Episode 806 | "Yall Don’t Really Have It"

Summary

Podcast Summary: The Joe Budden Podcast - Episode 806 | "Yall Don’t Really Have It"

Podcast Information:

• Title: The Joe Budden Podcast
• Host/Author: The Joe Budden Network
• Description: Tune into Joe Budden and his friends. Follow along the crazy adventures of these very random friends.
• Episode: Episode 806 | "Yall Don’t Really Have It"
• Release Date: March 8, 2025

---

1. Health and Fitness: Maintaining Wellness

The episode kicks off with a robust discussion on health and fitness, highlighting the importance of maintaining a balanced lifestyle amidst the chaos of daily routines. The hosts share personal experiences related to weight management and exercise regimens, emphasizing the challenges and triumphs they've encountered.

• Pilates Class Promotion: Erickson introduces the concept of hosting a Pilates class, which gains unanimous support. The conversation revolves around the benefits of Pilates for mobility and overall health.

  Erickson (01:58): "We all do it when we have that. See, I told you so. That moment told us what?"

• Weight Management Struggles: Joe Budden opens up about his battle with weight, mentioning,

  "That scale said like 236." (02:52)

The discussion extends to the social aspects of fitness, such as cooking healthy meals and the influence of partners on maintaining a healthy lifestyle.

2. Exclusive Content: Pay-Per-View and Patreon

A significant portion of the episode is dedicated to promoting exclusive content available through pay-per-view and Patreon. Joe Budden emphasizes the value of supporting the podcast through these platforms, offering listeners special access and perks.

• Pricing and Features:

  Ish (05:23): "It's pay per view. Quick 20 get you in the game."

  The hosts explain the pricing structure, with options ranging from $14 to $20, and discuss the benefits of subscribing directly through Patreon to avoid additional fees imposed by third-party platforms like Apple.

• Poll Results for Next Activity: Erickson shares the results of a poll conducted to choose the next group activity, with Pilates receiving 61% of the votes.

  Erickson (06:12): "Mel teaches Pilates. I'm sure 61% Mel teaches Pilates."

3. Relationships and Social Media Dynamics

A recurring theme in the episode is the interplay between personal relationships and social media interactions. Joe Budden recounts an incident where his girlfriend confronted him over direct messages (DMs), sparking a broader conversation about trust and transparency in relationships.

• Confrontation Over DMs:

  Joe Budden (08:17): "Because my girl go out there and take a bunch of pictures and want me to be in them. So then I look like. And then she look good again."

  The narrative delves into the challenges of maintaining privacy and the pressures of perceived public personas, especially in the age of social media.

4. Media Coverage and Criticism: Stephen A. Smith & Bronny James

The hosts engage in a heated debate about the media's scrutiny of Bronny James, son of NBA superstar LeBron James, particularly focusing on comments made by sports commentator Stephen A. Smith. The discussion highlights the imbalance in media attention and the double standards often applied when dealing with relationships intertwined with fame.

• Stephen A.'s Criticism:

  Melissa Ford (75:22): "Just because my job is to talk about athletes. Well, sports."

  Ish (84:33): "I'm on LeBron side."

  The conversation critiques the aggressive commentary directed at Bronny compared to his father's seasoned career, questioning the motives behind such critiques and advocating for fair treatment regardless of familial ties.

5. Independent vs. Major Labels in the Music Industry

A passionate rant unfolds about the struggles of independent artists versus those signed to major labels. The hosts debate the merits and drawbacks of each path, emphasizing the autonomy and financial benefits of independence against the marketing and distribution prowess of major labels.

• Advantages of Independence:

  Ish (100:01): "If I'm doing everything that's asked of me, which is. They're putting you in places to be famous."

  Melissa Ford (109:25): "They trick you."

• Drawbacks of Major Labels:

  Joe Budden (122:49): "The labels might. It's a scarier proposition to be there now than it's ever been."

  The discussion underscores the complexities artists face in preserving creative control while navigating financial sustainability, advocating for smarter financial management and the importance of building a loyal fanbase independently.

6. Real-Life Incidents: Arrests and In-Flight Disruptions

The episode touches upon various real-life incidents involving the hosts, including arrests and in-flight disturbances. These anecdotes provide a glimpse into the challenges and unpredictability of their lives outside the podcast realm.

• Joe Budden’s Arrest Stories:

  Joe Budden (38:02): "Coming here, talking to you guys about your health."

  Ish (38:43): "Where did this new rule come from?"

• In-Flight Disruptions:

  Melissa Ford (33:53): "Hey, bro, listen, you gotta start whooping these passengers ass or something."

  These stories shed light on the hosts' interactions with law enforcement and their strategies for handling unexpected situations, often infused with humor and camaraderie.

7. Tributes and Shoutouts to Deceased Legends

A heartfelt segment is dedicated to paying respects to influential figures in the music industry who have recently passed away. The hosts honor their contributions and express their grief over the loss.

• Tribute to Roy Ayers:

  Ish (139:15): "Rest in peace to Roy Ayers. I'm sad. I love you."

• Acknowledgment of DJ Funk:

  Melissa Ford (148:08): "Rest in peace. It's like a subgenre of house music. Really, really, really big in Chicago."

8. Show Dynamics and Host Interactions

The dynamic among the hosts is a central element of the episode, showcasing their chemistry, humor, and occasional tensions. Discussions about who is present, who is absent, and how to handle multiple guests contribute to the lively atmosphere.

• Managing Absentees:

  Ish (14:25): "Next to Flip's empty cheer is Ish's empty cheer, who was away getting a ukg."

• Encouraging Participation:

  Erickson (16:21): "If you make it so."

  The segment reflects the hosts' commitment to maintaining an engaging and inclusive environment, ensuring that every member feels valued and heard.

9. Listener Engagement and Promotions: Prize Picks

Towards the latter part of the episode, the hosts promote Prize Picks, a platform for winning real money through sports action. They discuss their personal experiences with the platform, offer promotional codes, and encourage listeners to participate.

• Prize Picks Promotion:

  Ish (71:04): "If you download Prize Picks right this second and use promo code jbp, you get fifty dollars instantly after you play your first five dollar lineup."

  This segment not only serves as a promotional piece but also integrates seamlessly with the ongoing conversations about sports and personal interests of the hosts.

10. Discussions on R-rated Content and Host Rants

The hosts engage in unfiltered, candid discussions that sometimes delve into sensitive or controversial topics. These moments highlight the unguarded nature of the podcast, where hosts express their frustrations, opinions, and personal anecdotes without restraint.

• Handling Sensitive Topics:

  Ish (136:52): "People got to be clear of your list before they know that they kicking it with your ops."

• Expressing Frustrations:

  Flip (162:24): "Sometimes you stand and you see somebody say, okay, I'm questioning it, but thank God that you have good friends around you."

  These exchanges, though intense, contribute to the authenticity and relatability of the podcast, allowing listeners to connect with the hosts on a deeper level.

11. Final Thoughts and Closing Remarks

As the episode draws to a close, the hosts reflect on the discussions, reiterate their commitments to health, relationships, and their craft, and offer final shoutouts and tributes. The concluding moments are a blend of humor, sincerity, and camaraderie, encapsulating the essence of The Joe Budden Podcast.

• Final Tributes:

  Ish (139:38): "Rest in peace to him and her. Thoughts, prayers, condolences to the family."

• Closing Interactions:

  Joe Budden (161:58): "Let's make this one last as if it's all we have."

---

Notable Quotes:

1. Erickson on Pilates:

   "Mel teaches Pilates. I'm sure 61% Mel teaches Pilates." (06:12)

2. Joe on Weight Struggles:

   "That scale said like 236." (02:52)

3. Ish on Media Scrutiny:

   "I'm on LeBron side." (84:33)

4. Melissa on Independent Artists:

   "They trick you." (109:25)

5. Tributes by Ish:

   "Rest in peace to Roy Ayers... I love you forever." (139:15)

6. Promotion of Prize Picks:

   "Download Prize Picks right this second and use promo code jbp, you get fifty dollars instantly after you play your first five dollar lineup." (71:04)

---

Conclusion:

Episode 806 of The Joe Budden Podcast offers a comprehensive and engaging exploration of various personal and professional topics. From health and fitness to the intricacies of the music industry, media scrutiny, and the dynamics among the hosts, the episode is a testament to the show's commitment to authenticity and meaningful conversations. Notable quotes sprinkled throughout provide depth and relatability, making this summary a valuable guide for those who haven't had the chance to listen to the full episode.

Transcript

[Joe Budden]

The thoughts, views, and opinions expressed by this podcast, as well as its hosts, offer entertainment purposes only. I repeat, it is not serious. It is not real. No one is exposing, revealing, indicting, or telling you anything about themselves. Also, we do not encourage you to try this at home. We are trained professionals who do not have your best interests at heart or our own. Enjoy the show.

[Ish]

Mike check 1212. Mic check 1212. Peace. Peace. Peace to the gods.

[Joe Budden]

Yeah.

[Ish]

Yo, yo. How's everybody doing? What's poppin, Y'all good?

[Melissa Ford]

Feeling good, man.

[Parks]

Feeling great.

[Erickson]

Great.

[Joe Budden]

Good.

[Melissa Ford]

How's everybody doing?

[Erickson]

Fantastic.

[Melissa Ford]

All right.

[Parks]

Wonderful.

[Joe Budden]

Couldn't be better.

[Parks]

Indeed.

[Erickson]

Worked out this morning, did you?

[Melissa Ford]

I'm sorry. You throwing shots already, huh?

[Parks]

Yeah.

[Ish]

What do you mean?

[Erickson]

I mean, this is my normal, everyday routine.

[Melissa Ford]

Got it. As she does the camera pan, I'm on Zemel shade.

[Ish]

Nothing has made her happier.

[Melissa Ford]

She's on cloud nine.

[Joe Budden]

Nothing has made her happier than this moment.

[Erickson]

There is actual footage of you telling me to shut the fuck up. Coming here, talking to you guys about your health. Six months, eight months, 10 months, 12 months. Mm. And talking about actually doing a Pilates class with all of you on camera.

[Joe Budden]

True.

[Erickson]

Yeah. So, yeah.

[Melissa Ford]

Yeah.

[Erickson]

It feels really good right now, actually. It does. Feels really good. How you feeling?

[Melissa Ford]

She got let to get his shit off her.

[Parks]

Yeah.

[Melissa Ford]

Yeah, she's got.

[Erickson]

I mean, everybody wanted me to, like, read comments, and so I was like, that's overkill. And I'm sure they've seen everything as it is.

[Joe Budden]

Would you write them, though?

[Erickson]

Oh, hell, the. Yeah. That is the one time that I did read the comments. Boy, they did not listen.

[Melissa Ford]

She earned it. You got to let her get his off.

[Ish]

Getting off.

[Melissa Ford]

Being correct. Being right.

[Erickson]

Yeah, yeah.

[Melissa Ford]

We all do it when we have that. See, I told you so. That moment told us what?

[Ish]

That we were unhealthy?

[Flip]

Yes, yes, yes.

[Melissa Ford]

And didn't want to hear it. Shut her down.

[Erickson]

And now we told me to shut the up.

[Melissa Ford]

Proven to be unhealthy. It look like sacks of. Look like bags of laundry. I'm sorry, I'm going too far. I can get a little bit of.

[Joe Budden]

We could still not want to hear none of that shit. We could still not want to hear that shit. True.

[Melissa Ford]

She could still get.

[Ish]

And we could still say shut the fuck up and just let me speak for me since all these niggas tucked and ran.

[Parks]

They were.

[Ish]

Let me just speak. That's crazy. Let me just speak for me since I'm the only one here.

[Melissa Ford]

That's wild.

[Erickson]

The crazy part is that you Performed the best at the game.

[Joe Budden]

I refuse to acknowledge it.

[Erickson]

You know? You did.

[Joe Budden]

Yeah, you did.

[Ish]

That's awesome.

[Flip]

Yes.

[Ish]

But that's not how I left feeling. That's not how I felt for two weeks after I have made major life changes.

[Joe Budden]

That is the heaviest that I probably have ever been. That scale said like 236.

[Ish]

No, no, no, no, no, no, no.

[Melissa Ford]

You don't never be up there.

[Ish]

But, dawg, my girl come cook for me. I do the uber eats when she here. I wild out. I start bugging big ass omelets, all my favorite meals back to back. My mom cooks for me, my dad cooks for me. If I don't watch it, it's easy, bro. If I don't watch it now, bruh, like, I'm putting on a few pounds.

[Melissa Ford]

My girl cook all the time. Breakfast, lunch, dinner, all the time. And you don't even realize that I stepped on the scale and I thought it was broke. I've never seen what it said on the scale.

[Joe Budden]

And I was like, oh, yeah, I.

[Melissa Ford]

Done talked to the trainer already.

[Parks]

It must have been high. Cause you ain't even say the number.

[Melissa Ford]

No, I'm not saying the number. Like I know you know, you got your normal weight where I'm usually around here. And then you're like, okay, you have your moments where I've spiked. I'm up here a little bit.

[Joe Budden]

I spiked as a guy.

[Melissa Ford]

I'm 10 past the normal spike.

[Joe Budden]

Oh, my Lord.

[Melissa Ford]

I said, what? Okay, Nah.

[Erickson]

The problem is you guys wear clothes that are way too comfy and give you a lot of room. You know what I'm saying? You have to have like a pair of jeans or something like that. Like something from your. Your normal weight hanging up as a reminder. And then you try to put those on at least once a month. And if you can't button that or get it up over your hips and ass, you're wilding. It's telling you something.

[Parks]

I still fit my jeans from high school. That don't mean I could play basketball.

[Erickson]

You're the exception to the rule up here. Okay?

[Parks]

I was horrible.

[Erickson]

5. You got a lot of weight distribution, high metall metabolism. You're.

[Joe Budden]

I fit all my jeans too. I ain't gonna hold you.

[Melissa Ford]

I fit mine.

[Joe Budden]

All of them. I still.

[Ish]

The problem is life is too comfortable.

[Erickson]

If you make it so.

[Ish]

God has made it so. This is not my doing.

[Melissa Ford]

It ain't even just about. I ain't got money. Life is still comfortable.

[Ish]

Life.

[Erickson]

You ain't poor. You doing well.

[Melissa Ford]

Okay, go ahead, go Ahead.

[Erickson]

You doing pretty good.

[Melissa Ford]

Okay.

[Ish]

Yeah, I'm just.

[Joe Budden]

Life was too comfortable for a little bit. You gotta do nut head shit like run to a basketball court at 7 o'clock on a Saturday night. Really see what the gauge is.

[Ish]

But I'm glad people are having a blast. If you haven't seen it, it is on Patreon.

[Parks]

Advertise.

[Ish]

I'm just telling them where it's at.

[Melissa Ford]

Right. What's here?

[Ish]

It's pay per view.

[Parks]

Yeah, it's pay per view. Quick 20 get you in the game.

[Ish]

Quick 2014 on the. On site. I told you, it's 14 on the website. On, on Patreon.

[Melissa Ford]

On. You got to pay the.

[Ish]

Because of the apple, you know.

[Joe Budden]

Right, right, right, right, right.

[Ish]

14 or 20, either way, well worth it.

[Joe Budden]

Well worth it.

[Erickson]

People really did enjoy the group activity so much so that I did a poll.

[Parks]

Okay.

[Erickson]

I did a poll on my.

[Melissa Ford]

What's the next sport?

[Erickson]

I see that. So I asked everybody what should be the next group activity? 4,587 responses.

[Parks]

Okay.

[Erickson]

Mel teaches Pilates, bowling, escape room paintball.

[Parks]

What do we get?

[Erickson]

View results.

[Parks]

Mel teaches Pilates.

[Erickson]

I'm sure 61% Mel teaches Pilates. 11% bowling. 17% escape room, 12% paintball.

[Melissa Ford]

So you're going to teach Pilates? I, you know, I've been waiting.

[Erickson]

Listen, you know what I told you I want to get a private studio so that you know, I didn't say nothing else does not take a hit. You know what I'm saying?

[Parks]

So I'll do Pilates.

[Erickson]

So now that we know that we can rent things like basketball courts and studios.

[Parks]

Sure.

[Erickson]

Yes, yes. Let's rent a studio.

[Ish]

And I will snap renting a studio and bring in cameras and staff to watch you be fine.

[Erickson]

I'm not watching.

[Ish]

Let's be honest with you.

[Melissa Ford]

We can't hit stretch, right?

[Erickson]

We should get these clutches and bullshit. I'm not gonna get on a reformer board. I'm not gonna do anything. I'm just, literally just going to.

[Ish]

And 61% of the vote is there.

[Joe Budden]

To see you just do shit.

[Erickson]

Listen, I'll wear.

[Ish]

They don't really care about our participation.

[Erickson]

I'll wear a fluffy tracksuit.

[Melissa Ford]

No, no, no.

[Erickson]

I'll wear a fluffy tracksuit.

[Parks]

Snow suit.

[Melissa Ford]

I don't know.

[Flip]

Snowsuit.

[Melissa Ford]

Yeah, no, you said they just want to see her do fine. Shit. I think they want to laugh at us too.

[Parks]

That's true.

[Melissa Ford]

A lot of them want to laugh at us, bro. They getting. I watched that clip with Ish acting like he about to take a drive and instead took a dive. I had that shit on the loop. I'm in the crib laughing. I damn near woke people up. Cause he just knew he was getting ready to go and jumped out right there, just face plant.

[Joe Budden]

I'm not mad at him. Your mind say one thing, your body say something else. And what a wake up going. Listen, God will learn you. Oh yeah, God will learn you now. So I'm cool. I check my closet. There's nothing form fitting in there. Like I don't have to.

[Ish]

I'm not getting married tomorrow.

[Joe Budden]

I'm not putting a tucked on.

[Ish]

But yeah, check back in April though. Big dog. Yeah, don't even worry about it the whole rest of March. And the got to get their vacay body back. Don't worry about it.

[Melissa Ford]

That's the other part we never cared about. Vacay body. Like was cool being.

[Ish]

No, well, no, I care about it.

[Joe Budden]

Because my girl go out there and take a bunch of pictures and want me to be in them. So then I look like. And then she look good again. Same.

[Melissa Ford]

No, I'll take pictures of you. I'm gonna sit over here. I wanna be in the picture.

[Joe Budden]

Yeah, but then they did.

[Ish]

Oh, babe, come on, come on, come on, please.

[Joe Budden]

That's when you.

[Melissa Ford]

Hurry up, hurry up.

[Ish]

I can't breathe.

[Melissa Ford]

Hurry up. God damn it.

[Ish]

Babe, babe, come in the water with me. Oh, come on. Don't you stand over there. Oh, God, babe, look at the fish. Look how pretty the fish.

[Melissa Ford]

You missing it. Let's talk about this fish.

[Ish]

Yo, girl, I'm trying to.

[Joe Budden]

Go back to the room getting your fish and go to bed.

[Ish]

I don't care about none of this shit.

[Joe Budden]

None of it. Oh, man, that was funny. All right, let me see what's going on here, man.

[Ish]

Check, mic check. One, two, one, two. Salutations, greetings, man. Back to back, pod of the month here. Let's hear the kicker with y'all, man seeing the kicker. Have a good time. Rest in peace to one of the goats. Hey, this goes out to you and you and you. Rest in peace where it airs.

[Corey]

Everybody loves the sunshine Shout out to.

[Ish]

Wherever you might be listening from Always for the ladies. Always for the ladies, of course. Sunshine Hoods all around the world Everybody working right now. All the kids, the family. Sunshine. 40 and up, 50 and up out there Sunshine all the dad bods out.

[Flip]

There, folks get down in the sunshine.

[Ish]

Unhealthy niggas What up, what up, what up, what up? Sunshine yeah, Folks get brown in the sunshine Shout out To the Pilates mommies out there.

[Joe Budden]

There you go, Mel. There.

[Ish]

Shout out, sit down. First and last time listeners. Shout out to the hey, listener.

[Savon]

Just get things and flowers. Just these and things and flowers.

[Ish]

Here you go.

[Savon]

My life, my life, my life, my.

[Corey]

Life and the sunshine.

[Flip]

Cheryl.

[Ish]

Hey, any reason I could play Mary My life. I'm playing it always at all times. Shout out to the whole. Yo, Yonkers, what up, what up, what up? I mean, I'm mellow on the star.

[Joe Budden]

Mellow on the start, man.

[Ish]

Vibe out, vibe out. Go grab you a drink.

[Parks]

Grab a vice like the incense.

[Ish]

Yeah, light an incense. Roll a window down.

[Joe Budden]

Do something, man.

[Ish]

And you'll find it.

[Savon]

Time that all the negative energy he will all see.

[Ish]

One chorus and I'm with you and.

[Savon]

You'Ll be a beast to yourself. You won't really need no one.

[Ish]

Shout out to the athletes out there that had the jokes. A lot of jokes in my text. Whole lot of jokes in my text. It's cool, don't worry about it. Musicians all over the world.

[Savon]

Like.

[Ish]

All right, man, we here for a good time. Not a long time. Mel. Mel. All right, man. What episode is this?

[Parks]

806.

[Ish]

Welcome to episode 806 of the JOE Button podcast, brought to you by Feud by Powered by Prize Picks. Prize picks, gang. I'm your humble, grateful, gracious, grateful, fully dressed, outta shape co host Joe Button here with some really amazing people. To my right, the beautiful, the amazing Melissa Ford is here.

[Erickson]

Hooty hoo.

[Ish]

To her right is Flip's empty chair. I think Flip did say that he would be out today.

[Parks]

I believe so.

[Ish]

Next to Flip's empty cheer is Ish's empty cheer, who was away getting a ukg. A ugk. What is it? A ekg, a mri. He's getting something done with initials. Shout out to him. He may or may not be here later.

[Joe Budden]

Next to him is big freeze. The freezer.

[Ish]

Ice is here. King Elmira Parks is here, Poe is here, Trey Button is here, Corey is here, Erickson is here. And that is it. Tanner and Savon are here by remote. Last but certainly not least, each and every one of you guys out there are here now.

[Joe Budden]

A pay per view.

[Ish]

Shit is cool.

[Parks]

I bet it is.

[Ish]

I bet it is. What I'll say, it's real cool when.

[Melissa Ford]

I see blogs posted and saying, yo, this was absolutely worth the money. I said, oh, this, Joe.

[Ish]

I mean, it's a cool feature.

[Melissa Ford]

Oh, oh, oh, for real.

[Ish]

Patreon is rolling out some pretty cool features.

[Joe Budden]

Dope.

[Ish]

To test some of them. Out.

[Joe Budden]

Sure.

[Ish]

And Pay per view is one of them, man.

[Joe Budden]

So. So.

[Ish]

Anyway, where do y'all want to start? Anywhere. Anywhere. How y'all doing?

[Erickson]

Good.

[Parks]

Feeling excellent.

[Ish]

I feel great.

[Melissa Ford]

I feel better than a lot of y'all.

[Parks]

Nah, I'm mostly healed. I'm mostly healed. Not all the way back, but I'm mostly there.

[Melissa Ford]

Thumb is good now.

[Parks]

Almost.

[Joe Budden]

All right.

[Parks]

Almost.

[Joe Budden]

I'm almost there. I'm waiting for my knees to just kick back in the right socket somewhere, but other than that, I'm doing all right.

[Erickson]

Boy, you are so lucky. All y'all are lucky. You didn't really hurt yourselves. Well, like, in terms of like. Well, yeah, but in terms of, like, knees and shit like that, like, somebody could have torn a meniscus and locked up.

[Flip]

No, I.

[Erickson]

No, I swear. You guys have got to know when my tone of voice is. Is like. Is just, you know, it's care. It's care. Like, I love y'all, and I don't wanna see you hurt. You know what I'm saying? So. And that's why I keep stressing Pilates, because it's about mobility, and y'all don't really have it.

[Melissa Ford]

Yo, yo, how many times have you watched the game?

[Joe Budden]

You paid the 20.

[Erickson]

I'm part of the staff.

[Joe Budden]

What that means?

[Erickson]

About three.

[Ish]

Hold up. What the hell that means is a staff. What kind of staff password y'all sharing around here?

[Erickson]

About three. About three times. Yeah.

[Joe Budden]

Salute, man.

[Melissa Ford]

Yeah. All right.

[Erickson]

My. Actually, my trainer has offered to put you guys on a cleanse if. If you want to.

[Joe Budden]

Yeah.

[Erickson]

To kind of kick start the whole situation.

[Melissa Ford]

I just did a cleanse.

[Erickson]

Yeah, actually, 21 days.

[Joe Budden]

Cleanse. Cleanse my name out of you and your trainer's conversation, if you don't mind.

[Erickson]

Unfortunately. Unfortunately, people are just coming up to me and they're like, hey, yo, Mel. And I'm just like.

[Ish]

I've already contacted my own trainer.

[Joe Budden]

We will be back in action shortly.

[Melissa Ford]

Gotta redeem it.

[Joe Budden]

Gotta redeem. Yeah. I've called the necessary people.

[Erickson]

Okay.

[Ish]

Thank you.

[Joe Budden]

To.

[Parks]

I bought a basketball, like, two years ago, and it's just been the trunk of my car. Completely unused. I'm gonna change that.

[Joe Budden]

I never want to play basketball again, but I'm gonna do it.

[Parks]

Nah, I think. I think I'm choosing the latter of the two to either retire or play more. I'm taking Play more.

[Melissa Ford]

There you go.

[Parks]

Yeah.

[Joe Budden]

Yeah.

[Erickson]

In spring and summer's right around the corner.

[Ish]

Exactly.

[Melissa Ford]

Get a little quick run in. There you go.

[Parks]

I just gotta find the hoops. Where the kids don't hang out, so I don't, like, have to play against healthy young people.

[Melissa Ford]

Go to the Y on, like, senior night or some.

