Episode 886 | "Fed Gala"

Summary

The Joe Budden Podcast – Episode 886 | "Fed Gala"

Released: December 13, 2025
Host: Joe Budden
The Joe Budden Network

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Main Theme & Purpose

Episode 886 of The Joe Budden Podcast, titled "Fed Gala," stands as a characteristically sprawling, rowdy, and insightful session with Joe Budden and the crew. Anchored by discussions of new music releases, viral news, scandals in sports, and absurd social commentary, the episode spotlights contemporary hip-hop, the temptations and pitfalls of fame (especially for Black men), and the peculiarities of modern dating and social etiquette. The crew also dissects current headlines, pokes fun at each other, and maintains a lively, irreverent energy throughout.

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Key Segments & Discussion Points

1. Opening Banter & Chemistry

Timestamps: 00:00–10:00

• The episode opens with playful teasing about each other’s looks, bromances, and personal quirks, particularly ribbing aimed at Ish (D) and Mona (C).
• Mona’s tendency to compliment the crew and discussions about "Jason Love"—an adult film star whose team emailed the show with offers to appear and bring, among other things, a "custom 10 incher" for Mona.

“[Reading email] He has a custom 10 incher for Mona to try out if she’s interested.”
— (B, 03:26)

• Hilarious back-and-forth about performance-enhancing products like honey packs, “pink horsepower,” and general openness (or not) about using them.
• Deliberations on the art of voice notes and how men perceive women with "voices" (in both literal and metaphorical ways).

“They don’t like women with voices. You know what they want? They just want you to eat the dick and shut the fuck up.”
— Mona (C, 10:44)

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2. Catching Up: Life, Holidays, and Fantasy Football

Timestamps: 20:08–24:00

• Joe reflects on how his December this year is much better than last, mentioning past issues like getting evicted and now celebrating with new equipment and milestones.
• The group jests about birthday planning for Ish, fantasy football leagues, matching socks, and the mechanics of planning surprise parties.

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3. Strip Clubs, BBL Aesthetics, and White Girls

Timestamps: 24:00–29:00

• The crew discusses the nuances and logistics of attending (and planning for) strip clubs, the aesthetics of surgically enhanced women (“tummy tuck in the BBL”), and preferences for "thick" white girls.
• Mona offers vivid, comedic descriptions of BBL transformations that get the whole table laughing.
• The conversation veers into the territory of fetish, porn categories, and the idea of dancer inclusivity—culminating in wild brainstorming about birthday surprises and “midnight ballerinas in wheelchairs.”

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4. Music Round-Up: Major Releases and Reviews

Timestamps: 33:10–59:00

a. 21 Savage – New Album

• The team dives deep into the new 21 Savage album, lauding its darker tone, production choices, and storytelling.

“This tempo exists a lot on this project. I enjoy legible, understandable, letting it breathe 21 Savage.”
— Joe (A, 38:33)

• They play favorite tracks, discuss features (Lotto, Drake, Young Nudy), and debate the effectiveness of certain collaborations.
• Mixed reviews on the Drake feature—while some found it uninspired, Parks and Joe expressed that expectations for the collaboration may be impossibly high post-her-loss era.

b. Conway the Machine – New Project

• Justice League gets praise for “From the Concrete Rose”; the group agrees Conway offers introspective, mature storytelling and maintains high lyrical standards.

“Hell of a project. Conway. …I want to buy this right now.”
— Joe (A, 59:24)

c. Nas & DJ Premier – "Light Years"

• Highly anticipated, historic project. The group acknowledges the impossibility of matching past hype from 20+ years ago but celebrates the achievement.
• Discussion of whether the new Nas/Preem project should be compared to old classics or enjoyed for what it is.

“Imagine going in the studio with somebody 30 something years ago, changing the world of music… and in 2025, almost 2026, being able to just, on some passion project, pick me up, we're recording this together now. There's something to that.”
— Joe (A, 87:42)

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5. Sports & Scandal: Michigan Coach Drama

Timestamps: 92:38–106:12

• In-depth (and comedic) dissection of the story surrounding Michigan football coach Sherrone Moore’s firing and subsequent legal trouble, including:
  • His affair with a subordinate.
  • The chain of events leading to his downfall, the doubling of his mistress’s salary, and his emotional unraveling.
  • The ethics (or lack thereof) in cheating with "mid" women versus "baddies," convenience versus quality in infidelity, and the risks successful men take.

“That’s the thing about cheating. You’re never supposed to get a side chick with enough power to ruin your life…”
— Joe (A, 99:44)

• The conversation transitions to the pattern of Black men in power having affairs with white women, motivations behind that, and cultural/historical context.

“As a Black woman, it feels like that when Black men get a certain amount of success… that you automatically go white woman. Why is that?”
— Mona (C, 115:38)

• The men discuss the racial make-up of colleges and professional circles as contributing factors, not conscious choice.

