Episode 859 | "The Mikan Drills" (feat. Chance the Rapper)

Summary

The Joe Budden Podcast | Episode 859 | "The Mikan Drills" (feat. Chance the Rapper)

Date: September 10, 2025
Host: Joe Budden
Guests: Chance the Rapper, Imani the Singer
Duration: ~4 hours
Format: Free-flowing roundtable, heavy on culture, hip hop, sports, and personal insight

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Episode Overview

Episode 859 dives into hip hop discourse, cultural commentary, and sports banter, anchored by Joe Budden and the podcast crew. The show features a detailed, candid interview with Chance the Rapper following the release of his album "Starline." The episode also touches on the viral Young Thug/Big Bank interview, the ongoing Gunna/YSL saga, Dame Dash's recent comments, Carmelo Anthony's Hall of Fame induction, and the VMAs. The podcast delivers its signature irreverence, humor, depth, and accountability, with Chance’s interview serving as the highlight for its heart and substance.

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Key Discussion Points & Insights

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1. Barbershop & Authenticity Banter

[00:28–08:58]

• Casual, relatable talk on the barbershop experience, missed barber appointments, and the lengths grown men go for self-care and comfort.
• Joe recounts buying a barber chair from an Instagram ad and being scammed—a classic tale of dubious "influencer" commerce.
• Jokes about private barber appointments vs. hanging with "the people" at the shop:
  • “Everything I do is to avoid conversations with people. People.” — Joe [04:54]
• Freshness, masculinity, and the absurdity of male rituals discussed lightheartedly.

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2. Culture, Street Codes & the Young Thug/Big Bank Interview

[32:32–96:00]

• The crew breaks down the much-anticipated Young Thug prison interview with Big Bank:
  • All around, they praise Big Bank as an interviewer who "set the perfect therapeutic tone" and opened up space for empathy, vulnerability, and understanding (esp. for Thug’s upbringing and trauma).
  • “This wasn’t just an interview. It was therapy—one of my favorite pieces of content since the Cat Williams thing.” — Joe [33:54, 34:07]
• Discussion of the emotional and psychological impact of betrayal, street logic, loyalty, sacrifice, and personal growth:
  • Solidarity vs. self-preservation, especially the Thug/Gunna divide.
  • Nuanced takes on men’s vulnerability, how “being a man” is defined differently by each person, and the burdens of authenticity, pride, and pain.
  • Questions of street “accountability” and whether one can really “change the game” or step away from street life—Joe pushes back on fatalism.
• Intense, sometimes heated debate about how personal choices in crisis (jail, betrayals) define a person, with the group disagreeing and then finding common ground.
• Notable Quotes:
  • “Carrying the type of resentment that he’s carrying is heavy. It’s wearing on him—and only him.” — Joe [59:37]
  • “You gotta stand on it. My nigga, if you play football all your life, guess what’s a possibility? Concussions.” — Crew [56:34]
  • “Sometimes the person you help the most is the one that ends up doing you the dirtiest.” [61:24]

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3. Sports & Hall of Fame—Carmelo Anthony, Statues, and ‘Legacy’

[103:02–115:02]

• Mark brings up the Basketball Hall of Fame’s latest inductees, giving flowers to Carmelo Anthony, Dwight Howard, Sue Bird, and Maya Moore.
• The Melo debate: does Carmelo deserve a statue at Madison Square Garden?
  • The crew is divided, referencing Knicks history (Ewing, Willis Reed, Frazier, etc.), the nature of “legend” status, and what a statue symbolizes.
• Conversation about the complicated nature of legacy in sports and culture, and how communities “claim” or disown their heroes.

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4. Industry Critique: Dame Dash, Talent vs. Ownership, and the Business of Hip Hop

[136:06–149:01]

• Reaction to Dame Dash’s comments about former Roc-A-Fella artists turning to podcasting and becoming "chatty." Joe clarifies his own relationship with Roc-A-Fella and his path to independence.
• Explores the tension between being “talent” versus “ownership” in the industry.
  • Crew critiques the loaded use of “just talent” as an insult in entrepreneurial culture.
  • “Not being an owner of something does not make you less of a man. And discrediting someone's hard work because of that? Horrible message.” — Ish [145:26]

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5. Meek Mill, Tech Investments, and Independence

[155:47–161:16]

• Meek Mill’s complaints about label deals and desire for $5 million to fund his next album/book/film prompts a nuanced conversation:
  • On tech vs. music investments—risk, scale, expectations.
  • On artists seeking true independence, risking their own money, and building on their own value.
  • “Sometimes you need to be forced into your independence.” — Joe [158:54]

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6. Chance the Rapper Interview – Heart, Clarity, and Artistic Growth

[164:31–255:38]

a. Life Transitions, Mental Health & Artistic Vulnerability

• Chance discusses the toll of making “Starline” over six years, including stress, weight loss, and reflecting on his divorce and growth.
• Breaks down deeply personal lines from the album, clarifying their meaning:
  • “When I'm alone, I think I could just die” isn’t suicidal—it's about grieving a former life or self. [168:26+]

b. The “Big Day” Backlash and Internet Narratives

• Open discussion of the fallout from 2019’s "The Big Day," internet trolls, and how online repetition/perception shaped his reputation more than criticism from listeners.
  • “I felt like a concerted effort to devalue my name as a voice in the industry... but I persevered.” — Chance [171:13]
• Chance refuses to disown the album: “It’s documentation of my life.”

c. “Starline” Album Craft & Literary Depth

• Chance breaks down motifs, references, and interwoven themes throughout the album: African-American history, church critique, intersectionality, black joy & trauma.
• Passionate about the intentionality in his lyrics, the pressure to deliver substance:
  • Inspiration: James Cone’s “The Cross and the Lynching Tree.”
  • Calls for more “experiential” listening, deep engagement, and liner notes or classes to explain the layers.

d. On Rapping, Craft, and Competition

• Boldly declares this is his best rapping—“I’m better than everybody at rapping.”
• Highlights the importance of breaking out of the “comeback” or controversy-driven narrative—just let the music speak.
• Names his favorite 2025 rappers and writers: Malice, JID, Earl Sweatshirt, Griselda, Freddie Gibbs.

e. On Independence

• Lays out—not for the first time—exactly how he’s independent, Apple Music deal included, and why that changed the industry.
• Joe, after initial push-back, is convinced by Chance’s clarity and logic.

f. Responsibility, Politics & Hip Hop’s Influence

• Reflects on the tension between artists' social responsibility, the mischaracterization of hip hop, and the exploitation of culture in political arenas.
• “I just want artists to speak truth, not tell me who to vote for.” — Mark [208:31]

g. Personal Networks & Industry Relationships

• Chance shouts out key mentors—Dave Chappelle, Lauryn Hill, Jill Scott, India.Arie—who have supported him and his artistry.
• Stresses the value of empathy, community, and “not shitting on your brother.”

h. Looking Forward

• Discusses plans for a tour (intimate 3,000-person venues), ongoing learning, possibly teaching a class on lyricism or literature, wanting to stretch into acting and other ventures.
• “Starline” is positioned as a triumph and a return to full creative expression, focused on substance, honesty, and independence.

i. Notable Quotes

• “Print out my raps. Print out everybody’s raps and read them.” — Chance [185:12]
• “I like happy music, but you don’t need to be heartbroken or on drugs to make great art. We’re just people.” — Chance [182:52]
• _"When celebrities go through some shit, it's presented to you in a way where you have to be choosing one of these two polarizing sides... the people in the story feel the brunt." — Chance [231:44]
• “I’m rapping—not just better than Chance 3 raps, not just better than Acid Raps. I’m rapping.” — Chance [184:06]

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7. VMAs & The State of Music Awards

[131:55–133:43, 221:04–224:41]

• Quick, humorous rundown of this year's MTV VMAs—Mariah Carey's Vanguard award, Doja Cat's “hip hop as hell” performance, pop stars taking center stage, the awards’ waning relevance to hip hop.
• Mariah’s win prompts nostalgia for the days when “award show performances mattered” to culture.

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8. Randoms, Running Gags, and Closing Segments

[257:03–266:18]

• The episode wraps with group jokes about strip clubs, football season, relationship pains during NFL Sundays, and friendly roasting.
• Classic Joe: “Life is a series of moments, and moments pass. So let's make this one last as if it's all we have.”
• The "gay people work for me" running joke, pulled from the earlier Thug interview, surfaces frequently—as a signal of what sticks in internet culture, and as a meta-commentary on out-of-context bites.

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Timestamps for Notable Segments

• Thug/Big Bank Interview Deep Dive: [32:32–96:00]
• Carmelo Anthony & Statues Debate: [103:02–115:02]
• Dame Dash, Ownership vs. Talent: [136:06–149:01]
• Meek Mill/Investment Talk: [155:47–161:16]
• Chance the Rapper Interview Start: [164:31]
• Chance on Mental Health & The Big Day: [168:11–173:31]
• Chance on “Starline” Motifs: [179:28–181:19]
• Chance, Industry Change & Independence: [213:44–218:06]
• Chance on Social Responsibility & Hip Hop: [204:23–208:31]
• Closing/Jokes/Rap up: [257:03–266:18]

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Memorable Quotes (Speaker Attribution & Timestamps)

• “Everything I do is to avoid conversations with people. People.” — Joe [04:54]
• “Carrying the type of resentment that he’s carrying is heavy. It’s wearing on him—and only him.” — Joe [59:37]
• “This wasn’t just an interview. It was therapy—one of my favorite pieces of content since the Cat Williams thing.” — Joe [33:54, 34:07]
• “I just want artists to speak truth, not tell me who to vote for.” — Mark [208:31]
• “I like happy music. We all have different emotions and moods.” — Chance [183:36]
• “Print out my raps. Print out everybody’s raps and read them.” — Chance [185:12]
• “I’m independent, own my masters, and I changed the streaming business.” — Chance [216:16]
• “Not being an owner of something does not make you less of a man. That’s a horrible message to send.” — Ish [145:26]
• “Sometimes the person you help the most is the one that ends up doing you the dirtiest.” — Joe [61:24]

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Episode Tone & Style

• Language: Unfiltered, conversational, brash but thoughtful; plenty of hip hop vernacular, inside-speak, and in-jokes.
• Energy: Engaging, rapid-fire, sometimes chaotic but always circling back to meaningful reflection.
• Vibe: Group therapy for hip hop heads; family cookout energy meets grad-student debate; equal parts depth and “what did he just say?”

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Summary for the Uninitiated

If you missed the episode, expect a wild, dynamic ride where serious issues (art, street codes, masculinity, community) collide with comedy, sports, and inside hip hop industry wisdom. The Chance the Rapper interview is a masterclass in artist honesty, vulnerability, and independence—a must-listen for fans of lyricism and real industry talk. The group’s handling of the Young Thug interview and Hip Hop Hall of Fame questions show why Joe Budden and his friends still run the culture’s water cooler.

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Check out:

• Chance the Rapper – Starline: Now streaming everywhere.
• Young Thug / Big Bank Interview: Required content for hip hop fans.
• Key gems: The value of independence, power of narrative, and importance of empathy, all delivered at high entertainment value.

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Transcript

[A]

The thoughts, views, and opinions expressed by this podcast, whose bullets its hosts offer entertainment purposes only. I repeat, it is not serious. It is not real. No one is exposing, revealing, indicting, or telling you anything about themselves. Also, we do not encourage you to try this at home. We are trained professionals who do not have your best interests at heart or our own. Enjoy the show.

[B]

Let's pause.

[A]

Yes, sir.

[C]

Yo, yo, yo, yo.

[A]

Phones up, phones up. Last looks, last looks. All right. Mark brushed his hair.

[D]

Yeah, that's all you're gonna get.

[A]

For real. When I first seen Mark, his head wasn't brushed. I was like, all right, I'm gonna see if he brushed it before we go on.

[D]

I brushed it.

[B]

Put on a hoodie, you know.

[C]

Yeah, clothes.

[A]

They had to do something, right?

[C]

Got your school skulls on.

[D]

Well, you know what it is? I couldn't go to the barber this week. I had to cancel my barber appointment, and I had to. You know, I've been tied up, so I ain't get to do my normal routine.

[C]

That shit is annoying. Same. Cause I hit my barber like, yo, I'm trying to slide through. He said, I'm in Jamaica, nigga. You was just in Cancun two weeks ago. Yeah, so now ain't no soul, nigga.

[A]

Get back to work.

[D]

Niggas got responsibilities, right?

[C]

Yeah, niggas, they living their life from round the pod.

[A]

Well, that's the problem. Well, you know what? That's part of exactly. Stupid barber.

[C]

Yeah, nigga, you a barber. You need to be in there. I need to get right.

[B]

No, you don't gotta play and be.

[C]

No, I do.

[A]

Yo, update your lifestyle. Yo, cool.

[C]

Gotta have it.

[A]

Update your lifestyle. I told you about going to the barbershop years ago. You still want to go in there and shoot the shits? Have them come on over, put the kids up to bed, get the little chair. I ordered one from Instagram, they robbed me. It still ain't here.

[B]

You ordered a barber chair?

[A]

Yeah. I ain't even gonna say the name of the chair, but I ordered it.

[B]

Trash.

[A]

They told me it was.

[C]

You don't got the lean back.

[A]

They told me it has everything, but I don't have it. It's not fire. They told me it would come. I fell for one of them. Instagram.

[B]

Why did you buy it on Instagram?

[C]

My God.

[A]

Well, no, no. It was one of them Instagram ads, but my barber gassed it. My barber that comes to my house, he gassed it. So I bought it. Instead of. We using the Restoration Hardware chair some.

[B]

Yeah.

[A]

So I Ordered the chair. They told me it would come in six months. In eight months. It never came, so I. I emailed them.

[C]

Where the was that coming from?

[D]

You getting it made?

[A]

What do you think over there?

[C]

Your man Big T?

[A]

What you talking about?

[C]

Somewhere right now.

[A]

Right now.

[C]

Coming across the Pacific right now.

[A]

If you ordering furniture. Yeah. Be prepared to wait. Be prepared. True.

[D]

Yeah. Six, eight months is normal.

[A]

Yeah, yeah. If you ordering furniture, that's very normal.

[C]

So you can take it home same day.

[B]

Yeah.

[A]

But I keep telling you the pit days are over.

[C]

Thank God.

[A]

I keep trying to find different ways to let you know nothing is being is effective. They told me. They told me six months, eight months. I emailed them where my shit at. They email me back. We've been trying to get in touch with you. No. Yeah. No, you wasn't. No, you wasn't. But we're having trouble where we get our materials from. Because of the tariffs, we're done. Luckily, we found a new spot to get our materials from. We can gonna ship this out in six, four months. In 16 weeks. Four more months.

[C]

Four more months.

[A]

Yo, you know what, yo, Some niggas, even if you rob me, I'm cool with it sometimes. You got it. No, you gotta communicate, yo, you got it, big dog. So they got me. It is what it is. But there you go.

[D]

What's the most normal thing you do? If you don't go to the barber shop, right. And I. I go to the barbershop. I make a private appointment so I ain't gotta do some of the shenanigans so I can still feel normal. Like, what's the normal thing you do?

[C]

Oh, these got too much.

[A]

No, we invest our money properly. Oh, okay. Oh, don't start versus y'. All.

[C]

You don't start.

[A]

What y' all do that where you just put it all in your pocket.

[C]

Excuse me?

[A]

Go ahead. You can't put it all in your pocket is what we're saying. It's worth making a private appointment with your barber to not see pedestrians when you're getting your lineup.

[C]

I enjoy seeing my people, though.

[A]

My people. All right.

[C]

I with the people.

[D]

You hate that man. Saying what about that?

[A]

You complain every time.

[C]

That ain't always the case, though. I knew these for 20 years. We all have appointments, you said just so I could feel normal.

[D]

No, I mean, I don't wanna not do normal shit. There's some shit I.

[B]

Cause normally you're not normal.

[D]

Yeah.

[A]

You're not normal.

[D]

No, I know that. I do some bougie shit to avoid Conversations, certain things. But then there's other shit I do so that I don't feel like that's my whole life. Like I'll go to a gym, even though it's annoying sometimes. Cause your people always walking up on me. Or like the barbershop, I'll do it but just a certain way. You know what I mean? But it sounds like Joe don't do any. I don't hear saying.

[A]

Everything I do is to avoid conversations with people. People.

[B]

That was before you were rich too, though, not for nothing.

[A]

Yeah, no, I'm not saying that's a new thing. It's just easier to do it now.

[D]

Got it.

[B]

Sure.

[A]

But the Newark boy couch paints that as something.

[C]

I don't paint it as anything.

[A]

That's nothing wrong.

[C]

Rock it out.

[D]

Well, let me ask you the opposite. What's the bougiest shit? What's the shit you do that that would make you look like you was out like extra to person?

[A]

I got a follow up question too, right after you answer that one.

[C]

Lately, I'll tell y'.

[A]

All.

[C]

I told Ish because we make the jokes on the pod and shit. I've been quit flying economy and all of that shit. And now it's first class in the lounge and.

[D]

Oh, you do the lounge too?

[A]

Yeah, I do the lounge too. Yeah.

[D]

The lounge is the extra part I.

[A]

Don'T want to see. Yeah, all right. That's awesome. Good for you. What you do when the barber tilt your chair? There you go, there you go. Come on, come on.

[C]

I knew it.

[A]

I knew it was a barber question coming too. What you do when the barber tilts your chair back and you got your eyes closed? Just chilling. But the he owed money to came up. Came up to him. And now they having that conversation while your eyes closed.

[C]

My barber stand up.

[A]

You hear? The bullshit started you like, oh, yeah, yeah, yeah, yeah, yeah. Oh, tough ass. Mr. Mr. I like my people.

[C]

What you do then Go for giving you the eucalyptus bomb.

[A]

My.

[D]

I'm telling you, when I was going.

[C]

How did you got somebody in the chair? My.

[A]

My bread at. No, when I was being regular. See, Trying to be regular. Trying to be regular get you robbed. Yes, Beat up all type of. I was going to my little Patterson barbershop. I was lean back. I sleep. I think I ain't get no sleep the night before. Somebody came in here talking mad aggressive to this. I woke up and started listening. I was like, number one, if this escalate, my little short Dominican barber can't do nothing with this angry nigga. And I ain't really in the position to do nothing with him either, laying back like this. Nor do I want homeboy like that.

[C]

I don't know you like that lineup game. Nice. But you ain't my man.

[A]

So then my next thought is, yo, these ain't thoughts I should be having, right?

[D]

Well, getting a haircut, right?

[A]

You know what? I'mma fix this.

[D]

Here we go.

[C]

Won't be no more of this one. I'm going right to Inglewood from now on.

[A]

All right. What you doing? The barber put his foot on the little thing to lower your chair, and then he put his balls on top of your elbow.

[D]

That's why I thought you was doing.

[A]

First balls right on top of your me. Now, you want to move, but that's going to make you look homophobic.

[D]

That's it.

[E]

You.

[A]

You can't just move.

[C]

That don't make you look homophobic.

[A]

It does kind of. No, it don't harden your bones.

[C]

Yo, man, get your nuts off me.

[A]

Yo, you know, your barber ain't trying to. Ain't trying to put his.

[D]

You don't know.

[C]

I don't care.

[A]

Yo, dog, your barber's natural. Hopefully he might. You should find a new barber.

[C]

Ice barbers.

[A]

You know how many times I told them chicks, you need to find a new weed dealer? Yo, yo, yo, you ever listen to a chick to smoke weed? Yep. No. And their means. But their means of copping.

[B]

Oh, yeah, like how?

[A]

Drug dealer live, right upstairs on the fourth floor. I let him in in the morning. And my boyfriend, don't know about him, but sometimes I go see him. He give me free weed all month, I bet. All month he give me free weed.

[C]

As long as I go up there with these little shorts on. Coochie getters basically coochie out.

[A]

That's all I gotta do. If y' all girls smoke, would you let her go get free weed?

[C]

No, no, no.

[A]

So you would pay for the weed? Yes. Oh, y' all suckers, okay.

[C]

Hey, whatever you want.

[A]

Oh, y' all suckers. Y' all gonna build somebody business. Yes, yes, that's true.

[C]

I'm buying in bulk, too. Money circulates in the community.

[A]

Oh, my God.

[C]

That Free nothing.

[B]

Pothead chicks are funny, huh? Pothead chicks are funny.

[A]

Yeah, they're the best.

[B]

Shout out to the pothead chicks.

[A]

No, they're the best kind of. Yeah, they just gotta take that little sip of water before they get to doing this. Drink a gallon sometimes. Sometimes they don't drink when they ain't drinking enough water.

[B]

Sometimes that should Make a nice roof.

[A]

Nasty dog.

[C]

You are disgusting.

[A]

He's right. What? That's nasty, though. That's a different nasty right there, son. Oh, my God.

[D]

What?

[B]

Seems to be a little hardier.

[C]

Yo, that is disgusting, bro.

[A]

That's be that kind of puff.

[C]

Yo.

[A]

What? What?

[C]

You was in Rochester.

[A]

That ruby hidden though. Parks is right. I'm good. You ever sleep with somebody that's. That's drunk? So in the morning, they waking up with all the last night on their breath, and you just start tonguing them down. That shit is all right. Sometimes you want to taste that hypnotic whatever she was drinking. That 19 or blended with the saliva.

[B]

But y' all don't like the hangover.

[C]

Fuck, yes.

[A]

I'm not.

[D]

Yeah, not that hangover is different to hangover breath.

[C]

Nick said hangover tongue kiss.

[B]

Your breath stink.

[A]

Yes. Yeah, yeah, cool.

[C]

I'm cool.

[A]

Y' all ain't never been with the head bus and they catch you before you can run to the bathroom. What are y' all talking about? Yeah, you ain't got time to go to the bath. Y' all both stinking bed.

[B]

Yeah, grow down.

[D]

Oh, I didn't did it a million times.

[A]

That's why I hate light skin. Pretty. Get the out. This time we talking about nasty. You good sober ass goof. You want to keep sleeping with accountants? No, no, baby, don't grab your briefcase yet. Shut up.

[B]

With the Listerine right by the bed.

[A]

Yeah, yeah, he sleep with the. He sleep with the. That steal the travel Listerine from the air, airplane, bring it home, use it, toss it back, all that. Yo, on Instagram, I've seen an ad somebody came up with pre pasted little brushes, toothbrushes. There's like a hundred of them in a bag.

[C]

Oh, they only got the toothpaste on them.

[A]

Not a bad idea.

[B]

That's not a bad idea.

[A]

Not a bad idea. Hold on. What is it? Pre pasted tooth. Miniature toothbrushes that are pre pasted. Yeah. Hunting in the bag.

[B]

It's not terrible.

[A]

Not the worst ideas. And this is not an ad.

[C]

Yeah, not mad at that.

[A]

All right. How's everybody feeling, man? Excellent.

[D]

Feeling good.

[A]

You're looking glad to be here. Happy to have y'. All. I assume I know what the first topic is, so. I mean, did everyone see. Of course. Of course.

[B]

Not at all.

[A]

No. This didn't watch it at all. And know what? Funny when I text him, because I text him. Text the Android separately from the group chat. All right. He hit me with some brother. Ali. Nah, for sure. No doubt. Got you. Got you for sure. Did you watch it?

[C]

Joe didn't tell me to watch anything. Joe's lying. Oh, phone's on.

[A]

Oh, Joe's lying.

[D]

Oh.

[A]

Oh, Erickson. I'm gonna send you the text. I'm gonna send it to you so you can put it on your.

[C]

And then we gotta play the little.

[A]

Yeah, Dan. He's absolutely right. Oh, he's right.

[B]

Oh, got him.

[A]

Oh, yep, got him. He's right.

[C]

Got him.

[A]

He's right. I'm wrong. I confused text. I text him about our guest today.

[B]

Oh, okay.

[A]

I confused him. He is right. I am wrong. For the people that have never heard. That's growth, boy. For the people that never heard me say that.

[C]

Y' all ain't gonna clap.

[D]

Nah, nah.

[C]

Accountability, Joe.

[A]

Nah, nah, that's dope, y'. All. I clap by myself.

[C]

You niggas is fucking crazy.

[A]

You think you got more accountability than me? There you go. I didn't answer that. I didn't answ ask you that. Do you think you have more accountability than Joseph Anthony Button Jr. I'm not having a conversation, you mere mortal. Antoine. Do you think you have more accountability?

[C]

Me and my mortality.

[A]

Thanos, Me.

[C]

That's the problem.

[A]

You don't think that that's the problem?

[C]

Thanos didn't have no accountability. It's all right, dog. Can we move along?

[A]

Why Thanos didn't have accountability? He did. He had all the accountability, actually.

[C]

He knew what he was doing and cop to it. Yeah, no, he justified the. That is what people that don't take accountability do.

[A]

Nah, I don't look at it like that.

[C]

I bet.

[A]

But I also feel like Thanos made sense.

[C]

Yeah. I was on his side.

[B]

So he wasn't on the way, Rose.

[A]

Huh?

[B]

He wasn't.

[A]

Yeah. I thought Thanos makes a lot of sense.

[C]

I was on a lot of the villain side. When I look back, you know what Thanos is?

[D]

I hear the references. I never watched it.

[B]

Okay, you don't watch.

[D]

I watched that damn Catfish documentary, y'. All. Maybe I went home and watched that that night. That was crazy.

[A]

That was crazy.

[D]

And the mom.

[B]

That mom was a psycho.

[D]

They came in the restroom while she was holding the kid and the kid.

[A]

Yeah, I watched this shit.

[D]

She was crazy. You see it? Oh, yeah, she was.

[A]

Yeah.

[D]

Shit. Blew my mind.

[A]

Nah. When the cop blew the lid, she hugged the daughter.

[D]

That's what I'm talking about. They let her. You just let her do that?

[A]

Yo, dad came in like, yeah, get her out of here or I'm going to jail.

[C]

I'm telling y', all, take her or I'm going to jail.

[A]

That's it.

[B]

And he wasn't wrong.

[C]

No, I'm.

[D]

No, I was with him.

[A]

Yeah, but it seemed like it was for every reason, but what she did to. Oh, that's a fact. He was. Hold on.

[C]

Hold up. So you got fired how long ago?

[D]

From job?

[C]

Yeah, he couldn't even sit down no more.

[B]

They lost their house and all that.

[A]

Yeah. Be tight. What I like the new Netflix is doing where they gonna have a confessional with the person that's guilty.

[C]

That was the crazy to me, because she's talking through the shit like it.

[D]

Was my head up.

[A]

Yeah.

[C]

I had to go back and watch it again now.

[A]

Now that I know I said fire.

[C]

Let me go run it one more time.

[D]

It was really.

[C]

She's batshit crazy.

[D]

Yeah.

[A]

Nuts. Even though, I mean. Yo, yo. Oh, God. No, no, no, no. I'm not on mom's side, all right? I'm not doing the play, listen to both sides thing. Yeah. I'm saying, even though all that was going on and neither parent bothered to change her phone number. That was a. So that really was the tall tale here. Yeah, bro.

[C]

And then they justified not changing the phone number, though.

[A]

Yeah, exactly. I didn't get that part. Like, this was only happening via text.

[B]

Yeah.

[A]

So it wouldn't have mattered because the.

[B]

Parents had the new number, moms had.

[C]

The new number, moms was wild. And moms done went, hit the new girl.

[A]

Yo, the new girl moms. You hit the new girlfriend. I mean, the new girlfriend's mom. Yeah. You got him looking smutty in the street. Yeah. Yeah. And I feel bad for dude. Dude was like a quarterback. He was cool. He couldn't get no rhythm.

[C]

He was up.

[A]

He couldn't get no rhythm. My little brother's in college getting rhythm. My little brother is in college exploring that poor girl. What?

[C]

We ain't even gotta do it again?

[A]

No, no, no, we don't. I'm on y' all side now. Okay, okay. I'm on y' all side right now. Sorry. Cool. Sorry. That's twice. All right, now I'm a clap. Now I'm a clap. You lying. Nah, I'm on y' all's life.

[C]

What the happened? Oh, yeah, yo, another 20 dropped in there.

[D]

So something happened. Something happened, Prize.

[A]

Something happened.

[D]

Nigga, they got accountability.

[A]

Yeah. What? Yeah. I hate you, N. I don't got.

[E]

No problem with gay people.

[C]

Gay people work for me right now.

[A]

I'm definitely around gay people every day, cuz. They work for me we the best music.

[D]

I seen get over their feelings.

[C]

For some hours after he D half the city be b the who rap.

[A]

The fans be watching p beef him.

[C]

With my Drake I'm pushing T I go to FL and I'm in Chicago my brother the owner, I'm eating for.

[D]

Free I bought a million in cash around so stop telling you bigger than.

[C]

Me, hunger than money he getting money.

[D]

Feel like big me Just throw your.

[A]

Hood up, bitch you batting about it.

[D]

Need that Robbie truck put me on.

[C]

That list I gotta have it I wanna see Cardi and Nikki in the.

[D]

You did not go.

[C]

He spinning, spinning, spinning, spinning on repeat he spinning, spinning, spinning, spinning can't even.

[D]

Breathe hey, we on the streets better.

[C]

Call on God.

[A]

Mike check 1, 2, 1, 2 Jersey City what's really though? Yeah, I get this in blood, homie.

[C]

I got my own I don't need security in the club.

[A]

Whole New York City, what's going on out there? Always for the ladies. Everybody on their way to work right now. Everybody in the gym right now on their way to school right now. Killer ain't there.

[C]

You sure? No RP shirt?

[A]

We had 300 shots up in the.

[C]

Car before we picked up dirty who ain't got going? Go grab a dizzy, get alert trust the G and the dirt you gotta know I go too far Go two O's up on this, honey One on my stand for.

[A]

Mark Law. They wasn't playing this at Princeton, huh? Wasn't playing this over at Boston College.

[C]

Okay.

[A]

Yes. S what's going on out there? Florida. What up, Carolina? What up, Alabama? What up out there? Kansas City, what's good? Sitting on 24 TV playing real spinning.

[C]

Blowing plenty drove don't have to mention.

[A]

When you pimping, you get plenty ho it's all on you if you gonna trick or you gonna get your dirt.

[C]

I know I got these haters mad.

[A]

I can love that when you got love for the street they give your love back look in my eyes, you.

[C]

Can tell I ain't never scared popping them things I'm rocking my chain anywhere.

[A]

If you gon represent your hood what you wa. Security better back up when they play.

[C]

This song and we about 50 strong please don't make us do your wrong.

[A]

Who the boss? I'm a breaking H Where you from? Who the boss? Let me break him out. All right, Let me cut it off, man. Didn't cut it off, man.

[C]

Yeah, you had to before that next verse.

[A]

Listen, I'll play that whole.

[C]

Nah, nah, we good.

[A]

We ain't Got to do that.

[C]

We ain't got to do it, because then you play next one.

[A]

You got to play the third. No, I just said I would play the whole. All right, listen. We made peace with Chief Keef over there. Blow New Jersey up line. That is a fact. We could play the lines. We could play the songs. Lose your b. If Kissing Beans could do an album, I'm playing all the songs with verses that some of y' all might have been mad at. These drops out the way for the best crew in the world. All right, what episode is this?

[B]

859.

[A]

Welcome to episode 859 of the JOE Button Podcast, brought to you by Fuel, By Power, by Price, Pigs Prize Fish Gang. I'm your humble, gracious, grateful, happy to be here. Host Joe Button and the gang is all here. We're here for a good time, not a long time. So let's. Let's not waste any time. What's up, y'? All? How y' all doing?

[C]

Great.

[B]

Excellent.

[A]

We good? Great. Yeah. Great. Good. How are you doing? Couldn't be better. Word. Couldn't be better.

[B]

It's that time of year, boy.

[C]

Yeah, that's that time of year.

[B]

It's that time of year. It's hard to feel bad when the weather's like this.

[C]

My whole house sick.

[A]

It's easy to feel bad.

[B]

Oh, dude.

[A]

Oh, whoa, whoa, whoa. Whole house sick.

[C]

Whole house. The dog sick.

[A]

Damn.

[C]

The whole house is sick. First day of school, everybody came home sick. I was like, I'm sorry.

[B]

Quarantine yourself.

[C]

My immune system. I don't really get sick like that.

[A]

It's very rare. Super Flex is dope.

[C]

Because now Super Flex, somebody could be okay.

[A]

Kids sick.

[C]

Everybody's sick.

