support him makes it easy for us to ignore what he did. You know, there's lots of artists who do fucked up shit. I'm not saying we got to be perfect here. And I'm saying in this particular case, I saw a direct harm. The other reason was, for a long time, R. Kelly was making his money. He had a compound where little girls were still or young girls were in the house, literally like a cult. And he wasn't making money from a lot of sources. So we were directly funding what he was doing. It wasn't some abstract shit. Like, I don't want to listen to Miles Davis kind of blue because of what he did to Cicely Tyson. That's like. Then you can get into slippery slopes. I'm saying R. Kelly was directly doing shit at the moment that we were funding. And at this point, because I don't desire to listen to R. Kelly anymore.

[Joe Budden]

Gotcha.

[Mark]

You know what I mean? For those reasons, all I hear.

[Mel]

When I hear, and I know that is when I hear that I'm sorry, I gotta step.

[Ish]

But you ain't gotta apologize for that, though. That's just.

[Mel]

Yeah. I'm just saying you can't tell none of them old folks that at the party. You can't tell the old folks, turn off R. Kelly.

[Ish]

I don't tell them.

[Savon]

It's his own private party.

[Mark]

So you gonna walk out?

[Mel]

You woken out?

[Mark]

Yeah, I do. This is my choice. But again, like, I'm not asking other.

[Joe Budden]

People because of the daytime curfew party.

[Ish]

Don'T come alive tonight.

[Mel]

Surprise party for you.

[Savon]

You don't have, like, a private boycott. Somebody that you don't support because you listen to Kashi.

[Mel]

No.

[Savon]

Integrity.

[Mark]

Wait, why?

[Ish]

Why?

[Joe Budden]

Why?

[Mel]

You know why.

[Joe Budden]

Don't listen.

[Mel]

That's not a good example.

[Mark]

Why is it a perfect example?

[Mel]

Because he hurts some people that I'm.

[Mark]

I'm.

[Mel]

I'm friends with, and he's trash. Some people that he. That some people. He sent some people to jail that I know personally.

[Mark]

What if you didn't know those people but did the exact same thing?

[Mel]

I. I can't speak on that because I know them and he's trash.

[Joe Budden]

I know.

[Mel]

Male matrix.

[Mark]

No. So, okay, so.

[Joe Budden]

And he's trash.

[Mark]

Lots of reasons.

[Ish]

Not trash all the time.

[Mark]

What I'm saying is, for me, I don't got to be personal.

[Joe Budden]

R. Kelly is one of the greatest music discographies to exist.

[Ish]

I agree.

[Joe Budden]

So to. To try to make a parallel with Tekashi.

[Mark]

I see your point, but the parallel is only. We all got things. We all got lines.

[Joe Budden]

True.

[Mark]

And I'm just saying my line is.

[Joe Budden]

Oh, no, I wasn't trying to convince you. I'm not.

[Mark]

Yeah, yeah. I'm just saying that's the parallel. That's what makes it harder.

[Mel]

I get what you're saying.

[Mark]

I like R. Kelly's music.

[Mel]

What about the music that he wrote for people? You wouldn't listen to that, neither.

[Ish]

Online.

[Savon]

It's a little bit different.

[Mark]

It's a little different for me, but it is more difficult. Like, do I want to not listen? I believe I could fly or whatever. Or Aaliyah's album, first album and things like that. Back when he was making direct money from it and it was affecting, like, again, that cult shit, I would. But now it's different because I don't think when I listen to Aaliyah, if I played Aaliyah in my car right now, I don't think people are even subconsciously, like, supporting R. Kelly. Oh, I wouldn't play that.

[Joe Budden]

All right.

[Mark]

I wouldn't play that for that reason. For that reason.

[Joe Budden]

All right.

[Mark]

You got it. But the at your best remix, my bad.

[Joe Budden]

It's okay. It's all right. When you go home, play whoever you want to play Y.

[Mark]

That's it.

[Joe Budden]

But in here, don't look now, but Lady Gaga and Bruno Mars, they got a little slap. Yeah. That I like together. This is not my sleeper. I'm just giving y'all 30 seconds so y'all can see what you on. I just woke up up from a dream but you and I had to say let's go d and I don't.

[Ish]

Know what it all means but since.

[Joe Budden]

I survived.

[Ish]

Wherever you go that's where.

[Joe Budden]

I follow nobody's promise tomorrow so I'ma.

[Ish]

Love you every night like it's the last night like it's the last night.

[Joe Budden]

If the world was ending I wanna.

[Ish]

Be next to you.

[Joe Budden]

Hold you just for a while you get the point.

[Mark]

That sounds great.

[Joe Budden]

No, it's just great. It's called die with a smile. It's really, really, really good. Are we gonna hear anything else from what was the name of the group? Silsonic?

