Episode 823 | "They Let You Stay In Haiti?"

Summary

Detailed Summary of "The Joe Budden Podcast" Episode 823 | "They Let You Stay In Haiti?"

Release Date: May 7, 2025
Hosts: The Joe Budden Network (Joe Budden, Ish, Melissa Ford, Mark Lamont Hill, Flip, Corey, Parks, Erickson)

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1. Weekend Recaps and Daily Life

The episode begins with the hosts sharing their feelings about the recent weather in New York, expressing frustration over traffic and poor driving conditions during a rainy weekend. Joe Budden, reflecting on his weekend, recounts promising his child a visit to a friend's house but facing challenges due to unforeseen circumstances.

Joe Budden [02:10]: "Saturday was the fake out, but that let me know that it was coming. [...] Cause the weather's nice. Traffic all backed up. Take two hours to get where it would take an hour to get. Oh, I hated it."

The conversation shifts to parenting, discussing the ease with which children now use technology to make plans independently. The hosts express concerns about children's ability to manage time and make decisions without parental intervention.

Flip [06:10]: "I don't know how I feel about my kid texting adults, making plans. I don't know about that."

2. Marriage, Finances, and Investments

A significant portion of the discussion revolves around the complexities of marriage as a financial and emotional partnership. The hosts debate whether investing in a spouse's business ventures is advisable, highlighting the potential risks and benefits.

Melissa Ford [07:14]: "He did not. [...] Anyway, she wants to say."

Joe Budden shares his personal stance, emphasizing the importance of clear agreements when blending finances within a marriage to prevent future conflicts.

Joe Budden [07:58]: "So if you keep your head down and keep the mission in place in front of you, then you'll be able to work and get anything you want to."

The conversation delves into the historical context of marriage, touching upon dowries and property rights, and how these traditions influence modern perceptions of marital commitments.

Mark Lamont Hill [25:43]: "There's this number where, like, you can afford to give it, but you can't afford to eat it if you never get it back."

3. Met Gala and Black Dandyism

The hosts extensively discuss the recent Met Gala, analyzing the theme "Black Tailored Fly" and its representation of black dandyism. They commend attendees who adhered to the theme, celebrating the fusion of hood aesthetics with class, while critiquing those who deviated.

Joe Budden [48:52]: "79% of white people looked a mess."

Melissa Ford and Mark Lamont Hill explore the cultural significance of black dandyism as a form of resistance and identity negotiation within the fashion industry.

Parks [58:30]: "Black dandyism is a cultural practice in the form of self-expression where black individuals, particularly men, use fashion and personal style as a tool for resistance, identity negotiation, and challenging societal norms."

4. Andre 3000's Musical Ventures

A heated debate ensues regarding Andre 3000's recent musical projects, particularly his flute and piano albums. Some hosts criticize the technical execution, while others defend the artistic intent, acknowledging his legacy as an innovative artist.

Joe Budden [83:41]: "He is one of the artsiest of the artsy, for sure."

Corey and Mark express disappointment in the albums' production quality, questioning their purpose and alignment with Andre's established brand.

Corey [86:00]: "I think that this was simply just being treated as an accessory to his outfit."

5. High-Profile Trials and Legal Insights

The episode transitions to discussions about notable legal cases, including the trial of Diddy and others like Paul Pierce and O.J. Simpson. The hosts analyze trial strategies, plea deals, and the impact of public perception on legal outcomes.

Mark Lamont Hill [177:10]: "There's a number where, like, you can afford to give it, but you can't afford to eat it if you never get it back."

They also touch upon the challenges of jury selection, emphasizing the difficulty of finding impartial jurors in high-profile cases.

Mark Lamont Hill [170:01]: "I don't think it's possible. I don't think it's possible. I get your point to be people being disconnected from the story, but I think this is one of those cases like OJ where we not even gonna pretend you disconnected from the story."

6. Personal Experiences and Life Lessons

Throughout the episode, the hosts share personal anecdotes and lessons learned from their own lives. Topics include coping with single parenthood, the importance of meaningful relationships, and the impact of personal decisions on one's future.

Corey [140:14]: "Marriage historically has been about money. And marriage was really a contract. It was about ownership. It was a business arrangement for sure."

Joe Budden emphasizes the value of pursuing one's passion over monetary gains, encouraging authenticity and self-expression.

Joe Budden [185:02]: "But on the flip side of what you're saying, there are tons of people out there that believe he'll be back on the street shortly."

7. Closing Remarks and Reflections

As the episode nears its end, the hosts reflect on the discussions held, reiterating the importance of understanding and supporting each other's perspectives. They also mention upcoming segments and encourage listeners to engage with the podcast through various platforms.

Melissa Ford [232:00]: "We gotta deal with a whole lot of shit that you may tend to forget. It's a lot and it'll be a strain on you if she wasn't around."

Joe Budden wraps up the episode by highlighting memorable moments and expressing gratitude towards the listeners and contributors.

Joe Budden [233:07]: "Shout out to everyone that was at the Met Gala. [...] Joe Button here with a few really amazing people."

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This episode of "The Joe Budden Podcast" offers a deep dive into personal relationships, societal norms, and high-stakes legal battles, all intertwined with cultural events like the Met Gala. The hosts provide a blend of personal insights, cultural critiques, and legal analysis, making for a comprehensive and engaging discussion for both regular listeners and newcomers alike.

Transcript

[Joe Budden]

The thoughts, views, and opinions expressed by this podcast, whose bullets its hosts offer entertainment purposes only. I repeat, it is not serious. It is not real. No one is exposing, revealing, indicting, or telling you anything about themselves. Also, we do not encourage you to try this at home. We are trained professionals who do not have your best interests at heart or our own. Enjoy the show.

[Ish]

How many times? How many times you gotta take it? I don't with y'all.

[Melissa Ford]

They can't see my eyes unless my head is bent. You dig? We fly. No lie. You notice? Zippy, you look good, bro. How the you lost weight like that so fast? You just said you want some.

[Joe Budden]

Don't.

[Melissa Ford]

Don't blame me. No Portuguese neither. It's not Portugal.

[Mark Lamont Hill]

That's that.

[Joe Budden]

Zips don't do that. You said sc.

[Parks]

That's what it is.

[Mark Lamont Hill]

Skag.

[Joe Budden]

Don't put that on easels. You look good, though.

[Parks]

Combination.

[Flip]

We are, but I mean, we are.

[Joe Budden]

This should be the worst to do Skag with. Thank God he drug free.

[Parks]

Indeed.

[Joe Budden]

I ain't gonna hold it. Indeed. That nigga be sitting there talking a. Oh, my Lord. When my mom and dad get to talking about they story that predates me. That's part of it. How my mom was the worst person for my dad to get high with. Cause she always heard noises.

[Ish]

Oh, man, the paranoid ones.

[Joe Budden]

The funniest shit. Yo, I wasn't on earth, but knowing my mom, that just sounds annoying. All right, I'm shutting up. Fighting in trouble. Oh, what's up, man?

[Mark Lamont Hill]

How y'all feeling?

[Flip]

Feeling great. How you feeling?

[Joe Budden]

Feeling good? Feeling good. Nice. Rainy day. Nice.

[Ish]

Oh, yeah, that's your bag.

[Flip]

I thought they faked us out all weekend. It was all nice and shit.

[Corey]

Well, Saturday was the fake out.

[Joe Budden]

Saturday was the fake out.

[Flip]

Yeah, Saturday was.

[Joe Budden]

Saturday was the fake out, but that let me know that it was coming. Go ahead and get your little last hot day, all y'all in Stafford and at the bars and just out there being fast, being little hot asses. Cause the weather's nice. Traffic all backed up. Take two hours to get where it would take an hour to get. Oh, I hated it.

[Flip]

I don't understand that about New York.

[Joe Budden]

I hated it Saturday.

[Flip]

I hated it today. Why does no one know how to drive? As soon as it like a drop.

[Joe Budden]

Of rain shows in New York, people can't drive.

[Ish]

All it take is one person turn.

[Flip]

Signal not turning in two lanes.

[Joe Budden]

No.

[Flip]

No reason whatsoever except that it's raining.

[Ish]

It don't be no accident. It be nothing. One person just slow down. And it all the way up.

[Flip]

But I'm not even talking about early.

[Joe Budden]

To be an elitist in the show.

[Flip]

No, never.

[Joe Budden]

There's a lot of poor cars on the road.

[Flip]

Yeah.

[Joe Budden]

No, for real, cuz. I can't put this all on human error. Some of these cars is out here with no tread on the tires. Some of y'all is out there with the bad rear wheel drive. Not the good ones up.

[Flip]

That shit just drifting.

[Joe Budden]

Some of these niggas, all the lights on is in the. In the. Come on. Ain't going to the mechanic. Ain't going to the doctor. Hey, and. And y'all just had the money for the car, so all them extra questions they asked, you skipped them. Walk right at it. Yo, would you like tires or. Nah, give me my. I'm out of here. All right. Would you like the extended work? Nope. All right. We have a 100,000 mile plan. Nope. Sorry. So, yeah, that's what it is. Four people cars on the road. People don't know how to drive them. Sorry.

[Flip]

There was a couple nice cars doing dumb shit.

[Joe Budden]

Get stupid. But I seen all yalls cars so y'all don't have to hide the laughter. I came downstairs and seen y'all cars. Why y'all up here trying to.

[Mark Lamont Hill]

I really wish you hadn't come down. The one day you come spend time with us was the day we were.

[Joe Budden]

All in the parking lot that Mark pulled up. I wear mean light. Pierre Shade. You can't see my eye.

[Melissa Ford]

Yeah, he upgraded.

[Joe Budden]

He had some written on the side. I never even seen on that car. Limited edition.

[Melissa Ford]

He had to upgrade this too.

[Flip]

Oh, you got the Eddie Bauer shit.

[Joe Budden]

Yeah. Yeah, he had the Eddie Bauer joint.

[Ish]

It's cool.

[Joe Budden]

How y'all feeling?

[Melissa Ford]

Feeling good, man.

[Ish]

Good, man.

[Joe Budden]

Good. Happy to see y'all.

[Ish]

How was your weekend?

[Melissa Ford]

Thank you. As well.

[Ish]

How's your weekend?

[Joe Budden]

How's my weekend? Yeah, my weekend was good. Saturday, I was just chilling in the house, cuddling with my baby. That's always a good thing. But I made a mistake. I promised him that tomorrow I would take him to his best friend's house. Vincent shout out to Vincent and my baby. Communicating and shit.

[Melissa Ford]

Stop doing that.

[Joe Budden]

Yo, he like, hey, dawg. Hey. I go to Vince's house, I'm throwing every excuse. Hit a book at this. Nah, the rain, the weather. This nigga go on the weather app? Yep.

[Flip]

Supposed to let up.

[Joe Budden]

Look like we'll be in the clear here. Nigga, I'm still dodging it. I ain't Gonna let this 7 year old win. He texts somebody. Somebody, Mom, Jackie, Jackie, I need Vincent mom number behind my back. So Sunday morning, when he wake up at 9, 9am Time to go. First person he texts behind my back is Vincent, Ma.

[Mark Lamont Hill]

Oh, hey.

[Joe Budden]

Think I can slide over today? This is against. I couldn't do no like this growing up.

[Ish]

It's different.

[Joe Budden]

My Vincent, mom, kids.

[Flip]

I don't know how I feel about my kid texting adults, making plans. I don't know about that.

[Ish]

My daughter got a concert.

[Joe Budden]

Your kid should not text adults to make plans. But this is really his best friend. We know that.

[Flip]

No, I get it, I get it. But no, I still know.

[Joe Budden]

Your kid is going to know how to text.

[Ish]

Thanks.

[Flip]

That's what scares me.

[Joe Budden]

And he going to have a device. He or she will have a device to do. So, sure. And you going to be in your room with a Bex Stress Budweiser watching the game.

[Ish]

You can't even hit them with the lie of like, yo, in an hour. They know how to set the timer. The timer goes off in yo, an hour. I was like, yo, dog, come on.

[Joe Budden]

This kid's sitting there looking at the time like he got a watch.

[Ish]

Yeah.

[Joe Budden]

Hey, dog, you said 3:00.

[Ish]

It's about that time.

[Joe Budden]

We should get out if we're gonna get going. Do I have school tomorrow? Yep. Now's a good. I took him over to his best friend house.

[Ish]

That's right.

[Joe Budden]

And that was the weekend. I couldn't. I couldn't trick him. So good.

[Ish]

It's over. These tablets, they got them, bro.

[Corey]

Yeah, then they got you.

[Ish]

No, they got them and then the kids got us.

[Joe Budden]

He on there buying the 500 for Roblox? Oh, he bugging now. These little outfits.

[Melissa Ford]

Your card is on this. On this profile, huh?

[Joe Budden]

No shot. A card is on file.

[Mark Lamont Hill]

Same thing. Same thing.

[Melissa Ford]

Same thing. Clean it up.

[Mark Lamont Hill]

Make you feel better.

[Melissa Ford]

But she'll pop up. Watch it, watch it. She'll pop up.

[Mark Lamont Hill]

That's true.

[Melissa Ford]

She'll hear this shit.

[Joe Budden]

Did Mark just say that? It is the same thing. Oh, you fell for the trap. Because it is the same thing. But I do feel good about it.

[Melissa Ford]

And is it her bread if it's the same thing? Cause we had, remember?

[Joe Budden]

No, it's her bread.

[Melissa Ford]

So you believe that even though you give her the money?

[Joe Budden]

No, she has money.

[Melissa Ford]

No, I know she has money, but I'm just saying.

[Joe Budden]

Remember we had a conversation, Jill, Tell me about that.

[Melissa Ford]

Cause some people ran down on me this weekend and in Philly while I was up there about that conversation that we had when I said that if I give my wife the money, it's still my money. But they agreed with y'all. They said, flip, you bugging, nigga. That's her money. So you still stand on the same side.

[Joe Budden]

What was my position?

[Melissa Ford]

Your position was I can't say that it's her money. Because I was saying that if you give your wife money, she buy the gift. If she buys you a gift, it's you that you bought because it's your money.

[Parks]

Nope.

[Melissa Ford]

You was like, nah, I don't agree with that.

[Joe Budden]

No, I don't agree with that.

[Melissa Ford]

Yeah, yeah, that's her money, man, listen.

[Joe Budden]

When my baby bought me a trip to Mykonos, that was her. Was like, yo, that was her on the phone.

[Melissa Ford]

I got it.

[Joe Budden]

Yeah, No, I was chilling.

[Melissa Ford]

He ran down on me about that. I'm like, y'all is crazy, man.

[Joe Budden]

I believe when I was safe, though, right?

[Melissa Ford]

Yeah, I'm good. I was in Philly this weekend. Shout out to Mark. He called me, make sure I was good too. Yo, you need anything? It was good just to flip the network. It was nice.

[Mark Lamont Hill]

Did you go buy the Protector? Yeah, yeah, he checked in. It was straight. Yeah.

[Melissa Ford]

Huh.

[Flip]

Did you go buy books?

[Melissa Ford]

Nah, I didn't buy books, but I am gonna go buy some books. I'm going back down there.

[Mark Lamont Hill]

I told my bookstore, I said, flip is coming through. Yeah, I mean, look out for him.

[Flip]

Yo, if you give a free book, Mark.

[Joe Budden]

Yo, look at this Mark. Look at this Mark calling me. Yo.

[Melissa Ford]

Hey, if you need somebody to make errands for you, call me. I'm gonna make it happen. Like, I'm in my head. I'm like, who the this think he is?

[Mark Lamont Hill]

I had a body man for him. So, like, he's fired.

[Melissa Ford]

But, you know, you ain't. Ain't gonna utilize me. You ain't gonna get me a body.

[Corey]

Man like a bodyguard.

[Mark Lamont Hill]

No, like. Like somebody who, like, run. Like, I. Like somebody who, like, run.

[Joe Budden]

Hey, you smart, man. Don't fall for none of that. That's a trick. That's a setup. That is a lineup. All that. All that, Mark behind the scenes basketball games. And especially after that, Patriot restaurants nigga is crazy. Mark my phone off work hours.

[Melissa Ford]

The way you put. I'm like, all right, all right. I told you later. Thank you, though.

[Joe Budden]

Thank you.

[Mark Lamont Hill]

Trying to be helpful, man.

[Melissa Ford]

You was. No, I appreciate that. I appreciate that.

[Mark Lamont Hill]

I wish you told me I had. I probably had a crib for you to use it.

[Ish]

Yeah.

[Melissa Ford]

Good looking, man. Thank you. But I. We took care of it. Beautiful weekend network, couple of artists and have fun, man.

[Flip]

Artistes.

[Melissa Ford]

Artist.

[Joe Budden]

Bar me. Thank you. That's. That's when I would have somebody laugh back there.

[Melissa Ford]

Is that a white man? Was that a white man laughing at my.

[Joe Budden]

If I was an aspiring rapper, nothing.

[Melissa Ford]

You heard your man back then just laughed at me. But I said artists, and it's Ericsson. Yo, what's taking. That's eating.

[Joe Budden]

Yo, what's taking so long to get the camera on Erickson or in that background for y'all little back room shenanigans then? I asked for that.

[Melissa Ford]

Like a year check. We asked for it.

[Joe Budden]

Well, if it's up, then why don't never see y'all faces back there. Cut to it. Yeah, yeah, yeah. How about it? Eat chicken.

[Melissa Ford]

Niggas like that.

[Joe Budden]

How about it? Let's cut to it.

[Melissa Ford]

How much you got?

[Joe Budden]

Eight.

[Melissa Ford]

One, two, three.

[Joe Budden]

Oh, you got a lot of.

[Melissa Ford]

Yo, we got an eight camp. Every time niggas come in here, they.

[Joe Budden]

Be like, Wiz was like this. That's the first thing they do when they get here.

[Ish]

Start looking.

[Joe Budden]

Why is that such a.

[Ish]

Every everybody that walks in, this is what Nori did.

[Melissa Ford]

His man did. This is nice. Look at Joe. Pussy ass is watching tight.

[Ish]

Like, what you would have did?

[Joe Budden]

I don't know.

[Melissa Ford]

I would have did. I don't know, but I watched that nigga record it.

[Joe Budden]

This is better.

[Ish]

They come with their cameraman and cameraman. They start talking to Eric Sinchon.

[Joe Budden]

Yo, yo, yo, yo.

[Corey]

Find out what the gear is.

[Mark Lamont Hill]

I was surprised when I came as a guest. I looked at his mother. He got hit way different than I thought it was going to look.

[Melissa Ford]

Yeah, he got it hooked up.

[Corey]

What'd you think it was going to look like?

[Flip]

Some ghetto shit.

[Mark Lamont Hill]

Yeah, there'll be like two cameras, two DSLRs, maybe.

[Joe Budden]

Wait, what he say?

[Flip]

Couple nightgowns. He thought we were going to have.

[Melissa Ford]

A couple Nikons, but park nobody. A lot of partners.

[Corey]

He thought your studio was going to be ghetto. That's what he just said.

[Ish]

Did he said some ghetto, actually.

[Melissa Ford]

Is that what he said?

[Mark Lamont Hill]

I didn't say that.

[Flip]

I did, but then he.

[Mark Lamont Hill]

He said that.

[Ish]

No, no, that was.

[Mark Lamont Hill]

No, but I mean, the camera setup, the type of cameras, the sound, all that is. This is high tech. I didn't know that coming in. It looks good on screen, but some people do it with a lot less. Y'all do it, like, fly it.

[Ish]

It don't look and sound the same.

[Mark Lamont Hill]

It don't. Now I understand why.

[Melissa Ford]

I ain't know there 8 cameras I.

[Ish]

See with iPhones on a tripod.

[Mark Lamont Hill]

Yo, dead ass niggas be having the.

[Melissa Ford]

Mismatch Canons and Sony's.

[Flip]

It's like eight of.

[Melissa Ford]

As hell. No wonder be surprised.

[Joe Budden]

Thank you, guys.

[Melissa Ford]

You and he got the strong.

[Joe Budden]

The aspiring content creators out there just know that we didn't start out this way.

[Flip]

That's true.

[Joe Budden]

So if you keep your head down and, and, and keep, keep the mission in place in front of you, then you'll be able to work and get anything you want to. Don't, don't, don't compare your day one to someone else's day. One trillion true.

[Melissa Ford]

And if you fail, he's going to play another one bites the Dust.

[Joe Budden]

And.

[Melissa Ford]

Then he's gonna laugh.

[Joe Budden]

So make sure you keep it.

[Melissa Ford]

Keep your head up like.

[Joe Budden]

Yo, y'all, y'all want to retire? If y'all, if y'all want to retire it, I'm down to retire.

[Flip]

No, no, absolutely not.

[Melissa Ford]

I think I, I. It's funny, but I'll be feeling bad when you do it, boy. That you did with math.

[Mark Lamont Hill]

That was funny.

[Melissa Ford]

That was. You caught that real time.

[Ish]

That was fucked up.

[Mark Lamont Hill]

Yeah, that was fucked up.

[Melissa Ford]

Yeah, like I think I should have.

[Joe Budden]

Mark and Mel, what did y'all vote?

[Mark Lamont Hill]

I would retire it.

[Corey]

Really?

[Mark Lamont Hill]

If it. Unless it's your enemy. If it's your enemy, that's different. But just every time a nigga fell, we celebrate. We dance on their grave.

[Joe Budden]

I don't know. They all my enemy.

[Melissa Ford]

No, they not.

[Corey]

He's definitely made that. Well, not enemy. Enemy.

[Melissa Ford]

Friends to none of them.

[Joe Budden]

Real enemy. But in the, in the fake content world, every content that's not this content is my enemy.

[Mark Lamont Hill]

Okay, look, I ain't gonna. I don't feel that strong about it, but if I just had to vote. I say no. I say retired.

[Joe Budden]

I say retired too.

[Melissa Ford]

Obviously, I would say.

[Flip]

I said, I say keep it alive.

[Joe Budden]

That's three. All right, we got one. One.

[Melissa Ford]

What do you say? Free? I mean, two for keep.

[Joe Budden]

Ish. Ish.

[Flip]

Tiebreaker.

[Melissa Ford]

Come on.

[Joe Budden]

Ish. It's ain't the tiebreaker. Mel will be the tiebreaker depending on what you say. Y'all don't drag.

[Parks]

I won't hear what you say.

[Joe Budden]

Mel wants to keep it now issues a tiebreaker. 3. 3. Mel wants to keep it. She just won't say it.

[Corey]

I want to keep it.

[Joe Budden]

Of course you. Hey, let's fucking go. Let's fucking go. Huh?

[Erickson]

Let's go, nigga.

[Melissa Ford]

No, wait, I'm capping for you.

[Joe Budden]

No, no, no, no. Because I really wanted to keep it.

[Melissa Ford]

But I love so much that I kept my classic.

[Joe Budden]

I wanted to keep it, but I didn't want to say it.

[Flip]

No, it's too mean.

[Melissa Ford]

It's too mean.

[Joe Budden]

No, no. Cause it is mean. It's.

[Melissa Ford]

You called the.

[Joe Budden]

And played.

[Melissa Ford]

He played in the background while you were talking to him. Yo.

[Joe Budden]

Hey.

[Mark Lamont Hill]

Hello.

[Joe Budden]

Good, good.

[Melissa Ford]

How you.

[Joe Budden]

All right, well, let's try it this way.

[Melissa Ford]

Yes.

[Joe Budden]

In the event that this podcast were to abruptly come to an end on some too. Not. Not just wait. We grind all the way to the sunset. No, not.

[Flip]

No. Not gonna Quest love that. I listen to that episode. They were. That was a great finale.

[Joe Budden]

Shout out to quest love. Yeah. But if. If this show ended and it wasn't that like, it was some. What do you think would be happening out there?

[Corey]

Yeah, they kick you back in your.

[Joe Budden]

But you said it would be a holiday.

[Flip]

It would be a holiday for sure.

[Ish]

Would take off work to celebrate Twitter. We throwing something on the grill.

[Melissa Ford]

What you like? All right, I got it. I got next year. Let's review this again. Another one bites the dust. That's just good for a year.

[Joe Budden]

And just for the record, I've noticed a few things changing in the landscape, and I did not play it.

[Melissa Ford]

I know what you're talking about.

[Corey]

Oh, wait, what's he talking about? What are you talking about?

[Flip]

I might have missed it.

[Joe Budden]

I didn't play it, so I won't say it.

[Flip]

Oh, man.

[Corey]

Okay, Flip. Say it.

[Joe Budden]

Somebody gotta tell me.

[Parks]

I don't know what the hell y'all.

[Joe Budden]

Talking about, so keep your ear to the fucking box.

[Flip]

But I guess not enough.

[Melissa Ford]

Shit. Look a little shaky. Oh, yeah, a lot of. Making a lot of changes. They're downgrading.

[Joe Budden]

They trying to do something for their crib.

[Mark Lamont Hill]

Hey, they got the little light.

[Joe Budden]

You know, the light.

[Melissa Ford]

The ring light.

[Joe Budden]

Yeah, the be using. I used to use that. Stop. Don't do that. Me too. Don't do that. Those are good lights.

[Melissa Ford]

I got a 600D now.

[Joe Budden]

I was in Best Buy every month buying them shits.

[Melissa Ford]

Yeah, I'm just saying. But be downgrading. And they don't try to hide it. Take the shades off. We can see through your glasses. The ring light. Don't try to be cool.

[Joe Budden]

Oh, man.

[Melissa Ford]

What's up, man? What was your weekend like?

[Corey]

I was actually close to Philly, I think.

[Joe Budden]

What were you.

[Corey]

Clementon, New Jersey.

[Joe Budden]

You just don't learn.

[Melissa Ford]

Who'S out there with Reed dollars?

[Corey]

I was working. I was.

[Joe Budden]

Why you all that mixed?

[Melissa Ford]

Cause see what you doing in that direction. You don't have. No, that's close. Close to Camden?

[Corey]

Yeah, yeah, yeah, I was close to Camden. Yep.

[Joe Budden]

Yeah.

[Melissa Ford]

Oh, you try to go for the hood now.

[Joe Budden]

I got it.

[Ish]

It.

[Melissa Ford]

You need somebody to up when they try to get rid of you.

[Corey]

I did, actually.

[Melissa Ford]

We got the Camden. And I saw that post you made too, in your stories.

[Corey]

What was it? Which part?

[Melissa Ford]

Some with a for lifer. I don't know. They sent it to my dm. I said, oh, here she goes.

[Joe Budden]

She back at it.

[Melissa Ford]

Nigga birthday back in them. Better show em what was going on.

[Mark Lamont Hill]

In Clementon, New Jersey, back in the day. Used to be Clementon Park.

[Melissa Ford]

She was Muhammad Ali and them peoples.

[Corey]

No, I was. I did like a little kind of pop up Hot and Bothered. And I interviewed Da Vinci from All American and bmf.

[Mark Lamont Hill]

Mm.

[Joe Budden]

Oh, okay.

[Corey]

And then I went to go watch a youth league basketball tournament. It was kind of all combined.

[Melissa Ford]

She was with a nigga.

[Mark Lamont Hill]

That's a joke out of you, right?

[Melissa Ford]

There ain't no Melissa Ford watching the youth league. Was out there with Birdie, chilling with them, girl.

[Corey]

It was part of the whole thing. So he gave you a package.

[Melissa Ford]

Yo. Hey, yo, listen, if I do this for you, you got to pull up the game.

[Joe Budden]

Yo, Mel, you don't learn.

[Corey]

What? No, you won't learn, brother. It was.

[Mark Lamont Hill]

It was her and mother. You don't learn.

[Corey]

It was work, Mel.

[Melissa Ford]

What if you want to interview a nigga and he adds extra things to it besides the interview?

[Corey]

He had any.

[Melissa Ford]

So why did you go?

[Mark Lamont Hill]

How did you end up in the AAU game?

[Corey]

Both of us were. Were hired to be there.

[Melissa Ford]

Tell us about the AAU game. What's the kid name that scored the most points?

[Joe Budden]

Oh, I don't know who exactly.

[Mark Lamont Hill]

Who's playing.

[Corey]

It was. It's a youth league. So the. I was there. I was there supporting the kids, right? I was there supporting the YA athletics. That was. That was. That was.

[Joe Budden]

I was there supporting Salute in your little joke. This ain't about to just be an ad for anything. She want to say.

[Corey]

They're asking for details.

[Joe Budden]

Oh, my Lord.

[Corey]

But yeah, that was it. That was Saturday night.

[Melissa Ford]

You be setting me up with that to get your ads off. Cause you say things and you know I'm on it. I'm on you. When it comes to you doing activities, that's out the norm. And then I get it off. You can hear me.

[Corey]

I have no idea when you're gonna go off.

[Joe Budden]

Yup.

[Melissa Ford]

Puppet Master Tree is Matt. You're getting a Little better.

[Corey]

Okay.

[Melissa Ford]

Thank you, Joe, for reminding me.

[Joe Budden]

Welcome back, Mel. We will not hyper focus on male.

[Ish]

We love you, man.

[Joe Budden]

Out of work activities.

[Corey]

Well, it was Saturday. It was okay. It was okay. And then Sunday was rainy.

[Joe Budden]

Oh, wait, we need to talk about that. When you book some pod on a Saturday. Hey.

[Ish]

Hey.

[Joe Budden]

Will you book some pod? I wonder why. 2:00 this. Get moving afterwards. Hey, where you at after that? Yeah, but the youth, Leo. I wonder what I would be getting off out there if I was single right now.

[Corey]

And then dinner bullshit in the city.

[Joe Budden]

Y'all ever think about that? Nobody's ever going to be single. But do you ever think about what type of you would be on in the event that you were when you're in the shower? Just.

[Flip]

Absolutely. It makes me glad that I got married. It all made a lot of sense.

[Corey]

I would say if you guys would be thinking that you guys would be outside running the streets. I just. I. I don't know. I do not.

[Mark Lamont Hill]

It would be a short run.

[Melissa Ford]

Yeah.

[Corey]

Dangerous jog.

[Flip]

It'd be like temple run.

[Corey]

Yeah. To the corner store and back.

[Joe Budden]

Yeah. You could be trying to trick a.

[Corey]

Y'all don't want to be in these streets because it's. It's a raging dumpster fire.

[Joe Budden]

That's. That's hate.

[Melissa Ford]

And that's disgusting. Let me explain. You over there in the hoods and you stay for.

[Mark Lamont Hill]

I'm sorry.

[Joe Budden]

I'mma fall for it.

[Ish]

I'mma explain something to you.

[Corey]

Okay? Go ahead.

[Ish]

It's not a raging dumpster fire. Because if was running the streets, they ain't really looking for nothing serious anyway.

[Mark Lamont Hill]

We would be the dumpster.

[Ish]

We would be the dumpster.

[Joe Budden]

We would be dumpster diving that up. Our ladies definitely have saved us from ourselves.

[Flip]

We will be roomful pyros.

[Corey]

Or there's a new breed of girl in town that you just might not be ready for.

[Joe Budden]

I'm down with that. I'm cool with that.

[Mark Lamont Hill]

Open to that.

[Joe Budden]

Some new hybrid pictures.

[Melissa Ford]

The mix one.

[Mark Lamont Hill]

Yeah, I'm cool.

[Melissa Ford]

They got a little bit of hood, a little bit of class and all that shit. Heading me outside.

[Joe Budden]

Weapon X chick.

[Melissa Ford]

I agree with Joe.

[Corey]

Okay, well, good thing that you guys don't have to find out.

[Joe Budden]

Somebody tried me the other day.

[Flip]

So what y'all did that day Friday, too, when I was out.

[Joe Budden]

I'm gonna just spit it out there. Cause it's funny.

[Melissa Ford]

Your girl know about it?

[Joe Budden]

Yeah, I told her. Okay. Ooh, Somebody hit me, like, got nervous.

[Melissa Ford]

She don't play.

[Joe Budden]

Hey, big dog. And I'm not quoting. Hey, big dog. They always try to be with this one. Hey, big dog, I. I need. I started my new business and I need an investor. I'll be bored. If you don't know if this is your first time listening, I'll stay on the phone with a prank.

[Ish]

You do that.

[Joe Budden]

I'll text back a scammer if I ain't got nothing better to do.

[Ish]

You've definitely done that.

[Joe Budden]

So I said, all right, well, I'm. I'm listening. And she said, I need an investor. And I said, all right, what. How much?

[Flip]

What genre?

[Corey]

Yeah, what was the business? Did she have a business?

[Flip]

No, no. I'm more curious about what her background was.

[Joe Budden]

Huh.

[Flip]

Was this a. A woman of the entertainment lifestyle?

[Melissa Ford]

Was this a lady of the night?

[Joe Budden]

I. I wouldn't know. I don't have enough of a rapport to know anything about this person. So you don't know about this person? This is just somebody that's on the Internet.

[Melissa Ford]

Oh, got it.

[Mark Lamont Hill]

Got it.

[Melissa Ford]

Okay.

[Joe Budden]

Anyway, she signed an investor. I said, all right, how much?

[Parks]

Before you got to what business it was. You asked how much?

[Joe Budden]

Because I'm. This is just entertainment for me. I'm not really trying to.

[Melissa Ford]

He doesn't have a plan to invest.

[Joe Budden]

Yeah, that's his. But anyway, she said, guess.

[Ish]

Come on.

[Melissa Ford]

550,000.

[Parks]

500.

[Corey]

250.