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6. Andy Dick & The Tragicomic Side of Fame

Timestamps: 126:04–135:06

• Mona brings up comedian Andy Dick’s recent drug overdose and chaotic TMZ interview, leading to a discovery of his disturbing legal record and "crackhead" tales.
• The segment is a darkly humorous reminder of how addiction, fame, and criminal behavior intersect.

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7. Social Commentary & Relationship Debates

Timestamps: 135:09–147:34

a. Dating Etiquette: The "Doggy Bag" Debate

• Viral TikTok debate: Is it a red flag to take leftovers home on a first date? Most hosts disagree with the original take and share their own relationship stories and preferences.

“On a first date, act like you’ve been here before, even if that means you have to eat before you come…”
— Joe (A, 138:30)

b. Modern Dating, Bougie Phases, and Self-care Routines

• The group discusses leveling up, the importance of self-care, and the cultural value of being “bougie” in certain areas of life.

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8. Headlines & Hip-Hop News

Timestamps: 149:41–194:50

• Announcement: Beyoncé set to return to the Met Gala in 2026 as Co-Chair, along with Nicole Kidman and Venus Williams.
• The “Fed Gala” and Mona’s honor at a Philadelphia event for formerly incarcerated people who’ve made positive changes.
• Brief reviews of more new music: Max B, Pooh Shiesty, and Fridayy. The hosts discuss the evolution of "first day out" rap tracks.
• The Ebro In The Morning show has ended on Hot 97, marking the end of an era in NY radio. The group reflects on the legacy and changes in media ownership, as well as the emotion behind not being able to properly say goodbye to an audience.

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9. Street Codes, "Snitching," and 21 Savage's Take

Timestamps: 175:43–182:55

• Discussion of 21 Savage’s Big Bank interview, dissecting what does or doesn’t constitute "snitching."
• The group finds the "street rules" increasingly confusing, and Mona, Ice, and Ish clarify the difference between cooperating and snitching, and how the rules work in theory vs. real life.
• Joe observes that these discourses are mostly podcast talk, removed from the reality of real consequences.

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10. Final Miscellanea

Timestamps: 194:50–End

• More on the Michigan coach’s charges and legal limitations after release.
• Jokes about OnlyFans spending by country and US city ("Atlanta, Orlando, and Milan are top spenders").
• Weekend plans, Mona’s promo for upcoming comedy shows, and the crew reminding listeners to stay safe, be mindful, and keep sending prayers.
• The customary Joe send-off, ending with a joke about "pass the fucking ball" and a playful a cappella.

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Notable Quotes & Moments

• Compliments gone wild:
  “I’m just a compliment. I can’t help it. And this looks better than all of us.” – Mona (C, 01:17)

• On cheating up (or down):
  “You need to get with something that’s gonna keep your mind off of what you just left.” – Joe (A, 104:21)

• On industry changes:
  “It signals a turn, I think, even further away from radio and away from some of the stuff that we care about. It’s a big moment in culture.” – Mark (F, 190:33)

• On snitching rules:
  “Snitching is trying to get another n***a up so you can be unfucked up.” – 21 Savage [from interview, quoted by Joe] (176:48)

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Tone & Style

• Unfiltered, explicit, and comedic—classic Joe Budden Podcast style.
• Industrious hip-hop insight, irreverent humor, and ribald social commentary.
• Blunt honesty about relationships, fame, failures, and everyday life.

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Key Timestamps for Reference

• Music Reviews: 33:10–59:00, 81:42–92:01
• Michigan Coach Scandal: 92:38–106:12, 195:44–197:54
• Doggy Bag Debate: 135:09–147:34
• Ebro In The Morning ends: 189:01–194:50
• Street Code Discussions: 175:43–182:55

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Summary

Episode 886 is a quintessential Joe Budden Podcast—a vibrant, messy, hilarious, and, at times, poignant roundtable that explores hip-hop, headlines, and the complexities of modern life. From earnest music reviews and startling news analysis to the wildest of inside jokes and social musings, this episode captures the unrestrained spirit of the pod and offers plenty for newcomers and regular listeners alike.

Transcript

[A]

The thoughts, views, and opinions expressed by this podcast, whose bullets its hosts offer entertainment purposes only. I repeat, it is not serious. It is not real. No one is exposing, revealing, indicting, or telling you anything about themselves. Also, we do not encourage you to try this at home. We are trained professionals who do not have your best interests at heart or our own. Enjoy the show.

[B]

Right.

[C]

He big. Like, bulky. He black.

[A]

But why you couldn't. But why you couldn't just start with that?

[B]

I would read the.

[C]

Now he not talking to me. Cause y' all teasing them.

[A]

That's what happens when we tease him. Cut this off. I was gonna chill on him because he just getting back and he's a little under the water. I'm gonna still chill on him. I'm chill on him because this is too funny, though.

[B]

Chill on him.

[C]

I gotta move over.

[A]

No, I'm chilling on you.

[C]

Ain't no in your blood from.

[A]

Yo. What is wrong with men, yo. Yeah, what is wrong with men?

[C]

We ain't running for no. What?

[A]

Your eyes. Look at you. We love you.