[Ish]

There you go. Yeah, there's some of y'all out there badly built, attempting to body shame. Yeah, I just wanna say is some of y'all badly built that are attempting to body shame. I'm letting Mel get it off. Cause she was in a King magazine at one point.

[Joe Budden]

And a smooth and straight stunting.

[Erickson]

I never did the latter.

[Joe Budden]

I know, but I still put it in.

[Erickson]

Okay, okay, Sorry. Go ahead.

[Ish]

Rest in peace, Kay Slay.

[Joe Budden]

Rest in peace, K Slay.

[Ish]

And our version, that's in there, but for sure. Yeah, she can get that off. Some of y'all. Listen, I'm gonna fluctuate. You caught me at a really bad.

[Parks]

Moment after the holidays.

[Ish]

I'm going, yeah, Happy weight. Love.

[Joe Budden]

Yeah.

[Melissa Ford]

That's the pay per view.

[Ish]

Wait, like, it's cool.

[Melissa Ford]

Got a little. Little breakup coming. And then you can get on y'all ass. That's all.

[Ish]

Some of y'all is just gonna be built like that forever, so.

[Flip]

Oh, man.

[Ish]

Fuck is y'all talking about out there? I'm letting y'all have fun, though.

[Joe Budden]

I'm letting y'all have fun.

[Ish]

But the second I feel like snapping.

[Joe Budden]

Back, don't get sensitive.

[Ish]

Oh, all right, now. Where y'all want to start? Where y'all want to start?

[Melissa Ford]

Did y'all see this NYPD cop?

[Parks]

I sure did.

[Melissa Ford]

That was in the video.

[Ish]

Goddamn right. You goddamn right.

[Melissa Ford]

All right. Just making sure. I wasn't the only one.

[Erickson]

No, you are not the only one.

[Ish]

Okay, now there's a serious talk to.

[Erickson]

Be having that Please tell us.

[Ish]

Well, people are saying why she can't go bust a move and pop some ass on her off time. I'm people say, yeah, I'm people.

[Erickson]

I'm people. What is the average salary of a New York City cop?

[Parks]

They said she makes like a buck fifty.

[Joe Budden]

She made a buck? Yeah.

[Parks]

She's not doing bad.

[Erickson]

That's not. That's not bad. She's not doing bad, but she might.

[Ish]

Wait. So all of y'all agree with that?

[Melissa Ford]

Yeah, I ain't hurting nothing.

[Ish]

Yo, y'all crazy. What?

[Melissa Ford]

She a cop. I'm off work. Let me go over here, Shake this ass.

[Ish]

You can't go pop ass while you're off.

[Melissa Ford]

And she had ass.

[Joe Budden]

It's a whole different time.

[Erickson]

She did have ass.

[Joe Budden]

She had some ass.

[Parks]

And she's fine, too.

[Ish]

Come on. I understand why money picked her to be in the music Video, Good job. And I already know that vibe.

[Joe Budden]

That's one of her exes or old work.

[Ish]

That's somebody that beat before and said.

[Joe Budden]

Yo, come do me the solid. Yeah.

[Ish]

And she did it like all of the Spanish girls with ass that we.

[Joe Budden]

Cool with when we call and say, hey, can you come to this video?

[Ish]

They come do the.

[Melissa Ford]

They do it.

[Joe Budden]

They do the video.

[Erickson]

And she might have been living out a dream to be a video victim.

[Ish]

No, you can't. Now back to y'all. No, you cannot go pop ass on your off time if you are a detective.

[Parks]

They said that she should have just informed the. Her employers.

[Melissa Ford]

Yo, I'm gonna go pop this ass. Yeah, man, get out of here.

[Parks]

But the union people sounded like they had her back. They're like, she wasn't wearing no paraphernalia. She wasn't advertising.

[Melissa Ford]

Now, if she had a uniform on is a little different.

[Erickson]

Yes, that would have been different. Then they could have had.

[Flip]

Yeah.

[Erickson]

A cause for concern, you know, reprimand. No, she was just in lingerie, bobbing ass.

[Parks]

Want to hear the slap at all?

[Erickson]

There was an actual song.

[Joe Budden]

Yeah, I had it on mute.

[Melissa Ford]

Yeah, yeah, I'll just.

[Ish]

I don't know if I was vibing.

[Joe Budden]

With the music, but let's see.

[Flip]

Thanks a lot, buddy.

[Ish]

Appreciate it.

[Parks]

With the little speaker button on that one.

[Ish]

Once I heard a little bit of.

[Joe Budden]

The song, I was like, yeah, I understand why.

[Parks]

That'S the issue. The union has respect. Pick a slap.

[Ish]

Yes.

[Joe Budden]

Like, God damn. If you're gonna debut.

[Ish]

And you a detective, man, get in some fire.

[Erickson]

Yeah, that was.

[Ish]

That's what let me know. He beat, of course, that. That his rapping told me he beat.

[Melissa Ford]

He might still. Yeah, yeah, he beat for sure.

[Joe Budden]

You think she did it for free? Yes, yes.

[Erickson]

She better not have done it for free.

[Melissa Ford]

What?

[Erickson]

All this.

[Joe Budden]

She paid Mel.

[Erickson]

Huh?

[Joe Budden]

She didn't get paid.

[Melissa Ford]

She did not get paid for that.

[Flip]

I mean, she didn't get paid.

[Erickson]

You don't think so?

[Melissa Ford]

No.

[Erickson]

You don't think he threw her like a nice $500?

[Melissa Ford]

No.

[Erickson]

I mean, I do. I think she got a nice, cool $500 to do that. Absolutely.

[Parks]

But would you take that if you. You're making good money, that $500?

[Joe Budden]

You've done a free video before. You've done a free video before. Don't lie. Don't do that. You've done a video in which you did not get paid.

[Erickson]

Not even my first video.

[Joe Budden]

Maybe not your first video, but you wanted the videos in your videography. You didn't get paid for.

[Ish]

No.

[Erickson]

That is so far from the truth. Absolutely not.

[Melissa Ford]

Is there anybody that you could have, like, a great relationship with today? Like, y'all cool.

[Parks]

What if somebody needs a video mixing?

[Melissa Ford]

And it's like, yo, she didn't say.

[Ish]

She would do the Imani video.

[Parks]

There you go.

[Joe Budden]

And Imani wasn't paying.

[Ish]

Imani didn't have a budget for that video.

[Joe Budden]

You was popping. Charge him for the free.

[Erickson]

Yeah, I'm having second thoughts on that.

[Ish]

Well, now. Yeah, now, now.

[Joe Budden]

But you'd have been in there.

[Ish]

But anyway, yeah, she definitely had ass. I do think that some of these jobs come with morals clauses to where your outside behavior can have an impact on your job. I would have assumed a policeman to be one of those gigs, but maybe I'm off.

[Erickson]

Well, if they were, I would fight.

[Ish]

The morals clause in that.

[Erickson]

If there is a morality clause, then. And honestly, all the outside behavior of cops assaulting their wives should be taken into account. But it never is.

[Melissa Ford]

All right.

[Parks]

Yeah, yeah, yeah.

[Erickson]

If we're going to talk about morality clauses, I agree.

[Parks]

I'll tell you what, that police union is strong. I don't think she's going to. I think she'll be all right.

[Melissa Ford]

She'll be just fine.

[Parks]

She can be just fine.

[Melissa Ford]

I don't see what the case is. Even if you had a morality clause, I didn't do anything. Like, we gonna have to argue that she's okay.

[Erickson]

She's not getting reprimanded. She's not. She hasn't been suspended with or without pay. She good. And she's got her.

[Melissa Ford]

So it's just people talking.

[Erickson]

It's just people talking. That's it. That's it.

[Joe Budden]

Or if it's just people talking, then I'm about to book her for a music video.

[Ish]

I feel like I could freestyle better.

[Joe Budden]

Than that shit that money was doing. Part.

[Ish]

Send me a beat. Call her right on over from the Bronx. Where'd she at? Where she. Yeah, Pops giving a jump right there.

[Joe Budden]

Right there.

[Ish]

I know.

[Joe Budden]

She got a car. She make a buck 50 a year.

[Parks]

And got something nice?

[Joe Budden]

She got a car.

[Melissa Ford]

She gets.

[Joe Budden]

Yeah, something German. She'll get here like a leader.

[Melissa Ford]

Yo, we are terrible, bro.

[Joe Budden]

Amber said. Amber said Kanye booked her for the fake video in her Shannon interview.

[Erickson]

Oh, that's how he got her.

[Joe Budden]

Yeah. Booked her for the fake vid.

[Ish]

Yo, not enough talk, not enough talk goes down about how effective the fake.

[Melissa Ford]

Vid is, the fake booking, period, anything. It worked.

[Parks]

Especially if you're a Kanye west or something.

[Ish]

I've seen it.

[Melissa Ford]

Work, man.

[Ish]

It just got the cop there. It's worked from like that.

[Melissa Ford]

Yeah, it's worked from regular. That Sit on these couches and talk.

[Joe Budden]

Yeah.

[Melissa Ford]

I'm telling you, it works.

[Joe Budden]

But I thought about trying it before. My. My G was just so ill in other areas, I didn't need to do it.

[Ish]

But it wasn't off the table.

[Parks]

I call. I'm pretty sure you use that at some level.

[Erickson]

Yeah, me too.

[Ish]

I don't think I got it off. I mean, I'm not trying to act.

[Joe Budden]

Like I'm above it.

[Ish]

Maybe I had the plan and it.

[Joe Budden]

Just didn't get executed.

[Erickson]

But so it was true for a moment. It was true for a little bit of time, and then it wasn't true anymore.

[Ish]

Well, yeah, I always got the girl. I always got the girl I wanted.

[Joe Budden]

So there was no need to. But when it was time to think.

[Ish]

Of a plan that was not off the table.

[Joe Budden]

Yo, I need you for a vid. Yada, yada, yada, yada.

[Melissa Ford]

Now you know what the one used to be. Call up, call up good old, good.

[Ish]

Old lady L. Yo, book her, book her, book her.

[Melissa Ford]

Get her the host.

[Joe Budden]

Oh, yeah. Niggas done caught so many bodies off L. Man, listen, that is up or not between. Or not between me. Yeah. Yep.

[Ish]

That was a nice little move back.

[Joe Budden]

In whatever years those were.

[Ish]

Oh, my God, I'm so glad I changed.

[Melissa Ford]

Yeah, man.

[Ish]

Shout out to growth, yo. Shout out to maturity, man.

[Erickson]

Shout out to love.

[Joe Budden]

Yeah.

[Ish]

I almost told my girl we could.

[Joe Budden]

Switch phones the other day.

[Erickson]

Oh, my God.

[Melissa Ford]

Salute.

[Erickson]

Yeah, yeah.

[Joe Budden]

But it was really to prove a point, though.

[Melissa Ford]

But she already got your phone, though.

[Parks]

That's true.

[Melissa Ford]

Would you really switch it?

[Parks]

It's not really a fair trade.

[Melissa Ford]

It's not at all.

[Ish]

Well, my phone ain't gonna ring no way. That shit rung last night while I.

[Joe Budden]

Was in a good middle of a good cuddle, girl name popped right up with the dash and another girl name couldn't have been no worse. So now the number's saved in there.

[Melissa Ford]

Yeah, yeah.

[Ish]

What do you do in that moment.

[Joe Budden]

When you have grown and you're mature and you're faithful? I ain't do nothing. Cause it wasn't nothing. So I go use the bathroom.

[Ish]

I run around like 10 minutes later.

[Melissa Ford]

Your big dog. Yeah, yeah, yeah, I know.

[Ish]

Yeah, it came up again.

[Parks]

Oh, it was a double ring.

[Ish]

Oh, no, no, no.

[Joe Budden]

I'm saying.

[Melissa Ford]

You walked off like nothing happened.

[Ish]

Yeah. No, no, no, no, no. I was like, oh, who is this? I don't know who this Is that's crazy. And that was the end of it for me.

[Joe Budden]

Not so much.

[Ish]

Nah, nah, big dog.

[Parks]

Back to this though.

[Melissa Ford]

Let me holla at you real quick, playboy. What was that one about?

[Ish]

I don't know who that is.

[Joe Budden]

Yeah, but it's saved.

[Melissa Ford]

Yep.

[Joe Budden]

I still don't know who it is.

[Parks]

I got bad numbers in this phone. I don't know who they are.

[Ish]

Well, if Michael, Michael Dash Ricardo popped.

[Joe Budden]

Up on my phone, what would you do?

[Ish]

I said I would call him.

[Parks]

Pick it up.

[Ish]

I would call her. I would call him. Even if I'm joking, I'm saying it right now.

[Joe Budden]

I would call it. So if you want to call here through the ball bow. She said, you playing with me? I'll find out who it is. She said.

[Ish]

I said, how?

[Joe Budden]

She said, give me the number. I gave her the number. She typed that in cash app and found out exactly who it was. Oh, it's four different yo. She is so much smarter than me.

[Ish]

That's.

[Melissa Ford]

And that's. That's bare level.

[Joe Budden]

She is so much smarter than me.

[Melissa Ford]

That's bear level.

[Joe Budden]

Okay.

[Ish]

She typed this right?

[Joe Budden]

In case she found out who it was.

[Erickson]

Okay, so when you saw the name, did it. Did you recall.

[Joe Budden]

We know who it is now.

[Ish]

Okay, now we know exactly who it is. Ah, thank God.

[Erickson]

Thank God. Mystery combo.

[Melissa Ford]

Mystery or thank God the convo. Don't stop there.

[Erickson]

Did it stop there?

[Ish]

Well, it stopped there for me because. Well, it didn't stop there, but fuck you. All right, now you know who it is. Okay, well why the fuck she go, yeah, there we go. But I don't know. Cause I. I didn't answer.

[Erickson]

And wait, can I ask what time this was? Because that matters. That does matter. If it's like 9:30, it's fine.

[Joe Budden]

It was in the middle of a good cuddle in a good TV show.

[Ish]

At one time, like almost in nap time. Might have been 8:39.

[Melissa Ford]

That's not bad.

[Erickson]

That's not bad. If it was 1:30, you might have a problem.

[Melissa Ford]

It's not the worst.

[Ish]

So then I pull up on some.

[Joe Budden]

Of my gaslighting tricks.

[Melissa Ford]

Of course you did.

[Joe Budden]

Did. Yeah.

[Ish]

Because why you. No, before we found out who it was and now that you know it is, why you assume that it's the worst? Why you assume that whatever they calling for, is that because of the way.

[Melissa Ford]

You responded to it? It's because of what you you to them.

[Ish]

I didn't respond to it. I didn't answer.

[Melissa Ford]

Look, look to them when it's. Who's that? Oh I don't know. It's like, what you mean, you don't know? Now it's like, okay, now you looking a little sketchy. So she thinks you being sketchy for that. That's all it is.

[Joe Budden]

My sketchy days are over. Big freeze.

[Melissa Ford]

I hear you.

[Flip]

Same.

[Erickson]

I believe you.

[Joe Budden]

My sketchy days.

[Melissa Ford]

I'm just telling you why. She reacted like.

[Erickson]

But there's still some cleanup that probably just needs to be done that you're not aware of. And then it calls, and you're like, oh, shit.

[Joe Budden]

Well, no, that wouldn't be the cleanup.

[Erickson]

That wouldn't be.

[Joe Budden]

That wouldn't be the cleanup. My phone rang.

[Ish]

You crazy.

[Erickson]

Okay.

[Ish]

Phone gonna ring.

[Melissa Ford]

You crazy, girl.

[Erickson]

Listen, these things are long gone for me.

[Joe Budden]

I'm just letting you cook. Go ahead. Go ahead.

[Ish]

It's your day. It's your day. It's your day.

[Erickson]

He's been waiting to be tagged in.

[Joe Budden]

But it's your day.

[Ish]

Okay, I'm not saying a word.

[Joe Budden]

You ain't tricking me.

[Erickson]

Hey, big flood.

[Ish]

What else is there?

[Flip]

I can't get an acknowledgement, bro. You see me over there preparing to come in?

[Erickson]

I was trying to tag you in.

[Flip]

Thank you, man. I appreciate that.

[Ish]

I gave you the piece, son. Like this.

[Flip]

The piece was fake. Like, yo, nigga.

[Ish]

Yeah.

[Flip]

Wasn't a piece. Like, I'm happy to see you.

[Erickson]

It's like, we didn't think you were coming.

[Flip]

This again.

[Ish]

I was happy to see you. I didn't expect you to be here.

[Flip]

Well, there was a lot of convincing from my family. Your pops, yo, the ain't playing. He ain't playing. You did that playing. Get your ass in there. Linky called me. My wife. Yo, I told you.

[Parks]

You said that you wasn't coming.

[Flip]

I wasn't coming today. I took the. I took the day working on some things, but I supp to end, and I spoke to my family. I just decided to come. Welcome.

[Joe Budden]

Okay.

[Erickson]

Thank you.

[Flip]

I had to go to the city. I had to set up some things, and I just said, let me. Let me come support my. My team. That's all. I just want to be a team player, baby.

[Melissa Ford]

I like that.

[Flip]

It's kind of hard out here for you. So I got. He needed support that you could get.

[Melissa Ford]

It's hard out here.

[Parks]

But.

[Melissa Ford]

Who?

[Flip]

Him, nigga.

[Melissa Ford]

What?

[Flip]

Wait, Some new came out?

[Ish]

Yeah.

[Melissa Ford]

This basketball. 20 a pop.

[Flip]

Yeah, that's why. That's why he had to do the.

[Ish]

Math.

[Flip]

I did the math.

[Ish]

There was no man for you to do.

[Flip]

Hey, I respect you. Know why I respect it? Because you allow me to do my. You, you know.

[Melissa Ford]

Yeah, there you go.

[Ish]

Everybody up here is allowed to do their.

[Joe Budden]

Everybody up here is allowed to do that.

[Flip]

You don't hold nobody up.

[Ish]

Thank you very much. You don't let anybody know.

[Flip]

You don't hold anybody.

[Melissa Ford]

I know what they be saying. But you.

[Ish]

You encourage. You don't want to chime in on that. On this little part right here.

[Erickson]

Oh, no, not at all.

[Flip]

It's easy. But you gotta understand, yo, you don't mind taking the abuse. You don't mind.

[Melissa Ford]

He like that.

[Flip]

I think that's why it's easy. That's why it's easy for us to just let it go. You don't mind.

[Erickson]

I think you're a masochist.

[Ish]

Yes.

[Flip]

Oh, good word. I don't know what that mean, but.

[Erickson]

That'S basically means you like pain inflicted on you. A glutton.

[Flip]

He don't care. Joe.

[Melissa Ford]

Don't give a. I don't think it's that.

[Erickson]

Especially when the numbers run up, up, too. Like, that eases the pain.

[Ish]

Ain't the numbers supposed to run out?

[Erickson]

Yeah, no, they are, but it eases the pain. It's just like, yeah, yeah, yeah. Okay. You call me a fat Ching ching.

[Flip]

I ain't gonna lie.

[Ish]

Oh, you know, y'all fell for that. Y'all fell for that. I'm telling you, I'm gonna be skinny in a month. A month and a half. That's gonna be the end. Yo, you talking about you charged up. You goddamn right. I ain't gonna be embarrassed for Free Street.

[Flip]

You watching the master at work. I said that.

[Ish]

Remember that?

[Flip]

That voice, whatever that was. You are.

[Melissa Ford]

You are watching a master.

[Flip]

Yes, that's you. You. You are showing them. Jim came in and said, you got a lot of candy. They all do it.

[Melissa Ford]

Everybody do it, so they want to do it.

[Ish]

Hold up.

[Joe Budden]

Yeah.

[Flip]

You're the only one with a production like this with this many.

[Joe Budden]

Shout out to Jim, man. Yeah, we had a good time.

[Ish]

Southwest flight returns to gate after passengers strip naked.

[Parks]

Just trying to get comfortable.

[Ish]

Look, I started. I started a wave. I started the wave. Look, now look at them. Everybody running around naked now.

[Melissa Ford]

Hey, bro, listen, you gotta start whooping these passengers ass or something.

[Parks]

What class were they in?

[Melissa Ford]

Well, it's Southwest.

[Erickson]

It was Southwest.

[Parks]

So first go, first serve?

[Erickson]

Yeah, pretty much. And it was a really short flight, too. It's from Houston to Phoenix.

[Flip]

You gotta remember, though, Mel, people feel like. Like if they're going down, they're going down the Blazer.

[Joe Budden]

Glory.

[Flip]

No disrespect. Like if I. If this gonna go down with all the flights. Let me get. Let me get naked. I don't care.

[Melissa Ford]

I don't want to hear that. If I gotta be somewhere and now we gotta turn around and go back. Cause you want to be a dumbass and strip naked on.

[Parks]

What if they're sleepwalking?

[Erickson]

Yeah.

[Ish]

No.

[Melissa Ford]

Sleepwalk your ass in that bathroom. We're gonna lock your ass in there. This flight need to take off.

[Erickson]

Yeah. Stop.

[Melissa Ford]

People. Flights that went back to the gate.

[Erickson]

It did go back to the gate. And apparently she was running.

[Parks]

It was a she.

[Erickson]

It was a she and she was running.

[Melissa Ford]

Wait, wait, wait. She had ass.

[Parks]

Was she a detective?

[Flip]

Hold on.

[Melissa Ford]

Some in flight entertainment.

[Erickson]

Now it looked like she did have some ass. She was running up and down the aisles for a good 25 minutes. Nobody stopped her.

[Melissa Ford]

I bet she had ass.

[Flip]

Hell, yeah.

[Melissa Ford]

We done made it rain in that motherfucker.

[Erickson]

Enjoy the show.

[Flip]

Stripping the air.

[Melissa Ford]

It's some new shit.

[Flip]

Yeah.

[Joe Budden]

See? Bear pussy get to run up and down the aisle for 20 minutes. Let that have been a dick dangling.

[Flip]

It's over.

[Joe Budden]

They would have killed.

[Flip]

They would have tackled him, his children there. They would have said all that.

[Joe Budden]

They'd have threw him out the plane.

[Flip]

Yeah, my child.

[Joe Budden]

Wait.

[Ish]

Then there was another plane, I want to say, a few weeks ago, where a passenger just started knocking out the window.

[Flip]

Stop laughing. You can't laugh.

[Joe Budden]

I'm serious.

[Ish]

He started knocking out the window of the exit roll.

[Flip]

Yeah.

[Melissa Ford]

Oh, let's see now. In air.

[Flip]

Don't do that.

[Ish]

Yes, in the air.

[Flip]

Oh, yeah. You are a sick individual.

[Ish]

Chill.

[Flip]

Stop laughing, son. All weekend I thought about that patreon that we deleted. Oh, yeah.

[Joe Budden]

Don't do that.

[Melissa Ford]

Don't stop, fam.

[Flip]

I call Ian. I call Ian.

[Ish]

I say, yo, just stop, bro.

[Joe Budden]

You can't say it.

[Parks]

Yeah, don't.

[Ish]

Please don't.

[Flip]

Just say it real quick.

[Ish]

No, you cannot say.

[Flip]

What did he say? Joe, please, where my pillow?

[Joe Budden]

We was talking about the Netflix dog talk with Malcolm X.

[Parks]

That's it.

[Joe Budden]

That's it.

[Parks]

That's it. What a show that'll never come out.

[Joe Budden]

That's it.

[Ish]

So that's a classic episode, Joe with Malcolm X.

[Melissa Ford]

Now he gonna pay per view that.

[Flip]

One that park said delete it. No, he tried to. Joe said don't delete it. Park said he had to press Control Z to get it back. Parks deleted.

[Joe Budden]

We can't talk about footage that they'll never see.

[Flip]

Just say the line.

[Ish]

I can't say that line.

[Flip]

But, boy, what Elijah Muhammad said. He said, have you seen.

[Melissa Ford]

He can't help himself.

[Parks]

He can't.

[Melissa Ford]

He cannot help himself.

[Flip]

You did the voice.

[Ish]

Joe.

[Flip]

You did the voice, too.

[Ish]

And we were moving on. We were trying to move on. We are moving on. Thank you very much.

[Parks]

Trying to preserve life over here.

[Ish]

Yo, what would y'all do in the event that y'all want to flight and.

[Joe Budden]

Somebody got up and started bugging or started wilding, started stripping or started behaving belligerently?

[Parks]

Do I have singles?

[Flip]

Do she got ass and it depends on.

[Joe Budden]

No, you don't have singles on the flight.

[Melissa Ford]

Well, she have ass.

[Ish]

No, they never have ass.

[Parks]

I'm coming from Houston.

[Melissa Ford]

I might have singles. It might be some ass on there.

[Parks]

And it might be some ass.

[Flip]

I mean, in all reality, you know what we're doing. I mean, we. Some of us are going to be perish and watch, but while others are going to prepare for us to go back to the gate. We're gonna be pissed off, cursing, you know, take this down or take this down. They be jumping on the plane now. Now passengers are involving themselves in tackling and assaulting people that act like that.

[Melissa Ford]

You tackling a naked, though, if what.

[Erickson]

I might just trip him.

[Flip]

And so the question I have is that if we're able to get the person that's acting irate, contained, do they still have to turn around?

[Melissa Ford]

Probably, yeah.

[Flip]

So they can't put them in a seat and duct tape them. I saw they duct taped somebody.

[Melissa Ford]

They duct taped nigga one time, but they still. That's just to get back.

[Flip]

Okay, so that was shorter. Yeah, we fucking them up if we gotta turn back around and go to.

[Melissa Ford]

That's what I'm trying to tell him. Whoop his ass.

[Flip]

We don't beat him.

[Ish]

Thank you, bro.

[Joe Budden]

I got arrested mad times at the end of the flight.

[Flip]

Oh, for real?

[Melissa Ford]

What?