[Ish]

First off, why are you telling me to get.

[Joe Budden]

Come on.

[Mark Lamont Hill]

She trying to see what you willing to spend.

[Joe Budden]

I'm asking y'all to guess. I'm asking y'all. I'm asking y'all to guess. 200.

[Mark Lamont Hill]

Half a million.

[Joe Budden]

Half a million.

[Ish]

Buck 50.

[Joe Budden]

Buck 50.

[Parks]

I'm at a half buck.

[Joe Budden]

50K. Yeah. 150,000.

[Parks]

Yeah.

[Joe Budden]

Half a million above.

[Melissa Ford]

50,000.

[Joe Budden]

50,000.

[Corey]

250.

[Joe Budden]

250K. Three grand.

[Mark Lamont Hill]

She opening a lemonade stand.

[Joe Budden]

She heard about a ministry. Yo, she. She heard about you in the street. Yeah. That's what that was. She know that.

[Mark Lamont Hill]

She knew.

[Joe Budden]

Easy.

[Ish]

He might. He sent it too.

[Joe Budden]

Might have, right?

[Melissa Ford]

She heard about you cleaning it up.

[Flip]

That's just 2500. Inflation built in.

[Melissa Ford]

I see what you're doing.

[Joe Budden]

No, I didn't send it.

[Melissa Ford]

You sure?

[Joe Budden]

No, I didn't send it.

[Melissa Ford]

You're not sure. You sure you didn't send it?

[Joe Budden]

No, I didn't send it. Okay, got it. Anyway, I said, girl, you don't need an investor.

[Melissa Ford]

You need a light. You need a job.

[Erickson]

You need a hug.

[Joe Budden]

She said, well, what do I need? That's it. 3K. Good box. But anyway, I only bring it up.

[Ish]

To say when this. When this message happened.

[Flip]

What time of day?

[Joe Budden]

Recently.

[Flip]

No, what time of the day? I think it's.

[Ish]

No, no, no. I just meant what day? Cause you know how they get around the end of the month.

[Flip]

Oh, that's true too.

[Melissa Ford]

Not just.

[Mark Lamont Hill]

Hold on.

[Joe Budden]

No, the first of the month.

[Flip]

An investor for rent. An investor for rent is hilarious.

[Parks]

That's the investment.

[Corey]

It's an investment in me.

[Joe Budden]

Yes. If you need 3k to get your business started, then you got the wrong business. Got Eliminate stuff. I don't have. Selling pencils and getting your business started.

[Ish]

She just need the ring lights and the toys.

[Joe Budden]

Oh, there you go. And. And let me just take it off this young lady for a minute. Don't never have that. And we gotta start this part. Niggas don't never have that conversation. Like when you in a relationship with somebody or got a relationship with somebody and you. You help her with the business, do you never state the terms right?

[Melissa Ford]

No, no, no.

[Joe Budden]

That's corny to do.

[Ish]

Yes, I think so.

[Joe Budden]

Okay.

[Melissa Ford]

But I think if it's the other way around. Women state the terms, though.

[Joe Budden]

That can't be corny.

[Melissa Ford]

I see. Women state the terms.

[Joe Budden]

If I give you 100 grand to start your nail salon. Your nail salon get to rocking in year three, bringing in 600 grand a year. I'm not supposed to. Oh, okay.

[Parks]

What's the relationship?

[Mark Lamont Hill]

I was about to say, what kind.

[Ish]

Of relationship this with your lady?

[Joe Budden]

Does it matter? Yes. Tell me more.

[Flip]

I don't know if it does.

[Joe Budden]

I don't think it does either.

[Parks]

What do you mean?

[Joe Budden]

I don't think it does either.

[Parks]

If you're in a relationship and you invest in your girl, you. You invested in y'all. You're not investing in her. You investing in your.

[Joe Budden]

That ain't necessarily true.

[Melissa Ford]

That's not true.

[Flip]

That's not your wife. If that's just your girlfriend, then that's a whole different conversation.

[Joe Budden]

Exactly.

[Melissa Ford]

Your wife is different.

[Joe Budden]

Yeah.

[Mark Lamont Hill]

If it's a relationship that's going to end and you need some terms. But if it's your lady, your marriage can. No, no, but I'm saying if you date somebody that you know ain't it. I'm writing some terms.

[Ish]

I'm not investing me either.

[Mark Lamont Hill]

But if I do, I'm writing the terms.

[Flip]

I might do it with my wife if she wanted.

[Joe Budden]

Just.

[Melissa Ford]

But, Mark, even if you know it's it.

[Joe Budden]

A lot of.

[Melissa Ford]

We see situations where, nigga, you in a situation, you. You get a beauty salon and you on the outs.

[Mark Lamont Hill]

It ain't nothing wrong with turns.

[Melissa Ford]

It happens.

[Mark Lamont Hill]

I tell people get turns if you want to turn.

[Joe Budden]

Yeah, I don't know if I've seen.

[Melissa Ford]

That shit in Harlem all the time, dog.

[Joe Budden]

Yeah, because now you're fronting.

[Parks]

Time out. Because I had a situation where a wanted to borrow some money from me, and I told the. To put me on the deed at his house. And you castrated me for it.

[Melissa Ford]

I remember you castrated me, but I think he did.

[Mark Lamont Hill]

Whoa, whoa.

[Parks]

So you.

[Joe Budden]

The.

[Parks]

The person that you lay with, that you have raw sex.

[Ish]

Let me finish, please.

[Parks]

The person that you lay with that you have raw sex with.

[Mark Lamont Hill]

You.

[Parks]

You'll write some terms for them. But your man or somebody else that want to borrow some money. 100 grand.

[Ish]

It was.

[Melissa Ford]

I think he was. I think.

[Joe Budden]

Antoine, you are misrepresenting what my point was in that earlier conversation. So let me tell it to you. The first premise was your man was in a bind and needed 100 grand. Your friend was in a bind and needed 100 grand.

[Parks]

Okay?

[Joe Budden]

That's a friend in a buying. I'm talking business. I'm not talking about somebody you love being in a hard spot. If. If any one of my friends in a hard spot, they could come to me and get the money, no questions asked. If you come to me and say, I need 100 grand for my business proposal, I'm gonna do the same thing that the bank do and ask about the business and state my terms. That's not the same at all. It's not the same at all. Let's start the part way.

[Ish]

This is crazy.

[Corey]

I kind of think it is.

[Melissa Ford]

I think we should start. I think we should start and get back to.

[Corey]

Because it's the same level of race.

[Ish]

I kind of see where you're at, though.

[Mark Lamont Hill]

Y'all got it.

[Joe Budden]

Well, listen, be clear. There's no right or wrong here. It's just what you would do the situation.

[Mark Lamont Hill]

I see your point and I see the difference. There is a difference. But I think y'all were wrong to pilot him about that. Cause at the time, his point was. Cause I heard that when it was like, look, it's relation to how much money you have. Like, I can't afford to just give somebody a hundred grand. Cause if they don't ever pay it back, I'm fucked up to me being on the deed of somebody.

[Joe Budden]

That guy wasn't included in the premise. The guy that can't afford to do it wasn't in the conversation or this was somebody first.

[Mark Lamont Hill]

You can't afford to lose it. Okay, like you might. You see what I'm saying? You've got it. But like, I can't afford to get. I'm feeling if I don't get it. Because y'all were saying you can afford that. He was saying, the hundred to me might be like a million to you or to whatever the thing. So, yeah, like, if somebody borrow. If somebody asked me right now for.

[Joe Budden]

The state and terms don't change that then.

[Corey]

But that's the security that he said.

[Mark Lamont Hill]

That's why I want to be on.

[Joe Budden]

Your D. All of that's fine and dandy. But if a take that 100 grand and go blow it, then you're in the same boat.

[Mark Lamont Hill]

So you sell your house.

[Parks]

No, you're not.

[Joe Budden]

How not so.

[Parks]

Because the collateral that you put up is my. My recourse, right?

[Mark Lamont Hill]

The house.

[Ish]

The house. Him being on a D. You go blow that money. I still can go to the house. An asset. About his man's example, he was giving.

[Mark Lamont Hill]

He was saying before he. Remember, he said, I will put. I would give you the money, but I'd put my name on your deed of your house. And y'all will kill it. Collateral as collateral.

[Joe Budden]

That's some example. That fits what he's saying. In that I agree. And what I'm saying, the person. That's your friend don't have a house. You don't have the scenario that we.

[Parks]

Were talking about, the person had a house. The scenario that we were talking about that happened on this show, the person had a house. And I said I needed my name to be on the deed. And you said what?

[Mark Lamont Hill]

What?

[Joe Budden]

You put your name. Yes. I don't recall it that way. And in that. In that, I would agree. I don't remember that. I'd have to go listen to it. But in that. All right, that would be your terms. I'm talking about a. That's. Your man is just coming to you to need some money. He don't have nothing. That's probably why he's coming to you for some money.

[Mark Lamont Hill]

But think about.

[Joe Budden]

I'm not stating terms to that person that's in a time of need.

[Mark Lamont Hill]

Are you gonna ask when you won't get it back?

[Joe Budden]

No.

[Melissa Ford]

You're not gonna ask that question?

[Mark Lamont Hill]

No, no. What if it's a million dollars?

[Joe Budden]

That's me.

[Mark Lamont Hill]

But what if it's a million dollars?

[Joe Budden]

If that's a million dollars, that's out of my tax bracket. I don't. I don't have an ancillary million dollars to loan someone. That's not. I'M not in that.

[Mark Lamont Hill]

And, and that's what. There's this. There's a number where, like, you can afford to give it, but you can't afford to eat it if you never get it back. And I think that's what the terms are for. Just like for me, it's the same thing with the business. Like, if it's my wife, I'm not. First of all, ain't no dude giving his wife no terms with no money to give it. If they say that, they lying.

[Parks]

That's what they just said.

[Mark Lamont Hill]

I know, I don't believe it. But if it's somebody other than my wife. Yeah, you getting some terms. Because I'm worried about what happens if it blows up or what happens if it don't work. Either way, if it blows up and you leave me or if it don't work, I can't afford to eat a hundred dollars.

[Parks]

Yeah, I kinda don't even care for blow up. I just want my money back. If I loaned you 100 grand and you make $5 million off of that.

[Mark Lamont Hill]

You don't want, you don't want none of it.

[Parks]

I don't necessarily have to get that. If it's a stranger.

[Joe Budden]

Yeah.

[Parks]

But if it's somebody that I fuck with, oh, I just want my money back. I take my money back.

[Joe Budden]

Take the word wife out of it. And does your, does your stance change.

[Mark Lamont Hill]

If it's a woman that I'm just dealing with and fuck with? Yeah, it don't change. Wait, what? It all comes. You said take white. You mean like if it's like my girlfriend? Like a long term girlfriend, you mean?

[Parks]

Yeah. I don't change.

[Mark Lamont Hill]

It don't change.

[Parks]

Don't change, don't change.

[Joe Budden]

For me, I feel a lot more.

[Mark Lamont Hill]

Courageous asking for them terms, but I don't know if I would. But I don't know if I would do it.

[Ish]

All right, let me, let me ask you before, Let me ask you, so what's your stance on, like putting, putting your. If your significant other wanted to go to school or something?

[Parks]

That's a good question.

[Ish]

What's your stance on that?

[Flip]

That's different to me.

[Joe Budden]

No.

[Parks]

Why not?

[Corey]

Still an investment.

[Ish]

You're investing, you put them through medical school, you're investing in them now they go and become a doctor and they making whatever much a year, but they leave you.

[Joe Budden]

Yep.

[Ish]

It's the same thing.

[Parks]

Same exact.

[Flip]

I don't look at the same way.

[Melissa Ford]

No, I don't agree with it.

[Ish]

Okay.

[Flip]

I don't look at the same way.

[Ish]

It's the same.

[Flip]

It's not to me.

[Ish]

But you're investing in their business the exact same.

[Flip]

Sort of, but not the same. It's not the same.

[Mark Lamont Hill]

I don't.

[Joe Budden]

I don't look at it the same either.

[Mark Lamont Hill]

Yeah, okay.

[Joe Budden]

And why you.

[Flip]

Ambition.

[Joe Budden]

How old is this person?

[Mark Lamont Hill]

She want to read. How old is this person?

[Ish]

I'm just saying, bro. Go back to school.

[Joe Budden]

Wait.

[Corey]

Timeless.

[Joe Budden]

Wait, we are we in our 40s and. And she say, I want to go back to school. Pay for my school.

[Corey]

Yes.

[Joe Budden]

That's what you're saying. Yeah. Yeah. Got him. Okay, I understand. That scared me. Oh, no. Come on.

[Mark Lamont Hill]

She ain't coming home from the prom. Like, you know what I want to do.

[Joe Budden]

I gotta make sure.

[Melissa Ford]

That's extreme, yo.

[Joe Budden]

This guy gotta make sure I know what we're talking about.

[Parks]

Your name at child support support.

[Ish]

Stay with your woman.

[Joe Budden]

Cause the moment you say, well, you too a computer, start typing your name at the principle now around there and leave. Jump up and grab some up and.

[Parks]

Leave in three days, the mailman come.

[Joe Budden]

Say, you owe $200,000.

[Melissa Ford]

I wouldn't give a what it is.

[Parks]

You come home, find another man in your bed.

[Joe Budden]

If you got it downstairs, go on down there and sleep on the couch. You see her in the morning, Just tell a I owe you one like that. You don't want to be single today.

[Parks]

You go out here today talking about.

[Ish]

Well, I'm on something new.

[Melissa Ford]

Trust me, it's some new out here.

[Joe Budden]

It's.

[Melissa Ford]

It's some out here so new. The doctors escape.

[Joe Budden]

It ain't for a doctor to come in his office and look at a. Say, I don't even with that kind of. Who told you to come here?

[Parks]

You can keep that chair.

[Joe Budden]

Just go ahead.

[Melissa Ford]

Yo, he's funny as. Send that, send that, send that gang.

[Joe Budden]

Oh, Tony Brown. Tony Brown was his name. Mike check, mic check, mic check. Whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa.

[Flip]

I see how you could confuse this for Al Green. The drums very Al Jackson.

[Melissa Ford]

Yeah, it might be.

[Joe Budden]

This song sound like it was done with Al Green in the studio.

[Flip]

So Al Jackson drove like riding that tom as a snare is very Al Jackson.

[Joe Budden]

Mike shake, mike shake. One, two, one, two. So blessed to be here today. So happy to be here today with all of y'all out there. Hey, 30 and up, 40 and up out there feeling good, feeling great. Shout out to the first and last time listeners. Shout out to wherever you might be listening from out there. Everybody's traveling. Everybody on vacation right now. Everybody get ready for the summertime out there. Hey, everybody, I'm cooking breakfast right now. Let's go. There's nowhere to go.

[Erickson]

Oh, no.

[Parks]

You make a choice.

[Joe Budden]

All wait for the ladies.

[Mark Lamont Hill]

All wait for the ladies.

[Erickson]

Whenever you need me.

[Joe Budden]

Anyways. Excuse me, sir. I'm sorry I have to wake you. You were doctor. What episode is this?

[Flip]

8:23. Let's get Mel and flip their drops.

[Melissa Ford]

No, no, man. Stop moving. That was good. Stop.

[Flip]

Why?

[Melissa Ford]

Nah, man. You highlight that too much, man.

[Flip]

But I wanna.

[Melissa Ford]

I wanna let my man continue doing what he doing. We fine. Well, I don't know about her. We. I'm fine over here, man.

[Corey]

I'm okay. I put it.

[Mark Lamont Hill]

I put it to bed.

[Corey]

I put it to rest. I'm already live.

[Flip]

Flip and Mel.

[Joe Budden]

Mel. Sorry.

[Melissa Ford]

New Flip.

[Joe Budden]

Flip.

[Mark Lamont Hill]

Flip.

[Joe Budden]

No, no, no, no, no.

[Flip]

It's both.

[Melissa Ford]

So then give me the same. Give me the what?

[Joe Budden]

Same. Gentle.

[Melissa Ford]

You know what I'm talking about.

[Joe Budden]

They don't. And we on the show. I can't say that other than we can't.

[Flip]

Welcome to episode 823 of the Joe Button podcast.

[Joe Budden]

Thank you very much.

[Melissa Ford]

Hey, could it be a holiday love?

[Joe Budden]

Welcome to episode 823 of the Joe Button Podcast. I humble, gracious, grateful, happy to be here, fully dressed host Joe Button here with a few really amazing people.

[Flip]

To my right, Matchbox cars.

[Joe Budden]

The amazing Melissa Ford is in the building. To her right, queens get the money. Queens. Flip is in the building next to him. King Wawa. Huh? You know the vibes library issues here. Ish. Is in the building looking.

[Melissa Ford]

I don't give a fuck about you, grandpa nigga N. I'm happy, nigga.

[Joe Budden]

This is skinny.

[Flip]

Got a new pair of pumps.

[Melissa Ford]

Skinny man get.

[Flip]

A pair.

[Mark Lamont Hill]

Get the new D Browns ready for BET Gala.

[Joe Budden]

Get ready for BET Gala. How you doing it, man? Look at fans. And I tell them, how you. How you finally shedding the weight?

[Melissa Ford]

How you finally shedding weight with Sam?

[Parks]

I ain't eating candy. I ain't eating sweets.

[Melissa Ford]

It's a something. Clap, clap. You lost a lot of weight fast. I show you the other day. You was looking crazy.

[Joe Budden]

It was just big.

[Melissa Ford]

Yeah, you were just heavy. I don't blame it on your foot neither. You were still heavy on your foot.

[Parks]

I didn't lose a lot of weight. Please stop with your narrative, Nancy.

[Melissa Ford]

I don't give a fuck.

[Joe Budden]

You've narrowed down and there's nothing wrong with it.

[Parks]

I didn't say it was. I lost like £10.

[Ish]

I didn't know why you put your square voice on.

[Joe Budden]

I'm Just saying you look good. Thank you. What waist? I'm saying you look snatched. Yeah. Ready for Portugal?

[Ish]

Where you going again?

[Joe Budden]

Going somewhere?

[Melissa Ford]

Oh, you got the shit that. What's his name got. You look nice.

[Parks]

I don't even know what you talking about. Aki.

[Joe Budden]

All right, man.

[Mark Lamont Hill]

But it's cool.

[Joe Budden]

Next to ish. Mr. Take it further. Himself. The freeziest of them all. Big Freeze in the building. Next to freeze. Dr. Mark Lamont Hill in the building. What was your code name?

[Corey]

Miz.

[Joe Budden]

Miz.

[Flip]

Miz. Big Miz.

[Melissa Ford]

Respect.

[Mark Lamont Hill]

My man.

[Ish]

My bad.

[Joe Budden]

Two of the Fox.

[Mark Lamont Hill]

I wasn't mad at that.

[Joe Budden]

Yeah, you ain't letting that go. That is never.

[Flip]

I'm never letting that go either.

[Ish]

Yeah, but he feel like it's more to uncover there.

[Joe Budden]

There is 100% now. I'm on him now. You done built a pyramid and was in a cult before cnn. Nah, buddy.

[Flip]

Oh, you need to know more. Yeah, I tried to go find some docs. There's not much.

[Ish]

Docs.

[Joe Budden]

100%. Look at them.

[Mark Lamont Hill]

I'll tell you more. I told you June 2nd.

[Joe Budden]

June 2nd.

[Mark Lamont Hill]

I'll tell you. June 1st. June 2nd.

[Corey]

What does that mean?

[Mark Lamont Hill]

I like to pace these things out month to month.

[Joe Budden]

That's all. Oh, right, Right.

[Melissa Ford]

Oh, yo.

[Ish]

Nah, Dead ass.

[Joe Budden]

Me and him go fight. Who pulled a pyramid story out of their back pocket? I built a pyramid. We did not get the bug off.

[Flip]

That was insane. And try to just do it, like, casually. Yeah, like, oh, yeah, I built the pyramids.

[Mark Lamont Hill]

We're talking about waves. Because I had told this story before, but only. Only Flip was listening.

[Flip]

Now. You can tell this up here.

[Ish]

Not up here, though.

[Melissa Ford]

You do that.

[Flip]

She has spaces or something.

[Mark Lamont Hill]

Didn't I say it right there? You did.

[Flip]

Spaces.

[Mark Lamont Hill]

Flipping. Imani heard it.

[Joe Budden]

Spaces.

[Flip]

Yeah.

[Mark Lamont Hill]

That don't beat the allegations. Yeah, but we were sitting right there. But it's all good.

[Joe Budden]

It's all good.

[Mark Lamont Hill]

It's all good.

[Joe Budden]

Was there anything you want to say to the new audience that we've acquired in the last few weeks? Your Oxford Academy, your educators, and Kev on stage. Like, I got nothing. Anything you want to say to them? Because they don't seem to be leaving either.

[Mark Lamont Hill]

I got nothing, all right? I got nothing.

[Joe Budden]

Big Parks is in the building. Elmira Poe is in the building. Corey's here. Ian here. Keeb is here. Erickson is here. There's too many people here to name. This broadcast is brought to you by a few by Powered by Prize Picks. Prize Picks, gang. You. And before we go any further. Oh, clear. Out. Boy. It was a lot of chit chat from the experts, the analysts, the retired NBA players.

[Flip]

Oh, okay, here we go.

[Joe Budden]

I gotta do it. Parts.

[Ish]

Yeah, you gotta go ahead.

[Joe Budden]

I was gonna call Jerry Jack still just to see what you Piston niggas is up to. But, yeah, everybody on ESPN and FS1 and anybody with a microphone. The conversation seemed to be what had the greater odds. The Knicks getting swept or this going to 6? I thought that was offensive. I did. Brian Winhurst, he said, the Knicks, your hole, and I quote, a ticker tape parade if this indeed gets to six games. Y'all were talking like the Celtics were the 96 Bulls, the 2017 Kevin Durant Warriors. Whatever year that was. Y'all was talking like Deez was just. And it is a great team. Really expensive team. Can't wait for them to break up after this year.

[Parks]

Wow.

[Flip]

It's awesome.

[Joe Budden]

But all we did is go into your building, get down by 20.

[Flip]

I turned the game off. I was tight.

[Ish]

That was.

[Joe Budden]

That was.

[Flip]

I was tight. When I went on Twitter at the.

[Joe Budden]

End of the night. Let y'all take every three in the world. Let y'all grab every long offensive rebound to clang off the front of the rim. Let y'all get us in foul trouble. Let y'all get called Anthony. I'm not even gonna call him that. Cause he was stray cat for most of the game. The best ability is availability. And he wasn't even on the floor. We let y'all do all of that only to come back and steal game one. And still the next day, they don't say, hey, go Knicks for stealing game one. They say the Celtics gave it to you.

[Mark Lamont Hill]

They did.

[Parks]

You disagree?

[Joe Budden]

Thanks. So thanks. Thanks.

[Mark Lamont Hill]

I mean, the win is a win.

[Joe Budden]

You can't. You can't give me something if I don't extend my hand out, but I don't take it. I gotta do my job. And you giving me something. Yes. They blew it.

[Ish]

And he literally took it.

[Joe Budden]

The Celtics blew it.

[Mark Lamont Hill]

Yeah.

[Ish]

Okay.

[Joe Budden]

Also, Jalen Brunson is the NBA's clutch player of the year for a reason. So in the event that this game gets close in the fourth quarter, you feel good. We have some. Yeah. And say what you want. Them Celtic N, Them Celtic niggas is injured and dinged up. Get these old ass niggas the fuck out of the building now. I'm done talking nice. I don't want to talk stats no more. Jalen Brown, James Brown, Antonio Brown, Bobby Brown. Round up the fucking Browns. Knicks at 6. Nigga, I ain't talking stats no more. Fuck are you talking about?

[Mark Lamont Hill]

You really think that Knicks gonna win this series?

[Joe Budden]

Huh?

[Mark Lamont Hill]

You really think the Knicks gonna win this series?

[Joe Budden]

Who knows?

[Mark Lamont Hill]

Cause you know the next question's gonna be a bet.

[Joe Budden]

Zaire hit me immediately. Yo, I still got the Celtics. You wanna bet I got the Celtics? No, nigga, get off my phone.

[Mark Lamont Hill]

Cause you know goddamn well the Knicks ain't gonna win this series.

[Joe Budden]

I don't know that. What I saw last night was a dinged up. A dinged up Boston. Porzingis left early. Jrue Holiday. For as great of a defender as he was on Jalen Brunson. He wasn't himself. He wasn't himself. Jayson Tatum. I think a large reason for the Celtics making the jump this year is his consistency in his superstar role. If he's gonna go back to being inconsistent like last night, and if Jaylen Brown and them niggas are gonna act like it's just a cakewalk or read your own press clippings, then yeah, nigga Nixon. Six Knicks in six.

[Mark Lamont Hill]

I think you is we talking about. I think you're overthinking it.

[Joe Budden]

Yeah.

[Mark Lamont Hill]

I think the Celtics played the worst game they could possibly play.

[Joe Budden]

So did the Knicks.

[Parks]

That's the worst coach in the building.

[Joe Budden]

So did the Knicks.

[Mark Lamont Hill]

Worst coaching. So did the Knicks. And you still need overtime to win.

[Joe Budden]

I think we didn't need overtime to win. That little layup at the end of the game is a make 99% of the time. Stop it. Don't get stupid.

[Mark Lamont Hill]

If he made what he missed. Well, yeah, if the Celtics made the threes that they. I mean, all I'm saying is the Celtics are better.

[Flip]

I also don't say you need overtime to win. If you come back from however much they were 2015.

[Joe Budden]

I'm just saying Celtics. I just say it difficult.

[Mark Lamont Hill]

It's hard to match again is all I'm saying. I don't think the Celtics are going to play that bad again. And I don't think y'all have the talent to beat them in six or seven games.

[Joe Budden]

Hey, hey, buddy. It's the Celtics that are in a must win situation right now. This talk doesn't align with that.

[Mark Lamont Hill]

Here's another piece of it. Are you going to the Knicks games?

[Joe Budden]

Game three?

[Mark Lamont Hill]

Oh, yeah. I thought it was Celtics. You should say home Celtics in five or six. Now in the back, you ain't won a game. Y'all couldn't be Rice High School right.

[Joe Budden]

Now, but you fucking don't do that to Rice, man. Nah, I Don't wanna hear all that shit. I don't wanna hear all that shit right now. We up 1 0. Must win for the Celtics. Hey, and that building sounded a little Nicky last night. Sounded a little Nicky last night. Yeah. Fix y'all fucking faces. We in New York.

[Ish]

What's up?

[Melissa Ford]

I'm down.

[Joe Budden]

What's up?

[Melissa Ford]

I'm with you.

[Joe Budden]

We won. Fuck is wrong with you niggas?

[Mark Lamont Hill]

Keep that same energy at game four. Game five, when y'all down three to one, he won't.

[Parks]

And when they go out four one, he gonna be like, yo, we ain't even look forward to winning.

[Ish]

I said in the beginning that we wasn't gonna win.

[Parks]

We gotta do some rebuilding.

[Ish]

Blah, blah, blah, blah, blah.

[Mark Lamont Hill]

That's exactly what he gonna say.

[Joe Budden]

Pussy ass boy. That's exactly what's gonna come put them niggas. Be a pussy boy.

[Melissa Ford]

Pussy apple boy.

[Joe Budden]

They don't say pussy puss that boy. Yeah, we ain't. We don't want to hear none of that one. Nothing indeed. You dropped the ball. Later. Done.

[Ish]

That's it.

[Joe Budden]

You're done.

[Parks]

That's it.

[Joe Budden]

I ain't even gonna. DM Tatum. We talk before the game. That now.

[Ish]

Don't do that.

[Joe Budden]

Yeah, don't. Don't do it.

[Mark Lamont Hill]

Please do it.

[Ish]

No talk.

[Mark Lamont Hill]

Talk crazy to him.

[Parks]

No, no, no, no, no, no.

[Ish]

Leave that one alone.

[Parks]

I blew my pride breaks bag yesterday.

[Joe Budden]

Don't talk Brunson. There's nothing much. Maybe lose while spanking. Go Knicks. What a win. Feels great to be up 1 nothing with the Celtics in a must win situation. The Knicks. Knicks up. Too old. Next game. Too old. Next game. Since they want to be soft, I.

[Flip]

Felt like such a.

[Joe Budden]

Since they want to be soft about it.

[Flip]

I turned on that game, saw the score, and I was like, I guess we watch the Met Gala.

[Joe Budden]

Yeah. I kept.

[Ish]

Let me go look at the gowns.

[Flip]

I put the game on the phone.

[Joe Budden]

Like, congratulations to the Knicks. I'm certain that we'll talk about this a little later on. Oh, for sure. Where do you guys. Where would you guys like to begin?

[Flip]

We can start with the Mega Alpha. I see you were in your fashionista bag last night.

[Joe Budden]

You know, I was gonna be in my fashion.

[Flip]

I felt bad for you because I was like, I wish Sade was here, because that was like, my favorite in the world is sitting around with my girl, who's the nicest human being I think I've ever met in my life. And just on people for three straight hours. Even though a lot of people were super Fly. But the people that were. Yeah, they were getting it.

[Joe Budden]

Yeah. I have to say, man. Well, actually, I won't start. Has it. Did they. Did anybody else see some of the outfits? Some of the red carpet?

[Mark Lamont Hill]

I saw.

[Melissa Ford]

We saw some of the outfits.

[Mark Lamont Hill]

Yes.

[Joe Budden]

79 of white people looked a mess.

[Corey]

Yeah. It seemed like they didn't really get what the theme was. They thought that.

[Mark Lamont Hill]

What was the theme?

[Corey]

The theme was super fine Dandyism. Dandyism. But the. The theme, it was called black.

[Joe Budden]

Black tailored fly.

[Corey]

Yeah.

[Joe Budden]

And ode to suits and ties and just. And Taylor Taylorism Got you black fly.

[Corey]

Yeah. So I think that when they heard super fine, you know, you know, black tailoring, they just were black they thought should be black.

[Joe Budden]

Yeah.

[Corey]

And it's like. No, that's not what they meant.

[Joe Budden]

Yeah, it was bad. 79% of white people looked an absolute mess.

[Flip]

Agreed.

[Ish]

Who's some of the ones that looked the worst?

[Corey]

So. Well, first it was co chaired. It had four CO chairs. It was A$AP Rocky, Lewis Hamilton, Colman, Domingo and Pharrell. And all four of them looked incredible in all their various different ways. Like Colman Domingo's first outfit was like a nod to Lewis Haywood and was fire. It was.

[Joe Budden]

Are we not going to talk about people that we thought didn't nail it?

[Corey]

Let's absolutely. On people a thousand percent.

[Joe Budden]

We'll on what? Nail it. Pharrell didn't nail it.

[Flip]

I didn't like the people that ph dress like doi. I love doi.

[Joe Budden]

I didn't like the way I thought. Louie had an amazing night. So I'm not on them. I'm just talking about Pharrell, specifically with the 10,000 pearl, 20,000 pearl blazer. Super fly. I just don't think it did what it needed to do in pictures. It was very calm in pictures and I just.

[Mark Lamont Hill]

Oh, I see. I'm looking at it now. Yeah. Yeah, I like it. But I like it too, actually. I like it.

[Corey]

The thing is, I think that it translated. It probably translated a lot better in person. Like, he's like the creative ambassador for Louis Vuitton. So Zendaya, who was one of the best dressed on that carpet.

[Flip]

Oh, I disagree.

[Corey]

What?

[Flip]

She's usually way better dressed than she.

[Corey]

Was last night, but that was literally the theme that was it. You know, she had like a Louis Vuitton tailored zoot suit. That shit was fucking incredible.

[Flip]

But there's a difference, I think, between nailing the theme and looking like spectacular. And she looked great.

[Corey]

She always looks great, I guess. Agree to disagree. I thought she looked spectacular.

[Joe Budden]

I thought she nailed the theme and looked spectacular. Zendaya.

[Corey]

Yes, yes. Diana Ross is another one that shut down the car seat massive train. And it had the names of her children and grandchildren embroidered on it. Rihanna, of course, shut down the carpet soft launching baby number three.

[Flip]

Congratulations.

[Corey]

In a Marc Jacobs outfit. And just. She killed it as well.

[Joe Budden]

Marcus Jacobs had a good night. I mean, Marc Jacobs had a real good night, too.

[Corey]

He really did.

[Mark Lamont Hill]

What'd you think of Coleman Domingo?

[Corey]

Yeah, he wore. He wore several, though. Okay, so the first one was a nod to Andre Leon Talley. The. The big, you know, the electric purple.

[Joe Budden]

Yeah, the purple. Blue, whatever color. That was the shawl of the long over.

[Corey]

Yeah. With the ornate.

[Joe Budden]

And I want to say that that was Valentino. Oh, the first look was Valentino.

[Mark Lamont Hill]

Okay.

[Joe Budden]

And that second look, I. You didn't ask me. He killed both those looks.

[Mark Lamont Hill]

The second look was Valentino, too. The great. The great. You talking about the gray with the jack? That was the flyer.

[Parks]

Black and white shit.

[Joe Budden]

That was absolutely fire.

[Mark Lamont Hill]

That was Valentino. That shit looked crazy.

[Joe Budden]

I think that also. I think that everybody that did the. The two look thing crushed like. Like Domingo Damson, Idris. When he came out in the race car, she was fired.

