Episode 836 | "Alaska To Nebraska"

Summary

The Joe Budden Podcast – Episode 836: "Alaska To Nebraska"

Hosts: Joe Budden, Mark, Melissa Ford, Flip, Parks, Ish
Release Date: June 21, 2025
Description: Tune into Joe Budden and his friends as they navigate through a myriad of topics, offering insights, debates, and entertaining banter.

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1. Opening Banter

The episode begins with the hosts engaging in light-hearted conversation about fashion, tackling topics like jackets and sneakers. The discussion sets a casual and relaxed tone for the episode.

• Melissa Ford (00:39): "It's too hot."
• Joe Budden (00:50): "We gotta stop sleeping on Leroy."

2. Billboard’s Top 75 R&B Acts List

A significant portion of the episode is dedicated to debating Billboard’s recent list of the top 75 greatest R&B acts of all time. The hosts express strong opinions on the rankings, particularly focusing on iconic artists such as Aaliyah, R. Kelly, Marvin Gaye, and Aretha Franklin.

• Joe Budden (23:29): "I think we could swap. They're 12 to 16 with 17 to 22, and nobody would blink out."
• Melissa Ford (24:06): "I don't see no criteria where she makes this. Where she's in a force impact. Again, I don't see it."
• Mark (37:02): "If Stevie would have been outside the top three, then it's blasphemy."

Key Points:

• Aaliyah’s Ranking: Joe initially criticizes Aaliyah’s placement, feeling it's too high despite her impact. The consensus among the hosts leans towards questioning the criteria used.

• R. Kelly’s Controversial Position: A heated debate arises over R. Kelly being ranked above legends like Marvin Gaye and Aretha Franklin. Hosts like Flip and Melissa defend his placement based on his discography, while others argue it undermines the significance of his controversies.

• Aretha Franklin and James Brown: Melissa Ford and other hosts passionately argue for Aretha Franklin’s rightful place, emphasizing her unparalleled vocal talent and cultural impact. The discussion highlights perceived shortcomings in the Billboard list’s representation of R&B legends.

• Genre Definition Issues: The hosts critique the list for its vague criteria, especially when categorizing genre-crossing artists like Michael Jackson, Prince, and Mariah Carey. They argue that the lack of clear definitions dilutes the authenticity of the rankings.

3. Sexual Misconduct Lawsuit Against Fat Joe

The conversation shifts to serious allegations against rapper Fat Joe. T.A. Dixon, a former hype man, files a civil RICO lawsuit accusing Fat Joe of sexual misconduct with minors and coercion.

• Melissa Ford (155:26): "Fat Joe sued him first for slander. And then we saw this as the response."
• Ish (160:57): "We are talking about a $260 million lawsuit."

Key Points:

• Details of the Lawsuit: Dixon accuses Fat Joe of orchestrating a scheme involving sexual abuse and financial exploitation, alleging up to 4,000 sexual acts with underage girls.

• Boolian Countersuit: Fat Joe countersues Dixon, branding the allegations as retaliatory and unfounded. The discussion delves into the complexities of civil RICO charges and the potential impact on Fat Joe’s legacy.

• Public Perception and Justice: The hosts explore how such allegations affect public perception, the challenges in addressing misconduct within the entertainment industry, and the evolving landscape of accountability.

4. Sale of the Los Angeles Lakers

A historical discussion unfolds around the Buss family selling the LA Lakers for a record-breaking $10 billion, marking it as the most valuable sports franchise sale globally.

• Mark (156:10): "Probably not. In the great words of my man Ian Dunlap, sell Grandma's house."
• Joe Budden (161:14): "It's the same way Pusha T totally disregarded anything Travis Scott has to say because you ain't a rapper."

Key Points:

• Historical Significance: The hosts reflect on Jerry Buss’s legacy and the emotional weight of selling a beloved franchise. They debate whether the sale aligns with the family's intentions and Buss’s passion for the team.

• Market Valuation: The discussion highlights factors influencing team valuations, such as market size, TV rights, and on-field success. Comparisons are drawn between the Lakers’ $10 billion sale and other major sports franchise sales.

• Legacy and Future Ownership: Conversations revolve around how new ownership might impact the Lakers’ legacy, fan base, and future success, considering the transition from a legacy-owned to a corporate-owned franchise.

5. Gender Double Standards and Relationships

The hosts engage in a robust discussion about societal double standards in relationships, focusing on how men and women are perceived differently when it comes to behaviors like tracking partners or expressing freedom.

• Melissa Ford (154:55): "Believing victims doesn't mean that every victim's always telling the truth. It means we shouldn't start from a position of dismissiveness."
• Joe Budden (175:50): "She got one of these."

Key Points:

• Power Dynamics: The conversation explores how power dynamics influence relationships and the challenges faced by individuals when confronting misconduct, especially in hierarchical settings like the workplace.

• Societal Perceptions: The hosts debate the societal stigmas attached to certain behaviors, arguing that men and women are often judged differently, leading to a lack of understanding and acceptance.

6. New Music Releases

The episode features brief reviews and discussions of new music from various artists, including Roddy Ricch, Keshi, Offset, and others. The hosts share their opinions on beats, mixes, and lyrical content, providing a snapshot of contemporary R&B and hip-hop.

• Mark (197:05): "Slide out the garage I got a."
• Parks (204:18): "That's a dope."

7. Closing Remarks

The episode concludes with the hosts extending their thanks to each other and their audience, promoting their Patreon, and reflecting on the intense discussions of the night. Playful banter and light-hearted moments wrap up the episode, maintaining the camaraderie among the hosts.

• Joe Budden (207:09): "We're pretty popular. They can rub your curls for the podcast."
• Melissa Ford (205:45): "I'm mad."

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Notable Quotes:

• Joe Budden (12:44): “They have an unrivaled vantage point to observe the rapper's offstage lifestyle and behavior.”

• Mark (23:35): “She is the template.”

• Melissa Ford (39:30): “I never loved a man...”

• Joe Budden (75:06): “It's the same thing to us, but we need to find a home for this stuff.”

• Mark (104:32): “Get some other old head peppers.”

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Conclusion:

Episode 836 of The Joe Budden Podcast delves into a blend of light-hearted banter, intense debates on R&B rankings, serious discussions on sexual misconduct allegations, and reflections on significant sports franchise sales. The hosts balance entertainment with insightful commentary, offering listeners a comprehensive and engaging listening experience.

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Note: This summary captures the primary discussions and key moments from the provided transcript. Due to the conversational and overlapping nature of the dialogue, some nuances may be condensed for clarity.

Transcript

[Joe Budden]

The thoughts, views and opinions expressed by this podcast whose bullets its hosts offer entertainment purposes only. I repeat, it is not serious. It is not real. No one is exposing, revealing, indicting, or telling you anything about themselves. Also, we do not encourage you to try this at home. We are trained professionals who do not have your best interests at heart or our own. Enjoy the show.

[Flip]

You better shave up. Cause she need a man she got the grease on, boy Man, I got a leather jacket of the summer Girl, who you trying to impress?

[Melissa Ford]

It's too hot.

[Parks]

It is too hot for a lot of jacket, man. It looks nice, though.

[Melissa Ford]

Thank you.

[Ish]

But oftentimes the air conditioning in here gets a little.

[Parks]

Good point.

[Joe Budden]

Very.

[Flip]

Listen, I agree with Mel, Paul and everybody.

[Melissa Ford]

Listen to me.

[Flip]

The sneakers. She's not dressed. Hey, yo, Mark. She's not dressing herself. She puts the. Whoever matches her, they put it on. She takes the picture and she tags them. I caught her in real time.

[Ish]

You so did not. When's the last time. When did I do something like that?

[Flip]

Them fancy ass Florida sneakers. When the dressed you with that outfit.

[Melissa Ford]

Excuse my language.

[Joe Budden]

Nobody dressed me.

[Flip]

Let them know you got him. You got him. Joe can't stop it.

[Melissa Ford]

Dressed me, I guess nobody dressed male. Flip.

[Flip]

What she got? She didn't go buy those, boy.

[Ish]

I absolutely did. Would you like to check my purchases? My credit card purchases?

[Joe Budden]

I for one, don't think that we should censor mail right now.

[Flip]

I think I agree.

[Ish]

It's okay.

[Joe Budden]

Agree.

[Ish]

I'm good with that.

[Joe Budden]

Even though I did see your girl last night. Damn, man. How'd she look? I want to send her mail now. I announced shit, too.

[Parks]

That was quick.

[Joe Budden]

Too soon. She's getting centered at some point.

[Flip]

She was lit last night.

[Ish]

I was chilling last night. I was chilling last night.

[Flip]

Got the shades off.

[Joe Budden]

Y' all gotta stop sleeping on dude now, too. Hold up. Hey. I see. Why you chasing him around.

[Flip]

He brought him out.

[Joe Budden]

Hey, hey.

[Melissa Ford]

Laroi's had it packed.

[Joe Budden]

I can't lie to you. I ain't no hater. I' ma tell it. I'm to give it to you like it is. We gotta stop sleeping, homeboy. All right. We gotta stop sleeping on Leroy.

[Flip]

Shout out, bro.

[Joe Budden]

We'll talk about it. But yeah, I was shocked. I didn't know. I didn't know. I don't watch that. Watch no fire truck show what that show was about. Chicago pd.

[Mark]

No, they got Chicago pd, Chicago Fire.

[Ish]

Chicago, all of them.

[Mark]

Don't matter.

[Joe Budden]

They better than Vaughn albums.

[Ish]

I don't know.

[Joe Budden]

Vaughn album's gonna tell Me gonna paint the picture for me from the other side.

[Mark]

From the other side.

[Joe Budden]

Oh, Mel had the patent leather pants on.

[Ish]

I did not. I had a patent leather skirt on.

[Joe Budden]

Mm.

[Melissa Ford]

That might not help the case.

[Ish]

I mean, what it was. Everybody was. You know, the dress code was black.

[Joe Budden]

I didn't know that. I didn't know that. I came in with my little pajama sweatsuit.

[Flip]

You got the call this weekend, didn't you? You got the call this week from us.

[Melissa Ford]

What you mean?

[Flip]

Yo, you know, you've been going a little hard. What's going on? She gave you that call? She used to give it to me too.

[Melissa Ford]

Boy, ignore.

[Joe Budden]

This.

[Mark]

Said. Oh, yep.

[Melissa Ford]

I'm.

[Mark]

I agree with Mel.

[Melissa Ford]

I agree with Mel.

[Mark]

I think he said, I agree with Mel 77 times.

[Flip]

And I know how to call stars.

[Mark]

You gotta call.

[Flip]

I didn't get Hello, Mel. She starts to do that big breath.

[Joe Budden]

So stupid.

[Mark]

Yo, you got the call.

[Melissa Ford]

I did not get a call.

[Joe Budden]

I got a call. You might have got the call. We'll know in about 20 minutes.

[Melissa Ford]

I got a stern talking to you this morning. Oh, in person. I got the. In person.

[Joe Budden]

The face to face.

[Melissa Ford]

Yeah. Damn, Mel, you can't.

[Flip]

You can't press people at work.

[Joe Budden]

Mel.

[Ish]

I didn't press.

[Melissa Ford]

I'm joking. I'm joking. No, I just feel like Mel needs support up here, and I don't think she gets support. I always feel. I always support Mel.

[Joe Budden]

Oh, yeah.

[Melissa Ford]

I'm staying with Mel.

[Flip]

You didn't get the E. N. Yo.

[Melissa Ford]

Two hours and nobody else, huh?

[Mark]

Two hours.

[Melissa Ford]

Two hours.

[Mark]

What was the call?

[Melissa Ford]

There's no call.

[Flip]

And if you got the end with Mel call, your whole attitude be different. He be like this Christopher Reeves.

[Joe Budden]

I'm sorry. Jesus.

[Flip]

I'm in my bag today. Fox. His family be listening, though.

[Joe Budden]

Salute Christopher Reed's family. As soon as you say something about somebody up here, their family is listening. Their family. Send it right over to Michael J. Fox. You can't even make no more. You can't make no jokes. Can't.

[Flip]

He's right.

[Parks]

He joked back with Ice Wallace, didn't he?

[Mark]

He did.

[Joe Budden]

Who? Michael J.

[Melissa Ford]

Fox.

[Mark]

I asked him if he was gonna do the mannequin challenge and he responded back, said, shaking my head.

[Melissa Ford]

That's fun.

[Flip]

Freeze.

[Ish]

I mean, was he being funny?

[Joe Budden]

Of course he was.

[Melissa Ford]

He's Michael J. Fox.

[Mark]

He makes fun about that all the time.

[Ish]

Okay, Okay.

[Melissa Ford]

I trust his wit.

[Ish]

Okay.

[Melissa Ford]

That's good shit.

[Joe Budden]

But why would you tweet that guy then?

[Mark]

It's better than the other one. I had in mind.

[Ish]

No, I want. What was it?

[Melissa Ford]

Nope, nope, nope.

[Ish]

Okay. All right. Do you know what it is, Mike?

[Melissa Ford]

No. But whatever it is, if it's worse than that, right?

[Mark]

Yeah, it was worse.

[Joe Budden]

You can't make fun of niggas when they sick, right?

[Mark]

I mean, it's not.

[Joe Budden]

You're not supposed to do that unless.

[Ish]

Unless they start it.

[Mark]

Unless y' all are friends and, you know, it's okay. It's important he doesn't.

[Joe Budden]

Unless they cut you off in traffic and they don't have tents, so. You looking at them.

[Melissa Ford]

Look.

[Joe Budden]

Hey, you.

[Melissa Ford]

You cannot say hey.

[Mark]

No, we bringing that back.

[Joe Budden]

No. Yeah. I ain't gonna lie.

[Ish]

I saw.

[Melissa Ford]

Yesterday.

[Parks]

Yeah.

[Melissa Ford]

No. So I was in Houston, and it was a talent show, and in between, in the middle of the talent show, they had a break, and the dj. I videotaped it, Mark.

[Parks]

I think I went to edit all of this.

[Mark]

Word?

[Melissa Ford]

Oh, okay. You know, I'll leave it alone.

[Joe Budden]

No, no, no, no. I got questions.

[Melissa Ford]

The DJ started playing his music, and he got off. He took off his goggles and his helmet. He goes to the middle of the floor and says, I want to dance. And naturally, I took out my video camera.

[Mark]

Can I see it?

[Melissa Ford]

Yeah, I'll send it to you.

[Joe Budden]

Thank you. No, you definitely can't record them.

[Flip]

Can't do it.

[Mark]

You can do it. You just can't post it.

[Flip]

It goes against your ethics and morals, bro.

[Melissa Ford]

No, but the crazy thing is, he starts getting it.

[Ish]

He had moves.

[Mark]

He.

[Joe Budden]

They have a special power for when you recording them. They know. So then they start cutting a rug. Yo, this motherfucker, they know when. It's a special sense they got.

[Melissa Ford]

He got.

[Joe Budden]

You ain't never been in the party and start getting it. I'm sorry, Parks. Let's think of another word to say, because this is a good topic. The different. Different guy special, that's just bad, too. You ain't never been to party. And the different niggas start busting his moves. He was practicing in the room. And then it be a different girl, too. You start shouting, go ahead. Go, Eddie. Go ahead. He's souping them up. All right, forget it.

[Melissa Ford]

I'm showing it to Ice right now.

[Parks]

I did actually once have that in a note.

[Joe Budden]

What?

[Parks]

I was at a wedding once, and they brought out a. A disabled individual. That's not appropriate either, I don't think.

[Flip]

Okay.

[Parks]

In, like, on the dance floor.

[Joe Budden]

Them got radios. They listening. Shut up.

[Flip]

I'm down with.

[Joe Budden]

They got something. What they got.

[Mark]

You know you are.

[Joe Budden]

They always got them headphones Freeze.

[Melissa Ford]

What?

[Flip]

You just said freeze.

[Mark]

You can make sex jokes. I just heard you. Yeah, we know you down with them.

[Flip]

Yeah, but.

[Joe Budden]

All right.

[Mark]

No.

[Flip]

All right.

[Melissa Ford]

Thank you, Flip, for saying something.

[Parks]

Real quick, Parks, I've lost my train of thought entirely.

[Flip]

I was just wondering if it's.

[Parks]

If it's.

[Joe Budden]

If it's right, it's wrong.

[Parks]

It seems a little bit. It seems a little foul.

[Melissa Ford]

Yeah, I think so. I'm sorry, Flip.

[Joe Budden]

Don't be. My. You ever go dap him after the dance, he jumping dap you.

[Melissa Ford]

I'm saying you're right.

[Joe Budden]

Y' all don't have enough discourse with.

[Parks]

The community or enough not to use all of the wrong words. So we can have the conversation.

[Mark]

Right?

[Parks]

Because it is a good conversation.

[Melissa Ford]

What is the right word now?

[Ish]

Handicapable.

[Melissa Ford]

That can't be the right word.

[Joe Budden]

That can't be right.

[Ish]

I think that was a freestyle.

[Joe Budden]

Or you did it for real.

[Ish]

I am serious.

[Melissa Ford]

Yes.

[Joe Budden]

Cause she'd be writing about these shits or someone mental. We'd be laughing over Storm. She'd be dead ass.

[Ish]

Well, I mean, I believe that, like, that would also be considered a handicap of special leads. Exactly. So handicapable.

[Melissa Ford]

So you're mentally handicapable. You're saying the person would say, it seems that's. Yeah, I can't do that. It's too wordy.

[Mark]

The term handicapable is generally considered an outdated and often offensive euphorism for disabled, which is also the term should be intellectual disability.

[Melissa Ford]

That's what I thought it was.

[Ish]

Okay, there we go.

[Joe Budden]

All right.

[Melissa Ford]

Because I heard Patty cable in the 80s on different strokes.

[Ish]

It's hard to keep up. Okay. They develop a new term that is PC and appropriate every five minutes.

[Joe Budden]

I vote they say this whole pod outside of Mark is intellectually disabled. That sound like it applied? We need a different term. I'll one of up they call me down the street intellectually disabled. That's too many syllables for you to even think you could get off in front of me. I ain't going to hold you. Something gotta happen. All right. I found some little take that calls people and I totally agree. So I'm playing it. A take has never hit me harder. Let's see, where is this take? Mel, you be in my phone, you be in my computer. You break all types of privacy rules.

[Ish]

Okay, I'm sorry anyway how it's happened, but I'll give you my take on it.

[Joe Budden]

Right.

[Ish]

We've never talked about mental health more before. Yet somehow we've become weaker because instead of building emotional strength, we built A culture that rewards emotional fragility. We've made it normal to break down over minor inconveniences. We've convinced people that if something makes them uncomfortable, it must be harmful. We've created a world where feelings aren't just acknowledged, they're treated like the absolute truth. And we know that feelings are not facts. And here's what that looks like in real life. Discomfort is mistaken for danger. If a conversation makes you uneasy, it must be toxic. If a person challenges you, they must be unsafe. If a situation, they must be harming you. Boundaries are also being used as walls. Instead of learning how to have difficult conversations, we shut people out completely. Instead of addressing issues, we disappear and call it self preservation or I'm protecting my peace or my mental health. Struggle is now being labeled as crisis. As a crisis, we've also blurred the lines between real hardship and normal life challenges. And instead of navigating stress, we call everything overwhelming. Instead of working through difficulties, we assume that we're just burnt out. We protect feelings over growth. And instead of asking, what is this teaching me? We ask, how do I make this stop? Instead of allowing emotions to come and go, we obsess over them like they define us. We've created a mindset where people believe that emotions should be protected instead of processed. Life isn't going to tiptoe around you. The world isn't going to adjust itself to your emotional needs.

[Mark]

Oh, first verse.

[Joe Budden]

She smoked that. What? What'd you say, Mark? Say it because we will fight about it later.

[Melissa Ford]

We'll fight later.

[Joe Budden]

You find that harmful?

[Melissa Ford]

Oh, I felt unsafe.

[Joe Budden]

Mic check, mic check. One, two, one, two.

[Mark]

I'm in that dope again I'm in that flow again Switch up the flow.

[Joe Budden]

Again yeah everybody on vacation right now.

[Mark]

Piss on your casket, shit at your bra do you something nasty Roll you in a glove, bitch get graphic, put.

[Joe Budden]

Me in a car Wherever you might be listening from Shout out to the subgroups and the a listener Step on.

[Mark]

A sweat when I step on a bra $2, oh, that's the cheapest one.

[Joe Budden]

Stacking these urges up like coupons told.

[Mark]

You for number.

[Joe Budden]

Whole Jersey, whole New York City Everybody in the DMV Everybody in the Carolinas Boston what up, though? Everybody outside right now Everybody inside.

[Melissa Ford]

Everybody.

[Joe Budden]

Hard at work right now the 9 to 5 is the entrepreneurs and all.

[Flip]

That.

[Mark]

Water on me like the song recipes take off funnel.

[Joe Budden]

Everybody at the car watch right now what up, what.

[Mark]

Up, what up, what up?

[Flip]

Diamonds be dancing like Bob and they.

[Joe Budden]

Dance Always for the ladies always for.

[Mark]

The Ladies.

[Joe Budden]

What up? You know what I mean. Shout out to the niggas out on dates right now. Everybody at the low spot, making it hot right now.

[Mark]

I hope it's worth it.

[Joe Budden]

You tell me you went on my purpose. You're doing whatever to hurt me. Microphone check. I said wake it up.

[Melissa Ford]

I said.

[Joe Budden]

It'S the weekend. I said.

[Melissa Ford]

Everybody in Indiana right now.

[Joe Budden]

Congrats, congrats, congrats. Keep the applause going for Gang, Gang, Gang gang. God's gang. Not the Rico type game. These drops right quick. We got an amazing show lined up for y' all today. Oh, my God, what a show we got lined up for y' all today. Flip and Mel. Mel, Mel. What episode is this?

[Parks]

836.

[Joe Budden]

Welcome to episode 836 of the Joe Button podcast. I'm your humble, gracious, grateful, highly favorite. Happy to be here. Host Joe Button here with some really amazing people. Gang, gang, gang, to my right. You know the vibes, you know the legend. You had a TV hope. Hopefully when the box was out. You've seen the video before. Melissa Ford is in the building. Stop playing with her. Stop playing with her. Queens flip queens. Get the money. Is in the building. Stop playing with him. Stop playing with him. And he outside too. Say something. He on. What you want? Tell him. I love when you go learn some young slang. Come on. Come back. Bring it to us. Come on. He on. What you want?

[Flip]

I'm outside, you know.

[Joe Budden]

Yeah, yeah, yeah.

[Flip]

My ball is at home.

[Joe Budden]

Stop. My ball is at home.

[Flip]

My ball is at home.

[Joe Budden]

Yeah. My ball changed the flight. She feels still here. Still here. That's my baby. Shout out to my baby.

[Flip]

We can tell you.

[Joe Budden]

Shut up. Look at Ish.

[Mark]

My ball is at home.

[Ish]

Ball and chain.

[Joe Budden]

What?

[Flip]

Remember the joint. Like they said, my ball is considered.

[Joe Budden]

Antoine is here, y' all make some noise. Old ass nigga. Antoine is still in the building, man. King, king of Elizabeth. Mr. Birthday man himself. Mr. Take it further. Freeze is in the building. Happy birthday. Happy birthday. Happy birthday, Freez Breeze.

[Mark]

Thank you, gang brother.

[Joe Budden]

Mark Lamont Hill is here with us. Make some noise.

[Flip]

Fresh off the fly.

[Joe Budden]

Fresh off sleeping on a dirty airport floor. Looking as tired as could be your three time potter of the month guy, huh?

[Melissa Ford]

That's how much I love the people, man. I'm here anyway.

[Parks]

Hey, yeah.

[Joe Budden]

That's your Adderall dealer making a killing.

[Melissa Ford]

I wish.

[Joe Budden]

Can't say that. You got. Why you can't say that. Streets know is making a killing off that crazy. They making a kill on a bunch of. I don't have nothing on no interrupt. Anyway, big parks in the building. Po is here. Trey is here. Corey is here. Erickson is here. Savon and Tanner are here by remote. Last but certainly not least, each and every one of you guys are here. Don't forget to this episode is brought to you by Fueled by Powered by Funded by Prize Picks Prize Picks Gang, you. How's everybody doing? How y' all feeling? What's popping?

[Flip]

Feeling good?

[Melissa Ford]

Feeling good.

[Mark]

Feeling good.

[Flip]

Take that off. It's kind of hot. I was wondering we as well take that off.

[Parks]

Kind of fly, though. I like that.

[Joe Budden]

Well, thank you, Park. Appreciate that.

[Melissa Ford]

Rich.

[Flip]

Feel good, man. It's Friday.

[Joe Budden]

The rich. Rich suit the rich look.

[Ish]

Yeah. That's expensive.

[Flip]

Oh, yeah. Center him, center him. Y' all done?

[Melissa Ford]

Who should we center?

[Flip]

Nobody. It's Friday. We are here. We're happy. It's good to see everybody. Yeah. Smile. Smile, old man. This is summer, okay?

[Parks]

It is the summer. Finally.

[Joe Budden]

Yeah.

[Flip]

And I'm happy to see you.

[Joe Budden]

No, it's not.

[Parks]

Hell, yeah. It's about to be 100 degrees.

[Joe Budden]

Next week it's. Next week will be summer.

[Parks]

Oh, like I was talking about weather.

[Joe Budden]

Last two weeks, been walking around.

[Mark]

Oh, all this rain is summer.

[Joe Budden]

I'm like, no, it ain't.

[Parks]

Oh, you believe in constructs.

[Flip]

Yes.

[Ish]

Saturday is officially.

[Joe Budden]

I know that summer ain't the beginning of June. And then these think it lasts till mid October 21st.

[Mark]

Man. We know our real calendar.

[Joe Budden]

Summer is Memorial Day to Labor Day. That's something. That is the. That summer. Yeah.

[Melissa Ford]

Right.

[Mark]

For the blacks. Yes, that's true. I don't care about all that.

[Joe Budden]

What day in June? For us. Yeah, for us. Oh, shit.

[Melissa Ford]

The blacks.

[Mark]

You people.

[Flip]

We got you. We got you in real time.

[Melissa Ford]

We got him.

[Joe Budden]

He hated. He black you down.

[Mark]

I hate that.

[Joe Budden]

I'm joking. I'm joking.

[Melissa Ford]

I'm joking. I'm joking.

[Joe Budden]

I'm joking. I'm joking, man. Jesus.

[Flip]

From Tallahassee.

[Joe Budden]

We'll call you. What's up with y' all? Feels good. What y' all wanna. What y' all wanna start arguing about or debating about? We're giving information about, learning about.

[Parks]

We could jump right into where we left off.

[Flip]

Billboard's top 20.

[Joe Budden]

Patreon. We did that. But I'm not mad.

[Mark]

They announced the last 26.

[Parks]

If they're not subscribed to Patreon by now.

[Joe Budden]

That's true. Subscribe to the Patreon.

[Melissa Ford]

That was a good conversation too.

[Joe Budden]

It really was. And shout out to all the new people over here.

[Parks]

I was about it the three and a half hours last night, that's the.

[Melissa Ford]

First time I went mad at it.

[Parks]

Yeah.

[Joe Budden]

Yeah. Good.

[Flip]

Okay.

[Mark]

Okay.

[Flip]

Yeah.

[Melissa Ford]

Doing too much now anyway, like cussing Joe out.

[Joe Budden]

Wait, what happened?

[Melissa Ford]

That's not being a parking lot cussing you out.

[Joe Budden]

How often does that happen?

[Parks]

Not very.

[Melissa Ford]

Not very. It's not quite that late.

[Joe Budden]

No, right.

[Melissa Ford]

It's different than what you told me, but I. I accepted it.

[Flip]

There you go.

[Joe Budden]

Yeah. What I told you?

[Melissa Ford]

Oh, you said, oh, man, we at 6. 6:30 most days.

[Joe Budden]

Well, that's normally true.

[Parks]

That hasn't been true in a very long time.

[Melissa Ford]

Normally might mean something different to you.

[Ish]

That's actually.

[Mark]

Okay.

