Episode 809 | "Willfully Obtuse"

Summary

The Joe Budden Podcast – Episode 809: "Willfully Obtuse"

Release Date: March 19, 2025
Hosts: Joe Budden, Flip, Malcolm, Parks, Melissa Ford, Ish

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1. Language and Redundancy: "Willfully Obtuse"

The episode kicks off with a discussion led by Malcolm, focusing on the redundant use of phrases like "willfully obtuse."

• Malcolm (01:21): "Obtuse means to be willfully sort of not understanding. It's redundant to say willfully obtuse, but everybody says it all the time."

Ish counters by explaining the necessity of double emphasis in certain contexts.

• Ish (01:36): "Sometimes you gotta double up on it. Sometimes you gotta double up on yourself. Redundancy."

2. Support for the Black Community: Lawyers and Healthcare

The hosts delve into the importance of supporting Black professionals, particularly lawyers and doctors.

• Flip (04:00): "Why don't you have a black lawyer? Why don't you have a black agent? Why don't you support our community by putting money back into blacks' pockets?"

Malcolm emphasizes his commitment.

• Malcolm (04:08): "I think a black lawyer. I think a black lawyer [...] I think a black lawyer [...] I think a black lawyer is essential."

3. iHeart Music Awards and Tributes

A significant portion of the conversation revolves around the appropriateness and execution of tribute performances at award shows. The discussion touches on artists like Mariah Carey, Prince, and others, debating whether tributes respect the legacy of the performers or merely serve as entertainment.

• Joe Budden (07:06): "I think it's a beautiful day outside."

The hosts critique various tribute performances, questioning their sincerity and impact.

• Joe Budden (43:08): "Tribute should improve. But who do you put? Like, how do you choose the person?"

4. Personal Stories and Emotional Well-being: Depression and Hope

Joe Budden opens up about his struggles with depression, influenced by global events and personal reflections. This leads to a broader conversation about hope and resilience.

• Joe Budden (11:25): "The world, yo. Just the world. ... I was like, oh, we gotta work."

Malcolm shares a heartfelt story about his father's battle with depression and the role of medication in his recovery.

• Malcolm (90:08): "The appetite inducer was actually also an antidepressant. I found out that a lot of elderly people are depressed and will be like, 'fuck it.'"

5. Legal Battles: Universal Music Group vs. Drake

The podcast addresses the ongoing lawsuit between Drake and Universal Music Group (UMG), exploring its implications for artists and the music industry.

• Ish (117:27): "UMG argued in a motion to dismiss. Instead of accepting the loss like the unbothered rap artist he often claimed..."

Melissa Ford criticizes the unethical practices of major labels:

• Melissa Ford (117:45): "They [UMG] are criminals who actively take advantage of all of their artists in perpetuity for their own gain."

6. Hip-Hop and the Music Industry: Tribute Performances and Contracts

The hosts discuss the dynamics of tribute performances, record deals, and the generational challenges within the hip-hop community. They highlight the complexities artists face when negotiating contracts and maintaining artistic integrity.

• Malcolm (120:03): "It's a predatory industry. And that's the problem."

7. Current Events and Celebrity Passings

The conversation touches on the tragic passings of celebrities like Robin Williams, Anthony Bourdain, and Philip Seymour Hoffman, examining their impact on fans and the broader community.

• Ish (52:40): "Anthony Bourdain, Philip Seymour Hoffman. When I saw that they passed away, I felt like, really, I'm with you."

8. Educational Initiatives: Harvard’s Free Tuition Offer

A brief segment critiques Harvard’s announcement to offer free tuition to families earning under $200,000, questioning its real impact and accessibility.

• Malcolm (107:53): "Most people who get into Harvard already make more than $200,000 a year. There's a class component to it..."

9. Community and Activism: Million Man March Reflections

Malcolm reflects on the significance of the Million Man March, advocating for organized activism to address systemic issues rather than internal conflicts.

• Malcolm (157:11): "I would have marched for structural things. I would have marched for systemic things. I would have been fighting for a power."

10. Advertisement and Promotions: Prize Picks

The episode transitions to promotions, with Joe Budden advertising Prize Picks, a real-money sports action platform.

• Joe Budden (62:31): "Prize Picks is the best place to get real money sports action... Use promo code JBP, you get $50 instantly after you play your first five dollar lineup."

11. Closing Remarks and Music Drops

The episode concludes with the hosts sharing and discussing original music tracks, celebrating their creativity and connection to the themes discussed.

• Malcolm, Flip, Melissa Ford, Parks, Ish, Joe Budden engage in a collaborative music session, showcasing their talents and reinforcing the communal spirit of the podcast.

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Notable Quotes:

• Malcolm (01:21): "Obtuse means to be willfully sort of not understanding. It's redundant to say willfully obtuse..."
• Joe Budden (07:06): "I think it's a beautiful day outside."
• Melissa Ford (117:45): "Universal Music really needs to do better in their treatment of the artists..."
• Malcolm (90:08): "The appetite inducer was actually also an antidepressant..."
• Joe Budden (43:08): "Tribute should improve. But who do you put?"

---

Conclusion:

Episode 809 of The Joe Budden Podcast, titled "Willfully Obtuse," navigates a blend of linguistic critiques, deep dives into community support, the ethics of tribute performances, personal battles with mental health, and the tumultuous nature of the music industry. The hosts balance serious discourse with lighthearted banter, offering listeners a comprehensive exploration of contemporary issues intertwined with personal narratives and industry insights.

For those who haven't tuned in, this episode provides a rich tapestry of discussions that reflect the complexities of language, community advocacy, and the ever-evolving landscape of the music business, all delivered with the signature randomness and camaraderie that defines The Joe Budden Podcast.

Transcript

[Joe Budden]

The thoughts, views, and opinions expressed by this podcast whose bullets its hosts offer entertainment purposes only. I repeat, it is not serious. It is not real. No one is exposing, revealing, indicting, or telling you anything about themselves. Also, we do not encourage you to try this at home. We are trained professionals who do not have your best interests at heart or our own. Enjoy the show.

[Malcolm]

Oh.

[Flip]

Oh. See, I started recording. I was just yelling. How you doing?

[Parks]

What's up?

[Melissa Ford]

I'm good. How you?

[Flip]

Are you looking at me like that? How you doing? All right. I can't see. I can't see through them glasses.

[Parks]

As dark as hell.

[Flip]

Night crawler glasses. I can't see to the cyclops.

[Joe Budden]

Good.

[Ish]

Why'd you have your hand up?

[Flip]

Huh?

[Ish]

Why'd you have your hand up?

[Flip]

Meaning that I yield. I yield.

[Joe Budden]

Okay.

[Flip]

I yield because we've been using. I digress. Wrong.

[Melissa Ford]

Yes.

[Flip]

When somebody been checking me on their social media.

[Joe Budden]

I digress.

[Flip]

It's not.

[Joe Budden]

I yield.

[Parks]

How do you properly.

[Flip]

I don't know. You gotta ask him.

[Malcolm]

But I know we use a lot of words wrong. I just get my chill. I make a list, and every once in a while.

[Flip]

That's fucked up. You're not doing it.

[Malcolm]

I feel like once a month I'll intervene.

[Flip]

You're not down to help us.

[Malcolm]

Like, today's word is. Y'all say willfully obtuse all the time. Obtuse means to be willfully sort of not understanding. It's redundant to say willfully obtuse, but everybody says it all the time. It drives me crazy. But I said I wouldn't say anything about it. But since it came up.

[Flip]

Your homegirl said anything about it.

[Ish]

I absolutely did. Because sometimes you gotta double up on it. Sometimes you gotta double up on yourself. Redundancy.

[Joe Budden]

All right.

[Flip]

There you go. You try to put that on us. Are you hungry?

[Malcolm]

I said us. Us. We don't say that. Other people have said it too.

[Ish]

I was the last one to use the phrase, and I meant to use it for, like, to double up on it.

[Flip]

Oh.

[Ish]

Like literally, when I say your mark, when I say the thing, like, when I say, like, you're so repugnant, the word repugnant finds you repugnant kind of thing. Like, that's my intention.

[Joe Budden]

Yeah. But let's get back to this wolf leave tooth thing.

[Flip]

So your intent is to double up? Double shot of expressing your intent is to.

[Ish]

Sometimes. Sometimes I feel it necessary to do so.

[Joe Budden]

Yes. What do you think about that?

[Malcolm]

I think it's a beautiful day outside.

[Parks]

It is a beautiful day I love you, Mel.

[Malcolm]

How you doing today? You good?

[Ish]

I'm fantastic.

[Malcolm]

Love you, Flip. How you doing, brother?

[Flip]

I'm doing well.

[Joe Budden]

I'm on Mel's side in this one. It's like when we say tuna fish.

[Malcolm]

Right, Right.

[Parks]

As opposed to a tuna, right?

[Ish]

Oh, obviously being a tuna.

[Flip]

It's your tuning. Got it. Okay.

[Malcolm]

Yeah, right.

[Flip]

I see the type of shit yellow on.

[Melissa Ford]

Yeah, they don't for sure.

[Malcolm]

But we digress.

[Parks]

Willfully digress.

[Flip]

I yield. I love y'all. Let get off. We sound crazy sometimes we be especially me sound crazy, yo.

[Malcolm]

Oh yeah.

[Ish]

What have you been listening to?

[Flip]

Just people. Just professors. Hey, yo, you saying a lot of wrong up there.

[Malcolm]

It's not just you, it's everybody I get.

[Flip]

Hey, but you don't help. I don't think you for the black man like I thought you was. I don't pretend to be.

[Malcolm]

Check my phone.

[Flip]

You was shitting on people.

[Malcolm]

My lawyer, My attorney. So get with the home team, baby.

[Flip]

Oh, so you only let me laugh? Let me just laugh. Hold up.

[Joe Budden]

No, that was really funny.

[Flip]

Marcus, we gotta ask. Ask him the question. So you don't believe that you have.

[Joe Budden]

A black lawyer that should be investigated? Yeah, get him, Flip.

[Flip]

You don't believe you should have a black lawyer?

[Malcolm]

No, I think you should. I think you absolutely should.

[Flip]

Can you?

[Malcolm]

I think a black lawyer.

[Flip]

Why don't you have a black lawyer? Why don't you have a black agent? Why don't you support our community by putting money back into blacks pockets?

[Malcolm]

I put money in the blacks pockets every day.

[Flip]

No, let's talk about that.

[Malcolm]

The ones that support the blacks.

[Flip]

What about your lawyer and your attorney?

[Malcolm]

It just worked out that way.

[Flip]

Same thing.

[Malcolm]

Honestly, it just worked out that way. When I went into William Morris Endeavor, I would have happily.

[Flip]

Don't be shouting at you. Don't be shouting at yourself.

[Joe Budden]

Hey, put your mic down a little more until your mouth falls. Cause this is about to be awesome. I want to hear every word. I don't want to miss a thing.

[Flip]

And what doctor you prefer? What type of doctor?

[Malcolm]

I bought mine, so it don't matter.

[Parks]

Huh?

[Malcolm]

That's what I heard.

[Ish]

No, he didn't say doctorate.

[Malcolm]

Oh, I'm sorry.

[Ish]

Yeah, I know. It's okay though.

[Parks]

Wait, you bought your doctorate?

[Malcolm]

That's what I heard on the Internet yesterday.

[Flip]

What did you say? What doctor do you prefer to like to perform an operation?

[Malcolm]

Oh, like the race of the doctor. My doctor. You know what? I do have a black doctor. I have a black woman doctor and a black woman dentist.

[Joe Budden]

Oh, yeah. Good choice.

[Ish]

Good choice. Good choice. You know that there was a study done that.

[Malcolm]

Much better care.

[Ish]

Black women doctors.

[Malcolm]

Much better care.

[Ish]

Yes, exactly.

[Flip]

Yo, come on.

[Ish]

A peer reviewed study, ma'am, please.

[Flip]

Mel.

[Malcolm]

True.

[Ish]

Sorry.

[Malcolm]

I don't have to get a colonoscopy from a black man.

[Joe Budden]

Yo, it's a lot of y'all that's riding on the I support black women wagon. Archaeologists, a different type of horny. That's all it is. There's a lot of y'all that's waving the flag of the black woman doctor surgeon.

[Parks]

You missed it. He just said he's getting a colonoscopy from a black woman.

[Joe Budden]

You niggas are just horny next week.

[Parks]

That's a different level.

[Melissa Ford]

They always leave out a word. They always leave out a word. They support fine black women.

[Malcolm]

See, I don't even look at their faces.

[Melissa Ford]

Not today, Mark.

[Ish]

Happily, man.

[Melissa Ford]

Not today, Mark.

[Joe Budden]

That's hate.

[Flip]

That's hate.

[Ish]

He don't need you not even hating.

[Flip]

That's exposed hate.

[Ish]

I'm not hating.

[Joe Budden]

Don't be willfully obtuse.

[Malcolm]

When I'm looking for a doctor, I don't look to see if she bad or not. Cause like that.

[Joe Budden]

Yes, you do.

[Malcolm]

Nah.

[Joe Budden]

Yes, you do.

[Malcolm]

Not for a doctor.

[Joe Budden]

Yes you do.

[Ish]

When you're getting a camera shoved up your ass, I feel like you might not want her to be fine. Right?

[Malcolm]

Yeah, that's actually a good point.

[Joe Budden]

How come when men keep talking, it's gotta go?

[Ish]

A woman has the audacity to talk.

[Flip]

Yes, yes.

[Malcolm]

Sorry.

[Ish]

I think that's why I got fucking hired. But anyways, go off.

[Joe Budden]

Cause what I'm saying is one of those things where you have to have a penis. And I'm not beefing. I love you, but I think because you have a penis. Yeah. You don't have a penis. No, no, I'm not talking about yes.

[Flip]

Cleared up.

[Malcolm]

I was like, whoa. This episode took a turn.

[Joe Budden]

No, no, no.

[Ish]

I definitely don't have a penis. Definitely not.

[Joe Budden]

You want your doctor to be the best doctor.

[Flip]

True. Yes.

[Joe Budden]

I believe that.

[Flip]

Yes.

[Joe Budden]

Because you have a penis.

[Parks]

If she's a little fine, you notice.

[Joe Budden]

Other than what level of defined scale she falls on. Yeah.

[Malcolm]

When I get to the office.

[Ish]

Meeting you when I get to the.

[Malcolm]

Office, I'm not choosing her based on that, but when I get there, I notice. Yeah, okay. Yeah, yeah. But I ain't looking for. Whereas there are some jobs where I.

[Joe Budden]

Want to know how to blind to the.

[Flip]

Yeah, no, I'll take Rasputia. No, nigga.

[Melissa Ford]

Wow.

[Flip]

You know how you look.

[Malcolm]

But when I. But certain jobs, you do care. Like you want your agent to be attracted.

[Joe Budden]

This right here is why Bill Burr special was so amazing to me.

[Malcolm]

I love that I need to watch it.

[Joe Budden]

I love that it was so genius. And we'll talk about it later. But it was so he. He said a lot of just wild, but in the simplest of fashions.

[Flip]

That's it.

[Joe Budden]

I actually want to talk to y'all about something he said, but we should start the part. We should start the party down. All of them female doctors and surgeons be on.

[Parks]

I like that he said, I don't look at her.

[Joe Budden]

You and ish at the 6 a game boy at the concession stand didn't mention concession stand.

[Malcolm]

What are those talking about? Joe's turning me into a monster, man.

[Parks]

Joe.

[Joe Budden]

No, no, you've been. You've been kind of a monster.

[Malcolm]

Oh.

[Joe Budden]

How y'all doing? How y'all feeling? Feeling great.

[Melissa Ford]

Glad to be here.

[Joe Budden]

Good. Happy to see all y'all. Look at you. Get out.

[Malcolm]

Get out on set. Your ass causing trouble.

[Joe Budden]

Audience. I want to let y'all know Mariah Carey has really divided the room.

[Parks]

Very much so.

[Joe Budden]

Mariah Carey has really divided the room in a. In a way that I never thought I'd see.

[Parks]

Actually, I didn't think it was possible.

[Melissa Ford]

Yeah.

[Joe Budden]

Yeah. So I guess we'll have all of those.

[Parks]

I thought she was a cheat coat a little bit.

[Joe Budden]

And I got mad. Just bullshit written in my phone. I didn't want to tell y'all and fill that whole board up. It is a bunch of bullshit. Great.

[Melissa Ford]

That's good. I'm down for it.

[Joe Budden]

All right.

[Ish]

What's that face for? Flip?

[Flip]

I'm just seeing where he's going today, that's all.

[Melissa Ford]

Okay.

[Flip]

I'm here to be a team player. I'm ready.

[Ish]

You're always a team player.

[Parks]

I would say always.

[Joe Budden]

Very, very rarely. Very rarely.

[Parks]

Being willfully obtus.

[Joe Budden]

Seldomly my team player.

[Flip]

Thank you, man.

[Joe Budden]

I appreciate it.

[Ish]

You're welcome.

[Joe Budden]

Oh, man. All right.

[Ish]

What do you got for us?

[Flip]

We waiting on him sometime.

[Malcolm]

You gotta double up on him.

[Flip]

Ain't gonna lie. You mean same.

[Parks]

That was a really good excuse.

[Malcolm]

Yeah, I was impressed.

[Flip]

He tried to put it on us, though. I gotta get him. That was nigga level of.

[Ish]

Hey, listen, look, baby.

[Flip]

Sometimes I just got done.

[Ish]

Sometimes you become a product of your environment. So you. That was a little complimentary.

[Parks]

I don't know if it was a little compliment.

[Malcolm]

No one felt complimented at all.

[Joe Budden]

At all.

[Parks]

Not even a little bit.

[Flip]

Okay. She said, I said that on purpose. She freestyled that immediately.

[Malcolm]

Yo, yo.

[Flip]

And she got serious, but she looked at me. They got some friendship. I ate that friendship.

[Malcolm]

That freestyle was crazy, though.

[Flip]

He said, yo, we sometimes up here say things. It's oxymorons. It's like, who said it? Who said that last? The man said, well, I said it.

[Melissa Ford]

Last, but I meant that.

[Flip]

Yeah, like, nah, point at that direction. Talk to each other.

[Ish]

But actually it's not oxymoronic.

[Flip]

What is it? Thank you. Help me. You know I'm saying wrong shit again. I wanted to learn. I don't want to be willfully obtuse.

[Ish]

I have a feeling this is the. You actually used it, right.

[Malcolm]

Good shit, man.

[Flip]

I'm learning.

[Joe Budden]

Killing the bars in hell. What you said. Got a pound off of that, yo. A pound used to mean so much more.

[Parks]

The value of a pound.

[Flip]

I'mma let you know. I'mma let you know you. I'mma let you know that I'm on your ass today.

[Joe Budden]

I gave.

[Flip]

I gave you a chance to chill and be humble. Don't pile up. I'm on you today. Now anything you say, I'm on your ass. I wore your ass today. Now the balls in hell. Cause he got a pound is just.

[Joe Budden]

Getting pounds for just like, whatever.

[Parks]

Yeah, yo, I'm full of. Yo, give me some.

[Flip]

Yo.

[Joe Budden]

Hey, man, I gotta fucking come to work and fucking laugh through my depression.

[Parks]

What are you depressed about?

[Joe Budden]

The world, yo. Just the world. As a non smoker, I didn't have the best sleep. Like I was in and out. Kept waking up on a part of the dateline that I didn't see falling.

[Parks]

Asleep to the date line.

[Joe Budden]

Just in and out of sleep, tossing and turning all fucking night. I wake up and Ian is talking stupid on my phone in a conversation. I tried to exit 90 times, but he wouldn't let it go. Just be so on the other side of something with somebody you love. Then I just got to thinking about sad as hell. I was like, oh, we gotta work.

[Malcolm]

Oh, oh.

[Joe Budden]

Oops, sorry. Hey, I gotta call upon the black classics. Mic check, mic check. One, two, one, two, one, two, one, two. Let's hear you.

[Melissa Ford]

I'll cheer.

[Flip]

You work every time.

[Joe Budden]

Let's see here.

[Flip]

I want to know, can you feel it too? So we go like this.

[Joe Budden]

Shout out to all the parents out there. Shout out to all the black people and the white people listening. We love you. And the Asians. And the Asians. That's true. All the brown people out there. The first and last time Listers. All the A listers out there. Hey, everybody at work through the depression.

[Parks]

I can't believe you let Ian get you depressed like this.

[Joe Budden]

No, it's not so much. Ian. You ever just look at all the, like, Professor X looking at the world with the mutants and just, like, not loving the effect of it? Like, oh, you ever just look at the results of all that come from you and you're like, I didn't plan on some of this with some of y'all.

[Parks]

Oh, you listen to a really bad podcast then, huh?

[Joe Budden]

Oh, my God. All right, man.

[Melissa Ford]

Sweet.

[Malcolm]

No place.

[Joe Budden]

There's no good place to cut that off. There's no good place to cut that off. It's not. Shout out to everybody at work right now. Shout out to all the hate groups, all the hate listers out there. Shout out to the patronage. Speaking of the billboard, doc. Shout out to anybody building that porch. What HOA thinks about it. That's right. Shout out to you. Adding that extra room, that whole extra dimension to the house.

[Melissa Ford]

Hey.

[Joe Budden]

Okay, Flip. You good?

[Flip]

I am.

[Joe Budden]

You cool? I see you. I'm watching you.

[Flip]

What? What you watching?

[Joe Budden]

I'm watching you.

[Flip]

How you watching me?

[Joe Budden]

I'm just watching you, that's all. Just watching.

[Flip]

I'm watching you too.

[Joe Budden]

Just watching you. High energy up in here.

[Flip]

Irs. Energy. Who irs. I'm watching you.

[Ish]

He's watching you.

[Joe Budden]

Oh, yeah.

[Malcolm]

Tax time.

[Flip]

Yeah. Hell yeah. Hell yeah.

[Malcolm]

Everybody ain't going to your ass too.

[Flip]

They are.

[Joe Budden]

Yeah. Don't worry about it.

[Flip]

They all my.

[Joe Budden]

Don't worry about it.

[Flip]

But I'm married.

[Parks]

Salute.

[Joe Budden]

Shout out all the married out there.

[Flip]

I learned from y'all. Y'all start to talk about it. All that refund.

[Melissa Ford]

What do you learn from me?

[Ish]

From you?

[Joe Budden]

Yes, sir. There. Yeah. I mean, we got 70 degrees in New York. They talking about shout out the. With a clean car out there. Shout out to everybody with. They Ross. They check out there. The weather getting nice. You heard.

[Parks]

Where's our Friday? We was on Friday. It was funny. My wife was like, you notice that everyone out here is, like, a little bit older? Like, yeah, cuz we haven't been outside for months. Like, we're not going outside in this cold.

[Joe Budden]

Yeah, we were outside this weekend.

[Parks]

The old.

[Joe Budden]

Hey.

[Malcolm]

All right.

[Joe Budden]

We got a great show lined up for you. Great show lined up for you today.

[Melissa Ford]

You just don't know.

[Joe Budden]

Everybody go to their family reunion this year. Let's go, let's go, let's go, let's go. Right? I told my baby moms. Yeah, let's have that talk about the summer. Give me my baby.

[Malcolm]

Yeah.

[Joe Budden]

All right, Mel, what's up? You good? You ready? You ready?

[Flip]

You ready?

[Joe Budden]

You ready?

[Ish]

Ready?

[Joe Budden]

You want to go get dressed? Mark, the camera's on. Mark, the camera's on. Cameras is on. I'm just telling you there's six of these mothers. They work good. They work good. Watch yourself. Be careful now.

[Flip]

It's seven. It's seven.

[Joe Budden]

All right.

[Melissa Ford]

Enough about this, all right?

[Joe Budden]

I'm with y'all. I'm with y'all. I'm with y'all. I'm with y'all. Here we go. Shout out to the postal workers out there. We got ring cameras. We can see you stealing the package. They don't give a at all. Enough fun. Enough fun. Enough fun. Enough fun. Best in the world locked in officially. Some of these drops right quick, man. Keep the applause going for the best crew in the universe. Is they talking about. Microphone check. 1, 2, 1, 2. 1, 2, 1, two. You know what time it is. Shout out to the first and last time listeners. You know what we're here to do. You know what we here for. I'm your humble, gracious, grateful, highly favored smoke free, fully dressed host. Are they talking about. What episode is this?

[Parks]

809.

[Joe Budden]

809. Welcome to episode 809 brought to you by Powered by Fueled by Price Pigs Prize Pigs game. All right, God damn it. And the most amazing crew in the world. Minus is Shout to our brother is whoever the he is. We should call him. Get right. Yeah, we should call him. Hopefully he's getting better. Hopefully that leg is getting right. Oh, some home cooked food, huh? Some rest.

[Malcolm]

He getting some more. I talked to him yesterday. He's still getting, getting. He's increasing his. His range on it. Getting, getting, getting stronger.

[Joe Budden]

Oh, he can take his time. Take his time. We want our brother to come back healthy.

[Parks]

True.

[Joe Budden]

Indeed. And the payroll is lessened. Applause for payroll being lessened for the month. Say I'm sorry. Stop. Look at you.

[Flip]

You want some broke. What's going on with you?

[Joe Budden]

Hey, we got to save up. It's tax time. Shout out to everybody making observations.

[Flip]

You know, I observed in a it.

[Joe Budden]

Get them receipts. Get the receipts out.

[Flip]

Gotta pay quarterly.

[Joe Budden]

Black. Oh, man.

[Flip]

Wanna buy? Nah, I ain't gonna say it. I ain't gonna say it. I ain't gonna say it.

[Joe Budden]

You cool?

[Flip]

I'm good. I'm good. I'm happy to be here, champ.

[Joe Budden]

All right. God damn it. The best crew in the motherfucking world to my right. Y'all know the Vibes. Y'all know the name. You know, the face. Face. The beautiful, the intelligent Melissa ford. Hey, big F4 next there. I didn't know that they were saying that you paid for a doctorate.

[Malcolm]

I saw that yesterday. Yeah.

[Ish]

It's fucking insane.

[Malcolm]

It's funny. I don't care.

[Ish]

And so can I be mad for you?

[Malcolm]

You can, but it don't. It don't matter.

[Ish]

How much would it cost to pay for a doctorate?

[Malcolm]

I don't know. I never thought.

[Joe Budden]

Cause Mel are gonna get that checkbook. You know, Mel got the checkbook now. I would too.

[Parks]

Yeah.

[Melissa Ford]

And.

[Malcolm]

Right.

[Melissa Ford]

That's my thing. So what?

[Joe Budden]

I'm about to get a college degree or some. What Meg thee stallion got what?

[Ish]

She actually went to school.

[Malcolm]

She went to school.

[Joe Budden]

They all went to school. Amber Rose went to College Hill. Everybody went to school.

[Ish]

Hey, college, what you're talking about?

[Joe Budden]

College Hill was giving out out something at the end of that.

[Ish]

Certificate.

[Malcolm]

Certificates.

[Joe Budden]

Certificates. I can go somewhere and give me a degree.

[Ish]

You could probably get an honorary degree.

[Parks]

They probably would.

[Joe Budden]

That's. That's what I'm saying.

[Parks]

Certainly in like broadcast media for sure.

[Malcolm]

I think Ramapo College.

[Parks]

You probably get a doctor for that.

[Joe Budden]

Oh, I should get a gold jacket or not.

[Flip]

Yeah.

[Joe Budden]

If it's that I'm getting a gold jacket.

[Melissa Ford]

Look them out. Jersey City.

[Malcolm]

Any of them Jersey schools? Yeah.

[Melissa Ford]

Oh, yeah.

[Malcolm]

Rutgers, Sam Sand, I think you. Rutgers, Newark.

[Melissa Ford]

They'll take care of you.

[Joe Budden]

Any of the New Jersey schools. I could live state. I could live state, huh?