[A]

Yeah, but what about your abuse? Stop playing with Freeze. Yo, y' all thought he had a regular immune system.

[C]

I didn't get the X ray vision, but it helped my immune system.

[A]

The way that's where that list ends of things you didn't get.

[C]

No, I was trying to get. Remember the lights thing?

[A]

The.

[C]

You missed it.

[A]

Yeah.

[B]

That's all right.

[A]

I'm slow. It's fine. Yeah, I'm chilling, man. I feel good. Say, I feel good. Mark, how you doing?

[D]

I feel great. I feel great. I had a good weekend. Got to hang out a little bit, relax a little bit. Didn't have to travel for a long time. For the first time in a long time. Went down to Philly, Got to hang out with my frat brothers at a little cookout. I ain't been on barbecue all summer.

[B]

So you still travel, too, but I.

[D]

Feel like driving to Philly ain't like flying to Denver.

[A]

You know what I mean?

[D]

That's easy. I mean, I don't even consider that travel no more. You know what I'm saying? I had a good time, man. And today is my anniversary.

[A]

Oh. Happy anniversary. So your marriage anniversary.

[D]

My marriage anniversary.

[A]

Yes. Got it. Make some noise for that.

[D]

Yes.

[A]

Make some noise for that.

[B]

How many years?

[D]

Just two.

[A]

Okay. Just two. Yeah.

[D]

We've been together a long time, but, you know, so I'm trying to figure out. So we're gonna go to dinner tonight.

[A]

Okay.

[D]

And I don't know what else I should do. I was gonna ask you Parks, because you don't give. Do you do gifts? You don't do gifts?

[B]

No, they do that. They have that thing where you're supposed to, like, do a wood thing and a paper thing. I don't do that. We don't do that.

[C]

Okay.

[B]

I could see this a nice, nice dinner date he talk about.

[A]

I think that's his marriage. So I can't even say my jokes.

[B]

No, go ahead.

[A]

No, no, no. I love it. I love the guy, but you just tell when. Ain't laying it down no more. You got me flowers. He trying to do come up with helicopter rides. Hey, you ain't got to do all that.

[D]

Just lay the pipe, right?

[A]

Yeah, that's it. Go have dinner.

[B]

I mean, let's go a long way.

[A]

Light a candle.

[D]

Yeah.

[A]

Put the kids to get you play a song that she heard in a while. Yeah.

[B]

Find some little. Little cute, romantic shit and that's all.

[A]

That's good. Go on Amazon order to search sex toys. Find. Find her vibe. All that shit works.

[B]

Pun intended.

[D]

All that shit work before you get married.

[A]

Okay.

[D]

Speak to it.

[A]

Leave the ring down right now. Out of my world. I'm out of my world. Out of my world. Yeah.

[B]

Just pop up some cute romantic. I think. I think it'll go.

[D]

That's what I think. I don't think. I think she's. We're on the same wavelength on like that, but I just wanted to make sure there wasn't no major marriage anniversary I was missing.

[B]

Yeah, I don't. I was never a fan of that whole gift paper, wood, silver thing. It's weird to me.

[D]

Yeah, I'm good on that. Okay.

[B]

You're supposed to. It's like a different material for every year.

[A]

Everything. You're married.

[C]

Traditional five, ten.

[E]

Like, every year.

[A]

Really? Every year? Oh, damn.

[B]

That falls under, like, the every day is a holiday Internet thing to me. Where it's like, is this a real thing? Or is this something the Internet made up to make us do some extra construct?

[A]

Yeah, Corey.

[D]

Corey, think everything construct does. Yeah, Modern medicine is a construct.

[A]

I mean.

[D]

Now.

[A]

Yeah, exactly.

[C]

Second. Second anniversary gift is supposed to be cotton. That's the traditional cotton.

[A]

Whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa. You cool?

[C]

I'm telling you what this shit said.

[A]

Yo, you cool.

[C]

I pulled up the list.

[A]

You want master.master.com.

[D]

Oh, yeah.

[A]

Your algorithms are different than ours.

[B]

Oh, speaking of algorithms, I watched all the. The cult docs this weekend, and my algorithms are up now. My YouTube is insane right now.

[D]

What's your favorite cult? One thing you saw, you building the pyramid.

[A]

There you go right there.

[B]

What was the best one? The best one, I think, was the HBO one. I think it was People. People did it. Yeah, that was the best one.

[D]

Oh, that's a good one.

[A]

Is that the name of it? People did it.

[B]

It was a People cult.

[A]

People.

[B]

The magazine did a.

[A]

A whole.

[B]

It's a whole series about cults, but they did a specific one about Mark's experience.

[A]

Oh, say less. Say less, cuz I still ain't read about.

[D]

I sent y'.

[A]

All.

[B]

I thought I saw you in the background one of the pictures.

[A]

But I wasn't trying. I still didn't.

[D]

It could have been residuals.

[C]

I will be watching this tonight.

[A]

Yeah, you get royalty.

[D]

Residual. I got his hepatitis.

[B]

Man, that just sounded insane.

[A]

Don't say that ever again. I'm glad you're all right.

[B]

That sounded crazy.

[D]

Yeah, they did some. Yeah, they did some awful thing. Like I said, nothing awful happened to me, so I didn't. I didn't leave with anything that I didn't come with.

[B]

Were you there to the end?

[A]

You're still a survivor.

[D]

Not the exact end. I left, like, maybe like eight months before, nine months before. And some, like, I got the call from Philly. Like, yo, they locked him up. They got him.

[B]

Oh, okay.

[D]

Yeah, I got the call. I was in Philly with some.

[A]

You were cool with the alien part? Yeah, gotcha.

[D]

Yeah, gotcha. Yeah.

[C]

I mean, especially the Atlanta chapters, right? I'm not trying to be funny.

[D]

Oh, oh. Cause, like, at aliens.

[C]

No, but that shit was big in Atlanta.

[A]

Yeah.

[D]

Yeah, it was big. It was big everywhere. I mean, you know what it was. It was like. I believed it was possible. I think stuff is possible.

[B]

Sure.

[D]

There's no reason to believe aliens aren't possible. There's no science to refute it. Now, if there was science to refute it or thousands of Years of evidence to refute it, I would feel differently. But if it's the idea that there's something in the world that I don't know, sure.

[B]

Got it.

[D]

Yeah, I'm with it.

[B]

You know, I think you guys should watch the docs.

[A]

Let's watch it. No, no. How many did you watch?

[B]

I watched three.

[A]

All potato tips. Correct.

[B]

And I'm looking for more of you.

[D]

Might find these joints.

[C]

Me, the three you watched.

[B]

Call, text.

[A]

Me, the three you three. Yeah, but we talk. Yeah, but we talk a lot.

[B]

If you go to the links, it's his right in there.

[A]

All right, so that's what I'll do. Yeah. Because I do want to see Miz. I want to see M. If you.

[D]

Watch it, I will send y' all some. Some.

[A]

I watched too many of those cult docs, so I can't remember them the way I'd like to. But the one where everybody self transitioned.

[D]

The Jim Jones one of the he.

[A]

Yeah, Was it that one?

[B]

Oh, it might have been Heaven's Gate, too.

[A]

That was Heaven's Gate.

[D]

They thought the Nikes.

[A]

It was Heaven the comic.

[C]

And it was gonna.

[D]

Yeah, we used to watch that when that was, like, on our Pinterest board. Like when I was in the.

[B]

In the.

[A]

Wait, what we used to talk about.

[B]

Excuse me.

[A]

Y' all watch the other cult? Yeah, yeah. Look how they doing.

[B]

You didn't realize that you were in one?

[D]

No, that's the Pointers.

[C]

That's watching games.

[D]

You gotta watch the game footage.

[A]

Yo, that cult is kicking our ass right now.

[C]

Yo, we gotta turn this up.

[A]

Pyram. Fuck you talking about?

[D]

No, you know what it is when you watch other cults and you look at the differences. So you be like, you know what? They're a cult and here's why. And then they point out the things that we don't do to show why we're not a cult.

[B]

How was the nightclub club?

[D]

Club Ramesses. You know, I was the driver for Club Ramesses.

[A]

Oh, my God.

[B]

Y' all have to watch this stuff.

[D]

I used to bring the axe. That's actually how I first got into, like, getting into, like, music journalism was I would start to meet the axe, and we would drive up and I would interview them and talk to them and all this other shit. And I was like, oh, music is really dope. And I started getting into it. But, yeah, I love With Club Rams until they shut it down.

[A]

I promise y', all, I will not return to work without.

[C]

Oh, no, no, no, no.

[A]

This is tonight. It's on the board like the Thug interview. This is tonight. I'mma rewatch him. About this guy, right?

[C]

Oh, yeah. No, I'm in there. No, Club Rameses.

[B]

I'm so. I'm amazed.

[D]

Pyramids and Ramses.

[C]

I get it.

[A]

Pharaoh.

[D]

He was Pharaoh. Don't ever call me Pharaoh.

[A]

Your vibe was weird. And, yes, every. Everyone felt it.

[D]

Oh, nice transition. Speaking of Atlanta.

[A]

All right, so here we are, face to face. A couple of silver spoons. It's time.

[C]

How do you have that in your mix?

[A]

I think that's one of the best things. All the time. Open the fire Together we're gonna find a way and homeboy that wrote that, I think wrote like, 17 of our favorite theme song.

[B]

Most of the jiggles were written by a handful of people.

[D]

Yeah. Including Alan Thicke.

[A]

He asked.

[B]

Laughs yeah.

[A]

He adds laps.

[B]

Carol King wrote a lot.

[D]

Johnny Mathis.

[A]

I'm a fan of that type of stuff.

[D]

Yo, that whole. All of them. Family Ties. All of them. Those shit was all slaps.

[A]

They were slaps. Yeah. Carol King, Body.

[B]

The Gilmore Girls.

[D]

Like, one of the greatest songwriters.

[B]

Yeah.

[A]

The Facts of Life.

[B]

Yeah. It's good.

[A]

Like, these are slaps.

[B]

Yeah.

[A]

Somebody's gotta be creative to come up with this stuff. But anyway, we're off on a tangent.

[B]

Yeah.

[A]

Young Thug, Big Banks interview. I text most of you, asked you to watch it.

[D]

Thank you.

[A]

Probably would have watched.

[B]

I would have watched it.

[A]

It was a long watch. It was three hours. It was.

[D]

But I wouldn't watch all of it if you hadn't assigned your homework. But I'm glad I did. It was great.

[B]

It was really.

[A]

It was really good.

[D]

It's one of my favorite really hip hop interviews in a long time. That wasn't on this platform, of course.

[A]

Same. Yeah.

[D]

All right, so the first 30 seconds, I was like, what the fuck? Joe got me watching, right? Because I was like. I wanted to hear Thug. But I was like, who is this interviewer? Because I was like, this don't seem like a traditional interview interview. He was amazing.

[B]

He was amazing.

[A]

So what I saw was a lot.

[C]

Of my people that I know from Atlanta, even before this was announced, saying, yo, bank, gotta be the one to interview Thug. Like, they were saying that, like, if he sits with somebody, it has to be him.

[D]

Got you.

[C]

So I didn't know why. I'm not familiar either. But I understood once I watched it.

[A]

Well, without knowing any of that. Right. Just seeing him, like, I'm familiar with him from Big Fat. Okay. But him by himself, with all this knowledge, this wealth of knowledge of all this Atlanta. Oh, my God. And he. I love the. The tone he set from the interview. From start to finish. Yes, from start to finish. It wasn't just an interview. It was. You could tell he. You could tell. This person cares. He cares. Yeah.

[B]

It was therapy.

[A]

You're talking to somebody that cares about you, that cares about Atlanta, that cares about some of the people that are adversarial to you. Like, it was great. This might have been my favorite piece of content since my. Since the Cat Williams shit. Yeah.

[D]

Yeah, I'm with you.

[C]

I'm with you.

[A]

I'm with you.

[D]

And he didn't jump right into the street shit. He started with his childhood. He started with, like, Jeff.

[A]

Like, I'm not separate. Jeffrey from Young Thug. When did you first feel betrayal? What was your upbringing like? Asked him.

[C]

His first memory.

[D]

His first memory. I was like, that's a good motherfucker.

[A]

Yeah. I was just like, yeah, I'm locked in immediately. I'm like, okay. Not only has bank been to therapy, but he's conducting a class. He's conducting a class in front of us.

[B]

He did.

[D]

Yeah.

[A]

We not even starting this like an interview. We want to get to the start. Most therapists will start at the tip tip, tippy top, and let's see where you became you at.

[D]

And when he told that story of his father, of his brother getting killed in front of him and how he made sense of it because the story went in a direction I didn't expect in terms of how his brother died. And it was tragic and it was awful, but to hear him talk about what he saw and what he had to witness and how that set him on his course. I was. This explains so much to me. And it also explains the kind of healing we gotta do. But that shit was.

[A]

It was fire. Yeah. What he took from that. Right.

[C]

I don't even.

[A]

So many places. So much I took from this, this, this. Sit down. I don't even know where I want to start. But what he took from that, even with the story about his sister. Him wearing his sister's clothes.

[B]

Clothes.

[A]

And then she had to damn near drop out of school. It's like he's painting a very vivid picture up top. Yeah, of course. But. And what he took from that, like, when he watched his brother die, like, he took that as the holy grail. Yeah. Of. Oh, this is how we rocking now.

[D]

Yeah.

[A]

I want to start. I want to start with one. I. I feel him. I feel him, like, now that he's spoken for himself.

[C]

Me too.

[A]

He said a Lot.

[C]

All of the interviews I saw, he.

[A]

Went over a lot. And even if I disagree with some of the things that he said and some of his trains of thought, you.

[B]

Can see how he got there.

[A]

Feel him.

[C]

I understand.

[B]

You can see how he got there.

[A]

And understand how he got there. It's not foreign to me. Also, I want to say he's brilliant.

[B]

Yeah. And solid.

[A]

Yo. Yes.

[C]

I'm not gonna lie. I'm a.

[A]

He is brilliant.

[C]

The. That I saw. Like, you saying I was. I was feeling it. Like I'm rocking with the.

[A]

Like. Yeah.

[C]

He just seemed like I would befriend him.

[A]

Yeah.

[C]

Like if I grew up around him, like, you know what I mean? That would have been my man. Like, yo, we would have been. You know what I'm saying?

[A]

Cool. I would have stayed far the. Away from him. However you'd respected him. He's brilliant. Like, I always say that there's gonna be some people from different walks of life that may not carry it the way you're used to them carrying it for society to identify you a certain way. You're gonna run into the people with all the words. You're gonna run into the people with all of the degrees. You're going to run into the people with all the experience and the worldly travels. Some people process information differently. His processor is different. Yes. For sure. That's what I got very early on in this. The way that he processes and retains information and then executes. How to go about that in this. Whatever adaptation is that he created is brilliant. It is from all of that street shit, to carrying it to all of the record label shit, to identifying talent, to helping the talent. To helping. That's the other thing that stood out for me about him. And he said it. You can tell that he gets off helping others. Yeah. Yep.

[B]

And it makes sense of a lot of the phone calls that we've seen in regards to looking at people funny, for not putting people on. You know, hearing it, people were alarmed. And how you. How dare you talk about so and so like this. But he's really about that.

[A]

Yeah.

[D]

That's who he is.

[A]

Yeah.

[B]

This whole interview, my main thing is like, how absolutely necessary it was. Like we've been sitting here tearing apart for all these phone conversations and tweets and all that. But it's easy to do that if you don't know the whole picture or if you.

[A]

Yeah.

[C]

You don't have everything in its entirety. Nobody hurt his side.

[A]

Yeah. Right.

[B]

Or his story. Really.

[A]

Yeah. Yeah.

[B]

Like the sides in whatever beefs he's going through, like, what's your story?

[A]

Right. He got that out the way quick for me. I wasn't even there for that. Like, listen, he's. And he said, well, I'm not quoting him, but he basically said there were days in there that I was hopeless and I didn't think. I didn't have optimism. Yeah. And I lost track of who I was, my character. And I was just talking.

[D]

Yeah, I appreciated that.

[C]

Yeah. Honesty. Accountability. Accountability. Accountability.

[A]

Vulnerability. Yeah. Vulnerability. I totally understood that. Oh, go ahead. No, go ahead. One of the.

[C]

The takeaways for me, because prior to the interview, he was getting killed online for saying on one hand it was. I didn't tell my brother to take the plea. On the conversation with 21 Savage. No, I didn't tell him to take that plea. And then he says he told him so. They like, oh, he's lying. Here's proof right here. His credibility is shot. The way he addressed that. A person who ain't never been in that won't even understand it.

[A]

Right.

[C]

Like, he broke it down. Yo, dawg, if I'm on the phone with this nigga and I say yes, I told him to take.

[A]

Take the plea.

[B]

That's a.

[A]

That's another charge. Yeah.

[C]

So I got it. He don't even know the question he asking me. I gotta say no.

[A]

Right?

[C]

Like, I just like how he put a lot of.

[A]

To bed. Yeah.

[D]

Like, some people might not believe him. That could be a. I believed him, but I can see I believed him.

[B]

I believed him.

[D]

But I'm just saying, at the very least he had, that was the best answer I could have imagined. I didn't know what he was going to say.

[C]

I believed him. 100.

[D]

Me too.

[C]

If I know what's happening and I say this.

[A]

This.

[C]

I'm already looking at this right here.

[A]

Right.

[C]

I've been talking to my lawyer. My lawyer is him.

[A]

Yeah.

[C]

Yeah, I know. I'm not. I know not to say that.

[D]

Yeah.

[C]

You know what I'm saying?

[D]

My worry was if he could, because he was saying, now the trial's over, he can say that. And I was like, can you? I was more worried about him getting into more trouble afterward. That's the only thing I was worried about with him having that conversation. But. But I believed him. And like I said, I didn't expect that good of an answer for anything.

[B]

And it sounds like he's very aware of what is. Whether it's from his lawyer or not. Like, he's aware of what's.

[A]

What are you calling at Stake it.

[B]

Sounds like he's got great guidance and a great head on his shoulders in general like. So I, I wouldn't worry about that so much.

[C]

I said now I'm super tight. I ain't watching this. But all the clips that I saw, they kind of resonated with me. And he sound like to. Sometimes when somebody gets to a certain level of success and you hear them speak, you'd be like detached a little bit. But no, I could see how.

[A]

He.

[C]

Could get to a certain level of success. I see how he could also be a leader of people.

[A]

Yeah.

[C]

Like some people that could really, really speak, bro. Like not trying to be funny, all that cult shit. All the. A lot of times when you see politicians, pimps, preachers, they can speak really, really well to where they'll pull you in. And I can see how he could have a following.

[A]

Yeah. If you, if you were taking the time to understand everything he was trying to say. There were some points where he was just talking in our language. Like he wasn't necessarily articulating what he was trying to say. But you got it. But you knew what he was trying to say. He got the point across. I got a lot of points to get to with this. I'll start with some of the more light hearted points.

[D]

I already know.

[A]

Come on. I'm just starting with. I do have serious points to get to.

[C]

Okay.

[A]

Gotcha. And this is serious too. But it's just on the light hearted side of things. And y' all know me so well. Yep. There's something to be said for those of y' all that are. Are still women that are starstruck. That phone call with Homegirl where I can't believe y' all are still girls that are starstruck.

[C]

I will say though, I'm with you in that particular phone call though he's locked up. I know certain people that have been like you just talking on the phone, whatever you could talk to. And I had this conversation yesterday, dog. I didn't, I laughed like I didn't take. If he was out and that call happened. Yeah, that's looked at totally different. I agree with that. Being locked in like that and making that call. This goofy ass girl giggling.

[A]

And there's only one problem with what you're saying, but I want to address that problem after I finish talking about that are starstruck. Because that's a fair point. I want us to ping pong that. I can't believe y' all are still girls that are starstruck the same way they say it take you 10 seconds. It take a guy 10 seconds. Seconds, 20 seconds to know if he would sleep with you or not. It only take the same amount of time to know who you should not be sleeping with. Like, he clearly on the phone in jail trying to have phone sex. Clearly, he trying to get you there. You know what he's trying to do? He like, yeah, girl. You're like, what else? Get wet. And she's like, oh, my God, I.

[E]

Can'T believe it's you.

[A]

Yo, dog, hang up the. Hang up now. Now. Hang up now. There's no reason to continue talking. And you got your dick in your hand, and she's just on the phone giggling because you are who you are. Hey, from me to you. Stop the girl that starstruck over you. That's rule number one, dangerous game. Rule number one, slippery slope for y' all that don't have experience, you should not be doing it. I don't give a how famous you are. It's dangerous and it's bad.

[B]

There's a difference between fans and someone who starts.

[A]

That's number one. Number two, we get to freeze this point. Point which typically would be correct. However, this is the same girl that had a fight with your girlfriend in a club. This is the same girl that your girlfriend has caught charges over. If you telling me that you him. No, that's not the girl that you should be having phone sex with while you in jail.

[D]

What if you look at.

[A]

No, I'm not crazy. To anybody that want to keep their girl.

[C]

This is the point. I'm looking at life.

[A]

You can't whoop dee doodle. Hey, he said it. Hey. Oh, great.

[C]

No, no, no, no, no, stop. I know what he said about that. I'm talking about I'm in jail. These niggas in jail be writing the same exact letter to 40 girls. They tell every girl, you know, when I get out of here, it's gonna.

[A]

Be me and you.

[C]

It's gonna me and you. I'm tired of the rest of the playing the games. I know I was doing you, xyz. It's me and you till the wills fall off.

[A]

And you can't do that to the girl that already fought your girl and has charges pending with your girl. You are fucking. You are sitting here thinking with this.

[C]

Logical brain with his free brain, like you outside free, moving around.

[A]

No, I'm thinking with the brain of somebody that wants to keep their girl. And from what it. And from what it look and from what it looks like coming home. Yo, don't don't life me to see. Don't life jail me to death. Because clearly you are willing to sacrifice that. And we'll get to that point later, but don't start. Oh, I'm facing life in Jail me to death. Death.

[C]

I'm not saying it like woe is him for that, but that's a reality. That's a reality. So as many people that's going to send me some soup packs, some naked pictures, some. Whatever the. What you talking about?

[A]

Hey, let's pretend there's no right or wrong here. When your girl finds out, chances are that's kaput. See, and that's what I mean. Hold up. No, no, because that's what I mean about men. Men just make.

[C]

No, it ain't.

[A]

As it stands right now. As it stands. We don't need to have a passionate fight about it. As it stands right now. She's out of here. She's. We did this with Offset before. They leave and you say they come back at some point.

[C]

You know they come back at some point.

[A]

You get to a point where you don't want to risk that with somebody. So y' all keep talking all this macho machismo.

[C]

This is not macho.

[A]

When you find a girl that you don't.

[C]

You talking about a logic that a nigga that is looking at life in prison don't have. You just said that he got in jail and he forgot who he was because there was days where he was hopeless. No, it's not. You are behind fucking bars. Anything that could free your mind from where you are, that's where you focus in your energy. You talking about it like a nigga outside moving around with millions of dollars. Yeah, leave them groupie bitches alone. Leave the fans alone. I'm sitting in here. You just said the nigga was going through mad hopeless helplessness and despair. Anybody that could put a smile on my face, whether it's jerking my dick or sending me a picture, they gonna get some attention from me. You accepting the collect call, you gonna get some attention from me. You talking like a. That's outside moving around with free choices. You go to McDonald's if you want. You can go to Cat Steak if you want. This is sitting in a box with limited options. Anybody that's willing to give me their time, guess what? They're gonna get my time.

[A]

Yeah, y' all make a lot of excuses for decision making. Y' all do. Y' all make a lot of excuses for decision making, but your decision making is what got your stupid ass in this position, we're not talking about.

[C]

Well, we're talking about him being in.

[A]

The crux of your argument starts with the position he's in.

[C]

True.

[A]

So your decision making needs to be questioned.

[C]

Joe, dog.

[A]

We're speaking. What, dog, What?

[C]

Listen, answer to what I'm saying, dog. What I'm about to. When you go to the strip club every night, right? Or whenever you go. Not every night, but when you go.

[A]

Thanks, because that was asking. Cool. No, no, no, that was like real.

[C]

Whenever you go.

[A]

To keep it clean.

[C]

Whenever you go to the strip club, right. You are putting yourself in a position for anything to happen to you.

[A]

Cool.

[C]

Once you in the strip club and it happens, you deal with it right there. You don't go home and say, yo, I should have never been. Punch me in the face in the strip club, let's get it the on. You don't say, you know what? I should have never been here in the first place. It was my bad decision making, lack of discernment.

[A]

You get it?

[C]

The fuck on. He's in jail. Whatever got me here, got me here. But I'm a deal. I gotta deal with why I'm here, and I'm gonna make the best of it while the fuck I'm here. I'm not gonna sit back and say, you know what? I can't talk to this girl because.

[E]

This girl had a fight with.

[D]

Let me ask you a question.

[C]

Fuck it.

[A]

What?

[D]

Let me ask you a question. I agree that you should always make the best choice you can make in that moment, regardless of what happened to get you there. I agree with you on that. But while I'm in prison and there's, I don't know, 50 million women in the world, in this country, whatever that's available.

[A]

Yeah, these niggas sound stupid.

[C]

They not available, Mark. I don't have they phone touch with them.

[E]

You know what I'm saying?

[D]

Can't you just take that one off?

[A]

What are available? I'm just saying.

[D]

Why not just take the one off the list that fought your girl in the club? That's all I'm saying.

[A]

Yeah. What are they talking about?

[C]

I'm not saying that he can't. What I'm telling you is we are speaking from a privileged state.

[D]

No, I'm saying something a little different.

[A]

But we're having a conversation here in a plush living room. We don't have a choice, but we don't.

[C]

What I'm saying that he was in.

[A]

Right?

[D]

But what I'm also saying is, in addition to saying, well, Even if you say he's going to get attention from whoever he wants, you could just take that one person off the list. But also, like, it seems to me that the discipline you need to not go to jail, the discipline you need to talk about who you told to take the charge or not, that discipline he's actively using in the jail, he could also use with regard to his dick. Like, he could also be in prison saying, you know what? Doing something that's gonna piss my girl off and get her to walk away could also put me in further danger. Cause having a lover who is scorned while you in prison never works out.

[C]

That knows your business, that knows your.

[D]

Business is also a bad choice. So even if we just talking business, it's a bad choice. And so the same way we praising him for saying, you know, I had to lie about what happened with 21. I had to lie about this. I had to lie about that. We could also criticize him for saying.

[C]

Yo, like, and again, I mean, I'm speaking on a call that I don't think nobody's ever gonna know about anyway. This is just a phone call.

[A]

I don't think.

[C]

I'm waiting to see him coming out. I'm waiting to see him sue the state.

[A]

Like, I.

[D]

That's a whole other thing.

[C]

I've been sitting here.

[D]

He's talking about that in the interview a little bit.

[C]

I've been sitting here saying, like, expecting privacy on a jail call already they tell you, but you're also going to jail, not expecting privacy from the world.

[D]

Right. I get it.

[C]

You know what I'm saying?

[D]

I get it.

[C]

People have explained, like, it's still rights. And I'm like, all right, if his rights have been violated, he should sue.

[D]

He should. And he talked about that in the interview a little bit. Not so much the suing part, but, like, you know, he was saying that stuff. Stuff kind of leaked like a year ago that they stopped a lot of that from coming out.

[A]

Right?

[D]

He said, somebody has it, but somebody has it. And that's the point. Somebody don't. With him. They got the tapes. And even though he was able to. He said, it's not on the website. It's not right.

[C]

You can't.

[D]

Prison website.

[C]

You can't go get them today.

[A]

Right?

[C]

But somebody already.

[D]

Somebody got him. Somebody don't with. And it seems like they timed it. And that's what bank was kind of pushing him. Like, maybe they're timing it to. With you in a certain way. He. He kind of ducked that a little Bit to me or didn't. Didn't take the horseshoe head on, but I'm curious to know who has that and also what else is coming out.

[A]

So you do believe more is coming out? I do, absolutely.

[C]

It's the phone calls.

[A]

Absolutely.

[D]

I'm not sure the worst hits come out of this, bro.

[B]

I take it all with a grain of salt at this point, though.

[C]

They just throwing the bullshit out to this point.

[D]

At this point, yeah.

[C]

To discredit his gangster or you're a gangster. Huh, huh, huh? This not gangster shit, bro. We never know what the fuck he was talking about on them phone calls and to whom.

[A]

Well, that's the other thing that I'm a huge fan of in listening to him. And just men across the country that put some type of stock. Or I'm saying that wrong, that put all of the stock in just being a man. I admire that now. How that comes through for each individual is different. So then it starts becoming about what is your perception of being a man?

[B]

Yeah, we're not a monolith.

[A]

We're not a monolith. But it starts at being able to put tons of stock in being a man. For sure. Like, there's some people that is old school now. All you have is your balls and your words. That's an old school thing, but it means something. You can tell, listening to him, that if you take everything off the table, being a man has a lot of value. Right? Yeah, true. And for him, what I took from him was that starts at taking care of your family.

[B]

Yeah, he reiterated that a lot.

[C]

A lot.

[A]

Yeah. He kicks in. It starts there. He mentioned it when he was talking about his back and forth with Lucci. He said, yo, I told him I would do something to him if not for how he took care of his family. I wasn't trolling. I meant that he is important. How he provides, how he takes his kids to school. He said the same thing with P. Who he said oppie shit about, but he said, I like that about P. He's taking care of his kid, of his family. I love that about thug for my civilian ass. It contradicts street code because I would think that you need to be there. Step one is being there for your family. I would love to ask him how he honors that so much but is willing to sacrifice it for so little. That's one of the conundrums I've always had. I've always had with street niggas.

[E]

It's a great area.

[C]

It's a great area. Like, let's Just say hypothetically, your kids were starving. Like you lost your job and you had to put food into table for your kids. You would go do a crime that could potentially take you away from your kids to feed your kids. You get what I'm saying? So it's a real, real gray area that's not so black and white.

[A]

But we got to start telling the truth with a lot of the crimes are not for that.

[C]

No, bro, that's.

[B]

There's other options.

[C]

Are not starving hypothetical that I just put out. Like, I get what you're saying. You get what I'm saying.

[A]

I'm following you.

[B]

But there is other options to do it.

[D]

In crime, it's rarely the only.

[C]

Some people to some. You know what it is. The other options might take a little bit longer. They're gonna take longer. Yeah.

[B]

Or they're pride hits.

[C]

My kid. My kid gotta eat today.

[B]

A lot of people are willing to go get the 9 to 5 or get the public assistance or do some of the things that you might have to do that.

[C]

My kid hungry.

[B]

It's a pride hit.

[A]

Yeah. Yeah.

[C]

My kid is hungry today.

[A]

Right. And.

[C]

And again, it could be an eviction notice. It could be their notices on the door now. It could be a 9 to 5 person that had a job cheering up.

[A]

That if we go to prison for.

[D]

The rest of our life, what they.

[C]

Do we go to prison.

[A]

See, that don't exist. This statement screams. Oh, sorry. That if we go to prison for.

[D]

The rest of our life. Whoa.

[A]

They do.

[C]

We go to prison.

[A]

That statement don't exist in the universe. I'm talking about.

[C]

I understand what you're saying. Again, I'm not disagreeing with what you're saying. I'm saying for a lot of people.

[A]

How cavalier that statement is even made. Whoopty doo. Where I come from. I understand that we come from two different places.

[C]

Same.

[A]

Go ahead. Like I'm having this conversation. From where I come from, there is no such thing as. And I think that our black leaders should start spreading a different message than if I throw my whole life away. Whoop dee doo. And what are the virtues that I'm willing to do that over? That we need a redo in that. That sure we do need to read doing that. I agree.

[C]

But he's speaking not to us. He's saying to those that choose to play this game, you know what you signing up for? You can't get in the game. And now try to back now. And now that got hot. You want to go against the rules. If this Is this is the risk. You know the risk. When you sign up for this game, you play it. If that happens, it happens. That's the way he's explaining that. And I, I, I get that.

[D]

I get that part.

[A]

That's why I don't agree with it.

[C]

Because I'm not a street. And that's why those who play that game like, yo, this is what you sign up for.

[D]

If you sign up for it, you.

[C]

Could, you could go and you got.

[D]

To stand on it.

[A]

You gotta stand.

[C]

Yo, my nigga, if you play football all your life, guess what's a possibility?

[B]

Concussions.

[C]

You can get ct. You could get paralyzed.