[Joe Budden]

I'm sorry.

[Mark]

Me too.

[Ish]

That's actually the rarity.

[Joe Budden]

I'm sorry. Y' all are right. I'm wrong. What I meant to say is that normally happens when the day runs like.

[Melissa Ford]

It'S supposed to run shade.

[Parks]

Also not true.

[Joe Budden]

But that's not true either.

[Parks]

For real?

[Joe Budden]

What? No.

[Flip]

He did the same thing when he had videos in the tuck. If runs smoothly, he wants. He wants to keep going. That's him. He gets a bang for his buck when we have videos in the tuck. And he promised us, yo, if we have five in the tuck, that will take a day off. That Tuesday, Thursday, Thursday again, he was dropping two patreons. We come in here looking at the. Joe, what's up? The people love it. They eating outside. That's his man. You can't pay attention.

[Joe Budden]

Listen, for me, this show is a blessing.

[Flip]

There you go.

[Joe Budden]

The people that come. The. The complaints. The people that reserve the right to complain are the coal miners, the teachers that are teaching our kids right now, the firefighters, the firefighters out there, the police trying to make the streets safer. Like, I come in here and talk with my friends for a living. There's nothing to complain about.

[Flip]

We love it.

[Joe Budden]

Like, these are my. I love you all.

[Flip]

We love you, too.

[Joe Budden]

Nothing to complain about for me. Love you too, Joe.

[Melissa Ford]

Anyway, shame he so full of billboard back.

[Parks]

Yeah, back.

[Melissa Ford]

Billboard put out the list that need.

[Joe Budden]

To write a billboard.

[Melissa Ford]

Let's go. Is get that good boy.

[Flip]

We a let the slide.

[Joe Budden]

Get him is extraordinaire.

[Ish]

Billboard put out a list 75 of the greatest R and B acts in of all time. So we went through the list, and now they've just put out their final 20, 26.

[Joe Budden]

I'd like to start this topic with an apology because I watched it back. I maybe was a little hard on Aaliyah. I maybe was hard on Aaliyah.

[Melissa Ford]

Yes. Y' all saw in a Few people.

[Joe Budden]

I agree. I think she should be on the list. I just think she should be a lot lower on the list.

[Mark]

She was at 40.

[Melissa Ford]

I think that's insane.

[Ish]

Yeah.

[Melissa Ford]

Leah in the 40s is insane.

[Parks]

Well ahead of Dionne Warwick and somebody.

[Ish]

In comparison to a lot of the people that were in the six sixties and the seventies. You know that.

[Flip]

But like. But, like. But like Freeze said, you know, the criteria is what's important.

[Melissa Ford]

I don't see no criteria where she makes this. Where she's in a force impact. Again, I don't see it.

[Joe Budden]

Oh, no.

[Parks]

Her impact was definitely major.

[Joe Budden]

No, no, no.

[Melissa Ford]

But I'm saying her impact isn't so high that it trumps all the other.

[Mark]

People that were below her.

[Parks]

She might still be ahead of a couple people.

[Flip]

Yeah.

[Parks]

I have to go back and look. But she. She was impactful.

[Flip]

Like Romeo Must Die.

[Parks]

No, I'm talking about, like, the kind of everyday girl R and B singer vibe that still is.

[Mark]

Other criteria on that list, though, There was.

[Parks]

But she had hit too. Like, she has some of.

[Melissa Ford]

I just recipe it.

[Joe Budden]

Like, I just don't think she has the album that puts her in the 40s.

[Melissa Ford]

No.

[Flip]

Got it. Okay.

[Melissa Ford]

I see what you're saying.

[Mark]

Accolades.

[Parks]

I don't know.

[Joe Budden]

It's other.

[Mark]

Like, again, we go.

[Joe Budden]

And rest in peace. Aaliyah.

[Melissa Ford]

Hugely a fan. Yeah.

[Mark]

Yeah, we're not gonna do that.

[Joe Budden]

Yeah. Let's get to the top 10. Let's do it.

[Mark]

No.

[Melissa Ford]

Can I remind people. What?

[Mark]

25 down. Because we stopped. We left off at 26.

[Melissa Ford]

We left at 26.

[Mark]

All right, so you want to do 25 down. Yeah. So basically, we'll start at 25.

[Joe Budden]

Yeah.

[Mark]

We could fly through it. All right, 25, Patti LaBelle.

[Melissa Ford]

That's fair.

[Parks]

Hard to be bad at that.

[Mark]

24, Bill Withers.

[Melissa Ford]

Yes.

[Mark]

23, Teddy Pendergrass. I thought he would have been high.

[Joe Budden]

This whole run, I feel like, is a little crazy.

[Melissa Ford]

Oh, yeah.

[Mark]

It gets a little tricky. Well, not tricky. It's crazy as hell.

[Ish]

I feel like when we listen to the rest, then we'll probably get this perspective.

[Joe Budden]

Yeah. Keep it going. I'm not gonna.

[Mark]

All right, 22, Luther Vandross.

[Joe Budden]

We gotta interrupt now. Right here.

[Mark]

Them two, Teddy and Luther.

[Joe Budden]

Teddy and Luther need to be way lower.

[Mark]

Never are that hot. 22.

[Ish]

It's crazy.

[Mark]

21, Donnie Hathaway. 20, Otis Redding.

[Joe Budden]

This whole run is tough for me, but go ahead.

[Mark]

19, Smokey Robinson. 18, Al Green. 17, Janet Jackson. 16, Mary J. Blige.

[Melissa Ford]

I live with that.

[Mark]

I live with that, too. Over to some of them other names. That was in the 25 down.

[Melissa Ford]

Teddy. Luther should be higher. Teddy to me is right where he should be. And I'll tell you why. Only because of that. Again, that group versus individual dynamic. If you start counting Harold Melvin in.

[Joe Budden]

The blue notes, then there's no way he should be there.

[Mark]

Yeah.

[Melissa Ford]

And that's.

[Mark]

And.

[Melissa Ford]

And you say he should be lower than.

[Mark]

And from what we've seen in the 26 to 75, a lot of those people, they didn't exclude their group work because if they excluded some of their group work, they wouldn't even be on the list.

[Melissa Ford]

And that's why the list is a little janky to me. Because, like, sometimes I agree with you. It seems like, like you're only there because of these. These things.

[Mark]

That's the impact that you made with these groups.

[Ish]

Yeah.

[Melissa Ford]

Okay.

[Mark]

15, Isaac Hayes. 14. Curtis Mayfield.

[Parks]

Okay.

[Mark]

13, Sam Cooke. 12. Usher.

[Joe Budden]

Sam Cooke. Don't go before a lot of them names from 17 to 23. I feel like.

[Ish]

I agree with that.

[Joe Budden]

I feel like we could swap. They're 12 to 16 with 17 to 22, and nobody would blink out.

[Mark]

Curtis Mayfield, Isaac Hayes. No disrespect. I would take Teddy P. And Luther and put them and swap those numbers.

[Melissa Ford]

I probably would too.

[Mark]

I would swap those numbers without a problem.

[Joe Budden]

Same.

[Mark]

Oh, okay.

[Joe Budden]

Okay.

[Mark]

So that was 12, 11. Ray Charles.

[Parks]

I was thinking about his name on the drive home.

[Melissa Ford]

He's another tricky one because of all the crossing the genres.

[Parks]

Well, a lot of this is tricky genre crossing, to be honest with you. But we'll get to that in a minute.

[Joe Budden]

You can't put Ray Charles 11, and Smokey Robinson at 19.

[Mark]

What was he? 19, I think.

[Joe Budden]

I don't think there's that much space between them two.

[Melissa Ford]

Unless you start talking about Smokey the Miracles. I don't know what they're counting as individual versus.

[Ish]

And not only that, race.

[Melissa Ford]

I agree with you. I would put Smokey higher.

[Ish]

Yeah. And not only that. Like park says, there's a lot of, like, cross genre stuff that Ray Charles is. Where Smokey is.

[Melissa Ford]

Is not.

[Ish]

Yeah, he's R B. His whole career is R B, basically.

[Melissa Ford]

And in the 1950s, when they started making race records, I mean, the idea of a race record, some people call it soul, some got it R B. Some people. You know, I mean, I don't know. I don't even know R B means anymore, given all the people in this. In this.

[Mark]

That's true.

[Parks]

Yeah.

[Joe Budden]

You know, so sorry.

[Parks]

It felt like old school race records. Rules.

[Melissa Ford]

Yeah.

[Parks]

As far as defining the genre here.

[Melissa Ford]

That'S what it seems like.

[Joe Budden]

Yeah.

[Mark]

All right, we have the top 10. Number 10, Marvin gay.

[Joe Budden]

Marvin Gaye.

[Parks]

Whoa. What's low?

[Melissa Ford]

I expected him higher.

[Mark]

I thought, I thought he would have been higher. I thought Al Green would have been higher. But when you keep going.

[Melissa Ford]

Yeah.

[Joe Budden]

Nine. R. Kelly.

[Parks]

No planet is R. Kelly, respectfully, higher than Marvin Gaye.

[Mark]

Except maybe Irf.

[Joe Budden]

No, Parks.

[Mark]

You have a fight, huh? You're. You would have a fight. Like, if you, if you, if you polled the masses, that's not as cut and dry.

[Melissa Ford]

I think it's generational that that could be. I think it's generational.

[Mark]

I think I.

[Joe Budden]

Realistic.

[Melissa Ford]

Yeah, you always say that.

[Joe Budden]

Yeah.

[Melissa Ford]

Because I, I, I, I would have had R. Kelly, like, number five, just off the top of my head without looking at the list, if I just had to pull a number. But when I see who's above him, I can't get that mad at it.

[Mark]

I wouldn't have had him at five. I would have had him about seven.

[Parks]

I would have had him kind of where he is. I just would have had Marvin Gaye higher than R. Kelly.

[Melissa Ford]

Yeah, I had Marvin Gaye. My top three.

[Parks]

So personally, Marvin Gaye, at least five.

[Melissa Ford]

To me, is Marvin. Why would Marvin Gaye be above. I mean, it's an honest question. Why would Marvin Gaye be above R. Kelly?

[Joe Budden]

He didn't touch no girls.

[Ish]

Damn.

[Joe Budden]

Well.

[Mark]

Well, other than that, Reading biographies.

[Parks]

What's going on?

[Joe Budden]

Never mind. Yeah, take it back.

[Parks]

What's going on? That's why.

[Melissa Ford]

That's. And that's where it gets tricky, right? Because for some people, Chocolate Factory was a genre field change.

[Parks]

I think that what's going on is a top five album period of all time.

[Mark]

TP2. TP2. Really good albums. They're past really good albums.

[Melissa Ford]

What's going on? It's like Joshua Tree. It's like Love supreme albums ever made.

[Mark]

Yeah, man. All the little kids.

[Joe Budden]

Once you get out of there.

[Mark]

Once you get out.

[Joe Budden]

Once you get out of there, it is. I think R. Kelly has a top 5, 6 discography in R B. I'm in agreement.

[Mark]

I think he got one.

[Joe Budden]

Excluding, Excluding no one.

[Mark]

Yeah, I'm in agreement. Yeah.

[Joe Budden]

I, I can't. I would never put. I would never put him. The top three is still for me, Stevie. Well, I'm speeding.

[Mark]

Okay. Number eight, Mariah Carey.

[Joe Budden]

I'm not putting Mariah above R. Kelly. I don't care what Billboard says. I don't care what Billboards. I'm not I'm not mad at that.

[Parks]

I'm not mad at that.

[Mark]

I love Christmas like everybody else, but.

[Ish]

Yeah, but mainly.

[Melissa Ford]

And that ain't even R B hit.

[Ish]

Yeah, mainly, exactly. Mariah. There's a lot of, like, pop in her discography. A lot.

[Melissa Ford]

Yeah. Like, you know, when I think of Dream Lover, just as an example, what do we classify that? The best thing about Mariah is that she often remixed a lot of her. Her poppy hits and made them pop.

[Mark]

Then you talk about Vision of Love and all that other shit. And if you're gonna put some of these other people that had cross genre music, you can't exclude her.

[Joe Budden]

Agreed.

[Mark]

So when you don't exclude her and you put her in there.

[Parks]

If we're gonna put Michael Jackson in any of these lists, you have to put.

[Melissa Ford]

Then you gotta put something funny about.

[Mark]

But you gotta put Mariah Carey.

[Melissa Ford]

But Mariah above.

[Joe Budden]

Above R. Kelly. I'm not putting her above R. Kelly.

[Melissa Ford]

That seems crazy to me.

[Mark]

I'm not.

[Parks]

I am.

[Joe Budden]

I'm not putting her. But I'm not Marvin Gaye either.

[Parks]

I think they should be. I think they should be close. She's definitely not above Marvin Gaye.

[Joe Budden]

No. Yeah. Continue. Freeze.

[Mark]

Seven is Prince.

[Melissa Ford]

I think that's too high.

[Joe Budden]

I think that's too low. But I mean, that's my bias.

[Mark]

That's your bias again.

[Melissa Ford]

Some of that ain't R and B. Prince's best ain't R B to me. I guess that's why I'm.

[Parks]

I think Prince is right.

[Ish]

What would you consider it?

[Melissa Ford]

Funk.

[Ish]

Funk.

[Melissa Ford]

Yeah.

[Mark]

It's a lot of funk.

[Joe Budden]

A lot of fun.

[Parks]

It's almost more new wave than it is funk. Although new wave has elements of funk.

[Melissa Ford]

Funk. Right. So. But I wouldn't. It just wouldn't. I just wouldn't think R and B when I hear it. When I think of Prince's biggest hits. Do you think there are. I mean, would you consider them R and B hits?

[Parks]

Not all the way, but I also. The next name on the list. I don't necessarily fall under two a little bit.

[Mark]

James Brown. James Brown is number six. R&B. I don't know.

[Melissa Ford]

You're not wrong, but I hate. I just love James Brown.

[Parks]

I love James Brown too.

[Melissa Ford]

I'm. I'm. I'm cheating for James Brown. The way you were just saying, like, for Prince.

[Joe Budden]

Like, it just this.

[Mark]

Just bring me back to the question I would love to ask all of them at Billboard. What is R and B?

[Melissa Ford]

Yeah.

[Parks]

Right.

[Mark]

Like, I think if we got a definite answer from that Some of this will start. Make more sense because I don't know it. You got James Brown hired in some of these other names. They didn't write on an R and B list.

[Ish]

They didn't write ahead of the list. Like, you know, just a little blurb as to what was. What thought process went into creating this list.

[Mark]

Not just the criteria, not what constituted.

[Ish]

R and B. Yeah, like we all had this conversation about, you know, what R and B actually means. You know, the definition of it. It would be interesting. They should have done that.

[Melissa Ford]

R B is like middle class. It's one of the things where everybody has a different idea of what it means and everything goes in facts. You're just throwing everything in.

[Mark]

It would be hard, though, because think about this. Like, if you had a Michael Jackson album that had 12 songs, three of those songs could be R and B for sure. Six of them are pop. Right. Whatever other breakdown you have.

[Joe Budden]

But then why is pop not R and B to YO?

[Mark]

That's what I'm saying. I don't understand. I think pop is. Pop stands for popular music.

[Parks]

I think pop is. I think anything can be pop. You can have pop hip hop, you can have pop, R, B, you can have pop rock, you can have.

[Melissa Ford]

That's fair.

[Mark]

But if the album goes diamond, you don't say yo. But those four songs was only R and B. You give him the accolades from that particular project. So you can't really divvy it up like that.

[Melissa Ford]

I think when I say pop, I don't just mean in terms of the. Cause I agree. Pop could be anything. Right. Not like us as pop at this point.

[Joe Budden]

Right.

[Melissa Ford]

I mean, at that level.

[Joe Budden]

Yeah. Yeah.

[Melissa Ford]

But I think when I think of a pop sound, I think about stripping away certain musical elements from it that makes it feel less. Strip away some of the soul. Like. Like Michael Jackson. Like. Like off the Wall is this is a R B or soul album.

[Parks]

It's a disco album.

[Joe Budden]

Damn near.

[Melissa Ford]

And it's a disco album. Right. For sure. Off the Wall is literally a disco song.

[Parks]

Yeah.

[Joe Budden]

But by the time you get R and B to me.

[Parks]

Yeah, it is.

[Melissa Ford]

But by the time you get to, like, bad, you know, to me, that doesn't feel. I don't feel sold in that. I don't feel sold in those records in the same way.

[Parks]

I feel sold.

[Joe Budden]

But it's.

[Melissa Ford]

I'm over. I'm being a little. I'm overstating a little bit. But I guess my point is it feels less and less R and B with each album.

[Joe Budden]

You don't feel the soul in your butt is mine.

[Melissa Ford]

There's so many ways I can respond to that.

[Ish]

I feel like pop music is just, like. It's an automatic blend of a whole bunch of things, you know, I mean, like, how bad is. Has elements of rock to it, has elements of soul to it. It has just different elements of genres to it. So that's like. I mean, pop. When I think pop, I think Taylor Swift, you know? I mean, that's what I think as a pop. As a pop artist. Because what else. What else is she gonna be considered?

[Parks]

She could be considered folk or something like that.

[Joe Budden]

Yeah, yeah.

[Ish]

But not everything.

[Melissa Ford]

So what's the top?

[Mark]

All right, we at the top five. Whitney Houston.

[Parks]

Not bad.

[Mark]

Beyonce.

[Parks]

Not bad.

[Mark]

Michael Jackson.

[Melissa Ford]

I'm mad. Keep going.

[Mark]

You want Aretha Franklin.

[Melissa Ford]

That's the one we fucking.

[Mark]

And number one is Stevie.

[Joe Budden]

Wonderful.

[Mark]

Yeah, yeah. We forgot Aretha.

[Joe Budden]

Who forgot Aretha?

[Melissa Ford]

I mean, she was making our guess. None of us, like, mentioned her as being a top three choice.

[Joe Budden]

Yeah, there's a reason why she don't belong. Aretha Franklin is not the top three choice.

[Melissa Ford]

You're out of your mind.

[Joe Budden]

I know.

[Mark]

That's.

[Melissa Ford]

That's crazy. Tell me why. Please tell me why.

[Joe Budden]

Because of all the names that we just read. That's why she's not. You can honestly swap her in R. Kelly spot.

[Melissa Ford]

No way.

[Joe Budden]

I'm just talking about. You could put her at nine and put nobody.

[Mark]

And put nobody Be mad at. If you put Aretha Franklin at 9, nobody bad at.

[Joe Budden]

Nobody would say that.

[Melissa Ford]

No, I think. I mean, she's. I would. I'm mad I didn't say it back the other day. I mean, Aretha Franklin is probably the greatest singer of the 20th century, and she usually gets voted as such. But if you look at her catalog, it's insane. It's insane. If you start. I think it was 67 or 68 with the. With Columbia Records.

[Joe Budden]

All those.

[Melissa Ford]

All those covers. All that music she did which would fit in R and B. If we count on Etta James, she. She bodied all the jazz stuff. Then you get to, like, 1970. 1971, where she starts with Atlantic Records. That run in Atlantic Records is one of the greatest runs we've ever seen. I mean, of just of top music.

[Joe Budden]

If that's your argument for Aretha, then there's no way that she should be above James Brown.

[Melissa Ford]

Oh, I think she's cooking James Brown.

[Joe Budden]

Oh, you got it.

[Melissa Ford]

Because she got more decades of it. And her stuff is squarely in genre more to me than James Brown is. And everybody you make.

[Joe Budden]

I took myself out of that genre bending argument.

[Melissa Ford]

Okay, fair enough. Take the genre bending argument off the table. The other thing for me is everybody we mentioned, she's taking their work remade, it embodied. Which for me is also a sign of. I mean, you got Otis Redding, but she takes respect and makes it a song. The Otis Redding that's unrecognizable.

[Mark]

So what did Whitney Houston do?

[Joe Budden]

She another one.

[Melissa Ford]

She did it once.

[Mark]

That.

[Joe Budden]

What? She. Another one that can get out the top five.

[Mark]

You are chilling.

[Melissa Ford]

She need to get. You want it lower. Right.

[Joe Budden]

I just think there's some picks where you lose a little bit of blackness. Even saying some of this shit out loud, like James Brown not being a top four act is. I don't understand that.

[Melissa Ford]

I'm with you.

[Joe Budden]

If he's there. It's like anybody putting Stevie anywhere outside of number one, I'm just not gonna understand.

[Melissa Ford]

I could see Aretha's right under Stevie. To me, Aretha's right under Steve.

[Mark]

If Stevie would have been outside the top three, then it's blasphemy.

[Parks]

Yeah.

[Mark]

I wouldn't have argued if he was number two. I wouldn't have argued if he was number three.

[Parks]

I think Aretha and James should be pretty close to each other, which they are in this.

[Melissa Ford]

Yeah.

[Parks]

I'm not entirely mad at that. Although I wouldn't have maybe had her sex.

[Mark]

Yeah.

[Melissa Ford]

Putting Aretha Franklin second from 1960s to last hit was Roses of Rose. Right. That was her last big hit. Not talking about that river in the Deep shit. I mean, you're talking about. You're talking about six decades. You talking about five decades. Six decades of R B music and all these number ones. All. I mean, she is the template.

[Mark]

But you see what. Get me about that. Like you said, even when we had the conversation previously, you forgot Aretha.

[Melissa Ford]

Yeah.

[Mark]

Like them ones. That's 1, 2, 3, 4, 5. You don't forget them. You don't forget them. They don't even slip. Oh, shit. I didn't even think about that. You see what I'm saying? Like. Like them ones. That's them. Yeah.

[Melissa Ford]

I mean, we said Aretha in the combo. Then that's even work. Then that's even worse.

[Mark]

No, it doesn't. That's. No, that's proving the point. Speaks volumes that her impact wasn't to the point where it was undeniable that Aretha Franklin would be in somebody. Stevie name came up. It was like his name came up. Stevie, Mike James.

[Parks]

We forgot Ray Charles.

[Melissa Ford]

Ray Charles. Didn't come.

[Parks]

I don't know if we said James Brown.

[Mark]

No, we said.

[Ish]

James Brown.

[Melissa Ford]

Part of it is because I don't necessarily. When you say R B singer, the word Aretha doesn't come to my mind. I think.

[Mark]

Why?

[Melissa Ford]

Because I think of soul. It's not. It's a genre thing, and. But this is a much broader net. I didn't think of Michael Jackson for.

[Mark]

The same reason, but the room did so much.

[Melissa Ford]

You.

[Mark]

Everybody in his room's name tossed around. Michael Jackson's name talked around. Tossed around. James Brown's name. Beyonce, Whitney Houston. People talked around. I mean, tossed around certain names. Aretha Franklin's name never came up.

[Melissa Ford]

Yeah, but that's just more about us than Aretha, is what I'm saying. We fucked up.

[Mark]

But it also speaks to her impact and what it means to us in our age group.

[Melissa Ford]

Yeah, but. And so. And I said, this might be generational, but I don't think there's an argument against Aretha being at least top three. I don't think there's a legitimate argument, Aretha not being top three. I can't see it.

[Mark]

Not with R. Kelly being nine for me.

[Joe Budden]

I'm sorry.

[Melissa Ford]

I don't think they in the same planet. What? I think they only become on the same planet. We start talking about songwriting and things like that.

[Mark]

No, I'm talking about music and albums.

[Melissa Ford]

And Aretha has way more albums, way more music, way more, you know, impact.

[Mark]

I mean, she's so impactful that nobody.

[Joe Budden]

Give me your top four. Most impactful. Read the records.

[Melissa Ford]

Impactful.

[Joe Budden]

Yeah. That's respect. Of course.

[Melissa Ford]

Respect is number one. Impactful. Think.

[Joe Budden]

Yeah.

[Melissa Ford]

I wouldn't say think. I would say I never Loved a man. Because when that came out, that B side. I Never Loved a man. And I think it was the answer.

[Joe Budden]

Yes. Never loved a man.

[Melissa Ford]

I would put yeah.

[Joe Budden]

As impactful.

[Melissa Ford]

That was. That was. That was one of the most impactful albums of the decade. You know, when it came out as a single. Natural Woman's another one.

[Joe Budden]

Yeah.

[Melissa Ford]

I mean, we could, man. In terms of impactful, then you get to the Amazing Grace album, Right? The Amazing Grace. She stopped in the middle of a major soul R B career and made a gospel album. Not the Al Green. Like when shit is on the wrong side, you know, people make gospel albums with shit is going on, they get fucked up. She stopped and made it on the wrong side. She made amazing.

[Mark]

They caught me doing this bullshit.

[Flip]

Right.

[Mark]

Right, right.

[Melissa Ford]

Aretha shut everything down and made Amazing Grace, which up until a few years ago was the biggest and greatest gospel album ever made. Also, the Curtis May everybody we mentioned as a star, she done did something with them and trumped them. I mean, the Curtis Mayfield album for. She made the album with Curtis Mayfield that he produced that had given him something he could feel on. There was. Was a major shift in soul in the late 70s.

[Joe Budden]

I mean, to me, the earliest output is 4.

[Melissa Ford]

You say what?

[Joe Budden]

You convincing me?

[Mark]

He got a little argument.

[Joe Budden]

You're convincing me.

[Mark]

He has an argument.

[Parks]

She might have one of the best voices, pure voices.

[Melissa Ford]

And I think she's the greatest singer of all time. That's another thing.

[Ish]

Is giving him something he can feel. That would be another impact.

[Melissa Ford]

That's what I'm saying. So she got the records, the voice, the impact, longevity. Yeah.

[Flip]

I mean, she had more number one hit than him. Than he does.

[Melissa Ford]

Of course. That's. That's what I'm saying. Aretha is. Is something else.

[Ish]

And I'm pretty sure that almost. That almost every single woman on this list would put Aretha where she's at.

[Melissa Ford]

They don't put Aretha ahead of them.

[Ish]

Yes, every single one.

[Melissa Ford]

Whitney would say that. Beyonce would say that. Not in that humble.

[Joe Budden]

No.

[Ish]

They would just be like, it's a fact.

[Flip]

But he was. She was impactful back in the days, man. Like, you know, it's generational.

[Melissa Ford]

Like I said, you guys are. Y' all got Mariah and Whitney Houston.

[Mark]

Out y' all mind. If Whitney Houston is breathing today, she says I'm the best singer on this planet. She might not say it out of respect, but in her heart of hearts, Whitney Houston was feeling like, yo, fam, I'm not.

[Melissa Ford]

Aretha was something else, man. I ain't never seen nothing like it.

[Joe Budden]

I wasn't even a thought in my dad. Balls. I'm shutting up. No, and he.

[Mark]

And he's. And he's getting a good argument. But, fam.

[Joe Budden]

Nah, he switched me a little bit.

[Mark]

Not too.

[Melissa Ford]

I'm embarrassed. I'm understan. And I'm embarrassed that I didn't. That I didn't mark.

[Joe Budden]

You guys.

[Melissa Ford]

No, I am gonna read this thing. Yo, dog, we had a conversation about this. Once again, when I was telling you to read the David Rich's book on her. It's dope. And you appreciate her vocals even more.

[Parks]

Aki, Aretha's amazing.

[Melissa Ford]

Aretha's the shit. Aretha is.

[Mark]

She's dope. She dope fire.

[Flip]

Clean it up, nigga.

[Joe Budden]

I could have put Aretha at 16.

[Melissa Ford]

I would throw this away.

[Joe Budden]

Come on.

[Mark]

And nobody would have Seen like, yo, that's right. That's fine.

[Joe Budden]

I'm gonna put Aretha right under Otis Renton. Nobody would have batted an eye.

[Melissa Ford]

He put her above under Otis.

[Mark]

Written.

[Joe Budden]

She could have been by Rachel or wherever he was. He was too high. Man. Kick all these. I'm saying things I would never say in front of my parents words unless I was trying to get hit.

[Mark]

I know Pop's gonna call you.

[Melissa Ford]

Oh, he gonna call you on that shit.

[Joe Budden]

He should.

[Mark]

Pop's gonna call him.