[Flip]

The underneath, it was. At first I was like, what is this? And then.

[Joe Budden]

Yeah.

[Flip]

Once he took the shit off that suit underneath.

[Mark Lamont Hill]

Damn.

[Corey]

What did he do?

[Joe Budden]

Damn. No, I gotta find out who that was.

[Corey]

Tessa Thompson was another actress that. That really killed it.

[Flip]

She looked great.

[Corey]

She looked incredible. And I really like Dochi's outfit. Cardi didn't care for that.

[Flip]

Washington, I like.

[Corey]

I love Kerry Washington, Janelle Monae, but she, you know, super simple.

[Flip]

But I liked it.

[Corey]

Yeah.

[Joe Budden]

Who was Usher wearing?

[Flip]

Ralph Lauren.

[Joe Budden]

Ralph Lauren.

[Flip]

Which is probably.

[Joe Budden]

I thought Burberry had. I thought Burberry had one of the best nights. I'm not gonna let y'all just smooth over Cardi like that. That was a Burberry look.

[Melissa Ford]

Amazing.

[Corey]

Cardi looked incredible. If I'm not mistaking, her manicure took like two fucking days.

[Ish]

God damn.

[Corey]

Yeah. Like, I mean, it. It's at least six figures per outfit. Like, that's how. Like, that's just the whole production for each person that goes there easily, you.

[Joe Budden]

Know, Jody Turner Smith. Smith was my look of the night. She was Burberry also.

[Corey]

She looked great.

[Joe Budden]

Yeah. Jody Turner Smith and Tiana Taylor.

[Corey]

Yeah.

[Flip]

Oh, that's what we were watching was the Vogue Stream, which was Tiana and I can't remember the SNL actress's name. And Lala and it was great.

[Melissa Ford]

Yeah.

[Corey]

Tiana Taylor is a. Teyana Taylor was.

[Flip]

Natural at this shit.

[Corey]

She is. She was dressed by Ruth Carter. Exactly. Who's like an Oscar winning costume designer. Exactly. Like from Black Panther and a myriad of other films. But Teyana Taylor, I love the outfit.

[Joe Budden]

Teyana Taylor probably has to get outfit of the night for me because of the duality. Right. Like, with the theme being fly men suit tailoring and all that. She did that to a tee, but the heel was feminine. I want to say that was Marc Jacobs. The do rag. Under the. Under the hat, the layers, the texture. She absolutely smoked it. I expected nothing less from Teyana Taylor.

[Flip]

And again, great host.

[Joe Budden]

Big Harlem.

[Flip]

Great, great hosting.

[Joe Budden]

Big Harlem, Big T. Who else? I want to talk about Lewis Hamilton. Lewis Hamilton. Lewis Hamilton was in Wells Bonner. Wells Bonner. That look, that clean aesthetic. That hat.

[Mark Lamont Hill]

That hat.

[Joe Budden]

Oh, my God. Yeah.

[Corey]

Parks. Your boy, Bad Bunny. He.

[Joe Budden]

He went crazy. He went crazy. That hat.

[Flip]

Yeah.

[Joe Budden]

I want to say that he was Prada. I know.

[Flip]

Yes, it was Prada. I believe.

[Joe Budden]

I want to say that was Prada. Bad Bunny looked amazing. That. That custom. Custom hat that they put on him.

[Flip]

Which was like a traditional Puerto Rican hat thing kind of goes to the theme with the album he's doing and the tour he's doing.

[Joe Budden]

And the bag smoked. A lot of people, I thought, went wrong in their choice of bag. I don't recall who it was, but somebody had a briefcase of roses. I didn't think that was necessary. Some of the bags were just off. But that Bad Bunny bag.

[Corey]

Oh, was that a bag on the back of Andre 3000 shaped like a piano?

[Flip]

I thought, we're gonna hold that one off till the end.

[Corey]

I just. I was saving. We'll save it. I just was wondering if that was a bag.

[Joe Budden]

Save him for later.

[Corey]

Okay, we'll save that for later. But yeah, the. A lot of the outfits that we're describing, they were like. That was. It was really sensational. And they really stayed on theme. And it was such. It's a dramatic turn from the people who didn't stay on.

[Flip]

I think the men were smoking the women's boots a little bit.

[Corey]

I would agree with you. I would agree with you.

[Flip]

Which I guess the theme lends.

[Mark Lamont Hill]

It lends to it.

[Joe Budden]

Yeah.

[Corey]

I mean, like the whole, you know, dandy choir. That was really interesting. You know, haven't really still settled on how I felt about it.

[Joe Budden]

A dandy choir?

[Ish]

Yeah.

[Corey]

You didn't see the choir of black men singing.

[Joe Budden]

Yeah, yeah. What do you mean? You don't know how you felt about it.

[Corey]

I guess it was kind of. It was in theme, but then it also kind of. I don't know. It almost had like a. I don't know, like a. Like a male. Like a. I don't know.

[Joe Budden]

No.

[Corey]

Yeah. What? No, I'm just. I'm trying to find the words. I'll find the words, but it just had this, like, kind of haunting kind of quality to it. I don't know if that's the right word, but I think so.

[Parks]

It looked Jack and Jillish to me.

[Joe Budden]

All right. Neither one of y'all would beat the allegations.

[Melissa Ford]

That was scary. That was scary to you, man.

[Joe Budden]

Yo. No, y'all. Y'all.

[Corey]

What?

[Joe Budden]

Just be aware.

[Corey]

No, I'm. I'm not saying anything bad about it. I thought that they. I thought it was great, and I loved the uniformity of their outfits. I loved all of it, but it just kind of, like, had the haunting quality. And I don't know if it's because I'm thinking about the history of dandyism, like the original. Like, the history as far back as it goes, that that was what they were trying to convey, or maybe that's just something I was picking up on. What is the history of dandy, if I'm not mistaken? The history of dandyism, the original, like, the origin point is like, slave masters were bored as fuck and like to dress up their slaves in their clothes.

[Joe Budden]

I don't. I don't know. I can't comment on.

[Corey]

Okay, somebody can correct me. But if I'm not mistaken, this is something that I read somewhere.

[Mark Lamont Hill]

Black dandyism, sort of. Yeah, that's not wrong. I mean, dandyism goes before slavery in a certain way and the stylized figure. But the black dandy's, like, an interesting person because of how he got stylized during slavery, but also after, like, when black people could buy their own clothes. We got fly as shit.

[Corey]

Yes.

[Melissa Ford]

To me, that's the but.

[Corey]

And it was also reflective of just how much economic, you know, security and power we had during. After slavery, which was. Which we were robbed of.

[Mark Lamont Hill]

Yeah.

[Parks]

You know, black dandyism is a cultural practice in the form of self expression where black individuals, particularly men, use fashion and personal style as a tool for resistance, identity negotiation, and a challenging societal norms.

[Corey]

Mm.

[Parks]

It's just not about dressing well, but also about using satorical choices to assert agency, reclaim narratives, and push back against negotiations, stereotypes.

[Corey]

Exactly, exactly. Reclaiming the narrative is the origin point, and then the fact that they continue to do it.

[Parks]

My Point was, it kind of resembles a little Jack and Jill is. You know what Jack and Jill is.

[Ish]

Yeah, right.

[Parks]

And I guess maybe it's in line. You know what Jack and Jill is like? Jack and Jill is like a wealthy black organization and they have cotillions and balls and such. And so that's what I attributed it to, you know what I'm saying? As opposed to something haunting. I looked at it like it was almost an ode to that.

[Mark Lamont Hill]

Yes. I said.

[Corey]

Like I said maybe. Maybe I still got sinners on the brain, where I'm thinking about like, you know, just like the historical context of what we watched, you know?

[Melissa Ford]

I feel you.

[Corey]

Yeah, I guess I just still have sinners on the brain.

[Mark Lamont Hill]

I think that's the beauty of it.

[Corey]

Right. You know, it's art and it's up to interpretation.

[Mark Lamont Hill]

Yeah, for sure. To me, it just reminded me all those moments of like, people who thought history got fly when we could because a lot of times, what happens after slavery, they were saying, why are these black people spending their money on clothes?

[Melissa Ford]

Exactly.

[Mark Lamont Hill]

And it was like, well, because when we were in slave, we couldn't wear what we wanted. Right. So they were like, why would they buy these parasols? That was one of the big. Why would they wear parasols? Cause white women were wearing them. And we had to take care of these white women. And now we can dress ourselves, use our money for our thing. And we got fired. But we look way fire than they ever did. And so when I saw last night, that's what it reminded me of.

[Melissa Ford]

It's like a rebellion against stereotypes. So, you know, that's what.

[Corey]

Yeah, yeah, absolutely. Absolutely. And a couple. A lot of people like couples. It was their date night, so they dressed similarly. Like, just real quick.

[Melissa Ford]

Just real quick. I know, I know.

[Joe Budden]

I see.

[Melissa Ford]

If so.

[Joe Budden]

Because we can't make that all that slavery dandyism point and just move on to couples.

[Melissa Ford]

I don't think I understand what you're saying.

[Joe Budden]

Most people having watched the Met Gala throughout the year. Years. It's white as shit.

[Parks]

Yeah, I was about to say that too.

[Joe Budden]

It's another one of those events where. Shit. In years past, it's felt haunting for me, looking at how white it is, what some of the old fashioned houses stood for, and how they parade out black entertainers as if we're dog and pony. So I'm with you there. This year I didn't tend to. I didn't feel like doing the deepest of dives. It felt great. That that was ultra black.

[Ish]

Yes.

[Joe Budden]

Extra black and look great everywhere you turned. Beautiful, black, glowing, glistening skin. Lathered skin, hair, herring. The extra pieces was on a Coming to America bag. On this day, everywhere you turn, it was just black people looking beautiful. The choir, I thought, was a great touch.

[Ish]

Me, too.

[Joe Budden]

I felt like somebody asked the black person, hey, what should we do here to make this extra black? Go get a fucking choir and have them sing Wade in the Water. Listen, we've seen pictures in the past. Not a lot, but we've seen pictures of some of the food they have eaten in the Met Gala. This year was the first year it felt like collard greens was in there. This year is the very first year where it felt like, oh, shit, them niggas is going to eat turkey wings. And just mad black food. Like, that was great.

[Corey]

Yeah.

[Joe Budden]

People. People that are. And.

[Flip]

And the food was from Red Rooster. No. Wasn't it Chef Kwame?

[Joe Budden]

I don't know if Chef Kwame. Chef Kwame, I thought, looked great, too.

[Flip]

I think he was the chef. I could be wrong about that. But Tiana mentioned that.

[Joe Budden]

Let's go. So turn it up.

[Flip]

Tiana mentioned that.

[Mark Lamont Hill]

So that's why.

[Joe Budden]

Come on, man.

[Flip]

I could be mistaken.

[Joe Budden]

I would have thought Melba was in there chefing it up. Chef Kwame, perfect choice. Hey. And.

[Corey]

That'S where I was on Saturday. Sorry? I mean, I. I said I went to dinner. I just didn't want to say where I was.

[Melissa Ford]

But why?

[Corey]

I mean, you know.

[Melissa Ford]

Nah, fuck out of here. You talking to. You talking to the dawn, nigga.

[Joe Budden]

Okay.

[Melissa Ford]

You talking to the dawn. Watch your mind. I get what you saying, but you talking to the dawn, nigga.

[Corey]

Listen, okay?

[Flip]

More than the duck's back, he was the shutter.

[Mark Lamont Hill]

So.

[Joe Budden]

Come on, man. Them white people was in there eating flavors they never imagined. Some of y'all never been to Tatiana. Amazing restaurant out here. But some of the flavors and the marriage of them. Them white people was having a blast in there with that good food. Finger licking.

[Corey]

Yeah.

[Joe Budden]

Had to get some baby wipes from out the bathroom. What is it called? The Wet. The Wet Slats. The wet Wet. The Wet Toilet. No, go ahead.

[Mark Lamont Hill]

I was gonna ask you. Is that on your bucket list? What Met Gala?

[Joe Budden]

No, that's not for me.

[Mark Lamont Hill]

If they invited, would you go?

[Melissa Ford]

Yes.

[Joe Budden]

Who asked me?

[Corey]

Anna Winter.

[Joe Budden]

I was gonna ask you guys.

[Corey]

Anna Winter asks you to go to the Met Gala.

[Joe Budden]

No, I meant, like, oh, which designer? What fashion house?

[Corey]

Marc Jacobs?

[Joe Budden]

I don't want.

[Corey]

Oh, no. Oh, no, no. Rada.

[Joe Budden]

I don't know.

[Corey]

Louis Vuitton?

[Joe Budden]

No.

[Flip]

You use.

[Corey]

You have enough of their shit on you wouldn't.

[Joe Budden]

I don't really have a whole lot of their shit.

[Mark Lamont Hill]

Who's the designer that would make you most likely to say yes, Balencia. That's what I would say.

[Joe Budden]

No, no, no. And I want to shout out Fear of God. See, that's what made me think of it. I forgot who that was that I saw rocking the Fear of God. It looked great. A great Fear of God look at the Met Gala.

[Mark Lamont Hill]

Yeah.

[Joe Budden]

However, as much as I love Fear God is one of my favorite brands, I'm not certain that I would show up to the Met Gala if Fear of God asked me, because I'm not showing up in this environment with this aesthetic. This aesthetic fits you more than it fits me.

[Corey]

Well, I guess it depends on what the theme would be.

[Joe Budden]

I thought Tom Brown had a night too, by the way.

[Flip]

He did.

[Corey]

Oh, yeah.

[Joe Budden]

Tom Brown is Janelle Monae. Tom Brown was that one.

[Flip]

I would have rescinded my. I didn't like Janelle Monet's really square box.

[Joe Budden]

But what about the look underneath it?

[Flip]

Better.

[Joe Budden]

I. I thought she ate.

[Corey]

What's that? What's that little monocle? Monocle, yeah, that touch.

[Joe Budden]

I thought Savannah James went crazy.

[Flip]

She did.

[Joe Budden]

She went. Absolutely. It depends on who asked me. And I got it. Like, I got an invite to go to some of the Met Gala after parties last night, and that might. It was raining. Them niggas was gonna be there looking as beautiful as could be. I was gonna be there and bullshit. Looking ashy in the corner. No. Shape up. No. Fresh baldy. Yeah, no, no, I'm cool. I'm cool on that. My days of being the dusty nigga in the corner in the club, those days over.

[Corey]

Yeah. Well, it was clear that the four co chairs, they really let them run the show. Yeah, that was clear. So it was really dope. It was really dope. And like I was saying, date night for Swiss and Alicia. They wear outfits that looked. Yeah, exactly.

[Melissa Ford]

The carpet design was fire, too.

[Joe Budden]

Yeah, it was everything about that.

[Melissa Ford]

The copper design. You know me. Yeah.

[Flip]

I like pushes.

[Joe Budden]

I loved it.

[Ish]

Another one, Louie and on brand for him.

[Joe Budden]

Yeah.

[Flip]

Look great. Yeah.

[Joe Budden]

Push was Louie D. Wade and Gabrielle Prada. I. I liked. I liked Swiss and I liked Swiss and Alicia. Shout out to Swiss with the burgundy do rag. Yo, we always repping. We always rapping.

[Mark Lamont Hill]

What y'all think about?

[Ish]

What y'all think about Future Cut his hair.

[Joe Budden]

Future. Was that Chanel? Chanel had a big night too, Lou. That was Louie.

[Flip]

I did not Care for futures.

[Joe Budden]

Louie had a night.

[Flip]

Let me look now.

[Joe Budden]

Burberry Tom Brown. For me, that was the night.

[Mark Lamont Hill]

So who looked bad? Way too much positivity up here.

[Flip]

I would put Future in that bag. He looked like he was top of that bag.

[Mark Lamont Hill]

Oh, I'm looking at Future Dad.

[Joe Budden]

Yeah.

[Corey]

I didn't. I was not a fan of Chapel Chapel Brown's outfit. She just. It looked like a continuation of what she wore at the Grammys. Well, basically, what she wears on what she wears. So a Chapel Roan dope girl that.

[Parks]

Cleaned up at the Grammys.

[Mark Lamont Hill]

And it's.

[Corey]

And had that. And had that really great speech. She just. She's mad colorful. She didn't really look a mess. It's just. It just didn't seem like on brand, on feedback whatsoever. Just looked like a continuation of what she consistently wears for her stage performances and stuff like that. So I just wasn't impressed with her.

[Joe Budden]

If we're talking about people who just didn't do the theme but maybe looked amazing.

[Corey]

Sydney Sweeney, I don't know.

[Flip]

She looked great.

[Corey]

The big. She got the big doe eyes and the nice boobs, like that little white girl. Yeah. Beautiful dress. Yes. Beautiful gowns. As you know, Aretha Franklin would have said. But I don't see another white person that just thought, let's wear black.

[Mark Lamont Hill]

Yeah, yeah. That's what Kim Kardashians did. She just wore black.

[Corey]

Okay.

[Melissa Ford]

Yeah, that one.

[Joe Budden]

Slow down. No, slow.

[Mark Lamont Hill]

I didn't like it.

[Joe Budden]

She didn't just wear black. That was custom chrome hearts.

[Mark Lamont Hill]

Fair, fair, fair.

[Joe Budden]

It was a statement in that environment to wear custom chrome hearts.

[Mark Lamont Hill]

You like the Carmen San Diego hat?

[Joe Budden]

Her accessories? I love the hat. I'm not gonna say I necessarily love the look. Cause I'm not a big chrome hearts guy. But I love that Kim is always the one to make a statement. Like Lady Gaga used to do at the fucking. Like. I like the celebrity. The make a statement celebrity.

[Corey]

Kim should try something different. And she's one of them.

[Mark Lamont Hill]

I just didn't.

[Joe Budden]

Yeah, yeah, yeah.

[Corey]

She should try something different because she has been doing that silhouette look forever and ever and ever. It's tired. That hat was. It was a nice hat, but not for that. Like, hey, let's just throw a fucking fedora on.

[Mark Lamont Hill]

Thank you.

[Joe Budden]

No, that wasn't just a fedora.

[Corey]

It was not. Not that creative, that look. And then ass on display.

[Mark Lamont Hill]

Whoa.

[Corey]

News at fucking 11. Wow. Groundbreaking. You know what I'm saying? The fuck.

[Joe Budden]

Okay, Give me your bag.

[Corey]

Listen, she's a beautiful girl with a beautiful body. We always fucking see it looking exactly the fucking same. She did nothing to wow anybody as far as I'm concerned. Like, it was. It was boring, basic, and not even.

[Joe Budden]

Do y'all have history?

[Mark Lamont Hill]

You did turn it up a notch. I was like, damn.

[Corey]

Not really.

[Mark Lamont Hill]

I didn't like the outfit either, but.

[Melissa Ford]

Oh, that's not true.

[Corey]

I'm. I can't critique without it being personal.

[Joe Budden]

But do y'all have a history is all I'm asking.

[Corey]

I wouldn't say that.

[Mark Lamont Hill]

Yeah, that's not enough.

[Joe Budden]

Have you ever met.

[Corey]

Yes.

[Joe Budden]

Have you ever been in the same party?

[Corey]

Yes, we've been in the same country. Yes.

[Melissa Ford]

Haiti.

[Joe Budden]

Well, you're in the same country now.

[Melissa Ford]

Been to Haiti, nigga. I remember that.

[Joe Budden]

Wait.

[Mark Lamont Hill]

Huh? You both live in America.

[Joe Budden]

What the hell is you talking about? Haiti. We America.

[Melissa Ford]

She was in Haiti together with them. And, you know.

[Mark Lamont Hill]

Are you gonna say it?

[Flip]

So Melfort and Kim.

[Melissa Ford]

Kids, you want me to say it or you gonna say you wanna move on?

[Joe Budden]

You know the T flip?

[Melissa Ford]

I do.

[Corey]

I'm not gonna let him say it because he always fucks it up.

[Mark Lamont Hill]

Tell us what happened.

[Melissa Ford]

Kim Kardashian told the lady that invited you there that she wants.

[Mark Lamont Hill]

Tell the story. Tell the story.

[Corey]

Okay. The first time this story was told was on my old podcast. I'm here for the food. And I never wanted to say it.

[Joe Budden]

There's way more millions listening now.

[Corey]

Let's get to it. But it got.

[Melissa Ford]

We'll do that.

[Joe Budden]

O. This is a brand new story to people.

[Mark Lamont Hill]

That's what I'm drawing. Sorry to you five people who heard it already.

[Joe Budden]

It's about 7 million out there now. You sure you want to reshare it?

[Melissa Ford]

Yeah, man.

[Corey]

You know, I am thinking.

[Joe Budden]

No, give it to us.

[Corey]

Give it to us. Okay. This was in 2011. The. I believe it was 2011, the year after that massive earthquake. Okay. So humanitarian efforts. A lot of people going over to Haiti. And I was invited to go and I was there with Marcia Dyson.

[Melissa Ford]

Marcia.

[Mark Lamont Hill]

Shout out to Marcia.

[Corey]

Marcia was like my. You know, like a surrogate mom to me, you know, very protective of me. And this was maybe like a few weeks after she had annulled her marriage to. What was that boy's name? Chris Humphries.

[Melissa Ford]

Humphries, right.

[Corey]

That 72 minute marriage. Right. And so.

[Ish]

I hate sprinkles.

[Corey]

It's not. It's just a fact. It's just a fact. And so what? And so what happens when you.

[Joe Budden]

But that's not a fact. It was more than 10.

[Corey]

It was more than 72 days. Something like that. Okay, okay. Anyways, so she was catching a lot of, like, flack for that. And so what happens is a lot of celebrities go into crisis management during that time. And so crisis management oftentimes looks. Looks like charity and humanitarian missions and shit like that. So she ended up in Haiti and I ended up in Haiti. And why were we there? We were putting on a Christmas party for children from six orphanages. I also went down because I was working with this company called B Condoms, the only black owned condom company.

[Joe Budden]

And I brought like, I'm gonna take all that. Okay, well, it was the black owned girl.

[Corey]

Okay, sorry, sorry. Anyways, anyways, so we met.

[Flip]

Sneak a little ad in there.

[Melissa Ford]

Boy.

[Corey]

Girl. Cause it was part of why I went down there as well.

[Joe Budden]

We got that.

[Corey]

Okay. So we met and she was. She was cool, you know, hi, nice to meet you, whatever. And then her mom went over to Marcia Dyson and she said, yeah, Kim's uncomfortable with Melissa being here. Can you send her home? And Marcia was like, that might be your daughter. No, the fuck she did not. She was like, that might be your daughter, but that's my daughter. She's not fucking going anywhere.

[Joe Budden]

They let you stay in Haiti?

[Mark Lamont Hill]

You said it like she was Aristide.

[Corey]

I wasn't there for her. I was there for the children.

[Melissa Ford]

They let you stay.

[Corey]

That was why I was there.

[Melissa Ford]

Did you go on a plane and just chill for a little bit? Did you try to act like you wasn't there no more?

[Mark Lamont Hill]

She was in the Four Seasons. Porter Prince.

[Melissa Ford]

She watched.

[Mark Lamont Hill]

Did you go through this? She's a whole lot of soccer that weekend. She meet one orphan.

[Corey]

Here's the thing is, I don't necessarily know if that was in fact true, if that's why, if she was in fact uncomfortable. But that is what she said to Marcia. Marcia relayed this story on my podcast.

[Melissa Ford]

It was just.

[Mark Lamont Hill]

Did y'all ask why?

[Joe Budden]

What were you wearing?

[Corey]

Mm, you don't ask those questions to a lady. What was she wearing? What was she wearing? Oh, no, it had nothing to do with what we were wearing exactly.

[Ish]

But what were you wearing?

[Corey]

I'm me.

[Melissa Ford]

Did you have it on?

[Corey]

I had on like a lovely summer dress.

[Joe Budden]

Oh, yeah. You gotta go. You gotta go. Yo, get this girl outta Haiti, please.

[Corey]

We were around digging.

[Joe Budden]

Matter of fact. Cole boy. Hey, go on the pilot for me immediately.

[Ish]

Yeah, have him just pull right up.

[Joe Budden]

To where this bitch is standing. We get her out of toast. Oh, yeah, we gotta go. You gotta leave Haiti.

[Corey]

Yeah, well.

[Joe Budden]

Oh, the kardashians let you stay in Haiti.

[Corey]

Whatever. Whatever.

[Melissa Ford]

Was they nice to you after that?

[Corey]

We didn't have any other contact.

[Joe Budden]

Mm.

[Corey]

Of course, I reiterate.

[Joe Budden]

So you were blacklisted.

[Corey]

I reiterate. I was there for the kids. That was why I was there. And to bring, you know, in a.

[Melissa Ford]

Nice dress to put on, you know, to decorate.

[Corey]

No, this was the. There was, like, multiple things going on, so we were, like, at a dinner with dignitaries and like that. Okay, go ahead. Go ahead.

[Joe Budden]

Re. Jogging the memories. All right, Mel, this is my question to you, dog. In the event that the Kardashians wanted to kick you out of Haiti and then wore a chrome heart dress to the Met Gala, you would be able to say if that looked great, even though she wanted you nowhere around in Haiti. Right. You're that type of objective.

[Corey]

Yeah, I think that she's had amazing outfits.

[Joe Budden]

Okay.

[Mark Lamont Hill]

In the past, before Haiti.

[Corey]

No, I'm just in general, like, other Met Gala appearances that she's made.

[Melissa Ford]

Okay.

[Corey]

I think she looked great. This particular outfit. Take her out of the outfit. Put somebody else in it. I'd have the same criticism.

[Joe Budden]

All right, here's a question for you. You talking about. Here's a question for you. Why do you think the always say that about you? Like, why you think they be wanting.

[Mark Lamont Hill]

Get her out of here?

[Melissa Ford]

What do you be.

[Joe Budden]

Why. Why do you think they be wanting to clear you like that girl?

[Corey]

I don't know. I mean, like, I.

[Melissa Ford]

You be.

[Corey]

I mean, listen, let me tell you something.

[Melissa Ford]

You extra nice to bitches hug.

[Corey]

There's no, hey, Chris, get her out. There is no hey, hey, Dwayne Gabrielle kick your ass. Don't even start. Don't even start those narratives. That's nasty.

[Joe Budden]

That is. I take that back.

[Corey]

That's nasty.

[Melissa Ford]

But you are extremely nice to people. Yes, I am.

[Corey]

I am a very nice person. But let me just make this clear. I just don't even understand, like, how woman. Another woman could let you know that you have her shook like that. Like, I could never do that. Like, the Wayne of the adventures be letting me know I got you shook. That's weird.

[Joe Budden]

Oh, now you're shooting at Kimberly?

[Corey]

No, not her. Not her.

[Joe Budden]

You think so?

[Corey]

But I mean, like, if it don't apply, if it doesn't apply, let it fly, right? If it doesn't apply, let it fly.

[Melissa Ford]

Does that make you feel good that people may feel intimidated when you're there?

[Corey]

To be honest, I feel fucking uncomfortable.

[Mark Lamont Hill]

Okay.

[Corey]

I feel fucking uncomfortable because it's weird. It's weird. Behavior. Fucking get yourself together.

[Joe Budden]

Oh, okay. Well, listen, shout out to everyone that was at the Met gala.

[Corey]

Anybody's back.

[Flip]

We're getting back to you, Andre.

[Joe Budden]

Oh, I wanted to say. I wanted to say Meg the Stallion.

[Flip]

She looked great. Diana Ross just beat her to the.

[Joe Budden]

Absolutely nothing to do with the thing. It was a beautiful chrome silver dress.

[Corey]

Look, she looked beautiful.

[Joe Budden]

She looked beautiful.

[Corey]

I'm not saying she looked beautiful.

[Mark Lamont Hill]

Don't.

[Joe Budden]

Don't think that this has anything to do. I'm like, mel, this has nothing to do with anything I've said about her in the past. I just don't think it went with the theme.

[Corey]

I think that.

[Joe Budden]

That's all.

[Corey]

I think that. No, it was. It gave kind of.

[Joe Budden]

No, it didn't go with the theme. I just think it's okay to say when people didn't go with the theme. It's another name I want to say, but I won't because then y'all really going to say that. I got a hit list.

[Corey]

Tell me in my ear and I'll say it.

[Joe Budden]

No. Oh, no. Cuz you're going to say it, then they going to know I said it.

[Corey]

Oh, okay. Well, who tell me to let people.

[Joe Budden]

Yeah, for sure.

[Corey]

I really feel good, though. I really would.

[Joe Budden]

She looked good. It just didn't go with the theme. I'm not gonna say it.

[Corey]

Yeah, I really want to know.

[Mark Lamont Hill]

I want to know who.

[Flip]

Don't worry about it. Not important.

[Joe Budden]

Yeah, not important.

[Mark Lamont Hill]

Okay.

[Joe Budden]

I can't see.

[Corey]

Okay. I think I know now because I can see that I got far. I. I got farsighted.

[Mark Lamont Hill]

But a lot of the white people missed the thing.

[Flip]

Most of the white people.

[Mark Lamont Hill]

Pamela Anderson missed it.

[Corey]

I love Pamela Anderson.

[Mark Lamont Hill]

Anderson again, great look. Didn't. Wasn't for the theme. Heidi Klum, same thing.

[Corey]

Heidi Klum has given more imagination to her fucking Halloween outfits. That shit was trash on that carpet.

[Mark Lamont Hill]

It just wasn't on.

[Flip]

Demi Moore was fire, though.

[Corey]

Demi Moore is killing the movie. Is a good way more like fire, but with Meg. This is all I want to say with Meg is. Meg's so beautiful and her body is so beautiful and she's young, but she. She got to take a page out of Cardi's book. And Cardi is literally. She experiments a lot. She has that relationship with Colin. They are like, you know, they're freaking frack. They design her looks. Oh, Colin, her stylist. She needs that.

[Joe Budden]

Yeah. People don't know Mel.

[Corey]

They do. The fashionistas know them. They know what I'm talking about.

[Joe Budden]

Million people Listening.

[Corey]

Okay, well, Google Colin and Cardi and then you'll understand.

[Mark Lamont Hill]

Kaepernick.

[Corey]

Mm.

[Joe Budden]

Okay, well, anyways, Colin, Kaepernick and Nessa wearing Montclair. Shout out to them. Shout out to them.

[Corey]

Another one of the couples on date night. But I just want to say, for Meg, I just want her to start thinking outside of the box and trying to do things a little bit differently, you know?

[Joe Budden]

If y'all do date night at the Met Gala, are y'all gonna have a wandering eye?

[Flip]

I think that's what it's for.

[Corey]

I think you get permission.

[Flip]

Yeah.

[Mark Lamont Hill]

I was about to say you have to. There's no other choice. What's the point of being there if you ain't wandering her?

[Flip]

Yeah.

[Corey]

Yeah.

[Mark Lamont Hill]

How far through the show?

[Flip]

I'm sure a lot of. I'm sure there's a lot of interesting events after the after party.

[Corey]

Also, Lupita I love.

[Mark Lamont Hill]

And that color choice, too.

[Corey]

Beautiful against her skin. Oh, my God.

[Joe Budden]

Yes.

[Mark Lamont Hill]

Beautiful, Beautiful.

[Joe Budden]

Quinta Brunson. Loved it. Is somebody else. Don't kill me. Lauryn Hill.

[Flip]

She look good.

[Joe Budden]

She look good.

[Flip]

She look good. There's something to kill you.

[Mark Lamont Hill]

Lauren Body did.

[Joe Budden]

I thought she absolutely smoked that. How do y'all think Future looks without his dreads? Come on, let's have a little bit of fun.

[Ish]

Future looks crazy.

[Corey]

I need to.

[Joe Budden]

Yeah, she looks like.

[Flip]

I don't care about the hair.

[Ish]

It just looks funny.

[Flip]

I always say, like, the fit, it's weird.

[Joe Budden]

No, we talking about the hair.

[Mark Lamont Hill]

The fit was a no for me, but it's weird.

[Joe Budden]

It's a.

[Ish]

It's a. We just. That's. The dress became, like, iconic, too.

[Joe Budden]

Future.

[Flip]

Yeah.

[Ish]

So it just looks weird.

[Joe Budden]

He do look like he got electrocuted, bro.

[Ish]

They said they called him Wanda Sykes, bro.

[Flip]

Holy.

[Joe Budden]

That's a good joke.

[Mark Lamont Hill]

Yeah, that's perfect.

[Joe Budden]

Come on.

[Mark Lamont Hill]

Do look like one.

[Ish]

That's what they called him.

[Joe Budden]

No, he definitely looked like. That's true. No, he looked a little.

[Melissa Ford]

The crazy dude.

[Joe Budden]

He looked like when you pour the salt on the slug at first.

[Parks]

Let start drawing up.

[Joe Budden]

Yeah, he look that here. I'm with ice. I wouldn't have cut him. Maybe he had a reason. Maybe he's doing a new look rebranding. I don't know. But whatever it is, the dreads were a thing. And niggas do get. When you cut the dreads, there's that funny, awkward face.

[Flip]

Yeah.

[Joe Budden]

Of you looking funny when you cut the dreads. Right.

[Parks]

Or niggas don't really.

[Joe Budden]

And if you look good, like ddg cut his shit and took a picture with the hair. Now you look goofy again because you're taking a picture with hair in the air.

[Ish]

He actually look good without the dread?