[A]

Just a more, More bullshit message that we spread.

[C]

I'm not disagreeing.

[A]

I agree with that.

[C]

We are in agreement with what the message should be and should not be. I'm not disagreeing with you.

[A]

If you play football, you can also wake up one day and be Calvin Johnson.

[C]

True.

[A]

The only option is not if you.

[C]

In the streets, you can wake up one day and behold. But that's what I'm.

[A]

But that would contradict that. That would contradict that. I don't. I'm sick of hearing, yo, yeah, the niggas that's in the street. That's the game you chose. That's the, that's the. That's the life you pick. No, you could reserve the right to change your mind.

[D]

I see you talking about. Dude y' all talking about.

[A]

You can't reserve the right to change your mind. Oh, you don't have one thing. Blood. Getting blood out. The only way out is through death. Got it? Please, I don't wanna. I don't want to preach that.

[D]

You talking about snitching. He talking about when I was in my.

[C]

He's talking about success.

[A]

He's talking about reserving the right to change your mind. I'm with nothing else. When them gang niggas made their way to Jersey City and I was a teen, and the popping thing to do was to join that. And they start talking about, once you in, it's for life. No, now.

[C]

But you was talking about something different. You talked about the Calvin Johnson point. Like, yo, if you play, if you take a risk and play football, yeah, CTE is on one hand, but you could wake up and be Patrick Mahomes on the other hand. Ice is saying, yo, when you into the street, life, yeah, jail or death is on one hand, but there's also positive possibility for success on the other hand. And now you can walk away from that.

[B]

I think the Calvin Johnson reference Was walking away. Before you get to the point of.

[C]

Jay Z, I walked away. Jehovah didn't go to jail.

[A]

Right.

[C]

Hovain caught. No RICO charges or nothing.

[B]

I see what you said.

[C]

He went legit.

[D]

But. But I think the message should be.

[A]

The law of the game.

[D]

Don't go in the game at all. It's right. Cause you don't have that much control over it. Right. You can't control when you get that hit that's gonna give you cte. It could be on game one. It's not like I'll just play five years so I don't get hurt.

[A]

Right.

[D]

Similarly, you could get popped on day two of selling dope.

[A]

Exactly.

[D]

You can't control that. So just don't fucking do it. That's it.

[A]

Just don't do it. You ain't got to deal with that.

[C]

Problem or if you do understand the risks.

[A]

Yeah.

[C]

Like that's what I took from it. Like, yo, understand it is possible that this could happen. Now that it happens. Just don't try to shy away from it or anything.

[D]

I get his mentality with that. And I agree with what you just said. It's just there's a way that when you hear it, it romanticizes a little bit. Like when he's talking about his brother and how he's right. He's like, you just did 12. Don't take this other bid. He's like, fuck it. If you go into jail for life, I'm going to jail for life. And I'm like, I get the loyalty and I admire. There's something about that that I want to.

[C]

A 19 year old listening to that. That's all I sound like, yo, he going out in the blaze of glory.

[D]

Yeah. Meanwhile, he's putting millions of dollars in loyalty to Voice. Not going to jail for life. And most people can't. Don't have that luxury. You know what I'm saying?

[A]

So I agree with that. Also what I saw on him is that carrying the type of resentment that he's carrying is heavy. Yeah. It's where it's wearing on him and only him.

[B]

It seems like he's the whole gutter situation. He just seems sad.

[C]

I was about to say, do you think resentment or more sadness?

[B]

Yeah, hurt.

[A]

It's hurt. Pain.

[C]

It looked like betrayal, bro. Like when you hear him saying like, yo, dog, I was around this damn near morning. I was around my kids.

[B]

Yeah.

[C]

Like, I put mad and not damn near.

[A]

He said, no specifically.

[C]

And we. And we. And we saying that he's a giver.

[A]

Yeah, right. Pause.

[C]

Like, if you keep. I'm giving you. I'm trying to make the best person, make you be the best person you could be. And then I feel like you betrayed me. Whether he did or he didn't.

[A]

Right.

[C]

There's some emotional shit there, of course.

[A]

For sure. Y' all all pulling the fruit out the same basket. Hurt, betrayal, resentment, sadness. All of it exists.

[C]

And you still work for me. Right. So your success benefits me. That's a real tough internal struggle to be having. Like, nigga, I don't want you to be successful. What I do.

[A]

Well, slow down there. Because in his ver. In his version of things, it's a lot more love and a lot less business. So he's saying multiple times how he's never made a dime off of Gunnar's business. He said all he's done is spent money. Actually, let me start there. Here. I understand his beef with Gunner. Now that he has explained it, I do not agree with it.

[C]

I understand it.

[A]

I don't agree with it.

[C]

Gotcha.

[A]

But I understand it. And.

[C]

And if I'm in his shoes, I.

[A]

Might have that same beef in his mind. Whatever was said on that Alford plea could have been used in court, and it could have hurt me. And had I not. Had this gone to trial, that Alford plea would have come up. That's how he's carrying it.

[B]

Yeah.

[A]

Up one, two. The hurt and the. And the resentment. He said he. He paid for half his mother's half gun, his mother's house, daddy boy car.

[B]

For the brother, the chain.

[A]

I took care of all your people, bought everything. Yeah. And let you present it however you wanted to present it. Yeah. I invested all my money in you. I made you a millionaire. You did the Alfred plea. You didn't communicate with me about it. Like you don't think you owe me an explanation? That's what he kept saying. Yeah. You don't think for as tight. Hold on, let me just finish. For as tight as we were for you to do that. One, you don't think you owe me an explanation. Two, if we don't talk, you got out and didn't go by my mom's house, right?

[B]

Yeah.

[A]

You got out and didn't go drop some money off to my family.

[C]

That was big.

[A]

So I identified with him in that word. I can identify with that. Hey, anybody in the world can say whatever they want. You. I'm talking about him to Gunner. You should be the last person.

[C]

Now, let me let you know a.

[A]

Little bit of pushback.

[C]

One, how what One, he did say I don't. Cause bank asked him, are you open to a conversation? He said no.

[A]

He said no.

[C]

So how do I explain this to you if you won't have a conversation with me? One, two, the part about my mom house and all of that.

[A]

Right.

[C]

Gunna immediately got out and everybody was on his head. So maybe me popping up at your mom house around your people might not be a good idea.

[D]

It's ways to get the money.

[C]

You get the money to my family without you personally.

[D]

They got electronics.

[C]

You could get them. You could have a woman. You can have a courier take a check to my mother. That's true.

[A]

That's true.

[C]

You need the information for a bank wire. Listen, go.

[B]

It sounded like you. His dad put him on a group chat. He could get the information.

[C]

By your mother house. Yeah, my. You know, I'm spending millions of dollars because it was a bunch of them and they seized a lot of his. It was a bunch of them on trial. That part too. But it was a bunch of them on trial, so it wasn't like I'm just paying for myself. He potentially seeing who he is as a. A provider, just paying for mad.

[A]

And gonna say it. I want to highlight that. Yo, my. My dad put us both on a group thread against my wishes. But now you got my new number. You know how to reach me, you know how to move with some of this stuff, and it's just not being done.

[C]

And your album went crazy when you first got out. You went on tour, you successful, niggas go drop a million, go drop 100,000, 200,000, whatever the fuck you gonna drop off. Drop it off to my mother. I'm with you. It could be a courier. You don't have to speak to my mother. My mother might not want nothing to say to you. Have anything to say to you. You could drop some money off. You could drop some assistance off if I'm for you. He's right about all that, right, bro?

[D]

He's right about.

[C]

He's right, bro. Like I said, I stand down. Y' all are correct in that one.

[A]

I feel him on that. I'm not saying he's right. I feel him. I understand him. And in his position, maybe I say the same thing. In my position. I can't say that.

[D]

Tell me. Tell me why.

[A]

Why? Oh, wait. Go ahead. For the same reason that I condemned Shadi and them for what they went. Went through with 6 9. Y' all inherited someone that was not from where y' all are from, was not street didn't know these codes, lived by these codes. Y' all painted him to be a certain way. And when it came time for shit to get thick, he revealed who he is, which was a little Mexican kid from the outskirts of Brooklyn or whatever. So now different scenarios.

[D]

That's different. I'd love to finish. Let him finish, please.

[A]

I'd love to finish.

[C]

Let him finish.

[A]

We just talking. Yeah. Thug goes on to say, everything I did for you was because your dad was my og. That's why I'm looking out for you this way. Before he died, he told me, yo, take care of my son. Wherever, wherever you go, take them with you. I'm following the orders given to me. The fuck in that. If you was that tight with his father, because that is how you painted it, and y' all had that talk about this kid, then this kid is not next to you because he's so street. Actually, it's quite the opposite. This kid is with you because dad said, hey, you know what time it is?

[C]

Look out for this one.

[A]

You know what time it is? He actually went on to say, see, this is where he contradicted himself a few times. He went on to say, I'm judging you like a street nigger. What you say in your raps and what you portray in your raps and the things I hear you say around me, you talk like a street nigga. I think that totally contradicts how what you should have known from being close with his dad. Not the same. This ain't no street. And for Thug to say, I'm. I'm taking your portrayal as such goes against everything that's happened in hip hop from the start of it. Niggas get on these songs and lie. You cannot strip an artist of the ability to get on a song and tell a lie. And you know who the number one liar is in music is the civilian like me that signed to a street nigga like you. That is the number one liar in hip hop. You ain't about to change the course of shit from your how you view things. No. You was moving a certain way, his dad carried it a certain way. And now you putting that onus on him. And when it's time to show up like that, he can't show up like that because it's not in his fabric. Yeah, it's too temperature.

[C]

You're conflating two things to me. I'm sorry.

[A]

How so?

[D]

But I think we about to say the same thing. But I think that's true for the Alford plea point.

[C]

Yes, it's not true for the humanistic point.

[D]

Exactly. That's what I'm saying. Cause if I'm from the suburbs, I ain't never seen a street.

[C]

Let me ask y' all one question.

[D]

And you did that much for me. And I come home and I got this much money and you locked up, and I know and all that shit, I should be doing something decent for you just as a person. Fuck the street shit. The streets ain't the only place where you do decent for people. But I feel you.

[A]

I never said nothing about that.

[D]

No, no, but.

[A]

No, I'm not talking about your expectations of what should be done. I'm talking about your expectations of a person.

[D]

No, no, I'm with you. What I'm saying is there's two things here. One is how he did the legal shit, and then there's what he did when he came home.

[C]

Yes.

[D]

Thug said he's upset about not contacting him, not reaching out to him, not being transparent about the Alford plea. And he's saying, I'm upset about how you carried it when you came home and I was still locked up in terms of not taking care of my family, not sending money, all of that. I'm saying putting street expectations on him is unfair. And that's why you shouldn't be surprised that he did the legal shit. But I don't think it's a street. It's just a street expectation to give somebody money or give my mom some money when I'm locked up, help my family when I'm locked up.

[C]

Let me ask you real quick.

[D]

If you got locked up, I would want Ian Schwartzman to do that for you. You see what I'm saying? That's just being human. That's just like we people.

[C]

Nah, y' all missing one part, though. I just got out of a RICO with y', all, so. So now following the money, that could open me up to some shit. Nigga, find a way, bro. I'm just saying, find a way. I hear you. But now I go pop a million, I go drop a million, your mom's.

[D]

I'm on tour. I'm just saying. Give. Give what you do. Something.

[A]

Something that point. That what you saying. What you saying is not really negative.

[C]

I was with it.

[A]

I don't know.

[B]

I understand what you're saying, Priest. I'm sorry.

[A]

Go ahead, Go ahead.

[B]

I understand what you're saying, but clearly they have representatives. Yeah, he has representatives. That someone could find a loophole to make sure this gets done on my label.

[C]

Whatever this a. Some what's what's the y' all got payback that 360.

[D]

Yeah.

[C]

Along those lines, like it's going to be advance. I'm giving back. You can make it to where I owe him this money. I was just thinking. And to your other point, your point is valid. Unless. And this is a. We don't know this to be true. You grew up under this man. I know how this man give it up. I hear what you saying around me, the raps. I hear what you saying around me every single day. So I'm assuming that you came from this tree. You saying this type of shit. This is how you are as a man and as a person.

[A]

Stop it, stop it, stop it. I'm not gonna. On one hand get say that street are as brilliant as I view them to be and then say they keep getting tricked by that's not as street as them Dumb two is not gonna coexist for me. I think the street nigga, or you would have to show me that I think street niggas.

[C]

Sammy the Bull ratted. It's been happening since the beginning of time. This nigga had a body count like a fucking the city morgue got his name on it.

[A]

We're not having the same talk. Sammy the Bull was into what they was into and he listen.

[C]

I know. Listen to what I'm saying.

[A]

I'm talking about street niggas having an inability to tell when someone is not like them at all. I am not exonerating them for intermingling with people that are not from where they're from. And it's gun and shit is a prime example of that to me. It is a prime example of that to me. And he went as far as to say that he was saying, I believe the raps. Okay, well, that's another one of the decisions that was off.

[C]

But you also said, yo, I believe what he's saying around me. Rap. Because the rap. Rap is rap. Those are lyrics I'm talking about when we are outside, when we in the mall, I'm hanging around you every day and you are saying you stand on these principles. And I know I stand on these principles. So why who am I to not believe you? Being that I know who your dad.

[A]

Was, the person that is only calculating.

[C]

Around you every day, I could see some of the if. Yeah, I know you live in this or not.

[A]

Thank you.

[C]

If I'm around you every single day.

[A]

I. I'm only calculating off what somebody said, not your words. It's probably an idiot.

[C]

It so to my point, John Gotti didn't see that. Sammy the Bull was a rat.

[A]

Sammy the Bull put in work is you. I wish you let us have this talk. You didn't see it. I wish you let us have this talk. Sammy the Bull was a rat. I mean, Sammy the Bull was a rat, but he put in work. Yeah, we saying that conversation is not a nigga around you who ain't putting in no work.

[C]

But talking about it, I do.

[D]

Explain it to me. That's. I think he's saying that even as a street nigga, there are things that are gonna go bad.

[C]

Y' all saying that. Like if you're a bonafide street nigga, you got discernment.

[D]

Yeah. And I think there's some things you can discern. Like you should be able to look at Gunnar and say, he's not gonna stand tall on the stand. He's not gonna stand tall in the police room. He's gonna tell. He's gonna do whatever. Right. I'm with you on that and I'm not exonerating him on that. But what I heard Thug say was that wasn't the thing that pisses. That hurt his feelings so much. The shit that hurt his feelings was what happened when he came home. And to me, the shit that happened when he came home, when Gunna came home is not about being a street nigga.

[A]

Oh, so we read that wrong? There's a gumbo pot of shit that is hurting him about Gunna's actions for sure.

[D]

It's all together.

[A]

I'm not putting more weight on what happened when he was free than what happened before. He's hurt, period.

[D]

Right.

[B]

I agree with you. I'm siding with Mark on this one. I feel like the personal shit probably hurt him more than the legal shit. Personally, that's how I took it.

[D]

That's how I heard it. Yeah.

[C]

All right, now I'm gonna put myself in Gunna's shoes.

[A]

It is unfair for Thug to hear records and put a certain identity on Gunna. I'm telling y' all as not being not right now.

[C]

Now we, we. We treating Gunna as civilian, not non street nigga. Even though he was saying that this is what we. What we took from it. That person who non street nigga don't play those games. Even if I hang around it, get my first close call with it. I get caught up in a regal almost on life and I make it out. I'mma be honest, I'm not talking to none of you ever again. Nobody associated with you then you still.

[D]

Put Music out of my. I mean, I had that. I'm putting music out.

[C]

I can't do it no other way.

[A]

Cool.

[C]

I'm not talking to you to put my music out. To my point, I'm trying to get off the label. Remember when that first. When he first got out, it was, yo, he's leaving. Going to the. This label. That's easy to go into this.

[A]

Hey, he.

[C]

David spoke about before on one of the leak calls that Gunner was trying to leave and go sign with the Weeknd. So I'm trying to get away from y'.

[A]

All.

[C]

Cause y' all into some shit that I might not want to get down with. And that don't have nothing to do with acknowledging a nigga that has helped you and your fucking family for the better part of a decade. And, yo, dog, the two things don't have to intermingle, bro. I'm telling you. They kind of.

[A]

That kind of leads to my next point. That's a great segue that kind of leads seamlessly into my next point, which is if you doing business, then you should do business. There's this fake. This fake lore in street world that says because you love somebody, you just got to bend over backwards for them for your whole life or go outside of the paperwork. If you're doing business, do the business. Thug is saying, yo, I never took a dime from him. Because I'm agreeing with what you just said. But Thug himself is saying, I never took a dime. I never took a dime. I never took a die. All I did was pour in. All I did was pour in. Invest, invest, invest. All I did was spend my own money. Not what P did with Baby. Where Baby popped off immediately. Gunna took time to pop off. I'm spending my own money to get him. Him pop it. And I never took it down. But I paid for this. And I paid for his mom and I paid for his brother, and I paid for this and I paid for this. Dog, you creating your own world of misery. Gunna is a popping artist. He signed to you. I don't give a fuck that you knew his dad do the business that the paper says. So you're not just carrying around certain shit because you love him. Take the money that is owed to you. Now I feel him on. Yo, my old manager. Hold up. My old manager did that. The Gunner contract. So the contract says I get 50% of everything. I wouldn't have done things like that because I love him. Well, guess what amended it.

[D]

Amended.

[A]

You cannot say that you're doing business with somebody and keep bypassing. This has to be addressed. It's got to be addressed at some point. When does the money get right? Tell me how the money gets right. Doing it the way the thug said.

[B]

I will also say that unfortunately too, when you do a lot of nice things for people, it might not come back.

[A]

It absolutely. You gotta be okay.

[B]

Like, you gotta be kind of okay with that.

[D]

Yeah, you do.

[A]

You, you. But what's nice. But what's nice things in the music.

[C]

Video that still don't mean that you don't feel a type of way when they don't do the nice things for.

[D]

You, Especially when they have an opportunity to.

[C]

And you have an opportunity. Absolutely, bro. Let me tell you something. God forbid anybody in this room, if something happened to y' all and I had some money to help y' all family. My. It's a no brainer to me. Facts. And your kids needed to go to college and I can afford to come. It's a no brainer for me. And ain't none of y' all help me in a manner in which he's saying he helped Gunner. Like, some shit is just humanistic shit, bro. I don't care about street shit. I don't care about suburban shit. Some shit is just decent human being shit. And we keep conflating the two. Like, if you're a street person, you can't be a decent human being, bro. Some of this is just no brainer, grown man.

[A]

You right.

[C]

And I don't. I don't see a gray line there. For me, the gray line is if I almost lost again, I'm. I'm on an island. You almost lost your life, but I also gave you a life. I understand that. So, nigga, help my family. Because I helped your family.

[D]

I agree with isis.

[A]

You should.

[D]

You shouldn't be compelled to do something that puts you back in the box. But supporting somebody, saying giving somebody some money, giving their mama some money isn't illegal.

[A]

You know what I mean?

[D]

And if it were fuzzy looking, funny looking, then you should find a way around.

[B]

There's a way around it.

[D]

Yeah, there's a way around. That's all I would say. But I agree. You don't owe him shit in terms of getting back into legal trouble. But supporting somebody, that's just what it is.

[A]

I mean, another contradiction. I want. I don't quite understand. I know we gotta get to prize picks, but I'm gonna finish these points. Points. And then have some fun after the ad. Let's get it from my pov, from my pov. He should be buying Woody a bottle of champagne every day.

[C]

Indeed. Yeah.

[A]

Yes. See, street rules is saying something else. Yes. Street rules is saying that Woody's a rat. Yeah, Woody's a rat. Woody's a rat. Woody's a rat. And guess what, Rudy. Woody. Woody may be a rat. However, from what I took from thug's own words was Woody was an unindicted co conspirator, which means he got to say one thing in the interrogation room, which made them think they had you lined up like a duck. And when he hit the stand, he spun him.

[C]

Yep, he did.

[A]

And if he didn't spend them, you will be gone. He sound like the lone person that could have put you up for life. That is true. I agree with that. He didn't do that. Hey, I'm not a street. I had wi fi that day, and I seen Woody up there saying no that day.

[C]

Just fucking with me.

[A]

Yo, I don't know. I don't want to talk about this.

[C]

No, that's wrong making.

[D]

I forgot. I forgot his.

[A]

Don't remember. No.

[C]

I'm hungry. I ain't gonna lie.

[A]

I'm hungry.

[B]

I need something to eat.

[A]

What time's lunch?

[C]

Yo, what's she wearing?

[A]

Oh, she's stinking.

[C]

So come over here. Yeah, no, he was all antics. He was all antics.

[A]

So for me for you to come home and still be on the fuck Woody brigade as a civilian, from where I sit, I don't understand that. I don't understand that. That street nigga shit is complicated. It's algebra. It's street algebra. So I won't get it. That's nuts to me. And. And I get it. You yourself acknowledge the spin. See, that's where I had it wrong at. You was in the room saying you was flirting with the cop and saying I was trying to spin the cops. Yeah.

[B]

Here's the tv.

[D]

Here's.

[A]

Here's the thing about you being a spinner. If you acknowledge you're a spinner, then you're acknowledging that the game is spin, and you could possibly be spun. So now, if we're not looking at you like a rat for saying, hey, anything you need, call my phone. Don't tell nobody. If we taking him at his word, which is I was spinning him, then why wouldn't the same apply for Woody?

[C]

Because it was backwards.

[A]

No. What? He got in the interrogation and said one thing, and then he hit the stand. So that spin. You're in the spin game is what I'm saying.

[C]

This is. This is my opinion Tell me. If you get in an interrogation room and you start giving out real information of things that took place, right? And you giving them your after immunity.

[A]

That's important.

[C]

Yes, I know somebody.

[A]

I have immunity.

[C]

I personally know somebody that did this.

[A]

I'm telling you shit while I have immunity. Go ahead. Boom.

[C]

You start giving information that furthers this investigation. You helped him put the body with the gun, or you helped him put the shooter with the body. You giving them information, right? And then six, eight months later, you now get on the stand and say, damn, I don't even remember saying that. Yo, I'm hungry, yo, you got some cheeseburger, yo, what kind of shoes is them? You still gave them that information that furthered that investigation. Now, when you got. I think Woody is the star witness and thug going free, to be honest with you. Cause he was making such a fucking mockery of the courtroom and of that prosecutor. Like, it was almost like, y' all are incompetent doing that.

[A]

Woody, don't go up there and do that. Thug is in jail for the rest of his life. I would agree with you. So, dog, it's time for you to come out and buy him a ribeye.

[C]

Like, Woody got arrested, like, in contempt.

[A]

Yeah, he was in contempt.

[C]

He was making a mockery of the court, bro. For the better part of a week and a half.

[D]

We got to call it even. I mean, I get your point that you only in the box to do that because you already up earlier. But if you got me to the point where I don't got to go to prison no more, I don't know about a ribbon. At least we even.

[A]

At least jumbo shrimp. At least the cockpit. Some type of la jumbo. Yeah, come on.

[C]

Some. The little. Yeah, I mean, the express.

[A]

The latte, espresso. Shit. The chocolate. The chocolate. He's a little too mad at Woody for me, but okay.

[D]

He's like Frank Pantangeli, the Godfather. It's like you.

[A]

But also, you rat it.

[D]

You rat it. And then you. Then you.

[A]

You rat it and saved my life. Thank you. You ratted it.

[C]

You might not have had to save my life if you didn't rat.

[D]

And that's what I'm saying.

[A]

We even. That's the point.

[D]

No shrimp for that. We just even. There's no time for that.

[A]

If we play the spin game, I don't have time for that.

[C]

But you were non indicted.

[A]

You didn't even have to go in there and say nothing. But if we playing the spin game, I can't do that.

[C]

Joe, listen.

[A]

Everybody can be spun. Which leads to my next point. Hold up. That leads to my next point. Once you acknowledge you playing the spin game to me, shit, all bets are on. Which means for Gunnar to even do that, Alfred, plea know what exists. He may have been spun.

[C]

Gonna go spun.

[A]

Yeah, he may have been.

[C]

He said that on one of the records or something.

[A]

So you acknowledge all of these variables? You sitting there about to cry because you don't speak to this man. You, by your own admittance, are not releasing the quality of music that you normally do. Because the person that you hang out with every day is gone. The person that you speak to every day is gone. The person that you had the most fun with every day is gone. I understand that. Just not the way he's doing it. I've been through that before. Hey, nigga, I put clothes on you. I put car keys in your pocket. I bought you an iPhone. I bought you food. I went to work so you can have a place on earth, you bum ass nigga. If anybody can say something about Joe, it shouldn't be you. I feel him on that. But guess what? When you make that decision, you at peace with it. If everything you said is true.

[C]

And now that.

[A]

If everything you said is true. Now let me finish. If everything you said is true about this bum ass nigga. You put the first million in this bum ass nigga's pocket. He don't know what to do with himself. Unless you came and opened up the cat food, put it in a little. Hey, sometimes. Hey, sometimes you mix it up with the dry food. If the cat was good, you take the can, chop it up. You niggas have been dead if niggas didn't do that, however, so I understand that part. And when you separate from niggas like that, you should be at peace.

[C]

How long it take you to get to peace? It ain't quick. It wasn't quick, nigga. I know you.

[D]

I want to hear the answer.

[A]

I wasn't talking about me.

[C]

I know you said you've been in that position.

[A]

Sure, but I wasn't. Words. Nah, not you. Not you, big dog. How did y' all put me in that? In.

[D]

You did.

[A]

That's crazy.

[C]

I'mma ask you a question. It wasn't overnight.

[B]

Let's Accountability bonus day.

[D]

Yeah, exactly.

[A]

I answer you. It wasn't overnight.

[C]

Cool.

[A]

It wasn't overnight.

[C]

There you go. He's been out of jail less than a year.

[A]

That don't really respond to what I'm saying. He sounds like I want to Speak to Gunner. He said he wouldn't speak to him 1.

[C]

I know, but he sounds like.

[A]

He sound like he can't. He sound like he can't even be himself if he don't speak.

[B]

It sounds like he needs to.

[A]

Yeah.

[C]

Like he might want to.

[B]

And if you're like, he's putting you on a group chat, it sounds like other people are aware of this, too.

[A]

Right? And then you got the nerve to tell me that you excused mad other for this.

[C]

Because he did.

[A]

He then went on to say, hey, other people did this. I love those them. And I told them to do it. So I'm at peace with it. Nothing came of that. My. Are you spinning me right now?

[D]

But also, they were put in that.

[A]

Position because he did everything he said. I'm speaking from where I sit, not where he said. I get it, too. I get it, too. But because they did it because he no choice. Yeah, yeah.

[C]

You backed everybody back.

[D]

Now we got to make these other moves.

[C]

We might not have to do none of this had you not said right.

[D]

Everyone had to.

[C]

What I was trying to. Trying to tell you the other day when me arguing, I was like, yo, bro, if they ain't do that. Cause he said, no, we ain't.

[A]

No. And I acknowledge that.

[C]

What are we, Young love? What was YSL Youth something Leadership? Like, he was just. Bro, you went in there and put gang on our back. So now again, we here. You put us in a position now where we got to watch for the left hook. Cause you made that happen. You get what I'm saying? So now we gotta play defense about like. Yo, and listen, bro, I'm not no street. I get everything what he's saying, and I also understand what y' all saying. But, dog, you can't. If you my girl and you my man. You my girl. She you back.

[A]

No, I didn't.

[C]

Y' all both wrong. You know what I'm saying?

[A]

Y' all both wrong.

[B]

Just some hookah.

[C]

But one.

[A]

Oh, shit.

[C]

She wasn't my girl.

[A]

And a kiss anyway. Yes, she was. Yes, she was.

[E]

You can't my girl.

[C]

You can't my girl.

[A]

I wouldn't want you my friend. Ish, man, you are my friend anyway. You think I want to. You like, don't do that, yo. Anyway, I kissed her, though.

[C]

She wasn't my girl, y'.

[A]

All. Motherfucker.

[C]

So what I'm saying is, like, dog, we here now. You know what I'm saying? We here now. So it's not about what coulda shoulda happened. This happened. We Gotta defend ourselves against. That's all I'm saying. Like, yo, dawg, we be looking at the bro. That nigga. It's some biker group. It was like 70 white bikers. I don't know if y' all heard about it. They all got locked up at the same time. Nobody. Nobody read it.

[A]

Nobody said a word, bro.

[C]

Everybody came home. I'm just saying. Everybody came home. So if y' all was following that to Thug's point, we all could have came home. But y' all niggas started breaking. And because y' all started breaking, I had to start modifying what I had to do to make sure everybody landed it somewhat in the best position.

[A]

I also disagree with Thug talking about, yo, it's nine terabytes of evidence against us. Gunnar's name is on one page.

[D]

Go sit tight.

[A]

But he couldn't do that, cuz. He wanted to get home and see a hoe or be with his family or just go home. And I'm like, yeah, what does Thug not understand about that? Yes. Yes. Back to my point about you fucking with people that's not of the fabric that you from. Yes. If my name is on one page and they got nine terabytes on you, and I have to say this to go home and I might have been spun to think that this can't be used against my brother. Yes, I'm doing that. I just wanted to tell you the.

[C]

Line that he addressed that on you start Pharrell. He said, lawyers. Lawyers and the DA disagreement, some sneaky. I fell for it. All my P's and Q's. This time I'll be prepared for it.

[A]

So no, he got. No, no how he'll be prepared for it by never putting himself in that position again. Exactly. And that's the difference. That's one of the main differences I see between Gunnar and. And Thug. Gunner has come home and completely changed his life around. It reminds me of me when I almost got shot in the head. But the gun jam, like, once God give you that type of chance. You look back at your how you've been living, and if you lucky, you say, you know what?

[C]

Lesson learned.

[A]

Gotcha.

[C]

Lesson learned.

[A]

I heard you. I heard you.

[C]

Hey, I hear you.

[A]

That will happen again. And that's what it looks like from Gunna. And the music sounds good. And he's seeing success from that. Thug looks like the complete opposite of that. Somebody who's not producing to the best of his ability, who's not having the best of sleep at night, whose girl done lost them now, who Some of the street niggas is looking at him funny because, hey, what was you doing in there? Oh, you was telling jokes. Some of them don't understand. You was telling jokes in that room or you was trying to. Like, it's a lot going on with him, but if you'd have just came home and decided to just live a different way, I think you avoid some of this stuff.

[C]

Thug looks like he came home and not saying actively, but it's still focused on street. Yes, That's. That's what it looks like.

[D]

And that's a big.

[C]

That's all it is. And that's where his stresses are.

[A]

He said, some of this energy is.

[D]

Coming back to you because you carrying it this way.

[A]

I think Banks, all the credit.

[D]

He pushed back.

[A]

He held him accountable this entire, entire time.

[C]

Hold on now, slime. I got to hold on now. I got to tell you.

[A]

Hold on. That's fine. Yeah. Yo, he said to him, yo, we're all millionaires. Like, sometimes you need people to repeat what you saying back to you. Yeah, right. Yo, do you hear what you're saying? Everybody that you naming is a millionaire. At what point. What more do you need to see? You did it. You escaped. I know you operating from trauma, but you escaped. What more does God need to show you for you to choose a different path?

[C]

You know the crazy part on one of the leaked tapes, he called Gucci Soft.

[D]

You say, and look at how Gucci.

[C]

And look at how.

[A]

Look what.

[C]

That should be your example. The nigga that was there through all of that, went to jail, made it.

[A]

Back home, turned my life around.

[D]

I don't.

[C]

I can walk away from this. That is a. From Atlanta.

[A]

That's your.

[C]

That's an example right there in front of you.

[A]

That ain't hov.

[C]

That ain't New York. That ain't the West Coast. That's a right here that. You know the.

[A]

That put you on, right?

[C]

That said, oh, look how he did it. That's what I need to do.

[A]

The Lord again. That's why I said earlier the law of the game that I disagreed with from. From Thugger. But I think, for the most part, we got it all out. Yeah, yeah.

[D]

Just one more tiny thing. He works with gay people. Did you know that?

[A]

Here come Mark.

[D]

Run the clip. You gotta want the clip.

[A]

I got the clip to say that y' all was gay. I wasn't getting it. I wasn't getting it to highlight.

[D]

I know how it's gonna be. Why you said that?

[A]

That's why I got there's not gonna.

[D]

Be no more pause. He's gonna hit that clip with gay people.