[Joe Budden]

Yeah. No. Aretha was never on my list of people to shit on in front of my dad. I try to just keep that, like, Roberta Flack. Who's that other one? There's one more. Anyway, I thought it was pretty brave.

[Parks]

Of them to put R. Kelly on the list as high as they put him, period, or on the list, period.

[Melissa Ford]

Did they make a mention of it? Of his? Like, did it be like this? Oh, yeah, right.

[Ish]

Read that.

[Melissa Ford]

Sometimes they're apologetic about it. Like, you know, we had to include him despite his such and such. Well, they didn't do it with. They didn't do it with Chris Brown.

[Joe Budden]

Apologize for including R. Kelly in any music conversation.

[Melissa Ford]

I agree, but, you know, magazines are often scary.

[Ish]

Like, they didn't do it with Chris Brown.

[Parks]

They did apologize, but they did mention it.

[Mark]

He was. In 2022, Kelly was sentenced to 30 years in prison for sex trafficking and racketeering charges tied to decades of sexual abuse, which has tainted the singer's legacy. But from a purely musical perspective, there's no denying that Kelly is one of the best contemporary R B artists to ever pick up a band.

[Melissa Ford]

They had to explain.

[Joe Budden]

They said if it wasn't for Dolly Parton. I don't know about putting Whitney above our coast. I ain't gonna open you.

[Mark]

You out trouble.

[Melissa Ford]

There we go.

[Joe Budden]

Belong over no damn R. Kelly.

[Melissa Ford]

Yeah. That's crazy.

[Joe Budden]

You said, oh, you want to dance with some move.

[Melissa Ford]

Stop. A stop, stop.

[Mark]

Why you jump right to Chris Brown about.

[Joe Budden]

And it's mad of him on that list. That's not right that you do that.

[Ish]

No, no, no, no.

[Mark]

James Brown is right there.

[Joe Budden]

It's a bunch of people on that list.

[Ish]

I understand that, but there is an active campaign to keep Chris Brown, like, off of.

[Joe Budden]

Off.

[Ish]

Off of, like, any list. Wait, wait. The recognition of his talent. I. I love Breezy. That's not what I'm saying. I'm saying that oftentimes publications. Don't. Don't fucking do that.

[Melissa Ford]

Don't do that.

[Ish]

Don't do that. Because that's not what I'm doing. I'm trying to make a mention of the fact that. That people take every opportunity that they can to fucking, like, you know, make a dig. Yeah, yeah, they do.

[Melissa Ford]

I think the difference is R. Kelly because his kids and he's incarcerated. No, I'm agreeing with you. I think because R. Kelly and his kids, they had to mention.

[Ish]

It's not my dig. I just said that I'm surprised.

[Flip]

It's not her shovel.

[Ish]

All right, whatever, Whatever. Keep going.

[Melissa Ford]

I have nothing to say. I'm standing with me.

[Flip]

R. Kelly's. You've been number two. And that's it. We agree and that's it. We're number two.

[Melissa Ford]

You got him at number two. Yes.

[Flip]

Crazy behind Stevie Wonder.

[Parks]

Y' all high?

[Melissa Ford]

You got R. Kelly above Michael. Above. You know. No, no, no.

[Flip]

No matter. I put him number three. I put Michael before. Okay.

[Joe Budden]

You put him up.

[Parks]

Prince.

[Flip]

That made Step in the love that made. If I could turn back the head.

[Mark]

I believe I can fly.

[Flip]

Yeah.

[Mark]

And all us singing at graduation graduation. Is you talking about. Y' all talking about Go in line with popping circumstances.

[Melissa Ford]

You want them terrible ass Jersey high schools, man.

[Flip]

That's why that was every high school. Your mouth.

[Melissa Ford]

George Washington Carver High School of Engineering and Science.

[Mark]

We don't give a about that. He went on to be a journalist.

[Joe Budden]

Hey, look at little Philly foot. Look at. Pull out that BlackBerry.

[Mark]

Shut up that fiesta some more. You might get the tap.

[Melissa Ford]

Happy people might. No, no. R. Kelly, man, what's wrong with you?

[Mark]

After the show.

[Flip]

Old people don't own old parties. The 50 and 40. You turning 60.

[Melissa Ford]

50.

[Flip]

I'm just saying. But I'm saying. All right, you know what I'm talking about older people, people, they playing R. Kelly and they not. They getting up stepping in a heartbeat.

[Melissa Ford]

They do all that. Yeah, they don't care about that. Fuck them.

[Flip]

Oh, ladies and gentlemen, this here's another one for the steppers.

[Mark]

I might get up and step with you.

[Joe Budden]

Hey, sorry, sorry. Whitney, let's go club. Get in your bag. Here you go. Hey, what do we do? Why you over there?

[Flip]

Mark went off the scene.

[Melissa Ford]

Hey, yo, you fake ass.

[Mark]

Oh, man.

[Joe Budden]

Mark, don't go dance on the side doing the two step. Fuck you doing in the kitchen, yo? I know.

[Ish]

Oh, that's tough.

[Joe Budden]

Oh, it's supposed to be the remix.

[Mark]

I was about to say it was.

[Joe Budden]

Supposed to be the remake. Cuz you did my laugh Ever since you did my lap, yo. Ever since you did my laugh.

[Mark]

No, no, understand.

[Joe Budden]

It's not just a Dance.

[Flip]

It's a mark.

[Joe Budden]

You ain't got to dance on the side. Mel.

[Flip]

If Mel be trying to find.

[Joe Budden]

Mel was in this video.

[Flip]

No, she was. The other one you played wasn't.

[Joe Budden]

Still.

[Ish]

I was in Happy People.

[Joe Budden]

Hey, I'm sorry, Whitney. Rest in peace.

[Mark]

People.

[Joe Budden]

Up. Yo, look at my dad. N. Don't. Don't rap. Nah, don't rap.

[Melissa Ford]

You just missed your son up here and said we ranking the top R B singers of all time. He basically said Aretha Franklin wasn't shit.

[Mark]

Yeah, I know. He says stupid things like that.

[Melissa Ford]

He says stupid things like that.

[Joe Budden]

No, no, no, no, no. They got Aretha at number two, behind Stevie at one. All time, all time top 75 greatest R& B acts.

[Melissa Ford]

We good with that.

[Joe Budden]

I just don't think Aretha should be at one point.

[Ish]

I think she should be lower on the list.

[Joe Budden]

I don't think Aretha should be, too.

[Mark]

That's it.

[Parks]

You think she should be behind R. Kelly?

[Melissa Ford]

He thinks she should be.

[Joe Budden]

No, but she should be by James Brown. Say the names. I said, don't try to get me in trouble with my dad. Is it based on just what? Music, writing.

[Melissa Ford]

No. Show. Like voice.

[Ish]

Accolades.

[Melissa Ford]

Accolades.

[Mark]

Longevity.

[Melissa Ford]

Longevity, Impact, all that stuff. And he basically was like, fuck Otis Redd and Teddy Pendergrass.

[Joe Budden]

No, no. Just last night, what he said.

[Melissa Ford]

Did you start something new here?

[Joe Budden]

I'm never gonna say, fuck Teddy Pendergrass or oldest. Right.

[Melissa Ford]

You. I mean, but you had them very low.

[Joe Budden]

Did he say Curtis Mayfield?

[Ish]

No, he didn't say Curtis didn't even acknowledge him.

[Melissa Ford]

He basically didn't acknowledge him.

[Ish]

Right.

[Joe Budden]

All right. I'm not playing with. I'm not playing with y' all, Pop. Nobody disrespected Curtis Mayfield.

[Melissa Ford]

Who you disrespect?

[Joe Budden]

They a liar.

[Melissa Ford]

Who are names you disrespected? I can't remember.

[Parks]

Charles.

[Melissa Ford]

Oh, that's what it was.

[Joe Budden]

Ray Charles.

[Mark]

Roberta Black. He didn't. He ain't say nothing.

[Joe Budden]

I ain't say nothing. But she another one. She another one. Come on. Listen. I ain't got to respect people that my dad respect.

[Melissa Ford]

You didn't beat him enough. That's just what it is.

[Joe Budden]

No, honestly, go hit a high note.

[Mark]

And make a pie.

[Joe Budden]

Look, he gonna blame my mom. So that's why when he told me, or he used to tell me, he's changed. He's getting better.

[Mark]

That chamber wasn't shit.

[Joe Budden]

All right, listen. All right. It's good for y' all. Look what y' all did.

[Melissa Ford]

Your son didn't say that.

[Joe Budden]

Listen, what Else do we have on our topic board? Congratulations to all. Make some noise for all acts that made the top 75. No matter where you are on that list, it is an accomplishment. So shout out to each and every one of y' all.

[Mark]

Indeed.

[Joe Budden]

And all of y' all. Well, most of y' all probably forgot more about music than we've ever learned. Most of y' all. Some of y' all. What else, what else, what else, what else, what else?

[Melissa Ford]

We got some. We got some. Some feedback from Tyler Perry, you know, on the Patreon again, y' all need to check out the Patreon against Joe. Against Joe. No, no, he didn't respond to Joe yet. Tyler gave him more.

[Mark]

Tyler, fry you up, Yo.

[Joe Budden]

How did I get into Tyler's?

[Melissa Ford]

Tyler Perry, of course, has been accused of or sued even for quid pro quo and some other sexual misconduct stuff by a former employee, an actor of his from the old.

[Ish]

Derek Dixon.

[Melissa Ford]

Derek Dixon and on the show. And y' all should listen to the Patreon to hear our full kind of breakdown of it. It was very insightful and mature. We then moved to. We then moved to this next phase where Tyler Perry responds. It wasn't the response that I had hoped for.

[Ish]

What'd you hope for?

[Melissa Ford]

Something more full throated.

[Joe Budden]

Wow.

[Melissa Ford]

I mean, part of it.

[Joe Budden]

You talking about the one when he started doing all that. Jesus across the Hill. God Sees My trouble Coming. All of that.

[Melissa Ford]

Yes.

[Joe Budden]

Help is on the way.

[Melissa Ford]

Exactly.

[Joe Budden]

They're saying that that is. Is not a reply to this.

[Melissa Ford]

What would it be a reply to?

[Joe Budden]

That's something old, like during COVID or during the fires in LA. Oh, really? Yeah. That was not. I'm 99 sure. That was not him replying to this.

[Melissa Ford]

Okay. That was.

[Joe Budden]

They took some old. That's why they cut it the way they cut it.

[Melissa Ford]

Okay. Cause I kept wondering, why does it keep cutting here? I spent like a half hour on the Internet trying to find it.

[Joe Budden]

Trying to find it.

[Melissa Ford]

Yeah.

[Joe Budden]

Yeah. No, that's not his reply.

[Melissa Ford]

So then Tyler Perry has not responded on that.

[Mark]

His attorney. His attorney. Yeah, his attorney.

[Melissa Ford]

Now that we've seen, we have a reply from his attorney and we've seen a leak of text messages and we've seen the actual court documents that were filed. They give also some direct quotes, allegedly from TYLER Perry to Mr. Dixon.

[Mark]

What did the text messages.

[Joe Budden]

So glad you asked. Happen to have them right here.

[Mark]

Right here on deck.

[Joe Budden]

Anybody want to read, Read some of it too, because it's nice, it's fun.

[Mark]

Go ahead and role play okay.

[Ish]

You want to read Tyler and I'll read Derek.

[Mark]

No, no, I should be.

[Melissa Ford]

I think it should be the other dude.

[Mark]

I don't have them. You can read them. My phone died.

[Ish]

I'll read them in a guy's voice.

[Mark]

There you go.

[Ish]

Okay.

[Joe Budden]

All right. Great. Right. Let's go, Mel.

[Ish]

All right. I'll be blue. You be great.

[Joe Budden]

Well, yeah, blue is Dixon.

[Ish]

Yes.

[Joe Budden]

All right. Get your off.

[Ish]

Right. And we just had a heaping dose of it and now it's back to.

[Joe Budden]

Oh, my starts before that. Oh, mine starts here.

[Mark]

Oh.

[Ish]

Because that's a whole lot of nothing.

[Joe Budden]

It's not, though. All right.

[Ish]

Okay. Okay.

[Joe Budden]

Because on Tyler's side, it lays the premise.

[Ish]

Okay, here we go.

[Joe Budden]

And it's. It starts one way. In my opinion. This conversation escalates. Gotcha. And you could kind of see that in the text. So I'll just read it.

[Mark]

Throwing the worms out.

[Ish]

I can call you later or tomorrow sometime.

[Joe Budden]

There you go. You have a really fresh voice and take on things. I don't know where this is going, but I laughed the entire time. I could see the world and the characters. My exclusivity ends in 30 days. I want to take loosing it out to Amazon or Netflix after that and gauge their interest. But I also want to try and get you with the right people to help you make these shows work. They are not for my audience, but we need to find a home for this stuff. I don't want you to miss another. Oh, I don't want to miss another. I'm going to assume it says Dawson's Creek.

[Mark]

Dawson.

[Ish]

No, it's Schitt's Creek.

[Joe Budden]

There's a show called Schitt's Creek. Yes. Okay. Schitt's Creek. You know that I'm old as hell. Dawson.

[Melissa Ford]

Dawson.

[Joe Budden]

You know that Eugene bought that to me first, but I didn't get it.

[Mark]

Oh, yeah.

[Ish]

It's definitely Eugene. Eugene Levy.

[Joe Budden]

Yeah. Iman gets here tomorrow, so he's got my full attention. I'll be trapped. I'll be trapped until the day after Christmas. So let's talk then. I just think that was important to know.

[Melissa Ford]

That's super important.

[Joe Budden]

Yeah.

[Ish]

Okay. He says, wow. Wow. I was worried you'd even like it because it's a weird concept. So thank you.

[Joe Budden]

All right.

[Melissa Ford]

Sorry.

[Joe Budden]

Come on, let's go.

[Ish]

All right, so the next one is. Right.

[Joe Budden]

I feel like I'm in Hamilton.

[Ish]

Right. And we just had a heaping dose of it and now it's back to nothing. It's really weird.

[Parks]

You got to start wrapping it, though.

[Mark]

Word?

[Joe Budden]

I didn't have any contact. What are you talking about? I haven't been touched in months.

[Ish]

Oh, you mean touching. I thought you. You meant being around people.

[Joe Budden]

Jacob.

[Ish]

I love that you only say that when I'm being stupid. Lol. I guess. The Jacob dumbass version of me.

[Joe Budden]

Not dumbass, but blonde.

[Ish]

See you next. Oh, you know what I cook?

[Joe Budden]

Sorry. Damn. I. Hamilton, you know what I cook? Derek?

[Ish]

Spaghetti cake.

[Joe Budden]

You. I'm so drunk. I'm talking shit. What's it going to take for you to have guiltless sex? Have y' all found that yet in therapy?

[Melissa Ford]

That escalated quickly. Yeah.

[Joe Budden]

Yes. It's the exact same kind of car. Geometro, whatever that is.

[Melissa Ford]

Who cares?

[Ish]

It was his first car, Tyler Perry's car that he was sleeping in when he was homeless.

[Melissa Ford]

That was my first car, too.

[Ish]

Oh, okay.

[Joe Budden]

You and Tyler Perry have a lot of narrow.

[Mark]

Atlanta.

[Joe Budden]

Atlanta and Tyler Perry got a lot in common.

[Melissa Ford]

We both work with a lot of gay people.

[Ish]

All right. Giving up my religious guilt, becoming a Buddhist. That's so cool. Where you came from.

[Joe Budden]

Unfortunately, Derrick, I have friends who are in their 50s and 60s who are still dealing with that. And it's so sad. You can. You can have freedom from religious guilt and still believe in Christ.

[Ish]

I'm assuming we should stop here. Yeah.

[Mark]

They laying the groundwork. The first conversation sound like when you tell a shorty. Now the first one is flirty. Now we laying the groundwork to saying, yo, you got religious guilt about whatever. You got religious guilt about.

[Ish]

About being. Probably being homosexual.

[Mark]

Yes. We can get past that.

[Joe Budden]

Times have changed. Nice. Santa Monica is nice. I'm glad you're going out there. How is your no? Is it stronger? You've got to have a strong no.

[Ish]

Yes, it's strong. My mom literally thinks I'm going to sell my soul to the Illuminati. She heard Kanye say that. That it's real.

[Joe Budden]

Well, I don't think that, but I do think that you have to be able to say no and mean it and make it clear.

[Ish]

I'll only say yes if it gets me an Oscar. Just joking. Just joking. Just joking. I hear you.

[Joe Budden]

Now, at that point, I think that this little. Is this dude white? Yes. This little white nigga is trying to line me up. This white nigga is texting me to line me up. And Tyler Perry knew it, too. So he responded and said, well, the only one who could have gotten that for you through sex is in prison. So just stick to the no, unless you are really into Him. Freaky emoji. Freaky emoji.

[Mark]

Can't control the horny.

[Melissa Ford]

I was gonna ask what the freaky emoji was.

[Joe Budden]

The one with the tongue out and one eye winking. Oh, okay. The freaky emoji.

[Parks]

It's a bunch of freaky emoji.

[Melissa Ford]

That was a freaky emoji.

[Joe Budden]

You just be sitting.

[Melissa Ford]

Turns out I've been sexually harassing my accountant all this time.

[Ish]

The purple devil smiling. That's freaky emoji.

[Melissa Ford]

I thought I was just like. Okay, noted.

[Joe Budden]

I would hope that you would let someone hold you and make love to you. You are missing the best years of your life, my friend. Trust me. I hope you get past that block in your mind soon.

[Ish]

Well, it's not this person, but yes, I want that too. I'm working on it. Therapy is helping.

[Joe Budden]

Now I'm going stop. Again. I think agendas are pretty clear at this point. Once we get to the part of the relationship where you come in to tell me how much you hate the current person that you're seeing and I tell you shit like, get away from him, and I'll bend that. Break that back up nice.

[Mark]

And I'm gonna keep it above. We are past employee employer talk at that point.

[Ish]

Yeah, it's.

[Mark]

You get what I'm saying? Like we on some personal talking. It's past that at that point. And the dude basically is saying, I'm paying. I play for pay. I'll do those things only if it gets me an Oscar. You got a price?

[Melissa Ford]

Jk. Jk.

[Joe Budden]

Yeah. It's mad truth in jk. Yeah.

[Mark]

Like, yo, my nigga, you.

[Melissa Ford]

Unless you gonna do it.

[Mark]

Unless you gonna do it right. Tyler, Pete. The lineup still kept going, but mad.

[Joe Budden]

People are giving up.

[Mark]

Letting them know, yo, I'm not doing it for no bread. I pop you, but I ain't paying.

[Joe Budden]

Yeah. All right. So they continues to take this a little more personal. Tyler says, why did that photo make me jealous? You two together?

[Ish]

Oh, sorry.

[Joe Budden]

Are you intellectually.

[Ish]

I lost my. I got it here.

[Mark]

He's laying it out. What I'm trying to do, do. You can't say at this point you're.

[Joe Budden]

I don't know. It's just Brad. Lol. Tyler says lol.

[Ish]

Okay. Then I say, he just wanted to go for a quick walk to get his steps in. And now I'm walking to Chipotle myself. Lol.

[Joe Budden]

Thick Derek. Get that Chipotle.

[Mark]

Haha.

[Ish]

Can you tell from that photo?

[Melissa Ford]

Thick Derek is crazy.

[Joe Budden]

Chipotle making thick is crazy. Y' all do be double me.

[Mark]

You calling another man thick is crazy.

[Melissa Ford]

You getting that?

[Joe Budden]

Double meat.

[Mark]

Double meat.

[Joe Budden]

It's. Y' all are very immature. Y' all are intellectually. Whatever the term was.

[Mark]

Yeah, I'm definitely.

[Joe Budden]

It's not crazy if you into that.

[Mark]

No, I'm saying homeboy saying he didn't get what was going on. That's my. Anything after this that transpired was consensual.

[Melissa Ford]

You can't talk about. Wait, if I talk about Chipotle, it mean I get the hit.

[Mark]

No, if you saying you showing me a picture with another dude made me jealous.

[Ish]

Yeah, it sounds like he's saying, bro.

[Mark]

The agenda is clear. Like, be clear. Like, it ain't no hidden agenda going on. I'm trying to smash.

[Melissa Ford]

I got mixed feelings, brother. Keep going.

[Ish]

And it sounds like from this that Derek sent him a photo of himself. Like, this is an exchange. Go on, go ahead.

[Joe Budden]

It's on you, Milk.

[Ish]

No, I said how. Haha. How can you tell from that photo? Next one.

[Joe Budden]

No, I can't. Only from your jeans.

[Ish]

Haha. That's how I measure too. If I'm not filling them out, I'm not working hard enough.

[Joe Budden]

Right. This is cut off of mine.

[Mark]

Let me just ask. So dude's claim is he don't know that Tyler was trying to get at him.

[Ish]

Yes. Well, yes. Consensually.

[Mark]

It wasn't consensual. Yeah, Like, Tyler basically was ambushing him and all this other shit.

[Joe Budden]

Yeah, got it.

[Ish]

So he's gonna probably argue some coerciveness here and probably like, power dynamics. And boom. That's the whole nine.

[Melissa Ford]

That's my hang up. That's my hang up.

[Flip]

So you feel like it's power dynamics into play.

[Melissa Ford]

Well, it is. There's definitely power dynamics. Absolutely. Power dynamics. If Tyler Perry isn't Tyler Perry, he's not talking about.

[Mark]

All right, cool. But let me ask you this.

[Melissa Ford]

I'm not saying. No, no, no.

[Mark]

That could be true. But what I'm saying is one, were they already working together? Because it seems like he was just giving them scripts or throwing them ideas. I don't know if he was already working.

[Flip]

No, he was doing.

[Melissa Ford]

They were already working for him at.

[Mark]

That point in time.

[Melissa Ford]

Yeah. He meets him in a crowd, picks him out in a catering and brings him in. And for that woman forward, were they.

[Mark]

Already in talks to work together?

[Melissa Ford]

He gave him a job. Within a couple weeks, he got hired. Like, right. Like that. He like, basically picked.

[Flip]

It's the old school. You see somebody you like. Yo, I got something for You.

[Melissa Ford]

I got something for you.

[Flip]

Yeah, he gave him a job. He saw him at a catering. He's catering an event for him.

[Melissa Ford]

Right. That's where you find the best job.

[Ish]

The first job that it gave. That he gave him. It wasn't the role that he played consistently on the Oval. It was a different production.

[Melissa Ford]

Right? Yeah, but he got one more job.

[Ish]

Yeah. All right. Okay.

[Joe Budden]

So, no, let's stop reading because it's a million more texts.

[Ish]

Okay.

[Joe Budden]

Yeah, it's way too many texts, but the important ones. And next one, Tyler is saying, I feel sorry for the person that you choose. Homeboy says, why? He says, what I mean by that is, you're so beautiful. When you finally are able to unlock your mind, you're going to make that person crazy.

[Flip]

That's that game old school shit.

[Mark]

I mean, but see, the flip side to that is where the power dynamic part come into play. Dude know he talking to Tyler Perry.

[Flip]

I know.

[Joe Budden]

I'm familiar with it.

[Mark]

So it's like, damn, if I dubbed.

[Flip]

This the wrong way, I may lose my job.

[Mark]

No, not just lose my job like this could. I might never work again somewhere.

[Flip]

Got it.

[Mark]

So that's not saying that was intention, but that's why it's tricky when you up here. You can't. You can't be talking to work with.

[Flip]

So you don't feel like you.

[Mark]

You leave yourself open.

[Flip]

Like you can stand on your principle and still keep your job. Just be respectful about it. You can reject somebody.

[Melissa Ford]

Respectfully, you can. But you can go ahead. You could be a. I could see somebody being afraid of doing that. And that's why you're not supposed to do it as a boss. That's all I'm saying. I don't think. I mean, when I read these exchanges, this sounds like some other shit is going on. I don't know if they have a relationship. I don't know if they ever had sex. I don't know any of that.

[Joe Budden]

This is the part where I start hating you.

[Melissa Ford]

But no, you don't know where I'm going. I think you're gonna agree with me. I don't know their dynamic. But this does not. This feels like two friends talking. And. And if I had to put my money on something, my money would be on, they had a friendship, something went left. And that's why this person is.

[Mark]

And I'm scorned.

[Melissa Ford]

Scorn.

[Mark]

Salty now. And I'm about to make you pay.

[Melissa Ford]

But, but, but. And this is the part where you're gonna hate me again. That doesn't mean that he wasn't uncomfortable at various points in the exchange. Who, the employee dude? Yeah. Like, I think there's a part of him that had to have these exchanges because it's Tyler Perry. That doesn't mean it's such a problem. I hate you.

[Joe Budden]

It's circumstantial. I have a problem with the power dynamic argument. Circumstantially overarching. I understand where it can be negative, but there's a conflict because people tend to like the person with power dynamics. Yeah. People are attracted to the person that has power, that's in charge. Not only that, people will be gay for play. People will give up some ass to get a role. The casting couch is a thing. Like, there's a thing there, so it shouldn't be. Yo, the person that was in power was foul because he was in power and he had that looming over your head. There's another side to that coin that is not.

[Mark]

You get targeted because you're in power.

[Melissa Ford]

Like this.

[Joe Budden]

You know what? I didn't. Yes, I agree. You know what I didn't hear from you. Do you think that Tyler Perry fucked this dude?

[Melissa Ford]

I'm 5050 on it. I don't think so. I suspect no, but it wouldn't shock me either way.

[Mark]

I think Tyler Perry popped just off.

[Joe Budden]

Of what I read. I suspected Tyler Perry popped as well. And I could tell you the exact spot in these texts.

[Melissa Ford]

No, no, no.

[Mark]

Last week, when he said he had his underwear on. He was staying in Tyler Perry's guest house. He had his underwear on. He said Tyler Perry came in a room, pulled his underwear down and started groping his ass.

[Ish]

I have that text. I have the text that kind of alludes to that. That's the one where he's my nigga.

[Mark]

If I feel comfortable enough to pull your draws down.

[Melissa Ford]

No, but here's my question. Why would he lie about to me if everything he's saying is his argument that he was pressuring, doing everything sex would only make his argument better. Why would he deny having sex with him with Tyler Perry? That's all I'm saying.

[Mark]

He never said he didn't have sex with Tyler Perry.

[Melissa Ford]

Okay?

[Mark]

He chopped up the messages. He said, yo, he pulled my pants down. He started groping me.

[Melissa Ford]

Let me ask you a better question.

[Mark]

Saying it like it wasn't welcomed. It was.

[Melissa Ford]

Why wouldn't he lead with that? To me, the more shit you did with Tyler, the stronger your case is. So to me, that's to me, he would leave with that.

[Mark]

He never denies and Said he didn't have sex with Tyler Perry. You have to say consensual.

[Melissa Ford]

His whole argument, the argument about power dynamics, is that it's never fully concentric. So even if I say, hey, okay, I'll have sex with you tonight, the idea is you're still my boss. You know what I mean?

[Mark]

I'm about to agree with Mark only in the fact that after you've spoken, you know, I don't.

[Melissa Ford]

He hates that shit. Good. Yeah.

[Mark]

But if you're Tyler Perry, you know that people are drawn to power, money, success, fame, whatever the case may be. It is now your responsibility to not allow these people to infiltrate your empire and be able to even get at you like this.

[Joe Budden]

Well, if there are laws that incentivize people to infiltrate an empire, then I think that that should be acknowledged. The flip side of what you're saying, because I agree with some of what you're saying, is I don't know what this dude was doing before Tyler Perry met him. Tyler Perry saw him, took an obvious liking to him, put him in position. I think most people that are powerful do that for the person that they like.

[Melissa Ford]

True.

[Joe Budden]

Yeah. So I'm not sure. So I'm not about to hang him for getting the dude that he thought had a cute ass a job.

[Mark]

But when you're away a couple billion dollars, right now, you're my friend and I love you. And if you were single.

[Joe Budden]

You are my friend and you love me.

[Mark]

No, listen.

[Melissa Ford]

Listen to the words he said.

