Episode 805 | "Support The Lie"

Summary

The Joe Budden Podcast – Episode 805 | "Support The Lie" Summary

Release Date: March 5, 2025

In Episode 805 of The Joe Budden Podcast, titled "Support The Lie," host Joe Budden and his friends engage in a lively and multifaceted discussion that traverses personal anecdotes, industry insights, cultural critiques, and lighthearted banter. Here's a comprehensive overview of the episode's key segments:

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1. Introduction and Banter [00:00–03:57]

The episode kicks off with the usual disclaimer emphasizing that the hosts' opinions are for entertainment purposes only. Quick introductions follow, with playful exchanges about being on air and references to celebrities like Kevin Gates.

Notable Quote:

• Joe Budden [00:35]: "Yo."

---

2. Injuries and Personal Stories [03:12–07:03]

The hosts delve into personal experiences of dealing with injuries sustained while attempting recreational basketball. Flip shares his predicament of not attending an event due to an impending injury, sparking discussions about priorities and support within the group.

Notable Quote:

• Flip [01:03]: "I just have an event coming up this weekend, so, you know, I had to stay back and focus on that priority."

---

3. Recovery and Coping Strategies [07:03–13:24]

Joe Budden narrates his attempt to engage in physical activity despite injury, leading to further mishaps. The conversation shifts to recovery methods like cryotherapy, ice baths, and the use of pain relievers. Humor is interspersed with genuine reflections on the challenges of healing.

Notable Quote:

• Joe Budden [11:54]: "You know what I never thought about just how many times I use my knees in life because I'm blessed to be healthy."

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4. Shout-outs and Personal Updates [13:24–18:46]

The hosts extend shout-outs to friends and acquaintances, highlighting their achievements and ongoing struggles. Discussions around Mark's dedication and the dynamics of teamwork emerge, emphasizing respect and camaraderie.

Notable Quote:

• Mark [15:53]: "He was there early. And during the stretch, I'm like this. I'm tired now."

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5. Oscars and Representation in Media [18:46–25:45]

A significant portion of the episode critiques the recent Oscars ceremony. The hosts analyze the hosting performance, award choices, and particularly focus on Zoe Saldana's role and the broader conversation about ethnicity and representation in award-winning roles.

Notable Quote:

• Mal [34:10]: "She is the voice of [Sequence], you know, the soundtrack. And the other two sisters are the voice of that."

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6. TV Show Finale Debates [25:45–35:00]

The conversation shifts to the finale of the TV show Paradise. The hosts dissect the storyline, character decisions, and the abruptness of the finale. Debates arise about plot plausibility and narrative consistency, reflecting their critical engagement with contemporary media.

Notable Quote:

• Mal [33:39]: "She’s part of Sequence, you know, when hip hop is really moving, when we move from disco to hip hop and you start to hear hip hop as a party sound, she's the voice of that."

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7. Music Discussions [35:00–50:05]

Engaging in their signature mix of humor and critique, the hosts discuss various music genres and artists. Freestyling sections add an entertaining layer, with references to both mainstream and underground music scenes. Shout-outs to fellow musicians like Division emphasize their appreciation for diverse musical talents.

Notable Quote:

• Joe Budden [46:10]: "Conan O'Brien did fabulous as a host. He's really, really good."

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8. Grief, Loss, and Family [50:25–57:00]

The hosts offer condolences to individuals who've experienced loss, sharing personal reflections on grief and the importance of family. Joe Budden expresses a desire to be present for his children, underscoring themes of legacy and the value of life.

Notable Quote:

• Parks [57:00]: "I'll be changing. That's what I'm saying."

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9. Entertainment Industry and Blackballing [57:00–90:03]

A deep dive into systemic barriers within the entertainment industry, the hosts discuss the concept of blackballing and gatekeeping. Examples like 50 Cent illustrate how persistence and resilience can overcome institutional obstacles. The conversation intertwines personal experiences with broader industry critiques, highlighting issues of race and representation.

Notable Quote:

• Mal [84:17]: "They put up roadblocks and then part of it is figuring out how to get around those roadblocks."

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10. Relationships and Tradition vs. Progressivism [90:03–115:00]

The dialogue navigates the complexities of modern relationships, focusing on traditions like last name hyphenation. Debates ensue about patriarchal expectations versus progressive views on partnership and shared responsibilities. Personal anecdotes reveal the hosts' perspectives on gender roles and familial obligations.

Notable Quote:

• Melissa [179:03]: "If I'm in a relationship, I would definitely keep my name because my name is my name. It's my stage name. It's my real name, so I would."

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11. Closing Remarks and Final Banter [115:00–239:58]

The episode concludes with a blend of humor, music, and lighthearted exchanges. The hosts recap key moments, extend final shout-outs, and engage in playful jabs. Promotions for Prize Picks and reflections on personal growth encapsulate the episode's end, maintaining the podcast's engaging and unfiltered spirit.

Notable Quote:

• Joe Budden [237:00]: "Felicitaciones, legitimately from all myself included."

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Conclusion

Episode 805 of The Joe Budden Podcast offers a rich tapestry of conversations that blend personal stories with incisive critiques of media and industry practices. The hosts' candid discussions about injuries, grief, relationships, and systemic challenges provide listeners with both entertainment and thoughtful insights. Notable quotes punctuate the dialogue, reflecting the group's dynamic and multifaceted interactions.

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Highlights:

• Injuries & Recovery: Personal anecdotes about sustaining injuries while playing basketball and humorous takes on coping mechanisms.
• Media Critique: In-depth discussion on the Oscars' handling of representation and the finale of the TV show Paradise.
• Industry Insights: Exploration of blackballing in entertainment, emphasizing resilience and systemic barriers.
• Relationship Dynamics: Debates on traditional vs. progressive gender roles within personal relationships.

This episode exemplifies The Joe Budden Podcast's ability to juggle various topics seamlessly, offering listeners a blend of humor, critical analysis, and heartfelt conversations.

Transcript

[Joe Budden]

The thoughts, views, and opinions expressed by this podcast whose bullets its hosts offer entertainment purposes only. I repeat, it is not serious. It is not real. No one is exposing, revealing, indicting, or telling you anything about themselves. Also, we do not encourage you to try this at home. We are trained professionals who do not have your best interests at heart or our own. Enjoy the show.

[Mal]

I thought he's on air already.

[Ish]

No, we're on now.

[Parks]

Oh, we here.

[Joe Budden]

Yo.

[Ish]

Hi, my injured, injured brethren.

[Parks]

How y'all feeling?

[Joe Budden]

Kevin Gates.

[Parks]

Good day, my brothers.

[Flip]

What you asking me?

[Joe Budden]

Two for the plug. One. Yeah. Come on. Kevin Gates. Sir. There you go.

[Flip]

I'm not supposed to be here today, bro.

[Ish]

Why not?

[Mal]

Why?

[Joe Budden]

Where you supposed to be?

[Flip]

On vacation.

[Parks]

What happened?

[Melissa]

Oh, what happened?

[Joe Budden]

What happened?

[Flip]

I don't have an event coming up this weekend.

[Parks]

Shorty had to change your plans?

[Flip]

No, no, I just have an event coming up this weekend, so, you know, I had to stay back and focus on that priority. Promote the job.

[Joe Budden]

Promote it.

[Flip]

You're being the positivity highlighter.

[Mal]

Yes, I got the wound this weekend.

[Flip]

I may not be. I may not be here Friday, but, you know, I'm here today. I just want to show moral support.

[Joe Budden]

Damn, man.

[Ish]

Had big plans for you on Friday.

[Joe Budden]

Fans Flip won't be here at the next part, and I'm sad about that.

[Flip]

No, you're not.

[Joe Budden]

No, that's behind the scenes.

[Flip]

You just talking to me just now.

[Joe Budden]

No, I wasn't.

[Mal]

I said.

[Joe Budden]

I told you.

[Flip]

Go ahead. Go, go.

[Joe Budden]

Yeah, you can leave whenever you want. I ain't gonna beef about it. Yes, sir. And you have an understanding.

[Flip]

All right.

[Joe Budden]

We gotta understand.

[Flip]

Yeah. But I'm here. Happy to be here. Happy to see you all. It feels good to watch a bunch of old men yawn and be hurt while I'm over here young and I could kick my legs off stretching.

[Parks]

You didn't do anything right there, bro.

[Flip]

Young. You ain't young.

[Mal]

You're not young.

[Flip]

Two more years to 40.

[Parks]

That's not young.

[Flip]

Listen, I'm a whole lot. I'mma hold on to it. I'mma hold on to it. I'm about to dye my beard. I'm about to get some surgery, lose some weight. I'm about to do something. I need to hold on to that.

[Parks]

You want a bbl?

[Flip]

Maybe?

[Joe Budden]

You gonna dye your beard for real?

[Flip]

I am. Shit. Too gray, yo.

[Parks]

Like, come on.

[Flip]

I got a big gray patch like here. Both sides. Yeah, it's not even gray, right?

[Parks]

That's the annoying shit, yo.

[Joe Budden]

Gray, right proportion.

[Flip]

Right. I got two big Gray patches.

[Ish]

Perfect.

[Joe Budden]

Means you didn't stress enough.

[Flip]

You like that? Means that stress.

[Joe Budden]

You didn't stress enough. You lived a good life.

[Parks]

Are you crazy? No, you're right.

[Joe Budden]

That's what it means.

[Ish]

You could go down to just the goatee.

[Joe Budden]

That's what it means.

[Flip]

Oh, I'm like. I'm like one of them Christmas. I only want to be with you.

[Joe Budden]

All right, y'all. Playing. This is how we be here for five hours. I'm leaving in the first at a certain time.

[Flip]

What's going on today? Why you leaving early?

[Joe Budden]

Nothing.

[Ish]

Got to go rest.

[Joe Budden]

Going on the bed. The bed. Leg compressions and cryotherapy.

[Ish]

I forgot to bring out my little massage gun.

[Joe Budden]

Yeah, break that.

[Flip]

I mean, you're dedicated to the work, cuz. While injured.

[Joe Budden]

I'm twisted. Yeah, I'm twisted still. I mean, better than yesterday.

[Mal]

Yeah, yesterday's the rough one.

[Parks]

Second day is the worst.

[Mal]

Yeah, second day kicked me.

[Ish]

Nah, my Sunday was bad. I couldn't walk.

[Joe Budden]

We went to go for the people unaware. We went to go. We had the bright idea, genius, the genius plan of going to rent a gym on Saturday night at 6pm and play basketball.

[Ish]

That was the problem. Yeah, the start time, I think, was really the big issue.

[Melissa]

We're all, wait, so wait, what would have happened if it would started at 1pm?

[Ish]

It would have been better.

[Mal]

Night and day.

[Joe Budden]

Amen. You just up?

[Melissa]

I don't think so.

[Ish]

I don't think so.

[Parks]

You would have got hurt with the sun. I don't think so.

[Ish]

Our bodies are ready for bed at 6:00. We need to get that early.

[Joe Budden]

I was falling asleep on the way to the gym. Like, I was like, damn, this is normally my nap time. So I think my body was a little confused.

[Mal]

Why are we doing things?

[Joe Budden]

And then, and then the closer we got to the gym now, like the closer you get to the bathroom when you gotta use it, like, you start pissing on yourself a little bit. Like you piss on your thigh a.

[Ish]

Little bit, turtles start coming out.

[Joe Budden]

Little yellow stains on your drawers. Just a little sprinkle like it's that. The closer we got to the gym, my body was telling myself, yo, dog, what are you doing? What are you doing right now? And then we got there, I said, you know what? Let me stretch. And during the stretch, hurt herself.

[Parks]

I said, you stretched?

[Joe Budden]

Yeah, yeah, I was there early. And during the stretch, I'm like this. I'm tired now.

[Ish]

I was tired from the shoot around.

[Joe Budden]

And then I grabbed the ball and did a little shoot around and I say, yo, I'm tired.

[Ish]

I think I jammed my thumb and shoot around. That's really what the most pain is for me.

[Joe Budden]

Oh, God. I have so much respect for anybody that's ever played basketball at any level. Yo. Rudy Fernandez, Hernandez, Jose Alvarez. Anybody I ever thought was J. Cole.

[Melissa]

Obama.

[Ish]

Yeah.

[Joe Budden]

Anybody that's ever played ball. Yo. My. Oh, my God.

[Ish]

Yo, I haven't decided if I need to play more basketball or completely retire.

[Joe Budden]

Yo, it's one of those.

[Melissa]

I think it would have been okay if you had better shoes, though.

[Ish]

Huh?

[Melissa]

I think you would have been okay if you had better shoes.

[Ish]

Maybe, yeah.

[Parks]

What, you was balling in Pumas?

[Mal]

Oh, yeah.

[Joe Budden]

Low top and jeans.

[Parks]

Jean shorts.

[Mal]

Jean shorts is crazy. The answer is more.

[Parks]

I think so.

[Mal]

The answer is more.

[Parks]

It's more.

[Mal]

But you won't. You'll feel better.

[Ish]

This is the first time I played. I played competitive basketball twice in the last 20 years. Saturday being the second of the dog. That's not enough.

[Parks]

No, it ain't 20 for me, but it's a good eight. That was the first time I probably hooped in like eight years.

[Mal]

I thought I had an advantage. Cause it was my second time playing in five. In five. Right. I played a few weeks ago, you know. Yeah, no, I got to a point I thought I was gonna have the jump too. Cause I shot on Friday.

[Melissa]

We all thought you were gonna have the jump, but, yeah, it didn't really turn out that way.

[Mal]

It didn't turn that way at all.

[Parks]

I ain't gonna lie, though. Pre injuries, that shit felt amazing.

[Ish]

It did.

[Parks]

Oh, even gasping for air felt amazing.

[Joe Budden]

It did.

[Parks]

You know what I'm saying? Like, being tired, all of that shit. Pick left. Watch out. The bump the bru. All of that shit felt good.

[Mal]

Oh, it was fun.

[Parks]

My feet ain't get the memo. Like, none of my body feet. My brain is like, yo, I had Keeb sticking me. I thought that was a little insulting.

[Ish]

Nah, Kee was the iq.

[Flip]

Keeb was the mvp.

[Parks]

Shit, Joe's the mvp. But Keebs in shape more than all of us.

[Mal]

That's what I'm saying. Keep. Stay healthy.

[Joe Budden]

High basketball IQ he did was in great shape. That IQ shit. As you age, you start to see our bodies ain't good for shit. That's good for me.

[Parks]

I was like, yo, like, cool.

[Joe Budden]

I had a good time. That was a great idea. Next time I will do things differently. I have some subs.

[Ish]

Yeah, yeah, we could. We could have read threes and used them and subs.

[Joe Budden]

Subs there. Next Time, cuz. When I posted the picture of me and Mark looking half dead, laying on the floor like the niggas, I know that hoop a little bit, they was hyped. Yeah, yo, your bum ass went out there, let me know next time, let me know next time. I was like, okay, I can get some subs in this thing. But I think that's exactly what my 44 year old ass needed. That's exactly what I needed to do at 44 on my sit down on the couch and talk job for the last 10 years. I needed to go out there and run my body around and see the effects of the shit. And boy, did I wake up, call.

[Ish]

I work out and I thought that was enough. It's not enough.

[Mal]

It's not enough if you don't play ball. What they say is when you're young, you play ball to get in shape. And when you get older, you have to get in shape to be able to play ball. Because when you hit your 40s, your skill diminishes with your lack of conditioning. So you can't shoot if you don't have any legs and mobility because your.

[Parks]

Mobility, coordination is off. Just even shooting a jump shot, you're not planting your feet the right way. All of that shit.

[Ish]

Yeah, my mechanics were horrible.

[Parks]

It was horrible. I couldn't show us. We think we just got it.

[Joe Budden]

I got it.

[Parks]

Niggas think like I go out there.

[Joe Budden]

And pick the ball up. The funny part is how I was talking before this game. Oh yeah, I, I had the 31.

[Melissa]

Year old picture of myself every day in here.

[Joe Budden]

Wait, hold on, hold on, hold on. What'd you say?

[Ish]

A little hate?

[Melissa]

No, no, absolutely.

[Ish]

Make some time for a little hate.

[Joe Budden]

Go ahead.

[Melissa]

Absolutely.

[Parks]

Said you think you 31 every time they come in. No.

[Melissa]

What? He just said no, no. Thinking that, you know.

[Joe Budden]

Oh, she's talking about that male macho bravado that will just lead with our ego.

[Melissa]

You guys definitely support each other's delusion up here.

[Joe Budden]

Yeah, she has a real version of what we. Through the female gaze, but she won't ever tell us because our egos are fragile too. And she knows that working with us.

[Melissa]

Listen, I'm.

[Joe Budden]

That's really the truth.

[Melissa]

It is. I'm an interloper here. I'm the only girl.

[Joe Budden]

But it's also reciprocated.

[Melissa]

How's that? What do you mean?

[Mal]

Ho.

[Parks]

Wham.

[Ish]

He's saying you ain't no spring chicken yourself.

[Melissa]

I've never claimed to be so. But the, but the record is the record. No I'm saying we can see where Melissa is five to six days a week on her Instagram page. Getting her mobility up, getting her strength and endurance up.

[Flip]

Talk about it.

[Joe Budden]

No.

[Ish]

What sport do you play?

[Melissa]

Pilates?

[Ish]

No. What if you were to play what we just did? What would that be? Volleyball? Softball?

[Melissa]

Volleyball or baseball?

[Joe Budden]

You. You are healthier than us. Clearly, in Samaria.

[Flip]

Yes, she is.

[Joe Budden]

The reciprocal part is we are much healthier than you in Samaria's.

[Melissa]

Please elaborate.

[Joe Budden]

I can't.

[Mal]

Don't get crazy.

[Joe Budden]

Are you fucking crazy? You think I was bored yesterday?

[Flip]

A lot of us are in relationships.

[Joe Budden]

Wait, what did he say?

[Parks]

What you just said.

[Melissa]

You think that's what makes.

[Joe Budden]

Wait, what did he say?

[Flip]

Because a lot of us are in committed relationships.

[Melissa]

Have you heard the statistics about single, childless women being healthier than their counterparts who are. I'm very well aware of it. However, men who are in relationships are healthier than their single counterparts.

[Mal]

That's true.

[Melissa]

Yes.

[Parks]

I was going to say, quote the.

[Joe Budden]

Quote.

[Parks]

Statistics.

[Melissa]

No, that's the. Yeah. No, that's the.

[Joe Budden]

She be ready to go in. She got all the.

[Melissa]

Agree with me.

[Joe Budden]

I got the. Out of there. I'm out of there. I'm out of there. That's a smart. I know.

[Flip]

It's not a flip.

[Parks]

Nope.

[Joe Budden]

I'm out of it.

[Flip]

I'm out of it, too.

[Joe Budden]

You crazy?

[Flip]

I just feel like a lot of us are in healthy relationships and we're happy.

[Joe Budden]

No, but here's my icing on the mail cake. And then I'm out of here.

[Parks]

There you go.

[Joe Budden]

There you go. No, I think that some of us would be able to handle your truth about us better than you would be able to handle our truth about you. But just keep that in mind as you're calling us fragile. And you use the word fragile, but you agree.

[Melissa]

You use the word fragrance, but you agree. I didn't say that our shit is fragile.

[Joe Budden]

It's all right. But that's also what I learned out there. I'm fragiler than I thought, yo. I'm fragiler than I thought, yo. You know what I fucking thought of in the following days after we worked out? You know what I'm so grateful for?

[Ish]

Advil.

[Joe Budden]

You know what I never thought. Yes, Advil.

[Ish]

Ice. Knees, ankles, thumbs, Stomachs is one for me.

[Joe Budden]

I never thought about just how many times I use my knees in life because I'm blessed to be healthy. But all that sitting and bending and getting up and. They almost killed myself trying to take a shit the other day. I almost missed the Whole toilet, sit down, be rough. I almost missed completely thinking I know where shit is.

[Parks]

No. And when you get up, you got rocked rock.

[Joe Budden]

You get up, you got flag to get naked. I had to reach for something to get up the other day. It has been bad.

[Ish]

I took like an hour long bath. Like a. Oh, my God, Epsom.

[Joe Budden]

Yes.

[Ish]

That shit worked too.

[Parks]

Epsom is the truth.

[Ish]

I didn't. I've never had that success with Epsom before. That shit got my ankle right.

[Parks]

You've never been 40 before.

[Ish]

That's true.

[Mal]

40 different.

[Parks]

Epsom, don't play with them.

[Joe Budden]

That's what happened with me. My girl tricked me into go doing some shit I never heard of. She see me in the bed dying and crying like a bitch, says, yo, I'm gonna book you some cryotherapy. She got athlete kids. She got athlete kids. So she thinks you got to step up in some information. Thank you, baby, for helping me out. Book it. I don't know what the fuck that is.

[Ish]

That's the ice bath shit.

[Joe Budden]

I don't know. I don't know what it is though. I'm just telling a story. I don't know what that is. But your girl say it can help you. She loves you. She got your best interest. Go ahead and book the shit.

[Ish]

Little criminal therapy.

[Joe Budden]

I go in there, I don't know what the fuck I'm doing, but I'm in this bitch. And they point me to some little closet and they say, all right, get down to your boxers and put all this stuff on. I started looking at the little utensils like a Resident Evil or one of them games where you unlock some. It's gloves. Ear muffs. Wait, it's gloves and then mittens for the gloves. Oh, it's earmuffs. A big ass, thick ass, Scully. Some eye shit. Oh, it's Madison.

[Flip]

I'm way.

[Joe Budden]

I'm like, wait, wait, wait, wait, wait.

[Ish]

Oh, you like Mr.

[Joe Budden]

Freeze?

[Mal]

I said, wait, wait.

[Joe Budden]

What you doing in there? Like, oh, yeah, you just gonna get in this thing? Have you done this before? We just gonna make this negative 175 degrees, stand there for about three minutes. Any songs you wanna listen to.

[Parks]

You did three minutes.

[Melissa]

That's all you do. That's the highest.

[Joe Budden]

That's not the highest.

[Parks]

You got the three minutes.

[Joe Budden]

It's not the highest.

[Parks]

Yes, you got the three minutes.

[Joe Budden]

That's not true. I did 245.

[Parks]

How about to say that's gangster shit?

[Melissa]

I was gonna say that, but there.

[Joe Budden]

Was a four minute option. Apparently my step kids do Four minutes.

[Melissa]

Wow.

[Joe Budden]

Yeah.

[Parks]

Twice a week, the homies do four minutes.

[Joe Budden]

So I go in there. Well, I say, chris Brown. That's my new thing now, the MRI people. What'd you want to hear? Chris Brown. What you want to hear? You got a song you want to hear? Throw on some Chris Brown. So I get in there, that shit fog right up. Now you can't see shit. I'm in there freezing, talking about some fucking Robotussen. I don't know how this shit got me. Biggie right now, baby. That was the slowest 2:45 in the world. The clock right in front of you. Clock right in front of you.

[Parks]

Close your eyes.

[Joe Budden]

That's what makes it worse.

[Parks]

Gotta close your eyes.

[Joe Budden]

We take time for granted.

[Parks]

Yeah, we do.

[Ish]

Yeah.

[Joe Budden]

Three minutes is some shit now. If you're doing some shit. Yeah, but I did it. I got out of there. I want to thank you guys for coming out. I'm glad everybody came outside.

[Ish]

It was fun as hell.

[Joe Budden]

It was fun.

[Ish]

Even with the injury, it was fun.

[Parks]

That shit was fire.

[Mal]

Yeah.

[Parks]

Like, I'm mad. I got fucked up. Cause I'm like, yo, we could do this every two weeks or three weeks.

[Flip]

Shout out to the Hebrew Globetrotters, my man that was in the building. Know what I'm saying, Buck?

[Joe Budden]

Shout out to Buck D. Did Dirk.

[Ish]

Thanks. Take it easy on us.

[Joe Budden]

Buck, my guy.

[Flip]

Yeah, yeah, yeah.

[Joe Budden]

Thank you.

[Mal]

He was definitely taking it easy on us.

[Joe Budden]

Buck has been Jersey City All American athlete for 25 years now. Forever. 25 years now. Yeah.

[Flip]

Hey, you know what? I realized that Mark is a man. Like, even though I feel like he pandas, he's a man's man, right? Cause when his wife came in the building, that nigga turned to Super Saiyan. He made sure I said, oh, look at Mark. I watch you carefully.

[Mal]

Super what?

[Flip]

Super Saiyan. Meaning what? That means a power up. Super Saiyan is Dragon Ball Z. Like, Goku powered up. And you just powered up. And I'm watching.

[Parks]

He was there from the first play.

[Flip]

Yeah. Nah, nah, nah.

[Parks]

I seen. I'm telling you.

[Flip]

All right, Let me just get my shit off. Let me get my shit off, man. I know you want to save him, white man. Listen, Sorry.

[Mal]

I'm sorry.

[Flip]

I just saw Mark when I watched, because Mark was, you know, shooting, but he just. To me, he went harder. Nigga, he said, I'm not going to look like a chump in front of my. In front of my lady. And she was supporting him.

[Mal]

And that's how I play. Anyway, I was talking shit to Corey. From the first play.

[Parks]

From the first play. No, that if he don't call foul, he don't get the ball. I'm like, okay, it's real now, because Imani gave Joe a foul. He's like, yo, he ain't call. He don't get no ball. Fuck that.

[Flip]

Imani really tried to hurt Joe.

[Parks]

That's what he want.

[Ish]

Not Imani. Joe's going at it.

[Flip]

I don't know.

[Mal]

That was my favorite thing to watch.

[Flip]

I don't know what was up with them two niggas. That's suspension. That's suspension. Joe like. Joe like, he's trying to hurt me. He came.

[Joe Budden]

No, Amani, really, you're right. He got some type of anger pent up about something that I don't know about. He tried to hurt me. He brought brass knuckles. Yo, that one play landed on my foot, like, on purpose. I felt like I was playing against that little dirty white boy. That's on Phoenix now from Duke. Grayson. Grayson Allen. Allen.

[Parks]

Grayson Allen.

[Joe Budden]

I felt like I was playing Puerto Rican. Grayson Allen. He tried to end me out there. God damn it.

[Mal]

Yo, he was intense. I was like, yo, you wanna switch? He was like, no, I will not switch.

[Ish]

I had to switch out with him at some point. Joe was giving him buckets all day.

[Mal]

Yeah, after the fifth bucket, I was like, hey, let's switch. He was like, no. Then you switch.

[Joe Budden]

Then back to that pride, back to that fragile ego. Yo, that's another thing. That is one of the moments where your ego has to be, like, tested on the. When your teammate look at you and be like, yo, you wanna switch? Let's switch.

[Parks]

I take this.

[Joe Budden]

No.

[Parks]

Especially when you over there getting cooked.

[Ish]

Yeah, you gotta switch.

[Joe Budden]

If you're getting cooked, you gotta switch.

[Parks]

You gotta switch.

[Mal]

You gotta switch. He ain't want to switch. I was happy.

[Joe Budden]

You ain't gonna let no five points.

[Parks]

He gonna not letting you switch. Five.

[Ish]

You might have had more than five.

[Mal]

At the point where I asked him to switch, I said, switch, I'll take him. He was like, no, I got him.

[Melissa]

And y'all were like, wait, you had five.

[Parks]

He had eight.

[Flip]

Joe had eight points.

[Parks]

Yeah, yeah, he had eight or nine.

[Flip]

Joe's mvp.

[Mal]

Seven of them were on the R B singer.

[Parks]

Oh, no, no, you're not gonna do that. Wait for E to get here.

[Mal]

I'm be here for Patreon. That's. I'm saving my. Nah. It was so much. We all. You know, it was. It was a lot of fun.

[Ish]

We were horrible, but it was so much Fun.

[Parks]

Yeah, it was fun.

[Mal]

It was. It was.

[Ish]

I can't wait till the video comes out so people can roast us.

[Mal]

Are they gonna cook us?

[Joe Budden]

Oh, my Lord.

[Ish]

What?

[Mal]

As they should.

[Joe Budden]

I'm not watching that, but I appreciate it. I'm gonna treat myself better. Word.

[Parks]

I wanted to ride the peloton in the morning with the fucked up Achilles.

[Ish]

I tried to work down.

[Parks]

It was terrible.

[Joe Budden]

Yeah, I'm gonna treat myself better. I text the trainer, go high. It's time.

[Mal]

Are we gonna commit to doing this once a quarter? Once a month? Once every other month? We'll play better if we play more.

[Parks]

The more you play, you'll start getting your everything back.

[Mal]

You'll start to get your coordination.

[Melissa]

Why don't we do different, you know, activities that, like, encourage, you know, more mobility?

[Ish]

I'm down for some volleyball.

[Melissa]

Volleyball?

[Parks]

What the is pickleball?

[Ish]

It's like.

[Mal]

Tennis for old people.

[Joe Budden]

If we do volleyball, I'm wearing the MCM and pumps in the bump shoes.

[Ish]

Indoor.

[Joe Budden]

Indoor. Where's Penos at the indoor garden telling you how I'm on it. If we do a volleyball.

[Flip]

We'Re in spanks.

[Parks]

Oh, man.

[Joe Budden]

I'm down for some bowling.

[Flip]

Bowling before.

[Ish]

That's easy.

[Mal]

I'm down.

[Joe Budden]

Laser attack. I don't know if this is a skydiving bunch. I did that already.

[Mal]

Jumping at.

[Joe Budden]

I'm not so mad at paintball.

[Mal]

I never.

[Joe Budden]

Paintball guy.

[Ish]

I could do paint.

[Mal]

Why don't you pick the activity so you be included? Why don't you pick the activity?

[Melissa]

These are the ones I can definitely do paintball. Volleyball niggers.

[Flip]

Which paintball or the one in pa the one with the.

[Melissa]

Where we're at. Like, outside?

[Flip]

Yeah. Put us in the forest.

[Joe Budden]

Yes.

[Mal]

Oh, I'm gotta do that.

[Melissa]

Yes.

[Parks]

I don't do that indoor. You gotta be outdoors.

[Flip]

Got you, my man.

[Ish]

I just got paintball standards. My bad.

[Parks]

Once you play outside outdoor paintball, you don't want to do that. You got the gun.

[Ish]

Okay.

[Parks]

You got the gun? No, I use this. My man and them had the gun. Them shits was 3 and $400 with all like. Like, yo, my nigga spent. Once you play tactical, it's like, all right, I'm never.

[Flip]

You don't want to play inside anymore.

[Joe Budden]

And I told y'all that somebody at my mom about an escape room. You know, Rochelle, you already know.

[Ish]

I haven't done that a minute.

[Mal]

Me either.

[Parks]

Escape rooms was our.

[Joe Budden]

So.

[Ish]

Yeah, always.

[Joe Budden]

I've always follow up on that. That might. That might be a good time.

[Ish]

Ball's an easy one, though. We should definitely do that pool.

[Joe Budden]

Pool might be pool.

[Ish]

I wouldn't be mad at like a whole little like bar. Bar.

[Melissa]

Ax throwing?

[Ish]

Yeah, I've never done that.

[Mal]

But I can shoot. I've never done no axe.

[Parks]

I've never done that.

[Joe Budden]

I've done an axe.

[Parks]

I can't shoot. And I'm trash. And pool. I'm trash.

[Joe Budden]

We really sound old. We have officially like that whole 10 year anniversary. We sound old as hell. Even though all the games y'all playing last time, many, many 15 years ago, however long. That was when I decided to leave my poconose room and go to the lodge, the central meeting area, the game center. I killed all them little white boys that was in there. Nigga, you crazy?

[Mal]

Darts.

[Ish]

Oh, darts.

[Joe Budden]

Darts, air hockey. What else they had in there? Ping pong. All these little 12 year old rich white boys.

[Parks]

You nice in ping pong?

[Joe Budden]

No, but I was better than them.

[Parks]

Gotcha.

[Joe Budden]

Yo, bring the kickball back, yo, after Saturday. I'm not saying I'm nice in nothing no more.

[Parks]

Nothing? No, nothing.

[Joe Budden]

I don't think I'm nice in nothing no more at all.

[Mal]

You gotta reevaluate. You can't have your 1996, 2006 mind because your body still think it's that. Like, my body still thinks it's 96 for like bursts of speed and then it's over. Then you'd be like, nigga, you can't play no more. Like you, you.