[Joe Budden]

Yes.

[Flip]

So you got arrested at the end of a flight.

[Ish]

It's not arrested because I wasn't arrested.

[Parks]

Take you a little room detained.

[Melissa Ford]

But they escort you off the plane, sir.

[Joe Budden]

Come on.

[Parks]

The marshals or whatever, what are they called?

[Ish]

I'm gonna.

[Joe Budden]

The police at the gate waiting on you for you.

[Ish]

What did you do?

[Melissa Ford]

You cursed out a flight attendant trying to smoke.

[Flip]

That would be disgusting.

[Joe Budden]

What did I do? My memory is bad.

[Melissa Ford]

You cursed out a flight attendant.

[Parks]

There was one, I think you were trying to go to the bathroom when they said you couldn't go to the bathroom. And then you just, like, refused to not go. Not go to the bathroom.

[Ish]

Fell asleep on a passenger.

[Parks]

Then there was that one, Yeah.

[Joe Budden]

I fell asleep on a passenger.

[Flip]

But that can't wait. That happens. As I'm saying, that happens. Why would you get detained for that?

[Joe Budden]

That's not okay. You can't fall asleep. I just accidentally on a passenger.

[Melissa Ford]

Well, then they got to call the cops for that.

[Flip]

Where did this new rule come from? Cor, you like?

[Ish]

No, it's not a new rule. You can't do that.

[Flip]

People allow you to do it on.

[Erickson]

Sometimes you just.

[Ish]

I don't.

[Flip]

The cops.

[Melissa Ford]

I gotta get damn near arrested.

[Erickson]

That seems excessive.

[Melissa Ford]

Wake me up. My. Yo, yo, big dog. Big dog.

[Flip]

So he didn't wake you? The person you fell asleep on, they didn't wake you up?

[Ish]

Apparently not.

[Erickson]

They were like, excuse me, black man sleep on me.

[Ish]

Get him then.

[Joe Budden]

There was a time I was dead set on telling them that this first class seat was mine and it wasn't.

[Melissa Ford]

I could see that one.

[Joe Budden]

It wasn't.

[Flip]

It wasn't yours.

[Joe Budden]

I used to play a lot of.

[Parks]

Poor games, try to stick to the first class.

[Ish]

I used to play a lot of poor people.

[Flip]

How long do they hold you when they detain you in that little room? Because there's a room back there. I got sent to that room too. There's a room.

[Melissa Ford]

Hold on. You walk on the plane and sit in the. You didn't have a first class seat at all?

[Joe Budden]

Not at all.

[Melissa Ford]

You just sat there.

[Parks]

I've done that before.

[Melissa Ford]

I just saw that happen on my last flight.

[Ish]

First class, people got to go in first, right?

[Joe Budden]

So you chill, let the plane go, come in. Kinda when you think all of them are done. And if it's an open seat, you sit there. This is before I knew that they.

[Ish]

Had a list of your name, your.

[Joe Budden]

Name to go with the seat.

[Melissa Ford]

And some people get the. At the gate upgrade to first class and they fill those up with that.

[Joe Budden]

Then there's some of that. So sometimes, you know, get up and you leave. This one time I just wasn't with that, I guess.

[Flip]

So when they detain you, what do they do? How long are you in the airport for, Joe?

[Joe Budden]

I wasn't. It wasn't never that long. I was never arrested.

[Flip]

Got it.

[Joe Budden]

Got it.

[Melissa Ford]

I just had something happen the last. When I just took a flight last weekend. It was a regular United flight. I did not fly first class. And you know, you know, United got your regular seats.

[Joe Budden]

Why didn't you?

[Melissa Ford]

Short flight, sitting right here. I'm gonna save the money.

[Joe Budden]

How long was it?

[Melissa Ford]

Two hours?

[Joe Budden]

Three.

[Melissa Ford]

No, twelve.

[Parks]

What's the price difference?

[Joe Budden]

The short flight is like from here to Boston, where a little 45 minute first class. Yeah, two hours. This is the first class.

[Melissa Ford]

No, I'm saying they had it. I just felt I didn't need it. I need it for a longer flight after my experience. But anyway, so they have the extended leg row seats that are right near the exit row.

[Ish]

Yeah. The plus ones to exit, they were all empty.

[Melissa Ford]

So the three people across from me all got up and just sat in them seats. And then I had my daughter, me, and the person that was next to me, he got up and sat across from me. So me and my daughter had to roll. Flight attendant walked up, she was like, these seats are all paid for. We're in the air already.

[Parks]

Oh, shit.

[Melissa Ford]

These seats are all paid for. You can't sit there. They like, dog, ain't nobody in the seats. And she made them get up. Made him get up to come back to his seat. Everybody arguing with her. I'm just sitting there laughing like.

[Joe Budden]

That's why.

[Ish]

You see, I've been on some fun fights where just nobody made the flight. And whoever had the mic was cool. They like, hey, this is all that's on the plane. Sit wherever you are. That's fire.

[Melissa Ford]

You gonna lay down on that?

[Ish]

I've been on some of those too.

[Flip]

Now. I've been on that.

[Joe Budden]

Yeah.

[Melissa Ford]

They tell you that should be Kim. Yo, this is the. This is a full flight. This is a full flight that you get on this. Mad empty seats.

[Flip]

Why do flight attendants be. No, and all disrespect intended. Why do flight attendants be having attitudes and act like they God sent to earth? Like, you know, they God on earth.

[Erickson]

I don't necessarily think lots of gay.

[Flip]

Ones, they cool, but I'm talking about they cool. They already. They've been through a lot. What I'm saying is that there's a lot of flight attendants that have nasty attitudes. They're not respectful. You say hello. They snotty. Some of them. A lot of them.

[Melissa Ford]

I don't like that I had to come across.

[Flip]

Not the young ones with the bbls. They cool because they know you watching them. But the ones that be acting stink. Nah, I don't like.

[Joe Budden]

Get them out. Rep for your next gig.

[Flip]

Hey, welcome to JetBlue. My name is Melissa Savannah Ford, and I'm here to bring you.

[Joe Budden]

This part don't work out.

[Flip]

Do the little seat belt shirt right now. This right here is the air oxygen mask. So when it.

[Melissa Ford]

Put it on yourself and then put.

[Flip]

It on somebody else. We have water, we have chips, we have plantains oh, by the way, wait, this is. This is Cheese. She ended up talking to herself. I can't believe they have Cheese on here while the mic is on.

[Joe Budden]

She gonna be the stewardess for the Private Privates.

[Erickson]

Yeah. That would be the only time I was ever a stewardess or playing one.

[Joe Budden]

Okay.

[Erickson]

On like, a major TV series or something like that.

[Melissa Ford]

Oh, okay.

[Flip]

Entourage.

[Joe Budden]

Oh, okay.

[Ish]

Okay.

[Flip]

Big dog, you can't play with.

[Melissa Ford]

You stop playing.

[Ish]

Well, yo, yo, T. Pain is going viral.

[Joe Budden]

Listen to this, man. Hey, this part ain't about shit.

[Melissa Ford]

Nope.

[Joe Budden]

So T. Pain took a regular domestic flight from Vegas to Atlanta or some shit. Atlanta to Vegas. One or the other. And the fans was asking them, hey, why the. Are you flying regular Economy. Economy. So then he.

[Ish]

No, just regular commercial.

[Joe Budden]

Commercial.

[Flip]

Pawn me.

[Ish]

So then he posted how much it costs to fly private round trip from Vegas to Atlanta.

[Melissa Ford]

She was like a buck 20 something, right?

[Ish]

It was like a buck 20 something.

[Joe Budden]

And he was like, yeah, that's. That's why I do this. Yeah.

[Parks]

Yeah. I don't understand why this is the problem.

[Ish]

Well, it's a problem because then I got to scratching my head. T. Pain was making a lot of.

[Joe Budden]

Sense, but they was on his ass.

[Ish]

But when I sat and thought about, oh. Cause then T. Pain kept saying, yo, they think I'm broke. They think I went broke again. Because I guess he got his big check.

[Parks]

Yeah, he sold his catalog.

[Ish]

He got his big check, sold his catalog.

[Joe Budden]

So.

[Ish]

But when he kept saying, they think I went broke again, it reminded me that there was a point where people thought T. Pain went broke. And back in that time, T. Pain.

[Joe Budden]

Was popping a lot of big money shit.

[Ish]

Like, T. Pain was showing off. He had the Bugatti vehicles and rims, houses and jewelry.

[Melissa Ford]

Big ass chain.

[Ish]

When T. Pain was.

[Joe Budden]

Yeah. Bugging.

[Melissa Ford]

Yeah, he was bugging.

[Ish]

He was showing ass. Not like showing ass.

[Erickson]

I've been showing that.

[Ish]

I'm saying he was showing the fuck out.

[Melissa Ford]

Yeah.

[Flip]

Yeah.

[Ish]

So, yeah, you making sense now.

[Melissa Ford]

Stop, Joe.

[Ish]

But that's my man. That's my man. So I'm chilling, but niggas gotta knock it the fuck off. Growth. I know. Growth and maturity.

[Flip]

Yes. Was that the price?

[Ish]

Growth and maturity.

[Flip]

Is that the actual price that you paid when you flew private?

[Ish]

No, he could get. He could.

[Joe Budden]

He could get a better price than that. Got it. Yeah, he can get a better price than that.

[Flip]

So he was just being.

[Ish]

I was going. I was gonna write that in there.

[Joe Budden]

But then I was gonna look away, so let me mind my business.

[Ish]

But you could get. Got A better price.

[Erickson]

Yeah, that was a little high.

[Melissa Ford]

Got this bag now it's like, all right, I went through some money before. Yeah, I know what.

[Erickson]

I'm gonna be a little frugal.

[Ish]

Not even just frugal.

[Melissa Ford]

I'm gonna be smarter with my money. That's all.

[Parks]

There's nothing wrong with taking a commercial flight.

[Flip]

And when you got. When you go, bro Joe and you have a come up again, you spend different, you learn different. They learn you, you up, you lit. And then now you back in the trap. Like it hit different, they get up.

[Melissa Ford]

And think it will never end.

[Flip]

Exactly.

[Melissa Ford]

Yo, now my. Like, I'm. I'm up here. I'm living this life.

[Ish]

I save up when I fly private. I saved.

[Flip]

You had a good mouth.

[Ish]

And I only do it, baby, twice.

[Flip]

You're not allowed to. You. You better not fly private after this. No more private flights.

[Ish]

After what?

[Flip]

Whatever happens. No more private for the whole year. Be regular, be cool.

[Joe Budden]

After the pay per view.

[Melissa Ford]

See?

[Joe Budden]

Yo, y'all are so stupid, man.

[Melissa Ford]

That funny though.

[Flip]

I don't think is in the comments. I. You cause an uproar. Genius. Yes, genius Facts. The algorithm was hit that just showed up. I'm like, come on, man. Cause Twitter right now in the trending section, they give you like a synopsis of what's going on.

[Joe Budden]

Okay?

[Flip]

Joe Budden podcast plays basketball and shit. 6000 tweets. Hold on. I ain't like that.

[Joe Budden]

You know what's funny then I'm getting out of this. But this is what was funny when you upload. I guess there's a comment section for the niggas that's not buying it.

[Flip]

Yeah, I saw that.

[Parks]

Oh, shit.

[Erickson]

They were mad.

[Joe Budden]

And it's a different comment section once you buy it.

[Ish]

Boy was cutting ass over there in that section where they didn't buy yet.

[Flip]

They was on my. I went to my other page to go see.

[Ish]

Oh, my Lord, they tore my ass.

[Joe Budden]

Up in that little section. I got out of there. I protected my inner peace. You gotta be kidding.

[Ish]

Careful what you consume out there on the Internet.

[Melissa Ford]

That is. That is a fact.

[Ish]

Speaking of being careful what you consume on the Internet, it. It was. Was reported by somewhere that I didn't fact check that they caught one of.

[Joe Budden]

Those dudes that killed the five year.

[Ish]

Old girl and her dad. They did.

[Joe Budden]

They caught one of the.

[Melissa Ford]

They did. They released the mug shot and everything. The name they caught, I thought it was two or. Or they named two, but they named two.

[Ish]

That's it.

[Melissa Ford]

Yes, they did catch one.

[Joe Budden]

Thank God.

[Flip]

Yeah, thank God, the streets, yo.

[Ish]

Yeah, because, man, I mean, I did.

[Joe Budden]

End up watching that horrible, horrible video, and I must.

[Ish]

Must have watched it wrong. What it. What it looked like was he ran away from the car.

[Flip]

That's what I saw.

[Joe Budden]

So that they wouldn't shoot the car. That's what it looked like to me. But then.

[Ish]

Then it looks like after they chased him, they went back and shot at the car while he wasn't there.

[Joe Budden]

So it's just nasty all around.

[Ish]

Rest in peace to him and her thoughts, prayers, condolences to the family. Gotta be tough. Gotta be tough. Gotta be tough.

[Melissa Ford]

I did see on that they had one of the little girls, classmates at school.

[Joe Budden]

Yeah.

[Melissa Ford]

Come on.

[Joe Budden]

Oh, yeah. Done with the real innocent. Hey, where's my friend?

[Melissa Ford]

Where's my friend?

[Joe Budden]

Yeah.

[Melissa Ford]

Yeah, man.

[Erickson]

That's heartbreaking.

[Joe Budden]

Straight up.

[Melissa Ford]

I was up.

[Flip]

Where. Where is. Where is your. Where. Where has humanity gone? It's disgusting.

[Melissa Ford]

It's just, we so desensitized to now, man.

[Joe Budden]

Or that's it.

[Flip]

Like when. When I watch these things, like, it comes over my timeline, and I found. And I found at one point, I was watching it, and it didn't bother me then at a point. Now it bothers me a lot, I guess, the older I get. And it's just like, I don't want to see this. At one point, you look at it like, okay, did this really happen? Now it bothers me. It's nasty. I don't want to watch. I try to avoid it. I don't even know how to avoid it. I don't know what Elon got going over there. I can't. I had to swipe up. I don't want to see that.

[Joe Budden]

Oh, yeah, he's another one. He's another one with that Derek Chauvin shit. Yeah.

[Flip]

He wants him free.

[Ish]

He's another one with that Derek Chauvin shit.

[Melissa Ford]

Yep.

[Parks]

Funky little.

[Erickson]

Yeah.

[Joe Budden]

I mean, that's how I've been on it.

[Erickson]

But he's catching heat on Twitter. He is about using his kid as a shield. That's the reference. So you see how he keeps making public appearances, but he always has his kid on his shoulders. This is the first time anybody's ever seen him walking around or shit, acknowledging a kid. But he's using this kid. And people are like, he's using this kid as a shield. He wears a Kevlar vest on his chest, and he always has his kid somewhere around, like, on his shoulders. So he. He's protecting his head, using his kid as a shield. That is the consensus from Everybody who's watching it.

[Parks]

Okay.

[Flip]

Yeah.

[Erickson]

Yes.

[Flip]

What. What section of Twitter you be in?

[Ish]

Cause honestly, is it black Twitter?

[Flip]

Cause black Twitter is this. Do you be in black Twitter? Do you be in the mulatto Twitter? I mean, do you be in white Twitter?

[Joe Budden]

Mixed Twitter?

[Flip]

Do you be in mixed Twitter?

[Erickson]

I get.

[Parks]

I rate Twitter.

[Flip]

I rate Twitter.

[Erickson]

I get him. I mean, it's angry. It's an angry, angry place. I don't.

[Parks]

Can't be.

[Erickson]

Yeah, there's a porn. A lot of Trump ads.

[Flip]

Yes.

[Erickson]

You know, so, yeah, it's. It's everything. Jbtv. Community stuff.

[Flip]

You'd be online a lot, right? Because I remember at one point in.

[Erickson]

The beginning, not really.

[Flip]

You avoided going online to avoid from being triggered.

[Corey]

I'm back.

[Erickson]

I'm back there.

[Flip]

It looked like, you online. You navigating. You find yourself, your team.

[Erickson]

No, you be online.

[Flip]

You can.

[Ish]

Yo, that whole I don't be online shit is like, when the rappers be like, yo, I don't. I don't write. I don't rap. I don't write nothing down.

[Flip]

Yeah, it's from the brain you do. Yeah, yeah. From the dome piece.

[Ish]

You ain't J. I thought I told y'all, I'm not a rapper. That was only true for Beans. That's it. The rest of you. N. Y'all were rappers.

[Flip]

Yo, niggas, do I think that what it is is that when you put that out there, I don't read comments or I don't go online. You're trying to say that you're not bothered by anything that is said about you.

[Erickson]

No, to me.

[Flip]

That's how.

[Erickson]

No, I'm saying I'm protecting my peace.

[Joe Budden]

You can't even do your job if you're not online.

[Flip]

True.

[Melissa Ford]

Let me.

[Ish]

Let me.

[Flip]

And I thought I could. But you can't.

[Parks]

No, you can't do this job.

[Joe Budden]

No, you can't.

[Melissa Ford]

I want to respond to that, because I still stand. Somebody hit me yesterday. Oh, I thought you don't read comments because I replied to something that somebody in the community said. Yeah, I said, I don't read comments. I don't go on the IG pages. Reddit, Patreon, YouTube. I don't read any of that now. I am active on Twitter all the time. You know, I've been on here forever. Of course, the way the algorithm works is it's going, and I'm a member of the community, so if I hit my for you page, it's gonna show me a lot of those tweets. I see that. And I see anything that I'm tagged in.

[Flip]

I agree.

[Melissa Ford]

That's not the same as actively reading the comments where, like, you used to read. Like, you would go into Patreon.

[Flip]

I would search it.

[Melissa Ford]

Everything that's said, Joe knows. Everything that's written anywhere.

[Joe Budden]

He knows when you ugly.

[Ish]

Don't play with me, nigga. I read last thing that y'all are saying in the rooms, on your feeds, on other platforms. Reddit, all the Reddits, every one of them now.

[Flip]

You know what's nasty about this nigga? He would watch a person with 14 views.

[Ish]

YouTube. Oh, yeah.

[Flip]

He said y'all watch it. He can't. I watch this guy with 14 views. He was making sense. But too bad.

[Ish]

Yeah, I'm watching.

[Flip]

Too bad he didn't catch on.

[Ish]

Then I go to my cast pages, see what the fuck they on.

[Melissa Ford]

Yeah, true. So, yeah, that's my. That's all. That's what. When me personally, when I say I don't read it, that's what I mean.

[Flip]

I used to lie about it. I used to lie, act like I didn't read. I read everything.

[Melissa Ford]

Yeah, I don't read that.

[Flip]

I used to lie.

[Ish]

All right, come on, wrap it up. Read the comments.

[Joe Budden]

Let Mel get her lie off. If she's not online, she's not online.

[Erickson]

No, it's the same.

[Joe Budden]

She's booked and busy.

[Erickson]

I am, though. But it's the same as Freeze. I don't actively go into a platform just to read the comments. It will be like for you page or mentions and I see it and I might respond or how book.

[Ish]

Whoa, whoa.

[Joe Budden]

Is you guys.

[Ish]

Oh, God, I don't have the recording. It's so tough.

[Flip]

And on top of that, yo, she booked. You know, she extra booked and busy. Gotta highlight that has been jumping.

[Melissa Ford]

I know.

[Flip]

Feet. Your feet went up.

[Erickson]

Oh, yeah.

[Melissa Ford]

Oh, she said, oh, wow.

[Flip]

So you couldn't humble yourself and just keep it off the love. You had to upgrade your feet. Would you?

[Erickson]

Okay, there we go. Maybe, right? No.

[Ish]

How high did it jump?

[Flip]

Good question.

[Melissa Ford]

How many X's?

[Erickson]

That's personal.

[Melissa Ford]

How many X's? How many times?

[Ish]

Who's booked you at the new fee?

[Erickson]

Don't. Don't get in my business.

[Joe Budden]

Exactly.

[Erickson]

Don't get in my business.

[Flip]

That's.

[Melissa Ford]

Hey, that's nasty.

[Flip]

Hate.

[Ish]

Who booked you at the new.

[Flip]

Not the weed company, Uber. The weed. The weed company you been rocking with.

[Erickson]

They love me in that tape.

[Flip]

Always Coca Cola. You ain't get bit my Red Bull.

[Ish]

Hey, y'all. Y'all play around out there. Let Fat Joe gas y'all. I'm talking about today's price and yesterday's price. And then don't nobody call. You better be careful. Don't set your price too high now.

[Flip]

No, but something. When you get shot out, Joe. Wait, hold on. When you get shot out, Inquiries happen. Niggas reach out. When. When especially. I could imagine niggas try to latch onto that wave. So if you get shot off of somebody. Yeah, I can see her getting inquiries, but I don't know who's.

[Joe Budden]

All right, so come on, now that y'all wanna. Oh, okay. All right, so now that you.

[Flip]

Because if I. Let me just say this. If her was 6,000, right, and she went to 30. Girl, I just heard you had. You was getting six.

[Melissa Ford]

Yo, what's your problem, man?

[Flip]

30. I go call Buffy or whatever.

[Erickson]

Damn.

[Ish]

No, stop what I'm asking. Wait, what?

[Erickson]

Yo, he's crazy.

[Flip]

I'm sorry. I'm just so happy.

[Ish]

Can we write this down, this little part? Please, Please?

[Flip]

God damn, Mel do like that, Joe. She would. She would. She would drastically hike the price.

[Joe Budden]

This is what I'm asking y'all. Not Mel I ain't playing with. All right, you get a big shout out now. Your price dump. From whom, though?

[Flip]

Depending on Kendrick.

[Joe Budden]

Stevie fucking won.

[Flip]

Somebody big. Stevie won this.

[Ish]

I'm telling you, somebody big is lit out there, okay? Janet Jackson says some shit somebody else said.

[Melissa Ford]

Got it, Got it.

[Ish]

Somebody is raising your price, right? Let's put the starting price at six. You was making six, I was making six.

[Joe Budden]

You took the jump.

[Ish]

We ain't gotta name what the jump is. All right, it jumped off of that.

[Melissa Ford]

But you jumped out the window, though, with it. Like a jump jump.

[Ish]

Wherever you jumped it at, I don't even care.

[Melissa Ford]

Okay?

[Ish]

If you took the 6 to 10 or 15, wherever you took it to. My question is, how long does your price stay there before it comes back down?

[Flip]

Very good question.

[Erickson]

Depends on what you got cooking.

[Melissa Ford]

Yeah. Once.

[Ish]

Wait, how do it depend on what you got cooking? I'm telling you, you had a whole bunch cooking. The price change didn't depend on what you got cooking. It depended on the shout out. So now the shout happened, but it's.

[Joe Budden]

It's.

[Ish]

It's back there now. So how long can you say, Yo, I'm telling you, when.

[Melissa Ford]

When them calls start getting or not the calls, but when you give them that new price. And it ain't like we going pass, we going to pass. And that happened quite a few times in a row. And you not getting booked for the new price. No more. And they never mind. Time to put it on for sale. Gotta bring it back down a little bit.

[Flip]

But then, but that's, that's sort of like I don't want to get serious. But then you're the same person that would say that you give them the price that you know you're worth. Right. So then, like I was gonna say.

[Joe Budden]

On the flip side of what he's saying, even though I agree with what he's saying. Yeah, being serious now, that's what I'm saying. There's also times where you may set.

[Ish]

Your price at something that you're not.

[Joe Budden]

Getting from the field at all. Like you're gonna set your price.

[Ish]

My price is 10. Nobody's paying me 10. I ain't got 10. But I'm standing firm at the 10 because one, eventually somebody will give me 10, and two, I just need the word to go around that I'm charging 10 now also, so I'm not getting booked.

[Melissa Ford]

You have to be able to able and work.

[Ish]

You better be able to play that game to sustain.

[Flip]

You have to.

[Melissa Ford]

Without getting that 10 though.

[Flip]

You have to.

[Ish]

Yeah, you gotta be able to.

[Melissa Ford]

This what I want.

[Flip]

You gotta be on some ish. You gotta hold out.

[Melissa Ford]

Yeah. If you gonna hold out, you just gotta be able to. The weather, the storm.

[Flip]

Yeah. I think that when the shit don't want to mind.

[Ish]

And Ian's first, first, first little sit.

[Joe Budden]

Downs when he kept telling me to.

[Ish]

Not take my $3,500 brown bag, I.

[Joe Budden]

Was like, what do you mean?

[Ish]

Look, it's a brown bag full of money. And if I do this a couple times, yeah, I need this money. Like I can't afford to not have this money.

[Joe Budden]

He was like, yeah, but then everybody.

[Ish]

Gonna keep knowing that a 3, 500 brown bag.

[Joe Budden]

Get it done. Yep.

[Ish]

You got to say no. Why people saying no for mad long. It was months and months and months. I was broke as.

[Melissa Ford]

And that, that's, that's what a real test is.

[Joe Budden]

See if we don't talk about the sacrifices.

[Melissa Ford]

That's the real test. Everybody can't. Everybody can't do that.

[Erickson]

Nope.

[Melissa Ford]

Or some of. All right, you know what? I'm gonna hunker down and I'm not taking no brown bags. And then got life knocking on the door, kids and all that. All right, you know what? Let me go get. I know I could go get that.

[Ish]

That's the other thing though. If you saying your price is 10.

[Joe Budden]

I'm just throwing numbers out.

[Ish]

If you're saying Your price is 10 and it ain't been. It's up to you to go prove why it is, too.

[Melissa Ford]

Gotta justify.

[Flip]

Got to.

[Joe Budden]

Yeah.

[Flip]

I was mad at you when you was. When I told you I was getting a number and you told me I gotta turn that number down. I remember we asked something about that. You was like, yo, man, we had something big about that. And you was like, nigga, I remember that. You got to turn that number down, man. You don't have to go chase all the brown bags, man. I forgot how you put it, but you put it in a way that when I went home and thought about it, I'm like, oh, I understand what he's saying, but when you in the miss, if it's easy to get a quick seven, if it's easy to drive to D.C. and get a quick nine.