[Ish]

I hope not.

[Parks]

I doubt it.

[Mark]

You said you hope not.

[Ish]

Yeah, I hope not.

[Mark]

Why?

[Ish]

I'm cool off of that. I just want Bruno mar solo. At this point, that seemed like it was a mistake.

[Savon]

I don't say no Grammy award winning mistake.

[Parks]

Take the singles work the album. Not so much.

[Mark]

Not so much.

[Joe Budden]

Oh, the singles work both of them.

[Ish]

Yeah, I'm cool.

[Joe Budden]

This got me paying of it.

[Ish]

I'm hoping that was just like a thing for that time. Yeah. And I and I think we like them so much that we even pushed them singles was fire that. What's the name?

[Joe Budden]

Smoking out the window and.

[Ish]

Leave the door open was the shit. Leave the open was the shit.

[Joe Budden]

I'mma leave the door open. All right. For my sleeper, I'm giving you Teddy swims and giveon. Let's go.

[Ish]

Yo, that's some bullsh.

[Joe Budden]

I make you up but I can get enough. You're so beautiful, spiritual like a. You.

[Ish]

Are, you are, you are you.

[Joe Budden]

Are you made up in my head Are you in my Bedroom Questions that I asked ever since I met you Tell me are you, are you, are you, are you? Are you something from a dream or something that I made? Questions that I ask every time I wake up?

[Ish]

You never do too much now you.

[Joe Budden]

Steal enough from me I can feel the rush even when you slow dance for me Looking at you laying right there Are you from this world? I swear you're beautiful, spiritual I just want you to know what to think.

[Ish]

If it's all a dream I don't.

[Joe Budden]

Want to wake up made up in my head Are you in my bedroom?

[Ish]

In the bedroom? Questions that I ask ever since I.

[Joe Budden]

Met you Tell me are you, are you, are you, are you, are you, are you? Are you something from a dream or something that I made? Questions that I ask every time I wake up? Brand new music from Teddy Swims and give you on that record is called are you even real? Brand new available in your phone and on dsps right this second.

[Ish]

All right, I'm. I'm going go to Detroit. I'm pretty sure y'all all saw there was a bunch of Eminem records that were leaked and the leaker is talking about he got upwards of 300 more to leak. And it just reminded me of a song that Emin Royce made called take for me. So that's new old music. I know, I know that without two fans I ain't shit. But y'all better read my lips. I don't spit raps this ill for you to just hack and steal and leak my shit so peep my drip. I hope y'all don't think y'all helping me out with that shit. That shit stressing me out. Nickel 9 is blowing up Christmas time. You should hang my album on top of your fireplace. Cause around that time my stocking is going up. Feels like a victory bittersweet. But the bigger I get, the bigger the wedge between the relationship of me and my bigger bro. Hear what I said? Feels like the shit was switched on me. Everything do for the nigga and the nigga know I would do anything for him. But the nigga refuse to quit. Just straight shitting on me. Keeping your distance probably best if you don't wanna fuck with me but you know me probably best. Fuck pity you want that you know Islaya, Ali, Chess, tough titty the problems, you got a problem? You think that I'm already set so Imma look down on you Just be proud of me you already got my respect I ain't trying to say something I regret so Imma just stop Chasing the pain and let you deal with the fact that we don't get along Cause I got a big face in the game Sometimes I feel like fuck my life I fuck with a few niggas did I know if my chick was a shady ho Niggas wouldn't think twice but he fucked my wife yes that's the difference in friends and associates I done been broke, I done been through the motions I don't take no attention to birds I use my scope and I tend to devote just no one ever blows up your phone just talk I don't make money just to loan it to y'all tell a nigga that think you wildin is like dialing and then talking to a hole in a ball please look at these expenses these niggas expensive yeah I gotta lend.

[Mark]

You money every time I see you.

[Mel]

Just to be a friend bitch I.

[Ish]

Don'T really need your friendship Everything not.

[Joe Budden]

Enough when more can I give up?

[Ish]

Is there anyone that I can trust?

[Joe Budden]

I give you my.

[Mark]

I live in a bubble I struggle with the fame trouble is the pain gross double give a fuck what you say when my music you take so subtle just to give it away to people who don't even appreciate flows motherfucker I'm living today Cause I break my back to give.

[Mel]

You my heart you steal my flaws.

[Mark]

It'S like driving a spike through my heart you might not think it's that big of a deal to steal from.

[Mel]

Me but music's all I got aside.

[Joe Budden]

From my daughters doesn't sound like a.

[Mark]

Martyr but it's getting harder than I.

[Joe Budden]

Thought to not just go crazy Trapped.

[Ish]

In his house I'm about to just.