[Joe Budden]

I could have killed Mark ass. His little fast ass was zoomed to a spot because he fascinated by it. And then just be there. Yeah, shoot the ball. He's zooming around.

[Parks]

And everybody confidence was up.

[Ish]

Yeah.

[Parks]

Nobody was shooting.

[Joe Budden]

No.

[Mal]

Oh, I was like. I was scared to shoot at him.

[Parks]

Nobody.

[Mal]

I bricked the car. I was like, yeah, I'm gonna try and just pass. I'm gonna beat my man and pass.

[Ish]

That's what we were all trying to do.

[Parks]

Yeah, yeah.

[Joe Budden]

Game. Game 11 used to go a lot faster.

[Parks]

That shit took an hour to way faster.

[Joe Budden]

Game 11 used to be quick, but not so much when can't nobody score.

[Mal]

Yeah, yeah.

[Joe Budden]

My man was right under the basket with it. Who you? Everybody.

[Parks]

I'm just the dog. Every video I saw, layup after layup after layup, niggas DNA shooting that shit over.

[Joe Budden]

Over the backboard, yo.

[Parks]

It's like, yo, this is terrible.

[Joe Budden]

All right, y'all keep going. I'm assign up at the senior citizen center. Y'all keep it up. I'mma sign y'all up all right, we ready to work. We ready to go. We ready to go.

[Parks]

Let's go.

[Joe Budden]

Okay, let's go.

[Parks]

Eight, seven, six, five, four, three, two, one.

[Joe Budden]

One.

[Parks]

One, one.

[Joe Budden]

Oh, yeah. Mike check. One, two, one, two. Rest in peace, Angie Stone. Shout to wherever you might be listening from real all over the world. Always for the ladies. Always for the ladies. It goes friend. Shout out to the first and last time listeners all the subgroups out there.

[Melissa]

It's funny now you want to spend.

[Joe Budden]

Your money hey, girl, you forgot when you were down 30 and up. 30 and up right now 40 and up right now 40 and up. Hey, call again. What in the world is happening? Shout the kids out there, all the college listening, all the high schoolers, all the jails all over the world Turn it ironic all you want to do is you forgot when you work out. Hey, I can't, I can't sleep anymore Waiting for love to walk through the door Wish rest in peace, Andrea. This is my shout out to the neo soul chicks out there. Hey, memories don't live like people. All right, what we start with? What we start with here? Forever. Y'all figure it out. Y'all gotta burst in a bridge to figure it out. Hey, hey. Whole New York City.

[Parks]

Whole New York.

[Joe Budden]

Big Jersey. Big Jersey. Shout out to the athletes out there. I can't anymore. Waiting for love to walk through the door. Flip and Mel and Mark. Mark, Mark. All right, what episode is this?

[Ish]

805.

[Joe Budden]

Welcome to episode 805 of the JOE Button podcast, brought to you by a few by Powered by Prize Picks. Pride Fix gang. Yeah. I'm your humble, gracious, grateful, happy to be here fully dressed host Joe Button here with some really amazing people to my right. You know the vibes big informalist afford is in the building. Queens. Flip is in the building. Queens get the money. King Wawa. Big Ish is in the building in his walking.

[Ish]

Your wheels anymore with that?

[Joe Budden]

Yeah. You're not wills. I told them. At least they ain't giving that little the section 8 blue little sandal walking boot that they be giving you out the little glass container thing of a jiggy.

[Parks]

You got that first.

[Mal]

You got good coverage. That's that.

[Joe Budden]

Yeah. You ain't got the soft, soft little k. You got good insurance. You got good insurance right there. Yeah. No it matters. You on your wife's yet big freeze. The freeziest ice is in the building. Dr. Mark Lamont Hill is in the building. Elmira's finest parks is here. Bo is here. Corey is here. Erickson is here. Keeb and Ian are here. Savon and Tanner here by remote. Last but certainly not least, each and every one of you guys are here. You've heard about our weekend. I ain't do shit.

[Mal]

That was the weekend?

[Joe Budden]

Yeah, that was it. That was the weekend. Well, I went on. The fight was after that.

[Mal]

That's right. I did go out to dinner Sunday night. I did go out to dinner, and I felt every minute of that. I'm talking about getting out the car. Getting into the car, sitting to. Oh, yeah, no, we went to some steakhouse in Montclair. That shit was like, man, I couldn't pick up the fort. My eyes was hurt. Everything was hurting. Lord.

[Joe Budden]

Did your wife know just how much pain your body was in, or did you try to tough it out?

[Mal]

I got a pretty high pain threshold. Cause I'm always getting injured from shit. You know what I mean? And so she heard me say that we might try this again. That picture I sent you of us on the ground, she took that picture. She didn't send that to commemorate it. She was like, stop, stop. She's like, look, this is what y'all look like whenever y'all think about doing this shit again. Look at this picture.

[Joe Budden]

Your wife is right. Let's just be wise later.

[Mal]

Exactly. I ain't gonna listen. We ain't gonna listen.

[Joe Budden]

Yeah. I didn't do shit. I stayed in bed. I stayed in bed. I didn't go nowhere. This might be the first weekend ever where I just didn't move. Baby free.

[Ish]

12 hours sober after that. That's wild.

[Melissa]

That Epsom salt bath will do that to you, too. Lay you out.

[Parks]

I shot down Orlando for my niece. Birthday party. Shout out to Baby Kylie.

[Mal]

You a good bro.

[Parks]

I've learned.

[Joe Budden]

I just love kids, man.

[Parks]

I just learned that I gotta learn how to swim. Yo. It really hit me, like, my daughter is daddy. Let's go. She take off, and I'm rolling with her.

[Joe Budden]

Come on. All right. Come on.

[Parks]

And you get to that little five feet, and your toes start to brush up against you. Five, six. So you only be, like, right here. You start realizing, like, all right.

[Joe Budden]

Is she going?

[Parks]

I'm like, yo, dawg, come back, bro. So that's my plan. I know how to keep saying it. I'm gonna learn how to swim.

[Mal]

Yo, if you. If you want to take a group class. Because I've tried to learn how to swim, like, four times.

[Parks]

You can't swim bad times.

[Mal]

You can't be that surprised.

[Ish]

A little surprised.

[Joe Budden]

Hey, that's racist.

[Mal]

I don't know how many of y'all can swim? Show of hands. Who can swim? Oh, I'm just gonna make a draw. Melanin? Really? So immigrants can swim, right? I meet a lot of Jamaicans, a lot of West Indians, Islanders. I know people can swim. Black Americans. Well, you're not Ados.

[Flip]

I'm not Ados, but we don't swim.

[Joe Budden]

Yeah, yeah.

[Parks]

No.

[Melissa]

They threw me back in, like, six months. I joined a baby school for swimming.

[Joe Budden]

Yep.

[Mal]

I almost. Your mom did that?

[Melissa]

Yeah. Well, yeah.

[Flip]

I almost drowned twice, so that's how I learned how to swim.

[Mal]

Oh, that's the other way. Okay.

[Joe Budden]

Somebody had the right idea. If somebody could have.

[Flip]

Joking.

[Joe Budden]

Followed through.

[Flip]

I almost drowned at Dunn's River Fall in Jamaica. Then I almost drowned in New Jersey at my cousin's pool when I was younger.

[Melissa]

Dunn's River. Like the waterfall thing?

[Joe Budden]

Yeah.

[Flip]

I almost drowned. Who threw you in that alligator palm? One of them shits. I almost. I drowned. Almost drowned. And they helped me three times.

[Joe Budden]

Almost. Good plan.

[Flip]

I drowned in Montego Bay, and then I almost drowned in New Brunswick.

[Ish]

That's a lot of times.

[Joe Budden]

Yeah.

[Flip]

The lady jumped in and helped me, and I was panicking. She's like, yo, calm down. Cause I was pulling her down.

[Ish]

Oh, shit.

[Flip]

Never forget. And then I had to learn. I just learned how to swim each time.

[Joe Budden]

Were they able to get all of the infested water from out of your brain? Did they move mouth to mouth?

[Flip]

Yo, Joe, I'll F you up today. You're injured today.

[Joe Budden]

I'll whoop your ass. Did they vacuum some shit?

[Flip]

No, it was scary.

[Joe Budden]

But you put a catheter in your ear.

[Flip]

I learned how to swim by default. And then I'm down, though.

[Mal]

Let's do it. I know.

[Flip]

He's scared, too. He don't know. He don't want to swim. I told him. I said, joe, you should go try to learn how to swim. I have to as an adult. It's dope.

[Parks]

I have to. And I took. You took your daughter know how to swim?

[Joe Budden]

Yes.

[Parks]

How'd that happen? Damned if I know.

[Joe Budden]

Cause kids are like. Kids are like dogs.

[Parks]

No, I took my. I took my daughter to learn. I took my daughter to learn, but she was a little too small. I took her when she was like, six, eight months.

[Mal]

That's where you should start. The one I'm trying to do it.

[Parks]

My daughter on her back doing all this shit.

[Mal]

My daughter's a lifeguard.

[Parks]

I'm like, all right.

[Mal]

I taught my daughter. I took my daughter to swim lessons, like, from age 6. Months, till about 12. She took swim lessons. She's a lifeguard. She could do all that. I tried to do the lessons. It didn't work.

[Flip]

Do you panic when you get in the water? Do you panic?

[Parks]

He five, six, two, though. I'm five'ten they can only come in like right here.

[Mal]

Why? You know what?

[Parks]

Yo, you good? Yeah, I'm straight. I can step on your foot. That's cool.

[Flip]

You can't swim, right?

[Joe Budden]

You can.

[Parks]

Yeah, I can swim. I can't. I can't tread and I can't float like that.

[Melissa]

That's what I thought was. So how do you. How can you swim and not tread? I don't get that.

[Parks]

When I jump off the diving. I could jump off the 30 foot joint. Like in Maplewood, they got the high joint. 30 when you get in the water.

[Flip]

Yo, don't play that. Don't play family.

[Parks]

Stop.

[G]

All right.

[Joe Budden]

I hate to be the bearer of bad news, but it's been about 45 minutes of we all. Yeah, yeah. At some point we do have to come to work, work and speak about things.

[Mal]

Can I say something about Angie Stone?

[Joe Budden]

Sure, go ahead.

[Mal]

Angie Stone, first of all, rest in peace. Angie Stone. She's one of those people who.

[Joe Budden]

Oh, wait, hold on. You better be serious. At least let the hook go.

[Mal]

Oh, sorry.

[Joe Budden]

All right, all right. That's all I needed. All right, all right. Back to the legend.

[Mal]

Yeah, legendary Angie Stone, Neo soul legend, all that. I didn't know her well, but I knew her well enough, you know, I knew her to speak. Interviewed a bunch of times. Real good people. One of the few people that when they die, everybody has good things to say and doesn't have to lie or doesn't have to remain silent. But the thing that I want to say about Angie Stone, I think is important is that a lot of people only think about her as a neo soul goddess and they forget that she is a hip hop pioneer. As much as, you know, no Rain in this Cloud and all the songs that came out, you know, when she made that album in 99, which is great, she's part of Sequence, you know, and sequence, you know, when hip hop is really moving, when we move from disco to hip hop and you start to hear hip hop as a party sound, she's the voice of that. She's the soundtrack. And the other two sisters are the voice of that. Sequence is a hip hop pioneering group. They were the second act sign of Sugar Hill Records. They were major hip hop act. And when we do the hip hop commemorations and the 50th anniversary. Sometimes we leave out Angie Stone and we leave out. Or Angie B at the time and we leave out sequence. I'm just saying, as we remember her, let's really write her in the history and not just in the R and B. That's it.

[Flip]

Got you.

[Joe Budden]

I agree. That was very well said.

[Mal]

I'm good at the talking job.

[Parks]

That's why you command the big bucks.

[Mal]

I command them.

[Parks]

Get them.

[Joe Budden]

They might sprinkle some silence out there for two seconds. You gonna let him do that?

[Melissa]

What.

[Joe Budden]

You gonna let Mark smoke your fucking boots on the end? That was your topic, girl. Nigga, Mark. Mark came on the lake.

[Mal]

He bought the sand on the train back.

[Joe Budden]

Yo, when I get to the Angie, I'm gonna take it to the lawsuit and how I survived my accident.

[Melissa]

And y'all put a stop to that because you did not want to saddle Mel.

[Flip]

Get it back, turn up Mel.

[Melissa]

You didn't wanna sad out the party. I don't think Mark was here when we had a discussion about, you know, the fact that when a loss like this happens, you could say that this was before her time. This was a tragic accident versus somebody that we're aware has, like a long running health issue and then they end up passing away. So the conversation I was trying to see if the guys wanted to talk about is the process of loss. When it's something like that. And then especially where she was going, she was on her way to do something to sing the national anthem. And then that was just really strange how the people at the game handled it. Was like announcing it, like, oh, well, yeah, like our halftime.

[Joe Budden]

I have a problem with that.

[Melissa]

I have a huge problem.

[Joe Budden]

I have a big problem with if an artist is about to perform somewhere, you're announcing to that audience, hey, y'all, the act just died.

[Ish]

Yes.

[Parks]

Wow.

[Joe Budden]

I think that that's absolutely nuts. I don't know that everybody knows that that's nuts. Maybe they didn't know a better way to handle that. But I think that was totally the wrong way to handle it. If I was a ticket goer, I would be. I would be distraught. I would be asking to see somebody.

[Melissa]

Yeah, I agree.

[Mal]

Oh, go ahead.

[Parks]

No, no, I heard the announcement. It was. It was. She was performing at halftime. The gentleman walked out, he let the crowd know, hey, can I get a moment? Can everybody stop? And everybody got quiet. And he was like, you know, we were supposed to have the legend Angie Stone before a couple people started clapping. And he said, unfortunately, she passed away in an accident. So everybody was Like.

[Joe Budden]

Like what?

[Parks]

Like you could hear.

[Joe Budden]

You don't get out there.

[Melissa]

No, I feel like it would suck the air right out of the room.

[Parks]

And then he asked for a moment of silence. Everybody gave the moment of silence. Then they. You know, they clapped and everything and went on. But I personally, I'm not mad at announcing, hey, listen, something just happened. And this is. Why.

[Joe Budden]

Don'T nobody have a problem with you announcing something just happened. Right.

[Melissa]

But not.

[Joe Budden]

You came out there and said, she passed away. She passed.

[Flip]

Yeah.

[Joe Budden]

We don't have no beef with something just happened. Oh, my God. An emergency. Unfortunate incident. It's not your place to get out there and tell these fans that the act has perished. Right. It's not your place.

[Mal]

It's also the age of social media.

[Parks]

I'm just getting ready to say read it on your phone.

[Joe Budden]

No, no.

[Mal]

What I'm saying is, if I'm in the stands and I tweet, oh, my God, they just said Angie Stone died. Now Angie's son or Angie's aunt or Angie's brother, who doesn't know they're dead yet, has to read that on Twitter.

[Parks]

Well, I don't know if. If this occurred, if that person got the information. Like, I don't know if they got it before social media. They could have got it from. They could have got it from there as a TMZ post go out.

[Mal]

Oh, that's fair. That's possible.

[Parks]

And then they announce to the crowd. That's fair, because the news is already out there. You don't want to put that on the authorities, the local authorities. Not gonna come to the CIAA tournament and be like, yo, I thought.

[Joe Budden]

What? Her.

[Mal]

I thought her team called. That's what I assumed. But either way, to the other point, because I think that's a great point. You're right. I pulled that one back. But the idea of, yo, you just sucked the air out of this room, everybody in this room is now devastated to hear it. They hear some people came there just to hear it. And Stone, I believe that.

[Joe Budden]

Yeah.

[Mal]

That's crazy to find out that she's just dead.

[Joe Budden]

I don't think you do that. I just don't think you do that to people. I don't know what the proper protocol is. I'm not pretending to know. You should not put people in that spot.

[Mal]

Shit.

[Joe Budden]

When we was on the road, when we found out Nipsey died.

[Parks]

No. What's the dude. The white dude.

[Mal]

Mac Miller.

[Flip]

No, Paul Walker.

[Parks]

Y'all was on tour.

[Joe Budden]

Paul Walker. No, no.

[Flip]

Dj.

[Parks]

DJ Am. Yeah.

[Joe Budden]

DJ Am and DJ am.

[Parks]

And y'all was with his man Travis. Travis and him.

[Joe Budden]

Yeah. I mean, that's a little different. Cause that was. We just happened to be there for a personal call where we found something out. When Nipsey died, we was on our way to a stage.

[Ish]

Yeah.

[Joe Budden]

Oh, wow. And had to perform. And the news had just broke, and.

[Ish]

We were in Cali.

[Joe Budden]

The entire. We were in Cali. The entire building wasn't really there. Like, the whole place was elsewhere. There was an energy in the room that made it a difficult night for everybody. I think we said a prayer at the end or some shit. Like, it was tough. So I just don't think you put that feeling in people that came to a show for a show, let them find out, just say, hey, we've had an emergency. There's some unfortunate. Yeah, I agree with that. As a performer, I don't agree with it. Maybe as a consumer, you wanna know that. As a performer, I don't agree with that at all. Yeah.

[Melissa]

And also, like, with social media, a lot of times reports go out prematurely where the person might not have passed away. And we've seen that happen before where. Before the family has a chance to make their statement, people are just like, so and so died. And it's just like, no, they're still on life support, but it's not for us to have a discussion about. So I would be really afraid to be the one that announces this to a whole crowd of people before it has, you know, without making sure that the confirmation is really actually the confirmation. Like, I would err on the side of caution and say, we had a performer, there was an emergency, we apologize, and that's really. And leave it at that.

[Parks]

Yeah, we just. We don't know the timing of when they got that. The timing matters. Cause when it was officially out, they could have got it then. And then. I'm not mad at that, because nine times out of 10, most of y'all are gonna know anyway.

[Mal]

The last piece of this for me is also people who were tweeting just wild shit. Like, people were tweeting, like, the truck itself. They were tweeting the van that got flipped over.

[Parks]

Cause she was the only person to pass, too.

[Mal]

She was the only one that passed.

[Parks]

She was the only one that passed.

[Mal]

And they were showing these graphic images, and y'all out there like, people are human beings. Somebody loves them. And if you're famous or not, it doesn't matter. Like, nobody wants to go on Twitter and see the person they love dead on Their timeline or the van crushed on their timeline. Like have some decency. Post a still picture.

[Joe Budden]

Unfortunately, we're living in yesterday. Yesterday. I know you're living in yesterday.

[Parks]

And everybody, most a lot today are so desensitized to that.

[Flip]

Yeah.

[Parks]

Where they could look right at that image and scroll.

[Joe Budden]

As horrible as the image was, that was one of the nicer images as it relates to our entertainers passing.

[Mal]

That's true. That's sad.

[Joe Budden]

It was like the aftermath. I didn't see the actual accent.

[Parks]

There's a video going around right now.

[Joe Budden]

That's the actual accident.

[Parks]

No, not of that, of someone else. That I don't even want to talk about.

[Joe Budden]

Oh my God. No, no, no, no.

[Parks]

I've been trying to avoid it. I'm not even going on social media, bro.

[Joe Budden]

Right. That story in and of itself.

[Parks]

Exactly.

[Joe Budden]

And I'm not familiar with the young man, rest in peace, five year old daughter. He's a young rapper and his five year old daughter. This is in Texas. Dallas, Texas. I want to say that this is in Dallas. Like, oh, I can't. Yeah, I can't even.

[Parks]

We got his name.

[Flip]

G. G Dollar sign. Little Ronnie.

[Parks]

Little Ronnie, yeah, yeah.

[Flip]

And his five year old daughter. Fort Worth, Texas, you know, was ambushed at a car wash. Rest in peace.

[Parks]

Different out here, Danjie.

[Joe Budden]

Shit.

[Ish]

Reminds me of just how vulnerable entertainers and performers are that tour and travel and rely on that for their income.

[Parks]

Income.

[Ish]

You know what I mean? Like, people really put themselves in a dangerous position all day, every day to entertain us.

[Joe Budden]

Yeah.

[Ish]

Like traveling, especially in cars is like the most dangerous in the world. And people do it for a living.

[Joe Budden]

Yeah. 18 wheeler, boy. Got it. Damn.

[Parks]

Rest in peace.

[Ish]

Rest in peace. For sure. For sure.

[Joe Budden]

The roads be scary though. Yeah. Like the roads are the. I don't think we had that age now.

[Parks]

Yeah, yeah. My. And it ain't how good you drive. Nah. Cause the other. That's the other part swerving in and out of the lanes. All it take is one somebody not paying attention.

[Mal]

Yeah.

[Flip]

They teach you that you gotta drive when you drive. You gotta drive for the other person.

[Parks]

Defensive driver. Yeah, Defensive driver.

[Joe Budden]

Yeah. That's why I be getting mad at my driver. He'll spot the worst driver on the road and just stay right by him.

[Parks]

Going 20 like, yo, could you get.

[Joe Budden]

Away from this lunatic? You don't see him. You could tell when somebody on the road just turned.

[Parks]

You see it right away.

[Joe Budden]

Yeah, yeah. They done fucking got the little fucking Puerto Rican Honda engine in there.

[Parks]

Loud as hell.

[Joe Budden]

20 miles per hour.

[Parks]

Yo, dog, you haven't left the block yet.

[Joe Budden]

Yeah. That merge wrong into the. Yeah. No, man, let me queue up out there. Let's get. I'm doing it.

[Parks]

Let's get us on out of there, bro.

[Joe Budden]

Police playing but I don't hear it. Got to turn it up. Oh, yeah. Oh, man. Rest in peace to anybody after he lost somebody recently. Our prayers, thoughts, and condolences to Angie Stone, her family, her friends, her loved ones. Girl, you looking sweet of God. Wish that I could love you by In a special way I never thought.

[Parks]

You like my mind.

[Joe Budden]

All right, all right, all right, all right.

[Parks]

Blow my mind.

[Joe Budden]

All right, where we going? Where we taking this thing? Oscars. Oh, the Oscars. The Oscars, Mel.

[Melissa]

Yes. Did anybody else watch?

[Ish]

I watched absolutely.

[Joe Budden]

No.

[Ish]

Well, I watched it on Hulu, and it died right before Best Picture.

[Melissa]

No, Best best Actress.

[Ish]

Midway through Best Actress, right before best Picture.

[Parks]

What do you mean it died?

[Joe Budden]

Like, who's over?

[Ish]

It's like, up. Your show's ended. It's like. No, it hasn't.

[Melissa]

Yeah. Oh, yeah, it was. It was. That was.

[Parks]

I watched a nice portion of it.

[Melissa]

Okay. All right. What'd you think? First thing I'll say is, it did not seem like a Jesse Collins production at all. So that was the number one thing that I thought Conan O'Brien did fabulous as a host. He's. He's hilarious.

[Ish]

Yeah, he was good.

[Melissa]

He's really, really good.

[Ish]

I will say that as much as I champion, like, watching the early parts of the Grammys, this was like that for the whole ceremony, which is a.

[Mal]

Lot of you don't care about.

[Parks]

Yeah.

[Melissa]

Like, yes.

[Ish]

Best foreign short animated movie. Like, congrats.

[Joe Budden]

Yeah.

[Ish]

You could have. You could have put.

[Joe Budden]

Tweeted that they could make an earlier.

[Ish]

Ceremony for them, too, and get some of that stuff out of the way.

[Melissa]

Yeah.

[Ish]

Like, I think they're. The Grammys is maybe too far left of not showing enough, and Oscars is too far right of showing way too much.

[Mal]

I love all those. Maybe because I make film, but, like, I. I love watching, like, the documentary. I love watching the best far. And this. I like every one of them. I like the best Dolly grip. Like, all that shit.

[Joe Budden]

I want to.

[Mal]

I want every award shown. Every single one.

[Flip]

Yeah.

[Parks]

Even the pre show was long. Like family. They show you on six different stages on the carpet. So they were so bad that they had to have on the side three separate screens to show when you walk in. You over there on the carpet, you over there on the carpet, and then you come up on the main screen, it's like, yo, my. Yo, we get it.

[Joe Budden]

We got you. Yeah.

[Parks]

You know what I'm saying? Like, it's like, oh, she. She was over there.

[Joe Budden]

They.

[Parks]

On this screen. Then they. It's like, yo, dawg, we got it, fam. I'm cool.

[Melissa]

Yeah.

[Parks]

Anybody clean up?

[Melissa]

There's a film called Anora that really. It swept. And it was a very, very, very indie film that a lot of people have never watched before, had never even fucking heard of. And it won all the major categories, like Best Picture, Best Director. Best Director.

[Parks]

Oh, shit.

[Melissa]

I think it was a screenplay.

[Ish]

Editing they won.

[Melissa]

Editing that they won. Yeah. And no, sorry, it wasn't. It wasn't screenplay. It was Best Actress, which was huge because everybody favored Demi Moore to win for this movie called the Substance. Did you see it?

[Joe Budden]

No, not yet.

[Melissa]

Okay.

[Joe Budden]

The Substance and the Brutalists.

[Melissa]

Yeah, yeah, I'm gonna.

[Joe Budden]

Are on my list.

[Ish]

Yeah. Adrian Brody's.

[Melissa]

Let me tell you something.

[Mal]

Good.

[Melissa]

Good fucking luck. I will never watch the Brutalist. It's three and a half hours fucking long. It's like watching.

[Joe Budden]

We're healthier in that area.

[Melissa]

Oh, good for you. Okay, you tell me how it is. I have a feeling you're gonna fall asleep at least five times during this movie. Mark my words.

[Parks]

I didn't sat and watched Avengers Infinity War.

[Mal]

Yeah, Okay.

[Parks]

I watched Lord of the Rings. I watched all of them.

[Melissa]

That's captivating. Listen, y'all just watch it.

[Joe Budden]

It's about the architect, dude. Why is that not captivating?

[Melissa]

Okay, listen, tell us.

[Mal]

Well, we'll check it out.

[Joe Budden]

I'm going to watch it because I like. She like.

[Flip]

I don't want to know what it's about.

[Parks]

That's the hard part for me.

[Joe Budden]

It's about an immigrant architect who built a whole bunch of shit. And then the wealthy fucking people started treating them like shit and took all the shit and stole the shit.

[Parks]

That's your balance.

[Joe Budden]

Yeah, that's what I'm saying. You'll watch the hell out of it. I expect it to be slow, drawn out, keeping room for the wrong guy stories. Oh, you shitting me.

[Parks]

Somebody built it up and then they.

[Joe Budden]

Came and stole it from.

[Flip]

Exactly.

[Joe Budden]

That's one of the movies where I'm waiting for my girl to leave so I can get into things that I like.

[Flip]

Oppenheimer was long and. No, I know.

[Melissa]

There's definitely movies that I can watch.

[Joe Budden]

Oppenheimer was great.

[Melissa]

That are really lengthy pictures. And I really liked Oppenheimer. Another really, really long movie that I completely love. Is There Will Be Blood, which was another one that kind of swept. The amazing movie. Jamie.

[Joe Budden]

You don't stick around when shit is long, though.

[Melissa]

No, There Will Be Blood was three and a half hours. Outstanding.

[Joe Budden]

You.

[Melissa]

I'm make. Y'all eat your words. Okay, back to the Oscars. Okay, Y'all should watch the Substance. It's a very, very wild movie.

[Joe Budden]

It looks great, too.

[Melissa]

It's really, really good.

[Flip]

I gotta watch it, man.

[Ish]

Basically, the ignore. That's interesting. It's about sex workers.

[Melissa]

It is. It's basically about this young girl. She's. She's a sex worker in Brighton beach, and she ends up meeting the son of an oligarch. And she. They end up getting married. And then the family comes down to meet her to try to get this annulled because I will. They will be damned if their son marries a prostitute.

[Parks]

So the father hit it before.

[Melissa]

No, he didn't. He was in Russia. But, you know, there's a hitman involved. There's all kinds of shit going on, so.

[Parks]

Oh, yeah, I just read the. Yeah, this shit sound all right?

[Melissa]

Yeah, yeah.

[Parks]

Good looks.

[Melissa]

Yeah. But the substance for me was really, really. I really love that movie because you would never think Demi Moore would actually do a movie like this. And basically what it is, it's like this. This aging starlet, she decides that, you know, she. She gets introduced to this concept of kind of splitting yourself in half. And you're like, there's a younger version of you, but you guys have to share time.

[Ish]

I thought it was about Ozempic.

[Melissa]

It was not about Ozempic.

[Parks]

It was about us hooping.

[Melissa]

Pretty much. Pretty much. But anyway, so the young ingenue who was the lead in Nora, she actually took the award for Best actress. A lot of people thought Demi had it locked, so that was kind of surprising. Also, what was kind of disappointing was the tribute to Quincy Jones. Like, it was weird. That's why I say this was not a Jesse Collins production. Because the tribute to Quincy Jones would have been so much better. And they had Oprah and Whoopi Goldberg come out and talk about it. Queen Latifah and then Queen Latifah saying, you know the song from the Wiz down the road. Down the road. I was like, out of all Quincy Jones productions, that's the song you choose.

[Parks]

I thought it's tied in with a movie.

[Melissa]

It tied in with Wicked. Sure, I get it.

[Joe Budden]

And it's still Oscars, girl.

[Parks]

That part who they was gonna have.

[Melissa]

So listen, you could tell when Jesse Collins produced the Oscars. It looked and felt like it. You know what I'm saying? And I say, and that is a huge compliment. This was very. I don't want to say watered down, but it just was very.

[Parks]

It's a different W word.

[Ish]

White.

[Joe Budden]

It was white. When can we get to the kiss? Okay, so let's get to the kiss.

[Melissa]

Okay, so the fuckery. So Adrien Brody ends up winning for best actor for the brutalist. Fast forward 20 something years. Rewind, sorry. Rewind, sorry. Reword. 20 years ago, when he won best actor for the Pianist and Halle Berry was on the stage and she was the one who was, you know, presenting him with the award, he got up on the stage and literally swooped her up in this huge unplanned kiss that she was not prepared for. And she played it off really well. So fast forward 20 something years. He's won. And she decides to recreate the moment.

[Mal]

And turns to his wife.

[Parks]

Walked up to his wife and was.

[Mal]

Like, yo, you know, I gotta do this.

[Parks]

Did he. Pardon me real quick. I'm gonna just pay him back.

[Melissa]

And check this out. He did that in front of her husband. So there's that.

[Ish]

Oh, well, she seems to be different.

[Mal]

It's a little different. But here's the difference. Here's the difference.

[Melissa]

Please tell me how it's different.

[Mal]

Her husband was like, where you are?

[Parks]

I was about to say her husband wasn't right there.

[Mal]

Right. I'm sorry. The wife was right there, but she turned to him and said, you know, I gotta do this, right? And didn't really wait for it. Yes.

[Melissa]

Okay, well, so he didn't ask for permission and she did. So there is. That's. That is a difference.

[Mal]

I'm not saying one is better or worse. I'm just saying they're different and. Cause I think it's a little like I couldn't walk up this like on stage, you could get caught up in the moment, but grabbing somebody and I don't.

[Parks]

On a carpet.

[Mal]

On a carpet. Pre planned in front of their spouse, to me is. Is a tougher sell. I wouldn't do either. I think you should kiss people with consent.

[Parks]

She would have got slick.

[Mal]

That's all I was thinking was like.

[Parks]

I don't know what y'all talking about. My girl was watching. She was like, that would have been her ass. We that whole carpet up.

[Ish]

What would you say Brody's pimp hand was a little stronger?

[Melissa]

I think how Georgina Chapman handled it.

[Ish]

She came up and took the gum from him.

[Joe Budden]

That is not what he just Asked you. He didn't ask you nothing about Georgina Hatchman.

[Melissa]

That was his woman.

[Joe Budden]

He didn't.

[Mal]

I'm saying that if you're on the carpet with your dude, who happens to be an actor, hypothetically, old girl walks over, grips him up and gives him a kiss. Turns, you say, you know, I'm do this Right. Gives him a kiss. How do you react?

[Melissa]

She would have got slid.

[Mal]

Thank you.

[Joe Budden]

Thank you, thank you, thank you.

[Melissa]

Yeah, she would have got slipped.