[B]

He's beautiful.

[A]

If we say. Oh, please don't get started. We lasted 10 seconds before Mona. Mona, jump on Dick fast.

[C]

Oh, my God.

[A]

Let the boy breathe for us. That's why we sent the email, because he be.

[B]

He be watching you.

[C]

Everybody in here to know that I compliment all my brothers. Don't I compliment y'? All?

[A]

Yes, if you.

[C]

I'm just a compliment. I can't help it. And this looks better than all of us.

[D]

Thank you.

[C]

I'm tired of just saying it's me. He look better than y', all, too.

[B]

Okay, you, too.

[C]

Bump it up. Don't.

[A]

Listen. It's gay to jump in this, but he know. He know how I feel.

[C]

Nah, nah.

[A]

You know how I feel. Come on, dude. Come on.

[D]

Come on, man.

[A]

I'll take him up to the court right now.

[C]

Stop.

[A]

That's who I have my battles with. Him and Michael Paul.

[C]

I love y' all so much. I'm happy to see you guys.

[B]

She ain't met Michael Paul, has she?

[E]

I don't know.

[B]

I can see her doing the same thing.

[A]

Mona just. Yeah, Mona's a fast little thing.

[B]

I could definitely see it.

[A]

Mona Lil ass. Yeah. Ish. I am going to chill on you because I love you and you my man. You need to feel better. But that. Why you know his name, man.

[B]

It was instant, like.

[A]

Like, what's his name? I don't even know it after you just said it. And I don't know his name.

[B]

What's his name.

[A]

What's his name?

[D]

You watch porn?

[C]

Is Jason Lee or Jason lost?

[B]

Okay.

[A]

No, my point is.

[C]

I don't watch porn with men in it.

[D]

You watch porn live.

[B]

That's dope.

[A]

Okay, now how many of those do you get before I start chilling?

[D]

You don't have to chill.

[A]

How many of those do you get before I'm no longer in Chill. That's my man. Chill. He chilling. That's okay.

[B]

We miss Ish.

[A]

What's the dude's name?

[B]

His name is Jason Love.

[C]

Jason Love. We got the same name, huh?

[B]

That. See, that's more the reason.

[C]

Yeah, no, I ain't nothing but 10 inches, man. It. Man, please. Thank you. I don't. You. Come on. We've already decided.

[A]

The guy Jason Love sent the email and his people sent it. His people sent the email, said, would we like to have him on as a guest. And he was going to bring a custom. Look, God don't even. God don't even like me saying that. Say. Say it. A custom signature for Mona, in case you want. Yeah, go ahead and read it. Yeah.

[B]

Would you guys at the JBP be interested in having adult film star Jason Love as a guest? He'll be in the tri state area. On he gives a date. Let me know your thoughts. He can have some honey packs and other goodies sent to the studio. And he has a custom 10 incher for Mona to try out if she's interested.

[E]

What does he think this pot is?

[B]

I don't know.

[E]

Say cam soda.

[C]

My initial. My initial reaction would be to call the police.

[A]

He's gonna bring honey facts. Wait, hold up. You don't know what that is? Why do we need to be. I didn't know what that was.

[D]

You don't know what cam soda is, do you?

[A]

No.

[E]

Yes, the you do.

[A]

No, I have no idea.

[E]

Yes, the you do.

[C]

Yes, the you do is funny as. Yes, the you do.

[E]

Yes, the you do.

[C]

I don't know what it is, though.

[B]

Me neither.

[E]

It's cams. Like a webcam port.

[C]

Oh, okay. Okay.

[B]

Some sodas on the side.

[E]

I'm not sure what the soda's about, but.

[C]

Yeah, he knew that.

[B]

Fast too.

[C]

A 10 inch dildo sounds like assault.

[B]

But the funny part in all of that is once I said that ish.

[A]

Immediately said takes you out the game.

[B]

Oh, shit.

[D]

What?

[A]

Yo, your man.

[B]

Hey, yo, what's up with you today, JoJo?

[A]

Joe.

[D]

Yeah, you know, it's cool.

[A]

You know, he like.

[C]

He know you're saying that.

[E]

You know, y' all discuss.

[A]

You got it.

[D]

Bro.

[C]

That'S not. That's a real bromance.

[D]

I ain't gonna say nothing.

[B]

Yo, you don't gotta say, you know.

[A]

Right, Mona, do you want it or no?

[C]

I'm not.

[A]

The joint.

[B]

You want it.

[A]

The custom joint from homeboy.

[C]

I can't do anything with that, to be honest. You know what I mean? And you know what? I assumed that it was made like, as him, right?

[B]

I don't know.

[A]

We ain't investigating. We didn't inquire. We didn't even reply to that. Yeah, I didn't reply.

[E]

It kind of up the balls.

[A]

I don't know if that's exactly right.

[C]

Report the email. Report that.

[A]

Report it.

[C]

Report it. Like, why me? Why would I want the 10 incher? Well, you know what I mean.

[E]

I don't think any of us else would.