[Malcolm]

Nah. None of that New York shit though. Maybe Pace.

[Joe Budden]

Oh my God.

[Ish]

Hilarious shout out to Pace. That was a shit.

[Parks]

Wow, man.

[Malcolm]

It was a shit. No disrespect to Pace.

[Parks]

Yeah, you just college shaved. That's crazy.

[Joe Budden]

Damn it, that's crazy.

[Malcolm]

University.

[Joe Budden]

See, I've been depressed for other people's stories too. Like I was staring at my little brothers over the weekend.

[Melissa Ford]

Like, I ain't.

[Joe Budden]

I've been like empath depressed. Like I'm staring at my two little twin brothers who about to go to college. One can't wait to get the out of that house. The one with the little girlfriend that he can't wait. He want to get far away, the other one want to stay. And I'm staring at them like, wow, man, you guys just been in your room for 17 years. It's the first time you're about to be split up away from your brother. My step kids about to go to college, twins in the house the whole time. Oh, yeah, now you're just going to school, separating from the. That I've been staring at my whole life.

[Melissa Ford]

That's sad. That is kind of rough.

[Joe Budden]

I would be sad about it.

[Parks]

I bet you for twins, it's even worse.

[Joe Budden]

Yeah.

[Malcolm]

Yeah.

[Melissa Ford]

That's what I'm saying. Yeah, that's a lot.

[Joe Budden]

They're almost crying looking at these little bastards.

[Malcolm]

They definitely go to different schools.

[Joe Budden]

Yeah, local. Because the scholarships start coming in for different schools for different kids, and it's like, yo, I'm gone. I'm going over here now. Local. That shit said he right for one. For one nigga getting the fuck out of there. Anyway, sorry. What we on? What we on? We did the intro, right?

[Parks]

We did.

[Flip]

Oh, no.

[Joe Budden]

Dr. Mark Lamont Hill in the building did not pay for the doctorate. Fuck is you niggas talking about out.

[Malcolm]

There next to him?

[Joe Budden]

The queensiest of them all. Queens. Flip queens. Get the Money is in the building. Freeze is here. Elizabeth's finest. Y'all know the vibes. Mr. Money told him. Freezing. Mr. Take it further. Big Parks is in the building. Corey is here. Well, oh, Ian is here. Erickson is here. If Ian is here, that means Keeb is here somewhere. Savon and Tanner here by remote. Last but certainly not least, each and every one of you guys are here. All right, what's poppin?

[Melissa Ford]

What's good?

[Joe Budden]

What's poppin? What's poppin? What's poppin? What's going on?

[Melissa Ford]

How's everybody weekend?

[Flip]

Great.

[Joe Budden]

You know, old.

[Parks]

I was outside a little bit, had a good time.

[Ish]

Shake your ass a little bit.

[Parks]

It was more of a bar hop than an ass shake.

[Ish]

Okay, all right, all right.

[Parks]

Yeah, more of a hop. Yeah, it was a good bar hop. It was a good bar hop. Ended up at this really weird Irish bar.

[Ish]

That was St. Patrick's Day weekend.

[Parks]

Well, we did that too, but this was Friday. This was a preemptive St. Patrick's Day.

[Joe Budden]

I didn't even know that till the news came on this morning. I ain't gonna lie to you.

[Flip]

Facts.

[Parks]

It was a little quiet out there.

[Joe Budden]

That's how in the house I been.

[Parks]

It was a little quiet out, but we went out and had a little corn beef cabbage. Get us yummy. Well, I did. She had whatever she had, but it was fun.

[Joe Budden]

We.

[Parks]

We had a good time this weekend.

[Malcolm]

Corn beef cabbage and. And beer.

[Parks]

That's right.

[Malcolm]

No, I was farting on my bathroom be a shambles.

[Flip]

Jesus.

[Malcolm]

I woke up to my.

[Joe Budden]

Like, God damn, that's me.

[Ish]

D. I'm bad.

[Flip]

Woke himself up. What's that smell? Oh, it's that Smell. I know what you talking about. Fox. That is nasty.

[Joe Budden]

Chill.

[Flip]

Let's be 3 million listeners.

[Melissa Ford]

He's crying.

[Flip]

Look funny. It's up.

[Malcolm]

You was outside Ice.

[Melissa Ford]

No, no, not at all. In the house. I stayed in the house all weekend binging TV shows.

[Malcolm]

Same.

[Joe Budden]

I'm old.

[Melissa Ford]

Yeah.

[Malcolm]

I went to a middle school basketball game. That was it. I may have been warned once to not yell at the refs. They were asking for it.

[Parks]

The refs?

[Malcolm]

Yeah, yeah, they. I mean, you can't. You just can't not call a walk. They weren't middle school. I'm sorry. They were nine, yo.

[Melissa Ford]

What? They not nine year olds, bro. They not gonna call a walk.

[Malcolm]

Yeah, but you can't. You gotta call them both. So Ian called me in the middle of the game. I was like, yo, I'm at the game. These refs are fucking up. He's like, don't get kicked out of a middle school or a little kid game. I didn't get kicked out, per se. That's.

[Joe Budden]

That would be embarrassing.

[Malcolm]

But I did get a warning. I got a stirring warning.

[Melissa Ford]

One more time, we gonna have to ask you to leave.

[Malcolm]

Yeah, my thing is just call the double dribble. No, no, they're not.

[Parks]

They can barely handle the ball.

[Malcolm]

No, they're not gonna learn.

[Joe Budden]

That's the best part about youth athletics, though. Like acting a fool at the game. Yeah. Yeah, it is. Yeah.

[Malcolm]

We was jumping up and down, screaming, running. My man ran out the door. You know what I mean? When the game get tight, it's fun. It's fun to watch. Yeah.

[Joe Budden]

Especially if it's like a bunch of white families there.

[Malcolm]

Oh, yeah, that's what it was. We were the black section.

[Joe Budden]

Yeah. Yeah, yeah.

[Melissa Ford]

There you go.

[Joe Budden]

Yeah. Yeah.

[Malcolm]

Signs and the pom poms and all that stuff.

[Melissa Ford]

Act a full ass out there.

[Malcolm]

Yeah.

[Melissa Ford]

Only me get them a little nervous. Just a little, honey.

[Joe Budden]

Watch them and take a while at the food truck and just stand there asking, Mac, what you got, man?

[Melissa Ford]

What that come with?

[Flip]

Mad ignorant. Mad ignorant. Let me get.

[Melissa Ford]

Let me get everything. Somebody starts.

[Flip]

No, you good. Let me get everything on it. Matter fact. Give me another hot dog. You want one? Yeah. Them get them a hard time. We walk in front of them while they. I don't give a. Your people be having some nerves, yo. They talk out of St. Patrick's Day. Man. I forgot my St. Patrick's Day.

[Joe Budden]

Yeah. Nah, me too.

[Flip]

This used to be lit. When I was here, it was a Monday.

[Parks]

It's a rough day for a holiday.

[Joe Budden]

The news this morning Especially a drinking holiday came on. They started showing you the St. Patty's parade. See, that added to my depression, too.

[Flip]

I forgot about that.

[Joe Budden]

Added to my depression, too. I'm seeing these niggas, they like, this is the longest tenured parade. It's been here. We've held this here for hundreds of years. I'm like, so let me get this straight. Everybody get a parade except for some niggas?

[Flip]

No, that's not true.

[Joe Budden]

What parade we got?

[Flip]

We got the African American parade at.

[Melissa Ford]

Home in Brooklyn right before Labor Day.

[Flip]

Hold on. They got the Labor Day Parade. They got the Dominican Day Parade. They got the Puerto Rican Day Parade. They got the African American Day Parade.

[Malcolm]

I should be like, in a day in Harlem.

[Joe Budden]

Yo, what are y'all talking about? We got Harlem Week. We got Harlem Week.

[Flip]

The African Day Parade. African American Day Parade. It don't be broadcast as much.

[Melissa Ford]

It ain't no tv.

[Joe Budden]

Eastern Park. Hey, let me tell y'all niggas in Brooklyn, so, you know, we all go.

[Flip]

Watch yourself.

[Joe Budden]

Hey, let me tell y'all. Y'all got about maybe one more of those up there before they pull the plug.

[Flip]

They've been saying that for years.

[Joe Budden]

I know, I know. And every day, every year they don't.

[Flip]

Do it, Somebody get shot.

[Joe Budden]

Kill more niggas. Since I was 17. Since I was 17 years old.

[Flip]

It's not more people that died. Yo, I was there. I was there last year.

[Ish]

So it's getting safer.

[Joe Budden]

Flip, I'm not from one of. A shooting, to me, is as bad as. As a murder. Like, if a nigga lived. The fact that you shot. The fact that you shot at all these people here, all the shooting. Oh, my God. On Dateline. All right, enough of Dateline. But the girl and her roommate, the girl's ex, came in and shot both of them in the head.

[Flip]

They lived.

[Joe Budden]

The roommate, the bullet got stuck in a place where it kept her alive the whole time.

[Flip]

Oh.

[Joe Budden]

Oh. She didn't bleed out. She laid there for nine hours. The cops came and got her to a hospital.

[Flip]

She lived.

[Joe Budden]

Lived.

[Parks]

Good for her.

[Joe Budden]

So she come into courts, about to testify.

[Flip]

Don't laugh. Oh, man.

[Melissa Ford]

She was. She was a little.

[Malcolm]

All right.

[Joe Budden]

No, but she testified and she forgave him and she handed him a Bible. He still went to jail, but.

[Parks]

But he had a Bible to go with, right?

[Joe Budden]

Material.

[Flip]

She came in different.

[Ish]

Good for her. Well, yeah, forgiveness.

[Joe Budden]

She's a little different now. Okay, but her speech is fine. Okay. Her eye is a little wonky.

[Ish]

Yeah.

[Joe Budden]

And she can only use one arm. Now. Oh, but she's a lot. All right, come on now. What are we talking about? What are we. I'm all over the place. What are we doing? What are we doing?

[Malcolm]

What's about living and dying? You came in here and had me think Mariah Carey was dead.

[Parks]

Oh, my God.

[Malcolm]

You made my heart stop.

[Parks]

You're not gonna walk that one in at all, huh?

[Malcolm]

Is that a bad place to start?

[Joe Budden]

I'm rolling.

[Malcolm]

No, let's go, man. He's like, all this was gonna. Everybody. First of all, all y'all was somber. He wearing black. You wearing black. You wearing black. I'm thinking I missed some shit. Cause I had some emergency today. I come in, you, like, write the Mariah tribute on the board. I'm thinking, mariah died. I got hit by a bus or something.

[Parks]

Mariah Carey is not anywhere here.

[Malcolm]

I was like, what happened to Mariah Carey head?

[Parks]

She doesn't even know buses exist.

[Flip]

We were talking about real. We would. How it started is that we were talking about the shade that Mariah displayed against money long while she performing Mariah's song. So we were talking about tributes and how, you know who accepts and who's receptive to tributes. Who has done a great tribute to a person that might still be alive or might passed away. So that's how the conversation with Mariah happened.

[Ish]

And so one of the good examples was Dionne Warwick and Luther.

[Flip]

I brought that up. Yeah. And then I played it.

[Ish]

It seemed to.

[Joe Budden]

Wait, hold up, hold up for two seconds. Because y'all about to make us sound like we had sense during that talk.

[Ish]

Oh, no.

[Flip]

Then we went, why you want to my shit up? I'm finally starting to do good.

[Joe Budden]

We coming back. We gonna come right back to. We coming right back. Save this sensible moment that you about to have. No, you can do it. You can do it.

[Malcolm]

You can do it.

[Joe Budden]

Save this sensible moment.

[Ish]

Put it in it.

[Flip]

Okay.

[Joe Budden]

We started telling brother Mark that that's you. Cuz when I go to sleep early now I got to put it on, right?

[Flip]

He depressed when n depressed. When niggas depressed. They want all type of recognition, acknowledgement from their loved ones. He wait for it. Did you text me? You text me? He asked for the text. Y'all miss your text?

[Joe Budden]

Dad, wife got in a car accident.

[Flip]

Oh, my God.

[Malcolm]

Is she okay?

[Flip]

I know how he feels. Cause I get like this. He's not wrong. Like, you just start to look at shit around you like you look at your kids.

[Joe Budden]

He's right. He called this morning with how much the insurance will put on the rental car. Nigga, I knew that yesterday when you called yesterday, I knew that they only had $50 for you a week for the rent a car.

[Flip]

That's not true.

[Joe Budden]

Dollar a day. I heard black people go through this beef for years about what the insurance company is willing to put on your rental car.

[Flip]

$30 a day.

[Melissa Ford]

It depends on.

[Joe Budden]

Your insurance company clearly don't never been to the rental car plate.

[Flip]

They don't get. They want you to get the kid $30, get it done right.

[Melissa Ford]

What you don't realize is what that 30 get.

[Flip]

You always want to go to the rental, get the fly.

[Melissa Ford]

That's $70 a day.

[Joe Budden]

I didn't even know the rental had other plates. Other joints apply.

[Melissa Ford]

You get a hellcat down here, right? They got the shit there, so they.

[Flip]

Cover the 30 and you play the. You play the rest. Yeah, you pay the difference.

[Joe Budden]

Wait, so when I go rent a car, when I go down south, somebody does it for me. So they reserve the fly shit. But when I get there and they start naming the fly shit, I don't be knowing what it is no more. Like, when they name the BMW, we got the X, such and such and such. I make them take me to go see it so I could get eyes on these motherfuckers. But anyway, back to Mariah. Mariah, Mariah, the legend. We tell Mark to write Mariah tribute on the board. Mark says, oh, my God, I thought she died. I was about to be. Oh, my God, so up and horrible. Oh, I was about to.

[Flip]

He said that.

[Joe Budden]

Which led into a. Oh, you was about to be that up if Mariah died.

[Flip]

Hell yeah.

[Joe Budden]

Conversation I would have as well. Somewhere in that.

[Parks]

And I don't like this. I. I feel like we gotta like, knock on wood, we love Mariah.

[Joe Budden]

Somewhere in that, somebody brought up who Mariah was dating.

[Ish]

Rumored to be dating.

[Flip]

Rumored.

[Melissa Ford]

Rumored.

[Joe Budden]

Rumored to be dating. And then Mark said, a bunch of hate.

[Melissa Ford]

A lot of hate.

[Malcolm]

You asked me what I thought about that. Because I said, damn. You said. I said, I didn't know I had a shot. All that time.

[Flip]

I didn't even hear that. But that's. That's why they were laughing.

[Malcolm]

Yeah, yeah.

[Melissa Ford]

He said, you let Terry move.

[Joe Budden]

Yeah. So I just want y'all to know how ignorant we've been in this. Oh, and then Ian chimed in and.

[Melissa Ford]

Say that he would never.

[Joe Budden]

He would never touch Mariah.

[Flip]

But, but, but I'm not. I don't disagree. I don't disagree with him. It's some people that no Matter how good they look, there's something about them that can make you say, I'm not attracted to this person, no matter how fake.

[Malcolm]

But that's not what he said.

[Ish]

That's not what he said.

[Flip]

But that's what he was saying.

[Malcolm]

He said, she's too old, basically.

[Flip]

No, he did not say that.

[Ish]

Yes, he did.

[Flip]

Yes, he's right there.

[Ish]

He did.

[Flip]

He said that I would not fuck Mariah Carey.

[Malcolm]

She just fell off. He says she fell off.

[Ish]

Yes.

[Melissa Ford]

Yeah, he literally said she fell off.

[Malcolm]

That means she's too old or. Or she's not in the condition she would be in to meet Ian standards.

[Melissa Ford]

She's not primed no more with superstars.

[Flip]

And Joe said.

[Malcolm]

Which sounds ridiculous.

[Flip]

Now, Johan, he tried to fuck the up and coming singer. He.

[Joe Budden]

His face turned red and said, oh.

[Melissa Ford]

Put a name on it. Put a name on it.

[Joe Budden]

What you talking about? A. I ain't got time for no more eating shenanigans.

[Flip]

Who? Which one? Put a name on the bully. He started thinking, you can't just throw out there like that on that man.

[Malcolm]

It's funny, you know, many waitresses in his.

[Joe Budden]

I could have threw him a name, but I wouldn't have done that.

[Ish]

I mean, it might not be appropriate. Now, listen, some people, some of you.

[Joe Budden]

Can see, yeah, that would be tough.

[Flip]

The older that they get. Or not saying Mariah. Mariah's beautiful. I think she's amazing. But some people see you, you lose that. You lose that attraction to them people. Be full of this.

[Malcolm]

What I'm saying, she needs be full of shit. Be full of.

[Joe Budden]

Did you think? Did you. This is my only question. You didn't think you had a shot at Mariah before?

[Ish]

No. Because who would, right?

[Joe Budden]

You do that so much.

[Flip]

Yeah, you do that so much, it.

[Joe Budden]

Seem like I'm suppressing you when I ain't.

[Flip]

Wonder Woman.

[Joe Budden]

Take your off, yo, I'm cornering your man. He don't even help when.

[Malcolm]

When I was single, I. I liked my chances with just about everybody. We go there, we go with a very small list.

[Flip]

Big mom who you thought you couldn't get at when you were single. Got to be somebody, Brad.

[Parks]

Carry Halle Berry.

[Flip]

She like you smart. You probably would. You know, I never.

[Malcolm]

I never thought about her in that way.

[Flip]

Oh, you see?

[Malcolm]

No, not in the.

[Melissa Ford]

Stop.

[Flip]

No, no, no.

[Malcolm]

Let me put it.

[Parks]

We just lying.

[Flip]

No, no, no, no.

[Malcolm]

That's not what I mean.

[Melissa Ford]

What I mean is never talk about it.

[Joe Budden]

Never looked at her, never.

[Melissa Ford]

Oh, she is attracted now.

[Flip]

Don't you mean she died he hit.

[Melissa Ford]

Wow. I never saw.

[Malcolm]

No, that's not what I mean. I mean, like, I've been very. I've friends with two people that she's dated, pretty good friends with one of them. So she's in the category of, like, that's my man's girl. So I just didn't think about, like, having a shot. I don't think about having a shot.

[Joe Budden]

Or you can just pop.

[Parks]

I didn't know you could put bullshit on bullshit.

[Flip]

But anytime you gotta double up.

[Joe Budden]

See.

[Ish]

How effective it is. See how effective that shit is.

[Flip]

Bullshit.

[Joe Budden]

All right, Flip, go ahead and be serious with this Mariah trick.

[Flip]

No, wait, hold on, hold on. Before we get into that, listen, there's some women out here and some celebrities, nightmare women that some niggas could say no to. I don't like how y'all was on Ian. All you guys attacked the poor man. And if he says, yo. He's not poor. If he says yo. Look, listen, guys, I am not attracted. I wouldn't sleep with her. You guys are supposed to respect that. I didn't like what you guys did.

[Joe Budden]

Too much of that going on.

[Parks]

You have to call your friends out when they're lying.

[Flip]

Yeah, sometimes we call Nigh, though, because.

[Malcolm]

I've never hung out with Ian one day in my life. I guarantee you he's had at least three nights of very unmemorable mid. Regrettable. Fuck mid. I ain't talking about mid. Below mid.

[Melissa Ford]

Reggie, so.

[Flip]

But we all have Mid and Arie at one point in the line. But Mariah Carey's the line.

[Joe Budden]

If he would catch some of them boys in the sauna slipping, then I think Mariah has a shot.

[Flip]

Catch some of the.

[Melissa Ford]

Who. Wait, wait, what happened to the ball?

[Flip]

The boys, the fuck? Ian, what you was into?

[Joe Budden]

Cause me and ian told on FaceTime every morning, but as soon as he get in the sauna, it's time to hang up.

[Malcolm]

And I know what his playtime.

[Joe Budden]

I know what that sauna. I know what them sauna clubs is about.

[Flip]

Yo, stop. Oh, shit.

[Joe Budden]

So I'm just saying, if some of the sauna niggas could catch em slipping, I think Mariah Mimi got a shot, right?

[Flip]

Let me ask you a question. Let me ask you a question. To me, shout out to Mariah. I mean, a lot of people changed their like for Mariah when she started dating our brother Nick. And I fuck with Nick Cannon. I think he fly, he get old.

[Malcolm]

Shout out to Nick.

[Flip]

But I remember a lot of people saying that online, and they didn't really Know how Nick give it up? He gets him. But the. The optics of it was. Nah, man, she fucked with that. She. She fell off. Which was not the case. Cause niggas don't know how Nick carried. So we ignorant like that. I gotta pitch myself for Wild N Out. N. I gotta. I gotta pitch for Wild N Out. You know, I'm almost. The way you acting, you know how you carrying it.

[Melissa Ford]

You are Wild N Out.

[Flip]

I gotta solidify my spot.

[Malcolm]

Whoa.

[Melissa Ford]

You wanna solid? Okay, gotcha.

[Flip]

No raz, no razzle. But yeah, anyway, let's move on.

[Joe Budden]

Okay, well, Mariah and the Money Long tribute, where was that? That was the Hard Awards.

[Flip]

Yeah.

[Melissa Ford]

I don't know.

[Flip]

I was saying that one of the.

[Parks]

Shits that we don't know about just pop up.

[Flip]

I would say that Mariah threw Shade at Money Long. And then I asked the question that.

[Joe Budden]

But where was that?

[Parks]

That was the NAAC, Billboard or the iHeart.

[Joe Budden]

The Nickelodeon Awards. Right.

[Flip]

That's just not even around no more.

[Parks]

The Nickelodeon VMAs Baby Lifetime Achievement Award. I don't know.

[Ish]

Okay, so wait, why do you say.

[Flip]

That she threw shade her face when she was singing. Her face. Her facial expressions wasn't. It didn't look like she was too pleased.

[Melissa Ford]

Yes, it was the I Heart Music Awards.

[Flip]

The I Heart Music Awards. She didn't look pleased. So then the next question I asked, I said it was.

[Parks]

It looked like she woke herself up with a fart. Like it was bad.

[Flip]

And then Corey proceeded to tell me that Prince was also.

[Joe Budden]

Wait a second. Yo, hold up. All right. Nah, wait. All right. I was looking for a way to be on Money Long side. You can't shade me at the iHeart Awards.

[Melissa Ford]

Excuse me.

[Joe Budden]

Are you crazy?

[Parks]

No, that's.

[Joe Budden]

Are you nuts?

[Parks]

No, that's where you shade. That's where you shade.

[Melissa Ford]

Yeah.

[Parks]

Crazy my brought me out of my.

[Melissa Ford]

Castle for I don't even come out now. You heard what Nick told us. She don't leave a house. How much it costs one of them.

[Joe Budden]

To leave the house?

[Parks]

A quarter million for her to leave the house.

[Joe Budden]

Respectfully, with all due respect, as many people in that iheart building that I love and fuck with. So I'm not trying to be shady. If I get a tribute at the iHeart Awards, that's like me going on a roller coaster at the fair. I expect for the toothless nigga down there to leave me up here elevated for longer than I'm supposed to be. I would expect for my tribute at the IHearhardt Awards to not be so Grandiose. What are you talking about?

[Malcolm]

Don't call double dribble on that.

[Joe Budden]

Yeah, no.

[Melissa Ford]

Yeah.

[Joe Budden]

That's like Imani calling foul. Offensive foul in our street ball game. Are you not foul, by the way, I'm all with Mariah being a diva, and I know that the divas can't cut off being a diva. So you bring you wherever you go. But you at the I Heart Awards. Yo, listen. Stop it.

[Flip]

At the end of the day, just hilarious.

[Joe Budden]

Could be up here doing your tribute.

[Flip]

Yo, what the. Yo, I'm just saying, you know, they.

[Melissa Ford]

Caught Mariah and told her who was doing the trick. They gave her the whole to get her out of her bed.

[Flip]

And I don't think money loss and.

[Melissa Ford]

Money Long is dope.

[Malcolm]

I don't know that.

[Joe Budden]

So Money long is dope. I think this sus one could have just called Mariah. Like, Mariah's fly with a few niggas that we know not to pop out.

[Melissa Ford]

Though I could be fly with you. Now you asking me to bring my.

[Joe Budden]

And she might be cool with Jewish niggas that run ir. She might own a piece of ir. We don't know none of her. We don't know none of her business. But if you get here and the fucking tribute is not so Diamonds and pearls.

[Parks]

Nah, stop it. I'm not gonna let you do this when you big up Prince for doing the same thing with exactly nigga tributize him at the fucking MTV Awards or whatever that shit.

[Joe Budden]

And I'm not gonna let y'all do that. I knew one of y'all was gonna say that. Well, so for one, Prince has made it publicly clear to all, to the whole field, I'm against tributes.

[Parks]

I'm not sure that Mariah hasn't either.

[Joe Budden]

Prince has said it. So before he died, niggas knew it didn't really matter who was doing a tribute. He didn't want a tribute. So the fact that y'all kept doing a tribute against his will was like, okay. And now that we have the footage of seeing him shade people at the.

[Malcolm]

Tribute, like, we understand it's a Mercury face.

[Joe Budden]

He don't want that. And that's Prince. And Trey Songz is up there fucking that song up. Trey Solmes was up there ruining that fucking song. He was.

[Parks]

He was.

[Joe Budden]

I don't think Money Long was doing a horrible job.

[Flip]

She was not.

[Melissa Ford]

That's part of the diva, though. Nobody gonna do it good enough.

[Flip]

The question that I had earlier, you.

[Joe Budden]

Can'T shame me at the out.

[Flip]

The question that I had earlier was crazy.

[Melissa Ford]

You out your mind?

[Flip]

What artist was satisfied with their tribute song or tribute performance that was dedicated to them?

[Parks]

No one.

[Joe Budden]

Good.

[Flip]

And then I said, DJ Cassidy. No. Then I said. Then I said, dion Warwick was happy when Luther performed a tribute to her because she was extremely. She was crying. Yes. And then Cory was like, well, that's Luther.

[Malcolm]

And it's also personal. They're. They're friends.

[Flip]

Anyway. Luther bodied it, bro. Don't try to set that friend.

[Joe Budden]

He did.

[Ish]

But they also had a very strong personal relationship.

[Malcolm]

Right.

[Ish]

Like, they did. So this was like seeing her, like little mentee.

[Parks]

So if they didn't have Luther Vandross.

[Flip]

If they didn't have a personal relationship, you think that she would be as receptive?

[Malcolm]

She might not have been crying. She might have liked it. It's hard to hear somebody else do your song.

[Flip]

You know what I mean?

[Malcolm]

And always love it. You know what I mean? I've seen people do Aretha. Aretha keeps a steady face.

[Flip]

Yeah, she be tight. She was different.

[Malcolm]

But Aretha's just like, madonna did that shit.

[Flip]

She ain't like, but Madonna did that shit. The fans got at Madonna for doing Aretha Franklin tribute.

[Joe Budden]

I looked up, she should not have done that.

[Flip]

I don't remember that.

[Parks]

And she shouldn't have done that.

[Malcolm]

Right? Yeah. Some tributes are good. Obviously, Bob Marley wasn't alive for his tribute, but the Rita Marley, the I Tree, all of them love some of the renditions. They loved Lauren doing Turn your lights down low.

[Joe Budden]

Yes, they did. Yes.

[Malcolm]

They loved Erica and Ziggy Marley doing their joint. They loved Queen Latifah doing no more Trouble. Like, there's some people who did it.

[Flip]

Well, nigga, Michael. I was telling Ice that Michael got up and performed his own tribute. Nigga, he saw Usher and what's her name doing it. He like, yo, get on. Whitney bodied it. When Whitney came out, wannabe started something. Whitney came out. She bodied it. But when he saw that shit, he said, let me get up. My brothers is doing a horrible job. Let me get up here and turn.

[Joe Budden]

On that part, too. Tribute should improve.

[Parks]

They should.

[Joe Budden]

Tribute should improve. But who. Who.