[Mark]

Let me finish. He said, if you were single, right? If you were single and you found some bad chick and you brought her up here, I would encourage you not to hit it. You have too much to lose to be hitting this girl. It's other bad chicks out here that you could deal with that you don't work with.

[Ish]

What's wrong with this particular girl?

[Mark]

Nothing.

[Joe Budden]

Nothing.

[Mark]

But what could happen when it goes out, when she get mad, her personality's amazing. She's beautiful. She's all of these things me, as Joe's friend is gonna say, yo, dog, you bringing sand to the beach. You playing with fire. You don't. You don't.

[Ish]

So that means you should be afraid of, like, any girl.

[Mark]

No, no, no, no. Working here, working. You don't. When you eat. So if the girl came up here, she was beautiful. On the mic.

[Joe Budden]

To answer your question, the answer is yes. I know they didn't want. The answer is yes.

[Mark]

He kind of.

[Joe Budden]

Right in his position, you kind of do have to be afraid of every girl.

[Ish]

Every girl okay.

[Mark]

Because they potentially have an alteration.

[Flip]

But he goes on with this.

[Ish]

Working is different. Yeah, you're right.

[Melissa Ford]

That's all I'm talking.

[Mark]

Even outside of work, if Tyler wants.

[Melissa Ford]

To fuck dude and just fuck him and give him money, that's his business. Let me read.

[Joe Budden]

Let me read this text because it speaks to the working environment. Shit. Tyler says. And for me, again, I think I can tell the exact point in this text exchange when dude got popped. I just got a lot of experience in this, but Tyler says, listen to me. If you let the cast know that you and I.

[Melissa Ford]

That sounded crazy.

[Joe Budden]

Yeah.

[Mark]

Yeah, that sounds a little nice. You know the point in that text message where dude got pop? Because you got a lot of experience in that. You gotta hold that.

[Flip]

No, not with the. Not what?

[Joe Budden]

Popping?

[Melissa Ford]

Dude, please be mature.

[Joe Budden]

You looked over here to me. Tyler says, listen to me. If you let the cast know that you and I have a new friendship, then you are opening. Opening yourself up to a lot of questions and foolishness. You want them to know that you are there because of your talent and not because we have a friendship or because Tony. Tony got me to give you a job. You earned your spot just like everyone else. Don't give people an opportunity to play you small, or they will. I can't teach you everything. Unfortunately, there are some things you'll have to learn for yourself. Because when we go back to work, I'm not going to know you. I don't have any friends that work for me. My friend, professionalism is key. I hope you got it, my friend. Just watch the behavior of everyone around me on set. Period.

[Mark]

All that saying is, when I see you on the. You on the elevator on Monday, you not hugging me, you not kikiing with me, you not doing on that. I'mma look at you like I don't know you.

[Ish]

And he's agreeing. You're totally right. That makes total sense. Yeah, I will. Don't want to give anybody that opportunity because. Because work is work.

[Mark]

So to me, that was the right after he popped. That's right.

[Melissa Ford]

It could be right after you got that.

[Mark]

It's right after he popped. That's right after.

[Melissa Ford]

It sounds like it. But again, don't go make it hot.

[Mark]

Don't go start Sunday. Sunday night. I'mma see you tomorrow. You don't know me when you see me. I'm Mr. Perry when you see me. Yes, you're Ms. I'm Mr. Perry.

[Melissa Ford]

And that's why this is fucked up. I don't think this is a $260 million lawsuit. I'm not convinced it should be a lawsuit at all. I need to know more details. Right? So I'm not saying he. Dude is right.

[Mark]

Why shouldn't it be a lawsuit?

[Melissa Ford]

Because I don't know what's true or not yet and until. And.

[Mark]

But that's not the stance that y' all be taking when it's a female. It is, y' all. No, it's not. It's never the stance that y' all take when it's a woman. When it's a woman, you don't say, yo, this shouldn't be a lawsuit. Y' all immediately be like, yo, that nigga's a piece of. Blah, blah, blah, blah, blah.

[Melissa Ford]

Oh, no, hold on.

[Mark]

That's been our. That's been our track record.

[Melissa Ford]

That hasn't been my track record. But what. Again, what. I. Because I said the same thing with.

[Joe Budden]

Jay Z. Muffin Shirts is back. Boy, you missed it. If you remember, Muffin Shirts is back. We ain't playing with Mark.

[Melissa Ford]

If you remember the Tony Busby conversation we had again, where we had evidence. I said, this looks fuzzy to me. And that was a woman involved to me with Tony Busby and Jay Z, I'm talking about. Right. To me, the question is always, what's the evidence? I didn't say this shouldn't be a lawsuit. I said, I don't know if it should be because I don't have enough information.

[Flip]

But I thought you also said that we should always believe. Believe victims. We should as well.

[Melissa Ford]

We absolutely should.

[Flip]

So then. But if you always believe victims initially, then you're not looking for the evidence.

[Melissa Ford]

Listen to what I'm saying. First of all, two things. Let me answer two of those things.

[Flip]

Pardon me?

[Melissa Ford]

First, believing victims doesn't mean that every victim's always telling the truth. It means we shouldn't start from a position of dismissiveness. We shouldn't start from a position of saying that they're lying. That's what I've always said. I've never said believe all victims.

[Flip]

Got it. Okay.

[Melissa Ford]

All accusers.

[Joe Budden]

When you don't get sleep, we got you.

[Melissa Ford]

Y' all really don't. But the second thing here is, I'm not saying we shouldn't. Listen to me. I'm not saying we shouldn't believe him. I'm saying even if everything he's saying is true, the question to me is, does that mean that he deserves $260 million?

[Flip]

I got what you're saying.

[Melissa Ford]

I'm not saying he's lying. I'm saying Everybody up here believes what he's saying. Everybody up here believes him. They ain't question whether we believe him or not. The question is if he's.

[Joe Budden]

I don't. No, no, no, no, no, no. Don't speak for me. I do not believe how he's laying this out.

[Melissa Ford]

That's the point.

[Joe Budden]

I do not believe that.

[Melissa Ford]

All right.

[Joe Budden]

I think that Tyler Perry saw dude, thought he was hot, had some flirty texts, got him a job, popped distanced himself. And now Tyler Perry, just like straight dudes, gotta deal with the girl that's spiteful and hurt. Because you went about this differently than I expected. I'm with you.

[Mark]

About to cancel the show to Oval. You are unemployed. And now I. What?

[Melissa Ford]

But again, just for facts sake, too. Also, he resigned. He quit the season before. But you put your points. No, you buy. Just wanted to make. Make that hypothetical. Not this case. My point is, even if what you describe is true, there are people who.

[Joe Budden]

Will say that you can't do that.

[Melissa Ford]

That you can't do that. And what I know I'm on the.

[Joe Budden]

Other side of that, but I can't, because society and kindness and all that shit.

[Melissa Ford]

So I'm saying this isn't a question of believing victims or not. This is a question of. To me, this is a.

[Ish]

Is the number too high is what you're saying?

[Melissa Ford]

To me, this is a more interesting conversation than Is he telling the truth? And that's always. That's the easy thing to fight over.

[Mark]

And I'm gonna go back to what we said about Kevin Lyles and Shorty. We are in no position to put a number on somebody else's trauma.

[Melissa Ford]

No, no, no. But I'm saying. Forget the number part. I'm not even arguing that part. What I'm saying is.

[Joe Budden]

Too high.

[Melissa Ford]

I did. But that's not what I'm talking about right at this moment. I'm talking about something different. I'm saying the more interesting question to me is if this is all true, is this something that people should be paid for right given. No, no. Hear what I'm asking.

[Flip]

If.

[Melissa Ford]

Cause you're saying no, you're saying it's not. You're saying that if it went the way you laid it down, that they were cool, he had sex with him, and he got mad and bitter later. Does the fact that he's Tyler Perry's the boss mean just because he.

[Joe Budden]

That means you get paid.

[Mark]

Yeah, I know what the law says.

[Melissa Ford]

I'm asking a Should question. Yeah, I'm asking a. That's what I'M saying the more interesting question is the should question versus illegal. Yes, that's what I'm saying.

[Joe Budden]

Oh, no. Hell, no. It's a long list of people that shouldn't have got paid if we're doing it that way.

[Melissa Ford]

And that's where it gets. And that's where I get. That's why I say I'm a little conflicted, because there is a way. It's like a. If Barack Obama or Donald Trump calls one of us in this room, there's a certain kind of power and control they have just by virtue of who they are in Hollywood. That's who Tyler Perry is. And so there is a pressure that I can't imagine having to have to.

[Ish]

Watch every step you make in every interaction that you have with people.

[Melissa Ford]

That's the only thing that makes me at that level.

[Mark]

The onus was on you now to protect yourself and protect your brand. Yep. Right. Cool. We all, again, if we were all single men. If all of us were single men, There's a girl that we might meet and. Yo, yo, let's go to lunch. Y' all know me. Yo, I'm gonna get that credit, right? I'm gonna put you on, my man.

[Melissa Ford]

Get you in the house. Right.

[Mark]

I'm gonna do all of those things. Whatever the case may be. That's. Tyler Perry's offering this man a job. Yeah, I think you're attractive. You catering. You could be doing much, much more.

[Melissa Ford]

You should be in pictures.

[Mark]

You should be doing much, much more. But in that instance, now he's made himself vulnerable and potentially liable if some shit does go left. You a billionaire, my nigga. Go find some other cute nigga outside in Neiman Marcus.

[Melissa Ford]

And sometimes that's the. The. The hunt is the interesting part. To people.

[Mark]

To us, nigga. To them, too. Yeah. But I'm just saying, like, yo, that.

[Joe Budden]

It ain't too many humans you're gonna get to have the.

[Ish]

To have the opportunity to sue for $260 million.

[Mark]

Discipline.

[Joe Budden]

Yeah. To have the discipline and maturity to turn their back on just the option. The opportunity to make 200 million, $250 million. Like, who you asking people to be a lot stronger than humans are.

[Mark]

Sure.

[Joe Budden]

It's just my point, dog.

[Melissa Ford]

That's just. I just can't. I'm not wired that way.

[Mark]

Niggas not turning down 200 grand if an opportunity is sitting them right in the face.

[Melissa Ford]

I mean, he was making 400 on the street. Okay, Like, God, it's hard. I'm not saying you're wrong. I'M just saying it's hard for me to imagine somebody puts me on at that level, gives me a chance to create an opportunity. And I'm not saying this is what happened, but if it is, if it's what y' all describe and this person has changed my life and given me a trajectory to then go and basically try to destroy their careers. Horrible.

[Mark]

You got people fucked up. It is horrible. You got people fucked.

[Melissa Ford]

It's hard for me to imagine. I believe I see it happen. It's hard for me to wrap my mind around.

[Joe Budden]

Well, at this point, you're sitting there, happen a week, happen weekly.

[Melissa Ford]

I know. And it always me up. I just can't wrap my mind around it. You wouldn't do that. You wouldn't do. None of us up here would do that.

[Joe Budden]

I want to.

[Mark]

Yo, dog, I still. I still.

[Joe Budden]

I've been saying for a few parts like I want. I want to do. I just wouldn't be able to sleep.

[Mark]

I'm not doing that, bro.

[Melissa Ford]

Oh, no, you.

[Joe Budden]

I wouldn't be able to sleep.

[Mark]

That is rough.

[Joe Budden]

My n putting smut on somebody jacket for.

[Mark]

For the purpose.

[Melissa Ford]

If that's what happened. Again, we're not saying that that's what this man is doing, dude.

[Joe Budden]

I'm saying that what he doing? You know, he want the Tyler Perry. Come on, yo, we got.

[Melissa Ford]

Okay, maybe one podcast.

[Joe Budden]

You can't say.

[Mark]

Yo, the got double entendres in the text talking about.

[Ish]

There was a lot.

[Melissa Ford]

Them texts are very troubling to me.

[Joe Budden]

I will say, you know, they do want to Tyler Perry.

[Mark]

Yes, absolutely.

[Flip]

I don't know if he.

[Melissa Ford]

What do you mean by what you mean? Like it was attracted to him or was willing to Tyler Perry.

[Joe Budden]

Willing. Was distracted, was eager, was anxious.

[Mark]

He knew what it was.

[Joe Budden]

Face lit up when Tyler text. The text seemed showing his homeboy excited about the text.

[Melissa Ford]

Seemed like some willing shit. You know what I mean? It's hard to know what want means at that level. Want don't even matter.

[Mark]

He started talking about his jeans and the size in his jeans. Come on.

[Melissa Ford]

Well, that's why I said last week at the initial, I have to believe he went to Tyler before this went out and offered a number.

[Ish]

And Tyler said so that Tyler wouldn't.

[Melissa Ford]

Be embarrassed by this. And so it's an interesting choice by Tyler to not settle this, because not selling it means now the whole world could be led to believe something about your sexuality that you never talked about.

[Joe Budden]

Nigga, if a dude is bisexual and Elton John start just texting you one day, Nigga, you excited. You hype. You hype about that.

[Ish]

So Tyler Perry had a response.

[Melissa Ford]

He did not. Turns out he did not have a response. The thing that was being promoted as a response was not one. His lawyer did respond.

[Mark]

His lawyer response said basically it was a shakedown. But it's pretty clear this looks like a shakedown. It does when you.

[Joe Budden]

But it feels like a shakedown.

[Melissa Ford]

Yeah, but it looks like he put.

[Flip]

Himself in question and against you. I have a question and a statement. The TS Madison person said that they're interested or they are attracted to straight dudes. What if that's Tyler Perry's thing as well? What if his thing is, you know.

[Joe Budden]

If you say somebody name, you don't have to say person.

[Flip]

What you said the don't care about none of the alleys. T.S. madison said that she's attracted to straight dudes. Right. So what I'm saying is that. What if that's Tyler Perry's bag?

[Ish]

There's a difference. TS Madison is trans Tyler Perry. The assumption from this. These texts is that he's at minimum bisexual. At.

[Flip]

Am I talking about Tyler Perry not being. You talking about the guy Flip is.

[Mark]

Saying that their intent is the same. And we've heard stories where gay men.

[Ish]

Try to turn straight men.

[Flip]

That's what I'm talking about.

[Ish]

Got it. Okay. Understood.

[Mark]

That's what you're saying.

[Ish]

Okay. Okay, Got it.

[Melissa Ford]

Why would that be different to you? If it's that versus it's no different.

[Flip]

I'm just saying what if that. Cause we're saying that I'm kind of agreeing with the whole power dynamics now that I read it right. When you say that your boss is texting you. You don't know what to say. You don't know how to say it. You don't know if you should not respond. You don't want to lose a position. So I'm. I'm on the edge of that. And I'm just saying that what if Tyler Perry bag is just. He don't have to be gay, but I'm gonna go at him and use my power dynamics to turn on just. That was just. Was playing in my mind.

[Melissa Ford]

And to me, gay, straight, whatever the person is, it's all the same. You know what I mean? That's a crazy.

[Ish]

But I mean, like, if his feet.

[Flip]

You do whatever you want.

[Joe Budden]

You can change somebody's mind. You do it with 2500. I keep.

[Flip]

He's not lying.

[Melissa Ford]

Go ahead.

[Joe Budden]

But we can't say now the billionaire is the bad guy because you see Me and switch up. Get off your Dean. Yeah. A powerful polarizer just walked in here.

[Flip]

Hell yeah.

[Joe Budden]

I smell like a different creed that you can't purchase. I look like some Creed.

[Flip]

13.

[Joe Budden]

I don't get it.

[Flip]

Look, I'm layering.

[Joe Budden]

I don't get it.

[Melissa Ford]

I'm layering.

[Joe Budden]

Yeah, the layers is hidden. Different Ferrari shades on.

[Flip]

I'm using Arabian oil from the Prince. Yeah.

[Mark]

My thing. Well, I'm not rocking with that.

[Ish]

I was going to say this. It just. If part of what he's alluding to by airing, by, by with this lawsuit is that he feared retribution. These text messages take place in 2021, which is basically around the time where he would have gotten the position of, you know, the. The role of Jacob in the Oval. The Oval. It's four years later. So where is actually. Where actually is the fear of retribution? If he tells you, yo, we gotta kind of like back up in front of people, keep it professional. On set, you maintained having the job. You maintained having the high salary. That's where the questions kind of come up.

[Flip]

He saw another hot ass that he gave a job to. Old boy got jealous. Like when n was walking with Brett, took Chipotle.

[Ish]

No, I understand that, but the point is, is that. That's part of the accusation is I'm fearing being blackballed. I'm fearing if he doesn't continue to play blackball. Yeah. I'm fearing, you know, complete and total career annihilation.

[Joe Budden]

Gotcha.

[Ish]

Yeah, but it's like.

[Mark]

So now you quit, right? So whenever he quit. What was it, 22, 23 when he was.

[Melissa Ford]

I think so, yeah.

[Flip]

Cool.

[Mark]

24 when he quit.

[Ish]

He quit in June 2024.

[Mark]

So you just quit and now you can't get no more work.

[Melissa Ford]

Right?

[Mark]

And that 400,000, you flying through it. Life be life. And my nigga, bills don't stop. They come every 30 days. So now I need. I need a. I need a couple.

[Melissa Ford]

But let's represent him fairly at least, right? Even if we.

[Mark]

If.

[Melissa Ford]

No, no, I'm saying what he. I just want to add what he said. What he said is that he's dealing with severe anxiety, that he's having severe mental health issues surrounded to what he had to go through during the time of childhood. We can agree or disagree.

[Joe Budden]

That's what happens when a billionaire breaks.

[Flip]

Up with you and takes his hand over you. You realize that your talent wasn't it.

[Joe Budden]

Stomach started hurting.

[Melissa Ford]

Probably was hurting.

[Mark]

You get a headache, bro, you was making four. No, no, all jokes aside, you make a $400,000 a year. We don't know if this man is living check to check, you know what I'm saying? Like, shit like that starts to really come into play. And so now you may be not guaranteed, but he might be looking at dire straits financially. Guess what? And does he say why he quit? Give me 5 million.

[Ish]

No, I couldn't find that anywhere. He may have said it, but I could not find it anywhere.

[Melissa Ford]

It could be because of what he was having to deal with on the job. He talked about again on the job. Feeling anxiety and stress and ease. Seeing mental health. So I'm just saying it's possible. This is all bullshit. It's also possible that at the very least, he feels like he was harmed and deserves something.

[Ish]

And he does mention therapy more than once in. In these text messages. So if he's got some kind of. I don't know where he releases, you know, gives the. Gives his therapist, you know, a release, you know, for his HIPAA records, whatever. Exactly.

[Mark]

Client privilege.

[Ish]

And there's something in there that alludes to him talking about this more than once. Like, I feel like, you know. Yeah, yeah.

[Mark]

Line them up.

[Joe Budden]

Listen. Thoughts and prayers.

[Parks]

Teas and peace.

[Joe Budden]

Thoughts and prayers. To whom, homeboy?

[Melissa Ford]

True.

[Joe Budden]

All victims of sa sh and we'll wait till more information is revealed. That's all we can really do.

[Melissa Ford]

That's all we can do.

[Joe Budden]

That was going to work. Wearing the tight Mark jeans, showing his body off in front of Tyler. Wow. You can't wear the Mark jeans. Was going to work.

[Mark]

Put that a picture.

[Joe Budden]

Yeah. With the. In front of Chipotle with the print. You know, you can't send Tyler the Chipotle pick with the bulge.

[Mark]

He hit the.

[Joe Budden]

With the gray sweat.

[Flip]

All right, all right, all right. Enough. Y' all know what time it is, right?

[Joe Budden]

The tight one, the Russell Sweats. No pockets, nobody freaky, man.

[Melissa Ford]

Y too Clip is trying to save y' all right.

[Joe Budden]

Now.

[Flip]

You know what time it is.

[Joe Budden]

With the Aretha playing. That nigga was pulling up the word. The reason. Stop.

[Mark]

What?

[Joe Budden]

All right, time for our favorite part of the show. Prize picks. All right, Prize picks is the best place to turn your sports knowledge into real cash. With millions of members, Prizepix has made daily fantasy sports accessible to all really easy and simple to play. All you have to do is pick more or less on at least two players for your chance to win. Now up to 2000 times your money, so run your game all season long with prize picks. All right, let's see what our picks are. We got one game Left in the finals. Game 7. I'm rooting for Indiana.

[Melissa Ford]

Same.

[Joe Budden]

I am rooting for him. It'll be a tough task out there in okc, but I am rooting for them. Let's see our picks for the week. Halliburton, Jordan. More than five field goals made.

[Mark]

Oh, for sure.

[Joe Budden]

Dort. More than eight and a half points and assists. Nate Smith. More than three and a half field goals made. I'm not even mad at changing that to Matheran. I think either one of them for the game.

[Mark]

Mather have been selling cookies for the game.

[Joe Budden]

I know. But for the game to be competitive, he got to show up and topping for more than 10 points. Topping a gift from the Knicks. I'm not mad at it. If you download the app right this second and use promo code jbp, you get fifty dollars instantly when you play your first five dollar lineup. I repeat for the people in the back, if you download prize picks right this second and use promo code JBP, you get $50 instantly when you play your first five dollar lineup. So good luck to all participants. Participants out there and run your game. All right. You wanted to add a footnote to a cliff note to the Tyler Perry thing.

[Melissa Ford]

Just for the Tyler Perry thing. This is not the first time that there's been a conversation about sexual misconduct. There was another actor, Christian Keyes. Christian Keys, you know, who made statements.

[Ish]

But he never said his name.

[Melissa Ford]

I was gonna say who made statements that people.

[Joe Budden]

What was he in? He was in Top Gun or something, right?

[Ish]

No.

[Joe Budden]

Was he in Harry Potter?

[Ish]

No. He actually is one of the writers of Bottom Right.

[Joe Budden]

Hey, Tyler, know how to pick a boy?

[Parks]

Spot rifle is crazy.

[Flip]

That's how you get him.

[Joe Budden]

That boy.

[Flip]

They get him.

[Joe Budden]

What you say? Mail.

[Ish]

He's actually one of the creators of the TV show that's on bet. All the Queen's Men that's starring Eva. Eva Marcel, which I think you mean Tyler Perry's bet. But I think it's also produced by Tyler Perry.

[Joe Budden]

So Tyler Perry, keep looking out for niggas.

[Melissa Ford]

But I just want to be clear, he didn't say Tyler Perry's name.

[Ish]

He did not.

[Melissa Ford]

Yeah, but it's been.

[Joe Budden]

But the streets know.

[Melissa Ford]

But I just want to make that clear.

[Joe Budden]

But the streets be known.

[Melissa Ford]

Yeah, I would. I don't want the streets to be suing me.

[Joe Budden]

Tyler, clean it up. Get your act together, buddy.

[Mark]

What's the name of the show?

[Ish]

All the Queen's Men.

[Mark]

Oh.

[Joe Budden]

That'S what they said. The scary part about the Tyler text was that that it read like one of his screenplays.

[Melissa Ford]

Quick as he be making scripts. It might. It might be.

[Joe Budden]

Sure enough. Sure enough what?

[Mark]

I ain't with that.

[Joe Budden]

All right, then let's get out of here. All right, we have. Let's get to music. Let's get to music. We do have a divorce versus. We have a divorce versus. I think it's fly when your wife. When you and your wife get a divorce and y' all both drop a record on the same day. I do think that that's fly. Maybe it's the hardest. Than me.

[Mark]

It's fly.

[Joe Budden]

So which record would you guys like to hear first? Cardi B or offset?

[Mark]

Offset.

[Ish]

Let's do offset.

[Joe Budden]

Nah, go on Cardi B. Sorry. All right. This record is called Outside bx. Hey, there's still a music podcast.

[Melissa Ford]

Sometimes.

[Flip]

How she raised a bit.

[Joe Budden]

Won't step out to the strip club. You gotta come out.

[Flip]

No, come out.

[Parks]

Do it here.

[Mark]

You don't act.

[Joe Budden]

Star came home. Welcome home, Star. Hey, let's go. Freeze this. Coming on. The more tell them that she raised a. I'm going.

[Flip]

Hey, hey, hey, hey.

[Joe Budden]

Whole room is turned up. Oh, my God. Yo, y' all gotta stop dancing so much. Hey. All right. The thing about potting with that's 50 years old, yo. Sometimes when the bop come on, just get all stoic and stupid in the face. Yeah. I mean, that don't go out unless they got a speaking engagement somewhere. That don't go out unless it's their birthday or their girl is in Europe. Like, y' all niggas don't really know unless Laroi, like, y' all don't really know how to respond when the. When the bop is out. Niggas don't go outside unless it's time to shut down McTrap, drive to Buffalo, see your dad like, well, what's up, lame ass, lame assholes?

[Parks]

I'll be outside personally.

[Mark]

No.

[Joe Budden]

What's a lame?

[Mark]

Old. That is definitely. That's a bop.

[Melissa Ford]

I liked it. It felt a little dated to me, but the sound a little bit like. I didn't. I thought it was gonna be crazier than that. Maybe I need to hear the strip club or in the car or something.

[Mark]

But her vocals sound a little low.

[Melissa Ford]

Oh, we get mixed.

[Joe Budden]

Like.

[Mark]

I can hear what she was saying, but it wasn't like, you know, she'll hit you with the punchline shit. When she said the beep, beep leak leap back out of. I like that song.

[Parks]

I thought the mix was fun.

[Ish]

I thought it was good.

[Mark]

I like that. Song.

[Parks]

I don't love the song, but I liked it.

[Melissa Ford]

I didn't love it.

[Ish]

Yeah, what didn't you love about it?

[Melissa Ford]

It just didn't do it like it popped.

[Mark]

Liked it. They get a couple dollars out of pop. This ain't a good hiatus return record for me.

[Joe Budden]

For me.

[Melissa Ford]

That's what it is for me. If you go on that long, you come back. I expected it to be something a little.

[Mark]

I wanted heat. Yeah, but it ain't a. It's about dissing him. It ain't about. I'm making this ain't my album cut. My first single. It's about. But I'm shitting.

[Flip]

It'll work for the crowd that she's trying to catch.

[Mark]

That is true.

[Flip]

It'll work outside. She come from. She come from that. So she know how to make it work in the clubs and what it needs to work for.

[Joe Budden]

I don't think this is the first single either. So I'm grading on the curve.

[Mark]

Yeah, but with her, normally it's not. She's not teasing that's dropping like that. Unless it's something behind it.

[Joe Budden]

Well, the story behind the rumor, anyway, behind this. I don't know how true is was she played the snippet. All the fans went crazy on some tick tock with the bad audio. So she dropped this record first on some warm up.

[Melissa Ford]

Okay.

[Joe Budden]

She's teasing a single. She performed this record and she was teasing a single, like a real single that her and Spotify only know about.

[Mark]

What she just said.

[Melissa Ford]

That's different.

[Ish]

Yeah.

[Mark]

I think she was in camp. And that's where she performed this in can.

[Melissa Ford]

Because this is the first single. I'm underwhelmed. If it's just a song she's putting out, it's fine.

[Mark]

Yeah.

[Joe Budden]

Is that how you pronounce can?

[Parks]

Yes.

[Mark]

I've just had an argument with Mandy the other day. I say khan. She said, it's can. She sent me mad of people in France saying can.

[Melissa Ford]

So, all right, Mel, what's the right way?

[Ish]

I think it's can.

[Melissa Ford]

It's French.

[Joe Budden]

So the S is silent.

[Melissa Ford]

Yeah, the S is definitely silent. It's just whether it's con or Cannes, I think it's can. I editor. Yeah, I think it's can. Know.

[Joe Budden]

We don't know.

[Mark]

Anyway, I was saying I just wanted to sound sophisticated.

[Joe Budden]

I keep hearing when I went.

[Mark]

I said.

[Joe Budden]

I keep saying. I keep hearing and saying console. When I hear you say. I said that. Yeah, I'm grading on the curve because this. This is not the big I'VE been going eight years single and.

[Mark]

Hold up, wait. Y' all talking about friends? Yeah. Yes.

[Parks]

Yeah.

[Mark]

My slow ass thought they over here joking because you asked Mel. It was a. A nickname for Canada. You know, some can.