[A]

They don't know. So to be fair, they should have.

[C]

Said, I'm gonna Send a few 10 inches up there. To be fair.

[B]

They know.

[A]

They read past the jokes.

[C]

I want a honey bag.

[A]

What does that do?

[E]

What does that do for.

[D]

Hey, it might.

[A]

Yeah, maybe.

[C]

Yeah. Honeybag said it.

[D]

All right.

[A]

I didn't know that.

[B]

Yeah, I didn't know what.

[A]

I never.

[C]

Wait, all that.

[A]

You got all that off Amazon or something, right?

[E]

Honey pack I think they got at the gas station.

[C]

You have a 10 pack of them, bro?

[D]

Why are you looking at me, bro?

[A]

I don't want.

[D]

To.

[C]

The only man in here that doesn't have a big ten pack box at the house is works.

[E]

I've never used performance enhancing drugs.

[C]

I know you.

[E]

Look, not that anything's wrong with that.

[C]

My all natural. You want to see Moss version?

[D]

Oh, no, I'm taking the gas station too. Oh, I ain't up here trying to hide my friend. Who I am you talking about?

[A]

Yeah, he's taken. He's taking it before.

[D]

Yo, every in here is taking them too.

[B]

Taking what?

[A]

No way.

[B]

Performance.

[C]

Y' all never take the honeyback. Did you ever take the pink. Pink horse that cam John?

[E]

No.

[A]

No.

[B]

Oh, the pink horsepower.

[C]

I've had that. I heard good things about that.

[B]

I've had that.

[C]

That's from Africa. And that's from a small plant in Africa.

[E]

And are we reviewing dick pills?

[B]

Let's review dick pills.

[D]

Yeah, I just wanted to see.

[E]

That's an interesting segment, Joe.

[A]

First, I never used the cam. Camshit either.

[C]

You've never used no type of nothing?

[A]

Oh, yeah, I've used something. It just. It's not these things.

[B]

I never.

[D]

I never use cam neither, but I did Hear that was I. But I ain't never use it.

[B]

It's.

[C]

So what's your go to the honey pack?

[D]

Didn't work.

[C]

Oh, honey pack.

[D]

Niggas be saying that. That just out.

[C]

Wow.

[B]

So what works?

[D]

Little bit of this, little bit of that.

[C]

You talking about to each his own, though, right? What work for one person? You know what I mean?

[D]

What's good for the goose might not.

[A]

Be good for the goo.

[C]

They have girl honey packs, though. They do?

[B]

Yeah.

[E]

It's still called a honey pack.

[B]

No.

[C]

I don't know. Something like it. I ate a regular honey.

[D]

Some pink.

[B]

Some pink. Pink pussy cat or something like that?

[C]

Yes. I ate a regular honey pack before.

[B]

And what happened?

[C]

Nothing.

[E]

You didn't get rocked up?

[F]

No.

[C]

Like, I thought, like, my nipples would be real hard, but no. If anything, I felt angry.

[E]

Angry.

[C]

Full of rage.

[D]

Yeah, you got beat that because, you.

[A]

Know, Mona took it and ain't get laid.

[C]

I ain't get no dick.

[A]

Mona took it and was just.

[C]

I took it and gave me a ghost.

[D]

Hey, yo, dog, I've been there before, bro.

[C]

That's up, bro. A like me now I got to send you a voice note. Y' all know how I ain't with them voice notes. It might not be no record. I with a. But this at least 13 voice notes.

[E]

Voice, no vibes for sure.

[C]

What?

[D]

You definitely hit the art boot.

[C]

Look, hands free. First of all, that's how I started. You gotta wait a second, Parks, because it won't catch you. So you give it a little 1, 2, 3. First of all, so you can hear that first.

[B]

And that's supposed to make him want to beat it up?

[C]

I don't know, but this was going on.

[B]

All right.

[C]

You won't get this work.

[A]

What do y' all think about the chicks that's in voice notes? Like, honestly hate them.

[E]

I don't care for voice notes.

[B]

I don't like the ignorant ones. No, just period.

[E]

Like, at that point, what do you.

[A]

Think about chicks with voices?

[D]

There you go.

[C]

Let's get into real podcasting.

[A]

Oh, a, no. I was listening to Jeffrey Osborne. Now I got a boss. Jeffrey Osborne. Press play.

[B]

They always want to talk.

[A]

Disconnect from the Bluetooth. Right when you jam it, there'll be less sad songs. Here she God damn. And you can't tell your girl, yo, I'm jamming right now.

[C]

It's always, why you can't say that, dog.

[A]

I'm a bitch.

[D]

I always.

[B]

Me too.

[A]

I'm a bitch. Why you can't just say, I'm in the middle of a mean stage set.

[C]

That's if anybody.

[A]

Baby. I just cut high five on, like, the album cuts that I don't. I got to be alone to listen to.

[B]

And then when you finally listen, it's like, so you stop me for that?

[A]

It be absolutely nothing. It be absolutely nothing, bro. They always.