[A]

Gay people work for me right now.

[E]

I'm damn near around gay people every day.

[A]

Cause they work for me.

[C]

I don't got no problem with them.

[A]

But you know what the rest of the clips are, and I know you want to address it, so. ISO on you.

[D]

I don't care that much.

[A]

ISO on you.

[D]

I was setting you up for the clip.

[A]

Well, y' all don't have a laptop. Fuck it up on the phone. You only brought your iPad to work for two weeks. Then you stopped. Yeah, I did. So you can't. You used to have it. You used to be able to do the drill.

[C]

No, I could still do it.

[A]

You haven't. I could still do it. It's been five years. You haven't. I can still do it. You haven't, though. I can. Good. Mark letting us fight. That's what he wanted. You trying to get me to fight with my brother?

[D]

Yes. Yes. That's exactly what I want.

[A]

I know you want to speak.

[D]

To speak to him. I mean, it was important, but I don't think it was the most important part of the interview. I actually thought you wanted to speak to it. Cause I saw you. Because I heard the clip earlier.

[A]

Oh, no. That clip was only to call y' all gay in future episodes. I had nothing to say.

[D]

All right.

[A]

I know what he was attempting to say. Do I agree with that? No, but I know what he was trying to say. Like, this wasn't an interview for me to get caught up in the semantics or to try to get offended. It was for me to try to understand. And I think we do that too much. Like, especially now in society, where we'll look to do one thing before we do for the other. And I wasn't gonna do that with her. I really wanted to hear from somebody in his position, which only he could speak from. And I left with a greater understanding of that. And that's why look. And that's why more artists should do that word. More artists should sit down and speak. Because I didn't never come away with. I'd never come away with this as a human being.

[B]

Look at the power of hip hop music.

[A]

No, what type of human being it was. What type of human being.

[C]

Some of these individuals. Interviews will humanize you to a point where it's like, oh, shit, I got it now.

[D]

And this is what I was saying about an artist who I won't name because we get the whole episode without naming them. When I Said I wanted them to go to a hip hop media outlet. I said, it can be a home game. It could be somebody you fuck with, but it has to be somebody you fuck with that'll still hold you accountable and still make you answer tough questions. And that's what we saw today. He answered tough questions from somebody who loves and respects him and who was loved and respected.

[A]

Everybody has. Hasn't gotten to a first step.

[C]

Yeah. I think he has no choice to.

[A]

Yeah, everybody hasn't gotten to. I'm looking for accountability for myself. I'm holding the mirror up. Everybody's not. Yeah. Especially in artist land. Yeah. In artist land, we get to build whatever Persona we want to have that's not ourselves, that's real. That's a fact. And we get to boost them up. We get to make them confident. We get to make them strong little Sims characters.

[C]

Yeah, that's what it is.

[A]

I just think the bigger you are, the more powerful your character is and.

[C]

The more you can hide your real shit.

[D]

But that's what frustrates me, because sometimes it's like, I'm an artist and I have this thing about me. I have a flaw. I have a crisis, I have a scandal, whatever the thing is. And you have a team around you to figure out how to hide it, to patch it, to make it look better, to deodorize it. And sometimes the wildest thing you could do, the thing they never considered.

[B]

Talk about it.

[D]

Yeah, just talk about truth and tell the truth about it. Like him saying, yo, I was in this cell. I didn't know what was going to happen to me. I was fucked up. I was on the phone and I did some shit I never did before. Niggas like, oh, yeah, okay, cool. Like, I get it. I don't love it, but I get it. Artists don't do that enough. They're always trying to fix or hide it instead of just owning it.

[C]

To me, I think it's human beings.

[A]

In general, but for sure, we've said everything that we've needed to say on this. I just want to close with. You should not tell your side chick that has already fought your queen that you want to have babies with her when you come home.

[D]

I think that's solid advice for everybody.

[B]

That's good advice. I want to sloop back again. That was.

[D]

Yeah.

[A]

Let's hit the round of applause for banks. Let's hit the round of applause for bank and regional interviews and how important they are. Yeah. Yeah, regional interviews. Nobody else is as important as regional music. Word Bank. Thank you so much. Word salute. You really helped me to understand. Thank you for caring about that, brother. Yes. Thank you for caring about the scene in Atlanta. Right. And I'm. And I'm off of this. But bank kept getting him back to how do we. How do we fix this? As Atlanta. He kept bearing off.

[C]

No, they got.

[A]

He brought him right back.

[C]

They got something down.

[A]

Yeah, yeah. How do we fix this?

[E]

They got.

[C]

They got a. Even when we talked to Ray at your birthday party. Yeah, like when they talk Atlanta like they talk Atlanta like they have. Yeah, bro.

[A]

They really care.

[C]

This ain't business. This ain't just I'm trying to be popular or whatever. This I give a fuck. Like how you talk about hip hop. Passionate. Because you really love this shit and care. That's how they speak about Atlanta. They do Atlanta's special.

[A]

They do. All right, I guess it's time for my favorite part of the show, Prize picks. All right, this episode is brought to you by Prize Picks. You and I make decisions every day, but on Prize picks, being right can get you paid. Don't miss out on the excitement this season on Prizepix where it's good to be right. Prize picks is really easy and simple to play. All you have to do is pick more or less on at least two to six players, stat projections and if you get your picks right, you could cash in. Prize Picks is also the best way to get action on sports in more than 40 plus states including California, Texas and Georgia. Also, while I'm at it telling you all the great things about Prize picks, I also wanted to share an additional max discount with you. Lucky you guys confirming that we currently have live on the board a max discount for, you guessed it, Travis Kelce where Travis just needs to catch for one receiving yard. That's right, one receiving yard for that square to cash. This max discount will happen during the Kansas City Chiefs versus Philadelphia Eagles game on 9 14. And with that said, here are the Joan Ish picks of the week. We're going with Jordan Love for more than four and a half rushing yards. Jordan Love looks amazing. The packers look amazing. Go Packers. I know week one syndrome where we overreact to things. Let's go with Jacoby Myers for more than 56 yards. Yards. Let's go with Kareem Hunt for more than 22 rushing yards. That's a big ask. Ish.

[C]

22 yards.

[A]

Yeah. Pacheco was still in there. And CD Lamb in a makeup game for more than 80 receiving yards. Don't forget if you download the app Right this second. And use promo code JBP. You get $50 instantly when you play your first $5 lineup up. So good luck to all participants out there and run your game. Z is calling to talk during our series.

[C]

He know he calling for.

[B]

Yeah, I know he's calling for.

[A]

Yeah. Hello. Grand Rising King. Grand Rising. Grand Rising. Peace and love. Peace and love.

[C]

Love and tranquility to the cast, to everybody. Hope. Everybody doing good.

[A]

We. We doing good. We were just in the middle of a very intense young thug talk. Oh, yeah. No, no, but it's cool. You are. God. All the 520 guys. All of y' all are guys. Joe, don't do that. What's up now? What's up now? What'd you call him with? I just wanted to check on my man Parks, man.

[C]

I ain't, you know, I ain't heard from him or nothing.

[B]

You know, I responded to you. I responded to you.

[A]

You Z. Yeah, I seen you.

[C]

You going. You going to shoot this straight at Ice N?

[B]

It was no straight. I. I was just thanking you.

[A]

Parks don't love his squad.

[C]

How you going to start?

[A]

Tyreek and Wild and the Col defense. You was good either way.

[B]

It's called hedging your bets, my friend.

[A]

Feeling real good out there after Danny Dimes went, huh? Danny Dimes out there looking like Joe Montan, ain't he? Yeah. Hey, look. Don't. See. See you start in trouble. Don't do that. Joe. Look.

[C]

That's my guy.

[A]

Look. One week. But I would tell you, though, a.

[C]

Little different vibes in here than last time. Different side of week one.

[A]

We used to lose it. Yeah, yeah.

[D]

No, no, I thought.

[A]

I thought about you because I know how crazy I came to opening. Opening game out there last. Last season, and the vibe was a little different. So I thought about you after a good win, good quarterback play. I'm happy for y' all out there. Yeah, I appreciate it, man. Giant. Giant. How did.

[C]

I ain't watch.

[A]

Y' all play? Y had a. Y had a week one. Yeah, yeah, yeah, yeah, man, I'm. Hey. Hey. We waiting on Jackson Dart. We okay waiting. We waiting on Jackson Dart. That's all. Y waiting on somebody. Yeah, that makes sense. That makes sense. Yeah.

[C]

Shout out to my guy, Bobby, you know.

[A]

Yo, are you just going to call and troll us?

[C]

I miss y', all, man. I just.

[A]

I'm just trying to say hello. You feel me?

[B]

No, you're not.

[A]

Hello.

[C]

You ain't lying to Richie. Come on, bro.

[E]

Oh, man.

[A]

Who y' all got? Who y' all got this week.

[C]

We got Denver.

[A]

Oh, that'll humble him.

[C]

Look, somebody.

[A]

India.

[B]

Where's the game at? Probably in Denver.

[A]

Where's the game at, Z? It's at home.

[C]

Four o'.

[A]

Clock. Yeah, yeah, they got that. Yo, make sure you call in next week at this time. Hey, hey, do me a favor. Don't get missing, like, don't get missing next week. Around the time you. You heard.

[C]

Call with the Grand Rising king.

[A]

You gonna call me, so. Oh, God. Hold on. You got an answer? Answer.

[D]

How about safe?

[A]

For sure. Listen, enjoy. Enjoy your week. Enjoy your week out there, man. Congrats on a big week.

[B]

Congrats.

[A]

Congrats, man. Hey, yo, you could come to New York sometime, man. I'm trying to. Yeah. Don't party no more. He don't even come.

[D]

Is he allowed?

[C]

Is he like, next time I'm pulling, I'm pulling right up on y'.

[A]

All.

[C]

I'm gonna spend. I'm gonna do an eight hour day, bro.

[A]

You know what I'm saying? No, I. I know where to pull up on you at. You hurt. I love my wife.

[C]

Don't do that. It's different.

[A]

Z, we love you, man. I talk to you soon. All right. Holla at y' all later. That was funny.

[D]

Good sports weekend, y'.

[A]

All. Oh, was it? Yeah.

[C]

Yes, it was.

[D]

I know we talked about NFL a little bit. A lot.

[A]

So, y', all, where did Caitlin Clark take a piss? Come on, Mark, tell us.

[D]

Well, I'm glad you asked. I wasn't going to mention Caitlin Clark, but since we're mentioning WNBA players and women's basketball players, the Basketball hall of Fame had its newest inductees this weekend. Some of the headliners, of course, there were some people who didn't get a lot of credit. I want to shout them out. Danny Crawford, one of the greatest referees of all time, was inducted. Coach Billy Donovan was inducted. Sue Bird and Maya Moore, two of the greatest women's athletes of all time, or just athletes of all time, were inducted. And of course, the headline in terms of players were Carmelo Anthony and Dwight Howard who were inducted for their individual basketball careers. Dwight Howard, of course, it was extra special to him because he was left off the NBA 75th anniversary team.

[A]

I thought you were about to say because they threw a green dildo on stage.

[D]

Well, it's funny you say that because he said to go in the hall of Fame twice in the same year, man. It's like God said, I'm gonna double pound you with a blessing.

[A]

Dwight. Dwight. Hey, big dog. There were Other ways to get your point across. Hey, I've been to a lot of churches. My grandma was into all that. One thing I've never heard, double pound. God pounding. Double pound. I never heard him pound a blessing.

[D]

Yeah, but. But that said, his allusion to the double pounding was. Is referring to the fact that he went in as an individual player and part of the 2008 Redeem Team, which included several other. Many other players.

[A]

I don't even like him redeeming. That's even. That's. Everything is fucking creepy now. Well, he can't redeem.

[D]

Also part of the redeemed team were Chris Paul and LeBron James, which is a big deal because they are the first two players in the history of basketball, NBA players to be inducted to the hall of Fame. While as. While they're active players. That's a big deal. It also speaks to their longevity that they were able to play long enough to do that. So, yeah, shout out to them. And of course, Carmelo Anthony.

[A]

Yeah. Nick legend.

[D]

Nick legend.

[A]

And Denver legend. Even though Denver refuses to acknowledge it, and Carmelo won't acknowledge it either because of how George Call was carrying it and his time in Denver. But not only is he a Nick legend, he is a Nugget legend. He's a Denver legend.

[D]

Absolutely. I don't know what they're gonna do. That number seven situation.

[A]

What number seven situation?

[D]

What's it isn't 15?

[C]

15?

[D]

I mean, 15. No, no.

[C]

So we know what they're gonna do.

[D]

What they gonna do?

[A]

Hang up the Joker. Hang up the Joker.

[D]

Is there a way to do both?

[C]

No, no.

[A]

It should be. It should be.

[D]

Yeah. Like you can just make new rules.

[A]

The proper thing to do would be to acknowledge that it would have been to retire Melo's jersey, number 15, and to retire Joker's jersey in the future because he's not even eligible for that. He's playing. He'll be playing for. Like you could have done both.

[D]

Yeah. And I don't think Denver did that to disrespect Melo. I think he was a second round.

[A]

Yes, they did.

[D]

Jokic was a. Was a second round pick.

[A]

I don't think it could have been retired before. I'm not talking about Joker. I'm with you there. He's just amazing.

[C]

They did it to be a dick, though.

[A]

They're being dicks with him 100 now.

[D]

They are, but I'm just saying, when they gave him the number, they probably assume Jokic wouldn't be a guy who.

[A]

Who died of the number the number they are and have been 1,000% true dicks to Carmelo Anthony.

[D]

I agree. 1,000%. Yeah. No, they. They've treated him like he wasn't a legend. I got another Carmelo question for y', all, too. But he gave a speech. I thought it was a wonderful speech. Carmelo Anthony as he got inducted into the hall of Fame. It's also good to see AI on stage as one of the middle of.

[A]

The pod is when Mark takes us to Pierce Land. I see. I know where he going before you see it. He bring in a topic that is only gonna get us canceled.

[D]

You don't even know what I'm about to say.

[A]

I think I know exactly.

[D]

Tell me then I'll tell you if I'm right.

[A]

He. During his speech, he shouted out Puerto Rico.

[D]

Yes. I'm glad you're listening. During the. During the morning briefings.

[A]

Go ahead.

[D]

No, he shot up Puerto Rico. He said, you know, as a tribute to his father, who's Puerto Rican, he shot at the island of Puerto Rico. He did all this stuff. And a lot of people were upset about it. I wasn't particularly upset about it, but a lot of people were upset about him shouting out Puerto Rico. They're like, puerto Rico didn't do nothing for you. You didn't grow up there. Why the fuck are you so keep mentioning Puerto Rico?

[C]

Cause if it wasn't for Puerto Rico, I wouldn't exist. So, yeah, let me shout them out.

[B]

Well, I don't see the problem.

[C]

What's the problem?

[D]

I think maybe black people felt left out.

[A]

It is a problem. It is a problem.

[D]

Tell me why. Joe, please. Here's where it gets canceled.

[A]

Joe, don't. I'm trying not to fall for the bait.

[D]

It's too late.

[A]

Come on in.

[D]

Fba.

[A]

This is the same thing. I'm not saying I have a problem with it. I'm saying I acknowledge what. What they're saying the problem is, which is the same thing that they got that actress girl for the. The young actress girl. That's amazing. That looks black. That has taken mad black roles. Yeah, she's taken all of these black roles. Looks black, was broken by blacks. That's how black people feel. Okay? And then when she won the award, she get up there and talk.

[D]

Dominicana.

[A]

Yes. She started talking Spanish. Oh, my great grandmother was Puerto Rican. Yeah, girl, shut the fuck up. We don't want to hear that shit right now. So it's the same thing with Carmelo. Nigga, Nobody in Syracuse, 34th street, nobody nowhere. You've ever been looked at you and said a Puerto Rican word. Nobody that don't change your route, however, don't get pushed to the top of the mountaintops and then get up there. Talk about a Puerto Rico. A Puerto Rico. Save that for Fat Joe and them. You.

[D]

You're angry Imani right now.

[C]

Imani know he got 20 years of.

[A]

Ignorance, but, I mean, we would have had to face this if he were hall of Fame work. Like we're talking about.

[D]

We're talking why he's. He's in a part of the club now. I got. I got ride with him. No, that's up.

[A]

Yeah. Took it from you. Yeah. Acknowledge it. Took it from you.

[C]

He got half merch off.

[D]

He got half merch off.

[A]

You Took it from you and made merch.

[D]

You hear from my legal team about that merch, man, you could. That's just unauthorized merch, by the way. I'm suing every one of y'. All.

[A]

I'm not saying I feel like that about Carmelo, but you.

[D]

But you understand.

[A]

Understand the gripe. Because black people are possessive. Well, the same way white people are possessive. They done went around and took all the seasonings from faa.

[C]

No, they took people.

[A]

Sorry. All right. They possess it. That was a good one. Well, you know, that was a great one. You over there. Y' all over there jumping rope and. Wait, what the are y' all doing anyway? Black people are larpeta. Go ahead. Ish. You got a racist joke. I see two ropes.

[D]

Yo, he's on a roll today, man.

[A]

It's cool. Pardon me. I understand. I understand.

[D]

My other Carmelo question for y' all was there was talk about a statue, and Carmelo says that he believes he should have a statue in front of the Garden. I agree with Carmelo. I think he should have a statue. I think there should be multiple statues.

[A]

Yo, what? Guard Botanical. Come on, man.

[D]

The disrespect y' all have.

[C]

I'm not disrespecting.

[A]

I just want to tell y' all that this is the clip of this pod that he'll hear.

[C]

No, I understand that. Yo, my Carmelo, y' all don't be understanding that sometimes. No, Carmelo Anthony is great.

[A]

He's listening to y'. All. He's a great Antoine.

[D]

Y' all don't think he deserves a statue.

[A]

What's your name? What's your real name again? What's your real name?

[C]

Yo, bro, so. So if Carmelo Anthony deserves a statue in front of Madison Square Garden. And what are you saying to Patrick.

[D]

Young doing that he also deserves a statue in front of me.

[C]

So what are we gonna give him? 77 statues. It's a bunch of that put on that Nick.

[D]

I think there's about five people who deserve statues. And I'm good with all. Like, I'm good with Clyde Frazier having one.

[C]

What are we gonna say to Clyde?

[D]

Maybe Bernard King. Definitely.

[A]

Oh, your five is wrong. I could tell when you don't watch the sport.

[D]

I don't watch the sport. Name how many.

[A]

If you go into five, it's gonna be tough for you to get Bernard King in there.

[D]

That's what I said.

[A]

Maybe Bernard Willis Reed. Read.

[D]

Clyde Frazier.

[A]

Monroe and Clyde Frazier.

[C]

Pearl and Clyde.

[A]

Gotta be those three have to be sorry.

[D]

And then you. Then the fourth would be for me.

[C]

Mello Ewing.

[D]

Oh, yes, sir. Ewing and Mellow. So that's five statues.

[A]

So you don't get to that Bernard King is all I'm saying.

[D]

Then cut Bernard King. I'm not. I'm not. I'm not dying on the Bernard King hill. I'm just saying.

[A]

Mark Jackson.

[D]

No, no, no.

[A]

Strickland.

[D]

No.

[A]

Huh? Jeremy Lynn.

[D]

I had a joke for that.

[C]

No, again, this is. This takes nothing away from Melo. But I'm just saying, like if you gonna say you. This is Madison Square Garden. My. It's been some that put that uniform on that bought great Jalen Bronson, New York City.

[B]

How about maybe. How about in Syracuse?

[A]

Oh, he get one? Absolutely.

[D]

For one year, though.

[A]

Yes.

[C]

No, no.

[D]

One year is tough.

[A]

But they won.

[C]

They won a championship.

[A]

They won.

[D]

But then you got.

[C]

So what do you do to Derek?

[A]

They won.

[D]

That's about to say they've been greater players. I mean, winning is important.

[A]

Mail Derrick Coleman a candle like everybody else else the out of here. Dude, I don't see no uniform too. Don't make me. You be making me talk bad about people I love. I do.

[D]

You.

[C]

You just.

[A]

You just did that to us about.

[C]

Word about mellow and the mellow's great.

[A]

Wait, I'm not talking about.

[C]

No, you tried to line it up. Yo, you know he going to hear y' all saying.

[A]

Well, he's going to hear y' all was kikiing too much. I was trying to protect y'. All. Y' all did a lot of kiki.

[D]

Y' all said Botanical gardens.

[A]

Yeah, yeah, yeah, yeah, yeah. I'm just letting you know what Chris Brinkley is going to play for him.

[D]

I think if you look in la, if you look in la, Philly, other major cities, the statues don't have to be the biggest ones.

[C]

But they should be the one they gave Iverson.

[D]

No, that's different. We're not going to do that.

[C]

I love Alanis. I'll make sure you're good, though.

[A]

I love Alaniser.

[D]

What I'm saying is you could have like in la. Magic should have one. Kareem should have one. Kobe should have one. Shaq should have one. George Mikin should have one.

[C]

Four corners and call it a day.

[A]

Yo, once you say George Michael.

[D]

Then.

[A]

Y' all don't watch. Watch the sport.

[C]

If you don't think George. George Michael was the George Michael and Jerry west, you don't think Jerry west out of here. We gonna give Kobe, Magic captain and Shaq a statue.

[D]

You don't think Jerry west will get.

[C]

A entryway something like that. That's it.

[D]

Everyone all right? Yeah.

[A]

Sources confirm your vibe was weird. And yet everyone felt it. George. Micah.

[D]

Yeah. George Mikan deserves a fucking stash. Damn.

[A]

They're around gay people every day.

[C]

Cause they work for me. I don't got no problem with them.

[A]

That wasn't what I was arguing. I was saying once you have to say the name George Mikin. We're kicking past our coverage and I'm.

[D]

Saying that that's okay. Y' all can say that. But for a.

[A]

Get this shit off.

[D]

Every center in the NBA does Mike and drills for a reason.

[A]

Yo, Mike and drills the mic and drills.

[D]

But George Bin was the. There was a. George B. At one point was the all time leading scorer.

[A]

You know, go to night school. Go to night school and break it down. What George. What George M. Did.

[D]

George M. Was the all time NBA.

[A]

We got it, big dog.

[D]

All right, so. So. Moving back to Carmelo Hansen to wrap it up.

[A]

We gotta tell nigga. They right.

[C]

That's all.

[A]

Yo, y' all don't see how Mark get when he introed his father. Look at him.

[D]

I'm just about to ask you about Carmelo Anthony again. We can move on from Carmelo Anthony. I was gonna ask you just in the final analysis, who was saying yes? Who was saying no to the mellow statue? I know y' all saying no. I never got your straight answer.

[A]

I agree with this. If you do a Mello statue, you have to do a Patrick Ewan statue. Yeah. And a Jalen Brunson statue.

[C]

There's just too many great people that came before him. And it's not a disrespect to Melo at all. There's just too many other great Nick legends that don't have a statue. That would be more deserving of a statue than Melo.

[D]

I think that's true. Like, I think Patrick deserves one more than Carmelo, but I think Patrick deserves one. I think there should be four or five statues out there. Just like in LA and Philly and these other places. That's all I was saying.

[B]

So, like, the big shit. I like the little somewhere in the middle.

[D]

Somewhere in the middle. Not. Not the. Not the hall of Fame road joints that we saw in Philly, but, like, not the Rocky one either. Somewhere in the middle. That's all I'm saying. All right.

[A]

Is there anything else that needs our attention besides George Martin? Mike. You know what?

[D]

If George Mike was alive, he would y' all up.

[A]

Beat this out. Jump this out.

[C]

Be quick.

[A]

I'll finish yours, Mike. What do I got? An aluminum bat and trunk. Beat the dog out of George Michael. Anyway.

[D]

Joe. Why is there something on the board that says Joe testifying at Megan trial?

[C]

Cause they call Rap Rat man in there.

[D]

But say that's. Oh, that's why he was explaining all.

[A]

That about him, yo.

[C]

Because that's why I'm on the side of my man.

[D]

I'm a civilian.

[C]

You'll flip. What? You said spin them. That's how you.

[A]

Go ahead.

[D]

You just spinning them.

[A]

Me and Kylie Jenner.

[C]

I mean.

[A]

And I'm only saying that. Well, it's only on the board because there is a report that traveled around saying that we're gonna be called to testify for the defense.

[C]

I heard that.

[A]

I have not received that subpoena.

[C]

You check your mailbox?

[A]

I also don't check the mail and would be able to identify the courier when he steps foot in the strip club.

[C]

He gonna catch you in the elevator, your building and be like, yo, they gonna have to.

[A]

She.

[C]

It's gonna be a female stripper.

[A]

Oh, they gonna send a banger at you. Oh, she gonna be like.

[C]

You gonna think she gonna speak English.

[D]

Your butt right.

[C]

You have been served. Hit your surface.

[A]

Oh, y' all in sapphires. Yeah, y' all in the mother's. I got it, Y', all. Y'. All. Y' all in the mother's drill. I got it. I feel you. It's cool.

[C]

Why you in sapphire?

[A]

Y' all love that sapphire. Yeah, so it says that. I know as much about it as you do.

[D]

Will you show up if somebody with.

[A]

That shit on give em looks?

[C]

You can't disappoint the courts.

[D]

Yeah, you gotta give em looks.

[C]

Gotta get on your cardi. No, that nigga gonna go to who.

[D]

Show up will Joseph Anthony Button be in the courtroom, junior, under any circumstances, ask me to.

[A]

If they make you to take the stand and testify.

[D]

Yes.

[A]

Whether on the side of the prosecution or the defense? Yes. This nigga been waiting for this. You crazy. I don't think they. I don't really think they want what they asking about.

[C]

You like Woody, right?

[A]

I don't think that they want what they're asking for. I think that this is a mistake.

[C]

Could you imagine Sarcastic Ass Joe on the stand? I don't know. They might have you shook in there, though.

[A]

I ain't gonna lie.

[B]

You gotta bring Poe with you.

[A]

This is a mistake. Whoever is, is the brain trust behind this. I'm telling you, this ain't what you want either. I got an outfit laid out on.

[C]

The bed first day of school.

[A]

No. 2, we going to switch at lunch. And I'm a phony nigga, too, so, I mean, I got to see how I feel that day. Or who going to get this testimony.

[B]

See what the vibe is, right?

[A]

And my testimony for sale, too. Like, I'mma get up there and be on if they call me.

[C]

And Mag might put her weight back on. She put her weight back on. You definitely going to get up in here and be like, you know what.

[A]

I was never really into.

[C]

It's a joke, my man.

[A]

You're not funny. Have a romance, man. I don't know.

[D]

I don't.

[A]

I. I hope that this doesn't go through. That's not true. I hope it does go through. I don't think it's going through. It's too good to be true. True. Me going into a court to take a stand on a case where jail time is not an option for me. Like on something that I didn't do at all. You like, and give my opinion on both the prosecution, the state, and the defense, because I got opinions about both of y'. All. I got doomed. I got thoughts on that Milagro lady. So we gotta see how it goes.

[C]

Joe gonna be in there breaking down the legal system.

[A]

Everybody podcast. Y' all thought y' all had. Y' all thought academics had fun at that little deposition. You waited to get a load of.

[C]

Me, brother Polite in that.

[A]

Yeah, I'm promoting the pod, prize picks, all that, everything. God damn it. So shout out. Shout out to them. I look forward to seeing if that's true or not. But I'm here. I ain't going. I'm not fleeing. I'm not going to flee. Okay.

[C]

You just want to go in there, look fresh.

[A]

What the you think you talking to. I want to go in there and be nosy. Come back. Come back and tell the te. Whatever happened in there, that ain't supposed to get out. I'm coming out and tell it or sell it. Pay pay wall. One or the other. One or the other. Hey, have it your way or have it mine. We'll see. We'll see how it goes. What else is important or unimportant?

[D]

I was irritated by this Ryan Clark, Peter Schrager thing. Were y' all following this?

[B]

I was a little bit. Yeah.

[D]

Yeah. What did you make of it? Well, so for the audience, obviously Ryan Clark and Peter Schrager were having a debate on air on ESPN about football. And at some point in their disagreement, Ryan Clark said to him, the thing is though, and we shouldn't do this on tv, so I apologize if people think this is rude, but that is is the non player in you. That was his response to the disagreement they had over a play calling decision.

[B]

I'm on Ryan Clark's side in this one, 100%.

[D]

Let me tell you what Schrager said back and then Shrager said back. I'm not looking at fantasy football, Ryan. Don't belittle me like that. I can come in as 3x players are saying one thing and give an alternate. I could come in as 3x players are saying one thing and give an alternative that maybe Ceedee Lamb did play with well, so his. I see both sides of it. I just think. Oh, actually go ahead.

[B]

I think that first of all, I like when there's players or musicians or whatever the. The media is that we're talking about that did it to talk about it because they were talking about, I believe, A.J. brown and saying he had a bad game because maybe the numbers he put up weren't great, but he was probably out there blocking. He was being a decoy. Like sometimes there's things in the game don't show up on a stat sheet that a player will be able to tell you about. More than a pundit or analyst. Just kind of looking at numbers.

[D]

Yeah, I mean it was sort of the opposite. I mean, I feel what you're saying because his point was that Lamb had three big drops, including one late drop, though he also had seven catches for more than 100 yards. And Schrager was saying that he still played well. Clark was saying it doesn't matter because they lost.

[A]

Okay, right.

[D]

And you can have that debate. Right. I think the musician, the player, the person who ran a campaign, whatever your expert thing is their Voice should matter and they should always be in the room.

[A]

For sure.

[D]

I just think sometimes that's a lazy response because a lot of time the position that the non expert or the non player is saying has also been said by other players, which was his point. It's like three players said the same thing. So you can't just dismiss it. Because I didn't play like actually engage the argument. That's all I'm saying. My thing is engage the argument. If we neck and neck, then tie goes to the player. But like, I just hate when people do that. Cause sometimes it's demeaning and it's bad TV at some point.

[A]

Mark, you're the king of demeaning people.

[D]

Yeah, but I also like making good content.

[A]

Anyone understands demeaning someone with their area of expertise. That's you. That's your middle name. Now you got a problem with it.

[D]

Again, let me tell you why.

[A]

Because I think that luxury goes to. You make a fair point. So I'm not listening to you. But that luxury does go to the player. The player is able to pull that out of his pocket whenever he wants. Now, if that's the right time or not valid. But the player. That is a player privilege.

[D]

It's also a logical fallacy. That's all I'm saying. Like the appeal to authority. I'm saying, like, there are times where I know more about this thing because I did it. But the way to win the argument is by pulling out the information that you got from knowing more. Not just to say I'm right, because I know the thing.

[A]

I agree with that.

[D]

That's all I'm saying. And it's not true.

[A]

Ryan has brought smoke to people's doors on espn. This is not his first at all.

[C]

But what do you say then? When, when, if, if, if the person that did not play has. Well, this person played. This person played. This person was all pro. He was better than you. He agrees with me. Now what do you say to that?

[A]

You get what I'm saying?

[D]

That's my point.

[A]

I watched this segment and didn't hear him say that. Yeah, I didn't hear that.

[D]

That's what Schrager said.

[A]

I watched it and don't recall. I read a quote, the clips were.

[B]

All very short and that they cut off a lot of things because Ryan Clark had more to say that they cut off in every clip that I could find on the Internet. They were just focused on that one thing. And honestly, my best.

[A]

Go ahead.

[B]

I was just gonna say that he maybe shouldn't have preempted it in that way.

[A]

Nah, fuck that. If a player said that, then you've stripped me of my ability to say that. And now I'll engage what you're saying. We come from the same place.

[C]

Gotcha.

[A]

If this guy who's never played a down says that. Sorry. If instinctually, my first thought is, okay, part of your thinking is because you've never done this. See, I can't say that when I'm talking to a player. You're coming up with this from somewhere else. So let me try to figure that out and reply to that. But if you didn't play, respectfully, it's kind of like up here sometimes where we be having music talks and me and Parks be like, okay, I understand y' all saying what you're saying, but.

[C]

It now makes your point not be valid. Cause you're saying, I only think that way because I didn't play, but now it has three people or four people or eight people who I'm ever since. No, I agree with that. So now what do you say? My point is not valid because I didn't play the sport.

[A]

Yeah, but I think that's a crock of shit that people think everybody is treated equally. I'm not treating the guy who just blurts his opinions and never suited up, never been in a locker room, never played it down, never touched grass, never got injured. There's a lot of things that you never did did, especially. I'm not treating you the same way as a player with your same exact thought. I think that's a mistake that people.