[Ish]

Yeah, but y'all didn't see the interaction. She went up to stage to take his gum in her bare hand. Like, she's a. She's with it. She's with the. Adrian, is he got that?

[Joe Budden]

No, but.

[Melissa]

No, no, let's. Let's. Let's actually say it in a different way. He threw his gum at her.

[Joe Budden]

That's true.

[Melissa]

He could have swallowed it. He really could have done bad. He could have done a lot of different things. And then he got up there and he gave, like, a six minute, you know, acceptance speech, told them to shut the up when they started to play the music. And then. Oh, I mean, I really like Adrien Brody as an actor, but that was.

[Ish]

He's the man. I think all this is man sounds like he's a man.

[Parks]

Don't. And I want it back when I come off. Don't throw it away. Don't throw it away.

[Joe Budden]

Does Holly have a book coming out or something?

[Melissa]

No.

[Mal]

I was wondering the same thing.

[Joe Budden]

Oh, Lou. Mama.

[Parks]

I don't want it to the mirrors looked amazing.

[Ish]

She looked phenomenal.

[Melissa]

She looked phenomenal.

[Flip]

Beautiful.

[Joe Budden]

I mean, that been my whole life. That ain't. That ain't no. Yeah. Like, she should sit down now.

[Melissa]

She's on a press run for the loop.

[Joe Budden]

Sit down for the lube.

[Melissa]

She has. She has a company called Respin.

[Flip]

Okay.

[Melissa]

And it's about. It's basically about health and wellness, but now she's added a component to it for women's sexual health and wellness.

[Joe Budden]

We skipping this. When These chicks turn 50, 51, 52. Something clicks. Something click. And. And they don't know that we could see it.

[Melissa]

What do you mean? What's the click?

[Parks]

I follow him. Yeah, I follow them.

[Joe Budden]

Go ahead.

[Melissa]

Use your words.

[Parks]

I'm letting him do it.

[Joe Budden]

Yeah, that. That get to purring differently. And because you.

[Flip]

That shit like a wolf. It's like a wounded cat.

[Joe Budden]

And because you aged and experienced and you've lived so you know people and you just have a different view than you did in your 30s and 40s. I don't wanna. It's not. What's the word I'm looking for?

[Melissa]

I'll sum it up.

[Joe Budden]

There's a word that I'm looking for that I guess.

[Melissa]

You give less fucks.

[Parks]

That ain't what you say.

[Melissa]

You ran out of fucks to give.

[Parks]

That ain't what he say.

[Melissa]

Well, that's what I'm saying. That's what I'm saying. You give less fuck.

[Flip]

A way to. There's a way to act way. There's a way.

[Parks]

A lot more.

[Flip]

That's a pro right there.

[Melissa]

Y'all are up.

[Flip]

I think a person should act a certain way at a certain age.

[Joe Budden]

No, it's true. Yo. And it's a Hollywood click of them.

[Flip]

Yeah, it is.

[Joe Budden]

And I'm not. I'm no longer talking about Holly. I don't know personally to be able to speak about her. But she has that baby powder on her.

[Parks]

I agree.

[Joe Budden]

Like, there's a few people that went to Sephora and picked that up. The I'ma do some fucking and a lot of it eyeliner. I don't care who it is. I don't care if that. I don't care if that guy is married. I don't care if that guy is in a long term relationship.

[Melissa]

She ain't give a shit that she's.

[Joe Budden]

I'm beautiful. And because I'm beautiful, I can do what I want. They at my beck and call. And I'm on it.

[Ish]

This still sounds like salute to Adrien Brody.

[Joe Budden]

To me it is. You know, listen, he's the fly.

[Parks]

He's the man, okay?

[Melissa]

But I'm interested to know who's in this clique that you described.

[Joe Budden]

I would never. Man, I was about to say please.

[Parks]

If you take that rat poison. That ain't.

[Joe Budden]

I would never.

[Parks]

I wouldn't even let you.

[Joe Budden]

Yeah, come on. What's wrong with her?

[Parks]

I can name a good seven, though.

[Melissa]

Just tell me off camera. It's fine.

[Joe Budden]

Think more of us.

[Ish]

Did you guys take anything for any of the performances? Doja. Cat killed Doja. Yeah, she smoked that shit.

[Parks]

She got it all.

[Ish]

That chick Ray is phenomenal. But I went and listened to her albums. They are using her way wrong. Her voice is incredible. And then her albums are like some, like dance pop.

[Parks]

Yeah.

[Melissa]

It's almost like. You know what? It's like a star is born with Lady Gaga. Like how she. Like, she comes out singing, like with these kind of, you know, shallow and shit like that. And then when they get their hand. The industry gets their hands on her. They turn into her. Into An R B artist. Yeah, with all the weird wigs.

[Parks]

Christina Aguilera, B.

[Melissa]

No, it's pink.

[Parks]

Early stages.

[Melissa]

No, no, what it is, it's pink. Pink started as R B and then that shit.

[Mal]

I remember them days.

[Melissa]

Whack as fuck. And then she comes out being who she really actually is, and that's why she's been a huge success, because she's authentic.

[Joe Budden]

Now, did we find out why Ariana Grande is Benjamin Button? Like, why she's like, infant sizing.

[Ish]

I don't know.

[Joe Budden]

Like, why does she look six now?

[Parks]

I want to say nothing because they said she might have.

[Joe Budden]

It might be some health issues.

[Ish]

Her and Cynthia bodied that intro they did. I like their camaraderie, too.

[Parks]

Yeah, you could tell. Like, it was genuine.

[Ish]

Yeah.

[Parks]

Like, Ariana Grande kissed her hand and was holding, like, you know, I mean, it wasn't some studio, but I guess you've been working on a major motion picture with somebody, you might have built that up. It didn't show on that.

[Melissa]

No, no, no, no. I'm saying you're absolutely right in what you. What you're saying. They really do seem to like each other. You can be on a picture with somebody and hate them.

[Parks]

And I like the way that Ariana.

[Melissa]

Kind of pays reverence.

[Parks]

Do your thing.

[Ish]

Yeah, like, for sure.

[Parks]

I'm her. Do your thing. And really gave her the show.

[Melissa]

Revo is her.

[Parks]

No, she is, but in. In that white.

[Melissa]

It's super.

[Mal]

Her on the wrong syllable.

[Melissa]

Right, right.

[Joe Budden]

Sorry. You're Switzerland. Came out.

[Melissa]

You said syllable. I hate your.

[Mal]

You put the infants on the wrong syllable. Yeah.

[Parks]

The hell is a syllabus syllable. But you put the emphasis on the wrong.

[Joe Budden]

Got it.

[Mal]

Okay, okay. Got it.

[Joe Budden]

Takes a sting out when you gotta explain it. Joe. You missed it.

[Parks]

I missed it.

[Joe Budden]

Hey, catch it later. Zoe Saldana won They on her ass.

[Flip]

Badly.

[Joe Budden]

They on her ass is all I know.

[Mal]

Yeah, yeah.

[Flip]

They said that she.

[Joe Budden]

Cause she ain't black and she not.

[Mal]

Mexican, and she's not Mexican. One was the race thing, and then two. Some people was clowning because her husband was up there. You know, he took her last name. So some people was finding. Making jokes about that on. On.

[Joe Budden]

But wait, see, I didn't. I didn't know that. Now, that team missed me. I only know her husband took her last name. Her last name?

[Mal]

Yeah.

[Ish]

And she got a lot.

[Mal]

She got a lot of money, Marco. I only noticed is my wife sent it to me.

[Joe Budden]

The balls on this lady.

[Parks]

Oh, my wife sent me it to you?

[Joe Budden]

Yeah.

[Mal]

And I was like, I Wrote back. I don't know why you sending me this Real. His name was Marco Perego. Now he's Marco Saldana.

[Flip]

Marco, pero. Okay, so she.

[Joe Budden]

Oh, so they both kind of prairie names.

[Mal]

Yeah.

[Flip]

You know, he had a.

[Joe Budden]

He didn't sound. No tougher.

[Flip]

He had to take the last name. You know what I'm saying? When you trying to come up here. He had to take the last name. He had to take the last name.

[Joe Budden]

He take that.

[Flip]

Yeah, yeah. The green car goes faster.

[Ish]

I know a lot of.

[Mal]

I don't know. Green cards go faster with Saldana.

[Ish]

A lot of money plus Snapper.

[Flip]

Exactly.

[Parks]

Might take it.

[Joe Budden]

Might take it.

[Flip]

Take her last name.

[Mal]

I ain't taking it.

[Joe Budden]

So why they mad at this lady?

[Flip]

They said she's not black. It's number one. They said that she played a black role, and she's been downplaying to them. She's been downplaying the roles that she played, and they feel like she, you know. Cause she said she was not apologizing about. To the Mexicans and certain things. They just like, we don't like that.

[Melissa]

What's the apology?

[Ish]

That sounds like a headache.

[Melissa]

I'm curious. Cause a lot of times you'll have somebody. I mean, fucking Angelina Jolie played Cleopatra Charlton.

[Parks]

Has it been 17? Black Moses.

[Flip]

Thank you. I thought Moses was white until the.

[Melissa]

Madonna is a chicken nugget.

[Mal]

Wait till you hear about Jesus, man.

[Flip]

Because I go back. I don't have headphones on. I go back and listen to a lot of you say, I'm listening, clearly. No, it's based off of the religion that you, you know, woolen hair. Understood. Like brass. I got that.

[Mal]

That's not whitey.

[Flip]

I got that as an adult when I got older or as a teenager.

[Parks]

Okay.

[Joe Budden]

Nah, they remixed the shit out of him. Yeah, they did.

[Parks]

Like, Jennifer Lopez played Selena. They was kind of tight, too.

[Melissa]

All right. Exactly.

[Parks]

I just think.

[Flip]

Well, she did a great. She did a great job, and she paid homage to Selena.

[Joe Budden]

Filled in, nigga.

[Melissa]

But if you're gonna be mad about something, then stay mad about the same fucking thing. Jennifer Lopez is Puerto Rican. She played. She played Mexican. So what's the issue with this?

[Flip]

She paid homage to them. She paid homage to Selena.

[Parks]

Who's saying that the other lady didn't pay homage? She's saying, I'm not gonna be apologetic for winning a role and doing a role. I did my job. Yeah. What the fuck you talking about?

[Mal]

The beef to me ain't. Shouldn't be with Zoe, and obviously she's A proud Dominican. People say she doubled down on the Dominican part on the speech too. Like, I'm the first Dominican to win this award and hopefully there'll be others. And it's like. Like, you're also black, right? There's.

[Melissa]

But was that the time to make the distinction? The whole history of Afro Latina and the black experience you have. You have three minutes. It's not that you have three. Hold on one second here. You have one. You have three minutes to thank everybody in your life, people who have, you know, contributed to you getting this role. People who have contributed to your. Your fucking career for the last 30 something years. You have. And then you have to say something profound and shit like that, that relates to your family and your culture. You have three minutes to like, three minutes.

[Mal]

A long time. Do you know that was like 30 seconds what you just said.

[Parks]

Afro Latina takes three seconds.

[Flip]

Do you know the ongoing issues between Dominican and black people?

[Melissa]

Yes, I am.

[Flip]

Even Afro Latinas and black people, how they say I'm Dominican and they sort of exclude the black.

[Melissa]

This has been going on for generations. I've had a girlfriend of mine describe herself as a white Dominican. I said, what the is that?

[Parks]

Exactly.

[Melissa]

So, like, I. That was the first time I'd ever heard.

[Flip]

And a lot of us are aware of it. A lot of us are aware of it.

[Melissa]

When I tell you who the it was, we'll be friends with the white Dominican.

[Joe Budden]

I would never speak to him again.

[Mal]

Yeah, I would never speak to him.

[Joe Budden]

A white Dominican around me.

[Mal]

Is she legitimately white?

[Parks]

No, her.

[Melissa]

Her complexion is extremely light. Light, but she has very dark features. She had dark hair, dark eyebrows, dark eyes.

[Joe Budden]

She listen to Pac?

[Melissa]

Yes.

[Mal]

She live in Dykeman?

[Melissa]

No.

[Mal]

Just try to get.

[Melissa]

She's a name Fordham. Oh, she's a name like, so, like, maybe I should not use the word. The term friend. I'll use colleague because we work together.

[Joe Budden]

Cause every time you say the friend word.

[Melissa]

Yeah. It's like, my man's. Right. Okay.

[Flip]

No.

[Melissa]

So anyways.

[Mal]

She letting it chop us, right?

[Melissa]

Call back, call back, call back, call back, call back.

[Joe Budden]

Big man in a walking boot.

[Mal]

Two legs.

[Melissa]

Trust me, I. I understand the struggle, but it's just like, how do you really kind of like, describe what that. And look at who she's talking to.

[Flip]

Yeah.

[Joe Budden]

We grew up in the same.

[Flip]

A lot of times we grew up in the same neighborhood. When you grew up in the same neighborhood. When you grow up in the same neighborhood, experience the same struggles. You know, you see this person every day. You see These people every day. And they said, yo, they don't identify with you. I'm not black. I think it's confusing.

[Ish]

If you don't mind me interjecting. You can when you do nationality versus ethnicity, because you might go up there and say, y'all from Queens. Would it be wrong for people to say, but what about Haitian, Haiti or Jamaica?

[Flip]

And they will have a right to say that. And here's because my history.

[Joe Budden]

Did him not say he from Haiti when he get up?

[Flip]

Because I got. I got. People take that personally. I got attack a lot, but I know my Haitian side a lot. Like, that's how people take it. Yo, you always represent Jamaica. You going to Jamaica. What about Haiti? Your mother's Haitian. So people feel it's very sensitive.

[Parks]

It was different when you was young.

[Joe Budden]

Too, man, let the lady get up there and fucking say what you mean.

[Flip]

It was different when you was young.

[Mal]

Just say black. All I want to do is say black.

[Melissa]

Here, here's a good example. Here's a good example.

[Joe Budden]

Of course you're gonna be in a Telemundo 9:00am News. Hola.

[Flip]

Hello, Telemundo.

[Joe Budden]

You want to rep that Dominican? We can change the course, all this. I thought she was black for years.

[Melissa]

Also. She's representing like a Spanish speaking film. You know what I'm saying?

[Mal]

Her thing like.

[Melissa]

And also.

[Joe Budden]

So black people shouldn't have.

[Melissa]

No, it's not. It has nothing to do with that. What it has to do with. Can you imagine if she just said black? Can you imagine how the Dominican community.

[Mal]

Well, we didn't say just say Afro Latina.

[Joe Budden]

We didn't say just say that either. That would be wrong.

[Mal]

Just say Afro Latina. And I'm not getting all heavy on her, per se, but I understand why people feel away, especially when these same people sometimes get black roles and they trade on blackness when it's convenient.

[Melissa]

Oh, like Nina Simone.

[Parks]

No, like Zoe Saldana.

[Melissa]

No, she plays Nina Simone.

[Mal]

She played Nina Simone.

[Parks]

She played the. With Ashton Kutcher when Bernie. When Bernie Mack was her dad. She was a black girl.

[Mal]

Yeah, but she also played Nina Simone. That's what she's saying.

[Joe Budden]

Is this the girl that's in Lioness?

[Parks]

Yes, yes.

[Joe Budden]

Come on. You know.

[Parks]

Hold on, hold on, hold on, hold on.

[Joe Budden]

I know goddamn well the lion say Dominican.

[Parks]

What are her parents? Her mother's Puerto Rican and Dominican. Her father is dominican, so she's 75% Dominican.

[Joe Budden]

The lioness ain't Dominican, though.

[Parks]

So. So she's Dominican in Puerto Rican, right?

[Flip]

Yes.

[Parks]

So why do Y'all want her to run up there and yell she's black again because you. I'm just kidding.

[Mal]

Because those are ethnicities.

[Parks]

Dominicans are black.

[Mal]

And those. They're not racist.

[Parks]

But she's pointing. I get it. I'm not. I'm not. I don't see nothing wrong with this. I don't think she's wrong. I think the people criticizing her are wrong.

[Melissa]

I don't.

[Joe Budden]

Same, same.

[Flip]

I think that's based off experience that you. That's based off experience, man. Like, it's deeper than that. I'm not just screaming deeper than that just to say you're wrong for representing your ethnicity. Yeah, no, it's deeper than that. But go ahead, Mark. It's just.

[Mal]

All I'm saying is I don't. People can make choices about how they identify, and I'm not begging nobody to be black if they don't want to identify as black.

[Flip]

I agree.

[Mal]

However, if you're getting jobs, for example, no white woman would get a job playing Nina Simone, but they would say Hollywood does. No white woman in 2025.

[Flip]

Abu Dhabi JR.

[Melissa]

I heard a rumor. Check this shit out.

[Mal]

My point is, they let her get certain jobs. They let certain Latinos get certain jobs because at that moment, they identify as black. Right. And then if you identify as black to get that job, and then later on down the road, Sally, you throw the black away. I see why people feel frustrated. That's all I'm saying. If you don't be black, don't be black. But then don't be needing someone.

[Melissa]

She got a lot of. For being Nina Simone, though. She got a lot of.

[Mal]

Yeah.

[Parks]

She actually apologize for it?

[Melissa]

Yeah.

[Mal]

And I don't think she should have to.

[Parks]

I don't either.

[Melissa]

And since then.

[Mal]

And that's all that is.

[Parks]

If them gave me and you $10 million to play Menudo, I'm going to get up that. And I'm about that out of here.

[Joe Budden]

What? In theory, that sounds good, but. No, you wouldn't.

[Mal]

No, you wouldn't.

[Melissa]

Oh, I believe him. He absolutely would. I think he would.

[Mal]

What?

[Parks]

Yo. She's. She's an actress. My. She's an actress. So a lot of times actresses push themselves to do different roles and to embody certain.

[Mal]

So you don't have a white man playing. Being Malcolm X in the film?

[Parks]

No, I don't want to see that. But again, he's an actor. What I'm saying is we've embraced that. Mad Times. What's Batman? The latest Batman.

[Joe Budden]

Punk Dark Knight. A fucking.

[Parks]

We're not doing that.

[Melissa]

Robert Pat. Robert Pattinson.

[Joe Budden]

Bell.

[Parks]

Christian Bell. He played Moses like dog. We've had 15 white Moses and don't nobody. Angelina Jolie might be the whitest chick in America. She played Cleopatra.

[Mal]

That ain't the same.

[Parks]

Why is it not?

[Mal]

Because. Because a lot of America still thinks Moses is white and Cleopatra is white. That's different than playing somebody as a black person.

[Parks]

And a lot of Americans think Dominican is Dominican, and they do not associate them with black.

[Mal]

And that's why I gave the Malcolm X example. When you know somebody's black, we would say no. So as we start to identify people by their races, I'm just saying, do we draw lines? But I had a whole other question about something different. Did coning go too far with the Kendrick joke? The Kendrick Drake, that was ho. Cause I thought it was hilarious. But some people felt away.

[Parks]

A lot of people, they felt away.

[Mal]

How'd you feel? Actually, let me ask you, because I know as a. I think that.

[Joe Budden]

As a what.

[Parks]

As a what?

[Flip]

As a Drake fan.

[Mal]

As a person's opinion, I'd like to know about.

[Parks]

No, I think that. I think that that's where we are, and I think that that's a part of what Oldboy is talking about. Like, yo, this shit is in the mainstream America. It's the Oscars, and they ridiculing the stupid motherfucker being a pedophile.

[Mal]

And for those that don't know, the joke was that Kendrick said. I mean, that Conan said, we're halfway through.

[Parks]

We're halfway through the Oscars. It's about that time when we refer.

[Mal]

To the Oscar for Kendrick Lamarck to come out and call Drake a pedophile. Right. Which I thought was a hilarious joke. Just as a joke, I thought it was hilarious.

[Melissa]

Yeah, I'm lawyered up.

[Mal]

Yeah, I'm lawyered up. Right?

[Joe Budden]

I laughed for a long time when he said it.

[Mal]

Me too.

[Joe Budden]

But I. I also think that Conan O'Brien is borderline, like, acceptable. No, he's like one of them. He's. He's really good. Really? Really? Like I said, acceptable. Really good.

[Mal]

Yeah.

[Joe Budden]

Oh, all right. Exceptional. Like, I view him like that. And part of that for me was even that joke, right? Like, before he says, I'm lawyered up, you don't really know how to take that.

[Parks]

Right.

[Joe Budden]

Like, it's open to a million different interpretations, which is why I thought it was great. And we saying Conan O'Brien, but the black dude that wrote the joke has been on Twitter ever since.

[Mal]

Right?

[Joe Budden]

Defending himself. Cause People have been on his ass. Hey, why did you write that joke about Drake? But he said, hey, I wrote jokes the other way when it comes to predators. I got the tweet. I can find it, but who cares?

[Parks]

It don't matter.

[Mal]

And honestly, that joke, to me, is as much about a criticism of Kendrick as it is diss a Drake. It's like, Kendrick is. It's a criticism that Kendrick keeps doing. It's like, damn, they get another one. So I didn't see. I saw it as a balanced, funny, brilliant joke.

[Parks]

I just thought it was a funny joke.

[Ish]

Me too.

[Parks]

I didn't.

[Joe Budden]

From Drake's point of view, I'm a little sick of hearing my name attached.

[Mal]

To the word pedophile, which I get.

[Parks]

I get it. I get it. But this is what happens when something that happens in hip hop grows to be that big. All the brands, everybody take it a little further, right?

[Mal]

They took it further.

[Parks]

They took it further. And that's.

[Flip]

He didn't want to do that.

[Joe Budden]

Freeze. Hey, tell him what he said. Freeze. I just said it. What he said, you missed it. I said it. Why is that so funny?

[Mal]

It'll never not be funny.

[Joe Budden]

He took it first further for N.

[Parks]

N, N. He's following through. But that. That's homeboy's point.

[Joe Budden]

That's his point.

[Parks]

Like, yo, my name is being associated with a pedophile in front of the Oscars, dog.

[Flip]

Yeah, yeah, enough.

[Parks]

All the biggest advertisers in the world.

[Ish]

But had it went the other way, he would have been calling Kendrick a wife beater. So, I mean, here we go.

[Joe Budden]

Oh, man. Is it Stacy? Hey, Nokia is fighting for his life out there against this pedophile. Hey, crazy. Have a little slap in the talk.

[Flip]

That shit moving out there.

[Mal]

Take it back.

[Parks]

I like that shit.

[Flip]

That shit moving out there.

[Joe Budden]

I still like that record. All the pansies, but it's working for him.

[Flip]

Nah, it's moving, nigga.

[Joe Budden]

It's working for him.

[Flip]

I ain't no hater. Remember what you said before.

[Joe Budden]

I ain't no hater.

[Flip]

Clean it up. What I said before, I don't think you liked it.

[Joe Budden]

I don't like it now, but it's.

[Flip]

Moving and it's growing you. Look what you just did.

[Mal]

Is it Keisha?

[Joe Budden]

No, I don't fuck with that song. My joints off that album are deeper. Give me a hug. The Houston shit. Crying in Houston, Raining in Houston, whatever. And something for whatever. But you can identify those four songs, special records.

[Flip]

You can identify when something is doing well. Like, yo, I can see why? It's doing well.

[Joe Budden]

I see why it's moving, but UMG ain't paying for it, so. I mean, that's coming out of somebody else pocket. It ain't gonna be around long. You gotta pay for songs to stick around. No matter how many of y'all like it. You have to pay for songs to be around.

[Parks]

Okay, but.

[Joe Budden]

Hey, I like the song. I don't give a fuck.

[Flip]

So a lotto did in the car, she dancing to it.

[Joe Budden]

No, I didn't see what Latto did in the car, nigga, and I did see it, but don't say that to me on here, nigga. Let me see what Lotto did in the car.

[Parks]

Not like that. Not like that.

[Flip]

I'm just saying, like, she representing, man. Come on.

[Joe Budden]

Listen, they doing what they doing.

[Parks]

They doing what they're doing.

[Joe Budden]

And I'm not mad. I'm not mad. Hey, everybody that's rocking with some shit, rock with it. I ain't the guy that's trying to convince you that a song you like, ain't it. That's subjective. Like what you like. I like what I like. That's not what I'm going to on the project. But, hey, what he needed right now.

[Ish]

Salute.

[Parks]

That's not what you try to do.

[Joe Budden]

What? Hell, no. No. My taste is too weird for me to try to get other people liking what I like and don't like what I. No, that's not the beauty of music. Why? Why's that? You trying to shoot? Nah, go ahead.

[Parks]

Me.

[Joe Budden]

Ah, fuck it.

[Parks]

That's how I my leg up.

[Joe Budden]

Shooting shot. Yeah. About to say bad time. Bad time, nigga. I'll do what Imani did to me. I come just stomp on that little walking boot you got.

[Parks]

I don't want no smoke, bro.

[Joe Budden]

You know why you corny? You tried to swag out the walking boot with the Sergio. You are a corny old school.

[Parks]

Why? Just cause.

[Joe Budden]

Look, stop, stop, stop.

[Parks]

Look, that's what I did.

[Joe Budden]

Look, look. You needed something that was gonna fit on top of the walking boot the right way. Look what you did.

[Parks]

What's the right way, nigga?

[Joe Budden]

You know the right way. Stop. You look good, man. You look like this guy's nuts.

[Parks]

He got it.

[Joe Budden]

You look like in 89.

[Flip]

Yeah, the gray with the gray.

[Joe Budden]

You look like an 89, my nigga.

[Parks]

You stupid, son. Something's wrong with your brain, y'all.

[Joe Budden]

When you made your first million at 29, how fast did you lose it?

[Parks]

Very fast.

[Mal]

Come on. Get off me.

[Flip]

You have to watch two niggas oh, I'm pimp.

[Melissa]

Shit.

[Parks]

Pimp, man. Very fast.

[Joe Budden]

What's very fast? How many years?

[Parks]

Three, Four.

[Mal]

Well, that ain't very fast.

[Joe Budden]

Dang.

[Parks]

It was fastest because the markets fell.

[Mal]

So you didn't spend it?

[Joe Budden]

It just.

[Mal]

It's just the way I spend it. Oh, okay. Okay.

[Parks]

Chart house every day.

[Joe Budden]

St. Mark's and that's back when the Char House was impressing. And that's back when the Chart House.

[Mal]

Charles.

[Parks]

Every day.

[Joe Budden]

What? Your number might be in the fours. I ain't gonna lie. Your number. I meant my bad. Fives.

[Parks]

No, not fives.

[Joe Budden]

Not fives.

[Parks]

Fives, dog.

[Joe Budden]

Wilt did it.

[Parks]

Wilt was the man.

[Joe Budden]

So were you the man.

[Mal]

Oh, my brain was.

[Joe Budden]

So you was the man, not the five.

[Parks]

Never five digits.

[Joe Budden]

Don't listen to him, dawg.

[Mal]

Wait. Five digits or five hundreds?

[Joe Budden]

Five digits.

[Mal]

Oh.

[Joe Budden]

Oh. Are you crazy? Five hundred.

[Mal]

That's what I was like. I was gonna say that to you. Are you crazy?

[Joe Budden]

Somewhere in the thousands. I don't know where, but I think it might be closer to the five than it is the three digits. That's my own belief. I'm not forcing nobody else to think nothing. That's my own shit.

[Parks]

Joe, do you know what 5,000 is?

[Joe Budden]

Yes. Antoine?

[Parks]

10,000.

[Joe Budden]

Yes.

[Flip]

That's a lot.

[Mal]

That's a lot.

[Parks]

I'm 49 years old. Been a long time, King. Yo, what's wrong?

[Flip]

She wasn't doing that every day. Like, chill.

[Mal]

Yeah.

[Flip]

Seven times a week.

[Ish]

Put your dick in a walking booth.

[Flip]

You got to put apple cider on that apple cider vinegar.

[Joe Budden]

Know what's funny about this? All right, I'm wrong. 3,000.

[Flip]

You dispute that number?

[Mal]

You want the calculator?

[Parks]

Yeah. At 3,000, you got to pop six women a day for your whole life.

[Joe Budden]

Is that true? That don't sound true to me.

[Parks]

I just did the math.

[Mal]

Wait. Ish. 1800 would be. If you did six a day for.

[Parks]

One year, it'd be 180049 years times 365 days is 17,885 days. Divided by 3000 is. 5.96 women a day.

[Mal]

Nah, I think you don't.

[Joe Budden]

Yeah. Something is wrong with your man.

[Mal]

That's not right.

[Joe Budden]

Something is wrong with.

[Mal]

It's the opposite. You should have divided where you multiple. No, let's try.

[Joe Budden]

Okay. Dang.

[Flip]

That nigga's doing is crazy again.

[Mal]

If you did six a day in one year, you do, you would have done 1800 already.

[Parks]

365 days.

[Joe Budden]

You're right.

[Parks]

You're right.

[Flip]

Damn. Is let's go, mom.

[Joe Budden]

That's how much he been.

[Mal]

Look, look.

[Parks]

Yeah, my.

[Joe Budden]

All right, so 5,000.

[Mal]

He's like, wait, I did 5,000 with. It turns out.

[Joe Budden]

All right, it's time for my favorite part of the show, Prize Picks. All right, Prize Picks is the best place to get real money sports action. With over 10 million members and billions of dollars in awarded winnings, Prizepix has made daily fantasy sports accessible to all really simple and easy to play. All you have to do is pick more or less on at least two players, look at their projected stat line for your chance to win up to 1000 times your cash. So run your game all season long with Prize picks. All right, who do we got? Who do we got? Who do we got? Who do we got? Who do we got?

[Parks]

All right, we got a couple games. The Heat and the Cavaliers.

[Joe Budden]

The Heat. Shout to the Knicks 19 point comeback the other night in Miami, which is fucking South Madison Square. I'll take hero in that for more than 18.

[Parks]

All right, we got the Mavs and the Bucs.

[Joe Budden]

Mavs. Bucks. Shout out to Kyrie. Prayers. My prayers are with you. Kyrie. Man, that was devastating. That's my man. One of my favorite people in the world. Shout out to Kyrie. Yeah, just a good man. Good person, good human.

[Mal]

Great brother.

[Joe Budden]

Give me Dame Lillard in that for more than 21.

[Parks]

All right, we have the Thunder and the grizzlies.

[Joe Budden]

Oh, thunder. SGA. Oh, thunder. Give me. Give me SGA. Give me SGA for more than 26.

[Parks]

All right, and the Kings and the Nuggets.

[Joe Budden]

Give me the Joker. Give me the Joker for more than nine boards.

[Parks]

There we go.

[Joe Budden]

All right. Simple as that. Don't forget to download the app right this second and use promo code JBP to get. Get $50 instantly when you play your first $5 lineup. I repeat, if you download the app right this second and use promo code JBP, you get $50 instantly after your first $5 lineup. So good luck to all participants out there and run your game. All right, before we go any further, I want to shout out to my Ramadan n out there.

[Flip]

Shout out.

[Joe Budden]

I want to shout out to y'all for being strong, being disciplined, getting in that bag. My barber came over the other day, almost fainted. Cutting my hair at the end of the cut was like, yo, is this just like a store? I can get some snacks, anything to fill me up on the ride home. I was like, God damn you going through it this Ramadan.

[Flip]

Why you didn't offer him snacks?

[Parks]

Why didn't offer the nigga no snacks?

[Joe Budden]

Why you didn't offer him snacks? Why y'all assume I have snacks?

[Flip]

Snacks you got how much season?

[Parks]

Yo, you really did have a bad month. Yeah, I let you hold something up.

[Flip]

Hold on. You know what it is?

[Joe Budden]

Would you let me hold something?

[Parks]

Some water now some snacks.

[Joe Budden]

I had to bear my. Wait, hold up. Hold up real quick. Would you let me hold some. What? It's different from when your little Elizabeth friends want to hold something.

[Flip]

No.

[Mal]

And you.

[Flip]

And you was on my channel.

[Joe Budden]

I know it's different when I want to hold something. It ain't going to be the same as your little West Orange friends.

[Parks]

I know. Because they might not give it back.

[Mal]

You got.

[Joe Budden]

When I come. I need pause. I need a few.

[Flip]

I agree with you niggas on my case about the 350. Nigga. Like, he. I started to think my man's struggling a little bit, but then I had to think that it's all part of his plan to distract us.

[Parks]

Is that what it is?

[Joe Budden]

Yeah.