[Flip]

So I'm like, what the are y' all about?

[Melissa Ford]

Talking.

[Joe Budden]

Talking.

[Parks]

What was the term?

[Mark]

It's an S on the end again. All right, good. That's not Jersey.

[Joe Budden]

Jersey schools, but you know how to spell it?

[Mark]

Yes. C A, N, N, E, S. Okay. Don't just be disrespected, my man.

[Joe Budden]

Because he said can was short?

[Mark]

No, because you said, mel, she's not French. So that's why we like Mel.

[Joe Budden]

She ain't Canadian.

[Ish]

But actually French is our second language.

[Joe Budden]

That's why it's a melting pot.

[Ish]

It's not. It's a French mosaic. Empathy.

[Melissa Ford]

I forget after 13 years, I mean, you would know some of it. You know enough to know can versus Khan. That's what I was saying. I don't know any French.

[Joe Budden]

So.

[Ish]

Anywho's. Anyway, anyway, the song.

[Joe Budden]

Listen, I don't think it's the first single. I don't necessarily love it, but it's cool.

[Melissa Ford]

That's how I feel.

[Joe Budden]

I don't think this is harder than enough.

[Mark]

That's what I'm saying. The records that she's dropped again. Because she haven't dropped. She hasn't dropped an album. So it's just been single, single, single and all of those. This is the worst out of every last one of them records that she's dropped.

[Joe Budden]

And lyrically, I just said I don't love this. Like I lyrically love Cardi because she's in her flow bag with I guess the bounce of this beat. I don't all that I'm so small and tiny. He's so big and tall. I let him dunk his pussy like he dunk the ball. It's like girl, girl, like I, I, I can't. But I know that's how these is out here sounding when they look at.

[Mark]

Your you out your mind. She get a couple dollars out of me on this.

[Joe Budden]

Well, I mean if it come on, I'll throw some money. But I have a high expectation of cardi same and I don't know if I want my leak record dropping the same day that my ex husband is dropping. An absolute flame.

[Parks]

I was to going say especially when.

[Joe Budden]

That is a banger down.

[Mark]

Play that one.

[Joe Budden]

Well. Yeah, you. You asked for it.

[Mark]

Yes, sir.

[Ish]

That's why you played it. Second.

[Joe Budden]

There you go. Oh, yeah.

[Mark]

Yep.

[Joe Budden]

Sorry, buddy. Y Sorry, buddy. Stefan Diggs can't do this.

[Mark]

Before I got money I wasn't the TR Kicking dos. No, JB Honest.

[Flip]

If you want more than we cook.

[Mark]

Like throw me your 60 if I go to magical Honest. I'm just being honest. I open my rank cuz I got.

[Joe Budden]

I know y' all quiet I know y' all busy, but no, it's fire. Come on.

[Flip]

Let the body sit the floor crazy.

[Joe Budden]

He's out here. Yeah, let the body sit the floor.

[Parks]

Here you got J.

[Joe Budden]

He's going, come on.

[Mark]

Dreaming, talking to the rocket. He told me go up. I told him that I got.

[Joe Budden]

Crazy on this.

[Mark]

Promise a homie Just hand.

[Melissa Ford]

Me the hand right beside me.

[Joe Budden]

You hopping the ride the coppers behind.

[Mark]

Me this time and shitty.

[Melissa Ford]

Why shooting that Ricky? No running back and forth.

[Flip]

He clapped.

[Parks]

And he used the L.

[Joe Budden]

Migos flow at the beginning, ladies and gentlemen.

[Melissa Ford]

Yeah.

[Joe Budden]

No, that's distinguished. Panel one.

[Melissa Ford]

Oh, react. That's out of this world. That's. That's the one right there.

[Parks]

That would be the hardest offset record I ever heard.

[Melissa Ford]

I love.

[Mark]

Yeah.

[Melissa Ford]

Maybe solo record that crazy. Yeah, he might be.

[Mark]

It's up there.

[Parks]

I agree.

[Mark]

I mean, I.

[Joe Budden]

We got that. It just came out. I know, I know.

[Parks]

It could be that.

[Joe Budden]

It could be.

[Mark]

I don't.

[Parks]

I remember being this excited.

[Mark]

It's my solo record. Trying to think of a solo joint.

[Joe Budden]

Offset guy joint. He do.

[Parks]

I'm not saying.

[Joe Budden]

I'm not saying I'm mad at the take. I think it's just fast.

[Melissa Ford]

It is fast.

[Joe Budden]

Next week I'll maybe say it right. I'm going to hear this somewhere. Yeah. Even though my girl changed the flight, she'd come along.

[Parks]

Yeah.

[Joe Budden]

She must have known that new set was like, this is good. Anyway, I'm going to hear this somewhere outside with my lady. Yeah, there you go. There you go.

[Mark]

Shout out to set man.

[Joe Budden]

And. And.

[Mark]

And J.

[Joe Budden]

That. That record is smoker.

[Flip]

That's fire.

[Parks]

That beat is fire.

[Joe Budden]

Vinyls did that beat. Yeah. Oh, my God. Jesus.

[Mark]

He wouldn't have known what to do with that.

[Joe Budden]

Yeah. Not at all. Yeah. Not with that. Not with 10 years worth of rust on me. I mean, I'm not active. I don't ever want to disrespect any of the active people. You can't just get out of bed.

[Melissa Ford]

And don't nobody want here.

[Mark]

She hurts my feelings. I'm down bad.

[Flip]

So sad a man look at issues.

[Joe Budden]

I want to hear that to that.

[Mark]

They going want those of money that oh, oh, no, we good.

[Joe Budden]

As. And that your Home girlfriend. Tell her to hook me up.

[Ish]

Let's have fun together, baby.

[Melissa Ford]

I'm with the.

[Joe Budden]

You know I'm.

[Flip]

But whatever.

[Joe Budden]

I know I'm cute and funny. I know somebody want me I might go celebrate. I know I make some money outside.

[Ish]

Of a outside, but be sick when.

[Flip]

That girl's got some outside hummy.

[Joe Budden]

And this is kind of. This record.

[Mark]

Yes. It's not kinda. It's with the girl. That's what I just said. Like, yo, fam, I don't think that's her single off her project. I think. Yo, I'm shooting at your dumbass. I knew you had a song coming out, so I'm.

[Melissa Ford]

But, well, then it didn't work. That's even worse. I like the bodies.

[Mark]

I like both of them, but I like bodies.

[Melissa Ford]

I didn't love it.

[Ish]

You liked it before you heard offsets.

[Melissa Ford]

I thought it was just all right. Before her offsets, after her offsets. It makes me like it less.

[Joe Budden]

Who in here could properly articulate to the our female listeners that a woman being outside and a guy being outside is not the same?

[Mark]

Mel.

[Ish]

No, that's not for me to have that conversation. That's for y' all to double standard.

[Joe Budden]

Is there anyone here? Well, first of all, do y' all agree or disagree with that, or is that like a Joe Button hot tip?

[Flip]

I agree with that.

[Joe Budden]

No, agree. It's.

[Mark]

It's a stigma that comes with it that they don't understand. They won't and they will never get it.

[Ish]

No, they understand it. We understand it. Of some.

[Joe Budden]

You just said you a want to talk.

[Ish]

We don't care.

[Flip]

You guys get. You guys get labeled while we get the ability. Thank you, guys.

[Mark]

More care.

[Ish]

I don't know.

[Flip]

You guys get labeled.

[Ish]

I think it's actually generational.

[Flip]

Actually, we get praised while you guys are like. Like I said earlier.

[Joe Budden]

Hold up. Let's gender war properly just for two seconds. Mel, do you have a take on this? I was more so asking the guys, but if you have a take, I'll shut up.

[Ish]

No, because what Flip said.

[Flip]

Thank you, ma' am.

[Ish]

No, he said very succinctly where women will be. The double standard is in play here. Where women will be penalized for that. Men are praised for it.

[Mark]

I'm sorry, that's what Joseph Joe said. Yo, society, men view the two things differently. If a dude is outside running through baddies, he's considered that.

[Ish]

We all understand that in this room. Yes, it's understood.

[Melissa Ford]

We on the same page like we on the same page.

[Mark]

I agree.

[Parks]

Mark.

[Melissa Ford]

Yo, you have to shut up, man.

[Joe Budden]

Up.

[Flip]

When? When, like. But they was up. Yes, was two years ago.

[Mark]

Okay.

[Flip]

They not up no more.

[Mark]

I don't think was really dissing city girls either.

[Joe Budden]

Okay.

[Ish]

No, they were.

[Joe Budden]

Well, thanks, Cass.

[Mark]

Yeah.

[Melissa Ford]

Rare moment of you.

[Joe Budden]

Appreciate that.

[Mark]

It's a pimp.

[Joe Budden]

Look at us. Look at us. All agreeing. We all agree.

[Melissa Ford]

I love you.

[Mark]

It's a pimp colloquialism. Nigga said, yo, if one key open a whole bunch of doors, it's a master key. If a lock get opened by a whole bunch of keys, it's a shitty lock.

[Melissa Ford]

So you get that.

[Joe Budden]

Make some noise. He's spitting, man. It ain't me.

[Flip]

Where you get that from? Ish.

[Mark]

One of them old head peppers.

[Joe Budden]

And if the room agrees with the double standard, why bitches won't sit down, y' all.

[Mark]

Is there anybody act like they don't care?

[Joe Budden]

Can anybody here to articulate freedom of.

[Flip]

Expression is their body, their mind. They can do what they want. They don't have to sit down.

[Melissa Ford]

Want to resist the double standard? I mean, you should. It shouldn't be a. We. We all agree there is one, but, like, there shouldn't be one.

[Flip]

So there shouldn't be one, right, Mel?

[Joe Budden]

Why there shouldn't be one?

[Mark]

Why shouldn't it be? And what other ones shouldn't exist? If we gonna get rid of that one, let's get the other ones out of.

[Flip]

The double standards need to exist.

[Melissa Ford]

You know, I think I have two thoughts on it. The first thought is the double standard shouldn't exist. People should be able to have liberation and freedom and all of that shit. My problem is sometimes I meet women or I encounter women, both in music or in real life, who start to make choices that I don't think they even appreciate or like and convince themselves that they're being free. Convince themselves. You know, because sometimes when you're oppressed, the only vision of freedom is to be like, you're oppressive. So it's like, oh, I'm gonna do what these niggas is doing. They not happy doing that. That's what I find.

[Mark]

Hey, the part that they don't understand a lot of ain't happy doing that shit.

[Joe Budden]

So why won't they sit down? Mark.

[Melissa Ford]

I move somewhere. It's like that thing you ran earlier that. Would you rather beginning the show when the woman was talking about all this with feelings? It's like a lot of that shit is true, but it's just the other extreme. We went too far in one direction. So now, like, we Got to pull it back a little bit. Like, I think women should be outside more. I think they should be able to make choices and not be hemmed up. But we also don't want to think that just your way through the summer is going to make you happy any more than it does for dudes.

[Flip]

They trying to just keep up with the.

[Melissa Ford]

Yeah, that's what I'm saying. And we ain't happy.

[Flip]

Sometimes we not happy. Just going to Cynthia and then Martha's house hour later.

[Joe Budden]

And then.

[Melissa Ford]

Markie, what is your fucking.

[Flip]

And I'm married.

[Melissa Ford]

Abigail. Right?

[Flip]

Get no ass.

[Melissa Ford]

Look.

[Flip]

Look at the assless. The assless crew.

[Melissa Ford]

I'm married.

[Mark]

You should be in the assless crew.

[Flip]

I am. But the way you.

[Joe Budden]

What are you talking about? And you.

[Flip]

You can't move a burp without permission. Watch out mouth when y' all talk on me.

[Melissa Ford]

What you talking about?

[Mark]

You in the same Alleged.

[Flip]

I am in the same.

[Mark]

I'm not playing with your wife.

[Flip]

Let her free.

[Mark]

She's free.

[Flip]

Let her free.

[Mark]

Go in the house sometimes.

[Melissa Ford]

And I know exactly.

[Joe Budden]

Yeah, yeah. He said you gotta ask him. I don't know.

[Melissa Ford]

I don't remember. Man, this things move so fast. Don't say it again. I can't remember.

[Joe Budden]

He said she can go anywhere she want. And I know right where she is and that I'm with. Let me check right now.

[Mark]

Hold on.

[Melissa Ford]

See where you Freeze.

[Flip]

Stop. Don't do that.

[Melissa Ford]

Oh, yeah, she's at the refrigerator.

[Flip]

Wait, I got.

[Melissa Ford]

No, it's all good. You.

[Joe Budden]

I mean.

[Flip]

Stop playing with me.

[Melissa Ford]

I don't want no smoke. Stop playing with started this.

[Joe Budden]

Always start. But that's another.

[Melissa Ford]

Yes.

[Flip]

You be picking and choosing.

[Mark]

I don't pick and choose.

[Melissa Ford]

Stop picking and choosing.

[Flip]

That. And you now freeze.

[Mark]

Because you can't keep up with that.

[Melissa Ford]

That.

[Joe Budden]

That's another double standard, though. How come it's okay for women to track us and not for us to track them?

[Flip]

Cause it's stalking when we doing that.

[Joe Budden]

When we track them. It's a charge. Restraining order. Now they telling they auntie. Their whole family get out the bushes. Yeah, like, but they get to track us. I just don't get. Mel, what do you think?

[Flip]

Well, the last time I tracked.

[Melissa Ford]

Do you track your dudes, Mel?

[Parks]

Don't seem like attraction.

[Melissa Ford]

I don't just mean like flyers on social media. I mean, like. Like when you. No, that was a job.

[Mark]

Yo, this is different.

[Melissa Ford]

Y' all make everything a.

[Flip]

You get too comfortable with her.

[Melissa Ford]

Stop playing with y' all.

[Flip]

Yo, man, y' all.

[Melissa Ford]

Y' all did that. Don't take serious.

[Flip]

You talked to this early. He ain't listen. See? Yeah, that's being too friendly and smiley with this.

[Ish]

I see that.

[Joe Budden]

Yeah.

[Melissa Ford]

Pull buddy way. When you're in a relationship, do you do the location and all?

[Ish]

No, I don't.

[Flip]

She don't.

[Melissa Ford]

That's what I'm saying. Not all women track men. That's what I'm saying.

[Flip]

She don't.

[Joe Budden]

No, no.

[Melissa Ford]

Well, if you with somebody you trust.

[Joe Budden]

There was a point.

[Ish]

There was a point in time in which I did, but I was wildly immature.

[Melissa Ford]

Exactly.

[Flip]

She grew up.

[Parks]

You've grown up.

[Ish]

I don't do that.

[Melissa Ford]

Exactly.

[Ish]

I don't have the energy to do that. You're gonna do whatever the you want to do and hopefully you don't want to do dumb. Yeah, yeah.

[Mark]

I track mine and she tracked me.

[Parks]

I'm gonna.

[Mark]

What y' all think?

[Ish]

I mean, if it's a mutually. If it's a mutually agreed upon decision.

[Mark]

It is.

[Melissa Ford]

Other.

[Ish]

If it is a mutually agreed upon decision to keep track of each other's whereabouts and have the whole find your phone and whatever, find my mate, whatever, then, hey, find my mate. Good on you. You know what I'm saying?

[Mark]

Look, he heard you.

[Ish]

That ain't me, girl.

[Joe Budden]

Who got that old phone ring?

[Melissa Ford]

Oh, you did.

[Joe Budden]

I know your phone ain't ringing. Fresh off the Puerto Rico. I know what you're doing.

[Melissa Ford]

What's the area code?

[Joe Budden]

I just figured out why my dad just mysteriously popped up at the podcast. Some things just don't change, I tell you. For Juneteenth. I did go over to Life After Shout out to O and the beautiful people at Life After. Larois was doing a poetry jam over there.

[Melissa Ford]

Fire.

[Joe Budden]

So me and my lady who love.

[Parks]

Poetry, kind of threw up the arts.

[Joe Budden]

Went to go check it out.

[Ish]

Joe walked in with Sade and saw how packed it was and made a beeline out the door. Went around the corner to come in the back entrance and go straight to the bar to avoid all of what you assumed would happen, which probably would have. Everybody would have been like, oh, my God.

[Joe Budden]

No. Yeah, yeah.

[Ish]

No, I get it. He did the right thing. Yeah, yeah. But he did not anticipate it being as packed as it was.

[Joe Budden]

That place was wall to wall. Oh. Had to maybe rent some tables. Damn, that place was jam. Jam packed with 95% women. So I will ask my co host. Was I the only one that didn't anticipate it looking that way or did you expect that?

[Ish]

I knew it was gonna look that Way.

[Joe Budden]

Well, the first thing you said to me when you came over to me didn't indicate that you knew that or that you felt good about it.

[Ish]

Stop making up.

[Mark]

Yeah, yeah.

[Melissa Ford]

Don't do that to Mel. What did, what did you say?

[Joe Budden]

Mel.

[Ish]

What?

[Joe Budden]

I'm lying.

[Ish]

Okay, go ahead, go ahead, whatever. You are so dramatic.

[Joe Budden]

That hard. Anyway, I was at the bar with my baby trying to hide. And Mel, they came over to say hello in a patent leather skirt, looking like a snack, looking snacky like a little pop tart. And she said, so many bitches here.

[Ish]

He's is such a liar.

[Mark]

I don't even sound like Mel.

[Joe Budden]

All these. I said, yeah, you and I, they are here with you.

[Mark]

Don't matter if they. That ain't Mel.

[Joe Budden]

Well, that's true.

[Ish]

They were very. They were so excited for his visit, they. They had to have two meet and greets. One before the performance and one after the shout out.

[Joe Budden]

Now you stayed at the one.

[Ish]

That was after I got there when the show started.

[Joe Budden]

No, I'm talking about the meet and greet the post.

[Ish]

I was there till past closing.

[Joe Budden]

Stop playing with Mel.

[Flip]

Yo, let's go, man.

[Mark]

Stop playing with her.

[Flip]

Do you know what time it is? Take your ass home.

[Joe Budden]

Listen, I love that. Now we're not censoring Mel. In a room with people that have done meet and greets, had children for meet and greets. Fuck the meet and greet. Fuck the meet and greet. Girls, right, Meeters. This room setting up, this room is experienced in meet and greets. Now so what you're saying was you hung out for a little bit.

[Flip]

Let's go, Mel.

[Ish]

So did you disclude me from understanding what a mother meet and greet is? You don't think that I've had a hundred thousand of them talk to that lines out the door who you're sitting next to.

[Mark]

Play me.

[Melissa Ford]

Don't play her short bro.

[Joe Budden]

Big man. That's right.

[Flip]

Ms. Meet and Greet herself. Watch your mouth.

[Melissa Ford]

Had more meet and greets. All of us combined.

[Joe Budden]

Literally.

[Ish]

In addition to that. I know the owner.

[Joe Budden]

Where did you ever meet and greet?

[Ish]

Where didn't I have a meeting? Literally, where didn't I have a meeting.

[Melissa Ford]

City in America from Alaska to Nebraska.

[Flip]

Watch your mouth.

[Mark]

You talking about.

[Joe Budden]

No, listen, the territories too. Oh my God. No, what I'm saying is I know you had Alaska to Nebraska.

[Mark]

My brain from.

[Joe Budden]

I know you had him lined up. That's not what I'm saying. I know you had them lined up to meet you. That's not what what I'm saying. A Meet and greet speaks to something different. Like, are you just talking about having them lined up to meet you or. I'm seriously asking. Did you really do meet and greets?

[Ish]

Yes. Because I've had merch before. I've sold calendars. I've had, like, my whole line of merch. I've been on the covers of magazines like all of you.

[Flip]

Stop playing you, buddy.

[Melissa Ford]

She did an Atlanta press run. What was it, two months?

[Ish]

Nice.

[Melissa Ford]

I'm standing with you.

[Mark]

Your talk did not work.

[Joe Budden]

We got to talk to him again.

[Flip]

You was on the me and Green line any.

[Melissa Ford]

Oh, okay.

[Joe Budden]

I understand now.

[Ish]

Thank you.

[Melissa Ford]

That's it.

[Joe Budden]

You always think everything I say. I'm trying to be funny. Sometimes I'm just trying to get educated. That was me and Marcus done me.

[Flip]

That was me. Freeze.

[Joe Budden]

That was me.

[Flip]

Let's go, man. Make that noise.

[Joe Budden]

You didn't meet and greets?

[Mark]

Nope.

[Flip]

You don't greet the meats.

[Joe Budden]

Antoine?

[Mark]

Nope.

[Ish]

And sold merch now?

[Mark]

Nope.

[Joe Budden]

Are you lying, Antoine?

[Flip]

No.

[Mark]

You ain't had. No, that's. That is best fest. Nope.

[Flip]

He said no. He didn't do me.

[Joe Budden]

Okay, so them speaking engagements you be booking, you don't do me in and.

[Flip]

Out the burger spot.

[Mark]

Let me say this again for the people in the back.

[Melissa Ford]

Say the Spanish.

[Mark]

No, no, no.

[Joe Budden]

They said you did a meet and greet, though. Say less. Say less. Pergola casa.

[Flip]

You did a meet and grev.

[Joe Budden]

Man, this right here, the P.O. box.

[Mark]

How many people do it take for it to be considered a meet and greet?

[Joe Budden]

Oh, that's where he's getting me.

[Mark]

No, he ain't. I want to hear him answer.

[Joe Budden]

Well, he said he never did one. You put your bliss sticks on.

[Mark]

I distinctly remember a line of people lined up to meet him.

[Melissa Ford]

I can see that at the spot.

[Joe Budden]

Everywhere you go, it be people everywhere.

[Mark]

I mean a line.

[Joe Budden]

Why you get mad at us?

[Mark]

I'm not even remotely mad. I'm know what you talking about. I answered the question. My. I never did a.

[Joe Budden]

Why you come up here and don't acknowledge your stardom?

[Mark]

I never did a meet and greet. What's the question?

[Joe Budden]

You are a star.

[Melissa Ford]

You are a star.

[Joe Budden]

Whatever you sound, you a star, boy. Yo, don't call you a star, boy.

[Melissa Ford]

I saw you were life after Friday. You was on the court, man. People was lining up waiting to talk to you. And at the break.

[Flip]

Yeah, damn you that.

[Mark]

Oh, did she everybody bout the jokes today, ain't they out of here, yo, ain't nobody, yo. Shut up, man.

[Joe Budden]

All right, well, now.

[Flip]

But you're not against doing meet and greets, though.

[Melissa Ford]

We're gonna do one when we go live. Cool. We're gonna do, like, a collective meet and greet or everybody gonna have their own little area?

[Joe Budden]

It depends. I mean, I didn't read everybody's rider here, so some people might want to be separate.

[Melissa Ford]

Okay. I don't know. I think we. I think we all in together. I think it'd be dope to do it all in one room. Flip mail. Y' all good with that?

[Flip]

No, I'm not.

[Melissa Ford]

I knew he was gonna say.

[Mark]

I knew he was gonna say.

[Joe Budden]

How much? And then we're leaving this topic, but my brain won't let me.

[Melissa Ford]

Yeah, get you.

[Joe Budden]

My brain won't let me do it immediately without being a child. Yo, you're an idiot. You're an idiot. Yo, every week, some of the audience is surprised. I'm a child. Every week.

[Flip]

Get your question.

[Mark]

Every week I'm confused, and they just come right back.

[Joe Budden]

My question to y' all, how much should our group meet and greet cost?

[Mark]

Mm. Can I answer? I don't like doing this. Can I answer a question with a question?

[Joe Budden]

Sure. Go last. All right, cool.

[Melissa Ford]

Mel, how much are the tickets? First.

[Joe Budden]

I'm asking y' all how much the ticket. Oh, the ticket to the show?

[Melissa Ford]

Yeah. Cause that. That shapes how much the meet. And greet. You know what I mean? Like, say people pay 50 to get in.

[Joe Budden]

Let's call it 50.

[Melissa Ford]

Okay, let's go now. I got a number.

[Joe Budden]

Okay, Mel, it won't be 50. Nowhere near 50.

[Melissa Ford]

Let's be more realistic. Let's say.

[Joe Budden]

Yeah, there you go. Buck 19 is buck 20.

[Melissa Ford]

39.

[Mark]

149. Ticket master.

[Joe Budden]

And I'm a tweet ticket. Yo, ticket master, y' all. Yo, they wiling. They added an extra. They be putting mad fees in here. I wanted to charge 10. I wanted to do a dollar show, Mel.

[Ish]

I want to kind of keep it a little low just to increase the opportunity for volume. So, like, between 150 and 200.

[Melissa Ford]

So 100 for the ticket and then between 50 and 100?

[Ish]

No, no. 150 to 200 just for the meet and greet?

[Joe Budden]

Yeah.

[Melissa Ford]

On top of the $100 ticket?

[Ish]

Yeah.

[Melissa Ford]

Okay, you think that's low?

[Joe Budden]

How many meet and greets you said you did everywhere?

[Melissa Ford]

Alaska, Nebraska.

[Joe Budden]

All right, so we got 150 to 200 for male keeping it.

[Ish]

There's a lot of us because we.

[Joe Budden]

Want to do volume. In the state of this economy, there's.

[Ish]

A lot of us.

[Joe Budden]

How about flip?

[Flip]

Probably like 1500 ish.

[Mark]

Is you on your Chris Brown?

[Flip]

No for Everybody ish.

[Joe Budden]

Huh.

[Mark]

100. That was.

[Melissa Ford]

I was about to say freeze.

[Joe Budden]

What's their buck mark?

[Mark]

75 stack parks breezy. Yeah.

[Flip]

I mean for every.

[Mark]

They can rub them curls.

[Joe Budden]

We're pretty.

[Parks]

We're pretty popular. They can rub your curls for the podcast.

[Joe Budden]

What comes with the meet and greet?

[Melissa Ford]

Apparently some meat.

[Parks]

You sell your ship for a thousand.

[Melissa Ford]

I'm not mine.

[Joe Budden]

Hey, if they cop the thousand dollar meet and greet, I'm sure I could get somebody from up here to you.

[Melissa Ford]

All right.

[Flip]

Me too. Me too. Trust me.

[Joe Budden]

Nah.

[Flip]

I don't point no elbows.

[Joe Budden]

Wait, if that happens. Is that power dynamics?

[Melissa Ford]

Yes.

[Joe Budden]

And some other too.

[Flip]

I'm sorry. Wait, wait.

[Joe Budden]

Y' all taking this power dynamics. You can't to me and Greek is power dynamics and sex trafficking.

[Mark]

Cuz you going across state lines.

[Joe Budden]

They live there.

[Melissa Ford]

The person you're traveling, it's just prostitution.

[Mark]

The person that you are getting to ain't from here.

[Parks]

Yeah, I don't know if it's even that though.

[Mark]

Alaska, Nebraska.

[Melissa Ford]

I'm still laughing at Flip when he pointed to Amani.

[Flip]

I don't pull elbows. I can get somebody elbow that Nicky money be there.

[Melissa Ford]

I'm not.

[Joe Budden]

But I wasn't just talking about the money. Listen, I done did tour. Oh.

[Melissa Ford]

He said not just.

[Joe Budden]

Not just me.

[Mark]

That is funny.

[Joe Budden]

Yo, listen, listen. I keep pause. I keep eyes on people on the road. So your behaviors and your tendencies and your patterns got you like. Like I watch Keeb every morning bag the oldest diner worker that puts the donuts out.

[Melissa Ford]

Oh.

[Joe Budden]

What? I'm not saying like a bag like that. I'm talking about be extra talkative to the lady at the diner or the guest who does. Yeah.

[Melissa Ford]

Or like he finds he makes friends.

[Mark]

He makes friends. Blanche, can I get some extra?

[Melissa Ford]

Yes.

[Joe Budden]

Now I do get that part of being on tour. You do need to have that ability to make a friend that might could slide you an extra donut here and there.

[Parks]

No, we need that guy. We need the guy that's gonna make friends with everybody.

[Joe Budden]

All right, this is my last question and we can leave the tour meet and greet conversation.

[Mark]

Okay.