[B]

Make a lot, especially on espn. No disrespect, but there's a lot of, like, bad takes, especially from people that didn't play the sport and clearly don't really watch a lot of, like, footage.

[A]

See, I think that that's the greater point that we get into. Imagine being a player and you sharing the airspace with people that think that. That the Michael Pennix jersey or the Shador Sanders jersey is a Barry Sanders jersey. Like, I'm sharing the airwaves. They're hiring people. They're hiring personalities. Yeah. They're not necessarily hiring people who are. Who are so experienced in sports and diving in and delving into these people just up there talking. So if I gotta listen to it, yeah, that's gonna come out.

[B]

Sometimes I don't want to say necessarily about Peter Schrager, because I do think that he is actually pretty good.

[D]

He knows the.

[A]

Yeah, but.

[B]

But if you're always around people that maybe aren't or you're frequently around people that maybe aren't. You're gonna be defensive a little bit.

[D]

I get that about your expertise. I just feel like the way to defeat that is by, again, beating them with the argument.

[C]

Yeah, true.

[D]

Don't just say, I'm right because I played. Say, here, I'll give you a perfect example. JJ Redick used to do that on basketball. He wouldn't say, well, I played. I'm. I'm one of the greatest cosplays of all time, one of the greatest shooters of all time. So I'm right. He would break down, get in the weeds, and show them up and say, look, here's all the reasons why what you're saying doesn't make any fucking sense. And the fact that he knew more than them became obvious because of how he made the argument.

[A]

Now, if you want to say that Ryan needs to do a better job in explaining, then fine. But JJ Reddick, that's why I say.

[D]

It'S a lazy argument.

[A]

JJ Redick, before he got into his breakdowns because he was a psychopath with. That started with no disrespect, no offense. I can't even listen to the bullshit that you're saying as an expert. JJ Redick always started with some smug, yo, I know what you saying makes sense to you. Let me give you all of the million reasons why it don't make sense.

[D]

And that's all I'm saying. Give me the million reasons. Don't be lazy to just.

[C]

A million reasons are way more valid than. Yo, you ain't.

[D]

Than I'm me. That's all I'm saying. And the last piece of this for me is, again, it's bad tv, because as a fan, I don't know.

[B]

We're talking about it. That's good tv.

[A]

Yes, and you brought it up. It's not bad. It's not. Ryan has fought with some of these niggas. Some of my. One of my favorite pastimes is watching ESPN and figuring out who hates each other.

[D]

Well, a report came out today saying that a lot of people don't like working with Ryan Clark.

[B]

There's been.

[A]

There's been little Ryan. I'm one of Ryan Clark's biggest fans. Me, too.

[D]

I love Ryan.

[A]

I absolutely love him. Nobody could say a wrong thing about Ryan Clark. Clark in front of me.

[B]

Yeah, it's been a lot of smoke with different people around him also, but I think that's because he's.

[A]

Y' all riding with RG3. You ass. Y' all right.

[D]

I love Ryan.

[C]

That's Bob.

[A]

They ride with Bob. III shout out to Ryan Clark.

[D]

I love Ryan Clark.

[A]

That's why I want him to win.

[D]

And I just want him. I want him to show how much more he knows than these people rather than just again.

[B]

I just think if he didn't preempt it with that explanation, it would have been perfectly fine.

[A]

All Mark need to do is just walk, watch football. This come in here topic in the world and don't watch football.

[D]

That's all I got.

[A]

That's not all you got. God damn. I'm not.

[D]

Look, I. If y' all can give me a reason to watch football again, I will.

[B]

It's great.

[A]

Amazing. Ravens versus Bills. That's it right there. Ravens. Vers. Bills.

[D]

I heard that was amazing game.

[C]

It was. That was the best game I've seen every year.

[A]

It is, though.

[C]

I'm.

[A]

This one was the same as last year.

[B]

That was a good game, too.

[A]

That was a good game. You're bugging.

[C]

That game was a good game.

[A]

Whatever.

[C]

Vikings, Bears, Minnesota and Chicago. Chicago was kicking their ass, and The Bears just.

[B]

J.J. mcCarthy looks like.

[C]

And they came back and won the game.

[B]

I'm mad I turned off that Bills game, though. My wife and her friend came back from being out, and I was like, this is a blowout. Let me go to the VMAs.

[A]

Actually, that's the perfect segue. Which one of you guys with vaginas left the Bills Ravens game?

[B]

I'm sorry.

[A]

Watch the pma.

[B]

Hit the drop. Hit the drop. It's okay. It's okay.

[A]

I'm got to do it.

[B]

I'll take it. Pause or unpause. Because I was a on Sunday night.

[C]

Gay people work for me right now.

[B]

I'm sorry.

[E]

Damn.

[A]

Now around gay people every day.

[B]

I let n down.

[C]

I don't got no problem with letting.

[A]

Oz and Joe down.

[B]

Yeah, my bad.

[A]

All right. You watch. I didn't see the video I saw on you.

[B]

It was absolute trash from what I saw. It was not many big artists there. Busta Rhymes did a big set salute to Busta Mariah came out, busted.

[A]

Our Stevie Wonder.

[B]

He's having a Stevie Wonder year this year. But the rest of it was. I don't know who these people are.

[C]

Respectfully, I went to read the winners and I. I was with you. I don't know who the. None of these are.

[A]

I. I did well, y' all. All. I was shocked that that was Mariah.

[B]

No, there was pop Pops. It was like teenage pop stars.

[C]

I was very shocked. That it was Mariah's first vma.

[B]

That was unbelievable to me.

[C]

When I saw, when I saw that she won best R B and I saw the other nominees, I'm like, how the. But then I saw, okay, she did the performance.

[B]

She got the Vanguard Award which is like their, yeah, that's it. That's their lifetime achievement kind of thing.

[D]

It surprises me a little bit because how the VMAs used to operate. But at the same time, if the war, it really is for best video video. And when I think of Mariah, I don't think of like bombass videos.

[B]

What she had some classic videos. Like what Fantasy was amazing. What's the where they did the whole. She got kidnapped was it. It was the Q Tip produced record.

[A]

I'm with Parks on this.

[B]

She has some very good videos. Yes. I had a crush.

[A]

That's good enough. That video would. That's one of the first albums I bought. And first.

[D]

I know you sing with your hairbrush in the mirror.

[A]

You told us before that video works.

[B]

The Emotions video is iconic.

[A]

The Honey video.

[B]

Yeah.

[E]

I'm.

[A]

What you doing? Like she's got video.

[B]

That's what I'm thinking.

[C]

Honey.

[A]

The honey video.

[C]

I was a kid.

[D]

She's like, when I think of that era, I think of like Janet Jackson as having like the amazing video.

[A]

She got it.

[B]

I watched a lot of MTV in that era and Mariah Carey was on both that NBA like you would turn off.

[D]

Oh, she lived on there. I just, I just didn't love.

[A]

I love her.

[C]

I didn't love video were video.

[A]

I'm not trying to say that she's Janet's comp in videos. I'm just saying Mariah Carey, it's a deserving video. Big budget videos known for. She was known for videos for great videos.

[D]

Okay, maybe I'm wrong. I, I, I've never, I only think of, I never think of Mariah Carey's.

[C]

Having like great videos also as big.

[B]

Of a, a behemoth as she was in the industry. You know how these award shows.

[D]

Well, that's when I started.

[B]

Like at some point they should have probably gave her a video.

[D]

That's what I started with. I said I'm a little.

[B]

They could have given it to her with the Boys II Men where they're in the studio. Like it wasn't that complex.

[C]

They gave it to her because she gave them the performance. We know how this go.

[B]

Yeah, yeah.

[A]

For sure.

[C]

We know how this go.

[A]

Even that video at the time. See, it's tough to judge from 2025. But the One Sweet Day video, seeing boys to men and Mariah in the studio. BTS streaming before streaming. It was a thing. It was a thing.

[D]

I just don't know if it's an award winning video. I mean, I guess you agree to disagree. This thing was just jerking off than Mariah Carey.

[B]

Oh, I was. Absolutely.

[A]

I've never. I've never jerked off to Mariah. Oh, absolutely.

[B]

You don't like Mariah.

[A]

Which Mariah? Nick Cannon.

[D]

She wasn't.

[A]

Jerk off. Wait, so Parks and Freeze have jerked off to Mariah?

[B]

Oh, and the Busta Rhymes video where Busta Rhymes was in charge of babysitting dude's wife. Oh, that's a classic video in my household.

[A]

Ish. Did you jerk off the Mariah? No. Ashley Witherspoon.

[C]

Who the is that?

[A]

I'm just naming white people.

[B]

Reese Witherspoon. I think it's.

[A]

I'm like rice.

[D]

You don't know white people.

[A]

I keep saying, that's not my bad.

[C]

That's ash.

[A]

White people. My girl got some white in it. Up. Anyway. My girl. Oh my God. Monday night. Talk about fishing for a fight. It's Monday. She tried it. You've been acting funny. How, baby? Oh, God. You ain't called me all day yesterday. I said Sunday. Sunday.

[C]

So the first week, one Sunday.

[A]

It's a trap.

[B]

It's a trap.

[A]

It's a trap. It's a trap. But I fell right for it. You mean yesterday when football was on?

[B]

We've been waiting eight months for this all day.

[A]

She said, yeah, I was texting you. I was calling you. You ain't see that. But you have time to be on Instagram. You have time to be. I said, yeah, it's different.

[B]

I could be on Instagram and watch the game.

[A]

I could do whatever I want to watch the game. Guess one thing that no man in America did yesterday. Call or text or talk to say.

[C]

Girl way or talk to it.

[D]

That part.

[B]

It was the morning I was going downstairs. I was like, hey, baby, I'm gonna go downstairs. She's like, oh, so I guess that means don't come down, right? I'm like, yes.

[A]

Well, I mean, yeah, no, it's your house. You can do what you want to do. It's your house. I'm be watching the game, bro.

[C]

I told Shorty yesterday, it was about. It was about 10:30 in the morning. I'm like, look, I'll get lunch together for everybody. Whatever. Whatever. I said.

[A]

Cause look, before one.

[C]

Once, one o'.

[A]

Clock. Get here before one yeah, yeah. Oh, yeah.

[B]

Basically, breakfast. That.

[C]

Yeah, I told straight up. Yo, look, when one. When one o' clock get here, y. Don't talk.

[B]

12:30. Y' all want to see some pregame?

[A]

See, that's my problem. Don't talk. I'm not communicating.

[C]

Well, yes. You gotta let that in. Let them know what that means.

[A]

I just got the 12:30 call in. 12:30. Hey, babe. Love you. You the best. Okay, bye. I let them know you the only girl I love. I'm faithful. Okay, bye. Guess what happened at 107. 1 11. Right there. Right there. Hey, you think you'd be able to mail something for me? My. Wait, I said. I said post office closed today. I swore. Wait, no. Because I be thinking I'm in La La Land. I swore. I just said to you that this is week one of football. Damn. She said, all right, you. You don't want to talk to me. Two hours later, here come her favorite meme. I love it. I love it. Another meme. Now she's just me.

[B]

Do not disturb.

[A]

Yeah, hit that little half move.

[C]

You gotta tell. You gotta tell that. You gotta say that.

[A]

But she fried me the next. She tried to fry me the next day. But I'm like, you, frying me. You gotta. You gotta loosen up the leash. You gotta loosen the leash, fam.

[C]

I'm in the house watching football.

[A]

Yo, I'm talking to my fantasy team co manager. I'm looking up stats like football. Doing mid guy. Word. Anyway, she listens to this, so I'm moving on.

[B]

I'm sorry you went through that.

[A]

Yeah, that's my bad.

[C]

Just communicated, though.

[A]

That's.

[D]

That's the.

[A]

We cool. It ain't. It ain't Sunday or Thursday, so ain't no beef now. We chilling out. Anyway, what else is important? I know, Mark, was that Dame Dash shit was important to you. And Dame said some shit about me, too. A lot of niggas been talking about me.

[D]

Yeah, Dame's been back in the news a lot. Dame Dash and Cam'. Ron. And it's been interesting. It always makes me sad when I see Dame Dash and Cam' Ron or Dame Dash and anybody who he had a relationship with have beef publicly. I'm not blaming Dame for it. I'm just saying I hate to see that kind of thing. But it started off as kind of lighthearted. It seemed like Cam and Dame. And then it seems like the jokes turned serious a little bit as they started having a little back and forth about their past, about their relationship, about who supported who. At some point, Dame was saying that Cam didn't support his movie. Was it called Men of Honor?

[A]

It's called Honor Up.

[D]

Honor Up. I'm sorry.

[C]

And I'm on record for saying that as one of the three worst movies I've ever seen in my life. Cam did a favor not supporting that movie.

[A]

Is it worse than Snakes on the Plane?

[C]

It's worse than every movie you could possibly name outside of Nick Cannis. Shy raking, and maybe belly, too.

[A]

What about that other plant? Sharknado?

[C]

No, shark.

[A]

That's fire.

[C]

Yeah, we're not doing that. We're not doing that.

[A]

Oh, yeah, and all the Fridays.

[C]

I let it go the first time. I'm not doing it again. I let it go.

[A]

I ignored it. But you tried it. And all of the. Friday.

[B]

Friday the 13th.

[A]

No, he's talking about.

[C]

Yeah, get him out of here.

[A]

Go ahead, go ahead, go ahead.

[C]

Like, when I saw that, I'm like, dog, that movie was horrible.

[A]

So what about the Idris Elba movie when he was on a plane? That was a show. Yeah, Hijack.

[B]

Hijack.

[A]

It was a show.

[B]

It was kind of a good show.

[A]

It was a show.

[B]

Yes.

[A]

Yeah. I'm getting old, you know, my memory. That blood pressure medicine, they say it as a symptom. Your vision gonna get blurry, that memory.

[C]

You gonna just keep taking it up.

[A]

Yeah. Yeah. Figure that's better than sometimes not. So figure that's better than, you know, heart attacks. Yeah, the other. The other. Alternative blindness.

[C]

Got it.

[A]

Have you checked how much. What's that. That cholesterol the. That surrounds the heart that you got to check how much clog that clogs that you. I forgot the word. Give your arteries a clog. See? Word. I'm good. You good? Cuz Mandy said you're good?

[C]

No, cuz all my levels at the doctor said I was good, cuz Mandy.

[A]

Your doctor.

[C]

You on Mandy's dick.

[A]

You know, get the out of here. Yo. So you've seen Mandy's dick. Wow. What were we talking about? Dame Dash.

[D]

Dame Dash.

[A]

Yeah. Mark, go ahead.

[B]

What do you say about you?

[A]

So what do you say about me?

[B]

Yeah.

[A]

Dame said that all of the hot podcasters are roc. A fella podcasters. Right.

[D]

But he was lamenting that. He was basically saying that, like, we had this hot thing going on, and instead of having these artists who are pushing the culture and advancing the culture and laughing at the journalists and laughing at the media, now y' all have become the media. Y' all become the people talking about Cam. Mace him. Nori.

[A]

I thought all of y' all were rock stars, not chatty little bitches, basically. He didn't say that.

[C]

That's what he was trying to say.

[D]

We're still waiting for that.

[B]

You could be a rock star. Chatty little bitch.

[A]

So I want to let Dame know when I try not to support America New, you got to start with that support Dame shit. America New. Go check it out. Now that that's out the way, Dame has to stop. Hey, leave me out of all that. Whatever you're doing. My name should have nothing to do with that. I was Rockefeller for 79 seconds and I keep it a secret. It's not something that I run around promoting or I'm proud of. I ain't released an album on Rockefeller. I ain't put a song out on Roc a fella.

[C]

You get a rock chain.

[A]

I didn't get a Roc a fella chain. I didn't get a rock. I didn't get a Rockefeller cup of coffee.

[C]

You got some spanky?

[A]

No, I didn't. I didn't get a Rockefeller penny. So when you having these Rockefeller conversations and hov don't even recognize me in the Rock and Rollers. Oh, that's name talking. Keep me out of that. I'm not a Rockefeller. Rapper, artist, podcaster. I don't have nothing to do with none of that. Carleen barely buzzed the gate when I was at the Motherfucker.

[B]

Who's that?

[A]

Yeah, Carlene ain't what they were over. Carlene was back there. Yeah. So I love Dame. Like I said, I'll never have a negative word to say about him. He's loaned me money out of his pocket. I won't say nothing bad about about him, but please, I'm not Rockefeller nothing. I don't claim it, I'm not repping it. Shit, you might shouldn't be repping it. But that's not my business. That's not my business. A Rockefeller podcast? Are you crazy, Dave?

[D]

Well, I think his bigger point was just he thought y' all were cool. And the space y' all operate in is gossiping.

[A]

We not cool enough for you to dictate nothing about my actions.

[C]

Hey, anybody out there that think we.

[A]

Cool enough for y' all to dictate how I move? Move? That's triggering for me. That's been a problem with me since Pre K. I'm rebellious. I just told my girl this. No, for real. I'm. I'm. Whatever the grain is, is in my blood and DNA to be against it. I'm just. Just. We just made up that way. Sorry, the out of here, but that's my man. So I don't have nothing. I don't have nothing negative to say about him. And don't make it seem like I came and started this shit when it was in season, when it was trendy and fast. You telling the Joe Button story wrong. Don't tell my story. You not qualified to tell it. Shut the fuck up or deal with them. Deal with the niggas you have that type of history with. My stint was for a minute and.

[D]

A half, and honestly, that shit fucking.

[A]

Ticked me off when he said that shit. Niggas just be dropping my name and shit. That has nothing to do with me. Me. Please don't compare me to Bleak. Don't compare me to nobody that's ever been on Rockefeller that has a podcast. It's not the same. Jesus, Mary and Joseph.

[D]

It is interesting how many former rock fellas podcast, though. I mean, damn near all of them. Everybody but Beans and Free. Damn near.

[A]

See, that's the norm. That's what somebody in hip hop would say. Where I'm sitting at, I say it's interesting that so many people have pocket. I'm not. Don't bunch me in with this hip hop shit. It was three of y' all when.

[D]

I started, which to me is a Dame Dash. To me, it's in his spirit. I would think he would want you to do that. And I'm not saying he doesn't, but Dame Dash is always about own your own shit, build your own shit, create your own lane, make another vertical. That's what you've done here. So I would think he would be shouting that out.

[A]

I'm not walking around looking for congratulations from anybody. But I also don't have to be a part of whatever story and reshaping of things you're trying to. I don't want to. I don't want nothing to do with that. Dame, I love you. I wish you nothing but the best. I'm sure you wish the same for me, but I don't want nothing to do with that.

[D]

Well, 50 Cent just bought the rights. Was it paid in full?

[A]

Yeah. Yeah.

[D]

And of course, Cameron is part of that. So Dame mentioned that last night that became part. He's kind of clowning Cam, saying he.

[C]

Worked for 50 now.

[D]

Yeah, now you work for 50. I don't know the business arrangements. I doubt that he works for 50, but I don't know the business arrangements. But it's just the next level of their back and forth. Oh, this one seemed a little More. More light hearted also.

[A]

It's just a wild.

[C]

It's just a wild mentality. Like, some people just have this thing where I. And Dame is one. He's on record saying, like, he can't work for nobody. He has to be the boss and. Okay, cool. But there's nothing wrong with partnering up as well. Yeah, it's like some people just always want to look down on that.

[A]

Or.

[C]

Or maybe I might work for you.

[A]

To level up to the.

[C]

Now I go do this.

[B]

Like, so has built an empire in TV and film.

[C]

If Cam was.

[B]

And I don't know that he is. If he was hypothetically working for 50 in this case, I don't think that that's a terrible thing.

[C]

It's a good spot to be.

[A]

Right.

[D]

This idea that you never will work as talent, to me is weird. Or that you'll never. Cause he was clowning. They were clowning each other for working as talent for VH1 or for MTV or these other different shows. I mean, again, I don't care about. They're friends. They're gonna be friends again. They love each other. It's gonna be peace. But, like, I think about the audience watching that and this idea that now everybody who gets a 9 to 5, everybody who's in the business of entertainment, who takes a talent. You can't even take a talent contract.

[A]

Now, let's address that. Do y' all feel like that that word is or has become a diss? And if somebody calls y' all absolutely just talent, are you taking offense to it?

[C]

They are. They called us just talent, literally to diss us.

[A]

I haven't heard anybody say, I see it regularly. Just asking.

[C]

I see it. I don't give a fuck. I don't give a fuck.

[A]

But you take it as an offense.

[C]

No, I don't take it as nothing.

[D]

I know they mean it as one.

[C]

Let me tell you. That's how they mean it, though.

[A]

Yes.

[C]

When you go to AT&T and you answer that phone, you talent. When you go to your accountant firm, when you go to Goldman Sachs, when you blah, blah, blah, partners, and you're an attorney for this company, you are their talent.

[B]

You drop back in the. In the huddle.

[C]

Yes, you are talent.

[B]

You are square.

[C]

So unless you own your own and it has your name on it or your brand on it, ding, ding, ding. You talent. So you can't insult me calling me talent.

[A]

Should that be a diss today?

[E]

No.

[C]

Fuck you talking about? You gainfully employed. What happened is niggas learned this ownership word. Yes, and ran it into her fucking house. Entrepreneurial shit. That's it. And now it's jumped out. Now you ain't like, it's the thing to be. You ain't shit if you don't own it.

[D]

And that's the thing I disagree with Dame about, because to Dame's credit, I.

[C]

Love Dame Dash, bro. It's a horrible message. It's a horrible message.

[D]

Exactly.

[C]

I just don't speak on it a lot because I respect Dame.

[A]

Same.

[C]

I really, really, really, really respect Dame. It's a horrible message. When he got on Hot 97 and said it, it was a horrible message. Then, yeah, my nigga, you not being a owner of something does not make you less of a man. One, it could be a goal of yours to own some shit so that you have the ability to leave it to your family, leave it to your children, and just be the outright owner of it. That is fly. Most people don't ever reach that. And so if you discredit a man and his hard work ethic because he don't work for himself, I think that shit is a horrible message to send people.

[D]

And how do you run a business? To me, it'd be hard to hire people if I would want to work for you.

[C]

Looking at you looking at me like, you think I'm less of a man?

[D]

You think I'm your daddy? Like, you know, because that's what he said. Like, you know, somebody's my boss is like, calling him daddy. So then what does that mean when I'm trying to hire people?

[A]

I agree with everything you guys are saying. I want to start there. And I want to also say to the people listening, if you understand how talent can be received as a dis, then you're ahead of the game and you're doing what you need to do in terms of financial literacy. We preach that all the time up here, but that for me, is part of it. Like, for you to have the understanding to take talent as a dis, or to know what someone means by it means you have more information than the person starting at go. I think that's all I have to say.

[B]

Part of financial literacy also is just making good business decisions for yourself, which may include being an employee.

[A]

Go ahead. Go ahead. It's what you mean.

[C]

You said that if somebody looks at talent, the word talent as a quote unquote, diss, not looks at, if they understand what you mean, intention behind it.

[A]

Yeah.

[C]

Like somebody calling talent is trying to.

[A]

Diss you, then they are ahead of. Of the person starting at go.

[D]

You're at least in that world. I get what he's saying. Yeah.

[A]

Go doesn't teach you that talent is a dis. Go. Go teaches you to be talent. Right. Go teaches you that talent is the way to be to the way to fame, the way to be to make or break you. Talent. Talent is the thing to be. That's in Hollywood, that's in music, that's in everywhere. If you go a little further in the book and see what the back end is or what people that are not talent are making, that's all around the back. And you get to talk to them about how they view talent, like where the real money is made, then you start to take offense because you understand where that's coming from. And then you fight to not be looked at as solely talent. Then you fight to participate. I. I just.

[C]

Yeah, I think. I think that's personal preference. I think that some people are okay with being talent. I think that some people are okay with.

[A]

That's not what I'm talking about. I know, but I'm just only talking about understanding.

[C]

I know, but I'm saying, like, as a diss, everybody don't want to be the CEO.

[A]

I'm only talking about understanding how it could be a dis. Then you're ahead. I'm agree with what you're saying. I'm not saying that you're lesser than. If you're talented. I'm not saying none of that. But to know what other people mean, to know more languages than just your own.

[C]

Oh, for sure.

[A]

You're ahead of the person that is ignorant and has no knowledge at all. That's all I'm saying. Good luck to Dame and anything that he's bad with. Dame, I love you. We'll talk. We always talk. But keep me out Rockefeller conversations. Please, please, please. I beg of you. I beg of you. I shouldn't be a Rockefeller example in nothing and nothing at all.

[D]

There's another story. I don't know if this is too white for you. Charlie Sheen.

[A]

Mark, can I look at some topics? Let me.

[D]

Let me look.

[A]

Let me check my.

[D]

It's not about Charlie Sheen, really.

[A]

Speaking of. Go ahead. See, that's more juicy to me. Charlie Sheen.

[D]

Well, it's just that he was on Good Morning America talking about. About when he got. When he started smoking crack. He started having sex with dudes. No one else saw this.

[B]

I saw it. I saw it.

[D]

Well, that doesn't help. That's how.

[A]

Mark, tell me more.

[B]

I was waiting till the doc dropped to really talk about His I saw.

[A]

Something like this, but I'm not. I'm not researched on it.

[D]

He's got a book out. He's got a book out called the book of Sheen. He's got a documentary coming out. He went on GMA and he. Because he's talking about he being relieved when he found out he hiv, Although he was depressed about it because of years of just wiling and just having a whole different life. And part of that was having sex with men. And for him, he said he didn't start having sex with men until he started smoking crack.

[A]

So crack turned them, turned him out.

[D]

That's sort of what I wanted to ask y'.

[A]

All.

[D]

It was less about Charlie Sheen and.

[A]

More about the glass dick to the real dick. See for me, what is that?

[C]

He went from sucking on the glass dick to the real dick.

[A]

Sorry.

[E]

Got no problem with gay people.

[A]

Gay people work for me right now. Oh my God. I'm definitely around gay people every day.

[C]

Cuz they work for me. I don't got no problem with them.

[A]

What Charlie Sheen is attempting to say, I find in the same vein of what Young Thug was.

[B]

Don't say vain in this conversation.

[C]

We not going to be mature at all.

[D]

Is crazy. Hit the button. Hit the button.

[C]

Right now.

[A]

I'm damn near around gay people every day.

[C]

Cause they work for me. I don't got no problem with them.

[A]

It's in the same world as what Young Thug had to say about that. Community. Community. To me, like Charlie Sheen sound like he's saying, I wouldn't have a dude if it wasn't for crack now.

[B]

But then he said, but now I'm cool with it though. He cleaned it up.

[A]

No. Charlie Sheen you were cool with was.

[B]

Always in there somewhere.

[A]

I know we need to look for justification. I know we need to figure it out within ourselves. Elves. Charlie Jean, you was cool with it and he happened to have some crack on him.

[D]

Got two pipes in the same.

[B]

It's a few.

[A]

Play it again, man. God damn it. Sources confirm your vibe was weird. Yes.

[E]

Everyone felt it.

[A]

Everyone felt it.

[B]

Everyone felt it. It's also crazy. All this. All this to me was just like pre roll for this book. And doc.

[C]

Yes.

[B]

And guess what?

[C]

It worked. It worked.

[B]

It worked. Definitely.

[C]

I'm watching.

[D]

I'm fascinated by Charlie Sheen.

[A]

Charlie Sheen don't even know how much equity the name. Charlie Sheen. Charlie Sheen. All you had to do do was.

[C]

Say, I'm putting a book out.

[A]

I'm putting a book out. That's it. Crack. And it's going to be. I'm telling a tell all book and we were going to get that book. You ain't have to tell me about no crack. I just assumed that that was in my default. Charlie Sheen thought, oh, he was on crack. I knew that before you did it. Yeah, word. I heard the story. I was like, oh, yeah, yeah, yeah. He. He did that. He did that. Go ahead, Charlie. You the man. What'd you think, Mark?

[D]

I thought that this would lead to some really immature jokes. And that's what I was hoping for. But I think that what you think is that drugs open you up, not to.

[E]

Yo.

[D]

Hit the button. Fine, fine.

[A]

I've earned it.

[D]

I've earned it.

[A]

I've earned it. Or hit the button.

[B]

I don't like it, give it to me.

[C]

Just hold that up right now.

[A]

No problem with gay people.

[C]

Gay people work for me right now.

[A]

I'm damn near around gay people every day. Cause they work for me.

[C]

I don't got no problem with them.

[D]

But that was just my thought. I'm not shocked that he said it. I just think to your point, that just allowed you to give yourself an excuse to do what you already wanted to do. If we didn't have a guest coming. All the other stuff I was gonna ask y' all sort of when inhibited. What's the wildest shit y' all did? Not that level of wild. What's up, man?

[A]

Why was this nigga wild?

[D]

I always do.

[B]

Even.

[D]

Well, all right, I'mma stand down. I'm done here.

[A]

I'm done here.

[D]

I'm done here. I'm done here.

[A]

All right. I'm just thinking about when you have something come through and she got the drug on you that you not familiar with to try to get you to die and had chicks come over with some special cash. Same with some acid shit.

[B]

I ain't cbdc. Some crazy shit I never even heard of.

[A]

Yeah, some that you needed. That was a girl that brought huffing through.

[B]

Oh, yeah, yeah.

[A]

As a dude. Yeah. I wasn't home. Just like, let me huff.

[D]

So you never did it. You never dabbled in.

[A]

And I'm saying huff. But it was the laugh gas that.

[B]

They said Kanye got. Nitrous.

[A]

Yeah, like girls. I mean, in Charlie Sheen's case, dudes will come through, but whoever.

[C]

You had that on him.

[A]

Yeah. What? All right. Yeah, I'm good. Let me see what else is important or unimportant. Let me hit my list. Let's see. Yo are do for some Meek Mill, Cuz I did want you guys opinion on It. Meek Mill tweeted, which is one of my favorite things to do. He tweeted, pull it up for you. Pull it up for you. Pull it up for you. Meek Mill said He's looking for $5 million for his next book, album, and short film. And he's not understanding why labels are low balling him.

[C]

All right, I got the tweet.

[A]

Let's do it.

[C]

I need 5 million in funding for books, album, and short film. These label deals, not looking fair at all. They ruined the game, basically. But I can reboot the whole thing. Why can't I get the same attention as a tech investment in rap? What the helly?

[A]

Distinguished panel, I agree with him.

[B]

There's a slight difference.

[A]

Distinguished panel, I agree with him.

[D]

Let's fight the numbers. Don't. It's the numbers that surprise me. I don't know enough about music business numbers at this point to know what he should deserve. I know the book industry. If I. If I was giving out a book deal to Meek Mill, I'd probably give him somewhere between half a million and a million dollars.

[B]

Okay.

[D]

So I'm like, that's one of the five.

[E]

That's one.

[D]

And then so now I'm thinking about a short film. I don't think it's worth that much. And y' all can answer the music question. And so for me, the question was more like, why would he need a capital investment?

[C]

No, I think the dollar amount that we focusing on is one thing. I think what he's trying to say is that when these tech startups have happen or when any other companies happen, they go get seed capital. So why couldn't hip hop artists go get seed capital and pay your investors back and circumvent the label?

[B]

They do it.

[C]

I think that's genius.

[A]

Yeah.

[C]

I don't do that again. I've never. I don't know. TLC did it.

[A]

Yeah, did it.

[B]

So I think they lost soul. Maybe someone else did, but a couple people.

[C]

I'm talking about crowdfunding. So what he's.

[A]

Exactly.

[C]

So what I'm saying, he's that the idea. Maybe the 5 million might be off, maybe 2, 3. Whatever the case may be, I still think that we complain about the label so much. What he's saying makes sense to me, but I'm not in the music business. But what if they offering them two, three, but they might want five, but they might be offering two for their control of your. Whereas if you just busting down the investors back on a. On a. On a percentage basis from an Investment perspective, then you own your shit.

[D]

What if they don't think it's a sounding.

[C]

I was just getting ready to. That's what it sound like. Because again, this is the same Meek who brags about being friends with Robert Kraft.

[A]

Hov.

[C]

What's my man Philly Michael Rubin.

[A]

Who got that speak to that. That's a good point. In abundance.

[D]

That's a great point.

[C]

So maybe if these are your people and they don't believe in it enough to give you that, then maybe it's.

[A]

And they're professionals at this.