[Mel]

Snap in my knot deserving of what.

[Joe Budden]

I got can I not work for it?

[Mark]

Put it all in every record I.

[Joe Budden]

Record when the police tell me why.

[Mark]

On a certain keep happening I keep rapping But I wonder sometimes is it.

[Ish]

Worth though the cuz it feels like.

[Mark]

A down there ain't no getting up.

[Joe Budden]

From But I won't let it get.

[Ish]

Me down I'm stuck coming my mini.

[Joe Budden]

Think black plumes don't them he'll appreciate.

[Mark]

Me when I'm gone They'll say it.

[Ish]

Was ill right the way I kill.

[Mel]

Mice but the way I feel right.

[Mark]

Now but it just feels like I'm so done with the that I may.

[Mel]

As well wipe I have nothing else.

[Mark]

To give you the electric tribute farewell I bid you before I go My.

[Joe Budden]

Last gift to you Ladies and gentlemen, Flor House.

[Ish]

I give you everything not enough when.

[Joe Budden]

More can I Give up Is there.

[Ish]

Anyone that I can trust? I give you my.

[Joe Budden]

And again.

[Ish]

That is new old music. About 12 years old now 13. That is bad meets evil. Take from me.

[Parks]

All right, I'm going play something off this new ransom project. The f. At first it threw me off because he's using the freeway flow, which I thought was weird, but he kind of bodied it. It's weird too.

[Joe Budden]

Ransom.

[Ish]

Let's go Ran Lake Jersey Go for.

[Joe Budden]

The love is real We a have many places to go man had to.

[Ish]

Turn to them streets.

[Joe Budden]

Damn I couldn't.

[Ish]

Run to my mama cuz she was.

[Joe Budden]

Never one for the drama no love.

[Ish]

For my father these concrete streets made.

[Joe Budden]

It harder Drop love for my honor.

[Ish]

Swap drugs for a day dollar yeah.

[Joe Budden]

Some hot slugs make them holla squeeze guns Cuz I never had a hug as a toddler 2 fiend selling dreams.

[Ish]

Spark plugs and some copper Cor the.

[Joe Budden]

Bug hot enough to burn Scrubs off a do your dread coming if the.

[Ish]

Plug is a roster Won't buzz till.

[Joe Budden]

He see a little thug in your.

[Ish]

Pasture Some OJ and a jug full.

[Joe Budden]

Of vodka One glove and a chopper unplugged I'm a shocker mom Duke's getting high cuz the love couldn't stop her.

[Ish]

If you serve it you'll be laying.

[Joe Budden]

In the tub with your PA I grew up like a monster Too tough for a tonka Too stuck playing contra One round street fighters Balling up like.

[Ish]

Blanca Two shooters on the corner parking.

[Joe Budden]

Up in the house Got two, four spark them up like Mamba Dark enough like Bomba Lil Mo tried to put it on me that's a body smart.

[Ish]

Enough for the karma no weapon you.

[Joe Budden]

Could form Sharp enough for the arm for the arm it's hard enough getting harder where do you go? It's no love for a marvel we.

[Parks]

Still hustle till the sun come up.

[Joe Budden]

It'S no peace till the guns go down It's a cold winter she won't.

[Parks]

Sleep till the sun show up Cuz.

[Ish]

Mama knows she don't want no frowns the street's so bitter it's cold out better bundle up your pop's gone, he.

[Joe Budden]

Don'T want you now He a known.

[Ish]

Sinner either go home or gorilla the.

[Joe Budden]

Words from an ex dope dealer no such thing as our closure the streets only made the hard colder and man made me start over the past could be music to your ears but be.

[Ish]

Clear it ain't made a harp over.

[Joe Budden]

Put the pain in the pot Stir.

[Ish]

With a little lion have a pops.

[Joe Budden]

Plus a block you create a dark soldier.

[Ish]

I pay what I owe you but you won't get a penny more.

[Joe Budden]

We'll find a diamond in the rough without any flaws. 2 addicts in the shop selling socks 3 chains with no locks DVD starring Demi Moore, Sharon Stone got a safety.

[Parks]

Pin hinged on the herringbone Chuck D's.

[Ish]

Welcome to the terror dome Big brother never home so I had to butter.

[Parks]

All my bread alone Poker face so.

[Joe Budden]

You would have never known. You play the cards you've been dealt.

[Ish]

When the bed is on where do you go for the love when it's never shown?

[Parks]

We still hustle till the sun come.

[Joe Budden]

Up it's no peace till the guns go down.

[Parks]

Obviously paying homage to Freeway I with.

[Mark]

That shout out to Philly.

[Parks]

Anybody that flow, shout out to Jersey issues in the kitchen. So, Mel, you want to do your.

[Mark]

Yeah.