[Flip]

Who do you put? Like, how do you choose the person?

[Melissa Ford]

Like. Like, today, they can't. Do you want to get names that are going to attract viewership?

[Flip]

Exactly.

[Melissa Ford]

And a lot of these can't sing.

[Malcolm]

They can't sing, and they can't sing.

[Melissa Ford]

Like, they can't sing to the songs that they trying to.

[Parks]

There's also mismatches, because even in, like, hip hop I forgot who. There's been a couple occasions, like Lupe with Tribe or something. There was someone else that did. Did.

[Joe Budden]

I forgot the words.

[Parks]

Didn't know the, like, the Biggie song, whatever it was.

[Melissa Ford]

I forgot what.

[Malcolm]

That's bad.

[Flip]

They didn't know I said the hip hop. The hip.

[Malcolm]

I've seen Fantasia do Fantasia did. Did Patty.

[Ish]

Well, yeah.

[Malcolm]

And that's like her niece again. It's a love thing. Also.

[Ish]

She's got that register. Yeah, she's got the register and the ring.

[Malcolm]

And they both. They both like to holler. Like. They both hit notes, but holler like it's a style thing is a good fit.

[Melissa Ford]

That was rich. Homie Quan. Rest in peace.

[Parks]

Rest in peace.

[Joe Budden]

Yeah.

[Parks]

That was bad.

[Joe Budden]

Thinking of that.

[Malcolm]

Why?

[Parks]

That was a bad match.

[Flip]

I agree with Joe. Y'all need to update the tributes. Find somebody from America's Got Talent.

[Joe Budden]

Yeah.

[Flip]

Or something like that. Somebody that's gonna. They go for star power instead of fashion.

[Parks]

Like actual match.

[Flip]

Because there's some people out there on those shows that will body a tribute.

[Parks]

Absolutely.

[Flip]

You know what I'm saying? Come on, bro.

[Melissa Ford]

They can't sit now. Again, it's business. We can't sell that to the advertisers. We can sell. I got this name, this name, this name, this name.

[Parks]

I got Trace on doing Prince, and that's right.

[Melissa Ford]

And then I got the person that they doing the tribute to sitting here in the crowd.

[Joe Budden]

What I was watching where they tried the Stevie Wonder tribute recently.

[Flip]

Yeah, let me look it up.

[Joe Budden]

That was really, really bad. It was so bad. I was like, yo, Stevie, right there. Go get him. Bring him to the stage. Y'all let him perform at every other damn thing he shouldn't be performing at.

[Ish]

I think Janelle Monae was a part of that tribute. She was at the end of that.

[Parks]

No, that was.

[Melissa Ford]

What's that?

[Flip]

That was 2015.

[Joe Budden]

Janelle Monae was in a bunch of. Yeah, yeah.

[Malcolm]

I think you guys have an ear for what sounds like. Remember when. When.

[Joe Budden]

Look, we hot about this.

[Malcolm]

When Babyface. Look, remember when Babyface did his tiny desk and he had people sing the songs that he wrote? He didn't match stars. He matched voices. So, like. So, like, he had Shantae Moore singing Superwoman. So, like, that was perfect like that. She might have even improved on the Karen White version. I love Karen White's version. Right. They had somebody do. Can we talk? They had 10. Tank can sing his fucking face off. Tank can sing anybody under the table. Tank should be doing these tributes like get the voices that match, you know, even if they're not the hottest name on the. You know, at the top of the Billboard. Right today. Get legends or get people who can sing great.

[Flip]

I think they just want to piss the legends off. That's it.

[Malcolm]

But, yo, you never answered your own question, which was, who would get you on the ground crying the way you said I was for Mariah if somebody died?

[Ish]

Yeah, that's where the conversation was.

[Joe Budden]

Oh, we never even got to that point.

[Malcolm]

Who would be the people that would get y'all doing that?

[Joe Budden]

Oh, yeah, because I didn't know I was saying to Mark and. And I'm clearly the room is against me on this, which I'm fine with. I was saying, I didn't know that Mariah Carey was at that level to where black men were saying, oh, if something happened to her, I would be totally distraught. Right. Like I was saying, I thought that was reserved for, like, the legacy. Legacy acts. And I guess she is.

[Ish]

She is a legacy act.

[Malcolm]

She already is in the game.

[Flip]

She is.

[Malcolm]

Shit.

[Joe Budden]

More than that, I'm not. I don't look at her like a legacy act right now.

[Malcolm]

I don't remember.

[Joe Budden]

She has the number one song every year. Like, she's still visible. She's still visible.

[Malcolm]

We still see her.

[Joe Budden]

We don't hear her. Cause she's a diva. But I mean. I mean, she is a legacy.

[Melissa Ford]

She's a legacy.

[Parks]

She's one of the top selling acts of all time.

[Joe Budden]

I thought it was like our Stevie Wonders, the mics, the Princes, the fucking Anita Baker.

[Parks]

I think she's in that crew.

[Melissa Ford]

She's in that crew.

[Joe Budden]

She's in that crew.

[Malcolm]

You're getting old, bro. Like. Like the people who were crying for Luther and for even Michael, like, they were younger. Michael was younger than Mariah is now, right?

[Ish]

Yeah, he's 50.

[Malcolm]

Yeah, Michael was 50. Mariah gotta be in her mid-50s. She's 57. 57.

[Joe Budden]

No, I understand what y'all say. Y'all are absolutely right. I do just think Mark is a liar.

[Ish]

No, you never knew.

[Joe Budden]

Some of it is, I think, like, what was it that connected with you? Like, when was it. How many Mariah albums do you have?

[Malcolm]

I bought, first of all. Just like you remember you said in sixth grade, you got Vision of Love from there to the emancipation. I don't. I don't know anything after emancipation to meet me, but that was. I was grown as hell when that came out. So from there to there, I look, I had every album. I used to love that dream Lover. Video.

[Joe Budden]

And if you stop the career.

[Flip]

She's 55, not 57.

[Joe Budden]

It's a classic career, if nothing, classic career.

[Malcolm]

Yeah, but I mean, as a kid, I had a crush on Mariah.

[Joe Budden]

I'm a legend. Not classic, but, like, legacy.

[Malcolm]

Yeah, she's top of the top. She's that. I mean, for me, it'd be her. Janet Jackson. There's a few people that would get me upset.

[Joe Budden]

Janet Jackson, I get.

[Melissa Ford]

Yeah, but you don't get Mariah.

[Malcolm]

They in the same class.

[Joe Budden]

I mean, y'all are helping me to understand that they are not in the same class.

[Flip]

Mariah said she didn't like the.

[Joe Budden]

Wait a second.

[Flip]

Mariah said.

[Joe Budden]

No, no, no, no, no.

[Malcolm]

Stop, stop, stop, stop.

[Parks]

Yeah, you might be right. They might not be in the same class.

[Joe Budden]

They're not in the same class.

[Parks]

Respectfully to Janet.

[Ish]

Oh, okay, Gotcha.

[Malcolm]

Wait, well, wait, wait, no. He's saying Janet's higher. You're saying Mariah's higher.

[Parks]

I know what he's saying. I know what I'm saying.

[Malcolm]

I'm saying they're both at the top of the food chain.

[Flip]

Janet is high. Stop it.

[Joe Budden]

Stop it. I don't know what y'all talking about now.

[Flip]

Janet is. Come on.

[Joe Budden]

Stop it. Where.

[Ish]

But wait, is it. Is Janet.

[Melissa Ford]

What are y'all measuring?

[Ish]

Is Janet considered higher by your standards because of the family that she's attached to?

[Flip]

All that Janet is.

[Joe Budden]

Maybe Janet is considered higher by. I don't want to speak for all black people, but black people.

[Melissa Ford]

Yeah.

[Joe Budden]

Like, I'm not measuring music careers.

[Parks]

Oh, okay.

[Joe Budden]

Like, you can have a great, great point, dude.

[Parks]

Got you. Gotcha.

[Joe Budden]

Janet Jackson was in good times.

[Parks]

Yeah, for sure.

[Joe Budden]

Janet Jackson is like, imprint from. She was in Different Strokes.

[Parks]

I was talking strictly music.

[Joe Budden]

I'm talking about the family she comes from and how young she was when we first saw her.

[Parks]

And I love them both, by the way. Had a crush on both in 91.

[Flip]

I get it.

[Joe Budden]

Which is a long time.

[Malcolm]

34 years ago.

[Joe Budden]

Yeah, but that's very different from 78.

[Malcolm]

Understand what I mean when I say. I'm saying the same. It's like in the NBA.

[Joe Budden]

Right, Janet?

[Parks]

No, Mariah. But carry on.

[Malcolm]

In NBA, some people are max contract people, right? LeBron's a max guy. AD is a max guy. They not the same, but they both in that same top tier. That's what I'm saying. I'm saying that when I talk about Mariah and I talk about Janet, there's a top tier people who. I would be up if they die. That don't mean they all the same in that same.

[Joe Budden]

Got it, got it, got it.

[Malcolm]

That's all I'm saying.

[Ish]

But not only that. You don't know what kind of impact that person legacy in music had on you. Like, it may not have the same impact on you that it would have on Mark. That's where the conversation was.

[Malcolm]

And this is where Joe was full of shit. Last episode of Patreon said he was in his mirror with a hairbrush singing Vision of Love and Someday in sixth grade. Yeah, that's the shit that should have you crying.

[Ish]

But then we also.

[Joe Budden]

It was a someday for me.

[Malcolm]

Which one was it?

[Joe Budden]

I said, it's Love takes time.

[Malcolm]

Love takes time.

[Joe Budden]

Oh, yeah.

[Malcolm]

If you singing that. Yeah.

[Ish]

But then the conversation morphed into who someday was. For the wife's not shout out to.

[Malcolm]

All the queer youth out there.

[Joe Budden]

Go ahead, go ahead, Mel.

[Ish]

No. Then the conversation morphed into whose death would or has had an effect on you that may not have had the same effect on other people?

[Joe Budden]

Like, for me, it was people that we thought couldn't die for me.

[Ish]

I'll give you.

[Malcolm]

I'll give you.

[Ish]

I'll give you two of mine. Anthony Bourdain and Philip Seymour Hoffman. When I saw that they passed away, I felt like, really, I'm with you.

[Malcolm]

But Anthony Bourdain, I mean, I just. I didn't see it. I mean, I like it. I knew Anthony Bourdain. We worked together. We shared that space. Sometimes I didn't cry.

[Ish]

All right, flex if you want to.

[Flip]

No, no, I'm not flexing.

[Malcolm]

I'm just saying, like, I get it was the same.

[Ish]

That's why I'm talking about impact. It may not have had the same impact on you that he. That him and his career had on me. You know what I mean? Like, that's fair to me. He's like upper echelon of like. Like, storytelling and just presence and intellect and all the things. Philip Seymour Hoffman was one of my, like, top three actors of all time. So I was very sad that I was he black.

[Flip]

Neither white guy from this guy, man.

[Joe Budden]

So you just naming white people in our.

[Flip]

This guy.

[Ish]

Yo, why you gotta be so racist?

[Flip]

Impossible. They trying to record me picking up my phone. Okay, let me ask.

[Ish]

Okay, okay. All right, wait. How. How many of us. How many of us were devastated?

[Joe Budden]

Look at who the fuck Marilyn's talking about.

[Ish]

How many of us were devastated when we heard Robin Williams died? Okay, thank you.

[Malcolm]

I wasn't devastated.

[Flip]

I was sad, though.

[Ish]

But okay, maybe I'm putting.

[Malcolm]

That's what I'm saying. Anthony Bourdain was sad to me because of how he raises him. But like, I was.

[Joe Budden]

Wait a second.

[Ish]

It's the tragedy, both of them.

[Joe Budden]

Yes, I was sad when Robin Williams.

[Flip]

I was sad as well. Yes.

[Joe Budden]

I was devastated to learn that Robin Williams was home with his entire family, went up to a side room, tied some fucking knot in the fashion that he did, and did this with his kids and wife in the house. That's devastating.

[Malcolm]

Okay, Anthony Bourdain, more of the same.

[Joe Budden]

Did Philip Seymour Drummond self transition date.

[Ish]

Passed away. He passed away.

[Melissa Ford]

Nah, don't do that.

[Ish]

I'm asking. He died of a drug overdose because he had the same issues that Robin Williams had had and the same issues that it was accidentally. It's all tragic. That's the point. It's all tragic. These are people that you.

[Flip]

Did you cry?

[Joe Budden]

Yeah.

[Ish]

Shed a tear. It bothered me. It was really like, were you in the bed? Like, no, I could move. I could. I could move on with my life.

[Flip]

Last time I saw it was Mission Impossible. He body that smoke.

[Ish]

Okay, yo, you guys know how I feel about actors. Y'all know how I feel about act white actors. Shut the up. You know, you guys keep. Keep that up. Okay?

[Flip]

I got in trouble.

[Ish]

Know you boy.

[Joe Budden]

Name some more people. Like, how many more names before. Name a couple more people.

[Malcolm]

Same.

[Ish]

When and when Princeton Michael Jackson passed away, I was like.

[Flip]

I was.

[Ish]

I had a very intense, inconsolable day. It was hard.

[Flip]

I was sad about Mike who left.

[Ish]

Really.

[Joe Budden]

Who.

[Malcolm]

Who would you up?

[Flip]

Who.

[Malcolm]

Who would die? Like, the way I had that Mariah moment. You said Larry David.

[Melissa Ford]

Hov. I got a list.

[Ish]

Like, ho would be.

[Melissa Ford]

Ho would. Long list.

[Parks]

There's a lot of people me up.

[Ish]

Yeah, but sometimes it's the circum.

[Flip]

Joe will me up.

[Joe Budden]

Oh.

[Flip]

I like yo. You be like, yo, Ian, can I spot five days? Five days a week? We can do this. My jo Jo me up, right? I wouldn't be. I wouldn't be able to move. What y doing with that? Cause y. Did he put my name down? Y'all ain't you into the well.

[Joe Budden]

Put your name down. Where?

[Flip]

In the will.

[Ish]

That's what he's working towards.

[Joe Budden]

No, no. My will must be jump if that's what he's been working for. I feel like it's my job to make this be less morbid. Bit.

[Flip]

Yeah, we been.

[Parks]

Although I don't know if you're the best guy for the job, to be honest with you.

[Joe Budden]

So something does need our attention.

[Melissa Ford]

All right, let's get it.

[Ish]

We got this.

[Joe Budden]

And this is very important.

[Parks]

Sure.

[Joe Budden]

Urgent, if you will.

[Melissa Ford]

Okay.

[Joe Budden]

Prize picks can wait a second. This is more important.

[Parks]

Always.

[Melissa Ford]

Oh, man.

[Joe Budden]

All right, let's do it.

[Flip]

7:00 on the day I'm in my drum. T. Who's in the street?

[Parks]

Huh?

[Malcolm]

Yeah, yeah, yeah.

[Joe Budden]

One more again for the people in the back.

[Melissa Ford]

Whose.

[Malcolm]

Yeah. That was fucked up.

[Flip]

That's Imani for the people.

[Joe Budden]

No, this is Usher.

[Malcolm]

It's actually Usher.

[Joe Budden]

This is Usher oozing. This is Usher. And I'm gonna play it one more time. Hold on.

[Melissa Ford]

Play that again.

[Joe Budden]

Oozing the sheets for the people in the back.

[Melissa Ford]

They don't switch no lyrics on me now.

[Ish]

In the streets.

[Melissa Ford]

That's not what he says.

[Ish]

Isn't that Usher?

[Parks]

That is Usher.

[Melissa Ford]

I don't care who that is.

[Parks]

He forgot his words.

[Melissa Ford]

I don't give a who that is.

[Flip]

I thought it was.

[Malcolm]

It's cruising the street.

[Parks]

It's cruising the street.

[Ish]

I'm in my drop.

[Melissa Ford]

Cruising the streets.

[Ish]

I. I get it, but maybe we.

[Flip]

Did have it wrong.

[Melissa Ford]

No, we didn't.

[Parks]

No, you're not going to. Mandela affect me on this one.

[Melissa Ford]

He trying to keep paying. He trying to keep paying us with T Pain. So T. Pain got it off. So he said, let me switch mine.

[Joe Budden]

Up to T again.

[Melissa Ford]

All I do is win.

[Flip]

No, not that one.

[Melissa Ford]

It was that one, too.

[Ish]

So, wait, what was it? What did he say? It was.

[Melissa Ford]

Everybody's hands go up and they stay there. And they say, yeah. And it was.

[Malcolm]

He.

[Melissa Ford]

He. We was just saying that. They stay there. He's like, no, I say something else.

[Malcolm]

Oh. He said, I don't want.

[Melissa Ford]

I don't give.

[Joe Budden]

No way on. No way on earth. He's saying, buy you a drink in.

[Flip]

The streets is buy you a drink.

[Melissa Ford]

That one, too.

[Parks]

He had a couple of them.

[Flip]

This was. Man, where you was at this time, man.

[Melissa Ford]

Hold on, hold on.

[Ish]

Working out at Bally's.

[Flip]

You can.

[Ish]

It's there. You could act.

[Melissa Ford]

Usher went back and redid some of these. He went back and redid some of these shits, too.

[Joe Budden]

You can hear the new vocals. Holy.

[Melissa Ford]

I ain't rolling.

[Parks]

It's hard to tell with that little swoop sound right there.

[Flip]

He got us, Joe.

[Melissa Ford]

No, he didn't. He got us.

[Parks]

It's hard to tell with a little swoopy.

[Melissa Ford]

Y'all ain't.

[Joe Budden]

No.

[Melissa Ford]

He got us out of here.

[Parks]

You'll get the acapella button on your.

[Melissa Ford]

Yeah, turn the.

[Malcolm]

Drop the meat out Drop the meat.

[Melissa Ford]

The meat.

[Joe Budden]

Whoa.

[Melissa Ford]

The meat.

[Ish]

I am a product of my environment.

[Parks]

Hard to tell with a little sweepy sweep.

[Malcolm]

Yeah, that sweepy sweep is fucking it up.

[Joe Budden]

No, that nigga is saying who's in the streets.

[Melissa Ford]

He is.

[Ish]

Because you're not hearing the.

[Joe Budden]

He's saying who's in the streets.

[Malcolm]

It sounds a little like a cruise to me too. I hear what you would see.

[Ish]

Hard R is. It's not really there. He'd had to be like, who's in?

[Malcolm]

Yeah, it's a soft C. He's doing.

[Ish]

A soft C. And that.

[Joe Budden]

That he shouldn't be trying to correct nothing in 2025.

[Flip]

Yo, listen, yo.

[Joe Budden]

And in the street is mad thirsty while you in your drop shop on a hot Summer Day at 7:00 Nigga, why you wasn't cruising? Cruising?

[Parks]

You should have been cruising.

[Joe Budden]

Cruising is the fly. Yeah, braggadocious. I'm in my drop top at seven o'clock who outside? Where you at?

[Melissa Ford]

Where's.

[Ish]

Because look at the next lyrics right after that.

[Joe Budden]

Well, if you don't sing along with it, that don't even go with who's in the streets.

[Melissa Ford]

I'm looking for who's in the streets because I got this.

[Joe Budden]

Get the out of here.

[Ish]

Collecting.

[Joe Budden]

Sorry, buddy. Who wrote the sorry buddy?

[Malcolm]

Can we ask somebody?

[Joe Budden]

Hey, yo, listen, this might be a.

[Parks]

Let me see.

[Melissa Ford]

You got an older version?

[Parks]

No, this might be an official acapella. Let's see. Here we go.

[Joe Budden]

We're just tell me what you want to do when you got a high for me already. Baby, not. This is really disturbing us.

[Malcolm]

Okay.

[Melissa Ford]

Yeah, no, this is pissing me off.

[Joe Budden]

Because this is the worst one of. Of all of them.

[Malcolm]

Be ready.

[Joe Budden]

This is my Usher's sexy voice with.

[Melissa Ford]

A little thing I like.

[Joe Budden]

Hey, baby, tell me what you want to do with me it's 7:00 on the dot I'm in my drop top cru. Thank you.

[Ish]

Thank you.

[Malcolm]

Out of here.

[Ish]

All right, there we go. We heard it.

[Parks]

Sorry, Usher. You're wrong.

[Melissa Ford]

Usher just trying to get some talk going.

[Joe Budden]

Usher tried it.

[Melissa Ford]

He did. That's all.

[Joe Budden]

It worked.

[Parks]

Look at the one little thing that a good sign.

[Melissa Ford]

Do it. Do something else.

[Flip]

Yo, listen, listen T pain and buy you a drink. It was. And the real lyrics was and then I'mma take you home with me. But we thought it was ooh wee I'm gonna take you home with me.

[Joe Budden]

It is ooh we.

[Flip]

No, it's not. Definitely ooey and then.

[Joe Budden]

No, that's corny.

[Flip]

He said he clarified how do you.

[Ish]

Mix up and then with ooh wee?

[Joe Budden]

He's wrong.

[Flip]

Cause of how he said it.

[Ish]

It's two mouth sounds.

[Melissa Ford]

And then.

[Flip]

And then.

[Joe Budden]

Please, please. Yeah. No, it's ooey.

[Flip]

It's oo wee.

[Joe Budden]

Crazy Joe, I'm gonna buy you a drink. And then. You know that feeling you get food when somebody buy. Yeah, you know.

[Flip]

You know the so hot in your A sun peek out with Melnote act.

[Joe Budden]

All right, now time for my favorite part of the show.

[Flip]

Prize Picks.

[Joe Budden]

All right, Prize Picks is the best place to get real money sports action. With over 10 million members and billions of dollars in awarded winnings, Prize Picks has made daily fantasy sports accessible to all really simple and easy to play. All you gotta do is pick more or less on at least two players for a chance to win up to 1000 times your money. So run your game all season long with Prize Picks. All right, what do we got?

[Flip]

What do we got?

[Joe Budden]

What do we got? Let's go next time.

[Melissa Ford]

All right.

[Joe Budden]

All right.

[Melissa Ford]

We got Sixers, okc.

[Joe Budden]

The Sixers is still a thing. They're like Dallas East. You said okc.

[Melissa Ford]

Yeah.

[Joe Budden]

Give me everybody on okc. Then if they play in Philly, give me all of them.

[Malcolm]

Don't forget about Quentin Grimes, though. He's been lighting it up lately.

[Melissa Ford]

Yeah.

[Joe Budden]

Yeah. I'm so mad that. I'm so mad that we gave him the Dallas and then Dallas gave him.

[Malcolm]

To y'all, and I'm so mad he keeps scoring.

[Joe Budden]

Well, he went to Detroit somewhere in there, too, I think. But Quentin Grimes. All right, he's up the plan right.

[Malcolm]

Now, Paul George, we trying to be losing now, and now they want to win.

[Joe Budden]

Actually, you know what? Marcus Brown, right. I will take Quentin Grimes because he ain't gonna stop no time. Give me Quinton. He could really shoot. Give me Quentin Grimes for more than.

[Malcolm]

20.

[Joe Budden]

Yeah, more than 20 points. Give me SGA for more than 24 points. What else? Give me some more.

[Melissa Ford]

Y'all play the spurs, we play the Spurs. Away game.

[Joe Budden]

Give me cat. Yeah, give me cat. No, Wimby. Wimby killed us. I was at that game in the garden. Give me. Give me cat for more than four boards. He only rebound. Enough of me. Give me cat for more than 18 points.

[Melissa Ford]

All right. And the last one, I give you Nuggets. Lakers.

[Joe Budden]

Nuggets. Lakers. I'm telling you, I really do like the Lakers in the.

[Malcolm]

In the conference final against Golden State.

[Joe Budden]

I don't know if Golden State gets there. I like the Lakers to get there, and I Think I saw Steven A. Say that the wildest finals matchup would be the Lakers versus Cleveland with LeBron trying to stop Cleveland from getting a championship.

[Malcolm]

That would be amazing.

[Joe Budden]

That's so.

[Melissa Ford]

That's great tv.

[Joe Budden]

Interesting.

[Melissa Ford]

That's great TV right there.

[Malcolm]

That'd be amazing.

[Joe Budden]

That's super interesting. Give me Austin Reeves for more than 18 points and. Yeah, I'm good. I'm good. That's four. Yeah, that's for me. That's what. I'm cool. I'm cool. Don't forget, if you download the app right this second and use promo code jbp, you get fifty dollars instantly when you play your first five dollar lineup. I repeat, if you download the app prize picks right this second and use promo code JBP, you get $50 instantly after you play your first five dollar lineup. So good luck to to all participants out there and run your game. All right, what else we got to break down? That's important. All of that music shit sounds boring to me. I ain't gonna lie. It does. I don't care about none of it. Let me see. What do I have here that could be interesting? Could be interesting in everything is on camera news nowadays. Mel sent something funny. But before Mel sent something funny, somebody else sent it to me. So I had already synced it. But then I seen something else, and I think it was this girl from Portland got in a fight. Wherever she was from, this girl got in a fight and she got the brakes beat off. Her pew was fucking this girl up, up. But in the process, she dropped her key fob. Okay, so the girl she beat up took the key fob and apparently they know each other and went to her house and ransacked it, the whole crib and taped it. Oh, she that house up, broke the tv.

[Parks]

The loser of the fire everything loser of the five.

[Joe Budden]

Which made me want to ask y'all which one you would rather be in that equation? Decision.

[Parks]

The girl that got beat up.

[Flip]

I'd rather be the person beating up, getting beat up. No.

[Ish]

Or the one, the aggressor.

[Flip]

The aggressor. Yeah.

[Joe Budden]

Okay. I'll get beat up before you ruin my whole house. Yeah.

[Melissa Ford]

I've been the other person already that had walked in the house and said, wait. So, yeah, I'll take the other side.

[Flip]

You're saying it wrong.

[Parks]

You're saying it's the little ass over there so bad.

[Melissa Ford]

Yeah, I'm take the other side.

[Flip]

You said you'll be the who?

[Joe Budden]

I said I'll get beat up.

[Melissa Ford]

Up.

[Joe Budden]

Before I allow My entire house to be ran.

[Flip]

The person got beat up was the one that destroyed the house. Yeah, she got beat up, picked up the key fob, and said, okay, I know.

[Malcolm]

Destroyed. He would rather get beat up. The choice is between getting your ass beaten, getting your house.

[Ish]

No, I thought he was talking about the.

[Flip]

The in that situation.

[Ish]

The outcome of the entire situation.

[Flip]

Not the same situation.

[Ish]

No, because it's the one girl that.

[Melissa Ford]

Got beat up is the one who.

[Flip]

Ransacked the house, not the one that beat up.

[Joe Budden]

Yeah, I know that.

[Flip]

Yeah. So would you rather be the. Would you rather get beat up and have a chance to go destroy somebody house, or would you rather be.

[Melissa Ford]

Would you somebody up and have somebody el.

[Flip]

Have your house destroy?

[Malcolm]

Yeah.

[Parks]

I'm confused why this is confusing.

[Flip]

No, it's not.

[Ish]

You know, he said, all right, thank you, Alice.

[Malcolm]

Alice and Betty.

[Flip]

No, no.

[Malcolm]

Alice beat Betty's ass.

[Joe Budden]

No.

[Malcolm]

Hyper Betty then went to Alice's house and tore it down. Do you want to be Alice or do you want to be Betty?

[Flip]

He said, I'd rather. Nigga, stop fucking being on this. I'm not gonna say. He said, I'd rather get beat up than have my house destroyed. And that's the person that got. Exactly. The person that got beat up destroyed the house. So how would you rather get beat up?

[Joe Budden]

Okay, wait. Y'all wait. Cause y'all saying.

[Flip]

But if you're talking about the scenario. I'm not done. If you're talking about the scenario, that's not.

[Malcolm]

Listen to me.

[Joe Budden]

Cause we sounding, like, too off now. Like it ain't that deep. This is like the little meme I seen somebody was in Jersey City.