[Flip]

Cause, you know, we've been coming at him for the past couple of weeks on here about, you know, him showing out and him not being generous, which he is. So then now he wants to double down, like, all right, what's up with that?

[Melissa]

On the flip side, you can call it. You had a good month, huh?

[Flip]

I did have a good month, yes.

[Joe Budden]

How much you made last month?

[Flip]

I'm 46.

[Melissa]

Nice.

[Joe Budden]

Nice.

[Flip]

From the room alone, not including what you give me.

[Joe Budden]

Hold up. Let us praise you. Take a compliment he gives you.

[Flip]

So 66. Well, the money. No, no, no, no, no, no, no, no, no, no, no.

[Parks]

70.

[Flip]

No, I'm just saying, like, I made 40. Oh, just. I made 46. Just working hard.

[Mal]

What's your primary source?

[Flip]

My primary source? I can't answer that.

[Joe Budden]

Why you don't ask him like you asked him the first time?

[Parks]

What?

[Mal]

I asked him how you made that.

[Joe Budden]

Yeah.

[Flip]

Just working hard, filming how you made.

[Joe Budden]

That come off a little different than. What's your primary source?

[Mal]

I was trying to be more respectful.

[Flip]

Yeah.

[Parks]

I mean.

[Flip]

I mean, just working hard, filming and trying to figure it out. You know, I put double work in. Cause my plan was to take the whole month off. That's my plan.

[Melissa]

To go to Trinidad.

[Flip]

Yeah, To Trinidad. And just handle some business. Because it's me and him going back and forth, playing around, but, you know, was looking too. Looking too sweet.

[Joe Budden]

Looking good out there. My boy, my boy.

[Flip]

I fixed the whole studio.

[Joe Budden]

46.

[Mal]

That's a good month.

[Joe Budden]

We made 46.

[Parks]

It's a great month.

[Joe Budden]

Damn.

[Flip]

Stop it. It's hard work and dedication, man. That money is gone anyway.

[Mal]

You teach how to do that?

[Flip]

Yeah, yeah.

[Joe Budden]

He.

[Flip]

No, no, but it's not that. I need some help and I was just telling Ish. I said, yo. One of the accountants charged 500 an hour. Like, he even includes the email. If he responds to an email. Some crazy that I'm learning in real time.

[Mal]

Yeah.

[Flip]

And.

[Joe Budden]

Oh, you don't say.

[Mal]

That's actually.

[Flip]

I didn't know. I didn't know that. I thought just what you.

[Joe Budden]

Literally.

[Mal]

The debate they was having two weeks ago, verbatim.

[Flip]

Oh, they were.

[Joe Budden]

Yeah.

[Flip]

So when I. I thought that, you know, once you hire them, they communicate with you, but now they charging by the email if they have to respond to you. He's charging.

[Parks]

He's on the phone call per piece.

[Flip]

Of course, I didn't. Yeah.

[Joe Budden]

So if they pick up your phone, your phone call.

[Flip]

Yes.

[Parks]

You're getting charged for that.

[Flip]

And they call you on weekends and weekday. They don't mind. They'll call you at night. Yeah, but you're being charged for that time.

[Parks]

Of course.

[Mal]

That's great though, man. And you got a lot of insurance costs too, I'm sure.

[Flip]

Huh?

[Mal]

I'm just imagining on your set the insurance cost a little higher.

[Flip]

Yes. Yeah. Well, here's the thing. And this is why you have insurance.

[Joe Budden]

I do.

[Flip]

Hold on.

[Mal]

He just answer like a.

[Joe Budden]

Who don't.

[Flip]

How about the response?

[Mal]

That's a good idea.

[Flip]

No, no, no. You like to crack jokes. Would you let me respond, please? They was about to cancel my insurance. Cause it was up for a renewal and I didn't pay. I kept pushing it all, pushing it all. Because I was good with that, with them. So there's somebody new there that told me, yo, you gotta pay. What? You gotta pay or your insurance is about to be canceled.

[Joe Budden]

Yeah.

[Flip]

Cause they off the strength. Earlier the month when I was not doing too good, they said, yo. I said, I don't got it right now. Can you send it? You know I'm good for it. They sent it. I gave it to my landlord. I just totally forgot the room was happening. But, you know, I paid. I paid it.

[Mal]

Please do. I just don't want nothing to happen. Like some crazy unexpected shit could happen. Like a brawl could break out on set. Somebody get stolen, somebody get punched in the face.

[Flip]

Stop it.

[Mal]

You know what I mean?

[Flip]

Next thing you know, I paid it two days ago.

[Joe Budden]

Okay?

[Mal]

Solid. That's all.

[Joe Budden]

Damn.

[Mal]

You get money up here, yo.

[Flip]

Mel, why did you.

[Mal]

You sent me a DM from They Eating.

[Joe Budden]

They Eating.

[Flip]

You sent me a DM up here.

[Parks]

Getting to it.

[Flip]

Do you run the Hot and Bother page? Is that you that run the Instagram? Cause you sent me a DM about wanting to live in health. So I don't know if you was like, talking to me through it. Like, it was a video about once black men wanted to live and.

[Parks]

So one of her assistants was cracking on you?

[Flip]

No, it wasn't cracking on me, but it was like, when I read it, I'm like, damn, Mel, really want me to get healthy.

[Melissa]

Like, I think it was me.

[Joe Budden]

That was one of the spaces, girl.

[Melissa]

No, it was me. Stop it.

[Joe Budden]

That wasn't nobody, but stop it. This is.

[Flip]

She get for free the team.

[Parks]

She got a team of.

[Flip]

Yeah.

[Joe Budden]

Intern, intern, intern.

[Flip]

I did that paid intern move, too. I paid for your gas. I'll pay me a couple gas.

[Melissa]

No, that was me.

[Flip]

That wasn't you.

[Melissa]

It was me. No, it was me, okay? It was me, I promise.

[Flip]

I ain't going to lie. The way you pull it off, you find a way to get the free.

[Joe Budden]

The free. The free.

[Flip]

Shit.

[Melissa]

What?

[Flip]

Did you tell him what you promised me? I'll bring you to the Jamie here.

[Parks]

I bring you up there, I flip this it.

[Flip]

He put all them from the networks.

[Melissa]

Did.

[Flip]

Mail the network. We gonna bring you right on up.

[Mal]

Mail the network.

[Parks]

Mail the network.

[Joe Budden]

Mel be hustling and out of her.

[Flip]

She getting it done, Joe. You hear me?

[Joe Budden]

Anywho, Then she make this little stupid face. Look, look. Then she make this little stupid ass face. Gotta love it. Gotta love it. All right. Saturday night was the fight.

[Flip]

Yes, sir.

[Joe Budden]

Saturday night was the fight. GerVontae. Tank Davis vs. Lamont Roach Jr. I owe that man an apology.

[Flip]

We do.

[Joe Budden]

I mean, I ain't speaking for y'all. I don't know what anybody else said. I came in here with my bald ass and was like, I would like for Tank to fight somebody that I know because I'm a casual fan.

[Melissa]

That was what you said.

[Joe Budden]

Yeah, yeah. So I owe that man an apology. He certainly gained my respect. Really great fight. The best fight I've ever seen against Tank. I think he won.

[Parks]

I do, too.

[Joe Budden]

I think he won.

[Flip]

They didn't count. If they counted a knockdown, you gotta count it.

[Parks]

Can't count.

[Joe Budden]

Why not?

[Parks]

It's not the rules.

[Joe Budden]

What's the rules?

[Parks]

The rule is if. If you take a knee as a result of some other circumstance outside of being punched or hit that forced you to Take a knee. It doesn't count as a knockdown. Like an equipment malfunction or something like that. It don't count as a knockdown.

[Joe Budden]

But he got punched.

[Parks]

He didn't. So when they showed it, they showed the super slow mo. The two punches that he threw missed.

[Joe Budden]

Him right before that he got hit.

[Parks]

But the two. I know. So he looked at the referee. He looked at the referee and took a knee he didn't like. It wasn't a punch that forced him to take the knee. Do you understand what I'm saying? And they showed it in super slow mo.

[Joe Budden]

That's open for interpretation as well.

[Parks]

That's true.

[Flip]

But yeah, and there's a lot of AI generated videos with that because they saying that at one point he turned his head and the punch missed. But I didn't.

[Joe Budden]

But he got hit.

[Parks]

He got hit, bro. They showed.

[Joe Budden]

And then those two. Yeah, I seen him.

[Mal]

Y'all talking about two different punches.

[Joe Budden]

Yeah, yeah, I'm talking about the hit before those two check jabs, right? And then he looked at the ref for a while and then he took the knee.

[Mal]

And that's what makes the rule interesting. Because based on the rule, the fact that you didn't get hit with them two jabs means you can take the knee. Cause the jabs didn't cause you to take the knee. But your point is well taken, which is you can still be dizzy from the punch.

[Parks]

It was 30 seconds long, four punches thrown. It was four punches thrown. He threw a hard ass hook that missed. Then he hit him with another, like, semi hook. Then he threw two jabs that missed. So it's a possibility. Like when Tank hit Ryan with that liver shot, he punched him. My man took about three steps back and then was like, whoa.

[Mal]

You know what I'm saying?

[Parks]

I'm not disagreeing with you. I'm just saying it's open to interpretation. Like Mark said. My thing is, I don't think he lost.

[Joe Budden]

I'm not hanging my hat on that knee either, by the way. I think he just lost.

[Parks]

Nah, they gave. They gave. I think it was a draw because they gave. Two of the judges gave roach the 12th round. Round. And that 12th round wasn't really Roaches, in my opinion. So I think, I think.

[Joe Budden]

See, I read. I read that Tank got two of the judges gave Tank the 12th. And if he didn't get those two, those two judges in 12th, he loses.

[Parks]

See, I read it. But they said they gave roaches, so we'll check it.

[Flip]

Yeah, we'll check it.

[Joe Budden]

Tank won the last round to me.

[Parks]

And two of the jets gave Roach last round. Those two judges would have gave Tank the last.

[Joe Budden]

Fact check that.

[Parks]

You can check.

[Joe Budden]

Fact check that.

[Flip]

What we watching in real time is how the audience is. I don't want to say they're getting tired of Tank, but they, you know, they. I wouldn't say tired. Cause I fuck with Tank, but.

[Joe Budden]

No, tired is right. I took a nap during them first five rounds.

[Flip]

No, but they.

[Joe Budden]

I was dozing in and out.

[Flip]

Like, they don't boo Tank. They were booing Tank. They started to boo Tank based off his excuse about the grease in his eye. And they were booing him.

[Joe Budden]

He looked differently than. And he looked different than we're used to seeing him. Regardless of what you think of the outcome, you think he got in the.

[Mal]

Step or you think it was just a bad night?

[Joe Budden]

I mean, I think that everybody. I'm talking about two separate things. I'm not taking nothing away from Roach. I'm saying the Tank that I saw on display that night was not like the Tank I've seen in previous fights. That's what I'm saying. That could be from a bad night. He looked frustrated in areas that I'm not used to seeing him frustrated in. I seen a million clips that say he was beefing with Coach Cal in the corner. So there could have been a few things going on. I just know that I'm not used to seeing him like that.

[Mal]

Word.

[Parks]

I was just saying I got the official scorecard up and two of the judges did give roach the 10th round. I mean, excuse me, 12th round.

[Joe Budden]

See, I don't think Roach.

[Parks]

He didn't win the 12th round. So that's the thing. Like they saying if they would have gave. And those are the two judges that had to even score, had to even fight. So if those two judges give Tank the 12th round, it's a unanimous decision. I think what I told Corey, we had an argument off camera. I think Tank gets hit a lot. Every fight he fights, he gets hit a lot. What happens is he finds a way in the seventh or eighth round to hit somebody with some clean, hard shit that puts him down. And a lot of those fights he be losing on the scorecard. He just be knocking niggas out. So in this particular fight, he couldn't knock Roach out. Roach landed, I mean, went the distance and it was a pretty even fight. I think Tank might have got the edge, in my opinion, but it was a real clear fight. Tank gets hit a lot.

[Flip]

Tank was doing.

[Joe Budden]

If he didn't Lose it. He didn't win it.

[Parks]

Yeah, I think the draw's fine. I think a draw is fine.

[Joe Budden]

He didn't win it.

[Parks]

I'm not mad at the draw. I'm not mad at a draw.

[Joe Budden]

Me either.

[Flip]

Because, I mean, I'm not mad at. Can we acknowledge how we thought that this would be a bum fight, not on Tank's behalf, but just, like, we didn't know who the guy was. And we were off our seats. We were on the edge. Like, Lux was at my house and, you know, I was sitting there. Like, we were like this. Oh, shit.

[Parks]

I thought it was a good fight.

[Flip]

It was a real good fight.

[Parks]

I thought it was real.

[Flip]

Real good fight. Shout out to the bass. I'm sorry. Ish.

[Parks]

One of the things I like with Tank. Cause we criticize people like Shakur, we criticize people when they want to box, right? When they strategically box, Tank kind of gives us what the fans want, which is a brawl. So then was dissing him when he was brawling with a brawler and he wasn't dominating him. Which. Which one do we want? We want a boxing match or you want a brawling match? You get what I'm saying? And I think that he typically brawls. He gets hit a lot.

[Joe Budden]

He just hits harder.

[Parks]

Them niggas was hitting the out. Yeah, he just hits hard. They was taking some hits.

[Joe Budden]

Yeah. From round six, seven on, that was a slug fest. Yeah, that was an absolute match. Great, great fight. I got a problem with how late them fights be starting. Me, too.

[Flip]

Me, too.

[Joe Budden]

This really. I don't stay out at 11:45.

[Mal]

Yeah, I'll be bad.

[Flip]

Why do they do that? Is that a business? It was in the East. It wasn't.

[Melissa]

I know, but usually the. The fights are on the West Coast. So it starts like around, like, eight, nine o'clock over there.

[Joe Budden]

Get this cracking, right? We in Brooklyn start this at 6.

[Mal]

Get the undercar going at 6, so we can see this fight before bedtime.

[Flip]

I agree.

[Parks]

That's a good point.

[Joe Budden]

Again, all the respect in the world to Lamont Roach. But again, them saying Lamont Roach one would have bigger implications than just on boxing.

[Parks]

How so?

[Joe Budden]

Because Tank is the biggest draw right now, right?

[Parks]

Indeed, yes.

[Joe Budden]

Like, nobody near in any weight class.

[Parks]

Nowhere. Nowhere near it.

[Joe Budden]

And I think he's the. What is it? What did I read this morning? Not he's the last American fighter, but he's the dominant American fighter. Like, a lot of the other fighters have signed deals where they. In Abu Dhabi or over here, wherever. I'm not fact checking right now, but I read something that says Shakur and a bunch of other niggas fuck with just non American places. So if you're taking it from the biggest draw in America, then. Nah, hell no.

[Parks]

You're saying I still might be business on American soil.

[Joe Budden]

Business, business.

[Parks]

All business.

[Joe Budden]

Big business. It's too many. It's too many things that are affected.

[Parks]

Yeah, we can't let that happen.

[Joe Budden]

Yeah, sorry. I'm with that.

[Parks]

I mean, we say. We say that. We say it about other sports.

[Joe Budden]

Yeah, it's true.

[Parks]

Your fools.

[Joe Budden]

I'm gonna let that happen. Happen. I'm with that.

[Parks]

That's our brand at that point. Shout out to Tank, man.

[Joe Budden]

I think they announced all night, yo. We have reached a record for the number of people even allowed in the Barclays tonight. Hey, wow. They kept saying that they've been to Barclays a million times. Like, we're at 19, 7, 25. They was packed up in this.

[Parks]

For a boxing match, so.

[Joe Budden]

And.

[Parks]

And I don't know another fighter that could put him in the stadium like that.

[Joe Budden]

What did y'all think about his hair grease excuse for the knee?

[Mal]

I think he believed it.

[Flip]

No, but.

[Melissa]

And that's what's showed it.

[Joe Budden]

Yeah.

[Flip]

And Amanda. Amanda, she came out and said that she had a similar situation.

[Joe Budden]

Same thing happened to her.

[Flip]

Yeah, I read Amanda. Amanda Serrano. Oh, yeah. She said it happened to me before. She said that it burns your eyes.

[Joe Budden]

So that happened to me before when I was getting to Beijing. Beijing starts dripping in your eye now. It's like, oh, shit.

[Parks]

Oh. When her grease start dripping in your crazy.

[Flip]

Her grease.

[Parks]

She on top.

[Flip]

You a porn star like you and you. Hefner would have been. You would have been in the Playboy Mansion.

[Parks]

Never.

[Flip]

That probably was your wish as a kid.

[Parks]

Never.

[Flip]

I can't wait to go there with them with those snow bunnies.

[Joe Budden]

They charge with all due respect, to get in there after watching everybody at the basketball court. What's up? She gonna be on top. She.

[Parks]

Were.

[Joe Budden]

Respectfully respect. Myself included. I said words myself included.

[Flip]

Family.

[Parks]

That's the first thing I said to him. I said, damn, son, you can't even. I was like, damn, son, you can't even get into your. No more. What you say? It's a rap you gonna be on. He's like, nah, I hit work, I.

[Mal]

Get a little rope. I mean, my Sunday was little rotator cuff that's up.

[Joe Budden]

Our partners deserve better. But nah, nah, I felt horrible.

[Parks]

I felt horrible.

[Flip]

If Lamont. If Lamont.

[Joe Budden]

Yo, you good? Hold up. Are you cool?

[Melissa]

Oh, no, I'm great.

[Joe Budden]

Are you cool? I taught. Making that little stupid face at us. I caught you making that little stupid face at us.

[Melissa]

Listen, I'm just glad that, you know, like the. It's the collective delusion has lifted. The cloud has lifted and now you.

[Mal]

Guys are, you know, we're middle age men.

[Melissa]

Yeah.

[Flip]

We're in our place.

[Melissa]

Yeah.

[Mal]

Yeah. That's fair.

[Melissa]

It's cute. It's cute. It's cute.

[Joe Budden]

You were saying?

[Flip]

If Lamont Roach Jr. Does well in his next fights, man, we got a new start, you know, tough. He's fire. I mean, he made a statement from dc.

[Mal]

What's his record? I don't follow boxing much.

[Parks]

He got a good record.

[Mal]

Okay, so this isn't like a styles makes fights thing where, like, where, like.

[Joe Budden]

He got one loss.

[Mal]

Okay.

[Flip]

He was trying to do. He was doing the shoulder roll. And I see that Tank figured out the double jab with the left or whatever he was doing to get past the shoulder roll. People can't do it like Floyd.

[Joe Budden]

Floyd.

[Flip]

People can't do it like Floyd.

[Parks]

That's Floyd.

[Flip]

Yeah. People can't do it like. Yeah.

[Joe Budden]

Then that's the other problem. Right. With all due respect, I ain't just gonna throw the star word around so loosely. True. Like, it take a lot outside of boxing.

[Flip]

True.

[Joe Budden]

To do what Tank has done, what Floyd did, what Pacquiao did, what De La Hoya did.

[Flip]

Tank is that nigga.

[Joe Budden]

Yeah. Like, when you start getting into the box office aspect, Lamont Roach Farrell, he got the boxing you need that other part.

[Parks]

But he's never had an opportunity to do it. So we don't know if you can do it until you get the shot, dawg.

[Joe Budden]

I feel like even at the weigh in and the interviews, when they at the table and they're doing the interviews that lead.

[Mal]

Yeah.

[Joe Budden]

The face of all that shit leading up to the fight even kind of lacked some of the normal flair that Tank rings.

[Parks]

Yep.

[Joe Budden]

Normally that. I think that's because I know you. We've been fighting since we was 10.

[Parks]

And they both from the same.

[Joe Budden]

He like, yo, your mom is here. Come on. I'm not gonna do that in front of your mom. It's like we not getting. We not getting. And Lamont is like, they asking him some of the juicy shit. Yo, in an interview you said Tank wasn't gonna knock you out and you was gonna destroy him. What do you think about that? And he gave the logical man answer, like, the fuck you want me to say?

[Mal]

Right?

[Joe Budden]

That's what they asked me, I'm fighting this man. Like, how would you like me to answer that? That makes sense. It's not your box office.

[Mal]

That ain't what boxing is for.

[Joe Budden]

It's not your box office.

[Parks]

Nah, but I.

[Flip]

Not when you friends with somebody, Joe.

[Parks]

No, I think once you respect a nigga, once you've been in that ring for 12 rounds, that nigga hit hard. He wasn't no slouch, he wasn't no chump. I gotta respect him all I'm gonna look like a.

[Flip]

They started fighting each other dirty a little. They started getting mad at each other.

[Joe Budden]

Tank do that a lot.

[Parks]

We in war.

[Flip]

They were talking crazy to each other in the ring.

[Parks]

Yo, what y'all think about the hairstylist coming out?

[Joe Budden]

Sit down.

[Flip]

Yeah, that's not your time.

[Joe Budden]

Sit down somewhere.

[Parks]

I think she's lost a couple thousand dollars. Cause that's the last time you'll do my hair, you dummy. Just to get some fucking clap. You a idiot. Shut the fuck up.

[Joe Budden]

You shouldn't have nothing to say, stupid.

[Parks]

I didn't use grease. I'd have came out. Y'all put extra grease in your shit. My bad. It's my fault. Crazy stupid ass to get some.

[Joe Budden]

Yeah, I would have just took a different angle. Did y'all like his hair?

[Parks]

My bad. Tank, I apologize. I'll try to use some oil base next time. Nigga, I upset all that shit even.

[Joe Budden]

If he was lying, right?

[Parks]

That ain't for you to say shit.

[Mal]

Yeah, that's your job.

[Joe Budden]

That's the. We need to bring that. Bring back people supporting your lie. It ain't enough of that no more. These bitches got all the gadgets and the tricks and the iPhones and the icloud link to their phone and the iPad. No, bring back when you need it.

[Parks]

Bring back.

[Joe Budden]

One friend to support the lie. Yo, you know what they need to bring back. Yo, call her right now. Like we don't even get that no more.

[Mal]

That was the one.

[Parks]

Call it right now.

[Mal]

Call it right now.

[Flip]

When Joe received the call, they was looking for Michael Paul. He came inside like something's going on with my phone. They called me about Michael Paul, like I'm about that doctor. Like his is tapped. He know his tapped. He can't his tapped.

[Joe Budden]

They called me, asked me if I was available to do a surgery. I knew they had to. I thought you joking. I said, yo, go ahead.

[Parks]

Yo, my thumb a little up, but I'm nice with the knife.

[Joe Budden]

I'm free. I'll come up there and save somebody. John Q.

[Parks]

Oh, I owe it to humanity.

[Joe Budden]

Yeah. No, for real.

[Mal]

With the humanity to try.

[Flip]

Great fight, though. Shout out to both.

[Joe Budden]

Shout out to both of them.

[Flip]

Looking forward to the rematch.

[Parks]

Hopefully they get a rematch. I don't think he had a rematch clause.

[Joe Budden]

He did have a rematch clause. He said on Twitter.

[Flip]

Really?

[Joe Budden]

Cause Tank was like, and I'm pushing for the rematch fast. And then Lamont was like, it's in there already.

[Parks]

No. They both was like, yo, we should do it again. But no, no.

[Joe Budden]

Lamont said, it's in the contract on Twitter. Already on Twitter. Because you wanted it in there. So if you want a rematch, take the rematch.

[Mal]

Right, Cool.

[Joe Budden]

We'll see.

[Parks]

Look, you know, all that's going to.

[Ish]

Do.

[Flip]

I'll push the price. That's it.

[Parks]

It's gonna push the price. Now everybody gonna want to see the.

[Mal]

Yeah, it's gonna push the price.

[Flip]

You gonna be high.

[Parks]

90 days, and now it's going to command Vegas.

[Joe Budden]

Did that fight make you feel differently about what you thought of Tank versus Shakur?

[Parks]

No.

[Flip]

No.

[Joe Budden]

Who would you have winning in there?

[Parks]

I can't answer. It's hard. Cause styles make fights. But I. I told me and Corey had this argument off camera. I said that. See the way Roach was fighting, they was literally going toe to toe. Like, yo, Shakur's not gonna do that. Shakur's not trying to get hit. You get what I'm saying? So it's gonna just be. It's gonna be a style thing. If Shakur can hit him and move and hit him and move and hit him and move, he'll beat him in point points. If Tank can land one of them monster hits that he be doing, then he'll knock him out. But Tank could take punches. He got a chin, yo, he take a lot of punches. He got a chin. So I think that you never know, because, again, it's the style thing. The north New Jersey in me will not allow me to honestly answer that question. Word.

[Mal]

That's my answer.

[Joe Budden]

There you go, yo.

[Parks]

You stupid, yo.

[Joe Budden]

There you go. Free.

[Parks]

I ain't gonna say that.

[Joe Budden]

I've seen a lot of people giving 10. I thank Slack for coming out with Jim and Juels. I'm from New York, so I can't get into that. I thought it was fly.

[Parks]

Why, though?

[Flip]

Like, what is there this trying to be funny?

[Melissa]

What's the connection?

[Parks]

What's the critique?

[Joe Budden]

The critique is a lot of people feel like they've never seen Tank look like that. So they saying bad juju was on him from Jim and Juels Cam said it's bad energy when you came out. Then there's some other comedian that been saying, yo, why the. Oh, you got these old, young, whatever they were saying again, I'm from New York. I can't. I can't rock with it. I was hyped. Yeah. I was like, I like that song.

[Flip]

Yeah.

[Joe Budden]

I like. I like crunk music. They just gonna keep getting that gym for looking young. Yeah. Like dressing young. The chrome hard scarf. Like you can't win.

[Parks]

But that's his battling.

[Mal]

That's what he do.

[Joe Budden]

That's what I'm saying.

[Mal]

Yeah.

[Joe Budden]

Listen, my New York bias shows in Jim Jones conversation. So I'm leaving it. So I'm leaving it. Man, that album is crazy, though.

[Mal]

Yes, it is really good start to finish.

[Joe Budden]

Yeah, yeah, yeah, it is.

[Mal]

All right.

[Joe Budden]

What else we got? What else we got?

[Mal]

Why is Paul George on the board? I just want to understand.

[Parks]

Oh, man. Cause Paul George ski mask call a fame.

[Joe Budden]

He might. He might. He might be the. Don't you wish for the days when all you had to complain about was Tobias Harris contract. Remember that?

[Parks]

And he killing in Detroit. He's doing well.

[Mal]

I didn't want to lose to Paul George.

[Joe Budden]

Said that he's stopping his podcast to focus on winning a championship.

[Mal]

Thanks.

[Joe Budden]

And I thought. I thought that was Sintel, but it wasn't.

[Mal]

It wasn't.

[Joe Budden]

He really said that.

[Mal]

So the question for me not to take it off of Paul George, but because I think think that's fair is in general, should NBA players be allowed.

[Melissa]

To have podcasts while they're in season?

[Mal]

While they're in season.

[Parks]

I don't like it.

[Melissa]

Or even while they're in play.

[Mal]

Yeah.

[Melissa]

Versus the ones that are retired right now.

[Parks]

I'm not a fan of the sports. Sports having podcasts during season. I've never been a fan of it.

[Joe Budden]

I stand with ice. I almost wanted to say, really not if your team is doing bad. I can't see how your conversation with the owner is going in that respect. Jalen Brunson makes it tough for me to have that argument. Cause him and Josh Hart have a podcast that I want them to stop. But every time we're down by 12 with 30 seconds left, he scores fucking 14 points.

[Mal]

Right.

[Joe Budden]

So I can't say anything about Jalen Brunson's performance. But would I like that podcast to stop during season? Yeah. But then they got Dolan on the next podcast that they promote, which is like a clusterfuck for Knicks fans because Dolan has had strict media rules since he inherited the team from his dad.

[Mal]

Yeah.

[Joe Budden]

So for him to be sitting with a player and talking is, like, phenomenal. It's almost like the Yankees changing the beard rule.

[Parks]

I think it's dope. I think it gives them something mentally to distract their focus. They don't. They work out every day, but they don't work out hard every day. You know what I mean? Like, they watch film, they might do walkthroughs and shit like that, but then they have a huge portion of their day that belongs to them. So if these are things that bring their anxiety down, it's fun. They enjoy doing it.

[Ish]

Keep em up the clubs.

[Mal]

Yeah.

[Parks]

And that part. We in New York City, bro. We've seen what New York. We've seen what New York does to athletes. You know what I'm saying? So if they could do this, you've.

[Joe Budden]

Seen it for sure, right? Yeah. You too talk about it.

[Parks]

Yeah, you got eyes.

[Joe Budden]

We talking about you right now. Talk about it. You've seen it for sure, for sure.

[Parks]

I've seen it for sure, for sure.

[Joe Budden]

You was one of the niggas that did it.

[Parks]

I don't hoop. You didn't need to anyway, so I think I'm for it.

[Mal]

I'm against it even.

[Parks]

What you said, if it takes they focus. Like, I think if your team is ass, I don't want to see you focused on nothing else. It's Kyler Murray playing Call of Duty, so. But, like, I don't. You could do it, and I just don't want to know that you doing that to me. You should be trying to get better. Y'all should be trying to focus on how to turn this team around and try to get some wins out there. If you sitting here kicking it with your homies or whatever on a podcast about it just seems focus is off. They human, bro. So to Joe's point, with Brunson and Josh Ark, they winning.

[Mal]

Yeah, but.

[Parks]

Yeah, but that's an outlier. I know that's not true. Draymond is winning.

[Mal]

Draymond's winning, too. But for me, for me, it's not about.

[Parks]

LeBron is winning.

[Mal]

If you're winning, no one complains. If you're losing, people complain. But for me, and that's ultimately what it comes down to, right? As a fan or as a owner, it's the perception of it for me, as well as the effectiveness of it. The first question is, can you pod and be good at this, at your job? And I don't know. Some people can, some people can't. Before podcast, Paul George was sitting out games before podcast existed. He was fucking coming up short in playoffs, at least in a lot of people's minds. The numbers don't really show that, but whatever, right? It's a perception of it. So if I have. If I'm the Sixers owner and they're selling tickets for a dollar right now in Philly, they're literally selling tickets for.

[Parks]

You ain't been down there in a long time neither.

[Mal]

No, I. I sold all my tickets. I paid like $200,000 for the six.

[Joe Budden]

Years wanting another date.

[Parks]

No, I didn't.

[Joe Budden]

No, he didn't. No, he didn't go. Who said no, he didn't go anymore. Yo, he gonna call you when he go again.

[Mal]

So if I can't give these tickets away and Embiid is injured, Paul George ain't playing. And then I go to YouTube to type Paul Georgian to find out when he's gonna play. And instead I got another episode of podcast.

[Joe Budden]

Pete.

[Mal]

It just looks bad. It's about it and it's bad for business.

[Joe Budden]

That Paul George contract, I think is like a five year deal. Something nuts. It looks nuts. As it goes. Embiid being unavailable is an understatement. They're now talking about getting their money back on his contract medical if he's unable to play a year from the date that it's they call. Yo, you don't give my money. I don't care about all this. Yeah, it's over now, right? We got to go figure out what.

[Mal]

That bet was when it's $5,000.

[Joe Budden]

Yeah. You just got to send that.

[Mal]

I give it to you right now if you want it.

[Joe Budden]

You have $5,000 cash in them jeans.

[Mal]

I was going. You'd be able to see them.

[Joe Budden]

You'd be able to see the serial.

[Mal]

Number I was going to bring you to, kid. Bring it to you in cash.

[Flip]

My man is doing. Our man is doing bad. He doing.

[Parks]

He doing up 4 years 211.

[Mal]

He must be up.

[Flip]

I'm man doing bad.

[Mal]

He.

[Melissa]

He collects on his bets.

[Flip]

Nah, but he usually.

[Joe Budden]

Ah.

[Flip]

I never seen.

[Mal]

There's a hunger in his voice.

[Flip]

Touch him. He got a fever. You could My. You doing it looking shaky for you, doggy. I don't know what plan you got. It's tough out, but I ain't falling for it.

[Joe Budden]

I'm saying this brought fake water in here.

[Flip]

All type of force and water with Nams on it.

[Joe Budden]

It's tough. I don't. Don't always assume I'm doing good. Check on your strong friends make.

