Episode 792 | “Best & Final”

Summary

The Joe Budden Podcast Episode 792 | “Best & Final” Summary

Release Date: January 18, 2025

In Episode 792 of The Joe Budden Podcast, titled “Best & Final,” host Joe Budden and his co-hosts—Flip, Ish, Corey, Melissa Ford, Parks, and Tanner—delve deep into the tumultuous landscape of the modern music industry. The episode primarily revolves around Drake’s high-profile lawsuit against Universal Music Group (UMG) and Spotify, exploring its broader implications on artist-label relationships, contract negotiations, and the evolving dynamics of music distribution in the streaming era.

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1. Drake’s Lawsuit Against UMG and Spotify

The central focus of the episode is Drake’s legal battle against UMG and Spotify, which he alleges involves defamation and harassment. Joe Budden initiates the discussion by expressing his personal turmoil over the situation:

Joe Budden [19:55]: "I'm sitting there, I'm about to cry. All right. I am uneasy today. I'm way too uneasy nowadays. This is like the hip hop I love is fucking God."

The hosts dissect the nuances of the lawsuit, debating whether Drake’s grievances stem solely from contractual disputes or if broader industry malpractices are at play. They question the timing and motivations behind Drake’s legal actions, especially in relation to his contractual obligations and artistic independence.

2. Production Deals vs. Label Deals

Joe Budden draws parallels between music industry contracts and sports management deals, particularly comparing them to NBA team-player relationships. He shares his experiences with production deals, emphasizing the lack of autonomy artists often face:

Joe Budden [22:45]: "No, they paid him or... We don't know... But I just want to track it artistically as well, that's all."

The conversation highlights how production companies can exert significant control over artists’ careers, often dictating creative directions and financial terms that may not favor the artists in the long run.

3. The Predatory Nature of the Music Industry

A substantial portion of the podcast addresses the inherently predatory aspects of the music business. The hosts discuss how artists, especially emerging ones, are frequently trapped in unfavorable contracts that prioritize label profits over artistic freedom and personal welfare.

Joe Budden [30:57]: "But he was in the bridge business. He was looking for a bridge. That's back to my point about independence."

They argue that labels often exploit artists by locking them into long-term deals with stringent obligations, making it challenging for artists to break free without significant financial or legal repercussions.

4. Impact of Streaming on Music Distribution

The episode explores how the rise of streaming platforms like Spotify has transformed music distribution, affecting how artists release music and interact with their audience. The hosts debate whether streaming has democratized music or merely shifted control to major labels and platform owners.

Joe Budden [36:03]: "Drake has been the sister system, baby. So we don't know that. We don't know."

They discuss the power streaming services wield in determining which songs gain prominence, often sidelining independent or label-affiliated artists based on algorithms and promotional budgets.

5. Defamation and Harassment in Hip Hop

The lawsuit’s implications extend into the realm of defamation and harassment within hip hop rivalries. The hosts contemplate whether public feuds and diss tracks can cross legal boundaries when they disseminate false or harmful narratives about other artists.

Joe Budden [50:18]: "That is not the worst thing that's ever been said in a diss record or beef, but it's the worst thing that's happened."

They debate the responsibility of artists in maintaining truthful and respectful discourse, especially when their words can significantly impact reputations and careers.

6. Personal Anecdotes and Industry Insights

Throughout the episode, Joe Budden and his co-hosts share personal stories and insights from their experiences within the music industry. These anecdotes serve to illustrate the systemic issues artists face, such as restrictive contracts, lack of transparency, and the struggle for artistic control.

Joe Budden [104:17]: "They put data on the hook."

They emphasize the importance of artists understanding the fine print in contracts and advocate for greater transparency and fairness in industry dealings.

7. Comparisons to Other Industries and Historical Precedents

To contextualize the issues within the music industry, the hosts draw comparisons to sports management and other business sectors, highlighting similarities in how power dynamics and financial incentives can compromise individual autonomy.

Ish [17:12]: "I'm gonna thug through one."

They reference historical instances where individuals in positions of power have exploited their relationships for personal gain, reinforcing the need for systemic change.

8. Concluding Thoughts and Future Outlook

In their final remarks, the hosts express skepticism about the potential for meaningful change within the current music industry framework. They advocate for greater artist independence and warn of the ongoing struggles artists will face against entrenched label power.

Joe Budden [118:21]: "It's a privilege to wake up even behind bars."

They conclude with a call to action for artists to seek fairer contracts and for listeners to remain informed and supportive of movements advocating for artist rights.

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Notable Quotes

• Joe Budden [19:55]: "I'm sitting there, I'm about to cry... This is like the finale to my Views rant."

• Joe Budden [30:57]: "But he was in the bridge business. He was looking for a bridge... towards independence."

• Joe Budden [36:03]: "Drake has been the sister system, baby. So we don't know that. We don't know."

• Joe Budden [50:18]: "That is not the worst thing that's ever been said in a diss record or beef, but it's the worst thing that's happened."

• Joe Budden [104:17]: "They put data on the hook."

• Joe Budden [118:21]: "It's a privilege to wake up even behind bars."

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Final Thoughts

Episode 792 of The Joe Budden Podcast offers a candid and comprehensive exploration of the challenges artists face in the modern music industry, using Drake’s lawsuit as a focal point. Through passionate discussions and personal insights, Budden and his co-hosts shed light on the systemic issues that hinder artistic freedom and advocate for a more equitable music ecosystem.

For listeners seeking an in-depth understanding of the current state of hip hop and artist-label relations, this episode serves as a crucial resource, blending industry analysis with heartfelt opinions and experiences.

Transcript

[Joe Budden]

The thoughts, views, and opinions expressed by this podcast whose bullets its hosts offer entertainment purposes only. I repeat, it is not serious. It is not real. No one is exposing, revealing, indicting, or telling you anything about themselves. Also, we do not encourage you to try this at home. We are trained professionals who do not have your best interests at heart or our own. Enjoy the show.

[Flip]

This is the Patreon exclusive. Hey.

[Joe Budden]

No, it's not.

[Flip]

I just lied. Let me just. My. Got the Michael Jackson shades. What's that? What's that he did at the. The Super Bowl? Yeah. You look good, son. Yeah, I like them.

[Melissa Ford]

Yes, we're on, if that's what you're asking.

[Flip]

Yeah, I like them. I like. You got the gold, too. What's that? It's gold plated gold.

[Joe Budden]

Member?

[Melissa Ford]

Nice 80s.

[Joe Budden]

I don't see how they look on cam.

[Flip]

They look good.

[Melissa Ford]

They look good.

[Flip]

They look good, y'all.

[Joe Budden]

Thank you.

[Flip]

Blended well.

[Ish]

Like some Tenant Dahmer shits.

[Joe Budden]

Yo, you're doing it. Who you talking. Yeah, come on. Yeah, yeah.

[Flip]

She had the text.

[Joe Budden]

The levels, the levels, the levels. They'll try to send a voice note around me. Don't do that.

[Melissa Ford]

Big voice noters.

[Joe Budden]

Yo, don't voice note around.

[Flip]

Yeah, she's so old.

[Joe Budden]

She didn't.

[Ish]

Yo, hand me my tank top.

[Flip]

Yo, she didn't know how to be saying anything.

[Ish]

Yo. Yo.

[Flip]

She didn't know how to press the like and delete the whole thing. So Mel pressing her thumb. Why is deleting her his whole year? She deleted it. She got. She got nervous.

[Joe Budden]

What's up? How you doing?

[Corey]

I'm chilling. How are you?

[Joe Budden]

You look.

[Corey]

You look expensive.

[Joe Budden]

Thank you, thank you.

[Corey]

Louis Vuitton from head to toe.

[Joe Budden]

No, these are Bottega.

[Corey]

Oh, my bad. Still looks.

[Joe Budden]

I think that would have been too tacky.

[Corey]

Oh, really?

[Joe Budden]

Yeah. Head to toe, Louis.

[Melissa Ford]

That's a nice little suit. What is that called? All right, all right.

[Joe Budden]

Come on.

[Melissa Ford]

A trucker sweatsuit. Go ahead, go ahead.

[Joe Budden]

I'm not stepping on. Get y'all face.

[Ish]

I'm.

[Melissa Ford]

I'm complimenting you. I don't know what it's called.

[Joe Budden]

Dude, compliments don't. Thank you, thank you, thank you. I woke up, I had some other on, but then I was like, it's Friday.

[Ish]

Go ahead with the Louis. The Louis cashmere dicky suit. You got it.

[Flip]

You look nice too. You got the ash black. You got the ash black fit on.

[Melissa Ford]

I washed my. A couple times.

[Joe Budden]

That's it.

[Ish]

But I.

[Flip]

You act like you washed it, but you made it like that. Yeah, A Give me a pound. Hey, you look good. I'm happy to see y'all.

[Joe Budden]

I'm happy to see y'all, too.

[Melissa Ford]

Yeah, man. Gang.

[Ish]

Gang.

[Flip]

Yeah.

[Ish]

How y'all feeling?

[Joe Budden]

Yeah. What's the vibe? Tell me the temperament before this starts.

[Flip]

You know what?

[Melissa Ford]

I would like to have a fun time today.

[Flip]

Yeah. But you know what type of vibe we on today?

[Joe Budden]

Too damn fun.

[Melissa Ford]

We can't have fun.

[Joe Budden]

Ask Freeze. I'll come up with what I think after you and Freeze talk.

[Ish]

I don't think it's gonna be fun.

[Melissa Ford]

No.

[Corey]

And why what happened?

[Melissa Ford]

We can have some fun.

[Ish]

Sad, man.

[Melissa Ford]

Why Same I'm saying lawsuits got y'all sad.

[Ish]

I'm just sad.

[Flip]

Unless you gotta pay attention to Freeze when Freeze walking with some different type of sneakers.

[Ish]

What are you talking about?

[Flip]

It's a sad day.

[Melissa Ford]

Usually go grocery shopping professional today.

[Flip]

Listen, regular, the diamond, the diagram of what's going on. He ready to go on his back.

[Joe Budden]

Yeah.

[Flip]

Today, Freeze day. Pay attention to his sneakers.

[Ish]

I'm sad, bro.

[Joe Budden]

And we know I'm with Freeze dog.

[Flip]

Joe said the same thing over there in the corner.

[Joe Budden]

I'm sad. I'm hurt.

[Ish]

Y'all see, I. I wasn't talking much. I came in here and just sat down.

[Melissa Ford]

You had your iPad and.

[Joe Budden]

Yeah, bro.

[Melissa Ford]

Playing Roblox.

[Joe Budden]

Worse.

[Ish]

Hoping some of the I was reading was. I was waiting for the joke to drop.

[Joe Budden]

Like, oh, yeah, we playing Shot through the Heart.

[Flip]

I can't wait to hear you guys.

[Joe Budden]

This too much, man.

[Melissa Ford]

I mean, I feel you, but let's make fun of it instead of being sad about it.

[Joe Budden]

Spent half my 2024 making fun of it. That's the problem with being ahead of things sometimes.

[Melissa Ford]

Yeah.

[Joe Budden]

I've been questioning all of this for mad long. That's the other reason I'm sad a little bit. Like, this is like the finale to my Views rant.

[Melissa Ford]

Yeah. Yeah. Damn.

[Joe Budden]

Like, this is a. This is an entire closed chapter that played out.

[Melissa Ford]

Damn.

[Joe Budden]

Like, I just been reminiscing. And when I first got introduced to this nigga's music during the MySpace days, I'm in the car like, Damn, MySpace.

[Ish]

I put the playlist on.

[Joe Budden]

Oh, that was old school. Charlene. Look. Back in his bag. Back in his bag. Oh, my God. It's sad, man. I put a little playlist on, too.

[Melissa Ford]

Damn. Did you? Yeah, to remember the good times.

[Joe Budden]

Yeah.

[Ish]

This nigga gave us some. Some joints.

[Joe Budden]

Yeah. No, my new podcast, arc has been. You're the Drake hater.

[Melissa Ford]

That's true.

[Joe Budden]

But the people that know, like, damn, man, it's over for my man. That's. That my. That guy.

[Melissa Ford]

I mean, we're jumping ahead, but you can't listen to the old shit no more.

[Joe Budden]

Like, it's not the same.

[Corey]

It's been corrupted.

[Joe Budden]

That's the problem. Like, he's stepping on his own dope. That's the problem. But he's stepping on. He's cutting his own. Like, he's. He's having too much of an impact on his own. Fall off from his style of jumping. Like, this is this. This. This. God damn it. This shit says harassment, Parks.

[Melissa Ford]

Yeah, I know.

[Joe Budden]

As somebody who just went through something with harassment, it's like, oh, you got extra carony? It's like, no, no.

[Melissa Ford]

Some Karen's out there in the world, my friend.

[Joe Budden]

Yeah, but then that's hip hop fault. That's the label's fault. Everybody play a part. It's the fans fault. This shit is sad. I'm so sad. I was contemplating coming in here and not talking about it at all. Honestly. Like, I was gonna let y'all just. Man, I'm not. Still might. I'm just gonna let y'all have it. I don't need the blogs clipping me up. Like, have I personally feel about it. I want to be able to personally feel about it, but I'm. I'm. I'm. I'm hurt like it's me. I'm hurt like it's me in the suit. That was. Oh, God. Paris Morton Music. The are you talking about? I started remembering the first time I started hitting these songs. It's like, yo, dog, man, let the legacy be the legacy. Like, at what point does PR come in? @ what point do you factor in how you look and the effect this has on your fans? That ain't just these new streamer that. Since you've been pandering. All of them. All of them. I ain't talking about that. I'm talking about back in the day when the was quoting. Come on. My God. So far, going for years. You put it on. Stop playing with me down the highway. Oh, I'm in Rambo. Whatever.

[Melissa Ford]

Early.

[Joe Budden]

Well, I'm sure I'm shutting up later, man. I can't believe it.

[Melissa Ford]

How's everybody else doing? Ish.

[Ish]

I'm great. Yourself?

[Melissa Ford]

I'm doing well.

[Ish]

A little under the weather, but I'm cool.

[Melissa Ford]

Yeah, you sound a little stuffy. It's all right, though.

[Ish]

Clear up. You gave me. Who walks around with Sudafed in their bag? People with people. Yeah, like, yo, got it.

[Melissa Ford]

I got some Drill in here.

[Ish]

I got a whole pack. The 12 hour joints, the over the counter joints that don't do n the. You got to give him in his bag.

[Flip]

Why?

[Joe Budden]

Ain't going to work sounding like that. Like you sound. Your sick voice ain't right.

[Corey]

He's saying your sick voice ain't sexy.

[Ish]

Yours. Yo, I don't think my normal voice is sexy on a microphone, so this might be an improvement.

[Joe Budden]

How about on the phones? Nah, that's a microphone.

[Ish]

Nah. That good.

[Joe Budden]

So no girls ever said to you they fronting? I don't believe them. If they said it, they lying. You can't get eyes and a voice. You can't get eyes and you gotta fix something at the dick dealership, right?

[Ish]

You gotta get sunroof or 11.

[Joe Budden]

Now some walking that dick dealership with that. That cash on they come out with, they start bugging me. Listen, take what you got. Yeah, I don't even know what I got off the counter.

[Melissa Ford]

You got some off leash?

[Joe Budden]

I got some off the menus, stupid. Oh, all right.

[Melissa Ford]

Certified pre own.

[Ish]

You ain't designing.

[Flip]

You ain't designing, stupid.

[Joe Budden]

I went in there and picked rough around the edges. What? Listen, don't do that. You know, it's a basic.

[Ish]

Now, your voice, you got a nice voice for.

[Joe Budden]

For.

[Ish]

For. Especially for broadcasting.

[Joe Budden]

Well, that's what I'm saying. From years of shame, regrets and angel dust, cigarettes, drugs. Like you could get the voice. But do you want the life? Do you want.

[Ish]

Do you want it takes to get the voice?

[Flip]

Yeah.

[Joe Budden]

You got to be careful what you ask for.

[Melissa Ford]

That's true.

[Joe Budden]

Oh, man, Mel, you look great.

[Corey]

Thank you, thank you. I appreciate it.

[Joe Budden]

How you feeling, Flip?

[Flip]

I feel well. I feel great.

[Joe Budden]

Thank you.

[Melissa Ford]

That's good to hear.

[Flip]

Yeah. Feeling good lately. Trying to figure things out.

[Melissa Ford]

Sure.

[Flip]

You know, navigate through the trenches.

[Melissa Ford]

You know, you got them doing construction in the sleepover room.

[Flip]

Yeah, yeah, yeah, yeah.

[Melissa Ford]

You put some walls up in there and.

[Flip]

Nah, I'm not putting no walls. I just, you know, safety.

[Ish]

They just sleeping in the dorm. You see, this ain't the army.

[Melissa Ford]

That is not the army. Army's a step up.

[Ish]

Got them in a jail.

[Melissa Ford]

No worse.

[Ish]

I'm in shock. Me too.

[Joe Budden]

Oh, God.

[Ish]

I'm in shock too.

[Flip]

Big JetBlue. We in our bag today. She got the JetBlue pouch. Remember that? Mel's so old when they put the headphones in.

[Joe Budden]

Mel, you take the airplane pouches with you home?

[Corey]

No, that's my case for my greeters.

[Joe Budden]

You got a JetBlue case for your readers?

[Corey]

No, it's.

[Flip]

All right. Okay, you know what I'm talking about. Those jokes.

[Melissa Ford]

That was a nice little ad.

[Corey]

No, that.

[Joe Budden]

Shout somebody else out.

[Flip]

She got ass off.

[Corey]

And you can bleep that out.

[Joe Budden]

Shout out. Harrington, man.

[Parks]

I'm in shock.

[Joe Budden]

Mic check, mic check. One, two, one, two. Everybody get their mic check on.

[Flip]

Yeah, y'all. Yeah, it's.

[Joe Budden]

You heard me.

[Ish]

Okay.

[Parks]

So if you rebuke me for working with someone else on a couple of these, what do you really think of the that's making your beats? I've done things for him I thought.

[Ish]

That he never would need.

[Parks]

Father had to stretch his hands out and get it from me. I pop style for 30 hours then let him repeat. Now you popping up with the jokes.

[Ish]

I'm dead.

[Parks]

I'm asleep. I just left him over by y'all putting pin in the sheets. Tired of sitting quiet. I'm helping my enemies eat keeping my temperature checks. They know that my head over eats.

[Ish]

Don'T know why the.

[Parks]

You must have had your infrared wrong. Now you're heading up.

[Joe Budden]

Shout out to all the first and last time listeners wherever you might be listening from.

[Parks]

Don't push me when I'm in album mode. You're not even top five as far as your. I gotta challenge those. But I bring calicos to the Alamo. I could never have a Virgil in my circle and hold him back cuz he makes me nervous. I want to see my brothers flourish to their higher purpose. You leeches and purpose.

[Ish]

I think it's good. And how the teachers are learning.

[Parks]

Your brother said it was your cousin, then him, then you. So you don't rap what you did.

[Joe Budden]

You just rap what you knew.

[Parks]

Don't be ashamed. There's plenty niggas that do what you do. There's no malice in your heart. You an approachable dude.

[Ish]

Y. I never heard that before. You never heard that? Damn.

[Joe Budden]

This.

[Ish]

This boy.

[Flip]

Sheesh. That nigga's really sad. Look at these.

[Ish]

This isn't a big deal. What's the name of that song?

[Joe Budden]

Duppy Duppy Duppy Freestyle.

[Parks]

Man, you might have sold the college kids for Nike, Mercedes, but you act like you sold drugs for Escobar in the 80s. I had a microphone of yours, but then the signature faded. I think that pretty much resembles what's been happen lately. Please believe your demise will be televised. Yeah, and as for Q, man, I changed his life a couple times. Was at Kroger working double time. Y'all acting like he made the boy when I was trying to help the who gas you to play with me man you made this as easy as ABCs whoever supposedly making me hits they got no hits sound like they need me My lyrics did it, I'm fearless with it yeah I really shouldn't have given you none of my time Cause you older than a you running behind look holla at me when you multi million I told you keep playing with my name and I'mma let it ring on you like Virginia Williams I'm too resilient get out your feelings it's gonna be a cool summer for you I told y what's good tell ye we got an invoice coming to you Considering that we just sold another 20 for yeah all you self promoters are janky we established happy gankers this whole fucking game thankless we moving militant but somehow you the one tanking no limit to why I could take it and you know me as a crisp bottle sender check pick up I don't be looked out for one another so I saw this brother's gonna struggle Too blessed to be humble I guess it's different in the city I come from all of.

[Ish]

A sudden I got people showing how.

[Parks]

Much they truly resent me they hold a meaning dispel zombie they trying to tempt me the higher I get the less they accept me even had the OGs try impress me no way out cause I'm already in it, I'm not attending When I do a show and get a ticket Good business can clean millions I got Y'all good, y'all good.

[Joe Budden]

Y'All good, y'all good Y'all look focused.

[Parks]

Even back when I wasn't as pop when he told me take a R B on the road and I told him no and Drew for Kendrick and Rocky I tried to make the right choices with the world watching Mike never tried to rap like Pac Pac never tried to sing like Mike those my dad's words to me when I asked.

[Joe Budden]

Him damn, Mike in that house get.

[Parks]

In life and I always think that my mother gave the greatest advice oh, look at me now they look at me like the golden child Especially not right now Certain shit is just too wild to reconcile Take that, take that no love in their heart so they fake that dicaprio level the way they play that damn, what is that? Y'all don't hit up something, hit my phone like you did that it's always on some shit like when we not get a favor where my bitch at? Like I'm about to tell you where she been at Costa Correas I got a kidnap she ain't sorry and I ain't sorry it's too late for sorry Green, white and red on my body Cause I'm dipped in Ferrari. All she want to do is get high and listen to party she complain I tell the driver to drop at Barney's My summer diet is just rose and calamari look now you got me started I'm the black sheep Rest in peace to Chris Farley I got a lot to lose. Cause in every situation I'm the bigger artist Always got a playing smarter Y'all shook up I'm here on the cook up Camera's pointing every time I look up that's why I got a duck behind Chubb's shoulder Just to hit the cush up sponsorship dollars of sky High he be like Drake, will you please stop smoking? La la Charles why I try. I'm a thug, I'm a die Got the rose pink tinted lenses It's a Wednesday. They redoing the entrance?

[Joe Budden]

Not yet.

[Parks]

Yeah, redoing the entrance. Kind of like when you drop on some again and again and you still never quite get it.

[Joe Budden]

Make a dance to this.

[Parks]

I'll make you dance in this roll Big body, wide body, Calabasas roll Wind up, sun shining, wax tires. See Chris Jenner, I beat twice and I waved.

[Joe Budden]

Come on, man. Chris. Hey.

[Ish]

Beep beep two times.

[Joe Budden]

There go Kris Jenner right there in the morning getting some Starbucks. Chris Jenner with a beep.

[Parks]

See Kris Jenner, I beep twice and I wave the rest of you boys.

[Ish]

I blow geeks right in your face.

[Parks]

Pistol by my bed I'm sleep But I'm awake for that one night when try reach inside my safe don't push me. Cause I'm way too uneasy Nowadays these guys move so greasy.

[Joe Budden]

He thought he was uneasy.

[Parks]

My life and y'all don't believe me when I say it. Save my stories for down the line I'm too ahead of the curve every time.

[Ish]

Oh, man. Never heard that before neither.

[Melissa Ford]

Oh, you have Sound Club.

[Ish]

He got Apple music late.

[Melissa Ford]

Oh, that's true. He did just get Apple music. So soundcloud is.

[Ish]

That's four Pome Calabas Reach.

[Joe Budden]

This looks so great. Flip and Mel. Mel. Mel. Mel. What episode is this?

[Melissa Ford]

792.

[Joe Budden]

Welcome to episode 792 of the Joe Button Podcast, brought to you by Fueled by Powered by Prize Pigs. Prize pigs. Gang, I am your humble, gracious, grateful, really happy to be here. Host Joe Button, here with some really amazing people to my right. You know her name? You know the vibes, you know, her body. Big Melissa 4M4 Hooly Hoo. How you doing, Mel?

[Corey]

Great. Fabulous. Love to be here.

[Joe Budden]

Good, good. Next to her queen. You so dumb, man. Next to her queens, Flip. Queens. Get the money. You know what time it is. How you doing?

[Flip]

I'm good. You know, in the building. I ain't gonna say all that extra shit, but.

[Joe Budden]

Yeah, yeah, we'll get her later.

[Corey]

That was extra.

[Joe Budden]

Yeah, we'll get her later. Next to flip.

[Flip]

Come on, King.

[Joe Budden]

Wah wah. Ish is in the building.

[Flip]

Like charcoal, nigga. Let's get it.

[Joe Budden]

A little under the weather, but he's here.

[Flip]

Yeah, he is. Team player.

[Joe Budden]

He is here. And I commend you. I. I commend you. I did. I didn't think you would come. I didn't think you would come because this is. This. This is your man. You gotta be heard like me. You gotta be heard like me.

[Ish]

But that's not my man.

[Joe Budden]

Well, up here, we think that's your man.

[Melissa Ford]

Yeah, up here, that's your man.

[Joe Budden]

Up here, the narrative, if that's your. Yeah, we think that's you. So I was like, damn, Ish. Kind of. You gotta come in and speak to some of this shit. You don't care.

[Flip]

Nah. No, you may look at it different from how everybody else look at it, right? Ish.

[Joe Budden]

It's just a man. Yo.

[Ish]

We'll talk about it when we get.

[Joe Budden]

Wow. Next to him, Elizabeth's finest, huh? The freeziest of them all. Big Ice is in the building. Took that Ravens gear off. Took that shit right off, fast.

[Ish]

Bet was over in the dog case.

[Joe Budden]

Oh, my Lord.

[Melissa Ford]

Where's the hat?

[Joe Budden]

Okay, and last, but certainly not least, Big. Big Parks is in the building. Elmira's finest. What's poppin engineer to them all. Also, Corey is here. Poe is here. Erickson is here. Keeb is here. Ian is here. Savon and Tanner are here by remote. Last but certainly not least, each and every one of you guys out there are here. Come on. Someone read these charges. Come on, let's get to it. Let's get to it. I don't want to waste any time.

[Flip]

Straight to it, nigga.

[Joe Budden]

What. What are the. What are the. What's in the suit? We left. He dropped the suit against UMG and Spotify.

[Melissa Ford]

The. No, the was a suit.

[Ish]

It was a petition.

[Joe Budden]

I mean, the petition. Yeah, and there was some wording in there. Listen, I'm not fat guy. Somebody pull this shit up. Because I'm. I'm sitting there, I'm about to Cry. All right. I am uneasy today. I'm way too uneasy nowadays. Yeah, this is like the hip hop I love is fucking God. Just. Just gone. Now it's gone.

[Melissa Ford]

Hip hop might be dead. I mean, Nas was early.