[Malcolm]

These guys are fascinating.

[Joe Budden]

And they was pointing the camera at people, and they was like, yo, James, grandson is my son. Who is James? To me, that shit fucked the hood up. The hood was so confused. I feel like this is one of.

[Flip]

Those moments right here.

[Joe Budden]

I'm saying you're right, and Mark is right. I'm saying I would rather get beat up than have my house rant. Have my house ranted. The winner of the fight got her house ransacked.

[Flip]

Yes.

[Joe Budden]

The loser of the fight ransacked the house.

[Malcolm]

Right.

[Joe Budden]

So your choice is.

[Melissa Ford]

I'm picking to lose the fight and go ransack versus yeah.

[Joe Budden]

And go ran.

[Flip]

Oh, so you're not talking about that.

[Joe Budden]

But having my house be ransacked.

[Malcolm]

He didn't switch it.

[Melissa Ford]

He didn't switch it. He's saying the same.

[Malcolm]

He just said, which person in the scenario is voting?

[Joe Budden]

Yo.

[Ish]

Okay.

[Melissa Ford]

It's okay.

[Malcolm]

It's cool.

[Ish]

Okay.

[Melissa Ford]

Anyway, I have a question.

[Malcolm]

Like I said.

[Joe Budden]

All right. It's seven fucking apples. All right.

[Flip]

Yo, that nigga. Y'all trolling, for real.

[Ish]

But wait, I have.

[Flip]

No, no, no. There are seven people in this room.

[Malcolm]

We all understand it.

[Flip]

We're on the right side.

[Ish]

I have a question.

[Flip]

That's not true. You're picking.

[Joe Budden]

You're being Wolfed here, too.

[Flip]

Seven people did not agree. Three additions.

[Malcolm]

Raise your hand if you agree that what he said makes sense. Whether you agree with them or not.

[Melissa Ford]

It makes sense now.

[Ish]

It makes sense now.

[Parks]

It always made sense.

[Flip]

Yes.

[Joe Budden]

The entire time it made sense.

[Ish]

Okay.

[Flip]

Nah, go back.

[Joe Budden]

It's okay. It's okay.

[Malcolm]

It's fine.

[Flip]

Nah, nah. I'm getting up. I'm moving.

[Ish]

I have one.

[Flip]

I'm not gonna allow him or you to do that on camera. It's going to change the energy in this room. Y'all both being playing around. And I'm going to get up and take a break, sit down over there, and I'm going. Come back when I call, cuz I don't want to mess up the show. Cuz in my mind, I'm going put it in my brain that y'all played with me, and I'm going to look for opportunity to play with both of y'all.

[Joe Budden]

Whoa.

[Flip]

So what I'm going to do, I'm going to take a step over there as an adult, sit to myself, and count to 10.

[Ish]

Do a box.

[Malcolm]

This is definitely an adult move.

[Joe Budden]

I just want to point out self employment. No. Yeah, he took my.

[Malcolm]

Oh, sorry.

[Joe Budden]

That is the adult thing to do when we can't agree on the hypothetical. Go take some time.

[Parks]

Go take some time off.

[Joe Budden]

4,000, 400,000. Go sit alone to yourself.

[Parks]

Do the math.

[Joe Budden]

And look, Mel was down with you. She left you hanging too.

[Ish]

No, I was like, do a box breath. You'll be fine.

[Parks]

Who dah.

[Melissa Ford]

A what?

[Ish]

A box breath. Like Navy Seals.

[Joe Budden]

On to part two of Way Too Much is caught on camera in for four in Newark, New Jersey. The pimp parked his car outside the Catholic church.

[Melissa Ford]

Yeah.

[Joe Budden]

And walked in and punched the pastor. And the shit that I saw, it was just a headline that said, yo, pimp punches the pastor over some unpaid debt. So I was like, bet I was.

[Parks]

Satisfied I skipped that one.

[Joe Budden]

I was satisfied with that. So then. Then a video started playing, and I said, no, they did not record the.

[Melissa Ford]

Well, they record church.

[Joe Budden]

Yeah, but they. I was saying in my head, they better not show that to me.

[Melissa Ford]

Oh, no.

[Joe Budden]

And sure enough, money walked up There.

[Melissa Ford]

Smooth, too.

[Joe Budden]

In an Easter outfit.

[Flip]

He was there 30 minutes before.

[Joe Budden]

Yes. Waiting. And what was funnier is there was a cop behind him. The There was trying to go get to him, trying to get to him to stop. He boot bopped that guy. The guy ran to the side. I'm like, all right, y'all don't think we have access to too much now?

[Melissa Ford]

Yeah.

[Joe Budden]

We should not be seeing these things.

[Flip]

Yes.

[Malcolm]

No, we shouldn't.

[Melissa Ford]

We shouldn't be seeing these things. We shouldn't be hearing anybody thoughts either facts or reading them.

[Flip]

He pushed the past, yo.

[Melissa Ford]

He smiled.

[Flip]

The pimp got up. He walked slow too. He didn't rush. He walked the style.

[Melissa Ford]

And dude knew what it was.

[Joe Budden]

Yeah, he knew.

[Melissa Ford]

He knew what it was.

[Malcolm]

He knew.

[Flip]

Oh, y. Up in Newark.

[Melissa Ford]

Listen, your debts.

[Joe Budden]

Do y. Do y'all. Are y'all for street justice or no?

[Flip]

Yes, I'm for street justice.

[Melissa Ford]

No, I'm not.

[Joe Budden]

All right. Ice is not.

[Malcolm]

I am most of the time. Yeah.

[Joe Budden]

Parks.

[Parks]

Yeah, I'm cool. I was watching the video.

[Joe Budden]

Parks is. Flip is a little bit.

[Flip]

No, he's. I'm.

[Joe Budden]

Are you all the way? Mark is most of the time.

[Ish]

Most times, Mel, in the right circumstances. Yep, absolutely.

[Joe Budden]

Look at Flip. Why are you so stupid?

[Flip]

You know what?

[Melissa Ford]

I'm.

[Joe Budden]

You could just let her answer and that be the end.

[Flip]

Why you gotta be all, I love her. I love her. She don't.

[Ish]

Wait, what you gotta say?

[Flip]

No, no, no, no. You ain't gonna trick me.

[Ish]

Okay.

[Flip]

I ain't having an HR meeting. Nope. Nope.

[Joe Budden]

Cuz when they arrested the pastor dude.

[Flip]

I was like, the pimp dude.

[Joe Budden]

I mean, the pimp dude. I was like, I don't know if this is right, because homeboy should have.

[Parks]

Paid Jordy true step to services.

[Joe Budden]

He should have paid Shorty. And we know that. That. That old ass dude went and took his ass over there by the junction and bought some pussy and then went to the Pierre and then went to the Pedestal to talk some good God shit. You know, he would that for sure.

[Malcolm]

I didn't know you could do that. You could buy.

[Melissa Ford]

Matt says it depended on. Well, anywhere Bodega. No, just anywhere.

[Joe Budden]

Yeah. Just get it back to me.

[Flip]

They gotta lay away.

[Malcolm]

But that.

[Joe Budden]

But that speaks to the audacity. You're not gonna promise me some don't pay my worker and then go to work and it be the church.

[Flip]

All good.

[Melissa Ford]

Spread the good word and I know where you at.

[Malcolm]

Yeah, Yeah.

[Melissa Ford]

I know where you gonna be and I know what time you gonna be.

[Joe Budden]

Sorry, buddy.

[Malcolm]

Police don't need to be involved in that.

[Flip]

Did you watch that for real?

[Joe Budden]

Yes.

[Flip]

How he walked up there smooth nine times.

[Joe Budden]

I watched him.

[Flip]

Yo, that. He slapped him or punched him.

[Ish]

Punched him, Punched him.

[Flip]

He knocked that.

[Ish]

Punched him.

[Flip]

And his man didn't do nothing. Hey, yo, y'all can't do that. CCC in Brooklyn. CCC church. Them security guards is you up?

[Parks]

Leave it alone.

[Flip]

CCC and Allen. CCC and Allen's in Queens. Y'all can't do that. All that pimp walking up Shaloti. Them niggas is fucking you up before you even get through the door. Security is extremely serious in there in those mega churches.

[Malcolm]

Oh, yeah. Mega church. Yeah. That's like get to a superstar.

[Melissa Ford]

Yeah. Oh, no, they couldn't do that Rest in Peace over at Christian Love either. He knew where to do it at.

[Joe Budden]

No, you couldn't do that in a Christian.

[Melissa Ford]

No, you couldn't do that there.

[Flip]

What's Christian Love?

[Melissa Ford]

I don't know.

[Flip]

That was a church.

[Melissa Ford]

It's in. Reverend Ron, Rest in Peace. That was his church. But you're not walking in there like that.

[Joe Budden]

We talking about mega churches. I ain't gonna lie. This is wrong. But the footage of Bishop Lamont Church getting robbed, Lamore Whitehead, y'all seen it?

[Melissa Ford]

Yes, we did.

[Joe Budden]

Yeah, the robbery.

[Flip]

Robbery that he set. The robbery that he set up.

[Malcolm]

I could choreograph it.

[Joe Budden]

I seen that like it was all them nights. I seen that a million times.

[Parks]

I'm so glad Russ Gemstones is back, by the way.

[Joe Budden]

Me too.

[Melissa Ford]

He started back yet, but.

[Flip]

Yeah, he locked up now, right?

[Malcolm]

Yeah, he was here like three weeks ago.

[Joe Budden]

He's locked up. But when you watch the footage of that church, like he. You should have been robbing the church. Like this was the church on.

[Flip]

He set it up.

[Joe Budden]

There's no other way that a criminal thought to rob that church. Like when they show the outside view of it. Nobody said they got it.

[Melissa Ford]

That's it right there.

[Joe Budden]

It's in there. Yeah.

[Flip]

He's shooting.

[Joe Budden]

Nobody call up the homie, say, yo.

[Melissa Ford]

I know where it sits. That my.

[Joe Budden]

That is a mess, that one.

[Malcolm]

Yeah, yeah. Top of a furniture store or something.

[Flip]

I remember Maya Angelou was at Rest in Peace was at ccc. They wasn't playing those. They mad aggressive. Y is. This is the house of the Lord. They extremely aggressive.

[Malcolm]

Yeah, Them Armor Bears.

[Flip]

Yeah. I don't know why they like that. I tried to walk in there with my hat on, push me. I said, cuz the white church, you can wear your hat. They Let you get it off.

[Melissa Ford]

Come as you are.

[Flip]

Yeah, come as you are. But not the black church. Maya Angelou hit at the lights and shit.

[Joe Budden]

Yo, we so lost as a people. Niggas named the whole list of fucking famous people that they would be destroyed if they left. It wasn't a sign of Maya Angelou. It wasn't a great black excellent one. It was Mariah Carey, Spud Webb, Lloyd Banks. We will never overcome as a people.

[Flip]

I think this probably was mad at Maya.

[Malcolm]

The OGs shout out to Maya Angelou.

[Joe Budden]

Wiser made drop.

[Melissa Ford]

Why keep this thing?

[Joe Budden]

Yo, man, his name I've been getting off some Philip Drummond Wiseman.

[Ish]

If you don't give him the.

[Melissa Ford]

Mission impossible.

[Joe Budden]

Get out of here.

[Ish]

So many more great before the devil does.

[Joe Budden]

I'm just.

[Ish]

I've never met anybody else that's watched that movie.

[Joe Budden]

What movie?

[Melissa Ford]

What movie?

[Ish]

Before the devil knows you're dead.

[Parks]

Yeah.

[Ish]

Always something amazing.

[Flip]

You know, A lot of crazy. Me, you, and Paul. I watch a lot of crazy.

[Parks]

I like movies.

[Ish]

Yeah.

[Joe Budden]

Same Philip Hackman. You talked over my fucking Gene Hackman tribute? That was fucked up.

[Ish]

I did not.

[Joe Budden]

Didn't give a fuck about Gene.

[Flip]

Y'all saw flowing. Stop. We care about Gene. We care about Gene.

[Joe Budden]

Get on these podcasts. Mike, come on. Somebody segue us out here. Gave Gene Ackman and his wife a whole 20 seconds. Junior Brisbane, Atlanta, y'all don't be giving a. Now all of a sudden y'all got a list. Who y'all gonna be distraught about?

[Melissa Ford]

Who got my list?

[Flip]

He said, hov?

[Melissa Ford]

Yeah, I got HOV on my list. AI is on my list. Snoop is on my list.

[Flip]

AI, like, oh, Al, I would again.

[Melissa Ford]

These are people that.

[Malcolm]

That makes sense.

[Joe Budden]

Yeah.

[Melissa Ford]

Meant a lot to me through childhood. Hey, hey.

[Joe Budden]

Yeah.

[Melissa Ford]

I'm just saying, it's. It's people. If something happened to him, it'll fuck me up for a minute.

[Flip]

How long, though? Like a month.

[Melissa Ford]

Nah, nah.

[Flip]

Okay.

[Malcolm]

I don't know them. It's like a day. A day or two.

[Melissa Ford]

Yeah. If I don't have no personal relationship with you.

[Malcolm]

Like Kobe. I knew. So I was upset. I'm still upset. Like Michael Jackson. It was like, more like that day. Then I anchored the funeral and I cried. Like during the funeral when Stevie started singing. Stevie sang I never dreamed you leave it in in the summer. And we was all fucked up. Cause it was like.

[Joe Budden]

Can you pull that mic close to you?

[Malcolm]

Oh, I'm sorry.

[Joe Budden]

The. Yeah, you ain't but 5,4n close to the damn mic.

[Malcolm]

Yeah, Something like That like, just a lot of times it'd be the tragedy of it. Don't be that the person meant that much to you.

[Flip]

Nonsense.

[Malcolm]

You know what I mean? It'd be like that. This like with Kobe. Even if you didn't love basketball and you didn't know him, it's still like something about somebody at that age dying and like, messes your head up. Same thing with Michael Jackson for me.

[Flip]

Same thing.

[Malcolm]

And Anthony Bourdain.

[Flip]

I was sad Michael didn't. Michael went too early for me. Me, yeah, I was sad as well.

[Joe Budden]

We can move on. But I'm dying to know who would have been on y'all list ages ago, before celebrity. Celebrity and fame and groupyism took over. Like, anybody that was like a world changer.

[Melissa Ford]

Nelson Mandela.

[Flip]

Nelson Mandela.

[Joe Budden]

Tesla.

[Melissa Ford]

You told off the river Tesla when Mike died. When Mike died, you said, whoever made.

[Flip]

Bread, you got the same Uncle Ben, right?

[Melissa Ford]

Rice.

[Joe Budden]

Famous Amos.

[Melissa Ford]

Famous Amos.

[Ish]

Nelson Mandela is good.

[Flip]

Nelson Mandela.

[Malcolm]

That was a good one. I didn't cry though.

[Flip]

I was.

[Malcolm]

Damn, I didn't cry for that one. Now that you mention it, I was at a funeral too. I, I, I didn't cry, but I was sad.

[Parks]

You went to a lot of funerals.

[Malcolm]

Now I feel like an asshole. Yeah, I probably shoulda.

[Joe Budden]

Mark be trying to get booked at niggas funerals to speak.

[Parks]

You trying? What you mean trying?

[Malcolm]

Right. As a journalist, you gotta go. I go to a lot of funerals to cover him, and then I end up just going and staying. So, like, I went to South Africa for his. It was amazing, you know, it was so amazing, you almost didn't have time to be sad. Cause it was so much partying and so much traveling and all of that stuff. He laid in state, so he went to like 12 cities, like to follow him be dead.

[Joe Budden]

But anyway, yo, thank God for technology. The obituary was such a horrible way to learn that somebody died or open the paper.

[Parks]

God damn.

[Joe Budden]

Oh, shit.

[Flip]

Yeah. In the Caribbean, they put that shit on the TV at night. This person died.

[Ish]

The daily obituaries.

[Flip]

Yeah, yeah, yeah, yeah. On the television.

[Melissa Ford]

Oh, no, I think I'd rather the paper.

[Flip]

Shit.

[Parks]

Yeah, yeah.

[Melissa Ford]

Watch my show. And then I'm fucked up.

[Flip]

Can we talk about the fucked up obituaries, though? Like later on, some of the obituaries be up and nasty and I don't like it. They be leaving it to their kids. They want to go to cheap route. This should be the paper. The ink, the ink falling off. I don't like that. Yo, I got a problem with talking.

[Melissa Ford]

About families getting nasty with the obituaries too. Yeah, leaving.

[Malcolm]

Leaving people out.

[Flip]

Yeah, all that.

[Melissa Ford]

Hey, we was beefing with her. We don't like her. Her name ain't going in here.

[Flip]

It's not time for you to get your personal grievous out. When somebody passes away, you know, you're supposed to follow how they feel, but you can't do that them be disrespectful and spend some money.

[Malcolm]

I had no. It was. I was not in my family. My sister died. I think I was in one picture. No, I was in no pictures.

[Flip]

That's fucked up.

[Malcolm]

They had every. They had, like, cousins, aunties.

[Ish]

Who was responsible for putting together the montage?

[Malcolm]

Her daughter.

[Joe Budden]

Oh, what was your. What was her.

[Flip]

He was rich and he wasn't around.

[Joe Budden]

I never. I never think that a sibling should do it.

[Flip]

I agree. But who do you get to do with, though?

[Joe Budden]

One of the old heads of the family.

[Malcolm]

Yeah, that's who she do.

[Joe Budden]

Older person, one of the old. Even if it's not in age. One of the older heads in the family that is more responsible is gonna get all the pictures that talk to everybody. One that's gonna do it, right? Yeah, that's gonna say.

[Malcolm]

And be mature.

[Joe Budden]

Hey, Mark ain't in enough pictures here. This person's gonna do it, right.

[Flip]

Yeah, I understand.

[Joe Budden]

That be fucked up. You be at the funeral, sitting there waiting for your dick to come off. Or they start reading names. You.

[Malcolm]

Yeah, that's how it was.

[Flip]

He was in the front too. Mark was like, in the front. Hands folded.

[Melissa Ford]

Oh, they probably. They ain't. Freeway out.

[Joe Budden]

Freeway out.

[Melissa Ford]

No pictures today. Oh, that have been even worse. Like, yo, I was there.

[Joe Budden]

You can zoom out. You could tell they. They getting to the end of the montage. It started getting to the old shit. He just died. Pictures. Like the recent pictures. He like, I know I'm in some more pictures.

[Malcolm]

I wasn't in none. Damn. I wasn't even in the book.

[Joe Budden]

Yo, they show you. They show you a motherfucker whole life, and you wasn't there at all. You'd be sitting there looking at when they was one. Oh, shit. So speaking of this, this is part of my Bill Burr review.

[Parks]

Okay.

[Joe Budden]

Bill Burr said something I thought was really interesting, which was, why are we still having open caskets?

[Parks]

Oh, I was with him on that 100%.

[Joe Budden]

And he. Yeah, while he was joking, the more he talked about it, I'm like, yo, that's totally correct. Why are we still having open caskets where we're forcing People to go look at some dead motherfucker lying there who may be made up.

[Melissa Ford]

Right.

[Joe Budden]

Or not be made up. Right. And I take your word, if you say that this person is dead, then they died. Like, I don't need to see the proof. Right at the top of the fucking service.

[Parks]

He got answered the text, so I believe you.

[Melissa Ford]

Yeah.

[Joe Budden]

Open CAS could just seem a little.

[Ish]

I feel like you might know the history of why there's. Why we have open cast.

[Joe Budden]

Back in the fun. It's a great way to. There we go. Oh, that's the Roomba. Vacuum up the fun. Fun mark. What is the history of this?

[Ish]

I mean, I'm just saying, like, in order to like. Okay, fine, fine, fine. I'll back away. Fine. I'll back away. Be interesting.

[Joe Budden]

That's that. Philip Dron Moore. What do y'all think about this?

[Ish]

I've always thought that open caskets were really creepy.

[Parks]

Yeah.

[Joe Budden]

This is a really morbid episode.

[Parks]

It really is. It is.

[Joe Budden]

It.

[Melissa Ford]

I just think it's creepy for kids.

[Parks]

It's creepy for everybody.

[Ish]

It's creepy for everybody.

[Melissa Ford]

It's some funerals I've been to. It allowed you to. It's like that last bit of closure.

[Malcolm]

Wanting to say goodbye. I understand.

[Joe Budden]

If the kid is old enough for. They had to be peeking up, then that's bad. But you don't want to see that. But if they small enough to where you don't even really.

[Melissa Ford]

You don't know what's going on up in there.

[Joe Budden]

They should be done up. They be have leds. The kids, they'd be having glass in this. Yeah, they be propped up. They'd be like, all right, man. Yeah, your Bill person, they'd be in there all propped up. Sorry, Go ahead, Go ahead. Listen. Take it away.

[Flip]

No, I'm listening to you. I'm listening to you.

[Parks]

I'm with you. I don't like seeing that.

[Joe Budden]

That is whack.

[Malcolm]

I like seeing it before, I think.

[Melissa Ford]

Yeah, the way.

[Malcolm]

So like. Yeah, like when my dad died, the night before you go, you look at him, you know, say your goodbyes or whatever. The next day, I don't feel the need to see him.

[Melissa Ford]

But see, the problem now is. Cause everybody ain't got it. So you're doing it all in one shot. Yeah, ain't no more. The wake used to be the night before. Right. And then the funeral was the next day.

[Malcolm]

Right.

[Melissa Ford]

I just went to 1. Shit started at 1pm I'm like, wait, it's starting at 1. And that was the wake.

[Malcolm]

Oh, hell no. Yeah, you just don't get to see him. To me, you just don't get to see him. I mean, some people like to kiss the body goodbye and all of that stuff.

[Melissa Ford]

Yeah, some. Yeah. You know what really pissed me off though, is when they start taking pictures.

[Malcolm]

Well, that's some new.

[Melissa Ford]

I know it's new. That, that. I don't care. What. That really pissed me off when I.

[Malcolm]

See pictures in the funeral.

[Melissa Ford]

Somebody walking up to the casket. Yo, fam, fam.

[Malcolm]

Yeah, that's weird.

[Flip]

Hey, yo, real quick, real quick, since we talking about that, I just got. My wife just got a call that her aunt in Canada wants to. Passing away, but she wants to. She wants help with a company called maid, I think.

[Ish]

Medical Assistance in Dying.

[Flip]

Yeah, yo, and she asked me how I felt about that, but I'm like.

[Melissa Ford]

Nigga, it's like legal euthanasia. Yes.

[Flip]

I don't know. I guess that.

[Joe Budden]

Yeah, that's the company that come kill you faster.

[Ish]

Well, no, I think.

[Flip]

I think it's. I think it's.

[Ish]

I think it's selfish. No, I know it's so. It's only for terminal patients, but I thought about you.

[Flip]

But I thought that was.

[Ish]

It's not selfish if you're. If. If you have like two to three women weeks left and the quality of your life is so, you know, is just. It's non. Existent then.

[Flip]

But how many times. How many times we had people have two, two to three weeks left and they live for years.

[Melissa Ford]

That is. That is a fact.

[Flip]

You know what I'm saying, man?

[Ish]

So you never really know. I'm gonna. I'm gonna back out of this conversation.

[Flip]

I apologize.

[Malcolm]

I think. I think y'all have to.

[Flip]

It's called maid, though, you know. You know about it, right? Man, if you.

[Malcolm]

If you're in misery, I think people. I think people right to die with dignity. And I think people should make their own. Make their own choice.

[Flip]

We gotta get a call. Like, yo, I'm about to get. I'm about to have somebody help me transition on to the afterlife.

[Malcolm]

Yeah, I mean, if you're there, you.

[Ish]

Should respect that person's wishes.

[Malcolm]

Yeah, let that person.

[Flip]

She did respect, but I just didn't at the time.

[Joe Budden]

I'm sorry.

[Melissa Ford]

I think sometimes I think the opposite is selfish actually.

[Ish]

Keeping them alive when they want to go.

[Melissa Ford]

Look, you said you believe that person doing that is being selfish.

[Flip]

Yeah, cuz, it's so.

[Ish]

It's their life. It's their life.

[Malcolm]

They're the one in pain, so they're.

[Melissa Ford]

They're the ones that want to leave. So I think it's really it be us who still.

[Flip]

But I want to go. See, I want to go hang out with you. My like.

[Malcolm]

Come on.

[Melissa Ford]

That's the selfish part.

[Flip]

You wanna take a. I'm selfish.

[Malcolm]

Stay in excruciating pain so that I can kidnap you.

[Melissa Ford]

Cause I don't wanna. I don't wanna grieve you.

[Flip]

Well, no, no, not stay here. I'm beef deceased.

[Malcolm]

No, no.

[Flip]

I don't want them to stay in pain. But obviously if you could hold on a little bit longer so the family could come around and gather around, we would love that. That's it. That's all I'm saying.

[Malcolm]

Yeah, it's hard.

[Flip]

I don't wanna be selfish and make mockery out of it. Cause obviously it's important to the family and to my wife.

[Ish]

So why can't you just go now?

[Melissa Ford]

Yeah.

[Malcolm]

He got another.

[Flip]

Oh man, that's not nice, man.

[Ish]

I'm not. Listen, I'm not another move to do.

[Flip]

Now when my aunt in law passing away.

[Ish]

Go now then.

[Malcolm]

Go.

[Ish]

Go now.

[Melissa Ford]

Truthfully.

[Ish]

Go now. He's like, get up and go now.

[Malcolm]

He's like, I get paper episode. I'm not leaving here to Wednesday.

[Ish]

It's so important to you. Drop everything and go now.

[Flip]

Thank you, man. I got you.

[Ish]

Okay.

[Joe Budden]

Oh, well, I want nigga made too much last month. I'm sorry. I'm sorry. Sorry, Nana. I'm with you and my friend.

[Flip]

That's not funny, Joe.

[Joe Budden]

I can get this bread out to you.

[Flip]

What's wrong with you?

[Joe Budden]

I need it right now. I'll do this for you, Nana. You wouldn't even want me to miss all this money.

[Flip]

If you knew.

[Joe Budden]

Oh, if only Nana knew. Sometimes you got to do it in the name of nature. That got sent some flowers to the funeral.

[Flip]

What's wrong with you, yo?

[Joe Budden]

Oh, sick. Yo, yo, what was that?

[Melissa Ford]

What was that movie?

[Joe Budden]

And think like a man. What was the name of that movie where their homeboy died? And at the end they all went to the beach and set the balloons up in their head why I get married. Whatever movie that was. Why they was acting like that was really their dead homie. Me in the balloon going to the black.

[Ish]

Tribute.

[Melissa Ford]

Tribute, everybody.

[Ish]

It's symbolic and meaningful.

[Joe Budden]

I'm gonna get in the house.

[Malcolm]

The only thing I would say on a serious. Not talking on a serious note though, as you think about. And I'm only saying it because we. We talked about this like sometimes people, elderly people get depressed and they don't know what they want or they think they want one thing, they want something else. Terminal patience is one thing. And I think people have a right to die with dignity. But I know, like, with my father, he.

[Joe Budden]

He.

[Malcolm]

We. They told us he was dying. They said he got a couple weeks, you know, just stop feeding him, like, you know.

[Parks]

Huh.

[Melissa Ford]

Wait, what?

[Malcolm]

Yeah, they said, like, the feed. Cause he didn't. Basically, he didn't want to eat anymore. And so they said, you could put it through a feeding tube or not, right? And so I said. And so I said, dad, I had my other brothers bounced. They were left. They didn't want to do it. They had me do it. I'm the youngest. And I said, hey, do you want to.

[Joe Budden]

There you go, throwing Frazier, yo, you ain't shit. I like to hear the funeral story. I get it. Yeah. Mark is foul. My other brother's bound. It was just me, youngest one.