[Joe Budden]

In the kitchen. Looking for a sleeper, right?

[Ish]

Texting Alex.

[Joe Budden]

It ain't in there. Probably check under the stove. Well, check over the stove. It's fine. It's asleep in there if you look behind the chips, but it's. It's asleep in there if you look behind the chips or under the sink.

[Savon]

Okay. Mine is called Terms and Conditions by Benji and Spillage Village.

[Joe Budden]

My son. Back at it again.

[Savon]

For sake.

[Joe Budden]

Fuck off.

[Mark]

Is it difficult feeling with your good eyes are we visible? You take a good time.

[Mel]

Cause I.

[Mark]

Like to walk it out and bounce to the beer show me what you talking about so I can feel the media. You don't need to knock it out Just focus on your breathing yeah, when you're ready shout it out and watch out for the ceiling. Yeah, if you're down to ride there's a wonderland this remind me of the motherland. I'm a mama we could take a.

[Mel]

Ride to the wonderland this remind me of the motherland.

[Joe Budden]

You take a second I hope you.

[Mel]

Come along for the ride.

[Ish]

Don't have to be alone all our.

[Mark]

Lives after all the lows come to highs Ain't no need to get you up to speed. All you really gotta do is breathe Everything for sure to give you all. Cause that just might be all you really need.

[Mel]

I hope you come alone down for the ride. After being alone all the lives after all the lows come to highs Ain't.

[Mark]

No need to catch you up to speed.

[Joe Budden]

All you really got to do is.

[Mel]

Breathe Everything will sure they give you.

[Mark]

All cause that this might be all you really need.

[Mel]

Stretch it down, settle down, take it.

[Ish]

In, let it down Just the crown just now.

[Joe Budden]

Let it in, let it out let.

[Ish]

It in, let it be. In and out let it fall. Show the world who you are. Don't believe everything ain't gonna fall. Cause everybody wanna be comfortable. No, you stop and show the whole world who you are. Wave your hands in the air if you understand. You got the terms at the church say Amen.

[Mark]

Yeah.

[Parks]

As Benji and Spillage Village, terms and conditions. Shout out to them.

[Ish]

You got my.

[Parks]

I sure do, buddy.

[Ish]

I'm going to Avara. The song is called Paradigm. This is the. The sped up version.

[Parks]

Let's get it.

[Ish]

See, I was in the fast lane. Game played and I was going insane.

[Joe Budden]

I guess there still is something more to love.

[Mel]

I guess I can't ignore.

[Ish]

Guys, I can't go.

[Joe Budden]

Like.

[Parks]

That. Is Paradigm the sped up version by Avara?

[Joe Budden]

I ain't gonna hold you, bro. You should hit your backup sleeper more often. I ain't gonna lie. Your backup sleepers. That was one.

[Ish]

No, my first sleeper was your. What you play. Sorry.

[Joe Budden]

Great minds.

[Ish]

Hey, man, but.

[Parks]

Well, you think Mark has a sleep?

[Ish]

We.

[Mark]

We good.

[Joe Budden]

Mark got some cord.

[Ish]

Let's go.

[Mark]

Cord. Shit. No, I'm. I still got this bad bunny. That got being a choko better die. Is. Is the joint.

[Joe Budden]

Get to it, baby.

[Mel]

Love.

[Ish]

Bad bunny.

[Mel]

Davey.

[Joe Budden]

Omar.

[Parks]

It's Velda. Bad bunny. Omar, Cortez and Davey.

[Ish]

Oh, man, that bad bunny.

[Parks]

What y'all doing over there.

[Ish]

Man? Ice is crazy.

[Mel]

Yeah.

[Ish]

Yeah, that'll do it.

[Parks]

That'll do it.

[Mel]

It'll do it.

[Ish]

It will absolutely do it. Now they saying Church won't.

[Mark]

Won't he do it?

[Ish]

No. I was gonna say before we got out of here, man. I want to shout out to Jamal Crawford.

[Mark]

Yes, sir.

[Ish]

That he well deserved. He officially signed with NBC Sports, okay. For broadcasting starting to start in October.

[Mark]

Yeah.

[Joe Budden]

Told y'all he's been killing. Now.

[Ish]

He's been killing.

[Joe Budden]

Yeah, he has been.

[Ish]

That's very dope.

[Joe Budden]

Very dope.

[Ish]

He wanted a few because couple of the trash. How Bubba Dog say trash? Couple of is trash dog.

[Joe Budden]

Also, I ain't going to say nothing about easy to block captain. Editing battle footage.

[Ish]

Nope. Let Mark. Let Mark address it, cuz. He from Philly. So what?

[Mark]

Easy. The block captain is from Norris Town.