[Parks]

He making 53 million this year. He's at career lows, Joe.

[Flip]

Oh, Joe.

[Parks]

Yeah, Joe, about that. About 40.

[Joe Budden]

That is nuts.

[Parks]

Yo, he. He make a 50. He signed a four year deal for two. 211 and change.

[Mal]

You know, they sick. He's killing.

[Parks]

And as a fan, he averaged 16.

[Mal]

Points a game for as much money as I spent on season tickets. I actually see it as, like, y'all are fucking with my money right now. Like, I feel disrespected. I feel disrespected to watch somebody not play. I mean, when we went to the game, he was just sitting there chilling.

[Parks]

Chilling. Yeah, he was chilling.

[Mal]

And to see that and then to watch you be on a podcast every day. Podcast is different than playing basketball. I get that. Including we proved that this weekend. But, like, at some point, like, you gotta look like you, given the effort, you know what I'm saying? As an owner, I think they should just make a rule.

[Joe Budden]

I can't say nothing about Paul George negative ever. Cause many years ago, we was heading in the whip, right there, right, right, right there by Greenhouse. We was walking in whip and I was behind him in the lion, or he was behind me. In the lion. I got respect for him. Got respect for him, man.

[Parks]

How many?

[Joe Budden]

That is a cheat. Goal. Six, nine in the line. Decent looking, nice schedule, press lineup, good contract. I'm in there.

[Flip]

Bummy salutation.

[Joe Budden]

Bummy as hell shooting. I don't care. Joe budded. I got immense respect for Paul George. So I guess ain't nothing about him.

[Flip]

I have a question real quick. When Luca wiped his sweat on the basketball, yo, that ref was tight.

[Joe Budden]

That ref wanted to smack the shit out of Luka.

[Flip]

Did she have a right to be mad?

[Joe Budden]

Was that a girl?

[Flip]

Oh, yeah.

[Joe Budden]

It was a guy, I think.

[Flip]

Sorry. Pardon me. Did the ref have a right to be upset?

[Joe Budden]

Yes.

[Parks]

Yes and no.

[Joe Budden]

But Luka has a right to do that. The ref has a right to be mad. Stop. Nigga. It's a million people that work here that can get you a towel or anything to wipe your sweat off. I'm the one handling this ball. You wiping your sweat on the ball, and I gotta handle it right here on the free throw line. Be sweaty as they be wiping Yugoslavians all. No.

[Mal]

What's Luca?

[Joe Budden]

What's Luca? Some right. They be sweaty. Them. Them.

[Parks]

Yo, but again, everybody jersey be sweaty. Like, they'll wipe their jersey. It's the same.

[Joe Budden]

The black people don't act like that.

[Melissa]

I was right. He's Slovenian.

[Joe Budden]

See, he's Slovenian.

[Parks]

What the. Is that what country?

[Flip]

Yugoslavia.

[Joe Budden]

Yes.

[Melissa]

No, no, it's not Yugoslavian.

[Ish]

Slovenia, potentially part of the old Yugoslavia.

[Melissa]

Melania is from there.

[Flip]

Hold me down. Hold me down.

[Joe Budden]

Enough of that Sick. You'll be talking about.

[Flip]

She know that side. She know that side. We just crack jokes. Our mother was whooping her ass as a kid. She knows that's a. She had no Walk with the President picture. Remember we said.

[Joe Budden]

I think. I think Reddit found a picture. That was funny.

[Melissa]

It's possible. It's possible. I posted pictures of me and my mom on my bas. Write it. Get off my ass.

[Flip]

You held it down, though. That was mad funny.

[Joe Budden]

Oh, you held it down.

[Flip]

No, I mean, the jokes. Like, that's. She like that. She's a great sport.

[Joe Budden]

Yeah. No, that was hilarious. That was absolutely hilarious.

[Parks]

All right, Paul, George, I think he got the memo.

[Mal]

Yeah, he did. Even saying that out loud.

[Joe Budden]

All right, we're gonna try to do this with care and sensitivity. We're gonna try to do this in a manner to where y'all still have time to do what you need to do out there. We gonna try to do this with the utmost respect for the viewers, without too many spoilers. Spoiler alert. Spoiler alert. That may indeed. Oh, my God. Did they kill the soundtrack? Absolutely. Smoked the soundtrack.

[Parks]

Smoked it.

[Joe Budden]

Oh, let me stop this for a second. Had me singing that.

[Parks]

No, because first they was just doing an instrumental, and I caught it, and I was like, oh, they caught that.

[Joe Budden]

This is my question to y'all. This is just quick. Which do you prefer? You're such a honky. Shut your ass.

[Melissa]

Phil fucking Collins. He's him.

[Joe Budden]

Which do y'all prefer? What they did on paradise where they have the angelic white voice coming down to do your favorite known slap? Like paradise under a soft bed of music? Or the trend in the movies where they take the hard rap song hook and slow it all the way down? Like the horror movies. Like, I got five on it.

[Melissa]

Ooh.

[Joe Budden]

Like, which one?

[Melissa]

They did that?

[Flip]

I love that.

[Joe Budden]

They do that a lot now in.

[Melissa]

The movies, but that one is regular.

[Parks]

Say My Name for Candyman. They did that one.

[Joe Budden]

Yeah, they doing it now. I'm with that in the new one. Bear with me. Cause my brain is leaving me in the new one. Not a Marvel movie, but one of them new, new hero movies that's coming out soon. I think they did Starship like, and they slowed that down, and that was absolutely insane. All right, y'all know what I'm talking about.

[Melissa]

What song from Starship though, Sarah.

[Joe Budden]

The one. Hold up, hold up, hold up, hold up. The one I just played recently.

[Parks]

Let's hit.

[Joe Budden]

Oh, well.

[Parks]

Anyway, I like slowed up.

[Ish]

I like when they do both.

[Parks]

I like both.

[Ish]

Like how they did with this.

[Parks]

I like both. Both.

[Joe Budden]

The angelic white voice is underrated.

[Mal]

I love me a good angelic white voice.

[Joe Budden]

Yeah. No, it's true. All right, did everybody here see the finale of paradise? Yeah. 40 and up right now. Let's go. Give me your bag. Big bell. Hey.

[Flip]

Let'S go ahead.

[Joe Budden]

Shout out to the legend. Phil Collins, too.

[Flip]

They played a lot of y'all.

[Joe Budden]

Starts to whistle as he crosses. I'm so mad at myself for all the guesses that I did as to who's gonna kill Cal.

[Parks]

Something crazy.

[Joe Budden]

Think twice. It's another day of you and me in Paradise. Oh, hey, Light is in there right now. Let the musician get in bed. Is this Y Rock?

[Mal]

Borderline, but, yeah, it's a little passive.

[Joe Budden]

All right. Very angry at myself. For my guests.

[Mal]

Not listening to these spoilers.

[Ish]

Take a break.

[Mal]

No, I'm not. I'm going to the bathroom.

[Ish]

Take a break.

[Mal]

Yeah, I'm like, six episodes.

[Joe Budden]

Oh, my God. Starbucks. Take a hike. Go to Starbucks.

[Ish]

Grab us some lunch or something.

[Joe Budden]

What a jerk. What a jerk.

[Parks]

There's no way anybody could fucking Wayne Cliffhanger.

[Joe Budden]

It's not true.

[Flip]

How?

[Parks]

It's not possible.

[Joe Budden]

It was real easy to say, oh, the guy that they showed us trying to kill him.

[Parks]

Yeah, but you don't think.

[Flip]

But, you know, we thought that they tackled him and he went to prison.

[Joe Budden]

My brain should have came up with that one. Oh, it's the guy that they showed us already.

[Parks]

No.

[Joe Budden]

Trying to murk this nigga.

[Parks]

You would have never thought that. No.

[Joe Budden]

Why?

[Parks]

Because you wouldn't have a backstory as to why he tried to kill him in the first place.

[Joe Budden]

To me, that shouldn't have mattered.

[Parks]

And I would have thought they killed that guy. I would have thought. Yeah. Or in prison for life.

[Ish]

I thought you lost.

[Joe Budden]

Locked the up.

[Parks]

Yeah.

[Flip]

I thought he left. He was locked up.

[Joe Budden]

You got out of there. Yeah, but we don't.

[Parks]

We don't. We never would even remotely have an inkling that he would get out of.

[Joe Budden]

There in Prison Break. He got out of there. And that hunting show. They get out of there and on tv, the guy gets out of jail. On tv, jail ain't as secure as they.

[Parks]

No, the other guest with the lady. That was. That was a better guess.

[Joe Budden]

That was a good guess.

[Parks]

That was a better guess.

[Joe Budden]

That was a good Guess. What did y'all think of the finale? Come on, talk to me, talk to me.

[Parks]

Going too much in the detail. I didn't like it too tough. I was very underwhelmed. I liked it. Very underwhelmed. I. I remember when it first went. When it went off, I looked at the te. I was like, damn, that was kind of.

[Flip]

Were you underwhelmed because you didn't see the. You didn't know that he would be the killer?

[Melissa]

We were underwhelmed. If I could talk for both of us. Because the show jumped the shark in the first season.

[Ish]

Whoa, That's a little.

[Joe Budden]

That's aggressive.

[Ish]

That's aggressive.

[Mal]

What does that mean for people who.

[Melissa]

Don'T know what the term shark is? It's a TV term.

[Ish]

We've broke this down at least six times.

[Melissa]

But new listeners, if you have, not if you're not familiar with the term. It basically means when a TV series plot line has gone from plausible because there's always, you know, a suspended state of reality from happiness. Dramatic effect. Yeah. So it goes from being plausible to completely ridiculous.

[Joe Budden]

What did you think was completely ridiculous about it? And if. If you thought that up to episode seven has been plausible.

[Parks]

Yeah.

[Joe Budden]

No, because that could be deemed as completely ridiculous.

[Melissa]

No, you're right. And like I said, that's why I said suspend reality and, you know, just kind of understand that the show is. A lot of dramatic effect is taken here, A lot of liberties is taken. So you do that, but then it's like, okay, dudes in fucking jail happens to be in Colorado. Then there's a prison break, and it's just like, the timing is so short, and for all of these tiny little variables to come into. Into play. He breaks out of prison, he happens to get the uniform. Then he's walking down the street, you know, checking IDs of people who are in cars, and there's hundreds of thousands of cars, but he just happens to buck up on the two people that have clearance to go to paradise come the on.

[Ish]

He was searching for people.

[Joe Budden]

And then he did.

[Melissa]

And then. But the timing, this just.

[Ish]

He was from the area. He was working there. He tried to assassinate him there.

[Melissa]

Like, he wasn't from. He wasn't from Colorado.

[Flip]

He was working. He was working.

[Parks]

He was one of the creators.

[Flip]

He was the manager, he was the engineer.

[Parks]

They locked him up in that jail.

[Melissa]

Yes.

[Parks]

Cool. So when the jailbreak happens, of course, if the world goes awry, the motherfuckers that are in jail are gonna try to break out. That would Happen next door. That's a fact. If the world goes awry, he got out. Everybody else on some run amok shit. He's an analytic. He sees the dude down there with a badge, with a uniform, with all of those things. I get out, I kill him.

[Melissa]

Okay?

[Parks]

I mean, I kill him. I take the knife out his chest. Now I have a uniform that makes me look official. Official and representable.

[Melissa]

At that point, I totally understand. And I see. I see the purpose for it all, but it just. It just. To me.

[Parks]

And it wasn't. It wasn't hundreds of thousands of cars. It was.

[Melissa]

Did you see the aerial shots?

[Parks]

I saw it.

[Mal]

Of all.

[Parks]

They wind around. They winded around and he's going car.

[Ish]

By car, like, yo, finding someone with a thing.

[Parks]

And they're like, yeah, they got us going, blah, blah, blah. And that road might have been the.

[Flip]

Road to Promise land. Yeah.

[Parks]

I knew he was gonna kill the people. Yeah, he killed the people. And then.

[Melissa]

And then he's coming out of like a. A convenience store and just happens to find this woman who's just sitting there. It just.

[Joe Budden]

That was one of my favorite.

[Parks]

That was one of his favorite parts. Because now you happen to be in.

[Joe Budden]

The best spot that you could be of anyone in the world.

[Parks]

Right place, right time.

[Joe Budden]

Yeah.

[Parks]

And it makes me look that much more representable because it was the librarian and his wife. So now my wife and I are gonna get on and makes it look. You know what I mean, like more. You won't think that acceptable. Yeah, yeah. Like it's a husband and wife couple as opposed to just a single man coming on. No. Bring the wife in the table.

[Melissa]

And then in addition to that, we look at the president's house or the former president's house. He's got guards and sort of. So he just happens to know.

[Parks]

That's what killed me.

[Melissa]

He just happens to know that he's gonna get past all the Secret Service agents and get up to this man's bedroom and kill him.

[Parks]

Only two. And they was off their guard. Only two.

[Joe Budden]

And they showed you that every single. You wouldn't know it in episode one. The guards were addicted to video games.

[Parks]

They play video games Every day at.

[Joe Budden]

11 o'clock in the security.

[Melissa]

Every day at 11 o'clock would. He doesn't know that though.

[Parks]

How you know he's not stalking the house. He might be stalking a house. Yeah, he's. Because he said his Watch to exactly 11:00. If you see he was in the bushes, his watch said 11:00. As soon as his wife said 11:00. He put his shit into play. So at 11:00 they always say that these two stupid kill the security to play Wii in the yes. So he might have been watching the house for a period of time. Cause to me what made it less plausible is the daughter going with the girl.

[Joe Budden]

The daughter should have died. That is my only beef about the finale. The daughter should have been gone. When it looked like Jamie text Sinatra and said yo, it was done. I don't know how. Yeah. I don't know how she survived and Jamie dropped her off and that.

[Parks]

Nah, she was lying to her the whole shit.

[Mal]

I know.

[Parks]

Cause she had the lady was really crazy.

[Joe Budden]

Crazy Jane James.

[Parks]

James is really nuts.

[Melissa]

So I'm confused.

[Joe Budden]

Would you have popped her?

[Parks]

Pop Jane?

[Flip]

Yeah, popped her, shoot her or popped the fucked her.

[Joe Budden]

No, no, no. Fucked her if I was huh Bill or anybody in there. If you was the guy playing the Wii in there and worked with Jane.

[Melissa]

Yeah.

[Parks]

You fuck James Little goofy ass girl. You don't know she's nuts. Cause she played the goofy role to the T. Yo.

[Joe Budden]

Niggas have to throw that line in the garbage. We didn't know she was nuts.

[Parks]

Sometimes. Sometimes you don't.

[Ish]

Sometimes you don't know until.

[Parks]

Only sometimes. A lot of times we know most.

[Joe Budden]

Times we know they not and we.

[Parks]

Just be like all that girl was playing goofy very well. She was when she poisoned that said.

[Joe Budden]

You said bring the biggest the nuts be having a good and abusive yeah.

[Parks]

Y'all keep saying y'all stop playing twice.

[Joe Budden]

The that's gonna throw a lamp at you. Them fire right after too. They just passionate. They passionate. That's all it is.

[Parks]

Okay.

[Melissa]

Okay. But I was confused about the When Jane shoots her and then she walks up to Sinatra and she says he was gonna shoot you in the head.

[Parks]

I'm telling you.

[Melissa]

And she was like, you have a long road of recovery. Where did she shoot to where she didn't look like she shot her in the fucking neck.

[Parks]

No. Because she's a Secret Service agent. They don't really miss. So I'm gonna shoot you, bitch. Where I know you ain't gonna die. Probably to the right of your heart somewhere.

[Joe Budden]

That's what it look like.

[Mal]

Yeah.

[Parks]

You not gonna die.

[Melissa]

Okay.

[Parks]

You're welcome. Cause he was gonna shoot you in your fucking head.

[Joe Budden]

He should have. And I need to make it look like you're gonna die like I meant to kill you.

[Mal]

Yeah.

[Parks]

Should have been shot.

[Joe Budden]

Listen, I don't want us to delve deep into this Because I want to give people a chance to watch it. Even though we just unpacked everything for the most part. But I wasn't mad at the finale. I wasn't at all for a quick eight episode run.

[Ish]

And you got to figure that they didn't necessarily know for certain if there was going to be a reason too.

[Mal]

Exactly.

[Parks]

That's right. That was big. And I think that, again, I'm always.

[Melissa]

Looking for the other shit, the overall theme.

[Parks]

Yeah, I think that when he starts to tell him, like, yo, dog, I started getting comfortable here. I thought that we had, like, a rebirth of potential for society. And you same rich oligarch motherfuckers put us in prison and started doing the same exact things that y'all fucked up upstairs with. That shit was monumental for me. Him talking to homeboy, like, the little subtle shit, like, you know, when I be watching shit, I'll be looking at the shit away from the action.

[Joe Budden]

You're not deep, but go ahead.

[Parks]

All right. But, dog, that shit was monumental. When he was talking to him. Him.

[Joe Budden]

I agree with you.

[Parks]

Like, yo, I did this for Adam. Like that. Like, it was.

[Joe Budden]

It was. It was big and. And trigger warning. I ain't really like the librarian's suicide jump.

[Ish]

Nah, that was kind of fly.

[Joe Budden]

I didn't love it. I thought it was like some. Nah, he should have been shot before then. Like, his jump wasn't assertive at all.

[Ish]

He went and took down a nice little chunk of that sky.

[Parks]

He did.

[Melissa]

Sure did.

[Parks]

And I don't think he should have jumped. I. I wouldn't have shot him if I was them.

[Joe Budden]

I'd have shot him.

[Flip]

Yeah, be with them, Howie.

[Joe Budden]

Not in the head.

[Parks]

Not me.

[Joe Budden]

He'd have got shot.

[Parks]

That's. You can shoot a nigga without killing him.

[Joe Budden]

And he had the weapon in the library.

[Parks]

He should have definitely shot the shit.

[Joe Budden]

He had a murder weapon in the glass case in the library.

[Parks]

I don't think that's what I'm saying. I don't think he should have shot him. I think that we trying to get out of here, so whatever information that you have is more needed than not. I wouldn't have shot him. And after he sat there and told you why he did what he did. It's the same journey that homeboy was on at that point. We bringing down all the rich. It was the same exact journey that homeboy was on at that point. So why not make him an ally instead of shooting him?

[Joe Budden]

I enjoyed the episode.

[Ish]

Me too.

[Joe Budden]

I also enjoyed, in real life, Sterling K. Brown's wife doing? She was doing a watch reaction.

[Ish]

Oh, for real?

[Joe Budden]

Oh, so when Sterling K. Brown, the wife is watching, like, yo, that's all you had to. That's. That's what you said to stop her, try to stop her from going to Atlanta. Like, now I'm looking at you funny. Like, what if this was the real deal?

[Parks]

Like his real wife.

[Joe Budden]

His real wife. That's funny. No practice, right? Now tell me how you can get me to not go to Atlanta. Because this is passive. No, that was absolutely one thing I like.

[Flip]

I like when California press the blue button to stop all the. You know, to shut the world down. I thought that was dope. I didn't see that coming at all. That's one thing.

[Joe Budden]

He broke the blue shit.

[Flip]

Yeah, he broke the blue shit and he typed the code in to stop all the nuclear bombs and to shut the world down and sets us back 500 years. But I thought that was great. I like that part.

[Parks]

Yeah, me too.

[Joe Budden]

And I just chalked this up as one of those shows. Sometimes you get shows where the finale is before the finale. And that's what this was like. Episode 7 was there.

[Parks]

Kabang.

[Joe Budden]

Now we just closing this up to.

[Parks]

Get to the next season and to Parks point.

[Joe Budden]

And if that happens, I remember everybody's reaction after episode seven.

[Parks]

Yeah, yeah, yeah. But again, to Parks's point, they might have had a whole different episode eight.

[Joe Budden]

Yeah, yeah.

[Parks]

And now we gotta renew it. We gotta rewrite episode to. You know what I mean, to open it up. Overall, still a great show. Still a bad show.

[Joe Budden]

Eight episodes. Even if you didn't like the finale, you can't be mad.

[Parks]

I'm not knocking the show at all.

[Joe Budden]

Let's hit the round of applause for Sterling K. Brown. Everybody on the staff of Paradise. Really good show.

[Ish]

It is made by the same guy as this is Us. That makes sense. Dan Fogelman.

[Joe Budden]

Dan Fogelman. I see a style man. Good style. You good boy. Good style. That boy. That boy is good.

[Ish]

Let's bring this right back. That.

[Joe Budden]

Yeah. I ain't mad at him.

[Ish]

I ain't mad at all.

[Joe Budden]

What else?

[Parks]

Else.

[Joe Budden]

What else out there is important or unimportant?

[Parks]

Yes, it. Biggie's catalog is going up for sale.

[Ish]

It is. And his. His 125 million likeness and all that.

[Joe Budden]

Wow.

[Parks]

With the likeness.

[Joe Budden]

Yeah.

[Melissa]

Is this. Does this coincide with his mom's passing?

[Ish]

That's what's weird about it to me.

[Parks]

Could be.

[Ish]

That's what's weird about it.

[Joe Budden]

Yeah.

[Ish]

It seems it was announced literally, I think maybe a day after she passed.

[Melissa]

Oh, wow.

[Ish]

That's weird.

[Joe Budden]

Weird why? I don't think that's weird.

[Parks]

Not weird at all.

[Mal]

Kind of. It kind of flows together.

[Joe Budden]

Makes sense.

[Parks]

The estate is in probate, so now we're gonna see what we could get. I don't know. Yeah, you know.

[Mal]

And the kids don't want it.

[Parks]

I was about to say. I'm not picking or knowing what his children have. His kids might not have much.

[Joe Budden]

Nah, well, don't do that. You can have much and still want a hundred million dollars. Facts.

[Parks]

True. No, I'm just saying. But if you got something, then you might not have not immediately put it up for sale. The very next day, you will evaluate your options. And you know what I'm saying? Assess what? Where your financial situation is. You're not gonna just throw it up for sale tonight. Let's say. Let's take this off, Biggie.

[Joe Budden]

Yeah. When you don't know.

[Parks]

But anyway, keep it a buck.

[Joe Budden]

When y'all die young kids is getting rid of y'all a lot of times.

[Parks]

That's why you right away.

[Flip]

That's why you put things in place to prevent that.

[Parks]

True, Bro, that's not true. It's all contingent upon where you are financially.

[Joe Budden]

My kids selling the out of me. No, they.

[Parks]

Oh, not if they got money up, Especially Trey. That ain't beat for money.

[Joe Budden]

I don't know if it's. That's where we different. I don't know if it's a beat for money thing, but that's what y'all saying.

[Parks]

Y'all like, yo, immediately we're gonna throw the. I think Trey. I've known him since he was a kid. Trey don't really be phased by materialistic like that.

[Joe Budden]

I don't think it's necessarily a money play. When my grandma died and she gave me whatever she gave me in Campbell's soup, it made sense and it was a good investment. Get this shit the fuck out of here. If you don't give me my seven grand, whatever the fuck it was worth.

[Parks]

When was this?

[Joe Budden]

My grandma died. I want to say 2011.

[Parks]

What was your financial?

[Joe Budden]

2010.

[Parks]

Today. You don't sell it today. Now, that's my point.

[Joe Budden]

Today. Now.

[Parks]

Today. You don't sell it today.

[Joe Budden]

You keep the super. I add on to that.

[Parks]

Yeah. Today you get. Get some more alphabets in the soup.

[Joe Budden]

I'll add on to that camera.

[Parks]

Add a little more noodles. That's what I'm saying.

[Joe Budden]

I don't know if they're doing good.

[Flip]

Today, but they do have a point Ish. You hear the stories about when a parent pass away children sell off their assets.

[Joe Budden]

True.

[Flip]

It's kiss them do it. This is why a lot of people put things in place where they can't sell it.

[Mal]

True.

[Flip]

My father put in place some shit like, yo, nah, you and your brother.

[Parks]

No skits.

[Flip]

No, not at all. You can't sell this. It needs to go down. I didn't even know that was possible. But at the time I didn't know it was possible.

[Joe Budden]

Now, have you evaluate. Have you had an evaluation done on your ips?

[Flip]

Are you trying to be funny?

[Joe Budden]

No, no.

[Parks]

That's a real conversation.

[Flip]

No, you should.

[Joe Budden]

Yeah.

[Parks]

How much is your worth? I said it last week. It's all right though. I was in the ballpark.

[Flip]

What is ip?

[Parks]

Intellectual property.

[Joe Budden]

What do you mean? What do you mean? What is it?

[Flip]

Look, let's engage in this all the.

[Joe Budden]

You ever came up with.

[Flip]

I have no, I haven't had any. I haven't had it evaluated.

[Joe Budden]

No, I didn't think that you would. Because we don't behave that way when as the living.

[Flip]

I'm learning now.

[Joe Budden]

You should.

[Mal]

You should.

[Joe Budden]

It's like think of the artist that is selling a catalog.

[Flip]

I got it.

[Joe Budden]

Right. Like it has to be evaluated. Let me see what my catalog is worth just so I can know. You don't even have to worry over the next. Over the next 10, 20 years. Years when it'll be at its peak value.

[Parks]

Like, see, I'm mad at that because I think I'm not. Because it's not my wheelhouse. I think you could borrow against that catalog as opposed to selling it. And I'm always a fan of that. I'm always opposed. I'm always a fan of keeping the asset, borrowing against the asset, generating more wealth with the borrowed money and giving it back. So now I just have way more assets. Assets. As opposed to selling the asset. Like if you could sell it for 125, I could borrow 50 against it. Take the 50 and make it work. I still got the catalog and more.

[Mal]

And you can pay back.

[Parks]

I'm always a fan of that.

[Mal]

Yeah. That's a level of financial sophistication. Right. And a desire to grow financially. A lot of these wealthy kids, like, they just want to spend. They just want to spend. They just want to spend the rest of their life spending money.

[Parks]

And they like to think about after them.

[Mal]

Yeah.

[Flip]

You had your IPs evaluated, right?

[Parks]

Yeah. It ain't a hard question. Yes.

[Mal]

That slow ass answer, right? Yes.

[Flip]

I just think it's dope.

[Joe Budden]

You gotta do that for the estate planner.

[Flip]

No, yeah, I understand. Yeah, I'm learning.

[Mal]

Do you got wills and insurance and.

[Joe Budden]

Stuff like that and everybody.

[Flip]

No, I don't. No, I have insurance again, I want.

[Joe Budden]

To urge everybody to get into their estate planning too.

[Mal]

Everybody.

[Joe Budden]

Yeah, estate planning. What's the shit? My dad be preaching your PSA number for the cancer shit. What else? What male be preaching health checks?

[Melissa]

Yo, listen, Real screening.

[Flip]

The audience up here that listens to this is too smart for me, for my good. And I say that to say to go back around. Because when I say I'm learning in real time, they have a problem with that. Oh, nigga, you old.

[Melissa]

I think that that's one of the greatest.

[Parks]

I think that's amazing.

[Flip]

I'm so comfortable in my skin.

[Joe Budden]

Oh, geez.

[Flip]

Hold on. I'm comfortable in my skin to know that a lot of times in my life, I just wasn't into certain things.

[Melissa]

No, but no. Sometimes coming up here.

[Flip]

I'm sorry.

[Melissa]

Sometimes your circle exposes you to things that you would have never been exposed to.

[Flip]

My mom was only. And I'm not trying to make it by myself. They don't like that neither. My mom was only.

[Joe Budden]

Holy shit. You learned that.

[Flip]

I gotta get to the. Fuck that now. I'll stay on it. Stop. I gotta get to the bag. I came from nothing. I was poor, and I don't want to be poor again. So if I could get 15,000 from doing this, if I get 9,000 thousand from doing a minute, Let me see how much I can get in the time. And then, you know your lifestyle, you start spending more. So coming up here is just learning different things about how to navigate through the world of media, you know what I'm saying? And people don't understand that. Like, when you.

[Joe Budden]

When you.

[Flip]

When you. It's. That's why I understand the story. Sometimes when is say, like, it's predatory sometimes to give somebody out the hood a big contract. The same thing. Like, if you don't have the information, it's not predatory, but it's crazy.

[Joe Budden]

If it's setting them up, don't give it right back.

[Flip]

If I started YouTube, look at my account. And within that year, I had nothing. I'm living in my mom's basement. Nothing. And then now, at the end of the year, I have 70,000, and it's like, okay, there's something here. So now you're seeing how you could double it without the knowledge or the education. So then you seclude yourself from the rest of the world. I don't know about the podcasts and financial shit. I don't know about that.

[Joe Budden]

I just thought a man named and be at Invest Fest every year. The billionaire black dude. Robert.

[Melissa]

Robert Smith.

[Joe Budden]

Robert Smith. I seen a clip with him yesterday. He was like, don't y'all know the word capital? The root word capital is Latin and it means information. I was like, oh, shit, he cooking now.

[Flip]

I think that we frown upon people learning.

[Joe Budden]

Nah, he was going crazy.

[Parks]

And you know what? And they demonize it.

[Flip]

I think we frown upon people learning in real time or teaching in real time. I think everybody wants to come off as this knowledgeable person. I think is whack. I think that the vulnerability is.

[Parks]

Is a strong vulnerability, bro.

[Flip]

Well, to me.

[Parks]

But I'm telling you, it's not a vulnerability for you not to know something.

[Flip]

And openly how many people say.

[Mal]

But you're being vulnerable to say how.

[Flip]

Many people say it publicly. They don't want to know everything. But when y'all be talking, I write my notes, I go home.

[Parks]

Like, oh, vulnerability. I love to hear them talk. Like, again, getting certain people. Dame50 Jay, even Irv rest in peace. A lot of times when talk, they'll be saying some. And you be like, yeah, like flip saying, you, you, you, Robert Smith. Don Peoples them be talking that you'd.

[Joe Budden]

Be like, oh, okay, yeah, you know what you're supposed to know.

[Ish]

Huh?

[Flip]

What does that mean?

[Parks]

I disagree. Yeah, I totally disagree with that. Yeah, I totally disagree.

[Mal]

What does that mean?

[Flip]

His mind is so crazy. Like.

[Joe Budden]

It means that the world is designed and there's levels in it, right? So we look at the nycha, the niggas that's in the Nycha apartment housing in. In New York. Like, there's certain sectors of the world that they're not going to allow you to have.

[Mal]

I see what you mean. Yeah.

[Joe Budden]

Access to. And as you. You progress and as you get the tools to level up, there will always be levels above you that you have no knowledge on at all. You know what you're supposed to know for where you are in that moment in time for what you make for all of our paths. Right? Like sometimes in the morning, I stand on my balcony and I'll stare over at Billionaires Row and just be like, how?

[Parks]

Like, you don't ask yourself how.

[Joe Budden]

Not really the how. Right.

[Parks]

But.

[Joe Budden]

It'S not for me right now. Right. Whatever that is for that point of view, even though it's not far from here. Right. Like I've said before, where I live, I could step on the balcony and see Spanish Harlem from right here, we can see Spanish Harlem. We're probably across from. From Harlem. Right. But the people over there, as close as it is in proximity, it's a different pov.

[Melissa]

But billionaires grow. Is a lot of generational wealth. Like that's pretty much all it is.

[Joe Budden]

I don't. I don't assume that.

[Parks]

I don't assume that neither.

[Joe Budden]

I don't assume.

[Parks]

Not today.

[Joe Budden]

Not today.

[Parks]

There's people.

[Joe Budden]

There's people out there.

[Parks]

Too much tech money today. And a lot of them didn't come for money.

[Melissa]

But the majority. I would. I would say that the majority of the population of billionaires row is. It's not new money. It is generational wealth.

[Parks]

So do you think.

[Flip]

Sorry. I'm sorry.

[Parks]

So when people categorize, they call this right here the Gold Coast. The Gold Coast, Right. So they say all this is new money. They refer to all of us as new money. Like, this is new money. And the Edgewater, Fort Lee Weehawken area, we've been here for 20 years. Fifteen minutes away from here, niggas didn't know this shit existed. Yeah, literally 15 minutes away from here, People did not know that this shit existed. This used to be my date spot. And people that live 10, 15 minutes from here didn't know it existed.

[Joe Budden]

Rest in peace. To the multiplex. Are you talking about.

[Parks]

So I think that when Joe. See, I agree. I disagree with Joe when he be like, yo, you need. Because I think if you don't put information in your brain, you become complacent and you'll never scale up.