[C]

They always say stuff that makes me re. Evaluate my life. You know what I mean? There's always moments here where I say something off my chest, off the top of my little heart. And y' all sit there real. You especially, you be real stuffy because the laugh about to burst out. And then y' all just make me reevaluate everything I've done for the last four or five years. And it hurts. It stings a bit. I've been doing voice notes consecutively for years, and it ain't really been working out. And now you telling me these niggas don't like voice notes? Like, what the fuck do the niggas like? But this is the key thing. They don't like women with voices. You know what they want? They just want you to eat the dick and shut the fuck up. Well, I've done a lot of research, Honestly.

[A]

Eat the dick and shut the up. Don't even do that. If the Niners is playing the Lions, depending on the game that's on.

[B]

You can keep that mouth, too. Still his Dolphin Monday night.

[A]

Oh, yeah.

[B]

We lock it.

[A]

Keep that open.

[C]

There's no hope for people like me Lover at heart, sweetheart at heart.

[A]

I gotta keep up with this. It's fantasy playoff, week one. I gotta know how to run how Blake Corum feel.

[D]

Yeah.

[A]

I gotta know who hamstring acting up.

[E]

Yeah.

[A]

Who played on, who practiced on Wednesday.

[D]

If it's raining the Thursday night game.

[A]

Or snuck up on me what that.

[B]

Wind look like for the Thursday?

[A]

Yeah, gotta check the weather. A lot going on. I can't get ahead and do this. Yeah.

[E]

No, not at all.

[A]

No, not this week. Not this week.

[C]

You wouldn't rather hear this raspy voice over just a simple text, hey, how are you? No, just tapping in, yo.

[A]

I only.

[C]

How many bitches on the roster sound like me?

[A]

I want to hear that voice if I'm ordering Black Eyed peas and fucking. Let me tell you, when I want to hear this voice, I'm not talking no more.

[B]

I can't make no voice jokes more than I'm wishing I'm not up, too.

[A]

When I call a hole in the wall hood spot with the good, I say, yo, this is the voice I want in what's up, Joe?

[E]

You want your regular?

[A]

Okay. Ish. I put.

[B]

I put some extra on the side for you.

[A]

Come on, Joe.

[C]

Ish. Are you okay?

[A]

You know, we got. We got turkey wings today.

[E]

Mon.

[B]

I'm with you. I'm not laughing with them.

[A]

Oh, man.

[C]

It's a sensitive spot, park. There's a lot of trauma.

[E]

I'm sorry.

[C]

Attached to it.

[E]

I'm sorry you went through that.

[C]

I'm the only child. I would answer the phone as a kid when mother was at work, and they would say, hello, is Wanda available? And I would say, no, my mommy's not home. And they would say, oh, is this her son?

[A]

Oh, shit.

[C]

And I would say, no, you know what I mean? And they would just talk over you. And eventually, you know what that morphed into?

[E]

What it morphed into?

[C]

Oh, is this her son? Fuck you, bitch. No, it's her daughter.

[E]

Oh, shit. I'm sorry.

[A]

That's the boys I wanted. Yo, y' all got the half and half in there. Y' all got the. Yo, I want to hear that voice. They got mystics.

[C]

What am I supposed to do?

[A]

Yeah, let me. Yo, let me get a kiwi strawberry mystic in the cooler.

[C]

That's crazy. It's just so hateful, though, because I was born with this rasp.

[A]

Oh, my goodness.

[E]

Little tea, maybe.

[C]

This voice is changing my life.

[E]

Honey pack.

[C]

The podcast listeners love my voice. Shout out to all the tractor trailer drivers out there in JBPville.

[D]

Look at your girl.

[A]

Oh, God. Okay.

[C]

Pick you up a lot. Lizard tonight on me. Have a good time, Mona.

[A]

You know what I'm saying?

[D]

Just stared at her, thought about it. Admired like.

[A]

Damn, I passed all my hoes up for you.

[C]

Look at the on my face. You doing some weird ass move.

[D]

Delete that.

[A]

Oh, man. Mic check, 1, 2, 1, 2. M check 1, 2, 1, 2, 1, two. Turn me up in the headphones. Yes, sir. She was the baddest, I was the runest we was the flies up in the better we was counting this money Loving and feeling look at you now in love with.

[C]

Another one, Another one.

[A]

That's how we feeling this weekend, man. Shout out to the ladies Shout out to wherever you may be listening from all the patronies out there.

[C]

Yo, he ain't messing with no average chick. He got Nicky, he know that he hit the jack.

[A]

We can hop in my bird bag.

[C]

Real quick Trying to score.

[A]

Check them shots.

[C]

Eat the cake, guinea. Suck on my toes, yes hit I.

[A]

Be like go met.

[C]

I want a dude that still kissed me when he Mad Philly, Delaware be.

[A]

Happy holidays. Wherever you might be listening from.

[C]

Do you mind if I touch you? Then you know you can't do better, baby I know that it don't get no better than me.

[A]

Yes, sir. Yeah, man. You like? Hey, it's my son birthday this weekend.