[Joe Budden]

I just feel like. I feel like when. When. When third base was out and when MC Hammer was out and Kwame and Kid and play in that era and I was in my bag and my uncles and my older cousins to come over and just be like, disgusted. It's like, oh, look what they did. Look what they're doing to fog it. I shut up, old guy. Like, I feel like that guy. Like, whatever it is, is they. They got it, dog. We doing this for diss tracks.

[Ish]

Disgusting is nasty, man. He like we said, he dropped the. The petition petition and has now filed the defamation and harassment suit.

[Joe Budden]

But the interesting thing in there was. Was UMG's position, which is Spotify was like, all right, we agree. Go ahead. And UMG was like, nah, we. We reserve our same position. We not copping or nothing. Whatever you're doing, you just go do it. You know what time it is with us. That was interesting. And I've been saying forever that. I mean, I guess now so much has just come to light. Right? Like, how long have they been beefing?

[Melissa Ford]

For a while, I'm sure.

[Joe Budden]

What is that? I think, what does it look like? And when can you identify it in his career?

[Melissa Ford]

I would identify it around Certified Lover Boy, when he started putting out Leak record as album.

[Ish]

I think that's Scorpion. I was always saying, you can hear it.

[Joe Budden]

That's the same thing I always said.

[Ish]

Right after Scorpion is where it just Scorpion it.

[Melissa Ford]

Wouldn't Certified Lover Boy be the next album?

[Joe Budden]

Yeah, yeah, next. No, not. Not next.

[Ish]

He did projects after that.

[Joe Budden]

Yeah.

[Ish]

But all of that, to me, just.

[Melissa Ford]

Yeah, that's all the same conversation I'm having where he started just putting out Leak records and demos and freestyles. Yeah, yeah, yeah.

[Ish]

There was something there where it's like, I'm not giving y'all my. My top tier work no more. Yeah, we beefing over something, whatever it is, whether you know, the. I want a bigger deal. I'm holding out in negotiate, whatever it is.

[Melissa Ford]

Coincidentally that around the same time that he got that outrageous. Whatever that was, Half a billion dollar deal or something like that. Wasn't that in that same ballpark? I think it was post Scorpion.

[Ish]

That's when I came on the pod.

[Melissa Ford]

Yeah.

[Ish]

What year was Scorpion?

[Melissa Ford]

Yeah.

[Joe Budden]

And then they put this in so.

[Ish]

We can get this in time order 2018, I believe. And he got 400 from UMG in like 19 checks. The deal was 20, 22. The $400 million. Yeah, right there. So, yeah, it could have been. Maybe I wasn't happy with that deal.

[Joe Budden]

No, they paid him or.

[Ish]

We all know the particulars of the deal.

[Joe Budden]

We don't know. You know what I'm saying? I'm not here to pretend. I do. Yeah.

[Ish]

Because it could be something bigger than just the bread, you know what I mean? It could be some other shit.

[Joe Budden]

Definitely some being in the bread.

[Corey]

Well, I've got UMG's response.

[Flip]

Well, real quick. I remember when Joe came up here and he was saying that.

[Ish]

Huh?

[Flip]

I remember when Joe came up here and he was saying that Drake is traveling too much or touring too much, if you remember that joke. You know, Joe, like, you're not even getting any rest. You're not resting. You know what I mean?

[Ish]

You said that.

[Flip]

You have some issues with you personally. You're not resting. Something is going on. You know what I mean? That's something that stick out to me. When I look at these complaints and look at the unhappiness and it was.

[Joe Budden]

The rumblings when all those projects were coming out that, all right, he's trying to speed through. He's trying to speed through a contract. He's unhappy. He's something, he's working on something. But again, who knows?

[Ish]

Yeah, we don't know.

[Joe Budden]

We don't know. But I just want to track it artistically as well, that's all.

[Melissa Ford]

Artistically for me, it was after Scorpion.

[Joe Budden]

I'm with y'all, but go ahead. Yeah, right.

[Ish]

Right After Scorpion. That's where you can hear the difference. And I'm with you. I. I do think it was throwaways. Yeah. I think he did just my A1 work that I have. I'm keeping it for whatever, whether it be post deal or independent, whatever the case may be. Y'all not getting this right now. But I still have contractual obligations, so I'm not doing a complete stoppage.

[Melissa Ford]

I think that's a mistake.

[Ish]

The Shitty said to Shorty.

[Joe Budden]

It's a mistake.

[Ish]

The Shitty. The Shitty said to Shorty. Which part, Bobby? Johnny Blaze, right? Wasn't there. He was like, yo, I got. You know what I'm saying? I'm on, too. I gotta get out of this deal. Blah, blah, blah, blah. I think he really feels like that.

[Joe Budden]

I think that was. He was talking about the touring deal.

[Ish]

I'm just saying. But ROC Nation, I think that whatever. Not Rock Nation, Live Nation, whatever his circumstances, Are. I think he has. I think he's got a peek into the other side. Again, this is money above our pay grade. I just think that he's gotten a peek into the other side. And the shit that other people would be happy for, he may not necessarily be happy for. Because I'm generating y'all niggas way, way, way more money than y'all giving me. Now I want more. And y'all might be looking at me like an artist that shut up and dribble. And he might not want to, but Ish.

[Flip]

What's way more money? Right? If somebody give you 400,000 and you making them a billion.

[Ish]

If they give you 400 million and you make them $5 billion.

[Flip]

Okay, so that's. That's the. Okay.

[Ish]

You get what I'm saying?

[Flip]

It has to be that wide of a margin. Because what I'm saying is that if you get 400 million and you make a billion, they just breaking.

[Ish]

But that's that deal. I've made y'all billions before this deal.

[Corey]

Yeah, didn't we come up like a figure up here, like 90 billion?

[Ish]

That deal, that $400 million deal came before Certified lover boy and all that. Look at his catalog before that. Got it. I've been major. We pass a B. That's the shit we was talking about with Michael Jordan. Yes, Michael Jordan got 25 million, $30 million in the last two years. But look at the money that Chicago Bulls have generated. Look at the city of Chicago and the money they generated. Look at fucking Pepsi's in the league. The league, dog. When you go buy Laker tickets. Right now, I looked at Laker tickets to go to the D.C. game, dog. LAKER tickets be higher than every other tickets. So you gotta kinda contribute some of that bread to LeBron and them. Even though it ain't necessarily in LA. Any city we go to, we generating revenue around the. You know what I mean? Like, Floyd said that. Floyd was like, yo, when I fight, the cabs, the hotels, the fucking casinos, everybody benefits off of me fighting, right? So for a nigga to feel like they didn't get. They just do. They might be right.

[Melissa Ford]

Maybe.

[Ish]

Could be.

[Flip]

What are some of the complaints that the charges that Drake accused UMG of doing?

[Joe Budden]

And while you do that, I just want to add, he is the one that throughout multiple songs, was telling you for years about why he could never go independent. He was the one for years telling you how great of a relationship that he had with Lucien and Universal. He has thrown his status in every artist's face.

[Ish]

That's true.

[Joe Budden]

To say, I am in a different position. Yeah, the game is the game and no, you are not. There is nobody that we've seen or that I can think of that has proved to ever be bigger than the system. And when you volunteer to play in that system, in any field, by the way you have, there are the same way you generated numbers, the same way you generated streams. There are expectations, quotas, and money being spent on you. You have been the proof of concept for their matrix for where the game was with there. He's been the streaming, baby. He's been the proof of concept for Apple, Spotify and the labels in terms of streaming.

[Ish]

Correct.

[Joe Budden]

When the music business was in a disarray before streaming. So this dates back to the Napster fight to me. So don't ever think as proof of concept that it's all you. Right. Like. And that's the difference for me. And some of the examples I heard you say with Floyd, there came a day where he knew it was all him, it's all me. The rest of y'all can eat. The town could eat. Vegas can eat. And he get those perks in Vegas. They treat him like he does. Hey, open up the stores.

[Ish]

Yes.

[Melissa Ford]

The difference between the boxing or NBA analogy and the music analogy is that when the Lakers are playing, whoever the. The Knicks, right. That game is happening right now. And that's the game when Drake is putting out music. All of the games in the history of music are happening at the same time. It's not quite the same.

[Ish]

I was just giving it.

[Melissa Ford]

Yeah, no, no, I got to your point.

[Ish]

But if I put up 16 championships, I think, like you said the other day, everybody thinks they're the man. And they're the last to get to know that they may not be the man no more. I'm not saying he's not the man no more, but if he ain't, he gonna be the last nigga to know it.

[Melissa Ford]

Maybe true.

[Ish]

So when you go into office now that treated you like royalty for the last decade, and now they talking to you a little differently, you might feel some type of way.

[Corey]

So you feel like he might have had a stronger position maybe five years ago.

[Ish]

I think that they.

[Joe Budden]

I think he would have had a stronger position.

[Ish]

And I think they might have sold him a bridge. Even if they was bullshitting with him, they sold him on, yo, you, him, me and you, baby, we. We gonna be big. We gonna be as big as ever.

[Joe Budden]

But he was in the bridge business. He was out looking for a bridge. That's back to my. My point about independence. And again, you sound crazy and. Or you sounded crazy talking about that with the biggest dream artists in the universe. But this is why take whatever equity that they gained you. There was a period where all of that three a 3am Spooky time, the countdown shit, whatever he was doing, where he could press a button, the world stopped. Yeah. But bigger than that, how we distributed music changed. Yeah. So we talked about it for years. Up here, it didn't cost you any more to make a song and put it out. There's no overhead, there's no radio fees, there's no this fees, there's no storage fees, there's no Vine. It's you now. Yeah, you. It's not just. You were the man on the music tip. We were at the precipice of a change to where somebody that had leverage and could dictate it, could dictate it. And that's why I was running around saying, this boy is the one right here.

[Ish]

But who. Is it somebody that you're referring to?

[Joe Budden]

Drake? Yeah. For me.

[Ish]

Okay. No, I was asking. No, I was. I didn't know if you were talking about Drake or the other.

[Joe Budden]

Oh, yeah, no, no, I'm talking about.

[Ish]

I'm talking about Aubrey to your example, though, when there was times where he would upload in the middle of the night. Scary hours. Excuse me. All of that. And like you said, the world will stop. I think the label saw that. So part of the deal is you can't do that no more. But that's part of the deal is just like we know other artists that, like I said, can't put a freestyle out now because of what they signed. The label now understands that it's not just about an itunes or. Now your value is also in what you upload on Instagram with any. Anytime you put your voice on any beat, there's some value there. And the labels are now signing that too. I want to control it.

[Joe Budden]

Okay. But what's consistent for me with him now is that is in the Kendrick battle, I harped on or focused on his inability to view that long term.

[Ish]

Yeah.

[Joe Budden]

Like, he focused on what was directly in front of him with these 20 people, ignored the real threat, didn't see the real game that was being played, and ultimately fell victim. Let me land, let me land, let me land.

[Ish]

No, I agree with you a thousand percent.

[Joe Budden]

I disagree. The same way in this deal, you have to know that if you are the only person that these labels are offering 400, 500, 600, 7, hundred, whatever the number is, you're the only person. Then that means you have to ask yourself, why? And it can't just be, hey, I made them so much money, or I'm so fly. It can't be that. You can't be that self centered because had he gotten the real answer, which is because if you walk away from us and with all your power and are independent, it's over for the hierarchy.

[Ish]

Why do you think he hasn't come to that realization? He might have come to that realization, but too late now. And now. No, I don't think that.

[Joe Budden]

When are you talking about when?

[Ish]

In the last four years or so.

[Joe Budden]

I'm speaking this way because you took deal after deal after deal. Like today, Kanye has come to whatever realization he needed to. That's after a history of signing Amendment. Amendment, Amendment. You get your info. How you get your info.

[Ish]

Sure.

[Joe Budden]

But he steady took the money. Took the money, took the money. And now he's not in the position anymore, which is part of the label's argument. And you are on the downside. And you think you him, but you are negating that. We made you him. And the same way this team won a championship. Hey, when you retire, it's gonna be the organization's job to put another championship team together on the floor. They don't give a fuck. Go pull up the clips of how he spoke and how Lucien spoke. The niggas was like the two ones in 11.

[Ish]

I'm agreeing with you. I think that it's one. I'm sorry. I think the one small difference is this. I think that especially we're going to keep rolling with the sport analogy. Father Time takes wins all battles physically. When you are creating something and it's coming from your brain, Father Time may not play as an important role. I think that he thinks, dog, I can do this all day. And I think you're wrong. I'm saying I said, not you. So I think that he threw them niggas to throwaways. Like, I heard they got albums in the tuck. Fire is what I heard. He got albums in the tuck. And I think he don't want to get the albums to Universal. I think he's trying to figure a way to sever ties with them. And I got all these albums over here in the tuck. And now I'm gonna tell y'all to suck my dick when I release them. He might be looking for his Kanye out. That's what I was gonna say with the Kanye looking for the Kanye out. Kanye still was Able to come out with a number one album, number one single without them, without radio play, Stop with me. I still managed to get back up here independently.

[Flip]

Independently, Yes.

[Joe Budden]

I don't understand. That's what I'm saying.

[Ish]

No, I think that that's his out. I think his out is you're saying he played the card too late. I don't think he thinks that. I think he's trying to find his Kanye route. I'm gonna leave you niggas alone, and then I'm gonna hit the world with whatever I hit the world with direct to consumer or whatever the case may be.

[Joe Budden]

Okay? But I wanna be in my opinion, because this is all subjective.

[Ish]

We don't know shit.

[Joe Budden]

Drake is not in the same ball. Ballpark as Kanye West. Drake has not proven across the board that he can move units, hardware, whatever.

[Ish]

Of anything, products, any, Any.

[Joe Budden]

Anything.

[Ish]

You're absolutely right.

[Joe Budden]

Across products to. Yeah. Drake is proven in music.

[Melissa Ford]

A lot easier to be independent when you got that fucking easy sneaker money.

[Joe Budden]

Yeah, yeah, yeah. The Kanye brand, just that easy brand him, he curated that over years.

[Ish]

You are right.

[Joe Budden]

Drake has been. And this is back to art. He's been the sister system, baby. So we don't know that. We don't know.

[Ish]

We never seen him do it.

[Joe Budden]

He don't know.

[Ish]

But I would think that he would be confident enough to think that I could or arrogant enough to think that I could.

[Joe Budden]

I have the same way.

[Ish]

I ain't seen it.

[Joe Budden]

Yeah, that's what I'm about to say. The same way I told Kanye, hey, dawg, I believe you. Independent. When you really start taking that Adidas money and buying your own warehouses and your own factories and your own. You got to reinvest in the business. I say it all the time. I have yet to see that from Drake. My thing is, he got all. Let me land. He got all the money in the world.

[Ish]

He does.

[Joe Budden]

He has all the resources in the world. Albums. And to get songs popping and moving costs money. I'm not sure that he know how much probably. I'm not sure he know how much Universal has spent on making some of these songs stick. But if you know music today, he's having a hard time making something stick. And it's not because he lost talent.

[Flip]

It's not that.

[Joe Budden]

It's not because he lost talent.

[Flip]

No, I don't believe that.

[Joe Budden]

He's still him, but without that label and without that button that they push, he's dropped joints that some people feel could go, I. I was just watching somebody. I was Watching, they was talking about, yeah, man. They started naming records. These records should have went, hey, if this was five years ago, this record would be a top 20 record. Guess what, playboy? It's not anymore. It's not five years ago. And there is a reason. I know you fans. So you're like, oh, why is this not good? You don't know about. This is designed and programmed.

[Ish]

I'm a great look with Drake. With the Drake brand, it really leads more to the label is kind of more important than he's putting credit on. Because look at the things he's done outside of the label. The knock, the Nike brand, It ain't take off like Kanye did nothing. Jordans ain't take off like that. Like the OVO label. The OVO label, yeah. Respectfully, everything that you've done outside of music ain't really hit like that. And if music is only hitting because the label is pushing, not saying only, but it's almost like. And we seeing the label not push the button now, and the music ain't even hitting. Do you think the label suppressed it? I think they just let it go. They suppress where he tried to drop on his own. They snatched shit down like he tried to put some shit out. They'll strike it. They did that.

[Joe Budden]

But that was telling us how they felt.

[Ish]

Yeah, true. That was telling us it's up already.

[Joe Budden]

Where they stood on things and that this relationship has soured. To take it back to fucking the battle and Kendrick really quickly. It's not just me. I'm what the culture is feeling. However y'all interpret culture, because it's subjective now. But I would assume that Kendrick. Let me not say Kendrick. That somebody had a talk, some conversations with some people.

[Ish]

Yeah.

[Joe Budden]

And there was a word on the curb, in the great words of Melissa Ford and Yo, dog, we were saying it. Hey, this is odd that this record won't leave number one. Why is this like that? Shit, they ain't shoot a video. What did they do besides press a button? We don't know. Maybe they spent some money. But when a record stays at number one all that time, these are clear indicators. And he chose to. And I'm not getting back to his decisions during the beef, but he chose to focus on artists when that boy knew his real beef was higher than that. It was higher than that.

[Ish]

But he been knew that.

[Flip]

Yeah, but he's been saying it.

[Joe Budden]

Yeah, but you can put too much dip on your chip. You can.

[Ish]

Arrogance can make you.

[Joe Budden]

It can.

[Ish]

But I'm just saying he's not blind. To the point that the beef ain't with the beef is higher up. He's been telling us this for years. That's my thing.

[Melissa Ford]

You would be spending time on asap Rocky and them if.

[Ish]

But you knew who you're. I don't. The way he was explaining it was like, yo, whoever the higher up is, y'all got them together to all attack me. It's still coming from above.

[Flip]

That is the label is so powerful, they're making the fall off look like it's self inflicted.

[Ish]

That's true.

[Flip]

That's how powerful.

[Ish]

I agree with that.

[Flip]

They make like he's still talented, he still got it. But they're so. They're teaching them such a big lesson that they're making the fall off. They put all these things in front of him. They're making it seem like it's him that's doing it.

[Ish]

He can't rap no more.

[Flip]

Because a lot of people. What he's doing now. Yes. Is to the culture where we from. Yo, you rat and you look nasty. But there's a lot of artists that wish that they could have done that. Not basically off of being dissed, but just go against a label that are moving things to make them look a certain way or helping the career become going to decline.

[Ish]

My only beef with that is you had no problem when you were the main recipient.

[Flip]

Of course that's the only issue.

[Ish]

I'm just saying we see a lot.

[Flip]

Of lose to the labels.

[Ish]

You sat there and talked like you was the king piece on the chessboard, which you were, okay. But now it's, it's. It brings all of that in question because it's like, all right, so they. If you're telling us that they got the power to make you look where you can't succeed in music no more.

[Flip]

Yeah.

[Ish]

Are you also telling us that all of your success in music still came from them Maybe because your talent didn't change?

[Joe Budden]

The answer's yes.

[Ish]

Yes.

[Joe Budden]

See, that's my other problem with certain things that he says in the suit about just the systems in play and the business of how music moves that are now working against him. Which says to me, well, that means that you knew how they. Not only did you know how they were working for you, you benefit. But yeah, but that's. That's a given. But that's what you were running around taunting in the streets along with I make the best music. You know that your lawyer used to work for the prosecutor in the town. You know that them people behind you, they got all the Hammers, they not even letting nothing push. He said some shit like, damn, I got a brain freeze right now. But yeah, that. That's. That's my other issue with. Well, he knows.

[Ish]

He knows, you know, So I think that. And. And I'm not. I think that his knowledge is way more than our knowledge about what the goings on are. Right, of course. So let's just say if he was the golden child and they was able to, with his talent, push a button and let him go during the beef, they wasn't pushing the button on none of them songs. Which songs that he was putting out against with Kendrick in the beef, they weren't pushing the button on them songs at all. So now he might have information, I'm just guessing, that say, yo, y'all doing shit that's not. Just let it go and see what happens. But y'all might be trying to mute my shit at the same time.

[Joe Budden]

So they're 100% probably going to try to mute all his shit or not mute. The record business is just going to have other records be heard. So it's like a phase out.

[Ish]

Yeah.

[Melissa Ford]

Instead of promoting yours.

[Ish]

So I got seven songs now he.

[Joe Budden]

Drake used to job everybody move. Everybody move. It wasn't just us saying it. That was a path being cleared.

[Ish]

Gotcha.

[Joe Budden]

Now that he's on the other side, everybody, we just dropping or nobody's dropping. We're going to freeze all this shit. But you won't. You won't benefit from shit.

[Ish]

So now he trying to go to Internet route. I'm trying to put some shit out.

[Joe Budden]

Oh, also, wait, let me reply to you real quick. No, he never dropped a song. See, I'm not talking fan talk today. He never dropped a song. Not once.

[Melissa Ford]

What you mean Family Matters was released?

[Joe Budden]

It wasn't a song. It wasn't a song.

[Corey]

It was a response.

[Joe Budden]

That was something that. Listen, they fucked up the streets in the mixtape game. So nobody know what's what now. But savvy people know the difference between you going in the studio and you making a song and you putting it out on your own versus something that's being worked by millions of people. Like that is a song.

[Melissa Ford]

Yeah.

[Joe Budden]

This is on someone's album. People have hands invested in this. This is an artist that is largely responsible for Samarkish. I'm talking about future now. Yeah. And then you add Kendrick. That is a song being worked. Drake was just home rapping and pressing buttons and uploading, putting it out. There was nobody. It was him on his own. Then Kendrick comes back with fucking what? Everything that he did was attached to something where other arms and tentacles are working. The only one that wasn't was probably 616 in LA and meet the grams that I like.

[Corey]

Euphoria.

[Ish]

Euphoria.

[Melissa Ford]

No, that was released.

[Ish]

That was released. All of them released except for 616, dog.

[Joe Budden]

The only ones that matter are like that and not like us. Those are the two that matter.

[Ish]

But I'm agreeing. But all of those other songs that y'all said wasn't released was still at the top of the charts. So how did that happen? What do you mean wasn't released? Because Joe was saying it was only.

[Flip]

He said.

[Ish]

He said they weren't working.

[Joe Budden]

They're not worked. It's just you on your own uploading the dad Piff.

[Ish]

So you think that organically, all because at some point he had like five or six songs in the top ten.

[Melissa Ford]

Who?

[Ish]

Kendrick.

[Joe Budden]

Kendrick.

[Ish]

He had like four or five songs in the top ten. Yeah, like that. I like us. Euphoria. All of them was up. Oh, yeah. Everybody was listening. I mean, Drake's records was in there too.

[Melissa Ford]

Yeah.

[Ish]

It ain't like the Drake's records didn't pop up on there as well. People were listening back and forth to these songs.

[Joe Budden]

They just don't stay.

[Ish]

They don't stay.

[Joe Budden]

They don't stay. You have to pay to stay.

[Ish]

Gotcha. Okay.

[Joe Budden]

No, you might get enough information.

[Ish]

And a lot of times what happens is they hear something and this is a bop. Oh, this could go. Like when Not Like Us dropped. It was a bop. True was up dancing. I remember just the initial reaction video. This ain't no but label saying, yo, do this, do that. People was like, oh, he gave us something that we could actually. They said, california shut down.

[Joe Budden]

Yeah.

[Ish]

So now, as a label, if I see that, oh, now I'll put some money. We're gonna go put some money behind it. True.

[Joe Budden]

Also in his. He. He's saying, y'all cut off the monetization for reaction videos to not like us. Which incentivized people to make them or yada, yada, yada, yada. And I'm like, okay, so they had a good idea. Not only did. Not only did they have a good idea, they're well within their right to flick off monetization for who they see fit and what song. This is not the first time it's happened. Shit. Some of them salute to y'all hit me. They turn it off for an episode or two. They do that when it's yours, which is what happens. When you surrender your rights, they can do that.

[Ish]

And this is also them playing the streamer game now. Now the labels is seeing. Okay, this streamer shit is really out here. It's a major deal. No, it's free promo. This is the next step. So now it's like, okay, yeah, let's incentivize the streamers to push our song for free. Or not just the streamers. Any video. If it's a TikTok, if it's a whatever. No, but I'm saying. And you cut it off. I'm talking about the reaction video part. Like. Like when that word got out there that, yo, they are letting us use this song in the reaction videos. It's going to incentivize more people to make the reaction video. And it's free marketing promo for this is a smart move from a company. I'm not disagreeing.

[Joe Budden]

It's just a genius move that he put. It's like, oh, my God, you're doing all the cameras.

[Ish]

But if they wasn't true. It is some cameras. It's a. It's some.

[Joe Budden]

But that leads.

[Ish]

It's some brat. It's some bratty. Like, yo, y'all wouldn't let me do this, but y'all let him do it. You know what I'm saying? Like, I tried to put my videos out. Y'all suppressed it, and y'all took it down off Instagram, but y'all let him do what he was doing. It's some. It's some. Well, that's some brat shit. Like, I'm. I'm used to doing this. Y'all said no to me. Now it's bratty shit.

[Flip]

But if it's actually happening and he can prove that it's happening, then it changes.

[Corey]

His argument was the monetization.

[Flip]

It goes for. It goes from.

[Joe Budden]

He's not gonna be able to prove it. He's not gonna.

[Ish]

I think he is.

[Flip]

But it go from business to now culture to now business, right? Like, if he's able to prove that you guys intentionally did this, he has an argument. We have to stop acting like he doesn't have an argument.

[Melissa Ford]

We're talking about two different lawsuits, too. You guys are saying he doesn't have.

[Joe Budden]

Argument because he won't have an argument. There is no argument in any of the things. So hard to prove that I read is what I'm saying.

[Flip]

Got it.

[Joe Budden]

What you're describing is the music business.

[Flip]

Understood.

[Joe Budden]

But when I got to Def Jam.

[Flip]

Okay, I was gonna.

[Joe Budden]

Yeah, when I got to Def Jam, I was trying to have my records work. Me, Webb, Nitty Skein, shout out to the gang. We were trying to have our records worked, and we were having a hard time. The lesson back then for me was the radio coming and saying, yo, you go and talk to your label. They've sent us 13 records that have to be played before yours. And unfortunately for you, that's Ja Rule, dmx, Ludacris, fucking Method Man. Ghostface had a smash back. Like, it was a long list of people that you had to. Jay Z, we got to get these two records on. Oh, oh, got it. I'm in competition with. All right. They just saying. What's that? The label is gonna label.

[Ish]

Yeah.

[Joe Budden]

The label is not your personal concierge.

[Flip]

But if you had an opportunity, if you had a. If you was enrolling with street niggas and you had an opportunity to sue them for that, you wouldn't have sued them for that if you had the knowledge.

[Joe Budden]

That's my point. There is nothing for it.