[Ish]

Anything easy ain't worth having.

[Flip]

Got it? I mean, easy is.

[Erickson]

Is relative.

[Melissa Ford]

Thank you.

[Ish]

I heard such a simple quote in.

[Joe Budden]

Something I was watching the other day. Maybe one of them shows, but whatever. But the thing about being great, I.

[Ish]

Mean, part of being great is being great. That's the end of the quote. Like, you gotta be great. So much comes with being great that if you want to be great, then you gotta actually be great, which is not taking what's easy and sitting right there or taking the drive country to just doing some shit, Some shit bugged out shit that everybody's not signing up to do. What separates you from the pac?

[Joe Budden]

Now we done got serious. I was just trying to crack on Mel.

[Melissa Ford]

Yeah.

[Joe Budden]

We done got serious by mistake.

[Flip]

But also, real quick, back to Mel. Her price is gonna remain up because she's on the podcast, she's currently working, and she's currently rebuilding the cachet. So it's gonna go up. Obviously, she's on here. He shot her out. Cool.

[Joe Budden]

Ain't no rebuild in the cashier watching.

[Flip]

No, I mean, it's dead. But what I'm saying, at one point, Mel was dormant. She admitted, like, yo, she was chilling. She was over there in la.

[Erickson]

I wouldn't necessarily say ran out of studio.

[Flip]

She rented out a studio.

[Erickson]

I. It was a dream of mine to have a studio. But also.

[Joe Budden]

He's so dumb.

[Flip]

Look at him. Do you want to do photo shoots? What camera you got? You have a red. We read those, too.

[Erickson]

That's hate.

[Flip]

She was killing it. I researched that. You was killing it over there. You was killing it. I'm being funny. You was killing it. But what I'm saying is that now your face is out there. Cause Mel, you Go. We don't give you enough credit. But you go. You consistently. I don't know how I behave. You consistently go viral.

[Erickson]

Yeah.

[Flip]

At a constant. And you be lying that you don't be reading that shit. But you have to be looking at this shit.

[Erickson]

I told you. Sometimes the shit just filters across me. You see?

[Melissa Ford]

Sometimes you can't not see it.

[Flip]

You consistency. So I do feel like in closing for me, male price will stay at 30 even if she's not getting it. She going. She going to fight for the 30. She going to try to get it out of you. Well, shot him. Look, Joe.

[Ish]

Stop that.

[Flip]

Don't budge. That don't budge.

[Erickson]

Stop him.

[Ish]

That nigga's looking stoneless.

[Flip]

Excalibur. He don't budge.

[Ish]

Parks. He does.

[Flip]

The only person that make a move is you and E. He like Eric said, call. I gotta talk.

[Joe Budden]

You are so stupid.

[Flip]

Gotta budge.

[Melissa Ford]

Gotta budge.

[Erickson]

That is a fact.

[Joe Budden]

Imagine if Mel came into office.

[Melissa Ford]

Stop, man.

[Joe Budden]

Shout out on that when you.

[Erickson]

I mean, I already heard about the fucking trade and shit like that.

[Flip]

What?

[Ish]

Did I do it?

[Erickson]

Huh?

[Ish]

Who did the trade?

[Erickson]

Did you heard the trades? The trade. The trade Conversation.

[Ish]

Who did a trade that involved you with you.

[Flip]

He traded her and Daisy.

[Ish]

Word her.

[Melissa Ford]

Daisy.

[Flip]

Me.

[Ish]

What are you talking about?

[Joe Budden]

For Prime Rory. When we did that.

[Erickson]

Yes. Oh, well, this still counts. This still fucking counts. I'm still a little perturbed.

[Ish]

You have to put something in the trail.

[Erickson]

Okay, okay.

[Ish]

I was the one saying I wouldn't want to do that, but if I had to and was forced.

[Erickson]

Mm.

[Flip]

I can see Mel now over there.

[Ish]

I went to LA to scout. I don't. I wouldn't give it. Give Mel up so easy.

[Erickson]

He sure did. I got.

[Ish]

Yeah, come on now. I put mad work in the scouting of Mel.

[Erickson]

He did, he did, he did.

[Melissa Ford]

And it worked out, and it worked.

[Erickson]

Out and it worked out.

[Melissa Ford]

That's all that matters.

[Erickson]

But guess what? Guess what? It's our favorite part of the show.

[Flip]

Wait, hold on. You got.

[Melissa Ford]

You.

[Flip]

You get PC. What's what month we. You can't PC.

[Joe Budden]

Yo.

[Ish]

Mel was so cute at the end.

[Joe Budden]

Of all the episodes.

[Ish]

Jbp.

[Melissa Ford]

That was fire getting the out of here.

[Flip]

Hey, yo, I was looking on Twitter on our break and Complex Sports posted the Joe Button basketball game. Joe Button podcast Basketball game was worth the $20 in bold letters now. So to me, I'm just thinking that you're using your own resources. Not your own resources, but using your own own audience that you built. And you know, you. If they're Paying to see it. But now you got. You got other entities promoting. It's a little different. Are we good? That water you was pulling the other day, I thought you was up. That 350I had to give you, I thought you was up.

[Melissa Ford]

That was all part. So you fell for the game.

[Flip]

It was all part of the plan.

[Melissa Ford]

For something for the gaffel, bro.

[Flip]

And I even called Ian. I said, ian, is everything all right? And the started laughing. I bet he said, everything is good. I said, you sure? The jo y changing waters, I swear, everything is great. He said, yeah, buddy. He said, buddy, please. I was he. He tried to make me feel good. Anything was wrong, I would call you and tell you. No, you won't, cuz now it's good.

[Joe Budden]

Everything is cool. Patreon is rolling out some really cool features.

[Melissa Ford]

Hip Hop DX and We the Cat Caption.

[Flip]

The Joe Button podcast.

[Melissa Ford]

Read the caption.

[Flip]

Hooping is comedy.

[Melissa Ford]

No, no.

[Joe Budden]

Yeah, read that. It was funny.

[Parks]

It was.

[Flip]

The $20 for this Patreon episode of the Joe Button podcast is money well spent.

[Ish]

Hold on. If you get it on the site. If you get it on the site, it's 14.

[Parks]

That's true.

[Joe Budden]

Yeah. Yeah.

[Melissa Ford]

You don't have. You don't pay the tax if you buy it directly on Patreon.

[Joe Budden]

If you die directly on patreon.com is 14. Yeah.

[Ish]

Because Apple is an app and Apple.

[Joe Budden]

With their fees, can't do nothing about that $20. It's out of my hands. Yeah, out of my hands.

[Flip]

You good?

[Joe Budden]

I'm cool.

[Flip]

Or is that like. Is that they just doing that off the. Off the hum.

[Joe Budden]

Who them?

[Ish]

Are you asking if I paid for the advertising?

[Joe Budden]

Yeah, no, they just doing that.

[Flip]

That's humbug.

[Joe Budden]

It's just on the shrimp.

[Ish]

Same thing that happened with that little fight that you. You orchestrated, how it went off all these different places. Same thing happen that fight with a staff member that happens to work here.

[Joe Budden]

Yeah.

[Ish]

Oh, shut up. Hold on.

[Flip]

I ain't eat for that flip. Wait, wait, wait.

[Joe Budden]

Don't waste our time.

[Flip]

It's two pay per views. You talking about your pay per view with me and you or.

[Ish]

No, your pay per view. Imani and homeboy. Oh, yeah, yeah.

[Flip]

Okay. Yeah, of course. Got it. Yeah.

[Melissa Ford]

You ain't eat from that one.

[Flip]

Yeah, yeah, I ain't.

[Ish]

Yeah, you ate from that one.

[Flip]

I did eat from that one.

[Melissa Ford]

Yes.

[Parks]

Good meal too.

[Joe Budden]

Yo, please.

[Ish]

Hardy seconds.

[Flip]

Tomahawk seconds and thirds.

[Ish]

Wagu Tomahawk.

[Erickson]

Loaded baked potatoes.

[Joe Budden]

Oh, yeah, super loaded.

[Flip]

Chives.

[Erickson]

No cheese, though.

[Flip]

Chives thank you, man. Thank you.

[Ish]

Chives, bacon, sour cream.

[Flip]

Hey, yo, real quick.

[Ish]

That's all right. Real quick.

[Flip]

I did see on the Internet, a woman said that she was in the store with a man. He paid for her food, and when she saw his order, he ordered chicken nuggets. And she was turned off. Like, enough. My food selection does not turn you off. Enough of that might turn someone else off.

[Melissa Ford]

Yeah, yeah.

[Flip]

But it don't say, oh, yeah.

[Joe Budden]

It can't happen because if a jig sit in front of me or to stay well done, I'm turned off.

[Melissa Ford]

Yeah.

[Flip]

Joe, that's ridiculous. Joe.

[Erickson]

Yeah, why?

[Flip]

Why what? What does that have? Why are we judging people based off what they eat?

[Parks]

A what?

[Melissa Ford]

It just says you lack something.

[Joe Budden]

Like what? A lot of something.

[Erickson]

Sophistication.

[Melissa Ford]

If you're eating a well done steak, we don't have much to talk about.

[Joe Budden]

You skipped some steps.

[Melissa Ford]

Yeah, like we're our conversation.

[Erickson]

Your palette is basic.

[Joe Budden]

There's some rooms you were bent you're banned from.

[Melissa Ford]

One of them is.

[Flip]

So what if you win the house? What if you go into the big rooms and ask them to make the steak well done?

[Ish]

You're not gonna get no rooms. You won't get no room in the right spots.

[Melissa Ford]

They won't even allow you to pick the temperature of the street.

[Erickson]

They'll look at you funny like.

[Melissa Ford]

No, they don't allow it. It's cooked at this. Because this is our specialty.

[Flip]

And he's right about that.

[Melissa Ford]

If you don't want to eat it this way, you don't come here.

[Joe Budden]

That's like when I asked for a fork in. In the real sushi places.

[Melissa Ford]

You still do that, Joe?

[Joe Budden]

Well, no, now I eat it with my hands.

[Melissa Ford]

Joe, learn how to use chopsticks, man.

[Ish]

They told me that eating with your hands is acceptable if you don't know how to use.

[Melissa Ford]

But learn how to use chopsticks.

[Ish]

My thumb fell off when I was a kid. What are you talking about?

[Joe Budden]

Learn how to use ch?

[Erickson]

Easy, just put the little rubber band on the top.

[Ish]

I don't know how to use ch. It's never going to work.

[Flip]

So.

[Ish]

Mel, you. I could barely hold a pen.

[Flip]

Okay, man, you judging. You judging a man for eating chicken nuggets on the date?

[Erickson]

I mean, if we're like in a movie theater and there's chicken nuggets.

[Flip]

No, we talking about at a restaurant.

[Erickson]

Oh, yes.

[Melissa Ford]

You're not getting date number two.

[Erickson]

What the.

[Melissa Ford]

But everything. But he checks all your other boxes, though.

[Flip]

You guys, he wouldn't.

[Erickson]

The guy, the Guy who ordered chicken nuggets at, say, like, oh, I don't know, the Hunt and Fish Club.

[Flip]

He does not check all the chicken tenders.

[Melissa Ford]

Deer.

[Erickson]

No, we're at the Hunt and Fish Club. We're here for a reason. We're here for top shelf. And you order chicken nuggets, they could be top shelf, priced on a cracker. No, there is no such thing.

[Joe Budden]

That's white right there.

[Parks]

Yeah. Christ on a crack.

[Melissa Ford]

Definitely.

[Parks]

It's also racist. Probably.

[Ish]

That is extremely double Christ on a crack.

[Flip]

That's a double whammy.

[Joe Budden]

That's Switzerland popping out again. It's cool.

[Ish]

Okay, Prize picks. Prize Picks. What is Prize Picks? It's the best place to win real money sports action. With over 10 million members and. And billions of dollars in awarded winnings, Prize Picks has made daily fantasy sports accessible to all. Very simple and easy to play. All you have to do is pick more or less on at least two players for a chance to win up to 1,000, I repeat, 1,000 times your money. So run your game all season long on prize picks. All right, who do we got? Who do we got? All right, who do we got? Let's do it.

[Melissa Ford]

We got the Lakers and the Celtics.

[Joe Budden]

All right.

[Ish]

Lakers have been kicking ass.

[Flip]

Yeah, they have.

[Ish]

Give me Luka for more than 25. Give me LeBron for more than 24.

[Joe Budden]

I'm taking both. Ooh.

[Melissa Ford]

All right. You like Pistons?

[Joe Budden]

Warriors? Yeah.

[Ish]

Cause Steph has been on a rampage. So I'll take Steph for more than 23.

[Melissa Ford]

Okay, let me give you one more.

[Joe Budden]

I'm leaving the Pistons alone.

[Melissa Ford]

KBI though.

[Ish]

No K. Be cool.

[Joe Budden]

All right.

[Melissa Ford]

Magic Bucks.

[Ish]

Magic Bucks. Give me Benchero. Give me My man.

[Joe Budden]

Give me Benchero for more than 21.

[Melissa Ford]

There we go.

[Joe Budden]

There we go. I'm. I'm cool with that. Good, good.

[Ish]

I think I've been winning some people.

[Joe Budden]

Some. Some cash, too. On the low.

[Melissa Ford]

Nothing wrong with no cash.

[Parks]

Nothing at all.

[Joe Budden]

Some around the Super Bowl. I've been on a little. I've been on a little run. They don't want to get my flowers, but it's cool. Don't worry about it.

[Ish]

If you download Prize Picks right this second and use promo code jbp, you get fifty dollars instantly after you play your first five dollar lineup. I repeat, if you download Prize picks in your phone right this second and use promo code JBP A BP, you get $50 instantly after you play your first $5 lineup. So good luck to all participants out there and run your game. All right, we back.

[Flip]

I'M conflicted. Oh, sorry.

[Ish]

What's wrong?

[Flip]

The Braun and Stephen A. Smith stuff. I'm conflicted, and I want to just say why.

[Erickson]

Go ahead.

[Flip]

I'm not into sports.

[Erickson]

Because he may. He addressed it, but go on.

[Flip]

I'm not into sports, but this came on my timeline. And me as a father, I understand how LeBron feel. But on the other hand, I understand what Stephen A. Is saying is that if you know your son is not doing good on the team and you're the leader of this team, you shouldn't be that sensitive. If you're allowing. I don't want to say if you're allowing him to play. Of course he said that. We know you didn't tell the coach to put him in or whatever. Whatever Stephen said. But I do understand what Stephen is saying. Like, if your son is out there and for some reason your influence got him on the team and he's able to play, he's up for scrutiny, he's up for ridicule. And to approach Stephen A. Smith and say, yo, leave my son out of it. I can't see Stephen A. Saying anything bad about Bronny besides that he's not doing good and showing his average. I really feel that that's unfair. And it shows me that no matter how high you get there, no matter how high or successful you get on the ladder, there's still comments that may bother you and trigger you. So I'm in the middle of that. I'm dead in the middle because I wouldn't want nobody talking about my son. But I do understand what he's saying. Sometimes just. You need to hear that.

[Ish]

Okay, where does everybody else stand in.

[Joe Budden]

The LeBron vs. Stephen a debate? Does anybody know what happened at the Knicks Laker game, Knicks Lakers game the other night? LeBron came over to him after the game, looked like he had a heated conversation with him, and he stepped off.

[Ish]

Some of the mouth readers out there.

[Joe Budden]

Said that it looked like that conversation was about Bronny. Stephen A.

[Ish]

Then went on first take and addressed it.

[Joe Budden]

He said.

[Ish]

He said he didn't plan on addressing.

[Joe Budden]

It, but the situation had gone so.

[Ish]

Viral that he has no choice.

[Joe Budden]

He woke up to all these texts from executives and co workers and his peers.

[Ish]

I don't know that I agree with that, by the way he wanted to address it. I don't know that you have to reply to something because it's so viral. And if people are of that belief, I think that should be reexamined.

[Erickson]

Well, this is what he said. He said he can't repeat the words because they're not suited for FCC airwaves. But he said that. He said that he wasn't going to address it, but everything went viral. That wasn't the basketball player confronting me. That was a parent. That was a father. And I can't sit here and be angry or feel slighted by LeBron James in any way in that regard. He clearly took exception to some of the things that he heard me say, and he confronted me about it and basically said LeBron's agent has his number and can call him if he wants to.

[Melissa Ford]

I'm on the side of Stephen A. In this one.

[Parks]

Me, too.

[Melissa Ford]

Just because my job is to talk about athletes. Well, sports. And it just so happens that your child is participating. I'm just doing my job. I'm gonna talk about him. If he's doing good, we're gonna talk about him. This is what happens. You used your name. You used your star power to get him here. And to a lot of people, he's not meeting. He's not delivering.

[Flip]

Meeting the standards.

[Melissa Ford]

Yeah, yeah, he's not meeting the standards. So, yeah, he's gonna. A lot of scrutiny is gonna come with that. LeBron caught scrutiny first year in the league just because of the name King James and all of the hype around him. When there's hype around something and it he doesn't live up to the hype, people gonna talk. So now you've used your name to get your son here. Yeah, people. People were already against that move. So now if it's up, if your son proves everybody wrong, we don't have this conversation. But unfortunately, he's proven a lot of people right, so they're gonna point out, hey, we told y'all about him. They're gonna talk about him. He's an athlete. In the NBA, we talk about athletes.

[Joe Budden]

All right. I hate to find myself on the exact opposite side of this.

[Ish]

I'm on LeBron side.

[Joe Budden]

I'm on the bronze side with this.

[Erickson]

Why do you think that Stephen A, takes the opportunity to be extra critical because it's LeBron's son?

[Ish]

I think all of the people that. Let me not say all. I think a lot of the people that are critical of Bronny James, it's A, because of their relationship with his dad, or B, because it's a ratings chase. Ronnie James, like everybody. We. If we had the card table, let's have. Let's see everybody's hand for real. I don't want to hear that he's a player. I Criticize players so it's fair game. That's not true. There's not been another 56 pick in the draft that's been covered this way.

[Flip]

I see.

[Ish]

That's been critiqued this way. He ain't played enough to be critiqued. He's critiqued when he's not in the games.

[Flip]

I understand what you're saying.

[Ish]

And you're doing that because of ratings. The same way the NBA aired for the first time ever, the second day of the draft, because of ratings. The only people who should be up to evaluate Bronny James game is A, his dad, B, the organization that drafted him.

[Joe Budden]

True.

[Ish]

I don't want to hear about LeBron using his strings to get him drafted. Because Bronny James, from what we've seen, is doing better than some of the people that were drafted after him. Well, all the people that were drafted after him and some of the people that were drafted before him. So there are great basketball minds that are watching this kid and banking on some of the greatest genes in the world and one of the greatest teachers and players ever helping to develop this guy into an official NBA player. I don't want to hear y'all attacking him because of ratings. They're attacking Stephen A. Don't fuck with LeBron. He said that. In his response, he continued to say me and him don't necessarily see eye to eye on a few things.

[Flip]

Got it.

[Ish]

And it's been that way for some years. So if it's been that way for.

[Flip]

Years, I got it.

[Ish]

I know that you do your job as it pertains to me. I'm one of the people that I've been faced with scrutiny long before my first NBA game. I've been probably the most scrutinized player in the history of the sport since early high school, when my Games was on ESPN2 and all the rapids was coming out. I invented this stuff that don't have to have nothing to do with my son. LeBron didn't do nothing that any other dad in the world wouldn't do for his kid.

[Flip]

I agree with that.

[Melissa Ford]

I agree with that part.

[Flip]

I agree with that part 100%.

[Ish]

So if I'm doing what I'm supposed to do as a dad, and you would do it, too. Cause you're a dad. Everybody's a dad 100%. It's not for you to come and hide behind the guise of your job to use and manipulate my son's role, to just attack certain things when it's not fair. Fair. It's not fair.

[Parks]

I think it's fair to criticize Bronnie if you're doing the same scrutiny to other players in the G League or whatever developmental situation he's playing under, which they're not.

[Melissa Ford]

But he's doing both.

[Joe Budden]

Right.

[Melissa Ford]

In Brian G League and Laker, he.

[Ish]

Doing whatever his team is asking him to.

[Flip]

Do you not think that say, okay, so I see what you're saying when.

[Ish]

Mark and Ish was on that shit months ago.

[Flip]

Yeah.

[Ish]

I stand on the side of. You shouldn't critique someone's child in a certain way. See, we never saw a dad and his son in the league at the same time.

[Melissa Ford]

That's what we've seen.

[Ish]

We've seen players, kids, but not with a dad active.

[Parks]

See, I think you could critique the. But I think. Think that it should be fair. Like, it goes even to what the. What Chuck was saying about ESPN without saying it was about espn. I don't know if you saw that last night. He went on a little rant about how they cover it. Nothing but the Lakers and the. In the warriors, when there's the Cavs and okc. OKC doing great. They don't ever cover them. Which I agree. That's been my criticism of ESPN for a minute, at least in terms of NFL. Like, we're talking about the Patriots and the Cowboys. Who gives a.

[Ish]

Hey, listen.

[Parks]

So I think that same thing can be applied here. Like, if. If he's not relevant or playing an irrelevant role, it's. Why are we covering it?

[Melissa Ford]

This is still business. That's why we're covering it.

[Ish]

All right, hold on.

[Melissa Ford]

In a world where is getting fired left and right.

[Flip]

Yeah.

[Melissa Ford]

Ratings be down in these places. This person losing a show, this person losing the show. We have to do what we got to do to keep these eyes on us to do our job. Jobs. So it is talking about the Lakers. It is talking about the Cowboys for them, whoever, they're bored, that works for them. You got your son on the Lakers. You are the face.

[Flip]

You.

[Melissa Ford]

You are him in the NBA. We gonna talk about him.

[Ish]

See, I. I even recap on that. You have been the number one rated morning show for 13 years. You are essentially the face of this network. If there's anybody that will be allowed to go off a script or change what the script is, it's you. So if you coming into work, dawg, if we come into work 10 pods in a row and I'm beating the topic down to the point that why are we even talking about this? I do expect somebody to say, hey, dawg, Enough, enough.

[Flip]

Now I got you.

[Ish]

So when they have their pre production meetings, because on TV you have meetings, meetings. And LeBron know what time it is. Like, I know what time it is. Y'all are talking about the hot topics, the things that drive ratings. You've done your research, there's analytics. So we're going to give you same thing Charles Barkley said. Who's the goat?

[Joe Budden]

LeBron or Jordan?

[Ish]

They're going to give you Lakers talk, Dallas Cowboys talk. No matter what's going on in the sport.

[Joe Budden]

Right.

[Ish]

Some people say that's still going to. Some people say that's a large part of why the sport. Sports commentary is dwindling down the drain.

[Parks]

I think that's the problem. I think that Stephen A in particular is compelling and talented enough to make great storylines about anything else.

[Ish]

He's great. He's one of the. He's one of the goats of this.

[Melissa Ford]

But he works. You know what works?

[Ish]

Yes.

[Melissa Ford]

It's just like what you. What you just said. If you came in here 10 pods in a row talking about something Drake do something, we get an uptick. Why? Because they want to see you talk about Drake. It's the same thing. They want to see Stephen A. They want to see Skip Hate on LeBron. They want to see these people who have built their brands on that.

[Ish]

I absolutely love your example and you know the history of Drake and this podcast. We wouldn't speak about his child. His child is doing songs. Great example. His child is doing songs. Kanye's child is doing songs. We would not get on air and critique a fucking kid's song. That way we talking, that's just totally different. What's the difference? Those are toddlers versus adults. I think same rules apply. If you talk about somebody kid, you talk about somebody kid, but you're only.

[Flip]

Saying the kid is with the father. You're seeing them together. Because everybody's somebody's child. If you want to technically speak, we all somebody's child. So you're saying that they're both playing on the team and you're actually seeing a father and a son play together. So it's different. Cause you're seeing he have to be a father. Not only a father, a coach and a ment at the same time.

[Ish]

Yes. If everybody father was standing next to you, I got you.

[Flip]

I agree.

[Ish]

Whatever you would say to me. You might not say it if my dad was standing, right?

[Flip]

No, I would not.

[Melissa Ford]

I think.

[Parks]

I think the parallel in your example would be is if we definitely talk about Drake a lot here. But it's when things are in the news. It would be if we came in here, rain, sleep, snips, whatever, and forced him and talked about Drake when it's not so relevant. Or Kendrick or whoever. Fill in the blank. Whoever.

[Flip]

So when LeBron says to him, leave my son out the shit. So LeBron is aware that. Yo, I know you don't. I know you go out your way to talk about me, but don't bring my son into it.

[Ish]

Basically, yeah.

[Flip]

Got it.

[Melissa Ford]

Leave my son out of our beef.

[Flip]

Yeah, I'm on your side now, but on the floor.

[Ish]

You are covering my child in a manner to which you and I know why you're doing it.

[Flip]

Got it.

[Ish]

The last time that I reached out. Cause this has been going on for some months. The last time that I told Rich, Paul and them to reach out to you and speak to. To you about it, you went on air and said that that was pussy or that was corny or whatever the word was that he used at the time. So now when he does this address and says, lebron has my number.

[Joe Budden]

Rich Paul has my number.

[Ish]

Dallas has Fucking Dallas.

[Joe Budden]

Maverick.

[Ish]

Dallas Carter. Maverick Carter. I'm sorry.

[Joe Budden]

Has my number.

[Ish]

Oh, okay. No, dog. Stephen A. Is from Queens.

[Flip]

Yes.