[Flip]

Do you think that it's designed for us to be comfortable in whatever situation that we're in?

[Melissa]

Thousand percent, yes.

[Flip]

Because it's like, you hear the rare story. It's a rarity for someone to say that's not really rare. But I want to go out and find more information. So I'm going to take the steps by spending my last to find it. If I have to lose this, this apartment or lose my apartment and I seen somebody in Nycha, I wanna go out there and find the information. If I have to struggle to find it so I can go to the next level. But a lot of people don't wanna take that chance.

[Parks]

I don't think it's designed like that. I think complacent and comfortability is just a human thing.

[Flip]

But why would you think it's designed like that? If you're staying in the project, building rent is cheap. You're able to. You get no disrespect. To anyone. You're able to get food stamps and then the money that you make from work or on the side, you pocket it and could fund your lifestyle that you're trying to show the world that's comfortability. I don't have to do that much. I could stay in here. I'm not willing to learn anything. There's a process on how I'm achieving it and I'm getting it. You understand what I mean?

[Parks]

Yeah, I do. I think that growth is uncomfortable. I think people only grow when there's uncomfortability. That's one. So were things designed to keep us in a certain space? Yes, but I don't think that those designs Today a library card is free because you like people give their last. So information is around you free. We got the Internet. We look at bitches all day on the gram. We look at our what you call it Page. Yeah. All at the for you page. And all of that shit is based on what you. You spend your time watching. If you start watching financial shit, it's gonna keep feeding you financial. That is free. A lot of times escaping these traps is free. So I don't think that maybe it was designed in yesteryear to trap us. Yes. But today I just think become.

[Melissa]

But the trap is inside your mind. Like you have to have the. Where you have the. Have to have the wherewithal to seek that information and also to try to seek different relationships. Like if you're the smartest one in your circle of five, then you need a new circle.

[Parks]

So me and jokes then me, Joe and Corey stand on total opposites. This is one of our biggest fights. We stand on total opposites. I believe that they believe that people got their foot on your neck. I totally am against that theory. Right. I believe that if you want to grow and if you want to succeed, you can. I don't believe that nobody can stop you from becoming Robert Smith.

[Joe Budden]

I hate when you do that.

[Flip]

I do.

[Joe Budden]

I hate when you do that though.

[Flip]

Because I'm on both sides.

[Joe Budden]

One don't the gate dollar.

[Flip]

Yeah, but yeah.

[Parks]

Are you saying that they stopping you from doing something?

[Joe Budden]

No, no, no, no, no. See, but that's you misinterpreting what we'd be saying. We don't be saying people are stopping us from doing something. We, not you. Never.

[Flip]

They just put. They just put certain things in place to protect you.

[Joe Budden]

From where? All of the obstacles that are in place for me versus someone else. They don't say it's impossible. I'm Not. I'm never preaching that message.

[Flip]

What if somebody put an obstacle in front of you and this is your dream. Right. If we talk about, from the media game, what if it's like, you have all the qualifications, the people are interested in you, the person's interested in you to do something, and then somebody who was higher or in the same field that you in put an obstacle in front of you to prevent you from getting that. They just throw a monkey wrench.

[Parks]

What's my course of action?

[Flip]

Your course of action is to either go somewhere else or find another way through it. But what if the obstacle is. So there's a lot of times you hear people in the media game, it's called blackballing and gatekeeping. That is real.

[Mal]

Oh, yeah.

[Flip]

That is a real thing. They can stop, like, you right there. You can have the conversation. And this is why they say from a kid, don't share all your information until the deal is signed or don't, or whatever that slogan is. But people put up roadblocks.

[Joe Budden]

Ish.

[Flip]

And then now what do you do? Do you change your course of action? Do you go into a new field?

[Parks]

I got two names, jay Z and 50 Cent. 50 Cent got blackballed, okay? The niggas that was blackballing him admitted numerous times, yes, I was blackballing purposefully. 50 Cent is worth a couple hundred million dollars.

[Flip]

Yes.

[Parks]

So either you gonna circumvent the black ball, you're gonna keep trying, you're gonna go through it, whatever the case may be. But I believe if you got persistence.

[Flip]

You could get on. But 50 Cent was blackballed. No disrespect. 50 Cent was blackballed. Not by someone in that office, not.

[Parks]

By a. Irv was in those offices.

[Mal]

Yeah, Irv told me that Direct Irv.

[Parks]

Was in those offices and had their ear. Ja Rule was as hot as fish.

[Joe Budden]

Flip Flip is saying thank you. 50 is blackballed in one little corner, in one sector.

[Mal]

Oh, I see what you're saying.

[Joe Budden]

You know what I'm saying. The foot on neck theory that we talking about speaks to systemically abroad. Not just one aspect of something cool.

[Parks]

But at that particular point in time, that was his world. That was the only world that he knew that he could get.

[Mal]

He wasn't gonna go make TV shows.

[Parks]

Yeah.

[Joe Budden]

He wasn't gonna go write a book.

[Parks]

Like in 2001. 2002, 2003. This is his world. You understand what I'm saying? Like, this is the world that I know that could get me out the jungle of Queens. That I could go to put some food on the table for my family.

[Joe Budden]

And that's back to my point. Because that was his world and he was a megastar in his world. He gained an access and was privy to things and people and info and resources and networks that other people are not. Not because he's a genius. Post blackball, he took that.

[Parks]

That wasn't pre black ball. He gained that access after he fought.

[Mal]

Through The Ball mixtape 50 Before Get Rich comes out.

[Joe Budden]

That little music. Black ball is a dot on the.

[Parks]

Piece of paper now. But he still had to fight. It wasn't a dot then, Joe. That was a circle he was fighting his ass off to get through.

[Joe Budden]

If that's the only world you. I think that he is greater than that and saw more than that. If that's the only world you could see, then yes, that black ball is insurmountable.

[Parks]

But he still had to get through that black ball. He made it in that world. The world where they tried to blackball him in. He didn't go somewhere else.

[Joe Budden]

You got the clue to get to the next clue. We gonna do the escape room. Some of them clues, you'll get to one early. You can't do that until you figured out the other clues that line up to that clue.

[Parks]

We know the story. Yeah, the 50 Cent story. And was listening to the mixtape on the airplane. Yeah, it just landed in his lap. Whatever the case may be. From what I heard, I might be wrong, but, dog, again, that's just me. Keep making mixtapes, I ain't say, yo, these is blackballing me. I'mma quit. I'mma keep doing what I'm doing and doing what I'm doing and doing what I'm doing. I'm going to be resilient. I'm going to be persistent. I'm going not take no for an answer.

[Mal]

I think that's where. Oh, go ahead.

[Flip]

Sorry. I'm so sorry. No, go ahead, bro. You got blackballed from the industry, but then you captured the air of the streets, so. Right. So when you capture the air of the streets, the noise from the public overrides it. Overrides it. And on top of that, not include of getting shot nine times, surviving. Like it's so many things that happen in that situation that played in all.

[Parks]

Are based in persistence and resiliency.

[Mal]

That's amazing to me. The systemic stuff so important to acknowledge because part of it is there's roadblocks and then part of it is figuring out how to get around those roadblocks. But part of it is if you've been come. If you come up in a system where you're not even given permission to think about those alternatives as real, that's what makes it difficult. I'll use myself as example. I'll use myself as an example. Then, like, even at this stage in my career or earlier in my career, it was like, get a TV show. Get a TV show host. A TV show host. A TV show. And it wasn't until I got lucky and got to a better agency wme that they were like, why the fuck do you keep trying to get hired as our TV host? Why don't you make a show? Like, why don't you create a show? But that wasn't something that I even knew was a possibility. But in that case, it wouldn't have been a lack of persistence. It wasn't like I was afraid to get a show or didn't. I didn't know that that was a thing. I didn't know that was a thing you could do. But other people are taught from day one, go make your own shit.

[Joe Budden]

True.

[Mal]

You know what I mean? And then I meet people like Joe and stuff, and it's like, oh, wait, why the fuck do you need a TV network? Fuck tv. Right? But there are people who are miles ahead of this who I don't get to meet because I don't have access to that information.

[Parks]

But I think that's life.

[Mal]

Yeah, but I think it's designed.

[Joe Budden]

It's life for everybody.

[Mal]

It's organized that way. So some people do know that stuff and other people don't.

[Flip]

Mark, would you say when you got black. Cause you was a black ball from television?

[Mal]

Still am.

[Flip]

What did you say when you got blackballed to that you had no other choice but to pursue other options?

[Mal]

I already had four or five other things going. I still sold books, I still spoke on the street, But I still can't get on tv.

[Flip]

You know what I mean?

[Mal]

There's a war in the Middle east, and I'm one of the leading experts on this topic. And I can't get on TV about it.

[Melissa]

This is complete sidebar. I'm sorry, but I really actually wanted to. Like when we were talking about Oscars, you saw what the documentary was. Yeah, that won. So it was a Palestinian and an Israeli director. Yeah, director who kind of came together and they're winning the Oscar for this documentary.

[Mal]

And you know why you all haven't seen it? Cause it's not distributed anywhere. It's not on Apple tv, It's not on Amazon. It's not on Netflix.

[Joe Budden]

With all due respect, that's important. I don't want to take away from where Mark was going somewhere.

[Parks]

He was going somewhere.

[Melissa]

Okay, yeah. Put a pin in that.

[Mal]

I'm sorry. Yeah. I had other ways to go because I was already far enough along. But if that had happened as if that was my entry point into this business, if that had happened in 2005, I wouldn't be doing anything.

[Parks]

I wouldn't know me.

[Mal]

I'd be teaching public school, which is. Which is a great thing that depend.

[Parks]

On the person, though, bro. Because sometimes people get that roadblock in front of them and say, yo, I'm determined. I'm gonna make this regardless. All right, cool. Y'all not letting me get in over here. I'm gonna make y'all want me in.

[Mal]

This is the only thing I say in response. Yes, that's true. I just don't want. I think the danger of that approach is just that it means that anybody who doesn't get where 50 gets or anybody who doesn't get to his other place, we see it as a lack of determination or a failure to persist. And that's my only problem with that. And we don't look to the system that makes that impossible. For most, 50 Cent is a genius. Yeah. I don't look at every blind southern Jim Crow Negro and be like, why don't you beat Ray Charles? Right? Even if you're decent at the pin, you have to be so extraordinary to get past some of this stuff. And I don't look at everybody who didn't, like, why the. You ain't just do a Rachel.

[Joe Budden]

It's.

[Melissa]

It's almost like the idea that the. That if you don't reach the pinnacle of. Of success as a black person, then you failed.

[Mal]

Right?

[Melissa]

Like, that's all we have. It's either or. And it's like, I. I agree with you.

[Mal]

Because you have to be such a giant.

[Melissa]

It's a dangerous sentiment to clear it. Yeah, Right.

[Flip]

Perseverance comes with, like, no. And it's gonna sound crazy. You end up draining yourself out in the long run. Right? So while we're talking about this, and it's good to be, you know, to go out and get it. Because I agree with Ish. No one can stop anything. I'm gonna go get it. But when you sit down with yourself and you have to analyze that, it's. It's causing a wear and tear on you mentally and physically.

[Parks]

Emotionally. Absolutely.

[Flip]

Emotionally. Now you're trying to question things. Why is it like that. What did I do wrong? What can I do better? So, yeah, it's good to persevere, but. But sometimes you have to take a chance. And.

[Joe Budden]

And.

[Flip]

And that's it. I leave it at that for me.

[Joe Budden]

Oh, don't end it. When I'm about to pull up a song to clown you.

[Flip]

Nah, you can't do that.

[Joe Budden]

I'm about to say y'all kept going. Being motivational. I was going to pull up a song.

[Flip]

Can't do that.

[Joe Budden]

That was fire. I appreciate that.

[Flip]

Teamwork.

[Joe Budden]

Absolutely. Fire. You good? You cold? You all right?

[Melissa]

Yes, I'm. I'm cold.

[Joe Budden]

The air in here, they be doing some weird shit where they put it on.

[Melissa]

It was at 68 five minutes ago.

[Parks]

Your blood's start flowing slower when you get old, right?

[Joe Budden]

I don't know.

[Melissa]

You telling me you older than me? You need to keep that elevated.

[Flip]

I do.

[Melissa]

Somebody get him a foot stool.

[Joe Budden]

I'm not even playing with Mel like that no more. I'm not playing with Mel like that no more. And you get a salute. You get a salute from me.

[Melissa]

Thank you.

[Flip]

Me too.

[Joe Budden]

That what the dedication and that you put into your health in your body. I. I ain't joking.

[Parks]

No, that is different.

[Joe Budden]

You know, you do it for different reasons.

[Parks]

No. You know, Corey be on his muscles. Yeah.

[Ish]

The cardio is different.

[Parks]

Cardio. Mr. Squat.

[Joe Budden]

Go ahead. Over there. I was trying to post Corey up. Feel some body that wouldn't let me feel it. Pause.

[Ish]

Yeah.

[Joe Budden]

Kept backing up, trying to pull the chair from under me. Get over here. You know, I need to feel some body. Get your little athletic ass over here.

[Parks]

Yo, you a fool.

[Joe Budden]

Wait, what he say?

[Mal]

Ice looks disgusted.

[Joe Budden]

I need to feel some body on the post.

[Parks]

On the post.

[Joe Budden]

On the post. Oh, man, I'm going know where I'm going if I don't feel your body.

[Flip]

You know, that's why Imani was trying to kill you.

[Joe Budden]

Man, Imani tried to injure me for good. I don't know what I did to him. I thought that was my. I thought that was one of my better mans.

[Parks]

But ego, he just knows that you're.

[Ish]

You're an aggressive basketball player. So he's trying to meet your aggression, cuz.

[Parks]

Yo, you really. Yo, Imani called the offensive foul on screen.

[Mal]

What?

[Parks]

Off ball.

[Mal]

And I rolled with him, too. I was like, yep.

[Parks]

Y.

[Joe Budden]

Off the front. He was fronting me.

[Flip]

He was fronting.

[Joe Budden]

He was fronting me. They threw it over the top. I caught. He caught off on the front. Yo, I never seen such a.

[Mal]

And Pick up basketball.

[Joe Budden]

What a. And big up ball.

[Flip]

Yeah, my man got the tattoo of the.

[Joe Budden]

Of the mic of his name.

[Flip]

Yeah, he got his whole. He got a whole those type of mic was that again.

[Joe Budden]

Amani played like a Puerto Rican. The Puerto Ricans that got all the energy and want to come out and run around and hit you and do.

[Flip]

All that money was wilding, bro.

[Joe Budden]

Yeah, you're not invited next time. I ain't going to lie.

[Flip]

Yeah, he did good though.

[Parks]

Spanish do burpees all.

[Joe Budden]

And then my guy D did came over to me in the second game, whispered to me, said, yo, we need you. Don't stick him. He's just running around. Save your energy.

[Parks]

I said, oh, that's a good idea.

[Joe Budden]

I took Corey. Corey wasn't doing shit.

[Mal]

That's why I got Corey the first game.

[Parks]

Mark sticks Cory the first game. So they could double.

[Mal]

Yeah, that's what I was.

[Parks]

And I'm like, corey, cut to the basket.

[Mal]

I was like, Corey's like, I ain't going nowhere.

[Parks]

Corey right on the three point line.

[Joe Budden]

Like then when I was thinking. Then when I was thinking Parks, I was in a good mood. Cuz we both smokers. It's like, all right. And then Parks got hurt. It's like, oh, no.

[Flip]

Put the young boy Thompson, 22 year.

[Joe Budden]

Old, came in 24.

[Mal]

24 young boy, 6, 3 from the Indian reservation.

[Flip]

Yeah, yeah, good.

[Joe Budden]

Head him stocky out of here.

[Mal]

I was like, I'm just gonna keep falling.

[Joe Budden]

No, he was with Erickson. Erickson, man, I was watching him in the pre game. He's making drills and right. I said, oh, you play Juco?

[Parks]

Eric's the other man. Six, seven jumpers.

[Joe Budden]

Julian.

[Parks]

Yeah, Julian, Yeah, Julian, Yeah, I played.

[Joe Budden]

Oh, he wore ringers.

[Parks]

Yeah, yeah, I played. Nia.

[Joe Budden]

You know, next time we do this, the people I invite to be subs are gonna be like people that play basketball.

[Mal]

Yeah, right.

[Joe Budden]

Not us who had no business out there.

[Ish]

Oh, no, I think we gotta have non athletic gray hairs.

[Mal]

It gotta be all the things, right?

[Flip]

You can make a thing out of this.

[Joe Budden]

No, we just got to do it like we told Buck. Yo, we're not doing that.

[Parks]

And Buck was holding.

[Mal]

He was holding back for sure.

[Parks]

He shot a couple jumpers. But Adam shit's hitting that.

[Joe Budden]

We had point game. We. I'm out there dying, Buck. Grab a rebound right under the rim. Don't put it up. I said, buck, just in this game. In this game. Yo, enough of that being modest.

[Parks]

Just put it in, dog. Point gain. Game took like 30 minutes.

[Joe Budden]

It did that game took mad long?

[Ish]

It probably was realistically only six minutes, but it felt like 30.

[Parks]

It was a long ass time. It was 115 for like.

[Joe Budden]

Oh, man, the things that they're gonna say about us when. When this is public.

[Parks]

Oh my God, they're gonna kill us.

[Ish]

It's gonna be hilarious.

[Parks]

See, you know what? They gonna kill me and Mark probably the most.

[Joe Budden]

Oh, please, me too.

[Parks]

No, because I told emotional you were scoring.

[Joe Budden]

I was pregnant.

[Parks]

You was, but you were scoring.

[Joe Budden]

I was pregnant out there.

[Parks]

You scored all the points.

[Joe Budden]

Don't matter.

[Mal]

Matter.

[Parks]

No, it matters.

[Joe Budden]

Look at me.

[Parks]

How did I need to know how you did? Because you was talking a lot of.

[Mal]

Actually, I wasn't talking a lot of, but I was responding.

[Parks]

You're the reason this is happening.

[Mal]

No, no, that's not what happened, but I'll let that go. It started with me and Ish saying something and he said, y'all two can't play no ball. Let's go play ball.

[Joe Budden]

That's how it started.

[Parks]

Right? But you was talking a lot of about, you were talking a lot of shit.

[Mal]

I'm just. I didn't start this, but it's fine.

[Flip]

I think that Joe, you could make this a thing, yo.

[Parks]

No, honestly, I wish. I really wish I came out like it was. I would have really been ready to go out there in two weeks.

[Mal]

Yeah, I mean, I'm playing, I'm ready. I just need to work summer breaks.

[Joe Budden]

What I did think about was bringing back the kickball tournaments.

[Parks]

Yes.

[Joe Budden]

Like back in the day, during the summer, I used to wake up at like 8 and tweet a park, yo, meet here at noon kickball. And all the fans would come. She was lit.

[Mal]

That sound like fun?

[Joe Budden]

Shit was lit. Kickball is fun.

[Parks]

Kickball was the shit.

[Ish]

Hurt yourself playing that now too.

[Joe Budden]

You don't have to kickball. You don't have to be Kobe Bryant in the kickball. Like you could play at your physicality.

[Ish]

My man was training for the marathon. He tore his calf playing. It was either baseball or kickball softball. One of them shits hit the base.

[Parks]

The kickball was only lit when the yamin showed up. Hey, hey, hey, yo, can you. I'm on them first kickball games.

[Joe Budden]

That's not true.

[Parks]

That's not true. You wasn't around for the first ones. Them first kickball games.

[Joe Budden]

Kickball is fun. Whether the Yamins or the non ya means. Actually my favorite kickball is when one of them fucking six, four fucking. I forgot what he was. Would show up and we would pick him on our team. It's like I was looking for him every kickball match. Like, nigga, come outside.

[Parks]

Brian Grant beaming in the head.

[Joe Budden]

Yeah, exactly.

[Parks]

Real athletes.

[Joe Budden]

At home and think that your days, like, meeting women is over.

[Parks]

Yes. Long gone. Every day I just scroll Instagram.

[Joe Budden]

That's it.

[Parks]

I like looking at them, though. That's addicted.

[Joe Budden]

See, I don't even do that no more.

[Mal]

I don't do that.

[Parks]

No, no.

[Joe Budden]

I love them. I'm done with Instagram. They all liars.

[Parks]

I don't care.

[Joe Budden]

They all lie.

[Parks]

I'm not trying to talk. I'm not getting.

[Mal]

Yeah, I don't care.

[Parks]

I'm just looking.

[Melissa]

I think it means the picture is a lie.

[Parks]

I don't care.

[Melissa]

I don't care.

[Parks]

Hey, she a liar in the club, too. Good point.

[Joe Budden]

I'm a liar in the club and I don't care.

[Parks]

As long as them heels don't. You know what I mean? Toes don't come over the hill.

[Flip]

I'm good.

[Parks]

That's my turn off. Damn, you bad with them little ass shoes on.

[Flip]

Yeah, I like get off my feet. I don't like that neither. This should be sliding.

[Parks]

I don't like that off my feet. As far the whole picture, dumbass.

[Flip]

You're right.

[Joe Budden]

This really will zoom in on the feet on anything. Bad as hell.

[Mal]

I do that too, though. I do the zoom in.

[Joe Budden]

You a feet got.

[Mal]

Yeah, yeah, it's important.

[Joe Budden]

What?

[Mal]

It's important.

[Parks]

I don't even knowing they had a feet.

[Joe Budden]

Yo, you know what I was laughing at?

[Mal]

I have a memory all day. With respect.

[Joe Budden]

With respect. I was telling my girl, I said, yo, man, now that I met Mark wife, I'ma ask that nigga to do pod wise like she's a professor. Mad smart, mad cool, mad funny sense of humor. Fucking got along with everybody. I was like, yo, I don't know why we always make it seem like our girl at home is the ball and chain. Even though they be cool.

[Mal]

I never said she was. That's what y'all always say.

[Joe Budden]

We get around our nigga. No, you say y'all say that, dog. Yo, girls is cool. We talk like we got to get the away from them.

[Parks]

We do.

[Joe Budden]

Why do we do that? That's part of that ego. Just. No, I think pride painting a picture thing, it's something is there.

[Parks]

Yo, niggas definitely do it, though.

[Joe Budden]

I think he. Mark took a break to go kiss his wife. He said he had an eye injury.

[Parks]

Yeah, he did.

[Joe Budden]

Mark ran to the side and got some sugar.

[Parks]

No, that made her Feel better. Something in my eye. I went there, I said, yeah, old age.

[Mal]

I had a few fake injuries to just catch my breath.

[Parks]

Don't say nothing. Yo, this couch feel like heaven.

[Mal]

I tried to guard a money. Full court.

[Parks]

Yeah, that looked like a jumping bean. But y'all playing full court.

[Joe Budden]

No, I have.

[Mal]

I'm saying I picked like we. No, no, no. I picked him up.

[Parks]

Mark got an ego. Mark got a ego. And Mark is my.

[Joe Budden]

That's what started this.

[Parks]

I'm telling you. He called himself. When the touch ball picking Imani up 94ft up there by the half court line.

[Joe Budden]

The very next play, I think was.

[Mal]

I was done. That was all my energy for the.

[Parks]

Rest of the day. Yo, he was finished.

[Mal]

I was done. For the next five.

[Joe Budden]

Done.

[Parks]

I was hollering like, yo, that's all I had.

[Mal]

Then you start thinking like, my 20s, I could do this every possession. Now I can't do that. I can do that once. Once a day.

[Joe Budden]

I have. I do have a bit of bad news to report. They are reporting that Raphael Sadiq's brother, Dwayne Wiggins, of Tony Tony Tony is receiving hospice. Y'all know Dwayne?

[Parks]

Dwayne, yeah, know Dwayne. None of them name was Tony.

[Mal]

Right?

[Parks]

That was one of the funny things with the right.

[Joe Budden]

God.

[Mal]

Oh, my. This is that. This is that other age, man. We was young. Our favorites got, like, killed in gunfire and random. Now they die from, like, health.

[Parks]

Yeah, bro, we old.

[Mal]

Damn. Send strength to them. To Raphael, Sadiq and the rest of them. Yeah.

[Joe Budden]

I was heading bed last night. Crisscross applesauce. Told my. I can't believe I'mma die one day. I'm still not over the concert.

[Parks]

That, bro.

[Joe Budden]

I just don't want it to hurt.

[Flip]

He's right.

[Parks]

Now, you know what?

[Joe Budden]

I don't want it to hurt.

[Parks]

Know what I'll be looking at?

[Flip]

Say the same.

[Parks]

My daughter. When I be looking at my daughter, I'd be like, damn, it's got to live. Yeah, I got.

[Joe Budden]

It's a.

[Parks]

It's a point where I could possibly not be here.

[Joe Budden]

I think the opposite.

[Parks]

Me up.

[Mal]

And you got young kids.

[Joe Budden]

Yeah. The kids make you think you got to live or that you got to die.

[Parks]

Live, live, live. Especially what I. What I saw, like, with my uncle. That pass passed.

[Joe Budden]

Interesting.

[Parks]

When his daughter was 10 months old and he dies. Yeah. Why you think that?

[Joe Budden]

Because that's what it means.

[Melissa]

Cycle of life.

[Joe Budden]

It don't mean you gotta live. Means you gotta die.

[Parks]

No, no, no.

[Joe Budden]

Constant reminder.

[Parks]

It means I have to live for.

[Mal]

Focus on your health.

[Parks]

I have to. I gotta let my daughters know what.

[Joe Budden]

These niggas be doing. Unnecessary stress. If I shoot the club up tomorrow and have a beautiful, beautiful child tomorrow at 44, probability says I may not see that child hit 35. Yeah, that's true. I'm not stressing myself with so now, damn, I won't see my child.

[Parks]

No, no, no, no. I could be cool at 35.

[Joe Budden]

You want to be. I know. I think what you're saying is you want to be here for as long as you can with your kids.

[Parks]

No. And you want to maximize that time that you are here with them. That's what I just said. What if you got. Look, but look, If I got 35 years out of it.

[Joe Budden]

Oh, quality of life you're talking about. Yes, yes, yes, yes. Yeah, got it. I understand what you're saying.

[Parks]

And not. Not for nothing, this only been three days. It resonated.

[Joe Budden]

What has only been.

[Parks]

They can't. Injury. No, the injury. I'm saying the injury has only been three days. So, dog, every morning we got like a routine. So my girl wakes up earlier than me. My girl goes downstairs, take a shower.

[Joe Budden]

Let your girl wake up before you.

[Parks]

Go to bed at like 2, 3 o'clock every day.

[Joe Budden]

I'm getting to bed.

[Parks]

But anyway, right, so you go to bed at 9:00. I'm doing paperwork at 9:00. Anyway, yo, listen, let me finish my story. So my girl wakes up, she goes cooks lunch. My job is to bring my daughter downstairs, start getting a dress. My foot is fucked up. So I couldn't. You know what I'm saying? I couldn't do that. So it was like, damn small shit like that that you might take for granted. Now I can't do it. So now me getting injured puts more stress on my girl to have to do all of that shit for my daughter. And I was like, damn, I apologize like 50 times. Yeah, yo, my bad, I'm sorry. Thinking I'm fucking Superman.

[Mal]

I got some injured and that's that.

[Ish]

Middle aged off my injury, Huh? I said I got some breakfast in bed off my injury.

[Flip]

I was like.

[Joe Budden]

So.

[Parks]

Nah, like small like that. Yo, you just like, yo, you gotta kinda be here for your kid. 35. If I get 35, I've given you enough game.

[Joe Budden]

Come on, you.

[Mal]

That's how I feel about my older.

[Parks]

If my daughter gets the 35, both of them, I've given them enough game that I could possibly give them. Atlantic City trip is not worth no coochie.

[Flip]

I don't know what that means.

[Joe Budden]

It's a joke.

[Parks]

You ain't ever seen a meme?

[Joe Budden]

No.

[Parks]

They'd be like, yo, I'm taking my kids around the world. I understand your little dusty ass son. Can't take her to Atlantic City and get no cool. You never seen them either.

[Joe Budden]

I just shut up when you Girl dads get to talking.

[Flip]

I mean, sometimes when I lay down, I think I'm like, damn, One day.

[Joe Budden]

Yeah, no. Cause I never. Nope.

[Mal]

No.

[Joe Budden]

No comment.

[Flip]

I think we don't never hear that.

[Joe Budden]

Side of the girl that. Nah, that's true. It ain't worth it. Girl. Don't go.

[Flip]

I be thinking that one day I'm not gonna be here.

[Parks]

You hear the other side? Yeah.

[Joe Budden]

It's because for all the bitches y'all slid.

[Parks]

Mm. Mm.

[Joe Budden]

For all the lies that you've told.

[Parks]

Mm.

[Joe Budden]

For all the tricks, the maneuvers.

[Parks]

Mm.

[Joe Budden]

Late night runs.

[Parks]

Ask me how many of em dad was there for.

[Joe Budden]

Ooh, did I didn't.

[Parks]

I said. You asking me how many of them dad was there for?

[Joe Budden]

No, I didn't ask you that at all.

[Parks]

Oh, okay.

[Joe Budden]

I just say when you take it all into account.

[Flip]

So you trying to say it's gonna happen back to our children.

[Joe Budden]

Wait, hold up. For all of the tricks you've. You've done. And at this present point in time and with the universe and the planets align. Y'all doing great. Like, y'all don't think God is spending at no time. No. Got it.

[Parks]

Nope. I don't think.

[Flip]

Like Karma. Karma. Yeah. Out of here. Nobody.

[Parks]

Let me ask you a question. So you think that.

[Mal]

My daughter's going to be a Harris?

[Parks]

Don't think that neither.

[Flip]

He gonna laugh loud.

[Joe Budden]

Let him do it.

[Parks]

Yeah, go play something.

[Joe Budden]

That's.

[Flip]

Why would you think.

[Joe Budden]

And the future. Thugs.

[Flip]

Chill out.

[Mal]

Why would you think kids. At best.

[Joe Budden]

Oh, my God.

[Flip]

Nobody wants their daughter to deal with a like.

[Mal]

Like.

[Flip]

I wouldn't want my daughter to deal with a like me. I try to prevent her from dealing with a like me.

[Melissa]

That is a revelation. That's.

[Flip]

I don't want to do that. I want.

[Mal]

Because she deserves better.

[Flip]

Well, I'm a better father because, you.

[Melissa]

Know, we do go for men that remind us of our father.

[Flip]

Yeah, I don't want that. I don't want that.

[Parks]

She's not going. His daughter don't see that side of.

[Flip]

Him, so I tried to.

[Melissa]

Who knows what she's seen?

[Flip]

Well, she don't see that side of it.

[Melissa]

Who knows what she's seen? You'd be surprised the shit that kids see that you think you can see.

[Parks]

Cool.

[Flip]

But I put the best face on for my children. And I'm very upfront and I'm communicative. Yo, I was doing this shit at your age. Yo. Watch the boys that's trying to even ask you for anything. Watch them niggas. Cause this is what I was doing. I'm very straight up with her and I let her know. Cause if you participate in that, first of all, it's gonna make you look crazy. It's gonna break my heart. Two things I try to do. Manipulative things.

[Mal]

You hit the guilt.

[Flip]

You have to.

[Mal]

If I definitely tell my daughter.

[Flip]

Yo, yo, I was getting. I made a page on MySpace called Pops on Blast. That was all on like the.

[Mal]

I was doing Use Wilder. Okay.

[Flip]

Yeah. I was wilding. I don't want that my daughter to go through that. Play the music. You. But you have your daughter. I'mma you up. Wait till you have your daughter. You have twin girls. Twin Indian daughters.

[Joe Budden]

My papa told me not to that girl and still rules. That I should have. But I met that nigga in that car and he's so drunk he gonna be 54 with all the love from dad. But I left with this dude who was in his bag. And Papa tried to help, but I sucked his dick. Then I went home.

[Mal]

You can take him today, Flip. You can take him today, Flip.

[Melissa]

That was really good on the.

[Mal]

That's some solid freestyle, though.

[Melissa]

That was solid.

[Mal]

That's some solid freestyling right there.

[Joe Budden]

And he talking about.

[Parks]

I know who the he talking about. Get the out of here with that.