[Ish]

But I think we conflating this in his particular instance, and I didn't read it, so in his defamation thing is, fam. Y'all calling me a pedophile on a national. Fuck national. Y'all calling me a pedophile on a global stage. That can be looked at as defamation. So can he be sued for defamation for calling Kendrick a woman beater on a record prior to that? Like, my whole thing is that, bro. Yes. You saying yes. He could be looked at as if Universal put money behind Drake's album, where he's saying something about Kendrick's family or Kendrick's wife or Kendrick's. Whatever. Yeah.

[Flip]

Why we. Why are we acting like the word the PDF. Why are we acting like the PDF word is just. It's just some regular stain you can wipe off?

[Ish]

That's what I was saying.

[Flip]

It's not a regular stain you can wipe off.

[Ish]

People be turning the block out of that.

[Flip]

This shit could be detrimental to your career. That's not known as that.

[Joe Budden]

Respectfully, I'm not. I have nothing. I have no problem with anybody who's on that side of the fence. That's just not my hip hip hop. That's not my hip hop. That's not the hip hop I come from.

[Flip]

Has anybody.

[Joe Budden]

That is not the worst thing that's ever been said in a diss record or beef, but it's the worst thing that's happened. That's 1, 2.

[Melissa Ford]

The DV stain, by the way, also, you said what? A DV stain is also pretty difficult to get out of the comfort.

[Flip]

If you look at hip hop Joe talking about hip hop and battles and stuff like that, we seen what. What 50 did to Ja Rule. Like, we seen different things that had effects, these movements that had effect on people in their career. Now he's watching another one where actually.

[Joe Budden]

Saying if 50 Cent would have sued Ja Rule for anything that he would have said, he. It would have turned out different, of course. But he's the same for J. Nas, of course. I get the same. Anybody.

[Flip]

I get it.

[Joe Budden]

Dr. Dre, like, go listen to the Eazy E. Dr. Dre beef again and the new shit.

[Ish]

Is he. Is he. Is he. Is he suing Kendrick? No, he's suing Universal directly. That's what I'm saying. Just Universal. He's not suing Kendrick. Suing Kendrick.

[Corey]

He didn't listen in the defamation, any of the streamers. They weren't.

[Ish]

No. What he's using. He's not suing their reference.

[Flip]

Okay.

[Corey]

They're referenced.

[Joe Budden]

Okay.

[Ish]

He's using the captions that they used because he's. He's including that when the house got shot at and the security guard got shot, that them having the picture of the house with the, oh, address.

[Corey]

The number.

[Ish]

They didn't put the address, just. They had the picture of the house with the little arrows on it. Like. Like sex offenders live there.

[Flip]

Yes.

[Ish]

That incentivized people to attack him. That's what he's claiming. I just. I think he got a claim. I think he has a claim. And I think.

[Joe Budden]

I'm not. I'm sorry, I'm not with.

[Corey]

I don't know the violence.

[Joe Budden]

Right. I'm not with nobody crib getting shot up. I think it also said the day after somebody was trying to dig a hole and dig a tunnel through his crib and yada yada, yada, yada. But I want to say, shit, I watched that house be built for however many years. One, that house is Googled in Architectural Digest, every Fly magazine that there is. He's also himself divulged stories of fans attempting to break in his home while he's had guests, while he's had company. I assume that that comes with being one of the biggest stars in the world. 1. On the flip side, whenever him and I got into whatever we got into and them fans showed up to my house, he incentivized that. He cheered them on, he put them on a public platform. He applauded that behavior. And that's my other beef with the Karen move.

[Flip]

Got it.

[Joe Budden]

Cause if you a Karen, be a Karen but you code switching because you at the game with. You running around with this nigga that has been threatening Kendrick, saying, I'm gonna kill you. I'm gonna do xyz. You want to get cool with. I'm not naming no names. But you know who you running around with, and you know what you're doing, and you know what you threatening. So if you that, then be that. But don't be that. And also carrying out.

[Ish]

See, that's my problem. That's my.

[Joe Budden]

That's part of the Not Like Us foundation that he was building.

[Ish]

That part right there. Because you run around being mob ties, mafia, mafioso, all of this other saying. You. You know. You know what? He just put it on the song.

[Joe Budden]

He put it on a recent record.

[Ish]

You know what he's been saying. So you're doing all of that, and then this is your retaliation when something happens.

[Joe Budden]

He's playing both.

[Ish]

I just. I just.

[Joe Budden]

He's playing both sides. It's nasty in this guy.

[Flip]

What if he's speaking for the people who always wanted to go against the label that he's not speaking for him?

[Corey]

This is all very self.

[Flip]

There's a lot of. What if he. What if he's standing up for those people? What if he's saying that I am the one that can change this? I am the one.

[Corey]

That's not his incentive.

[Joe Budden]

It don't matter what will change.

[Flip]

I'm sorry. I didn't hear you, man.

[Corey]

I was just gonna say that's not his incentive.

[Flip]

Okay, I understand what you're saying, but.

[Ish]

I was with that with the first lawsuit.

[Melissa Ford]

Yeah.

[Ish]

Even though I thought it was bullshit, I was with that. I'm still with. I want. You withdrew that and now are claiming defamation and harassment because we've been hearing.

[Flip]

About the latest for years.

[Ish]

I'm with this one, too. The super bowl is coming up in a month. I don't want you to get on the biggest national platform in the world and say, I'm a pedophile. Should have took it there. Ice. We come up here and say, argument with that got nothing to do with what he talking about with the label. If y'all is putting money behind a record that's claiming I'm a pedophile, I have a problem with y'all doing that. It's not about. It does have something to do with that. It has a lot to do with that. It has nothing to do with the label. We don't get him called the pedophile. We don't know that we get that dog we don't know that we are here. You opened a door and you didn't like what came out the door. So what? I'm not suing Kendrick Lamar. I'm suing the record label that is promoting me being a pedophile. And I'm Kendrick Lamar record. I have a. I have a problem with the label promoting an album that says I'm a pedophile. He can have that feeling. Kendrick could have a feeling about him saying, yo, you beat your wife, if you beat your kids, your kids, all of that. And if Kendrick wanted to sue Universal for putting marketing dollars behind that, then Kendrick will be well within his right to do.

[Corey]

And so I have a question about.

[Joe Budden]

Let me just jump in real quick. Well within your right to do so. Yes. But no other artist would think about doing it because it's the end of your career. The same way it's going to be the end of his career.

[Ish]

That's a choice that he got to make that bed lying. You know what I'm saying? He got to make that bed line. I'm just saying. But I don't think, especially when it come. If he sued Kendrick, he would be the goof of the goofiest.

[Corey]

But that's my biggest question is if he's. If he's filing a defamation.

[Flip]

Not against the machine, Joe.

[Ish]

Yeah.

[Flip]

Not against the machines.

[Joe Budden]

To those of y'all running with that running.

[Flip]

No, I'm with you. But at it. No, sorry, Mel. Excuse me. I'm with you. Right. I understand what you're saying, but I also understand how these infrastructures are put in place to make people look away and to fuck up things in front of the masses. I'm aware of these things. I hear the complaints all the time. You hear them all the time, nigga. Michael tried to go against so many people we could name that tried to go against the system and the machine and loss. Now we have a nigga that says, yo, I feel like I'm in a position to go against the machine. And maybe the machine put it in a way where it looks like he's on a downhill because of the issues between them. So now the masses are looking like, well, he's falling off and that's why he's doing it. But maybe he's not even falling off.

[Ish]

For real. They did that with Michael Jackson.

[Flip]

Maybe they just made it like that. And we've seen this for years, and now somebody is stepping up to say, I'm not going to allow you to do this.

[Ish]

I think he going to lose, though. But Me too. I think he's going to lose.

[Flip]

But I'm just, you know, I'm with listen.

[Ish]

And I still think the record gets.

[Joe Budden]

Played at the super bowl and continues to lose in. This is the artist is him.

[Ish]

It's him.

[Flip]

It's him. Okay.

[Ish]

I agree with that.

[Joe Budden]

And I just wish that he would find a different way to address all of his grievances. Doing this is above my pay grade.

[Flip]

So do we just accept the abuse?

[Joe Budden]

Pretend to know?

[Flip]

Do we just accept the joke?

[Joe Budden]

But, dog, dog, what y'all call abuse? Have at it, bro. You enter the battle. Things were said you got hurt more than the other person. Sure.

[Ish]

Indeed.

[Joe Budden]

If this is how you choose to deal with that.

[Ish]

And you instigated the fight and another hit harder than you. I agree.

[Joe Budden]

But I was here when it was. Hey, nah. I've been hearing about these threat records from over there for mad years. So now is the time. I got got time. I'm waiting. I'm not letting you escape. Like, you were persistent in that.

[Ish]

Instigated.

[Melissa Ford]

And it came from a fairly vanilla diss on the future record really is just big me led to this.

[Ish]

That's what they've been shooting a little bit more years and years and years.

[Melissa Ford]

But it wasn't nothing.

[Joe Budden]

It didn't have to get.

[Melissa Ford]

It didn't have to get. The pedophile.

[Ish]

You ain't got to get personal. It's a friendly fade. Keep it that way, like.

[Joe Budden]

And he's citing the lyrics. I read the lyrics in this shitty. He's like, in euphoria. He says, don't tell no lies about me, and I won't tell truth just about you. Which has the public thinking that everything being said is indeed true. And yada yada, yada, yada.

[Ish]

I'm like, it's nasty, bro.

[Joe Budden]

Y'all could have it. Yo.

[Ish]

Y'all can have.

[Joe Budden]

Just saying it ain't. It ain't my hip hop. Maybe I aged out of this shit faster than I thought I would. But all this shit that y'all doing, it ain't. No, no, not for me. I love it too much.

[Corey]

Part of my confusion is also, if he's filing the def. The petition made a lot more sense. But if he's filing a defamation claim against umg. Why isn't Kendrick named?

[Ish]

Because he's saying from what my understanding is. And y'all could correct me if I'm wrong, he's saying that Universal basically put steroids to the record.

[Corey]

I understand that and I completely understand it. But he. But Kendrick's the one who said it.

[Flip]

He's trying to keep his foot still in hip hop. He's trying to keep his foot in the culture.

[Ish]

I think he's trying to keep his.

[Flip]

Foot in the culture. As far as. Cause the niggas that he roll with, that'll be frowned upon.

[Ish]

I think he's.

[Corey]

Oh, well, then he's completely lost sight of how he looks.

[Ish]

I think it's a desperation attempt by him to silence the song at the Super Bowl. That's it.

[Corey]

Absolutely.

[Ish]

I think Drake has billions of dollars of business. Business worldwide that he is counting on to provide for whatever. And I think those business deals now become. They get jeopardized by somebody calling you a pedophile on a worldwide stage. And even with that, that song might be pushing people to believe that. Can I ask you one quick question? Sure. What do you say to Drake himself on the Tailor Made freestyle using the pac AI saying, talk about him liking young girls. I heard it on a button podcast. Has got to be true. That's the first time this is mentioned on record. Okay.

[Joe Budden]

Before.

[Ish]

Not like us. I'm just saying you. You yourself are. Yeah, yeah. You're basically. You keep. No, he's. He's being sarcastic, saying, yeah, yeah, yeah, Go ahead and talk about. Yeah, okay, so I did it.

[Melissa Ford]

Careful what you wish for.

[Ish]

I'm just. I'm just want to get your response. I think me and you having two separate conversations. Conversations. I'm talking about global business. I'm not talking about a street fight between me and you. When I'm calling your mother names and all that other shit. I'm talking about on a global business level, my nigga, when people are running around saying that you are having sex with children, it is disparaging.

[Joe Budden]

So. But then. And that means that y'all kind of are having the same talk because one affects the other.

[Ish]

That's what I'm trying to get. No, we can see cool in order. Cool. Kendrick can say whatever you want. Again, I'm telling you that Drake is. Bro, I'm not. Drake and Kendrick are the same. He said the beats his wife. Nigga, you said I beat my wife if I never beat my kid. Yeah, my kid is my best friend's kid.

[Joe Budden]

Yeah, you said my manager, my wife.

[Ish]

That's true. I'm telling you that they are the same.

[Joe Budden]

That was creative. But that was foul.

[Ish]

I'm not disagreeing.

[Flip]

I thought about that while listening to it.

[Ish]

Some wild.

[Flip]

I.

[Ish]

He was mudslinging.

[Corey]

And also, I think that there's a different perception from both People as to what the rules of engagement were. He really. Jake really likes the goal post move for him.

[Flip]

Yes.

[Ish]

I think that. I think Universal's involvement in this is the underlying piece.

[Corey]

Okay, so let me read.

[Ish]

Like, I think he's accustomed to Universal pushing a button for him, and they didn't.

[Corey]

So let me read.

[Ish]

So now I see you pushing a button. For another. Real quick before you read that. It's not just they push the button, they also silence for him. Yeah, that's what he's used to. Yes, he's used to Universal. That's my point. Changing the rules for him. There was records that people said that he didn't like, that he made a call and then they made a call, and it's got to come off this song. That's my point. It happened to him. He couldn't take it happening to him. I'm not disagreeing with that piece.

[Joe Budden]

But.

[Ish]

But when the label pushed a button on your shit silence my shit. And your shit happens to be one of the most disparaging things in the world. If I want to get your shit silenced and I think I got enough power to do so, I'm gonna go to the court. That's when motherfucker's doing business.

[Joe Budden]

I agree with Ish that a large part of this is not having not like us played at the Super Bowl.

[Ish]

I think it's desperation attempt. I've been hearing some things. Universal ain't the only people that he's acting like this with.

[Joe Budden]

Oh, yeah, No, I know there's other going on. When you Karen publicly, I gotta assume that you Karen privately as well. That's part of the Karen profile that you calling behind the scenes, yada, yada, yada.

[Ish]

And if you look at certain things, like if you look at the last two super bowl halftimes, that was what, Usher and Rihanna.

[Joe Budden]

Right.

[Ish]

The promo for them was a lot. You ain't seen much promo for this one. Outside of the rollout video, it's been really quiet for promo video for this halftime show.

[Melissa Ford]

That's a good point.

[Joe Budden]

That's a great point.

[Ish]

Why?

[Corey]

Because behind the scenes, he's discussing shit with NFL lawyers.

[Ish]

Now factor that in what just dropped a couple weeks ago.

[Joe Budden]

Wait, what?

[Ish]

His line with the NFL.

[Joe Budden]

Who's lying?

[Ish]

Drake's dreams.

[Melissa Ford]

Yeah.

[Ish]

I don't know where. Just popped up and dropped. Just start doing the math.

[Joe Budden]

It's big boy games. What I will say to that. And I agree with that.

[Ish]

That's. That's deep. That's big boy.

[Joe Budden]

I was watching the typically I'm used to the NFL doing their October announcement, chilling. And then because we focused on the playoffs and then the super bowl coming in, it's a big deal. When I was seeing that promo for Usher, I think for me, I could be off. It was a lot of that tied to Apple with the Apple.

[Ish]

Apple has the halftime show.

[Joe Budden]

Apple does the halftime show.

[Melissa Ford]

Yeah.

[Joe Budden]

Got it, Got it. Like I made.

[Ish]

But remember when Nas and Jay was going at it? Nas had a thing where he was gonna hang Jay at Summer Jam. Yeah, they silenced it. Dame Dash admitted, yo, I silenced that shit. Nigga, you not gonna hang my man on those stage. Dame publicly said he went to Hot 97 and told them niggas, if y'all allow that shit to go down, huh? That was power.

[Flip]

No, it's not 1977.

[Ish]

It was summer Jam. He was like, yo, if y'all allow that shit to go down, we gonna retaliate. Y'all not gonna be getting our shit. Y'all not gonna be. Whatever he had to do and say to get that shit to go away. I think that's just big boy games. And that's. We watch all of these shows. We watch billions. Succession, all of these shows. All of that shit happens in big business, dog.

[Joe Budden]

I hear the nigga.

[Ish]

I think it's sucker shit. From our perspective, how we were raised, like, yo, you don't do that. You take the bumps and bruises that come along with the fight. Yeah, but when you got billions of dollars and all that shit on the table. And be clear, as we y'all all keep saying, Drake ain't from where we from, we expecting the nigga to potentially play by rules that we have sometimes ignorantly adopted as a way of moving around. But he don't necessarily have to adopt those rules.

[Joe Budden]

Then don't. Mob ties me to death. That's my beef with Mobtize Drake. I miss Drake. Like, it's too many artists that are suffering from an identity crisis or begin to lose themselves when they get into shit. I miss original Corny or Drake. Yes, the. The with the BlackBerry and the corny T shirts that couldn't dress with no beard that everybody just wanted to get next to and. And get some of that corny sauce. Y'all knew that nigga wasn't like us, but he had. He had the magic touch, that guide, that guy that made people that when they collab, they was joining his. His world. The guy that said, nigga, I'mma give you the verse and the hook. Look, that's what every song sound like.

[Ish]

Drake featuring Drake.

[Joe Budden]

Oh, him. This new caricature of himself where. Back to the not like us point that I don't want to continue to reiterate or emphasize, but all of this. I'm doing an album with him. I'm flying with him. I sound like him. The London Drill, that is. Yo, why did you try to fix what. What wasn't broken?

[Ish]

You don't think it's evolution or it's really. It's me being what I really want it to be. I could. I could really want to be that.

[Joe Budden]

And the opposite of evolution is what?

[Ish]

Regression?

[Joe Budden]

Because that's. That's what I see it as. What? Evolved. Or maybe it evolved into something that was. That. That was trash. Yeah, I think it's.

[Ish]

It sounds evolved.

[Joe Budden]

It doesn't. Nothing about it is evolution to me.

[Ish]

Gotcha.

[Flip]

Okay.

[Joe Budden]

To. To me, it's when you could go.

[Ish]

Make a song with popcorn in Jamaica and you could go make a song with another artist in London. You could make a go song down south. You could go make a song with a pop artist or. What's the girl name? Sabrina? Claudia. Yeah. Like when you could do all of those different things. I don't necessarily know if Drake from yesteryear could do those things. I think the evolution now, his personal Persona, is one thing.

[Joe Budden]

Okay. And I think too, I'm of the belief that Drake from yesteryear could do anything in the world as he wanted to musically.

[Ish]

Gotcha. I wouldn't disagree with that.

[Joe Budden]

And to the evolution point of music becoming global, because I recognize that I wouldn't have my point if he were the one still dictating those sounds to increase us globally. Like the NBA doing a deal with China. But it seems like. It seems like he's conformed. You conform. You rode waves. Music is fickle, dog. When Nori was doing his reggaeton shit, man, him and Daddy Yankee, that shit was on fire. I was home looking at a clock, man, hurry this shit up, dawg. Sometimes you have a record that's fire. I'm not speaking about Drake now. Cause he's bigger than life. But for the rest of us, we could have a record and be holding it in a tuck. And in a year, the whole sound of music be totally different. Like, music is a lot about timing. So he conveniently. And not just conveniently. Because now in hindsight, I feel like he got word from the curb from his business partners of what the target is. Just like when I was in Spotify or wherever and them would say, yo, India, it's like, oh, got it. That's where the focus is. Yo, the population is this over there. So if we do that, we'll see a 10% increase. And they get back there and they start talking. They. And if you are our streaming baby and we working in alignment, you gonna.

[Ish]

Get some poon job.

[Joe Budden]

It's Barry Bond, Joe. Nothing could stop it. But now, if you're not dictating those things, right, like, if he could go in the studio right now and do a one dance, which everybody here, I'm sure, believe that he can still make a one dance. Why you not.

[Melissa Ford]

I say, yeah, yeah.

[Joe Budden]

Huh?

[Tanner]

Oh.

[Melissa Ford]

He said, why are you not.

[Joe Budden]

Why you not.

[Melissa Ford]

Gotcha.

[Joe Budden]

Oh, why.

[Ish]

Why wouldn't you.

[Melissa Ford]

That goes back to the.

[Joe Budden]

Why won't you.

[Melissa Ford]

That goes back to the concept of he's potentially holding all this material, which, again, I think is a mistake. Because the world changes too fast. Music changes too fast. So if you're holding on to all these great songs and great albums for when you get out of your contract, which you don't really have, no definite date, that's a mistake.

[Ish]

But not just that, like when. Go ahead, you can finish.

[Flip]

If the music is changing too fast. I think that it's a clever business move that he hops on each sound.

[Melissa Ford]

Yeah, I'm not.

[Joe Budden]

Right.

[Flip]

So that's what I'm saying. A lot of times, you know when Joe says that I miss the old Drake. I want that Drake. But I think it's actually clever. And you stay relevant. Because a lot of artists, the sound becomes outdated.

[Joe Budden]

It's a trick.

[Flip]

And we laugh at them, but that's the trick. Not laugh like, ha, ha ha.

[Joe Budden]

But. But that's. That's.

[Flip]

Even if it's a clever one, Joe. It's a clever.

[Ish]

It's just a risk.

[Joe Budden]

Wait, hold up. Yes and no.

[Flip]

Okay, explain yes and no.

[Joe Budden]

Because it's still the program doing this. It's still the program. So why is Drake not on a Bad Bunny song right now? Or why is Drake not on a Bruno Mars song right now or an Adele song right now or a Taylor Swift song right now or any of them. The premium post Malone, whoever those. Premium. They gonna keep you off the label is. The label is.

[Ish]

That's.

[Joe Budden]

And so we're gonna ice you out. So now when you go, try to do it. Because he's done it. I came in here and was the only one in the world that liked that shit with him and the Spanish dude or him and whoever that dude was, where I thought he got off in the verse, I played that up Here it came away. Came away nothing.

[Ish]

Everything's coming. Everything that the white girl, he.

[Joe Budden]

He just did it.

[Ish]

And the Brazilian records on the 100 gig that if they with him would go.

[Joe Budden]

But I'm not. But yes, but I'm not talking about that. I'm talking about collaborations and. And the program's program. He could do whatever he want on his own. But they put him with the little racist white girl two times. Two times you heard. You heard them shits and then you.

[Ish]

Never heard them again a second.

[Joe Budden]

It's very different than somebody powerful putting Rema with. What's the Spanish girl that's on the hit? Rema. And that white girl, that Spanish. And when he won, everybody heard the song. Biggest song in the world. I want to find it. Somebody look it up. Rema. And one of them white girls, they went up there, won the the the Caribbean award. He brought her to the stage. Like these are. Are intentional collaborations from people that are above the mascots.

[Ish]

Gotcha.

[Joe Budden]

And we are the mascots. And at some point we expected Drake to take a hov like leap to businessman. And it's tough to have that talk with somebody that's as wealthy as him. But I'm speaking from his world. We were expecting him to take that, but he kept drinking the Kool Aid of Universal. And Lucien, they asked him, Lucien, hey, Drake called. Ask for some money. He said it. Anytime Drake has ever called and asked for more money, I give it to him. That's the Lucian Grade A version of Lior taking me to the Knick game when focus was out.

[Ish]

And guess what, Joe? But when you stupid me, hey, but when you don't want this, when you don't want to go to the game no more and you want the box seats and you want equity and you start talking Jay Z talk, it's going to be pushback potentially from the same that put his arms around you and said, yo, you can have anything I got. Because he's never going to think that you gonna ask for what the he really got.

[Joe Budden]

Well, you talking about the want process. You take me to the game. What happens when I want my own skybox? What I'm saying is it starts with, hey, man, why is that happening? Right? Like a good businessman. You know, part of the reason Mark not here. Part of the reason I'm such a great spade player. Hey, some of y'all out there know about me is because whatever my opponent is trying to do, I figured it out. I figured it out. By the time the first two cards are placed, the Same in business. In business. Hey, you might get what you want, you might get your deal. And be clear, I know that most of y'all, and I know for a fact most of y'all are back there asking for pennies, pebbles and Fruity Fruit. Fruity what? Fruit Loops. Fruit Loops. Fruity Loops. Y'all not back there asking for shit, demanding shit. I'm not talking about Drake. He could be. He might have been back there bugging, asking for you.

[Ish]

But the rest of my point, but.

[Joe Budden]

The rest of y'all niggas, y'all ain't back there really negotiating for nothing. Y'all, y'all are and have been happy with receiving a look and $100,000 to. For you to get by for your next six years and maybe get another a hundred thousand from the publisher. And now you got 300 and we gonna make you high. And you go get your money on the road and. And through brands, y'all have been totally pleased with that. So it's like, yeah, if y'all are happy being high priced mascots, which 98 of you are, then when the, when the team get to change in the colors of the mascot, you don't got no.

[Ish]

You can't say, put that new outfit, wear that gold.

[Joe Budden]

Yo, there's nothing that you could say, dog. This hurts. This hurts. This is like the hip hop version of the fucking house seats. Like the seats that, hey, he's been dominated for 90 years. And now we got this one small window to where we can make a change some and see these labels take a fall. And the few niggas that could have did it, y'all end up fighting with each other, taking a deal and only looking out for self. There's no union in hip hop. There's no unity in hip hop. None of y'all know what culture mean. Actually, they've been telling y'all what culture means because they own this now. This is a mess out. It's disgusting. And if you love this, it hurts. It hurts. It does. I ain't mad to come here and be vulnerable or sad about this. I'm saddened as a diss track king, as a who loved to get on the mic and tell lies about my opponent. That was the Saigon got on the mic, said my kid was gay.

[Ish]

You did.

[Joe Budden]

I can name all of the things that people say. Little B said I needed rogaines. I'm joking. That's not that bad. But horrible things get said. Man, I just don't like the Karen play. Both sides. I don't like the. The aggressor and the victim. Especially going through what I just went through with these, these racist pieces of like. I just see how the game is played with systems in place and when it don't go your way, we end up here.

[Ish]

I agree.

[Joe Budden]

But forget about the effect or the impact on everybody else. I hope that it play. I hope it plays out well. Well, for him. I honestly, personally don't see how it can. I don't see how it can. Not saying it can't again, above my pay grade.

[Ish]

I think. Let me ask you. I think it don't pan out well for me. Let me ask y'all one quick question. Do y'all still think Not Like Us gets played at the Super Bowl?

[Melissa Ford]

Yes.

[Joe Budden]

Yes.

[Ish]

I don't know if they say the line though. No, just the song. Period. I definitely don't think so. Penn thought he was gonna play the song, dawg.

[Joe Budden]

The beat has been played.

[Melissa Ford]

The beat is at least coming up.

[Joe Budden]

The beat has been played on in arenas. The organ player plays it at the nick game. Like the beat is played the song. Even if he don't say a word. I always been on the side of he's gonna edit it. I always say he's gonna edit it and do it. But in the event I'm wrong and he don't say a word, the beat is gonna come on like. Like Usher doing my way for five seconds, just walking out to it.

[Melissa Ford]

Yeah, I see that. That might be the intro. I see dead people. And then into.

[Ish]

No, he.

[Melissa Ford]

Whatever.

[Joe Budden]

His behavior is single handedly making the legacy of Not Like Us. He's making it the greatest disc record of all time.

[Flip]

It's so 7 million.

[Joe Budden]

I wouldn't give a. I was never ready to call Not Like Us the greatest disc record of all time.