[Joe Budden]

No, he looks great. Yeah, but then when you take the picture holding your hair on the floor, it does look.

[Ish]

He made that his album.

[Joe Budden]

And shout out to ddg. A lot of people in the street over the weekend told me his album is hard. A lot of my younger. A lot of my younger heads told me the DDG project is hard. I will check it out. I haven't heard it yet, but shout out to him.

[Ish]

I gave it a quick listen, bro.

[Joe Budden]

And shout out to his community. Had the JBTV community running scared for a week. Damn. Damn.

[Ish]

I remember that.

[Joe Budden]

Yeah, he's under pressure. We gotta call out when the hives run down on this.

[Ish]

Under pressure.

[Joe Budden]

Yeah, they came. They came in the jbvt. Jbvt. Look, you can't even say it. They came.

[Mark Lamont Hill]

They don't with you no more.

[Joe Budden]

They came. Well, it's the mark. Mark My hill community.

[Ish]

Oh, that's hate too.

[Joe Budden]

Oh, my bad. You got me.

[Mark Lamont Hill]

You got me.

[Joe Budden]

I don't remember what I was saying now. And Parks keeps holding up prize picks, so we must be at 90 minutes at least. Yeah. All right, well, it's time for my fav. Huh? Alright, it's time for my favorite part of the show, Prize picks. All right. Prizepix is the best place to turn your sports knowledge into real cash money. With millions of members, Prize picks has made daily fantasy sports accessible to everyone. Really easy and simple to play. All you have to do is pick more or less on at least two players for a chance to win. Now up to 2000 times your cash. So run your game all season long with prize picks. And it's NBA playoff time. All of the big dogs went down in Game 1. The Pacers beat Cleveland. The Thunder lost to Denver. Joker put on an absolute masterclass in game one. And your beloved New York Knicks, I mean, the Celtics ran into a better team that night. It's all right. Things happen. We'll see what happens in Game 2. For now, we're gonna go with Aaron Gordon for more than five and a half field goals. Aaron Gordon is having the playoffs of a century with two game winners. The dunk and the three pointer. Like he's having time. Let's go with Jayson Tatum for more. Nah. 34 and a half points and assists. All right. He should. If he don't. If he don't, he might go for.

[Parks]

More than 34 and a half points if he don't.

[Joe Budden]

I'll tell you that. Let's go with Christian Braun for more than 19 and a half points, rebounds and assists. And let's go with big Bodega Cat for more than seven and a half field goals made. That seemed like a gimme. That definitely seems like a gimme. If you download prize picks right this second and use promo code JBP, you get $50 instantly as soon as you play your first $5 lineup. So one more again for the people in the back. If you download prize picks right this second and use promo code JBP, you get $50 instantly when you play your first $5 lineup. So good luck to all participants out there and run your game. Okay. We just had a really spirited Andre 3000 conversation on Patreon.

[Flip]

That's true.

[Ish]

We did.

[Flip]

Bad timing.

[Joe Budden]

And he must have heard. He must have heard us.

[Flip]

Cross pros, three stacks.

[Joe Budden]

He must have heard us.

[Ish]

He saw my shirt.

[Joe Budden]

Now, he showed up to the Met gala with a piano book bag on.

[Flip]

Seemed heavy. Yes.

[Joe Budden]

Or light. I'm not sure.

[Flip]

Or awkward. At the very least. You're gonna smack someone with a leg.

[Joe Budden]

Yeah, for certain. And he seems to have dropped a piano project. He did.

[Flip]

And I listened to it and I'm ready to kick its back in if you.

[Mark Lamont Hill]

I'm here with you. Yeah, I was trying to.

[Joe Budden]

Yeah.

[Flip]

Not do the flu was cool. I can't really. It's like watching hockey or something. I can't really give no analysis on.

[Joe Budden]

That because that's how I felt.

[Ish]

It's like watching.

[Flip]

But keyboards. Now I know a little bit about the keyboard.

[Mark Lamont Hill]

This was bad.

[Flip]

And that was bad piano playing. That was the horrible.

[Mark Lamont Hill]

Let me throw a little bell first. Just a little bit. He did announce on his Instagram that this. He did announce on his Instagram that this album was made 10 years prior to the flute album.

[Flip]

Don't care.

[Mark Lamont Hill]

So no, but just so people know, he does. He's not saying that. This is like he's building on his musicianship.

[Flip]

I just don't know that.

[Mark Lamont Hill]

I just don't know why he released it.

[Ish]

He's trolling.

[Mark Lamont Hill]

You think he's trolling for.

[Ish]

Yes, I do. I honestly do. I think he's just. He know the excitement of Andre 3000 new album is going to make people say, yo, is he rapping? Is he doing that? Is he doing that? I think he's, like, with people now.

[Mark Lamont Hill]

So he's putting anything out.

[Flip]

But it may be true.

[Ish]

He's doing whatever he wants to do, which he has the right to do. I'm not knocking that.

[Joe Budden]

But why is doing whatever you want to do called trolling?

[Ish]

It's. It's. You're trolling your fans. You know what your fans want. You know, if they see new project, they're going to, hey, we just want a verse. Give us something. So I'm going to give you everything but that. I'm not giving you any words.

[Joe Budden]

This person has not given you any indication that you will be getting words from him. Him anytime soon.

[Ish]

I understand that it's teasing.

[Joe Budden]

So at this point, the fans, I'm saying, would be trolling themselves.

[Mark Lamont Hill]

Yeah, I don't think he's trolling. I'll tell you why. In his announcement on Instagram, he even said, like, this was initially supposed to be titled the Worst Rap Album Ever because there's no bars on it. So. So he was preparing the audience but saying, look, there's no bars. Don't expect any bars.

[Ish]

I wanna title it Worst Rap Album Ever.

[Mark Lamont Hill]

Yeah, that's what he was going to title it back then, but he held on to it and decided to put it out with it.

[Ish]

Trolling. Had he done that, I think that.

[Mark Lamont Hill]

Would have definitely been trolling, but I think he decided not to do that and then just put it out. I think it's more just the arrogance of an artist that thinks that no matter what their thoughts are, no matter what they do, we want them. Like, the world's entitled to hear them. Like, I don't. This sounded like. I remember being a high school band and we would just, you know, we'd mess around and make little songs. That's what it sounded like. The level of keyboard playing, man, this.

[Ish]

Shit sounded like when I got the one. The keyboard when I was eight.

[Corey]

Casio.

[Ish]

Yeah, the little Casio shit that you could make it be the drums if you want. You switch the instruments on it and you just start around. You have no idea what you're doing.

[Flip]

It was bad.

[Ish]

That was.

[Flip]

There was a couple good chords there, and I feel like this was him learning how to play piano in real time and just release it to people.

[Ish]

No, this was him before he decided to learn how to play piano.

[Flip]

Now this is like he learned a couple chords from someone. It was like, all right, I could put this together and sort of did. But it was. It's bad. Like, the dynamics. Like, he's hitting too hard.

[Joe Budden]

Yeah.

[Mark Lamont Hill]

He doesn't know how to play the.

[Flip]

Piano and play the piano. Or knows minimally how to play the piano. Piano And I wouldn't be mad if he took this and was like, hey, person, that is really good at piano. This is my idea. Can you make it good? And that might work, but him doing it, bruh.

[Mark Lamont Hill]

Yeah. The one song that didn't suck was the one where there's also. Yes, the ones. The song that sucked the least was the one that had the org. I think it was track six or seven. It had, like, the organ playing Blueberry Mansion or some. Yeah. Some other things going on with it.

[Flip]

Yeah.

[Mark Lamont Hill]

And I still didn't like it. And then the one chord. The one sort of chord progression that sounded good was just super derivative of a very famous jazz standard that's escaping me right now. But it just wasn't good. I've never seen an artist put out something where they're just bad at the instrument and say, hey, watch me play this instrument.

[Corey]

Badly.

[Mark Lamont Hill]

Badly. It's only 15, 16 minutes. The whole album.

[Flip]

It was the worst 15 minutes of music I've sat down, listen to in a whole time.

[Mark Lamont Hill]

I listened to it for out of store up on the drive up here, because I was like, it's only 16 minutes. And I hated every bit. Like, I. I played it again, hoping it would get better.

[Joe Budden]

Yeah.

[Flip]

I never played this again.

[Ish]

I'm never playing ever.

[Joe Budden]

Oh, my God, man.

[Ish]

Never.

[Joe Budden]

I hate all these.

[Flip]

Why?

[Joe Budden]

Why? I'm going back to what I said dice at. At this point, if you're buying these projects from Andre 3000 expecting good music, I think you bring that upon yourself.

[Ish]

Oh, time out. I ain't pay for this.

[Mark Lamont Hill]

That's street.

[Joe Budden]

Okay?

[Ish]

He don't get a purchase.

[Joe Budden]

He ain't.

[Ish]

He's off that list. I need to hear this and say, oh, he gave me something. Let me go support and buy that.

[Joe Budden]

But still, what I'm saying is this. Y'all are having a blast unpacking of it, right? And great. I didn't buy the flute album, and I won't be listening to this, so I can't join that.

[Mark Lamont Hill]

I didn't hate the flute. I won't buy another one. The flute album, he earned my. My respect enough. I didn't like it. Felt like I was getting. But at least it was solid music, you know what I mean?

[Joe Budden]

But part of art for me has to be the messaging and the intent behind it and what it symbolizes. And I think music is the only place where we condense art to just say, hey, it sounds good, sounds bad. It's trash. I don't know how that shit sounds. Cause I don't Wake up on a reg and put flutes and pianos on. So I ain't about to break my. I'm not about to break the tradition doing that with him. However, I think that he is. This is back to my point in our Patreon convo with his album and how it wasn't a rap on it. I think he's one of the artsiest of the artsy, for sure.

[Ish]

Absolutely.

[Joe Budden]

And I think that now more than ever, we should be encouraging artists. You may not agree with how he did it, but we should be encouraging artists to not only do what's near and dear to their heart, but also to find a value. You in it.

[Flip]

I will say this. What it made me think of was, hey, it's at least nice to hear humanity. It's not heavily quantized. It's not reprogrammed.

[Joe Budden]

No.

[Flip]

On the piano that we just listen.

[Ish]

To and all of that.

[Flip]

This is definitively not AI and that part I like.

[Mark Lamont Hill]

Yeah, definitely.

[Flip]

But it's bad.

[Parks]

Hey, I could do that.

[Ish]

To your point, yes, in artists, we. We do want artists to explore and. And put. Put their art out, but art is also subjective. So I could go to a museum and an artist who bust they ass painting that right there, I could still look at that and say, hey, I don't like that.

[Corey]

Yeah.

[Joe Budden]

Wait.

[Ish]

And I'm entitled to that as a consumer.

[Joe Budden]

Nothing in. Nothing in what I'm saying is trying to strip you that. Right. So I don't want you to reply to that. I think anybody who's trashing him should trash him. I'm just saying what if he finds who he's looking for? What if he's a patron, whatever it is that he's searching for and putting out these very eclectic abstract projects.

[Corey]

Right.

[Ish]

Good for him if he does that.

[Parks]

What they said. I'm not mad at the album. They said the flu album, the whole entire album was at like 400 and something megahertz or 432 hertz, 440 hertz, something like that, which has been quote unquote proven to have certain heels, healing principles and healing power. So if that's his bag and that's what he's in, then the flute shit might have had a purpose for him.

[Flip]

So you believe that, but you don't believe the Kendrick people looking into lyrics and shit.

[Parks]

If the flute people, if it's moving at a certain megahertz, then that could be proven. I don't know if that was his intent. And again, I'm not.

[Corey]

That sounds. That sounds.

[Parks]

I'm not saying that that is it. I'm saying that's what the people are saying. But if that is the entire album is really operating on that frequency, then that might have been his purpose in his fan base.

[Corey]

I think that that was intentional with the flutes, but with the piano and his outfit, it's like the cart before the horse kind of thing. I feel like the release of this album was simply just to prepare y'all for this. Yeah, exactly.

[Ish]

The COVID is that.

[Corey]

Exactly.

[Ish]

The COVID is literally him with the sketch of the same shit he wore at the metal.

[Corey]

And also, look at the timing. You know what I mean? Like, that's. That's exactly what he wanted to say.

[Joe Budden]

He has over 25 years of being intentional, true, and highly equal. You don't know him to not be intentional.

[Corey]

Yes, all true, but this is still intent, but not for the purpose of.

[Parks]

So that we know.

[Joe Budden]

We don't know.

[Parks]

We don't know.

[Joe Budden]

I'm just saying. What I'm saying is, no, the consumer can say whatever they want. One thing doesn't negate the other. I keep saying that, like, on them. But the music business today will do everything they can to keep you confined.

[Corey]

Yeah.

[Joe Budden]

Or in a. Or in a box. They'll incentivize you. They'll pay you. They'll bring your friends along or take you to a game to give you a card. They want you off your feet so you can stay in the box. So the very few times that we find somebody that's going to say, you know what? Nah, I'm gonna do what I want. I find value in that. I'm not gonna knock the.

[Mark Lamont Hill]

For that.

[Joe Budden]

And as a rapper, you know how frightening it is for a rapper to think, I can speak to this, yo, you know what? I'm never gonna rap again. Or I'm just not gonna rap at the clip I used to rap. I'm gonna put. I'm gonna take the thing I know how to do best on the planet and put it on the back burner. And now find something else, dog, that is so bold and fucking courageous that.

[Ish]

It'S like, at that point, why do.

[Joe Budden]

We care what the retired firefighter is doing? When with his time, if that nigga finds solace in being in the garage and sewing and selling it on Facebook, who are we to fucking say, yo, that's trash?

[Mark Lamont Hill]

Well, and my thought is, I'll say it's trash.

[Joe Budden]

Listen to me. I got you.

[Mark Lamont Hill]

And I get what you're saying.

[Parks]

Right?

[Ish]

It's just trash.

[Mark Lamont Hill]

I think for me, it's that Andre has 25 years of being intentional. He also has 25 years of putting on high quality art.

[Joe Budden]

Right.

[Mark Lamont Hill]

Whether it's visual art, whether it's the cartoons, everything he does is high quality. So I had a face in him with the flute album. That would be high quality. Flute album wasn't for me.

[Joe Budden]

Was it not? I didn't listen to it.

[Flip]

No, the flute album was high quality.

[Mark Lamont Hill]

That's her goal.

[Ish]

It was high quality.

[Mark Lamont Hill]

I'm saying it was high quality. It just wasn't for me. That's different. It's high quality. Just wasn't for me. This is the departure for me. Not because it's not for me, but because it's actually not good art.

[Flip]

It's not good.

[Corey]

I don't really think that it's a departure, though. I think in my interpretation, you know, because, you know, art is subjective. I think that this was literally being treated as an accessory to his fucking outfit. Because. Because, yeah, I'm saying because he had it for 10, 11 years and never did shit. All with it texted to his friends. Yeah, Exactly. It's only 15, 16 minutes long. It's unfinished, whatever. But he happens to release it around the exact same time that the Met Gala comes out and he has this outfit. I just. I'm looking at this as simply just an accessory to the outfit. There's a really, really weird accessory.

[Mark Lamont Hill]

Then it's. Then I was.

[Joe Budden]

I think that's super fly and artsy again.

[Corey]

Yes.

[Joe Budden]

If that's what's happening. Yes.

[Mark Lamont Hill]

Unless it sucks.

[Parks]

Unless it's a bad bracelet, it's bad earrings.

[Joe Budden]

I'm not.

[Mark Lamont Hill]

Yeah, exactly. Right. But I mean, this thing gets put on a beret.

[Flip]

Well, let's be clear.

[Corey]

The outfit also kind of sucks, so it's consistent.

[Joe Budden]

You know, I have a different reference for Andre.

[Flip]

I love Andre.

[Joe Budden]

Andre is one of my favorite creators.

[Flip]

Of all time, Andre.

[Ish]

I think we all up here love Andre, but the love don't mean we can't say, hey, we love you, but that ain't it.

[Joe Budden]

No, that's true.

[Ish]

That's all I'm saying.

[Joe Budden]

However, noted, the person you talking about, every step of his career since the beginning has been people saying, hey, whatever you're doing is not it right now.

[Mark Lamont Hill]

Joe, what do you. What do you. What are you not good at? Name something you're not good at.

[Joe Budden]

Math.

[Flip]

Not a math album.

[Mark Lamont Hill]

Okay, right. So like, if you said, look, I'm retiring from rap because I'm not going to do rap anymore, I'm going to do something else. You podcast it you're great at this.

[Parks]

Like shell method and the dis method.

[Joe Budden]

I think podcasting is the perfect example. I just don't want to fucking take it there. Right this segment, it's the perfect example. Yo, I'm gonna not rhyme. I'm not gonna produce high quality art. I'm gonna just talk.

[Ish]

That's a little different because in your rhyming, you were still expressing yourself. You were talking.

[Mark Lamont Hill]

You're a communicator.

[Ish]

You were just doing it. Rhyming and on beat. So you still talking.

[Joe Budden]

I'm only talking about from the POV of the person that has to make the change.

[Mark Lamont Hill]

Right, but. Right, but I'm saying as the consumer of that change, if you decided to say, I'm going to now make, I'm going to start web streaming math, math tutoring sessions and all your math problems are wrong and all your equations are off, it's different. As a consumer, I'm like, yo, that's. This is what I. This isn't what I expected. It's not a perfect comparison. My point is just, I like, I.

[Joe Budden]

Like the comparison and stay here for a second.

[Ish]

I don't like it.

[Parks]

It's a bad comparison because you could prove the math. You could prove the math to be correct or incorrect.

[Joe Budden]

Let me respond to him. Yeah, let me respond. Because I like it. Leave those things. I like those things that y'all trying to take out. I went and started a math club and all of my math was wrong.

[Melissa Ford]

Yeah.

[Joe Budden]

And bad and sloppy and defied all of the things that math. Yada, yada, yada, yada, yada, yada. I then go to amass a following of 10 million people. Let's call it year one. Not only are they going to come up with a new name for my math, but this bad math is about to be a thing now because I've amassed this audience. So who is it on me? Why is it on? Why would it be on a person to say, well, we shouldn't start that person so fear based. We shouldn't start that person with, hey, everything you about to do is wrong, so you shouldn't do it.

[Mark Lamont Hill]

Right. And I'm not at the should level. I'm saying as a consumer, because I take what Ice and Ish is saying seriously. Right. You're right. It's not a good comparison because there's an objectivity to whether math is right or wrong. But what I'm saying is, as a consumer, I have a right to say, look, I expected great things from you. Cause you've given Me, great shit. And now this is shit. That's all I'm saying. And when I hear the flute, I'm like, this isn't for me. It's great. It's just not for me. When I hear the piano, I'm like, this is actually technically, it's not quite math objective, but this is technically bad piano playing.

[Flip]

I could also just say, as someone who produces music and who is not a world class musician, who works with other people that are not a world class musician, it's okay to say, hey, I have this idea. I can't fully execute it. Let me get someone who does, right?

[Mark Lamont Hill]

And that's all. They can't.

[Flip]

I think that's fine. He's still a composer. It could still be his album, but it's someone that is really good at piano or at least better than him executing his idea.

[Ish]

Like, yo, if HOV tomorrow put out an album and it's him singing, all singing, no auto tune into that. But he's singing and he just sounds bad. He can't sing. He can't hold a note or nothing. It ain't gonna take away from hov's greatness. But we're gonna be like, yo, my this.

[Corey]

Don't ever sing again.

[Ish]

Don't say like. Like we can't tell him that.

[Joe Budden]

But as a fan, we could be.

[Ish]

Like, I don't want to hear you sing it anymore.

[Mark Lamont Hill]

But I would be like, objective. You're off key. Like, there are things about it technically that are just off for me.

[Joe Budden]

Wait. And I'm saying, y'all should totally be able to say that for sure. Just leave some space for the people that want to support that want to see how HOV distributed this album, what his intent was behind this album. Because if HOV put out an album, farting on his. On his title. Shit, yeah. Cause he just closed the deal with Roger Goodell because he knew something was coming down the pipeline. And now on all commercials, Farsiko de Mile Then I'm gonna say he's a genius.

[Mark Lamont Hill]

He put beans on the album.

[Joe Budden]

All I'm saying is allow space for the people. I don't know what Andre's intention here was, but he's been a genius.

[Ish]

I'll say a little bit more to that.

[Joe Budden]

He's been a genius as long as I've known him, so I'm just allowing space for it. And if not, we could call him a duck.

[Ish]

No, he's still a genius. Even with this album and the flute album, it's still genius. Shit, we just don't gotta like it.

[Joe Budden]

That's.

[Ish]

I'm not trying to not.

[Joe Budden]

I'm off of that. But let me ask you something. If. If. If back in the day, if you were great friends with Albert. Albert Einstein, right? And then I'm leaving this because now I'm just coming up with shit. Sounds nice if you was best friends with Albert Einstein.

[Ish]

Sounds ridiculous.

[Parks]

Sounds nuts to you?

[Joe Budden]

Yeah. But you know him to be the genius. But let's say he gotta get a hangover one day.

[Melissa Ford]

Mm.

[Joe Budden]

And now he just started talking something that sound like gibberish. It don't. It don't sound like himself. Would you discount it or would you still listen?

[Ish]

I would listen.

[Joe Budden]

Why?

[Ish]

Because he's earned that cachet with me. He's earned that. He got that equity with me by being such a genius that I know him to be. Same thing with Andre. We run to listen soon as this dropped press play. He's. Andre is an immediate cop. Well, immediate. Listen, I ain't paying for it, but once you hear it, it's like, oh, all right. My. You on.

[Melissa Ford]

You're just doing whatever you want.

[Ish]

You know what you want to do. Okay, cool. This wasn't for me. Respect.

[Mark Lamont Hill]

I think there's some.

[Joe Budden]

There's some people that need more artists that do it.

[Melissa Ford]

Some people.

[Joe Budden]

Are. I like what he's doing. I. I end with, I think we need more artists that do whatever. I think we all agree on that have the freedom to do whatever the they want.

[Ish]

I don't think nobody here is. Is disagreeing with.

[Mark Lamont Hill]

We all want them to do that.

[Joe Budden]

But you ain't never getting your Rihanna album. Take them flutes and pianos and enjoy it. You're never getting Rihanna.

[Ish]

We want more people to do what they want to do. But at the same time, if it's still. We want people to do it and the quality still be good. That's it.

[Flip]

That's a good.

[Melissa Ford]

Some people are invested in the art free. That's it.

[Ish]

And again, artists. There may be a hundred thousand people that love this Andre album.

[Joe Budden]

What scripts do y'all live by? What? What scripts do y'all live by?

[Melissa Ford]

What is that. What do you mean by quotes?

[Joe Budden]

No, just. What. What. What script? For me, if I had to say, it's probably only my mom and my girl. Outside of that, I'm on my own fucking time. Whose script are you living out?

[Melissa Ford]

Nobody's.

[Flip]

Nobody's on my own. That being said, I will listen to someone around me, and I feel like someone around him must have said, hey.

[Ish]

Bro, what you doing? That's all. What's this?

[Flip]

Maybe you could try, like, do it now that you're a better musician or something.

[Mark Lamont Hill]

That would have been interesting to me, too, to hear what he played, what he sounded like.

[Ish]

Now he probably played to nobody. And just, yo, this is what I like.

[Mark Lamont Hill]

The fact that he said he sent it to his friends on all the texts.

[Corey]

That's why I. That's why I really lean into. This was an accessory to the outfit. And who's ever used music as an accessory to an outfit?

[Joe Budden]

Let me give you a quick example.

[Ish]

Hold on. Let me give you a quick example. You were recording moo music 4. I remember this. I walked in the crib. You were right into Inception. I walked in the kitchen and I heard you going. You was talking out loud while he's writing. Yo, let's warm it up, Microwave. Shit about to get hot, summer. I say, what the fuck you doing? Because that's not you. You're too good of a rapper to do that. You was like, yo, don't worry about it. I'm doing something with this. You'll get it.

[Mark Lamont Hill]

Cool.

[Ish]

So you could hear something that's not the person. Ask them what they doing, and they just say, yo, I got this. Like you said, Andre could have told them, yo, this is just something to accompany my outfit. Don't worry about it. I got it. And you let them cook.

[Mark Lamont Hill]

Don't charge me for that. Quick question beyond Andre.

[Joe Budden]

You say something slick to this, to this, with the funny flutes and pianos, he gonna borrow you to death. I'm just telling you.

[Mark Lamont Hill]

Well, maybe whatever it's taking to give him the rap, I'll take that. Bar me up, please.

[Ish]

And I'm a fan.

[Joe Budden]

Selfish fiend.

[Mark Lamont Hill]

If y'all could do something completely outside of what y'all do in your life to take a risk, what would it be like? You know what I mean? Like, I sometimes think about, like, writing a book of poems or doing. You know what I mean? Like, you know, you think about some shit that's just completely outside of your wheelhouse that you would do to take that kind of risk, what would it be for you?

[Ish]

I'm gonna be honest with you. This was a risk for me. Cause I hated camera cameras. I never was a fan of none of that.

[Joe Budden]

And he was uglier.

[Ish]

I hated cameras and all. And I still got him, though. And I still got him, though.

[Joe Budden]

Well, that's facts.

[Ish]

Okay, we're gonna put a couple things. Okay, Big freeze.

[Joe Budden]

Come on.

[Ish]

Yeah, like, that was a risk. I like the tension. Never like cameras and all that. So this was a risk.

[Mark Lamont Hill]

Oh, that's interesting. Yeah, it makes sense. It makes sense.

[Joe Budden]

And he was ugly as hell. Yeah, he was blowing ants off of the microphone.

[Ish]

No, he was, though. Though he was. That ain't stop nothing, though, you saying. Well, but everybody else can answer the question, though. Let's keep the conversation.

[Joe Budden]

What would it be?

[Mark Lamont Hill]

Film.

[Flip]

Answer film.

[Joe Budden]

Like on.

[Mark Lamont Hill]

On screen or at.

[Flip]

No, I don't know, actually, I'm not sure. Something in visual arts, though. Like film, though. Photography or.

[Joe Budden]

Speaking of visual arts, you didn't mention Jeff Goldblum.

[Corey]

Oh, yeah, he looked good when he said film.

[Mark Lamont Hill]

I had a Jeff Gold. I was cooking.

[Joe Budden]

Clean, clean. Shoe clean. Chef muffins. That's wash your dishes.

[Flip]

That's a fact.

[Joe Budden]

72. That's a fact. That's a good one. Wash your dishes. Shout him out.

[Flip]

Nah.

[Joe Budden]

Still the opposite. He is a smooth dude, though. That's the level of smooth you can only hope to aspire to get at 72 years old.

[Corey]

But he's been that way for a long time.

[Joe Budden]

He was floating.

[Corey]

He's always been that way. So suave and debonair.

[Joe Budden]

I want to answer Mark's question. That was a good question.

[Corey]

For me, it would be gaming and anime. That's so far outside my realm. I know nothing about it. It looks cool. It's intimidating to me.

[Ish]

You know, what you know about.

[Joe Budden]

You know a lot about gaming.

[Ish]

You know, they fool it up.

[Corey]

I mean, I've been in video games. I've been characters in video games. But I mean, like, you know that.

[Mark Lamont Hill]

Market over there, what you was in.

[Corey]

Like Grand Theft Def Jams? A couple of them. But Def Jam was one and then another one.

[Flip]

I can't believe she tried to steal your thunder, bro.

[Mark Lamont Hill]

That was crazy.

[Corey]

But yeah, that would be what. What I would do.

[Mark Lamont Hill]

How about you?

[Joe Budden]

Flip.

[Melissa Ford]

Probably dancing. Yeah, Twinkle toes.

[Flip]

Yes, I can see that.

[Mark Lamont Hill]

Any particular genre of style?

[Flip]

Ballet.

[Joe Budden]

Yeah, the waltz.

[Melissa Ford]

The waltz.

[Ish]

He liked that. Old school.

[Joe Budden]

Yeah, yeah, yeah, that's true. You never thought about Dancing with the Stars?

[Melissa Ford]

Nah. No.

[Joe Budden]

Would you do it? I would really like the wrestling, see?

[Melissa Ford]

What about the wrestling? I don't understand the comparison.

[Joe Budden]

Saying wrestling was something you said you wanted to do early on and. And then because of fear, you quit and was scared to put the work in.

[Melissa Ford]

Did you listen to your white counterpart? Did he tell you that?

[Joe Budden]

No.

[Melissa Ford]

Cause that's what you like to do. You like to listen to the white man. So that's not what it was, you know? That's not what it was. I allowed You. No, I didn't allow. I was comfortable with the narrative being put out. That's not what it was. He had an idea.

[Joe Budden]

Oh, I didn't ask for you to clear it up.

[Melissa Ford]

Oh, yeah, all right, all right. I cleared them on Twitter. When they started talking, they flipped.

[Ish]

So she said if they bought the Map Dancer back, what character would you be?

[Melissa Ford]

Barney Bumblebee. I'll be Barney. Yeah, I mean, you know, listen, just to continue to take risks.

[Ish]

He threw that right away too. That was great.

[Melissa Ford]

Just to continue to take.

[Joe Budden]

Yeah, you thought about that. You thought about that.

[Ish]

He thought about that.

[Joe Budden]

I'm gonna go back to comedy.

[Parks]

That's funny.

[Joe Budden]

It's comedy for me.

[Mark Lamont Hill]

That's a good one.

[Melissa Ford]

On stage, on stand up.

[Joe Budden]

Standing up, traveling the world back to Torrance, Chitlin circuit. That's comedy. I'd be able to say all the things that I wanna say on here, but I don't because they would attribute it to me every time.

[Melissa Ford]

You think it's a bigger risk though.

[Mark Lamont Hill]

Cause you don't pay the audience to laugh.

[Joe Budden]

Mm.

[Mark Lamont Hill]

You know what I'm saying? Like, it's scary when you go out there. Have you ever done like a stand up set?

[Joe Budden]

No.

[Melissa Ford]

He thought about it.

[Mark Lamont Hill]

I've never done a stand up set, but I've like just warmed up crowds, you know. Cause I've hosted comedy shows that shit. The moment you tell a joke that nobody laugh at, that shit crumbles. Just like getting punched in the chest.

[Joe Budden]

Okay, but hold up now. When I say comedy, I don't necessarily want to be good every night.

[Mark Lamont Hill]

Interesting.

[Joe Budden]

Can't be. I would love. I would love to stand there in a tank and go out there and bomb and have to deal with a bomb and work through a bomb to influence.

[Mark Lamont Hill]

That's the real character.

[Joe Budden]

I want to see how it makes me feel. I would want to stand in the tank. I don't just want to be me. The perfect is.

[Mark Lamont Hill]

You almost don't do it as Joe Button. Do it as like pre.

[Joe Budden]

Yeah.

[Ish]

So many years go to one of them little local comedy joints and just.

[Melissa Ford]

Why? Yeah. Why do you ask that?

[Joe Budden]

Why?

[Melissa Ford]

Every time you think about it, you stop. Like even with that or material or DJing and you know, getting on DJing in front of the crowd, like, why do you stop? Why don't you do it? Plenty of times you talked about doing these things and you haven't done it.

[Flip]

You'd be a great dj.

[Joe Budden]

You'd be a great dj.

[Corey]

Yeah, we say that all the time.

[Ish]

I don't know but sometimes.

[Joe Budden]

Oh, no, no, no.

[Ish]

That's not enough. You think sometimes the music you hear in your head responding to it. Same thing with comedy. You got to be able to get through that when you throwing some on that you think you jamming and they like, nah, this ain't it.

[Flip]

Yeah, yeah.

[Ish]

So it don't necessarily mean because you can play music well, don't mean you can DJ well and MC A P.

[Melissa Ford]

I just think you're comfortable. You gotta be a risk taker. You think you're too old to take risk?

[Joe Budden]

Nah, I just think in answer to Mark's question, that's something that I would want to do if, like, if I was calling the shots, not living by a certain script. But to answer your question, why I don't do it right now?

[Parks]

I'm a.

[Melissa Ford]

Don't. Don't take that out. Are you ste.

[Joe Budden]

I like new joke. Listen, buddy, are you dumb? I'm sorry. I don't have time to stop what I'm on right now. Follow my heart, yo. It's money or passion. I'm not at the point in life where I'm living for me.

[Ish]

Let's go experiment and do this over here.

[Joe Budden]

If I was living for me. Let's go have at it. Sobs we back. But what's your answer?

[Corey]

What would you.

[Parks]

Anything public speaking related.

[Corey]

Wait, what?

[Melissa Ford]

You tried that already, though?

[Flip]

That's what this is?

[Parks]

Not really.

[Corey]

Wait, don't you already do that, though?

[Parks]

No, I don't do that much.

[Joe Budden]

He also does something when. Why y'all can't let him share and be vulnerable before y'all.

[Corey]

Well, no, just.

[Mark Lamont Hill]

I know what he's saying. He's saying like a. Like a. Like a motivational speaker, like a public speaker, like a.

[Joe Budden]

Like standing in front of large crowds.

[Corey]

But isn't that why you went to the Dr. Clarity?

[Mark Lamont Hill]

That's not why any man.

[Joe Budden]

Just so y'all know, this is not the doctor broadcast. Yeah, it's not. It's doctor. Just doctor here.

[Mark Lamont Hill]

Is doctor okay.

[Flip]

Not the Dominican.