[Ish]

No, no, no, no, no, no, no. Y'all following through. Come on. Now.

[Joe Budden]

If he.

[Ish]

If he was smoking, we here be.

[Mark]

Yeah, I can't work. I don't have. I'm doing hypothetical.

[Ish]

Why. Why we ain't never heard that before? Now, I've been saying when he was.

[Joe Budden]

Smoking, but he got.

[Mark]

He got. He got Molly whopped him. I texted you.

[Ish]

You did. And I appreciate that.

[Mark]

Yeah, Cuz I watched the first round, I was like, yo, the first round, I was like, this ain't going the way he think it's going to go. Then the second round, I thought he was going to cook, and he did not.

[Ish]

He was like, he get his ass whooped.

[Mark]

He's getting his. I was embarrassed.

[Ish]

It was three zero.

[Mark]

I was like, he. To me, it was three zero.

[Joe Budden]

Editing bass title footage, fam.

[Mark]

No comment was chanting three zero.

[Joe Budden]

I don't think a comment is needed. What the is that? If we was gonna do that, I'd edited mine. Put all that out of there.

[Ish]

Do you see what them did to your.

[Joe Budden]

No, they got.

[Ish]

When Hollow tells you something about the no. And do the gun and all that. And then these. These is amazing with the graphics. They got a walking. And you start slowly transforming these. Take you to a bedroom where you sit down, take your clothes off. Yo, these are amazing.

[Savon]

And then what happens?

[Ish]

I'm telling you, bro, One day, y'all go know the real Mel. Mel is an. I'm telling you.

[Savon]

No, I'm a sweetheart.

[Ish]

All right.

[Joe Budden]

You're not. You're not. You're not a sweetheart.

[Mel]

Oh, no.

[Joe Budden]

You're horrible.

[Ish]

All right, all right.

[Joe Budden]

Hold on a little strong, all right. Very strong. She treats us bad. And then when we do it back, it looks like the bear. Damn.

[Mel]

It be a lot. It be two strong personalities against one. So we. You understand?

[Joe Budden]

No, I like what Mel. Get off, man.

[Savon]

Thank you.

[Joe Budden]

Go ahead, cuz.

[Mel]

She got a lot of to say. She said, yo, play that music with this. This quitting ass.

[Ish]

Play it.

[Mel]

Play it.

[Joe Budden]

I left all that. I left the Chicago alone. I left all my thoughts.

[Savon]

You did. I'm shocked.

[Joe Budden]

I left it alone.

[Savon]

I am shocked. But there's still a Patreon.

[Joe Budden]

I badge you on Fridays, okay? Not when Mark is here.

[Savon]

He did say that with his.

[Mark]

With his cape, you know. You know, you guys. You guys are ridiculous.

[Joe Budden]

That's funny, son. She could be dead wrong.

[Mel]

And this finds. He finds a way.

[Joe Budden]

Now. She could be.

[Ish]

No, Mark. No.

[Savon]

That's not what I'm wrong.

[Mel]

Keep it real. He doesn't say it. Mel.

[Ish]

You said what?

[Mel]

He does not say when she wrong.

[Mark]

She wrong. I call it out. When is she wrong? We talking about that cake.

[Mel]

I was like, yeah, that's wrong on.

[Ish]

The phone and told her, no.

[Mark]

We said it on three of us. We was on the show in the Queens.

[Mel]

No, you soft in the blow.

[Joe Budden]

Come on.

[Mel]

Come on, Mel. You know, that's fun. That's fire though. I would have did that, you know, man, but you. I can understand what they saying. No, you're wrong. You never.

[Mark]

I will do that if she will.

[Joe Budden]

Make amends for the cake. I'm not sure how much other tangible.

[Savon]

Evidence that how can I make amends for the cake?

[Mel]

Give everybody back their money.

[Ish]

Approve my request. Think of.

[Savon]

Think of something else.

[Ish]

Approve my cash.

[Mark]

You're wrong, Mel.

[Savon]

Give me an alternative, Mel.

[Ish]

Give me You Alternative is $100 gift card to anybody around the room.

[Mel]

Send the back. Mel.

[Ish]

Mel, you seen your man comment on. On editing the footage?

[Mel]

What he said?

[Ish]

He. He said something to it.

[Mel]

Tell us.

[Ish]

He said respectfully.

[Joe Budden]

That was. Damn right respectfully.

[Ish]

That was his side chanting that. Why would we keep that then when you could watch the battle and tell he was getting up. Y'all destroying battle rap brand, but not keeping it real with.

[Mark]

That's. You got to keep the chance. That's yeah, yeah, yeah. And he wasn't getting killed by the time.

[Mel]

You know what's so sad though? I think that he thought by getting with like, him publicizing the whole Remy, it hurt him more than it hurt him.