[Ish]

You know, on site rules. You know, on sites, you know, on site rules. I didn't want to reach out to you. We tried that a few months ago. It didn't work. You went back on air saying whatever you said that he got a problem with. They haven't been specific about that, so I won't try to pretend. But I've seen enough clips to where it's like, that's harsh for somebody's kid. So if I felt like that watching, he gonna feel like that watching. It ain't phone time, homie.

[Melissa Ford]

I'm gonna see you.

[Ish]

When I see you at the game, I'm gonna say something to you.

[Flip]

You have to remember, Joe, that you are from the soil people. That's not from the. I'm not talking about Stephen A. You're from the source. So your principles and morals lie different. You. You. And I'm not taking anything from you neither. Freeze. I'm just saying, like some people that experience that. That give grace when they see a parent with their kid. We. It's. We come from a different background when it comes to that. A lot of people don't have those same sentiments. It's all fair and game if your mom is there. If I see somebody and their mom is there and I have an issue. I'm not saying you get in the path. I'm not even gonna talk to you. I'm even gonna say hello. I don't play like that. Cause I believe in that. And I would want that same grace.

[Ish]

Some n don't care where I come from.

[Joe Budden]

This is on page one of the learning handbook.

[Ish]

You don't talk about nobody kids.

[Flip]

I agree.

[Ish]

I don't care what's going on. There could be big stories going on. I ain't never Remy Kidd, right? Big stories. I never came in and said a word. You know how many kids we know they parents out there. I don't come in here and that's not my bag. And I. And I hope that would be reciprocated.

[Flip]

I agree.

[Ish]

Like, don't talk about mine in a certain way.

[Flip]

You look at it from a more of a media perspective.

[Melissa Ford]

Yeah. Cause I don't believe in talking about nobody kids either.

[Ish]

I'm with y'all.

[Flip]

Yeah.

[Melissa Ford]

I'm with Bronnie James in particular. This is still a professional athlete playing in his league. It's not just we talking about you.

[Parks]

But again, it's a Type of player.

[Ish]

15Th.

[Melissa Ford]

Jalen Brunson is Rick Brunson, son.

[Ish]

Don't ratings chase off my kid.

[Melissa Ford]

You get what I'm saying? Steph Curry. Steph Curry is. Is Dell Curry's son.

[Flip]

Do you not take into account Dell.

[Ish]

Curry ain't really been in the game since.

[Joe Budden]

Since the divorce.

[Ish]

And when Divin Dengio said some shit to Jalen Brunson, Rick Brunson stepped up and said, yo, who the fuck are you talking to? Watch your mouth. You better walk over there like you don't treat somebody kid that way with their dad standing right there.

[Melissa Ford]

No, again, I'm not mad at bronze approach. I'm just saying in the who's a.

[Ish]

Bunch of other stuff. Back to Charles Barkley's point, dog. Y'all ain't covered the cat. We got two teams that's 50 and 10 in markets 50 and 11.

[Melissa Ford]

And no disrespect in markets that don't nobody give a fuck about outside of the markets. And that's.

[Ish]

Bro, stop it. What do we stop it?

[Melissa Ford]

I'm talking about from a media standpoint. We know LA, NY. We know the A markets. Cleveland and OKC are not a market. So them talking about them doing this. Well, how many times we seen the finals and it was when it was Milwaukee versus who was it Phoenix or something? And we was like, this is not the finals. The league wants. Why? Because these are not the markets that we. That we Play to. We want to see New York, we want to see la, we want to see Miami, we want to see these major cities. So we're going to talk about them with the major fan bases.

[Flip]

I want to ask him a question.

[Ish]

Joe, please open it up.

[Joe Budden]

A different freeze.

[Flip]

Let me ask you a question.

[Melissa Ford]

What's up?

[Flip]

As. Do you look at a star, a celeb. Do you look at them as that person and don't take account them being a parent, them being a father, them being a son, a daughter. Do you just take that away? Because you. Cause you as a parent, you're very. When it comes to your daughter, I don't play. So you should understand that same sentiment. But you're giving a caveat by saying that. Yo. But Bronny is out there. So he is subjected to be ridiculed. And I was on that same side when I listened to Stephen A's excuse. I said, well, okay. But I didn't know what Joe just explained to me. I didn't know that. That he pulls things out the air to talk. I didn't know it was an orange.

[Melissa Ford]

Yeah. I'm not mad like. Like if you, you. If you got a beef with me and you're using my kid now.

[Flip]

Yeah.

[Melissa Ford]

In your beef with me. That's fucked up. I'm not with that at all.

[Parks]

I think Brody's open to criticism, but I think it should be fair in terms of his importance to the team in the sport. I think picking on him because he's bronze kid as opposed to covering him like you would any other 15th man or G League player or 56 pick or whatever is where it's.

[Joe Budden]

I agree.

[Melissa Ford]

We laugh at. And this is not his child. But I'm just. This is a relative we laugh at. Greek freak's brother in the league and he's 15th man on the bench. But it's. It's a joke.

[Flip]

Just because we don't harp on him.

[Parks]

Like they harp on.

[Melissa Ford]

No, no, no, no. But his name ain't that. But I'm just saying it's a joke making about the 15th man league because of your relation to somebody else. If his last name was something different and he wasn't, nobody would give a fuck.

[Parks]

Facts.

[Melissa Ford]

It's the same thing with Bron, but again, this is a megastar. Bron we talking about who he. The name alone brings in ratings. So now they're putting a spotlight on your kid.

[Ish]

See, but that's kind of the point too. I love all these examples you using.

[Parks]

Why you looking at it like that?

[Joe Budden]

Sorry. Go ahead, bro.

[Ish]

The Nas is caught a lot of jokes.

[Joe Budden]

We understand where the jokes came from, so we don't have to get into that.

[Ish]

When he was away from the team, the Bucs slid and lost. 19 or 21 or something stupid. I'm freestyling right now.

[Joe Budden]

But they were losing.

[Ish]

He came back, they started winning. Then the conversation was, oh, shit, that guy. We were joking on his impact to the team, what he does to Greek Free and how he coaches on the sideline. Clearly plays a part in their winning. Not a story in sight about it. That's the fucking point when Bronny go out there and do something that is. Well, when he went to G League, he had that little week where he did.

[Melissa Ford]

He was 23. He was 28, 30. Not a word.

[Ish]

Mum's the word about that. To the only highlight that's playing the ratings game. Well, we know how favorite news works.

[Melissa Ford]

Where that work in any.

[Ish]

That's everything. So now if I'm a dad, I'm with you. I'm stepping to all business, yo.

[Flip]

Got me.

[Parks]

Especially if I'm LeBron. Yeah.

[Melissa Ford]

But now my own.

[Ish]

I'm the most powerful player in the league still. No, y'all can't just say what y'all want to say about the James family.

[Melissa Ford]

I'm with you now. My only thing with that, I don't only want to see you do it to Stephen A. Smith. Now, if that's your approach, you gotta keep that energy with. Cause it ain't been just him that's been on your son like that. There's others out there who would be a little bit more aggressive if you approached them.

[Ish]

Now, are they at the Laker game?

[Melissa Ford]

They weren't at that.

[Ish]

Because like Stephen A. Said in his response, it's not that he just talks about the games. He covers the games. He's at the game, he's at Lakers vs Knicks on the sideline. These other niggas might not be there.

[Melissa Ford]

That's true.

[Ish]

Hey, as soon as this fourth quarter.

[Melissa Ford]

Whistle finishes, I'm coming over there.

[Ish]

I'm walking over there. When the Lakers. I was at the lakernick game. When it came to New York, that building was packed in a way where, oh, this is different from the other games. It's a lot more media, It's a lot more tourists, it's a lot more people. It's a lot more children, it's a lot more reporters. It's a lot of people. It's a lot more celebrities.

[Melissa Ford]

Hey, and that's my point about why they not covering OKC in Cleveland. Laker, Knicks, both of them doing good. It's a lot of here. We don't care about these small market teams like that, bro.

[Joe Budden]

I don't want to get into small marketplaces.

[Melissa Ford]

No disrespect, please. I didn't, but that's that. It's real.

[Joe Budden]

I'm on LeBron's side, okay? This one. Watch your mouth about my kid. Good.

[Flip]

Yo.

[Ish]

All right. What happened? Got some Poland springs up in this piece.

[Flip]

Yo, what's this? Good water spring. Can I get another water water, please?

[Ish]

Like, polar spring ain't bad, man.

[Parks]

That's good.

[Melissa Ford]

Straight from Maine, yo.

[Joe Budden]

Ain't bad right there.

[Erickson]

You've gotten bougie.

[Parks]

For real? For real.

[Flip]

Yeah.

[Ish]

Gotten bougie.

[Joe Budden]

That's crazy, man.

[Flip]

He spoiled us up here.

[Melissa Ford]

He ain't spoiled us.

[Flip]

I bought three cases of aquapona from my studio.

[Joe Budden]

Good.

[Erickson]

So why didn't you bring a couple with you?

[Ish]

Oh.

[Erickson]

I'm sorry. We started talking about bringing our own water. Ish has the most all marked in the fridge.

[Melissa Ford]

I bought mine from home.

[Flip]

No, those are not ish.

[Parks]

That's tap water with Ish name on it.

[Flip]

Ian did that.

[Erickson]

Okay. Yeah, sorry.

[Flip]

Don't tell me you drank one of those.

[Erickson]

I did not. No. Because it had Ish's name on it.

[Parks]

I wasn't poison.

[Flip]

Tap water's not good.

[Joe Budden]

Only up here do they start acting like tap water is like, oh, I'm gonna die.

[Flip]

Tap water is a lot.

[Joe Budden]

We come from drinking tap water, yo.

[Ish]

Yeah, you know, but we come from drinking tap.

[Melissa Ford]

No, the funny.

[Ish]

If I had to drink it.

[Melissa Ford]

Y'all drink ice water. You put ice cubes. Ice cubes in your water?

[Flip]

Yeah, no, that's.

[Melissa Ford]

No, that's t. A lot of people don't even. They'll get a ice cube.

[Flip]

He's so bougie.

[Joe Budden]

Bottle water. I do a brother personally with ice.

[Parks]

Maybe. Maybe I haven't reached bougie status.

[Melissa Ford]

If that's whatever. Stat. That's where I'm at.

[Flip]

You're gonna get the trade for the aquapona.

[Parks]

A Brita. Yeah, do the Brita or whatever.

[Flip]

Oh, yeah. Okay.

[Parks]

I just don't like it.

[Melissa Ford]

Oh, my God. Yo, y'all, y'all.

[Ish]

Why y'all stay here that whole last part.

[Joe Budden]

And let me.

[Ish]

Me call Andrew Cuomo.

[Joe Budden]

Mario Cuomo.

[Melissa Ford]

I don't know none of this.

[Flip]

You losing it, son.

[Ish]

Yo, this entire pod sat there and let me call Andrew Cuomo. Mario Cuomo. I miss how old I am.

[Parks]

We're so indoctrinated. With the Cuomo family. It didn't even register, really. One Cuomo to another Cuomo. Those his pops.

[Ish]

That's how old I am. I'm talking about these dads, yo.

[Parks]

And Andrew Cuomo's probably older than you.

[Erickson]

Much older than me. Yeah, he's, like, in his.

[Ish]

But why am I talking about Mario Cuomo, yo, when he was.

[Joe Budden]

Y'all don't give a about me. Y'all just let me get.

[Melissa Ford]

Don't let you catch. I, I, I don't.

[Joe Budden]

It's cool. Don't worry about it, man. Don't worry about it.

[Parks]

Go to NPR for your political.

[Melissa Ford]

Name checking.

[Flip]

None of that.

[Melissa Ford]

We just.

[Parks]

Mark should have caught you. Yeah, I blame Mark for that one.

[Melissa Ford]

Go on.

[Erickson]

I feel like it was towards the end.

[Flip]

Yo, they on Mark's ass about that game. They on y'all ass, man.

[Erickson]

We talked a little bit about it before you got here. Do you have anything to add?

[Flip]

No, I'm not going add nothing. I've been Pocket watching. That's all I can.

[Parks]

That's weird.

[Melissa Ford]

It is.

[Joe Budden]

It. It is Pocket watching. It is. Got a text from. Is that says, yo, I just got in. Do you need me to come?

[Ish]

Yo, yeah, that's funny, Dan.

[Joe Budden]

You call him?

[Ish]

Yeah, maybe.

[Melissa Ford]

That's funny.

[Parks]

Come on.

[Joe Budden]

That's funny.

[Melissa Ford]

Yo, you need me to. Yo, I love this cast, man.

[Flip]

I love Ish.

[Joe Budden]

I love it.

[Flip]

He don't give a fuck. He just. Old niggas get. Old niggas could get that shit off. He old, Yo.

[Joe Budden]

Yo, what up? Not much. I'm on air. But I just got your text while we was in the middle of a topic.

[Flip]

What?

[Joe Budden]

Yo, you're an idiot. Yo, what topic.

[Ish]

You want to pine over your phone? Over the phone?

[Melissa Ford]

Yo, this his bag right here.

[Flip]

Oh, you want.

[Ish]

Oh, you want to pod over the phone?

[Melissa Ford]

Okay, that's his bag.

[Joe Budden]

No, just talking about the Oscars and some light you got. You got.

[Ish]

Yeah, you got that covered? You got that cover?

[Joe Budden]

No, that's cool. That's cool. You good, though?

[Melissa Ford]

Yeah, I'm cool.

[Joe Budden]

Hurting a little bit, but I'm all right. All right, all right, all right. That's peace.

[Flip]

We love you, bro. Always got a dog.

[Joe Budden]

What?

[Ish]

What do you want, man?

[Flip]

Always got to add some in that's hurting a little bit to. To make you feel bad.

[Melissa Ford]

He asked me.

[Ish]

He.

[Melissa Ford]

He asked me how I feel. I'm telling him how I feel.

[Flip]

He didn't ask you if it hurt. He just said, oh, you all right.

[Ish]

Said, you good. No, we supposed to be vulnerable. With our friends.

[Flip]

Right?

[Erickson]

That is true.

[Ish]

If you want to stay.

[Flip]

If you want to stay home. Yes.

[Joe Budden]

What? You tell me when you get here? I guess. All right.

[Flip]

Goodbye.

[Joe Budden]

You can tell me about it when I see you. Yo, black show. Goodbye, my man.

[Flip]

Don't let that come in. He'll come in.

[Joe Budden]

Yo, what is wrong with you speaking. Yo, that's my man. That's my man.

[Erickson]

All right.

[Ish]

What else is there? What else is there? What else is there?

[Melissa Ford]

Did y'all hear Jermaine Dupree's comments?

[Flip]

No, I didn't. Tell me about independence. No.

[Ish]

Read it to us. Freeze.

[Parks]

Let's hear it.

[Melissa Ford]

All right, let me pull it up real quick.

[Joe Budden]

Y'all talk.

[Ish]

Jermaine Dupree. I don't know why I tweeted this.

[Melissa Ford]

All right, I got it.

[Parks]

Stir some things up.

[Melissa Ford]

He says. I'm a little lost.

[Flip]

Lost.

[Melissa Ford]

Can somebody tell me what the goal of being an independent artist is today? Because of all the things that people are chasing is major artists do. What's the thing that indie artists do that make it special?

[Erickson]

He sounds like a dinosaur.

[Joe Budden]

Why did he tweet this?

[Parks]

It sounds like. It sounds like a rich person asking about what the pores do.

[Erickson]

That's really privileged and really antiquated. He sounds like a dinosaur right there. Not really understanding why.

[Joe Budden]

Jermaine Dupree knows better than this. He does.

[Parks]

Yeah.

[Melissa Ford]

What was the goal like?

[Joe Budden]

Engagement.

[Parks]

It had to be engagement farming.

[Joe Budden]

I'm going with engagement farming.

[Parks]

They might not even. Jd. That might have been a intern, assistant, something like that. Let's stir up a little bit. It gotta be.

[Ish]

Yeah.

[Melissa Ford]

This. This one. This one me up.

[Flip]

Independent artists keep a higher percentage of things.

[Joe Budden]

Yes.

[Flip]

Yes.

[Parks]

They'd have to do a lot more work.

[Flip]

Yeah. To do a lot more work.

[Melissa Ford]

They have freedom. Let's just start there.

[Flip]

Major freedom.

[Joe Budden]

Yeah.

[Flip]

He knows that, though.

[Joe Budden]

He knows.

[Flip]

So he's just trying to shake the pot.

[Melissa Ford]

Well, he shook it and. And a lot of the independence jumped on his ass.

[Parks]

Yeah.

[Flip]

They ain't gonna get no beats.

[Parks]

And he wasn't looking to sell to him.

[Joe Budden]

Yeah. And he wasn't trying to sell to him.

[Erickson]

He might be priced out of that conversation.

[Parks]

Ah, I see what you did there.

[Erickson]

Nice little callback right there.

[Joe Budden]

Okay.

[Ish]

You good.

[Melissa Ford]

You good, girl.

[Flip]

You being an independent artist, you know, did you feel away about this when you were. If you was an independent artist still, would you have felt away about this?

[Ish]

No, I wouldn't have felt a way about it. Independents operate under a different mindset than.

[Joe Budden]

The major label niggas. And I don't try to interlap. I don't try for the two to have crossover.

[Parks]

There's different horses for different courses.

[Joe Budden]

It's totally different games.

[Ish]

Me, when I decided to go independent, I realized that. That I would do better selling to my 50,000 fans than trying to fit.

[Joe Budden]

Into this system where much too much was expensive.

[Flip]

Do you feel like tech9 made it look good, Joe back then?

[Joe Budden]

No. Tech9 made it look good.

[Parks]

There's a lot of independent.

[Melissa Ford]

A lot of people talked about.

[Flip]

They highlighted him like when it came to being independent because he was more.

[Melissa Ford]

He wasn't just an independent artist. Was. I'm saying wasn't like he's not still active.

[Joe Budden]

He is child, detect, shout.

[Melissa Ford]

Detective of Tech was a one stop shop. Is a one stop shop. You talk about I'm doing my own merch. I'm routing my own tours. I'm doing like my own music. I do it all. It's all in house. He's an anomaly to a lot of. That's not just your typical independent act right there.

[Joe Budden]

Okay.

[Ish]

So that's why he's highlighted and he.

[Melissa Ford]

Sold record and still managed to sell.

[Ish]

Yeah, sold and sells records.

[Melissa Ford]

And a rapper. A lot of you niggas under the table.

[Ish]

Yeah. Amazing rapper. And his live show was putting niggas to bed.

[Flip]

Really.

[Melissa Ford]

Yeah.

[Ish]

And was gonna do sellout tours anywhere that he went. And was gonna stay on the road for 300 days. Out of 300. Maybe 300.

[Joe Budden]

Maybe more than that. Yeah.

[Ish]

Out of 365 days. And was gonna have his fucking Maybach traveling on the back of all of these merch trucks because we got to.

[Joe Budden]

Bring trucks for all of this merch.

[Ish]

We gonna sell. Like we gonna make eight figures moving around out here as an independent act. Shout out to tech, shout out to.

[Joe Budden]

Strange music, Shout out to the whole thing over there. So that's why he did that though. And it's doing that.

[Melissa Ford]

Yeah.

[Parks]

But I think it's just different. I think for like a pop artist, if you want to be the next Drake or Michael Jackson or Britney Spears, do a leap, whoever. The major label system makes sense. Yeah, a pop artist, a major label system probably makes sense for. Because you're not going to get that kind of marketing exposure. You don't have all the relationships with MTV that they matter anymore. But whatever. Fill in the blank outlet playlisting and all of that. Like you need that for snl, you know what I mean? All the late night shows, you need that.

[Melissa Ford]

Well, what I see start to happen is especially in rap, it's a lot of the newer rappers, they don't want that.

[Joe Budden]

Right.

[Melissa Ford]

They realize, hey, I what I have to give up to get all of that ain't really worth it.

[Ish]

I pretty.

[Melissa Ford]

I can make a really great living over here.

[Parks]

Every musician and artist doesn't necessarily want to be the most famous person in the world. That's not necessarily overlap. Some people are like, if I get a little famous, that's cool. But I would like to make a living making music or art or whatever. And I don't want to be a.

[Ish]

Part of that rat race that, that.

[Flip]

That at one point, that confused me, that, that mindset. Right. Like, I want to make music, I want people to hear it, but I don't want to be famous. Then you're making music at a high quality level and distributing it out there in order to become. That's going to lead you to be famous. So those type of your goals can.

[Erickson]

Change along the way though. Doing exposure.

[Flip]

Okay, true.

[Melissa Ford]

And this could be. Yeah.

[Flip]

At one point I didn't. Because I didn't agree with that. When people say they're antisocial, like some of the artists. Antisocial.

[Melissa Ford]

There's a lot of.

[Erickson]

There's a lot.

[Melissa Ford]

But they are so passionate about their art and their craft.

[Joe Budden]

Yeah.

[Melissa Ford]

That they still want to do that. They would prefer to just be. You don't have to see me. I want to talk to you niggas. If you want to talk to me, go listen to my album. You want my thoughts, Go listen to my project. There's my thoughts. And there's a lot of them out there that just don't want to deal with folks and people are weird. I don't wanna deal with people. Anyway.

[Joe Budden]

I went through it. I mean, I did it.

[Ish]

So.

[Flip]

All right.

[Parks]

Yeah. This is actually who you.

[Flip]

When they talk about you. When they talk about the trouble that you gave, how stubborn you were and stuff. Like you didn't wanna do nothing. When they tell me she fight.

[Ish]

Yeah. But that story is always told about me, how I was just rebellious and yada, yada, yada early in my career. But when I first got in the.

[Joe Budden]

Game, that story is never told.

[Ish]

I was just young, wet behind the ears, willing to do anything that I needed to do to thrive and sell. Not a question asked.

[Parks]

What, behind the ears? A little bit Montage Joe.

[Flip]

So do you feel like you might.

[Parks]

Have had a little wet behind your ear for later?

[Melissa Ford]

Little wet for later? Jersey City.

[Joe Budden]

Oh, that's what you're saying?

[Flip]

Do you feel like. So, so when you when you initially. Did you meet niggas? And then you start.

[Ish]

So when I'm initially. So when you initially there. And again, this is.

[Joe Budden]

I'm talking about 25 years ago at this point. So we may be aged out, but.

[Ish]

So if I'm doing everything that's asked of me, which is. They're putting you in places to be famous.

[Flip]

Yes.

[Ish]

You're not famous yet, but they putting you in places to be famous. Oh, shit.

[Joe Budden]

So I go to Nordstrom's yesterday. I go to Nordstrom's yesterday.

[Ish]

Turns out one of the guys, the older gentleman that works in Nordstrom's, used.

[Joe Budden]

To work at Def Jam.

[Ish]

So every time he catch me in.

[Joe Budden]

There, and I don't be in Nordstrom's a lot, but when he catch me in there, he always got some story for me. So yesterday I'm buying some drawers. Let me get some draws up in this bitch. He sees me, he says, yo, funny story. I was just thinking the other day.

[Ish]

About how when I used to work.

[Joe Budden]

Was working radio 25 years ago, and.

[Ish]

Benny Pugh was at Def Jam and Def Jam was sending all these records out. So they had sent me a Rihanna record, and they sent me a Joe Button record. So we was about to get on the Rihanna record, but Benny Pugh called, and he was like, yeah, yeah, yeah. That Rihanna said, eh, eh, put it to the side. We don't know about that. That Joe Button, we need you on that. That boy is a star.

[Joe Budden]

I was like, oh, shout out to Benny Pugh.

[Ish]

Like, I never knew that, but, like, that's what it took to kind of be famous when you wasn't famous. So I'm not famous. So they sending me places. You don't want to be there. And then you get famous. And now there's a crowd everywhere you go. You need to be handled a certain way. When you go because you famous, you gotta pop up at everywhere where famous people be at. It's just. I learned early on I want nothing.

[Joe Budden]

To do with the fame part of this. That wasn't my bad.

[Flip]

I read that that's not what I signed up for.

[Ish]

I read that different.

[Flip]

When you first started talking, I thought that initially when you said it, that, yo, I was willing to do whatever I needed to do. And then I started to realize that things wasn't so favorable in my favor. Like, people might have. I'm not saying I niggas, but people might have been taking advantage of me. People might have been doing stuff or putting me in positions that made me uncomfortable or make Me realize that they weren't in it for me. And I can see that changing somebody's attitude towards being famous, like, yo, this is too much of a headache. Niggas not even giving me what I really need or what I'm owed, you know, the work that I'm putting in is not. I remember niggas and shout out. Niggas may get mad at me, but I remember when you first came out was driving more of an expensive car than you was.

[Joe Budden]

Yeah, but I mean, that's part of the game.

[Flip]

It is, but I didn't like that shit.

[Melissa Ford]

But see, that's the other thing.

[Flip]

Me thinking that now. I hear you, but I didn't like. I don't like that shit. I don't. I feel like the artist. I don't like that.

[Melissa Ford]

I don't get it.

[Joe Budden]

The that found the talent is probably gonna make more than the talent on your rookie deal.

[Parks]

Yeah.

[Flip]

Nah, I don't like that. That should be. It should be distributed evenly.

[Joe Budden]

That's just what it is.

[Melissa Ford]

And back look back to JD's tweet. That's the other reason why a lot of wanting to choose independence today. They know these stories, right? Like, you know what I'm saying? I've heard what happened. Like Joe said, I was wet behind the ears, I did whatever they wanted me to do. And you sign a deal that really ain't in your favor, you find. You don't find that out until later on. How long. How long did you find out that your deal was bad? Like, when did you find out from when you signed it that, oh shit, I'm getting fucked.

[Joe Budden]

If I signed in, 01 shit was bad by 05.

[Melissa Ford]

So you four years later when you say, oh, shit, I'm fucked up in this deal.