[Corey]

Yeah, but yeah, I mean, like, that's what I thought that was. It was like a whole convention conference that you were speaking at.

[Flip]

I don't like that you stuck on con that long.

[Corey]

No, no, I'm. I'm being. I'm being serious.

[Joe Budden]

Like, public speaker. Don't do that.

[Corey]

That's what I'm saying. It's. It's. I feel like it's already in his wheel house. I feel like he's good at.

[Melissa Ford]

He's good at speaking and motivating people.

[Corey]

I Feel like we were talking about things that were like that so far removed from like who you are. Like.

[Parks]

My. I don't know what to tell you. I answered it like I don't know.

[Melissa Ford]

What to tell you.

[Joe Budden]

Okay.

[Mark Lamont Hill]

I say poems. You know. I just think it might be something physical actually because poems ain't that far.

[Joe Budden]

I'm too late. I've already started thinking of what a Marco Mone poem book would sound like.

[Mark Lamont Hill]

Listen to. Sorry that's going to happen.

[Melissa Ford]

So you know the pyramid and to scheme. But I didn't scheme when I built the pyramid. But I see you in the eyes of the.

[Joe Budden]

Come on boy. Go ahead. Mark.

[Melissa Ford]

I think you do it.

[Mark Lamont Hill]

I think. I actually think I'd want to fight. That's what I think I want to do.

[Joe Budden]

Is there any way that I could that. That I can help you guys mma.

[Melissa Ford]

See. Hold on. Wait, wait, wait.

[Flip]

3,000.

[Melissa Ford]

Why don't. Why do you say that to. And you don't help your yourself in order to help us. You get out there and go. No the money so on. You get out there and go.

[Joe Budden]

Don't play with me.

[Melissa Ford]

Get out there and do something.

[Joe Budden]

I am Throw a party and DJ n. Not yet.

[Melissa Ford]

You told all that.

[Joe Budden]

I had my laptop with me.

[Melissa Ford]

I got shook. Do it motivate you to all that. But you don't do it. Lead by example. We want to see. Show me. That's what you can show me one day, man.

[Joe Budden]

Baby.

[Melissa Ford]

We always.

[Joe Budden]

That's.

[Melissa Ford]

That's what our parents used to say.

[Joe Budden]

And I want to put out a dog food fire.

[Mark Lamont Hill]

You want to put out a dog food.

[Melissa Ford]

That's fire. Now you're not talking about dope right?

[Mark Lamont Hill]

You got to say more about that.

[Joe Budden]

You're not talking about going back to the streets Alpo.

[Mark Lamont Hill]

Right?

[Joe Budden]

That's fire.

[Melissa Ford]

What you said you body it. It'll be a healthy nose.

[Mark Lamont Hill]

What do you mean Making a dog food. I'm sorry. I don't understand dog food.

[Joe Budden]

Dog. Love dog so much. I can't. I can't explain here because.

[Mark Lamont Hill]

Okay.

[Joe Budden]

Ip But. But it's not just dog food. Like I envision an entire line line of animal products.

[Mark Lamont Hill]

Animal products or is that too much?

[Melissa Ford]

Okay, that's fine. That's fine.

[Joe Budden]

Too much.

[Corey]

Okay.

[Joe Budden]

I got you. Okay.

[Mark Lamont Hill]

Say less.

[Melissa Ford]

Is that really.

[Joe Budden]

Is that.

[Melissa Ford]

Is that really something or you just.

[Joe Budden]

If I'm answering Mark's question to the best of my ability. Yeah.

[Melissa Ford]

Got it.

[Joe Budden]

That's. That scares you though? None of that. I didn't interpret the question to have to be about fear.

[Mark Lamont Hill]

Just far out your wheelhouse. I mean, there's something scary about that. But I, I, I think of it as a little something that's a little scary.

[Joe Budden]

We don't gotta be.

[Melissa Ford]

Why would it be scary? I mean, if you have the platform to promote it and stuff, like, I mean, unless.

[Mark Lamont Hill]

Yeah, I don't know why that would be.

[Melissa Ford]

Yeah, I get what Cory's saying, but yeah, you have the audience, you have the platform. People are animal lovers.

[Mark Lamont Hill]

Like comedy. I get the scariness of it.

[Parks]

That's fearful speaking.

[Mark Lamont Hill]

I get the scariness of it.

[Joe Budden]

Yeah.

[Mark Lamont Hill]

The anime, I think for you is just because it's a different genre stuff it working for a living.

[Melissa Ford]

Little Japanese she'll get to do. Man, Melissa, for them girls cooking over there. What be like, oh, what's that? She'll get it.

[Corey]

All right.

[Joe Budden]

Oh, salute. There you go.

[Melissa Ford]

Salute.

[Joe Budden]

Salute.

[Ish]

There we go.

[Corey]

Yeah, walk me down there.

[Joe Budden]

Do you guys care about Rihanna being pregnant?

[Flip]

Congratulations.

[Joe Budden]

Congratulations. I knew y'all would say that. So do you guys care about ASAP Rocky saying that he wears Rihanna clothes?

[Melissa Ford]

No.

[Ish]

We kind of knew that.

[Melissa Ford]

That's fire.

[Flip]

I'm surprised.

[Ish]

Yeah, that's. That doesn't surprise me with her brand.

[Melissa Ford]

Or where her clothes go in her.

[Joe Budden]

Closet and wear some of the articles in her skirts?

[Flip]

Well, I don't think he said skirts.

[Corey]

No. I saw a picture of him in a skirt. I don't know if it was hers, but, you know, was it a kilter?

[Parks]

It was a kill.

[Ish]

I saw some skirts before.

[Mark Lamont Hill]

Well, I don't, I don't know if he wears her skirts, but, Yeah, I don't see that wrong. I mean, it depends what the item of clothing allows.

[Corey]

He's proven himself to be super androgynous, so. No, nobody. It's whatever my thing is.

[Mark Lamont Hill]

Whatever worked for you. I wear my wife's T shirts. Hoodies.

[Ish]

Yeah.

[Mark Lamont Hill]

Just because we wear suit ties. Exactly. Hers a little baggy on me, you know, but.

[Ish]

And her jeans probably.

[Mark Lamont Hill]

Nah, I like mine a little tighter, a little thinner, but for real.

[Joe Budden]

What? Are you joking?

[Mark Lamont Hill]

Which part?

[Joe Budden]

About T shirts and hoodies?

[Mark Lamont Hill]

We both wear mediums.

[Flip]

If my wife wasn't half my size, I might steal a hoodie every now and again.

[Joe Budden]

Slow down, you guys.

[Mark Lamont Hill]

But because of you assholes, I have moved to largest sometimes. In fact, she was looking at my closet last night, and I was like, baby, you can have the mediums over there. Cause once I. The problem is I could wear medium, but I can't wash it right. So I end up buying a lot of hoodies. And I wear. But the problem with the large is it's a little too big.

[Ish]

I wash your hoodies.

[Mark Lamont Hill]

I wash my hoodies.

[Ish]

Yeah.

[Mark Lamont Hill]

As opposed to what?

[Joe Budden]

The cleaners.

[Ish]

The cleaners.

[Mark Lamont Hill]

Oh. I mean, I send them to. I get them laundered. But I'm saying, like, when they come back, they come back tight. Oh, yeah.

[Joe Budden]

But good cleaners. Yeah.

[Mark Lamont Hill]

I need one. I need, you know, one, cuz all the ones you and is supposed to be recommending stuff to me. I need. I need y.

[Joe Budden]

For you, buddy. Ain't telling you. Got to be your last.

[Melissa Ford]

Shut the up, yo. What the hell is wrong with you?

[Joe Budden]

Nobody recommend him.

[Mark Lamont Hill]

Mark, don't say that, please, man. Anyway. Anyway. Yeah, yeah.

[Joe Budden]

So congratulations to Rihanna.

[Mark Lamont Hill]

Yeah.

[Melissa Ford]

What do you say to that?

[Joe Budden]

She looked great.

[Mark Lamont Hill]

She looked amazing.

[Joe Budden]

She looked great.

[Parks]

She bodied that too.

[Joe Budden]

Oh, we didn't talk about the picture of her and Sierra.

[Melissa Ford]

That was fire too.

[Mark Lamont Hill]

I'm glad they did that.

[Melissa Ford]

Oh, I was fire.

[Joe Budden]

Because they used to have the beef, you know, the famous tweet. One of the most famous tweets of all time.

[Ish]

She slaughtered, smoked her good luck champs.

[Flip]

With a couple people. Huh?

[Mark Lamont Hill]

Those spaghetti stages.

[Flip]

She beat with a couple people.

[Joe Budden]

Didn't you, Rihanna?

[Flip]

No, Sierra.

[Joe Budden]

Sierra, Yeah. I don't know who else Sierra beef with.

[Mark Lamont Hill]

I know Rihanna got Tiana. Rihanna had a couple online beefs.

[Flip]

That's true, too.

[Mark Lamont Hill]

She bodied a couple people on the Twitter when it was new, yo.

[Joe Budden]

In the 2000s was so stupid. They was really riding with T. A real name is Carl.

[Flip]

Oh, God.

[Melissa Ford]

Yeah, they try to. Yeah, they was bugging out and that.

[Ish]

Spread before the Internet. That's what was crazy.

[Joe Budden]

The Internet. Internet is dangerous, yo.

[Ish]

Like that she had.

[Corey]

We're not going to regurgitate that.

[Ish]

I'm just saying.

[Mark Lamont Hill]

But she a sweet person too.

[Corey]

She is.

[Mark Lamont Hill]

She is one of the sweetest people I've ever met.

[Joe Budden]

We can't regurgitate that, but we can regurgitate all the slave dandyism.

[Corey]

Well, I mean, because it was a. It was a theme, you know, but we're not going to regurgitate. No, it's not. It's not. We're not going to regurgitate the ugly that they were saying about her. That was. That was up.

[Joe Budden]

Well. And it's not true.

[Corey]

Yeah, obviously.

[Joe Budden]

Definitely not true.

[Mark Lamont Hill]

Definitely not true.

[Joe Budden]

Oh, my Lord.

[Flip]

They said you were Rasheed Wallace. So I mean, what.

[Joe Budden]

Which is better than Carl.

[Corey]

They said she was Rasheed Wallace.

[Joe Budden]

What they were saying about old girl, that's true in the culture.

[Flip]

He wasn't outside it's cool.

[Joe Budden]

Yeah.

[Corey]

I know who Rasheed Wallace is.

[Joe Budden]

Oh, okay.

[Corey]

I would never mix up these two. Him and Rashid Wallace. Ever. That's why I'm curious. I'm confused, but okay.

[Joe Budden]

Many years ago. I hate when y'all do. I've been trying to protect y'all from yourself. Well, you mentioned.

[Ish]

You mentioned Rasheed Wallace. You want to talk basketball players and Paul Pierce.

[Flip]

Oh, we could do that.

[Ish]

All right. Paul Pierce has a. Try to get out of that. Paul Pierce has a CL. Floating around. I sent it to Parks. You got it?

[Flip]

I do.

[Joe Budden]

Okay.

[Ish]

Where he's. He's speaking on marriage and thoughts on it.

[Joe Budden]

It's my favorite.

[Ish]

You know what I'm saying? Like. Because I feel like every relationship shouldn't be based off sex, but every relationship is based off of that.

[Joe Budden]

I don't think so.

[Ish]

100. You can't tell me nothing different. This is what I feel. And that's why I'll never be in another relationship. Because it's always based off of that.

[Corey]

So you're not going to be in another relationship for what?

[Ish]

Cuz it's going to be based off the sex. Once that wear down, you going to.

[Flip]

Go find somebody else that's better wear down.

[Ish]

It ain't going to be based off of this. This the thing. And listen carefully. Listen carefully.

[Flip]

Relationship smoker jacket.

[Ish]

Let me say what marriage is and who's marriage for. Marriage is for old people and poor people.

[Joe Budden]

Okay, so let's get into that.

[Corey]

Why?

[Ish]

Because when you broke our parents, like my moms and all them, they married on a merit of like, okay, we gonna put our incomes together, have all these kids. And then with our kids, we're gonna have five, 10 kids. Back in the 60s, all them, they gonna have five, 10 kids so they can work and bring income.

[Joe Budden]

Yeah.

[Ish]

So you poor. So you married for that. And now when you get old, somebody got to be by your side to take care of right now. My mom got married. My mom never been married in my lifetime. She got married when she was 70.

[Joe Budden]

Wow.

[Ish]

It was perfect. She had somebody by her side the whole way through.

[Joe Budden]

So I really believe it's worse than I thought.

[Ish]

Outside of that, it's no advantage to a man. Why is marriage advantage? What advantage? What does it do for a man when things go south? Like, we gonna have to give up half our this pay child support.

[Flip]

He's almost. We could stop it.

[Joe Budden]

But what if you meet him?

[Flip]

I don't know.

[Mark Lamont Hill]

I want to hear more.

[Ish]

Yo, he drunk. Paul Pierce is one of my favorite people. To listen to. Not saying he was drunk here, but he said, you know, he sounded inebriated.

[Mark Lamont Hill]

Yeah, yeah, yeah, yeah.

[Joe Budden]

I want to let the audience know. And I'm tossing the ball to y'all. I want to let y'all know. Paul Pierce is on the list for me of people that I don't listen to one word that they have to say unless he's talking about basketball. Even then, if he's not talking, I want to hear him. And Kevin Garnett, I want to hear that basketball shit. He's one of the greats. Can't take that away from him. Anything outside of that scope. He's on the list for me.

[Corey]

He sounds like he's speaking through trauma. That's what he sounds like he's being. First of all, let's go through the statistics about men. First of all, married men are healthier than their single counterparts. Hurts. That's just a fact. That's just a fact.

[Ish]

I've definitely heard it.

[Corey]

Okay? And there's a reason for that. Because their wives take care of them. Whenever you guys.

[Ish]

Oh, sorry.

[Corey]

Your wives do. Your wives and significant others do a lot for you. You know, they do a lot of the emotional labor. They do. They do a lot. Just hold on. Don't. Just. They do a lot of stuff, but they also make sure that you go to the doctor when shit is up because they need you. So married men are taken care of by their wives, so they are healthier than their single counterparts. That's number one. Number two, in terms of marriage being for fucking poor people. The majority of CEOs of Fortune 500 companies, almost every single president, millionaires, multimillionaires, billionaires, 95% of them are married. Why? Because that indicates stability amongst a whole host of other fucking things. Things. So there. You've got that wrong. Taxes, to your point. Yes, taxes. It's mutually beneficial to be married rather than being a single person. I can speak to that. And then furthermore, your reality is skewed. You've never been married. You've been living in a bubble. Your reality is completely. Is not the norm. So if you're associating marriage with just sex, that, you know, the desire dries out, and then the woman is just going to take you for half your worth and sue you for child support. Well, you are. You sound mad bitter, actually. Like, that's a really, really skewed way of looking at love and companionship. That's. That's fucking wild to me.

[Flip]

I'm wishing.

[Corey]

Yeah. So I will defer to the gentleman in the room to.

[Joe Budden]

To the marriage.

[Corey]

Make your point. And the man.

[Joe Budden]

I'll defer to the married people in the room.

[Corey]

Yes, absolutely.

[Melissa Ford]

I mean, I do. I do agree with Mel. Stability is important. Taxes, understanding. Somebody did.

[Joe Budden]

Why you keep saying that? Cause you got married young. You didn't have money when you got married.

[Melissa Ford]

That's not true.

[Joe Budden]

You had money when you got married. I did.

[Melissa Ford]

I had the T mobile. I had a T mobile deal. So I did get married, but I spent about some money. Look who woke up. Look who woke up.

[Joe Budden]

Look who woke up.

[Melissa Ford]

Laugh at my expense.

[Mark Lamont Hill]

Keep going.

[Melissa Ford]

Look who woke up. Out of here, man.

[Mark Lamont Hill]

I didn't know you had sidekick deal.

[Melissa Ford]

I did. Look, man, look, look, look, look. Look at man, look.

[Joe Budden]

Look at the hate.

[Melissa Ford]

Had a T mobile deal. Who hating you?

[Joe Budden]

You did need to protect the T.

[Ish]

He said he made 70 grand from.

[Joe Budden]

His T mobile deal. You need to protect the funds from the T mobile deal. Okay. Your wife play been looking at you like the lick.

[Melissa Ford]

I wasn't married yet, but. But at 20 years old, bro, it's $70,000 at 20. And when I was 20, it was a lot. I did bullshit with it, but it was a lot for me. Yeah, it was short lived. I bought two watches like an idiot. And a Gucci car and a Gucci cat. Gucci cat. No, no, no, that was before.

[Joe Budden]

Thank you. Reparations list.

[Melissa Ford]

I fuck up.

[Joe Budden]

Don't worry. Skipping your house.

[Melissa Ford]

You talking about my family?

[Joe Budden]

No, I'm talking about y'all not on the reparations list.

[Melissa Ford]

Cause why we could.

[Mark Lamont Hill]

Cause we could repar.

[Joe Budden]

I'm sorry, you're not.

[Mark Lamont Hill]

I'm not.

[Joe Budden]

I don't have that much power.

[Mark Lamont Hill]

Look, it's a finite amount of money for sure.

[Joe Budden]

We gotta bust that down.

[Mark Lamont Hill]

I got to.

[Melissa Ford]

Honestly, if you found out your man was on the list, but he was.

[Mark Lamont Hill]

We got to split this money.

[Joe Budden]

Was he?

[Melissa Ford]

If he. He was Caribbean descent, would you really report it?

[Joe Budden]

Yes.

[Mark Lamont Hill]

We got to split this money.

[Joe Budden]

You taking money from black people? Nigga, are you crazy?

[Melissa Ford]

I'm down with you.

[Joe Budden]

No, no, no. You ain't down.

[Ish]

You Jamaican, but that's all.

[Joe Budden]

You have another one, we got another one.

[Mark Lamont Hill]

I don't care what side my mama.

[Ish]

Side of the money.

[Joe Budden]

King K, that was funny.

[Melissa Ford]

Oh, man, please stop. Freeze.

[Corey]

Okay, are you finished with your points? Cause we're moving around the room.

[Melissa Ford]

Oh, yeah, yeah.

[Parks]

Mel.

[Melissa Ford]

No, no. Yes. I'm finishing my point. I'm just saying like marriage, taxes. Taxes. But not only taxes though. But I do agree with Mel, like Your wife takes on a lot of responsibilities. It makes you more comfortable as a man for you to go outside and get to it and provide. But she's doing a lot of the inner stuff in the home that you don't realize. It's a lot and it'll be a strain on you if she wasn't around.

[Corey]

And also discipline.

[Melissa Ford]

Yeah, discipline.

[Corey]

And also discipline. Yeah. Like, I have. Like, I have bills.

[Melissa Ford]

They take care of a lot of shit that you may tend to forget.

[Corey]

Focus.

[Joe Budden]

Yes.

[Corey]

You know, removing, like, you know, all the distractions of the street so you can focus and, like, become a better version of the.

[Melissa Ford]

Or you can be outside and be a hoe. Go cook me some curry chicken.

[Corey]

You can be outside and be, like, outside and put some hair. Have no fucking dick discipline and shit. Go ahead.

[Joe Budden]

I mean, if that's the life you.

[Corey]

Aspire to live, I mean, hey, whatever floats your boat.

[Melissa Ford]

You watch your. Yo.

[Joe Budden]

Marriage does take a different type of discipline. That's why I'm deferring to the married people. I want to hear from y'all. But the discipline it takes to look at somebody in the face, like, every day they face. You ever just see the shape?

[Mark Lamont Hill]

Every day ain't good face date, either.

[Melissa Ford]

They look a little different, right?

[Joe Budden]

Every day they face. But either a look at, you gotta stare at you until one of us die.

[Corey]

Okay, Mark.

[Mark Lamont Hill]

It's a beautiful thing, though. But this is what I say. Paul Pierce said a couple things, though. First, he said, like, relationships take marriage off the table. He said relationships are about sex. I just think that's not true. Sex are a big part of relationships. Romantic relationships. They ain't the only thing.

[Corey]

He's speaking through his arrested development.

[Mark Lamont Hill]

And that's what I'm saying. Like, there's plenty of people even. I even know niggas that cheat, that have a great, healthy sort of friendship with their partner. And sex is somewhere else. I'm saying, like, sex ain't always the thing that keeps you in a relationship. You know what I mean? There's lots of things that keep you in relationships other than sex.

[Corey]

Like, you could actually like the person.

[Mark Lamont Hill]

Yeah.

[Joe Budden]

Like, yeah, these niggas don't like women. These niggas don't like women. Not these niggas in the room, but these niggas that we talking about, they don't like women. They just want to sleep with them. But in terms of liking them and seeing value in them, they don't do that.

[Corey]

That sounds like what you're talking about. Yeah, that is what it sounds like, that's how he sounds.

[Mark Lamont Hill]

That's how he sounds. I mean, I just don't think. I mean, my wife. I just speak.

[Joe Budden]

Yo. What the. All right. What? Okay. I'm on my outside. I agree.

[Mark Lamont Hill]

Watch your step, buddy.

[Joe Budden]

Too.

[Mark Lamont Hill]

You're encroaching in my territory.

[Melissa Ford]

Whoa, wait.

[Joe Budden]

Hold on.

[Corey]

Don't even try it. Keep going.

[Mark Lamont Hill]

No, keep going.

[Melissa Ford]

To be clear. We were talking about the Hour three boy.

[Mark Lamont Hill]

No, no. Not Mel. Mel. We're talking about the discourse of feminism.

[Melissa Ford]

I just want you to clean it up. My.

[Corey]

Thank you. Because we're gonna get back to that.

[Mark Lamont Hill]

Yeah.

[Joe Budden]

We.

[Melissa Ford]

To have it.

[Joe Budden]

Boy.

[Mark Lamont Hill]

I was telling. Joe was playfully using the language of feminism. And I was saying that's my. No, no. We know. But now that you said that.

[Joe Budden]

Now that you said that, we got to.

[Mark Lamont Hill]

I got to make it clear.

[Melissa Ford]

I'm trying to hold you down. Look out.

[Mark Lamont Hill]

That was not holding it down.

[Joe Budden]

That was holding you down in the tub.

[Melissa Ford]

Right.

[Joe Budden]

Head under the water. Right.

[Mark Lamont Hill]

No, But. So I disagree with that point. There is an interesting thing he said that I think we have to be sort of critical of or honest about. Marriage historically has been about money. And marriage was really a contract. It was about ownership. It was a business arrangement for sure. And men were giving their daughters to other men. And that's why we gave dowries and land and all this. I mean, it was a business arrangement. So I don't want to pretend that. That history doesn't exist. But I think there's lots of reasons to get married other than security or safety or money. I'm not saying people don't. There's good reasons to get married. Having somebody with you, having a better financial situation. You're stronger financially if there's two of y'all making an income. All that is true. But there's really good reasons to be married. And I didn't know this until I was married. Even being with my wife before we were married, living with her before we were married, I still find greater value in the marriage. You know what I mean? Like, I actually enjoy being married. And if your partner is your best friend, if it's somebody you really fuck with, married or not, that shit is a whole other level of joy. When you get to be home with that person. Don't mean they don't get on your nerves. Don't mean all the other shit is true. But, like, I wouldn't trade it for anything. And I think a lot of married men I know wouldn't trade it for. I won't say most, but a Lot of married men I know wouldn't trade it for anything. That's all I would say.

[Flip]

Agreed. I think that we've kind of discussed all the reasons why marriage is good. But I also do think that there are people that maybe shouldn't get married. Maybe he's one of those people like if you still want to run around and do shit, you probably shouldn't be married. Married. Well, I think that when I meet people that make a lot of money, have been with someone for a really long time and aren't married for some principal reason, I think that that's a little foolish. Because of the tax benefits, because of the security blanket of being married. There's a bunch of reasons to be married if you make a lot of money, especially if you are committed single or committed to a single person. That being said, if you want to run around and a bunch of people, you probably shouldn't be married.

[Ish]

Well, my thing just about.

[Flip]

That original.

[Ish]

What I was saying to his point, he's saying, you know, you get. You break up, she take half everything. You can protect yourself against that.

[Flip]

That's true too.

[Joe Budden]

Yeah.

[Ish]

Like you act like it's this or that. You could always structure your marriage however you see fit. Get a prenup, whatever you need written in there. And now you're protected. So those things you sitting here complaining about won't happen to you.

[Joe Budden]

Oh yeah. Get that little cheating clause out of there.

[Ish]

Infidelity clause.

[Joe Budden]

Crazy. Are you crazy, girl? Let me get this straight.

[Ish]

Try sneaking in there.

[Joe Budden]

One little incy wincy girl, you get to take it off.

[Mark Lamont Hill]

I don't think only married.

[Joe Budden]

I'm joking right now, by the way. Cause my girl be listening. I'm joking.

[Mark Lamont Hill]

Married people shouldn't be on people weighing in on this Paul Pierce not even married. I mean, like, what do you think?

[Corey]

And Joe has been right.

[Mark Lamont Hill]

Joe ish. What do y'all think about this?

[Joe Budden]

I couldn't agree more with uml. Like I. It's Paul Pierce talking. I'm not paying him no mind, but. But I can't wait to get married. I cannot wait to get married. Just for the structure of it. My girl just helps me to be palatable. She helps in my decision making. We find the same shit funny. We enjoy the same music. We enjoy the same shows. Her skin is soft. If that changes, we'll reevaluate. There's lotions I love. Yeah, I love all that shit. I'm with that shit.

[Corey]

I have a friend who, who she met her husband and he was a playboy. But the sun rose and set on the crack of her ass, according to him, and they ended up getting married. He was a playboy. He was out in the streets, and he was doing very well for himself. Very well since they've been married. The structure and discipline and just everything involved and her support and love. He recently just sold his company for, like, almost 100 million fucking dollars. I don't necessarily know. I can't. I'm not a fortune teller. But with the way that he conducted himself and just had girlfriend after girlfriend after girlfriend and girlfriend. And then what? He ended up with having a structured relationship with somebody who loved and cherished him, and he felt the same way back, and she raising their kids and stuff like that. I don't see him getting to that point without her, you know? And that's just saying, like, just when it is a good marriage and it is a good partnership with people who like and love each other, that. That is. That's the kind of thing that it affords you to become, like, the man that you can become.

[Flip]

I want to also add, by the way, growth, evolution. In the last, however. Let's call it two years, we have seen some amazing prominent, rich, powerful, wealthy single men get absolutely destroyed by running around the streets doing whatever the fuck they wanted.

[Ish]

That's a good point.

[Joe Budden]

Absolutely. Yeah, I agree with that. Is there anyone here that has an opposing opinion on this?

[Melissa Ford]

On what?

[Joe Budden]

On what he said on this podcast on the marriage topic?

[Parks]

I think. I don't oppose what anybody's saying. I think Paul Pierce is just speaking from a skewed perspective based on his career and his experiences, though. So I don't necessarily think that if he was an accountant, he would feel that way.

[Joe Budden]

You know, the problem is he ain't get with them Cape Verdeans. He was over there for a fucking.

[Ish]

Yes, he did.

[Joe Budden]

He was Boston a long time. That nigga.

[Ish]

He got with them.

[Parks]

He might be the.

[Joe Budden]

I don't know if he did. Prime minister you talking about. That was in Boston forever. He did. It's some other. In Boston. He might have been around. Jojo. It didn't. If you was in Boston, that don't mean you was with the K Verdean.

[Parks]

They came across his.

[Joe Budden]

You had a choice.

[Parks]

No, they came across.

[Joe Budden]

And that might not be his bag. Some of his views. Listen, when that was on ESPN or wherever he was playing poker, I was.

[Mark Lamont Hill]

In Boston for two days. And I found. And I found in my prime, I found a few.

[Melissa Ford]

What?

[Joe Budden]

Yeah, y'all. Y'all. Y'all don't know if that's what make his tea high.

[Ish]

Yeah, he might not be.

[Joe Budden]

That might not be.

[Ish]

Did it.

[Joe Budden]

They killing one of these athlete dudes now, cuz. They caught him in Vegas on the. On the. On the party bus. And they let like 20 white girls out.

[Parks]

Two of them. It was two of them. Cam from.

[Ish]

From the Saints.

[Joe Budden]

Cam, Jordan and Tyler.

[Parks]

It was Cam and somebody else.

[Joe Budden]

It don't matter. We just in a funny place where you can't even let the white girls out the party. Party bus. Trey Murphy.

[Ish]

Trey. Trey Murphy.

[Joe Budden]

Trey.

[Parks]

Troy, he nice too.

[Joe Budden]

Troy Murphy was nice.

[Parks]

Trey Murphy nice too.

[Joe Budden]

He wasn't better than Troy.

[Parks]

Yes, he is.

[Joe Budden]

He wasn't better than Troy Murphy.

[Parks]

I'm telling you.

[Joe Budden]

Troy Murphy's the big white boy.

[Parks]

I know he is, nigga.

[Joe Budden]

He went to know the name Now. Trey Murphy's real nice. Trey Murphy's real nice.

[Parks]

But I just think that his. His view is just skewed based on his experiences. Like when them niggas been rich at a young age, they might think every girl in the world want their money. And then they looking at girls as sexual conquests, as sexual toys. And so now you placing everything on a sexual relationship.

[Joe Budden]

And if you look at women like in that light, I don't expect you to understand none of this marriage shit.

[Ish]

Exactly.

[Joe Budden]

Or want to be married. Exactly. Because you did that from anywhere, anytime, any place without having.

[Parks]

And you looking at him and the other side.

[Ish]

And the other side. He said his moms was never married, so I didn't even see it in my household.

[Corey]

That was also.

[Ish]

Cause mom didn't get married till she was 17. I never saw it coming up.

[Parks]

It's huge.

[Ish]

But now I'm out here on my own. I'm rich, like you said.

[Joe Budden]

That's the part that I thought was sick. Yeah.

[Parks]

No, that's not true.

[Joe Budden]

That's the part that I thought was.

[Parks]

That's huge in our demo.

[Ish]

Absolutely.

[Parks]

That's really, really big.

[Ish]

That's normally big.

[Parks]

Single motherhood is really, really big. And so we don't necessarily see the importance of marriages because we've never been around a marriage or just a fruitful man and woman relationship.

[Ish]

I was about to say not even marriage.

[Joe Budden]

Not all of us. Whatever. That's why I'm saying it's sick.

[Parks]

You don't know why.

[Corey]

Because had he had a conversation with his mom and asked him and asked her, you know what would you have preferred? Struggling as a single mom, raising us on our own, or would you have preferred to be in a loving marriage with a supportive partner? Who could raise us together. I think she would have gone with the latter.

[Joe Budden]

But that has nothing to do with.

[Parks]

What he saw as a boy growing up.

[Corey]

I understand. I understand that.

[Parks]

I've never had that conversation with my mother.

[Joe Budden]

Me neither.

[Parks]

He's single parent kid. He's never had that.

[Corey]

But that's what I'm saying. What I'm saying is it would behoove him to have had that question.

[Joe Budden]

45 and 50 and 55. We talking about like adult, adult, real adult people now. I. I think that you too old for the. Hey, this is what I saw growing up. So these are my views. At some point you have to come up with your own fucking views. True.

[Parks]

I'm not disagreeing with you. However, what I so to say.

[Joe Budden]

But wait, let me finish. So to say that you pleased with your mom being alone or not finding the one that she deemed appropriate for marriage until 70 years old is sick. If you spoke to your mom pleased, he's saying.

[Ish]

But what he's saying is she didn't get married to 70. Which is why he's saying it's for old people. She got married to have somebody by her side to ride it out.

[Melissa Ford]

That's what he was saying.

[Ish]

So that's what he was saying. He's like, oh, so for me, marriage just means.

[Joe Budden]

So he may not feel like comprehension is great. Do you think I'm. I'm under the guise of his mother. I'm with Mel. His mother may have wanted some company before she was 70 years old.

[Parks]

I think companionship.

[Joe Budden]

And if you recognize that, then your mom not being married till 70 shouldn't reinforce your thinking of marriage is only for old people. But it should say the opposite.

[Melissa Ford]

That's what you're saying.

[Joe Budden]

It should say the exact opposite. It. And if your mom met a. That she felt appropriate for marriage and he was in the house a little more or around you a little more. No telling how that would affect your thinking today. I just think at 50 and 55.

[Parks]

That'S exactly what we're saying. We're saying that if he grew up with a man and a woman in a household and his mother had a man, it would have affected his outlook on relationships.

[Mark Lamont Hill]

But now he sees.

[Parks]

Let me finish.

[Joe Budden]

What we're surmising.

[Mark Lamont Hill]

Let me finish.

[Joe Budden]

Ways is different.

[Ish]

So what?

[Parks]

No, we're really not. Because if he had been, he had a man in his household, his whole outlook and his whole view on relationships could potentially be different. He looks at it that way based on the environment he grew up in, an environment he Was introduced to at 17, 18 years old, which is being an all American athlete and all of the things that come along with that.

[Joe Budden]

Y'all are repeating everything I said. If you. I said it first, then how do you get to. Yes. Marriage is only for old people.

[Corey]

I'm sorry.

[Joe Budden]

That's what I'm asking.

[Corey]

Let me just say this. And then you. And then you clear it up. It's almost like he stated it. To say she waited until she was 70 with intention to wait rather than. That was a desire that he never knew she had maybe the majority of her life, and it never happened for her.