[Melissa Ford]

Getting harder and harder.

[Joe Budden]

Solely his behavior that's making the legend of it.

[Ish]

That's grow. That's a fact.

[Melissa Ford]

Yeah.

[Flip]

What I was saying to you, you know, off camera. Well, actually, you're a man that goes against the system, right? Especially now in your new life, you just. You still keep that same sentiment.

[Joe Budden]

Yeah.

[Flip]

I don't give a fuck how high you are. I'm gonna go against you. If I feel that it's wrong, if I feel it's not right, if I feel I'm being treated unfairly, I'm gonna fight the system no matter how many resources I have to use. So that's why to me, when you say it, I understand what you're saying from a hip hop perspective, but from a business Perspective, I don't understand why you're not understanding his angle, right? Like, you're not gonna. If somebody, anything that anybody do to you, you're not taking the line down. Especially with the new knowledge that you gained over the years. You say you came up here and said all the time, yo, if I would have read these contracts, if I would've understand what, what they were doing back there, I would have moved totally different. And then now we have somebody that listens to you, that listens to everybody else and decided to move differently. So I would think that you. Not from a hip hop perspective, but okay, I get what you're doing. A lot of nigga 50 sues everybody. So my man shout out to fifth niggas sue and take niggas to court. And a lot of things we may look at like, oh, taking them to court for that, but it's business. So that's just the confusing part. When I hear you speak about it, like, you're speaking from a fan perspective, like, yo, I love Drake. I miss the old Drake. Don't do this because I'm a diss record king. But then I'm not speaking, I'm not hearing you speak from the business side of how things could be put in place to destroy you. And that's just, that's the confusion for me when I hear you speak about it.

[Joe Budden]

If I smoke the weed and it's fentanyl in it, I face the repercussions. It's hard for me to empathize when you have been complicit with the system for so long and reaped the benefits and gotten paid and gave everybody your ass to kiss and fucked everybody's girl and said, I'm taking a piece of your contract and I'm taking a piece of your contract and I'm not clearing this record and you take that record off of there. Like, it's hard to empathize with somebody who's been down for the cause again, above my pay grade. For me, I've always been pretty transparent in where I stand in terms of independence and why. And that's no matter what. That's for everything. I don't like going before a judge and the judge having the final say on what the rest of my life looks like. I don't like going to work and them saying, hey, if you don't have a song in the next 10 days, you're out of here. I don't like going to work and saying, hey, we saw a blog, so you're fired. Fuck You, I don't like complex. Firing me while I have a baby coming in the same week. That's an uncomfortable and uneasy feeling for me. I much rather sleep with eating what I hunt and not missing what I never had. And for me, it's worked out cool. That's for me. With all of this shit that's happened, maybe y'all can answer it. I still don't think it's transparent as to what Drake's end goal is like, what he wants.

[Ish]

I don't think it's transparent what anybody's been doing behind closed doors, whether that's Drake or Universal. I think that. I think that if Drake went public with whatever information he has and told if he had proof of XYZ going on, we might look at it in a different.

[Melissa Ford]

It's possible.

[Ish]

To what Joe was saying before and to what Flip is saying. I think that Drake and Universal have always been buddy, buddy, chummy, chummy. And now, like Drake and LeBron, like Drake and DeMar DeRozan, you not doing what we was doing before, our relationship has changed. And so now I'm looking at you like the op. I think that could potentially have happened or we seeing that it happened and now he on the offensive with a nigga that you might have been fly with before him and Lucian might have never had an opportunity for him to see the things from the perspective that you've seen him. Because he's never endured what you've endured. You wasn't the media darling at Complex. You were for a second. Until they couldn't use you. No. Until they couldn't use you no more. And your information got up and you asked for something else that might be where he is in his journey right now.

[Joe Budden]

I'm not knocking him, you know what I'm saying?

[Ish]

So how he responds to it, somebody would have said, could have potentially said, yo, Joe did some. You have admittedly said, y'all trying to burn this whole down. You get what I'm saying? Like that might be where he is.

[Melissa Ford]

I think the line in the sand.

[Joe Budden]

And when I. And when I do, or when anybody decides to make those decisions, you get on the phone with your team or your attorney, and if they're competent, plenty of times they said to me, okay.

[Ish]

Sit your dumbass down.

[Joe Budden]

No, no, they're your team. They supposed to advise you. If you do this, this is what can potentially be the back blow.

[Ish]

True. And I think he might be willing to deal with it. And I think his arrogance level being where he is at a 40 year old a 30 something year old man. 40 year old man. I think he might need to be shown. Everybody never got punched in the face before fam. And so until a punch you back and he might hit harder than you. It's a lesson that you might have to learn in your. In your growth and in your journey.

[Flip]

And this might be the punch. And does he care anymore about. About being accepted by the core audience of hip hop?

[Joe Budden]

Right?

[Ish]

Yes, he does.

[Flip]

This, this changes.

[Corey]

Weird.

[Flip]

Isn't he trying to like he doesn't.

[Melissa Ford]

Engage in the battle if he doesn't care about the hip hop.

[Flip]

Yeah, no, I get. I said anymore.

[Ish]

I think.

[Flip]

No, he tried. He may try to be appealing to the younger audience. They don't care about anything. All they care. They don't care about that song he just released.

[Ish]

Didn't say I don't care about what they think about me.

[Flip]

What do you. Which one?

[Ish]

The little freestyle. He just did that. Don't say that. That freestyle.

[Flip]

I give a. Oh, you talking about the LeBron joint.

[Ish]

Yeah, got it.

[Flip]

Okay.

[Ish]

And the one before that.

[Melissa Ford]

Yeah, the whole scary hours.

[Ish]

All that. I care.

[Joe Budden]

Yeah.

[Melissa Ford]

It's all alchemist and conductor like, yeah, I care.

[Ish]

And I'm gonna show y'all.

[Flip]

We watch a lot. Like I said, with the new audience, new fans, the, the. The rules and morals and principles of yesteryear are no longer true.

[Melissa Ford]

That's true.

[Joe Budden]

Right?

[Flip]

With the new fans, they don't give a oh, you signal. They don't care about that. They came home, got on the song. They don't care about that.

[Corey]

They may not care about a code, but do you think that they care about what's considered corny?

[Ish]

No, they don't think so. They don't follow it. And it ain't just the new fans either because. And just let me finish. He right. Ross being outed as a corrections officer in the 90s would have ended him. We didn't give a fuck because the slaps kept coming. It's a lot of crooked. I'm not saying. I know it is a lot of Brooks. I know it is. And if his ties. I'm aware could. Could dispel that. I'm not on that side of the law. Ross could have got it off. He didn't even have to because they didn't care. That's my point. Yeah, like the. That we talking about right now. We. I think we a minority absolutely. Looking at this like some Karen or looking at it like you borderline ratting or snitching or whatever the case may be. I Think we're a minority in that. And I think that also goes along with our age demo.

[Melissa Ford]

I think that's also. We're a minority because of his popularity. I think the. If this was a much less popular artist, they would all be the same way. They jumped on Gunna's back.

[Joe Budden]

But did they?

[Ish]

We're in a minority because today we fans of hip hop.

[Melissa Ford]

Yeah.

[Ish]

Today they fans of the person.

[Joe Budden]

Correct.

[Ish]

True. So we riding with you no matter what.

[Joe Budden]

Right?

[Ish]

That's. That's the difference. Today a lot of they don't give a. Like, you can look corny.

[Joe Budden]

So what.

[Ish]

We go and ride with you. Gunna sold out Madison Square Garden twice. True. I don't know if they jumped on his back. He came home. He was home about six months.

[Joe Budden]

I want to jump. I want to jump in on you guys minority conversation. Because I think all of that is contingent upon how you view the minority. Like y'all are just talking numerically. Y'all are just talking numerically. Numbers.

[Ish]

Numbers. Yeah, numbers. But that. Isn't that what hip hop is today?

[Joe Budden]

Stop it.

[Ish]

It's about numbers.

[Joe Budden]

But stop it for a second. Let me think. My brain is fucking clustered. And that's my problem with the number one urban podcast. That hip hop to some is not only the minority, but very small, insignificant urban black, not a factor because of numbers. Right. And population and market share and all of that stuff. When I go get to talking, I argue the strength in that because of what culture and that minority dictates.

[Ish]

True, I agree with that.

[Joe Budden]

So, yes, it is small but powerful. Smaller minority. Right. But depending on how you view the strength of that minority, we are the ones that dictate. I'm speaking for my beliefs only right now, we are the one. Well, I'm saying y'all can speak for yourself. We are the ones that dictate what's flying, what's hot, what's fashionable, what can sell, what can we drive them numbers back there. We just not allowed to go back there in the room and have access to the fax machine. So I go back there and they try to. They gonna always try to minimize you with, yeah, you're the number one urban or you're the number one in hip hop or your demo is only black. Up, up, up, up, up, up, up, up, up, up. If I go get to telling these black people what's going on and they get to making enough ruckus, the same way every one of y'all companies and corporations see everything, every tweet, every real, every y'all got on design, tech, and programs to watch. Everything that we buy, everything that we say, how we cuff our sweats, how we. Y'all know what time it is? I know what time when I go on Bottega and buy some shit. And the price went up from the last time I went in there. Yes. Cause I done came in here and bought 17 of these motherfuckers and then went on my show. They did that shit to. I know when the price spikes be happening and why they happen. I'm speaking only for my belief. So, yeah, I speak for these black people. But do you have any other black people on your network? What are you doing? Black people. So, yeah, the minority is powerful and strong.

[Melissa Ford]

Yeah. Counterculture always has a thousand percent, regardless of race or gender or whatever.

[Ish]

It was a thousand percent. I agree with that wholeheartedly. It's small but powerful. I agree. Pause if pauses do.

[Joe Budden]

And there's some people that don't view it that way. Listen, there's the team of the super wealthy. All them niggas is being friendly. They getting together now. They busting each other flowers, buying each other lunch. Fucking Elon and Jeff and fucking and Zuck. And I imagine that that team is going to grow and Trump and all of that. Listen, they. They. I mean, I forgot the point I was getting at just now. I forgot why I brought that up.

[Ish]

Minority, powerful.

[Joe Budden]

I'm just saying, you got to get the companies and find out what side of the fence they on. Like, I make it my business to find out how a company feels about a black person and a black person ascending. Now, I'm off on a whole nother tangent, but it is a little bit related. Right? Like. And there's something that's gonna put a ceiling over you and look at you. Like, you have the fucking audacity when you come in here. And there's some. That they gonna honor certain things because, hey, there's a whole bunch of white people out there where we vibing off shared and similar experiences. I'm real fly with this white dude in the building. Shout out to the people in the building, listening. We got podcast fans.

[Flip]

Yeah.

[Joe Budden]

With this white boy from Bensonhurst. We ain't gonna talk about white or black. We got shared experiences. You got jumped over there. I got jumped over here. It was rough coming up. You father that money you left. It's just shit. It's not about that. So again, off on a tangent. I don't remember how I got there, but important to find out how they will view you. And that's gonna tell you how they gonna view your reach, your communication, who you talk to.

[Ish]

Your ceiling. Yeah, your ceiling.

[Flip]

Yeah.

[Joe Budden]

Man, this shit hurts.

[Ish]

Oh, that was my good. That was my point.

[Joe Budden]

Get this shit off.

[Ish]

When you was talking about the Jay Z shit, Jay Z come from a different background.

[Joe Budden]

Absolutely.

[Ish]

Jay Z has always been a CEO. Any nigga that's outside selling drugs, you are the CEO of your own company. You dictate what and how much money you can accumulate. And you gonna also dictate the risks associated with your decisions. You're gonna dictate how to manage the money, how to manage the re up. That's inventory control. All of that shit is you literally running your own corporation. So when you look at Drake, that's always been, quote unquote, coddled, almost an employee, right? He's not an employee, but he almost is an employee because he keeps taking.

[Flip]

The check just put in place.

[Ish]

So now, to shut you up, I'm gonna just give you more money and you're gonna go away. So now I think he has enough money to where he might wanna step into the CEO shoes. And to your point, the audacity of you when I just gave you $400 million, nigga, to want to get a piece of this pie. No, your ceiling is here. You gonna stay an artist at all times and don't come looking for nothing else. And I think these may be some of the fights he's having now that Jay never had.

[Joe Budden]

Well, well, I agree. And I put a little bit of this on him because we in the information era, right? Like, I can see them saying that. I can see them saying that. Damn. Hey, hey. You want to be a boss? Congratulations. You won't do it here. True. So now you got to go to, like, 50. Didn't do it through music. Hov, they did a pie of where all his income is.

[Ish]

He didn't do it through.

[Joe Budden]

He didn't do it through music. Kanye didn't do it through music. Puff didn't do it through music. None of the people that you could figure out that none of the examples that we have.

[Ish]

Rihanna didn't do it through music.

[Joe Budden]

Rihanna didn't do it through music. Nobody that's getting it today means music is your opportunity. And with that comes opportunity cost.

[Ish]

True.

[Joe Budden]

It's going to be on you one day. And to your point, maybe he's there right now, but it's on you one day to leave that comfy living room with the couch and the big screen and the masseuse and the charcuterie and get out there and get it now. With all of.

[Ish]

Who you are.

[Joe Budden]

True. With all of your star power and your fucking. Oh my God, I'm sad.

[Corey]

Well, this was the response from. From umg, and it's from all. You know, from all your reading glasses on.

[Joe Budden]

Big mouth.

[Melissa Ford]

Get them readers.

[Joe Budden]

Put the readers on. Who they playing with?

[Ish]

Really look like the librarian.

[Joe Budden]

Who they playing with, Big mouth.

[Flip]

Hello, miss.

[Joe Budden]

I'll take a book from her and they'll bring the books back. They'll bring the books back. If Mel up there. Big Mel.

[Corey]

All right, check it. Well, the gloves are off. According to this. This response.

[Joe Budden]

Is this new? It's all new.

[Corey]

Everything's new.

[Joe Budden]

It's all new. Yeah.

[Corey]

Not only are these claims untrue, but the notion that we would seek to harm the reputation of any artist, let alone Drake, is illogical. We have invested massively in his music and our employees around the world have worked tirelessly for many years to help him achieve historic commercial and personal financial success. Throughout his career, Drake has intentionally and successfully used UMG to distribute his music and poetry, to engage in conventionally outrageous back and forth rap battles, to express his feelings about other artists. He now seeks to weaponize the legal process, to silence an artist's creative expression and to seek damages from UMG for distributing that artist's music. We have not and do not engage in defamation against any individual. At the same time, we will vigorously defend this litigation to protect our people and our reputation as well as any artist who might directly or indirectly become a frivolous litigation target for having done nothing more than write a song.

[Joe Budden]

And that's Yo Every. That's why I'm saying, are you all set? Like Every, Everything universal gimme is up in his stuck. Yeah, it's not. Yo, let's amicably see if we could. Let's have a mediator. Let's see if we can recognize that.

[Corey]

No, it's like they passed all that stuff.

[Joe Budden]

They seem they are past enough for you now, which is odd.

[Ish]

No, I don't think so.

[Corey]

Really?

[Ish]

I don't think so.

[Corey]

You don't think that they're tired of the brat?

[Joe Budden]

Just.

[Ish]

I don't. I think that he might. We done had them conversations and you. The line is drawn. Ain't no budget no more. Okay then, nigga, it's up. Do what you gotta do. You know how you talk to somebody like, all right, that's what it is. All right, well, you do what you gotta do then. Yeah.

[Joe Budden]

Oh, no. They call that best and final, highest and best. They Call that best and final. Once that said on the phone, let's all go to our corners, see what we wit, what we ain't. I think he got back that best and final and didn't like it and had enough the same way and got mad. Like we all get mad. And now I'm gonna go and I'm gonna show you 100 gigs and no face. No face. No face. I like that no face.

[Ish]

I said it when it dropped.

[Joe Budden]

If no face would have came out.

[Ish]

With record, with label support, Circadian Rhythm record support.

[Joe Budden]

That no face shit is art.

[Ish]

No faces out of here.

[Joe Budden]

But poor Khaled don't know what to do for on the album. That's the album I'm waiting on. We keep talking about Kendrick, Future Week and all this other. Where is Khaled's album? Dirk is gone.

[Ish]

Everybody going, bro, we gonna see.

[Flip]

Damn, Dirk.

[Joe Budden]

Oh, my Lord.

[Ish]

And you really tight. If you him, if he can't get out the deal. Y'all still holding me, and I don't want to be. And we beefing. What's your thought? Yo, I let you go. You over there feeling like a cage.

[Melissa Ford]

Half a billion dollars.

[Ish]

You over there feeling like a caged bird. We turn it over, turn the contract over for life. Yeah, like you over there, perpetuity. And I think that might be part of his plea, too. I mean, yo, let me go. No, no.

[Joe Budden]

And that's my other line. You frustrated, yo, and again, this. This might be a culture thing or you might have missed this in your travels. At some point, you got to learn. If you learn how to win, you have to learn how to lose. But he have to learn how to lose.

[Ish]

This is. This is.

[Joe Budden]

You have to.

[Ish]

This is on track for him to.

[Joe Budden]

Learn how to win, you have to learn how to lose. Dog even going, look, there's a such thing as. Hold on, let me have you back. There's one people ways. There's a such thing as losing gracefully.

[Ish]

I know.

[Joe Budden]

There's a such thing as after the loss, we go and we do the dab up the line and yada, yada, yada, like. And if you just take the loss and you run back to the locker room, you start throwing shit, you hook off on somebody. Yeah, that's not how you lose. Joe the Great and the championship gods. See, again, again, there's spade gods, there's monopoly gods. If you believe in the universe, there's gods to these things. And if you play bad, you get bad hands. If you lose bad nigga, we won't send A win in your direction. If you believe in that. If you believe in that. I do. You gotta learn how to lose.

[Ish]

I disagree.

[Joe Budden]

This is not how you lose. This is just a really bad way to.

[Ish]

Joe, you missing something. This is what he does. Go back to the Degrassi days.

[Joe Budden]

No, listen, listen, listen.

[Ish]

He was on a Degrassi show.

[Joe Budden]

Shot his ass.

[Ish]

Shot him in a wheelchair in the back. And you know what? He threatened.

[Joe Budden]

He tried to roll away action to.

[Ish]

Get out the wheelchair.

[Corey]

And do you know why?

[Ish]

Because he said, yo, I'm trying to rap. And this is gonna make me look weak and rap if my character on TVs in a wheelchair.

[Corey]

That's crazy that he doesn't think. This makes him look weak, though.

[Ish]

But it worked, though. They came. You know, that's what I'm thinking. So if. When I don't get my way.

[Corey]

It was such a small scale.

[Joe Budden]

Well, that's part of the Karen profile.

[Ish]

Exactly.

[Joe Budden]

It is part of the Karen profile.

[Ish]

So this is who you. You've always been away.

[Joe Budden]

Get my way. Get my way.

[Ish]

This ain't new.

[Joe Budden]

Yeah, but I mean, it works.

[Ish]

That's why I'm looking at y'all like y'all worked. Why?

[Joe Budden]

What did I say?

[Ish]

I ain't never lost. So this is my. This is my go to. I don't have to know how to lose. Michael Jordan is a sore loser. Kobe Bryant is a sore loser. Every that's a great. Is a sore loser. Them don't lose gracefully. And they look at you like you crazy. If you lose gracefully. How dare you come back to this locker room and not be pouting.

[Joe Budden]

I. Oh, I disagree with Michael and Kobe not losing gracefully. I totally disagree with that.

[Melissa Ford]

In the public eye.

[Corey]

No, I feel like Kobe was very vocal about.

[Ish]

Kobe was in the gym that night, both of them. Michael Jordan was punching in their face in the locker room, bro. It wasn't. No losing gracefully for the. That are great. They don't lose gracefully.

[Flip]

Joe competitor, Joe competitor in the public eye.

[Melissa Ford]

I think they lost more gracefully than what we know.

[Ish]

Really?

[Joe Budden]

No. Competitor me to death. Because you naming real competitors and the loss adds to what makes them great with what they do with it.

[Ish]

No, I agree with that.

[Joe Budden]

That's all I'm saying.

[Ish]

No, I'm agreeing with that piece of that. Mike got his angels gracefully.

[Joe Budden]

Nick Anderson took the ball, kicked Michael Jordan in the back of his ass, went scored a layup, sent him home. No, he didn't do all of that, Nick. They sent him home. They sent him on his way when he Came back in his. In his return season. Hey, get the out of here. You rusty.

[Ish]

That's what they did.

[Joe Budden]

And he came back. And wasn't that the. That was the. The second of the three.

[Melissa Ford]

Second three.

[Joe Budden]

The first. The second three. You got. You got to take that. You lost. They came back and whipped the magic ass. Yep, they beat the magic ass.

[Ish]

That's what Mike say. I took it personal.

[Joe Budden]

I'm taking Dennis Scott. Come on the court.

[Ish]

Dog. When the Lakers lost to Boston, Kobe said, yo, he was up, bro. Like, he was up. Like, yo, I could have lost to anybody. But them I was up to.

[Joe Budden]

Y'all Gunna Point. Listen, LeBron walking out of Boston Garden in Cleveland that last game. We was wanting to see the resurgence story from one of the greats.

[Ish]

We want to see the comeback.

[Joe Budden]

We saw the l got it. Everybody had a slice for a year. Niggas got paid. They talk shit. They put smut on your name. That comes with being great. We wanted to see the comeback, store the comeback. Oh, my God, I'm sad.

[Ish]

The lnc. And now I'm on your side a little bit with that because the l ain't over, nigga. The super bowl, the biggest stage in the country is coming up, and y'all still about to play this shit. This his summer. This his summer when we lost. Now I gotta go home. I gotta be in the gym. From fucking when the playoffs.

[Joe Budden]

You're gonna be in Australia.

[Ish]

Looks May the season start back in November. Kendrick then kick my ass this summer. He gonna kick my ass this winter. And I'm back in the gym. And I think that nigga got some shit in the gym. Sure, I think. I think so.

[Joe Budden]

Yeah. But will he pay for it?

[Ish]

What you mean, pay?

[Corey]

Pay for this.

[Joe Budden]

Will he pay if he situation, if he has something that he feels confident in and has faith in, will he dig in his own pocket, hire his own independent team to work and support this stuff? It's no longer.

[Ish]

I don't know that.

[Joe Budden]

It's no longer just show how to work. So you niggas that like to just.

[Ish]

Show up to work.

[Joe Budden]

I know I got it. Prospect, we coming. Hey. To just show up to work. Days are over.

[Ish]

Yeah, you talking. I don't know. I don't know how that stuff works, like the music business and all that. Is he allowed to do that with being signed to Universal?

[Melissa Ford]

Probably not.

[Ish]

Probably can't do it. You get what I'm saying? Like, is he allowed to do that?

[Melissa Ford]

So you got to do some fucking backdoor shit and figure some Shit out.

[Ish]

But that they keep. But I did it. My back door. I did back door shit uploaded 100 gigs. Come on my drop over here on Instagram. A little credit, my nigga. If I'm trying to come back from and take my L back or try.

[Corey]

I mean, how does this end?

[Joe Budden]

This ends with humbling part. I'm sorry, Mel. The humbling part is recognizing when you.

[Ish]

Up against a different opponent or when you need someone. Yeah.

[Joe Budden]

And the other like, guess what? I could go. I'm not to keep using me because again, above my pay grade. But I could go and do XYZ on my own and we pull out the calculator and see how much it'll cost me. And I could do it. Or I could get with a partner who we kind of believe in each other's capabilities and they can help to offset some of this load that's on my back.

[Ish]

The problem in his case is, like y'all said, if he try to do some other get with a partner, some backdoor. The times have changed. Now everything is online. So with the push of a button, Universal could strike whatever you do. That's hard. But there's also the real world change now.

[Melissa Ford]

You could do different.

[Joe Budden]

You were change.

[Ish]

You can. But. But hindsight. I'm talking about right now. Right now universe. How do you. How does he. How do we. If I want to put out somebody.

[Melissa Ford]

He can give away free bootlegs on all his tours that he's been constantly going on for the past three. You could do a bunch of sneaky fly. That would actually look cool. Y'all got this 101 CD. It's on a CDR or a flash drive or something. You could do some backdoor. We're all just so addicted to this. I know, but there is other ways.

[Ish]

You gotta be on tour with another. You got me on tour with another slave.

[Melissa Ford]

But you could be doing your own shit to build your own up.

[Ish]

Not even trying to be funny today. You give a cd, what are you going to play it on?

[Melissa Ford]

If it's a Drake cd, maybe not cd, a flash drive, whatever the fuck it is. A little card with a fucking QR link. I don't care what it is.

[Joe Budden]

Yeah, Paul dog, you could humble yourself if you are in a contractual situation that you tried to get out of and cannot the same way he humbled himself when they took that petition down. And it says the day before on the deadline he went, he called UMG and Spotify to say, I'm taking this down. Do you guys agree that's a humbling thing. That is a change in position. You could go to your business partner, humble and find something to say that says for the duration of this contract. I'm gonna. We can. We're gonna meet in the middle. I'm gonna give you whatever you need. Whatever they fighting about, he has to come up off of some of that just to end this. Because if he don't, they are gonna end him. I'm not saying it's right. I'm not saying none of it is right. But recognize who you in the ring with.

[Ish]

True. Now when they say, all right, cool, we gonna play nice. You signed this three album deal.

[Joe Budden]

Yeah. No, no, no, no, no. What I'm saying is not for a new signature. I'm under the premise of.

[Ish]

No, I'm saying, but for us to play nice. We wanna keep you here. We don't wanna let you. We're not letting you fulfill your. Sign five more albums, my nigga, you gotta sign four more albums for us.

[Joe Budden]

To even come to the motherfucking contracts mean things. So, okay, granted. If the label wants to say, hey, you don't want to sign our new contract, we not keeping you hot or making you hot going into it or.

[Ish]

Letting you get yourself hot.

[Joe Budden]

Okay, cool.

[Ish]

So letting you complete it.

[Joe Budden]

No, see, that's weird. That's weird, bro. It got a deadline. If you don't got a deadline, if.

[Ish]

You owe me two albums, if you owe me two albums left on the contract. And I say, well, we not dropping. You could have 15 albums done. We're not letting you drop the two albums to complete the contract. So I heard that's possible, bro. I know an artist personally that this happened to. He had one album left on the deal with Def Jam. The album done. He ain't Drake had the next album ready to go. And they were like, yo, dogs, no, we not dropping this unless you sign us with a two album.

[Joe Budden]

Okay, so I'm playing along with your premise.

[Ish]

So somebody tell me that's.