[Joe Budden]

Who here will be the make a friend people at the meet and greet or the tour?

[Melissa Ford]

Come on, Ishaani.

[Mark]

Yo.

[Joe Budden]

All right. So is Shimani.

[Melissa Ford]

That's just makes friends. You make friends with me.

[Mark]

You talk to people. I don't even talk to. No, we not saying strangers like that.

[Joe Budden]

What?

[Mark]

All right. These get on these mics and lies about everything. You've been outside You've been outside with me. I talk to strangers.

[Joe Budden]

I haven't been outside with you in a long time.

[Mark]

When you was outside with me, I talked to strangers.

[Joe Budden]

Yes.

[Mark]

Yeah, everything's for the content.

[Joe Budden]

It's got. You do.

[Mark]

I'm the that Everybody up here says I don't talk to strangers.

[Joe Budden]

Okay, I've seen you speak to beautiful strangers. Yeah, for a while. You offer them gum.

[Mark]

Oh, had a lollipop.

[Joe Budden]

That be having the candy on deck for strangers.

[Mark]

Yo, what's that called?

[Joe Budden]

Philanthropy.

[Melissa Ford]

Trick or treat.

[Joe Budden]

He is a philanthra. Philanthra. Ish. Philanthropist. Oh, it's okay. It's okay. Mel, do you think you'll make friends on tour?

[Ish]

A thousand percent?

[Parks]

No.

[Ish]

Why?

[Mark]

I said. I say yes. I say yes.

[Joe Budden]

Yes. Yeah.

[Ish]

It wasn't even my meet and greet yesterday. Do my pictures I took.

[Parks]

That's not making friends.

[Ish]

I mean, I, I. Well, you was there and had like, multiple conversations. It's not. I don't just pose for the pictures. I like standing and talk.

[Joe Budden]

You supposed to be in the house when the meeting reach. I mean, yo, is she missing a big part? You was supposed to take your little ass in the house.

[Flip]

Don't rub.

[Joe Budden]

All right, I'm done with my tour. Questions and meek and greet questions.

[Mark]

That was funny.

[Joe Budden]

That was funny. That's when you know it too. When the meet and greet line start dwindling down and you look around straggler.

[Mark]

And somebody just still over there.

[Joe Budden]

They got their already.

[Flip]

Oh, you still over there.

[Mark]

This nigga still.

[Joe Budden]

Are you waiting down there?

[Flip]

You want to come back or you waiting for.

[Mark]

Yeah, you got. You got the gre.

[Parks]

It's always funny when you see the meet and greet person after the show, like at the club or wherever you're at, you're like, oh, no, my bad.

[Mark]

Yeah, okay.

[Joe Budden]

All right.

[Melissa Ford]

Y time.

[Flip]

Stop playing with her, y' all.

[Melissa Ford]

Let's move.

[Joe Budden]

My fav. We did that. All right, what else we got?

[Mark]

What?

[Melissa Ford]

El part of the show.

[Ish]

Y' all were talking about me.

[Joe Budden]

No, I wasn't. I wasn't.

[Ish]

There was an insinuation.

[Mark]

No, no.

[Ish]

Please stop playing with me. This is directed to the room. Stop it.

[Flip]

Let's go.

[Ish]

Stop it right now.

[Flip]

Complain with her.

[Joe Budden]

Yeah.

[Flip]

Mark is requested to stay there.

[Joe Budden]

No, you gotta sometimes. Hey, Mel, sometimes you gotta remind them.

[Ish]

It'S double for you. Yeah, double for me.

[Joe Budden]

But I was reminded already.

[Flip]

I was requested to stay. Watch your mouth.

[Joe Budden]

Look at flip.

[Mark]

Shout out.

[Joe Budden]

You ever. You ever did a meet and greet on Queens Boulevard?

[Flip]

Wherever you be at N.

[Mark]

And Farmers.

[Flip]

And why you say that? No, I haven't did a meet and greet, but I just think you should be mindful how you address me when you talk about that. Any type of jokes where I'm at right now. Why try to address me properly? Address me properly.

[Joe Budden]

Should I change the. The style in which we joke up here?

[Flip]

Nah, I'm just talking about with me, like.

[Joe Budden]

But if we can't joke with you a certain way and we can't joke with Mel a certain way, you can.

[Flip]

Joke me any way.

[Joe Budden]

We gotta change the entire family.

[Flip]

No, no, listen, listen. You can joke with me anyway. But my response, sometimes it brings us into a space where we don't need to be. And I don't wanna fuck up the show. I wanna keep it going and keep it rolling. So I'm just finding a mature way to respond.

[Ish]

There's that. That's for you and for me. It's been proven that I can take a. A myriad of jokes. All the jokes, everyone. Every once in a while, I will remind y' all who the I am Ford right there.

[Flip]

How the would you think you're included in that?

[Melissa Ford]

You.

[Flip]

Me?

[Ish]

Yeah.

[Melissa Ford]

You ain't got nothing do with me, bro.

[Flip]

Yo, bro, you said. You said she said she sat on the same day after by the ball. I know that's what you talking about.

[Melissa Ford]

I didn't say that. I wasn't there. I didn't.

[Flip]

My mouth.

[Joe Budden]

Ladies and gentlemen, let's get back to music. Jim.

[Melissa Ford]

Yeah, talk about it.

[Joe Budden]

Jim Jones went on Fat Joe and Jada Kisses. Oh, look, a topic in the topic.

[Mark]

Yeah, yeah.

[Parks]

Little layered.

[Joe Budden]

He went on Fat Joe and Jadakisses podcast and had a lot of to say about some dude on the Internet that said Jim Jones is better than Nas and has more Billboard hits than Nas.

[Mark]

It was a little bit more than that. It was a young kid. I think he was. I believe he was like 23 or something. 22. 23. And he was saying that for his generation, his era, they don't look at Nas. He was like, you know, our sense of fashion, all of that. Basically, to sum it up, he was saying Jim Jones was more impactful to them than NASA, Nas. And then like the kids do, they start quoting, oh, well, look how many hits he got here versus how many hits he got here. So. And a lot of people took offense to that. I personally did not take offense just because of the kid's age of the generation. And that's kind of what Jim was speaking to. Like, yo, I grew up. Jim was himself. He was Saying he grew up on NAS 93. This kid probably don't have an idea who Nas is. So he grew up on Jim. And I just think these conversations keep happening where it's pitting one generation against the next generation over not appreciating each other.

[Melissa Ford]

Well.

[Joe Budden]

That'S.

[Mark]

Go ahead, let's hear it.

[Joe Budden]

I think it's one thing when you're having a conversation with a 23 year old, which, hey, nothing wrong with anything a 23 year old. Say they 23, three. I think it changes once you get in your peer group or around some elders, which is the conversation I was looking for from Fat Joe and Jadicus. And they tried. They tried to course correct him, but he didn't want to hear that. When you get around people that know, you should just be aware of how you sound when you say something.

[Mark]

I think Jada tries to be as politically correct as possible. Jada tried to be politically correct. Cause Jim is like, yo, dawg, it's like a sports conversation. Like the numbers are the numbers. So if you're saying that this person is amazing as an emcee, but my accolades say something different. I got way more chart topping shit. And Jada was like, yeah, that's one metric. But in New York City with rappers, we don't necessarily go by that. We going by the niggas that we know get busy.

[Parks]

Wait, but Nas isn't just a New York City rapper.

[Mark]

No, I'm talking about. But Jada's saying to New York City rappers, when we start to evaluate and assess hip hop, we going by the niggas that get busy.

[Parks]

Okay.

[Mark]

Cause that's where we come from. Niggas that get busy. Clue tapes. I don't give a fuck what your bop was on a Clue tape. You had to get busy or you wasn't gonna make the Clue tape.

[Joe Budden]

It's the same way Pusha T totally disregarded anything Travis Scott has to say because you ain't a rapper.

[Mark]

That is exactly what he said. He said, yo, to rappers, yes, Travis.

[Joe Budden]

Scott is the bigger act. More hits, more numbers, more. But to the rappers, don't nobody give a fuck about what Travis Scott is talking about. So, I mean, it's the same thing again. They tried to course correct him, but I think Jim was trolling. So I don't have much to say about it because I don't believe that Jim Jones believes that he's a better rapper than Nas, Pusha T, and Styles Pete. And those are the three names that he has said he's better than in the last year.

[Parks]

And I love Jim Jones, but I love him.

[Joe Budden]

I love him too. I think all his albums is fire. I think he's an icon in terms of the fashion, culturally. Yeah, but we got to stop the train at somewhere.

[Parks]

Nas is a good place to stop that.

[Joe Budden]

Nas is a great place to stop that train for anybody.

[Parks]

Yeah.

[Mark]

And I, I think.

[Joe Budden]

But Jim has non smoke.

[Parks]

That's true.

[Joe Budden]

It has for a long time. For a long time. So he ain't about to sit and give Nas the his proper credit.

[Parks]

Also, from like a rapper standpoint, I want to hear the rapper say, they're better than anybody ever.

[Melissa Ford]

That's different though. Like, if you're a rapper, you say, I'm the greatest. I ain't got mad at that. When you start naming specific people, I'm.

[Parks]

Not mad at that.

[Melissa Ford]

It feels weird to me. Also, he doesn't have more Billboard entries than Nas. That's the other thing.

[Joe Budden]

I didn't check it.

[Parks]

I saw some people fact checking.

[Joe Budden]

He don't.

[Melissa Ford]

He does not. And it's not particularly close.

[Mark]

Yeah, it's not.

[Melissa Ford]

He doesn't have a bigger listening base.

[Joe Budden]

I wouldn't have thought it was close, but again, I didn't check it.

[Melissa Ford]

It's not close. And even if you remove features, even if you get rid of features, close. It's just not close. I mean, you look at Spotify and these are all metrics I don't like, But Nas has 9 million followers. I think Jim has like 850. 850,000. I mean, the traditional metric, you look at Grammys, you look at Street. I mean, I love Jim Jones. I love every album Jim Jones ever made, just like you just said. But I don't think they're on the same planet. I don't think that they should be debating that.

[Joe Budden]

See, and that's why it's smart for Jim to insert himself in these conversations.

[Mark]

That's kind of what he was hinting at. His latest, and he set it up here with us. His latest Instagram post, he was saying, yo, going viral was part of the gig today.

[Melissa Ford]

Yeah.

[Mark]

So basically. And he's like, I understand today's game. So, yeah, I'm gonna get up here, I'm gonna say whatever, I'm gonna go viral and make business off of it. It's the same shit he told us, I gotta play that game now.

[Melissa Ford]

But we also gotta respect. To me, we also gotta respect the culture and respect the history. I mean, I don't love that move. If you wanna say I'm the goat, Whatever. Every rapper has a right to say that. But when it becomes again about an individual rapper to me who is on the Mount Rushmore, or at least in everybody's Mount Rushmore conversation, I, I, I don't, I just don't like it. It just doesn't sit well with me. You know what I mean? Again, 23 y old is one thing you don't know no better. But growing grown as men shouldn't be talking about Jim Jones and Nas in the same, in the same conversation.

[Joe Budden]

I'm not talking music with no 23 year old. This is my kid or my little cousin or like somebody that you got to have an end with me for me to sit there and talk music.

[Parks]

But I don't necessarily want to hear.

[Joe Budden]

Their thoughts, you know, I want to.

[Parks]

Hear their thoughts on their, on their shit.

[Melissa Ford]

Yeah, right. Unless you, unless you're ahead. Like, I mean we're sitting here talking earlier about the list. The list. And we're talking about people from different eras, but we listen to enough music to be able to have a conversation about Marvin Gaye or Aretha Franklin or Michael Jackson or Roberta Flack.

[Mark]

Still not the same.

[Joe Budden]

It's not the same for me.

[Mark]

I don't. Even if they're ahead, even if they. Student of the game, whatever you want to call it, you wasn't there. It's not going to hit you the same. You're speaking from a, from like looking just from the window, looking in. You wasn't inside the house.

[Melissa Ford]

I respect that. So I'll have the conversation if you've done your homework.

[Mark]

Your perspective is a little skewed though, for sure. Because there's certain things you just will never get.

[Melissa Ford]

And they'll say the same thing by.

[Mark]

Listening to the music. Yes. And it's the same thing to us. That's why it's just a. Hey, respect whatever you feel, whatever you like over there, youngin, you got it. I'm over here with you.

[Joe Budden]

I agree. And I hate when niggas find one isolated person on the Internet and make that person's thought, the voice, a broad conversation. Like I don't know how many 23 year olds say would, would agree. I just don't. I didn't poll them. So gotta be careful.

[Melissa Ford]

Cause if, if you're 23, Ballin came out. Ballin came out what? 06.

[Ish]

2006.

[Melissa Ford]

Yeah. So if you're 23, Ballin. Wait, 2006 was how many years ago?

[Ish]

Almost 19 years ago.

[Melissa Ford]

I mean you were four when Ballin came out.

[Mark]

But it's still research, but it's still.

[Melissa Ford]

No, no, I get it. I'm just saying, like, I don't. This ain't even your era of Jim Jones. Ain't really your era like that to me.

[Joe Budden]

Agreed.

[Melissa Ford]

That's all I'm saying.

[Parks]

It ain't.

[Mark]

Yeah, well, Nas ain't your era for sure. Jim Jones still could be. Cause Jim is still active out here. More Nas is. No, but I'm talking about more in.

[Joe Budden]

Like, you might see Jim with Cash Cobain. You might see Jim with some of the acts that resonate.

[Melissa Ford]

That's true.

[Joe Budden]

Nas is going to be with the. Nas is with Slick Rick and G Rap and the Mass Appeal here doing.

[Mark]

Some coinbase and all.

[Joe Budden]

Like, he putting out grand at a certain dollar amount. I don't. I don't care who you think is better.

[Parks]

That part too. I'm sure Nas is probably not very.

[Joe Budden]

At all. What.

[Parks]

Although his. He is a competitive dude. So I think he would probably be like. He's got. He's still got rapper brain.

[Joe Budden]

Yeah.

[Mark]

But some you gotta laugh at.

[Joe Budden]

Yeah.

[Mark]

If you're not, you gotta laugh at him.

[Joe Budden]

Yeah. Rapper brain don't just pop out when anybody say the day better than you. Right. Like, some of that get laughed. Get laughed away.

[Melissa Ford]

Yeah.

[Flip]

But the masses may. Like I said, he knows how to. Jim knows how to play with the. With the algorithm and the algorithm people in the streamers. So that may make more noise than anything else.

[Joe Budden]

I just like Jim turning up on the Jadakiss, Fat Joe Couch.

[Mark]

And Jim consistently said, yo, my goal is a bag. Yeah, my goal is a bag. So I don't give a fuck if I gotta get up here and say, yo, Big wasn't the best rapper. If it's gonna generate some money for me, I'll say it. That's his goal. He's playing that game. And that is a game that a lot of people are playing today. Most of them are younger. But he understands, yo, just putting out a good album ain't gonna do it for me no more. I gotta get y' all talking.

[Parks]

And he puts out a lot of good albums.

[Mark]

And he does.

[Parks]

But so does Dust.

[Melissa Ford]

All right, since we got Fat Joe already in the conversation, there's some news that came out since our last show. It actually came out yesterday. Fat Joe sued. He is being sued for $20 million by T.A. dixon, a former hype man who alleges that the rapper engaged in sex acts with minors and coerced him into, quote, more than 4,000 sexual acts to maintain his standing. This is Huge in terms of a story, because it's part of a string of stories. Again, we don't know the facts of the case yet. We don't know all the details. We're not saying who's right or who's wrong here. But we are saying that this is heavy. In particular, the lawsuit says that Fat Joe, Joseph Antonio Cartagena engaged in coercive labor exploitation, financial fraud, sexual manipulation, violent intimidation and psychological coercion. And this was filed in U.S. district Southern Court. This is basically another. It looks like a fed thing. It's 157 page document. And just to add this last piece to it, again, his former hype man worked with him for 16 years. And according to the complaint, he had a, quote, unrivaled vantage point to observe the rapper's offstage lifestyle and behavior.

[Mark]

So, and we want to. We gotta add. This is a countersuit.

[Parks]

Yeah.

[Mark]

Cause Fat Joe sued him first for.

[Ish]

Defamation back in April.

[Melissa Ford]

Yeah, gotcha. So he, he says I'm a Fat Joe. And then this becomes the countersuit. This is, this is interesting. He says the Fat Joe forced him, quote, into humiliating situations, including sex acts performed under duress and surveillance, accompanied by threats of abandonment in foreign countries if he refused compliance. And again, he says the number was up to 4,000. Then he adds, there's a Jane Doe involved in this. And he says he personally witnessed Fat Joe engage in sexual relations with children who were 15, 16 years old. And he lists three Jane Doe Jane does, including a 16 year old Dominican girl in New York who quote, in exchange for cash, clothing and payment of her cell phone bill, would perform oral sex and other sexual acts on the rapper. I don't want to go through the whole thing. Y' all can find it for yourselves. But there's two other Jane does and it's been everything from paying for bbls to food to all these other things. And this is.

[Joe Budden]

And again, this is a rico, if I'm not mistaken, right?

[Melissa Ford]

A civil rico? Yes.

[Parks]

What is a civil.

[Mark]

What is that?

[Joe Budden]

Yeah, you got a, A civil rico. Well, I don't know what it is, so look it up. But my understanding is when you take the company cards and start busting down and using your legal businesses to pay for illegal.

[Parks]

Yeah, but that would be a not civil rico, right? Criminal rico.

[Joe Budden]

This is.

[Mark]

So he's suing him for money. Civilly. Sue somebody for money. A civil is.

[Joe Budden]

We gotta.

[Mark]

Definitely.

[Ish]

But it also says claims are like, there's a statute of limitations on civil RICO for four years.

[Parks]

Please read us the definition.

[Mark]

A Civil RICO refers to a private lawsuit brought under the RICO act to recover damages resulting from a pattern of racketeering activity. Essentially, it allows individuals or businesses harmed by organized criminal activities activity to sue those responsible for the harm seeking financial compensation.

[Melissa Ford]

Yeah.

[Joe Budden]

So your organized criminal activity being blended with your legal business activities is. Yeah.

[Melissa Ford]

Civil RICO makes sense. I don't know. It makes complete sense. I don't know whether this.

[Parks]

It makes sense to me, but I feel like you would have to prove the RICO part first, though.

[Melissa Ford]

Well, you. You do, but just not by beyond reasonable doubt. Just by preponderance of the evidence. So in the same way we buy.

[Joe Budden]

That worked for you, helped you in any type of way do some illegal, then. I mean, I think I learned that from the puff case.

[Mark]

Puff case.

[Melissa Ford]

Yeah.

[Parks]

But that's a standard civil.

[Mark]

The standard of proof in a criminal versus civil RICO is different. In a criminal case, the government must prove guilt beyond a reasonable doubt. While in a civil case, the plaintiff only needs to prove their case by preponderance of the evidence. It's more likely than not that he's liable.

[Melissa Ford]

Yeah. And so in this case, unjust. This includes unjust enrichment, quantum merit, fraudulent concealment, fraud, intentional infliction of emotional distress, and money laundering. In this lawsuit, Roc Nation is also named. And they claim that the company which represents Fat Joe knowingly participated in, quote, concealing, transferring and manipulating Dixon's authorship rights and royalty interests, and sought to intimidate, harass and obstruct the Hype Man's legitimate claims against Fat Joe as well as two other people. This is why it becomes a civil rico. They're saying that these acts actually cause him material harm and damage. That's the argument that's being made. And that Fat Joe is running a criminal enterprise. And the other defendants are Pistol Pete Torres and Richard Rich. Player Jos Petre. Jos Pitre.

[Parks]

This. I mean, this feels like he had a beef over not getting some royalties for doing ad lib libs, which wouldn't necessarily be guaranteed a royalty situation. And they're going back and forth about it. And he dropped the nuke. Yeah, that's what it feels like to me outside looking in.

[Mark]

Because Fat Joe. Excuse me, in the original suit, Fat Joe was saying that he was trying to extort him after he refused to be demanded for ghost writing work. I mean, excuse me, refused to be compensated.

[Melissa Ford]

Right. For ghost fighting work. And so that's when he went on radio Fat Joe. No, Dixon. And said things about Fat Joe. Specifically, he said that he enjoys high level he basically said that he flies a 16 year old girl across state lines for sex. Fat Joe sued for slander. And then we saw this as the response. And he told Variety, which is my source right now, he said this is the right way to fight Joe through the system. You can't fight him no other way. Joe, Joe thinks he's God. Joe thinks he's untouchable. So again, I don't know who's right or wrong. I don't know the details, but this is bigger than I think people thought initially. Because it's not just that he's saying Fat Joe did something. When you start getting to civil rico, the other thing that civil RICO can do is we learned with Diddy and Cassie, it can spark a criminal investigation. Yes. So this could get huge.

[Joe Budden]

I don't know if, I don't know if this was given what homeboy thought it was given though, like, because you're basically admitting that you knew, if this is true, that you knew that there was sexual activity happening with underage people and you stood by idly and did. Absolutely.

[Melissa Ford]

For 16 years.

[Mark]

But I think his message.

[Joe Budden]

Could you say he was afraid?

[Mark]

Yes.

[Ish]

Yeah, he was afraid. I think that's what he's saying.

[Flip]

If that's the case, he'd be more complex than it.

[Ish]

What do you mean?

[Flip]

Mean that you, you, you have a. He played a role to, to cover it up. You was aware, you didn't see any issue with it at that time, if that is the case.

[Joe Budden]

Well, if you was afraid.

[Ish]

But that's what he's saying is that he was coerced into.

[Joe Budden]

You'll get immunity for your testimony.

[Flip]

And them, excuse me, they just use that as an angle. Them don't be afraid. Them be willing participants.

[Joe Budden]

Allegedly.

[Flip]

I'm not saying him.

[Joe Budden]

I'm just sued for that.

[Flip]

Thank you very much. Allegedly, people be willing participants. And it's not until things start to come down or things start to change where they want to use these angles, which is nothing wrong with it. If he felt, I don't think in the moment Joe was aware or he made it aware that he was uncomfortable or I think that he was, if it happened.

[Melissa Ford]

Because we don't want to assume that he did have sex with underage girls. I don't want to put that on the table either.

[Flip]

I'm just about whatever. But even with the, even with the ghost writing, even whatever at the moment, I think a lot of niggas just be there for the ride. They there for the ride until time passed and they start to realize Some shit, they don't make it be known in the beginning.

[Melissa Ford]

Are we in a different. Is this just a different era now? I mean, is this gonna be the norm from now on?

[Ish]

It's the norm.

[Melissa Ford]

I mean forever.

[Ish]

I'm saying, no, it's the norm because the US is the most litigious place in the entire fucking world. And the result, and it's the result of late stage capitalism. That's just. That's just a fact.

[Melissa Ford]

I guess that hip hop seemed insulated from some of that.

[Ish]

How?

[Mark]

Because hip hop was based on not snitching.

[Melissa Ford]

That's what I'm saying.

[Mark]

The street principles. And now they. Those are gone.

[Melissa Ford]

I couldn't imagine 20 years ago somebody's hype, man, suing. I can see suing for royalty, suing for money. But this particular angle is interesting. And again, that's not the same thing is wrong with it. It's if. If Joe did what he's alleged to do, he should be held accountable. I'm just not. I'm just. I haven't seen this level of litigiousness in hip hop ever. And I didn't know if this was just part of kind of the extension of me too.

[Flip]

Ever since Six9ine did what he did.

[Melissa Ford]

And came back and oh, that's interesting.

[Flip]

People was receptive of it. Not, well, like fans enough, not the industry. And then N was hopping on records with him. It sort of put that snitcher shit like this for the new era. To me. Look at Gunna. He was accused of snitching. He came back, had a number one was it album. Like nobody looks at it the way we look at it anymore. It's not looked at it the same.

[Joe Budden]

I'm sure that the rat and shit plays a part. I think a lot of this is coming from financial literacy.

[Mark]

Poverty. Yeah, I think a lot of is coming from poverty. I think that, that people know now. No, I've been around you for 20 years. I was your man for 20 years. Let's just say I've seen you do some shit or I've done some shit for you. And now we parted ways and now I'm fucked up. I'm back living in the projects. On back. No disrespect to anybody in the projects, but I might not be living under the most ideal circumstances. And I'm watching you still ascend financially. So I might feel like, yo, I did mad shit for you. I'm. I'm old and the only way I can get that compensation is to sue that's where the know how come? Because a lot of might have been feeling like that before, but didn't know I got so I could sue. Yeah, yeah, yeah. Because it's happening all across the world. That won that case with such and such. I'm going go get them.

[Joe Budden]

And the Internet changes. Changes how the victim in these instances may feel in the 90s versus today in the 90s, you trying to take down one of the most powerful people in the world. You're gonna have. You're gonna have a pretty hard time today. You can have an audience from day one of support and people believe in you and some action being taken. So I think there's a lot of things in the pot.

[Parks]

Agreed. And there's more. Even before we get litigious. I feel like the Internet doesn't help because people just see you all the time. See you looking good, see you in the nice car, see you with the jewelry, all that shit. It's a constant reminder of, damn, I used to be around this and now I'm not. And now it's up. You know what I'm saying? Whereas before, it's out of sight, out.

[Mark]

Of mind, like move to la, pop.

[Parks]

Up out of source.

[Mark]

I don't even know that he existing. But now I'm watching you every single day with this chain and that chain and this watch and that watch. They just had Joe sitting ringside and they show him and 50s watches. When they.

[Melissa Ford]

That you went, yeah, front row.

[Mark]

They had Joe and he had the. The rainbow joint. The rainbow Rolex, that shit. 475.

[Melissa Ford]

Jesus.

[Mark]

You know what I'm saying? Like, so you like this thing got $475,000. Oh, no. Give me some of that, right? I beat this nigga up for you. I did this for you. I did that for you. No, I'm old to money and people might feel like that.

[Ish]

You know what? I kind of have like a statement slash question. I just learned something just recently about media liability insurance. And I'm wondering if it would protect you in a circumstance.

[Melissa Ford]

What is it? What is that? I'm not familiar with it.

[Ish]

So media liability insurance is basically something that, like a media personality, an actor, a media personality, a journalist one of us could take out. And it protects us against, you know, litigious claims, civil suits and that sort of thing. So it's just. I didn't even know the shit fucking existed. I was like, I gotta get that. Yeah. I mean, it's just something to consider. And it was something that I didn't even know existed. But I just wonder now. Which we don't have the answer to, since nobody knew what that was. If this would have protected Fat Joe in this particular situation.

[Mark]

No, I don't think it would.

[Parks]

I don't think it would, no.

[Melissa Ford]

No, because this isn't a result of.

[Parks]

His 20 years ago.

[Mark]

Yeah, this is 20 years ago, them moving around in different countries doing whatever they doing them in the studio. He said he was responsible for some of the lyrics. Whatever the case may be. You know what I mean? Shit like that, it don't have nothing to do. He said he was humping underage girls. Like that's not media liability.

[Joe Budden]

Every hype man done got threatened to be left out the country though, before.

[Parks]

Yeah, every hype man. DJ sound guy.

[Joe Budden]

Hey, we're rolling out of here this time. I dare you to be late like you always are. And we taking off and you'll be stuck over here in fucking Istanbul, nigga.

[Ish]

Well, is that. I don't think that that's necessarily a threat. That's more like, you know, be punctual and be with.

[Joe Budden]

You know, according to what Mark just read, you can't tell nobody that you work with, that you about to leave in another country.

[Mark]

Or you can't say, yo, do X, Y and Z or I'mma leave you.

[Melissa Ford]

Right? Yeah, like hold this video camera or have sex with this person or else.

[Ish]

That's different.

[Melissa Ford]

Yeah, that's the different. And I'm. Again, these are allegations. We don't know what's true.

[Joe Budden]

What happens. Well, Fat Joe's attorney responded. Yeah, attorney. His attorney responded. Said, this is a money grab. Said this is y' all could look for. But he said all the things that you would expect an attorney to say in response to that.