[Flip]

He ain't talking about my daughter.

[Joe Budden]

He is not talking about this one.

[Parks]

Say whatever the you want me at.

[Joe Budden]

Least let the hook get to it.

[Flip]

You gotta stop.

[Joe Budden]

But now, for real, what y'all think this song's about?

[Parks]

I don't know. I never heard it before.

[Flip]

We don't care, bro.

[Joe Budden]

Please. Hey, what you say to him? What you say to dad? My baby. She keeping that.

[Mal]

She keeping her baby dead ass.

[Flip]

Man, I love this. You joining this.

[Melissa]

Me and the 80s music. As soon as it plays the white 80s music. I can't help myself.

[Mal]

I'm. I'm going to be the adult in the room for a minute and say that we have created some tension in the room. How y'all seem bothered by this?

[Parks]

I don't give. I'm ignoring that.

[Joe Budden]

They ain't paying me no.

[Mal]

You look irritated. I was.

[Flip]

I'm ball.

[Joe Budden]

The Bunny family. He text his daughter and he Ain't pay me no, I'm not paying that no more.

[Mal]

Okay, then we good? All right.

[Parks]

Yeah, we're great. I promise.

[Mal]

I know. You looked irritated.

[Flip]

I am. Hey, listen, cuz, he be around my kids, he be around them. They come a bit.

[Parks]

That don't stop with girls.

[Flip]

It don't.

[Parks]

Family issues. Don't stop with girls.

[Joe Budden]

Clean it up.

[Parks]

Yeah, no, I'm telling you, like, that don't matter.

[Mal]

But you know what it is? A lot of times dudes be more hype about. Like, no dude that I know is that upset about their son getting in some wild shit the way they are.

[Parks]

Depending on wild shit got levels.

[Mal]

That's true, that's true.

[Parks]

Wild shit got levels.

[Mal]

But like, nobody's like, oh, my son's 15, eating pussy.

[Joe Budden]

Right?

[Parks]

Yes, I'm.

[Mal]

No, I'm just saying a lot of people don't talk. I'm not saying they right or wrong.

[Parks]

Your son 15, come home sucking dick, then what?

[Mal]

I mean, it wouldn't bother me.

[Joe Budden]

Fathers, do you always make it gay? We don't care.

[Mal]

No, if he's gay, we don't care.

[Joe Budden]

You ain't trying to make us transphobic. I mean, I'm not saying homophobic, but.

[Flip]

Nobody wants to think about their daughter being out there at 16, 17, 15, doing anything, nigga.

[Joe Budden]

So don't think about that.

[Flip]

No, but when you highlighting and play music and looking me in my eyes.

[Mal]

I think it was the freestyle. It was the pop freestyle.

[Flip]

The shit that you do this, you sell ass for this, for this, for the this, for your joint. The you do on this camera, I'mma get you.

[Mal]

I think it was a sucking his duff with the feathers.

[Flip]

I mean, it's entertaining, but in all reality. We know he don't feel this way in reality, but it's just.

[Mal]

No, he might, he might also.

[Flip]

I don't think so.

[Joe Budden]

While we talking about Madonna telling her dad that I don't think so, she wants to keep the baby. It's being reported and I say that loosely. Say cheese is reporting Anthony Edwards, I believe. Say cheese.

[Mal]

They don't be wrong a lot.

[Joe Budden]

He one of the ones I be believing. Anthony Edwards allegedly filed a motion claiming that he does not want visitation or custody of his four month old daughter with Aisha Howard.

[Mal]

That's rough.

[Joe Budden]

Where does everybody stand?

[Mal]

I a lot of feel that way. It just takes a special kind of person to write that on paper. Especially when the whole world gonna see it because your kid is gonna see that later too. That you didn't want that. Just do old School and don't show up. Just do like everybody else Old man did.

[Joe Budden]

Just.

[Mal]

I'll be there. 15.

[Parks]

I think he just got some growing.

[Melissa]

Up to do and he's gonna change his mind later.

[Joe Budden]

That's dismissive. Okay, now, I'm not saying it's not true, but it's dismissive of the. Let's pretend that we're talking about a man that's older than him. That's. That's vocalizing his non parental rights. That's saying, I'm signing over all parental rights to you. I told you, I want nothing to do with it. I really don't want anything to do with the child or you. I'm signing over my rights. Like, I think it's fucked up. I don't want to say that the person that feels that way has to grow up because it be mature men that feel like they're.

[Parks]

I don't think that's mature men. That's saying that. I don't care what age you are.

[Joe Budden]

Are.

[Parks]

I think if you. I mean, listen, we know how. We ain't stupid. We know how babies is made. And you put yourself into that. Now you have to deal with that. And if you choose to just walk away, I think that's some immature coward. That's my take. Nobody has to agree with that. But I feel differently about parenting. I. I think it's bigger than you. And then you made this child. You don't just get to walk away. The moms ain't just. She's stuck. She got it. She can't just say, never mind, I'm cool.

[Mal]

Yeah, she could right now.

[Parks]

No, the child ain't. The child here.

[Melissa]

Four months old.

[Parks]

Four months old.

[Mal]

Oh, I'm sorry. I'm thinking four months pregnant. Forgive me?

[Parks]

Yeah.

[Mal]

Got you. Yeah, she. I mean, she had a moment to make that choice, right? Yeah.

[Joe Budden]

She could still make that choice.

[Mal]

Yeah.

[Joe Budden]

Even with the child is. She can make that choice.

[Mal]

Adoption, foster, I got you.

[Parks]

That's. That's. Y'all, Y'all can.

[Mal]

No, no, I agree with you that I think it's. It's cowardly. I don't. I don't like the idea of abandoning your kids. I think no matter what the situations, you got to be there once the kid is here, you just gotta make that choice. But I agree with you that I don't think it's necessarily immaturity per se. I think just some people are fucked up people.

[Joe Budden]

Yeah. Some people just feel that way.

[Mal]

Yeah. And they just fucked up people. You know what I mean? You Know what I mean? Yeah.

[Joe Budden]

I don't know anybody else.

[Melissa]

My stance is same as ice. And last time we talked about this, this was my stance as well. Like, we brought up the whole topic of her keeping it. Knowing he has a track record. He has a track record of doing this. So I don't know. I feel like there was many conversations that should have taken place before this even happens. To avoid this or if she was.

[Parks]

Just looking for a lick. You hit the lick.

[Flip]

Cool.

[Parks]

You're gonna get the money from it. That's all. If that's all you wanted.

[Melissa]

That's true.

[Parks]

It's a win. Win. He don't want nothing to do with you or the child. He just want to be their financial. You might not just want this. You just want the money now. I don't know.

[Joe Budden]

You text me, though, if in month nine, if you look like me, text me. Shoot me a text. I might change my mind and pop up over.

[Mal]

We got hops.

[Joe Budden]

Hey, text me if that. Start playing a drum earlier than he's supposed to.

[Parks]

I want you sign the paperwork.

[Joe Budden]

No, no, I can still come back, develop a relationship. Okay. Him. Yeah, I can still come back. Let me jump up that cream up.

[Parks]

The jumping out the walker. If he jumping out the walker.

[Joe Budden]

Let me know. If he's Picasso with the crayon, I am going to come around.

[Parks]

If he 3ft at 18 months, Holl at.

[Joe Budden]

Yeah, man. Yeah. I ain't go front. I'll be thinking about who's up with the dads that wasn't there. Where LeBron dad at that he got to be the sick one. He some mad as that is 6 somewhere.

[Mal]

This don't take much to be a black. If he had just showed up to like, one skate party.

[Joe Budden]

Shaq, dad, like, some of y'all kids is gonna grow up and dominate.

[Parks]

Yo, this about to sound up. Some of them might not make it to that if dad was there.

[Mal]

Some of them.

[Parks]

I'm just saying some of them. You hear them talk. They use that as, like, fuel. So some of them might not have became that if dad was there.

[Mal]

Yeah, Shaq would have been just fine.

[Joe Budden]

If the son or the child that I didn't want, want turn into Serena Williams. Guess who come be at the US Open. No, you got them tickets, and I.

[Parks]

Need a plus one. Yo, two tickets.

[Joe Budden]

And I gotta make up a lie for what I've been doing for 25 years. I gotta busy, busy. I gotta make something up bad.

[Parks]

That's when they blame moms.

[Mal]

They blame the moms.

[Joe Budden]

It do Be the mom. But if you're trying to reinsert yourself into the kids life, you can't blame it on mom. The kid loves mom. You gotta. You gotta own it yourself.

[Mal]

Yeah, I was in jail.

[Joe Budden]

Damn traffic. The whole. The whole. I've been trying to drive too. 13 years. License is up, man.

[Parks]

I just got right.

[Flip]

And LeBron look just like his pops too.

[Joe Budden]

I just googled it, nigga. If LeBron is my.

[Flip]

He look just like his father.

[Joe Budden]

Yo, I'm back, buddy.

[Flip]

Anthony McLeland, I'm back. And he played basketball too.

[Mal]

Look, I change my name to James. I'll be Anthony James. Yeah, I'm talking about LeBron.

[Joe Budden]

If it was Byron Russell, I'd have been back, right?

[Mal]

Don't take much.

[Joe Budden]

Would it take much for me to come back?

[Parks]

Whole father name on the Broadway.

[Joe Budden]

I can't believe Zoe. Zoe's husband fucking. She's a. He's a fucking. What a mutt. Let me see, what else? What else? What else?

[Parks]

You think that's modish?

[Joe Budden]

I think that's modish.

[Mal]

Why would you do that? I just don't understand why somebody would do that.

[Melissa]

He hyphenated his name.

[Mal]

No, hyphenated. I could understand. Did he hyphen it or did he just take her name?

[Melissa]

No, he hyphenated it.

[Mal]

Oh, hyphenated. I respect. I'm fine with Hypen still a pussy. I wouldn't do it, but I respect it.

[Joe Budden]

You're still a pussy.

[Mal]

I don't see nothing. What's wrong with hyphenating?

[Joe Budden]

Be a man.

[Melissa]

Well, the hyphen part, his name is before, so it ends in Saldana.

[Mal]

Yeah, I could live with that too. Like, I think hyphenating. My personal belief is just keep your name. I don't own you. You know what I mean? My wife has her name. I got my name. I'm good with that. But if we. But I know people who say, as a family, we want to be able to walk in and for women, a lot of times.

[Joe Budden]

But your wife didn't take your name.

[Mal]

No, I don't want it. I didn't want her to. She. Neither of us wanted to.

[Ish]

Same with mine.

[Mal]

Yeah, same. Right? Yeah.

[Joe Budden]

And.

[Mal]

And also, you know, and then there's the Latin American thing where, you know, you have different names and like, naming is different, you know? But no, I don't know. Yeah, it's like. So sometimes, like a lot of times, kids will take. Kids will take, like both names of the parents. You know what I mean?

[Joe Budden]

And then.

[Mal]

And then as you, as you go down the line, then one name gets knocked off and the next name comes on. So that's a way of acknowledging both parents. So it's not this thing where just like. Like, the dad's name takes over everybody's identity.

[Flip]

So then what do you do with your son's last.

[Joe Budden]

What do you do with your male dominance then?

[Parks]

Mel, how you feel about.

[Mal]

I save financial abuse. Except for after the game the other.

[Flip]

Day, your son got your last name off.

[Mal]

He hyphenated.

[Joe Budden]

He got both of them.

[Mal]

He has both of our names, and my daughters have same thing. We all hyphenated with their mother, and I'm good with that. You know what I mean? Like, I don't need that. But I know people who say, like, as a family unit, we all want to have the same last name.

[Flip]

Name. Yeah.

[Mal]

And I'm okay with that.

[Parks]

No Hov hyphenated.

[Joe Budden]

Right.

[Ish]

I thought that I was going to bring that up.

[Joe Budden]

I wasn't sure that that's not hov.

[Mal]

Wait, so he's. He's. He's Carter Knowles.

[Parks]

No, it's Carter.

[Mal]

Both of them think that's dope.

[Joe Budden]

It want your mouth talking about ho like that. You crazy.

[Mal]

Don't be disrespectful.

[Joe Budden]

Let me see this. You think that Jay Z is Sean Sean Carter? No. Sean Sean Knowles.

[Mal]

Knowles. Carter.

[Joe Budden]

Carter.

[Mal]

And if so, shout out to him. I think that's dope. Well, it's, I think hyphenated. Mel, would you want your husband to hyphenate?

[Joe Budden]

Y'all trying to trick me into saying something.

[Parks]

You see me over here, hands folded?

[Mal]

What is the issue?

[Parks]

I'm about to start twiddling my thumbs. Yeah, no, I want to hear your stance.

[Joe Budden]

Mel, let them get their 1v1.

[Melissa]

Your question. I would definitely keep my name because my name is my name. It's my stage name. It's my real name, so I would.

[Joe Budden]

No, it could still be your stage name. Yeah.

[Melissa]

Nah.

[Flip]

No, his last name is. Jay Z's last name is not hyphenated.

[Melissa]

Okay, I'm cool with the. I'm cool with the hyphenation, but my name would be on the end of the hyphenate. And Zoe Saldana's husband doesn't believe in.

[Parks]

You said your name would be on the end of the hyphenation.

[Melissa]

Yes.

[Joe Budden]

If you got married.

[Melissa]

Yes.

[Joe Budden]

Oh, you don't want to get married.

[Melissa]

Hold on. Hold that thought. Because Zoe Saldana's husband does not believe in typical gender wars. He stays home and raises their Kids because of her, the success of her career. This is just the role that he's.

[Mal]

The we, the Saldana's.

[Parks]

So the more successful one determines how this last name thing is going.

[Melissa]

Not necessarily.

[Mal]

For me, it's about just what flows better, you know what I mean? And things like that. Like, if you name Krzyzewski and the other one is Smith, like, Smith might just float better than you know what I'm saying? Like, that's how I would think about it. To me, it's not who got more money or who's more dominant. It's just what was gonna float.

[Joe Budden]

I think my girl did mention something about trying to preserve her dad's legacy, and then I had to have the uncomfortable talk. Man.

[Parks]

Yeah, I'm Daddy. Fuck.

[Mal]

I mean, that is, like, literally patriotic.

[Joe Budden]

Pops up in heaven. Yeah. With all due respect, boy, you birthed a good one in.

[Mal]

Yeah, but give me that legacy.

[Joe Budden]

Daddy got it. Daddy.

[Parks]

Daddy got it now.

[Joe Budden]

Daddy got it from here.

[Parks]

I got it from here. Daddy got it now.

[Joe Budden]

Mel Ford ain't gonna be on the end of nothing that Ford gonna be crashing on the highway somewhere for if you don't get that fortune out of here. Are you crazy?

[Mal]

Let me see this, bro. And, Mel, would you feel okay with your Zoe?

[Ish]

I tried telling y'all.

[Mal]

What?

[Joe Budden]

Zoe's the most successful.

[Ish]

She might be the most successful female actor.

[Parks]

She up there with Julia Robbins Robertson.

[Mal]

She's big.

[Ish]

Yeah, she's an Avatar mcu.

[Melissa]

She's the action hero. Like, literally. Sigourney Weaver passed the baton to her.

[Mal]

Yeah, she's big, Mel.

[Parks]

Who said what?

[Melissa]

Huh?

[Mal]

So are you okay with dude taking your name, or would it be y'all? Y'all say separate. Like, is he Smith?

[Melissa]

It would definitely be a conversation. It would definitely be a conversation because. Because I feel like the type of man that I would end up wouldn't just. He ain't gonna be in Beta. He gonna want to have a conversation about this, you know?

[Mal]

Do you think it's possible to be an Alpha man and take your name?

[Flip]

You like Alpha men?

[Parks]

Nope.

[Flip]

Yes, you like Alpha men.

[Joe Budden]

You can't walk.

[Mal]

You can't get up. The conversation gonna be over.

[Joe Budden]

If you say your thought. You can leave.

[Flip]

Yes, you do.

[Joe Budden]

Yes, you do. Come on, man.

[Parks]

I don't have a thought. This is a broadcast.

[Flip]

Alpha, alpha, alpha, Alpha, Alpha.

[Parks]

My such.

[Flip]

Let's go.

[Parks]

So you want these men to be traditional men? When it's convenient, traditional women took the last name of their husbands.

[Flip]

Talk about it.

[Parks]

You are honoring your husband. You're not honoring your father.

[Melissa]

Who says that, though?

[Parks]

Me and tradition.

[Flip]

Yeah.

[Melissa]

So tradition and tradition.

[Flip]

Me too.

[Parks]

We have.

[Melissa]

But patriarchy is tradition.

[Mal]

Speaking.

[Parks]

So now you saying that the patriarchy don't exist when a lady, again, is the CEO of Xerox? When the lady is the CEO of.

[Mal]

Xerox with your feet up like that.

[Flip]

Yeah.

[Joe Budden]

Look at me.

[Parks]

You get what I'm saying? Like, come on the out of here.

[Joe Budden]

My.

[Parks]

Like, y'all be men or y'all don't.

[Flip]

She got the moris on.

[Parks]

The men don't. These are come and go with the ladies convenience.

[Mal]

But is it possible to think about things saying, I like tradition, but say some traditions just aren't good anymore?

[Parks]

Yeah, when they're convenient for your specific.

[Mal]

Why does everybody say pick? You're supposed to pick and choose.

[Parks]

I'm not. But if you live your life like that, then that's fine. I'm totally with that. I am totally with Homeboy sitting at home raising those kids. And I don't look at him like less of a man at all. If my wife is out here doing 20 million per film, then I'm gonna sit home. How you like your eggs? I don't have a problem with that at all. And that don't take away from my masculinity. And. And I still run my household. I've dated women that had way more money than me, and I still was the man in that particular relationship.

[Flip]

Don't try to, nigga.

[Parks]

What we do today in society is we attach dominance to the finance. Yeah. And that's fucked up. So now when a man makes more money, people shun, oh, yo, he treating her like shit. Yo, he treating her like she's subservient. But then when a nigga makes less money, then he automatically becomes subservient, and that's accepted. So we can't have it both ways.

[Flip]

It's bullshit, Right?

[Parks]

If it's based on morality and it's based on a stance, let's keep that stance across the board. Regardless.

[Flip]

Let's go big Ish.

[Mal]

I hear that.

[Joe Budden]

I guess I from usa Mark smoke mail.

[Flip]

Smoke.

[Joe Budden]

On that Eminem smoking egg. Smoking on that Ford pack.

[Flip]

Must be talking about Harrison Ford, not this Ford.

[Melissa]

The reality of my particular lived experience is that I have bucked tradition. I have lived my life in a way that I have bucked tradition. So I think that I have the bandwidth to, yes, pick and choose what I feel like is acceptable to me in terms of what is considered tradition and what is fucking antiquated. And Rooted in fucking patriarchy.

[Mal]

Here's the thing that I think Ish is right about. I think that women, I can't speak speak for you personally, but there are women who will say that they don't want tradition and traditional gender roles, but there are moments where they want what they call a benevolent patriarchy. Like, you still want the door. Hell, for you.

[Flip]

Let's go. You still.

[Mal]

Let me finish that. I'm not speaking for you.

[Melissa]

Wait, wait, hold on one second here. Waking up, is that just not manners or being or chivalry? What's the difference between. What is the difference? That's just manners. That's just good manners.

[Mal]

Manners. Why wouldn't manners also include you holding the door for me?

[Melissa]

I can. I can and I would.

[Parks]

Right?

[Mal]

But if I shut the fuck down.

[Parks]

If you and I would always like to finish.

[Melissa]

But a lot of times, a lot of times there's men who will not let you touch a fucking door. And that's them. That is on them. That is the role that they want to play.

[Mal]

I don't disagree with you, but let's say hypothetically, I wasn't married and you and I went on a date. Actually, let me not use me. Let's say you and gentlemen don't use me.

[Parks]

No, you, you. We grown man use you.

[Mal]

Okay. So hypothetically, you and I go on a date. I suspect that if I didn't open the doors for you, you'll judge me at the end of the day. You said, and. And I just let the door close. Or if I didn't pick up the check. Okay, right. That, that there would be a thing of. Yo, what kind of dude.

[Parks]

Butter in the pan.

[Mal]

Right? Because there's an expectation of what I'm supposed to do. So what I. No, I mean, we're just talking. So. But. But when I clear out, so what I hear you say chivalry, even chivalry is expectations of what manners look like that are gendered. Because chivalry is me opening the door for you. It's not you opening the door for me. Okay, So I think sometimes when we say we are traditional or we're non traditional, to Isha's point, we are picking and choosing. I'm okay with picking and choosing, but I think we have to sometimes be more self aware about how invested in some of those patriarchal traditions we are, especially when they benefit us.

[Joe Budden]

Mark is on the guy's side. I with Mark. Yo, when Mark is on.

[Flip]

Let her respond.

[Joe Budden]

No, no, let us tell jokes in between.

[Flip]

Respond.

[Joe Budden]

When Mark is for the Men. That's my favorite.

[Flip]

He don't play with me.

[Joe Budden]

For the men. All right, go ahead.

[Flip]

Let's Sister Mary Clarence respond. Let's get it.

[Melissa]

I think that with the ex. With the example of opening doors, if somebody walks through a door and lets it fucking slam in your face, it's rude. Regardless of gender. Regardless of gender. That's number one. Number two, I have found myself in Southern states and I try to open the open door for myself and they will not let me because that's their custom. That is just how they believe. That is how they are raised. And they say, you Northern girls are like that. You always want to do shit on your fucking own. And I'm like, maybe that is, in fact true because we're so fucking used to it. So it is not. It's not something that I would go back and report to my friends. Oh, this motherfucker didn't open the door for me because I wouldn't even be literally thinking about it.

[Mal]

So first date, you have no expectation of him paying the bill? Honestly.

[Melissa]

Honestly, if he has asked me to go out with him.

[Joe Budden]

Mel, come on. No. Waste of time. We're live. Mel's lying.

[Flip]

No, I.

[Parks]

Cause there was a date.

[Joe Budden]

Stop.

[Flip]

No attacking her.

[Joe Budden]

Stop.

[Parks]

Flip, stop. It's a date that Mel went on that she came up here and told us she didn't go on a second date because the man didn't do something that he was supposed to do. Traditionally.

[Melissa]

What was it?

[Parks]

I forgot.

[Melissa]

Exactly. Okay. So anyways, your argument sucks, remember?

[Flip]

We remember, but. Let her finish.

[Melissa]

If you have asked me out on a date, if this is not just us getting together and this was not planned, or whatever the case is, and we don't have anything romantic going on, then I'm pulling out my credit card at the end of the date and I'm offering to pay half. I do not walk around with the assumption that the man is going to pay just because I'm here. If you have asked me out on a date, yes, I absolutely believe you should pay for it.

[Mal]

And if you're dating somebody, say you go on five dates, 10 dates, there's.

[Melissa]

Gonna be times where I get the bill. Okay, that's just. And if that. Is that a progressive way of thinking or is that a traditional way of thinking? And so that's the tradition that I don't believe in. That's the tradition that I think can be moved forward in a progressive manner.

[Mal]

Interesting. Okay.

[Joe Budden]

Now, y'all know I support lying in podcasts.

[Parks]

You do. You encourage you.

[Joe Budden]

So I'M Yeah, I encourage.

[Melissa]

Hold on. Maybe I need to make. Make something clear. That is, if I'm in a relationship.

[Joe Budden]

What is the last.

[Melissa]

The last statement that I made with Mark? That's. That's the. That's what I was saying.

[Parks]

In a relationship, why would that matter if you're in a relationship or not? Why would that matter if you're in a relationship?

[Joe Budden]

He got her.

[Parks]

You blew it.

[Joe Budden]

She blew it.

[Parks]

He got it back into the debate.

[Melissa]

Why.

[Parks]

Why would it matter?

[Flip]

Doesn't matter. Y'all, this.

[Joe Budden]

That's. No, that proves point.

[Parks]

That proves the point, because you are. Now, if you're not in a relationship and you are expecting this man to do certain things predicated on his gender courting you, then. Then it. Then it diffuses the whole point that there's a expectation based on gender or not courting you for men to do.

[Joe Budden]

X like me and you have always been platonic. We've been out a million times. You've never reached for the check once.

[Melissa]

I mean.

[Joe Budden]

What?

[Melissa]

Nothing.

[Flip]

She pointed at him.

[Melissa]

Nothing.

[Parks]

I don't know.

[Melissa]

No. Nope, nope.

[Mal]

I think she pointed at both of us. I missed. I just didn't get the joke.

[Melissa]

Nothing. Nothing. Never mind.

[Parks]

No, but.

[Mal]

Oh, you said.

[Joe Budden]

No, no, no, no. That's.

[Melissa]

That's. That's a whole other ball of wax.

[Parks]

I think I understand Joe's point. And Joe's point is if we friends and we cool, and you saying if we go out to eat, then there are times that you reach for your wallet. Why didn't you reach for your wallet when we went out? Is that what you're saying?

[Joe Budden]

Yeah. Like, when I do that is the patriarchal scale and the gender and the expectations. That's what that is. I don't mind it. I'm not throwing it.

[Parks]

Yeah, yeah, yeah, yeah. That's me as a man. That's what we should do.

[Joe Budden]

So. But that is what they saying.

[Parks]

Yeah.

[Joe Budden]

And you down with that is all we be saying.

[Melissa]

Olive branch, white flag. I don't got it anymore.

[Mal]

And it's not a beef thing.

[Parks]

It's not a bad thing.

[Mal]

Cause I think men also have that, like, as progressive as I am, there are certain things that I don't let women do because. And it's patriarchy.

[Parks]

Right.

[Mal]

You know what I mean? Like, I'm. Some of it is patriarchy, some of it is expectation. Like, I know that if I take a woman on a date, no matter how progressive she knows I am when I was dating, if I don't pay the bill, she's not Gonna say, oh, that nigga's so progressive. He thinks we have gender equality. He'll be like, that nigga cheap. She gonna be like, that nigga cheat. You know what I mean? So some of it is just how the world. It's just how the world works. And so some of it, we play into.

[Melissa]

And also, it's like there's way too many nuances, which is why I'm saying all of Brandt White flag. Because there's way too many nuances involved in the conversation. Because the fact of the matter is, is that the longer that you start to see somebody and the courtship progresses and, you know, closeness. The closeness starts to develop and stuff like that, then a synergy starts to happen. Like, there's a lot of things are developing where understanding starts to come into play. You know what I'm saying?

[Mal]

No, that's true. That's true. And every situation is different. I'm just saying that I think a lot of times we fall into these traditional roles, even when we think we don't and we just don't see it. And it's easier, even for me. Like, for example, like, I don't want to cook, so it's easy for me to fall into. Or a better example. Cause my wife doesn't. Neither of us really cook, right? But, like, washing clothes. I don't want to wash clothes. I fucking hate washing clothes. She has no more of a duty to wash clothes than I do. But she does it. She cleans the house 99% times more than I do. And I just let her do it. I just fall into that. And that's patriarchy. Whereas I wouldn't do that about, like, fixing her car. When it's time for a car to get fixed, I just jump in and do it. Because that's my instinct. And. But that's a man. It's just because I think as a dude, I'm supposed to be doing that.

[Parks]

Do you think that. See, my household is just the opposite. So I wash dishes, I clean, I do all of that shit. I don't think it's patriarchy. I just look at. It's two adults. Yeah, that's how I envision it. I don't look at it like that's my girl's role. You understand what I'm saying? Like, if my girl cleans the kitchen that day, she just cleans the kitchen that day. But typically I clean the kitchen. Cause I'm up late, so my girl go to sleep. That's my.

[Mal]

That's what I can't.

[Parks]

But it's not a rule, but it's not based on my stuff. Both of y'all realizing this shit has to get done.

[Melissa]

Unless you walk in this house late.

[Joe Budden]

And try to clean this kitchen. Boy, I hit you with a Vernon.

[Melissa]

But the other thing is, is that as you know us trying to be progressive, we're less likely to talk about gender roles and refer to our mates as, you know, in the gen. We refer them as partners now. And when we think of when we call each other partners, we're really expecting. Our expectation is this is a partnership, so this is shared responsibilities kind of thing. So it's less of a gender role assignment. And it's just about. We have decided to cohabitate. We've decided to have a family. So whatever. Wherever the slack is.

[Mal]

And I'm just saying I'm more like. The last thing I'll say is I'm just likely to let some slack go.

[Melissa]

With the washing clothes.

[Mal]

And it's usually very traditional. I'm not going to change the tire. I'm not gonna let the tire change in slack go, but I will definitely let some draws get.

[Parks]

I don't play my girl touching garbage. I've been like that with anybody that you cannot. I'm not cool with that. You're not taking the garbage out. You're not doing right.

[Mal]

That's what I'm saying.

[Parks]

The most you can do, take the bag out right there and tie it. That's it. But you don't touch.

[Flip]

Like the sad part about it.

[Joe Budden]

No, that's big.

[Flip]

And I'm done.

[Parks]

Shut your eyes.

[Flip]

Tradition. We would love for tradition to work both ways, but we can't because life is evolving every day.

[Parks]

Double standards exist.

[Flip]

Double standards exist.

[Parks]

But yep.

[Flip]

I do would like. I do want my wife to wash dishes. I do want my wife to do the laundry. Not because I can't do it because she's better at it than me.

[Parks]

Get in that kitchen better.

[Mal]

Maybe because you got all the practice from doing it all the time.

[Flip]

I mean that if you never do it.

[Joe Budden]

No.

[Parks]

You don't wash the whites with the colors, right?

[Flip]

Yeah, yeah, yeah. I may wash the white clothes with.

[Joe Budden]

With.

[Flip]

With cold water. You know what I'm saying? I just made this. I know.

[Parks]

Anime.

[Flip]

Yeah, not anime. No, no, no. I want to cook. She tell me, you know, just do your thing.

[Joe Budden]

Everybody made a lot of sense in. In closing the. That Ford is going in the junk draw.

[Melissa]

Shut up.

[Joe Budden]

Word.

[Flip]

It ain't going. I'm team Ford.

[Joe Budden]

Nigga name crazy Har said the Hudson river the fors we'll see hyphenated for. Get the out of here. Also happy to report the police are saying they have identified all of the suspects in that horrific shooting with Homie and his daughter. They have active warrants out. Get them.

[Ish]

Yeah, see Quan got paid.

[Parks]

See if I got some swaggy 20.

[Ish]

20 plus a year, two year extension. 40 something. 40 million 41.

[Mal]

I don't feel like enough.

[Parks]

He earned every dog. That's for the running.

[Mal]

You know what I'm thinking?

[Joe Budden]

Basketball, running back in the league. I think okay.

[Ish]

I think ever by far.

[Mal]

Is that okay? Okay. I don't know if about football tonight.

[Joe Budden]

He was fighting with the giants to get 13.

[Parks]

I thought it was 15.

[Joe Budden]

Yeah, 13. That's the giants.

[Mal]

The giants wouldn't give him 13 million.

[Joe Budden]

They would not give him $13 million.

[Parks]

He gave Danny Dodd times 40.

[Joe Budden]

And I told y'all that these running backs that are up for renewal next season are going to change the entire market. And that just said Jermaine Gibbs, Bijon Robinson, Christian McCaffrey, Saquon Barkley, Derrick Henry and now.

[Parks]

And now to say Quan just did that. What are you going to tell a young 20, early 20s, Jameer Gibbs? He can't get right.

[Joe Budden]

Oh, he's going to take.

[Parks]

He's a threat out the backfield catching the ball and running the ball. There's nothing I can't do. What?

[Joe Budden]

You gotta give him 16.

[Parks]

You gotta give him 18.

[Joe Budden]

17.

[Parks]

You gotta give him 18. He's young. Still, while we on football, how do y'all feel about Deebo to Washington?

[Joe Budden]

I don't care.

[Parks]

I care.

[Joe Budden]

I care.

[Parks]

I know you feel about that.

[Joe Budden]

You do care.

[Parks]

You think I care?

[Joe Budden]

Yeah. Why you care?

[Parks]

I'm a Cowboys fan.

[Joe Budden]

What that mean?

[Parks]

Y'all ain't have a conference. Yeah, in our conference.

[Joe Budden]

Division. It stop enough now he still thinks.

[Mal]

The Cowboys can win.

[Joe Budden]

You like me, bro?