[Mark]

And that bar wasn't firing. First of all, that bar wasn't fire enough.

[Ish]

It did.

[Mel]

Like, he should have kept it. I got knocked out. I don't know nothing, nigga. Just keep going.

[Ish]

Don't play into it. Don't hit Patrick.

[Mel]

He should have just left it alone. Cause he's a talented rapper.

[Mark]

Cause he cooked. He got cooked on it.

[Mel]

But in his mind, he like, yo, I won at the end. But no, you not with the culture. You didn't win. Especially with a figure like Pap. It just fucked him up.

[Mark]

Yeah, it did.

[Mel]

I thought about it this morning watching the show. I'm like, damn, that shit fucked Eazy. Eazy was going up here. Hey, Eazy. Core smack. Core smack battle.

[Mark]

Shout out to Norris Tech Corbeez.

[Mel]

One of them niggas. Nigga, get. Get rock on the stage.

[Joe Budden]

If I knock you out, I don't care about your alphabetical storyline.

[Mel]

Yeah, like it. It's just everybody that heard that what he did. Nobody agreed with Easy Yo Rim. Yeah, like, yeah. It's a total downslope to Yo Rem, you love me.

[Mark]

Yeah, yeah.

[Joe Budden]

That's the punch slide. He should have got hit again. He should have got hit again.

[Mark]

That shit was trash.

[Joe Budden]

And again, I feel bad, bad with this T, cuz I don't have nothing personally against him, but talented.

[Mark]

Probably the best rapper ever come To Noristown.

[Joe Budden]

Yeah. Oh, that's a stat.

[Ish]

Where's Noristown?

[Mark]

Outside of Philly. 15 miles north of Philly. Too far to be Philly. It ain't low Maran like Kobe. You know what I'm saying?

[Mel]

It ain't close.

[Ish]

Want claim Kobe.

[Joe Budden]

Word.

[Mark]

That's different.

[Ish]

What's the difference?

[Mark]

Kobe looked across the street from Philly. Kobe. We hooped in Philly. He was a Hooper.

[Joe Budden]

Kobe. Y'all booed that All Star Game. I was there.

[Mark]

Yeah, we boo everybody. We booed a mayor. We boo the kids. We boo. I booed a kid. I booed this kid. Smoked a layup at halftime from the boy, girls. Boy and girls club. I booed him. He from Philly. This is who we do. We a booing city.

[Mel]

You boo boo kids.

[Mark]

Yo, come on. He's wide open.

[Joe Budden]

Oh, Mark, before we go. Yo, before we go. Yo, you insane? You in that Joel Embiid Fighting Club clip.

[Parks]

Yo, that was funny.

[Joe Budden]

Oh, my God.

[Parks]

That was funny.

[Joe Budden]

My God.

[Mark]

There's context you might be missing.

[Ish]

No, we got it all.

[Mark]

So I saw.

[Joe Budden]

First of all, oh, Mark, why are you in that video patting Joel Embiid's chest?

[Mark]

Okay, so I wasn't patting his chest. You saw a little bit of the clip.

[Ish]

No, we saw.

[Joe Budden]

I saw you.

[Mel]

Yeah.

[Joe Budden]

Mark, come on.

[Mark]

First of all.

[Mel]

First of all, let me explain.

[Joe Budden]

Get your little ass out the clip.

[Mark]

They were fighting in my seat. I was. I didn't go over there. They were fighting in front of me. They were in my seat.

[Joe Budden]

You stood up out the seat.

[Ish]

You did.

[Joe Budden]

And were all, he's seven feet tall.

[Mark]

You let him follow me.

[Joe Budden]

Oh, you like tall guys.

[Mark]

First of all, my point is, I didn't go over to the scene.

[Joe Budden]

The scene came to you.

[Mark]

First of all, I have been talking shit. I have been talking the whole game with Cat, right? I have been talking the whole game with. At that. At that time in the game or at that time in the. The season. It was. We was always slapping hands, doing like it.

[Mel]

It was.

[Mark]

It was in the rhythm of the game. It wasn't like I ran over in the hand.

[Mel]

In the rhythm of the night.

[Joe Budden]

Yo, we need to come up with.

[Ish]

Yo, you know, it's footage.

[Mark]

If you watch, I'm going show you. Look at the whole footage and see if you feel the same way.

[Joe Budden]

We need to come up with clear, cold sh. Like, a lot falls under the do's and don'ts of man code. And this is one of those things. Patting another on the chest during a fight.

[Mark]

A that, you know, after the fight broke up or a random dude.

[Ish]

So your man outside the club fighting.

[Mark]

You on the chest, More like.

[Ish]

Y'all walk into the car, you going to be like, yo, you got that off.

[Mel]

Too freaky.