[C]

This is what they do. So maybe it's not as a sound investment as you think it is.

[A]

So.

[B]

Well, the difference in that in tech is that the return on a movie or album or book is nowhere near is likely to be as high as a tech. If it works.

[C]

If the tech hits because it's mad, I got a hit too, yo. It's mad tech that don't hit.

[A]

There's more hope in the tech that failed than whatever Meek is talking about.

[D]

And. And I want Meek to win. I love Meek.

[A]

I.

[D]

I think an album from him would be great. I think a book from him would be great. A film would be great. But it's not the same as a tech investment. A tech investment, you invest a million hoping to become a billionaire.

[A]

Right.

[D]

You know? Right. You don't invest in a book or a film or album to get a thousand times return on your investment. I ain't seen. I mean I've never seen it. Unless you.

[A]

Unless you invest it low. I'm not going to shoot on what he had to say. I think he's on the right route. Even if I disagree with the tweet. Sometimes you need to be forced into your independence. True.

[C]

So let's say this right from an investment perspective.

[A]

My bad.

[C]

Go ahead.

[A]

You could also find investors and be independent. But when the entire field. And I'm only taking this from his tweet. When the entire field is saying you way off in the numbers, you got to go yourself and prove them wrong and find your own metric. Just listening. A book, a short film. I've never seen a rapper short film benefit anybody but the rapper. Yeah, like that's just the truth of it. Like as. As artists, we have to start finding different ways to either either prove our worth or show our worth. But it's not in short film. That's ancient. Ancient. That's ancient verbiage. If you're trying to get a deal in 2025. A book. I'm with Mark. You're not. It's not. It's not. We're gonna give you a million dollars.

[D]

That's generous.

[A]

If. Yeah, yeah, yeah, yeah. If that. And in music today, where you are you on your independent journey. It ain't worth. It's not worth that. If you asking for it. I'm not saying it's not worth it, but if you asking for it. There's nobody that's of sound mind is giving Meek Mill. Unless it's your homeboy, unless your friend. And in that case, you should do it yourself. So you can not be the talent. See, that's why we be having multiple conversations. It's some niggas that want to spend their life being the talent and they're fine with that.

[B]

True.

[A]

Right? But don't get to talking like you want to sit in other seats and you not really ready to strap that belt to do that or put up your own mind. I think that's where Meek is right now. Exactly. I think that's where I said that about Ye back when he was beefing with them. And I'm like, yo, get the money. Build your own factories. Get your own. If you want to go to war, then go to war. The same with meek. Nobody's giving meek 5 million for none of this shit he talking about. And I'm dying for a new Meek project.

[D]

Can't wait for it.

[A]

I'm a huge Meek fan. That's not happening. Like now. We just tweeting shit now.

[B]

That's it.

[A]

And I'm with Mark. You kind of got to wonder why you don't don't invest your own. I know there's the age old saying, spend a lot of money. I just think you need to know when that's applicable. I think there's times where that's correct.

[C]

I think there's times where that's not knowing nothing. He might not have 5 mil to put into it like that. Or if I can't get their money, then I'll spend mine.

[A]

Call hov. Call the names you mentioned. Michael Rubin. Call all of your multi millionaire. Billion. Billion. Yeah. Those are beats. Multi million and billionaire buddies. I remember when I was broke and I needed a car and I didn't have no good sense and I called Andre Iguodala up. Yo, yo, I need to put a car in there. The off my phone. You serious?

[C]

That dunked. That dunked on you?

[D]

Why'd you ask him?

[A]

Huh?

[D]

Y' all that cool?

[A]

No, I just said I was ignorant, unaware, naive, young. All of the words that you could put with being that young and desperate. It was desperate. It was just desperate. Wow. Shout out then. That's my guy, though.

[D]

I love Andre Hughes out.

[A]

Yeah, me too. That's my man. All right, a few people. I need Tomahawk. Do you hear off the back? Yo, get the off my.

[C]

Who this? No, but first he said, who this?

[A]

My back.

[C]

Go ahead, introduce your face. Yo, that's my bad. That's peace.

[A]

Yeah, Tom, go ahead.

[D]

Andre. Igu$ that's the wildest sad. Are you serious?

[A]

Oh, man.

[C]

And y' all wasn't tight like that?

[D]

Why you a never tell nobody that story? This might be why.

[A]

Oh, man. Didn't tell you guys.

[D]

You ain't no is back then. Nobody else had credit.

[C]

You a had no chicks.

[A]

Oh, man.

[C]

That's what niggas was doing.

[A]

Oh. Oh, man. Yo, holy. Oh, I got here at the right time. That's great, bro. Oh, man.

[C]

I hope he responds to this, because I need to hear, bro, please go.

[A]

On one of them go live.

[C]

I don't care. Yo, go on anybody show.

[A]

I ain't gonna say nothing bad about me. I just need to hear how to love me.

[C]

I understand that.

[D]

Not enough.

[A]

Not enough to get the whip. I think this is a really funny joke, but also it makes me want to return Fox Fire.

[D]

Oh, my God.

[A]

Explain a couple who I know they business. Oh, I put a few. Y' all having a lot of fun.

[C]

Antoine ain't never had no car on nobody name. You can't say nothing about me, Nick.

[A]

Well, cuz, a few of the girls said no.

[C]

I've never tried to put a car in the name.

[A]

Don't get an attitude with me. Get an attitude with me.

[C]

And all of mine that was mine would have said yes.

[D]

No, no, Joe, you ain't got to do that.

[A]

For nothing.

[C]

Mine had nice cars.

[A]

Give me the act of the what you guys, I don't have time to be immature with y' all crazy. We have a very, very, very, very, very, very special guest here. We do.

[B]

Yes, sir.

[A]

Somebody that I've been dying to talk to. This person put out, arguably one of my. Not even arguably, one of my favorite projects this year. Yeah. Do me a favor. Put your hands together. Imani the singer's here. Now that we. Now that we big. Got that out the way. Now that we got that. Also here, one of my favorite, favorite artists today. Also one of my favorite projects this year. Put your hands together. Chance the Rever. Oh, that was funny. Big Chance the Rapper in the hilarious. All right, let's let my man get set up. Oh, we got Amani, the singer. That's not my name. That's your name now.

[C]

That's your name.

[A]

Right now.

[D]

That's it.

[A]

Yeah. You look. You look fucking terrific, man.

[E]

Thanks. You keep saying that I'm skinny right.

[A]

Now, but that's part of beauty norms in society today, is being lean and trim. You like the rock? Like.

[D]

The new rock, right?

[C]

The new rock.

[A]

For real. You look like you on some type of salad diet. How did you get this, slim? Nah, I just got. Cause our brother here.

[C]

You mean your mom, your mirror here.

[A]

Us here, how to do.

[E]

I just lost a lot of weight finishing the album. Like, I was, I guess, not eating and sleeping enough.

[B]

That doesn't sound the hell.

[E]

Sorry. That was dark.

[A]

I wasn't trying to be honest.

[E]

Well, I'm gaining some of the weight back, but, like, the week that it dropped, I was, like, the smallest I ever been. Like, my face looked, like, skinny and shit.

[A]

Damn.

[B]

He was really stressed out over this album.

[E]

It was just. Yeah, I mean, I stress out every time I make an album. Like, I'll be like, it's a lot.

[D]

Of pressure to deliver this time around.

[E]

It's just I have. I believe in art, like, as an idea of, like, trying to make something the best you can. So it's like, I think anytime, once you get to a point where you're like, all right, I gotta put this out. It's like all the ideas or things that I've seen wrong with it, I'm, like, stressing over, you know, I feel like that's how everybody is when finishing a project. It's like. But yeah.

[B]

Well, listen, thanks, man.

[A]

Yeah, we loved it up here. Yeah.

[E]

No, I appreciate y'.

[A]

All. Yeah. I'm the glazing you yet. What? They talk. I know that. We happy to see you. Your album was cool. I'm not glazing cool. No, that one's great, but I'm not. We not at the glaze portion of this for me. Yeah. Now this little as hell. All right, there we go. Y. I've been telling you.

[E]

Thanks, Mark.

[A]

Now, are we getting, like, political pundit chants in this sit down or chance?

[B]

Like a political pun?

[A]

No, chance. I disagree with that.

[E]

You're saying. You're saying, like, are we going. Are we gonna talk about deep stuff? Are we gonna talk.

[A]

No, I don't care about beefs.

[E]

No, I said deep. Like you said.

[A]

Oh, yes.

[E]

Like, can we talk political?

[A]

Like, humans? Like, yeah, like, we are guy to guy.

[B]

Chance, you go like this.

[E]

That sound like this.

[B]

Like, this.

[E]

Like this?

[A]

Yeah. Yeah. Is this the way?

[B]

Yeah, it's the way.

[A]

Yeah. You good? Because I have so many questions for you. And I guess at the start of that is. I heard the album. How and where is your mental health?

[E]

It's good. I mean, I don't know. I don't want to say it's bad.

[A]

Your weight loss could be married to a dark mental state, too. So I want to make sure we good. I heard the album. I listen to lyrics. Yeah.

[E]

I think it's like this.

[A]

You said, when I'm alone, I think I could just die.

[E]

No, I don't want to confuse that line. I'm so glad you said that. Cause that's on pretty.

[A]

That line scared the shit out of me.

[E]

Yeah. It's not like sometimes when I'm alone, I want to die. It's like this feeling of. Cause in that moment, the line before it is, sometimes I think she was the love of my life. So when I'm alone, sometimes I think that I'm dead. It's like my life for a long time was running, you know, intersected with somebody, and now it's running parallel. And so when I think. A lot of people told me that they resonate with that line. People that have been through divorce, people that have been through loss, period. If this person is my life. And now I'm starting to. It's like, now that life is over.

[C]

Like a part of you died.

[E]

You know what I'm saying?

[C]

You're starting a whole brand new life.

[A]

Yeah.

[E]

So it's like. It's. There is. There are a lot of reflective moments in the album where I'm, like, vulnerable about, you know, my mental state. But this is also over the course of six years, you know what I'm saying? So it's like, these songs didn't all get made in the last couple of months. These are songs that just got reworked and reworked and reworked. And so it's like my mental state today is great. I was excited to see you niggas. Like, I don't know.

[D]

How you gonna.

[A]

Start off on Bullshit.

[D]

Come on.

[A]

I gotta say my whole. I gotta make sure he's okay. Lost weight. What are you talking about? I gotta make sure he's good. That's it. And now we got fun. Yeah.

[B]

What did you do for six years?

[E]

Men in a black ass couch. Like, how do y'.

[A]

All. Thank you.

[C]

Thank you, bro.

[A]

They hate these couches. They hate these gouges.

[E]

Trying to, like, get the right posture.

[C]

Not one.

[A]

You gotta plant your feet. You gonna Keep sliding.

[C]

You gotta slide the whole.

[E]

It's making my pants.

[A]

Mel normally puts a pillow behind her bed. You want a pillow?

[E]

I'm straight.

[A]

All right, I figured. I figured. Did you hear everyone's criticism over the last project and what were your thoughts?

[E]

I didn't hear any criticism. There was criticism over the. No, I'm joking. Yeah. I mean, that shit was wild. What I've been, you know, trying to explain to people is like, I took it very personally.

[A]

Right?

[E]

We could tell. But in the beginning of it, I think anybody would, you know what I'm saying? And I think what I didn't realize until I started to go back outside was that there was a stark contrast between what I was experiencing in the real world and what I was seeing promoted on the Internet. And even to the extent of, like, what my sales were and what the original, like, critiques from reviewers were, versus, again, what I'm seeing repeated over and over again on the Internet.

[A]

Right.

[E]

And that's just in the past. So it's like, you know what I'm saying? It is what it is. But I definitely felt like a concerted effort to, like, you know what I'm saying, Like, devalue my name or my value overall in the industry as a voice. And so I was pressed, but I also persevered, you know what I'm saying?

[D]

And would you do anything different with that album now?

[E]

No, I was explaining that also recently. That's a great question. Like, these are documentations of my life.

[A]

Like.

[E]

I didn't make it. Being like, I hope this shit suck, you know what I'm saying? Like, I liked it and I still like it. And there's still people that, like, you know what I'm saying, come to me and tell me what it meant for them in that moment. And it's like, so you didn't feel.

[A]

Like you were overboard on that particular content? Because that's what the word was. The word was.

[E]

I think there are a lot of different arguments made for why there was this widespread negative, you know, Internet. That's my reaction to it, but that's not true. But I seen that it was because of that I seen. Cuz, you know, I'm saying it was. It was. It was too pop. I've seen because it was too many tracks. I've seen because it was. I've seen a bunch of people explain it a million different ways, but, like, I know that there's people that love it, there's people that didn't like it, and there's people that never Heard it, but heard a lot of negative things about it. So it's like, at the end of the day, the only thing that matters is that it is what it is. I created and documented a part of my life that's gonna exist. And it might help some people. It might. Some people are just like, I hate it. This is the worst thing that ever happened. But it's like, at the end of the day, I create. Like, that's what my job is.

[B]

How long did it take you to bounce back from that? Like, emotional? Did it really take you six years.

[E]

Or were you just still get mad sometimes?

[A]

You don't sound over. It's just one album, bro. Let it go.

[E]

But that's what I'll be saying is, like, I dropped, arguably, to me, one of the most important projects of this decade. Like, what I'm talking about on my album is different. And so, to me, it's like, the conversation of what this album is, when people try and tie it to that, I'm like, why? You know what I'm saying? Like, what is. What. What is, is. Is. It is what it is.

[A]

You feel like if you heard what I had to say and you did, you. You. You told me, then the juxtaposition was important for me to highlight, right? Like, and it was. It was. I didn't know how to feel about it. This. This album that you just released, I think is. Is some of your best work, coloring book aside. But, I mean, as an artist, I have to notice how you sound and the road. That kind of was the precursor to before.

[E]

No, it's a part of my story. It's not like I'm trying. I don't think that the project is important to the. To everything. You know what I'm saying? It's like a bunch of works all coming together, cumulative, to be who I am today. But it's also like, I think my project that I. That I just dropped is so crucial that even I think, like, attacking it from the perspective of, like, a comeback or a bounce back is, like, it's disrespectful to what it is. It is what it is. You know what I'm saying? And I think, like, there are, you know, like, you know, I'm going through my shit, you know what I'm saying? You know, I got this case, so it's like, I know that there's people that win by seeing me view through a certain lens. And I know. And I know that y' all know the climate of how information gets spread now, right? And so I'm fighting the good fight with my music. I'm doing what I'm doing with my music. And so the way that the context around how you present anything is gonna, like, affect how people take it in.

[A]

That's a fact.

[E]

The Big day is a great example. There's so many people that didn't even hear the album, that just heard visceral or repeat visceral reactions to it. You know what I'm saying? So I understand how information gets spread and how shit is portrayed a certain way. And I just begin that. All right, let me move around it with some.

[A]

Some.

[E]

Some great, great songs.

[A]

Could I play some of my. A few. Couple of my favorite songs. A couple of seconds.

[E]

What's your favorite?

[A]

Oh, well, if you want to know, I'll tell you before I play. I'll start with some Joey Badass. Why not start with some highs and lows real quick? Classic chance. Joey Badass was just here. Friend of the show. Shout out to Joey, my brother, Long Chicago. What's going on out there?

[E]

I'm an emotional roller coaster we're high so high I could put bowl on a poster but when the bread get low like four loaves and a toaster all the shoulders can get cold as 10 toes and Nova Scotia Some days I hold a grudge Some days I hold ghost her Some days I just.

[A]

Ghost her Some days I'm supposed to.

[E]

The crib feel like a gunfight but them strollers, that's the whole thing. I never got old me.

[A]

Can you explain that line to me? Because I'm tired of trying to interpret it in my head. The crib feel like a gunfight but.

[E]

The strollers, that's the holster we can make amends over old memes and mimosas I'm saying, like, the crib is contentious. Like, it's always feels like we in a battle and the thing that's holding us back from blowing this whole up.

[A]

The babies.

[E]

Yeah, that's my favorite line that people don't get is I say whether I'm alone or Creole lady marmalade in it. Like, that's from that. From that. That Menage artois. Yeah, I know I ain't make my bed but I'm a lady and I it Whether it's sandpaper, suede, linen Whether I'm alone or Creole lady mama laid in it the same pajamas I was.

[C]

Afraid in I boogie man slay my.

[E]

Blankets conceal my blade in it Emotional sea fat with strong knees and free fall it's cloudy with a chance of meatballs I check the weather I gave all my vices a call let's get together to talk about the highs and.

[A]

Lows the ups and downs the friends.

[E]

That I had to hide to come.

[A]

Around, around they told me that I knew Always come around, come around, come.

[E]

Around to work out the highs and lows. Yeah, that's a one.

[C]

That's a U verse. Sound like some you would have rule.

[E]

You know what's crazy? When I record that, I record that in Atlanta with Joey. Like the. We went to some like, like, you know, earn your leisure. Yeah, that they had like a big thing in Atlanta with like, he just spoke out there. Yo, this was years with Dr.

[A]

Shiny years ago.

[E]

Yeah, but he. We went to the studio, me and Joey, and after I laid my verse, si high was in the room down the hall. And he came in and he blessed the verse. Like, he was like, hey, this one, this is. This is an all time verse. Like before the beat got even crazier or anything. And I was like, all right, this is going on my album. That's like three years ago.

[A]

Do you have a favorite verse on this project? Cause I thought you was. I thought you was. What's that other verse? I'm packing my bag and once I unpack, I'm back in my bag.

[E]

Yeah, like that I loved. I love the joint with me and Victor. Back to the Go.

[C]

My favorite.

[B]

That's my shit. Yeah, that no more Speed of light shit is crazy. The last verse on the album is crazy too.

[E]

That's damn near the best.

[A]

Yeah, I want to play that, but I also want to play this, this too. I feel like you got off here.

[E]

You sound like them kids in school.

[A]

You probably don't even know you got off.

[E]

This is actually my, my, my best.

[A]

Okay, so you do know you got off. What happened?

[E]

Let me just break this down real quick because there's three important things you got to know to understand this song and to understand the whole album. The whole album works in motifs and they fall throughout the album. So one at the beginning, when I say, you know it's dirty when the sink dirty. Nowadays you 13, you gotta think 30. And I lay out all these rules for growing up now being 30. That's adultification. And so adultification is like. It's not just like over sexualizing kids when they're young. It's also like thinking that they're ready to bear the pain or don't experience the pain that they do as children that adults do. So like there's this, this way that we imagine Black boys, especially as men. That is, like, just a part of living now. That's, like, culturally there. The second one, obviously, in the second verse, you talk about, like, medical racism and malpractice. And the third one is intersectionality. That's like the. That's the. My problem is your problem. But, like, really big on the medical malpractice thing is mislabeling and misdiagnosing things.

[A]

Children.

[C]

Children are special.

[E]

So throughout the album, I'm talking about how I was graded or valued over time and having this opposite understanding of myself. Like, no, I know I'm smart. I know. I know this work. I know I'm creative, but I'm being labeled or mislabeled or diagnosed or misdiagnosed or, you know, graded unfairly in this way. I make a lot of references to that throughout the album. So if you understand the use of words and how. How powerful they are, like, throughout the album, you get to love it way more. Cause it's, like, a lot of reaching into that.

[A]

How do you promote something like that?

[B]

Just like that.

[A]

Like that.

[D]

Get these moments to where you can speak in and be heard.

[A]

Literally.

[E]

That's the best.

[D]

Some people need.

[A]

Yeah.

[D]

Some people need to hear it out.

[A]

Out. Yeah. I needed to hear it.

[B]

I love the album. I've been playing it, but I never caught on that from that perspective.

[D]

Yeah. Can I ask, do you feel like you have that, like, Donald Duck Matthews thing in music?

[E]

I don't know who that is. I thought she was gonna say Donald Duck.

[D]

No, no, no, no. So Donald. It's the guy from Five Heartbeats.

[E]

Oh, yeah, yeah, yeah, yeah. Robert Townsend.

[A]

Yes.

[D]

So they would say he was always gonna be at his peak or always achieving when he's going through the worst things in his life. Do you feel like you.

[A]

I hope not.

[E]

I hate that idea. Like, I think we gotta stop promoting that idea. Like, everybody is a human being. Like, no matter what they is. No, I'm saying this is serious, though. Cause you been an artist. Like, it's a thing. Like, you're mentioned some shit about him. That's what I'm saying. Don't promote that to artists. Cause that's how artists end up dying.

[A]

And words have power.

[E]

We listen to the fans. We cannot control it. Like, we cannot control. That's the reason why we get on stages in front of cameras. Cause we love adulation. We love being, you know, told by the people. We're doing good. And so we listen to people and that whole. Like, oh, we gonna bully this artist? Oh, we Gon. You know what I'm saying? Like, this artist should be sad. This artist should be. They were better on drugs, whatever, shit like that. Like, even if you feel like yo tweets not getting to people, like, niggas see that shit, they feel that shit.

[B]

So, yeah, that's why we didn't get an album for fucking 10 years.

[E]

Yeah.

[B]

No, I'm just fucked.

[E]

I'm saying, it's really, like, we just forget that people are people in all senses of it. Even just going to a restaurant, period. And we just got to keep reminding ourselves that people are people. So, like, you can't. You can't lean into the idea that, like, I need heartbreak, you do need experience. Like, you need to live life. Like, I was living life for six years. I was doing a lot of things, like, building a lot of stuff, but thinking that you have to be depressed or you have to be going through heartbreak or you have to be on drugs, you have to be, you know, suicidal, whatever. Like, that's not real. Like, I like happy music, to be honest with you. Like, we all, like, we all have different emotions and moods.

[A]

Yeah, sure.

[E]

You know what I'm saying? Different music for different times.

[A]

You preaching right now. But I still like this dark version of you better than the three Hat version. It ain't all.

[E]

I'm just older and better. I'm better at rapping.

[A]

Rapping. I'm.

[E]

I'm better than everybody at rapping.

[A]

No, the Three Hat. Wait, wait, wait, wait.

[E]

Before you say the three Hat, let me just say this. Go ahead, listen to my album, man. Go listen to my album. You feel me? Cuz I'm rapping. Not just better than Chance three Raps. Not just better than ass raps. I'm rapping.

[A]

Said that.

[E]

And I pre.

[A]

Like, I said that. I need.

[E]

That's why I need you to say that. Cause y' all was having a conversation the other day about how do you promote music without drama? Like, with just the music. That's what I'm doing right now. I'm the people's champ, and I'm good as fuck. So it's like.

[A]

It's like, nah, nah, nah, nah, nah. That's real strong.

[E]

So if I'm rapping the way that I'm rapping, like, that's. It gotta be carried on the shoulders of people that want to say, I'm standing on this one. This is what I. I agree with that.

[A]

Yeah, there's definitely a.

[D]

A train effect happening after. I hate to keep going, but after the Kendrick, you see the clips, Freddie Gibbs, you people just wanting to get back to you.

[A]

We just rap.

[C]

Niggas really rapping everybody's raps.

[E]

That's how we should judge it. Print out everybody's raps and read them.

[D]

They can't do that.

[C]

Every time we talk about can't do that no more.

[E]

Every time we talk about all the raps that's coming out and, like, it's just a good summer and it's just a man. Starline, print out my raps. Print out everybody's raps and read them.

[A]

What are your favorite albums this year, Starline. Not you, Starline. He said he hasn't eaten all year.

[D]

You ain't listening.

[A]

He ain't listening to no damn.

[E]

I'm listening to everybody. I'm not disrespecting anybody's art. I'm just saying, like, I gotta fight for my life out here.

[A]

Yeah, yeah.

[E]

My shit is available, so you can always listen to my shit and just say, wow.

[B]

And it's great.

[C]

That shit is great.

[E]

Greatness is important.

[A]

Highs and lows did sound like Kanye was coming on in the end at the third verse. I meant to ask something about that, but go ahead. I'm just talking about the record. Right? You get what I'm saying?

[D]

It sounds like it feels like it. Yeah.

[A]

But.

[D]

I had an assumption, and people killed me for it. Or just a thought that when people work with Kanye, they first get with him. It's a great experience as far as creatively, you learn, but you start to do your best work after you remove yourself from him. Do you feel like you've had that feeling, like you took what you needed to take? But there was also a freeing thing of not having to be attached to.

[A]

Him and gave what you needed to give? Well, no, no, of course. But yeah, yeah.

[E]

I feel like to like that chick gonna you up. It's just like. I'm just, like, tough to frame it. Like, I don't feel like I was ever under Kanye. I helped him. I helped him body that verse. And I. And I. And. And was in the studio with him, and. You know what I'm saying? When I did my first album, he was on. I mean, not my first album. When I did the coloring book joint, he was on the intro of that. Like, he's helped me, and I've helped him. I've never been one of his artists, you know what I'm saying? I've always been very open about how influential he was on me making music, period. Me wanting to be an artist, him being from Chicago, him. The certain type of influences that he had always spoke to me. And so that's always been in my music even before I met him. I've always sounded like somebody that grew up listening to Kanye, but it's not like there's this mass separation or cataclysmic event that happens that it's like, now I'm on this era of post Kanye.

[B]

Y' all just did a couple records together.

[D]

Got it.

[A]

You know what I'm saying?

[E]

Like, and I'm not trying to, like, you know, diminish the value of it either. It's just like, of course I don't look at my life like pre and post Kanye.

[D]

Got it.

[A]

Yeah. How important was it to start the album with do or Die?

[E]

It was everything for you. Everything.

[A]

Cause when it came on track two, I'm like. Like, that's intentional. Yeah.

[E]

Cause the. The whole thing of this album is, like, it's important that it's subversive and like, that you don't. That everything's not super in your face. Because I got a lot of records that I made that are angry, and I probably could have got in trouble for. You feel me? So, like, making it in a way that's smooth, it's subtle. That's. To me, that's pimping. Like, Chicago is heavy on pimping. Like, just like. You know what I'm saying? Fly shit. So speak and fly and all that shit that comes from do or Die. Like, to me, like, that's like west side pimping culture. And so I wanted to, like, lay out when we're about to embark on the album and go for this ride like you want, like, that Cadillac feel that just like. You know what I'm saying? To smooth you into it. But it's like them. Some of my most, like, like, I'm on that kind of rhymes.

[D]

What was your first record you recorded for this album?

[E]

The oldest one on there, Speed of Light.

[A]

Speed of light? Really?

[E]

That's 20. That's like 20. 21 maybe is when I started, like, the beat. Like, it took a long time to make it, but. But yeah, it's like a lot of the records, there's only a few of them that are, like, very, very recent. The pretty with the DeBarge sample that was like, very, like, right before that.

[A]

I love that sample.

[E]

The Drapedomania with Baby Chief, that was last night.

[B]

Was there a lot of, like, going back and re recording stuff or was it more production that you were taking time, building around?

[E]

It was more so I Think the re records of verses. Like, I have like so many verses for every song. But what I was explaining recently is like, I'd be thinking of like, you know, like a concept or a title first.

[B]

Yeah.

[E]

And then I'll just make a bunch of songs that I named that that like over different beats and different verses and stuff until I get to where I'm trying to get to.

[B]

What's the most amount of roughs you had for one song in town?

[E]

For verses? Great question. Probably space and time or. No, for versus either space and time or the speed of love. And for like production, it's either the intro because there's like 120 versions of that.

[A]

That.

[E]

And then now all of the songs were like somewhere around, like Edit 70 and up when I put it out. Yeah.

[A]

Damn. Who's doing with that?

[E]

You said, who was that?

[A]

That's.

[E]

That's us, like, trying to.

[D]

Is that your normal process more for this album?

[A]

Yeah.

[E]

No, I think since like 2014, like after Ashrap once I did like, surf coloring book and all that stuff. Like, I started working more with, like, bringing in additional producers as the beat grows, like, you know, re recording my vocals, bringing in background vocalists, bringing in features, getting people to flip the beat. So each time, like, the beat changes, it's just.

[B]

You're re recording.

[E]

Yeah, yeah.

[D]

Who produced Gun in your Purse?

[E]

That's my homie Dex.

[A]

He.

[E]

Yeah, he's from the rack. Like, he produces for G Herbo, but that's been. That's my executive producer. That's like, who made most of the album.

[B]

Oh, word.

[E]

Dope.

[B]

Salute to him.

[A]

Dope. It's fire. Was there anybody that you wanted to get on this project? That scheduling didn't line up? You just couldn't get it cleared.

[E]

Hell, yeah. It was a lot of people. It was a lot of people whose schedules didn't align. And then.

[B]

Do you think those. That was real?

[E]

I don't know.

[A]

I don't know.

[E]

I still work with any of those people. You know what I'm saying?

[C]

They'll probably work with you after.

[D]

That's what happened.

[C]

Now they see the reception is like, oh, yeah.

[A]

They had to see if he was still lit. That's it.

[C]

That's all it was.

[A]

Yeah.

[E]

It's crazy. But I still, like. I think it's like everybody that was on there was supposed to be on there. Like, I love, like. Like the wide, like, array of like, just different tones, different styles of like. And I like getting back with people like Jamila Woods, Vic, bj, bj Langer, you know what I'm saying? Like, it's like there's so many. So many, like, people that I grew up with or, like, worked with over 10 years ago. But, like, we've been in community. We still be seeing each other. We all live in Chicago. But, like, getting on a record again and having new people, you know what I'm saying? Find our old together. Because that's another thing that I be taking as a luxury. Like, everybody don't know acid rap. Everybody don't know coloring book. You think they do, but, like, if.

[B]

You don't, yeah, go check them out.

[E]

For sure. But it's people that's hearing Starline that's like, I never listened to Chance before. Like, I'm sure this is hard.

[A]

And it's a great introduction to people. They've never heard Chance.

[E]

Yeah. I mean, I'm only gonna make more music, so it's like. It's good. Like, I'm 30, you know what I'm saying? So, like, I feel like I'm going to the way that it's working. I'm getting better.

[B]

It's not gonna take six years next time, is it?

[A]

You recording right now, so.

[E]

Hell, no, I haven't been recording. I was supposed to do, like, three feature verses the other day that I.

[A]

Just went, I'm gonna do them.

[C]

I'm gonna do.

[A]

Dub Them Niggas.

[D]

We'll get to it. The schedules didn't line up.

[E]

It was scheduling, you know what I'm saying? The schedules.

[D]

One of the things you rap a lot about is faith. This album, there were two tracks that I thought you did that really interestingly. One is the J Electronica track, which is more like what I'm used to, but letters. When you write that you were writing a letter to the church and talking about the church, and it made me wonder, like, has your faith journey changed? Do you look at things dramatically different now?

[E]

That's a great question. Dramatically different? I don't think so. I've been explaining to people. My grandmother who. You know what I'm saying? That's my entry to the church. She took me to church most put me on to. Are you familiar with James Cone?

[D]

Of course. Liberation theology.

[E]

Liberation theology. The Cross and the Lynching Tree is one of the major bases for this album. And basically, I could feel that. So once you understand that and understand the motif of burning and trees throughout the album, like, everything really makes sense. But the Letter song is like, me. I feel like espousing my faith because I love God, you know what I'm saying I love Christ. We are the body. That's what I'm saying, the whole thing. But I'm also critiquing the church in the ways that it's not like Christ. And what I got a better understanding of is that the church, in a lot of ways, won't protect the least of us. And in a lot of, like, history that I just learned recently, like, the people that was doing them lynchings was church congregations, the pastors, the deacons, white church conversations. I'm saying the whole church is throwing a party to lynch niggas. And so when I'm starting to understand the history of faith and the separation of the black and white church, that's how you get a verse like, you know what I'm saying? The megachurch joint.

[A]

Yeah, I love that verse.

[E]

What I think, like, people don't recognize in that, you know what I'm saying? It's a perfect place to say it is like, you know, there's so many literary references throughout the album, and I'm quoting movies and quoting all this other shit. The quote that's most important in that second verse is, I rebuke you in the name of the child of God. I boil a pot of living water till it's scalding hot because Sonia Massey was killed in her house. And her last words, her last words was, I rebuke you in the name of the child of God. So I have to carry on that word because there's so many words that people don't get to hear until you put them there and burn them in their. In their memory. So I want everybody to hear that and understand that I'm ashamed of the lack of response from the church when that happened. And the only way to get that out and platform it in, the best way I can is to rap that and keep putting these words out. So that song is radical. But what's funny is everybody looks at the Water song, the Just A Drop song, like, that's like, less radical. That's the one. That's the one listening. I'm trying to tell y', all this shit finna go up like I live in Chicago. Like, we are historically a we burn shit down kind of place, but we also as black folks or people that have to live, you know what I'm saying? In the fallout of these burnt up communities, the west side is still fucked up from the King riots. So we. I'm trying to present an understanding that all you gotta do is listen to people and we. We be fine. But when you don't listen, shit gets burnt down. That's probably the thesis of the whole album.