[Ish]

But I ain't even talking about the bad deal part of it. I'm talking about once you sign it and you down to play the game.

[Joe Budden]

Some of the positions that you'll be in. And I wasn't with it.

[Ish]

Like they was telling me to go to clubs, stand on tables, bring 70 niggas. The label is how I got some of my street drama back in the day forcing me to, yo, go be with 50 niggas everywhere you go. Why? Why? Now I gotta go beef with these niggas? Yo, go, go. Let's have a fake relationship with you and who they say, Mia, long optics. Yo, how do you want me to tell my girlfriend that I'm doing a fake relationship with Neil? I don't want to do none of this.

[Joe Budden]

Theatric shit that you want the other thing, too?

[Parks]

Is that the way the music business is now? Labels aren't even signing you until you're successful independently. And now I'm hot and doing this already. I built this infrastructure. I built this fan base. I'm making money. Why am I even going over here?

[Melissa Ford]

Because they trick you.

[Ish]

Even if you do want the major label deal, you should go get hot. You should go act like an independent.

[Melissa Ford]

Because the trick now is they tell you there's a ceiling as an independent.

[Parks]

And there may be, but.

[Melissa Ford]

But what they don't tell you is you could live fine. Right?

[Joe Budden]

Right.

[Parks]

It might be a nice ceiling.

[Melissa Ford]

It's a really nice, real tall ceiling.

[Ish]

They.

[Melissa Ford]

They don't make you think like, yo, you're going to hit this ceiling. You can never make more. And you need us to get to the next level. I don't got to go to that level.

[Flip]

Right.

[Parks]

I might be cool.

[Melissa Ford]

I'm good right here.

[Parks]

Yeah.

[Melissa Ford]

And I own all my. So I could do some new technology, come out later on. I can go make a deal over here that changed my entire generation, my entire lineage's life.

[Flip]

I don't think anyone does it for the art anymore, though.

[Parks]

That's not true.

[Melissa Ford]

No, that's not true.

[Parks]

That's not true.

[Flip]

Well, I'm not hearing it.

[Erickson]

Doi Great example of somebody who does it for the art and produces pretty.

[Parks]

Most independent artists are doing it for the art. Like, okay, a lot of them.

[Melissa Ford]

A lot.

[Parks]

A majority.

[Ish]

Kendrick.

[Joe Budden]

Whole side of that battle was preaching the art.

[Parks]

The art side. Yeah.

[Joe Budden]

There are people that do it for the art.

[Flip]

But then look what it turned into while doing it for the art. Look what it turned into.

[Melissa Ford]

Well, if he didn't take it there.

[Parks]

I think it remained pretty artistic all.

[Flip]

The way through for him. For him. But. But then look what it. The waters can get muddy.

[Parks]

Sure.

[Flip]

You know, I mean, and it could sort of make the art look different.

[Parks]

Art don't necessarily gotta be rosy.

[Flip]

True, true.

[Joe Budden]

Yeah.

[Ish]

Listen, there's six million ways to die.

[Flip]

Choose one.

[Ish]

Like, everybody's story is not gonna be the same. Everybody path not gonna be the same.

[Parks]

Yeah.

[Ish]

What's for you ain't gonna be for me. There's a whole bunch of different ways to do this. You go sit by yourself or with your team and figure out the best way for you. What aligns with you, what won't feel out of pocket for you, what won't have you losing sleep at night. What won't have you getting.

[Melissa Ford]

What are you comfortable with? Who are you first question. Find out who you are. What are you. What are you cool with? What are you comfortable with.

[Joe Budden]

With.

[Flip]

Let me go from there. This may be a. I'll ask you later, maybe. Don't ask me because I don't want to ask you anything too personal because I hear how you talk about things. When you. Okay. Did the industry. Were you. Did you always suffer from depression when you were younger? Or did the industry be okay? All right, so you answered my question.

[Joe Budden]

Yes, I was going to say, did.

[Flip]

The industry lead you to depression?

[Joe Budden]

No, no, no, no, no. I came in with mine.

[Flip]

You came in with Strapped Up.

[Ish]

Got it.

[Flip]

Okay.

[Joe Budden]

Full, fully loaded clips of depression.

[Erickson]

It can exacerbate it, but it wasn't.

[Joe Budden]

Cool to be depressed. And I don't.

[Ish]

Trendy, I don't think. Yeah, there wasn't audiences for that. And label didn't know how to handle kids going through that.

[Flip]

Got it.

[Joe Budden]

But you was just. And they maybe made it worse.

[Flip]

That's it.

[Joe Budden]

Okay.

[Melissa Ford]

You was just too early, but you.

[Flip]

Came in with depression, buddy.

[Joe Budden]

You was definitely loaded.

[Parks]

My final thought on this, too, is the way these labels are shrinking now.

[Joe Budden]

Who.

[Parks]

It's a scarier proposition to be there now than it's ever been.

[Erickson]

Facts.

[Joe Budden]

That's true.

[Parks]

They're fired, everybody. That means you're getting less of the services that he's talking about in the tweet.

[Erickson]

You might get shelved completely.

[Parks]

Yeah.

[Erickson]

And then your hands are bound and you can't put shit out unless the label says so.

[Flip]

True.

[Erickson]

Yeah, true.

[Melissa Ford]

Nasty.

[Parks]

Nasty.

[Joe Budden]

And today is, to a point, like Parks was just saying, the labels might.

[Ish]

Have to prove to the young, hot.

[Joe Budden]

Up and coming artists what they can do. Right. What can you do for me?

[Melissa Ford]

Yeah.

[Erickson]

It's clear that he didn't hear Chapel Roan's speech when she won the Grammy. Like she laid it out as a young artist, you know, being shelved at a major and then dropped. Dropped during pandemic. Like she laid it out.

[Ish]

So.

[Joe Budden]

Yeah. Yeah.

[Ish]

Everybody's not cool with getting the smallest fraction of a penny.

[Joe Budden]

Right.

[Melissa Ford]

That's really it.

[Parks]

Which is less than a penny because that's what a stream is. The smallest fraction of a fraction of.

[Joe Budden]

Yeah.

[Ish]

A fraction of a penny.

[Joe Budden]

Yeah, exactly. Yeah. Everybody don't sign up for that math. Nope.

[Parks]

15 of $0.01 per stream.

[Flip]

I got it.

[Ish]

Yes.

[Parks]

At least let me get my.001.

[Joe Budden]

Can't even go sell out the trunk no more. God damn it.

[Flip]

Some sell out the trunk now.

[Joe Budden]

Yeah.

[Parks]

A lot of people sell a lot of vinyls, CDs. And merch. So they do that out the trunk still?

[Joe Budden]

Yeah, it's tough. One of them caught me slipping the other day. I bought it.

[Parks]

Yeah.

[Flip]

Was it the pressure? Was it the pressure?

[Joe Budden]

It's just on something I remember which you was. I was there at one point. I. I got it. I'm not. I'm never listening to this, but.

[Flip]

Would you pay 5?

[Parks]

Was it a CD? It was a CD. It was like a little thumb drive or something.

[Ish]

Well, actually. Actually, what?

[Joe Budden]

The story I was just talking about, it was a sweatsuit.

[Parks]

Oh, okay.

[Melissa Ford]

Okay.

[Joe Budden]

But then as I was talking, I remembered that I did buy the CD of my man and Issei the other day. He was like, yo, I got an album that just came out. It's one of the best albums ever.

[Ish]

And if you listen to it, I.

[Joe Budden]

Promise you'll want to talk about it. All right. What's your name, man? I'll get it.

[Ish]

I'll buy it.

[Joe Budden]

And I bought it. I didn't hear it yet, so I can't comment on it, but yeah, I bought it.

[Ish]

If they catch me in a good mood, I'll get 9.99.

[Joe Budden]

Yeah.

[Ish]

I'll still buy 49.99 for the sweats, whatever it was.

[Joe Budden]

But if you just catch me on the.

[Ish]

I'm moving.

[Joe Budden]

Yeah, no, I'm moving. Sorry. Sorry, buddy. Sorry, buddy. Maybe next time.

[Parks]

I buy a lot of shit at show. You know, the opener. The opener act. If they fire. If they fire. Buy your cd. Might buy a T shirt.

[Melissa Ford]

I'm gonna go get a shirt for sure. I'm definitely getting merch, man. And if you got you.

[Flip]

Yeah, I've been trying to stop there.

[Melissa Ford]

I'm gonna cop them.

[Joe Budden]

Yeah.

[Flip]

Being up here made me act like that. I was trying to get as much free as I can, Right? You want to give me. Y'all give it to me. Salute. And then being up here with y'all, watch how y'all support it kind of changed my view. Like when I went to these division, you know, let me buy some. And I'm like, damn, this shot price. I still. I still. I still was. I still purchased, but I still had complaints. If you give me free shop. I wasn't trying to buy. No, not really. Like, it depends on your promotion and. And how supportive you are. Like, some be having a sob story, yo. Yeah, you my inspiration, yo. This is all I got. I got a two year old at home and. And four with baby mothers. Like, what a story. Be so compelling. Sweating hands is sweaty.

[Joe Budden]

That's when I get out my Extra stone face.

[Melissa Ford]

That don't work.

[Joe Budden]

Stone face them down.

[Flip]

They got a couple of videos of you in the mall. Stone facing.

[Parks]

That's tough when someone stories you. And then the be trash trying to really come up and it's like, oh, I'll support.

[Melissa Ford]

I'll support.

[Parks]

They go, you're like, joe, Joe, stone.

[Flip]

Face a at the mall. And the used the footage and put it out. He tried to talk to Joe, my something. Joe had the long coat. Joe turned around and says, what?

[Joe Budden]

Yeah, Joe got his headphones in. I'm pulling out all the tricks to try and get you to not talk to me, buddy.

[Erickson]

Yeah, that doesn't work.

[Flip]

It don't. It don't.

[Joe Budden]

And I'll power. I'll power walk by you. Now, I know my body don't look like it, but yeah, I hit him with a little power walk now. Oh, all right. What else is important?

[Ish]

All right, we got brand new Tory Lanez. Brand new Tory Lane.

[Joe Budden]

This is Peterson.

[Ish]

Peterson, the follow up to day star. So says he.

[Parks]

Okay.

[Ish]

Recorded from jail. Got him on the COVID with biceps. And he been doing his jail workout. His calisthenics. He's looking good from what I've heard. I liked it. I had the privilege of hearing some of it early. I haven't gone through this entire album, but from what I've heard, I like it a lot. Now, y'all know R B. Tory is my bag.

[Joe Budden]

There's a little bit of that on here.

[Ish]

But this is predominantly rap.

[Joe Budden]

Yes.

[Ish]

But I'm a Tory fan, so good to hear him. He's been one of the ones to do the jail album in a palatable way for me.

[Flip]

Yes.

[Ish]

I know a lot of people bring up shine. I wasn't on that wagon when y'all was. When y'all was pushing it.

[Melissa Ford]

That was rough.

[Joe Budden]

Yeah, yeah, it was.

[Melissa Ford]

But Max had some rough ones, but then they got better.

[Ish]

But Tory's got some good shit out on here. The production, how he is combining records, sounds from one record, start the next record.

[Joe Budden]

You know, I like all of that shit.

[Ish]

I'm gonna play. This is track six.

[Flip]

Turn me up.

[Ish]

But honestly, to run from like two to eight. Can we turn this up? Any.

[Flip]

Help with?

[Savon]

You ain't boss father. I get up from all the Mexicans.

[Flip]

The whites and blacks.

[Savon]

But you don't want to problem.

[Flip]

When I get out, you know, I'm.

[Savon]

Stepping in the star.

[Parks]

That's going to be really loud.

[Joe Budden]

Sorry.

[Savon]

It's cool. New Journey.

[Ish]

Sounds good. Sounds good.

[Melissa Ford]

Now he talking on some of these.

[Ish]

Damn unblock unblock him.

[Flip]

Biggie. He shout a lot on this album.

[Joe Budden]

Miss that white ass, wp.

[Ish]

Hey, hey, wait a minute.

[Joe Budden]

Where's the beat switch? I'm thirsty. Come on. Oh, that's us.

[Ish]

But I ain't thirsty.

[Flip]

We can do it.

[Joe Budden]

Let me see. Hold on. Let me. Hit me on the album. We talking about we was in our bag.

[Ish]

I would get into the Tory, but they going to say, I'm thirsty to.

[Joe Budden]

Get into the Tory, but I am thirsty.

[Flip]

We can do thirsty.

[Joe Budden]

I'm thirsty. Come on, let's go. Yeah, this one. Yeah.

[Ish]

Put the Joe Sample before the slap.

[Joe Budden]

Yeah.

[Savon]

I can't stand it all. You had me flying off that I can't land it all. I pray to God you got no man at all So I can jump into your ocean. Got your body, got no chance at all. Don't gotta worry about these. They got no chance at all. You told me not to. But when I get.

[Joe Budden]

Oh, man.

[Ish]

Y'all lucky this boy ain't free. This right here, not on the jail phone.

[Parks]

Sounds good for the jail phone.

[Ish]

No, it sounds great.

[Parks]

They got some new tablets.

[Joe Budden]

Yeah.

[Melissa Ford]

Pro Tools phones.

[Joe Budden]

Yeah.

[Flip]

Add the metadata to that.

[Joe Budden]

No, that sounds crazy. That sounds crazy.

[Ish]

This is track eight, Sailor Moon. I ain't going to play too much, but this album is available for stream streaming only. Not available for purchase right this second.

[Joe Budden]

Cuz that's where I was looking for it like a dumbass.

[Parks]

Oh.

[Joe Budden]

Trying to buy it. Didn't see it. Not album in sight.

[Ish]

Why is it again? I'll do a deeper dive on this after I hear the whole thing, but hey.

[Joe Budden]

Hey. I miss this guy.

[Ish]

Yeah, I miss this guy, man. I do.

[Joe Budden]

I do.

[Ish]

I know the blogs is tearing him up for making himself sound like. What did they say? Nelson Mandela on the album?

[Joe Budden]

They kept.

[Flip]

Why they say that?

[Joe Budden]

Because he ain't on the album. Making himself sound like a martyr or political prisoner. Yeah, Justice, Disciple, all of this. They like. Yo, dog, I can't say it. I can't say what they saying.

[Flip]

If you go there, I'm gonna go to you.

[Joe Budden]

You taking it further.

[Flip]

No, that's something you don't want to do.

[Joe Budden]

If I take it there, you taking it further. I'm not taking it there. So you ain't got to worry about that.

[Flip]

You know what I want to take.

[Ish]

Just know I read what they were saying online.

[Joe Budden]

No, you can't take it there. Please, oh, please don't take it there. That's. It's hilarious, though. The only me, you only me. And you can know it But.

[Ish]

But ain't it funny? Freeze.

[Joe Budden]

It is funny, though.

[Melissa Ford]

It's funny.

[Parks]

It's very funny.

[Melissa Ford]

I need the pillow. Right here.

[Joe Budden]

Start being dangerous. Exactly.

[Flip]

We never put that episode out. No, it's just for us to watch, like, internally.

[Ish]

It shouldn't have been said. On. It shouldn't have been said.

[Flip]

Let me get a. We get it.

[Ish]

You'll never get it.

[Joe Budden]

You'll never get it anyway.

[Ish]

Tory is fire from what I hear. When I hear it in full, I'll do a deeper dive, but from what I hear. Smoked it.

[Joe Budden]

Smoked it.

[Melissa Ford]

He on there talking, man. He's talking his on there.

[Ish]

I don't care about the song where he's talking about, hey, they robbed me, Roc Nation and the lawyer and this. That's hard. But I'm over to him and Meg.

[Joe Budden]

I'm done with that.

[Parks]

Same.

[Joe Budden]

I'm done with that.

[Flip]

Yeah. Shining too much light on it.

[Joe Budden]

Yeah, I'm cool.

[Ish]

At this point, it's time for both.

[Joe Budden]

Parties to just deliver the music. Do. Do what?

[Melissa Ford]

That's easier said than done when we ain't the ones sitting up. If I'm him, I'm sitting up. And I believe that. I'm gonna tell y'all every chance I get.

[Flip]

Understood.

[Melissa Ford]

He's still maintaining his innocence.

[Ish]

Be clear. That's cool.

[Melissa Ford]

Still appealing and all of that.

[Ish]

Like, yeah, we want to hear the slaps, dog.

[Joe Budden]

We want to hear the slaps. We don't need to hear. I mean.

[Flip]

Hey, yo, I now got. When you said that Iman had to fight that guy, yo, my wife came to me and said, yo, Tiana.

[Ish]

Yeah, Tiana. Tiana Taylor.

[Flip]

What's that?

[Ish]

And Musafa.

[Melissa Ford]

Mufasa, man.

[Ish]

Mufasa. Aaron Pierre. Aaron Pierre. That's Mufasa. Stop.

[Joe Budden]

What your DM to him said.

[Erickson]

Shut up. Hey, Barry, I did not DM him.

[Flip]

Hey, Pierre, stop.

[Joe Budden]

Yes, you did.

[Erickson]

No, I fucking did.

[Melissa Ford]

Tell him, Mel. Tell you don't initiate DM combos.

[Flip]

That's not true.

[Joe Budden]

Shit. Y'all just.

[Flip]

You acknowledged. Yeah. That you did, man. Stop.

[Joe Budden]

She DMs first. It's okay, Mel.

[Melissa Ford]

Don't DM first.

[Erickson]

I don't remember. I feel like.

[Flip]

Not now after she got the shout out, but she did before that shout out just put her on a.

[Joe Budden]

She. She.

[Flip]

That shout out said to Captain Planet. She changed from. From Rita from Captain Plan first de.

[Joe Budden]

To Hey.

[Ish]

I.

[Melissa Ford]

Hey.

[Erickson]

Okay. We were talking.

[Ish]

Let me just.

[Flip]

Let me just say this me, please. Let me get it.

[Erickson]

Go ahead, go ahead.

[Ish]

Did you mean to say that song.

[Flip]

I love you, but do you. You know how crazy it is. Listen to me. I do. And we don't dog piling you.

[Joe Budden]

Yes, we do.

[Flip]

You know how crazy it is, Mel, to say, yo, I don't follow. That I'm good. Loyal to the soil. And as soon as those are my words. Loyal to the soil is being facetious. But you said, I don't follow. I'm good. I'm a team rider. When you went past that curtain pierced your soul too.

[Joe Budden]

You be bringing that up. That's it.

[Ish]

It penetrated when she went through that.

[Flip]

Curtain, Joe, Mel turned to her.

[Ish]

Mel is a grown woman. She could do what he want.

[Flip]

I'm down with. I'm down with police.

[Ish]

Her behavior outside of work. We was just talking about that with the police detective. Girl, can y'all police Mel's behavior outside of work? No, she can follow who she wants.

[Melissa Ford]

And she's like. She followed back. She didn't follow.

[Erickson]

And in addition to that, like, couple of y'all up here, like, talk to the ops.

[Joe Budden]

Oh, that's true.

[Erickson]

Y'all talk to the motherfucking ops and have been. And when you say couple, and I don't say nothing. I don't say. Don't talk.

[Joe Budden]

And when you say couple, though, it's you.

[Flip]

Yeah, it's you. It's deceit.

[Melissa Ford]

You are right.

[Joe Budden]

This is.

[Flip]

We do it.

[Ish]

Just so you know, when she says couple, it's you.

[Erickson]

Maybe I should say several.

[Flip]

Oh, man, you got me, Mel. You know what? I'm going to.

[Parks]

I don't know who the opps are.

[Joe Budden]

Several is more than two.

[Erickson]

You know, I know it's. It's three.

[Melissa Ford]

Oh, it's three that talk to the ops. Ops.

[Flip]

Three to the ups. Or three or we. I talk to three Ops, cuz three ops is a lot. Then I need to get fired. I'm cool with three. I'm just doing on purpose.

[Joe Budden]

It ain't three people up here that talk to ops.

[Ish]

That is listen.

[Erickson]

And Tian is that. That is where.

[Ish]

Don't lie on several. Don't lie on the several.

[Parks]

Name the ops.

[Erickson]

What? Absolutely not. This is a conversation that keeps being brought up to me. So I am now in turn responding.

[Ish]

And wait. People have to know that they're your ops.

[Flip]

There you go. Good. I'm about to say that we got to know that you got ops, like up.

[Melissa Ford]

We know.

[Joe Budden]

I know.

[Melissa Ford]

I know of one op.

[Flip]

She got me too.

[Melissa Ford]

No, I know two ops. She got.

[Ish]

People got to be clear of your list before they know that they kicking it with your ops.

[Flip]

What's that.

[Melissa Ford]

That.

[Flip]

What's that sketch slogan?

[Ish]

It's the S.

[Flip]

It's the S. That's that sketcher.

[Ish]

You several.

[Joe Budden]

You several.

[Melissa Ford]

I ain't talk to several.

[Joe Budden]

You several.

[Flip]

I don't you. I don't talk. That lady.

[Joe Budden]

Anyway, that's.

[Flip]

That's Y bag. Y is op galore. Not me.

[Ish]

She talking about me.

[Joe Budden]

I ain't on that list. She ain't talking about me. Joe, you told the Ops Jeff about me? No, she's not talking about me.

[Melissa Ford]

You're not talking about who?

[Joe Budden]

No, no, she not talking about me.

[Ish]

I don't talk to no female I barely talk to.

[Flip]

Humans are the three people in this building. Currently, no two of us are moving.

[Erickson]

Right along to Tiana and Mufasa.

[Parks]

Sure.

[Ish]

So now, Tiana Taylor.

[Melissa Ford]

Not me.

[Flip]

No, not you.

[Ish]

I got it, man.

[Joe Budden]

I caught up.

[Melissa Ford]

Yeah, I did the science.

[Joe Budden]

I missed it.

[Ish]

Anyway, Teyana Taylor soft launched her relationship with Aaron Pierre.

[Joe Budden]

Or at least that's what the Internet thinks.

[Ish]

So I came in and wrote on the board that Iman Shumpert got a slob.

[Flip]

And I kinda got mad at you.

[Ish]

Flip got mad at me. Cause, yo, that's my man. But that's my man, too. And you know, prideful men take the angle that you don't care what your child, what your kid's mother is doing out there. I typically agree with that.

[Flip]

Let me say, I think.

[Ish]

Yeah, I just think that there are asterisks and catching the picture.

[Flip]

And I love Tiana.

[Ish]

It is. Don't soft launch your next relationship like that.

[Erickson]

Don't be lit at Beyonce and Jay's Gold party.

[Melissa Ford]

Just don't be lit.

[Flip]

That was a photo shoot.

[Melissa Ford]

That's too much.

[Erickson]

That was clean.

[Flip]

You can see the niggas.

[Ish]

That's what I'm saying. That was a hard launch.

[Flip]

I didn't like it. But, like. Like Mel told me I gotta defend. She said defend Teanna one time. You know what I mean? And I'm proud.

[Ish]

Friend of the show. That's our girl.

[Flip]

I love her. I text her, you dick riding. Of course I did. She left me all red. Hey, big dog.

[Joe Budden]

Can't talk to you no more.

[Ish]

Yeah, I would be now.

[Joe Budden]

Yeah, you was Harlem Tiana's friend.

[Ish]

You ain't new.

[Joe Budden]

Tiana.

[Ish]

Yeah, I just.

[Erickson]

Tiana starring in a movie with Leonardo DiCaprio. Tiana.

[Flip]

No, no, I was aware of that.

[Ish]

And it was that rumor that Leonardo DiCaprio was going crazy when he seen that. When he seen that chocolate milk.

[Erickson]

I mean, the body is.

[Flip]

Beautiful, respectful, cool down to Earth. All the amazing person so I can see but I'm in the middle sometime cuz I. I'm a man. I ride with my man. But he. He good, you know? Something good. They good. Something good.

[Joe Budden]

Yeah. This wasn't about who was doing good.

[Flip]

His comeback got to be crazy got.

[Joe Budden]

He got to do something.

[Flip]

I love you and I. I know you. I know your story.

[Melissa Ford]

One of them.

[Joe Budden]

He got it.

[Flip]

You gotta go get. You gotta go get Liza Minelli is what you got to get something.

[Joe Budden]

He got to go.

[Flip]

Kelly rolling.

[Melissa Ford]

N. You need like Kelly Roland.

[Erickson]

She's happily married. Oh, she is, yes. Kelly Roland's very happily married.

[Flip]

The way. No, that's Gabrielle Union.

[Joe Budden]

That's all right.

[Flip]

Angelina Jolie.

[Joe Budden]

N. I got to go bigger.

[Flip]

Bigger than Angelina. Joe, you bugging. What would. Okay, let me ask you a question.

[Melissa Ford]

Good question, Joe.

[Flip]

Who. Who can Iman go get with right now that could compete with that launch?

[Ish]

And it got to be a system.

[Flip]

Me alone.

[Joe Budden]

It got to be a system.

[Ish]

It can't be no Halle.

[Flip]

Halle Berry.

[Erickson]

Nia's. Yeah.

[Flip]

No, Nia will always be her new age come. New age.

[Joe Budden]

Yeah.

[Ish]

That's.

[Joe Budden]

Yeah.

[Flip]

He walk through that hallway. The girl.

[Joe Budden]

Yeah. I ain't gonna hold you, man. Fight back. Show fight back.

[Flip]

No Senda.

[Erickson]

She's engaged.

[Joe Budden]

And how old is she?

[Ish]

Yeah.

[Melissa Ford]

I'm like.

[Erickson]

No, I want to say like 27, 28. She's engaged to Tom Holland. Yeah. Spider man. Yeah.

[Joe Budden]

While we on these messy topics, I just want to get go through a quick little rant.

[Ish]

I've changed my thinking on that little.

[Joe Budden]

Young girl that keep talking about future every other day.

[Ish]

I think that this is a rollout.