[Ish]

The lawsuit filed by Tyrone Blackburn and Terrence Dixon is a blatant act of retaliation. A desperate attempt to deflect attention from the civil suit we filed first, which exposed their coordinated scheme to extort Mr. Cartagena through lies, threats and manufactured allegations. We didn't just sue a disgruntled former employee trying to revive a false claim from 15 years ago. We sued the lawyer behind it all. Tyrone Blackburn has a well documented pattern of abusing the courts to harass defendants and generate media attention. Two separate federal judges have condemned his conduct. One for filing headline chasing lawsuits full of salacious and baseless claims, and another for making repeated legal misstatements and personal attacks in court filings. He is now the subject of a pending referral to the Southern District's disciplinary committee. And it Goes on to say law enforcement is aware of the extortionate demand at the heart of the scheme. The allegations against Mr. Cartagena are complete fabrications. Lies intended to damage his reputation and force a settlement through public pressure. Mr. Cartagena will not be intimidated. We have taken legal action to expose this fraudulent campaign and hold everybody involved accountable.

[Mark]

I think that's the way you fight it. Like we saying, is this going to be the thing going forward is these lawyers that take these type of.

[Flip]

Yeah, you gotta.

[Mark]

Like how HOV went after Busby. Like that has to happen to now deter other lawyers from just jumping on and just throwing any lawsuit out there if it's not true. And the crazy part with that is most people don't have enough money to do that.

[Joe Budden]

Right.

[Mark]

Like you talking about Jay Z, who could go put a billboard out like, nigga, I'm coming for you. I'm not the negative extortion. But everybody don't have the influence, the pool, the resources in which to do that.

[Parks]

And they also. A lot of people don't want to. It's. It's a waste of time and money to not just settle.

[Melissa Ford]

And For a lot of people.

[Parks]

For a lot of people.

[Joe Budden]

Yeah. What do we think happens to Fat Joe from here? Anything. Does he continue to go about. Yeah, I think he goes. Does he get low?

[Flip]

No, no, no, no, no.

[Ish]

He shouldn't know because that's an indication.

[Mark]

Of, like, you definitely cannot get low. He got a new show out. You can't get low.

[Joe Budden]

You can't get low. You can get low.

[Mark]

You could, but it would give off a. Some type. It would give off an image that. Some truth in here that you're afraid of something. If you go get low.

[Joe Budden]

I think that's horrible.

[Mark]

I think that's horrible. Yeah, me too.

[Joe Budden]

Yeah. But it's just certain practices that's just real nasty that being one of them. Like you should be able to get low when you're going through some things.

[Mark]

For my own mental state and you're.

[Joe Budden]

Under duress and you're stressed and you up. You shouldn't have to continue to show up with your best politician face and work because people think that you'll be guilty. Some of this is stupid.

[Mark]

But the people, the perception is everything.

[Melissa Ford]

Yeah.

[Flip]

And the people are the one that. That moves the needle outside of that too.

[Parks]

Like, if it's a baseless claim, as he is saying it is.

[Mark]

Yeah.

[Parks]

I'm not gonna stop what I'm doing.

[Mark]

Because that'll mean it's not affecting you in A traumatizing way where you might want to get low, basically to protect your own mental health.

[Melissa Ford]

Yeah, you guys want to hear that?

[Mark]

Everywhere you go, nobody want to be faced with that shit. Every single place that they go, people point in people. You know what I'm saying? Like, those are things that people have to deal with.

[Parks]

I mean, I can see getting low in terms of, like, being outside, like, going to dinners and stuff like that.

[Melissa Ford]

Although, you know, because there's so many lawsuits now and so many things happen, I'm not sure that this will carry the same stigma that it would have two years ago or five years ago.

[Mark]

Tell a person that.

[Melissa Ford]

That. No, no, no.

[Mark]

I wish the person at this. My people got parents, children, my. That's seeing this on tv. You can't say, yo, you just one of a million. Nah, dog, It. It hits you, it affects you differently. You know what I'm saying? It affects your family. Now that is in your living room now.

[Melissa Ford]

Oh, I agree. Yo, you 100, right? I'm just. I'm saying to give him some perspective, let's say it's not true, you know, to give. To give him some sort of solace. Is that. You know what I mean? The world doesn't. I don't think the world immediately judges people guilty in the same way they did five, ten years ago or.

[Joe Budden]

You know what I mean, how the world feels, yo, not just that.

[Mark]

What is yours married, bro?

[Joe Budden]

What does the board think?

[Melissa Ford]

That's another important point before it gets to the world.

[Joe Budden]

You either got a board that's. You either work for somewhere that has a board that's gonna do due diligence, stand by, you investigate, try to flush out facts, hire a prize private investigator, or you got a contract, huh?

[Melissa Ford]

You got a contract, but they all have these clauses.

[Mark]

And that contract might have a clause that says anything that surfaces, we can immediately discontinue.

[Joe Budden]

The contract has a million sentences that gives the company an out. If you are valuable enough, then they don't need to lead that. That way. They go and talk to some people and see if we can fix it. Can we keep this guy? Just try to be quiet for so.

[Mark]

But. But to your point about it being in your living room stuff, these ain't just claims like, yo, he robbed somebody. He stole some money from you. You know what I'm saying? The claims in here could cause some uncomfortable conversations in your family, right? He's married, bro.

[Melissa Ford]

Yeah.

[Mark]

You know what I'm saying? You are married.

[Melissa Ford]

Oh, it's rough.

[Mark]

You know what I mean? It's like that, bro. Like, again, to ISIS point, they saying, yo, he. He beat me for $10 million. I'll take that. Before some of the other shit that.

[Joe Budden]

He is being accused, my wife is the one. I can go home and tell, yo, somebody's trying some bullshit shake down, yada, yada, yada. The company, not so much. Yeah, right.

[Parks]

I would imagine that your family, you would have enough equity with your family, of all people, to be like, yeah, this is not right.

[Joe Budden]

Or you don't have enough equity with your family. So when your family reads it, they know it's true, right?

[Melissa Ford]

Or they know what's true and what's not. Like, she might not have been 15, she might have been 25. But I know you fucking on the road.

[Joe Budden]

I'm saying.

[Melissa Ford]

Not saying, Joe. I'm just saying in general, because that's one of the reasons this is. This works, is because a lot of times the person, the lawyer, the rapper, whoever it is, the celebrity doesn't want even the shit that's not illegal.

[Mark]

They don't want my kids to have to read this in a headline. So I'm a settle, right?

[Melissa Ford]

Because a lot of times your defense is, she wasn't 16. Or your defense was, it wasn't 4,000 girls. You know what I mean? Whatever the defense is might work in the court, but it don't work at home.

[Joe Budden]

She wasn't 16. Scene sounds nuts too, right? I get it.

[Mark]

Colby's defense, yo, it was consensual, right? You still gotta face your wife, my nigga.

[Melissa Ford]

Exactly. Exactly. So let's. There's another story that I wanted to get y' all take on. Obviously, for those that don't know, the Lakers were sold.

[Mark]

Hey, G.G. hey, G.G.

[Melissa Ford]

The Lakers were sold a few days ago. The Buss family, after having the Lakers for four and a half years, since 1980. 81, whatever, sold it for $10 billion. It's the largest sale in the history of sports anywhere in the world. $10 billion. That's a crazy number considering Jerry Buss bought this franchise for 67 million. You know, it's a great come up. Obviously, the Lakers have a storied legacy. My question is, I think I know what y' all gonna say. Y' all gonna say, fuck that. But Jerry Buss probably would not have sold the Lakers had he been alive.

[Mark]

Probably not. In the great words of my man Ian Dunlap, sell Grandma's house.

[Melissa Ford]

And that's the question I was gonna ask y' all. Would y' all feel that?

[Joe Budden]

Ain't Grandma's house.

[Mark]

Yes, it is.

[Joe Budden]

No, it ain't.

[Melissa Ford]

Well, let me ask the question for the audience, just to be clear.

[Joe Budden]

No, it ain't.

[Mark]

No, it's not.

[Melissa Ford]

Do you sell the franchise even though, you know your father, who made his whole life this would not have.

[Ish]

And does the amount in his grave if he knew? Yeah.

[Joe Budden]

And to be clear, all of the Bus siblings apparently did have a meeting about this. There was not a unanimous decision to sell the team. No, there was a majority decision. So somebody in the room loves their father. Yeah.

[Melissa Ford]

This is where it gets tough. That's why I'm asking.

[Joe Budden]

I'm not selling it.

[Mark]

I wouldn't sell it. They would have to buy me out. But I think what happens is. And we saw. I don't know how accurate it is, because we've heard. Yes, it's super accurate. Then we've heard it's not so accurate. But in the shit that we loved on hbo.

[Melissa Ford]

Yeah. Winning time, Showtime.

[Mark]

Winning time. Jerry Buss was a passionate guy. This was his baby. This was his passion. He staked everything in the world on this. I went to borrow money from my ex wife and my man Rakim and little kid. I borrow money and this is what I love. That don't necessarily mean that that love is gonna translate to your children.

[Melissa Ford]

Right?

[Mark]

Right. So you might have started this thing that has a legacy that could be 100 years down the road, but your kids might not care about it in the same manner in which you care about it. And they may not want to pay the same. Because I heard running a business is some other shit. Right. Your kids might not want to put that much time and attention into something that they don't care about as much as you did. So I see both sides of it. Like, I'm always, and not for nothing, $10 billion in other businesses. Your lineage ain't gonna be suffering.

[Joe Budden]

That's the thing. This is the one time in sports history where I think the conversation becomes warranted because of. Listen. They say the Lakers were valued at 5 billion five years ago.

[Mark]

Yes.

[Melissa Ford]

Yeah.

[Joe Budden]

They double so to double in five years.

[Parks]

Yeah, I'm selling that.

[Joe Budden]

It goes back to what I asked Wale about. Just rappers or should we be allowed to participate in IPOs? If you're the Bus family, you have arguably the greatest player to ever exist. If not one and two in his down. You're never gonna see that. You're not catching that lightning in the bottle again.

[Parks]

Yeah.

[Melissa Ford]

Yeah.

[Joe Budden]

We also just got Luca.

[Parks]

I don't know if you can get.

[Joe Budden]

Much higher than that there's not a world. There's not a world situation. Yeah. There's not a world where you say to yourself, hey, if we wait a little bit, we can get more.

[Parks]

Yeah, I'm not sure if there's a.

[Mark]

Better chance there is a world that that happens.

[Joe Budden]

Just describe it for me.

[Mark]

Because what happens in sports, especially in major team sports, certain markets drive the entire sport. So people be saying it's some bullshit. But the Knicks got Patrick Ewing, you feel me? He was the number one pick. They want certain teams to be good because it drives as a sport collectively, we starting to see the shit with the two small market teams in the finals. They get reports on that. So now it would behoove the league to have the Knicks be in the finals next year to have a Chicago or la. I just think that even the LUCA trade in itself, if you could surround certain piece LUCA with certain pieces, y' all still back in the hunt. I don't necessarily think that the team.

[Joe Budden]

What I'm saying to you in this Laker case, I don't think the hunt matters. You have the second most championships ever. You have the greatest player ever about to do his retirement. So long, goodbye run. You have one of the greatest players ever guaranteed hall of Famer that just got put in your lap like it's.

[Mark]

Like the perfect storm.

[Joe Budden]

They could win a champ, they could win the next two championships. It's not going to matter to their value. The Knicks are the third or fourth with Golden State, now the fourth most valuable franchise. We haven't won since 73.

[Mark]

But a lot of that comes from Madison Square Garden and the real estate that the New York City commands, it leads into that value in New York. I'm just giving you an example.

[Joe Budden]

Well, Brian Winhurst to what you're saying, said that team's financials leaked one year and because of the TV rights. It's the TV rights. The Knicks have TV rights. The Yankees have TV rights. The Lakers have TV rights. He was saying that because of those TV rights, local and the Lakers made in one week roughly what the Grizzlies made in the year. Just so you have a good understanding of the disparity between a small market and not only a major market, but a major market with a tv, a local tv, that it's nothing like it. There's nothing like it.

[Parks]

You also got to think from the buyer's perspective, this is when you would want to buy the Lakers. 10 might be low to your point that it might be worth more if such and such they put A couple pieces around. That's good for the buyer.

[Mark]

True. No, I was.

[Parks]

At bare minimum, I got the LeBron farewell tour and I got Luca here, so I know I'll be solid for a year or two.

[Mark]

I got LA real estate. This is LA fam. Like, I think that I was just. I was. I was just talking to Joe's point that he doesn't see the team being worth much more in the near future. I'm saying I don't think that that's a guarantee. And these people at this level of business, they do their due diligence.

[Joe Budden]

I was. Whoa, whoa. I'm with you. I do think that they can become even more valuable. But if I'm the Bus family having that conversation, like everything hit all cylinders right here. This is the same ownership group that has the Dodgers.

[Parks]

Yeah.

[Mark]

Oh, Magic in them, right? Yes, Magic is a part of that.

[Melissa Ford]

And they already own part of the Lakers too. They already own 26.

[Mark]

They have a certain percentage of the Lakers 26% already.

[Joe Budden]

So what. What the sports knowledgeable people are saying is that if you watched what he did with the Dodgers, which was. Which was fine. Which was find a way to outspin the Yankees, the Steinbrenner, the Red Sox, they spend like the money is coming out of a water fountain. So if you apply that to the Lakers and they kept Genie on to run the day to day operations and apparently she was strapped for some cash and now she is not. They projecting the Lakers to just start bugging soon.

[Melissa Ford]

Yeah.

[Joe Budden]

So be interesting to see how this plays out. Congratulations to the Buss family.

[Mark]

Indeed.

[Joe Budden]

Tim Bill is Tim Bill. I don't care how you chop it up. Yeah. I don't know if I would have done it. And that's one of my great. Working my entire life to give something to my kid and my kid getting rid of it in year one and two.

[Mark]

And the Buss family keeps just over 15% ownership still.

[Melissa Ford]

But that's for a period of time. And it's gonna phase out. From what I've read, it's a period of time that they'll have the minority stake.

[Joe Budden]

But it's tough to say no to.

[Melissa Ford]

Yeah, it's tough to say no to.

[Joe Budden]

Just tough to say no to.

[Mark]

Oh, I'm just reading this. It says they still retain just over 15% of the team. So if I can sell whatever my stake is for 10, Bill. And keep 15. And Jeannie gonna keep a job if.

[Joe Budden]

They made five, Bill, in the last five years, I ain't gonna hold you. I think you can make three to five, Bill. Just off LeBron's retirement season.

[Mark]

They're gonna make money.

[Joe Budden]

Yeah, they're killing money's the understatement.

[Mark]

They gonna make money.

[Joe Budden]

Buku money. And I think they saw a glimpse of that with Kobe.

[Mark]

Indeed.

[Joe Budden]

I think they saw what that looked like. They were the only team that has a seat to see what that looks like.

[Mark]

That is true. Because nobody else's farewell tour even came close to.

[Joe Budden]

Wasn't even getting a Fair world tour like D. Wade.

[Mark]

And none of them didn't.

[Joe Budden]

Tim Duncan and Dirk and them chucked the peace sign up and went home to their wife.

[Mark]

I remember I was at. I was at the one when Dirk came up here to Brooklyn. Kobe was getting gifts. Yeah. And stadiums was giving this cars and you know what I'm saying? It was a production.

[Joe Budden]

And Kobe was doing that without his kids there, without his kids on the team.

[Mark]

And people ain't like him.

[Joe Budden]

Right?

[Mark]

Like, be clear, Kobe Bryant when he was playing basketball, wasn't the most well loved.

[Ish]

He was a polarizer.

[Melissa Ford]

Not until the end. Not until the end.

[Joe Budden]

Ron knew it. It's gonna. She's right. It's gonna be the end. It's gonna be the ABA is going to be the college players. Everybody, everybody give it up.

[Mark]

Yeah, you're right.

[Melissa Ford]

You're going to have your control of all your music at some point, if you don't already. I don't know your personal situation. Do you give instructions?

[Joe Budden]

What do I do if I don't?

[Flip]

It's coming up soon.

[Melissa Ford]

I know pumping up in particular comes up soon. I guess my question is, do you give instructions to your kids about how you feel about them holding on to it?

[Mark]

How to handle that?

[Melissa Ford]

How to handle that?

[Joe Budden]

Oh, no. I'm writing it in how I want it handled. I'm writing it in.

[Melissa Ford]

Okay.

[Joe Budden]

I'm skipping them.

[Mark]

Yeah, you can do it.

[Joe Budden]

I'm skipping them. I'm writing it right in the shit. This cannot be sold. This cannot be. Yada, yada, yada. I'm not letting himself open. Are you crazy?

[Melissa Ford]

Yeah. And. And that's. That's where it gets tricky from. Because that's the same thing. Like I don't want my bookstore to ever be sold. Somebody comes in. If Barnes and Noble tomorrow comes in, we'll buy it for 50 million. What do you say? And my answer is no. But I'm also don't know what my kids are going to. Yeah, you know, it's like, yeah, you said what?

[Mark]

Repeat that sentence.

[Melissa Ford]

If Barnes and Noble comes and Says that we need 50 million for it.

[Ish]

He would say no.

[Melissa Ford]

I would say no. Well, I don't know what I would say. I'm not meant to say that. What I'm saying is I don't know if I want to instruct my kids. No. I don't know if I would make. There is a number that I'd sell it for. I'm not gonna pretend I wouldn't.

[Mark]

50 mil is that number.

[Melissa Ford]

It might not be that much.

[Flip]

He's about talking.

[Mark]

I was about to say 50.

[Melissa Ford]

You gotta.

[Mark]

You gotta pay. You gotta pay.

[Joe Budden]

Say Bobby and the book of Bobby.

[Mark]

That much I don't even know.

[Joe Budden]

Bobby talked to me harshly one time.

[Melissa Ford]

You know, but like. But my point is, whatever the family business is, I don't know if I want my kids to have full discretion to be able to sell it. But you also want to raise your kids in a way where they value that thing. You know what I mean? Like, I would hope your kids would know the value of your music catalog and wouldn't want to sell it unless they were just desperate, like, oh, that's.

[Joe Budden]

Why I put Michael Paul name on my. On my shirt too. Now it's hard for them to know the value. Yeah.

[Melissa Ford]

And I don't know if I'm even right on this.

[Mark]

It's just not blood, sweat, and struggle. Genie did. Cuz Genie was a kid. Genie played a pivotal part in that.

[Melissa Ford]

From teenage years.

[Mark]

You know what I'm saying? I don't know if. But even in that, bro. Again, it may not be my passion.

[Melissa Ford]

Right.

[Mark]

It's unfair for me to be held. To hold this. This thing that you love so much if I don't have the same emotional attachment to that thing.

[Melissa Ford]

Yeah.

[Parks]

And also he.

[Mark]

I might want to go join a peace corps. I might want to move out of the country. I might want to go live the rest of my days in Paris or Portugal somewhere. You got me tied to this thing out of an emotional guilt. That's not fair.

[Parks]

The other thing, too, is he was an entrepreneur. It's not like. Like, it'd be different if he was a ball player. He was a hustler.

[Joe Budden]

He was. Yeah.

[Parks]

He might have loved basketball and had a big vision for the Lakers, but it was probably from a financial vision for them a lot. That's how it feels in the. The winning time. He was. Yeah, he was trying to hustle that.

[Melissa Ford]

Yeah.

[Mark]

I got the opposite feel. I got the feeling that it wasn't about money for him when it came to the Lakers.

[Melissa Ford]

It was about the Life, his religion, his music.

[Mark]

Because he started doing that was counterproductive for the look like it wasn't a good financial move to do X. I think it'd be like that.

[Parks]

I think it's a long term play. Possibly.

[Mark]

Maybe.

[Melissa Ford]

Maybe.

[Parks]

Like I can see if he was a basketball player and was part of the inception of the Lakers and was.

[Mark]

Jerry west or something.

[Parks]

Yeah, yeah, that would be different.

[Mark]

I see.

[Joe Budden]

Quick question for y' all. Sh. Yeah. $500,000 right this second or flip a coin for 40 million?

[Parks]

Flip a coin.

[Mark]

Flip the coin.

[Melissa Ford]

Flip the coin.

[Ish]

Flip the coin.

[Mark]

I flipped the coin.

[Melissa Ford]

That's how you notice. Y' all all up.

[Mark]

I'm taking the 500. Give me the guaranteed. I'm flipping the coin.

[Ish]

One in the hand worth more than two in the bush.

[Mark]

You mean different hands and bushes. I understand.

[Melissa Ford]

Two in the bush.

[Mark]

100 of this 50. I ain't the luckiest.

[Joe Budden]

That's what I'm saying.

[Mark]

50 chance. Like it's either that or nothing over here. This is guaranteed. I'm gonna take the guarantee flipping a.

[Joe Budden]

Coin too, but y' all too up.

[Mark]

No, my stance is this. My stance is this.

[Joe Budden]

Ain'T even blinking. 500 grand.

[Mark]

$500,000 is attainable, I think by everybody in this room.

[Melissa Ford]

Yeah.

[Mark]

$40 million for everybody in this room. Yes, it's attainable, but the probability of people reaching $40 million in this room is different. A half a million dollars. Everybody in this room can get a.

[Melissa Ford]

Half a million and has been able to put their hand on it at one. Now if you would raise that number to say four million.

[Ish]

Yeah, yeah.

[Mark]

Four or five.

[Melissa Ford]

I wouldn't have took the flip. I'm taking four. I wouldn't. Took the cash at four.

[Mark]

Yo.

[Melissa Ford]

Maybe two.

[Mark]

Two or three. I might consider.

[Melissa Ford]

That's my understanding.

[Mark]

Because I know with my information, I could take the three and turn it into 40. You know what I'm saying? Like 500, you won't go back into that life. You can't take the five and turn it into three, then turn that into 40. Yeah. It'll take a long time, though. Take a long time. Take a longer time to turn zero into it. That's the risk we take. I get it.

[Joe Budden]

How confident in you that you could turn three into 40?

[Mark]

Oh, 100%. It's not even a problem.

[Melissa Ford]

It doesn't involve these Mexicans.

[Mark]

Again, it's not a probability for me.

[Melissa Ford]

Oh, these Jamaicans.

[Mark]

Okay, it ain't a probability.

[Melissa Ford]

Winston, get involved.

[Mark]

It's 100% probability. How long?

[Melissa Ford]

Depend how Many balloons they can swallow.

[Joe Budden]

Yeah.

[Melissa Ford]

How deep?

[Joe Budden]

Martin.

[Melissa Ford]

He said, how do you.

[Mark]

Yo, Nah. How long would it take me to turn 3 into 40? I don't know about that, but it's a guarantee that it would turn into 40. Like it's not even a question in my brain.

[Joe Budden]

Three years?

[Mark]

No, no, it's gonna take more. Maybe five. Five years, maybe not about five.

[Joe Budden]

I mean, there's in five years. In five years, if you don't have the 40 and, and you don't have the three, what could somebody do to you?

[Mark]

Nothing. Cause I'm gonna have one of the two.

[Joe Budden]

But if you don't, three gonna turn.

[Mark]

Into six or seven. It ain't gonna three to zero.

[Joe Budden]

One of them.

[Melissa Ford]

At the very least. Three can give you financials. If you just live your regular life and put three in an interest bearing account, I mean you'd be fine.

[Mark]

At 4% treasury bonds, you will still make money off the.

[Melissa Ford]

That's what I'm saying. It creates too much security for somebody to not do it. Now if you up, up, then you would feel the way about the 3 million that we feeling about this 500. Like, you know, I could put my hands. I get 500 tomorrow. You know what I mean? Doing something. But it's hard for me to get my hands on 2 or 3 million just by one act.

[Joe Budden]

True. Got it, Got it.

[Mark]

So for your instance, right, it would be like if they said 2 million or 500 million.

[Flip]

No, no, no.

[Joe Budden]

I'm flipping a coin regardless. Yeah, yeah. Because the zero is valuable to me. The zero is the most valuable part in that equation. I don't have none of it.

[Mark]

No. And you're in a different place.

[Joe Budden]

So I'll flip the coin too. If I have, if I have zero, I ain't gonna lose a wink of sleep not getting some. That was there if it was. So roll the dice.

[Mark]

If it was what?

[Flip]

If it was 3 million, I'm flipping the coin.

[Mark]

Not me.

[Melissa Ford]

No, but Joe, if they said 40 million guaranteed or 500 million in the.

[Joe Budden]

Flip, you're not going.

[Melissa Ford]

You're not taking 40 million.

[Joe Budden]

I'm flipping that coin, okay? I'm flipping that.

[Melissa Ford]

I forgot who I was talking.

[Joe Budden]

40 million is a lot of no 40.

[Melissa Ford]

Millionaire Frankie Beverly.

[Joe Budden]

40 million is a lot of money. 500 million. 500 million.

[Mark]

Just the chance of it is, is enough. 60 and 500.

[Joe Budden]

Rest in peace, Bailey. Man, I feel like Bailey on, on lotto day. Going in the same store for 60 years and I hit one day, nigga. 500 million, I gotta flip the coin. I have to. It's like on the game shows, and they be like, all right, you can walk away now with. With what's behind door number one. Or your stupid ass could try to pick some pressure. Yeah, I'm always gonna be that idiot.

[Mark]

Nah, it depends. That's not true. That whammy. Come out and start doing the Mike Jackson. It's like dealing no deal pressure.

[Joe Budden]

Lucky you Change that to 100 mil, I'll take it. Okay, if you change 100 mil, I'll take it. Then I'm not gonna play the football.

[Melissa Ford]

Of course you won't.

[Flip]

You know why? You know why? Because the other money, that is excessive. Not saying him, but I know I get 2 mil or 3 mil, I could work to get that. So I'm not mind. I don't mind even 10. I don't mind to take the chance of flipping the coin.

[Mark]

But you don't think that with that mindset, you. You know for a fact you could get the three mil?

[Flip]

I can.

[Mark]

Once you hit the three mil, it's gonna change. And then you're gonna be like, yo, I got three. I know I could get seven. I know I could get ten. Like, that's going.

[Flip]

I think it's just not saying you guys don't believe in yourself. I think it's just believing that you can. You can. You can do it.

[Mark]

Oh, no, I just like guarantees.

[Parks]

I think there's the third way. Looking at it, too, is like, I came into this with zero million.

[Mark]

So if I said, okay, that's what Joe said.

[Flip]

I'm too vain. I believe in myself. I believe I'm gonna make it happen. I'm gonna go get it. That's it. That's how I believe.

[Mark]

Hey, Aki, I'm 49 years old. Right?

[Melissa Ford]

Right.

[Mark]

Let me get that three.

[Melissa Ford]

Right.

[Mark]

Give me that three.

[Melissa Ford]

I'm good.

[Mark]

Give me the three. I'll take it. And I'm gonna do it for the.

[Melissa Ford]

Same reason you said what Flip just said. I believe in myself so much. I know with 3 million, I can do. I can make magic happen.

[Mark]

This going.

[Joe Budden]

What would you think, Mel?

[Mark]

Oh, you ain't give your pain?

[Ish]

No, I would. I'm agreeing with you because, like, after a certain age, it's just like, you know, risk versus reward kind of thing. And also for me personally, I don't have no kids, so I'm not thinking about, like, legacy and leaving shit behind, you know, saying I'm. I'm not going to take the risk.

[Joe Budden]

You'Re living for now.

[Ish]

Yes, that's right, girl. 1,000%.

[Joe Budden]

That's right. Stop playing with her. You hang out any. Any mean what you fucking feel like. Nigga, who the fuck you are living for, right? Living my life like Scolin. Living my life like I'm living for the now. Don't judge.

[Mark]

Do your thing, Melly.

[Ish]

Thank you.

[Joe Budden]

Do your thing, Melly. Mel. Do your thing. Look at you.

[Ish]

Shut up. Leave me alone.

[Joe Budden]

That was just a quick question. What else we got? What else we got? What else we got? What else is important to us? Another quick question. What are y' all. What are your true thoughts about men with nose rings?

[Flip]

I don't have no thought on that.

[Ish]

Is it like a hoop in the nose?