[Mark]

I take the joke.

[Mel]

Somebody you upset. It's just. All right, my.

[Ish]

No, that's not what happened.

[Joe Budden]

Not what happened, Marcus. Okay, hold up. Now we get a reenactment. Y'all are not. Y'all are not on. Mike, they about to start bowling again. Put your sneaker on the couch. Like a lot is going on right now. It's all right.

[Ish]

Hey.

[Joe Budden]

Yes, that's exactly. You did. You did.

[Ish]

Yo, and you only five.

[Joe Budden]

Can you just sit down? Looking like all I need you to do is sit in your seat.

[Ish]

Oh, you got a problem over here?

[Joe Budden]

You got a problem with staying in your seat, huh?

[Ish]

Stop.

[Joe Budden]

I stood up.

[Mark]

I was crazy. It was crazy out of context. That's what I tell you.

[Ish]

Nah.

[Mel]

Okay.

[Joe Budden]

Hopefully you guys have enjoyed this broadcast.

[Mark]

I did. Until the last 30 seconds.

[Ish]

Don't do that again.

[Joe Budden]

Just let him fight. To the fans. As much as we have enjoyed delivering it to you, keep Mark and the rest of us in your prayers.

[Parks]

Joel.

[Joe Budden]

Lord knows that we all need to be there again. We are praying for everybody in Los Angeles. Yes, it's going through a tough and devastating time. Until next time, we bid you a due farewell. Adios. Arriva. Dirty ost la vista. Au revoir. So long. A bio. A simple head knob will suffice. Remember, life is a series of moments. And moments pass. So let's make this one last as if it's all we have. Again. Again. Rest in peace. To my aunt Phyllis, I love you. Gone but not forgotten. Here with us in spirit. Until the next time, man. Last but certainly not least. The baddies are insecure. The stagnant. Women want to travel in the closed minded. Women want you to teach them things. Grab you with Tylenol, you might need it. And that's that on that, man. Anybody got any exciting plans for the week?

[Ish]

No, not really.

[Joe Budden]

Right? Washed gang is back.

[Mark]

Not this week.

[Joe Budden]

Washed gang is back. Mark, if you can get a sit up for the night, man, we can. We can step out.

[Mark]

Yo, I. I'm going try.

[Joe Budden]

Bring that crypto, dude. Not going to be there, man. So we can get in our bag, have some fun. Yeah, yeah. We can throw some money around instead of outside tonight.

[Ish]

Let me know.

[Parks]

You know, I mean, I got to make up for Saturday.

[Joe Budden]

Hey.

[Parks]

Come on back out, Flip.

[Joe Budden]

I'll text you.

[Mark]

But listen yeah, you do your whole stack. Yeah, he hyped me too.

[Mel]

He like the ow here. He said in front of yo he owe Holly money. He won't even throw it.

[Joe Budden]

She looking like that.

[Mel]

She like that. He foul. I threw the whole.

[Joe Budden]

Like you owe Holly money and want to stand there and hold the stack. If you don't get rid of this stack. Stop embarrassing me in here.

[Mel]

I held you down.

[Joe Budden]

No, you did. We had a good time out.

[Mel]

Yeah, it was nice being outside, you know, I feel. Feel comfortable.

[Ish]

See, that's why I don't want to go, cuz. I don't want to embarrass you.

[Mark]

You my man. Thank you. That person rent money up.

[Parks]

Yeah.

[Mel]

Not even going to lie.

[Joe Budden]

Yeah, you getting the rent money now. Come on. Come on out.

[Mel]

It was somebody. N I tell you off is Mel.

[Joe Budden]

What's up? You got any exact plans for the week or you just recovering from Chicago almost lost?

[Savon]

I'm, I'm. I'm. I'm recovering, so I'm just gonna be working.

[Mel]

Oh, she went to Chicago. For real?

[Joe Budden]

Oh, yeah, yeah, she was in Chicago last night.

[Mel]

Did you have fun?

[Savon]

Yeah.

[Mel]

Was it cold out there?

[Savon]

It was very cold.

[Mel]

Did you go to the museum of what's the nigga name? Al Capone?

[Savon]

No, I did not.

[Mel]

Okay, got it.

[Mark]

You know the best behavior right there? Word.

[Joe Budden]

Killing him. Mel went and did her event and went right back to the double tree, man. Waldorf. A Waldorf got a double tree.

[Ish]

The.

[Mel]

End of the flight.

[Joe Budden]

She'll stay.

[Ish]

Oh, my God.

[Joe Budden]

We'll give you the room closest to the elevator. We'll give you the room right there from the elevator.

[Mel]

You flew first class, man.

[Parks]

I took the exit row. First class, man.

[Mel]

I ain't got lie, first class or exit row.