[G]

Hey, here we go.

[A]

Happy birthday, Lex. Let's go. Yes, sir. Shout out to everybody finishing a year out strong.

[D]

Enough.

[A]

Shout out to all the parents out there. My mom is on vacay. Hey, Body out the country right now. Yes, sir. Hey, buddy. In seattle, huh? All right, man. Lot of new music. Lot of new music. A good release day for sure. All right, man, let's get to it. All right. Mic check, 1, 2, 1, 2. Mic check, mic, mic, mic check, 1, 2, 1st, 2, 1, 2. Let's keep this applause going right quick. Let me get these drops out the way real quick. And Mona. Mona. Yes, sir. 885.

[E]

886.

[A]

Well, welcome to episode 886 of the Joe Button Podcast. I'm your humble, gracious, grateful, Happy to be here host Joe Button here with some really amazing people. This episode is brought to you by a few by Powered by Prize Fix. Prize Fix game. Next to me, my girl, Big Mona. Phillies finest. She's in the building. How you doing, Mona?

[C]

I'm great. How are y'? All?

[A]

Couldn't be better. Couldn't be better. Glad. Glad you could be here with us next to her, huh? Pretty Boy Floyd.

[B]

Green Eyed Bandit.

[A]

Green Eyed Bandit. Look at him receding. Ricky.

[B]

Yo, White Boy.

[A]

No big. You know I'mma do it him.

[B]

Don't call White boy.

[A]

Don't call him White Boy.

[C]

We could be a dynamic duo.

[D]

No doubt.

[A]

I think y' all already a dynamic dual fix. Mr. Thousand Doors and up. Big issues here. How you feeling? Ish.

[D]

Good.

[B]

Missed you, man.

[D]

I'm cool.

[A]

Yeah?

[E]

You feel better?

[D]

Nah, not really. Oh, but I'm cool.

[A]

You still caught the socks with the fit. You don't feel that bad when you match the socks.

[B]

I see the socks boy coming outside. You can't come outside without the socks matching. What's wrong with you?

[A]

Nah, you don't play.

[D]

Who looks at another nigga's socks?

[A]

Me. Then they got one of Rockport socks. Boy. Them.

[E]

Them good socks got the heels on them.

[A]

The socks that be in the front by the register. That's the socks with the product placement. Yeah, you know, the good socks with the on the ankle. Come on, don't play with me. That's how they get you to next to him. Big freeze in the building. Mr. Take it further himself. King Elmira Parks is here. Paul is here. Corey is here. Erickson is here. Savon. Savon, I think is here. Yeah, Savon is here. Tanner's here by remote. Last but certainly not least, each and every one of you guys are here. What's poppin, though? What's going on?

[E]

How you feeling?

[A]

I feel amazing. We got new mic stands. I'm super excited about it. They've absolutely made my week.

[E]

That's good.

[A]

It's the little things.

[E]

It is the little things.

[B]

Yeah, these are dope.

[A]

I've been looking for this type of mic stand for a while.

[E]

It's hard to find.

[A]

Yeah, these are.

[E]

These are some new.

[A]

Yeah, these are.

[C]

These are some might.

[A]

I'm really excited about them.

[C]

Rose voice of mic stands.

[A]

No, these are really good mic stands. Much cleaner. I like it. I love it.

[E]

I love it.

[A]

So I'm excited about that. Still smoking on that fourth quarter pack.

[B]

Hey, I see.

[A]

Smoking on that fourth quarter pack.

[B]

I see.

[A]

Yeah, man. What's not to celebrate? What's not to feel good about, man, this is much better than my December last year where I was fucking evicted. Oh, yeah. Damn, I forgot living in a hotel.

[D]

Shit was a year.

[A]

Yes, December.

[E]

It was right around Christmas time.

[A]

Yeah, y' all was at Parks crib. I was watching from home. Sad. Sarah went to the mall, fucking did retail therapy, bought y' all a bunch of gifts.

[E]

Thank you.

[A]

Crying.

[C]

Did that feel better?

[A]

Crying? Yeah, it did.

[C]

Yeah, retail therapy works. I don't give a fuck what nobody say.

[A]

No, it does. So, yeah, this December is going way better than my last. God is good all the time. And that's what I got for y', all, man. How y' all doing?

[E]

Feeling amazing, man.

[B]

Great. Yeah, I can tell. The fourth quarter kind of kicking up. I see commercials out there.

[A]

Yeah, I see commercials.

[E]

My nigga.

[A]

Yeah, I love him. Come on, jump in. Jump in. See it. I know. That's why. And we. That's why we can count on is to not have seen anything at all. Like, this is. What are you supposed to see?

[B]

I'm not a TV dude like that.

[D]

I don't be watching TV like that.

[B]

Simon ain't send it to you.

[A]

Do you have the Internet?

[B]

Yeah.

[C]

It was all over.

[B]

It was everywhere.

[D]

My algorithm. Different, bro.

[E]

Just ass.

[B]

Well, no ass in our commercial.

[A]

That's what it was.