[Malcolm]

You got this. So I went. And I was like, yo, you know, do you want us to keep doing the feeding tube or not? And he was like, just, I think I'm okay if I don't have the feeding tube. And I said. I said, I won't be upset with you. I won't be hurt. If you're ready to go. If you don't want the feeding tube, it's okay. He said, let him go. About two days later, as we were starting to do that, the doctor said, let's give him one more thing for his appetite Is an appetite inducing, but it's also an antidepressant. He took it. And it turned out after he took the appetite inducement, not only did he want to eat, but he felt better and didn't want to die anymore. I came back two weeks later because I traveled to San Antonio. I was waiting for. I was on standby.

[Joe Budden]

You going too hard for part of the month now, boy, you killing this shit.

[Malcolm]

I came back two weeks later. We had moved into a transitional home because my mom didn't want to die at home. And he was fucking up two plates of food. He was killing it. And he had gained, like 10, 15 pounds. He looked like himself again. And it was the fact that the appetite inducer was actually also antidepressant. I found out that a lot of elderly people are depressed and will be like, fuck it. Like, let me go. Because of the mood they're in. That's not negating what you're saying, which is when you're terminally ill and you're in pain, that's different. My dad was just depressed and Knowing the difference between those two things is important.

[Ish]

And also, MAID is a very. It's not. It's a lengthy process.

[Flip]

Yes.

[Ish]

You have to get asked a lot of questions. They really do. Like a cognitive and psychological testing to make sure that you are of sound mind making this decision. They ask you in front of people. They ask you alone, are you being coerced into this decision? Whoever's the executor of your will cannot be a witness because that's a conflict of interest. It's a lengthy process.

[Flip]

I understand, man.

[Malcolm]

I'm telling y'all now in front of everybody, don't do that shit for me. Keep me alive no matter what.

[Ish]

No dnr, nigga.

[Malcolm]

Hook me to the car charger. I don't give a fuck what you gotta do to figure out how to keep me alive. I don't care if I'm in pain. They'll figure something out. They find something new. It's not for me. But I respect everybody else's wishes.

[Melissa Ford]

Yeah, I'm. I'm the opposite. Once I get to a point where I can't do anything for myself and y'all can, let me go. I don't want to be a burden on nobody.

[Malcolm]

I feel that.

[Melissa Ford]

Let me go.

[Malcolm]

I want to be a burden. These niggas been a burning on me a long time. All right, you got it.

[Joe Budden]

Okay.

[Malcolm]

Send me to Frasier.

[Joe Budden]

Pull out that hat in the back with all of our happy topics. Now, two hours in, who wants to get happy? Anybody?

[Flip]

Or do we have any more stories?

[Joe Budden]

I'm still happy about when our parents died or, like, somebody we love. What you guys? What you guys think?

[Flip]

Stop.

[Joe Budden]

Made some.

[Flip]

Yeah.

[Joe Budden]

Would you do it? Would you want to live? Come on. What we got? Happy. All right.

[Malcolm]

Drake and umg, that makes us happy.

[Joe Budden]

Let's do it.

[Melissa Ford]

Ice, put the shit on me. UMG clapped back. They sued him, and they're trying to get out of the. Out of the lawsuit. I mean, the verbiage in the lawsuit was crazy.

[Flip]

Talk about it, Ice.

[Ish]

I got it.

[Melissa Ford]

Oh, you have it up?

[Flip]

Okay, let's go.

[Ish]

Big male plaintiff, one of the most successful recording artists of all time, lost a rap battle that he provoked and in which he willingly participated. UMG argued in a motion to dismiss. Instead of accepting the loss like the unbothered rap artist he often claimed claims to be, he has sued his own record label in a misguided attempt to salve his wounds. Who wrote this soldier?

[Parks]

He had an axe to grind her.

[Ish]

Shade the label said, not like us. Cannot form the bias of a defamation claim because Lamar's lyrics are protected as non actionable opinion and rhetoric hyperbole. This is especially true in the context of a rap battle, UMG added, where DISS tracks are often built around outrageous insights. UMG noted that this type of hyperbole was present in the nine diss tracks Drake and Lamar collectively released during their 2024 rap battle, and that Drake encouraged the feud by taunting Lamar to respond to his songs and lodge damning insults of his own, including accusing Lamar of domestic abuse on the track Family Matters. So that's.

[Joe Budden]

He told him.

[Ish]

That's pretty admitting.

[Melissa Ford]

Yeah. I just don't. I don't understand the. I don't understand Drake's suit. I never understood it.

[Parks]

Because it was a battle.

[Melissa Ford]

No. Not even just that you're. You're suing them for doing the same thing they did for you.

[Parks]

Right. That too.

[Melissa Ford]

That's the part that you benefited from this for years and now it's. Oh, wait, if. If it's true.

[Joe Budden]

What.

[Melissa Ford]

You know, y'all promoting the song.

[Parks]

Yeah.

[Melissa Ford]

I don't like that song, though. It's about me. It makes me look bad.

[Joe Budden]

It.

[Melissa Ford]

I'm gonna sue you.

[Parks]

It's all been bad.

[Melissa Ford]

That's. That's the part I just don't get. And I hear a lot of people saying, oh, you're taking the side of the machine. I'm not taking the side of nothing in this. I just don't understand. It's like.

[Joe Budden]

It's.

[Melissa Ford]

It's cool as long as it works for me.

[Parks]

I'm taking the side of rap battles.

[Flip]

Yeah.

[Parks]

It was a rap battle.

[Malcolm]

Yeah.

[Parks]

And it didn't go your way. And that's it. I'ma still listen to Drake music. Music I still do listen to Drake. I think a lot of people are in the same boat. The suit is stupid. I think it was all for the super bowl, but clearly still happening. So I don't know.

[Melissa Ford]

Following through. I don't know what y'all think.

[Joe Budden]

I think Party Next Door better be in the studio coming up with the fastest Nokia remix he can. That's what I think. Are you. You crazy as hell. We going to do a album together and your little song without me going go. You got me up.

[Flip]

Y.

[Joe Budden]

He always get the bad end of the.

[Melissa Ford]

I a even think about that. I'm listening to what they play on the radio. They play Nokia and give me a hug.

[Ish]

Yeah, give me a hug. Is has drink on it.

[Melissa Ford]

No, no, that's.

[Joe Budden]

They don't.

[Parks]

Yeah. They don't have.

[Melissa Ford]

They don't have party.

[Malcolm]

Party.

[Ish]

Sorry.

[Flip]

Never mind, baby girl.

[Melissa Ford]

I know key is hard, though.

[Parks]

It is.

[Joe Budden]

If I'm party next door. I'm not leaving the studio until I think of a new one of that for him to approve for him. And you crazy like, damn.

[Melissa Ford]

That is kind of fire. I'm. I'm going use that one though. Let me. Let me get that new album coming.

[Joe Budden]

I'd be tight. I know are not supposed to say that because it's still your album.

[Melissa Ford]

No, I would be tight. 100%.

[Joe Budden]

I'd be tight. I don't give a. I would say it.

[Melissa Ford]

I'm absolutely. I would be tight.

[Joe Budden]

I'm over the lawsuit. I'm over the law suit above my pay grade. I don't know who's doing what. I don't know why they're doing it. I'm. I'm. It's. It's last. It's a last year thing to me. Let it be relevant to the people it's relevant to, which is umg, Lucian and fucking Drake. Ovo. I don't care. I don't care. Like, it has no bearing on me. Win or lose.

[Melissa Ford]

I just want music. It's so sad.

[Joe Budden]

I don't even want that.

[Melissa Ford]

No.

[Joe Budden]

I want music from n. I don't Y'all have trained me into. Okay, there's. We not getting albums from all of the people I love. I told y'all throughout the whole week I'd just be thinking of all of the artists that I love. That just. Just off it now.

[Melissa Ford]

It's like if y'all often the.

[Joe Budden]

I'm be sitting by the itunes store for right when they drop, they'll drop.

[Melissa Ford]

That's what I'm saying. So it's just like I. If. If y'all. That's all I care about.

[Joe Budden]

If they drop a really dope project, then we'll get another one in six years.

[Parks]

Yeah.

[Joe Budden]

I mean, Drake was the exception today. I'm not really talking about him because he was dropping. But scary out there.

[Malcolm]

I ain't gonna hold you. I could go for a Drake album if it's. If he's just rapping. I don't. I hate the. The singing. But if he actually is just spitting bars.

[Joe Budden]

Bars.

[Malcolm]

I could go for it.

[Melissa Ford]

I don't think you ever get that. I think you've never gotten that.

[Joe Budden]

True.

[Melissa Ford]

And nor will he ever do that because his fan base is just too big for that. I just want a Drake album. I don't give a what. Long as I don't want experimental Drake like the. The dance album or. I don't need none of that. Give me Drake that I've become a. I've been a fan of since 08.

[Joe Budden]

It's rumored that he is coming, I'm sure.

[Melissa Ford]

And. And it's rumored that it ain't gonna be long.

[Malcolm]

And you don't think this UMG lawsuit is going to hem that up at all?

[Joe Budden]

It doesn't have to.

[Flip]

I don't.

[Parks]

Yeah, he'll find a way. Same way he did with the Party album. That's just really pretty much a drink.

[Melissa Ford]

Go. Go get with one producer or something and do it. Yeah, we've seen that trick a bunch of times. Yeah, the producer album, where it's his album featuring you or y'all together, but now it's over there.

[Joe Budden]

Got it. Or the label could have no problem with putting out a Drake album. We can have our fight and we can continue our fight. But if you got one, we have paperwork that says that we. We in on that.

[Flip]

Where do you see this going?

[Ish]

Like if he loses the lawsuit or what?

[Flip]

I'm saying the lawsuit in general. Right. They're trying to get it dismissed. If it doesn't dismiss it, what does it put out there to the other artists?

[Parks]

It's gonna get dismissed, I think.

[Melissa Ford]

Huh?

[Parks]

I think it's gonna get dismissed.

[Flip]

You think it's gonna get dismissed?

[Joe Budden]

Yeah, same.

[Ish]

But if it doesn't, is there a countersuit?

[Parks]

I don't know.

[Malcolm]

As of now, I have kind of.

[Parks]

Clocked out of this as well.

[Joe Budden]

Got it.

[Malcolm]

I think UMG's game was to get this dismissed out of hand at the early. And they didn't dismiss it. It's still moving forward, but I still think that it's not going to. I don't know if he'll be successful. It doesn't seem like he's going to be successful. Based on what? The legal expert. I'm not a legal expert, but that's what they're saying.

[Ish]

I've heard the same.

[Joe Budden]

Y'all think Luigi's getting off? No.

[Ish]

You talked about.

[Joe Budden]

No, I don't remember your answer.

[Ish]

Well, we talked about jury selection and just juries being committed to finding reasonable doubt.

[Joe Budden]

Yeah. That's why I want to know your answer. I don't remember it.

[Melissa Ford]

No, I don't think he's getting off at all. I think he's a patsy and they're going to make sure he don't get off.

[Ish]

Patsy. Like he didn't do it.

[Flip]

When y'all say you don't think it did. Hold on. Wait, wait, wait, wait. When y'all say things like that, right? He didn't do it.

[Joe Budden]

You don't think he did it either?

[Malcolm]

Now I was shaking my head how always think somebody didn't do it.

[Flip]

Yeah. When you say he didn't do it.

[Joe Budden]

Those were his eyebrows.

[Flip]

What do you think?

[Melissa Ford]

What do.

[Malcolm]

What do you.

[Flip]

What do you think happened then? Like, do you think they just found somebody to make them be the fall guy? How did they convince him to be the fall guys guy?

[Melissa Ford]

They might not convince you.

[Ish]

So he was on his way to do that actual thing, but somebody beat him to it and knew he was going to do it. Kind of.

[Melissa Ford]

Or it could have been planned. He. He could have been coached through it. Like it wasn't just his idea.

[Joe Budden]

Right.

[Malcolm]

You were.

[Melissa Ford]

You were led to do this.

[Malcolm]

So he might have actually executed you, saying. But just might not have been.

[Ish]

Yeah, he was a tool. He was cog in the wheel. Got it.

[Malcolm]

Okay.

[Ish]

I don't know about that because early.

[Malcolm]

On people were saying, oh, that wasn't really him. Like he wasn't the guy. Like it was a mistaken identity. Oh, this crazy, like, scandal. And I'm like, I don't believe that. I think he open did just what it looked like. He pulled out a gun and shot somebody on broad daylight. And they got on the city bike.

[Joe Budden]

And left and went to McDonald's.

[Parks]

Got a full fish.

[Joe Budden]

That's the part that just got a little. Hey, I think he did it too.

[Melissa Ford]

With all the evidence on him.

[Joe Budden]

Do I believe that? Yeah. Do I believe that he was just needed a McChicken when he was up. He might be hungry, but yeah, too great of a plan to run to McDonald's and sit there with all the shit.

[Melissa Ford]

This makes me question things like the amount of planning that went into doing that. And then the movement afterwards. They just don't.

[Malcolm]

Cause you never gonna eat that. How you get food?

[Parks]

Shave your eyebrows?

[Melissa Ford]

Dog?

[Ish]

No, not them eyebrows.

[Parks]

Nah, you can take them out.

[Melissa Ford]

You would think the person that lays out that plan walks around with the evidence on them eyebrows.

[Ish]

Well, it was a 3D gun, so it's not. It's not a traceable weapon, has no serial number or anything. So what would be the harm? It's like it doesn't. The gun doesn't really exist.

[Melissa Ford]

I get.

[Joe Budden]

I don't want to hear none of that shit. If I'm a dude that tried to shoot Trump that shot his earlobe off, this dude's getting way too many props for me. Like, we don't know what this dude looked like still.

[Melissa Ford]

Right?

[Ish]

Exactly.

[Parks]

They killed him, didn't they?

[Joe Budden]

No.

[Ish]

So they said.

[Malcolm]

I don't know.

[Joe Budden]

They didn't kill him. I don't think. Think.

[Malcolm]

I don't know.

[Joe Budden]

I think there was footage of them actually arresting him.

[Malcolm]

I get. I don't remember, to be honest. I don't remember.

[Joe Budden]

The earlobe guy.

[Melissa Ford]

Let's check it out.

[Parks]

I think they took him out.

[Joe Budden]

Had to. He had them shook.

[Ish]

My man out to be there for like the.

[Joe Budden]

And that's not my man. I don't mean like that.

[Ish]

Of Luigi's trial.

[Malcolm]

It's gonna be tough.

[Joe Budden]

I don't.

[Malcolm]

I don't know who you exclude.

[Joe Budden]

Would you want to be a juror?

[Ish]

Yes, yes, yes. I would love to be.

[Parks]

Yeah. He was shot and killed.

[Ish]

Was his name. Is that funny that we don't know the name of the guy. Who?

[Parks]

Thomas Matthew Crooks.

[Flip]

The dude with the glasses on the roof.

[Parks]

Right.

[Joe Budden]

See, I don't know about that one. See, now, now, M ice they fair. You're like.

[Ish]

You're everybody.

[Joe Budden]

They did not kill that.

[Malcolm]

I'm more suspicious of that one. I think he did it too, but I'm more suspicious of that one.

[Joe Budden]

Dog, if somebody's trying to kill the president, man, you kill him. So that we don't get information as to who you may or may not be working for.

[Melissa Ford]

Yes, you damn right.

[Malcolm]

Yeah. You got snipers on you?

[Melissa Ford]

Damn right.

[Joe Budden]

We kill them immediately.

[Ish]

There was snipers everywhere. But yet they didn't see this.

[Flip]

They saw him initially. They saw him and they did nothing.

[Melissa Ford]

Listen, Let him.

[Malcolm]

He's white.

[Melissa Ford]

Listen.

[Flip]

No, they want him to knock off Trump.

[Melissa Ford]

Bam. The government, they turn. They. They turn a blind eye to certain. Allow certain to happen. He up.

[Flip]

He did.

[Melissa Ford]

We gotta kill this though, right? Because if they get him and he start talking, this is.

[Malcolm]

He up.

[Melissa Ford]

Moved.

[Joe Budden]

Trump would move.

[Melissa Ford]

Of all people. Yep.

[Joe Budden]

Trump would move.

[Flip]

It was almost over for that. Yo, you saw how close that was. He just did a head turn to do some.

[Melissa Ford]

He did watch enough, man. They be telling you about this.

[Joe Budden]

Wait, hold up. If you were a juror, what would you. Jur.

[Ish]

What would I jur.

[Joe Budden]

Yeah. What would your verdict be?

[Flip]

Innocent or guilty?

[Ish]

I would be there to listen to all of the evidence to make my decision objectively.

[Flip]

Okay.

[Joe Budden]

What do you think it would be?

[Ish]

Not motherfucking guilty.

[Parks]

Okay.

[Malcolm]

All right.

[Ish]

Free him.

[Flip]

Oh, shit.

[Malcolm]

I feel like a lot of people feel that way. Cause of how he looks.

[Flip]

Yes, they. Fuck me.

[Ish]

This has nothing to do with the way he looks.

[Joe Budden]

It's tough to Live in a world with all this patriarchy. It is. There you go.

[Parks]

It's tricky.

[Flip]

It's crazy.

[Joe Budden]

So you'd free him, huh?

[Ish]

Yes.

[Joe Budden]

Why?

[Parks]

Cause she thinks he's Canada.

[Malcolm]

Don't y'all get healthcare?

[Melissa Ford]

Don't y'all Got y'all. What the.

[Ish]

I haven't lived in Canada for almost 25 years.

[Flip]

But why freehand?

[Ish]

So I'm not. Not a tax paying citizen. So therefore I do not get the universal health care that the citizens of Canada get.

[Melissa Ford]

And even the people that's on the side of that because he killed the CEO of the. What? What company was it?

[Ish]

United.

[Flip]

Yeah.

[Melissa Ford]

Okay, Guess what they did.

[Ish]

They were denying. They were denying.

[Melissa Ford]

Guess what they did. Put a new CEO in.

[Ish]

They sure did.

[Malcolm]

Same outcome.

[Melissa Ford]

Guess what? Nothing changed.

[Ish]

You're right.

[Joe Budden]

So is this like when y'all wanted Jody Meeks first?

[Melissa Ford]

Yeah.

[Ish]

Who's Jody Meeks?

[Melissa Ford]

Yeah.

[Joe Budden]

Model.

[Melissa Ford]

Light skinned dude with the light eyes.

[Ish]

I wasn't invested in that. I didn't give a.

[Melissa Ford]

He wasn't white.

[Joe Budden]

Yeah, I'm sorry. It seems to be a trend.

[Melissa Ford]

My bad. That's my bad.

[Joe Budden]

I'm ignoring it. What else? What else? What else is. What else is important, Unimportant. What was we just talking about?

[Malcolm]

Some good news for all y'all. If you're thinking about sending your kids to Harvard, it's now free. Well, y'all make too much money. But it's free for anybody. Anybody who makes under $200,000. Any families that make under $200,000 a year. Your children now have free tuition at Harvard.

[Joe Budden]

What's the catch?

[Ish]

Wait, hold on. Is it children or students? Students of any age. So what if I make less than $200,000 a year? Can I go to. Can I go to Harvard for free?

[Malcolm]

If you can get in.

[Parks]

Oh, shade.

[Malcolm]

No, no, not to you. Not to you, Mel. I'm saying somebody asked, what's the catch? That's the catch?

[Melissa Ford]

Yeah, that's the catch.

[Malcolm]

It's not like more people can get.

[Melissa Ford]

They ain't accepting you niggas.

[Malcolm]

Right? Most people who get into Harvard already make more than $200,000 a year. There's a class component to it, so it doesn't really make Harvard that much more accessible.

[Melissa Ford]

People make a lot of folks legacy.

[Malcolm]

Yeah. Like rich people get into Harvard more than poor people. Poor people rarely get into Harvard, so it's not like they lowered the bar. And it's interesting because the right wingers on the Internet last night and all on TV were talking about this is, you know, Awful. This is more dei. This is letting ungrateful, unworthy people. It doesn't change the standards of Harvard. If you can get into Harvard, you can go. It just means poor people don't have to pay, which I think is a great thing.

[Melissa Ford]

I think it's great, too. I just would like to see the numbers.

[Malcolm]

I just think we need to not do it at Harvard, because who gives a fuck? I mean, like, do it at the state college. Do it at the local college. Do it at a place where people are actually getting in. Don't do it at a place where Harvard only lets in 3% of all applicants. So who cares? Like, there might be 10 poor people who get a free ride now. That's all.

[Melissa Ford]

If that.

[Malcolm]

If that.

[Melissa Ford]

This is just a headline to sound good, right?

[Parks]

That's it. Yeah.

[Malcolm]

Yeah, it sounds good.

[Joe Budden]

That's it.

[Melissa Ford]

That's it.

[Malcolm]

Some good pub, but it don't do shit for y'all. And nobody who was going to Harvard, who wasn't going to Harvard is now going to Harvard.

[Melissa Ford]

Then they said if you. If the family is under 100k, you get free room and board.

[Joe Budden]

Who's.

[Melissa Ford]

How many. What percent is that gonna apply to?

[Malcolm]

Again, almost nobody. And again, to your point, if you make 125 and you get in free, but you got to pay room and board. Room and board is a lot of money.

[Joe Budden]

It is.

[Malcolm]

So you still gotta come up cash out of pocket. So it's tough. So, anyways, it's an interesting announcement, but I want y'all to just look underneath the headline and realize it's not. Doesn't mean much. We should be fighting for free public education for everybody.

[Parks]

Agreed.

[Melissa Ford]

And you know they ain't doing that. Education is still a barrier, trying to keep folks out.

[Malcolm]

We get too serious. I can feel.

[Flip]

Yeah, yeah.

[Melissa Ford]

Let's get up out of there.

[Joe Budden]

You feel what I. I got.

[Malcolm]

I. I'm learning when to pivot.

[Joe Budden]

We gotta learn how to pivot. Without looking at me like this.

[Malcolm]

Smooth. Yeah.

[Joe Budden]

That was our first time. I wanted to shut up because that was my first time in 44 years hearing some Harvard news. I felt dumb as hell. That is fucked up. Oh, shit. Or great.

[Parks]

I don't know.

[Joe Budden]

Yeah. Fuck it. Holy shit. Harvard.

[Melissa Ford]

Well, in other news, Dreamville announced their final lineup.

[Parks]

They did.

[Melissa Ford]

Ooh, it's April. I wanna say a fifth and sixth in North Carolina. And it's.

[Malcolm]

Let me get.

[Melissa Ford]

Let me get the lineup up real quick for you guys.

[Parks]

I got you. It's Wayne Hot boys and the big timers. Juvenile, Turk, BG, Manny Fresh and Birdman 21 Savage party next Door, Ludacris, Ari Lennox, Chief Keef Keisha Cole, Boss Young, Nudie, Absol, Lou Omen, Kai Cash, Nico Brim, J. Cole, Eric Kabadu, Temple Glorilla, Jid Wale, Coco Jones, Big X, the Plug, Earth Gang, Anisha Kaz, Akia. I want to go.

[Melissa Ford]

Night one sounds amazing.

[Ish]

That's one night.

[Parks]

No, no, two nights.

[Malcolm]

I assume that was night two.

[Melissa Ford]

J. Cole once, he said, J. Cole. J. Cole. Erykah Badu, Tim's gorilla on down. That's night two.

[Ish]

Okay?

[Malcolm]

That's what I want to see.

[Melissa Ford]

Night one sounds amazing.

[Malcolm]

I'm old. I want night two. Oh. I mean, the big time is I want to see all that, too, but I just feel like I've seen them do their reunion thing now.

[Melissa Ford]

Yeah, they.

[Joe Budden]

They.

[Melissa Ford]

That's part lame, baby.

[Flip]

Leaving that nigga on stage. Yeah, we be seeing that. Why they going that nigga like that? They leaving that nigga on stage. He in the middle of a speech. They just walking out. Why the doing them like that, bro? What the fuck is. Is he on? What's up? Put me on, son.

[Melissa Ford]

I don't know.

[Flip]

Mac made on one of them. Why the. They keep leaving baby on stage mid speech? Yo, I love y'all niggas. Them in unison.

[Joe Budden]

Like, I'm seeing these clips. I'm like, yo, how old do you got to be before somebody pulls you aside like, yo, enough of this tour. Life, it ain't good no more. Like, remember the white dude that keep doing Vegas that they kept. That they kept sending out there? What's his name? Frankie something? No, you know the guy, but he shouldn't be out there no more.

[Melissa Ford]

Not Bob Hope, Tom Jones.

[Joe Budden]

It was Frank something then.

[Parks]

Frankie.

[Ish]

Frankie Valley.

[Flip]

Yeah, Frankie Valley. Frankie Valley.

[Parks]

Go to our president, white expert.

[Joe Budden]

I keep seeing clips of Birdman doing this. It's like, yo, at some point, you got to remember how old people are. It's like, get them out of there.

[Flip]

But he's not that old. How old is Birdman? He's not that old. It's got to be something else. Joe, he not old. Why he's.

[Melissa Ford]

Why he's touring or why they walking off on him?

[Flip]

Both.

[Melissa Ford]

I think it's business that we got to do this show together, but we don't really, with you like that. Yeah, I'm doing my contractual part here. This is yo need bread. Everybody ain't doing the unison. They might not really with him.

[Joe Budden]

Leave me over here while I'm Talking.

[Melissa Ford]

And not just that. If our business, if our business was right, I might not have to do this tour like Birdman robbed them for years according to this. So if our business was right, I wouldn't even be happy to be.

[Flip]

Let me say this. Do we really look at it as robbery? Nigga, he put the investment out there. He did a lot right. He presented them to the world.

[Melissa Ford]

Correct.

[Flip]

He marketed the promotion. I mean Birdman when the big. I don't really know the story. I'm not a hip hop head like you, but from what I seen when hot boys was out video shoots and all that stuff like you heard about Birdman putting that shit together.

[Melissa Ford]

Yes, absolutely.

[Flip]

Does he not deserve the kickback ROI investment plus more for all the investment that he had to put for six or seven motherfuckers. Juvenile, Mannie Fresh, Lil Wayne, all BG juvie.

[Melissa Ford]

Yes, yes, I'm agreeing with you. Now what happens is, and this is most hip hop. That's that initial deal I'm putting you on.

[Joe Budden]

Yes.

[Melissa Ford]

Now it might come time where all right, I, I've. I've become a bigger star than we might have imagined. I may want to restructure this deal now or I may want. I, I want to make more money now.

[Flip]

Yes.

[Melissa Ford]

No. And that's where the beefs come in with a lot, a lot of times I want to own my now. Oh, okay. Yo, Wayne was going to leave and go to Rockefeller with hov.

[Joe Budden]

Allegedly.

[Melissa Ford]

Okay. Allegedly. They told him, yo, we'll stay here, we'll give you your own label. Label gave him young money. What he didn't know. They gave him 49 of young money.

[Joe Budden]

Jesus.

[Melissa Ford]

So you really, you think you got your own label, but you don't because I got 51 of what we gave you. As you find out these things, you start to think the person that I looked up to that was my friend, that was my mentor that I caught. My father really did not have my best interest in mind.

[Malcolm]

But.

[Melissa Ford]

And now Beef.

[Flip]

But do you mean, does that mean I don't have your best interest in my in mind or that I have to make my money back that I.

[Melissa Ford]

Spent it might just using Lil Wayne alone. I think it's safe to assume you.

[Ish]

Recouped handsomely and then just Wayne.

[Flip]

But then, but then how about this? You hear plenty of times where somebody helps somebody become popular, put all away.

[Melissa Ford]

And put all the safe to us on you.

[Flip]

You hear a lot of stories where there somebody helps somebody get popping up, put all the leg work in and when they become famous they leave them in the desk.

[Melissa Ford]

They dip off. Absolutely.

[Flip]

So sometimes you got to protect yourself. Now, I don't know the details of it, but a lot of got to protect themselves.