[Joe Budden]

I want to go with him. No, that can happen, right? Like E1 ain't want to give me no money when it was my last album. They ain't wanted to pay for a single pay per view. Nobody labels do that shit. So I got that. And if that's happening, then I would say that the fight is not or not solely harassment and defamation. Cause you're spending money on a fight. That's a fight. If, hey, I have been prepared to get out of this contract. I have these albums. They are not counting them. That would Be listed in part of my fight is what I'm saying. You should fight that. I agree with you. If that was the case and you have all them. You fighting already. See, once. You fighting already. Let's fight.

[Ish]

Let's get the real fight out of it.

[Joe Budden]

You have soiled the relationship. I don't really see. Let me not say never. Let me not say never. I don't see a return, but there could be a small beacon of hope or some loophole or a slither of light that's coming from somewhere. But this relationship currently, as it stands, is all the way. All the way down the toilet.

[Flip]

Can I say something?

[Joe Budden]

So get all your fights out the way. If they're stopping you from completing your album, which we've heard rumors about, stopping him from completing his contract, then do something about that.

[Ish]

I agree. I think this, again, it's just a desperation thing about the Super Bowl.

[Joe Budden]

What up?

[Flip]

In closing for me, I feel we know somebody that's personal, that personally, that completed all their obligations, but would not be let out of a deal that lasted for a long time. And I want to be careful what I say. And because the street codes and principles, they would not take. They would not or will not sue or take it to court. And that's where I'm conflicted at.

[Joe Budden]

Right.

[Flip]

I do want to live by the street, but I know somebody personally in a deal that is complaining and calling, and the nigga just won't let him out. No matter how many years pass. He just won't let. No, I'm not budging. Even one of the partners said, budge. No, I'm not budging. Like, these things happen, especially when you come privy to more information. So artists, every day, we're in an era of learning different things. Re reading things and saying that, okay, I was at this point in my life when I signed this and I made you guys this amount of money, and then now I feel like I want to be treated fairly or I want to be out this. And there are some people that stand strong. No, we're not. I'm not letting you out that. No, I know somebody right now, and I just have to respect the game. But it just clicked in my head that this is happening every day, all day.

[Ish]

See my take on that, and it's my upbringing a little different. Is the streets and business ain't the same thing. So you're saying you're trying.

[Flip]

We have put.

[Ish]

But you said they came into it here. That artist that you speaking about, are they still in the streets?

[Flip]

No, no.

[Ish]

But you're trying to adhere to street rules. Well, meaning y'all talking business.

[Flip]

Meaning that I want to get out of this, but I'm not going to sue you guys, because I will make me.

[Joe Budden]

Will make me.

[Flip]

Look, that's what I'm talking about.

[Joe Budden]

For me, just to make my point clear, I'm not mad at Drake or any artist in the world beefing with a label, fighting with a label, or suing a label for Drake. I'm mad at what he is fighting with this label about. I'm mad at how he's going about it, and I'm mad at what it stems from.

[Flip]

Got it. I'm with you, Joe.

[Joe Budden]

That's it.

[Flip]

All right.

[Joe Budden]

That's it.

[Ish]

Same.

[Joe Budden]

If he's fine with all of the criticism that is gonna come from the move, then who the fuck is anybody else to say, hey, dawg, you a bitch, you corny. What would you do?

[Ish]

Especially if he gets his desired outcome, whatever that is.

[Joe Budden]

And I ain't pretending to know. I ain't pretending to know. He could want to get away from them. He could want to get more money from. From them. He could want to. I don't. I don't know.

[Ish]

He could just want to block this.

[Joe Budden]

From the super bowl, or he could just.

[Ish]

It could just be that.

[Joe Budden]

It could just be that. It could just be that. And the only way to do that is legally. I don't know. We'll see. I was. I was hoping that Drake Kendrick stuff wouldn't permeate my 20, 25, so I didn't want to talk about this. I didn't. The fans would have had my ass if I'd have came in here and said, nope, I don't give a fuck.

[Melissa Ford]

Yeah.

[Joe Budden]

I thought about it, and I ain't. I don't want them kicking my back in.

[Ish]

I think our conversation was good.

[Melissa Ford]

It was great.

[Joe Budden]

I loved our conversation. I'm just. I just. I'm having real, Real life affairs. I'm sad. I'm sad for real. I feel like when I cry at the Deadliest Soul. Anybody don't love this. I love this. I can't believe that we are here right now. Hey, guy, I'll be 45. Anyway, I guess that's the age when.

[Ish]

You bring money into that dog. All of the passion and like that starts to get questioned. Because money is the. The most important motivator in all of this. When you start, when you label it business, at that point, the nature of business is to turn a profit, and so it becomes fucked up.

[Joe Budden]

All right, well, Listen, man, it's time for my favorite part of the show and what a great time it comes at price picks. All right, it's playoff time, which means it's now or never. That also means please don't forget to use promo code jbp. Please don't forget that. Also, don't miss out on the best place to win real live cash money. Cash money record. Real live cash money while you are watching the playoffs and you can now win up to 1000 times your money only on prize picks. Who's playing this weekend?

[Melissa Ford]

Bills. Ravens.

[Joe Budden]

Oh, give me Josh Allen for everything. Give me Josh Allen and Lamar. Lamar Odom and Lamar Jackson for everything.

[Melissa Ford]

It's gonna be a shootout for sure.

[Ish]

It is.

[Joe Budden]

They're going Eagles.

[Melissa Ford]

Rams.

[Joe Budden]

I'm going Josh Allen for more than he got. He got to throw it. They ain't gonna get this one of them games. They're gonna ISO James Cook. Move. Hey, move. James Cook. Give me Josh Allen for more than 300 yards. Yep. Give me Lamar Jackson. Oh, Buffalo's run game is weak. I mean, no, not their run game, their run defense. I'm sorry.

[Melissa Ford]

Oh, okay.

[Joe Budden]

Their run defense is weak. Any fantasy running back that was playing against the Bills. Oh, man. Last time they played, Kaiser had Derrick Henry. First play of the game, 89 yards. Give me Derrick Henry for more than 80 rush yards. Easy, easy. Who else y'all said is playing?

[Melissa Ford]

Chiefs. Texans.

[Ish]

Jesus.

[Joe Budden]

For the Texans to be competitive, Nico Collins will have to do something.

[Ish]

He got you.

[Joe Budden]

Give me Nico Collins for more than 70 receiving yards. The Chiefs are playing. Yeah.

[Flip]

Jesus.

[Joe Budden]

Yeah. Give me Pat Mahomes. Yeah. Yeah. You don't say give me Pat. Give me Pat Mahomes. Does Kelsey show up?

[Melissa Ford]

Yeah, yeah, yeah. That Texans defense is good.

[Joe Budden]

Give me Padmas for more than. Yeah, but he gonna have to talk stars, bro. Give me Pat Mole for more than 250 pass yards.

[Melissa Ford]

I'll tell you the game where the the real points are going to be scored. Is that Commander's Lions game.

[Ish]

Yeah, they will.

[Joe Budden]

Oh, give me Terry McLaughlin. Give me Terry McLaurin for more than 80 receiving yards. I might do six picks. And give me Jaden Daniels just because he ain't failed me all year. Give me Jaden Daniels. I'll take him for more than 60.

[Melissa Ford]

And I'm taking both of the running backs from Detroit because the Commanders don't have the greatest of run defenses either.

[Ish]

Whatchamacauliffe is back.

[Joe Budden]

Who's the second running back?

[Melissa Ford]

Oh, yeah. He might not be back.

[Ish]

He's hurt.

[Joe Budden]

He's outta here.

[Ish]

He's hurt.

[Melissa Ford]

Yeah, you're right.

[Ish]

He's hurt.

[Joe Budden]

Give me Gibbs. Jameson Williams might break away for a long one. Yo, this is Get Money weekend. I ain't gonna lie to you. Bottom line, this is Get Money weekend. Please use promo code JBP if you download the app.

[Melissa Ford]

Tanner says he's back.

[Joe Budden]

Huh?

[Melissa Ford]

Tanner's alliance fan. He says he's back. Yeah.

[Joe Budden]

All right. Well, hey, hey. Millions of listeners, take Tanner's word. I know you don't know him, but Tanner says he's back. That's what it is. If you download the app today and use promo code jbp, you get fifty dollars instantly after you play your first five dollar lineup. I repeat, please download the app today and you will receive $50 instantly after you play your first $5 lineup. And don't forget to use promo code JBP. So good luck to all participants out there and run your game. All right, Flip.

[Flip]

Yes, sir.

[Joe Budden]

What were we talking about? We were talking about why somebody wouldn't let somebody else out of a recording contract or whatever production company contract or any contract you have. If you are fly with them and have been with them for 20 years.

[Flip]

After so many years, after coming up together with them. And if they call you about like 25 or 30 years later after reviewing their contract and saying, yo, after 30 years.

[Joe Budden]

You reviewed your contract after 30 years?

[Flip]

No, I'm just saying, like, well, just trying to find loopholes and asking to get out of it. I feel like you should accommodate them.

[Joe Budden]

Based on what?

[Flip]

Time. Loyalty, friendship.

[Ish]

You listing all things that don't work in business.

[Flip]

Yeah, but when we sign, when I sign off first, that's what you're presenting to me. You're presenting those options. Loyalty, friendship, time.

[Ish]

I'm presenting a business contract.

[Joe Budden]

They put data on the hook.

[Flip]

When you go fishing, dividend is up, right? Then. Then you.

[Joe Budden]

We gotta get. We gotta get the fish out of the water.

[Flip]

Smoking mirrors a lot, Joe. It's a lot of smoking.

[Joe Budden]

That's the music business.

[Flip]

And use love.

[Ish]

And.

[Flip]

And this is. And this is why. This is why the new age, the new age content creators or new age artists is winning. Because there's no more morals and principles. And even if you try to implement them, negate them, they forget about it. I forget about all that. If I was going through something, if I was signing you for a long time, I would want to call you years later. If something could happen for me. If I can't, if I can make another move, I would want to call yo, Joe. Listen, it's been a long time, bro.

[Joe Budden]

So I'm gonna let you do me a favor.

[Flip]

Can you let me go?

[Joe Budden]

I'm gonna let you go and watch you make another move.

[Ish]

Let me ask you.

[Flip]

Why wouldn't you?

[Ish]

Let me ask you a question.

[Flip]

You're making the move yourself.

[Joe Budden]

Why would I do that?

[Ish]

Flip. Flip.

[Flip]

Yes.

[Ish]

So I let you out of the contract.

[Flip]

Yes. So I can go feed my family.

[Ish]

So you can go feed your family?

[Flip]

Yes.

[Ish]

And I'm taking money out of my family's mouth.

[Flip]

Yes. Because you made all the money already.

[Joe Budden]

I went to Web six, seven years later when I didn't have a pot.

[Flip]

He told me, you did that.

[Joe Budden]

Everything was out the window. I didn't see how anybody could even view me as profitable. And I'm like, yo, dog, it's over. Yo, let me out. He's like, why would I do that? I put this amount of money in you. I was. I bought the studio equipment, I was picking the record. I fought with the DJs, I ran around radio stations. I did all of this shit for years, and I ain't really making no money back, so why would I let you out? I was like, well, I guess you wouldn't.

[Flip]

Yeah, but that doesn't make it right. I mean, Webb told me that on the phone, and he said, I'm proud of you. You found another way, and you found a way to make it happen.

[Joe Budden]

I did the same thing that I just said. The blueprint was laid out before us. The people that. What I see make it happen, they did it outside of music.

[Flip]

But what if. Okay, so then. Then what you're saying, I would have stayed in music?

[Joe Budden]

I owe who I owe. I hold some now, musically, I probably owe some Slaughterhouse albums.

[Ish]

I probably.

[Joe Budden]

Oh, Empire album. Did my publishing deal. Oh, it's finished now. Salute. Salute. But 20 years in the pub deal, I got. I've got people that was fly that I met up there, shout out to Jessica Rivera, all the people that was working in that building. Hey, y'all have made all the money. At least give me some money. Or let's just end this so I could go really feed my family.

[Flip]

No, you know what? Bothers me a little bit? I get it. But it seems like somebody who was so headstrong, once you got in position, you end up conforming to the same rules that was implemented that we were against.

[Joe Budden]

Now I'm one of the only ones that don't conform. I say that all the time.

[Flip]

What I mean by conforming? Yes, you do.

[Joe Budden]

An example Is me. I don't sign off my rights. I don't sign off my likeness. I don't just willingly relinquish.

[Flip]

I'm not talking about that, Joe. That's what I'm probably saying the wrong thing. What I mean, conform is that you're now speaking from the other side of the table. That's what I meant. I mean conform. You're speaking from the other side of the table, which is like, why would I let you out? But when you were the artist, when you were going through that, you would hope that a web and nitty would say, yo, all right, because I love you, because we. Because we gave you these promises, I'm gonna let you out.

[Joe Budden]

You can hope that you keep kind of making that point you did a little bit earlier. I'm continue to highlight the difference is if you are complicit in the system, then that's on you.

[Flip]

Okay. Yeah.

[Joe Budden]

I, from year three or four, was trying to find a way out of this shit to never return because.

[Ish]

Because it wasn't acting in your favor.

[Joe Budden]

I was unhappy. I know I wasn't happy. I was happy. It's not what I wanted to do. I wanted to bet on me at all times.

[Ish]

I understand.

[Joe Budden]

If I had an album, I wanted to be able to just drop my album. I didn't want nobody telling me, hey, you, you can't do this, you can't do that. We control your. I didn't want that. Some people want that. What I've learned, and I've said this before in this podcast, is most of people that I'm preaching, preaching to the good fight of independence. Independence and a union and unity and the power in numbers. They want to be in the situations that they in.

[Ish]

They don't want that safety. It's a comfortability. It's more risk involved, bro. It's a safety and comfortability in getting a check every week.

[Joe Budden]

It is.

[Ish]

Facts can say whatever the they want.

[Joe Budden]

Get up out the comfy living room and go make it happen. So I'm not going to try to convince you. And I know that when I do try to convince you, if you hot enough, somebody is on the other side offering you way more than something that is undeniable for you to feed your family. We come from poverty, so I could be telling you, hey, from experience, hey, do it yourself. Do it yourself. Do it yourself. Get it out. Get out the mud. If somebody else come and say, yo, here go a million dollars right now. Here go 2 million. Here go 5, 10 million dollars. Yo, I'm not gonna be mad at nobody for making the best decision for them. But I also understand how the game is played now that I was a part of it, fell victim to it, fought my way out of it, and now watch from afar.

[Flip]

What if you're in a production deal, right? And then every deal you try to go get. What if you're in a production deal and then I guess I'm saying it right, and if you try to go get a new deal, the people that have you in a deal from a long time ago is still eating off of you and eating a big chunk. No.

[Ish]

Bam. I invested in you. You wouldn't be able to get that production deal.

[Flip]

You invested in me years ago and you made that money back and you made more than that.

[Joe Budden]

That's not what a production deal.

[Flip]

I'm saying. Am I saying the wrong thing?

[Joe Budden]

No, no, no, no. I'm saying if you're in a production deal, then that's what you are agreeing to. You're naming a production deal is. You're gonna. We are gonna be. We're. We're gonna build you and carry along with whatever deal you go get popping. Cause we're the production deal. We're not a label. If you signed to a label, you can't go sign on another label.

[Ish]

True.

[Joe Budden]

We're the production company. We're gonna develop you, build you up, make you a star for the label and for the brands to come with me.

[Flip]

What if you no longer have a hand in making me a star? What if you no longer have a hand?

[Joe Budden]

There's no such thing as that when I made you the star.

[Flip]

Joke. Okay, Joe, you understand what I'm saying?

[Joe Budden]

But yeah, I'm responding to you.

[Flip]

Yeah, you're right.

[Joe Budden]

I made you the star.

[Ish]

I'm agreeing with you, but I get the other side.

[Flip]

I get it too.

[Ish]

Yo, there's. Listen to this, right? Let's just say hypothetically. Hypothetically, yeah. If Jay Z signed Rihanna to a 360, you can't become Rihanna that owns Fenty, which is a billion dollar brand.

[Flip]

Yes.

[Ish]

If I never had umbrella. You understand what I'm saying? So indirectly, that person is still responsible for some of all of your ongoing successes. Because if I never put you in front of the spotlight before, then you never become this. I don't. I get it. I'm not saying.

[Flip]

But everybody suffers, right? So I'm no longer gonna make music or get the deal so you can eat.

[Ish]

Like everybody suffers except the person that put their money out their pocket the first time to make You a star. I'm gonna keep recouping some money because if it was not, not for my money, you wouldn't have what you got today.

[Joe Budden]

And I don't think everybody suffers. I think you the only one.

[Ish]

Yeah. You might be the person that suffer.

[Joe Budden]

You're gonna be the only one that's gonna suffer.

[Ish]

Yeah.

[Joe Budden]

A manager can manage his whole life. Yeah. An artist can't artist his whole life. A production company can go find anybody and do this same thing again. Unless you're outlier like a hobo or, you know, the one of ones. Drake is a one of one. But other than that, the game. The game is the game.

[Flip]

Do you feel like when an artist decides that they no longer want to be attached to the production company?

[Joe Budden]

Right.

[Flip]

Do you feel like that's a mistake or you should just always just go along?

[Joe Budden]

Circumstantial.

[Flip]

Circumstantial.

[Joe Budden]

Got it. I think it's circumstantial. I think that there's some marriages that seem to work. Right. Like, there's a lot of production companies that act as a TDE for whatever the artist is. And this is silent. And they. They do it. They work. And you kind of want that. You re. You recognize the benefit of the relationship. There's some. Where. There's a lot of production companies that don't do shit. So. But. But we. We have the contract. Do you.

[Flip]

Do you think that's predatory? Do you think it's predatory, Joe?

[Joe Budden]

Like the music business is predatory?

[Ish]

I don't think those contracts are predatory because again, you don't. You didn't get to that next step without this company taking you in there. Like, I look at Trapdoor in it. I don't think that. Because you helped me when I was 20.

[Flip]

Exactly.

[Ish]

When I'm 40.

[Flip]

Thank you.

[Ish]

I don't think that's what I'm saying. I think it's nuance, and I get it. If I put my money out my pocket, I put you on a diet, I put you with the nutritionist, I paid them, I put you with the stylist, I got your XYZ done. You were not that. When I walked. When you walked in my office, you had a voice. When you walked in my office, I made you a brand. I'm supposed to reap the benefits of my hard work. I still don't think, though, that I should be owning you for the next 20 or 30 years.

[Melissa Ford]

What if it's a fair deal?

[Ish]

Hold on. Let me ask you a question.

[Joe Budden]

Well, if it's fair, then it's fair.

[Ish]

Because I don't think other people.

[Flip]

But what makes it a fair deal?

[Melissa Ford]

Like a low percentage or something like that? What if they just get a small cut of everything after they're out of. Out of the equation?

[Ish]

Yeah, I'm getting a piece every night.

[Melissa Ford]

Just get a little piece.

[Ish]

I was gonna ask y'all, do you. You think that Jazz Prince should be getting money off of Drake today? He was the one who discovered Drake. He was the one who called Wayne and said, yo, I got this right here. This nigga's ill. I'mma bring him in. You need to holler at him. You need to hear this. Yes. And that was what, 05 or something?

[Joe Budden]

I doubt the jazz, man.

[Ish]

I do think so. And I think that. I think that's the. You say no. Wait, wait, let him answer. You say no. Really?

[Flip]

I did Sounds faster, right? I think I made you enough money, man. I can get them to go do it my own.

[Corey]

Do you think that every deal should have an expiration date?

[Flip]

I do.

[Joe Budden]

Yeah, I do.

[Ish]

That's. I was about to say I do.

[Flip]

Because unless it's understood from the beginning, a lot of times when we're making this deal, make these dealings, I don't.

[Corey]

Know if anybody actually makes the deal. And that's just the whole perpetuity thing, like, up front. That's usually the finest of.

[Flip]

No, I understand, but I just feel.

[Ish]

The lawyers of Lawyers.

[Joe Budden]

You go get with your lawyers. Yeah, I agree that this business, this is predatory. And what I mean by this is we target, they target now. They target the younger acts. And there's ageism in this shit. So. Yes, but you have to go pay your attorney. You have to go pay your business accountant, your business manager, your road manager, your production company. Sometimes niggas try to keep the money from the production company. Lord knows I did. Sometimes you got to pay the people. What you'll learn is an art. And most artists don't want to pay nobody. Most artists think they should get 100%. All of this is because of me, and that's it. But if you are artist trying to make it, let's say you got away from the production company.

[Flip]

Yes.

[Joe Budden]

In your next phase, you have to pay for services still. That money that the production company was taking for their service. If you don't pay Ace 4 services, you ain't getting them.

[Ish]

True.

[Joe Budden]

You're not just taking this money and putting it in your pocket.

[Ish]

That's true. It's like in my. In my field, property manager. Yo, dog, when somebody's managing your Property, you might be giving them a commission. It's months that they don't do shit. But then there's months when it might be three feet of snow outside and they get the snow going and you ain't have to get out your bed. It's times where the grass be up here and the nigga cuts the grass and you don't get out of bed. It's a service that you paying for. You know what I'm saying? So you getting optimum rent because they are doing a service for you, y'all. I get it.

[Joe Budden]

Y'all artists out there to who this applies to all them times that you pick up your phone to express either a grievance, an idea, a thought, an action that needs to be executed. Those ain't just phone calls.

[Ish]

When you pick up the phone to call your lawyer. I hate them invoices. Them charge you in 15 minute increments, 20 minutes lawyer.

[Joe Budden]

When. When Lizzo or somebody. When somebody pick up the phone with a problem with a Uber eats order and want to get in touch with the owner of UberEats. Hey, I'm gonna send a tweet, but contact UberEats and let them know. Contact Delta Airline Airlines, yo. Let them know that the airport treated me unfairly. You calling in somebody with the pull to do this and get. Anytime an artist wants somebody to get something done, it is a service.

[Ish]

Good point.

[Joe Budden]

Pay for it.

[Flip]

Got it.

[Joe Budden]

And that's how I feel.

[Ish]

That's true.

[Joe Budden]

That's how I feel.

[Ish]

I still think it should be a terminating point on a bunch of these contracts.

[Joe Budden]

You got to work your way out of it. Like, I agree with both of y'all on the Jazz Prince point. Yes. I think Jazz Prince should still be compensated. He should be compensated the whole ride.

[Ish]

Or you buy your way out.

[Joe Budden]

Yes, true. And it's been enough years to where? Listen, Drake has successfully, for all we know, handled the Jazz Prince.

[Flip]

Young money.

[Joe Budden]

Young money. Cash money.

[Flip]

Oh, that one, too.

[Joe Budden]

Whomever his ovo with these people. And Universal is the final boss. Universal is the chess master now. But he had successfully done these things. This one. This one will be a bit more difficult. I wish him all the luck in the world. I'll save the audience from. From personal jabs at the band. Like all of that. You a. And you like. Y'all know where I'm from. You know what I think? I spent all all last year telling y'all what I think about some of the behavior. This is sad to me. This is sad to me. I want to play Outstanding or something.

[Flip]

Prayers to all parties involved. Right?

[Ish]

Yeah. That's it, man.

[Melissa Ford]

Thoughts and prayers.

[Flip]

Yeah. Thoughts and prayers.

[Joe Budden]

Yeah, man.

[Flip]

You gotta read them contracts.

[Joe Budden]

Freeze that. That's.

[Melissa Ford]

This could be Drake's house.

[Ish]

Danny.

[Parks]

But that's just a result of me paying attention to all these women that think like men with the same intentions. Talking strippers and models to try to gain attention. Even a couple porn stars that I'm ashamed to mention. But we see a son of my only role models. Half of Jordan. My only role models. That's why I walk around with all this gold on. And every time I run into.

[Joe Budden]

We get back to it. We get back to it. I promise.

[Flip]

Shout out to those just now joining us.

[Parks]

Just they try and point out to me. But it's whatever. If somebody won't make it a day. I'm more concerned with thinking about Christmas in August. Do anything if I kiss for they daughters. Get some shake a brick and a press chefing like Mrs. Fields. They making a cookie stretch.

[Joe Budden]

Yo, you lying if you say gonna miss this guy. I don't give a. I know y'all new fans out there is trying to act like all the latest slaps is the same slaps. You are lying to me if you're telling me you're not gonna miss this guy.

[Ish]

Miss him.

[Melissa Ford]

Already been missing him. What we talking about?

[Joe Budden]

Same. That's what I thought on that last. He put out when he. When he was like, I got a body double. I was like, that's what the. I've been saying. That is not me. Yes. No. Go get you. Oh, my Lord, man.

[Melissa Ford]

Go get you. It's crazy.

[Joe Budden]

What else we got that is important, unimportant. Is there anything else in music y'all want to talk about? All the assaults.

[Melissa Ford]

The OGs is OG.

[Ish]

And boy, which one you want to.

[Melissa Ford]

Start restoring the feeling for real?

[Ish]

Play around these.

[Joe Budden]

I don't like that.

[Melissa Ford]

I don't either. I'm just joking.

[Joe Budden]

I like Method Mans. I don't like Busta Rhymes. No, his.

[Flip]

Yeah.

[Melissa Ford]

The situation.

[Joe Budden]

Yeah. I love him. I don't like what he did. What Meth did. I get it. Yeah. Caught his daughter's ex, allegedly at Crunch Fitness. Yeah.

[Flip]

Crunch Fitness. And punched him in the face.

[Joe Budden]

And I think that even. That's very Method man being at Crunch Fitness.

[Ish]

Is that who I think? I ain't in life. I ain't in lifetime.

[Joe Budden]

Yeah.

[Melissa Ford]

Yeah.

[Ish]

I'm from the bottom. I'm in crunch. $29.99.

[Corey]

Was there a reason given as to why he punched him in the face.

[Flip]

It's just his daughter's ex and he.

[Joe Budden]

Sometimes there ain't no reason. You don't need to give a reason.

[Ish]

We ain't talking about it.

[Joe Budden]

Okay?

[Ish]

Sometimes I tell the media why Mary Fismet, you up. Sometimes I read enough and just seeing that it's his daughter's ex from over a decade ago and she's 28.

[Joe Budden]

That's it?

[Ish]

Yeah, that was enough for me.

[Joe Budden]

That's it. Sometimes the punishment. Tell you what the crime was, Method man catching you in Crunch Fitness and punching you nine times upside your head. Seven times.

[Ish]

That's what they reported, you know, Gave him two more.

[Joe Budden]

Yeah, yeah, Come on, come on.

[Ish]

Nah, he five percenter. He only gave him seven.

[Joe Budden]

You know what I mean? You take this seven. You a told him today's math. Yeah, that was all I needed to say.

[Ish]

Yep, I'm with him.

[Joe Budden]

Dad's being a dad.

[Ish]

That's right, girl. Dads.

[Joe Budden]

Amen.

[Flip]

Whooped his ass.

[Joe Budden]

Yeah. So shout out to Method Man. I have no problem with catching somebody in Crunch Fitness and putting the beats on it.