[B]

That's what it was.

[A]

That's what it was.

[B]

Well, no ass in the commercial.

[C]

It was exciting.

[D]

Two by fours.

[C]

Yeah.

[D]

Construction.

[A]

I'm thinking about How I want your birthday to go when we record up here. Thinking about if anybody need to fly in. Oh.

[E]

Cause that's a pod day.

[A]

Yeah, it's a pod day. There's nothing he could do about it.

[B]

Nope.

[A]

He can't. He can't leave. He can't escape. Can't say I'm going to see Johnny Gill with a fan to DM me. He can't do none of that. He'd be doing. So be nice to me. Be nice to me, Joe. How. How up can I. How up can I turn it without you getting in trouble at home?

[D]

I don't even know what that means.

[A]

It means that I want to talk about balloons. Balloons and bottles and the other one. That other.

[B]

The box.

[A]

Come on, come on.

[E]

The boxwood.

[A]

Yeah, Yeah. I want to have somebody come out, blow out a birthday candle, 50 candles, bend over, drop some. I want a lot going on for my man birthday. Midnight ballerinas in the daytime.

[C]

I love that.

[E]

Midnight ballerinas.

[A]

A lot of them too. A lot of them, too.

[B]

What's the limit before you.

[A]

Now, my only problem is, you know, I gotta call somebody to find the white ones. For real. I've been thinking about this. Cause I've been trying to piece it together. But nobody I know knows the white ones that.

[B]

Cause I.

[E]

Not the Pauls. The Pauls. They were talking about the white strip club. There you go.

[D]

Just a couple things. Midnight ballerina, he know'?

[B]

Em.

[A]

I don't know.

[B]

Number two, right under the bus.

[A]

I don't know. Number two.

[D]

That ain't. Yo, that's my bag.

[A]

Sometimes you like everything you like. I think. Yeah, that's what I'm saying. You like Carvel. You like Baskin Robbins. You like to see all 32 of them. If something is missing, then I'm gonna.

[B]

Eat the other 31.

[D]

Whoa.

[A]

Pac man, this is one thing we gotta stop. My pack. That's why we stopped doing that together. He started making it uncomfortable.

[D]

Me.

[B]

I've never been there.

[D]

So ask me if I would assume.

[C]

Anyway, if I would assume who's eating them, I would think. I wouldn't even think eating. But I feel like one of them would probably be kissing them all in the mouth. Making out. I would think Jill. I don't think Joe made out with me.

[A]

Just to be clear, I want Mona to be the judge. And nothing between me and Ish. Just in case nobody knew.

[C]

No, it could be fear, but I just feel like that's. He would probably kiss him.

[A]

Yo, white joints out there. Hit the pod page if you super bad thick. You know what I mean? You without no curves. Us without no breaks. You know, hit the pod page Tanner will get back to you.

[C]

Can they be natural?

[A]

Somebody will get back to you.

[C]

Can they be natural? They gotta be like them thick ass white girls with the big coochies. You know, the white girls with the tummy tuck in the bbl and their pussies sit out real heavy like a boxing gloves. Why you act like y' all know the white girl? I'm talking about the white girl aesthetic. She got the BB out of fat ass and the sit out heavy.

[A]

I know what you talking about.

[C]

You can see the from the side. Never mind.

[D]

I've never seen a from the side.

[C]

That's a lie. The tummy tuck bbl.

[E]

He's seen a lot of them.

[C]

Whatever.

[A]

We all have seen a lot of them. But we talking about you.

[D]

I've never seen a pussy from the side.

[A]

We talking about your burp. You've seen a pussy from everywhere you could see. Possibly see a pussy. I don't know who the fuck you talking. You've seen. You're stupid. There's no more ways to see a pussy.

[D]

Something's wrong.

[C]

You never seen a so fat that it. It pokes out from the side. When you see her from the side, you can see it.

[A]

That AdSense check for this episode.

[B]

It's out of here.

[E]

It's gone.

[A]

If it's for.

[C]

I'm not saying no.

[A]

It's totally fine. I don't care. Yo, how up can we.

[C]

How.

[A]

How much can we up it? That's all I need to know.

[B]

Do what you do, bro.

[E]

Get some poles.

[A]

He can go all.

[B]

He can take it all the way to the moon.

[D]

I don't give a fuck where he go. Ice. What that guy doing me.

[B]

Because we don't want you to get in trouble.

[D]

That's what he's saying. Secure.

[B]

Bro.

[C]

Bro.

[A]

Oh, she gonna be in Portugal or some.

[B]

She don't watch no more.

[A]

Oh, yeah. She don't watch.

[B]

She don't watch no more.

[A]

And she told. She gave him a speech too. Like, I don't even watch it anymore because. All right.

[B]

Bet.

[C]

Can we get somebody to jump out of a cake like a small person?

[B]

That's my birthday.

[C]

Like freaky.

[A]

That's what I'm on that.

[C]

Let's get some small up here. How many times we seen tall strippers? A thousand. How many times you chip a. This. This big with little elbows.