[Flip]

I used to think it was gay before, but it's not like I've seen some rock it pause after the cult.

[Melissa Ford]

I feel I have mixed feelings about it, but because.

[Ish]

Wait, what is that? What did a nose ring have to do with the cult?

[Melissa Ford]

It was a requirement at one point.

[Ish]

Are you serious?

[Parks]

Which one did you have?

[Melissa Ford]

I didn't have one. I. I came in right after the nose ring era.

[Joe Budden]

I still won't send the link, though. Now we know why. He in there with a nose ring. That's the least of what he in there. That's at least the what? He in there with a nose ring.

[Parks]

Something else up his nose.

[Ish]

What did the nose ring symbolize in the cult?

[Melissa Ford]

Well, because there was a. The short answer is there was an era where our dress and our clothes when they were anstars in Brooklyn, was Sudanese. And so we had to wear, like, white jellabillas, like white outfits, nose ring things around our head, and my azaba, all this stuff. So it was. It was just. It was just the style. And Taliban did it. We all did it. He didn't tell us to do it. But you kind of did. If he did it, you did it. When I came in, we had them little. We had them little rat tails in the back.

[Mark]

What up, though?

[Melissa Ford]

So I just have to. Yeah, it was a particular.

[Mark]

Like, it had to be a hoop, a stud. Like.

[Melissa Ford]

Like it was a small hoop in.

[Parks]

The middle or on the side.

[Melissa Ford]

On the side, yeah. Yeah, yeah.

[Flip]

Was wilding over there.

[Mark]

But they gonna find a picture of you.

[Melissa Ford]

I mean, it was all connected.

[Mark]

They gonna find a picture of you with the.

[Joe Budden]

With the hoop.

[Melissa Ford]

I'll show you a picture of me wearing the stuff, but I ain't got no picture of me.

[Joe Budden]

He the one that's gonna leak the picture as soon as he go on.

[Melissa Ford]

Home July 1st, bro.

[Joe Budden]

Soon as we get home. Y' all not hip to this by now? Put it out there.

[Mark]

He put it out there and then it.

[Joe Budden]

Y. That's funny.

[Melissa Ford]

The juicy.

[Ish]

Wait, why you say July 1st? Is that contract re. Renegotiation?

[Joe Budden]

We don't talk about contracts.

[Ish]

Okay, so why July 1st?

[Joe Budden]

We don't talk about.

[Melissa Ford]

And we already. We already finished. We just re upped for five years. So. Yeah. So we good.

[Mark]

Okay.

[Joe Budden]

Plenty of outs in there, though, for the five year deal.

[Melissa Ford]

JBN options, MLH options.

[Joe Budden]

Equity Equity shares.

[Melissa Ford]

Yeah, shares. Dope shares. They were very fair. They were very fair.

[Ish]

Got it.

[Mark]

Well, Mel, as a woman, what is your.

[Ish]

It's. I would say, instant turn off. I'm sorry. Yeah.

[Joe Budden]

Okay.

[Mark]

Nobody gave it up, you know.

[Parks]

Don't Lenny Kravitz have a nosery?

[Ish]

Oh, yeah.

[Flip]

He can kind of get away with it.

[Melissa Ford]

Pac didn't do it for you?

[Ish]

No. Strangely enough, you wanna. He did such a good job as Bishop in Juice that I hated him for such a long time. But you gotta understand, I was introduced to Tupac when I was like 13, 14 years old. So that's the first impression that I had of him. So it took me a really long time to actually like him because of that role. So. Yeah. So no answer is it did not do anything for me because.

[Joe Budden]

But the Lenny knows ring was cool, right? Like, that's a beautiful one.

[Ish]

I mean, he's a rock star. So, you know, a lot of the things that he does, he's just. He can. He can get away with that.

[Mark]

Okay, there we go.

[Ish]

It's true.

[Joe Budden]

Stick around at the Living. How long you would stay after at the Lenny meet and greet? Anyway, listen, this is what I got for y' all. Maybe a stupid question, but I just want to revisit that top 75 list really quick.

[Ish]

Okay.

[Joe Budden]

With Aaliyah as the bar here, I just want to throw some names at y' all. Aaliyah has a better discography than the Dream.

[Mark]

Much more impactful.

[Joe Budden]

Ask about Impact.

[Melissa Ford]

Yes, I would say yes.

[Joe Budden]

I'm asking about records.

[Parks]

I love Dream, but yeah.

[Melissa Ford]

Yes.

[Joe Budden]

Okay.

[Mark]

Yeah.

[Joe Budden]

Better discography than Tyrese.

[Melissa Ford]

Yes.

[Joe Budden]

Yes.

[Ish]

Yes.

[Flip]

I don't think so.

[Joe Budden]

Yes. Better discography than Trey Songz.

[Mark]

No, I knew Trey was gonna come up.

[Melissa Ford]

No, no, That's a better argument. That's the best one for me.

[Joe Budden]

Yeah. But.

[Parks]

Yes, I see why.

[Melissa Ford]

But I wouldn't. I wouldn't die on that hill. But I would say yes. No, I think y' all forgetting some of stuff and remember. And also, I think y' all Forget some trace. Record records ain't the only criteria.

[Mark]

It wasn't.

[Joe Budden]

I'm. I'm. I'm only asking about. I don't want to give him to.

[Mark]

To. To a R B purist. Tyrese. No. But for all I see, why she would make the list over Tyrese Trey songs is a different argument. She don't have a better discography than Trey song. She does not.

[Joe Budden]

Not to me either.

[Mark]

She does not. I'm not confirmed.

[Joe Budden]

She doesn't like, I think Trey song.

[Mark]

I could take away a Trey song's album and he still might have the better discography than her. She has no shots to her, but no disrespect to her at all. That ready is different. Not just ready. Five. You got some?

[Joe Budden]

All right.

[Mark]

He has some. Yeah.

[Joe Budden]

All right. So I won't bother with t pain. I would agree with. All right. I don't have anything else that I'm dying to get out. I'm kind of chilling. How about y' all? Anything?

[Mark]

I'm straight.

[Joe Budden]

I'm good. Anything?

[Mark]

Chilling.

[Joe Budden]

Chilling. I know there's normally a rush to the topic board.

[Ish]

So, Mel, what's the last thing? I can't read it from here.

[Mark]

Trump criticizes non working holidays.

[Melissa Ford]

Donald Trump tweeted it on Juneteenth that we gotta. I'm tired of these non working holidays is killing the economy. So it felt like a shot against Juneteenth.

[Ish]

Oh, he's not. But he's not doing anything to kill the economy. Okay, got it.

[Melissa Ford]

That's why, you know.

[Mark]

Yeah. Or he not saying nothing against the other non working holidays.

[Melissa Ford]

He didn't tweet that on Columbus Day. He ain't tweet that on, you know.

[Joe Budden]

Yeah. They went and pulled up his other statements on Juneteenth, like when he was president, Right?

[Mark]

What he said.

[Joe Budden]

Oh, I love black people. And you know, all of that. All of that.

[Ish]

Billboard just released a statement about. Well, not a statement, just a headline. R. Kelly has been denied prison release amid claims that jail officials are trying to murder him. Because we talked about that last night.

[Melissa Ford]

Yeah. They rejected his claim. Like, this is bullshit.

[Joe Budden]

Stay in prison, they notice.

[Mark]

They know the game.

[Melissa Ford]

Yeah, yeah.

[Joe Budden]

All right, last question I got for y' all before we go. What's good? Does Whitney Houston have one of these?

[Melissa Ford]

Stop.

[Joe Budden]

I'm asking you a question.

[Mark]

Yes, yes, yes.

[Joe Budden]

Look at e face. He getting mad. She do.

[Melissa Ford]

You should have heard the game.

[Joe Budden]

What is it?

[Mark]

He was playing Whitney Houston the out earlier.

[Joe Budden]

I'm asking you what it is.

[Mark]

Joe, stop.

[Joe Budden]

I'm asking. I'm not.

[Melissa Ford]

I'm not giving my opinion in terms of. So what. What I hear you call. Put on my love is your love.

[Mark]

Wait.

[Joe Budden]

What?

[Mark]

Go to wait. Next time.

[Joe Budden]

All right, Never mind. Go to wait. Excel out and play what? From waiting to excel.

[Mark]

Come on, Joe, stop.

[Joe Budden]

Play what? From waiting to excel. And play what? And play what? They're waiting to excel.

[Mark]

Joe.

[Melissa Ford]

I'm ed.

[Mark]

I'm about to pull them up.

[Flip]

Say it.

[Joe Budden]

Play what they want you to play. Xl. Shoot. Shoot.

[Melissa Ford]

In terms of hit level, song in America. Not that shoot. Not that shoot. If you talk about number one hits, the song is called Exhale.

[Flip]

So name the record. You want to jump in for him?

[Melissa Ford]

Yeah, I'm jumping in for everybody to name the record. X hell was the number one song in America for weeks at a time. This song was not. If we talking about success. This shit bodies that.

[Joe Budden]

I'm talking about you having ears, but let's do it.

[Melissa Ford]

Oh, that's. If you talking about. That's why I asked you. What is you talking about? I was only talking about success.

[Ish]

And honestly, you.

[Joe Budden]

Yo, we just be.

[Melissa Ford]

I'm only talking about charter success right now.

[Ish]

You're good, but you're also. But you're also boxing.

[Melissa Ford]

I will always love you. If you talk about chart success, this R. Kelly don't got no songs. Good luck. That's what I'm saying. It depends on what you talking about. If you talking about.

[Flip]

We heard you. We heard you.

[Melissa Ford]

Yeah, but y' all just ignoring the point. All you can hear is R. Kelly weirdos.

[Flip]

You was over there dancing with us.

[Joe Budden]

He was over there dancing. We saw. Ran off camera to dance.

[Melissa Ford]

I ran off camera. I didn't run off camera. I went to get some coffee and I don't.

[Joe Budden]

And the coffee made you dance. My way.

[Mark]

It was a little stronger. Started jumping over there when he got.

[Melissa Ford]

Off that Whatever, man.

[Flip]

Yeah, having side combos.

[Joe Budden]

Hey. Hey, Whitney. Rest in peace. You don't.

[Mark]

Y' all said you're out your mind. I didn't say that. I gave you a song.

[Joe Budden]

What song?

[Melissa Ford]

I'm talking to.

[Mark]

I remember what that song did outside.

[Joe Budden]

Oh, okay. Let me see.

[Mark]

I'm 49, bro.

[Joe Budden]

Good. All right. So you're saying this record right here?

[Melissa Ford]

Come on, yo.

[Mark]

Ain't nobody gonna do what it did.

[Melissa Ford]

It's different vibes.

[Mark]

I was outside, bro. I was outside, bro. I was outside about.

[Melissa Ford]

Say it Wash was in high school when this came out. Tell them about it. Come on. You crazy.

[Joe Budden]

No, it ain't. No, it ain't Just a heart of beat. But listen, Joe.

[Mark]

Sorry, nobody.

[Joe Budden]

I think every.

[Flip]

Listen.

[Melissa Ford]

Everybody in this room will put R. Kelly above Whitney Houston. But I just dis. No, they won't.

[Mark]

No, they won't.

[Melissa Ford]

In this room.

[Mark]

No, they won't.

[Melissa Ford]

Who got. Who got Whitney Houston above R. Kelly?

[Parks]

I do.

[Joe Budden]

They do. No, I don't.

[Melissa Ford]

Oh, yeah, y' all. R. Kelly's above Whitney Houston to me on the R B list. I just said Whitney got some hits. That's all I'm saying. Don't just pull up.

[Mark]

Slow down.

[Melissa Ford]

I'm saying. He was saying Whitney don't got one of them. I'm saying she do. Even though I got R. Kelly above Whitney Houston. Whitney got plenty of them. My love is your love is one of them.

[Mark]

All right.

[Joe Budden]

No, I'm out.

[Mark]

I'm out.

[Joe Budden]

She got one of these.

[Melissa Ford]

No, she has no pedophile songs. She don't got no. Show me some ID before we get.

[Flip]

Listen to your mom.

[Mark]

You wouldn't be locked up.

[Joe Budden]

I told you no.

[Flip]

Look how low y' all go.

[Mark]

Stupid ass.

[Melissa Ford]

You think that's a low blow?

[Flip]

Not. Don't ask me no questions. Talk about Whitney and R. Trying to trick me up to have a debate and get me caught.

[Melissa Ford]

I don't want to debate nobody. I'm sitting here. R. Kelly's a beast, but there's people above him. That's all I'm saying.

[Mark]

McDonald's records. McDonald's.

[Joe Budden]

Come on.

[Melissa Ford]

You being disrespectful.

[Mark]

No, you. You doing me. Yo, you got that pop being corny right now.

[Flip]

No, you're not.

[Mark]

You trying to make. You make a real fight. You. You got enough music in that laptop.

[Melissa Ford]

And it's just a statue.

[Joe Budden]

They mad at me for playing the sl.

[Mark]

No, you not turn that on.

[Melissa Ford]

And this ain't bad.

[Joe Budden]

I love these records.

[Flip]

Playing with these.

[Joe Budden]

Let's stop.

[Melissa Ford]

Let's stop.

[Joe Budden]

On the list. So it's okay to acknowledge what he's done.

[Mark]

Go to them.

[Joe Budden]

Started with Aaliyah.

[Mark]

Go to them soundtracks.

[Melissa Ford]

I'm with you on Aaliyah as you talk.

[Mark]

Go to them soundtrack.

[Joe Budden]

I'm done. I'm done. I'm done. I don't listen.

[Melissa Ford]

I don't want he jumping all these. All these dead money. I'm done.

[Joe Budden]

I'm done. I said I did it.

[Mark]

R. Kelly could sell 5 million star spangled banners.

[Joe Budden]

He can't sell nothing right now.

[Flip]

Nah, it's old for that.

[Joe Budden]

He can't sell nothing right now.

[Flip]

Pack him up.

[Joe Budden]

Whitney ever sung for the minister?

[Mark]

I'm sure she has. You know she has.

[Melissa Ford]

I'm sorry.

[Flip]

Kels.

[Joe Budden]

Kels hit the. Yeah. Stop playing with kels.

[Flip]

He sold Mr. F. Right, right.

[Joe Budden]

Anyway. All right, we're done.

[Melissa Ford]

Thank you. Yeah.

[Joe Budden]

Oh, yeah. Mark. You say the. That Mark.

[Flip]

You can't play with. Yeah, I'll play with them.

[Joe Budden]

Ne.

[Flip]

I'm down with you.

[Melissa Ford]

He told me yesterday. I got nervous.

[Joe Budden]

I thought I did something.

[Flip]

You spoke to him yesterday?

[Melissa Ford]

Two days ago.

[Mark]

Oh, my. I ain't trying to stunt. Yeah.

[Melissa Ford]

What?

[Flip]

What he said to you every song.

[Mark]

Yo, Mr. M. Mark, my brother.

[Flip]

How you doing, brother Mark and sound healthy.

[Mark]

R. Kelly got one of them.

[Joe Budden]

I'm sure it does. Erykah Badu Alchemist. We didn't. We didn't. We didn't touch on this on the new music segment.

[Mark]

It's a couple joints. We ain't touch on the music.

[Joe Budden]

Yeah, I know. So I just want to circle back real quick and then we can get out of here. It's one of my favorite beats of all time. Again, that's brand new. Erykah Badu featuring the Alchemist. Also friend of the show. Friend of the show. Stop playing with this.

[Mark]

My right here.

[Joe Budden]

Let's go. Wale. This is all right.

[Mark]

I was playing this as a sleeper.

[Joe Budden]

Oh, I cut it off.

[Mark]

No, no, no.

[Parks]

You good.

[Melissa Ford]

I got something else.

[Mark]

This is hard though. I don't know where to stop But I just want to know when to begin. I don't know what we.

[Joe Budden]

Let's go, Wally. This song is hard. This song is tough.

[Mark]

I don't know where to stop. But I just want to show you what it is. Your summertime record too. I'm about to lower My God to kill me. Now that you wanna.

[Joe Budden]

Sleepers. Let's do it. Sleepers. Let's do it. Also with a brand new project was K1, who I absolutely love.

[Mark]

They did the album game.

[Joe Budden]

That project is absolutely amazing.

[Mark]

We played most of the heat already though.

[Joe Budden]

That ain't true. That ain't true. We played one little song. You played the the single do what I say. I played Worst Behavior which is on the Kani album that they striped and put on this album as well. But those are the only two songs that have been heard. Everything else is brand new on this project. So I'm gonna go with Talk you through it. K1 featuring Flo. This is a great project to do some to for the people out there that are in the that ain't everybody my.

[Mark]

Night.

[Joe Budden]

No question. That is brand new music from K1. Talk you through it featuring Flow off that brand new project, with all due respect, available in your phone and on DSPS right this very second. Shout out to K1 Phenomenal Project.

[Mark]

All right. All right. I'm gonna go to another friend of the show. This is Roddy Rich.

[Joe Budden]

Underdog, this is. Oh, that record is hard. Yeah, this record is fire. That record is hard.

[Mark]

Single off of the F1 movie soundtrack.

[Parks]

Okay, promo's working.

[Mark]

Slide out the garage I got a.

[Melissa Ford]

Hundred cars just for the underdogs Intelligence.

[Mark]

Asked me how I want to catch it I told him a hundred log I want the gold reps pin it.

[Melissa Ford]

Up Double R.

[Mark]

Popping out saying I'm.

[Melissa Ford]

Great game drive I cut off my.

[Mark]

Roof, you know how I'm coming this tape, too.

[Melissa Ford]

Tell her get out the way 4x4.

[Mark]

Big Bantam they thought I was canceled.

[Flip]

I piped up and flipped the channel lst on the rim they think we.

[Melissa Ford]

Win I just top 10 my brother.

[Flip]

Shit ain't safe when you fucking with.

[Joe Budden]

The underdog Got my bike and shit.

[Flip]

Get rough I'm trying to have paper Rob a crab and put a Tom Brady on a staff Pull up on.

[Melissa Ford]

Drake talking, crying and keep up with.

[Mark]

The wave Straight out of garage I.

[Flip]

Got a hundred cars just for the.

[Melissa Ford]

Underdogs the tele just asked me how.

[Mark]

I want to catch him I told him 100 large I want them gold.

[Melissa Ford]

Wraps printed up double odds make the Ferrari slide on a 91105 press the gas and the slow I I like.

[Mark]

PJ so much I might buy me.

[Melissa Ford]

One Suicide on the fan of my.

[Mark]

Slide dope remaining silent ain't changing no cold I ain't got no time to be chasing Ain't got no time to.

[Joe Budden]

Be playing this safe no, no, I.

[Mark]

Like the garage I got 100 cars it's for the $100. The teller just asked me how I.

[Joe Budden]

Want to catch it.

[Mark]

I told him 100 large I want the gold reps printed up, double lives and again, that record is Underdog by Roddy Ricch off of the F1 soundtrack. The marketing is working on me with that. I'm definitely gonna with that movie.

[Parks]

It looks good.

[Mark]

It looks they did some haptic ad.

[Parks]

I heard about that. Yeah, that was fire.

[Mark]

Yeah, I'm definitely gonna see that. Yeah, you watch, homeboy. To start getting his ground becoming a draw, we gotta support the movies that have them in it.

[Parks]

For sure. They were celebrating Prodigy the other day. He passed a few years ago on this date. I think celebrating the day of passing is a little strange but a little weird. It's not a It's a good excuse to listen to small Prodigy this is legends.

[Mark]

Man those that come to legends all we go through as hell what the is a heaven we live fast and stall death slow as possible get our cash and put threats in the hospital Gangsters don't die now turn the legend what we go through is hell what the is to heaven get our cash and get dress in the hospital young PE when I was 13 I had dreams to do what LL did and run DMC dirty little learning how to aim my pee all the in the hood used to try to dub me Till pops gave me a knife Told me handle my things and if not when I came back he would handle me I put my first little bit of fan I was gas Started hanging with the others that was on the same had my first taste of gunfire early in my years Gang fights we was jumping we was just scared Taking cokes off of victim watches off Keeping red shooting in the and party turning aiming for your head and us young bloods and little young guns from back then grew up to be rap's most infamous click Most thugs you grew.

[Joe Budden]

Up with proud that we didn't and.

[Mark]

Naturally you got others that want to see us hit we just turn the legends all we go through is hell what the fuck is the heaven? We live fast and stall death long as possible get our cash and put threats in the hospital they say just don't die we just turn the Lego what we don't do is hell with the is heaven we live fast and store death slow as possible get our cash and put threats in the hospital.

[Parks]

As prodigy and alchemist Legends off the return of the Mac album which kind of set off the producer, rapper, album project of this era Recipes project.

[Mark]

I'm going to the song is called Night and the artist is Keshi.

[Parks]

Let's go.

[Joe Budden]

Try to reach but I can't move I need you save me from the night Me Closing my eyes Save me Want me to save me Somebody wake me Save me from night Terrified I.

[Mark]

Kill all the parts of me I.

[Joe Budden]

See the rest I gave it up and all that's left is you Light save me oh give me the light Save me Closing my eyes Save me Won't be the same me Somebody wake me Save me from the night.

[Parks]

That is Keshi Knight.

[Joe Budden]

Nice.

[Parks]

That's dope. Little support.

[Melissa Ford]

Yeah.

[Ish]

Mine is called Can't Let Go by Jane Hancock.

[Joe Budden]

Feels right.

[Flip]

I know that this is.

[Joe Budden]

Wrong Creeping in the night Just you and I Feels right.

[Mark]

Can'T seem to.

[Joe Budden]

Get right I know that you're not going good. From my mind, my heart, my soul when you're there I walk into your room.

[Flip]

No, my girls can't know just what we do.

[Joe Budden]

You've been fit every time since you ran across my mind. Can't go again.

[Ish]

Can't that go.

[Joe Budden]

Where you talk the way you know, you know Here I go again.

[Flip]

I think I'm just an addict for your love.

[Joe Budden]

I'm hook for show it feels right. I knew it from the start bound.

[Flip]

To break my heart.

[Joe Budden]

One hit and it feels right. Got a few nickels on the line watching the block for you. While I'm doing a lot my soul with you, you near what a sh. I walk into your room corals disappearing.

[Flip]

No, my girls can't know just what we do.

[Joe Budden]

Every time since you ran across my mind. Here go here.

[Melissa Ford]

You walk the way.

[Joe Budden]

You talk the way you know Here I go again.

[Flip]

I'm just an addict for your love.

[Ish]

I'm hook for sure.

[Joe Budden]

You got me thinking about me and I can't let you go. See I've been around with the time down. What am I to do?

[Melissa Ford]

Though.

[Parks]

That is Jane hot.

[Joe Budden]

Him.

[Parks]

Hancock. Jane Hancock. Can't let go.

[Melissa Ford]

You can silence me.

[Flip]

It's fine.

[Joe Budden]

I would like to, but we can.

[Melissa Ford]

I'm.

[Joe Budden]

We can.

[Parks]

We'll give you a little bed. How about that?

[Melissa Ford]

Since we. With all the. Since we kicked Aretha's back in. I did a old music R B. This is from the Curtis Mayfield Sparkle soundtrack. This is Aretha Franklin. Something he could feel.

[Joe Budden]

Yeah, I want. Wait, yo, hold up, though. Yo, mark. What? Mark?

[Melissa Ford]

That is a sleeper. Most people don't know that she was the original. This generation does not know that in Vogue wasn't the first people to make this. Mark, you're 74 years old. You know that.

[Joe Budden]

Mark, we have a beautiful guest.

[Melissa Ford]

I said you could cut it before we started.

[Joe Budden]

But we have a.

[Parks]

It's a good pad. You know what I mean?

[Melissa Ford]

It's actually a great cut. Y' all can pretend it's not, but.

[Joe Budden]

We have a beautiful guest waiting. Like, we don't have to. Like Aretha. Yeah, I mean, Aretha.

[Melissa Ford]

With all due respect, y' all all kicked Aretha backhand.

[Parks]

I did not.

[Melissa Ford]

Except Parks.

[Joe Budden]

I can't even outro the show properly with.

[Melissa Ford]

Then cut it, I said. For the rip if you want.

[Joe Budden]

Yo, can you cut, please?

[Melissa Ford]

If you cut Aretha Franklin off. Cut. The greatest singer America's ever produced and.

[Mark]

Dawning embodied this year.

[Joe Budden]

Listen, man, Real good show today. Really, really, really, really good show today. Man, make some noise for yourselves, huh? We want to thank everybody that swung by Papa Joe, Ethan, Button, Trey Button, Mad Buttons. Talk to these buttons about what a work. What a work day look like. Anyway, man, really good show today. Remember, if you did not enjoy this show the way we would have liked for you to enjoy it, your opinion doesn't matter. Never. Never mattered. Won't matter tomorrow. And we'll be back the same exact time next week. Like, we would hate to let anybody down. You could count on us, rely on us to be there like Blue Magic. Especially if you didn't like this episode as much as we enjoyed delivering it to you. I just want to get that out there. Keep us in your prayers. Lord knows we need to be there. Hold on. Let her get her bag, though. Keep us in your prayers. Lord knows we need to be there. Until the next time we bid you ado farewell. Adios are vista. Whoa. Light is in the air. Ladies in air wave ahead side to side. We love y' all, man. Y' all hold it down. God is good. God is good. Everybody have an amazing weekend. Stay safe, stay blessed. Nothing. Nothing.

[Flip]

If I don't this. Look. This how you cry on the phone? And they were about to leave him.

[Joe Budden]

You don't want the figure, huh? Y' all hold it down out there. Listen, anybody doing anything interesting this weekend that we need to hear about? Let's go. Let's go. Let's go. Freeze. Going back outside.

[Parks]

Freeze.

[Flip]

Party.

[Joe Budden]

Freeze. Birthday party tonight. Tonight.

[Melissa Ford]

Mel.

[Joe Budden]

What you want? What you want?

[Ish]

I'm working.

[Joe Budden]

All right. Big male working. Ish. What up?

[Mark]

What up?

[Melissa Ford]

Ish.

[Flip]

I ain't doing nothing.

[Joe Budden]

Just hanging on my baby play.

[Flip]

What up? I'm outside, too.

[Joe Budden]

Going to Free's party. Going to Free's party.

[Mark]

I know you ain't want to go together.

[Joe Budden]

Okay.

[Mark]

You know you scared of north, bro.

[Joe Budden]

Do you? But I got you. Y' all with me. Y' all ain't gonna let nothing happen to me out there, right? That's a great point. Like, I wouldn't let nothing happen to y' all in Jersey City.

[Mark]

You don't go to Jersey. You can't.

[Joe Budden]

Can I ride?

[Mark]

You can come. Yes, you can.

[Joe Budden]

Can I ride with you? Sure.

[Mark]

Definitely.

[Joe Budden]

I'll come pick you up in the pink truck. Shotgun.

[Parks]

Or you can sit all the bottles in the back.

[Joe Budden]

How's the other one? In the pink truck. We gonna bring some hypnotic. Some lemon drops. Yeah, the out back. Mark put you on this weekend. Mark. What? Y' all going back outside? That's a fact.

[Parks]

That's a fact.

[Joe Budden]

Mark, what you on? Hey, bodies hit the floor, Mark.

[Melissa Ford]

I ain't on nothing. I ain't doing nothing.

[Joe Budden]

All right.

[Parks]

Like you, huh?

[Melissa Ford]

Nope.

[Joe Budden]

No. You need to get some. Take a nap.

[Mark]

Why don't you do a guy?

[Parks]

Turn the Internet off?

[Melissa Ford]

Yeah, I'm sleeping the whole back in one piece.

[Joe Budden]

Y' all hold it down, man. We'll be back same time, same place next week. Last but certainly not least. The baddies are insecure, the stagnant women want to travel. When the closed minded women want you to teach them things. Grab you a Tylenol. You might need it it till next time.

[Flip]

Hey, I saw you.

[Joe Budden]

I'm so f. Got slaps. I ain't going to lie. Oh, I put another one on here. Jbp. Jbp.

[Ish]

Where would you be without the jvp?

[Joe Budden]

Who is that.