[Melissa Ford]

Agree. You do got to. You have to protect yourself.

[Flip]

Put it the best.

[Melissa Ford]

That's where the problem go. Both sides are trying to protect themselves. And then you start to realize, oh well, we kind of married at this point. I really can't get XYZ without you. And here we go with them on tour together.

[Joe Budden]

I don't want to talk about them because I don't know. But what I can say in entertainment is it could look like somebody is successful enough to recoup and only 2% of earnings be going toward a recoupment. You never know when somebody is recouped or not according to the paperwork.

[Melissa Ford]

That's true. And it's shit. A lot of contracts are designed so you can't recruit coupe.

[Joe Budden]

Then there's that.

[Flip]

Yeah, okay.

[Malcolm]

All right.

[Flip]

So that's why they leaving them on stage.

[Melissa Ford]

Y that this is all speculation while.

[Joe Budden]

We'Re here, but I could understand that.

[Melissa Ford]

Is what I'm saying.

[Joe Budden]

Got it.

[Flip]

Me too.

[Melissa Ford]

Like this is just business.

[Joe Budden]

Iggy. Aelia tweeted on this news. Not this news, but related news. Universal Music. Mark my words, you ugly, you will pay me. What is ow. This has been going on between myself and them privately for over two years and counting. By the way, she continues. Crazy how in my entire career I was never paid a single royalty by Universal Music for anything outside of the usa. They owe me millions of dollars in back pay that they technically stole from me. As per my contract, I am due payment. The amount owed is in the eight figure range. Last week they tried to respond to my lawyer and offered me a settlement of 18k. I'm told this is a normal response from their lawyers. And after appearing in court, they end up paying millions as they're supposed to. Thankfully, I'm well off and I can and will pursue this issue until they pay me what they owe. But I'd like to publicly say that I think Universal Music are criminals who actively take advantage of all of their artists in perpetuity for their own gain. They are the scummiest company and they do this to so many artists who unfortunately can't afford to fight for what they're owed. Thus they get away with this behavior. Universal Music really needs to do better in their treatment of the artists who quite literally earned the millions via intellectual property they had zero part in creating. Yuck. That was her yuck, not mine.

[Melissa Ford]

I get it.

[Joe Budden]

This.

[Melissa Ford]

A lot of that sounds like buyer's.

[Ish]

Remorse on her part.

[Melissa Ford]

Yes. You.

[Ish]

Meaning she signed the contract, didn't read it through, and this is the outcome.

[Melissa Ford]

A lot of times I didn't really know I was signing this. I thought it was that, oh, I signed this, and now I want to rectify it. I'm old. Hey, she's doing it the right way because she got lawyers involved and stuff. She said this is normal, where they'll lowball offer you for a settlement. And I'm not even mad at that. Not taking the company side. But I'm never mad at the attempt.

[Malcolm]

I am.

[Melissa Ford]

I'm never mad at the attempt.

[Malcolm]

It's unethical. I mean, here's my thing. If you and I sign a deal and it's a bad deal, you just gotta hold that l. Right. But what I'm hearing her say and other artists say is sometimes they're dishonest, even in this context of the deal we sign. Like, they actually don't do what they say they're gonna do. And it's only when we do forensic accounting. It's only when we dig deeper that we realize they didn't give us the money. But the problem is the artist is.

[Melissa Ford]

So broke, they can't.

[Malcolm]

They can't afford to fight for the thing they actually deserve. I'm with you. If you sign a bad deal, you don't like the deal, you would. Yeah, yeah. But. But what I hear a lot of artists say is, is that these. These labels are stealing their money, and they know we don't have enough money to prove it. That's what. That's the part I think is fucking up.

[Melissa Ford]

And I'm with you. That. That part is up. I'm just talking about people signing bad deals and then regretting the deal later on.

[Malcolm]

Yeah.

[Melissa Ford]

Or had I known this, I would have never signed that. Well, and that's on you.

[Ish]

But doesn't almost every single artist say that?

[Malcolm]

Yeah, it's a predatory industry.

[Melissa Ford]

Exactly.

[Parks]

Yeah.

[Malcolm]

And that's the problem.

[Melissa Ford]

I remember. Well, it's. No, I'm sorry. I. I made this example to make it where, like, a regular person might understand who don't sign record label contracts.

[Joe Budden]

Tax.

[Melissa Ford]

We. We made the jokes before about the used car lot.

[Joe Budden]

All right?

[Melissa Ford]

You going on a used car lot.

[Ish]

And them selling you a lemon.

[Melissa Ford]

Nah, not a lemon.

[Ish]

Oh, okay.

[Melissa Ford]

Yo, you want this car?

[Joe Budden]

Cool.

[Melissa Ford]

We'll put you in this car. Give us five grand down. Your interest rate is 27.

[Ish]

You don't even know what that Means, yeah, I understand.

[Melissa Ford]

You just so glad. All right, cool. I got the car. I can afford to pay. Then you realize, you go home and look at it. Wait, the car is worth how much? And if I pay this off, I've bought this car three times over. Oh, they fucked me. No, they didn't fuck you. You don't know what you were signing.

[Malcolm]

And now you want to be true, though, right? I mean, like, you made a bad choice, but somebody. It's still predatory.

[Melissa Ford]

You got in the bed, though.

[Flip]

That's all I'm saying.

[Malcolm]

It's a predatory system. That it is. They go to people who don't have many choices, and they pray on your desperation and they pray on your desperation and lack of knowledge. I remember I wasn't here, but I remember watching when Jadakiss was here with his. With his father, Njwan, and they were talking about this. The first deal they got offered was trash. And the only thing that stopped him.

[Melissa Ford]

From doing it was the parents getting.

[Malcolm]

Was a parent who would say, don't do this. Interestingly enough, he ended up with a bad boy deal that ended up being trash even after that.

[Melissa Ford]

But you heard what he told him. As soon as y'all got 18, you went and signed your own deal without us looking at it, right? And it turned out to be a bad deal.

[Malcolm]

The problem is, for me, some people don't have that knowledge and just make their own choice. A lot of people take that first deal not knowing any better, and that's.

[Flip]

That's.

[Malcolm]

That's what I have issue. If everybody ended up in that second deal, that's on you.

[Melissa Ford]

But see, now, today, I'm only speaking today. I think if you end up in that first deal today, that's kind of on you. With all the information and stories we got now, you should be skeptical of any deal that comes across your desk. You should have it looked at.

[Flip]

It's the money, man. It's needing money. It's needed at instant.

[Melissa Ford]

And they hit you with the, yo, I got a bag of money right here and a diamond chain for you. But you gotta sign right now. This offer expires when I walk out the door. Niggas are gonna sign.

[Malcolm]

Yeah. I mean, that's capitalism. And so I guess that's what I'm saying. I hate that people are making bad choices, but I do got smoke for the companies, too, because they could not do that, and they could still make a lot of money without talking to everybody.

[Flip]

Then how would they benefit? How would they grow? How would they be able to get.

[Malcolm]

Other if Universal made half the money it made, it needs to be universal.

[Flip]

The money needs to go in the circle. To me, it needs to go in the circle so you can invest in more artists and do whatever you can do. And the game is there to be taken advantage of. People are there to be taken advantage of. Whether.

[Ish]

So basically ethics don't. It don't have any play any role in business whatsoever.

[Flip]

No, I, I. And the business that had ethics, a lot of them went down under.

[Melissa Ford]

I don't know, some of the mom.

[Flip]

And pop shop, some of the people that started that had ethics when they wanted to pay. Like when we watch a lot of businesses go down under for having ethics. It sounds up, but that's what True. Whether society is built like that or not, that's, that's what but there's a.

[Malcolm]

Big, there's a gap. There's a huge gap between exploiting the out of everybody and making deals so generous that you, that your company can't sustain itself. There's a middle ground.

[Flip]

Yeah, I agree.

[Parks]

Even just like slightly once you set the slightly up.

[Melissa Ford]

But once you set the bar.

[Flip]

Show me the middle of, of making.

[Melissa Ford]

Deals that are, as you said, generous to everybody. You, the entire industry up doing that. And they're not trying to do. Because now a new bar is.

[Flip]

Let's talk about.

[Malcolm]

Yeah, that's a good thing.

[Melissa Ford]

Ain't trying to change the yo. If it ain't broke, don't fix it.

[Malcolm]

Let's remove it. But it is broke.

[Joe Budden]

But it's broke.

[Melissa Ford]

To who?

[Flip]

Let me ask you a question, Mark.

[Malcolm]

Let's remove every artist.

[Melissa Ford]

That's this I'm talking about as the business, as the company.

[Flip]

Cool.

[Melissa Ford]

You smart enough to not sign this deal. Salute to you. I'm gonna go give it to him.

[Malcolm]

This is not about being smart. This is what I say. If just Joe's example. If Joe came in here, pay all of us exactly half of what he pays us. Whatever that that number is. Right. A lot of us, A lot of us would. That would be fucked up. But a lot of us might be in a position where we can't leave.

[Flip]

True.

[Malcolm]

And we can just say that's business.

[Flip]

Let me ask you a question.

[Malcolm]

And it wouldn't be that we're not smart enough to know that. It's just we wouldn't have a choice.

[Flip]

Let's remove that part. Let's talk about generosity. We watch a lot of people be generous in life and go down on it. Nigga Artists MC Hammer N Generosity. Put them down under Mike Tyson Generosity put him down under. Where's the middle ground? Yeah, but sometimes you have to do things to. Sometimes you have to take advantage in order to succeed.

[Joe Budden]

But here's what.

[Flip]

I'm just saying. It's fucked up to say, but it's true.

[Malcolm]

Just let me finish. Let me finish this response.

[Flip]

I'm saying something put me in my place.

[Malcolm]

No, it's not put me in your place. I'm just saying MC Hammer giving. Buying 30 cars and a whole lot of dances. Right. That's generosity. A company not exploiting you is not Universal. Is not being generous by paying people what they owe. Oh. Or by not extracting all the labor from somebody and giving them just the slightest amount to keep them on board. That's not generosity. And I think part of our. The system is up is we act like they're doing us a favor by paying us what's ours.

[Flip]

The system is up.

[Malcolm]

Yeah. I don't want to compare that to generosity. I don't want to compare Universal to the rapper who just came out the projects is buying all his homies change. Like, that ain't the same. You know what I'm saying? Like, they owe us. They owe us. I'm saying us like corporations owe everything.

[Flip]

They do.

[Malcolm]

Yeah. So that, to me, that's the difference.

[Melissa Ford]

I think they owe whatever you agree on in your contract.

[Flip]

Yeah.

[Joe Budden]

All right.

[Melissa Ford]

And if you agree on some bad terms, then you. You got some bad terms.

[Flip]

Yeah.

[Joe Budden]

I agree. I agree with that part. And I mean, y'all segue kind of quick, but to whom they concerned, if you'll keep the job with half the paid. And just before you leave. Right. Name and all.

[Melissa Ford]

Just write down the little box over there.

[Joe Budden]

A little box over there.

[Melissa Ford]

Little half.

[Joe Budden]

Like, if you. If. If on half to pay, you'll still come to work out of need and necessity, then all you got to do is grab a pen and paper and write it. Just write it over there.

[Melissa Ford]

Get that done asap.

[Joe Budden]

Anyways. Oh, yeah. What are you talking. Telling me about Kanye? Let me hear it.

[Melissa Ford]

No, I was just. I have Kanye, so I don't really be seeing. I don't see, but that's yours. People keep tagging me and pause. And he's. He's on a tweet rant again, going off about a whole bunch of. And one of the things that stood out, he said, Jim Jones. And I'm like, wait, what?

[Malcolm]

I love that.

[Ish]

And they were just on tour together, kind of. Oh, they were hanging out. Okay. I check it.

[Melissa Ford]

Jim went out there to Japan, hung Out bigged him up, gave him the.

[Parks]

Jeans and the belt.

[Joe Budden]

Yeah.

[Melissa Ford]

Kanye tweeting the Diplomat piece and all of that, and.

[Ish]

And then this.

[Melissa Ford]

What you want, man?

[Malcolm]

It don't take much. You do that all the time.

[Flip]

Probably part of the plan, man, to bring visibility.

[Melissa Ford]

I don't know.

[Ish]

What's the plan? To bring visibility.

[Flip]

Where To Jim's album.

[Malcolm]

Oh, there's better ways to do that.

[Parks]

Jim Jones has a good album. Listen to it.

[Ish]

I like it.

[Melissa Ford]

That's my favorite shit I'm listening to right now.

[Flip]

Is anybody gonna take what he's saying serious based off his rants?

[Melissa Ford]

But if this is gonna make you go, if this is gonna make you say, hey, Kanye said, fuck Jim Jones. Let me go listen to his album now.

[Joe Budden]

Let me go.

[Melissa Ford]

I don't think that would do that.

[Joe Budden]

Yeah.

[Malcolm]

Nah, it don't. But that's what he been doing the whole time. He.

[Joe Budden]

I don't sound like he spoke to somebody, Kim. I'm not putting cam name in nothing, but it sound like he spoke to somebody.

[Malcolm]

I think he's not. I mean, it could be. I think that's true, and I think he's not well. And he just does shit. I remember he was on Drink Champs calling Diddy a fed and fuck Diddy and tweeting crazy shit about Diddy. And then just last night, he's on Instagram telling him that he's like a father to him.

[Melissa Ford]

Yeah, that's. Some more of his tweets was about that. So he's up here basically defending the Cassie video.

[Joe Budden]

Kanye west is right now.

[Melissa Ford]

Yes.

[Ish]

What's he saying in defense? Okay, all right, never mind. All right, all right, Fine, fine, fine, fine.

[Melissa Ford]

He's victim blaming, let's put it that way.

[Ish]

Thank you for summing it up.

[Malcolm]

It's. It's wild. And then, you know, he. Diddy called him last night or in the last day or two, and then he Shade Room had an exclusive one it. And they played the whole audio call. And it's weird. First of all, I think Puff called Ye because he wanted to talk to Ye. I don't think Puff knew that Ye was gonna be putting it on the Internet. Like, I can't imagine calling somebody from prison being this private, not doing no interviews, and suddenly wanting my whole conversation in public.

[Ish]

But wait, what kind of phone was he talking to him on?

[Malcolm]

It was a legal one.

[Ish]

The one where they say this call is being recorded.

[Melissa Ford]

Yeah, but that don't mean that this person that you're talking to is recording it. That means that the prison Recording it don't mean we're gonna give it to the Shade Room either. That's just saying if you say some shit in on this call.

[Ish]

How do we hear any kind of calls? The calls on Dateline, the calls on whatever blog. Like, we hear them because they're recorded. So him thinking that this isn't going to go anywhere, Him, Diddy talking to Kanye seems a little preposterous to me.

[Melissa Ford]

I think anybody that talks or. Or text Kanye should expect it to go out.

[Joe Budden]

Yeah.

[Ish]

At this point, that too.

[Melissa Ford]

That's just anything. I. I was making that joke with my girl yesterday. I'm like, kanye is the dude that if. If he texts you, you don't even respond, that you got a voice note him.

[Parks]

Like, I don't even know if you.

[Flip]

Want to do that.

[Melissa Ford]

You might not even want to do that. Like, you just.

[Malcolm]

Nah, I wouldn't say nothing to him. And Puff didn't say nothing to him. Crazy. But he was just talking to him clearly in what seemed like a private moment, and he was trying to give ye this pep talk. He was like, you know, the system is wicked, wicked, wicked. That's the only thing he said about himself. Kind of like as if the wicked system is why he's in jail. As if, like, he had did nothing wrong and it's just a wicked system. But then on top of that, he was trying to give ye the pep talk. Like, you gotta get back on stage. We need you rocking mics again. We need you cutting samples again. We need. I need the old ye back. And ye was just like, yes, sir. He was very, like, deferential and, like, mature in the conversation. And then he was like, you've been like a father to me even before I met you. You raised me, you know? And it was all. It was like a love fest with Puff. And then on Twitter, he's doing the opposite. He's tearing down Kim, he's tearing down Jim Jones, he's tearing down all these people. So it seems like he's on another rant, like Flip said. And I don't know if it's because the album is out, if it's a mental health thing, if it's all the above. I don't know know. But I ain't going to lie. Sometimes it gets addictive. I can't stop watching.

[Parks]

That's not the opposite. I don't want to watch it.

[Melissa Ford]

Complete opposite.

[Malcolm]

Yeah.

[Melissa Ford]

I said. After last time, I was like, all right, enough. Block, mute. I don't want to see your no more.

[Flip]

He just saying Everybody.

[Joe Budden]

Yeah, except for Joe.

[Flip]

He always big. He always big up Joe. Joe, but he love you. I, I, I'm about to look into you a little bit.

[Melissa Ford]

A little more.

[Flip]

You know, Joe was the only nigga. He don't say Jim was just with him, but he go big up Joe in subway. He at church. Bigging up Joe. He's somewhere else. Bigging up Joe. Well, Joe Button say everywhere. What's, what's going on? Joe put me on to you and Kanye relationship.

[Joe Budden]

I don't know what to say.

[Flip]

Why he never shoot at you. You say a lot of preposterous up here. That deserves it. That can get you shot at.

[Joe Budden]

And be clear, for me, Joe Budden, God's not finished is an insult.

[Ish]

It could be taken a couple of different insults.

[Joe Budden]

What we just say nobody whole name singing it and then say, God is not finished with you. Are you crazy? Stop bigger heights for you.

[Flip]

Exactly.

[Joe Budden]

Somebody is in insult.

[Parks]

What saying you're a little rough around the edges.

[Joe Budden]

Yeah, this man.

[Flip]

He tried, like.

[Malcolm]

Did he say when he was a billionaire?

[Joe Budden]

Yeah, two weeks ago.

[Flip]

When he was in Japan.

[Joe Budden]

He was singing. He was just singing on at his show. He said, joe, but God's not finished. And then started texting me with. I'm like, God is done with me.

[Melissa Ford]

No, he not, though.

[Joe Budden]

Not.

[Flip]

No, he not. You still got. He places. You trying to get word. God's not finish your. God don't play about you. I'm going to get down to the bottom of you and Kanye shi. I'm. Let me call shade and find out. If I go through your phone.

[Joe Budden]

Nothing is happening with me and Kanye Joe. That nigga, I can assure you.

[Flip]

So, so dis him now so he can shoot at you. Say something so he can shoot at you. He don't shoot at you. You play. You said mad shit the last time he shouted you out recently. A couple of pause before that, we was talking about how the shit that he's doing is ridiculous. And what does he go on as.

[Joe Budden]

Far as, yeah, I come on you and say, I'm not the talking about him. He said, oh, Joe Button, somehow he found a way. Yeah, he finding a way. I was. I didn't even have him written on my list with all this y'all talking about. I had him with him going back and forth with Kim over trademarking North.

[Malcolm]

That's what I was about to talk about.

[Joe Budden]

I thought that was kind of interesting.

[Malcolm]

I thought it was super interesting.

[Joe Budden]

I wanted to hear where y'all stood on that. If y'all saw the text exchange.

[Malcolm]

Without.

[Joe Budden]

Pulling it up, just off the dome.

[Flip]

Got it.

[Joe Budden]

I guess There was a puff song that had north vocals that Kim stopped. Kim said, ah, not the look I want. We dead in that. So her and Kanye had a text exchange about who has the right to do that and who owns North's trademark, which Kim let him know. Or Kanye found out once that block happened that, oh, shit, it's Kim, and she can do that. So he came in hot, and he was like, yo, amend this. Amend this, or I'm going to turn it up on both of us. No one will be able to recover if you just read how Kanye texts people. I can't see you wanting to text with him.

[Melissa Ford]

That. That's what. That's what I'm saying.

[Flip]

I feel she should.

[Joe Budden]

The world was in a better place when Kanye didn't have a phone.

[Parks]

Yeah, that was a long time, too, where he was, like, a proponent of just the laptop.

[Joe Budden]

What'd you say? Alfred's more than that.

[Melissa Ford]

It's more because on Playboi Carti's album, she's on the album, and Kanye was supposed to have been on there, and he was taken off. So now he's tight.

[Malcolm]

That's kind of funny.

[Joe Budden]

No, this is funny now.

[Melissa Ford]

Now he's tight.

[Joe Budden]

That's funny. That's funny.

[Parks]

That's what all this spurs from to me.

[Flip]

Yeah. I don't feel that she should amend it. Y'all don't feel that he should have, right?

[Melissa Ford]

Hell no.

[Flip]

Why? Because of how he's acting on Internet?

[Ish]

He's erratic.

[Malcolm]

Yeah. If you. If you're fighting to get your kid on Diddy's album, that's crazy. I feel like that's a sign right there that you're not capable of making good choices.

[Flip]

Come on, man. Stop it. Come on.

[Malcolm]

Would you put your kid on Diddy's album?

[Flip]

Yes.

[Joe Budden]

If.

[Melissa Ford]

Which.

[Flip]

Yeah, the love one that. Before. Yes.

[Ish]

No, we're talking about now.

[Flip]

Diddy. I don't. I'm not aware of an album that Diddy has right now, but if he did have an album.

[Joe Budden]

My Child do that. You said you work with Kevin Spacy.

[Flip]

He don't. Exactly.

[Melissa Ford]

It's a love album.

[Flip]

I would. I would have Junior One of My Children on that album. Yes, the love album that. That came out. Yes.

[Melissa Ford]

All right, let me ask you, cuz. That album came out before all the Other started out.

[Flip]

Yeah, it's true.

[Melissa Ford]

So if he had an album coming out next month, would you allow your child on that album?

[Joe Budden]

I don't know. And it's a. The title is crazy of the album.

[Malcolm]

No More love.

[Joe Budden]

Title was something like. Let me tell you what she did, though.

[Flip]

You know, it's gonna stop it.

[Joe Budden]

The title. Something like, hey, she wasn't innocent.

[Parks]

They sped up the film.

[Flip]

Nah, I wouldn't do that. No, nothing like that.

[Joe Budden]

They sped up the film.

[Flip]

If it was an album of just pure art, man. I mean, to be honest. I mean, we saw the video. But like what May said recently that if he was on the list, he'll go visit Diddy. Right? A lot of this stuff is alleged. It still should be regardless if it's guilty before innocent. Still should be innocent before guilty. So right now, if he was coming out with an album that he had a record on and one of my children were on it, I would approve the sample. I would approve the record.

[Malcolm]

But the point is, I think she has a right to say as a parent, I don't think that's.

[Joe Budden]

I do.

[Flip]

Look, I do think so as well.

[Malcolm]

You know what I'm saying? Her and ye go back. And then ye also was making it like a race thing too. Like, now a white woman is controlling.

[Melissa Ford]

Well, I'm gonna read a couple of tweets on that because the first one is I held my tongue about not being on Cardi album. Him going to my ex to ask my daughter to be on the song two days later was too far. Nobody finna play with me.

[Flip]

Who's him talking about?

[Melissa Ford]

Cardi.

[Joe Budden]

Cardi.

[Melissa Ford]

Cuz Cardi had to hit Kim to get. Oh God, the daughter on the album.

[Joe Budden]

That's funny, though.

[Melissa Ford]

And then he says, so Kim got the name and likeness over my black children. So a white woman has control over the name and likeness of my black children. Children. And then speaks to Cardi about putting my daughter on a song with him. These dumbass celebrities be trying to play with me in my face.

[Malcolm]

Isn't this first he need to knock off that white woman? First of all, when he was with.

[Ish]

Us, he married her, right?

[Malcolm]

First of all, he wasn't. She wasn't white when you was her, right?

[Melissa Ford]

No, she was.

[Malcolm]

Well, no, no, he wasn't claiming her as white.

[Ish]

No, he wasn't that. The claim wasn't this.

[Malcolm]

You know how black people. She's Italian, she's Armenian, she's. They fight all kinds of. To say she ain't white. Now all of a sudden you ain't with her. She white again.

[Flip]

Yes.

[Malcolm]

But also, like, you made a choice. If.

[Melissa Ford]

If you.

[Malcolm]

If you choose to have a child with a white woman, then yes, A white woman is going to control what your children do. That's the choice you made for. Yeah, let it. You got, you got, you got.

[Joe Budden]

That's why the foundational black say you're.

[Flip]

Not supposed to do the fba.

[Joe Budden]

That's why they say, you know, the.

[Flip]

FBA are their jobs instead of Kanye, Right? Fba.

[Malcolm]

Don't.

[Flip]

Stop. Please leave.

[Joe Budden]

Hey, listen.

[Flip]

Leave them alone.

[Joe Budden]

Stop. We can't joke like that because they down with you.

[Flip]

Stop, please.

[Joe Budden]

What? I will say I don't even want to talk about Kanye. I'll talk about me if any one of my baby mamas wake up and start rocking a swastika shirt. I'm not giving them rights to anything simple.

[Flip]

Boom.

[Parks]

Yeah, I agree.

[Melissa Ford]

That's it.

[Flip]

I agree.

[Joe Budden]

Not a trademark, not a copyright, not a child support. Do you think it's his going to get custody?

[Melissa Ford]

I was just saying, whatever rights you do got, we can't. Ain't gonna talk about that.

[Malcolm]

That's different.

[Flip]

You can take away.

[Joe Budden]

Put them rights in a little mason jar, mail it on over. Mail it on over.

[Flip]

I agree with you on that.

[Joe Budden]

A swastika, Cuz even. No matter. Regardless of your views on things like you not thinking about your kid having to go to school and just be outside and walk around, right?

[Flip]

And like he's standing in the middle of the street with a swastika, having people record him. He's just doing. He's doing both.

[Parks]

He's doing bull.

[Flip]

He's doing a lot of.

[Parks]

He's been doing for a while.

[Melissa Ford]

He's doing and not caring how it affects anybody else.

[Joe Budden]

God's not finished. Or you. No, for real.

[Flip]

God not done with you either.

[Joe Budden]

I think he is.

[Melissa Ford]

No, not.

[Joe Budden]

This is it, y'all.

[Flip]

Cuz you in your mood. We don't give a About that moon. You gota. You gotta take care of us that moon. Wait, wait. This ain't made. We not made.

[Joe Budden]

This perfectly lines up to one of my we not helping you topics I had for y'all.

[Parks]

This says with a chunk.

[Joe Budden]

This lines up perfectly. This lines up perfectly. But I didn't do it. Cause I ain't want y'all to judge me for being depressed.

[Parks]

Let's hear it.

[Flip]

Pissing her off, man. She doing the eye roll.

[Ish]

Go ahead.

[Joe Budden]

Wait, I didn't say nothing to Mel.

[Ish]

Go ahead.

[Flip]

Which one of us. Was it Mel?

[Joe Budden]

I didn't even say nothing to Mel just now.

[Ish]

You didn't go ahead.

[Flip]

Was it me, Mel?

[Ish]

Go ahead.

[Malcolm]

I missed this.

[Joe Budden]

Yeah, that was y'all. What did I say to Put it on me.

[Melissa Ford]

I didn't even know Mel was ma'am.

[Flip]

My mood just changed. I don't know it was you.

[Ish]

Do you guys just really, really. It's tasteless as fuck. Stop talking about that shit. It is not a light matter. Don't do it. Step the fuck away from it.

[Flip]

What are you talking about?

[Ish]

The maid shit. Don't mention it. Don't talk about it. If you cannot be respectful about it, leave it alone.

[Parks]

I'm lost. Carry on.

[Flip]

The depressing thing, Mel, that wasn't to you. That was more to Joe. To bother him and say that we weren't helping him do anything. It was a joke to him because he came in here saying that he was depressed earlier. It was supposed to be between him and I, but I apologize to you if that offended you.

[Ish]

Thank you.

[Flip]

I would not crack that joke again. Thank you, Joe.

[Parks]

Depress us.

[Flip]

Depressed.

[Joe Budden]

Well, cool. But chill for a minute. I love when someone else's trigger defends me. That's right.