[Melissa Ford]

You seen he got album cover.

[Ish]

I know he got an album coming. I don't know why I can't talk today. I know he got an album coming.

[Joe Budden]

But future's cooler than this.

[Ish]

Future would not pick the young girl that's gonna run her mouth spread all the business. And then when she made the phone call and he answered on the first ring, it's like, I don't believe he's.

[Joe Budden]

Moved like that in real life.

[Ish]

We done seen future move around in real life too long for me to.

[Joe Budden]

Believe he got caught up like that.

[Ish]

I don't believe it. I think that that's rollout and they getting ready for an album and it just is shit to make us say, oh, my God.

[Joe Budden]

Toxic future coming back. Oh, my God.

[Melissa Ford]

Yeah.

[Joe Budden]

No, I'm not rolling with it. I don't believe it.

[Melissa Ford]

But future gotta do that, especially after the year he just had last year.

[Joe Budden]

Sometimes you do it when you gotta do it. I don't think he has to do anything.

[Melissa Ford]

That's the only reason why I didn't call his rollout. Like, after the year he had.

[Ish]

How do we know that Future is not matured past the music that we're.

[Joe Budden]

Used to hearing from him?

[Ish]

We don't know.

[Joe Budden]

No, no.

[Ish]

Why? We don't know because you get to keep doing like this.

[Parks]

Yeah, yeah. We just got three albums last year and it.

[Ish]

Yeah, but when I heard that first album, the first one was the rap one, right. I heard that. I was like, yeah, I ain't gonna lie, man. Future might be mature. Then he came out with the RB album.

[Joe Budden]

I was like, oh, never mind.

[Ish]

Shoot that to. I just don't know how mature Future looks. I don't believe that little story is all I'm saying.

[Joe Budden]

Number one. Number two, too.

[Ish]

I know both Yandy and Mendisi, so.

[Joe Budden]

I don't want to talk about it. But boy, have I been laughing at this Yandy clip forever. So Yandy got a clip on love and hip hop with some woman that's coming up there and showing her.

[Ish]

Yo, my niece.

[Joe Budden]

My.

[Ish]

My niece. Your husband was DMing my niece.

[Joe Budden]

I don't talk about this because I know both of them, but this is just too funny.

[Ish]

Your husband was DMing my niece. See, look, look, look. And he show. She show you Yandy the dms. And Yandy say, girl, that's me.

[Joe Budden]

That's me sending those dms.

[Melissa Ford]

That's how you do. Yeah, she lying. But you hold it down in person. Get behind closed doors and we deal.

[Ish]

With that360 trying to get out for years.

[Melissa Ford]

That was funny. That was funny. I'm sorry.

[Ish]

I'm not talking about it.

[Joe Budden]

Cuz I love both of them, but sometimes you gotta see and be like.

[Melissa Ford]

Okay, that's the same. They were saying Rashida and Kirk, like, been dying to leave.

[Joe Budden]

Oh, Lord.

[Melissa Ford]

Yo, I gotta watch that now. I gotta get back into that.

[Joe Budden]

No, that's funny.

[Melissa Ford]

I have to get back into.

[Ish]

Girl, that's me.

[Joe Budden]

That's in them D. I like that. I don't.

[Melissa Ford]

Nah, that's holding it down in person. We deal with this behind closed doors.

[Joe Budden]

True.

[Melissa Ford]

That was me. That was me dead it. That was me.

[Ish]

Nah, that's you making. But now you making. Okay, but when it is you, if that's you.

[Melissa Ford]

I don't think it was her. I think her saying that is you not getting that rise out of me. That was me. Ah, what you thought you had it ain't work. Now I'm gonna go home and me and him gonna have a talk.

[Joe Budden]

Yeah, I do like a girl that take the egg on her face.

[Melissa Ford]

Yeah. Hold this down. That's rider move, right?

[Flip]

There something wrong with you? I can't r. Move was a ride of music.

[Joe Budden]

I love a rider. Hey. If that's what we call it.

[Ish]

Shout out to Yandy. I love y'all. Hey. But part of me, Yandy been a loving hip hop gangster for so long, I don't even know if that's real. I don't know if they're playing around. I don't know. But I just know that clip was funny. Then the Internet found the niece, the supposed niece.

[Joe Budden]

He was like, oh, no, he DM'd that girl. Hey, niece wasn't half bad. Now, yo. Yep. Shout out to my baby. At least she'll hit them from the Fenster.

[Ish]

Yo, yo, if you gonna hit my.

[Joe Budden]

Use the Finster.

[Ish]

Yo, don't use your page. My page. Like, I mean, protect us. Hold it down.

[Flip]

I ain't gonna lie.

[Joe Budden]

Anywho.

[Ish]

What?

[Erickson]

You're about to say something. You ain't gonna lie.

[Flip]

No, I ain't gonna lie. Like, it's hard for me to talk on these things because, you know, But I'll be wanting you get like. You get your off of me. Like, you could talk about it.

[Joe Budden]

I could talk about what?

[Flip]

Like, I like how you got it. Because that's. I feel the same way you feel, but I just fuck with him. I can't talk about it. Because what if it's really weird? Yeah. What if it's not TV and it's real? I don't want calling me yo. You know, man. D, pull up on. Yo, meet me in the braws real quick. Yeah, no, you good. Meet me the brs web. Get that.

[Joe Budden]

The br.

[Flip]

What up? See Andy right behind him. I don't want to smoke with them. Shout out to them. Yo, we, we. Yo, yo. Hey, yo. You avoid topics. Topic strategy is lit. You avoided that pap and ram. You avoided that click.

[Joe Budden]

He wasn't here.

[Flip]

You avoided that clip the whole day, the whole week off. Don't even mention it. Cause you love him.

[Ish]

I know what topics I'ma avoid and.

[Joe Budden]

Not say nothing about.

[Ish]

And I know the people on the.

[Joe Budden]

List of, hey, they could just stay off the bar.

[Melissa Ford]

I think everybody in here got that list for sure. You got people that if you come up.

[Joe Budden]

I do.

[Melissa Ford]

There was time something came up. You walked off like, yo, if you're doing that a walk Off. You can talk about it like we all.

[Flip]

Joe will give you that look, and he'll go. He don't ease his way in there. Pause. He's just like. And you. I don't care if your friend. I don't care if that's your friend. You. Yeah, what you want? You got to say something here, man.

[Ish]

It's fucked up, too. I try to keep that list short because with every name I add to the protective list, somebody else that don't.

[Joe Budden]

Deserve it is going to get it.

[Ish]

It way harder now because you can't.

[Melissa Ford]

Get it off over here. Yeah.

[Flip]

All right.

[Ish]

It's a up way to balance this sorry logic.

[Flip]

Hey, hold on.

[Ish]

You didn't always deserve it, man.

[Flip]

But the envy pop back on that list if you got that call after the homies call.

[Ish]

Yeah, homies on the list.

[Flip]

They called me, too.

[Ish]

He's on my list.

[Joe Budden]

Y'all niggas doing up there having too much fun.

[Flip]

You got me in trouble. Me after me at the diner.

[Ish]

I said, what?

[Joe Budden]

What?

[Flip]

What y'all doing up there?

[Joe Budden]

So y'all forgot we was having a good time.

[Ish]

Sometime when you're in the room, threw.

[Flip]

You right under the bus. That's Joe. That's his. He write the top line. He write the top is right on the board.

[Ish]

Oh, that my lot on here. No one made me. No one made me mad about it, too.

[Joe Budden]

The second I stopped talking about Envy, nobody talked about it no more.

[Flip]

Yo, that's Yo Jo.

[Joe Budden]

I said, oh, God damn it.

[Flip]

They were right.

[Ish]

Hey, soon as I shut that went right away. I'm a.

[Joe Budden]

Something's wrong with me.

[Ish]

Yo, I apologize for whatever I need to apologize for.

[Joe Budden]

That I've said over the last 10 years of this broadcast.

[Ish]

Sometimes I bugged out. I didn't always do the right thing. I didn't always make the right decision. But today, I mean, learning in real.

[Melissa Ford]

Time, growth and maturity, man.

[Erickson]

Right?

[Joe Budden]

Oh, man, learning in real time. That is funny. Flip Flop is a dick.

[Melissa Ford]

I threw him right under the butt. Hey, that's Joe.

[Joe Budden]

That's Joe.

[Melissa Ford]

He wrote the topics on the board.

[Joe Budden]

That's Joe.

[Ish]

That's up.

[Flip]

They let us get it off. It was a couple of weeks. I was just sitting here. I was like, joe, chill. He was going there. Yeah. You know what? Something ain't right. He did that. Figure, you know what? For some reason, that beer can spray looked a little funny. Something ain't right. Joe kept going. I'm looking at Joe like, I even brought up. I said, man, he was on tour, he was on Tour with them.

[Ish]

Shut up. Get out. What are you doing?

[Joe Budden]

Sorry.

[Melissa Ford]

Go rehash the whole.

[Ish]

Oh, man, I love Flip.

[Joe Budden]

Yo. Any of you see Brother Flip. Don't do it.

[Flip]

Don't do it. You can't see.

[Ish]

Don't do it, Brother Flip.

[Flip]

If you instigate me, I'mma do it.

[Erickson]

He said no, Joe.

[Flip]

Do it now.

[Ish]

What else we got on the list, Joe?

[Flip]

Just say the voice.

[Ish]

What else is on the list? What else is on our list?

[Erickson]

Unfortunately, we have to say rip to a couple of really big names.

[Ish]

Roy Ayers. I'm sad. I love you. Thank you for everything. You are a legend in my eyes, in my dad's eyes, and plenty of artists that have sampled you. I. You lived a long, beautiful life. We will miss you and we will love you forever. Thank you for your contributions.

[Erickson]

Yes. And in addition to that, unfortunately, Dwayne Wiggins, one of the founding members of. Tony, Tony.

[Ish]

Tony.

[Erickson]

It has been confirmed that he passed away. Yeah.

[Ish]

Come on. That is just heartbreaking.

[Erickson]

So heartbreaking.

[Ish]

Oh, I hate when you go on these streaks of pods where you have to say, rest in peace.

[Melissa Ford]

Yeah.

[Joe Budden]

And then it'd be people that actually played a huge part in your life. Come on.

[Ish]

Soundtrack of your life, Tony. They didn't say how, right?

[Melissa Ford]

Bladder cancer.

[Ish]

This on Dateline last night.

[Flip]

What the.

[Melissa Ford]

This triggered you?

[Ish]

Yo, maybe it ain't the time to.

[Joe Budden]

Talk about it because we ain't gonna be here too long, but this girl.

[Ish]

On Dayline last night, I watched two Datelines.

[Joe Budden]

One was the classic story of white guy tired of his wife.

[Ish]

Hey, come on, let's go hiking.

[Melissa Ford]

I'm going back.

[Joe Budden]

He kicked.

[Flip]

Don't laugh.

[Melissa Ford]

What?

[Flip]

You know what?

[Joe Budden]

Yo, white people are devious. This.

[Ish]

Yo, I flipped in a minute.

[Flip]

He said, where, but where?

[Joe Budden]

I'm going walk out.

[Melissa Ford]

I'm going to hold the pillow.

[Joe Budden]

I'll cut this whole.

[Ish]

Stop you giving Parks more.

[Joe Budden]

Working at it.

[Ish]

All right, all right.

[Flip]

I don't want to play you.

[Joe Budden]

Right.

[Parks]

Thank you.

[Flip]

Okay.

[Joe Budden]

Parks. Oh, my God.

[Flip]

Parks.

[Ish]

Anyway, what was the second line? Second date line? High school sweethearts, went to the same college, got married.

[Joe Budden]

She's a physician.

[Ish]

He works in it, but he also got a baseball team on the side that she helps with. Long story, less long. At some point, she starts scamming. He don't know that she's scamming. Okay, so she is borrowing money from everybody they know. His parents, her parents, small town in Virginia, all of their friends in the town. She hitting her white friends up for 250. 250k 500 grand, 600 grand.

[Flip]

My own family.

[Ish]

Yes, and everybody trust her sort of money. Anyway, the husband caught wind of it or started asking questions. So she say to herself, I'm going to kill him. So she go get some. She borrow insulin from the neighbor because the neighbor got a kid who was diabetic.

[Joe Budden]

Of course.

[Ish]

Okay, so she borrowed insulin from the neighbor, inject the husband with insulin. He passed out and is laying on the couch for like eight hours. She's refusing to bring him to the hospital, having his family and friends come visit him, see him on the thing and say, no, don't take him to hospital. Jerry hated hospitals.

[Joe Budden]

Don't bring him.

[Ish]

Finally, somebody bringing him to hospital, they.

[Joe Budden]

Do investigation, they find the insulin in the fucking in her fridge. And then she goes.

[Ish]

She goes to court. She go to jail for 11 years for the scam. I mean, for the scam shit. And then they brought her back for the murder.

[Joe Budden]

And even though it was all circumstantial.

[Ish]

Evidence, they found her ass guilty of.

[Joe Budden]

Murdering her husband and injected.

[Flip]

Well, he died from the incident.

[Ish]

He was 38 years old. He was mad healthy. He was like an athlete, a bodybuilder. I'm sitting there like, yo, white people.

[Joe Budden]

BRUH.

[Ish]

I watched 90 minutes of the damn Dateline, or was it 20, 21 of them. And I'm like, I don't think they going to explain to me the motive here.

[Erickson]

Life insurance. She's. She keeps asking people for money. So I would.

[Ish]

She was getting a lot of money. She.

[Erickson]

A lot of.

[Melissa Ford]

What she doing with the money, though? Was it up, like lifestyle upkeep or some.

[Ish]

Well, it's a pyramid scheme.

[Joe Budden]

So she was.

[Ish]

So she's taking from investors and paying back some people. She said that they were doing government contracts and if you down with this.

[Joe Budden]

She had a whole big.

[Erickson]

But did everybody. Anybody notice that her lifestyle kind of upgraded like new cars?

[Ish]

Well, no, because they took this family to be well off already.

[Erickson]

Oh, got it, got it. So she's doing it to keep up appearances. Got it, got it.

[Joe Budden]

I don't know why she was doing.

[Ish]

It, but don't kill your husband since high school with him.

[Melissa Ford]

You about to blow the scam up.

[Ish]

I just be amazed by white people's scams. White people's scams come with, like, audacity.

[Melissa Ford]

Like how they got America.

[Ish]

Her.

[Flip]

Yes.

[Ish]

You know how much discover you got to have to say, you know what? I'm putting insulin in you when you get. Go take a nap. You ever had one to fight with your girls and felt like, you couldn't go to sleep. I'm spilling too much now.

[Melissa Ford]

No, you're not.

[Ish]

Yo, y'all ever been in a fight with your girl and came to the realization, yo, she.

[Melissa Ford]

She could do.

[Ish]

I think that she could kill me. Y is sick.

[Joe Budden]

Yeah. Start looking at your different. Yo, you would kill me, wouldn't you? You would.

[Erickson]

Some of you are not.

[Flip]

Sometimes it happens.

[Ish]

Even if you didn't think that, you didn't go right to sleep. No, you've been in a fight where you didn't just feel like you could just take a nap right then and.

[Joe Budden]

There with your girl around.

[Flip]

No, we talking about the one with the outrage one.

[Joe Budden]

A.

[Flip]

No, the quiet one. The quiet one is cool, but we. I'm talking about the one where it's just like, I'm tired of it now. Like, all right, all right. And just let. You got it. You talking crazy out of here. It's my. You all right, all right. Oh, yes, your. Oh, yeah, you right. It's your. I got it.

[Ish]

My bad, big dog.

[Flip]

I forgot what I was. You go to sleep thinking your. You gotta look walking around. Yo, why you. You don't walk this much at night. Wasn't you good exercising?

[Ish]

Nah, you getting one of them fights where you could tell where you learned that. She got that twitch, like, oh, she just hunting a little neck. Did the little Michael Jackson Thriller.

[Joe Budden]

Right?

[Flip]

You're right.

[Ish]

And then you go like that flipped.

[Joe Budden]

I'm like, oh, no, this is your house now.

[Melissa Ford]

You right.

[Parks]

I forgot.

[Flip]

I forgot where I was. I forgot where I was. But you got it.

[Melissa Ford]

Then you look like, oh, and she been watching Snapped.

[Flip]

Yeah.

[Joe Budden]

Oh, all right. My last TV review. So I watch a show called Accused. That's really good.

[Parks]

Okay.

[Joe Budden]

And apparently they came back for season two, and I didn't know that that happened, so I was catching up on it.

[Erickson]

Did you see the one with Nick Cannon?

[Joe Budden]

No.

[Erickson]

Okay. It's a good episode.

[Joe Budden]

Is that in season two?

[Erickson]

I think so. Yeah.

[Joe Budden]

No, I watched the one where they bit off of the movie that we talked about with the. The sexy robot. The sex robot. Yeah. Subservient. Yeah. So this one is with two black people.

[Ish]

So.

[Joe Budden]

So the wife is working. She's a professional. She don't have time to him. He's asking for. She's like, no, she gets him a intimacy companion lie right there. And at first he's offended. Cuz I asked you for some. I didn't ask you to give me a robot. But it gets the robot. The robot is fine. They start the Robot is good at it. She get jealous of the robot. Anyway, not to spoil alert. She ends up killing the husband because he fell in love with the robot.

[Melissa Ford]

The robot that she bought him.

[Joe Budden]

And then when she went to court, they, they. They changed the footage to make it look like the robot killed the husband and she got off. Ooh, it's fire there. It's horrible. But black man didn't do nothing and he's dead.

[Melissa Ford]

Well, we know that's black man. That's all. Anyway, I spotted mad lies just from.

[Joe Budden]

You telling the story.

[Melissa Ford]

It's not gonna go that way.

[Erickson]

How would it go?

[Melissa Ford]

She's not buying nothing for you to. Okay, so it stops right there. And if. And if he asking her for some pussy and she's not giving him some.

[Erickson]

He going outside.

[Melissa Ford]

He gonna get some pussy.

[Erickson]

Yeah, okay, well.

[Ish]

And like, not me. If we lacking in the bedroom, we might be lacking in some other places too. So it's not just a sex robot. Like, it's the intimacy companion. So he's falling in love with the thing. The thing is designed to know him. Yeah, like, she know all his information. She start playing the piano. He's a pianist. Like, it was.

[Joe Budden]

It was wild.

[Ish]

But anyway, it's not an ad. Check it out. Accused. I think that's the last episode. And the black guy, we know him from somewhere.

[Joe Budden]

I just don't remember his name because I'm not male with the names.

[Melissa Ford]

All right, hold on. And the rips. We also want to say rip to DJ Funk. He was the ghetto house creator from Chicago.

[Parks]

Okay.

[Melissa Ford]

Rest in peace. It's like a subgenre of house music. Really, really, really big in Chicago.

[Ish]

He just passed away as well, so rest in peace.

[Joe Budden]

You, me, up with this DJ Funkin. And Tony. Tony, Tony.

[Erickson]

I'm sorry. Terrible.

[Joe Budden]

No, no.

[Erickson]

We're at the age where we are losing our legends.

[Joe Budden]

I feel like that was a health joke at us again.

[Erickson]

I swear, I feel like that was a health joke.

[Ish]

I ain't take that one again.

[Melissa Ford]

She got a couple in the bag, though. She ain't finished. That one. I ain't take as a help joke.

[Flip]

We can't crack jokes on Ms. Pilates. You can't say anything to her anyway.

[Ish]

She good.

[Joe Budden]

No, we can't say nothing about Ms. Pilates. OIC.

[Flip]

That's hate right there, Pic N. She look good, man. You kill it, man.

[Erickson]

Thank you.

[Flip]

Don't let nobody stop you, man.

[Erickson]

Was there at 6:45 in the morning today. Pilates, the gym.

[Joe Budden]

If I go take some old Olympic, I'm going to come in here growing up. I'm going come in here. Just in bad shape, man. That's why I just try to be natural. My body is a hospital. Yeah.

[Ish]

Let me let the hook rock for a little bit. I've been cutting it off too early. Ego.

[Joe Budden]

Y'all didn't see that Amber Rose interview on club.

[Flip]

I only saw the clip.

[Joe Budden]

All right, she. She did a. She gave her version of her versus Jocelyn. That was juicy. What else did she say? She said Kanye got with her by booking on a fake video shoot. Shout out to fake video shoots.

[Melissa Ford]

Shout out to the face.

[Joe Budden]

Shout out to fake video shoes. Effective. It works. It worked, bro. Instant gratification. Instant. Either she's available to do the vid or nah.

[Melissa Ford]

Fake video shoot, fake hosting.

[Joe Budden]

You booked a hotel, anything where she come to a city away from home and.

[Melissa Ford]

Yeah, yeah.

[Joe Budden]

Oh, yeah, yeah. Hotel. I mean, the whole.

[Melissa Ford]

Nah.

[Joe Budden]

Boyfriend not breathing down her neck.

[Melissa Ford]

Just gotta wait for a little bit.

[Joe Budden]

You know what I mean? Couple glasses of wine or something. Whatever she's into, she gonna be hungry at some point.

[Flip]

At some point. After the video.

[Joe Budden]

After the video, huh? Little Denny video.

[Melissa Ford]

You just landed. You hungry?

[Joe Budden]

Oh, yeah, yeah. Right off the plane. What you talking about, right off the plane? Little wet willies.

[Flip]

Be.

[Ish]

I though Wendy's just dropped the Junior Baconator. Come on now. What's up?

[Joe Budden]

That was looking juicy on the commercial.

[Flip]

Lot of that.

[Joe Budden]

Want that, man.

[Flip]

I love them. I used to. I mean, you want a what?

[Joe Budden]

That almost had me back at Wendy's.

[Flip]

You want a hamburger for Wendy? You talking about it's not 89 cent no more. Well, how much is the two dollar? Oh, man. Yo, I love you with a small fry in a four piece.

[Melissa Ford]

How one of them bookings like that? And I'm picking up two adult actresses from the city.

[Flip]

Are you knock them off.

[Melissa Ford]

So I'm like, yo, we going to the spot. It's food there. What kind of food? I'm running down the menu. These. We want McDonald's.

[Flip]

Yeah. I was like, oh, those be the ones they give it to, right? It gives you right in the car, man. Right in the car.

[Ish]

Just take me.

[Flip]

Open the door. Let's. Let's be adventurous. Let me put my head out the window. A girl.

[Ish]

Let's be adventurous.

[Flip]

A girl to eat McDonald's.

[Melissa Ford]

You could tell even if she bad.

[Flip]

If they eat McDonald's, they down for. If you eat fast food, if you have an option to take them to a. A nice restaurant or whatever. And they said, no, I want Chinese food. Wendy's or McDonald's. You went for a time.

[Joe Budden]

That's the girl that has given the ops her phone location and they will be there at your house.

[Melissa Ford]

Well, that's now. They weren't doing that before.

[Flip]

That's now. They wasn't doing that before.

[Ish]

Now, shorty, want a burger and fries real quick. And let's hurry up and get to the house.

[Melissa Ford]

You're gonna die.

[Joe Budden]

Yeah, you're dead, buddy.

[Flip]

We talking about getting. We talking about not it off in the. In the vehicle.

[Ish]

The parking lot.

[Flip]

Yeah, the parking lot. Hey, yo, you know, I remember. I remember police caught me one time in the car. What you doing? I hate. You know what I'm doing. I hate when they ask you that question. You have to answer.

[Ish]

Now I got to lie.

[Flip]

What y'all was doing? Oh, no, I was just.

[Ish]

That's how they.

[Joe Budden]

That's how they caught Mr. C. Rest in peace, man. Rest in peace. But that is how they caught Mr.

[Ish]

C. Mr. C would not get some privacy. That was at the junction in the car. No tent.

[Melissa Ford]

Cops was like, which time?

[Flip]

Moving on. I'm not. Don't put the camera on me.

[Joe Budden]

For real.

[Ish]

After you got caught the first time.

[Joe Budden]

He was still in the street.

[Ish]

That. He was in his bag. That's my thing, man.

[Joe Budden]

I love Mr. C. What?

[Ish]

I ain't turn on him like hip hop did with that after y'all talking.

[Joe Budden]

About, that's my man.

[Ish]

But come on, he was a good guy.

[Joe Budden]

Get a room, man.

[Parks]

Probably could have got a hotel room.

[Melissa Ford]

Hindsight, lover tried to lie.

[Joe Budden]

Here's the thing at lover tried to.

[Melissa Ford]

Line you, cuz we was making Mr. C jokes when it first happened, and then I ended up at. He used to run a radio station, like an Internet radio station that him and my man's had. So I'm doing my man's show shout out to Gotti and at level was present because he's like the owner of the station. So Gotti announced to me or whatever, and he was like. I saw him look over and go. He's like, yeah. Next thing I know, he had some people come try to lock me in a room. I'm like, yo, bruh. Cause he. He was like, I ain't apprecia. He was saying that all of that shit when it. Cause when it first came out was false and everybody making jokes. He. He was like riding for his man and had a problem with it.

[Joe Budden]

I love that all the C's friends was riding for him.

[Melissa Ford]

They was riding.

[Ish]

I absolutely love 97.

[Joe Budden]

Family was right.

[Ish]

It was I love that. Because again, at that time in hip hop, hip hop's response wasn't as sensitive.

[Joe Budden]

And delicate as it is today. They was handling C Hard.

[Ish]

And you don't know what could help lead to somebody's mental state.

[Melissa Ford]

Mental wasn't a. A thought back then. The you say how it could affect somebody. What nobody think about that.

[Flip]

I. I will say this. Let's remove it from C. But I can see why. Not with men, but go. Go to Pennsylvania.

[Ish]

Yo, my girl.

[Flip]

I can see my. Go to Pennsylvania Avenue, Brooklyn. I saw a nice one, I saw a bad one. I ain't going to lie.