[Melissa Ford]

Yeah.

[Joe Budden]

Bust the rhymes. However, beating his. You can't beat up your 50 year old assistant. Yeah. Is not quite the same to me.

[Melissa Ford]

I didn't realize Your sister was 50.

[Joe Budden]

He was 50 years old.

[Melissa Ford]

Oh, yeah.

[Ish]

Bust on. I'm about to say, hold on, what's the 50?

[Flip]

Somebody said he was on the phone at work.

[Ish]

I ain't mad at 250 year olds.

[Joe Budden]

Getting, getting shaken, but two 50 year olds didn't care it shaking. One 50 year old assaulted somebody and they ran down the street.

[Ish]

Why they want to shake back just then?

[Joe Budden]

That's not two people getting shaken.

[Ish]

I agree with you. I'm just saying there.

[Joe Budden]

Hey, yo, you got to keep your eye on the 50 plus year olds that get it shaken. Like there's 50 year olds that be like, yo, I'm 50, I'm 50 now.

[Ish]

Nah, a lot of these 50 year old niggas that, that came from hit.

[Flip]

You with the dead on.

[Ish]

That came from the time when you had to put your hands up. They, they come from that.

[Joe Budden]

Which means if for me, if you violate them, you will, you will learn. You will know I'm talking about the 50 plus year. Exactly. You will know I'm talking about the 50 plus year olds that are initiating violence out there. And I'm not saying that that's Busta Rhymes. The assistant would say it's Busta Rhymes.

[Ish]

But you might have caught that assistant doing some.

[Joe Budden]

The assistant didn't make pta. Another case of bad PTA or scenario or what's it gonna be?

[Ish]

Put your hands where my eyes can see.

[Melissa Ford]

Yeah, yeah.

[Joe Budden]

Now he did. He put him. He did. So hopefully the assistant is. Well, that's funny. Hopefully all parties are well, except for the. The ex boyfriend.

[Melissa Ford]

Yeah.

[Joe Budden]

Yeah. I'm not with that. I'm not with that. That's my take.

[Ish]

Yeah. Salute.

[Joe Budden]

That's my take on that.

[Melissa Ford]

Salute.

[Ish]

I wonder if Split Star was there kicking in there.

[Joe Budden]

I don't think Split Star was there kicking.

[Ish]

Yo, y'all hear? The Supreme Court upheld it. The Tick Tock ban is officially going into effect Sunday.

[Joe Budden]

Unless it's old. I've heard varying.

[Melissa Ford]

Yeah, I heard that varying story. They're not doing nothing and Trump is gonna try to save it. I don't know what the going on. I know my wife found some other. There's some new.

[Ish]

Afterwards.

[Melissa Ford]

There's a new. No, there's a new app that's like.

[Flip]

Oh, yeah, some other Chinese. Chinese people are mad. They over there crying because the white people came.

[Ish]

Chinese. Chinese.

[Flip]

They came over there and they started trolling.

[Ish]

What happened?

[Joe Budden]

No, it's not that they started trolling. My barber was telling me the Chinese.

[Flip]

People are mad and they're making videos crying because white people have invaded Red Note. That's what's going on.

[Melissa Ford]

But some of them are being like welcoming. Like, come on, Americans.

[Flip]

They're writing in Chinese and they showing pictures of them crying on. On Twitter tight. Like, leave us alone. You came over here with your same.

[Joe Budden]

Shit with red notice, man.

[Flip]

Christopher Columbus be gave you. You can't focus on colonizer tight.

[Ish]

Discover Beijing.

[Flip]

Get your ass. You can't skip.

[Ish]

Put your Nina and your Pinto. Get the out my country.

[Joe Budden]

Joe.

[Ish]

You know they upset.

[Joe Budden]

Joe.

[Flip]

What your papa told you Joe.

[Joe Budden]

He was really excited about that Red Note. He said he likes it a lot. He said a lot of the people that really enjoy Tik Tok are. We're sad to see it go. Found an alternative and they. They enjoy just the same. Yeah.

[Melissa Ford]

Rem said all her little people that do the book clubs and all that on Tick Tock. It's a big deal. Apparently. They're all over there. So she's like, I'm good on red. Yeah, they moved it. Right.

[Ish]

So what's the. I thought it was. So the Red Note is owned by Chinese people as well?

[Melissa Ford]

I believe so. Yeah.

[Joe Budden]

Yeah. It's not English.

[Ish]

No. I'm just saying. But wasn't the argument. This was a Chinese owned brand. Yes. That posed a security risk.

[Flip]

Correct.

[Ish]

Yeah. So we Just transition to a different Chinese owned brand. Yeah, yeah.

[Joe Budden]

I just finished saying that people will relinquish their rights and want to be there. People volunteer to do these things. I just said that.

[Melissa Ford]

And maybe they don't take as much data or something. I don't know.

[Joe Budden]

Maybe.

[Melissa Ford]

Probably not.

[Flip]

Why the Chinese are mad though. That's the funniest, bro.

[Joe Budden]

They.

[Flip]

They are tightish. Get out, you heathens. Not saying that, but that's what they're saying.

[Joe Budden]

Yeah.

[Flip]

On X. Get out.

[Joe Budden]

My barber thought that he found a friend in me. He was like, yo, man, you use TikTok? No, no, no. Never had it, never downloaded it. I watch the TikTok joints when they make it to other platforms.

[Melissa Ford]

And.

[Joe Budden]

And I got my girl login.

[Melissa Ford]

Just in case. Yeah, yeah.

[Joe Budden]

Which doesn't make for the best time during breakups either.

[Melissa Ford]

I bet not.

[Joe Budden]

Stupid ass me we had broke up. But it was a light breakup. We knew we'd be back together in like five days. But she want attention. So every time we break up, she gotta go put on some video and go out and shake her ass and tits somewhere. And she gonna film it right in the bedroom in front of little stupid mirror. And she gonna post it somewhere so I can see it. But she posted the TikTok link on Twitter. Ah. And I was in bed, miserable and sad. I clicked the TikTok link.

[Ish]

Can't get in, buddy.

[Joe Budden]

Click the TikTok link. Can't get in. They asked me a series of questions. I answer them. I get in. Three minutes later. She sent me a text with the code that is sent her phone. She said, yo, dawg, here go the code in case she's looking for signs. And indeed. I have it. I have it. Thanks. I'm in. I'm in.

[Ish]

Know.

[Joe Budden]

Thanks.

[Flip]

Appreciate you go to clothes you looking for.

[Ish]

That's funny.

[Melissa Ford]

That's hilarious.

[Flip]

That's bad.

[Ish]

No, y'all skipped the major part.

[Melissa Ford]

What was that?

[Ish]

They asked me a series of questions.

[Joe Budden]

No, the prompts.

[Flip]

The prom. Yeah, you got whatever's there.

[Joe Budden]

And then they. Then they let you in. But it send the email.

[Ish]

Oh, I thought it was who was your dog in third grade?

[Joe Budden]

No, no. Oh, that was.

[Melissa Ford]

That's what I thought it was too.

[Flip]

I thought that'll make him a creepy.

[Joe Budden]

Oh, you.

[Flip]

That was the capacha. The cap. The capture. The capture.

[Joe Budden]

Wait, that's what you're talking about? Me? Wow.

[Ish]

You talking to me?

[Melissa Ford]

Bro, you might know where she went to elementary school and what her favorite food is. Like, what?

[Flip]

That's his girl.

[Ish]

They Would have like elementary.

[Joe Budden]

All right, just to clear the record, I don't know nothing about my girl as it doesn't pertain to me. I don't know where she was. You don't know.

[Flip]

You don't know each other's favorite color?

[Joe Budden]

Joe, no, stop. I'm joking right now.

[Ish]

And I was about to say. You still talking to me?

[Flip]

Yeah.

[Melissa Ford]

That sound good.

[Flip]

Her favorite song is Barry White.

[Ish]

Know all the security question answers. You ain't fooling nobody. You didn't hear the story. The got past the second password on the phone. I didn't know they had a possibility.

[Flip]

Who said that?

[Joe Budden]

Oh, back in the day.

[Ish]

Oh, oh, he is unwavering. This takes to another level, bro.

[Joe Budden]

I used to be off. I used to be off and back before they had advanced the tracking systems. And you had to just drive to her job, hide in the car and wait till she get off.

[Flip]

Duck. You gotta duck.

[Joe Budden]

And then she starts speeding. You start speeding. Stupid ass bitch. I got caught at the light, no license. She's zooming up seven dabbing guys.

[Ish]

She's getting away.

[Joe Budden]

Oh, man, I did all that sicko shit. Listen, Joe did that, so hopefully you won't have to go through that.

[Flip]

Sure got something wrong with you.

[Joe Budden]

And we grow, we listen and we don't judge. And we grow.

[Flip]

You still crazy. Like you still bugged out.

[Joe Budden]

No, I'm not.

[Flip]

Joe, stop it.

[Joe Budden]

No, I'm not.

[Flip]

You just met somebody crazier than you. And I love it. I love stuck shot is your match, bro.

[Ish]

You met your match.

[Joe Budden]

Yeah, for 44 year old Joe. Yeah.

[Ish]

She couldn't with 30 year old Joe.

[Flip]

That's not true. She could pop it up on you like that. The way she be popping up, I.

[Joe Budden]

Think she would have had her hands full with 33 year old, 34 year old Joe. But I'm in settle down mode. I'm in.

[Flip]

Yeah, that's what they say now, right, right.

[Ish]

Too much calmer now. I'll give her. I'm gonna give him that. You're gonna gave her a headache.

[Joe Budden]

Yeah, I ain't even trying.

[Ish]

She had more frequent fly miles than anybody in the world. Carmen San Diego type flying around.

[Flip]

We was installers. Hey, yo, look. Shot at age.

[Ish]

I said.

[Flip]

Oh, Joseph. It's funny to me. I love it. I love my beige.

[Joe Budden]

It's funny.

[Ish]

That's funny.

[Joe Budden]

I let her do it for 20 minutes. She ain't put that phone up yet.

[Ish]

Yo, that's crazy.

[Joe Budden]

No, I'm. No, I'm.

[Corey]

I swear I'm looking at this tik Tok band stuff. I swear to God, I'm looking at this Tik Tok, man.

[Flip]

Show these that you.

[Tanner]

There you go.

[Flip]

But you got the up man, where you press up and go to the. The different sections.

[Joe Budden]

Shut up.

[Corey]

Okay.

[Flip]

And out do the swipe up real quick, man.

[Joe Budden]

You want to tell us about your findings?

[Corey]

I mean, it's a lot of nothing.

[Joe Budden]

You didn't put your reading glasses on, like, tell us what. What's happening?

[Ish]

I'm trying to so you.

[Joe Budden]

Since you're reading for 20 minutes, like, what you come up with?

[Corey]

That was why it took me 20 minutes, cuz I don't have my readers in.

[Joe Budden]

What happened? What did. What did they say?

[Corey]

They're just basically saying that the law takes effect.

[Ish]

Off.

[Joe Budden]

She said, man, give me this.

[Corey]

I'm not lying.

[Flip]

I'm not lying.

[Melissa Ford]

You're lying about lying.

[Ish]

Yeah.

[Flip]

She's a legend, son.

[Corey]

Yo, read what's on my phone. No, right now. I'm not going to support what you're saying right now.

[Flip]

So what were you reading and thinking about something else? Because you just said the.

[Joe Budden]

On the surface, she'll be in Vox.

[Ish]

No, but the thing is. Let her read it.

[Flip]

January 19th.

[Ish]

That's a good one, Ice.

[Joe Budden]

Anyways, what else, what else, what else, what else, what else? What else is going on?

[Ish]

Did y'all see did well here Wendy on the Breakfast Club?

[Joe Budden]

Yes, I did.

[Ish]

I didn't hear it. No, but I actually set an alarm because I wanted to hear the whole. I don't ever listen to radio, but I wanted to hear the whole thing.

[Flip]

And how was it, Ice?

[Ish]

She did sound.

[Melissa Ford]

She sounded good. I mean, she sounded distressed and all that, but she sounded good. She sounded, yeah.

[Ish]

Coherent, I guess after listening. I. I mean, I'm not an expert or anything. I don't think she needs that. Guardianship. Guardianship that they have her in.

[Corey]

This looks really bad for the judge and for the. That just sounds great.

[Ish]

She's like. She's up there like, dude, they control. Like if I. If I. If you don't call me, I can't even call out.

[Melissa Ford]

Yeah, they got really like cats.

[Joe Budden]

Yeah.

[Ish]

She was like, they. Someone has to unlock my door for me to walk out. Like, she described this like she's literally in jail.

[Melissa Ford]

Some fancy jails. What she described it as.

[Ish]

And then she's saying the people that she's on the floor with are really having, you know, like mental problems. She's like, I shouldn't even be here with these people. That was fucked up.

[Corey]

Yeah, she said she made it Sound like she was, like, in a convalescent home where everybody was, like, around, like, 80 and 90 and that sort of thing. But she also indicated by what she didn't say that there was a lot she could not say for legal reasons. So she had her niece on the phone with her, and obviously she's had a lot of conversations with Charlamagne. So she relied on her niece and for Charlamagne to say the things that she couldn't say.

[Flip]

Got it?

[Corey]

Yeah. So. But the thing. The thing that most people took away from it is that she did sound very coherent. And so it just kind of made you wonder about all the reports that were coming out about the dementia and whatnot.

[Ish]

What we saw. I think when people see stuff, it hits harder.

[Corey]

The AE documentary, when they had that.

[Ish]

Documentary on, she did not look well. She didn't. In all fairness. I'm not trying to be just having conversation.

[Corey]

Yeah, they talked about that too, during the interview.

[Ish]

I think that, like, when you go to court, sometimes you don't ever sit with the judge. Dolo.

[Joe Budden]

Right.

[Ish]

You get what I'm saying? Like, you don't sit with the judge. So whoever hires the best attorney, that's the depiction that they gonna give you in your case. I'm telling you, even with your case, if that film was not available to be seen, my nigga, now it's at the. Who could present the argument the best. You get what I'm saying? So if she never had an opportunity to sit with the judge, they got this big ass A and E doc that's showing her not seemingly in the best light and in the best state of mind. Then the judge is gonna be like, all right, cool, I'm gonna rock with you a couple. I don't know the process, so y'all correct me if I'm wrong, but there should be some level of experts on each side to at least evaluate you. And there should be a re evaluation period or something when it comes to this. Because the person I heard on the radio, like I said, I don't think that person. You watch a doc.

[Joe Budden]

I saw the doc.

[Ish]

We talked about the document. Now, one thing I will say, she did get a little confused at times on the interview.

[Joe Budden]

Yeah.

[Ish]

Like, she quieted everybody so she could talk and then got a little jammed up or confused and was just, like, telling her niece, yo, you talk, you talk, you talk. But she still seemed in right mind, though. The way they made it seem like is she don't know what day it is and what's going on.

[Corey]

And the Reason why I think she said for her niece to talk is because, again, the legal issues that she can't speak on, you know, so. But it just really.

[Joe Budden]

And she has a family that loves her. So why am I in this? Like, I have family members that are coherent, they're able and willing. This is all information. They can take care of me up until my final days. What's going on here?

[Melissa Ford]

Yeah, surely there must be some at home care that you get that would allow her to live relatively long.

[Ish]

She was up there saying how she was trying to get down to Florida, to Miami where her family is.

[Melissa Ford]

Okay.

[Corey]

Her dad's 94th birthday, and they're making it seem like, we'll let you know if we're gonna let you go.

[Ish]

She's like, yo, my family is not up here. Yeah, y'all know me from New York radio, all of that. But she's like, years ago, her, her mom and her mother and father were the first ones that moved to Miami. And then the rest of the family went like. Like, we're not. My family's not up here. Her son was in Florida for a while on the dock. Her son was in college in Florida.

[Joe Budden]

You're gonna learn about these different businesses when you need to. Same way we keep saying the music business is a business. This conservative shit is all system.

[Corey]

It's a system and it's broken.

[Joe Budden]

Yeah, that's a business. Exactly right. This is one that Kanye has spoken about, Britney has spoken about. Some people have tried to bring awareness to it. Wendy is next in line. If you think that them people are not paying themselves handsomely for whatever is or is not going on consultation fee, all.

[Corey]

And they already receive like a really, really hefty commission or payment for their role as guardian.

[Joe Budden]

Well, I believe you.

[Ish]

So which is the grimy shit of now? Why would they now come forward and say, nah, she good. They not.

[Corey]

Yeah, yeah, there's no incentive, bro.

[Ish]

Wendy said she got $15 to her name. She's like, I have 15. Oh, I believe you.

[Corey]

Well, not to her name, but in terms of access, he has absolutely. She has no access to her money whatsoever.

[Ish]

Like, she has access to. She got 15. That's how I took it. The conservatorship is in somebody else's name and they got to give me the okay to get my own spanky. What?

[Flip]

I mean, how does that happen, though, based off what you sign when you get in bed with these people?

[Ish]

Yes. They said the bank set that up. Like it was the bank that started all of this.

[Flip]

If I Make a lot of money. And I'm getting old. They can make a decision to like that. Don't you sign over stuff to your family and put names like you can.

[Ish]

Just in case, stuff like that? Yeah, but if you don't have that in place. So let's say you don't have these things in place, right. And a bank starts to see an excessive amount of money moving out of your account. That's not normal. They may raise. It may raise a red flag. They said her son was wilding, but she said 180. She said her son was wild and her son was taking money, et cetera, et cetera. And I don't. We just. Objectively speaking. But you might have been saying, no, that wasn't me. I want to charge back. You know what I mean? And then they like, yo, dawg. But she was like, yes, I know he had these things. I know this was happening. That's my son. And let him.

[Joe Budden]

Yeah. A judge in a probate court decides whether to establish a conservatorship, reviewing evidence to determine if someone is incapacitated and needs a conservator to manage their personal affairs or finances. They also choose the suitable individual to serve as the conservative if necessary. That's the one of us here are experts on conservatorship. So I don't want to put ourselves in a position to speak on it. That's true. And we don't know how it happened, how it started. We don't know anything. We wish Wendy Williams well, for sure. From what we heard and saw, it sounds like a really fucked up prediction. A man. And hopefully them doing that interview and bringing some awareness to it can make a change.

[Ish]

It was good to hear from her, like, her own words. And it was good.

[Flip]

Shout out to Wendy.

[Ish]

Shout out to her.

[Joe Budden]

Yeah. No legend.

[Ish]

And she still managed to get her puff shots in.

[Corey]

She did.

[Ish]

That's what I said. Oh, yeah.

[Joe Budden]

She.

[Ish]

Yeah, she back. She good.

[Joe Budden]

She good. There she go.

[Ish]

That's the Wendy.

[Joe Budden]

Yeah.

[Ish]

What else we got?

[Joe Budden]

I got a question for y'all. Since Flip want to keep talking about loyalty using people that are not family members. Okay. Describe to me what your perfect version of loyalty looks like. For example, off the top of my head, I would say Alonzo Morning slash Udonis Haslam to Pat Riley.

[Ish]

Okay. An example is what you're asking for.

[Joe Budden]

Roughly using people. Yes. Your version of loyalty or loyalty that you would like to have looks like what, through people.

[Ish]

Push your teeth to Pharrell, Tata to JJ.

[Melissa Ford]

Kendrick to TD Bleak, DJ Bleak to J, big CJ. That's what I like about the Kendrick TD thing is he seems like he's doing his own thing, yet is still loyal. I like that.

[Flip]

I like that one.

[Ish]

And vice versa.

[Melissa Ford]

And vice versa. Yeah.

[Ish]

Vice versa.

[Melissa Ford]

I like that.

[Ish]

It's some better ones.

[Corey]

Kelly to Beyonce.

[Melissa Ford]

You got any more?

[Joe Budden]

No. And I'm not gonna question y'all.

[Flip]

So Jordan to Phil Jackson, though, right?

[Joe Budden]

That's not.

[Ish]

No. But again, because some of these are in question, we really don't know. Some of us might be more privy to behind the scenes that they might have went through adversity. You know what I'm saying? That they might have been through. I. I don't know.

[Joe Budden]

Just question.

[Ish]

Yeah, just a question.

[Joe Budden]

What else we got? Big Meech concert. I don't know anything about this.

[Ish]

There's a welcome home Big Meech concert taking place in Florida. In Florida Sunrise, Florida. It's on February 13th. And it is basically like a who's who of current hip hop. Everybody from Lil Baby Ross, Sexy Red, Money Bag. Yo, I'm trying to. Boss man dlo. It's just a who's who of the. The current hip hop scene. Welcome home show. Notably missing, which everybody pointed out. Jeezy. There's no Jeezy on the show. There's no Fab on the show.

[Joe Budden]

Just wanted to, you know, I hate when Antonette do that.

[Flip]

But it's there to be pointed out.

[Joe Budden]

Yeah.

[Flip]

That's all.

[Melissa Ford]

You know what those guys got going on.

[Joe Budden]

But what does that. What does that mean?

[Ish]

It don't mean anything. Or it could mean something. Or they might show up. You have no idea. The full lineup is.

[Melissa Ford]

Yeah.

[Ish]

Little Baby, Rick Ross, 21 Savage, Sexy Red, Kodak Black, 4:2, Doug, Estg, Money Bag. Yo, Boss, Mandelo, T, Grizzly, Babyface Ray. I swear. Vezzo, Skillababy, pz, Payroll, Giovanni, Boosie Young, Scooter. And it says more artists to be added. That's a big show.

[Melissa Ford]

Well, there's your out right there.

[Joe Budden]

More.

[Melissa Ford]

More artists to be added.

[Ish]

You know, putting it. You putting this out. You know what putting this out is going to say without certain names on there.

[Melissa Ford]

Yeah.

[Ish]

Even if they are added later on, seeing it right off the bat without certain names attached to it is. Hey, that looks odd. And people are going to point that out. It's a promoted event. Yeah.

[Melissa Ford]

That's why, though.

[Ish]

Yeah.

[Melissa Ford]

That's a hell of a come home.

[Joe Budden]

Yeah. Listen good fam. Yeah. Or good fam. I hope everybody attends. Has a blast. No violence. I'm not about to make nothing. Yeah. For real. No violence. I'm not about to make nothing of.

[Melissa Ford]

Names that are missing or not yet added potentially.

[Ish]

Yeah.

[Joe Budden]

Yeah. What's wrong with a. Just not wanting to go?

[Ish]

Ain't nothing wrong with it. It's again, my. I might have took care of you your whole time. Like we. Again, all this be Internet. Internet.

[Joe Budden]

Yeah, exactly.

[Ish]

It'd be the Internet Internet. And like you don't know what I did for you the whole time you was locked up.

[Joe Budden]

Right.

[Ish]

You my man. For real. I don't got to go to no show to show you you're my man. Maybe I'm going.

[Melissa Ford]

I'm just not performing.

[Ish]

Or I might not be going. I'm not doing that. I don't want to be around them crowds. I'm just not doing that.

[Melissa Ford]

Yeah.

[Ish]

Because all the people on that list is newer acts. You know what I'm saying? So I'm not signing up to no festival.

[Joe Budden]

Yeah, that's what it is.

[Ish]

Low key. A festival.

[Corey]

Yeah.

[Ish]

Big ass lineup. You know what I'm saying? So we got a relationship in real life. I don't have to come there to show the Internet.

[Flip]

Yeah.

[Ish]

That I'm support in support of you.

[Melissa Ford]

Yeah. Not at all.

[Ish]

My opinion. Agreed.

[Joe Budden]

They was tearing Fabio ass up for misspelling demonic.

[Ish]

Yeah, that was. I swear that was on purpose. Swears on purpose. Why?

[Melissa Ford]

Demonique.

[Ish]

Did you see how he spelled it?

[Joe Budden]

D?

[Melissa Ford]

Was it demonique?

[Joe Budden]

Yes. And I Q, U, E, N, I.

[Corey]

Q, U, E. Yeah, that sounds a little intentional.

[Ish]

Like there's more ways you could up demonic without going that far.

[Joe Budden]

That was AI no, he up some words up.

[Ish]

Some words he up Miami. He was talking on the phone, said, no. Dominique.

[Flip]

No.

[Ish]

I think. I think he's leaning in. He's leaning into the.

[Joe Budden]

I ain't gonna laugh too hard. Cause I'm at the age where, you know, I'm forgetting everything that I've ever learned. And certain words be kicking my nigga. I was stuck for 40 minutes with aesthetic the other day. Oh. Sitting there. I got a hoodie sounding it out.

[Ish]

I got a hoodie coming out.

[Melissa Ford]

Look up hors d'oeuvres. Yeah, that's a.

[Ish]

I got a hoodie coming out. I couldn't figure. It's my. My. I couldn't spell the word to save my life.

[Corey]

What was the word?

[Joe Budden]

Is.

[Ish]

Yeah, that's it. Like, yo, the was crazy.

[Corey]

What was the word?

[Joe Budden]

Tell us coming out.

[Flip]

You can't tell us about brain.

[Ish]

Yeah, this. They was on Lil Kim ass, too. Phones make us dumb. Yo.

[Melissa Ford]

Oh, yeah, they were. That was funny, though.

[Ish]

That was hilarious, bro.

[Flip]

What? Kim.

[Ish]

Lil Kim put a post up saying she's been sending strong players up for la. And everyone affected by the fires, please send. This is heartbreaking. I pray to Jesus that God make it monsoon in la.

[Corey]

God bless her heart, because she really just like, you know, send some rain.

[Ish]

I know it.

[Corey]

But.

[Ish]

But yeah, yeah, yeah.

[Corey]

You know, a monsoon would kind of fluctuate.

[Ish]

It would make it worse. Mudslide.

[Corey]

Well, mudslide, it's also a natural disaster.

[Ish]

So, yeah, we be praying for LA again, right? Shout out to Kim, man. It was good intentions.

[Joe Budden]

Yeah.

[Ish]

Your heart was in the right place.

[Corey]

Yeah.

[Joe Budden]

That's why our prayers are still with everybody out there.

[Melissa Ford]

Yeah, for sure, for sure.

[Joe Budden]

Let's not forget to say that that is true.

[Flip]

Yo, I was in the news recently.

[Ish]

News.

[Flip]

You called him? I didn't call anybody. Call my patron. I show the receipts. You started that. I like that. That I'll let you slide. I'm get.

[Ish]

Why you saying I slide.

[Flip]

I'll let you slide.

[Ish]

I did not start.

[Flip]

Came behind. I don't like that. That disrespectful. Using your mouth to put me down. But I got something for y'all. I got something for y'all at the right time. I'mma get both of y'all. They don't put.

[Joe Budden]

Don't use your mouth to put them down.