[Joe Budden]

And I mean, my views on this. I've had this talk with my mom. Mom. I've spoken to my mom about marriage, the lack of marriage when you was married, how you felt about it getting older without somebody, wanting somebody to be there. I've had these talks. I don't think that nobody is signing their mom up to fucking live life a certain way. And then at 70, at your later years, meet somebody and then yada, yada, yada, and we gonna paint that as the fucking party city. That ain't party City. If you witness that, then why the fuck would you get on a platform talking like it's party city City? I just don't understand that part. If y'all do, that's great.

[Ish]

I disagree with the. So I. I think.

[Parks]

Yeah, so I disagree with him too. But I understand why he may think like that.

[Joe Budden]

Can I ask y'all something?

[Ish]

Why have. Why.

[Joe Budden]

Why haven't or why wouldn't you have that conversation with your mom?

[Corey]

I have mine.

[Mark Lamont Hill]

Y'all got the kind of moms. I had that conversation. My mom don't talk about stuff.

[Ish]

Yeah, me and my mom talk about a lot of. But I don't need.

[Joe Budden]

If you're able to. I'm not.

[Mark Lamont Hill]

No, no. I'm saying some parents, some women don't like to talk about their. I mean, in the sense of, like, my mom don't talk about bad experiences. She don't talk about love life.

[Ish]

I don't even need the conversation.

[Mark Lamont Hill]

Sex is a rumor.

[Joe Budden]

Yeah.

[Ish]

Personally, I don't need it. I saw it. I was there. I saw my mom's being with the wrong person. And this is what she will say to this day. Like, my mom's not married now. My mother was married for 20 years to the wrong person and eventually got divorced. And she's like, now I value my peace over anything else. I would much rather be alone than. And go through what I went through before with the Wrong person. So I get that that's real. But I watched the struggle going on.

[Corey]

But I think that, so it's like.

[Ish]

I see I don't have to shit.

[Parks]

Even that right there, Even that right there. There's a value in that. So let's just say ICE hypothetically watched his mother be married to the wrong man for 20, 30 years. Ice could be dead set against marriage based on just viewing that everything in all of our environment shape how we see the world.

[Corey]

That is true.

[Parks]

That's a possibility for him.

[Corey]

But what. But to Joe's point, but, but to Joe's point, when you are an adult, adult, adult, 40, 45, 50, you now have the responsibility to challenge those long held beliefs and maybe go to therapy to kind of like fix the way you're thinking. And the reason why I said something about him having a conversation with his mom is because I know something about this. I, it took me a long time to see my mom outside of just being my mother. You know, just like unconditionally love, love me, I'm your child. And that's how I saw the relationship. I never bothered to ask the woman any questions about who she was outside of me until it was almost too late. And that's something that I always encourage people to do. And it would behoove him to have that conversation with his mom because it might change his skewed view right now. Like that's the point that I'm making.

[Mark Lamont Hill]

Unless, unless, unless his mom was. Paul Pierce's mom was just happy all those 30, 40 years. You know what I mean? She could have been, Mr. Earl could have been coming by down laying piping and you put your. Yeah, yeah. Like she could have had a great life experience and just decided. But part of that is because he's rich.

[Joe Budden]

Yeah.

[Parks]

Wham.

[Mark Lamont Hill]

Like. And frankly, she don't need a 70 year old man marriage right now. 70 to be taken care of.

[Parks]

No, you might need it now. You might need it now. You might need it now because the money doesn't play as big of a part in your life when you start to get older. But when you, you 50, 60 running around, my son got 100, $200 million. I might not need the things that, or the securities that marriage don't bring.

[Joe Budden]

That's.

[Mark Lamont Hill]

Yeah. His whole, to that point, his whole, his whole understanding is skewed by a whole bunch of stuff that's not replicable. Like true. Nobody, very few people gonna have his life and his opportunity and his access. And so I hope a bunch of.

[Joe Budden]

Men follow his man might just be unmarriable.

[Ish]

That's possible.

[Corey]

Yeah.

[Joe Budden]

Like the same way we talk about women that are of a certain age that may have missed the boat because it was too many options or they was playing around. Why it won't apply for men. This might have been unmarriable for the peak, the prime years of him where some of the women he wanted, didn't want him because he was on some of that you could still hear in his verbiage. And the good women are out of here. So now you, you just left like Mel said, the fucking, what did you call it earlier? The feast of the. Whatever you call it. Some nasty shit out there in the secret streets.

[Mark Lamont Hill]

The dumpster fire.

[Corey]

The dumpster fire.

[Mark Lamont Hill]

Yeah, the dumpster fire.

[Joe Budden]

And if, and if you there, then yes, these are your views. But tell us. Yo, these are my views because I'm stuck out here in a dumpster fire and I didn't find nobody that saw the value in me and I refused to do the work so somebody would find the value of me. Say that that could be true.

[Corey]

Very much so. I mean it's understood that there is going to be a certain, there's a certain type.

[Parks]

I'm not disagreeing with you. I'm not disagreeing with any of that. I believe all of that to be true. And again, I'm just basing it on the environment that this guy grew up in. Nigga, I'm rich. I'm living in Boston. I'm the man in Boston. It's mad single bad chicks in Boston. I don't want to settle down with none of them because I'm selfish and.

[Joe Budden]

I'm running around rich niggas got to stop doing that. That shit is lonely, dark, sad.

[Parks]

And guess when you realize.

[Joe Budden]

Dangerous, depressing, dangerous.

[Mark Lamont Hill]

Dangerous is the word.

[Joe Budden]

Risky road. Most nights. Most nights. I'm not talking about the night that you went to the club and Vanessa Del Rio was in there with a free cousin and they both sucked your dick all night long. I'm not talking about the night that you went out out and had the time, the timeiest of times. No, I'm just saying when I think about my single days, four nights a.

[Parks]

Week, five nights a week in the house by yourself. And when you come home from the club, the club be cool. And when you come home from the club until that next, especially if you got some money, that next day you just sitting in the house doing nothing. Cause you self employed until 9:00 at night. You know when 9:00 at night, come start hitting your phone, yo, what you doing? Yo, such and such.

[Ish]

Popping on Wednesday.

[Parks]

And you repeat the cycle. We used to be in greenhouse four and five nights a week. You just be repeating the cycle. I'm not saying that. I'm telling you that the environment and.

[Joe Budden]

In repeating of the cycle, because it gets deep. At some point, you niggas with money go home and you have everything you want there. And that high is going. Now. There is nothing that you could go out and buy that you didn't buy, that you didn't purchase. So now that euphoric feeling gotta come come from doing something nice for somebody else.

[Ish]

That was what Will Smith said a couple months ago when he was like, yo, I. I bought everything I could buy.

[Joe Budden]

True.

[Ish]

So now he smoked that interview.

[Joe Budden]

And I agree with everything he said.

[Ish]

So now you have to find out how to be happy internally.

[Parks]

True.

[Joe Budden]

Yeah.

[Ish]

And a lot of niggas don't even want to look inside. They can't look in the mirror, let alone look inside.

[Joe Budden]

You know how many times in my single days when I had a couple dollars to spare, you just wanted to buy a fly pair of boots for a lady. But there was no lady because you single.

[Parks]

Thinking about, yo, you. You look, you see a banging ass location come across your thing. You know, I'm a travel dude, so you single. You see this dope ass location and you like, damn, I wonder who I could go there with. I wonder somebody I could take there with. Not no jump off that. I'm just somebody that I like and I want to spend time. When you go on vacations, I don't know about everybody else. When you go on vacations, it separates who you like, like, from who you like. You in that room for six days, seven days, four days, whatever the duration of time is, you sitting in that room, it ain't no she gotta go home. You don't have no time off from this girl. You ain't going to work tomorrow. Y'all in this room for four days by yourself 24, seven, y'all. And if you don't like this and you just looking at her like a piece of ass, that is whack, that.

[Ish]

Gonna wear off quick.

[Parks]

Ain't no sunset you don't care about, no sun setting with Keisha, Tanya back, get her Dusty.

[Mark Lamont Hill]

You know what I'm saying?

[Ish]

You done nut it as much as you could nut.

[Joe Budden]

Yeah. And at some point, pardon me, at some point, your brain and your eyes could fuck more than you can too. True. Indeed.

[Parks]

Thousand percent, thousand percent.

[Joe Budden]

But Good luck to Paul Pierce. Whatever works. Listen, I'm in my to each its Own era in life. I'm trying my best not to judge most of y'all out there. Whatever y'all want to do, totally fine with me. Everybody gotta do what's best for them with their brief time on earth. Whatever that is, that makes you happy.

[Flip]

Judging is fun.

[Joe Budden]

I love the judge.

[Mark Lamont Hill]

I like a good.

[Flip]

You know, that's what another thing a wife is good for.

[Mark Lamont Hill]

Yes.

[Flip]

Get all your judge shit off.

[Mark Lamont Hill]

What? You know I'm judging right now.

[Flip]

Please.

[Mark Lamont Hill]

Lars a Pippin. No, no, I'm sorry. I'm not judging Larsa Pippen. I'm judging.

[Joe Budden]

Dude, you late on this.

[Ish]

Jeff Kobe.

[Mark Lamont Hill]

Yes, I'm judging him.

[Joe Budden]

Why you judging?

[Mark Lamont Hill]

Who the dude is marrying Lars.

[Corey]

Who?

[Ish]

Jeff Kobe.

[Mark Lamont Hill]

Jeff Kobe. He's a.

[Ish]

That's her new boyfriend.

[Mark Lamont Hill]

Shocked to know. Former basketball player.

[Flip]

No.

[Ish]

Who announced that they're. They're getting married in November.

[Joe Budden]

Okay, tell me more. Why. Why you feel bad for Jeff Kobe? Found the person you love.

[Mark Lamont Hill]

I have. So when I could be wrong? When people demonstrate a certain pattern.

[Joe Budden]

Oh, yeah, you're wrong. I.

[Mark Lamont Hill]

Go ahead. I might be. I might be. I'm open to this. I. I want you to tell me how I am. Larsa Pippen seems like somebody who's there for the moment. She seems like an opportunist and she seems like she's obsessed with young basketball players. I don't see this lasting and I feel like. And I don't get what draws a 30 year. Was he 30?

[Ish]

He's 31.

[Mark Lamont Hill]

31. A 31 year old man today again.

[Ish]

And she's 50.

[Mark Lamont Hill]

Do what you want. If you want to marry a 50 year old woman, that's fine. It's not her age. It's the fact that she's got a pattern and a type and she seems like an opportunist to me and I could be wrong.

[Joe Budden]

Do you think opportunists don't get married?

[Corey]

Yeah, they do.

[Mark Lamont Hill]

They do. I'm just saying I'm judging them because I'm like, bro, you don't see this? You don't see the play. You know, I watch her get married, I watch her do the reality shows. It's like she's making money off the marriages, off the relationships.

[Joe Budden]

And what makes you think that he doesn't see the play?

[Mark Lamont Hill]

That's what I was gonna say.

[Ish]

He might see the play.

[Mark Lamont Hill]

School me. That's what I'm saying.

[Ish]

Some niggas see the play and just be all right with the shit. Some niggas know the play, see the play and fuck it. All right?

[Mark Lamont Hill]

I'm here for the ride too. Yeah, okay, that's a good point.

[Ish]

And if he know that and it's signed for that, then yeah, you're not a victim. You a volunteer at that point.

[Mark Lamont Hill]

That's a great point. I always. I assume everybody's being earnest. So I always.

[Joe Budden]

How do you feel about Brittney Renner and Kevin Gates? Marriage or alleged marriage?

[Mark Lamont Hill]

I haven't thought about it. I'm fascinated by it.

[Joe Budden]

Think about it.

[Mark Lamont Hill]

I'm fascinated by it.

[Joe Budden]

I wanna see if there are parallels for you.

[Mark Lamont Hill]

I think the difference. And again, I could be wrong.

[Joe Budden]

She's been on the Internet. There's a pattern of behavior.

[Mark Lamont Hill]

But she seems to have interrupted her pattern and made like a very. A very, like, stark, like, look, I'm changing my life. I'm going to be somebody else.

[Joe Budden]

Darc Lamond Hill again, I could be wrong.

[Mark Lamont Hill]

I'm just saying I'm a sucker. I'm starting by saying I believe people be earnest.

[Joe Budden]

And she may. I'm not saying, I'm not calling your name, saying that that's not true. I'm saying that most times when these women get married, they've shown that to the person that they're marrying. Not to say that it's true or not. Like whatever Brittney showed Kevin Gates. As far as I'm turning my life around, I'm willing to adopt this new yada, yada, yada, yada. I don't know what Larsa pigeon in this guy's ear. She might be saying, I'm gonna turn my life over to God now.

[Ish]

And I'm not saying this about Brittney Renner. Cause I don't know this to be true about her. But sometimes also women look at that clock like she's. Again, I'm not saying she's older or anything, but they start to realize, yo, I. It's all like what I was doing. Being the it girl. Yeah, that time might have passed me a little bit. It's a whole new crop out there that's. That's running around it. So it's almost settled down. Time. Let me find something that a little bit more stable. Now I can't run the life that I used to. Or I get to that point like Joe was just talking about where I am, quote, unquote, unmarriable because I bullshitted all this time. Now don't nobody want to take me serious.

[Mark Lamont Hill]

You've convinced me.

[Joe Budden]

Yeah.

[Mark Lamont Hill]

You've Convinced me to give, to not be so skeptical. That's fair.

[Joe Budden]

Yeah. And there's plenty of women that. There's plenty of women that find their identity in whatever their role is in their partner's life also. So. Right. Like, who am I to say that Britney is on bullshit? She met somebody. This is his belief system and his religion, and yada, yada, yada, she's rocking with that. Niggas can't come and say, listen, for weeks now, I've been wanting to come and talk about all. I can't talk about it. But the new women that are turning faith and covering up and just. There's a lot. There's a lot of being converted.

[Mark Lamont Hill]

Oh, I didn't. I didn't know that.

[Joe Budden]

Oh, it's a wave. It's a wave happening currently.

[Melissa Ford]

What do you think the wave is?

[Parks]

But who converted to Islam?

[Joe Budden]

Yes. Dope women that live that life. Who am I to come say there's nothing I can say?

[Parks]

I think that's.

[Melissa Ford]

At some point. You look at yourself in the mirror every day, Mark, and you want to change.

[Joe Budden]

Yeah, you want to change it.

[Melissa Ford]

Whether it's converting or just following God, you want to change your life.

[Ish]

Some of them just look at it like, yo, what I've been doing ain't working. It ain't like if you keep doing the same thing over and over again, the same results, you like, yo, no, it work. It's not. It's not. Not working for the long term for what they want.

[Melissa Ford]

No, it may not work internally, but it may work. I mean, instant gratification is a thing.

[Joe Budden]

Yeah.

[Parks]

Until it stops.

[Ish]

Until.

[Parks]

Until you get 77 pocketbooks. Until you had every car that you could drive.

[Melissa Ford]

Yes.

[Parks]

Until you've been to every restaurant, until you have all of these material items and none of that shit's. When you go home at night and lay down on that pillow.

[Ish]

Makes you happy.

[Parks]

You still feel empty inside. So now I got to look for something different.

[Melissa Ford]

And I agree with you on that, because there's a lot of people.

[Parks]

That's what make you feel better. The post office that you shitted on for the last 30 years.

[Melissa Ford]

I agree with you. There's some people that I know personally.

[Mark Lamont Hill]

But Larson got her a baller.

[Parks]

He ain't that. Go look at his career. Her net worth might be higher than his.

[Mark Lamont Hill]

Probably is. I mean, especially with. Yeah.

[Corey]

Is he a current player?

[Mark Lamont Hill]

Former.

[Parks]

I played overseas and shit like that.

[Mark Lamont Hill]

Yeah. No. Yeah. I mean, he ain't no Scottie Pippen or Michael Jordan once removed, but I think I think for me, part of it might just be my reality show meter, you know what I mean? When I'm around her, I just read her. I read everything as a setup for something else. But what they were saying when you walked out was like, there's also the possibility he's in on it, that he's not a sucker, but he's going with the play too. Like, maybe he knows exactly what he's walking into and he's okay with it. And if that's the case, go for it.

[Joe Budden]

Chill, chill. Miss. It could be you can't do that. You can't do that to Larson.

[Mark Lamont Hill]

Miz Larson rubbed me the wrong way, man.

[Joe Budden]

Well, yeah, me too, but as a man.

[Parks]

Might be rubbing them.

[Joe Budden]

As a man, she probably is. Every. Every day on the Internet. As a man, you have to find the restraint to not do that. Right?

[Mark Lamont Hill]

Yeah.

[Joe Budden]

Like, do what? Too many of us know too many women. What's that, though? For years, what Mark just did with Larsa, like I'm saying on the Internet, you're gonna see. You're gonna see the lady that you. You knew for the last 25, 20, 15, 10 years. And you know her Carfax, just based off how she been moving out there. And then one day she gonna bump into a nigga and they gonna profess they love and be married. You have to fight the urge to say, damn, nigga. Like, you marrying that. This bitch done been in the street, done fucking him.

[Mark Lamont Hill]

That's true.

[Flip]

You can't.

[Joe Budden]

Like, we can't.

[Ish]

You know why niggas don't, though? Because.

[Joe Budden]

And then we learn that niggas don't care either.

[Ish]

Well, not just that, but. But we've seen what happens when that goes its separate ways. And she's right back to what she was doing.

[Parks]

Two things, but I'm just saying, it's.

[Ish]

Almost like, yeah, you still. That.

[Joe Budden]

Yeah, you can't do that.

[Ish]

It's like you just put on pause for a minute.

[Joe Budden]

Like if you see a slide, fell in love or getting married, or you gotta just kind of wish them the best. Yeah, maybe she can't rain on anybody's.

[Mark Lamont Hill]

Parade if she married a dude from the post office, to use Ish's example. Like, I would probably be more inclined to be like, okay, she's. She's settling.

[Parks]

I mean, she might have a physical type, though.

[Mark Lamont Hill]

That's true.

[Ish]

Her physical type could be tall, athletic.

[Joe Budden]

Always find empathy when she's dating the.

[Parks]

From the post office because it seems more genuine.

[Joe Budden]

But to who?

[Parks]

To the masses. The people that are judging.

[Joe Budden]

And the message for anybody out there is not to live your life based on what the masses think about it.

[Melissa Ford]

True.

[Joe Budden]

I mean, that's fair. Yeah.

[Mark Lamont Hill]

Yeah.

[Joe Budden]

Especially when it come to your love. Who fills you up, who make you feel good, who's sucking your dick, who's rubbing you down, massaging the CBD oil, all that good shit. Yeah, mind your business. I don't give a fuck what you think. Hey, like I used to say to niggas back in the day, long, long, long, long time ago. Hey, hey, nigga, if you had her and you see me with it, nigga, you should be a ploy. Hey, you know what I'm going to do? I'm having a slice. And if you still watching, I assume that you had a slice, too.

[Ish]

I missed that slice.

[Joe Budden]

If you still watching, you missed that slice.

[Ish]

That's the part.

[Joe Budden]

If you're still watching, you missed that slice, so don't come telling me. Oh, yo, she used to be in the Halfies, yo. She used to be behind the dumpster with Rah Rah. Guess what? I cleaned all that up. Hey, I hold it down. I put that thing right in the dog bath. Little Purell couple, come on now. Lights on, got the dawn Strong.

[Melissa Ford]

Got the dawn.

[Joe Budden]

Hey, I sent that thing to the hair salon, the nail salon, the degreaser, the refurbished salon, and every other salon I could find. Cat Daddy. That is a rescue dog now. Don't even look the same dog. It should be a little different. Yeah, different hairstyle.

[Ish]

I didn't know that dog.

[Joe Budden]

Different Febreze.

[Flip]

Them rescue dogs be loyal, too.

[Joe Budden]

Come on now. They hated where they was at. They hated that last ho home. Come on now, any.

[Melissa Ford]

That's nasty.

[Joe Budden]

I don't care.

[Melissa Ford]

That's nasty.

[Joe Budden]

I don't care.

[Melissa Ford]

Don't say rescue dog, but yeah, well.

[Joe Budden]

You know what I'm saying. Not a rescue dog.

[Melissa Ford]

Clean it up. Clean it up. I'm just trying to help.

[Joe Budden]

Rescue.

[Melissa Ford]

Yeah, we know them rescue. They usually meet like you and you.

[Joe Budden]

Clean them up and then I cleans them up. Yeah.

[Melissa Ford]

Do they end up going back to the other.

[Joe Budden]

Oh, I don't know. I don't keep tabs when I'm done.

[Melissa Ford]

Oh, you don't care about that.

[Joe Budden]

I don't care what you do when I'm done. Done Done is done done. And you ask me about a life I don't even remember. Man, I've been my girl six years. I'm only looking forward. I'm only looking forward. I don't even remember these times that we speak about. These are the times we all wish for. I don't remember. I'm sorry.

[Melissa Ford]

That's what I respect about you, Holy man.

[Joe Budden]

That's what I respect about this room. No, for real. Everybody here. I don't know if I could do this pod with a bunch of single niggas.

[Melissa Ford]

Come on, man. We're not doing this.

[Joe Budden]

Serious.

[Melissa Ford]

Yeah, I know.

[Mark Lamont Hill]

God damn it.

[Joe Budden]

All right, moving on.

[Flip]

So which of our Newark residents is gonna tell us about this Newark Airport?

[Mark Lamont Hill]

I was just looking it up.

[Melissa Ford]

It's freeze.

[Ish]

I mean, it's. I mean, we. We talked about it a little bit, but. This is bad.

[Flip]

No, it's expanded since we talked about it before. It was just like, oh, it's just up over there.

[Corey]

The New York Times wrote an article on it.

[Joe Budden]

That's.

[Ish]

It just went public.

[Parks]

Public, that's all.

[Joe Budden]

No, not. It just went public. When we spoke about it. It. It was construction, and that was it.

[Ish]

Well, I didn't believe that.

[Parks]

I said it wasn't.

[Ish]

That wasn't construction.

[Parks]

I said that from the rip. It wasn't construction because the instruction is easily remedied.

[Joe Budden]

All right, be clear. There is construction.

[Parks]

True. But that ain't the reason for this. That's my back. That might be what they telling y'all is the reason for this. My. If you own one of the biggest or most important, not biggest, but one of the most important airports in the.

[Ish]

Country, international airports at that.

[Parks]

In the country, or maybe in the nation, to ISIS point, my nigga, if construction is your issue, you have on the clock. Niggas working around a construction issue to remedy it, right?

[Joe Budden]

Yeah.

[Corey]

LAX has been under construction for God knows how long, and it has not stopped. You know, their.

[Parks]

I was flying out. They told us, yo, it's only one lane open. Y'all are number 39. My plane was leaving at six, nigga, I left at almost nine o'clock.

[Corey]

That's not construction.

[Parks]

That's not construction.

[Corey]

That's short staff, yo, y'all.

[Parks]

And so a lot of the staffing issues, they are saying. Because they said that the FAA that regulates Newark is out of Philly, didn't.

[Flip]

They just fire a whole bunch of ways?

[Mark Lamont Hill]

There you go.

[Flip]

Trump cut everything.

[Ish]

There you go.

[Joe Budden]

Trump?

[Melissa Ford]

Yeah, your cousin.

[Parks]

So that's be clear. So they said it's a combination of things. I think nobody really has the balls to blame it on him. Yeah, that's what I really think. I think nobody has the balls to blame it on the administration for fear of losing their job. They found out out and so now they blaming it on a multitude of things. Construction, layoffs, etc. Etc. If it's only one lane open in the airport, that's scary, bro.

[Ish]

I left, I left on one day. They hit us with the one one lane situation. Back planes up. They talking about one. Excuse me, not one lane, one Runway.

[Parks]

Yeah, Runway to accommodate.

[Ish]

To accommodate all flights, incoming and outgoing. One run.

[Joe Budden]

Oh, I didn't know that.

[Ish]

For an international football. For Newark International Airport.

[Parks]

I didn't know that.

[Ish]

That's already crazy.

[Parks]

That's insane.

[Ish]

But what was interesting to me is on the return, they told us we were delayed because of an issue in Newark, but they never said it was because of construction. They said it's windy, it's windy, it's wind conditions.

[Parks]

So when I.

[Ish]

So if it's, if it's. It seems like you're giving a bunch of different reasons to just say something.

[Parks]

Or anything that is applicable at the time.

[Ish]

So.

[Parks]

Two weeks ago, three weeks ago, I went, went to Virginia. That Monday I was coming home. They said it was the rain, right? So they postponed my flight. I flew out Tuesday morning. I came straight to the popcorn.

[Joe Budden]

Remember that?

[Parks]

Boom. This Sunday when I was leaving, they said it was the wind to ISIS Point. They said it was windy in New Jersey.

[Joe Budden]

Okay, Right.

[Parks]

I'm like, yo, my nigga, it's been windy since we was kids. What the fuck are we talking about? So is it the element? Is it construction? My flight was leaving Sunday. This Sunday. It was supposed to be at 6:20. The second I returned, the car got to the gate, they said 9:40. While I'm sitting there negotiating, they said. Cause I was trying to find another airline. They said 11:05.

[Flip]

Yeah.

[Parks]

I took my dumb ass downstairs, got me another rental car and drove home. All the way home. That flight did leave at 11:05 and it got to something after 11. It got here at like 1:00, which means the runways cleared up. It didn't get less windy, the runways cleared up, which allowed for more traffic to come through. And that's really what happened.

[Corey]

And not only that, they're also diverting flights to other areas. Like some people who are.

[Parks]

They're saying leave out of LaGuardia now.

[Corey]

Yeah, but some. Exactly.

[Joe Budden]

I encourage anybody listening. If you can avoid EWR Newark Airport till the end of June, mid June is when they, they said Corey. They said July. They said July.

[Ish]

Yeah, it was in July, the middle of July.

[Mark Lamont Hill]

Man, if you could averted Jersey whenever.

[Joe Budden]

Just do it, Mark.

[Mark Lamont Hill]

Watch that fuck that makes stories. The trains don't work, you get shanked in the fucking train station, man. You be at the train station. You know, the fucking. The airline.

[Melissa Ford]

Penn Station.

[Mark Lamont Hill]

No, you said you go all the time.

[Parks]

This nigga act like Philly is fucking.

[Joe Budden]

Guns and no, he act like he didn't just move right to New Jersey. Like enough. Enough of you take it down.

[Ish]

No, he might have did that for love.

[Mark Lamont Hill]

You're right.

[Parks]

Like Philly ain't sunshine and rainbows.

[Mark Lamont Hill]

This is much better in this hellhole.

[Joe Budden]

It's the arm.

[Ish]

You know better.

[Joe Budden]

If you can avoid EWR until still.

[Parks]

Got 80,000 hollow houses.

[Joe Budden]

The end of June. Pardon me. Early July. I recommend you do. So I'm supposed to be flying out to Baltimore, Austin, Tune. And I'm gonna do JFK or LaGuardia.

[Flip]

LaGuardia.

[Mark Lamont Hill]

LaGuardia is nice now. They cleaned up. They hosed her down. Yeah, lagarde look now you can even shop in that now.

[Joe Budden]

But LaGuardia and JFK are really nice.

[Mark Lamont Hill]

Oh, JFK always been good for me. I just don't like the distance for jfk.

[Joe Budden]

I don't like either one of them.

[Mark Lamont Hill]

I ain't trying to go all the.

[Joe Budden]

Way up JFK before they redid it. And I remember they just redid it first and then LaGuardia. Took ages for them to redo and then they did redo some of new. It's a shame that Newark is going through.

[Ish]

This.

[Corey]

Terminal is gorgeous.

[Parks]

Well, neither one of them airport's better than Newark.

[Mark Lamont Hill]

That's not true. You got hours to shop because your plane ain't never gonna leave. So you get a whole meal and I got.

[Joe Budden]

JFK is a much better airport than Newark. It's a much better airport than Newark.

[Mark Lamont Hill]

It got better shots.

[Joe Budden]

By far. By far. Everything about JFK is better than Newark.

[Ish]

That one.

[Joe Budden]

It's just far.

[Ish]

I don't know.

[Mark Lamont Hill]

I just don't like.

[Ish]

I'm not going there. Said I'll go to new camp.

[Joe Budden]

Newark is the United hub. You can't even catch. You can't even catch some of the fly flights from Newark.

[Mark Lamont Hill]

Exactly. Jersey.

[Melissa Ford]

Yeah.

[Joe Budden]

I'm not doing this.

[Mark Lamont Hill]

United is the hub. Atlanta got like Delta, you know, I mean, Philly got America, y'all got United. Come on.

[Joe Budden]

That'S a government thing. Don't put that on us.

[Ish]

No, I'm waiting to hit a problem with that.

[Parks]

Yeah, I don't understand the problem.

[Corey]

I like the.

[Mark Lamont Hill]

I like a lot of the fly city locations. You got connecting, man. It's fine. It's a fun airport. I just find living in Jersey, Y'all like the armpit of the East Coast.

[Joe Budden]

You had to pick up. If you had to pick up United. Well, he might be trolling. I'm dead.

[Mark Lamont Hill]

No, I'm dead ass. I would take Delta if I had to pick up.

[Joe Budden]

You would definitely take Delta. You would probably take a couple more before you said United as your preferred hub. Yeah. Why?

[Ish]

Oh, yeah. But then again, I'm.

[Joe Budden]

I'm. I'm united on your level.

[Ish]

Huh? I'm united all day.

[Corey]

I like United too.

[Joe Budden]

That's on Brand for you. Shocked about him.

[Ish]

Yeah, yeah.

[Parks]

You know what that means?

[Ish]

No, you talking about me.

[Parks]

No, you said me.

[Joe Budden]

No, you talking. You said that's Brand. But you got some of that I should in YouTube. So both of y'all know I don't.

[Ish]

Know what that means.

[Flip]

Speaking of that, Trump's up for the country. Does anybody have any thoughts or insight on this movie tariff? Foreign movie tariff.

[Ish]

What?

[Flip]

Donald Trump said the world 100% tariff on all foreign movies because Hollywood is struggling.

[Parks]

That's what he said. And we supposed to be making our own movies and we watching other people's movies and they bringing their movies into the country and, nigga, this shit is on.

[Ish]

What?

[Mark Lamont Hill]

Help me understand, do we watch that many of other people's. I'm not a movie.

[Corey]

No, it's not that. He's talking about filming. He's talking about filming outside of the country.

[Mark Lamont Hill]

Oh, that's true. I see what you mean. Like, Sinners was filmed in Canada, right?

[Joe Budden]

Australia.

[Mark Lamont Hill]

Excuse me? Yeah, yeah, Australia. It might as well be.

[Parks]

I know.

[Joe Budden]

Yeah.

[Mark Lamont Hill]

I only know because at the end of the credits, I remember looking and being like, oh, that wasn't this. You know, because it's cheaper, it's easier. Yeah, I guess. I mean, you got a point. I just don't know if that's the right solution. I tend to just. My default is to say that ain't the right answer. But I don't know.

[Corey]

It's not the right solution.

[Ish]

It's just all you gonna do is make movie ticket prices go up.

[Flip]

There's also just like certain like that you can't find in America. I mean, American. America's vast and has a bunch of different shoot.

[Parks]

Game of Thrones and Watts, right?

[Joe Budden]

What you talking about, my nigga?

[Flip]

What the fuck are you talking about?

[Corey]

Any Mission Impossible.

[Parks]

Yeah, any Mission Impossible.

[Corey]

Anyone.

[Ish]

All over the world.

[Parks]

All of the bonds. Yo, dawg, this shit just goes back to the whole factories and all that other shit.

[Corey]

No, he's. No, what he's trying to do is he's trying to punish Hollywood because it's primarily liberal and he has always been excluded from, from the cool kids, LA and New York.

[Mark Lamont Hill]

Yeah, yeah, fuck with him.

[Corey]

Yeah. So that's, that's it. That's it. He's just trying to punish the people that just don't fuck with him and have never, you know, invited him into the fold.

[Flip]

I think he's just waking up in the morning seeing some.

[Parks]

I think he just keep trying to make distractions to go against from the real shit he's lacking, which is real power crumbling. Yeah, we're gonna make a diversion, we're gonna throw something up in the air, make it blow up. It's gonna distract to people and we not really doing the work that needs to be done beneath the scenes.

[Ish]

Well, did you.

[Joe Budden]

Since we talked about to the escape. Oh, oh, all right, never mind. No, go ahead, I'm talking.

[Ish]

No, I was just saying he also announced and I want to know your thoughts on this. He's talking about getting rid of section 8 and saying that they're going to put a cap for able bodied adults to two years.

[Parks]

Okay, seriously?

[Ish]

Yeah.

[Parks]

You're going to get rid of section 8. At the same time, half of the country, not half of the country, but a large portion of the country are losing their employment.

[Corey]

Yeah.

[Parks]

How's that work? And we are, and we had record house prices. How's that work for the economy that you're going to rescue?

[Corey]

Well, he doesn't give a fuck.

[Mark Lamont Hill]

I think it goes right back to what you said. He's just, he's just sending signals to his base.

[Joe Budden]

But this is, this is the real killer.

[Parks]

No, yo, but this is a real killer. A huge part of Donald Trump's base is Section 8ers. Yeah, we keep looking at it like, yo, it's just a liberal outside state. No, a lot of Donald Trump's base in inner America, they poor white people.