[Melissa Ford]

Your whole.

[Flip]

Oh, she started to roll her eyes. And you probably won't do that, man. You tell me.

[Ish]

Okay, okay. Yeah, you're right. But when it comes to something like that, I apologize.

[Joe Budden]

You got to stand strong for that.

[Flip]

Yeah, I'm sorry. That wasn't even thinking.

[Melissa Ford]

I don't remember now.

[Joe Budden]

I don't. What was I talking about? Just.

[Ish]

We were talking about Kanye swastikas.

[Parks]

There's a lot of different things we could find depressing in here.

[Malcolm]

You pivoted his story about to tell us something about.

[Joe Budden]

My depressing question was, has life killed hope for any of you? And if not, then what are the things that you still have hope for?

[Parks]

That's heavy.

[Joe Budden]

Well, yeah, I told you it was one of my depressing topics.

[Flip]

What's up with you today, nigga? Nigga.

[Joe Budden]

But then I was like, but wait. Cause while it started off rooted in depression, the more I thought about it, I was like, well, that's one of the great things about having youth on your side and being young is that you have hope for so many things.

[Ish]

You're still optimistic. Life hasn't fucking kicked you in space enough.

[Joe Budden]

And as you get older, right? Like, I'm in the shower today at 44, like, you know, doing math. Like, well, another 20 to 30 years would be awesome. And that makes things kind of finite, right? Like, there's some things we could lose hope for.

[Melissa Ford]

Yeah, but that's where y'all gonna say it. But that's where family and kids come in, bro. Your hope now translate transfers into that.

[Joe Budden]

Okay, I know that that's the cool.

[Melissa Ford]

That's the truth.

[Joe Budden]

Listen to me. I know that that's true for some and a cool cliche thing to say. And do I too feel like that when I look at my kids and then I remember that no, we're gonna die and they're gonna keep going and they're gonna come to the funeral with the shades and shed some thug tears and then they're gonna keep it pushing on their own journey. So even that dampens my.

[Melissa Ford]

Oh, you just wanna be in a sad place then?

[Joe Budden]

Well, I'm just saying you can feel good looking at your kid, but you can be dead and whenever you're dead and then that's it.

[Melissa Ford]

So. So that can get depression. You're gonna die no matter what.

[Joe Budden]

Answer my hope question, super dad.

[Melissa Ford]

I just told you. Yes, I still have hope now. The hope transfers into my kids. The hope for what? That I could bring her up to be a proper functioning adult in fucking society. I can give her the things that I didn't have coming up. Like, it's almost like I'm giving her a life that I just couldn't have. Access to schools, access to these things. I get a kick out of that. That's my.

[Flip]

When you love Joy, when you love.

[Joe Budden]

Me, do you have hope for anything outside of. Outside of your daughter, your kids or your family related stuff?

[Melissa Ford]

Like personal hope?

[Joe Budden]

Yeah, any hope, just hope.

[Melissa Ford]

That is my source of hope.

[Parks]

It's hard to have hope in the world at large.

[Melissa Ford]

I will say shit is fucked up out there. So I look into them.

[Flip]

I agree with Ice.

[Joe Budden]

Yeah, like it sounds like. It sounds like a weird question, so you really get to trying to answer it. Ain't got no hope.

[Melissa Ford]

I got hope.

[Parks]

I got hope.

[Flip]

You don't have hope. I got hope that I hope to see my children, you know?

[Joe Budden]

Yeah, you is hopeless.

[Melissa Ford]

No, it's not my.

[Flip]

Stop doing that.

[Melissa Ford]

Yeah, you got to stop.

[Flip]

Cuz you just don't share your feelings like that. But stop doing. You have to feel the same way. You can't be when you have, when you have kids. You can't.

[Joe Budden]

I do, but I think that kid is a scapegoat. And the world, world is just much larger. All right, we got that. Put that, put that in our default box.

[Melissa Ford]

Why is that? Escape.

[Flip]

What if you. What if you.

[Joe Budden]

Because put that in the default check now. What else is there in the whole universe that you have hope for or that the hope has dwindled for?

[Flip]

What if you not having hope affects your family? What if you not having hope and you being grumpy or whatever it is affects your family, affects how they move day to day day family is important to a lot of us. Having hope and inspiring and. And wanting them to know that no matter what happens, I'm going to be here for you. And I have hope to see you live and be the best person that you can be in this world.

[Joe Budden]

Talk.

[Malcolm]

That's beautiful.

[Joe Budden]

I didn't think so.

[Malcolm]

I'm just let try new ways to rap. I'm trying some new techniques. How was that workshop? And some things. Yeah, all right.

[Joe Budden]

You got it. I wouldn't drain y'all out. You got it.

[Flip]

I get what you're saying.

[Malcolm]

I put hope. I mean, I agree with y'all on the kids in the future. But I also, like, I think part of why I was activist and part of why I do the work I do is cause I actually believe the world can be better than we found it against all evidence to the contrary. Cause the world looks like it's gonna be fucked up and it's only gonna get worse. But I've seen like struggles get won. I mean, just in like the last 10 years, like, or last 20 years. You see marriage equality, people thought that would never happen. It could be something as simple as legalizing weed. Like, I remember when people said that could never happen. And now, like, you can buy weed everywhere. Like the world can be so different in 24 hours or 12 months or 20. So I always look to the victories and be like, we could change some other shit. Like we could. We could change so people get housing. We could change so people get healthcare. We could change so people aren't oppressed anymore. People get their land back. Like we could do shit if we organize. That's my hope. I don't always act on the hope. Sometimes I get caught up in the day to day just wanting to eat or hope my team makes the playoffs or hope that so. And so was, you know, I hope.

[Melissa Ford]

That Aaron Rodgers don't come to the Steelers. I got hope. I got hope, God damn it.

[Malcolm]

Yeah, that's a good hope. But like, there's other shit we can hope for. So like, that's what keeps me energized.

[Flip]

That's what keeps me hoping for it and working towards it is two different things. Would you say? Hell yeah.

[Malcolm]

Well, see, to me that's the difference between hoping for it.

[Flip]

If you hope that the world changed, but you work towards contributing to the world changing. Right, like out there. So we can give you that and salute you because you try to make you different. Sometimes you do the work. Yeah, a lot of us don't have the determination. Or not saying we don't have the determination, but a lot of us don't have the opportunities to help the world get changed. Or we don't know that we don't have the knowledge that you may have.

[Malcolm]

And the work fuels the hope. Like, the more you work, the more you be like, oh, this shit is winnable. Like, this is a winnable fight. It's a hard fight, but it's a winnable fight. That's why we say hope and not optimism. Optimism is just like, everything's gonna be all right. It'll just work out. Hope is against the odds, and you gotta be engaged in that shit, and you gotta actually know. So it's fucked up. The odds are against me, but I can still win.

[Flip]

Real quick. The mood that Joe described earlier, I've gotten into that mood just looking at shit like, man, what the fuck?

[Ish]

I wouldn't necessarily say that you're depressed.

[Flip]

Hold on, wait.

[Ish]

Oh, sorry.

[Flip]

Go ahead. Yeah, I've gotten into that mood, like, looking at shit like, you know, what else should you do? No, no, no. That's my girl. I look at shit in society, look at. Just think about the shit that my children have to go through, and just think about just a lot of shit that he's saying I could relate to. But my work and my determination snaps me out of that. Like, if I sit in it, it fucks me up. So I can relate to what does this have to.

[Malcolm]

Does it distract you from it?

[Flip]

It's a distraction because I don't want to. Because then, same thing with thinking that, damn, I'm not gonna be here one day. That still fucks me up, nigga. What if something happened to one of my kids? Like, all this? They had to take the train. What if something happened to them? Like, look, you can't even go outside and be free. Or you can't express yourself without being judged, maimed, or even attacked outside. Like, these things happen. I know how I'm gonna protect myself. I know the lengths I'm gonna go. But when it's other people, when you watch other people, like when he said he watches his brothers and he got emotional. The same thing with my daughter. My daughter, sweet 16 coming up. I started to shed a tear. I look at all the old pictures in my phone of my children, I start to cry. Same thing with J.R. like, yo, pops, I'm not gonna be here. I'm going to go film for what's my man? People's names from Sugar Hill. I'm gonna go fill stuff for Juels. And I'm gonna film a cooking show to watch JR Go on his own. Makes me look like, damn.

[Malcolm]

Like I gotta pay somebody for labor now.

[Flip]

No, no, no. Cause I pay him a lot of money. But what I'm saying is that I do understand those sentiments, and I share it with Joe. I just have to trick myself and get out of it. I can't sit in it too long. Cause I lay in the bed. It's been times when I was younger, 19, 20, and my mom said this. I lay in the house for months, just in the crib in the dark. I take a shower in the dark. I laid in the dark, and I had to snap out of it once. My back is against the wall. I have to get to it.

[Ish]

I feel like what you're describing now in present terms is more melancholy and nostalgia. Like, kind of like a blend of the two, especially the nostalgic part.

[Flip]

What does that mean? When I can't let go the past, man. Like, that's just something that's been bothering me.

[Parks]

Nostalgia To a degree, yeah.

[Flip]

Like when you can't let it go when you rent. I could have did this differently, or I wish I would have did that differently. Or I could have put the same.

[Ish]

That's regret. That's just regret.

[Flip]

Or mixing the two. Cause I don't regret nothing.

[Melissa Ford]

But if you sitting there saying, damn, I could have did that differently. And you harbor on it.

[Malcolm]

That's the regret.

[Melissa Ford]

That is regret.

[Malcolm]

But the nostalgia part is sometimes thinking the past was better than it was. Like, really remembering. Like, oh, back then, everything was fine. Everything probably wasn't fine.

[Melissa Ford]

Just remember good times about back then, right?

[Parks]

You look through rosy colored glasses about.

[Ish]

The past, and this is around the age that nostalgia really kind of, like, starts to set in.

[Malcolm]

Oh, hell, yeah.

[Ish]

Like, really starts to set in.

[Parks]

So I try to live in the now. Too much hope or depression for the future.

[Flip]

All y'all.

[Melissa Ford]

Because we got rolly beats.

[Joe Budden]

All y'all wake up every morning with the hope that you'll make more money. Is that true or false? True or.

[Malcolm]

Yeah, true.

[Joe Budden]

Yeah, that's true. Yeah, but, like, how much more?

[Malcolm]

More for me, it's an expectation.

[Joe Budden]

Or, like, is there or is the day creeping up where you look at it and be like, you know what?

[Flip]

Well, I'm determined to go get it. Nah, I'm determined to go get it.

[Melissa Ford]

Especially, like, in my 30s.

[Joe Budden]

It's so easy in humanity. And now it's like, nah, I don't think so. I think this is it.

[Parks]

It's easy with the news. Especially as much news as you watch to that Dateline.

[Ish]

And no, worst of us. That's not the depressing part. That's not it. Because that to. I don't know if I'm word.

[Joe Budden]

I didn't get none of these. I got these thoughts from the new Equalizer commercial.

[Ish]

Right? Okay.

[Joe Budden]

Because one day you may have had hope that Queen Latifah could do this thing. And then you see the trailer.

[Melissa Ford]

Well, see, that's your fault.

[Joe Budden]

She. Well, Big Jersey watch Victor ish legend. Watch yourself Flavor you. It's not just music.

[Melissa Ford]

It ain't either.

[Joe Budden]

It ain't just music. Go ahead, boogie down.

[Parks]

Production throw you right, right.

[Joe Budden]

Say something wrong about Flavor Unit Jersey?

[Melissa Ford]

Nope.

[Joe Budden]

All right, but go ahead.

[Ish]

No, I was just going to say like the Dateline stuff is more outlier stuff. You know what I'm saying? Whereas the news, like that's just the barrage of bad news and catastrophic news. Every day we've got like breaking news and just like, oh God, what the fuck else is gonna happen? Like we're all being kind of like worn down.

[Melissa Ford]

Do you believe that we kind of responsible for what we consume?

[Ish]

Yes, a thousand percent.

[Melissa Ford]

So it's like if your outlook, if you're watching the news, you watch the news more than my grandmother. Like you watch a lot of news, it's what, 85, 90% negativity on the news? Almost 100, you know what I'm saying?

[Joe Budden]

So focus on the news. In that conversation would be narrow minded or looking at things in a vacuum.

[Melissa Ford]

No, but I'm just saying take the.

[Joe Budden]

News out of it. We end this thing and we were born, Our parents fucked one night, got it done. Now we're here. This is the state of things out here. Y'all have 40 years left, man. They have nothing to do with the news, what we consume. Just being here in its current state ain't the best.

[Parks]

Ain't the worst.

[Melissa Ford]

It ain't the worst either though.

[Joe Budden]

I didn't say it's the worst.

[Melissa Ford]

So it's better than it's been years ago. And that's why I put the news in there. Because if you're consuming and you're getting all the negativity, all the negative reports, you'll think it's much, much worse than it is. It's bad, be clear. But it ain't. It's been bad. It's been worse years ago.

[Joe Budden]

What year?

[Parks]

Most of the Years?

[Flip]

Yeah.

[Melissa Ford]

For the most part, it's been. Bro, you. You say all the time you wish you was in the 60s, 70s. If you really think about it, you really think you wanted to be around the 60s and 70s? Like, it was worse.

[Joe Budden]

I had to kill Bobby. Woman. Womack. Bobby Womack would have been dead. Dead.

[Melissa Ford]

I ain't gonna hold you.

[Joe Budden]

That's the question.

[Melissa Ford]

I ain't gonna hold you.

[Joe Budden]

Sam Cooke didn't have brothers.

[Melissa Ford]

Somebody supposed to.

[Joe Budden]

Sam Cooke didn't have older cousins or somebody. I think about that a lot.

[Melissa Ford]

That was that. That might be top three.

[Joe Budden]

Bobby Womack should have been dead in front of the town, hung on top of the telephone like sneakers.

[Malcolm]

Sometime when you do enough trash on your own, you can't worry that much about what somebody else doing.

[Melissa Ford]

Yeah, but that's crazy as hell.

[Joe Budden]

Nah, wait, wait, wait, wait. Yeah, stop.

[Malcolm]

Nah.

[Melissa Ford]

Fast.

[Malcolm]

Read Aretha Franklin's biography. That's all I'm gonna say.

[Joe Budden]

What Sam Cooke did to Aretha Franklin.

[Flip]

I'm saying what he did, bro.

[Malcolm]

Tell us. I'll just say Sam Cooke. And it wasn't just him. It was all the first of the R B circuit and the gospel circuit were two of the freakiest places ever. Like, the gospel circuit was like. They was orgies and all kinds of shit, right?

[Melissa Ford]

I mean, that's kind of true. About the gospel circle.

[Ish]

I read this book.

[Malcolm]

Yeah, it's read. Read David Ritz's book on a reading. That's even better. That's the one that has all the good shit in it. I'll send you the link. But Areth Frank had Baby Xuf. Not by Sam Quick, but by somebody else. But Sam was getting down with a lot of R and B singers when they were 13, 14, 15 years old. So that's part of why he ain't noticed what was going on in his own household. Oh, yeah? I don't know about that. Don't do that.

[Melissa Ford]

Hey, Joe, I'm with you. Bobby was supposed to have been.

[Joe Budden]

Yeah, like Mark saying the right thing again. Bobby Womack would have been dead no matter what.

[Melissa Ford]

I don't care.

[Malcolm]

What the fuck.

[Joe Budden]

What the fuck is you talking about? Whatever he did, don't nobody deserve for you to wear their clothes. Wear their clothes to the funeral. Take my wife and then fuck my daughter.

[Malcolm]

It's a lot.

[Parks]

It's a lot.

[Malcolm]

They was nasty back then, man. And will make songs about it. That's the ill point part. Remember Roberta Flack song Jesse? You know it's for Jesse Jackson.

[Joe Budden]

No, no, I did not.

[Malcolm]

Jesse Come home this bed is. Yeah.

[Melissa Ford]

Hey, fair. Hold on.

[Flip]

Get the.

[Malcolm]

Yo, Mark, let me hold, hold.

[Melissa Ford]

Give me two seconds.

[Ish]

Play that as your sleeper, please.

[Malcolm]

Brother Flack told me that.

[Melissa Ford]

Give me.

[Joe Budden]

Yeah, you read a lot of celeb books.

[Parks]

Mark is ill.

[Ish]

He knows Roberta too.

[Malcolm]

He went to all if that was true I read it. Then I asked if it was true I can I don't mind saying since she's passed away.

[Melissa Ford]

Rest in peace Y. I'm reading the lyrics my son.

[Ish]

It is read.

[Melissa Ford]

Read the Jesse, come home. There's a hole in the bed where we slept now it's growing cold Jesse, your face in a place where we lay by the hearth all apart it hangs on my heart Face in a place hey Jesse, it's lonely Come home.

[Parks]

Jesse was putting it.

[Melissa Ford]

Jesse was beating break some blank he was getting.

[Flip]

He was getting away from that dog.

[Malcolm]

But to your point, you know who one of Jesse's background singers was in the 70s? I mean who Robert's background singers was in the 70s and 80s? One of Jesse's daughters. Same thing. It's a lot of cross pollination. Yeah, cross pollin.

[Melissa Ford]

That's a good word.

[Malcolm]

That's.

[Parks]

Yeah, that's a nice way to put it.

[Flip]

I mean this is before Dr. King died or after.

[Malcolm]

Is it all after anything? Anything you know about Jesse Jackson is probably after cuz King died in 68, this was 70. Whatever.

[Joe Budden]

Sure.

[Flip]

Just putting things together in my head, just making sense. He got off on that, on that Dr. King shit. He got up. Yeah, yeah, yeah. He stepped this shit up. He got Dr. King out the way now he became the figure.

[Malcolm]

So Jesse was doing etch his name out, put Jesse on top.

[Flip]

Yo, like you never think about that Mark, he was dead, so you gotta. Mark, I know you got some theories on that.

[Ish]

Look, I've definitely thought about that.

[Flip]

Hopefully down the line you can share it with me when he pass away or something cuz he just, he just be around. Nobody say nothing to that son. Who the is he?

[Melissa Ford]

Yo?

[Malcolm]

I me, he's. He's a important guy.

[Flip]

Shout out to Jesse Jackson.

[Malcolm]

Shout out to my hero, Jesse Jackson.

[Joe Budden]

Wait, never mind, never mind. He ain't tricking me. No, they ain't tricking me.

[Melissa Ford]

He on your list.

[Malcolm]

Oh, but that's different, that's personal.

[Melissa Ford]

Oh, okay.

[Flip]

You know him personally?

[Malcolm]

Yeah, Jesse was a mentor. The first time went to Africa was with Jesse Jackson. He took me to Africa.

[Flip]

So you would, if you, if you knew anything, you wouldn't kick us back in right now. Yeah, no, I respect that.

[Malcolm]

I fall back. But there's nothing to know because he's been perfect. Except for the public scandals.

[Flip]

Oh.

[Malcolm]

Yep.

[Joe Budden]

Hopefully we don't get the Justine island report to come out. Mark might have been. Mark might have been on.

[Melissa Ford]

He was a plus one.

[Flip]

He might have been on Jesse's boat.

[Malcolm]

Nigga, no boats, no islands, nothing. I'm good.

[Joe Budden]

Did you go to Million Man March?

[Malcolm]

No, I didn't. I wish I did, but I didn't.

[Ish]

Why didn't you?

[Malcolm]

It was a couple reasons. Part of it was. It was. It was in middle of. We weren't allowed to go. Like, it was basketball season. We weren't allowed to go. And also it was. I had some. Had some ideological issues with it. You know what I mean? At the time. But I wish I had gone now. In retrospect, I wish I had gone back then.

[Joe Budden]

You wasn't with it.

[Malcolm]

I still had the same. The issues I have then, I have now. But I would have gone just to be part of history.

[Joe Budden]

Okay, so you still ain't with it.

[Malcolm]

A million people marching against, like, marches is supposed to be. Marches is supposed to be a thing, right? The march on Washington was. The March on Washington. Four jobs and freedom. You know what I'm saying? In 63. Like, you march and protest a system. To me, you march against your oppressor. You march against a power structure. I didn't like the idea of a million black men getting together to march against themselves. For me, I thought that they were. I would have marched for structural things. I would have marched for systemic things. I would have been fighting for a power. I understood Farrakhan's argument, and I don't think he's wrong. I just would have. I would have organized the march differently.

[Flip]

Be careful.

[Malcolm]

No, I've expressed that to him directly. And no, it's not flat.

[Flip]

Look at my.

[Joe Budden]

Make sure.

[Melissa Ford]

Make sure you understand right.

[Joe Budden]

Very impressive.

[Malcolm]

Make sure that you clear.

[Flip]

Yeah. Shout out to Falcon.

[Malcolm]

Shout out to everybody who was a part of the Million Man March, you know, brother Mark.

[Joe Budden]

Oh, God. So you would have organized it differently, would you say?

[Malcolm]

Yeah, yeah, Organized differently. But I love the idea of us coming together in a spirit of love and tradition. I mean, to get a million people, a million plus on that mall was amazing.

[Flip]

That's nice.

[Joe Budden]

For real.

[Malcolm]

It was a beautiful sight.

[Joe Budden]

Holy shit. I hate y'all. We can't never be serious. Even though this has been a pretty serious man. This has been a piss boy job. It being serious, cuz.

[Flip]

You get serious and hop right out of it.

[Melissa Ford]

Let me Depress y'all.

[Flip]

You double Dutch. With seriousness.

[Malcolm]

Do you have any hope, guys? And then we like, no. And he's like, this is too depressing.

[Joe Budden]

Yeah.

[Flip]

Then you crack Jo. Yeah, My polish.

[Joe Budden]

Y'all get carried away with the hopeless, Like.

[Flip]

I'm just asking.

[Joe Budden]

Jesus. Where's the therapist for the crew when you need it? Jesus. Lighten up. Pricks.

[Melissa Ford]

Hey, you a Knicks fan? Tell me about what's going on with Tracy Morgan.

[Joe Budden]

Man.

[Parks]

He had that surf and turf.

[Melissa Ford]

You eat the Garden Glizzy.

[Malcolm]

Yeah, that corned beef and.

[Parks]

Corned beef and cabbage.

[Joe Budden]

Yeah.

[Parks]

We'll save Patty's day.

[Flip]

That threw up on the side of the court. Come on, man.

[Joe Budden]

What on the side of court? Right there. Right there. His theaters right in the front by the table. Tracy Morgan has replied to that already. He says it was food poisoning. Is the reason that he was throwing up courtside at the Nick game.

[Ish]

That's unfortunate.

[Joe Budden]

And it's a spooky thing because we know Tracy to have had health issues in the past. So we don't look at it like somebody just throwing up like a regular person throwing up. So he says he's all right. Thank God he's all right. I know. He's a staple at these Knicks games. We see him all the time.

[Parks]

Yeah. Talk to you.

[Melissa Ford]

He made jokes off of that. He was like, yeah, they want to know when I threw up on the court.

[Parks]

So that's a bad place to get sick.

[Ish]

Yeah.

[Malcolm]

That's the most embarrassing thing that could probably happen, other than actually on yourself.

[Joe Budden]

It's a great place to get sick, actually.

[Ish]

Why is it a great place there?

[Joe Budden]

Physicians on deck.

[Parks]

Oh, okay.

[Ish]

I mean, like, maybe not courtside.

[Joe Budden]

Mar Hamlin might. Might have gone a different way if he were at L Boil.

[Melissa Ford]

You're not wrong. He might not have got the chest either, though. But. But I get it, though. I get it. I get it. It's crazy.

[Malcolm]

I'd be. Would you be humiliated from that?

[Joe Budden]

From what? Throwing up.

[Melissa Ford]

Throwing up. Like that. Sam was projecting. Throwing up. That was, like, dead in that video.

[Parks]

Yes. That shit looks like a cartoon.

[Malcolm]

I'd be. Would you be a marriage male?

[Ish]

Yeah. I'm thinking to myself right now, every time I've thrown up, I'm like, I know it's coming. So I would have ran. Not to say that this wasn't like.

[Melissa Ford]

He did it right. Right there. Yeah.

[Malcolm]

If he ran, it was worse.

[Flip]

I'm just. Forget it.

[Ish]

What.

[Flip]

What I was about. I was about to make a joke saying, forcing yourself to throw up and actually Throwing up is different. Going to the bathroom to get the hot dog you just ate out, cuz. I remember that trick. I seen a lot of girls do it.

[Malcolm]

He was going to make that trick.

[Flip]

Yeah, I was going to, but I stopped.

[Malcolm]

Good for you, cuz.

[Flip]

She not. Cuz she not playing. She not playing. I got to throw up.

[Malcolm]

I just.

[Flip]

I don't want to take the balls that big.

[Joe Budden]

Don't hit me, nigga.

[Melissa Ford]

No. Get away. What is wrong with you?

[Joe Budden]

Are you saying Mel was doing that shout out?

[Flip]

Mel. Mel, have you ever forced yourself to throw before in life? Exactly, Mel.

[Ish]

I thought when I was like 11 or 12.

[Flip]

Not that we talking about as an adult.

[Ish]

No. Then, no, no, Mel, stop. Why would I make myself throw?

[Flip]

Do you not know a lot of women, Women that. Do you not know a lot of women that make themselves throw?

[Ish]

You're talking about bulimia.

[Joe Budden]

See here.

[Melissa Ford]

Go.

[Flip]

Do you not know anybody?

[Melissa Ford]

Get out of there. Get out of there.

[Ish]

No, I personally do not know bulimix. I personally do not know bulimix, but it's something that people hide, so maybe I do, and I just don't know. And they told me you hit it. I am not bulimic.

[Flip]

You CL that toilet in. And then he told you not to go. He didn't throw it up.

[Joe Budden]

Yo, Mel, Mel made a knock at the fuck up.

[Ish]

I'm so glad I never threw up here.

[Flip]

Mel, he mashing. All of a sudden, he. Come on, Daisy. I feel relaxed. Joe said, can you please stop using that bathroom? There was not a smell in sight. So what the fuck were you doing?

[Joe Budden]

Yo, yo, y'all are shout out to man with you.

[Flip]

Man, that is real. I heard people throw up in the bathroom.

[Joe Budden]

Teenager.

[Malcolm]

You've done it.

[Flip]

I've done it, too. But wait.

[Melissa Ford]

No to go finish drinking some more.

[Joe Budden]

Oh, I.

[Parks]

The boot rally.

[Flip]

I like.

[Joe Budden]

Wait, Freeze did it, too.

[Flip]

I made here. I'm talking about I have too much.

[Melissa Ford]

To drink and had to throw up so I can get back to drinking.

[Flip]

You're a drunkie. Helmet. Helmet. The drunk helmet.

[Parks]

Once I throw up, I'm not drinking no more.

[Melissa Ford]

Oh, no, that part for me.

[Joe Budden]

Could y'all just shut up for a second? So gain understanding.

[Flip]

Come on.

[Melissa Ford]

Come on, Joe. Let me hear it.

[Parks]

He's in his white boy bag.

[Joe Budden]

You did that before? Like, stuck your finger in your mouth to throw up?

[Melissa Ford]

No, not stick my finger in my mouth. I know I got to throw up.

[Parks]

Like.

[Melissa Ford]

All right. You know what? I'm feeling sick. I can't drink no water.

[Ish]

Just look at the light.

[Joe Budden]

What was your little throw up move? You just.

[Flip]

I'm like.

[Melissa Ford]

I'm feeling it.

[Joe Budden]

Feeling I got to go in the bathroom.

[Melissa Ford]

Stowed up.

[Joe Budden]

Feeling yucky inside.

[Melissa Ford]

No, really.

[Parks]

Do you at least get a little shot of peppermint schnapps or something?

[Melissa Ford]

I've definitely done that though. You're right back to partying.

[Malcolm]

But did you actually.

[Flip]

You.

[Malcolm]

So you actually make yourself throw up?