[Flip]

Listen, Za Za got mad at me and said she made a video, said, flip, I don't fuck with you. You not loyal to Stack. I never saw you around. She said that the interview that I did with her years ago, I only invited her up there to discredit her information on Stack, Bundles and Gym. And then I wrote a tweet. Not a tweet, but I wrote it on her post. And I was apologetic. I'm like, you know. Cause she said because of me. Cause of you, Flip. I don't want to ever do interviews again because of niggas like you. And I apologize and I stand in my apology because her story is important to that movement. You know what I mean? What happened? And I don't want to discredit her. Just my angle at that time was playing the devil's advocate. That's just all my interviews. It wasn't intentional to her. Had plenty of arguments with Charleston White, with all the drug dealers, Alpo King, like, all this just my style of interviewing. So I don't want anyone to feel like I don't like to hear that. Yo, because of you, that interview, I Don't want to talk to nobody. Reached out and showing the receipts. Yo, niggas reached out, but I don't want to talk to nobody. Cause you how you made me feel. I kind of felt bad. Cause I don't know if I'm in a new place. But I ain't mean to do that. Shout out to her. I'm saying prayers and thoughts and I hope that she'd be able to tell her story without sitting across a nigga like me. That would do that.

[Ish]

And I was your man.

[Joe Budden]

And Stack, yeah, rest in peace, Stack, for sure. I mean, and that's big. You Stack. I love you, my boy.

[Flip]

Because the stories be different, right? And that's what I learned up here though. Like I learned up here that everybody have their own version of the story. If I hear something, if I witness something with Jim and Stack, and I know a story. Cause the story is that Jim left Stack in the hood. Not knowing that Stack called Jim for some money and the bank was closed, right? Like, yo, we'll get to my. I was there. Me and Biden was there. But people don't want to acknowledge that. It's easier to paint that about Jim. Yo, you left Stack out there. No, Stack wanted to stay out there. Cause Stack has his own movement. Just like a Queen's foot, some N is just in their own bag. And if I need something, I can call my man. He call his man. Hey, yo, the bank is closed right now. Geez, I'mma get it to you. It just so happened my man got killed. Killed the next day. You know what I'm saying? So people take these stories and they mix it up. So when Jaja was telling the story, I wasn't discrediting her. I'm just like, this is what I've been through. And by being up here, I learned that her truth is her truth. And at that time, it wasn't intentional. I was just being a devil's advocate and that's it. So shout out to her. I just wanted to say that.

[Joe Budden]

Still laughing a little bit though.

[Ish]

It's adultery.

[Joe Budden]

This says she helped. Yeah, I made the news recently. It's like, oh, whatever. Yeah, Ja tweeted.

[Flip]

Well, I'm mad at you.

[Corey]

What news outlet did that happen?

[Joe Budden]

If you happen to hear that story in the New York Post, in the Daily News, on Page Six, please take Queen Flip's organic word up here instead of a question.

[Flip]

You let your mans get away with all that. You let these two get away with all that. TMZ called tmz. You Let these get away with all that. Called tmz, Flip, I was on your side. And on top of that, because you thought I shouldn't have. These two n. I was on your side and you thought I shouldn't have did it, right? You ain't come out and defend like, now, Flip wouldn't do that. You know that, Joe, I called TMZ on myself. You know me, man. I was like, yes, sir.

[Ish]

I said I disagreed with the streets.

[Flip]

You wrote a tweet, nigga. Everybody bigging me up. You and your white counterpart put a tweet out to discredit me.

[Ish]

I said the street said this, and I said that they were lying.

[Flip]

That's nasty.

[Joe Budden]

Would it affect our friendship if I maybe did think that you would call TMG on yourself? I'm saying I don't love you no less, Joe.

[Flip]

What?

[Joe Budden]

I'm not saying I think that, but with our relationship in your mind, you.

[Flip]

Saying, why would they go to Queens, Flip, and not a Melissa Ford?

[Joe Budden]

No, I never said that.

[Flip]

Meaning, like somebody not. Not dising you, man. Like, you're more. You know. I'll give you a comment, girl.

[Ish]

Okay, sir.

[Joe Budden]

Thank you.

[Corey]

Thank you.

[Flip]

Holy man. Don't touch me. All right. You can touch me. Yo, why you did that, though? Why you put that news out That's. You did that. You behind that?

[Joe Budden]

I'm not behind it. I promise you.

[Flip]

Yeah, I go get.

[Joe Budden]

Yo, I'm not behind it.

[Flip]

Okay.

[Ish]

I had your back.

[Melissa Ford]

I'm just for the record, I always got your back.

[Flip]

No, that's just Nazi. I sold you, yo.

[Joe Budden]

You sure did.

[Flip]

You show.

[Ish]

You didn't call.

[Flip]

I read your tweet. Like, wait, what?

[Melissa Ford]

My bad. If. If you saw that.

[Flip]

Yeah.

[Joe Budden]

Is there anything else that is pressing on our minds, bodies and souls, our spirits? Is there anything that's super important to get out there? I started Landman. That shit is absolutely fire.

[Melissa Ford]

Is it?

[Joe Budden]

I don't have a take. Cause I'm still early.

[Ish]

I'm early.

[Melissa Ford]

I'm doing Tulsa King.

[Joe Budden]

I like Tulsa King is fire season one or two?

[Melissa Ford]

I'm on two now.

[Joe Budden]

Almost.

[Melissa Ford]

One or two. That shit is pretty short. You can kind of run through it quick. Yeah, yeah.

[Joe Budden]

Like 30 minutes.

[Melissa Ford]

You see severance season saving it. Got it.

[Ish]

I'm watching it tonight.

[Melissa Ford]

I'm going to rewatch it, actually.

[Joe Budden]

They never going to give me with the episodic drops. Watching one episode. No, no, no, no. I'm storing them up.

[Melissa Ford]

I like the episodic a little bit.

[Ish]

Me, too. It's when it's something that I'm anticipating seeing, like, otherwise, I could wait and just catch a couple if I have.

[Joe Budden]

Something that has my attention and I could win. And Landman. Landman has me.

[Ish]

Did you watch the joint I sent you?

[Joe Budden]

No, it was.

[Ish]

It was a Hulu series. It's called Scam Queens or something like that.

[Corey]

Oh, I just saw the ad for that.

[Ish]

Yes.

[Joe Budden]

I'm like, you just ch. Right. You just got.

[Flip]

Hey, I am Alyssa Ford, and I scan my team out of 700.

[Ish]

Just get the white titty cake and blowing it off as black.

[Flip]

You're the greatest.

[Ish]

That was an ill scam. I ain't going.

[Flip]

L. Yo, we really sit down amongst ourselves and talk about that. Like, how you pulled that off.

[Corey]

Oh, my God. You guys are going to have to let this go. It's 20.

[Flip]

25.

[Ish]

Yo, what episode you want in lamb?

[Joe Budden]

Four.

[Ish]

All right. I'mma thug through one. Yo, I'm a thug one. I fell asleep on one, like, three or four times.

[Joe Budden]

And I think that is so disrespectful to land, man.

[Ish]

Yeah, I gotta see this I'm a thug moment.

[Joe Budden]

Episode one. I feel like they get to so many storylines popping, especially between one and two, but just try.

[Ish]

And I am. I'm gonna force myself.

[Joe Budden]

But you might fall asleep because it ain't so. Action. Yeah. It's a lot of dialogue and understanding, all of that.

[Ish]

I'll get through it. You heard. Cut the closed captions, though. Cause like. Like that.

[Joe Budden]

Hey, closed captions. When the. I'm watching. Start talking in Spanish. I don't need you to say Spanish.

[Ish]

In Spanish. No, no.

[Joe Budden]

Tell me what the.

[Ish]

Yeah, Yeah.

[Joe Budden]

I hate that.

[Ish]

Yeah.

[Joe Budden]

Y'all ain't gonna hold.

[Melissa Ford]

That's why I love having a bilingual queen next to me.

[Joe Budden]

Well, you've already proven to me and Corey that that has its perks.

[Melissa Ford]

Yes, sir. It does.

[Joe Budden]

That happen. His perks. Listen, and when I was watching Den of Thieves, too, and the coming attractions. Let me be phony real quick. Hey, the rest of this part ain't about. Let me be phony real quick. I know I've had a lot to say about John Wick.

[Melissa Ford]

Just a new John Wicker, please.

[Joe Budden]

No, I'm not gonna lie to you. The ballerina spin off looks great.

[Ish]

Wait, really?

[Joe Budden]

Or at least I'll say that. Ballerina trailer.

[Melissa Ford]

You gotta watch it.

[Joe Budden]

Yes.

[Melissa Ford]

They got you. They got you.

[Joe Budden]

I'm watching it. They showed about three or four movies that I do want to see. The Russian League and Ballerina is one of them. And she is the protege or the this is the next. The next she's girl John Wick. She in there kicking ass. Janetta.

[Melissa Ford]

I'm not the biggest John Wick guy, so.

[Flip]

Really like it.

[Joe Budden]

Me neither. Okay, me either.

[Ish]

Yeah, I'm good.

[Melissa Ford]

I think I saw the first one. That's about it.

[Joe Budden]

But if I'm gonna watch an action flick, I want to watch it from a movie company that is going to pay to put action in it for sure.

[Ish]

And they spend a whole bunch.

[Joe Budden]

Yeah, yeah, they're gonna spin on that.

[Ish]

He kill about 1400 per movie.

[Joe Budden]

It's per scene headshots.

[Ish]

They don't run out of bullets. That gun is different.

[Joe Budden]

I was flicking through the channels in Rush Hour 2. I think whatever it was with Chris Rock and Jack.

[Flip]

I watched that because talking about watch.

[Joe Budden]

Another one. You just shouldn't watch with adult eyes and ears. It's another one that we should just leave wherever the it was. That Movie Boy Part 2 is the.

[Ish]

One when they went to China.

[Flip]

Yeah, yeah.

[Corey]

That's the one with Rosalyn Sanchez.

[Flip]

Them are saying I watch they not.

[Joe Budden]

Making another Rush Hour girl.

[Flip]

Sit down. But I watched it too. They was getting a lot of off.

[Ish]

They gonna take you to Bangkok.

[Joe Budden]

That little fight scene between just a mess.

[Flip]

Hey, yo, Joe, you know what's so crazy?

[Ish]

He might be the horny.

[Joe Budden]

It's just said. What?

[Melissa Ford]

He made a Bangkok joke.

[Flip]

He made a Bangkok joke.

[Ish]

Yo. Yeah, I got redo the horny. Look, I ain't going to hold you. Nah, nah, you.

[Joe Budden]

You up. He never want him anyway.

[Ish]

That's funny. Y.

[Flip]

We could talk about this.

[Ish]

That is juvenile. It's some juvenile.

[Melissa Ford]

It is in film. Rest in peace. David lynch, brilliant director.

[Flip]

We could talk about this on page.

[Joe Budden]

You guys weren't the biggest David lynch fans.

[Ish]

I don't even know who that is.

[Melissa Ford]

Blue Velvet Elephant Man.

[Corey]

Weird.

[Melissa Ford]

Lost Highway. Weird.

[Corey]

Yeah, really weird.

[Melissa Ford]

Rest in peace.

[Ish]

Yeah, rest in peace. Yeah. Before we get out of here though.

[Joe Budden]

Speaking of rest in peace.

[Ish]

Yeah. Did y'all hear about the dude that pulled up to the bikini coffee shop joint, got caught and then.

[Corey]

Well, first I don't think anybody knew about the bikini coffee.

[Ish]

Yeah, so apparently there's a.

[Joe Budden]

There's a coffee coffee spot where the.

[Ish]

Women that serve are in bikinis. Where does that.

[Corey]

Kind of like in Landman, right?

[Ish]

A little bit. Okay. Anyways, so the young lady posted a video. The guy pulls up in the car and she like. Like he had no pants on. He was.

[Joe Budden]

He was getting masturbating.

[Ish]

He was getting money while he pulled up to the window he pulled off real fast. It was actually a couple of cars that they did this to. And the video got to circulating. So out of embarrassment the next day, the dude self transition.

[Joe Budden]

Whoa. This one I kind of have been confused about. I'm going to give him the benefit of the doubt and assume that there was a lot more going on in his life.

[Melissa Ford]

It sounds like it.

[Joe Budden]

I would hope so though, because the act of masturbating at the local hooters or whatever the that is and getting caught and taking your own life when you're married with child. I'm befuddled.

[Ish]

I'm. I'm not. I'm not. Not today. It's the same thing we say about Internet bullying. Yeah, yeah. Like, yo, it's different. Shit used to happen when we was in school, you know, the little neighborhood or something. It'll be local. He's right. Today something happens, the whole world knows instantly. So to do that video getting out there meant what? Your wife is worldwide humiliation for you and your entire family.

[Joe Budden]

Some people out there that got a video of me sleepwalking butt ass naked in the hallway. Not to compare, Joe.

[Ish]

But you are you. No, you are you. You come from a different era too. Yeah. Somebody else is different.

[Joe Budden]

I think as fathers we have a responsibility and an obligation for. To not. For our behavior. To not do anything that would put us in a predicament, to make us want to remove ourselves from our child. Now I'm talking about predicting a predicament. I'm not talking about mental health. That's why I said I'm going to assume and give him the benefit of the doubt.

[Ish]

And I said, I hope so.

[Joe Budden]

But. But if it's just this isolated act and it was the embarrassment, then my man, come on.

[Ish]

So, dog, a lot of people can't deal with that shit, bro. Humiliated. Public humiliation, jail for being humiliated in public. And they went and got a gun and did something with somebody that embarrassed them. And now they doing life.

[Joe Budden]

Doing it to you and doing it to myself. I don't view the same. There's a lot of people in this.

[Ish]

Your life is gone. I mean, one, your life might be spent behind bars and another one, your life is gone.

[Joe Budden]

But it's a privilege to wake up even behind bars.

[Ish]

True. Tell your kids that. Tell your family that. Could you use that?

[Joe Budden]

And they have to.

[Ish]

No, I'm just saying. But you use that as the catalyst. Like, yo, if you have a wife and you have kids and you allow that thing that you are saying is small, I'm agreeing with you. It's not worth you taking your life.

[Joe Budden]

I'm not saying it's small.

[Ish]

It's small with regards to you taking your life.

[Joe Budden]

I think if that's an isolated act.

[Ish]

Yeah, true. I'm agreeing with you. I'm just playing. We having a conversation. So what I'm saying is nowadays with the viral moments and all of that shit, my nigga, you could be a meme from now to eternity. Niggas can't handle that, bro. Playing with your dick over some Tim Hortons, you know what I'm saying? Like everybody not prepared to deal with that level of public embarrassment and scrutiny. Not just that. Now your kids is getting picked on. Your wife, co workers see it. Your wife's family members see her husband. Now you can't never go to the cookout and get looked at the same. When your sausage been on tv, what.

[Corey]

Did he think was going to be the outcome though?

[Ish]

I don't think he thought that somebody was going to put him on tv. Just pull up, get his off and what's going. You're a little freak. Booty horny. You going to jerk off to the ladies with the. With the pees on. But you never thinking it's going to go viral.

[Joe Budden]

Well, one in New Jersey. Not that, cuz we getting serious. I'mma be ignorant now.

[Ish]

Me too. I said sausage. Y'all miss my joke? Cook out sausage. You trying to.

[Joe Budden]

A little pun in New Jersey.

[Ish]

Big pun in New Jersey.

[Joe Budden]

At Hooters, they stopped hiring the hoes with Hooters. Like so it made it tough. Yeah, and ass. So it made it tougher for you to go over there and hit your 1, 2 right quick.

[Ish]

They ain't stopped hiring them.

[Corey]

What happened then?

[Ish]

The strip clubs got him. Cause it was more bread. Fuck you talking about?

[Joe Budden]

I ain't giving out no wings. And two to whoever out there needs to hear this. As somebody that's beat off in my car a few times, you got to drive to the far end of the parking lot where you are alone and.

[Ish]

You got to face the.

[Joe Budden]

For me, it was the most.

[Ish]

Yeah, don't back in. Don't back in. You got.

[Joe Budden]

For me, it was the multiplex. When I'm at the movie. Yeah, come on. I'm at the movie theater early. Got to go back there. Got to go back there, you know.

[Ish]

Back all the way to the movie. Yo, dog, let me ask you a question.

[Joe Budden]

Oh, yeah, a little beat off in the movie.

[Ish]

Let me ask you a question.

[Joe Budden]

What's up, man?

[Ish]

What you was beating off too?

[Joe Budden]

Something on my phone.

[Ish]

Yeah, I had to do it.

[Joe Budden]

Oh, y'all different.

[Ish]

No, I had to do it.

[Flip]

I did that on the highway.

[Joe Budden]

You never beat off in the car?

[Ish]

No.

[Joe Budden]

Well, you stand up and beat off. You can't stand up. You never beat off in a Sprinter.

[Ish]

I lay down. I lay down and beat off too. Beat off in a U Haul or something.

[Flip]

Yo, dogs, sometimes you got to let it out. Is something come my.

[Ish]

So when was. When the multiplex was open this. Because this is a long time ago. Yeah, you lived around the. Go home.

[Joe Budden]

The Movie starts in five minutes. 10 minutes, 15 minutes. I ain't got.

[Ish]

Ain't got the time.

[Melissa Ford]

You gotta get this out.

[Joe Budden]

Yo. Ish.

[Ish]

I wanna take it in a movie. You ain't never beat off in the car ever, Ever?

[Joe Budden]

Vanilla ass thing. I've lived a life. I don't want to talk about it. But I'm just giving advice to the people out there that want to beat off in the car. You can't do it at the. Where they shaking ass and wearing skirts on the roller skates and pulling up.

[Flip]

You can't do that at Sonics.

[Joe Budden]

Yeah, you can't do Sonics. That's what I was thinking about. You can't do that. You can't do that. You gotta beat off over there. You gotta.

[Flip]

You gotta watch.

[Joe Budden]

Yeah. You gotta be isolated.

[Ish]

No, but when it starts getting good, you ain't checking the mirror.

[Flip]

Oh my gosh.

[Joe Budden]

Pants on. See, that's the problem too. When you beating off in the car, you just got to scoot them down. You can't be pants less.

[Ish]

Right.

[Joe Budden]

You got to scoot.

[Ish]

I'm listening to y'all.

[Joe Budden]

Hey, the car seat. That leather seat get cold. But get your off.

[Ish]

Pull them up.

[Joe Budden]

Be on point. Be on point and go on about your business. I don't know who needs to hear all of that, but money pulled up.

[Ish]

With no pants is free. Giving jerk off. 101.

[Joe Budden]

No, I'm done. I'm done. I just feel. Listen, if people gonna take their lives behind this, then we can speak to it. Yeah, that's it. Rest in peace. To homeboy. I'm praying for his family.

[Ish]

His mom. His mom's came out. She. She's actually trying. She's blaming the girl that recorded it.

[Joe Budden]

I disagree with that.

[Ish]

I disagree too. I. I disagree as well.

[Flip]

She just went cuz he was going around. They was getting called.

[Joe Budden]

She wasn't the girl. She was the manager of the spot.

[Ish]

And your son might have.

[Joe Budden]

But if it's just a girl, then Maybe you make a case of somebody just coming up to you and table. Oh, my God. Who's this girl? She's the manager of this place. And she sees a car out here, suspicious. It's my job to walk over there. Hey, dog. Did you order something? Can I help you? Why? Oh, you getting your off.

[Flip]

No, that's not. They've been getting calls of this car, of people doing it, going around doing it. They got a call, so that's why she said you've been there before. Yeah. And then she got him. Yeah. You've been going around doing this, and now we got you.

[Ish]

My who's just driving around with no pants on.

[Joe Budden]

That's not.

[Flip]

I had the Mustang.

[Ish]

What kind of car he had too?

[Flip]

A Mustang?

[Ish]

Yeah.

[Joe Budden]

What kind of car was it on the leather? I don't know. I wasn't pocket watching him.

[Ish]

That matters. No, it wasn't. No, it wasn't.

[Flip]

Chunk, was it a Charger?

[Ish]

I thought it was a Challenger or a Camaro. One of them. It looked like one of them.

[Joe Budden]

Y'all better get 42. Doug his hellcat back. Yeah. Yeah.

[Ish]

Hey, yo, my. If I get. If I get a Ferrari like you, I might be. I might. Look, I might be riding around in some boxes. Yo, I ain't gonna hold you.

[Flip]

Do you have tents or you just.

[Ish]

Yeah, I might be riding around. You fishbowling.

[Flip]

We fish bowling.

[Joe Budden]

Yo, answer the question.

[Ish]

You fishbowling.

[Joe Budden]

I'm just saying.

[Ish]

Who's Wishbone? What's that?

[Joe Budden]

No 10?

[Flip]

No. 10.

[Ish]

Of course. I ain't buying no tents.

[Flip]

So if you jerk off, then you're gonna let them see.

[Ish]

I'm not jerking off in my car. But when she get in the car.

[Flip]

Hey, your ish. You know what I mean? I'm starting to think about you might.

[Ish]

Come through the little boxer hole by mistake on purpose.

[Flip]

He a freak. No, no.

[Joe Budden]

Moving on.

[Ish]

You right.

[Flip]

You move, I see nasty.

[Ish]

Son, this nigga's nasty.

[Flip]

I think you do that other shit.

[Joe Budden]

We got really good sleepers lined up for y'all. That's true. Oh, before we get to sleepers, I have. I have one question for Ish. It's my only question. I'm not arguing. I'm not beefing.

[Ish]

Shoot.

[Joe Budden]

When the. When the pandemic and was going on, you didn't get a PPP loan for a different company.

[Ish]

You couldn't get PP loans for real estate.

[Joe Budden]

But you did get a PVP loan.

[Ish]

I did. Okay, but you couldn't get PP loans as landlords for real estate.

[Melissa Ford]

PP loans.

[Joe Budden]

I Read something that said y'all got some little landlord kickback. I wanted to come in here and read it to you. I won't, because you a landlord. Yeah, well, I'm a landlord.

[Ish]

I mean, I've been getting these shits all. The overwhelming majority, because they've been going crazy on Twitter. The overwhelming majority is, yo, you're right. And then other people that challenge me behind closed doors, they. I tapped them out and they said, yo, you're right. I stand.

[Joe Budden]

The biggest points of contention I saw with your argument was that the. That money that you was talking about.

[Ish]

The additional six, wasn't the entire.

[Joe Budden]

Was not for the entire year one. The second one was that the.

[Ish]

Yeah, they dropped it to 400 in some state from some places. And 300. I mean, Jersey stopped in July of that year, and then they kicked it to 300 instead of 6.

[Joe Budden]

They brought up demeanor, income in New Jersey, which was high. That was the real beef of what you were saying. What. What I saw people say you were making it sound like there was this overwhelming group that were paid more than what they were making during the time. And they were saying you should isolate the median income in New Jersey, which is higher. So these people were struggling, yada, yada, yada. I don't bother. I don't care to get back into.

[Ish]

Yeah, yeah, no, no. But again, I was. I was speaking generally. Generally. So when you speak generally, people in New York make more money than people in Ohio. You understand what I'm saying? But overall, national landlords were affected. So I didn't want to say, yo, in New Jersey, yeah, we have a higher cost and standard of living, but that also means that landlords have higher mortgages. Right? And. And so the landlord's cost of living is high, too. When. When. When eggs got high. Eggs was high. They high for the landlord, too.

[Corey]

They still are.

[Ish]

They still are high. You're right. When gas is hot.

[Joe Budden]

Just pulled me to the side and said, joey, I told your mother the eggs I buy cost $18. 17. I buy the dual, the 12 and 12.

[Ish]

And it's a class of eggs. It's a different level of eggs that.

[Joe Budden]

Time, lose that time. Hey, you gotta get old enough to have the tough talks with your parents.

[Ish]

Depending on how we signed up for it, they just put the click to cancel shit into effect, finally. Meaning, like people that signed up for gyms, Planet Fitness, all that type of shit. But, you know, it was hard to get out of it. Now it's federally mandated. However you sign up, like anything, you can just click A button and get it.

[Corey]

And that's fantastic.

[Ish]

Oh, that's fire.

[Corey]

Yeah.

[Ish]

Cause they was holding niggas the memberships.

[Joe Budden]

Like, that's crazy.

[Flip]

You gotta call a number and do some fixing.

[Ish]

Oh, no, nigga. Niggas would be like, nah. Well, what had happened was you ain't read that fine point at the bottom.

[Joe Budden]

Sorry. My DJ skills.

[Ish]

Now you're getting better at it.

[Joe Budden]

I'm trying.

[Ish]

You getting better.

[Flip]

Y'all can see he's right through the glasses, nigga.

[Joe Budden]

I ain't been listening to nothing new. So I do not have a new sleeper. Again. Shout out to Teddy Swims. I think I played that record last week. Yeah, you did. So I'm going throwback. I'm going with one of my favorite groups of all time. This is high five. And this is Unconditional Love. Hold on, Mel, you don't know this song.

[Corey]

I do not. I do know.

[Joe Budden]

You don't know what you doing. The song was out.

[Ish]

When is this? 90.

[Corey]

94.

[Ish]

Four maybe.

[Joe Budden]

Yeah, 94. If I was 14. You was 17. 18.

[Corey]

You was definitely. Yeah. And I moved him in the house.

[Ish]

You told us you never gave that no coochie.

[Corey]

Wait, what?

[Flip]

You be lying.

[Corey]

No, that's a lie.

[Joe Budden]

Yes, you did.

[Ish]

Yo, you don't even remember your lies. Beyond. I love them Liars. You are the Rocky of lies.

[Joe Budden]

It's on, Big Mel.

[Ish]

Yo, you told us you did not lose your virginity to that nigga that y'all moved in the crib.

[Corey]

I didn't. I'd already lost my virginity.

[Flip]

I don't want to.

[Ish]

You told us that you are you special. That right there, that the lead.

[Joe Budden]

Now he'll get a few out of here.

[Ish]

Yo, that right there, I don't know who that is.

[Joe Budden]

And all that it means I can never say no to anything that you ask and I really hope that you would do the same for me yeah.

[Flip]

Yeah, yeah, yeah how far will you go?

[Joe Budden]

That's the way it's supposed to go Be unconditional love how far we go, Girl time I don't know what to.

[Flip]

Do girl, I'm head over he was.

[Joe Budden]

In love with you and I need to know what it means to you with all this madness going round I.

[Tanner]

Really think it's time that we settle.

[Joe Budden]

Down Be my only girl and I'll be your only man and that's the way it's supposed to be Unconditional love.

[Flip]

Tell me how far with your girl.

[Ish]

I won't be there.

[Joe Budden]

And that's the way to be unconditional Gonna Be right there for you. You know I love you so much. I never want you to leave me. I missed this part of the song from the 90s.

[Ish]

Yeah.

[Joe Budden]

I tried to do that on a couple SLP songs. Amani stole my vocals, man.

[Flip]

Girl.