[Corey]

Yes, but they're bringing us that are.

[Parks]

On Section eight, my nigga. So when you drop Section eight, what happens to them now? Billy in the trailer, he fucked up. What are we talking about? It's gonna backfire, my nigga. And they don't got jobs out there.

[Melissa Ford]

This nigga's crazy.

[Parks]

What am I saying that's wrong?

[Melissa Ford]

I can't do that. Hey, flip sound good? You sound good, boy.

[Mark Lamont Hill]

Yeah, yo.

[Joe Budden]

Oh, look, please, no one here has a Thunderbolts review.

[Ish]

I saw it and I hated it. And they Kill us all.

[Corey]

The movie.

[Ish]

Yeah, I saw it. It's not Thunderbolts.

[Joe Budden]

It's the new Avengers.

[Ish]

It's the new.

[Joe Budden]

I know they changed the billboards. That's.

[Ish]

That's what they doing. That's part of their marketing.

[Joe Budden]

But that's not the name of the movie.

[Ish]

Well, the movie was all. It's all part of the marketing. And the movie was always Thunderbolts. If you ever look at an Asterix next to it, spoiler alert. At the end of the movie, they are announced as the New Avengers, and the new title comes up. And couple days, a day or so after the movies come out, they're up there ripping off Thunderbolts and now putting the New Avengers up there.

[Joe Budden]

Really? Oh, that's disgusting. Marvel must have a new owner. Where? Stan Lee, rest in peace. Where is Stanley when you're doing.

[Flip]

Well, the movie.

[Ish]

Movie.

[Joe Budden]

Thunderbolts are not the new Avengers. I don't care how many people.

[Ish]

I agree, but I'm not gonna get. I just did not like the way the trailer portrayed who the protagonist was in the movie. They didn't really show it, so it was kind of like, oh, this powerful as hell. He's this. He's this. He's this. Again, I don't follow the comics. I don't care. I am an MCU viewer. I just follow the movies.

[Parks]

It was a new Avengers in the comic books.

[Ish]

No, I'm not saying nothing about that. I'm talking about the movie. Movie itself, though, it felt like a letdown, like, once you found out, okay, this is who these is fighting, and this is how y'all beat this. Are you serious?

[Parks]

So it wasn't.

[Corey]

Well, oh, wait, so it's the. So they're the good guys. You're talking about the.

[Ish]

It's Suicide Squad.

[Mark Lamont Hill]

But that's what I was gonna say.

[Corey]

It looks like Suicide Squad, but that's. The Suicide Squad was bad, but that's the antagonist.

[Ish]

I. I don't want to spoil it.

[Parks]

So it wasn't.

[Corey]

Well, no, Rather than protagonist, it's the antagonist, the evil.

[Joe Budden]

Oh, excuse me.

[Parks]

I said protagonist. Pardon me.

[Ish]

Pardon me. Pardon me. Mel knows the words, not me.

[Joe Budden]

But yeah, the evil.

[Ish]

The evil. Yeah, it was. I was like, really? I'm cool.

[Parks]

It didn't look like I'm so cool.

[Joe Budden]

On Thunderbolts because I know my mom and her friend group. Absolutely love our TV and movie recommendations. On this podcast I started, your Friends and Neighbors.

[Corey]

Oh, with Jon Hamm on Apple.

[Joe Budden]

Love it.

[Ish]

It's on my list to start.

[Joe Budden]

Absolutely love it. There's only five episodes available. This drops episodically, I want to say, on Fridays. What a great show. I don't want to spoil it.

[Corey]

Your friends and neighbors.

[Joe Budden]

Your friends and neighbors.

[Ish]

What is it about my man that go broke and.

[Corey]

Yeah, super, super rich. Yeah, yeah, I want to see. And he starts robbing, like his neighbor.

[Ish]

His neighbors.

[Corey]

His neighbors.

[Flip]

Someone big is in there, right?

[Corey]

Jon Hamm.

[Flip]

Jon Hamm. I heard this.

[Joe Budden]

I love him. Me too. I absolutely love him. But it's a great show.

[Corey]

Mad Men.

[Joe Budden]

If you haven't seen it, please check it out on Apple tv. This is not an ad. It's just a really good show. You were saying, Mark?

[Mark Lamont Hill]

I was going in a whole different direction. We didn't talk about Diddy. This is the Diddy trial, opened up this week.

[Ish]

Well, just jury selection right now.

[Mark Lamont Hill]

No, but what I thought was interesting about the jury selection was how they're deciding how they're getting rid of people. Did you see this? So they questionnaire, they interviewed 150 people. They gave them all a questionnaire. And it's the normal voir dire process, you know, they're trying to get through, you know, to see if you can, if you can be impartial, partial to see if you've had bad experiences, whether you've been experiencing sexual assault, et cetera. But then they gave them a list of celebrities that they had to know or not know. And the list was interesting. They asked them if they knew Michael B. Jordan. They asked him if they knew who Kanye west was. They asked him if they knew who Mike Myers was. They asked him if they knew who Kid Cudi was. I thought the list was interesting one. It's a window into maybe whose name's gonna come up in trial.

[Joe Budden]

Yeah, yeah.

[Mark Lamont Hill]

The Mike Myers thing was kind of a bit of a red herring for me.

[Joe Budden]

I was like, I don't know. That Mike Myers name won't come up at trial. Like, we don't know. We don't know.

[Mark Lamont Hill]

I was just surprised. I wasn't expecting, you know, Wayne's World.

[Joe Budden]

But like, well, well, Puff's fucking network is. We don't know who might pop up in this motherfucker.

[Mark Lamont Hill]

But I was also thinking, like, who would be in a jury pool that.

[Corey]

Has never, never heard of Kanye West?

[Mark Lamont Hill]

I don't know if I want a jury pool that doesn't know who Kanye west or Mike Myers is.

[Parks]

I think that's a test though.

[Joe Budden]

It's a tactic.

[Parks]

It's a test too, because in, in the jury selection process, you should be removed from the story.

[Flip]

Right?

[Joe Budden]

Right.

[Parks]

Because if you watch the story on the news, like during the O.J. trial, they told them, don't turn the TVs on.

[Joe Budden]

Yeah.

[Parks]

Like, you're not supposed to have any information already or have heard of anything. So if you, Kanye west comes across your algorithm.

[Joe Budden]

Yeah.

[Parks]

If Kid Cudi comes across your algorithm, then more than likely Sean Combs has come across your algorithm and you might have already be impartial.

[Mark Lamont Hill]

But I'm just saying, like, if you've never. If you're a juror and you've lived in America and never heard of Kanye and you've never heard of Mike Myers, you've never heard all these people. I'm like, are you a normal person? Like, I don't know if a normal person could go at this stage in 2025 and not know any of these people.

[Ish]

Find 12 people that not know any of them names.

[Mark Lamont Hill]

That's what I'm saying. I don't even think it's possible. I don't think it's possible. I get your point to be people being disconnected from the story, but I think this is one of them cases like OJ where we not even gonna pretend you disconnected from the story. We just want to pretend. We just want somebody who can be impartial despite knowing the story.

[Joe Budden]

Or.

[Parks]

Or Kid Cudi. Like, if you bring King, pardon me, Kid Cudi into the. To the fold, you know the rumors are surrounding Puff and Kid Cudi.

[Joe Budden]

Right.

[Parks]

You get what I'm saying? So all of those things, you.

[Joe Budden]

You ain't even a rumor. Cudi said that. We didn't say it.

[Parks]

Nah, I feel like Cudi said that shit. You know, I mean, I ain't indicting a. I'm just saying that you kind of want to try and attempt. Like there's no grown up person that really don't know who Sean Combs is, but you want to attempt in your best efforts to have it be unbiased.

[Mark Lamont Hill]

Yeah, I think unbiased is the goal. I'd be skeptical of somebody if somebody told me they didn't know who Michael B. Jordan, Kanye West, Mike Myers was. I think they were lying.

[Corey]

Was there anybody else on the list other than those four?

[Mark Lamont Hill]

There were a few. Dawn from. They raised dawn from Dirty Money and Gannity, Kane. That's what I'm trying to think of. Who else was. I'm trying to pull up the list now, but those are the big ones.

[Melissa Ford]

I have a question for you, Mark, when you finish.

[Mark Lamont Hill]

Yeah, go ahead, bro.

[Melissa Ford]

What do you say to someone that the closer this trial comes, right. That actually starts to get nervous and feel Bad for him. Right. Do they express that publicly or do you feel like because they'll be judged, they have to internalize it. What do you say to that? Like, just feel bad. And now I'm nervous. Now it's looking like he's about to go forever. And my relationship with him was this. Regardless of what the people see.

[Mark Lamont Hill]

You talking about potential jurors? Just people in general.

[Joe Budden]

General.

[Corey]

And just a person like somebody who's connected to him. A friend of.

[Joe Budden]

Yeah. You talking about like, him?

[Mark Lamont Hill]

Oh, not me.

[Joe Budden]

No, not you. But people like him.

[Mark Lamont Hill]

Like him.

[Melissa Ford]

I mean, one of the people like you.

[Mark Lamont Hill]

What?

[Joe Budden]

But. But I wouldn't have no problem saying that.

[Melissa Ford]

I want him to answer because you're not going.

[Ish]

You. You're not going.

[Melissa Ford]

I want him to answer it because I don't think you're going to answer the question honestly.

[Joe Budden]

Okay. I think you're going to pussy for the round. Yeah.

[Melissa Ford]

Because I. And you mastered that. And I understand why. Like, I have to move, like. But I wanna know when you express.

[Joe Budden]

You think Mark has more empathy than me.

[Melissa Ford]

No, I just feel like it's hard to. I feel like in the world that we live in today, it is hard to express that you would get judged for expressing, you know, your concern for a person who might have done bad. And like, damn, I just hope everything works out. Like, how does a person.

[Mark Lamont Hill]

I think they should be honest about that. I mean, even if they get judged, I mean, that's the risk of telling the truth. Right? I mean.

[Melissa Ford]

Got it.

[Mark Lamont Hill]

You know, I work with people. I do a lot of work with prisoners. I've been working with prisoners for decades. Some of them did to crimes. I just think they got too much time. Some of them I don't believe. Some of them I believe are innocent. Others I believe, like, you shouldn't get 30 years for doing X. You know what I mean? And it's tough to say when someone's been harmed, you know, yeah, he did it, but he still shouldn't get life, you know? So when it comes to Diddy, I think. I don't think anybody's defending what they saw on tape that we know Diddy did. I think the question becomes for people, for some people, the people you're talking about is one, has he done everything that he's accused of? Because once the floodgates opened, you had thousands of people accused and did everything he did. Some of that shit. Some of it I'm confident he didn't do. Right. We don't know that's what the trial is. For. And then the second question is, will the punishment fit the crime? There's rumors that. Oh, no, it's not rumors. He confirmed that they rejected the settlement. I don't know what the settlement offer was. I've heard five years. I've heard other numbers. I don't know what's true, but.

[Ish]

That Puff rejected the settlement.

[Mark Lamont Hill]

That Puff rejected the settlement.

[Joe Budden]

Yeah.

[Corey]

There's a plea deal on the plea deal.

[Mark Lamont Hill]

I'm sorry I said settlement. I mean plea. I'm sorry. They rejected the plea deal. So we know that there is a number out there that's tangible, that was offered for some people. The fact that he rejected that will take away their sympathy. Like you had an opportunity to get a lower number. Now, if you get roofed, that's on you. Unless you think you're innocent. Right. So all these things play out for me. It's gonna come down to what's in the trial and what comes out. I'm confident that Diddy did some of that shit, but I'm not confident at what the details are until I see.

[Melissa Ford]

You answering my question. As far as the people, I'm saying.

[Mark Lamont Hill]

They should speak out and tell the truth, despite the.

[Melissa Ford]

Regardless.

[Mark Lamont Hill]

Regardless. I think that's always the right answer, and I think we have to be more honest about that, because we're in a culture now where we only defend people who are innocent.

[Melissa Ford]

True.

[Mark Lamont Hill]

And part of the criminal legal system and part of the structure of it, in my estimation, is not just to protect the innocent, but also to make sure that people who do bad things don't get excessive punishment. That's why we don't have cruel and unusual punishment. You know, so we have to think about all those things. And that means sometimes taking a tough position. And I got burnt by that. Last week. I was working with a brother who was locked up for 22 years for murder. And I worked with him, I mentored him. I talked to him. He's been home for two years, and he just got arrested last week for murdering somebody else. Mm.

[Joe Budden]

Mm.

[Mark Lamont Hill]

I don't feel that I was wrong for.

[Joe Budden]

Okay. That has to affect your part. Her to, mom standing.

[Mark Lamont Hill]

You getting desperate, man. It's okay.

[Flip]

Anything you can do.

[Joe Budden]

You defended what?

[Mark Lamont Hill]

I didn't defend him, but I want him to come home. But, you know, because he. He was reformed, rehabilitated.

[Joe Budden]

He was.

[Mark Lamont Hill]

Became a journalist in prison. You know, all these things.

[Corey]

Wow.

[Mark Lamont Hill]

Yes. That's something. That's. These are the things that he's saying.

[Joe Budden]

You talking about the brother? There was a story recently. Okay. Last week Got it.

[Mark Lamont Hill]

Yeah. And so those are the moments.

[Melissa Ford]

He came home and killed somebody else.

[Mark Lamont Hill]

Allegedly. He's accused of it. He's charged with it. Yeah, he's charged with it. He got arrested last week. I knew him well.

[Ish]

How did you feel when you saw that?

[Mark Lamont Hill]

I was heartbroken. I was heartbroken for the woman he allegedly killed. I was heartbroken for all the prisoners who we work with to get rehabilitated and to get. To do the right thing and to get sentenced.

[Ish]

This set everybody back.

[Mark Lamont Hill]

This sets everybody back. When you fight for bail reform, when you fight for prison reform, it's hard. Or when you fight for abolition, it's hard to say that because they always go, say, what about him?

[Corey]

Had he served his full sentence or did he get some.

[Mark Lamont Hill]

I think he did the whole thing. No, he did.

[Melissa Ford]

He did.

[Mark Lamont Hill]

They gave him the whole thing.

[Corey]

Okay.

[Mark Lamont Hill]

He ate the whole thing. And now he's going back.

[Joe Budden]

So.

[Mark Lamont Hill]

But all that to say. So for me, I understand the challenge of standing with people who are, quote, unquote, guilty.

[Joe Budden]

Yes.

[Mark Lamont Hill]

But that's all part of the process. And with Diddy, we got this Cassie tape, which he fought to get suppressed. Suppressed because they said it will prejudice the jury.

[Joe Budden]

And I'm seeing mixed reports on that. Yeah, like sometimes some. In some reports, they're saying they will allow that video evidence. And I've heard that in my recent reports. I'm saying. They're saying that it's undecided. And as of now, they will not yet. So I'm uncertain of that. I'll answer your question anyway, even though you look for my answer. Fuck you, bitch. No, no, because I feel bad when I look at his kid. Yeah.

[Melissa Ford]

Because when we asked you this question, I seen you. You gotta remember.

[Ish]

What?

[Melissa Ford]

He wasn't here when the shit was first going on. I'm gonna be mindful what I say. You know, like, I seen you battle, in my opinion, your true feelings and how you wanna come off to the masses. I've seen that in real time. And that's no disrespect to you. You just have a job to do.

[Joe Budden]

No, don't paint it wrong. I'm battling the person that. That I knew versus the person that people are saying they know.

[Melissa Ford]

Sorry, that's what he said. That's what I'm saying. But let me just.

[Joe Budden]

Because it wasn't a battle with what I wanted to say and what I didn't want to say. No.

[Melissa Ford]

Because when it first happened, especially when.

[Mark Lamont Hill]

You'Ve been to the party.

[Joe Budden]

Hold on.

[Melissa Ford]

Wait, wait, wait. When it first happened.

[Joe Budden]

Everybody just didn't have that view of Puff before. Listen, I don't give a fuck what they say about him now. The niggas the best hostess. Host, host, hostess. Depending on the night that hip hop is ever seen.

[Melissa Ford]

So can we. Sometimes you want the truth, but sometimes we can't tell the truth.

[Joe Budden]

You can say the truth anytime you want. And if it's too much truth, we'll edit it out.

[Melissa Ford]

All I'm saying is that I watch people in real time have feelings. And once the information came out, was battling with those feelings internally. Because then now, like you said earlier, like the person that I know and the person that the public knows, it's an internal conflict. And it's irresponsible for even me for a person to come up here and say something. And it comes insensitive to others who may have suffered. So that's just a hard thing to deal with. Me, I'll just go off on a ledge and I'll deal with the ramifications. But sometimes that's irresponsible. And I appreciate you guys bringing me. Bringing it there. Hold on now. You don't have to do all that. You just don't have to do it. But I also feel like.

[Joe Budden]

And on the flip side of what you're saying, well, to add on what you're saying, there's tons of people out there that believe he'll be back on the street shortly.

[Melissa Ford]

Yeah, you're right.

[Joe Budden]

So a lot of people.

[Ish]

There's a bunch of people that.

[Joe Budden]

Yeah, I mean, there's some people that don't feel they have the strongest case against him. And, you know, per the reports, they're saying he was in the court eight lawyers deep, eight lawyers strong. The most recent lawyer is Homeboy, that Hip Hop has crowned best lawyer in the universe, Lawyer Brian Steele. Was it Brian Steele or was it Drew? It was Brian. Brian. Either way, both of them. Creme de la creme, right? So if you got. If your money is long as strange, smoking, it's just words. And you're sitting there with eight of the best attorneys in the universe. You feeling good and you feel like, you know. They said.

[Melissa Ford]

He said he was nervous.

[Joe Budden]

He said that? Yes, he said that. As he should. He said he had reading glasses on. He's now playing the game. You know what the game is? I'm going up here to be, you know, not arrogant. No, none of that stuff.

[Flip]

I think it's also okay to be.

[Joe Budden]

Real quick because he's going to make them make the prosecution or the Feds or whoever this is draw a very distinct line between the difference in being a swinger and being a sex trafficker. That's what it seems like from. From the report. Me even thinking about that. That does muddy it up a little bit. Yeah, yeah. Now and let.

[Parks]

Muddy it up and what we're.

[Joe Budden]

Muddy it up as in it's gonna be your job to have all facts eyes dotted. Like in the OJ Case. Like in the OJ Case. You drop the ball on how y'all collected evidence. What evidence you got, how y'all handle things. Fucked us up. Who cares if he did it or not? He's putting the ball in their court to make sure everything that you have collected and the evidence says I am a sex trafficker and sexual abuser versus.

[Parks]

I'm on some other free.

[Joe Budden]

Yeah.

[Parks]

Some freaky wild.

[Corey]

And in addition, it's a great defense. Yeah. But in addition to that, apparently the phrase coercive control has been stricken. It can't be used, which is huge. Yeah.

[Mark Lamont Hill]

And he tried to use the drug defense, too. That. That failed. Right. Because they were trying to. They're trying to like that defense.

[Parks]

Yeah, that was horrible.

[Joe Budden]

That was a.

[Mark Lamont Hill]

But. But you gotta throw it up.

[Joe Budden]

But you gotta throw everything out there, Right?

[Mark Lamont Hill]

Because if you can establish. The idea was basically saying that to criminal. To get a criminal convention, you have to criminal conviction, you have to show that you had a criminal mind. We call a mens rea a criminal mind. And his point was. I was so high, I don't know.

[Corey]

What to say, that I didn't have the intent to. Yeah, I didn't have a criminal act exactly. It was just fun. To me, it's an affirmative defense.

[Mark Lamont Hill]

Like, I did it, but I did it because it's like saying I thought.

[Corey]

That everybody was a willing participant, right?

[Mark Lamont Hill]

So they were like, yeah, fuck that. Then he played the race car with the man act, saying basically the man act has been used mainly against black men, you know, like Jack Johnson and all these people. It's been used to basically to criminalize black men for all kinds of shit.

[Melissa Ford]

Right.

[Mark Lamont Hill]

Wasn't the most persuasive argument.

[Melissa Ford]

Jack Johnson, the boxer.

[Mark Lamont Hill]

The boxer, right. Because he had a white woman. And basically that I remember.

[Melissa Ford]

Yeah.

[Mark Lamont Hill]

So then he's establishing this third piece, which I think is the best argument, which is, look, I'm a freak boy, right? Like, I do freaky shit, I do wild shit, and I do wild. I'm rich. So if you do freaky wild shit with drugs and a lot of people, you're going to be traveling across the country. We got escorts. We got this. We got that. This wasn't sex trafficking. This was just regular fucking. And because the jury is supposed to invoke what they call the reasonable man standard, the idea. What would a reasonable person do under this situation? It's quite reasonable that a juror, even if they can't. Even if they didn't live that life, could relate to it. They assume that rich people do freaky, wild shit. So I think that that actually might make a juror say, you know what? Puffy's not a criminal. He's the freak.

[Parks]

Or we got dialogue that says, yo, blah, blah, blah, blah, blah. Can't wait to do xyz. But you live in California, and I live in Florida, right? So when you got on that plane and me and you have a dialogue saying, I'mma eat your ass out like crab, bae. You get on a flight and you.

[Ish]

Come over there and you did it.

[Melissa Ford]

I heard that.

[Mark Lamont Hill]

That feels like real dialogue.

[Melissa Ford]

That feels.

[Mark Lamont Hill]

You didn't just make that one up. Do a search, right? Do a search. Type crab in that phone.

[Melissa Ford]

What the. Come on, man.

[Joe Budden]

You freak.

[Parks]

I don't even eat crab.

[Joe Budden]

Y.

[Mark Lamont Hill]

Stupid crab.

[Parks]

Whatever the dialogue might have been. You know what I'm saying? Like, yo, dog, we. We've all, not for nothing, had women come from other states maybe to visit us.

[Mark Lamont Hill]

Yeah.

[Ish]

And that.

[Parks]

And if y'all got into some shit, then that could potentially go left, right?

[Mark Lamont Hill]

And they're gonna, like. That's what he means. You're gonna blur that line.

[Parks]

Yeah, they're gonna.

[Corey]

It's just interesting it took him that long to pick this as the defense.

[Mark Lamont Hill]

That might have always been their.

[Joe Budden]

Their. Their.

[Mark Lamont Hill]

Their go to defense again. You throw everything out. You throw the shit that's exculpatory first. You throw out the shit that's gonna make. Make them say you didn't do it first if you can, but.

[Joe Budden]

And I'm not in a rush to release my defense to people that are about to prepare.

[Parks]

That could prepare their own defense.

[Mark Lamont Hill]

Right.

[Joe Budden]

Right here. Yeah. No. Hell, no. I'm not doing that. Yeah. Just for the record, because I forgot everyone here. Here. What does everybody stand here? Y'all feel he's going down? Y'all feel he's coming out? I think they're gonna get him because they want to get him.

[Flip]

I think they're gonna get him.

[Joe Budden]

I don't care about none of what the evidence they. They want to get him, so they're gonna get him. I don't think it's I don't think it's gonna be forever.

[Flip]

It's gonna be a couple years, five years maybe.

[Mark Lamont Hill]

I think he's gonna do seven. I think it'll do five to seven. You say time serve.

[Joe Budden]

No, I ain't.

[Mark Lamont Hill]

I'm back just in time serv.

[Joe Budden]

No, no time serve. We getting him? Not we, but they're. They're getting him.

[Corey]

Yeah.

[Ish]

I would like to know what that plea was. I mean, I know I won't, but.

[Joe Budden]

10 to 15, come home in seven.

[Parks]

That's a good point.

[Mark Lamont Hill]

What? Because. Right, because the question is, what is the number that he would have said yes to? They offer him three years. You take it right after you've already done a year. So it had to be at least five. Five. Like you said, five.

[Joe Budden]

Depends on where your arrogance is.

[Ish]

I was just gonna say.

[Parks]

And it depends on who you.

[Ish]

What your.

[Parks]

What your team, what your law team is telling you to do. If your law team of these. That they are thug lawyer was like, yo, I didn't want him to take a plea.

[Ish]

I told him no, period.

[Mark Lamont Hill]

Right.

[Ish]

Because that was not. The Feds.

[Parks]

Them offered ASAP. What, 180 days?

[Joe Budden]

Yeah.

[Mark Lamont Hill]

And we. And we was kicking his back in, like, why didn't he take that 15.

[Parks]

Months or 6 months or some? And he was like, no.

[Joe Budden]

And I did come in and apologize to him.

[Mark Lamont Hill]

Yeah, me too.

[Joe Budden]

I was. I was absolutely wrong. You get what I'm saying?

[Flip]

Shout out to Rocky again for his work last night.

[Parks]

Like, dog, we. We came in here like, yo, fan, damn, six months.

[Ish]

You take that.

[Parks]

And unfortunately, we don't. Fortunately, we don't have the loyalty lawyer teams that they got in the legal teams that they got, saying, yo, we about to kick these asses.

[Mark Lamont Hill]

Yeah.

[Ish]

And again, there's another side of that, bro. We see where the plea deal look like it's something that they should take. They take it to trial and get roofed. We see Tory. We all swore. Tory was walking.

[Joe Budden]

Tory bugged out Tory's legal team.

[Mark Lamont Hill]

Tory bugged the fuck out.

[Joe Budden]

Out.

[Parks]

And his legal team wasn't there.

[Joe Budden]

That's true. That's true. The out. He. He told a bunch of missteps with or. But. Water under the bridge.

[Ish]

Exactly. I remember somebody else, they offered him. It was like, yo, take 20, and guess what? And his lawyer wasn't him neither. Yeah, no, his lawyer. Don't get me started.

[Parks]

His lawyer wasn't him neither. I know what you're talking about. His lawyer wasn't him. His lawyer was playing the Internet games and all that. These right here are professionals, bro.

[Corey]

Yeah, but these niggas coming in with.

[Parks]

$4,000 suits on, looking apart, playing the part.

[Corey]

But there is a world in which the jury looks at this dream team and it turns them off.

[Mark Lamont Hill]

Could be.

[Corey]

There is a world where that happens. There's a world where they say the.

[Parks]

Common man can't get a fair shit.

[Corey]

Exactly. But this rich can hire this, you know, eight lawyers with their four thousand dollar suits and he'll fuck you. You know what I'm saying?

[Joe Budden]

You're right.

[Parks]

I totally agree with that.

[Corey]

So we don't know what's going to happen. But with Cassie being a witness for the prosecution, even if they don't have the video, just her witness testimony and her testimony alone is going to be really, really, really hard.

[Parks]

I think her testimony is gonna be.

[Ish]

Pivotal, but I think that cross exam.

[Joe Budden]

Is gonna be pivotal.

[Parks]

I think that cross, that's what I cross, is gonna be a monster.

[Joe Budden]

You run the risk. You do run some risks putting her up there.

[Corey]

Do you see?

[Parks]

And they said even with the tape. Even with the tape. They said they got other tapes.

[Melissa Ford]

Yes.

[Joe Budden]

They would have to have other tapes. No.

[Parks]

And they said there's other tapes. It displays a whole different narrative.

[Joe Budden]

Well, if I believe that Puff is Freaky boy Camcorder man, then yeah, niggas got tapes I was recording. So the same shit is some shit against me. I got some shit. That kind of proves what I'm saying as well.

[Parks]

There you go. Which again muddies the lines like you said.

[Corey]

Do you think he takes the stand in his own defense?

[Mark Lamont Hill]

No.

[Joe Budden]

No, you better not.

[Parks]

I think they never let him take this.

[Joe Budden]

No, no.

[Corey]

Okay.

[Ish]

Absolutely.

[Joe Budden]

You don't pay. You don't pay those high priced attorneys for you to have to get up there and please your case.

[Parks]

No. For you to have to get up there and get cross examined.

[Joe Budden]

Yeah. No, right.

[Ish]

That's the last thing we want. No, we're not doing that.

[Joe Budden]

Last thing we want. Did you see what did y'all think.

[Ish]

About the lines of people out there? They was paying folks. It was 25 to 32 an hour. To stand online.

[Parks]

To say what?

[Mark Lamont Hill]

Just to watch? Yeah, it was like. It was like a getting in a club.

[Corey]

Yeah, it's like first come, first serve type shit. People are lining up at God knows what time.

[Joe Budden]

What is the second? 6:00am what is the second craziest trial that y'all have ever witnessed or been alive for? I say second. Cause I'm just gonna put O.J. on one.

[Corey]

O.J. menendez.

[Joe Budden]

O.J. o.J. Goes at one, everybody.

[Corey]

John Gotti, Robert Blakely.

[Ish]

I ain't never followed none of that shit.

[Corey]

Phil Spector.

[Mark Lamont Hill]

Phil Spector's a good one because of the.

[Corey]

Because it was two trials. First one was a mistrial. Second one he gets convicted for.

[Joe Budden]

But when I speak on biggest trial. Yeah, that was a real good one. But when I speak of biggest, I also mean Jeffrey fucking Dahmer. No, no, I'm also talking about your.

[Mark Lamont Hill]

Reaction, your relationship to it.

[Joe Budden]

Your. Yeah, like. Because these are. These are huge.

[Mark Lamont Hill]

For me, it was Michael. For me, it was Michael Jackson.

[Joe Budden]

But for me, Michael Jackson and O.J.

[Parks]

Were the only two that I felt.

[Melissa Ford]

Oh, George Zimmerman was close, but Michael.

[Mark Lamont Hill]

Jackson for me was Michael second.

[Parks]

Michael N. Second. It was O.J.

[Corey]

And Zimmerman for me.

[Joe Budden]

Which case gave you the biggest? Maybe let me reword it. Which case gave you the biggest? Aha. Like, wow. Like, holy. I can't believe what I'm seeing.

[Mark Lamont Hill]

Rodney King.

[Parks]

I was about to say Rodney King. Yeah, that Rodney King, bro. We saw these cops beating this man on the ground, right? So in our brain, and I was younger. Yeah, but in our brain, it's like, it's no way that they could possibly argue this. You get what I'm saying? There's no way that they could possibly justify. We didn't see it. Rodney King. We saw these men beating this man on tape, kicking them in the face, beating them with batons, and then none of them niggas got a day.

[Joe Budden]

Got it.

[Parks]

So that was something that we had to.

[Mark Lamont Hill]

Yeah, that was heartbreak.

[Joe Budden]

That was a heartbreak for me. Right after Soul J would probably have to be Aaron Hernandez.

[Mark Lamont Hill]

That was a big trial. But it didn't. I didn't have the aha from that.

[Joe Budden]

I don't care about the. The. The. The trial.

[Mark Lamont Hill]

Yeah, yeah.

[Joe Budden]

I care about.

[Mark Lamont Hill]

Wait, what, from cuz of the gay stuff?

[Ish]

No, cuz this is a football where I've been watching.

[Joe Budden]

Of the score touchdowns. He's on my fantasy team, has six bodies. He was doing the gay stuff.

[Ish]

No talk about that.

[Melissa Ford]

There it is, killing everything.

[Mark Lamont Hill]

I guess I went into the trial knowing that already, so I didn't. I wasn't shot. I didn't have an aha moment the way I did.

[Joe Budden]

Well, wait, they learned about new bodies in the trial. That's true.

[Mark Lamont Hill]

But once you kill two, six don't really. I'm not like, oh, he killed even more people.

[Joe Budden]

He's a killer.

[Mark Lamont Hill]

It was the fact that he was a killer was the shocker for me.

[Ish]

I ain't know that if you jump.

[Joe Budden]

From two to six. You're a serial killer now, that's true.

[Mark Lamont Hill]

Circumstance, right?

[Joe Budden]

I know in the hood that killed two, you killed six. You in the hood hall of fame.

[Parks]

Them same two niggas. You think they only kill? They might got four more.

[Mark Lamont Hill]

Don't know, right?

[Ish]

We talking about the ones you know?

[Joe Budden]

Yeah.

[Ish]

Like, God damn that.

[Corey]

For me, one of the most impactful trials I ever watched in my entire life was Paul Bernardo and Carla Hoka.

[Ish]

Yeah.

[Corey]

Do you know who they are?

[Joe Budden]

What?

[Parks]

Leon, did y. I thought you to say Martha.

[Joe Budden]

Stu, take that to H and B. Oh, I'm joking.

[Corey]

Let me.

[Parks]

Nuka, honey.

[Corey]

No. Carl Bernardo and Carla Homolka. They were a married couple and they lived in Canada. They lived in St. Catharines. It's like the suburb that's like about 50 miles outside of Toronto. And on the surface, he's this good looking guy, she's his good looking wife, and everything is perfect, right? Come to find out they're murdering young girls together. So the first girl was named Leslie Mahaffey. She goes missing, nobody knows where she is. Her body's later found like, you know, dismembered in. Encased in cement. The worst part about that is. The worst part about that is, is that she kept leaving. You know, she kept sneaking out at home. And one night her mom found out that she snuck out. So to teach her a lesson, she locked the door. And so that was when Paul Bernardo found Leslie Leslie Mahaffey. That was her name. And so then their next victim was this girl named Kristen French. And they.

[Mark Lamont Hill]

Why do you know this case so well? Did you do a movie of the week reenactment of this?

[Corey]

I did not, no. But this is one. This is one. This is one of the biggest trials.

[Joe Budden]

Yo, you. And it's got to stop. Are y'all crazy? Oh.

[Corey]

Is one of the biggest trials that ever happened in Canada. It was. It was wild. It occupied, like, you know, the news cycle forever. They're called the canon Barbie killers.