[Parks]

None of that matters. I still want my team to have a shot at me.

[Mal]

It makes sense. It makes sense.

[Parks]

I'm a fan of the team. So yeah, I'm still root for my team.

[Mal]

But you should. I'm just saying neither outcome will lead.

[Joe Budden]

To a different situation. Debo wasn't.

[Parks]

You want some money? You got some money, you're gonna be in last place. I like taking these money up here.

[Mal]

I don't know enough about football to bet on it. I just know the Cowboys ain't.

[Parks]

We ain't this year. We wasn't.

[Joe Budden]

I don't like what they doing to Shador. I didn't have that on the board but I don't like what they doing.

[Parks]

What you mean?

[Ish]

Or. Or Cam Ward even for that matter matter.

[Joe Budden]

He. He seems fine to me. I haven't heard anything about. He's QB1 for sure. He's on most of the board.

[Ish]

No question.

[Joe Budden]

What they doing to Shador is he's too arrogant. He's too. This didn't interview well. We got him dropping the late in the 20s. The gap between him and Cam Ward is bigger than the gap between him and Jackson Dart or whatever those the rest of the quarterbacks are. But below him they got him dropped. They starting to do the mock drafts where his name is just being totally disrespected. I don't know what's happening out there, but I don't like what's happening with Shador.

[Mal]

How good is he?

[Parks]

He good.

[Ish]

He's pretty good.

[Mal]

Like do you see.

[Joe Budden]

I mean if you're going off what you've seen on film, do you expect.

[Mal]

Him to be like a. Like who's this comparable in the NFL today? Like who would be a comparable player?

[Parks]

What's my man name from the Falcons?

[Ish]

Very similar to Cardinals? Nowhere near. He's not. He's not mobile.

[Joe Budden]

I like the two will come.

[Mal]

Okay.

[Joe Budden]

I like the two.

[Ish]

He's not mobile like that. Yeah, he's 2ish.

[Joe Budden]

Okay.

[Ish]

From what I've seen and the way.

[Joe Budden]

They slander in his name, I don't know if the Giants take him if he's there.

[Parks]

Well, y'all ain't gonna take him because he black.

[Ish]

I've heard that they're trying to trade off Cam.

[Joe Budden]

That package that I saw looked absolutely ridiculous to trade up to the first pick.

[Ish]

What was it?

[Joe Budden]

What was the package?

[Parks]

Y'all giving away the house.

[Joe Budden]

It was our. Our third pick from this year, our second round pick from this year, our second round pick for next year. A player. It was mad some more Herschel Walker type. Hell no.

[Parks]

And that's the thing. The team ain't gonna be cause you're gonna give up mad and now he gonna be stuck in the same situation with no o line with Danny.

[Ish]

Hold up. Their offensive line isn't horrible. And they got my man neighbors.

[Parks]

Neighbors is a problem.

[Ish]

You put a good quarterback there, you put Ken Ward there. They're. They're going to be a good football team. They're going to be something you have to deal with. And their defense is not. There's pieces. There's pieces. The Giants are not that horrible. They're not as bad in bad shape as like the Patriots, even though they have a lot of cap room, they're not in the worst, worst place. Except for the quarterback, Yo.

[Parks]

Keeping it a buck. They never were. They always had. But without. You know what I'm saying? Like, without the quarterback, y'all know I'm not. I don't think Danny Dimes is a bum like that.

[Ish]

I don't think he's horrible, but I don't think. Ken.

[Parks]

I think the O line was trash. That's why Saquon kept getting hurt year after year after year. Cause they O line wasn't shit. Danny Dimes don't be getting a chance to throw the ball. And they didn't have a number one. Malik Neighbors is a certified bonafide. Number one for sure. So we'll see.

[Joe Budden]

Cuomo running for mayor is interesting to me, but we tore the end. We don't have to. We don't have to get into that right this second. And I think he's leading polls. I like it. I think a good majority of New York are still Cuomo fans, even with how he was outed.

[Ish]

I think the country in general is kind of going back, looking at some of the cancellations that happened.

[Mal]

Yeah.

[Ish]

And being like, maybe.

[Parks]

Yeah, maybe. That was a little my nigga. How can you justify picking a president that got 30 sexual allegation charges and ousting the governor that had one or two.

[Joe Budden]

Right.

[Parks]

With no proof this nigga got convicted. He the president.

[Ish]

Right.

[Parks]

This dude got accused and he had to step down.

[Joe Budden]

Right.

[Parks]

And when he. When they made him step down, his ranking was way up there.

[Joe Budden]

He was.

[Parks]

Because post Covid, he was the man.

[Mal]

He was America's leader.

[Parks]

He was. Post Covid, he was him.

[Mal]

So we thought he'd be the next presidential candidate.

[Parks]

Yeah, they thought he was gonna run. So I think that. I just think he has a way of talking to the people. He resonates with common Americans. I think that that's his strength.

[Mal]

And I think they've learned a lesson, too. I mean, you look at Al Franken, for example, you know, powerful senator in Minnesota. He stepped away for a very small charge relative to what some of these other Republicans have been accused of. I'm not defending what Al Franken did. I don't even know what Al Franken did exactly, because I don't. I just don't remember. But I do know that I think Democrats have learned a lesson, that they're playing by two different rules. They keep stepping aside, and Republicans be like, yeah, I pulled my dick out. I don't care I'm running again, and you gonna vote for me? And they do.

[Parks]

And I jerked it right. You know what I'm saying? Like, yo, what's the charge? Lewdness is when you jerk your dick.

[Ish]

Yes.

[Joe Budden]

Right.

[Ish]

Yes.

[Mal]

I don't know.

[Parks]

They lewd. You know what I'm saying? Like, I think just. The Democrats are pussies.

[Mal]

Yeah. So Andrew Cuomo might be the return of some courage for them. You know what I mean? Even though I don't like him, you know, he's. I. I hate Eric Adams, so I'll take it.

[Parks]

And that part. That's the part, too. New Yorkers, and by and large, I.

[Joe Budden]

Think are Eric Adams versus Mario Cuomo. Lancelot, that's a nice fight. That's just.

[Mal]

That's the tank.

[Parks]

No, it ain't.

[Joe Budden]

Tell me more.

[Parks]

Cuomo's putting that nigga to sleep in the third round. I don't even think it's close.

[Joe Budden]

I wasn't talking about really results.

[Parks]

Oh.

[Joe Budden]

I'm talking about the personalities.

[Parks]

Oh, right, right.

[Joe Budden]

Those two personalities on the campaign. Oh, my God.

[Mal]

And in a primary tour.

[Melissa]

Yeah.

[Mal]

In a New York primary. Because you really get a good primary challenge.

[Parks]

Cuomo's a New Yorker, B.

[Ish]

Yes.

[Parks]

Cuomo is a New Yorker.

[Ish]

Talks like it walks like it.

[Parks]

Talks like it walks like it. Eric Adams.

[Joe Budden]

Eric Adams not a New Yorker.

[Parks]

I'm talking about.

[Joe Budden]

Eric Adams got on TV and was like, hey, Kansas, New York got a spirit about us. Eric Adams been talking that New York for a while. I don't think that's.

[Mal]

He was a Brooklyn police.

[Joe Budden]

I just think Cuomo has the edge in how he handled the pandemic before they did that shit.

[Parks]

I just think how he talks and he resonates with the people. Eric Adams, from inception, from the first day, niggas was like, eh, yeah.

[Mal]

He was a plurality. Niggas like, eh, yeah. He's somebody. Was like, all right. Of all these people, he's the least. He's the one we hate the least.

[Joe Budden]

Yeah.

[Mal]

Whereas Andrew Cuomo, people stand up for and want.

[Joe Budden]

And with Eric Adams, he had puff at the time.

[Parks]

Jay.

[Joe Budden]

All of them at the time.

[Parks]

Angie, all of them was pulling at the time.

[Joe Budden]

I don't know if he has all of that this go around.

[Parks]

Well, it still was.

[Mal]

He might have Puff.

[Joe Budden]

I hit the round of applause. A few quick hits. Whole foul's defamation suit on Busby and the Jane Doe accuser. Round of applause. Go hov. Go hov. Go hov. We support you and we love you. Casey Anthony has a really weird rebrand going on right now. I guess I'll tell you about it on Patreon. But she's a weirdo. I don't know what future has going on with this little young girl, but it's a constant reminder not to young girls.

[Parks]

Is she young?

[Joe Budden]

Yes.

[Parks]

Older. Me.

[Flip]

She looks older than me.

[Parks]

Yeah. She ain't looking. Don't get.

[Joe Budden]

Don't give me the line. And I'm going based off her behavior. Oh, yeah.

[Parks]

Mentally young.

[Joe Budden]

Yeah.

[Parks]

I'm going like her face didn't look that young. Song.

[Joe Budden]

We gotta rest in peace for Skype. There is no more Skype. Skype is officially a rap.

[Ish]

Skype used to hold it down.

[Joe Budden]

You know I'm sad. You know I'm sad. Nasty. Skype, Gmail chat, uvu, all them shits. Come on now.

[Mal]

G Chat was the.

[Joe Budden]

Oh my God. That was fun.

[Mal]

They added that little video feature. It was over.

[Joe Budden]

Yeah.

[Flip]

What else?

[Joe Budden]

What else, what else? I had something else, but I don't remember it. I don't remember right now.

[Parks]

School.

[Joe Budden]

I don't. Sleepers. Sleepers. Which get those sleepers. I'm going in the vault. I'm going in the vault for this one. I don't know if this is available on your phone or on dsps. This is Division one in a million. Whoa. I don't know if this was a soundcloud error or what. I don't think it's out though. Shout out to Division. Daniel, what's good? Your love is a one in a million? It goes on and on you give all day long? Your love is.

[Melissa]

Give me a really.

[Joe Budden]

Good feel all day long. I don't only one time to see you only want to see you it brand new old music. That is Division. That is their one in a million division remix. I wish Division get back in their bag of remixing the R B records. That's already out. Give us a little tape of that. Shout out to them. I'm not sure it's available on your phone or in dsps, but shout out to Division. Friends of the show. Before we continue off of that Anthony Edwards news that we reported earlier. Anthony Edwards gets a win in court after a judge ruled that Aisha Howard's child support case she filed in California has no jurisdiction. Anthony claims Aisha lives in Georgia despite her claims that she moved to California before giving birth. He alleges she gave birth to their daughter and filed her case in California in an attempt to get more child support. So small win. Yeah.

[Parks]

Seem again back to what I was just saying. Seemed like she had it for a bag. She had the baby for a bag. And he don't want nothing to do with it.

[Joe Budden]

So don't get pregnant and try to foul in California. God damn it. No. No foul in Tennessee. Where the fuck I met you at? What the fuck you talking about? California? You shitting me?

[Parks]

She tried it.

[Joe Budden]

Yeah.

[Parks]

Yeah, she tried it. That speaks volumes.

[Joe Budden]

Yeah. All right, what we got, man?

[Parks]

I'm playing something off this gym album. This is back in the day off of at the church steps.

[Mal]

I hate you, man.

[Joe Budden]

You just heard Mark say he wanted to play back in the day off.

[Parks]

Mark said he wanted to play Friday and meek, which I played. That's what Mark says.

[Joe Budden]

First lot going on but we not moving on.

[Mal]

I like this.

[G]

Words of the great E3 3rd alie.

[Joe Budden]

Propane oh.

[G]

Tis the season.

[Joe Budden]

You'Re welcome.

[G]

You told me you're back in my bag it's like the bottom of some chips we never lack you know we got it on the hip he wasn't scamming we was gramming we sold Potter bottle brick they was blaming that Ms. Epo they shot him in his whip I'm getting money I got prado on my kick see that my jewels like a pool she says he about to take a dance fog lights on the porsche cause where I live is always foggy we getting real money every day we walk the doggy just left say less couldn't tell you what the tab was they put money on that boyheads I couldn't tell you what the bag was how will he was at the tables I tell you how to bag up doing your louie or your birkin that little get your bag up the Versace silk a shocking rolly masterpiece Red face with the bezel the rolly master beat the club close at 4 how am I rolling after 3? I used to buy 2 for the connect and he was throwing half a key off like a card up in the project for our plates I'm a beast you gonna make your moms a target take it to the take it to the streets I'm really out here like that it's a fact you ain't really out here where you at? We really in the mix stir that up we really taking trips like.

[Joe Budden]

I.

[G]

Really got some crashes with me all them know is gonna blast the blicky or past the blicky just so they could blast the blicky Every time they watch boys in the hood them laugh at Ricky this is all a joke it out lol they cheat, they I laughs like his eyes all Smoke to them mention my name that'll cause a reaction we really making moves Their boys is just acting we ain't playing games in the toy we ain't strapped and I gotta watch the phones the boys they be tapping oh, these are black and white or red or blue Back to back the gang is red but the bread is blue side to side hard with the trial with the feds and blows still rocking my red chucks.

[Joe Budden]

Though.

[G]

I ain't finished with a I sold packs to the crack till I was finished with a G pack Think they steppes to the spinners get them I make them call to the steppers they going to spin and get him make that boy a plate like we had dinner with him and he calls drink trap that we ain't got we finna get them what's next? And if I did burn a bridge then we gonna swim to get them and if they catch us in the spot they let us in with them seaplanes landing on the ocean bed Bahamas if you eating you gotta make sure that your folks is fast not much has changed since I had that test the roasted ranch and tell Ted I rather talk about the coke instead don't get burnt for that butter Trying to toast the bread Pouring liquor on the floor when we toast the dead so we could never let it slide just like a broken slash I've been killing wonderful murders what the poster said I've been looking for my friends but they mostly dead Swayze so I brought them ghost instead Black Swayze.

[Joe Budden]

That was hard.

[Parks]

That is back in my bag Jim Jones at the church steps I'm going.

[Ish]

To Maryland this is six Kyle Blue buddy and I'm forgetting somebody like Firmament.

[Mal]

That intro is crazy.

[Parks]

Is it a.

[Mal]

Hook on there or not?

[Parks]

Is this a beat? I need a favor I need that.

[G]

Zada here like Ali and Frazier but only papers still buying packs with the flavors I see you later, player I'm.

[Parks]

On these capers turning racks into acres.

[G]

I need a baker on my playlist Thankful named after the angel Gabriel I know you tired of that Same old.

[Parks]

Same old Stay aware of the angles Angles ain't sweet this ain't Mango Tango.

[G]

More like Django oh baby might be the coldest to hit the firmament so wavy blowing the water and make the current shift Old Navy anor hoodies we.

[Parks]

Used to grow up in and still.

[G]

Fight like my Doberman I'm over it Top the gas by the zip I'm.

[Parks]

Finna roll this the odor hit like.

[G]

Two sticks A old deodorant oh, never.

[Parks]

Been my match but for show was.

[G]

Lit the whole kit 86 coup with the gold oh.

[Joe Budden]

Yeah, yeah. Sugar don't stop the party. Don't stop the party. And when the sun goes down.

[Mal]

Don'T.

[Flip]

Stop the party don't stop, stop the.

[Joe Budden]

Party.

[Mal]

Don'T stop the party don't stop the party.

[Parks]

Yeah, I'm ready to body, I'm ready to body no rolly on my wrist but y'all should know what time it is. I ain't committing homicides and all but that's all right cuz I'm one of them guys that just be saying something cause it rhyme with Been a long time since I had the 9 to 5. I'm still about a billion away from where I've been trying to get. I'll still mix up some of the hangs with the designer shit I got designer that, designer this I got designer whips, designer crib. It came with a one of one designer. She paid like 20,000 for those. They're designing tits. I don't even take it to the club cause she keep trying to kiss ooh, shorty don't do that.

[Mal]

That's not cool, that's rude.

[Parks]

And then these sucking shit they said I did is not true. And any that they said whack is not blue. And whoever they second hang with us is not you. Yeah, you already know this how we do, come on.

[Joe Budden]

Yeah, yeah, Sugar don't stop the party. Yeah, don't stop the party. And when the sun goes down.

[Mal]

Don'T stop the party.

[Flip]

Don't stop, don't stop party.

[G]

Cause it's a celebration.

[Parks]

Take it from the best in the game.

[G]

Spitting all the hella hating never leads to elevating riches. Escalades and ranges on switches you is on the Internet banging from long distance.

[Parks]

I'm saying come on with it.

[G]

Get in the vicinity to visit me just liberally you ain't it all vicious.

[Parks]

You playing it off endless. I'm saying you soft, you say you hard but nobody else that you know when you're circle say you are.

[G]

Say you fall like a tree in the forest. No one to notice if I slip, no one to trip because I'm one of the dopest.

[Parks]

You ever try to smoke me, gotta.

[G]

Smoke me to the roach club.

[Parks]

Cause I ain't going out like double dating with no party. You couldn't be an MC fly if you was Marty. I leave you as is and sorry, no joke as is and sorry with.

[G]

No joke to go was gold ropes.

[Parks]

For dope quotes the folks Go six.

[Ish]

Kyle blue and boy buddy firmament.

[Parks]

I think Kyle was third.

[Ish]

Kyle was second.

[Joe Budden]

That was third.

[Ish]

I don't know who the last one was.

[Parks]

Third. It was four or three.

[Ish]

Well, there's the dude in the hook.

[Parks]

No, the next to the last.

[Joe Budden]

Yeah.

[Parks]

Went crazy.

[Ish]

That's Kyle. I believe.

[Parks]

Artist is eviction of love. The song is play it off featuring Barson Tiller.

[Ish]

Oh, that's here.

[Joe Budden]

When I pull you to the side day got to thank you my like patient all night grown to be shy need to be my stop I said demon oh my God. Jumping off the deep end either I'm a level yet a strength is where way too strong when I let you looking for a reason just too tough I think you're ready it seems like you're ready girl I've been in love with you all night girl got really flexed on you so pressed on you and I can't even play it all I'm really pressed on you honestly I think that we can use a little privacy Nobody in our business trying to.

[Parks]

See who I'm with where I'm with.

[Joe Budden]

Him Honestly, no, I don't want to hear it. I got to make a few plans or something. So do you got a man or something? And if you do baby he don't got to know but either way I can't relax it seems like you Maddie I've been in love with you all night yeah yeah Got really flexed on you got so pressed on you and I can't even take it I really flexed on you slept on you if you want we can stay all friends can leave if you want we can hang just you and me if you want me sh you got to pull up on me cuz I want you and I can't play no I can play it.

[Ish]

That is eviction of love and Bryson tiller. Play it off.

[Parks]

I see what you did there is went to a man, man. Yeah, trying to get off.

[Mal]

We ain't falling off the set.

[Parks]

We ain't working though for that. That ain't going to work. We got you figured out.

[Mal]

You already know one week ain't going to throw us off.

[Parks]

You'll be back.

[Ish]

Mel, let's go.

[Melissa]

All right. Mine is called Crocodile tears by Coltrane and Chase Shakur.

[Joe Budden]

Baby, don't say it's about me tell me the truth girl say it's about dy. Sadly I know all you want is comfort you say everything you said was so human you're so selfish baby cuz I always been about mine said I'll.

[Parks]

Be changing.

[Joe Budden]

The crocodile. Did you hate me somehow?

[Parks]

You only know that I did?

[Joe Budden]

No, I did. Ain't trying to sound no fantasy you with me luckily but you're still fantasizing oh no, don't need you while you're wilding Ain't been city light now your heart, your throat fro from the D light now your tears fall from the one side you say give me some love for the one time Cuz you hate me somehow but you only know what I did. No, I did.

[Parks]

Yeah. And I'll be changing.

[Ish]

As Crocodile Tears by Coltrane and Chase Shakur.

[Joe Budden]

It's gonna always be some Coltrane mark.

[Parks]

You gotta rock, nigga.

[Mal]

Mine is in honor of Angie Stone. You know, after she left the sequence, she joined vertical hold. So I gotta track from vertical hold. Call. Seems you're much too busy.

[Parks]

Now they stupid couches. Now they stupid couches. When your knees fucked up, they stupid couches.

[Joe Budden]

Challenges.

[Parks]

Got it.

[Ish]

Oh, what the hell? They record this off the Bible.

[Joe Budden]

Something.

[Ish]

Got mad.

[Parks]

Some techy.

[Ish]

No, I just had mad space at the beginning.

[Mal]

Is it?

[Ish]

Yeah.

[Joe Budden]

There we go. Seems you're much too busy for me and I can't stand it Seem too much too busy these days and I can't handle it Seem too much too busy for me and can't stand it Seem too much too busy these days.

[Mal]

That's a great joke. You gotta do that on the five.

[Joe Budden]

For you I lost.

[Parks]

She could fit my daughter.

[Joe Budden]

Secret ride.

[Parks]

On.

[Joe Budden]

Baby, make some time for me I really need your love right now. I'm asking you too much to busy these days. Just how you feeling about me, baby? Too low. You're making me wait. You're making me wait too long. You're making me wait. Tomorrow just how you feeling about my bed? Hey, I mean, y'all too young. Y'all too young, Y'all know. All right, ladies and gentlemen, that was a nice midweek pod for their head tops.

[Mal]

How's it going?

[Joe Budden]

Nice light vibe, huh? Come on now they talking about. Also, we want to say rest in peace to Dolly Parton's husband.

[Ish]

Yeah, for sure.

[Parks]

Carl.

[Joe Budden]

I want to say his name is. Can we fact check that really quickly?

[Ish]

Gotcha.

[Joe Budden]

I don't want to Dolly Parton's husband.

[Mal]

Name off is his last name. Pardon?

[Joe Budden]

Some of y'all would that old. I'm keeping my last name. Carl.

[Ish]

Dean.

[Joe Budden]

Carl Dean.

[Melissa]

60 years.

[Parks]

They were married for 60?

[Joe Budden]

Yes.

[Parks]

Amazing.

[Joe Budden]

Could you imagine being with somebody for 60 years? God damn.

[Mal]

No.

[Joe Budden]

I guess that's the goal, right? Yes. See, you're doing it again. You just did it again. Your wife is cool as hell. Look what he did.

[Mal]

I got the best wife in the world.

[Joe Budden]

There we go.

[Mal]

I just couldn't imagine years make it.

[Parks]

Seem like we miserable at home.

[Mal]

I'm happy at home. Shout out to you, baby, I love you.

[Parks]

There you go.

[Joe Budden]

But why we do that, though?

[Parks]

We just do it.

[Joe Budden]

It's. But we don't have to do that.

[Parks]

Yes, we do.

[Joe Budden]

We do all that's what make us feel like still got something right?

[Parks]

That's all.

[Joe Budden]

Oh, man. Yo, speaking of. I know we said rest in peace to Angie Stone. We brought up sequence and all that. We ain't bring up how she took the Angelo about the game Snatch D'Angelo. Hey, couldn't understand it back then.

[Parks]

Had that head in the clouds.

[Joe Budden]

Oh, my Lord.

[Parks]

Yo, it ain't nothing like a breakup to have you getting the V. Start jogging, you start running, you won't be ashamed. All that break up, take weight off you like Jenny Craig.

[Mal]

We gotta break that down to Patreon. I heard some things.

[Joe Budden]

What you heard?

[Mal]

I just heard that there was plenty of rain in that cloud.

[Parks]

Yeah, yeah, yeah.

[Joe Budden]

She could have that. When he was doing all this out there. Now, hold up now that she drove him crazy. Made that gain all that weight too, right?

[Parks]

I think he lost it over the breakup.

[Joe Budden]

That's when he lost it.

[Mal]

Yeah.

[Joe Budden]

Is that what happened?

[Mal]

That's when he got untitled.

[Parks]

Yeah, yeah.

[Joe Budden]

Oh, don't do that. He doing he on some Tiana Taylor.

[Parks]

Yeah.

[Joe Budden]

No, you can't do that. Don't go lose all the weight after I leave. You talking about. All right, man. Shout out to Tiana Taylor and Musafa.

[Parks]

Yo.

[Joe Budden]

Hopefully you've enjoyed this broadcast as much as we've enjoyed delivering it to you. Keep us in your prayers. Lord knows if you've been listening, you know we need to be there. Until the next time you want to call, let me hear you.

[Parks]

Hey. Hey, D'Angelo. Walk in the karaoke. You leaving? Yeah. Yeah.

[Joe Budden]

Until the next time we bid you a do farewell. Adios, Di A la vista arvois. So long, goodbye. Remember, life is a series of moments and moments pass. So let's make this one last as if it's all we have. Lastly, the baddies are insecure, Want to keep their last name, Hyphenate yours, Pretend that they against patriarchal designs. The stagnant women want to travel. The baddie wouldn't want to travel too. The baddies don't want just sit at home. They want to go out and you pick up the tab, go shopping. What's that little you be wearing? America's people. What's that? Martha's line. Free people. I mean, the baddies want some of that. Free people now, hopefully. Yeah. I mean, stagnant women want to travel. The closed minded women want you to teach them things. Grab your Tylenol. You might need it. Anybody out there fighting a silent battle? We are with you. Anybody out there going. Going through aches and pains like we are, we here for you? Anybody out there that lost somebody, we with you. Hey, all right, man.

[Melissa]

Use your button.

[Joe Budden]

I mean, let it rock for a little bit. What's up? Anybody doing anything interesting this week that I can exploit for entertainment purposes?

[Mal]

Huh?

[Melissa]

Just work.

[Joe Budden]

I heard you in hour one say that you was gonna show us soon. Something might be happening soon. You didn't say nothing else.

[Melissa]

I learned my lesson.

[Joe Budden]

You didn't say nothing else.

[Melissa]

I know I didn't, but I read.

[Joe Budden]

Between the lines, girl. Hey, things going good. Hey, things going good out this. Hey, turn it up out there now.

[Flip]

Y'all see.

[Joe Budden]

Yeah, y'all gonna see. Show them, man. Show them, Andy.

[Melissa]

Y'all are.

[Joe Budden]

That's what I mean.

[Melissa]

The.

[Joe Budden]

That's what I mean. That's what I mean. That's what I meant. Anybody got any weak plans? Anything for the week? Anything for the week?

[Flip]

Just working.

[Joe Budden]

Prayers to our brother Ish, man. Hopefully he does not need surgery for that walk. Boo.

[Flip]

We working this week.

[Joe Budden]

Ain't that many Sergios in the world. Go ahead and throw some jeans on. I'm trying to be cute. You trying to do that sympathy vote with. Oh, girl, no. Oh, damn. What happened? Is on ig.

[Mal]

I saw crutch. Crutches.

[Joe Budden]

Yeah.

[Mal]

Is he okay on my ig?

[Joe Budden]

That's how you know he can't sit down. They've seen him already on the crutches.

[Mal]

Yeah.

[Parks]

Where would they see me?

[Joe Budden]

In the streets, where you are. Streets.

[Flip]

You move around.

[Joe Budden]

I wasn't.

[Flip]

It might have been my brother at the Mr. Crutch.

[Joe Budden]

Probably in the gym at the hospital.

[Mal]

I didn't even think about that, but yeah.

[Flip]

Notice you in the hospital, right?

[Joe Budden]

Oh, yeah, at the hospital. That's probably where they saw you. It's probably right there, right?

[Parks]

She got some scrubs on, too.

[Flip]

Hey, with the cho. Girl, you put that boot on my foot. Don't let my girl see. She gonna kill him.

[Joe Budden]

Now to this episode. I did hear you say you was hurt on the pod.

[Flip]

I did hear that.

[Joe Budden]

I did hear. You got a.

[Parks]

Can I do this?

[Flip]

Can I Bring you some food. I know you tired of that Portuguese. Here, take some of this fried chicken.

[Joe Budden]

No, you got to turn down that head to just fall in your lap when you're not looking for it. Turn it down. Be strong.

[Flip]

Stop doing that.

[Joe Budden]

It's true. I don't think our girls recognize that.

[Flip]

But you're not saying it that way. You want. You want some talking?

[Joe Budden]

You want 17 on off to suck my dick today? I'm still here.

[Flip]

You in a 720. You can't get. Everywhere you turn, she right there. Subjected to.

[Parks]

I love my baby.

[Flip]

She cook good meals. Yeah, better.

[Mal]

Love the meal popping up.

[Flip]

You got to see this. Sad, sad.

[Joe Budden]

When the baby leave the old ball and chain, right?

[Flip]

My baby left.

[Mal]

They both cry.

[Joe Budden]

He can't escape. Yeah. That's when I tried to go and use the. I tried to go make me the little shake she be making me. But she be using the bullet. The nutriment bullet and nutribullet. Yeah, she tried to show me how to use it. Catastrophe to be like that, son. Cause it's turned on as soon as you put the thing.

[Flip]

Yeah.

[Joe Budden]

That's the stupidest thing I ever heard. Not for left handed clumsy people. So when you got to turn it off, you got to push it down. And turn it.

[Parks]

You just turn it the opposite way.

[Joe Budden]

Milkshake go over the floor. How?

[Flip]

How?

[Joe Budden]

Because when I turned it, it unscrewed the top.

[Parks]

You got to screw the top before you put the thing in there.

[Joe Budden]

Don't you think I don't know that when I pushed and turned, it was unscrewing.

[Flip]

Tight mix. You're a.

[Joe Budden]

If you can work the bullet.

[Flip]

No, it's me know how to work.

[Parks]

Some regular. You a dono.

[Joe Budden]

If you can't, I can. He be a your baby. You want to screw this jars tight.

[Parks]

You can't tighten this up. Oh, said you ask your girl to untighten the mason. I'm saying if he tighten this up, it ain't going to open. I can't open that.

[Flip]

Daddy and swag.

[Joe Budden]

Black power don't do that. Cuz. We already in the. What's the newspaper in Jamaica? The Jamaican star or some. Stop. Chill now. Enough for now.

[Flip]

I told you to stop.

[Joe Budden]

That'll be enough for that.

[Parks]

Press.

[Joe Budden]

The music. They got a whole. So Joe Button step kids is the Jamaican superstar like. Wait. Whoa, buddy. Yeah, you're right. This podcast is big. We gotta shut the up promoting. All right, man. Again. Y'all be good out there. Yo, daylight savings time is this weekend. Yes, it Is you lose an hour. Daylight saving times. This. This weekend crept back up on us. Y'all hold it down out there, man. Peace, love, health, wealth and prosperity, man. Stay sucker free and we will be back to you same time, same place, this weekend. Let the beat go, Ford. Damn sure is. If you did, if you didn't believe in all that patriarchy, they wouldn't have paid for the cake. Not to bring the cake back up.

[Melissa]

Oh, my God. You know you bring the cake up more than anybody else in the room. I know you're not talking you Uber money, but don't dismiss.

[Flip]

No, you.

[Joe Budden]

Oh, yeah.

[Melissa]

No, we are not. You left it alone. See why you got to start.

[Flip]

I'll pay your Uber now. If you give me $100.

[Joe Budden]

I would tell my.

[Melissa]

The cake, it basically you. It cancels itself out. All right, all right, all right, listen.

[Joe Budden]

Look, I just want one day for Mel to come in and say, yo, I got you. I would leave Earth if patriarchy left Earth.

[Mal]

That's.

[Joe Budden]

She's mad. Down with the patriarchy.

[Flip]

That sounds crazy to say, but all the way down with sponsorship.

[Joe Budden]

Yeah, that's true. That's true.

[Flip]

I'm going to.

[Parks]

While that might add more sponsors.

[Flip]

No.

[Joe Budden]

What?

[Mal]

Males.

[Joe Budden]

She's just fronting. Trying to get the menopause image.

[Flip]

What she stands for, she can't say.

[Joe Budden]

Versus what she really is. She can't say who she really is.

[Melissa]

She cannot play the drops.

[Joe Budden]

She can't say who she really is.

[Flip]

You gotta stop thinking that for her. She can't.

[Joe Budden]

You think she could be herself?

[Flip]

Jvp.

[Mal]

Hey, Melissa photo.

[Flip]

We going to take this away.

[Joe Budden]

Did you say? Oh, my God. Yo, that got you feeling good? That got you in a good mood? That doing his big one.

[Flip]

My Sergio.

[Joe Budden]

Look at this.

[Flip]

Like Alpo with them.

[Joe Budden]

His man broke Alpo like when he was looking for his first. For his first. He like Alpo when he needed a loan.

[Flip]

Hey, he got the white tea, too. Joe, look at this. Fresh, too.

[Joe Budden]

This is fresh white tea. Oh, my God. All right, these.