[D]

That's the beauty of the album to me. I mean I like all your projects, but this one is the most subtle. You know, the first even coloring book. You know, it was. It wasn't heavy handed but you were learning and teaching at the same time. Whereas here you feel like you're settled in and you have to kind of find it and listen carefully and break it down. But it feels so even having the song titles be things like, you know, the album being called Starline, you know, the song being called Driptomania. I mean that's subtle and smart and it forces the listener to do some work too, some research.

[A]

Yeah, it definitely sat me down.

[E]

I want people to have experiences listening to music because that's what I grew up on. Like my. I didn't. We didn't have to like rank every album and listen to every album, give it a points and shit.

[B]

Like we just units that sold first.

[A]

Week, you know what I'm saying?

[E]

Certain shit just got to us and we loved it and we sat with that same album reading the lyric books or going to az lyrics.com and like reading what's on going being said and becoming that like I ain't go to college cuz of the college dropout. Like we. I listened and I learned from music and kept playing it to the point that I'm still listening to it today and still finding out new.

[B]

This album would be really great with liner notes speaking of how we used to consume music. Like I wish that all the that you're telling us right now was somewhere when I was listening to the album on the couch stoned, you know what I mean?

[E]

I'm gonna figure out a way to do it.

[C]

I want to think about on genius or something.

[E]

I want to do a class because I feel like on some writing shit like I could do a class on. And that's just me talking about rappers. I'm speaking a little bit.

[A]

No, you're correct, you know what I'm saying? You're right.

[E]

But like I could do a lecture, you know what I'm saying? On just on this album from a literary standpoint from you know what I'm saying, like what the thesis is and just like what we were talking about earlier, how we in the streets like we. We pushing this music and thanks to community, actual legwork and relationships. Like I'm still in this conversation. This shit not finna get stepped on. I'mma be loud about the album and I'mma be everywhere that everybody else be.

[D]

I don't want to say it should have been a part of a rollout because nothing about this feels like a rollout. It feels like it's genuine. I think everything you're saying right now, literally you could just pick up a camera and get like, you saying, I want to do a class. Like, just do the class. Like I me hearing this, I'm having a better full in depth understanding of the album. When I first went to listen, I.

[E]

Gotta talk to Mark about it. I'm talking about a class. I'm talking about like, got a class.

[A]

You know, what is that class? Let's do it.

[D]

Yeah, let's talk about it. As you were talking, I was thinking of three places you could do it right? The Chance.

[A]

Hold on.

[D]

They, they, they, they, they. What you saying?

[A]

No, I was just saying it's not a F. In depth. Is that me? Oh, I'm saying that's you. It's not a F, it's a pt. Forget it. But I just.

[D]

Do I let those pass on.

[A]

It's like a thug interview. I knew what he was trying to say.

[B]

Chance is doing the class, not Amani. We're good.

[A]

Yeah.

[D]

All right, everybody slow the down.

[A]

I like Imani's point. I like what you're saying. Also, I would like to see these historical campuses continue to have us loop the loupes and oh my God, Guru G, Guru, like, have some of those minds come. And Chance is on that list for me.

[D]

Well, I'm only saying that because y' all was speaking earlier to the meek and saying, well, if you can't find the people who are looking to do it or you just do it yourself. So I would love to be able to turn on the computer or the. Or TV or whatever at some day and just see Chance and Lupe decide to do it on their own. I feel that way.

[A]

And not wait on house way.

[E]

No, I'm just kidding. No, I need a university. Like, I'm trying to go to a place and be like, this is this semester. Come find out how this works.

[C]

But even if you can't, you'll start with the crawling on Instagram and start walking into the university. They'll get ahold of it and bring you in.

[E]

Yeah, I'm bringing people into the album because at the end of the day, like the shit that we talking about is like 10th to 12th listen type conversations, you know what I'm saying? Like the intro to the album, like your introduction to the album is going to be based on pitch and melody and recognizing samples and, like, catchy hooks. Like, it's not going to be about the layer that we're talking about. So I have to still give the album time to breathe and keep. There's so many people that don't even know I dropped out, you know what I'm saying? So I gotta just keep this legwork of putting the album in front of people. But in moments like this is the best time for me to be like, oh, yeah, somebody that's watching this shit, that has listened to it 12 times. This is what I was talking about.

[C]

That's what I was talking about.

[E]

You know what I'm saying?

[A]

How does this experience. How does this experience differ from when you were seemingly on top of the world? Like, when the Grammys was changing the rules? Like, how different. How many people have turned their back on you? How many people that you loved are no longer around? How many people that saw the vision magically disappeared? Like, how different is this. Is this experience than what you experienced before when you're involved in one of probably my worst takes ever, where I was like, chance is going to take the baton from Drake, and that's going to be the end of that.

[E]

You did start that.

[A]

I said that.

[E]

People quoted all the time. They're like, remember? People were saying that it was really cool.

[A]

Else said that, but me.

[E]

You were doing that to diss Drake. You ended up me over with that.

[A]

No, you know what? I felt like that when I was on Everyday Struggle, because it was like, who's gonna be as lyrical, as marketable, as political? Who's gonna.

[E]

I just felt like, okay, wait, no, go ahead, say what you were gonna say.

[A]

Chad, stop acting like you wasn't popping up at all of the Chicago. I thought.

[E]

I thought you were just comparing me to Drake for a second.

[A]

No, no, no, no, no, no, no. I wouldn't do that.

[D]

I'm just saying.

[A]

You checked a lot of boxes for me as an emcee when Coloring Book came out.

[E]

I appreciate it. I felt the love and I felt like, this is gonna fuck me up. But it's like, I never wanted to be the next nobody. I didn't even wanna be the next Kanye. I just wanted to have people like my music and like me through my music. Cause that's what kids that do talent shows and open mics feel like.

[B]

Unfortunately, when you drop a bunch of really good albums and they change the rules of the business, people are going to have it.

[C]

People line up.

[B]

It's going to be a different level of that.

[A]

Move.

[C]

They was waiting for you to fail.

[A]

Yeah, I just thought some other was coming after that. I ain't going to lie. Once they changed the rule and you won, it was like, oh, no, hold bar.

[D]

He's out of here.

[A]

Yeah, he's going.

[E]

Yeah. I mean, that rule change wasn't about me, though. Like, that rule change was so that streaming could become more of a. Like, an applicable space.

[B]

Unfortunately, you're the poster child.

[E]

Yeah, no, I definitely helped segue it in. And to be honest, I don't like that shit. Like, I feel like we all understand the gripes that artists, even in the film industry, have with streaming versus, you know what I'm saying, Vod, or being able to sell your actual product. And in a way, I helped Usher that in. But I was dealing with streaming in a completely different way before Apple music. So let's make sure that we add the context that. That I didn't sell none of my music for my first two mixtapes. Like, all my shit was available on Dapif, on YouTube, on SoundCloud, in spaces that were not official DSPs. So when I did the move with Apple, I'm like the seventh artist to do it. I'm just the first independent one. And I did, you know what I'm saying, win three grams.

[A]

Yeah, I did what I did.

[B]

Knocked it out the park, you know what I'm saying?

[E]

But I feel like that wasn't. I think the Grammys helped me more than putting my music on streaming. Like, winning the Grammys. Like, that's how I was able to do all the stuff with the schools. Not that we in the perfect space now, but, like, the stopgap budget in 2017, like, being able to, like, work with major brands, getting on the. I'm the one song with, like. I feel like a lot more shit happened for me once I won the Grammys. I feel like. You know what I'm saying? Before that, like, 2016, when the album dropped, it was. It was dope and, like, people liked it. And I think Complex might have called it the rap album of the year, but it wasn't. Like, it wasn't as big as One dance or, like, I wasn't having the same year Drake was having or anybody else. Like, the Grammys kind of switched that conversation, I feel, like, around. And then I didn't drop another album till the big day, and then nigga.

[B]

Shitted on it on the Internet, you.

[D]

Know what I'm saying?

[E]

And then now you got. Now you got Starline.

[A]

Did you have any feelings about the the role that hip hop played in choosing the president.

[E]

The role that hip hop played in choosing the president. I'm not taking no responsibility.

[D]

Not just musicians.

[A]

Not just musicians. Hip hop, whether that's hip hop media, hip hop journalists, the opinion of hip hop either way, good question. On the Trump side or the Kamala side, did you feel any way about any of that?

[E]

I feel like those are different verticals. Like hip hop to me is so real. Like I don't be. I don't just accept everything as being a part of the culture just because niggas is doing it in an adjacent way.

[A]

Well then how do you feel about hip hop's ability to be used?

[C]

Well, we don't.

[E]

So now we are. We finna go political. We don't own like, we like hip hop like the first. Let me chill.

[A]

No, we say.

[E]

I'm making, I'm make the point. But I'm just saying, like we don't own no labels. Like our labels are subsidiaries of major labels and we don't own really no radio stations except for shout out to Ms. Kathy Hughes. We don't own shit. So it's like it's ability to be used. Like yes, everybody's trying to make a dollar. Cause this is America. But I feel like when we talk about the verticals that are responsible, I put journalism in one category. Not like hip hop journalism because it's like we don't have no real rules no more about what is considered journalistic integrity or like the spreading of misinformation or anything like that. And yeah, niggas are trying to make money. And I don't know, I'm not trying to take. I don't think we should take responsibility for folks being elected.

[A]

I don't know. Well, some of these niggas should. But that's a conversation for another day.

[C]

But even if you don't take full responsibility, you still play a part in swaying people to vote a certain way. So even if Trick Trick or even if Beyonce or Meg played a part in convincing these 19 year olds to vote for who Beyonce's running out there and promoting at the time that you're not responsible for in its entirety, but you did play a part in it.

[E]

I think a lot of people were indifferent, G, because like we. I feel like a lot of people felt like shit was getting more expensive. We still assisting and aiding Israel and bombing Palestine. We still like not taking care of the vets, still not taking care of the homeless, still like all of these things that are supposed to be like, like we I thought we signed. I thought we was all Democrat. Like, ain't we all dapping up? We all Democrats, but, like, we not. So. So some people are just like, we don't know what to do. So I think a lot of people.

[D]

Is just like, they've been trying to use hip hop in that way since.

[A]

Was it the Vote or Die campaign?

[D]

Like, I feel like ever since then, they've made, like, a real effort to make us feel like we have to choose the Democratic side consistently.

[A]

Cause that was the hip hop shit you said.

[E]

When did you say it started? That was before that.

[D]

Where did you vote?

[E]

Or die is when they ripped 2004.

[D]

Yeah.

[E]

I feel like four years later is when I started to feel it.

[D]

The Obama moment.

[A]

Okay.

[D]

It might be a little. Cause you should. Chicago. But I think you're right. I mean, for me, the question is always, you know, what's the responsibility? I make a distinction between responsibility and blame. Like, I think you have a responsibility, you know what I mean, to speak on these issues and to help lead us in the right direction, like everybody does. But I don't blame rappers for the outcome because these outcomes are. But politicians are looking for hip hop influencers to influence a demographic to go ahead in a certain direction, whether it's the most popular or whatever it is at the moment. And to me, what I love about you and a lot of these other hip hop artists are when y' all don't say, I'm gonna choose here or here, but instead you just want to speak the truth and offer your analysis. I don't. I don't want my rap artists to tell me who to vote for. I just want them to speak their truth. You know what I mean? And I think that's where it gets. Do you ever feel compromised in that, like, whatever moments where you felt like you couldn't.

[E]

Yeah, I always feel like you. You walk in two lines of like, trying to be like, I hate that. That artists get made or celebrities, period, get made or put in positions to be the moral compass for people or, like, get shamed for not. You know what I'm saying? Being like, some people, obviously sometimes people are pieces of shit based on, like, what I find to be morally right. But, like, we also, like, really go crazy on somebody when their ideas don't what our. When they're a public figure. And I feel like, like, my ideas and my understanding is my truth. And there are people out there that agree based on, you know what I'm saying? History and data and facts and shit that. That's what? What's what? And so I'mma push towards that. But like, the two party system, like, get. Having to get up and be like. And feel this. This weight of like, you better save the world because he would kill your black ass. Like, like, that's that. Like, like, come on. Like, I'm just trying to get this money. I'm just trying to make this money.

[A]

Can I.

[D]

Can I ask you a. What's the one thing that you're still having a issue, like, coming to grips with when it comes to being in this industry? Like, is this something that's still, like, a problem for you, that you're still trying to manage through?

[E]

There's a bunch. The first one that comes to mind is like, y' all know I'm independent, so stop trying to tax me for samples and for fucking features and fucking.

[A]

Are we doing this again?

[E]

No, I'm just saying, like. Like, niggas know what it is, and they for some reason think that it's something different. And so they try and upjo told me on samples.

[A]

No, he might be independent now. Joe told him now he might be independent. Why?

[C]

Cuz, you understand.

[A]

Independent now. Now he might be independent. That's not fair. Okay, Y' all know I never believe that shit. He know that too.

[D]

No, I know that, but you.

[A]

I think you said you got a.

[D]

Real view of what independence looks like.

[A]

Now tell us today. I think it's independent.

[E]

Today as in all of this point or today? Like, starting today, now?

[A]

No, no, no, no, no, no. This album, this album, this time period.

[D]

So you don't think coloring book was independent? You don't think.

[A]

Oh, I'm not counting. No, no, no, no, no, no. Joe, that's net. Sorry. Sorry. But why?

[C]

Our definitions are independent.

[A]

Sorry. I know it's twisted. It's twisted.

[C]

Yes.

[E]

You gotta explain it. If you just keep saying no, like, that's gonna get clipped. So you gotta give us the explanation.

[A]

Because we did this before. I don't want to rewind again. That coloring book, was that the. Like, you said you were the eighth artist to do that with Apple.

[E]

Yeah.

[A]

If you my argument back then. I don't want to repeat it. If you're with a behemoth such as Apple and you have common interests, then we're not operating. We're not operating as a pendant.

[D]

That's a bad. That's bad.

[E]

I'm just trying to understand, like.

[D]

No, it's not, but is it, like, is it because.

[E]

It's like. Because I'm benefiting off of Having it on their thing, on their platform.

[A]

You signed a deal with Apple that gave you routes that were not available.

[E]

Oh, no, I didn't get no routes. All right, I'll explain it again, though. Let me explain it again. Oh, no, sorry. Have we not finished?

[A]

Go ahead, go ahead.

[E]

No, I was gonna say I ain't getting no routes. I told you what I got. I got some money, which I think right now to be. It would be a lot of money, but like, at the time was not a ton of money. Also while I'm done with my project, so it's not like they paying for me to get studio time or nothing like that gave me. I already said before it was half a million dollars dollars. Right. Which is a lot of money depending on who's listening.

[B]

Yeah.

[A]

No, no.

[E]

You know what I'm saying?

[A]

No, that's a lot of money.

[D]

Okay. That's a lot of money.

[E]

They gave me. They gave me 500.

[A]

Right.

[E]

And. And then I was in one of their ads that they had for. During the NBA finals. Yeah, no, I was on a bus. No, the buses. That's my own money.

[C]

Hold on.

[E]

The bus is my own billboards. But I'm saying there was a commercial that played like one time, I think, or maybe twice during the NBA.

[A]

You said, what, do you own the album?

[E]

100%.

[B]

Did you pay to make the album yourself?

[A]

Yeah.

[B]

That is independent.

[A]

Let me finish.

[E]

I want to get the points across about the Apple, because two points.

[C]

We.

[E]

We always make a big deal. And I see the meme get resurfaced. Not mean, but the infographic get resurfaced about how Frank tricked his label and became independent through his Apple Music deal. So if he used it to get out of it, how is. How is me using it? Make me a part of the system. And better yet, if we're explaining that with context, there's hella artists between Apple and Tidal that are putting out exclusive projects to help them in their own streaming war. Do you know what the streaming war was? Does anybody remember? I remember. I'll explain it for the viewers. Before there was an Amazon Music, there was Apple Music, Tidal, and the longest standing one was called Spotify. Spotify had all the users. So these other two DSPs that were coming up wanted to, you know, I'm saying join the. Join the gang. And they started doing exclusive albums with artists where for the first two weeks, like Beyonce, like, like a bunch of people did it with either Tidal or Apple Music, and for two weeks you could only get it there. And. And I was not the first nigga to do this. I was the only nigga that is independent that did it.

[B]

But it was a lot.

[E]

And I wasn't the last either. We just changed Frank.

[B]

They changed it not long after, but.

[E]

We just talked about Frank. So I wasn't the last person to do it either. And I kept my masters. I never had to give up anything.

[C]

They I.

[E]

The only thing I really gave up was I probably could have been number one.

[D]

My.

[E]

My music was only available in one place. I couldn't even put it on sale. You had to. At this time, niggas didn't even have Apple music. So people had to fuck with me enough to add this subscription. And get this. It's like putting something on Netflix only right. That person's not independent because they movie got on Netflix.

[A]

So on one hand, you do acknowledge that you may have been the mascot for them, ushering in a new way of business.

[E]

Streaming, specifically, it's not even about Apple. That's the industry as a whole. The Grammys didn't used to accept, like, unless you had a physical album, you couldn't be nominated for a Grammy. That changed the year that I won for coloring book and that became the first streaming only album to win a Grammy. But there were people that were putting out albums that were only on streaming before that. We just talked about mixtapes, just talked about dad Piff. Acid rap couldn't be nominated for a Grammy because of the fact that it didn't have a physical format. And that's what I'm saying is I didn't have a physical format for this album and I still won.

[A]

My shit was crucial and you were deserving to win. Yeah.

[B]

Great.

[A]

So I don't want to make it sound like I'm thinking that some strings was pulled for you to win. You were deserving to win. I just feel like there were interests. There were interests above yours that made it appear like you were operating than something differently than you were. I'm not mad at what Parks is saying. You own it, you paid for it, you got it, it's yours. You independent. But the to the public, when rules get to changing and things start looking differently, then the word is going to be different.

[B]

That's just spin to me. That's narrative.

[A]

We had this fight with Pusha with the clips. We had this fight.

[D]

I'm just interested that you have this tape.

[A]

Yeah, yeah.

[C]

I don't.

[A]

The fact that. Listen, I know, but I'm just looking.

[D]

At you and what you've established in this sense, it kind of resembles to me what he does. Did in certain ways. Now, don't get me wrong, it's a different type of battle and different type of support. But you've preached independence. He's an elite rapper, Chance.

[A]

That's true. Yeah.

[B]

This podcast, independent, right?

[D]

This podcast is independent, but it has some of the most major looks that most people can't even buy.

[B]

It has a sponsorship from prospects.

[E]

Yeah, let me say this, let me say this.

[A]

That's important. And you had cash app at one point.

[E]

What I did was I changed the industry. So I don't want. I don't want anybody to rebrand the truth.

[A]

With great music too, by the way. With great music.

[C]

That's a fact.

[D]

And it's okay to say as an independent artist.

[C]

Before.

[E]

Before there was a time where people even believed in streaming. I was changing the game with acid rap. I shut down that piff. I shut down fake Short. When as a wrap came out, it was so streamed that major outlets were reporting on it because it was the most important project J. Cole tweeted about as a wrap. And this is when we're. I mean, he's still my senior, but I'm just saying at the time, I was relatively unknown. And so my project was so important that when I went into deals, like, at that time, nobody believed in doing a. All right, so this is conversation that we would understand. When you do an album, you get a budget towards mechanical copies, right? Physical. And that's a big part of the budget. So when I'm going into deals, I'm telling them as a kid, I don't want no physical copies in my deal. Just give me money and I'm gonna put it out through these other spaces and we'll make the money off of this, this and this. They like, hell no. Hell no. We need mechanical copies. Nobody believed in the idea of streaming. I stuck to that the whole time. To the point that Apple, Apple Music, Spotify and other people was like, we need to make money off of this.

[C]

They had to conform.

[A]

You convinced me. I gotta stop short selling you. Yeah, come on.

[D]

Accountability.

[A]

That's easy. Hey, you could. You guys convinced me. Chance to convince me. I gotta stop doing that. The reshaping of things. We got to tell the story the way it is, how it happened. Especially when it come to ours.

[C]

Especially if you are the person, cars and us.

[A]

But they gonna do it on their own. We don't need to help them.

[E]

That's fine.

[A]

We don't need that. I'm on Chance side now. Independent. How are you Spending your time, your. Your free time.

[B]

Do you have any?

[E]

No, I don't. I'm on this roll out, this post rollout. So I just been running around, but I guess I don't know what we did in our free time. We'd be going to parties and. But I be sometimes working at those parties. I'm like, like doing a club out here tonight. I'm going like, party till I remember I'm working.

[A]

You doing a club out here tonight?

[E]

Yeah. What's it called? Oh, what is it? Some club in New York. I don't know.

[A]

I'm showing up.

[E]

Shout out to that club.

[A]

We got to go see what the poetic is doing. Hey, we got to go see what the poet hoes is up to.

[C]

Our resident daddy that's.

[B]

I'll break some dog chocolate.

[D]

It's crazy. It's crazy.

[A]

Nice hiding there. Oh, you know about it? Yeah, they booked Amani, the singer.

[C]

If it's outside, he know about it. If it's outside in New York, he knows.

[D]

You got to have a good time, man. Any other recommendations? Send y' all some other spots.

[E]

I'm lock in with you money, see?

[A]

And bring this. This strip club, man. Get rid of this Holy Ghost. Nah, I ain't gotta do that. Get rid of all this Holy Ghost. He on.

[E]

It's so funny the way that people perceive me, but I do appreciate that because it's really just like it allow.

[A]

You to keep your innocence.

[E]

It's a blessing. Yeah, I mean, it's like, it's a compliment. I don't know. I believe in the strip club. I believe in.

[D]

I believe in the strip club.

[A]

I believe in the strip club and.

[C]

I believe in Jesus.

[D]

I believe.

[E]

I believe in. I believe in especially in black owned strip clubs and especially ones that do good business that take care of everybody. And it's like a cultural thing. Like when you in Houston, Atlanta, New Orleans, like Florida, certain places, like it's a. It reminds me of Ghana. Like, it's like everybody.

[C]

Them asses.

[E]

You know what I'm saying?

[D]

The asses too.

[E]

But I'm saying like, everybody's in there is working a part of an ecosystem.

[D]

There's a culture, there's a culture that existed.

[E]

We sharing money. Like sharing money in a way that's like culturally are. And it's different from sharing money.

[A]

Ish. Yes, I share money. He means circulating them, not sharing other.

[C]

Circulating the money in the income system.

[A]

Not you giving it to the Spanishes that don't just get an agenda. Ecuador, Afro, Caribbean. Yeah.

[D]

You.

[A]

It's Tim. I'm such an idiot. What else do I need to know from Chance? So listen, so the VMAs aired the other night. Yeah. Do you have any feelings on them canceling the Hip Hop Awards? Did you see the VMAs? Did it look like they took our Hip Hop Award money and. And funneled it over? I ain't going to. I. I didn't watch it. But when I went to peak, it did look a little more expensive.

[E]

It did.

[B]

It's been looked like that for a little while. Actually went to one, like maybe three or four years ago. A friend of mine was dating someone that worked over there. So I went. It looked kind of similar.

[A]

Yo, yo, Pap who's had a lavender suit on. Y' all spent more money.

[E]

We out of touch.

[B]

Yo.

[D]

It's been looking like that.

[A]

It's not for us no more because.

[D]

All the artists y' all was confused about being up there and all that. I'm very aware of those people because I pay enough attention. But this is.

[A]

Do I need to.

[E]

I gotta say Doja Cat was fire.

[C]

Fire amazing.

[E]

That was hip hop as. And she could rap and she could dance.

[A]

Yeah.

[D]

She went crazy.

[E]

She was just. It was just raw. Like, it reminded me of, like, it made me say, like, damn, she's one of my generation superstars. Like, they're kids that are gonna grow up. Before you take down my tape, you gotta imagine. You gotta imagine being. Being a kid and seeing that. It's crazy. Like she spaz. You ain't with the performance.

[A]

I didn't see the awards.

[C]

Yo.

[D]

We are.

[A]

We don't.

[E]

It was the opening. It was the opening of it.

[D]

We the old now.

[E]

I didn't see the whole I A.

[A]

Performance that still with her performance, though. Yeah. I with everything do cat do. And I'm not mad at nobody that with anything doer do. I like to hear your enthusiasm. When it come to.

[E]

I was one of the first people on DOA Cat.

[A]

Oh, you are one of us. The.

[E]

The I'm a cow.

[A]

Go look up the.

[B]

That was my.

[E]

I've been. I've been a DOA Cat fan.

[A]

We shouldn't have been on her for.

[D]

That's. That was creative.

[E]

It was great. That's what blew her up. That was the first thing that made like people start paying attention to. To me. Maybe not.

[A]

Maybe she had before that I'm a cow class. Get the cor. Come on.

[E]

Yeah.

[A]

Oh, you about to bust a two step.

[E]

That's. That's a classic.

[D]

Come on.

[A]

That's a classic shout out to DOA Cat. We. We love you.

[D]

Is old, yo.

[A]

It was good to see. It was good to see. Ariana Grande still is dealing with her nutritionist.

[D]

Hi, Joe.

[A]

See that?

[D]

See?

[A]

Hello. All right. Did y' all see it?

[B]

I did.

[A]

Did you see it?

[D]

No.

[A]

I told you what, She's a young lady. You can tell she got a meal prep.

[D]

I'm not laughing.

[A]

You get two peas. We don't know what's going on with her.

[B]

She was like, oh, who's that?

[A]

Come on. Who's that?

[B]

To put the baby diet on the Internet that one time back in the day, Summer Walker.

[A]

Someone said, all right, one, plant a.

[B]

Pair and two piece.

[C]

You seen her out there too?

[A]

Oh, someone. Yeah, listen, we gotta get the Chatty Patty when Chance leaves. Yeah, he has too much integrity for this. Yeah, we'll do this when he leaves.

[E]

These are my peers. Like I was there.

[A]

You know what I'm saying?

[E]

Everybody's good, though.

[C]

Everybody look good.

[A]

You know what I will say and then I'll move on is that while I really liked how some showed up because how she showed up with that old white man was. It matched.

[E]

The songs would match the outfit, I guess. Like performance.

[A]

No, but that.

[D]

Yes, the outfit with Pam Anderson, old school. Like she embodied what mtv.

[A]

She did a great job, but her music, everything that the spend it. This was how she was supposed to show up to the awards with an old white dude that looked like he was going to blow a bag. It matched. Let's get back to your actual aesthetic. Matching the music.

[B]

There you go.

[A]

I like that. I'm a fan of that. I like the whole awards for that.

[D]

It reminded me of classic when MTV first started, even. Even down to the set design and all that. It was.

[C]

You watched the awards?

[D]

I watched the whole thing. And I honestly, I watched it from not.

[A]

What a. No, I did work.

[D]

I did work.

[A]

No, you're right.

[B]

It was a joke from earlier.

[D]

I removed myself from watching it, from my own personal taste as a 42 year old man and started to think, what are these kids home watching and how do they receive this music now? Like the Tate McCraes or who these.

[C]

People are popular, popping. Know what else was popping?

[A]

Raven's bills. Hey, check this out. Hey, if you say Jade McGre one more time, crazier.

[E]

All right.

[A]

All right. There you have it. Hit the drop.

[D]

Yo know don't love music. That's what it is. Y' all don't love music.

[A]

We love football. No, you don't. Got no problem with gay people.

[C]

Gay people work for me right now.

[A]

Chance, when you, when you came in, your reading skills were on display. Yeah. You read our board now. I'm not going to say what's up there. I'm not saying what's up there. And you don't have to say it either.

[B]

I can't.

[E]

I just saw what y' all wrote. I don't know anything about that.

[A]

Know.

[E]

I, I, I don't be on the Internet, man.

[A]

It says that redacted says, look at his face.

[E]

Yeah, that crazy.

[A]

It's fine, it's fine, it's fine. We'll, we'll, we'll talk about it when you leave. What else, what else is important? What else is important?

[B]

You get a tour for this album?

[A]

Yeah, I feel like you would have to.

[E]

Yeah, I'm actually going on tour in, like, two weeks. I'm going. Oh, I'm going on a tour with, with, with my guy, Peter Cottontail. I'm doing like, bunch, like, it's like a small run.

[B]

Okay.

[E]

Like 14 cities, I think, in like a month's time. And, but it's like Houston, Atlanta, New Orleans, New York. We got New York. It's already sold out. But they like, they're like more intimate shows. Like 3.

[A]

3.

[B]

You could probably find a couple extra tickets in there.

[E]

Y' all could come, of course.

[A]

Wait, what, what you said, what's the intimate show? 3K.

[E]

Yeah. These are. I'm not saying it, I'm not saying, I'm not saying it's super small. I'm grateful for you know what I'm saying what it is. Shout out to cities. You know what I'm saying?

[D]

Far from sobs, man.

[E]

Yo, that was day one, man. I'm glad that you see me tell this again. I'm independent. I was at sobs, man.

[B]

And then you're at City Field. I was there for that one.

[A]

Yeah. I also remember y' all had independent as g book. Oh, yeah. It's different.

[E]

I'm just saying it's. Come on, man.

[A]

Ain't your dad, like the mayor of North America? Why do people think.

[B]

I'm glad Chance.

[A]

Is doing the class?

[C]

Obama said he was on a first name basis with your dad.

[E]

No, my dad, My dad used to work for Obama.

[A]

Yeah, he said he watched you grow up independent. That's.

[E]

That's extra. That's extra. Then a game. Watch Me Grow Up. Not to call him a, not to call him a.

[A]

Watch Me Grow up as the King.

[E]

No, but, no, but it's like, you know, I've learned So much. And I respect how you like talk about. I'm trying. I'm trying to give you a D.

[B]

Wait till y' all got.

[D]

That's.

[E]

That's what I'm leaving with the pot is for like wait till the Bible clap back. Mark B Playlist. Mark B. Saying the important things for. And I feel like like there's so many things that like just don't get to talk about cuz like this is where every. This is where everybody goes to. To get information. So like when you, when you putting out a point, like please spit the whole lit. Like, like cuz that's. I really watch this.

[A]

Spit the whole lick.

[B]

Hit them drop again.

[E]

Spit the whole lick.

[A]

But chance is right.

[D]

Now I'm damn.

[A]

Around gay people every day cuz they work for me.

[D]

That's really a funny.

[A]

That shit is hilarious. Did you watch that thug interview and did you love it as much as. As we did? I absolutely loved it.

[E]

That shit is cointelpro.

[B]

Let's hear it here. Say more.

[E]

It goes back to the point I was just making about Mark. When you got important things to say, talk about that shit. Facts. But I could talk about. We could talk about the important things.

[A]

Yo, you're the man. Yo, you're the me. He's the man.

[D]

What, what do you think is the most important thing we don't talk about?

[A]

Good question.

[B]

Or what's the least important thing that we do?

[A]

Talk.

[E]

I think the most.

[A]

Both. Answer both.

[E]

I think the least important thing I all. Yeah, let's start with the least important important thing. I think the least important thing is things that are already viral unless you have a new perspective on them. And I think the most important thing, or I guess the most relevant thing to us right now is that like the government is arming the National Guard and other armed forces against the civilians of the country. And so I live in Chicago, so I'm sure they niggas is coming to New York. I'm sure they coming to every metropolitan and we in that shit right now. And we haven't seen a city go up in flames in a while. But that's a part of the. That's a part of the tradition.

[C]

You think? That's the design.

[E]

So it's like that's crucial and it don't gotta be from a. Like, oh, I'm Democrat or no shit like that. It's just gotta be from a human perspective, effective. But I think that's. That's the most important thing.

[A]

Were you on Twitter when they thought that Trump was dead?

[E]

I did see that. I knew he wasn't dead, though.

[A]

But it still wasn't fun.

[E]

It's just like a.

[D]

It was.

[A]

I feel like we still was having a little time.