[Joe Budden]

I mean, they let they lose a beat on the end for you. R B, that's brand new. Very, very, very old music. That is high five. And that record is called Unconditional Love. Love those guys, man. Rest in peace, Tony Thompson.

[Ish]

Rest in peace. I'm going to Houston on this one.

[Joe Budden]

And watch that high five, Doc. If you haven't seen it, I don't know where it's at. Is that a doc? Yeah, it was. It was. Yeah, it was tough. It's on YouTube if you can't find it. It's on YouTube. Them niggas had a hard time like. Like the different Strokes cast of R and B groups. But anyway. Yeah, I'm sorry. Yeah. Don't do that. Ice me. And you've been. We owe like a little square off, man. Off, man.

[Ish]

I'm going to Houston on this one. The record is called Turn Me up, and it's by Libra Jolie.

[Melissa Ford]

Let's go. Libra, she smok, she's fire, she smoked.

[Tanner]

Turn me up, ho can't like me, can't cook like me, can't look like me. That ain't built like me, ain't book like me. You could like me talking all that. They wish they could heard a ho been looking for me. I might even wish a would turn me up. Tell her ho come out and play. You know I lay down her. She mad about one of these. He my favorite now. He call me baby now. And we just met. You really wasting breath. No shade, but this just love. I ain't popping my shit on the wacko in a minute. I swear to God, I ain't going back and forth with a hoe. This ain't no tennis. I swear to God. E ho be looking for cloud ain't in my mansion.

[Ish]

Swear to God.

[Tanner]

I hoe really fuck my bd. Catch a feeling.

[Flip]

Swear to God.

[Tanner]

Shoot a man, huh? You fucking man's, huh? Ain't got no Benz, huh? That little bit fanned out. I think she playing now. You can't be that all the in the world with money and you that one turn me up. Can't like me, can't cook like me, can't look like me. That ain't built like me, ain't book like me. You could like me. It ho be talking all that they wish they could be looking for me I'm mad in the wish would turn me up ho can't like me, can't cook like me, can't look like me that ain't built like me ain't book like me. You could like me talking all that wish they could heard a hobby looking for me I might in the wish a would and you know I'm a crash demon you gonna die behind that dick. I'm clicking out. I mean it running her mouth she teasing mad ain't got no reason like a holiday it's my season man these house got me up I'm in that big body truck fine better get your money up D how be talking about going 5050 with a for a nut I wish I would I can never be the house you how you gave your up to a still left with nothing turn me up how can't like me, can't cook like me, can't look like me that ain't built like me ain't book like me. You could like me they hobby talking all that they wish they could hear the hobby looking for me I'm mad in the wishy wood turn me up ho can't like me, can't cook like me, can't look like me that ain't built like me, ain't book like me. You could like me ho be talking all that shit they wish they could good heard a hobby looking for me I might in the wish a would.

[Joe Budden]

Turn me up.

[Tanner]

Sign me up.

[Ish]

Turn.

[Tanner]

Me up.

[Ish]

That for your records and that.

[Flip]

So the cash at me some bread the go cash at me and say I have no idea why why would you write to just send me the why you did that for your records.

[Joe Budden]

I thought that little note is important to with bad memories. All right. Swimming classes.

[Ish]

And again that record was Turn Me up by Libra Jolie.

[Joe Budden]

That record was hard.

[Melissa Ford]

What's her name?

[Ish]

Libra Jolie.

[Flip]

She sound good. She's from Chicago.

[Melissa Ford]

No, she Houston. I played a couple of records up here before.

[Ish]

She's hard.

[Joe Budden]

I wasn't familiar with your game. That was hard.

[Melissa Ford]

Yeah, I'm going to play some Buster rhymes but he put out a new EP today. It's his letter to my children.

[Ish]

Let me bust a punch a on.

[Melissa Ford]

A roll out you gotta do what you gotta do.

[H]

Shut the up when I'm talking you know the rule. Rock up rappers way down to the finest molecule. What these rappers know about spitting on these slaps my attempted but they be sounding whack my they rap like two trains Collided on a track My blaming credit for the we father trying to dap me the orig old fashioned forward advocate dread up in hairstyles that would never think of think of pioneered so much shitty be making your bug I'm finally in a place in my life where I'm the happiest bars full of punishment when I spit I'm the nastiest I'm a different type of creature Request collabs and hit a bars they start running far from the feature yeah thank your mom for the life she gave beat you with punch lines that hurt now you asking your moms to save you I'm your your daddy when it came to these raps I'm the one that raised you the weird child at birth now you begging for me to change it so I nurture all of my children so they don't see me as a stranger I teach them how to eat you food and be the danger I think you need to move from around me I believe it's safer how I negotiate with promoters give me my paper look could give a where come from I continuously run towards what most you run from most these scared the rap with me now what's the purse bet better rethink all your favorites and why and get me your verses yet versus yet I'm still waiting, I'm still waiting from the high you want from the Percocet well I continue giving beatings in your squad hurts I give you spankings don't ever question how a law works I jump in the souls of the people and give them large spurts When I'm fighting demons I be still making your mom squirt squirt you rap niggas I ain't here to pay pacifier but while your father's present I might pass the pacifier you don't want the smoke so what white pacifier and end up being the one left as another ass for hire another lost with all the confused symptoms Let me guide you to the destination as a navigation system your equilibrium up Let me send to y'all big homie here Let me try to mentor y'all scientists when it comes to the culture let them read refill the baskets with rose petals Whenever I enter y'all this what I'm talking about they see greatness and bust a U turn and they start walking out Employees working hard as hell Learn what a boss about fascination with sanitation I love to toss them out My aspiration is to force a route and eliminate an impossibility to source a doubt Feed you sickness that swell your foot up like it uncalled a gout throw the money and bagging cause a coochie drought I'm nice with both hands How I manage lay up with my left and right like I'm making a sandwich My frequency is powerful should check the bandwidth while I you up and continue taking advantage welcome to dragon season.

[Melissa Ford]

My children. It's nice to hear Buster sounding like Buster again instead of double time. Yeah, yeah. What you got? Ish.

[Ish]

I'm going to Home Horror. Horace Brown featuring Jay Z.

[Joe Budden]

Now you.

[Ish]

You kind of sparked my little. I mean, back. No, you did the. You did the. The high five. So I was gonna play shy. I was gonna play some, you know, I mean. Oh, so his sleeper inspired your sleeper is what you're saying Today. Got it. Today. Today I was gonna do Changing Faces.

[Joe Budden]

Got it.

[Ish]

I mean, I was going, yeah, but I'm gonna just go whole brown featuring J. How we do, Big Lou?

[Flip]

Just the things we do.

[Joe Budden]

Take places.

[Ish]

In my mind Hoping someday I would find the perfect one and I could.

[Flip]

Share Then that day you walked inside.

[Joe Budden]

And no longer could I hide my.

[Flip]

Love I had to take you there.

[Joe Budden]

And cruise at night Sitting on a cruise at night to the ocean.

[Ish]

Once.

[Joe Budden]

You.

[Ish]

Remember.

[Joe Budden]

Sh with you with gifts.

[Ish]

Of love it was never enough to bring you closer to me Drinking money was no thing the simple pleasures that you bring My.

[Joe Budden]

My wind takes me back to the days we were.

[Ish]

Selling on a cruise.

[Joe Budden]

At night.

[Ish]

Chips on 6 I roach.

[Joe Budden]

Ray twice People way in the back.

[Ish]

Hoping they crapping they don't even play dice Me an old girl against the.

[Flip]

Whole world under the light s looking blue mother of pearls Just the things.

[Joe Budden]

We do baby down in your wrist.

[Flip]

One of the many reasons that I rhyme like this Ben plenty pushing 320.

[Ish]

Drop gold chains Ice around the penny.

[Joe Budden]

Hot envy your sip finny stop baby cop the Benz 3e backed it out.

[Ish]

The lot made a whole crew sick.

[Flip]

Jet it round the way playing whole brown new sound 3 g c bacatti jz baby.

[Joe Budden]

See you at the Platinum party.

[Ish]

Things we do for.

[Melissa Ford]

As Things we do for love. Horace Brown and Jay Z. That's the Eddie F remix.

[Corey]

That time was had.

[Joe Budden]

Fuck.

[Corey]

All right, well, since we're. I'm just gonna keep the rhythm going with old school shit.

[Melissa Ford]

Okay.

[Corey]

Okay. This is my pick troop. I will always love you.

[Ish]

Today that's what. Nah, I hit them with the. Spread my wings, though. Spread my wings.

[Melissa Ford]

That.

[Joe Budden]

Everything you need I will make your special wish come.

[Ish]

True yeah, things go on. You need Someone to help you see.

[Joe Budden]

Them through how we know when I need someone to stand beside you I.

[Ish]

Hold you, baby I did the spread my wings Though I find the reason.

[Joe Budden]

To keep trying, baby let me take.

[Ish]

You.

[Joe Budden]

Let me show you I love you always I love you, hold you, hold you, baby with this I will.

[Ish]

Be the.

[Joe Budden]

I will be the Take my body for your pleasure this will be the night I treasure forever is my memory of you Close your eyes.

[Ish]

And make me wishes Take my hand.

[Joe Budden]

And realize this time I'll be the very best for you when things go wrong you need someone to help you.

[Ish]

See them through how.

[Joe Budden]

This off the hair? I don't even know to beat him up. I might put this back in my rotation, dog.

[Ish]

Three glasses of Merlot. That start. That start rubbing on your leg on.

[Joe Budden]

The west side Highway. About. About three. Some water, some salt, Salsa. Now, my girl Melon said some salsa.

[Ish]

Water. I said water.

[Joe Budden]

Any beverage?

[Ish]

Are you thirsty?

[Joe Budden]

That's falling off the bone. Since that Chicago came out with his family.

[Corey]

Oh, my God.

[Joe Budden]

Since Facebook guy act that is ready to go.

[Flip]

Y. I can't believe what you fell for that face.

[Joe Budden]

This went to Chicago after that big smell posted.

[Flip]

No posting, no pictures.

[Joe Budden]

I told Y'all, 2025, we out of Mel's business.

[Ish]

What you hating on my man?

[Joe Budden]

What man? Oh, they have Facebook?

[Flip]

Yeah, yeah, his Facebook got hacked.

[Joe Budden]

All right. I told y'all we minding Mel's. I mean, we not minding Mel's business at all. Not in 2025. But we. We hear from the music. You around you. You know, so you be sleeping on you around. Like you around niggas that get information when you ain't trying to give it. So when you play a little. When you play a little slow jam like that. That real? Could tell. Oh, oh, oh.

[Ish]

Hey, little shot. I was gonna hit them with that shot.

[Joe Budden]

Hey, she ain't quite ready to go home after the meal, huh?

[Ish]

So what you doing?

[Joe Budden]

She ain't ready to hit home after. After the dinner.

[Ish]

Like, what you doing? What you doing after? Nah, I want to hang out for a little bit.

[Joe Budden]

Yeah, you trying to be the gentleman. Y'all ready? I'm gonna drop you off home. Damn, so soon already?

[Ish]

It's early, though.

[Flip]

That's how he get them.

[Joe Budden]

I'm wide awake.

[Ish]

Oh, sleepy nap early. I took a nap early, cuz. I knew we was going to hang out.

[Joe Budden]

I'm not even tired yet.

[Flip]

You sure you don't want to go bowling? Hey.

[Corey]

What are you trying to say?

[Joe Budden]

Can we just get back to your place.

[Corey]

Some balls.

[Flip]

That's what you want to say.

[Joe Budden]

Whoa. You did that. You did that so you could write it in the suit against us.

[Flip]

Yeah. Keep my name out that suit, please. Even though I know my name is.

[Joe Budden]

Each page, your name is in bold print at the top. Trevor.

[Ish]

Trevor.

[Joe Budden]

Trevor came. Commented on. Yeah, I mean, yo, speaking of bowling, I don't know what y'all are doing Monday night. Me and Cory been talking about, let's go hit that new bowling alley up there. Just one Monday night.

[Ish]

I'm with it.

[Joe Budden]

M. Yep. Breathe.

[Melissa Ford]

It.

[Ish]

Yeah.

[Joe Budden]

When y'all say it like that, it seem like I'm forcing y'all to hang out.

[Ish]

No, no, no.

[Joe Budden]

Yeah. But then the audience, them, we know what it is. I'm with it. I never been there. I just driving right by, told me it's fine.

[Ish]

Dash and I'll be going. They said it's fine.

[Joe Budden]

Oh. If Dash going, Dash taste is typically my taste, too.

[Ish]

Yeah.

[Joe Budden]

Shout out to Dash.

[Flip]

Shout out to him.

[Joe Budden]

Classy gentleman and live right there by my son's school, so he'd be letting me use his driveway. Shout out to Dash. What transactional are we gonna talk about on Patreon? Yeah, or you gonna run and cower? Who you?

[Ish]

I don't even know.

[Flip]

Joe.

[Joe Budden]

You just asking. Joe, are you not trying to be funny?

[Flip]

If my man answers you, are you going to acknowledge the fact that you have that effect on people, that you have that effect that you become friends with and you don't value the friendship? He's admitted that. I didn't know that. I didn't know that. You don't value friendships as much as value at all, but you value family at all. Family. The only one that gets a pass.

[Joe Budden]

My real friends is my family.

[Flip]

Word tricks, right? Get that.

[Joe Budden]

I'm not trying to be funny. My friends that are friends. Yo, I know him for however many years. You know he can shake it sometimes. I know him for a whole lot of years. I know him for a lot of years. Him for a lot of years. Him for a lot of years. You clock 15 or more with me, and we on the other side. Still standing. We survived some shit. You family, you family.

[Flip]

But if you fall out, you'll still have some shit to say. That would downplay it, though.

[Joe Budden]

No, no, not true. I ain't say nothing about it. When we fell out, I don't say nothing about. I try not to talk about people after we fell out. I ain't trying to diminish you. Yo. If you were part of my History in any type of way. I do appreciate it. I'll show that respect and not speak about it. Me. I'm not saying everybody got to do that, but. Yeah. My real friends is family. My mom called. Freeze. Hey, the cables. Something's happening. Can you come? Hey, dad, my ipod won't take all the OJ's music that I got on the Apex. Yeah, my friends, but friends. What's a friend?

[Flip]

A lot of people get hurt by that though. It's a track record. A lot of people when they come out, yo. I realize later on or in the business transaction because we never get closure.

[Joe Budden]

I don't give closure. I don't. I don't. I don't believe that you need somebody else to get closure too though.

[Ish]

Not just that. Most people don't.

[Flip]

You agree with him with that Most.

[Ish]

People don't conduct business.

[Flip]

Do you agree that you don't believe that you need to get. You don't need somebody else to get the closures?

[Ish]

It depends on the social circumstance. A lot of times will step.

[Flip]

Please, you cold hearted.

[Ish]

Anyway, look. A lot of times will step over a line where I'm never going to speak to you again in my life. So it can never return.

[Joe Budden]

That's the closure. That's the closure.

[Ish]

When you see me in the street and I look like I ain't see you, that's. That should be your closure or you know, what you did.

[Flip]

So what if they apologize or try to.

[Ish]

I don't need you.

[Joe Budden]

Some is unapologizable.

[Ish]

I agree with that. Keep your apology. I don't even need that you're apologizing for you. I don't want your apology. Even if you're not apologizing for you.

[Joe Budden]

Even if you mean it.

[Ish]

Yeah.

[Joe Budden]

I know that you have the ability to behave this way with people that you love.

[Ish]

I'm good.

[Joe Budden]

I think humans, all humans, I believe to be pieces of shit. We all adapt. We can all get shady if we need to. But when you get shady with somebody that you love, like was there for you. I know the audience got a blast. Hey, Joe, you're the shadiest motherfucker in the world. That's not true. I just. Once it's over. I don't speak to why it's over, how it's over, how I felt about it, how you hurt me. It's over.

[Flip]

Does it give you sort of like a. I don't want to say thrill.

[Joe Budden]

But no, I don't get any thrill.

[Flip]

So what I'm saying is that if.

[Joe Budden]

I be Hurt more than when people.

[Ish]

Say finish this sentence because I think I know where you're going.

[Flip]

But does it give you a thrill that people mess up with you and then end up regretting it later? And then they talk about yo. The only thing that they use is that I don't think Joe valued his friendship as much as we did or I did sometimes. Oh, oh, okay.

[Joe Budden]

Sometimes.

[Ish]

Thank you.

[Flip]

That's fucked up to me, but I like it.

[Ish]

No, it's not.

[Flip]

No, no meaning you know why people across you.

[Ish]

Right. People will cross you.

[Flip]

We got to about on Patreon.

[Melissa Ford]

But yeah, we are.

[Flip]

People will cross you.

[Ish]

Right. And the only reason that they really feel regretful is because you ascended. Now you get in the mud in your face because I'm up. If I was still down. You'll still be cool in your decision. I know. I know that.

[Flip]

I don't know. It's been people that's lower than me that I felt bad being around people being around friends and they. And they point they. They may tell a story.

[Ish]

You cross them.

[Flip]

And I might have crossed them. And I'd go home and think about it and like oh, you didn't realize.

[Corey]

How much value they added to your life.

[Flip]

Is that how much value. Or I might have took advantage of a situation. I've been on this journey of correcting advantages that I might have took.

[Corey]

You have been. That's great.

[Flip]

You know what I'm saying? So I and I think y'all.

[Joe Budden]

Yeah. But even in that you gotta live with the loss of a good friend. If they on the other side of yo. You did some shit that there's no coming back from. You lost a good person.

[Ish]

They don't have to accept you.

[Flip]

It's hard to accept that it is because you would try to apologize.

[Joe Budden]

I change.

[Flip]

You want to show them it doesn't matter. Let me show you. And then you start to think because if then you start to trick yourself and manipulate yourself to get mad all over again. Okay. You never really value me because my apology isn't valuable to you. So talk about it on Patreon. Cause this cold blooded this ice Silver surfer.

[Ish]

Nah, I don't think so. That what I think that the way this my man.

[Flip]

I'm trying to.

[Joe Budden]

You think I'm a good guy?

[Ish]

No. I'll be looking at that.

[Joe Budden]

See. Damn.

[Flip]

I think you a good guy.

[Ish]

No, you're a sucker sometimes like me dog.

[Joe Budden]

Not you talking about me. He said it twice.

[Ish]

No, when you. No. When somebody do certain to you my yeah. We could go to Patreon.

[Melissa Ford]

Yeah.

[Ish]

I ain't with that.

[Flip]

But he needs it. He don't say it, though.

[Ish]

So he lets you.

[Flip]

That's a trick. It's like some maze.

[Joe Budden]

I feel like Joe is a good stock to have. That's how I view myself.

[Ish]

Oh, that's bitcoin.

[Joe Budden]

If you. If you in it for. If you in it for the wrong. If you in it for the wrong reasons, I say Joe was a good stock to have that going. Up, up, up, up, up, up, up, up. I always felt like that.

[Ish]

How many bitcoins you.

[Joe Budden]

If you're not in it all? I don't know. I told you what I made already. Pocket wide. I told you I. 3. 3x. Whatever it was.

[Ish]

No, it was more than three. Nah, it was three or four, five or six. Who counted?

[Joe Budden]

I had to account for it in my estate planning. It's that much. Yeah, but if you're not in it for the wrong reasons, then there's no reason for any of this to ever come up. We just friends. All right, man. Damn.

[Flip]

This sit with you, right? Feel this.

[Joe Budden]

Biggie. I don't give a. What y'all got to say out there. This guy will be missed.

[Ish]

And that's why I behave when like, yo, he only make bubblegum pop. That ain't.

[Flip]

Now this.

[Joe Budden]

This man will be missed. I don't like to fall off. I don't like how the breakup is going between my love for. For him and his catalog. I don't love it. But this man right here, yo, it's one of the best times in music in your lives, in your entire lives. Listen, man. Yeah, I missed the. That was getting hurt. Dubbed, played.

[Flip]

That's why he did what?

[Joe Budden]

Violated.

[Flip]

That's why he. That's why he everybody, girl.

[Ish]

Yep.

[Flip]

That's why he everybody, girl. Oh, but you did that to me.

[Ish]

I want to talk about that.

[Joe Budden]

I do. You lose them. How you get them, how you come in is how you go out.

[Ish]

Don't want to talk about that.

[Flip]

I love you. So you bugged out.

[Ish]

Something's wrong with you.

[Joe Budden]

I may be. I may be. I got some wild ideologies, but this one hurts, man. This.

[Flip]

It had to be somebody, but. But before somebody in your life that might have. Yo, and when you went up, you might have shot at the Mac.

[Ish]

Jay z over Drake vs. Jay Z.

[Joe Budden]

Over everybody to me. Jay Z over everybody to me.

[Ish]

It's a horrible look at Jay Z.

[Flip]

You got Jake B. And J.

[Joe Budden]

You have to say Kanye West. I mean, I think HOV Might have a hard time with Kanye just because his producer bag he's got so much of his greats, unlike Jay Z has.

[Ish]

A has a hard time with very hard 20 songs. Anybody in the world has a hard time with this boy getting that pin bag. It's over. Everybody has a hard time. Oh, everybody. There's no winning.

[Joe Budden]

Well who I am in my spirit and soul would never let me say.

[Ish]

That everybody has a hard time with him. But it's going to be, it's going to be about what people's personal preference preferences are at that point. Song match up. You know what I'm saying? It's about your preferences at that point. This nigga's great.

[Joe Budden]

Drake, man, this boy is good boy. Yo, keep us in your prayers. Lord knows we need to be there. Keep him in your prayers too. This fall off is horrible. Until then, I bid you a do farewell. Adiosa River Diri Asta la vista arvois so long goodbye. A simple head knob will suffice. Hopefully you've enjoyed this broadcast as much as we enjoy delivering it to you. Remember that life is a series of moments and this was a long moment. And moments pass. So let's make this one last as if it's all we have. Last but certainly not least. The baddies are insecure. The stagnant. Women want to travel. The closed minded women want you to teach them things. She ain't got ass. She's just sitting on the countertop. Grab you a Tylenol, you might need it. What's everybody's weekend plans? Talk to me, talk to me, talk to me.

[Flip]

Put things together.

[Ish]

Some family. Family.

[Joe Budden]

All right, family. We got work. Big male staying in town. Huh? Huh? Ish. Some work and some house, I suppose.

[Flip]

You going out of town, man?

[Corey]

I'm not going out of town of town.

[Joe Budden]

No, no. She here. Love will be.

[Corey]

I'm not sneaking around.

[Joe Budden]

All she do is sneak.

[Flip]

Yo man, would you take the AM track this point in your life? I'm just. You take the Amtrak.

[Joe Budden]

Yo, everybody enjoy their weekend. Stay safe. Head on a swivel at all times.

[Ish]

At all times.

[Joe Budden]

We will be back same time, same place next week.

[Ish]

Yo, my man, my man work for Amtrak. Speaking of accelerator. Yo, keep it. Look, the is on Aella train going from New York to D.C. gets on the train looking weird like they said. He was mad suspicious. They kept asking him for his ticket. For his ticket, for his ticket. He ain't give nobody a ticket. They stopped. They ain't stopped. They made a detour to seller in Philly. The cops came the had a bag of guns this big on the Accela train.

[Corey]

When was this? Just recently?

[Ish]

Yeah, last week.

[Joe Budden]

Your man.

[Ish]

My man works for Amtrak.

[Joe Budden]

Got it. Got it.

[Ish]

And it's on a seller, and they going to dc.

[Flip]

So your man wasn't the nigga that got locked up?

[Joe Budden]

No, no.

[Ish]

My man works for Amtrak. They said yo. Luckily, the conductor took it upon his own discretion to get off in Philly. They don't know what would have happened, but they caught this. I got the picture of the guns. A bag of guns, three handguns, two rifles. I got the bat. I got the picture in my phone.

[Joe Budden]

That's crazy. That's crazy.

[Ish]

So keep your head on the swivel. When you bought up the Amtrak.

[Flip]

Yeah, shout out to your man.

[Ish]

That is crazy.

[Flip]

First class ticket joint again.

[Joe Budden]

Head on a swivel at all times. We praying for the people inside and outside of these rooms. We praying for the homeless. We praying for the sick, both physically and mentally. All of y'all are in my prayers, man. Let's do our best to get back here next week, same time, same place. We've enjoyed this. Hopefully y'all have enjoyed it as well. We going, man. I don't know what I'm getting into this weekend. I got to see Shout out to the. That. Just go where the wind blows. I'm just going with the flow, Going with the vibe of the night. Bob of the night. Gonna get you crappy and some crab legs. Going to the Knicks game. Probably go get some garden glizzies. Hey, I love a garden glizzy with a little seafood. What you want me to do, man? Go home, watch a little. Watch a little Landman. Crab. Crab. Crab.

[Ish]

Crab.

[Melissa Ford]

That's even worse crab.

[Joe Budden]

I don't think that crab tastes great with the glizzy. Whatever.

[Ish]

Any on it?

[Joe Budden]

No, I'm not. The seafood spot is next to the glizzy spot.

[Melissa Ford]

Oh, they do like a surf and.

[Joe Budden]

Surf in the garden.

[Melissa Ford]

Do a surf and surf.

[Corey]

I thought it was crab meat in the glizzy.

[Joe Budden]

Oh, Mel, get Tupperware.

[Corey]

Shut the up.

[Joe Budden]

That's what you need to go do this weekend.

[Ish]

When? Your birthday?

[Joe Budden]

We don't know.

[Corey]

November?

[Joe Budden]

We don't want to know.

[Flip]

Big M. 52. I mean off.

[Ish]

No.

[Flip]

How old are you turning? 49.

[Corey]

Yes.

[Flip]

Nigga, you close.

[Ish]

You gonna be 49.

[Flip]

You gonna sneeze at 50?

[Joe Budden]

Yo, we're under 50.

[Flip]

You're 50.

[Corey]

Okay, y'all. Can you.

[Flip]

Can we throw you a 50th birthday party?

[Joe Budden]

I'm talking about me, actually. Yes, exactly.

[Flip]

But we not inviting Megan again. We're not inviting none of your friends. We go invite our own friends.

[Joe Budden]

You know who we inviting? Oh, man, it's the Skechers. Blank Doc Carter turn rapper in the water.

[Flip]

Hey, Separation.

[Joe Budden]

Hey, Father. Hey, you more terrible. I a heard a peep about Mandy out of you. Since she moved to Mississippi.

[Ish]

You've never heard a peep about me out of me.

[Flip]

She moved.

[Joe Budden]

I don't know. I'm just talking.

[Flip]

Stop doing that to the girl.

[Joe Budden]

I'm getting in there now, nowadays.

[Ish]

Oh, getting in what?

[Corey]

Anywhere.

[Joe Budden]

Anywhere you want to go.

[Ish]

Oh, same way I got him for the last 40 years.

[Flip]

Parking on the sidewalk. You talking about you can't park on the sidewalk? Stupid ass tires. Yo, with this new laptop.