[Savon]

I would 1F.

[Joe Budden]

All Mel do was lie.

[Mark]

You can't. All you guys are being ridiculous.

[Joe Budden]

All she do is lie.

[Mark]

Guys being ridiculous.

[Joe Budden]

Oh, all right. Are there any jokes I need to get off on you? I don't think so. I think we did it.

[Ish]

Stupid.

[Mel]

I didn't say nothing. I didn't say nothing. I said your ice. I didn't say nothing to you, bro. I'm pointing at the pages. They have that in the hotel that Mel stayed at.

[Joe Budden]

If he snuff you and don't break the tables, I'mma laugh if you break the table.

[Mel]

If he snuff me and you don't stop, I'm snuffing you. Then Cory going to have to jump in. We going have a rumble in here. I got a whole plan And I plan on bringing that table before I leave him. I'mma break that.

[Joe Budden]

You break it anyway. I don't need nobody jumping.

[Mel]

Jumping on that table.

[Joe Budden]

I'm just letting you know that in the event that you snuff me, I don't want nobody to jump in. I'm cool. I could take a hit.

[Mel]

You can. You can. I don't want to fight.

[Joe Budden]

I ain't going. I ain't going to fall.

[Mel]

What? You challenged me before outside. Now I don't want no problem.

[Joe Budden]

I'm not going to fall.

[Mel]

You up in the challenge name Snuffy.

[Joe Budden]

Huh?

[Mark]

What was the challenge?

[Joe Budden]

I don't remember.

[Mel]

Call me out to fight out of.

[Joe Budden]

Nowhere.

[Mel]

Hold up on air. They thought I was recording myself. I believe because the guy was recorded for my future evidence got the audio. Say, yo, we go outside right now. I can't believe Joe.

[Mark]

Wow.

[Mel]

Shocked me. It was like this. And then look at Imani.

[Joe Budden]

Oh.

[Mel]

Sometimes gotta fight.

[Joe Budden]

Yeah.

[Mel]

That's a boy ball for you. You ain't promote peace.

[Ish]

That's not even what happened. But that's your. That's your version.

[Mel]

He did say that sometimes gotta go fight.

[Ish]

Oh, I heard that. No, I ain't doing what I'm talking about.

[Mel]

Oh.

[Joe Budden]

Listen, hopefully y'all enjoyed this part. Man, let's end with a bang. Hey, no, no, no, no, no, no, no, no. Get out of here. That is not how I'm ending the you talking about. Look at me all in my phone. All in my phone with your phone like that when you the be texting you.

[Ish]

Maybe not him no more up.

[Joe Budden]

Closer to my dad. So you give up half of your.

[Ish]

Career, quit your improv troop and have a goodbye party.

[Joe Budden]

Improv troop don't be doing.

[Ish]

Took your.

[Joe Budden]

Savings half of it that wants a future with you because he said so.

[Mark]

Arrive and then another month moving in and building furniture and stuff. And you're so happy the guitar.

[Joe Budden]

Let's go.

[Parks]

She got the little double in there.

[Joe Budden]

Yeah, yeah. She killed the harmonies.

[Ish]

Moment. This whole time 3 1/2 years is.

[Joe Budden]

Happiness We've been incompatible this whole time no.

[Parks]

The harms is killing.

[Ish]

And then you drive to Florida to live with your.

[Joe Budden]

Mom.

[Ish]

Def jam about to give her 10 million.

[Mel]

JVP.

[Savon]

Where would you be without the JBP?

[Joe Budden]

Ain't. Why would he do that to her?

[Ish]

He just realized they ain't had nothing in common.

[Mel]

No.

[Joe Budden]

But do it and don't do it when we move.

[Ish]

Well, that's when he learned. That's when I caught it. You know what I mean? He didn't know.

[Joe Budden]

You know what? I'll end. I'll end with this. On a recent pod, we was talking about faking nuts.

[Mark]

Oh, I saw.

[Joe Budden]

Like, this just makes me think of faking cheating, because that should be an easier way to get out than all of this. And you let her leave thinking that? Oh, my God. I have boundaries. I'm not gonna do this with you. You can't just fake the cheat, man. The long road trip. She quit a job, she quit her.

[Ish]

Money to go back to.

[Joe Budden]

She quit her improv group, and she. She.

[Ish]

And she took half of her savings to move them to Texas.

[Parks]

In all the ways that I've broken. Had a girl break up with me. Like, tricked her into breaking up with me. I never thought of the fake the cheat. That's a good one. You're devious.

[Ish]

No, I actually did the cheat.

[Joe Budden]

Yeah, but fake it so that when the breakup happens, you can still sleep at night knowing that you did the right thing. Nike and goodbye, guys. Goodbye, Queen.