[E]

Some of that be cointelpro too. You know what I'm saying? Distractions, you feel me? So I just feel like we just worrying about the wrong way with the distractions. Yeah, but I mean, it's like. Like real life is real life too. So it's always good to have fun conversation and talk about shit from different perspectives. I think I was just talking to somebody about this the other day. Like when celebrities go through some shit, it's presented to you in a way where like, you have to be choosing one of these two polarizing sides in a larger conversation that's not even about the people that the story is written on, but the people that's in the story feel the brunt of the weight of like all the disses that come with it and all the like, disapproval that comes with it. And so the most important people right now in this, at this level of the war is journalists and people with pens and papers and microphones and keyboards and shit like that. And so when. When y' all got a mic, it don't gotta be every episode. But I'm just saying like when you. When you guys do get deep, it's raw. Is you could hit the drop again. I'm sorry.

[D]

We will let it pass recorded too, right?

[A]

I'm damn near around gay people every.

[C]

Day, cuz they work for me.

[E]

That's facts though, man.

[A]

Come on.

[D]

No, he's right.

[A]

Yeah. Random question.

[D]

Who do you have your best relationship with as far as the industry goes?

[E]

Ooh, that's a good question. All right, I'm gonna name and if.

[A]

You say Doja Cat.

[E]

Three people. I don't have a. I don't have a relationship with Doja Cat. I just think she's fire the. And I don't got a non relationship with you. I know her. All right, look, number one, number one, Dave Chappelle.

[B]

That's a good one.

[A]

That's a good one. That.

[E]

That's been my mentor for like 13 years. And he just is there for me and calls me to check up on me, but also like, I'll call him randomly and just say some random.

[A]

Oh, he told me he didn't have a phone. Stupid. I believe you. That's such a like fast, funny lie talking shit.

[D]

I don't have a phone.

[A]

This is a great. That's a great way to start this list.

[E]

Yeah, it is, Dave. Important relationships. Also, like, there's a bunch of people in Chicago that are from Chicago that, like, Jeremiah and Herb are like, those, like, really like my brothers Vic. Obviously, in terms of elders, it's more like Dave, Ms. Lauryn Hill, India, Ari and Jill Scott. I gotta say thank you. So I gotta say Jill Scott, she gave to this album in a way that you can't hear, but, like. And I. If she ever wants to tell the story, I'll let her tell the story. But, like, nah, she really, really held me down. You gotta know, like, it's some people that are just people, and if you call them and you like, I need this in Philly. She gonna be like, I got you.

[A]

We love Jill up.

[D]

Jill and Eric.

[A]

Jill is a friend of the show.

[E]

Eric, thank you so much. Erica gave, like, my last verse of my album or the last song of my album. I quoted her a bunch from a poem, and I didn't think about it until, like, the day that before the album was going to come out, like, oh, I need to hit her. And she was like, you good? I still gave her, you know, a percentage of the song, but, like, she was like, don't freak out about it. Put out your art type shit.

[A]

That's very. Stand up. Very. What percentage of the song I'm about.

[C]

To say, Send that check.

[E]

Yeah.

[D]

Talking too much.

[A]

There's a lot of.

[E]

A lot of side artists. You know what I'm saying? Everybody got what they got.

[A]

Do you watch docs and.

[E]

Yeah, I really don't watch documentaries as much as I watch video essays. Y' all ever watch video essays on YouTube? That's the. That's how I be learning everything.

[D]

FD signifier.

[E]

That's my dog, yo.

[D]

I told you.

[A]

That's the one that's.

[E]

That's like, if you. If you want to watch some shit on some, like, breaking down anything like music, but also, like, politics and capital and the history of Random words and like, that, like, he gives real, like, full length. Like, there'll be, like, two hours sometimes. Breakdowns on certain things. He did a really, really dope video y' all might have seen during the Kendrick and Drake beef. It's like three hours long, but.

[D]

What's the name? FD Signifier.

[A]

Signifier.

[E]

But what I love is, like, when a movie is subversive and it makes you think it's about one thing, and then it ends up being, like, a deeper dive in another direction. Great example. Dear Mama, if y' all haven't seen the Tupac documentary, Dear Mama. You think it's about Tupac, but it's really about his moms. Like, that shit's deep as. But this dude, he did a video about Kendrick and Drake. You think it's about to be about, like, all the lyrics that they say. He spends like an hour and a half just breaking down the history of hip hop, the different male archetypes that they present us in hip hop, what a gatekeeper is. Like. He explains all these things that on, like a granular, like on a molecular level of, like, how everything works and builds it up today and then makes an argument for why it went. How it went to people.

[A]

Like, do you feel like we should have some type of barrier of entry?

[E]

Yeah. 100.

[A]

And if so, who should come up with it?

[E]

That's the. That's the issue is, like, come up with it. Yeah, I think there should be a group of people that sit to write.

[A]

Yeah.

[E]

They have to write out what are the important things and then ask people if they want to be a part of it. And. But I think, like, there's a. I've been saying since I first started we needed a union. Like, I think we. For sure, there's. There's a lot of randomly, like, we organize around things with petitions and stuff, but that just, like, it's too high visibly, like, where it could affect our careers. Whereas if there was something that was planned. You know what I'm saying, confidentially. And. And now it's starting to sound like an Illuminati. I'm just saying, like, this. Like, we made our own little declaration of independence and was like, this is what we do. This is what we not going for.

[A]

Blah, blah, blah, blah, blah.

[E]

This is how we will show up for each other if something happens and then just let people join the people.

[D]

Who probably will be able to make that type of effect and change. They already benefit so much from it not changing. So, like, who do you think would even want to take the risk of being a martyr in that situation? Cause whoever tries to do that, they gonna get the Jesse Ventura treatment and all that other stuff. They gonna.

[C]

Yeah, I was.

[A]

I don't. I don't.

[D]

I don't know how that.

[E]

It has to be the OGs. I feel like it has to be the niggas that like, hov. It gotta be like, niggas with the money. Really? You need money.

[C]

Yeah. I was about to say, but if somebody's financial health is riding on.

[D]

Not that being.

[A]

Yeah.

[C]

You know what I mean? Like, you gotta teeter the line. And a lot of people. People can't necessarily afford to do that. Everybody not independent, I don't think. No, I'm joking. I'm just saying. But not just that. Like, back to your other point. We don't own shit.

[A]

Yeah.

[C]

So no matter how many petitions you sign, you don't own shit. And they not gonna not stop.

[E]

We own our will.

[A]

True.

[E]

And we own most cases, I would hope our image and likeness. So we can decide where and when we show up and if we let people use our shit. And like when it comes down to saying like there was just something that just came out where like a bunch of actors and actresses was like, we not working with any like Israeli like defense, like funded movie studios. It was like the other day like 32 people signed that. Like, that's great and it makes a point. But also like all 32 of those people can be penalized somehow or like have a, a visceral reaction to them. Whereas if like hov and some other people was like, secretly. That's what we've been working on. Here's the email saying that you could join that shit.

[D]

Right? That's how you do it. That's how the NBA was able to like when, with the, the players, league, whatever, when Chris Paul and Dwayne Williamson were taking the lead on it. Now everybody can buy in on it. Whereas if it's, if it's just the 12th guy on the bench who's a radical, they can just dispose of that person. Facts and the. To say anything with these artists, we got to, we got to have a.

[A]

Do you believe that there is such thing as Illuminati?

[E]

Hell yeah. I thought that was a fact. Is that a debated thing?

[A]

They're still debating. It's debated. But yeah. Come on.

[B]

It might not be a centralized real card carrying membership, but I think have.

[D]

Monthly beats or something.

[B]

But yeah, I think they might still have.

[A]

Mostly I think they carry a card. All right, so let me ask you a, a, a tougher question. I'm, I'm not certain how big you are on health. Like I keep saying you look great. Have you had a chance to see Bad Bunnies Bunny Hop?

[E]

No. What's that?

[A]

Bad Bunny at his show in Puerto Rico. He was doing like a bunny hop and he appeared to hurt his knee in the process.

[B]

Poor guy.

[C]

You cried.

[B]

I did.

[E]

Like he hurt himself bad.

[A]

No, I don't think. Now I got to show you. Y' all can keep talking. I'll find it. This guy's not nut. I got it.

[C]

He was just doing a little Hop, Hop.

[A]

He didn't look like he. His.

[C]

He tweaked this or something.

[B]

He's been out there. He's been out there performing a residency for three, four months straight. Whatever it is now. Two months straight.

[A]

You.

[B]

Your knee up, too?

[A]

Yeah, yeah. Pulled something.

[E]

Are you saying that was some Illuminati?

[A]

No, no, that was a separate question. Separate question. Totally. Totally separate question. All right. So can I chance. How does chance. This don't have nothing to do with music.

[E]

Yeah.

[A]

And you can skip it if you want. Yeah, but how does Chance the rapper. How does Chance the rapper flirt?

[E]

Hey, yo, next question.

[A]

Like, what? What? That's.

[D]

That's.

[A]

That's.

[E]

That's crazy.

[A]

I know, cuz.

[D]

That's why you want to ask.

[A]

There's a way to answer that.

[D]

I just think.

[E]

Bro, what are you talking about?

[D]

You asked it a little.

[E]

How do I off.

[A]

I asked the G. How do you.

[D]

How do you go.

[E]

How do you go about what we said?

[A]

How do you go about showing a.

[D]

Woman that you have interest in them?

[E]

Oh, no. Yeah, Riz. Like, you know what I'm saying?

[A]

Yeah. What is your. Riz Next. I'm ass. I'm serious about it. Hit the button, yo.

[E]

Like, come on, man.

[D]

Gay in the question out that.

[A]

No problem.

[D]

Gay people.

[C]

Gay people work for me right now.

[E]

Thank you.

[D]

I don't.

[E]

I don't have no problem with gay people. What I was saying is I got what's called the gift of gab. You know what I'm saying? So I just. You know what I'm saying? I say how I feel.

[B]

Gab.

[E]

Yeah. I just talk. I just. You know what I'm saying? I say what I say. Like, that's what it's all about. It's conversation. Consent, you know what I'm saying? Talking it out. You know what I'm saying? That's my R right there.

[D]

Consent conversation.

[E]

You feel me?

[D]

All these things that meant. Yes.

[A]

Clapping it up for consent is crazy. Wow.

[D]

It's wonderful.

[A]

But we should clap it up. You should not have. Shut up, Mark.

[C]

Another C word.

[A]

Can you go? What else do I want to know, man? I'm still on this album. I'm still on this album. Are you getting calls that you wouldn't have expected singing the praises of this project?

[E]

Yours was the. Was the best one. Yours was the best one. Yeah, man. Come on, Joe.

[A]

Oh, you gassed me up.

[E]

No, me and Joe have a story, like, past. You gotta know the lore. So, like, first of all, we already talked way back in the day on the Rap tv. Well, it wasn't rap tv, but it was on MTV though. And you was like, chance, you know what I'm saying? He's gonna replace Drake. Damn.

[A]

Why would you say that?

[E]

Then. Then a little bit later, Joe, I know you remember this. This is after Coloring Book came out. My first. My first single is gonna be this song called First World Problems. And it was like me just rapping about the. Yeah, nigga. And it was me rapping about my real life and that I be going through and my fans like it and he on it and it went viral.

[A]

I killed that.

[E]

And then, and then I did my own interview where I was like, yeah, Joe used to be a rapper, but he can't rap anymore. And then we linked up for back when you had the other pod and we had probably my best.

[A]

That was one of our best interviews too.

[E]

That shit was super raw. I need to watch it like a movie. So it's like when I saw you say that you liked the album, but not just say that's decent or putting it in the conversation with everybody, but you kept it real. You like the album.

[A]

I stood on that. That's the.

[E]

And it's like, I appreciate it on multiple levels. I appreciate it because you gave it context of saying, like, I kicked the last projects back in. I'm saying right now, I like this project personally. And two, it came. I could tell by hearing you talk about it that you listen to it. Because so much of our shit now is looked at as product and is graded on this weird ass scale by these quick reaction videos that like, you don't even get people's genuine response on the album because they can't listen. They think all the time.

[C]

They rushing, they're performing.

[E]

It'S a camera in front of them. They gotta think about what their fan base might think about it. So they're contextualizing it through all of this meme ass shit as opposed to like giving an actual review. So when you talked about it, you was like, this is what I like. This is why I like it. This is the best rapping I've heard all year. And you said a bunch of facts about. So then once like people get that perspective, they like, oh, that. And I hate to say it, but like, we do group things, so sometimes people need to think that other people like something before they can even deal with the fact that they like it all the time.

[A]

That's mostly one of my problems. Horrible in hip hop is dumb. Niggas don't know rap.

[E]

Yeah, they don't have.

[A]

So. Yeah. So sometimes it takes somebody to say, hey, this is amazing. Rapping. Like, that's not done in the microwave. Quick monetization, bro.

[B]

Most of these magazines, publications, podcasts, these motherfuckers don't know dope rap.

[A]

Yeah, no, no, no.

[C]

Do we like the person or not?

[A]

Who's your rapper? Who's popular? Like, the year's almost over. We got about four more months. Who's your rapper of the year? Outside of yourself? Yeah, you fucked us up. Outside of you.

[E]

Outside of me. I' ma say malice if I'm keeping it real.

[A]

I'm talking about written words, everybody.

[E]

And I think Jit is fire. Like, and I don't even mean to say, like, I don't want to, like, sound like I'm. You know what I'm saying? But like, Jit is a great, A great writer, great rapper. Yeah, I think Earl is a great writer, great rapper, sure. I think that there's a lot of, like, real rapping. Stove got cooks, like, you know what I'm saying? What's folks name?

[A]

Gibbs.

[E]

Gibbs. But that's not who I was forgetting. That's my man's. I was gonna say. Yeah, Benny and all in the Griselda. Folks, Everybody's rapping. There's 30 sides to making a good rap. And I'm saying that I'm going 30 for 30 every time. Like in content and use of literary devices and rhyme schemes and rhyme patterns and you know what I'm saying? Like, content of lyrics to references to literally everything. Vocal tone, rhythm, every part of it. I had six years, you know what I'm saying? So obviously, and I'm. And I know a lot of the other artists that dropped this year too, had time to work on this, but you print it out, listen to it, play it in the club, do whatever you got to do. Drive with it, run with it.

[B]

It's gonna work.

[E]

It's gonna work. It's gonna. It's like, it's a thing. So I gotta say, I would say another great artist if I had to think of it immediately this year is Malice. Because in those same categories and a lot of those, like, I feel parallel to him. I feel like, you know what I'm saying? I don't. I don't think that he. You know what I'm saying? No disrespect, that's how you're supposed to feel as a rapper. But, like, I don't feel like he outwrapped me. I feel like when it comes to the things that I respect in the pen and the. In the content that I respect.

[A]

He's.

[E]

Yeah, he's incredibly like. I mean, he's veteran. He's like. He's my senior, so I respect. Respected, totally. And. But this is also hip hop, so I'm writing with the intention of being the best.

[A]

Mark Lamont Hill has to babysit his dog.

[D]

Also known as picking up my child from daycare.

[A]

Oh, my God.

[D]

I took him out of point. He didn't know that that's what I was doing.

[A]

So our good brother Mark has to go. Mark, do you have any final words for Chance to rap or Armani, the singer?

[D]

Definitely. Definitely. No.

[A]

Yo, go pick.

[D]

Never mind.

[A]

Go. Let's go.

[D]

Just go. I'm gonna just go. I don't want no violence.

[A]

I don't want no violence. No.

[D]

I appreciate you. I appreciate you, man. And you're my choice for album of the year so far. I appreciate the work you're doing, man. Let's keep building.

[E]

Let's keep going.

[D]

All right, I see you.

[A]

I don't really have too many more questions for you, but why you ain't shake eyes?

[D]

We never do.

[A]

Yeah. Mark's the king of the highest church. Goodbye.

[B]

And you think that's cool?

[A]

Yeah. Word. We never do. Yeah. And back to the go. When you was going through your rules, that shit. But when you got to. And I'm not. I can't quote you.

[E]

You talking about the four black commandments?

[A]

Yes. Yeah.

[E]

No more old men. I give the four black commandments.

[C]

My favorite record on that album.

[E]

One, watch your health. That's your wealth.

[A]

Two, don't shit on your brother. That's yourself. I want to hear about that one.

[E]

That's. That's the. That's one of the best things.

[C]

Yeah, you need to hear about that one right there.

[A]

Nigga, I treat you like my brother, and you've been shady as hell for my whole life.

[D]

Anyway.

[A]

You. You.

[E]

It's the. It's the I am my brother's keeper. But it's more. So it's ubuntu. It's the I am. Because we are. And the idea is, like, we have to see ourselves in each other. Because, like, imagine when you in a fight, like, when you fight, you gotta completely dehumanize that person so that you could do the most damage. And we think about people all the time, almost sometimes as if we're in a fight. I'm not speaking for everybody, but we otherize people. And the main weapon that you have is your brother, like, and that could be your homie. That could be. It speaks a lot to me in Vic's situation. Even, like, I had to learn, we both had to learn that his success is my success, my success is his success. And so we keep going up by helping each other by, you know what I'm saying, speaking life into each other to speaking well about each other when we get the opportunity to. And you know what I'm saying, we've known each other since 14.

[A]

Yeah. We don't know much about that up here.

[E]

Yeah, you gotta.

[D]

It just makes you feel well about each other.

[E]

It makes you so strong.

[A]

Would you say stupid anyway?

[C]

Nah, I totally agree. Like, I think it's my son. Somebody says that all the time. Like, yo, if you look at another black man as your brother, it's hard to kill your brother.

[A]

Yeah.

[C]

You know what I'm saying? It's hard to really inflict bodily injury upon somebody if you looking at them like you looking in the mirror.

[E]

The mirror. That's really what I'm trying to get off. Like, you got to see them as you like. That's. That's the whole. That's empathy. That's like, I could understand how you're thinking, how you feeling? I feel for you. And I want both of us to be up here.

[A]

What is next for Chance? What's left on your bucket list? What do you envision the next 5 to 10 years looking like? What do you see for yourself after music? Give me, give me, give me the rundown. Yeah.

[E]

First I'm gonna go on this tour, you know what I'm saying, September 26th, and go touch the people. Cause I ain't been outside on a like, routed tour in years. And so I got people that, you know what I'm saying, seen me 10 years ago, people that have never seen me before that like, I gotta go be in front of. So like, I'm most thinking about that, you know what I'm saying? I gotta go through this trial shit with my ex manager before the end of the year.

[B]

Oh, that's a trial.

[A]

Okay. Yeah.

[E]

And then, you know what I'm saying? And then it's back to. It's back to what I do, which is perform and make songs. But I feel like this has been, you know, I'm saying, my hardest and my strongest year. And so I look at myself with scars and all and be like, let's keep fighting, let's keep going. And so, yeah, I don't know, you know what I'm saying? I don't know what's after rap because I Think I just finally realized, especially while we were just talking about malice, like, this is the written word. We get better with age until we start to regress. But, like, we. This is a. This is an art form.

[B]

You just started rapping again. You can't start thinking about.

[E]

No, I've been rapping. I've been rapping. I've been rapping out loud.

[A]

Yeah.

[E]

No, I mean, I've been rapping in a. In a sense of like. Like, I started in this industry when I was. I say 18 was when I first went out on the road. I mean, I've been recording since I was 14. I've learned so many things, and I've gotten better and better and better and better. And that's why I shunned the idea of the comeback. Cause it's like, maybe I came back in terms of a body of work, but I ain't never rapped like this. I ain't. Nobody ain't never rapped like this. So it's like I'm recognizing that growth, and I'm recognizing that I'm only gonna have more experience and better understanding all these things that I'll be wanting to talk about or explain. So I don't see myself stop rapping. But, you know, hopefully we do some snl, do some movies, you know what I'm saying?

[A]

On a big or small screen. Like, when I'm watching the new season of the Vince Staples show, I feel like you should pop up. Like, I should. I feel like I should see you.

[E]

Yeah. I love comedic acting. I love dramatic acting. I love all film work, period. I think I was doing a bunch of shit. Like, the Starline thing is more than an album for me. So I know y' all seen, like, I did the festival in Ghana. Like, I had to do the Voice so I could get the money to put on a festival overseas. Like, I had to do certain moves to be like, this is how I'm. How I'm gonna move and how I'm gonna build up the movement that I see. Because my shit, I love music, but music is like a reflection of life. And so I also, like, be trying to do stuff in real life with the powers that I have to, like, I don't know, just push forward and see it how I want to see it.

[D]

How was that experience doing the Voice?

[E]

It was raw. It was actually probably one of my favorite ones, because you. They are already, like, a thing. Like, when we did rhythm and flow, it was raw as hell because we made that show. We made up all the rules. We made up how they win. We made up everything. Like me, Cardi and Tip, basically, and Jesse. And so when we did the Voice, it was like plugging into some shit that's already there. But they have such a. Like, you know, it's a family show. So everybody there is super nice and super involved. Like, they. I've been getting texts and stuff about my album from people that do not listen to hip hop, but, like, are my ex coworkers. Not ex coworkers. But they on the Voice, like, I'm talking about staff. Staff. Like, it's just a building of people that fuck with each other. Like, so I do miss it for that. But also, like I said on the intro, like, Lauryn Hill was like, this is like, this is cool. But you are a specific person that has to do specific things in your purpose. Get to that nigga. And so now that I just did that, I can do a little. Take a little time, not six years, you know what I'm saying?

[C]

But you planning on going back, like, deluxe or anything with this album or you gonna leave it as is?

[E]

I've been thinking about it. I got this thing called Writings on the Wall. It's like a. Like, you go in a room and it's like a 360 projection. And like, you know how I be having my text from my words on the screen and flashing. It's like that surrounding you with like, different content and stuff and like a special, like, listening system.

[C]

I don't got no problem with them.

[A]

Oh, no, that was a mistake. I was trying to. I was trying. No, no, no. About to say, damn, you about to throw that 360 room.

[B]

There's nothing gay about immersive.

[E]

No, but shout out all the gay people. I don't want us to keep otherizing gay people. Shout out to.

[A]

Oh, no, no, no.

[C]

We don't do that up here.

[A]

Oh, this show loves gay people. I pretend to be something.

[E]

Dap it up, man.

[A]

Listen, fuck you. Ladies and gentlemen, first of all, this door is always open to you.

[E]

I'm back to you.

[A]

I say that to everybody. But with you, I mean it. Like, this door is always open to you. Does anybody have any final questions for Chance? No. If not Chance the Rapper, Starline, one of our nominees for album of the year. If you haven't heard it, it's in your phone. It's on DSPS right this second. Please make some noise. Chance the Rapper in the building. Know what it is.

[C]

Hey, that was just so rough.

[A]

We love you, bro. We honestly. Yes. We want to come see the poetic hoes.

[C]

Hey yo La.

[A]

Yeah. Oh, yeah. If y' all want. Oh yeah, yeah. No, please. Yo, yo. Are you doing vinyl for this project? I mean, dad gotta do a vinyl. I know you are. You are. You are. You are. That's right. Whole Chicago was popping Chance the rapper. Pick that album up, stream it, listen to it, buy it. It's crazy.

[E]

Mac died September. I cried in October. She too fast. I miss when it was a lot slower.

[A]

I ain't gonna hold y', all, man. I really enjoyed Chance.

[C]

That was dope, man.

[B]

He's always great.

[C]

No bullshit.

[A]

Chance is great every time you talk to him. Yeah.

[D]

Talk this too.

[A]

Yeah, he talked his just how he was feeling, how he was looking. His outlook of things. I always appreciate cuz he's one of them young genius like Vince. Like he is.

[D]

Yeah, Him, Vince and a Tyler.

[A]

Yeah.

[C]

Host.

[A]

Yeah, yeah, yeah. That. That makes sense. Let's get back into this speed of love and in this bad boy.

[E]

So when will real love once again.

[A]

Thanks, Chance. Thank. We want to thank Chance for coming up here. Always. We want to thank Flip for coming up here. We Big Flip in the building. Yo, you know what's funny? Chance asked about you too. The first. First thing he said when he got here. Yo, Flip isn't here. I felt like such a dick, so. Right.

[D]

You know, next time, man.

[A]

You know, I mean, you don't be with the music. Yes, but they with you. Yeah, they with you.

[C]

That was like y. I've been following.

[A]

Him for a long time. He was a huge fan of yours.

[C]

He ain't even say nothing about Drew.

[A]

Oh, hey, yo, we know you want to get a deal with Drew. Go through Drake.

[D]

We dealt with enough of your betrayal skills, Drew.

[A]

You want to deal with somebody else?

[D]

Who? Suki. Suki.

[A]

You a DM too.

[C]

I don't even know what that is.

[D]

Yeah, you wanna.

[C]

Y'.

[A]

All. Y'. All.

[C]

Ain't she one of those Suki. Who is that?

[A]

What? That girl will suck ish from the back.

[D]

Okay. To I used you wrapped around.

[A]

You don't even remember how that feel. Getting soft in the back. Look, you know you don't remember no more, stupid face. What? There you go. He don't did it again. No, he did it again.

[C]

No, he's saying it like he.

[A]

No, you can see. No, he's saying it like he has been getting his. His dick sucked from the back. And he's telling you it's still as fire as you remember it from the 90s. Yeah.

[D]

Back.

[A]

You too, faithful get back in your bag. You extra faithful too, boy. I mean, and that's good, but you just extra faithful like you.

[D]

You wear faithfulness.

[A]

Come on. Take it back to the Loop.

[D]

Yeah, to the Loop. Take it back. Take it back to the Chevy Lounge. Take it back to the Loop.

[A]

Take it back to the. Take it back to the back room with squeeze. I seen you in there. I seen you in the back room.

[C]

Squeeze everybody that got a back room.

[A]

What it does.

[C]

Oh, oh, you know more than me.

[A]

The he talking about. What he talking about. Y' all know more than me. No, we don't. Is what we saying. Take it upstairs at the Palace.

[C]

I've never been up, I promise you.

[A]

Yo, where have you been before?

[C]

It's a rock room.

[A]

Don't come on here lying somewhere in these clubs. Don't come up here lying no more. I've. You go to them other podcasts. Spit knowledge, body that shit. This come up here and do it.

[D]

You. You too. Cohesive in the mother. What did you say?

[A]

Let me do my research what you said.

[C]

Man, you in Jersey.

[A]

He body that man. Man, I like that. What did you say? Don't talk to freeze with me.

[C]

Let me do my research and get.

[A]

The facts for you.

[D]

Man.

[A]

It. Well, yeah.

[D]

You buy that side of the world's.

[A]

Population and homeboy, whoever he was. Yeah, who the was that?

[C]

That's funny.

[A]

He always try to show up when it's some strange around. No, I may have misarticulated myself what I meant to say. What he bit up such as smooth talking ass.

[D]

You might that when you go somewhere else.

[A]

I'm sick of him smoothing. I watched it, and at first glance.

[D]

I thought it was TD Jake.

[A]

I said, oh, they got.

[D]

They got a powerhouse. Not to say this, and I'm not being funny.

[A]

I watched that. I was like, they finally got this with his peer group. When his age. Cuz he relate to his age. Like when we younger than him, he be like. He be grumpy.

[C]

You think he 40, 32 or something? Yeah, you in my peer group.

[A]

I. I'll accept it from you. I don't feel like that inside.

[D]

Wait, y' all just let him step on us making a joke.

[A]

It. Yo, we making our joke. He always do that. You not a peer group. Know how we know you're not our peer group? I called you Friday night.

[E]

Okay.

[C]

I called you first.

[A]

I called you back. Did you?

[C]

And I called you back.

[A]

Did you answer? Too late then. It's too late then. Oh, you. It's too late then.

[D]

What it's too late.

[A]

That's crazy.

[D]

I'm telling you, it's too late.

[A]

How long?

[D]

How long was the call?

[A]

You was up here. How long is it? Gap. He was up here. Thank you. Between go tell you two minutes. Two minutes. Call right back.

[C]

Thank you.

[D]

Come on.

[A]

Two minutes. Thank you.

[C]

You won't answer.

[A]

It's too late now.

[C]

Thank y'.

[A]

All. Why is it too late? You're bugging.

[C]

Thank y'.

[A]

All Want.

[C]

That's your.

[A]

I was trying to end with chance, but now y' all taking me in a different zone. It's too late. Then he was up here talking buku. I thought we was gonna go have a time. I called him.

[D]

He didn't answer. You're not ready.

[A]

You're not ready.

[C]

I could see if, like, some time passed.

[A]

The caught you right back. Antoine, it's a little too late. Too late, buddy. I don't care.

[D]

I don't care.

[A]

Oh, man's an idiot, bro. Look at Flip up in this. Happy. I'm happy. Happy to be able to look happy, huh? You look.

[C]

You look happy.

[A]

Yeah.

[D]

Look good, let's say. Hey, hey, listen, listen. I saw the thick pieces. Yes.

[A]

Whatever y' all think. But let me tell you something.

[D]

When you drink some green juice and.

[A]

Have a reality check, sometimes you come.

[D]

Back where you get rejuvenated or whatever.

[C]

I'm happy.

[A]

That's good. Yeah.

[D]

Was it for the past couple of weeks.

[A]

I was up.

[D]

I thought it was over.

[A]

I looked outside the window. I stood by the window for man long. Put your head on my shoulder, baby. Come back, baby. My kids said, daddy, why you by the window? You look scary. Shirt on, boy. Just standing, staring, looking at the birds. Trying to talk to the birds.

[D]

I went to a movie. I thought it was over.

[A]

Said, I'm about to be out of here anyway. That's a fact.

[D]

Sometimes you got to just stare. My kids thought it was over.

[A]

They said, you good. They text their mom, he by the window. I didn't realize I was no shirt too.

[D]

Towel like this.

[C]

They know you wasn't going to jump.

[A]

I look crazy.

[D]

My mother came in from Turkey and.

[A]

Said, yo, I heard you was by the window. Yo, this is an idiot. Oh, my God. Flip is a fool. Listen, man, listen, listen again. Once again, thank you to our musical guests. The singer. Let me shout out to Chance the rapper. Thank him for coming by.

[C]

Amazing.

[A]

One of my favorite people in this godforsaken industry. Hopefully you enjoyed this broadcast as much as we enjoy delivering it to you. Keep us in your prayers, each and every One of us. Lord knows we need to be there. Until the next time I bid you a do farewell. Adio Serviva Dirty Asta la vista arvoir. Here we go.

[E]

A frozen pizza. Kool Aid, not soda.

[A]

Remember, life is a series of moments. And moments pass. So let's make this one last as.

[E]

If it's oh, we ate died September.

[A]

Lastly, the baddies are insecure, the stagnant women want to travel and the closed minded women want you to teach them things. Grab you a Tylenol, you just might need it.

[E]

We grew up on tour. Some of these experiences seem pretty dream mature. But these dreams came from your hip hop.

[A]

Anybody doing anything interesting during the week? During the week? Anything interesting this week?

[C]

Not at all.

[A]

Yeah, no.

[B]

It's that time of year to not do anything.

[C]

Nothing. Nothing this week.

[A]

Getting windy outside. Got it. It's nice outside.

[B]

Some of us been outside all summer. Yeah, it's time to time to chill out.

[C]

My mom want me to go to the show with her, but I'm trying to tell her to find somebody else to go.

[D]

Yo, Paul, you always match your socks with your shirt.

[B]

I do.

[C]

I like that.

[D]

You're the only way I can do that. They could just be doing.

[A]

What's your freeze? It's Baby.

[C]

Was it Casey? Charlie Wilson.

[A]

Oh, elder bars. Yeah.

[C]

And one more. I'm forgetting the fourth one.

[A]

Oh, that's a nice show.

[C]

But yes, Thursday it was her birthday party. Charlie Wilson.

[D]

Charlie Wilson.

[A]

There's four of them.

[C]

There's four of them.

[A]

Baby. Fitness face it is.

[C]

Baby Face.

[A]

Yeah, yeah.

[C]

That's a four for baby. That's your headline, the Charlie Wilson show, though. Uncle Charlie's R B Cookout. Baby Face on the grill.

[A]

No for sure y' all talking about.

[C]

Whatever you talking about.

[A]

Until the next time, man, y' all hold it down. Peace, love, health, wealth and prosperity to y'. All. We'll be back same time, same, same place this weekend. You never heard of Joe Bunny? Jbp. Jbp. Where would you be without the jbp?

[C]

We'll fold that up right now. Don't look away now, pussy.

[A]

I don't got no problem with gay people.

[C]

Gay people work for me right now.

[E]

I'm damn near around gay people every.

[A]

Day because they work for me.

[C]

I don't got no problem with them.