[Melissa Ford]

Nah, I didn't like.

[Joe Budden]

No, it's like when you got to make the come out right. You got what?

[Parks]

Squeeze, push.

[Joe Budden]

What? Put your finger up there for a little bit.

[Melissa Ford]

You and your son be doing this your business.

[Flip]

You got to put your foot up. You got to prop your foot up.

[Ish]

That with the squatty potty.

[Flip]

Squatty potty.

[Malcolm]

Do that again.

[Flip]

The squatty potty helps.

[Parks]

Oh, careful. This one.

[Joe Budden]

We definitely moving on. We moving on. It's over. Holy.

[Melissa Ford]

Y'all are sick.

[Flip]

Bulimic.

[Melissa Ford]

I need problems. I got problems.

[Joe Budden]

That's fire though. To get the amnesia after the bulimia. Like just forget it. Come on. I got a sleeper.

[Malcolm]

I don't care.

[Joe Budden]

My shit is queued up already.

[Flip]

Go ahead.

[Joe Budden]

I don't give a fuck what y'all talking about. I'm done.

[Malcolm]

You don't got a show, huh?

[Flip]

You ain't got a fun of the show.

[Joe Budden]

Look at you. Nigga.

[Flip]

I'm talking about.

[Joe Budden]

Yo, the pay is locked. You can stop trying to do a better job. It's over the. All right, let's see. Let's see if there's Joe.

[Flip]

Bu. Queen Flint.

[Joe Budden]

Not no Joe, but me and Mel in here.

[Flip]

You think you'll do a Joe Bundeli? Without Mel?

[Joe Budden]

Yes. Without you. No. Don't drop a melon. Ain't you.

[Flip]

So she gonna be down.

[Joe Budden]

Flip.

[Melissa Ford]

Flip me right in here.

[Flip]

If I know the time. I'm lit. Corey.

[Joe Budden]

Let me.

[Melissa Ford]

No, it's live. It's live. You know what's happening.

[Flip]

All the live.

[Joe Budden]

I'm in. I know there's no new parties. Yo. We good.

[Flip]

Okay. Yeah.

[Melissa Ford]

Yo, if you open your patreon and see Joe sitting here online.

[Malcolm]

I be he drive right the over here.

[Flip]

I swear to God, I. I'm right around the corner.

[Joe Budden]

Yo.

[Flip]

He was like. Yo, because what are you gonna tell me on camera? Leave. You gotta leave. Then he's up the production.

[Joe Budden]

Let me just. Let me sit down really quick to make sure there's nothing else that has to get.

[Melissa Ford]

Oh, that would be hilarious.

[Joe Budden]

Yo. Sorry if we made any.

[Flip]

You. We didn't mean to do that.

[Joe Budden]

If we made you throw up or yourself. Anything.

[Melissa Ford]

Any bulimics out there? Our bad.

[Joe Budden]

Yeah. We made you call up your uncle and see if that was really your uncle. And we apologize. All right, let's see. Beat up rag. Yay, Tweez, Tracy Morgan, LeBron at 40. Make it make sense? No. Not getting me.

[Melissa Ford]

No.

[Joe Budden]

It's right there, though. No, but it's right.

[Melissa Ford]

No, he not.

[Joe Budden]

Not.

[Melissa Ford]

No, he not nice. I don't care. I don't care. Black excellence. No, he not.

[Joe Budden]

Mark.

[Melissa Ford]

No, we not.

[Joe Budden]

All right, but you do know. No, no, we are. I ain't saying it, but it is right there. Like. And I got a brain.

[Melissa Ford]

Nope.

[Flip]

Why he looks so good at. I don't understand.

[Joe Budden]

And then there's that company in Miami that nope. Are so dumb. Anyway.

[Melissa Ford]

Nope.

[Joe Budden]

What else I got here? Hype for snow. Snowfall. Spin off. They're talking about that snowfall spin off real quick.

[Melissa Ford]

Real quick. Yes, yes, yes, yes. I'm here. What else is here?

[Joe Budden]

That sexy Red Bruno Bruno song sure went away fast.

[Parks]

Real quick.

[Joe Budden]

Thank God. Never heard from that one again. I would like to hear before we go from Mark and Mel about this Jonathan Majors. Did he aggress? Yo, the aggressed leaked call where he was. Is it real? Is it not? Rolling Stone put this out. Hey, I'm still going to see that movie next week.

[Ish]

Magazine Dreams.

[Joe Budden]

Yeah.

[Ish]

Yeah.

[Malcolm]

Rolling Stone is usually pretty credible at vetting sources. That's what I'll say. And there's the audio.

[Ish]

Usually.

[Malcolm]

Usually. And I have no. You know, I don't. I don't know any. I don't have any reason to think it's not real. But, you know, who knows? She. They released it. And he's on audio acknowledging that he aggressed. That's the language he used. His former girlfriend. And she said you. She named, like, three things he did. Like, you grabbed me, you choked me. It's like all these things. And he was like.

[Joe Budden]

That was all covered under aggress, which.

[Malcolm]

Is a little bit of a snarky take when you're apologizing for being violent to somebody. And for a lot of people, that was not a smoking. Yeah. But confirmation of what he'd been accused of. And a lot of people had been running for him, saying, he didn't do anything, he's innocent, he's being framed. And he sort of understated what he did. And this audio kind of changes that. The timing of it is interesting to me. Yeah.

[Joe Budden]

That's what I'm saying.

[Malcolm]

The why of it is interesting because.

[Ish]

Of the movie that he's and his career is kind of being revised.

[Malcolm]

Yeah, Right. So I wonder if somebody said, look, I have this trump card and I'm gonna wait until he's revived again to do it. Because if you dump that all at once, he can then recover from it.

[Ish]

Yeah, I agree with you. Who's rumored to have anonymously just put.

[Malcolm]

Out there that part. I don't know. I didn't see a source or, like, an allegation of a source. So I don't know. But I'm genuinely curious about the timing of it. But regardless of the timing of it, if he did it, people have a right to play that car whenever they want. So I'm not. I'm not defending it. But it is interesting to think about the strategic. The strategic nature of maybe the release. There's some people in Hollywood who don't want Jonathan Majors to win. Whether you agree with him or not, it's been very clear. I've heard this on camera, and I've heard this behind the scenes. There are people who feel very strongly about him, honestly, in ways that they don't about other actors or producers who have done similar things or worse things. So I'm curious to know the why of that's why. He's black. I don't think it's just him being black. I mean, that's part of it. But I know even black people who have been able to recover from.

[Ish]

So do you think that it's part of the rumor that he was extraordinarily difficult to work with? Like, that was a pervasive, pervasive, pervasive rumor. But I'm always, you know, kind of, like, skeptical about that. Oh, difficulty to work with kind of thing. Because there's other factors that play into it as to why somebody might want to carry on with that narrative.

[Malcolm]

And I've seen both. I've seen people who just walk with dignity and have, like, a commitment to what they want.

[Ish]

And they. And people process that as audacity.

[Malcolm]

Right. But I've also worked with assholes. I mean, I could tell you. I mean, just a good example of VH1. Yeah, yeah, yeah. Worked with. Nobody appears like that, honestly. I mean, most everybody here is great, you know, and those who aren't guys still working on them. It's really, like, I was thinking about, like, VH1, where, like, when I. When I would work particularly, like, like, certain, like, reality shows where I could see a lot of the cast was dope and some people who, on camera were called behind on the camera, called hard to work with behind scenes. They really were hard to work with. You can always tell by who the camera people fuck with.

[Ish]

True.

[Malcolm]

Like, when the camera people be like, yo, fuck him.

[Ish]

Yeah, they get the worst answer.

[Malcolm]

That's always a very good. I always, always believe them because that's who they. Who will get the brunt of the bad behavior. And so I don't know if Jonathan Majors is good to work with, easy to work with, or hard to work with, but that narrative is probably connected to somebody feeling strongly about him, and that could play into this. So I don't know. But I do know that this timing isn't good for Jonathan Majors.

[Ish]

But, I mean, like, we went through the entire, you know, trial process, and he was found guilty, like, on a couple of the charges. So, like, related to being the aggressor. So it's kind of like what it's.

[Malcolm]

All about, reminding the public of why they shouldn't like you.

[Ish]

Yeah. Well, then.

[Malcolm]

So that you don't get the full.

[Ish]

Timing, and the timing is suspicious based on the fact that this movie Machine Dreams was everybody. It was like, a really big, big deal at Sundance, like, a couple of years ago, and then everybody, like, Sony dropped it, and it was like, okay, it's never gonna fucking come out. And now he's had, like, this resurgence, and they're like, okay, we're gonna put the movie out. And now here we are again discussing.

[Malcolm]

We'll see what happens. The good thing is if the public does not care care, then it's over. He's able to finally move on. And I have this thing hanging behind it because he may have known that audio was there the whole time and be constantly afraid of when it's gonna get released. And I'm not trying to cape for Jonathan Majors again. Whatever he did, he should have accountability.

[Joe Budden]

That's the scariest part about all of it, is that the public could not care about a domestic violence incident against women.

[Malcolm]

Right, Exactly. And that's actually the problem. He should be held accountable. He should. Whatever. But it seems to me he has been held accountable.

[Joe Budden]

Yeah, when y'all do that. What's wrong with y'all?

[Melissa Ford]

Us?

[Flip]

Why you being sarcastic?

[Joe Budden]

I'm not. That's the scariest part, is that the public could potentially not care about something like that. So it is our job to keep it always at the forefront of things.

[Flip]

Yo, listen, Jonathan Major shit, man.

[Malcolm]

I see the group.

[Flip]

It's difficult, you know. Listen, let that nigga get back.

[Melissa Ford]

What?

[Flip]

He needs to get back back, man. What he was charged with. Is unintentional. What was it again?

[Parks]

M like willfully obtuse.

[Joe Budden]

Mel ain't helping you. It's still up. She ain't with you this episode.

[Flip]

She with me.

[Joe Budden]

She that made was too beyond the limit.

[Flip]

No, but that was to you. But I'm a ch.

[Joe Budden]

You didn't read it like that.

[Malcolm]

It doesn't matter who was two. It's still inappropriate.

[Flip]

We play inappropriate jokes. Yeah, but.

[Malcolm]

But if somebody. If somebody lost a parent and had to deal with that. That very thing, I mean, you could see how that would be a trigger point.

[Flip]

Understood. But I'm not thinking in real time about math.

[Malcolm]

That's what makes it inconsiderate. I am inconsiderate.

[Flip]

I am an inconsiderate person.

[Malcolm]

Yeah, but that's why somebody.

[Flip]

And what about you?

[Ish]

Okay, let's. Let's see.

[Flip]

No, hold on. Let's get that in. What about you?

[Malcolm]

Yeah, I'm sure I am too. I would apologize too, but I would understand why somebody would be tight with me.

[Flip]

Yeah, but you still do inconsiderate shit. You inconsiderate to your coworkers by far.

[Malcolm]

Damn.

[Flip]

Yeah, but that's not right. So you should understand it and extend grace like flip ain't mean that. Especially if I say it's my fault.

[Malcolm]

Yeah, I thought that was a great apology.

[Flip]

And I didn't double down on it. Cause obviously I know it's sensitive.

[Malcolm]

And I thought that was a great apology, man.

[Parks]

One of the best I ever heard.

[Malcolm]

Seriously.

[Joe Budden]

It was.

[Flip]

And you guys, it was sincere.

[Melissa Ford]

It was from the heart.

[Malcolm]

It was beautiful.

[Joe Budden]

It's true.

[Melissa Ford]

Accepted accountability.

[Malcolm]

That was wonderful.

[Melissa Ford]

You just messed up by saying if, but you know.

[Flip]

Yeah, if was. If we all be drunk, man.

[Malcolm]

That was good. Wow.

[Joe Budden]

Way to close it down, man.

[Malcolm]

What a fuck.

[Melissa Ford]

Come on.

[Joe Budden]

What a five. What a pause, you guys.

[Parks]

That's what I'm talking about. And a high note.

[Joe Budden]

Okay. Holy sleepers. This gotta suck for Michael B. Jordan. He was just getting cool with him again.

[Malcolm]

He gotta take down the pictures again.

[Joe Budden]

Just like. Just like. All right, I will work.

[Melissa Ford]

All right, we back.

[Joe Budden]

I will work. Graham. Soon. Soon.

[Melissa Ford]

More Rollis.

[Joe Budden]

Don't drop that. Oh. Ah.

[Melissa Ford]

Change my number again.

[Malcolm]

Right?

[Joe Budden]

If I'm telling you that I aggressed you don't highlight. Highlight. What is.

[Ish]

What the aggressive?

[Malcolm]

Yeah.

[Joe Budden]

That was crazy.

[Malcolm]

I thought she was right. You gotta. You gotta do that.

[Flip]

When did he have this conversation with her? Right after the situation.

[Joe Budden]

I don't.

[Malcolm]

I don't have the. It was. It was soon after, but I don't have the exact. Exact date or timetable. Like how far after. But yeah, I mean. Cause sometimes saying I aggress allows you to gloss over what you actually did.

[Flip]

Got it.

[Ish]

Cause language matters. Yeah, so. And he's used those words specifically.

[Joe Budden]

And behavior is real important in those incidents. Seriously, Like.

[Parks]

Yeah.

[Joe Budden]

Yeah.

[Parks]

True.

[Joe Budden]

Yeah. Yeah, yeah. All right. I'm done. And I feel better.

[Malcolm]

That's good. That's a really bad.

[Parks]

That's important.

[Joe Budden]

Yeah, that's important. You guys happy?

[Parks]

We could bring a little joy.

[Joe Budden]

You guys did it. Thank you.

[Parks]

If nothing else, we made Joe's day better.

[Melissa Ford]

That's right.

[Joe Budden]

That's a fact.

[Melissa Ford]

Brain is different, bro.

[Joe Budden]

All right, I gotta sleep.

[Parks]

What had they been sleeping on?

[Joe Budden]

Joe and I have not left the Friday album. Like I told y'all, I wasn't leaving a Friday album. So I'm playing a yet another. Hey, that's Fire Friday Sleeper. And I don't care what y'all have.

[Malcolm]

To say about it. That's a great album.

[Joe Budden]

It really is. So this record is called Desert.

[Melissa Ford]

I lived about a thousand lives on.

[Flip]

My own.

[Malcolm]

Been waiting on a rain.

[Melissa Ford]

To come I was told that I would see signs on the way home But I can't see the road I wish I knew that I would be fighting for the life that I chose.

[Joe Budden]

Now I'm in the middle of the desert and no one.

[Flip]

I've been searching.

[Joe Budden]

For some water for days I swear.

[Melissa Ford]

Oh, I'm in the middle of the desert oh, I'm lost Trying to find.

[Joe Budden]

A way back Cool.

[Melissa Ford]

Closing in so dried in a desert sand I done seen them bullets turn Take out a better man so I know they got no mercy upon me Got to know when I should hold, I'm afforded Can't stay here it don't feel like home no love outside make.

[Malcolm]

A heart turn cold the things I've seen make a blind man lose hope.

[Joe Budden]

So I'm stranded here on a slowly road.

[Flip]

Now I'm in the middle of.

[Joe Budden]

The desert and nowhere.

[Melissa Ford]

For days I swear oh, I mean.

[Joe Budden]

Trying to find a way back in.

[Melissa Ford]

Some now.

[Joe Budden]

Brand new music from friend of the show Friday. That record is called Dessert. Dessert Desert. Off his brand new album, available in your phone and on DSPS right this very second. Shout out to Friday.

[Parks]

That was super fun.

[Melissa Ford]

That was fire.

[Parks]

That's a fire.

[Joe Budden]

He's got heat on there, man.

[Parks]

Best I've heard so far from there for me, besides the meek verse.

[Malcolm]

Except the meat, right?

[Melissa Ford]

Yeah, the verse.

[Parks]

So that's it.

[Melissa Ford]

I'm going go to far Rock. This is King Streets cut the stove on hey Twix mom's getting pay the.

[Joe Budden]

Bills.

[Melissa Ford]

Used to have that work up in the trap I was heavy there looking like LeBron before he play his potter everywhere I was there with Brody blue trail made me shed a tear he in the cell listening to my music on the second tier you never been in drug raids when a cop is war wait you out your sleep hand cuff you what your box can't be my dog if I second guess beside you all stepping with my pride is on that you know I got it all broke cause they ain't paying attention we could have got it as a team but they wouldn't listen everybody want to be Mike but that ain't the vision pimping got six rings too play a position I know real that's broke in some lanes of money should be tricky like that you know the game is funny when they toll on my I took a toll on a one time for mama love she never.

[Flip]

Out of here mom's getting pay the.

[Joe Budden]

Bills had to cut the stove on.

[Malcolm]

Them ain't riding with you then get.

[Flip]

Your roll on you can't point to a that I told on I'm still on the block this was so long.

[Malcolm]

And I've been in this for so long your music what I put my.

[Flip]

Soul on and I've been in this for so long I'm still on the.

[Melissa Ford]

Block couldn't pay the bills I was plucking up that portable stove I ate with it when I ran into that fork in a row Kobe test I had the they had to put up their nose and all the nights that we was cold and had to cut on the stove to heat up the crib nothing used to be in the fridge wishing them crackers let my dogs go free on the heading out of town the back to work up in the motel whole hood know who caught the body but they won't tell to my homies that the police putting them bodies on head shot to stop a clock you know what time y'all I can full of love just leave I threw them thoughties from party in Miami in the boundary on looking like I got a switch in it to turn my diamonds on first one to reach for anything that's who we slide on I'm rapping like the ring dude that's cuz it is every first of the month the rent off is one this so I gotta get it mom's getting.

[Flip]

Pay the bills had to cut the stove on them ain't riding with you then get your Roll on.

[Malcolm]

You can't point to the that I.

[Flip]

Told on I'm still on the block. This was so long and I been.

[Melissa Ford]

In this this for so long.

[Flip]

The music what I put my so long.

[Malcolm]

It'S such a good drop.

[Melissa Ford]

That was cut the stove on by King Streets. That's off of his project. Sacrificed a lot to get here too. In your phones, DSPs, all that good, good stuff.

[Flip]

All right.

[Parks]

I'm going to Brooklyn. St. Patrick's Day also means Sean Price birthday. This is figure 4. Rest in Peace Sean Price.

[Joe Budden]

Rest in peace.

[Melissa Ford]

Botswana, small town little league player Pop Warner rock corners with hot blocks that's drug infested supply supply is my money say thug invested no disrespect to duck down records after this go around a look for the exit piece. Sincerely, Pyrex Pot Sean Cookie cut it and spit it on all right.com the vet earner of stripes to skin burner tears in my eyes when thinking the hex murder what up, hex? I don't parlay with the crew, I don't wallet here the new hardcore rapping Mary J Blige Records. That's right, the gar gonna snap. I'm waving the 5 reckless Sean Price, the best rapper in Brownsville. Don't know me by the time this song done, you clowns will. Clowns will hurt something.

[Joe Budden]

Know what I mean?

[Melissa Ford]

Out of here, grown man rap. I get my son to one of y'all young rappers up.

[Joe Budden]

Word to mother.

[Melissa Ford]

Out of here. What up, Eli? Ah, where was I? Oh, yes, Sean Carter is nice but Sean Price is the best. Sean gone. No Sean Dawn. Sean is a dawn. I don't wear Sean John army suit BlackBerry brandy is long johns matching cheese tims you separate weed stems, weed carrier, bulletproof Vesta glock and spray your jester left with Rockaway and Chester. Too old to rap, too young to whack ten fingers, two hands my the guns clap out I don't like no more eight figure dreams but the figure is four these are words from a doubt in there selling, cracking the peas disguising some housing gear I up somewhere down the line but I got my in order the crown is mine.

[Parks]

That'S figure four. Sean Price. Happy birthday and rest in peace to the absolute legend Big mouth war. What kind of eclectic damage do we have today?

[Ish]

I really like that track that you just played, by the way. Mine is called Obsessed Xandros and Limmy.

[Parks]

Okay.

[Melissa Ford]

To hide you can sleep.

[Joe Budden]

On.

[Melissa Ford]

Me but it's on your mind always.

[Joe Budden]

I'm in your feelings Coming down from.

[Melissa Ford]

The weekend no I always make you right yeah yeah Tell me that your.

[Joe Budden]

Mind make it worth my time yeah.

[Melissa Ford]

On to the need like you believe.

[Joe Budden]

Set my mind on fire like you.

[Melissa Ford]

Never felt this way so close that's another one. Cuz you're scared to get too close.

[Joe Budden]

You keep running until you show up.

[Flip]

On my door There's a time with.

[Joe Budden]

Me is a time and not alone.

[Melissa Ford]

Yeah I know you know that but.

[Malcolm]

You.

[Melissa Ford]

My can but I still hold.

[Flip]

You down Got a dance to hide.

[Parks]

That is Andros and limmy obsessed all.

[Joe Budden]

Right the sleep of king coming back soon. You keep trying to go crazy mark that was a slap buddy coming back.

[Malcolm]

So I'm going old school since it's the 30th anniversary of the Roots. Do you want more album? Okay, I'm coming with Silent Treatment regular version.

[Parks]

Hey regular version of remix.

[Joe Budden]

Hey this was my.

[Malcolm]

There you go.

[Joe Budden]

Can't you see what you mean to me.

[Melissa Ford]

Girl you know that you just stop giving me the smiling treatment baby can't you say what you mean to me? I wanna constantly but you keep neglecting me that you can be silent.

[Malcolm]

Girl.

[Melissa Ford]

You know that you to stop getting Yo I had a queen named Amina High five seven caramel complected body like heaven met her through the sister of of my man big Vince like some from out the flicks We've been in love ever since she called me her chocolate brother I call her my sugar sister New shorty could work it since before I ever kissed her I never dissed her painted my picture to hit but because sex she wasn't with she started flipping and like listen man I'm Queen Amina Amina's not no freaking that game is weakened keep trying to hit I could quit speaking to Rican fact you being blacked on don't get you closer I dig your butt won't bone your be quiet cause I'm so called supposed to most of them would but that could envy me that's not my flavor Go home and think about that maybe later on I paid ya I contemplated and then concluded she was bluffing steady pursuing school and getting nothing but.

[Parks]

The solid treatment.

[Malcolm]

Maybe one I'll page.

[Melissa Ford]

You.

[Joe Budden]

This a song where I was like oh he think it got albums.

[Melissa Ford]

Crazy frustration about my loving situation where patience was a virtue But I wasn't used to waiting I want some Marvin Gay healing Feeling this real inside I slip and slide My ride will keep you occupied I love to get with it like that but my baby's kitty cats Captain Lock love Boat is dock at the shore and what for LA for groupies on tour why won't my sugar call me no more? I mean my queen gets upset Rejecting the sexually neglect then singing I'm more sewer than not suffixing close minded it's like I'm blinded by the skinning I'm into women because of that this one's ending Communication temptation played the vandal freaking my brain My mind gripping the handle on physically scandalous acts yo, she knew what I wanted but she fronted.

[Malcolm]

Know.

[Parks]

About you Silent Treatment roots the song goes on with saxophone solos and all types of a classic and the remix.

[Malcolm]

That still feel good.

[Joe Budden]

Yeah, you know, that was great. That was great. A blast from the past.

[Parks]

Indeed, sir.

[Joe Budden]

All right. Good day, mates.

[Melissa Ford]

Yes, sir.

[Joe Budden]

Good day. Good times to those. That's still here. For those of y'all just tuning in, we appreciate you.

[Flip]

Hey, yo. Hey, yo.

[Melissa Ford]

When I walk into a room feel a slight breeze Stay a little while.

[Flip]

So they feel they might freeze Never.

[Melissa Ford]

Understood why they never like me Cause.

[Flip]

When I lock the door, you're still.

[Joe Budden]

Here by the time of this recording me we didn't depress you too much with our morbid talk.

[Melissa Ford]

Tickets to who knows.

[Joe Budden]

Keep us in your prayers Lord knows we need to be there until the.

[Melissa Ford]

Next time Previous plans they spawn.

[Joe Budden]

So long a mile a simple head now.

[Melissa Ford]

Was a fight in almost every event Putting up points my like y'all stay scar all my from the projects like one up from the projects like when I like and pass me a cup for that good we on some projects.

[Joe Budden]

Remember life is a series of moments and moments pass indeed. So let's make this one last as if it's all we have. Y'all hold it down. Yeah, he did, but Nori went crazy.

[Melissa Ford]

Yeah, but you know who.

[Parks]

Yeah, yeah.

[Flip]

Okay, okay.

[Joe Budden]

Make sure remember the baddies are insecure, the stagnant women want to travel and the closed minded women want you to teach them things.

[Flip]

Set it off too.

[Parks]

Right now I'm thinking I'm leaving.

[Joe Budden]

Yeah, this is.

[Malcolm]

Like a 12.

[Joe Budden]

We going, man. Y'all hold it down until the next.

[Melissa Ford]

Time.

[Joe Budden]

And all that, Brother, get your wig pushed down. What's up? Anybody doing anything fun this week? Anything fun this week?

[Melissa Ford]

No.

[Joe Budden]

Work, work, work.

[Malcolm]

My wife out of town. I sent her up for a retreat. Little spa. Five days. So I'm rocking solo with. With me and the boy.

[Joe Budden]

Got it, got it, got it, got it. That sound good time, huh?

[Melissa Ford]

How you doing?

[Malcolm]

Life is good, man. Life is good.

[Joe Budden]

Sound like good times.

[Malcolm]

I got no complaints.

[Joe Budden]

Mel. What's up with you this week? Anything, anything, anything.

[Malcolm]

Just work, work, work, work, work.

[Joe Budden]

Hot. And be still waiting on that movie promo to drop.

[Ish]

Okay.

[Flip]

We don't matter. High and ball, April 1st.

[Joe Budden]

Hope wa.

[Flip]

You.

[Joe Budden]

Oh, I don't think I ever. Girls. I'm cool, I'm cool.

[Flip]

I can't wait to see, man.

[Joe Budden]

We'll be back.

[Malcolm]

Same time, same place.

[Joe Budden]

Was so fire when it dropped.

[Parks]

They should have put cannabis first, though in hindsight, it was around and that's.

[Melissa Ford]

When he was scorching.

[Joe Budden]

They tried their best.

[Melissa Ford]

I hate how hip hop rewrite their history on cannabis too.

[Joe Budden]

I hate that. What did they rewrite?

[Melissa Ford]

No, it's just. It's. You know, once that happened with the. The battle and he became. They kind of treated cannabis like a joke, like he wasn't ever ill, right?

[Parks]

Oh, yeah, unfortunately, that's how it goes.

[Flip]

Yeah.

[Melissa Ford]

But him.

[Parks]

Him, this cannabis.

[Melissa Ford]

Exactly.

[Malcolm]

He's a problem.

[Melissa Ford]

He was there. You knew.

[Parks]

You better shut the up.

[Melissa Ford]

You know, any mixtape, anything, if it said cannabis. Cannabis.

[Joe Budden]

Can't rewrite that part. Yeah, they can't be right.

[Melissa Ford]

They wasn't there for it, so. Yes, they can't. That's how they doing it.

[Joe Budden]

No, you can't.

[Melissa Ford]

They weren't there.

[Joe Budden]

Can't rewrite it. Look, he had the whole firm scared on this. You know how tough you had to be to scare the whole day off? So you know what?

[Melissa Ford]

Yeah, you hold it down.

[Joe Budden]

Hold it down.

[Melissa Ford]

Yo, he might have had one of.

[Joe Budden]

The greatest rookie seasons ever.

[Parks]

Oh, for sure.

[Melissa Ford]

Now you really think about it.

[Joe Budden]

All right, we going, we going, we going, we going, brother Ish.

[Melissa Ford]

Get well soon.

[Flip]

Yes, sir.

[Joe Budden]

Get well soon. Until the next time gone.