[Ish]

What. What year Was this?

[Corey]

Like 1992.

[Parks]

You remember their names?

[Corey]

I remember saying about this because it was so crazy, because their third victim was her sister's name. It was Carla, Mola's sister. So Tammy. Her name was Tammy. Yeah.

[Joe Budden]

You're good boy. Yeah.

[Ish]

You need a hug.

[Corey]

So wait. So hold on. So wait, hold on, hold on. No, no, no. So let me. Let me tell you the aha moment.

[Joe Budden]

Different reasons. She needs a hustle.

[Corey]

Let me tell you the aha moment in this trial.

[Mark Lamont Hill]

Yes.

[Joe Budden]

Stop.

[Melissa Ford]

I want to hear the story. Do you?

[Joe Budden]

No, do you really?

[Melissa Ford]

I do.

[Joe Budden]

Yo, shut up.

[Corey]

Because this is a really interesting. This is a really interesting story about immunity. So they know that they've caught him. And as a matter of fact, he was also the Scarborough Rapist. He was raped. He, like, raped, like 50 women. Okay, so hold on. So she. The prosecution basically, you know, has her as a witness, and they offer her immunity. And she's like, I'm. I was a battered woman. I was forced to do all these things, whatever. So they. She gets her immunity deal, like 11 years or something like that. Then they find tapes inside of the ceiling of the house. They look through this house, like, torn it apart four times and never found these tapes. Somehow, some way on the fifth time they found these tapes. When they view these tapes of them torturing the girls and murdering them and. But performing sex acts on them, they realized that she was fully in this and was not a battered woman at all. But they'd given her immunity. She got off. She got off 11 years. Now she lives somewhere, husband, kids, you know, living the whole, like, fucking trad wife life. It's crazy.

[Joe Budden]

Wow. Y'all check it out. Yeah, Lifetime, Ken and Barbie. She was pitching that.

[Ish]

You auditioned for Barbie.

[Parks]

You're a real actress.

[Joe Budden]

You could definitely play that. Are you kidding me? Don't sell yourself. Sure.

[Corey]

She's white with blonde hair.

[Parks]

So it's so cute. Dad change it for you, you get.

[Corey]

A blonde wig, something like it. Talk about cases that hit impact on us, right?

[Parks]

No doubt, no doubt.

[Joe Budden]

Yeah. Hey, check that out. If you never seen it, Tammy, Manuka.

[Corey]

Them story time over.

[Joe Budden]

Yeah, I love when, you know, get in your bag, bro. Yeah, that's right. The game was on last night. We was in the middle of our comeback. That's when my girl decided to send me horoscopes. She text the first one. Virgo. Of course. The Virgo was going through something and needed a Scorpio. That's the only. That's the only time she said it. Virgo, let go. Wherever you try, let go. Yada, yada, yada, yada. I was cool, girl. Send me a Scorpio. One Scorpio. Be there for a Virgo. He is really in it. Yo, the game is on right now. Get the out of my phone. Stop hitting me. God damn.

[Parks]

And OG Was the savior of that game.

[Joe Budden]

OG Was great. Jalen was great. Mitch was great. A lot of things had to go great for us to win that game. The better team won. The better team won that night. Jason Tatum and all your hair products, Ducks. You know, What? I mean, I'm sure you showered that day. All that mousse and you be putting in there.

[Parks]

I don't give a guess what's gonna go on tomorrow.

[Joe Budden]

What in y'all eyes, y'all shit gonna be burning. We up to all bruh. And, boy, when it happened, y'all already know how I'm coming to work, right?

[Parks]

You know better.

[Joe Budden]

Y'all know how I'm coming to work.

[Parks]

I might go buy me a Celtics jersey if I can get it in time.

[Joe Budden]

I bet Tatum he would have to wear a new jersey jersey. If they lose, I'm put.

[Parks]

What's his middle name? Yeah, I'm putting nigga middle name on.

[Joe Budden]

It like you do Steph Wardell. Boy, don't play with Wardell. Y'all know better. What else? What else? What else? What else is important out there or unimportant?

[Ish]

Yo, we was talking about trials and shit in court. Hov amended his defamation case against Busby. 200 million.

[Parks]

Now, that's what he wants.

[Ish]

He said, I lost out of $200 million in deals.

[Parks]

And I got my. To give me some invoices and some estimates saying that we had this deal on the table. Crack your head. Every dollar you make, I want from.

[Flip]

Now and for a while, every dollar.

[Parks]

So if y'all guess what, if y'all get Shannon, that money coming right to daddy. Come on. Yep.

[Ish]

Yeah.

[Joe Budden]

Yeah.

[Parks]

Good for Buzz. Your ass like that, play with the wrong one.

[Joe Budden]

My man Shannon lost his deal. Boy, they done covered up the Boost Mobile sign. I love when that happened. All right.

[Ish]

Yo, bro, I changed my voice.

[Joe Budden]

No, not people losing deals, but having to cover up the sign.

[Parks]

They only got cover up the sign. Cause they lost the deal.

[Joe Budden]

I know, but you can't cut it off. So now you gotta hang a shirt over it like Ojo Sengo. Just put a shirt over Boost Mobile like we know what it used to say, right? What's wrong with you? I just think it's funny, that's all. Let's see what else, what else, what else? What else needs our attention? We did Met gala. We did Andre 3K. We did some Trump that we gonna do every time some comes out. We did Rihanna pregnant.

[Parks]

Your man Tucker.

[Joe Budden]

We ain't do Tucker Tucker.

[Corey]

Oh, well, the Ravens released Justin Tucker.

[Joe Budden]

Who cares?

[Flip]

You don't know why he's about to buy NBC.

[Joe Budden]

Yeah, no, Tell me you don't remember.

[Parks]

Justin Tucker got in the. For doing the desean.

[Ish]

A bunch of accusations.

[Joe Budden]

Oh, okay. They claim.

[Ish]

They claimed it was for football reasons.

[Joe Budden]

Yeah, I'M about to say Justin Tucker ain't really been Justin.

[Ish]

He was missing a lot last year.

[Parks]

You only had one bad. One bad year. Yo, that nigga's been him for a while.

[Ish]

And them allegations were from the 2012 to, I think 2016 season is when they all was occurring.

[Parks]

As long as you kicking them 50s.

[Melissa Ford]

We don't care about them.

[Ish]

You start slipping up now, I ain't gonna hold you. That's what it's starting to look like.

[Joe Budden]

We're not paying the reason.

[Flip]

The guy that hides, we're not paying him no more.

[Joe Budden]

Yeah, we don't give a.

[Ish]

Need a reason, man. Yeah, Mid legs, let's justify this.

[Joe Budden]

Yeah.

[Parks]

Word is ball.

[Ish]

That's nasty.

[Joe Budden]

Yeah. No, I'm here to celebrate black. I don't give a. Justin Tucker.

[Parks]

The Ravens, they black.

[Joe Budden]

Whoa.

[Parks]

I can't say.

[Ish]

Whoa.

[Parks]

What?

[Ish]

No, I don't celebrate the Raven. That's what I was talking about with Mark. I asked him, I'm like, are there teams that you all players that you are a fan of, that no matter what, you just cannot root for me. It's Lamar Jackson. I would love nothing more than, like, he's one of my favorite players to watch, but I would never root for him. As long as he has a Ravens jersey, I just can't do it.

[Mark Lamont Hill]

I can't root for a Celtic, you know? So, like, I'm a huge Kyrie Irving fan, but when he was on the Celtics, I just had to sit. Sit down.

[Ish]

Yeah, it's like, damn.

[Mark Lamont Hill]

Same thing with the Cowboys. Celtics. Cowboys. I want no parts under any circumstance. I got morals.

[Ish]

Just hate greatness. Nah, it ain't great.

[Flip]

Anything. Division.

[Ish]

Fucking.

[Mark Lamont Hill]

That's all it is, division.

[Ish]

It ain't even division, cuz. Like, if Lamar Jackson was a. Was a Bengal or Brown, I could.

[Parks]

Still root for him.

[Mark Lamont Hill]

And I could deal with a Giant or a Knick, even though, you know what I mean?

[Flip]

Cause the Ravens been busting y'all ass for.

[Ish]

No, no, not really. Not really. You can go look that up. Not really.

[Parks]

The hate is.

[Mark Lamont Hill]

The hate.

[Ish]

It's all right. It's just. I just hate Baltimore. Sorry.

[Parks]

Niggas been here before.

[Joe Budden]

That's it.

[Ish]

Oh, yeah, you used to.

[Joe Budden]

That.

[Parks]

The hate, it ain't new.

[Melissa Ford]

Nothing new.

[Joe Budden]

Do y'all care about Kanye selling 6,000copies week one?

[Parks]

I don't.

[Flip]

Congrats or sorry that happened to you or which one is appropriate here?

[Ish]

What'd you expect?

[Flip]

It's not even under his name, so. I mean, that's a big chunk of It.

[Ish]

Is it still out?

[Parks]

Was it under?

[Flip]

It says under. Yeah.

[Ish]

Artist's name is Donder.

[Mark Lamont Hill]

And you. I guess I. I didn't expect there to be a big market for mentally ill Nazi child molesters, but he did even less than I thought.

[Flip]

Yeah, yeah.

[Corey]

Has anybody heard it?

[Flip]

No, I heard it.

[Ish]

I heard it.

[Flip]

But you said it was a bunch of demos.

[Ish]

Oh, it's nothing that we. It ain't down to one. I'm not gonna. It just wasn't. He threw something out. Okay, that's it. And I don't even know if the album is still available. Available now.

[Joe Budden]

Don't matter. They was projected. They say projections were 21000 for week one. Just to let you know the disparity.

[Melissa Ford]

Oh, got it.

[Ish]

Oh, they're still out, actually.

[Joe Budden]

I just checked.

[Ish]

But it was producer producer beef and they said they were filing injunctions.

[Parks]

Oh, yeah. The producer said they spanky. So they wanted.

[Ish]

It's still out there. So I guess that ain't go through yet himself. Yeah, whatever. Well, I'm off the. I told.

[Flip]

Just leave it right there.

[Melissa Ford]

Oh, man. Oh.

[Joe Budden]

I'm just seeing if we got a part of the show for sure. Oh, just checking to see if we got one. I'm gonna read this. It's my first time reading this. Long pause. This is from Theo Culture or the culture. This says, I met Big Pun once by chance. Let me know if you think I was an. Well, why don't I care about that? I'll read it. Because he paid. Might have been an first and foremost shout out to the whole JBP cast. Shout out to you, longtime listener and supporter. I tie. I tie. Dye clothing for a living, which takes hours. And the paw truly holds me down while working. Okay, let me paint the picture. It's 1999. I'm 19 years old. NAS had just released his album I don't want to read this show. Nas had just released his album I Am and had an in store signing at NYC at Tower Records, a Virgin Records megastore. Me and my boy being big fans, drove down an hour from Connecticut in hopes to meet Nas and buy the album. We get there and there's a long line outside the building for the signing. So long. So long that the record store eventually comes out and tells the people in line that they were no longer accepting anyone else inside. That was obvious disappointing. But parked on the street nearby was a gold big body Benz. We looked closer and it was Big Pun. I recognized the Benz from the John Blaze video. We decided to go up and Meet Pun, as we are big fans of him as well. Before we approached the car, I thumbed through the XXL magazine I brought with Nas on the COVID for him to sign, knowing damn well Pun would be in there somewhere. Sure enough, he was featured in one of the sections with a photo of him and a thought bubble that had a cheeseburger inside it. I did hesitate for a second, but did bring the magazine for him to sign. He dapped me up, saw the magazine, said something to his homie in Spanish, chuckled a bit, signed it and gave it back. He was so cool and cordial. I always felt a way about it. In hindsight I probably wouldn't have had him sign that. But I always blamed XXL and their editorial staff for making fun of him in that way at the height of his career.

[Mark Lamont Hill]

You hear that, Elliot?

[Joe Budden]

I was just a 19 year old kid who wanted to get an autograph from one of my favorite emcees. All right. That's a nice wholesome part of the show.

[Ish]

You wasn't an asshole.

[Flip]

I don't think you're an asshole.

[Joe Budden]

Yeah, yeah. You didn't. You knew not what you did. You were young. He was a great sport about it. That's the important part. And he signed it and gave it back. Now plenty of fans are dicks and will have you try to autograph a bootleg cd. Yeah, bootleg merch. Somebody else's merch.

[Ish]

They do all they have. You try to autograph your like the team.

[Joe Budden]

You. Yeah, like.

[Ish]

Like if a Knicks player, they run into them, you'll sign this for me. And then they move it at the last minute. It's a Celtics jersey.

[Joe Budden]

Yeah. So fans could get on some dick. I totally understand. I don't think that that'll applies to.

[Ish]

I don't think it was Pun's first time seeing that picture.

[Joe Budden]

The culture. Rest in peace, Big P. Rest in peace. And shout out to you again if you join the part of the show tier on Patreon and pay that fee. If you send us in a question, we will try our best to answer it. Shout out to everybody that is a part of that tier. Salute. Salute. Salute. Salute. Salute. Salute. And with that said, I think it's time for sleepers. I am going to go with a young lady by the name Saylor. That's S A I L O R R. And this song is called Pookies Requiem.

[Parks]

I played it.

[Joe Budden]

You played it already. Oh, then I'm playing her other song that I love. It's the first joint off the project. Cause that Song was hard. Actually, you know what? Since ish played it, it's just been body and shit. So I can't be mad at that. He's giving me a lot of good ones. I will go with Cleo Salt. I knew somewhere on that Salt project, Salt is tough. Yeah, it's tough. But somewhere on there, she was going to turn into Cleo Soul.

[Flip]

Yeah, a lot of it was kind of like almost disco where it's like a. Like a chant happening throughout as opposed to like. Yeah, a full fledged.

[Joe Budden]

I like that. But there's two or three where she turned into Cleo Soul. I'm going with S I T L off the Salt project. You played the Summer Walker joint. Ish of that project. Because I think the project is called that too. They don't matter. I'm sticking with this. Shout out to Cleo Soul, friend of the show, shout out to song.

[Erickson]

No God is working. Even though I feel this way can't get it out of my head but I'm getting strong every day I know I'm not perfect Imperfections make me display it's all right, it's all right but this time is over oh, it will never be the same the trust has been broken Sorry is too late that is on my side that is all there's nothing you and do you must be crazy you ain't going to change me I know what loyalty feels like and that real love feels great I'm going smile through the lows and the high oh, they can say what they like when my soul is covered by the light this time is over it will never be the same me the trust has been broken Sorry it's too late this time it's over it is over this time it is over Sorry, it's a little bit too late.

[Ish]

All right, that was good, Joe.

[Joe Budden]

Thank you, bro.

[Ish]

I told y'all about this dababy freestyle jacking for Beats tape called Please say Da Baby, Volume one. And I'm gonna play one of the records off of that. This one is sky is the Limit.

[Joe Budden]

The sky is the limit. I can't trust nobody so I ride with a blicky and I keep one in the head like, like a dread.

[Ish]

I ain't shooting in the air I know the other.

[Melissa Ford]

Scared to whip out and just hit.

[Joe Budden]

One of these with that. Yeah, I got some. You standing up in me, you sitting.

[Ish]

In the chair All I needed was a quarter pound, a pistol in a.

[Joe Budden]

Scale all these other watered down that been getting stale you gonna feel this if you rolling around a Sitting in a cell and I can't go out like no hoe about no cause I'm a player know I keep that blow up on my hip like I'm a fed in my city ain't nothing cold.

[Ish]

Around this so I'm the mayor I.

[Joe Budden]

Used to want to run for president when I was a kid but I knew nobody would vote for me if.

[Ish]

They ever found out what I sell.

[Joe Budden]

Ain'T a finna do nothing when they.

[Melissa Ford]

See me pop out I didn't took Ls I didn't handle plenty l so I guess it's fair Seen me fighting.

[Joe Budden]

With a grizzly bear up in the wood the help the bear I ain't gotta tell a war story if I tell you about it I was there.

[Melissa Ford]

It ain't no question about it if.

[Joe Budden]

You talking about the business they know I'm a stand I ain't gotta reach up in the glove box to get.

[Ish]

The pistol out of in my hand.

[Melissa Ford]

Pillow Talking with the lame telling lies about me playing it ain't about a plane ticket finna fly out to get.

[Joe Budden]

His hand I'mma make a pussy kill herself I'm going to keep her out there for a week I can post some pictures out in touch the cake spin the the hoe to sleep had to dug it through the rain and.

[Parks]

Watch the go against the grain and.

[Joe Budden]

Photo me ever ask you who close the thing away and pull my photo out and show them me it's baby.

[Melissa Ford]

That'S my say the baby the mixtape man.

[Ish]

You know my, my daddy was in.

[Melissa Ford]

The on this when I was a.

[Joe Budden]

Little kid man it looked like every time the wrote me a letter this back in the day this the 90s.

[Flip]

You know what I'm saying?

[Ish]

So you know he had no phone over there.

[Joe Budden]

He writing letters early. That's why I'm so good at writing.

[Ish]

I always got good grades in English class, all that.

[Joe Budden]

But at the end of every letter that say the sky is the limit. Yeah. No my mama still got some of them letters.

[Ish]

Now I can show you.

[Joe Budden]

You know, you come to my goddamn pool, you come to my stomach state, you look at my pool.

[Melissa Ford]

You know what I'm saying?

[Ish]

It's gonna say the sky is the limit.

[Joe Budden]

No motherfucking cap man.

[Ish]

I grew up off Wayne.

[Joe Budden]

Please say The Baby Volume 1 Shout out to the Baby DJ Kid.

[Ish]

Let's get it.

[Joe Budden]

Yeah and I'm the best rapper. Let's go.

[Ish]

And that is the Sky's the Limit freestyle off of the Baby's Please say The Baby Volume 1 mixtape. Like I said, it's, it's. It's a cool tape. A bunch of minute 52 minute freestyles over a bunch of fire beats. So shouts to him, shout out to.

[Flip]

Baby I'm gonna check it out. I am going, I'm going R B this week. This is Julie and Michael. Stop calling my grandma.

[Ish]

What so you.

[Erickson]

Calling her for.

[Joe Budden]

Moving on is easy till you got to do it Never miss a good thing till you going through it no house, new hair, no.

[Ish]

Tattoos same ho not admitting what you.

[Joe Budden]

Do still trying to say the old.

[Ish]

Pictures in your phone Swipe up, take my page all them gone Tell me.

[Parks]

How it feel when you waking up.

[Ish]

Alone straight the voicemail leave a message.

[Joe Budden]

At the stop calling my grandma asking her on doing state of up around us we don't got to say anything anymore Stuck on in my grandma asking her to stay the f around us we don't got the same thing anymore.

[Parks]

And loneliness is easy till you gotta.

[Joe Budden]

Do it Tell myself I don't care who the I'm fooling Still trying to.

[Parks]

Save all pictures in my phone Watch your stories from a burner bags When.

[Joe Budden]

I'm alone hit the ground searching ain't see that you unfollow Think you got.

[Melissa Ford]

My number black to try again tomorrow.

[Joe Budden]

All my old h been busy since you gone I've been standing still Everybody's moving on But I heard you living well now I'm dying to see you I just want to p I tell you that I don't need you do you still think about me when you alone do you still think about me?

[Parks]

Stuck all in my grandma asking how.

[Joe Budden]

Do I stay the f around us we don't got to say anything anymore.

[Parks]

Stuck on me my grandma asking her.

[Joe Budden]

To stay the f around us we don't got to say anything anymore no no no no.

[Flip]

As Julian Michael stopped calling my grandma off his album the Gray, which has a bunch of dope music on it. Check it out when you get the.

[Parks]

Opportunity I'm going to the song is called Reset and it's by Sky Tunes.

[Erickson]

Talk to a nice and watch it reply Baby open your eyes like a surprise I got more I can supply Come forever take away.

[Corey]

We keep going.

[Erickson]

Back Let you catch me touch me, kiss me slow it till I can't.

[Corey]

Take it no more Got to catch.

[Erickson]

My breath Reset Wrap my legs around your neck Reset we can around and play a game reset if not I tell you what I came for Bring it, bring it, bring it back re a couple spots you and even H.

[Corey]

We can't around and play a game.

[Erickson]

Of re if I tell you it's yours Give me what I came for I did it, baby and it was crazy. Easy now we're in this room Legs are shaking. I don't know if I ever fel this way. If he wants to talk to you, they would say, baby, I.

[Corey]

We keep.

[Erickson]

Going back and forth. Touch me, kiss me. Bring it, bring it, bring it back.

[Flip]

That is sky tunes. Sky with the e reset. That's dope. Now I see you made it audible at the last minute.

[Corey]

I did.

[Flip]

You felt. You felt some pressure. What happened? She made audible.

[Corey]

Wait, what?

[Flip]

You made audible?

[Parks]

You know what an audible is?

[Joe Budden]

What's that?

[Parks]

When you change your play at the last minute.

[Joe Budden]

Yeah.

[Flip]

You saw the defense. You saw the defense. You didn't like what you see. You call. You thought it was gonna be one safety. It's two safeties.

[Joe Budden]

Did you change?

[Flip]

We're no longer passing the ball. We're going for a running play they'll never see.

[Joe Budden]

Did you send Parks one song?

[Corey]

I did.

[Joe Budden]

And then change your mind as the sleeper segment was in progress.

[Flip]

To be clear, she does this frequently. She's Peyton Manning.

[Joe Budden]

Well, to be clear, Ish has been king of sleepers frequently. So that counts. Yeah. Ish has won the sleeper of the year war. So he's Brady. Wait, hold on. Let me on Mel. I didn't on Mel off this pod.

[Corey]

I know you did. You did agree with me a lot. It was out of character.

[Joe Budden]

I like this new cadence.

[Corey]

But listen, I got you.

[Joe Budden]

But listen, Ish is the king of sleepers. He won the award.

[Corey]

Yes, he did.

[Joe Budden]

When he was out of work. I mentioned to you that he won the award.

[Corey]

Yep.

[Joe Budden]

You said he was undeserving of that and then played a sleeper that he had played before.

[Corey]

Absolutely, I did. It was fucked up. Yes. That's why I gave you a dap. It was so hot, I had to, like, wheel it, you know, come with grim.

[Joe Budden]

So now I'm just asking if you honestly, you changed this sleeper on your own.

[Corey]

I changed this sleeper on my own. This is a song that I really like. The only reason why I changed it is because the one that I picked, it was similar in tonality to his, and I don't want to put the audience to sleep.

[Joe Budden]

So the king returns.

[Corey]

Not necessarily. Necessarily. This is just a different offering.

[Flip]

Just off. Let's hear it.

[Mark Lamont Hill]

What is it?

[Corey]

It's a different offering.

[Joe Budden]

Let's see.

[Corey]

Okay.

[Joe Budden]

Let's see.

[Corey]

This is.

[Joe Budden]

I love a different offering.

[Corey]

Okay. This is called upside down by 54 ultra.

[Joe Budden]

Let's go. Okay.

[Erickson]

Could ever change my way Change my way Nobody knows how bad I want you so if only you knew how I fel long ago if I stop and forever and don't tell me you the world drifts away Every time you love we found what we could be don't you know how long I tried to fight for you but after all triples Only you I have to My mind's made all the way up and now I don't know better Now I know that I could come to.

[Joe Budden]

Your.

[Erickson]

Yes, I do Yes, I need you now I need you now give me one for all the money give me two for all the.

[Flip]

Is 54 ultra. Upside down? That was super Fire.

[Mark Lamont Hill]

Damn. I don't even go after that. She said this is my backup song.

[Flip]

Yeah, I was playing big.

[Mark Lamont Hill]

I said that was the backup song.

[Ish]

Yeah.

[Corey]

Yes.

[Mark Lamont Hill]

That's fire.

[Joe Budden]

That's fire.

[Flip]

That was tough.

[Mark Lamont Hill]

I don't want to go after that, but I've been listening to this, this five album from devito. Solid album. A couple great couple, great standouts. One of the standouts in there for me is off of Me, featuring Victoria Monet.

[Joe Budden]

Facebook.

[Erickson]

So, baby, come take this all for me I want you to come take this all for me Come and show.

[Joe Budden]

Me what it is that you back.

[Erickson]

To over me we could go all night what you tell me is and I'll give you all Baby, come take this all for me yeah, yeah, yeah.

[Mark Lamont Hill]

When we together it flows like like.

[Erickson]

The way all the stress Come and show me what it is that you got to offer me we can go all night Won't you tell me it's all for you and I'll give you all too many things I offer you to come take this all for me Only you We could go all night what you tell me is all for you I'll give you all of Baby, come take this all me oh, yeah oh, yeah.

[Flip]

That is all for me by DeVito and the lovely and talented Janelle Monae. And that was a slot. That was a slot. Or Victoria, mon. What did I say? Janelle, mon. Wonderful.

[Mark Lamont Hill]

Rest of the show.

[Flip]

No one else wants to pod no more. So I guess it's just us three.

[Joe Budden]

Yeah.

[Melissa Ford]

What's up? We bit your partner off after the sleepers.

[Mark Lamont Hill]

I'll tell you one thing. I saw y'all in that slap boxing. It looked like it was handling both of y'all.

[Melissa Ford]

Yeah, I mean, you know, I mean. Oh, we gotta, we gotta, we gotta.

[Ish]

Hey, you know this here. No More, right?

[Melissa Ford]

We gotta deal with a.

[Mark Lamont Hill]

Cause they took it out.

[Melissa Ford]

We gotta deal with it. We gotta deal with a. With one leg with kid. You know what I'm saying? You know, around. He got sclerosis.

[Ish]

Serious, you go right after that one leg?

[Joe Budden]

Yeah, he got.

[Melissa Ford]

He got shingles. He got all that shit. He already fucked up in the game.

[Mark Lamont Hill]

No.

[Ish]

Before we get out of there real quick, though, in Jersey news, I just want to send a rip out to Costa. Everybody in Jersey knows he was the owner of abyss deco. Mr. East or Cavalier back then, recently passed away. A big, big, big staple in, like, the Jersey Nightlife, you know, 90s, the early 2000s. Up to shit. Up to recently decent. So rest. Rest in peace, Costa.

[Melissa Ford]

Rest in peace.

[Ish]

But, yeah.

[Joe Budden]

Yeah, man.

[Melissa Ford]

You put your shades on, everybody left. You good?

[Corey]

Oh, yeah.

[Ish]

It's bright in here, right?

[Corey]

It's just really bright in here.

[Mark Lamont Hill]

What made you put the shades on?

[Corey]

It's really bright in here.

[Ish]

Tell you that Start getting to you? I'm never potting.

[Mark Lamont Hill]

What?

[Melissa Ford]

I said age. Is it an age thing?

[Ish]

Well, I got an ibbl, so I gotta protect them.

[Melissa Ford]

Got it.

[Flip]

That's true.

[Ish]

I can't play around with the ibbl.

[Mark Lamont Hill]

The laces.

[Joe Budden]

Sick.

[Ish]

Yeah.

[Mark Lamont Hill]

Is it for, like, do it work first?

[Ish]

It worked, bro. Yes. My procedure took three to four minutes. And when I opened my eyes, dude was like. I had my eyes closed. He took his off. He's like, yo, you gotta open your eyes. I'm like, oh. He was like, here, you don't need these no more. Gave my old glasses in my hand. I was like, yeah, but it don't. It don't get. It ain't official. Like, it don't really hit you until you wake up the next morning. Did it hurt and just open your eyes and can see?

[Mark Lamont Hill]

I just read.

[Flip]

No, I didn't feel really.

[Melissa Ford]

You had. You had the thick.

[Joe Budden]

George.

[Melissa Ford]

Thick glasses, right?

[Ish]

No, they weren't thick. I'm just ultra high index lenses. I spent a little extra to get them thinned.

[Erickson]

Oh.

[Melissa Ford]

But you had the prescription.

[Parks]

The prescription was bad.

[Ish]

Which was bad. Five and a half over here and, like, maybe six over there.

[Parks]

Negative seven. Negative six and a half.

[Joe Budden]

Sheesh.

[Flip]

Yeah, I'm four.

[Joe Budden]

Yeah.

[Mark Lamont Hill]

I don't even. I guess I should go to the doctor.

[Ish]

But, yeah, I would have. I wish I'd have done that years ago.

[Mark Lamont Hill]

Really.

[Ish]

Because the only downside is they told me once you get 41, 42, I'm right there. You're gonna need readers.

[Joe Budden]

Yeah.

[Ish]

Regardless. Even somebody with perfect vision, their entire Life. Once you get to your mid, like early to mid-40s, you're gonna need.

[Mark Lamont Hill]

I've had 2020 vision or better my whole life. Now when I get the menu, I'd be like this the same.

[Ish]

Oh yeah.

[Mark Lamont Hill]

So I be using the brightness on my phone.

[Ish]

You're not a candidate.

[Joe Budden]

Oh, okay, okay.

[Ish]

Cuz it's not. It's not going to affect that part.

[Melissa Ford]

Look at all these old.

[Ish]

Like this before.

[Melissa Ford]

Look at all these old. Talk about their vision like. Hold on. Look at all these old ass. Talk about their vision that.

[Corey]

I wasn't doing that like when I first got here. It's a new thing.

[Ish]

You know the funny. I try to fight it.

[Mark Lamont Hill]

You know why?

[Ish]

You know why? You know how I try to fight? I make my font small.

[Parks]

I've seen you put your phyllises on.

[Joe Budden]

I just had my font be extra.

[Ish]

Small just because I'm. I'm a whole lot.

[Parks]

It's all right, Margaret, you good? You don't have to put them on.

[Corey]

I just.

[Joe Budden]

Oh yeah, them made. Oh wow.

[Ish]

You like Martin and Bad Boys too. Pretty ass fish, big ass eyes.

[Melissa Ford]

Those are prescription, ma'am.

[Corey]

Yeah? Yes, but they're readers Magnification on.

[Melissa Ford]

God damn.

[Parks]

You don't need nothing crazy.

[Ish]

Tomorrow is looking like today.

[Parks]

These are like 125, something like that.

[Corey]

Isn't that a point? Like 1.5.

[Mark Lamont Hill]

Yo, that's crazy. Yo, Mel, if you don't want to be sexually objectified and you want to be taking wear them.

[Parks]

Don't let.

[Melissa Ford]

You crazy.

[Corey]

Put my hair into pigtails and put on a little short skirt and it's like, oh, come here teacher. You know what I'm saying? Yeah, I did that. Please, I played that fantasy many times.

[Mark Lamont Hill]

You had a yard stick many times.

[Corey]

You had a yard stick. He had. Had the yardstick.

[Ish]

Oh, Mel, your anime video game bag. You're trying to get where those over there too.

[Melissa Ford]

Oh yeah, they'll with you.

[Corey]

Okay, all right, tell me what kind of gaming console I need.

[Ish]

Just put the glasses on, cut the camera on. Filling out word. Word finds they. You got it. Just go over there and wear some hello Kitty.

[Corey]

That's all I got. Oh, okay. All right.

[Joe Budden]

So.

[Mark Lamont Hill]

So professional question. Is the new guy. Do we have to just keep stretching the show or can we leave beef?

[Corey]

That's hilarious because I feel like this.

[Mark Lamont Hill]

Is a good time to wrap this thing up.

[Ish]

Well, Mel, tell us the baddies are insecure.

[Corey]

Oh yeah, the. The baddies are insecure.

[Parks]

No, you gotta.

[Melissa Ford]

You know he ain't gonna like that.

[Ish]

Oh, you guys did a peace sign.

[Parks]

We've given a show just as much. I hope you guys have enjoyed the show.

[Ish]

If you've been here the longest, you in parks, go ahead.

[Corey]

Yeah.

[Flip]

What?

[Parks]

Dumb ass up.

[Flip]

No, that's you.

[Joe Budden]

You.

[Melissa Ford]

Oh, so sorry. So you got. You guys are trying to sign up without him being here?

[Joe Budden]

Yes. Yeah.

[Melissa Ford]

You got this pause.

[Parks]

Go ahead, take it.

[Melissa Ford]

Podcast. We are out of here. Listen, thank you for tuning in. We hope you love the show just as much as just as much that all that fly Joe said remember the baddies are insecure except for male can see the wear hats the doctors sometimes could be hood and the white guys and the white guys could definitely engineer.

[Joe Budden]

Listen the short arm love to reach.

[Melissa Ford]

Oh, hey, yo, pause that. Hey, yo boy, you big head ass boy. Boy, you get your headcare fit through the door, boy.

[Joe Budden]

Well, give me a medium five. Give me a medium five.

[Melissa Ford]

What's, what's your head size?

[Joe Budden]

What's your head size?

[Melissa Ford]

12.

[Parks]

Listen, a said give me a me.

[Melissa Ford]

Insecure stagnant women want travel and the.

[Corey]

Closed minded women want you to see some things. Grab you a Tylenol. You're going to need it.

[Melissa Ford]

And we so next time we are out of here.

[Corey]

We bid you a farewell ar so long goodbye. There we go.

[Melissa Ford]

Yeah, we love y'all, man. Listen, see you next week.

[Corey]

Pasta la vista, baby.

[Ish]

Meet me at MetLife. Yo, girl, you don't meet me at MetLife. Hey, Flip, do this.

[Mark Lamont Hill]

Hear me out, man. He be stretching his.