[Joe Budden]

Ah, yeah.

[Flip]

I wish ish was in my spirit. Meaning, like, I had to talk game, cuz I could. I saw a nice one. Like, I want.

[Parks]

Why would you need talk game, cuz.

[Flip]

I wanted to ask him, what are you doing?

[Melissa Ford]

You ain't got to do this, right?

[Flip]

Yeah, you ain't got to do that. You ain't got to do this. She was fire on Pennsylvania in Brooklyn. You know that back street, my white cast.

[Ish]

I know what you talking about, cuz. I read it in the paper.

[Parks]

Yeah, sure.

[Erickson]

You've driven by it on the way to the airport.

[Joe Budden]

I don't drive to Brooklyn. Bad Brooklyn games. Oh, yo, listen, I'll go ahead and snitch on myself. So y'all know I always say that my girl goes out of her way to ruin my Instagram experience.

[Flip]

Yes, yes.

[Ish]

And in her defense, I think she.

[Joe Budden]

Has a different Instagram than I have. Like, I think she has Instagram plus or Instagram Premium, because she showed me on.

[Ish]

On her. She'll be looking at some cooking shit. And in the top right corner, it'll say a big picture of me with a heart. With a heart to something I like. That's not what she's looking, right?

[Melissa Ford]

You click it, show you three, and then it'll show you what they like.

[Ish]

It take you right to where your man is getting his off in his bag. And then at the bottom, it says, yo, Joe Budden. Like, but whatever. So sometimes she go on my followers.

[Joe Budden]

And then she'll hit me on the text. Yo, this catfish you following? Yo, this bitch, you follow him. She's 22, dog. Knock it off. What are you doing? The other day, she just popped up in the text. Yo, this chick right here, you following Catfish. And this other chick is a dude.

[Ish]

I said wait.

[Parks]

I said wait.

[Joe Budden]

Hold up.

[Melissa Ford]

Time out.

[Ish]

I said wait.

[Joe Budden]

Why you always playing around, dude?

[Ish]

How. Why you always. What you mean, yo, what exactly kind of dude? Show me Where I'm following to do, man. Sure enough, she sent me some.

[Joe Budden]

It was a girl, but her face was strong. It was an extra strong. I can see.

[Ish]

Wow.

[Parks]

Nice draw.

[Melissa Ford]

I get a little tricky.

[Ish]

I can see how looking at home, girl. Boy, it would get, man.

[Joe Budden]

Just unfollow, man. I didn't want that argument with the headache. I didn't want the headache. I'm all right.

[Ish]

Caught me, yo.

[Joe Budden]

Caught me slipping.

[Flip]

Do you take your, like, back?

[Joe Budden]

Huh? Yeah, sure.

[Ish]

Are you crazy? All immediately.

[Melissa Ford]

Every, like, now they got this where you could click one, like, one profile. It'll show you all the pictures that you like from them. Take them all back right there.

[Joe Budden]

I still be laughing every time they show. Then the clip will never die of me. On coup therapy, when Carmen was talking, I do the face like this.

[Ish]

I laugh every time I see that clip. But I'm like, yo, well, everybody in that room knew already.

[Joe Budden]

I was the only one who didn't know.

[Ish]

But I'm sitting there like, yo, y'all.

[Joe Budden]

Don'T hear this saying transition.

[Ish]

And, like, am I the only one deep in this? Shout out to Carmen.

[Joe Budden]

I still follow Carmen to this day.

[Flip]

But you don't mind that, though. You don't mind liking pictures. And I remember we. We tried to crack a joke on you about liking on Instagram a trans picture or gay picture. You said, nigga, I'm not. Not.

[Melissa Ford]

He's bisexual, so he don't.

[Flip]

He's not bisexual.

[Joe Budden]

I'm not bisexual.

[Flip]

He's not bisexual.

[Joe Budden]

No, not in the slightest.

[Flip]

But.

[Joe Budden]

But not at all.

[Flip]

But you said that. You told me. Itching myself, like, yo, I don't. I like. I like the picture.

[Joe Budden]

Yeah, I don't think that means anything. I don't think. Yeah, I don't think it's deeper than, like, if I'm friends with a transgender person and they post a picture and I want to support them, I'm liking it, right? That don't mean I want to you. That mean I support you. What you got going on. I know that. That's not how some of them.

[Flip]

Of course, the Internet don't think that. Oh, look, we got. We got. I'll be afraid, nigga, I went to stall. Is that.

[Ish]

I ain't.

[Flip]

Can't say that. I can't say that. But, yo, I'll be afraid, yo, the Internet. I know you. I know you talk about. Not you. I know what they talking about out there.

[Joe Budden]

Oh, my God. I can't with y'all.

[Flip]

They getting good with the night Parks. They getting good with the night.

[Ish]

All right.

[Flip]

Snippity stop. Are you sure that's you?

[Ish]

Move it right along. Moving right along.

[Flip]

It almost got me. It's almost got me, yo.

[Ish]

Oh, my God.

[Joe Budden]

Something is wrong with you. I don't have anything else that I need to share. I don't.

[Ish]

Jake. Getting good with the knife.

[Melissa Ford]

With the knife, Joe.

[Joe Budden]

What?

[Flip]

I'm not.

[Ish]

But you know what that means, right?

[Flip]

Yeah, I'm not as mature as you.

[Ish]

Joe, but you know what that means.

[Flip]

What?

[Parks]

A little. There's a little part of you.

[Joe Budden]

Yeah.

[Flip]

No, no, no. It might just be your pinky toe is.

[Ish]

Big flip.

[Flip]

Let me break it down.

[Joe Budden]

Big flip.

[Flip]

Sometimes you stand and you see somebody say, okay, I'm questioning it, but thank God that you have good friends around you that can say, yo, hold on, big dog. That right there in the club. Yo, I with you. I know how you feel. Chill.

[Joe Budden]

Oh, all right.

[Flip]

Good looking. And then you look like, damn, they get good with the knife in Brazil. Brazil? Are you dumb?

[Melissa Ford]

Hey.

[Flip]

Oh, you dancing to it. Oh, you know who wrote this, right, man? Oh, Jesus, no.

[Joe Budden]

Yeah, he did. He did. He did.

[Flip]

But come on, Joe.

[Joe Budden]

It was society.

[Flip]

I just got cursed out the other day on the Internet because of that, man. Music is music.

[Ish]

Yo, hold up now.

[Joe Budden]

All right, Let me preface this with.

[Ish]

The R and the door.

[Flip]

The R didn't end the R, but.

[Ish]

But them two he was running around.

[Melissa Ford]

With.

[Flip]

They was with.

[Ish]

Yo, yo, they know what. Nah, the ones he did the interview with.

[Flip]

All right, sleepers. Their parents was outside.

[Ish]

They wasn't up to no good. She said, you, mom had a plan.

[Joe Budden]

Oh, my Lord. All right, okay.

[Flip]

Yo, man, hold on, Joe.

[Ish]

They got rid of the.

[Flip]

Oh, they got. They packed him up.

[Joe Budden]

Oh, my Lord.

[Flip]

They packed his ass. I just saw. I just saw a podcast. I didn't watch it, but when he was singing on the phone, I'm like, who the is this? Like, they gotta be one of his peoples. Two white girls.

[Joe Budden]

Wait, y'all don't remember when the R was singing for the Honorable Elijah Muhammad?

[Erickson]

Oh, no, no, no, no, no, no, no.

[Flip]

Sit down there.

[Erickson]

No, let me save you from yourself.

[Flip]

Minister Farrakhan, not Elijah Muhammad.

[Ish]

Say nothing wrong.

[Flip]

Elijah Muhammad was gone by that time. You mean Minister Farrakhan?

[Ish]

No, that wasn't Farakhan.

[Flip]

He. He didn't sit.

[Ish]

That was Farrakhan.

[Erickson]

Yes.

[Flip]

Yeah, you trying to make a joke. You know what? You know what, R. Kelly, Let me.

[Joe Budden]

All right. We do have sleepers. Damn, my memory is bad. All right, that was Farrakhan there. Yeah.

[Flip]

Joe, you all right, bro? Why y'all keep clipping these balls? Cory. I know we gonna. We gonna go down.

[Ish]

No, we not going down. We are not going anywhere.

[Flip]

You started that.

[Joe Budden]

Rat.

[Ish]

Rat. You gonna rattle me and go right to the room somewhere some flipping that work.

[Joe Budden]

Damn.

[Ish]

We went down. But 50 grand a month. I'm cool.

[Flip]

All right, Stop it. Oh, my. Stop.

[Joe Budden]

Oh, yeah. No, it went around. It went around. What y'all doing out there?

[Ish]

All right. Do I have a sleeper? Do I have a sleeper?

[Joe Budden]

I feel like I kind of gotta play.

[Flip]

Tony, what are you playing?

[Melissa Ford]

Me too, man.

[Flip]

Man, show us something nice.

[Joe Budden]

I got it.

[Flip]

You be throwing a lot of shots in your sleep. Play some about enemies. My enemies.

[Ish]

Yo, they on vibes ass about them ticket prices.

[Flip]

Bar.

[Joe Budden]

Yeah.

[Melissa Ford]

Sky high.

[Joe Budden]

That's going to be a good show.

[Melissa Ford]

23. 23,000 was in the queue trying to get tickets the second the link went up.

[Erickson]

Wow.

[Joe Budden]

That's going to be a good show, though.

[Ish]

Though.

[Joe Budden]

I ain't going to lie.

[Ish]

All right.

[Joe Budden]

I'm doing it. I'm doing it for Tony. Tony. Tony. Man.

[Ish]

I am going with lay your head.

[Joe Budden]

On my pillow.

[Savon]

And just relax. Relax, relax was made to good. Here we are in the room together holding hands and it's going to get better. And I know that you're in the mood. Yeah. So put your purse down and take off your jacket. Oh, girl, yes. Relax, relax was meant to go. Won't you pull back the sheets and lay. Put your head above my shoulders. Let me tell you how I want to feel. You're the girl that knows my pleasure. So let me go down and find my treasure.

[Melissa Ford]

Let me see where my purse.

[Ish]

Makes.

[Savon]

A always relax, relax.

[Ish]

That is grand old music from Tony. Tony. Tony Dwayne, rest in peace. That record is called lay your head on my pillow. Available in your phone and on dsps right now.

[Joe Budden]

It's a six minute record. So. So I'll just do my own fade out. But if you got some time, let it ride out. It's beautiful.

[Melissa Ford]

It is. It's a great song. Rest in peace again. All right, I'm going Big Jersey, this is Lady London. Is you crazy?

[Joe Budden]

Yo.

[Tanner]

Ain't about me Basic make a rich nigga face it Real roasted and wasted. Let's put that on. Still fly when I'm naked Heavy he embrace it hating hoes can't see me need Lasik my beats with Jay Z trying to date me crazy you mad I just be hearing this dumb shit you said you better watch for you popping your shit watch you done bump in your head caught me the rolly cop me to wraith and when you see me you copy and paste I'm in your saved I'm all in your page bookmark folders that you named love other than your algorithm you got a thousand I take a thousand of them you took a thousand pictures I bet a thousand dollars within the crowd woman you ain't the baddest nothing you ain't a bad average we ain't cut from the same cloth same fabric you and her got the same body same plastic both of y'all going out sad tragic tragic ain't about me face it like a rich face it real roasted and wasted let's put that on so far when I'm naked heavy he embrace it hating hoes can't see me need lasik I'm a beats with Jay Z tryna you crazy I throw it up like you baby rats with a little boy party I throw it at Chuck E. Cheese I don't do nothing I'm still in a Julie you did all that you still in the uber don't do all that huffing and puffing I notice you bluffing I smoke on a like a hookah this ain't like I'm just too fake all your jewelry looks so fake I give a I'm too high man I need a screwdriver for my bracelet I'm a fly I don't do weak I don't lease it I pink pink slip and you know the truth got the coldest cool gray apr looking like it's older shoe come on ain't about me basic like a rich face it real roasted and wasted let's put that on and still fly when I'm naked heavy he embrace it eating hoes can't see me need la.

[Melissa Ford]

And that is is you crazy lady London again.

[Parks]

Big jersey shout out to Lady London. I am going to play some Roy a music via a sample that's snitching my bad Smith and Wesson home sweet home.

[Corey]

It'S straight up for all the cannabis sativa smokers out there in Bucktown we doing it like this, check it out this is the story of a place that we call home where the kids pack heat when it's time to roam everybody's on a scramble likes to gamble hopping on the white horse trying to get a handle on the fast pace that we call the last race step with precaution when you enter this place we got a spot on every block to make your dreams come true just come correct what the Snaps is all you do don't come crying broke still trying to cop the dope what wants a note do not you understand, bro we can't afford to take shorts or be playing sports. Empires need to be built Mac transport or even caught for them deceased ass and we still got the pound for y'all living what goes around comes back to the roots See you at the revolution in Crookly truth Another day another dollar death Pigs rushing the crib to catch a collar Now I'm fed what that face now me and my people taste brown Stay Your face down YK9 sniffs around what they found was irrelevant the we cause we they were set the representing cause of ruckus amongst us Now I got mo pigs rushing we handcuffing me taking hold of the wee we in the custody for crushing in Boston y wrestling in peace after going through the bullshit we get released to hit the streets where the war still on for all of y'all Cause they can't rule Lock behind the wall no time at all and fake no jack Perhaps when the gaps bend niggas won't even know what happened I'll be glad when my man come home good in this old motherfuckers grab your crumb until my nickn Red Hook Liquor shot to all my my in Revoid Liquor shot to all my in ro l a shot and all my in the 90s just liquor shot to all my shorties all around yeah Liquor shot to all my shorties out in bed style Liquor shot to all my shorties out in sea Liquor shot to all my shitties all in Bucktown LI Sh the eyes read Thomas Lead shred spine currency change hands from yours to mine Greenbacks talk floats on water Pager going north court coming from headquarters I was told if the secret code appears it means I'm wi1 dad prepare for warfare Fuck the troops we bring in the news for your loose folks so think smart Arrest the parks if you do start I spit the poor so being rich world is born There's a war going on Stand strong on your own too, Mr. Or come confront the grim ripper Black hoodie all black dusty fatigues bloody red eyes from puffing on the black weeds on creek he lurks in the shadow so when you sleep in the battle that'll be you till you won't live the time Salute to each and every hood label truth Doing what you gotta do to bring in the loot the time has come for Armageddon Give nurture to your seeds and load up your guns Done I'm catching vibes that something ain't right Getting little pit stomach filling up tight Damn these little nappy head G straight bastards running round town with the Gron trying to blast it ain't nothing sweet like the dark streets of bed sty Creeping population ended up in sea I take a ride through the Flatbush side See the dread in the court for support hit we off with the lie now slide through the field Seth blow, say hello to the family. Stick to Kim as planned Toward the east something's going on so burn the buzzing on my peoples and medina. Stay strong.

[Parks]

It's home sweet home Smith and Wesson. Rest in peace, Roy Ayers. Smith Wesson also has a new album. That's pretty dope. Go check that out. And Mel, you're up to bat.

[Erickson]

Alrighty. I am going to play new old music.

[Parks]

Okay.

[Erickson]

You know, in remembrance of Dwayne Wiggins. Tony, Tony. Tony. One of my favorite songs ever made. Whatever you want, my son. I wanted to play that actually, like.

[Ish]

A couple of months ago. It's cool. Ain't nothing wrong with it.

[Joe Budden]

It's okay.

[Savon]

Of things I hope you might be. Girl, you don't need no slip for me you just need someone who can Whatever you want Whenever you need Whenever you need me now maybe I should drive my show you my new ride or take you shopping out on the town but they make you feel your best I'll go out of my way to make sure you have everything.

[Ish]

I.

[Savon]

Want to be the one you will always be there to give to whatever you want, want Whenever you need me. Think that I will try to run a game on you I'll be there for you and now believe me when I say whatever you want girl now you know I've never been the time to have a lot of words so I tear these feelings I have for you they are so true I heard someone say that love can be so blind yeah, I'll give you your space to go Even though I always be there I will try to When I gave up you just assure us my way I'll be there for you and I will Whenever you need me Whatever you want, girl Whenever you need me Right there for you.

[Joe Budden]

So I know you, my son, you don't really know the average.

[Savon]

Whenever you need me, just call.

[Joe Budden]

All right. Yeah. Sing up, man. It's back in the day when you had to know the ad libs to the joint. Yeah, I mean when the singer wouldn't.

[Ish]

Do runs all through the end of the round.

[Savon]

Whenever you need me.

[Ish]

Rest in peace. Dwayne Higgins, Roy Ayers, DJ Funk.

[Joe Budden]

Hey, hey.

[Flip]

Gonna be shorthand today.

[Joe Budden]

What happened?

[Flip]

You're gonna be shorthanded today.

[Joe Budden]

Yeah.

[Parks]

Bench or headed all day?

[Ish]

Listen, man, remind me of the old days when that was the pod, like four people.

[Joe Budden]

Yeah, well, everybody had to have something to say. Be prepared. Well, research, pick each other up.

[Ish]

No dead spots. Four people. Not all of this nine, 10 people.

[Joe Budden]

That you niggas is used to this spoiled treatment.

[Flip]

No, you just did that.

[Joe Budden]

That's spoiled rotten that you guys are on. Look, it's four people. They feel like it's empty. All right, who's gonna do the talking here? Oh, is every. Is everybody okay?

[Erickson]

You asked for it.

[Joe Budden]

Let the fans.

[Ish]

Something felt like it was missing.

[Flip]

I'm just saying he's shorthanded. He's gonna be shorthanded.

[Ish]

I'm not short handed. I got Parks flipping.

[Joe Budden]

Melia and Ice was here for most of the show. And Ammani right, right there. My son is there. Corey is there. Look at Paul right there.

[Ish]

I ain't short ending bad hands.

[Flip]

I'm.

[Ish]

It's Mad Hands Erickson here. Erickson and park is here.

[Joe Budden]

Show getting done.

[Flip]

I'm just saying, like, you know, I got. I have to leave as well. So I'm just, you know, that's why I was saying that.

[Ish]

Oh, I didn't know that.

[Joe Budden]

You leaving or now I'm shorthanded.

[Ish]

You're not saying a Patreon.

[Flip]

I give you. Don't do it. I got, you know, it's a lot. I bit my lip.

[Joe Budden]

You're not saying for Patreon.

[Ish]

You doing a hat. Damn this piece.

[Flip]

Joe, you know, I got a lot, you know, everybody flying in. You know, I got a lot going on, Joe.

[Ish]

They gonna fly in anyway. They flying in whether you.

[Flip]

I had to go this morning. They had to go book some hotels. I had to do a lot.

[Joe Budden]

They don't you do that over the phone?

[Flip]

No, they don't.

[Joe Budden]

Right.

[Parks]

On the Internet. Yeah.

[Joe Budden]

Good.

[Flip]

Not to pay for it.

[Joe Budden]

Yeah.

[Flip]

They need a card on file, and you have to. The type of hotels I'm putting them in. They need to see me.

[Ish]

I mean, they'll hold the room. They'll hold the room.

[Flip]

Yeah, true.

[Erickson]

So a credit card authorization form wouldn't work.

[Flip]

Yes, but some of the. You have to three days prior.

[Ish]

Oh, oh, all right.

[Joe Budden]

So you're doing a half day today.

[Flip]

Don't start.

[Joe Budden]

And really, it's a half. A half?

[Ish]

Yeah, like a quarter of the day.

[Flip]

Joe, don't do that to your man. I Came in, held it down.

[Erickson]

We were so glad to see you.

[Flip]

Yes, I did my thing.

[Parks]

Paul did your thing.

[Ish]

Thank you.

[Joe Budden]

You really did. The team called me.

[Flip]

The team been calling me, you know, giving me. Me saying that, you know, I've been pretty good. That feels good.

[Joe Budden]

No, you've been doing good. Seriously, all jokes aside, I appreciate that.

[Flip]

That means a lot.

[Joe Budden]

Yo, my man is leaving after a.

[Flip]

Quarter of a day, so only if we get to turn up the first. The first 30 minutes of it. You know what, brother Joe?

[Joe Budden]

How you gonna leave after a quarter of the pay? I mean, the day, like. Come on, man.

[Flip]

Quarter of the what?

[Joe Budden]

Of the day.

[Flip]

You said something before that.

[Joe Budden]

I said pay, but it was a mistake. Oh, I didn't mean to do that.

[Ish]

Yeah, we got to play more ball.

[Joe Budden]

We got to play ball again sometime soon, man.

[Flip]

Are you. How's your body feeling, Joe?

[Joe Budden]

My knees are out of socket, but.

[Flip]

Did you call Michael Paul to check if something going on?

[Ish]

What you need?

[Joe Budden]

No, I did the first thing I normally do, which is give time time, see if my body will just heal itself magically while I'm sleeping. It has. Hasn't done that yet.

[Ish]

That little last move where I tried.

[Joe Budden]

To sham God, but I can't, so my knees buckled and I don't know what's going on. It's cool. I got bigger fish to fry. I got weight to lose.

[Flip]

I mean, of course you got bigger fish to fry.

[Ish]

Some of y'all out there body shaming me. I see y'all bodies. I just want you to know your bodies are visible too.

[Joe Budden]

Guy. It's tricky body shaming now, and I.

[Ish]

Vote to bring it back. Some of y'all bad built out there I've been silent on.

[Joe Budden]

Because body shaming is bad.

[Ish]

It is.

[Joe Budden]

But when you do it first, I.

[Flip]

Can get you back.

[Joe Budden]

Hey, it goes.

[Ish]

Some of y'all body shaming me went and got the bundle package out there from Dr. Ari and Dr. Paz.

[Joe Budden]

And them y'all got hips done legs.

[Ish]

Done lipo, stomach sculpture, tits done bbl, mouth done. Jawline done. Some of y'all got a lot done. Body shaming me do the hell with the Roy. I just want you to know I. I see it.

[Joe Budden]

I see it out there, man.

[Ish]

Y'all hold it down. Keep us in your prayers, Lord knows. Well, I've been reading the comments.

[Joe Budden]

It don't look like y'all been praying y'all ain't been praying for.

[Ish]

Keep us in your thoughts. Lord knows. We need to be there until the next time I bid you Ado, farewell, Adio. Cerebra, Diri. Hasta la vista. Arvois. So long goodbye or simple head? No will suffice. Remember, life is a series of moments and moments pass.

[Joe Budden]

So let's make this one last as if it's all we have. Hey, I mean, never shorthanded more better blues. Never shorthanded. Way more hands on deck than extremely blessed.

[Flip]

All right, man, don't throw shots at me.

[Ish]

Remember, hold it down, man. Everybody have a good weekend. Remember God is good. Remember Tupac. Kids, if don't nobody else care, he does. Ego. Hey, hold up, man.

[Joe Budden]

Let me check on y'all for the weekend.

[Ish]

Anybody got weekend plans? Anybody doing anything exciting and fun?

[Parks]

Nothing planned, really. No.

[Flip]

I got the room this weekend.

[Joe Budden]

Hey.

[Ish]

Oh, let's go. Positivity highlighter.

[Flip]

Yes.

[Ish]

Yes.

[Flip]

I'll be sending.

[Ish]

Tell them where they can check it out.

[Flip]

Patreon.com flip the network.

[Ish]

I unsubscribed from that, but I'm still getting emails.

[Flip]

Why you unsubscribed?

[Joe Budden]

Because that's all I needed to see.

[Flip]

Nu.

[Ish]

Now for some more heat. Come back. I'm right back. Loaded.

[Flip]

Lux is in this one.

[Ish]

Hey, I saw he was the last name announced. I seen it. What you on, man, for the weekend?

[Erickson]

Just working on some H and B stuff.

[Joe Budden]

The H and B?

[Flip]

Hot and bother.

[Joe Budden]

Hot and bought. I thought that was the name of something else.

[Flip]

She thought she came up. She got a restaurant deal.

[Ish]

She doing something with the hot.

[Flip]

So let's go, man.

[Joe Budden]

Hot and bother. All right.

[Ish]

Working on some I like.

[Flip]

Look, that attire, too. What's that? What's that? Maroon. I asked her to stay.

[Joe Budden]

I mean, everything still going good.

[Flip]

She wouldn't listen. Remember that song?

[Ish]

Still going good.

[Erickson]

Hey, wonderful.

[Joe Budden]

That's right.

[Ish]

Protected. You don't know Maroon 5 protected girl.

[Joe Budden]

P.S.

[Flip]

You be turning on your white people.

[Parks]

I do.

[Flip]

Parks, act like you don't know who Maroon 5 is.

[Joe Budden]

Maroon 5?

[Parks]

I don't know the song you were singing, though, unless you were just out of key or something.

[Joe Budden]

Well, that could definitely be true. That could definitely be true. I'm not doing nothing this weekend, man. Be with my son. Love loving them down. Next weekend is my dad's birthday. Birthday. Yeah. We out to the timeshare, buddy.

[Parks]

There you go.

[Joe Budden]

Check us out. We in Atlantic City with ours for pop.

[Flip]

I like that.

[Joe Budden]

Doing it big for pop, man. Timeshare time.

[Ish]

Y'all are down out there, man. We love you. Peace, love, health, wealth and prosperity. Until next time. We are gone. Let me hear my mail, jbp jbp.

[Joe Budden]

Actually hold on I think I have that clip real quick we can end.

[Erickson]

It you body that mel that's hilarious.

[Joe Budden]

Wanted to get the out of here.

[Flip]

She said yo y not getting rid of me like that that easy really.

[Erickson]

Is can't play the drops she can't.

[Joe Budden]

Say who she really is.

[Flip]

You got to stop thinking that her she can't you think she can be.

[Ish]

Herself way better jbp.

[Erickson]

Where would you.

[Joe Budden]

Be without the jvp? My.