[A]

But how big the cake got to be for the wheelchair to hop?

[B]

All right. All right.

[A]

And she kind of got to know how to Willie out there.

[D]

I got roll out the cake.

[C]

I did not say nothing about that.

[B]

See, that's them. That's them.

[C]

When you think about it, automated chair ballerina would be crazy.

[F]

Yo.

[C]

She hit the 360 titties out in the chair. That would be crazy, cuz. How him?

[E]

Actually, I feel like most of the girls that I follow is a. It's a hop situation.

[C]

Oh, you like the amputee porn girls? I love that.

[B]

Wait, what?

[C]

I love that because they have them. Is some resourceful. They pop that. I seen a on all nubs pop. She wasn't popping nothing, but all right.

[A]

This is definitely. This is a family.

[B]

He know what she talking about.

[C]

You ever see the perfume bottle where it's just chest and John Paul Guardian. Izzy Miyake this alive. Izzy Miyake popping good, too. Locking out. Cause you gotta be. You gotta be like, sexy with that. Cause you can't do nothing with your hand. So you just staring at the nigga special. You know what I mean? Little tongue shit. No arms, no legs. This shit getting crazy. Cut this out if it's too much. It's just for my fellas.

[D]

Yo, this guy is crazy.

[C]

I ain't saying nothing else for the rest of the show. Guys, you did it.

[A]

No, you did it.

[B]

No, no, we there.

[E]

No, you did it.

[C]

I say this all the time and just keep going. Is so crazy. It's a real threat when I say it. Then nobody cares, so I start talking again.

[A]

No. And you be on go. Anytime you go away for a weekend and do some shows, when you come back, it's lit. It's being you. You still think that you doing it.

[C]

I'm sorry.

[A]

And then I'mma look like the bad guy. Then they going to make pizza. So I'm supporting. Okay, go ahead and talk.

[C]

Thank you. So Washington was great.

[A]

How was it?

[C]

Yeah, it was lit. Lit. It was lit. The energy was so crazy because I've never been there. And I mean, I couldn't even talk. That's how hype. They wouldn't let me. You know, I couldn't start. They just was like, with me.

[A]

Parks. Do you know Mona? Mona went to Washington, did the show, didn't invite us. Well, yeah, but. And then got right on the plane after the show and came home.

[C]

Those are my favorite kind of shows, bro.

[A]

I got from Washington.

[E]

That's a low.

[A]

That's a low hole from Washington. She did that.

[C]

2Pm I landed. Did the show, did the meet and greet. It Was only one show. My flight left at 10:58.

[E]

Why didn't you stay in?

[C]

They closed the flight. I begged them to open it. I was in Philly by 6am A bad bitch.

[A]

No, you're not a bad. Well, actually, ask her how the meet and greet went.

[E]

How's the meet and greet go?

[C]

It was great, but. Well, now I don't mean anything if.

[A]

You have an 11pm flight that you have to make.

[E]

Oh, the meet and greet was after the show?

[C]

Yes.

[E]

Oh, so you had to cut.

[B]

Some people rushed them.

[D]

Oh, you ain't greet him?

[A]

Of course. Not at all. She didn't meet or greet him. I met him and that's a big deal. It was like a group meet and greet. She gave him a deuce. She chucked deuces at him.

[C]

And listen. And it's crazy because.

[A]

And she had the big dickhead security guard standing on the side rushing him, being an asshole. And she wasn't speaking up in the fan's defense. So the nigga was like, hey, get the fuck out of here. You've got a flight to catch.

[C]

What's the nigga in the back name?

[A]

Erickson.

[C]

Eric said, cut this out. It's not a game. Write the timestamp down on what this nigga doing.

[B]

These meet and greets are amazing.

[C]

I let people touch my ass in my coochie. Cut that out. I don't know what the fuck this nigga talking about. My meet greets are amazing. You have never. You think Chris Brown pick you up. I'm picking you up. Eating ass at my meat greets.

[A]

Buy a ticket.

[C]

I got two shows in Connecticut next week at Distress Factory. I don't know what the fuck Joe Budden talking about. So I draw the goddamn line.

[B]

Might come up different.

[C]

No, it was too fast and mean. Greek is like my favorite part. And then it was like one of the comics told another guy. I remember his name. His name's Chris. Crazy. This nigga's literally like. He ran that shit like a caseworker. Like dope down near weeding and get where your money. I was like, I was scared. Most of the pictures, I'm talking to the person like, bitches, you. You know what I mean? And shit was like, whoo. But I mean, Grease, my favorite part. We always have conversations, hugs, you know what I mean? These people are saying I'm the girl that went to college. And I remember a lot of them, you know what I mean? So it was unfortunate, but I feel like nobody left pissed. Like, I made sure anybody looked pissed That I told him to go back around just so we could try to, you know. But he was like, no selfies, no whatever. I appreciate him because he got the job done. But that's not really. You know what I mean? Literally is like one of the best parts for me because.

[E]

Why didn't you spend the night? Seattle and the surrounding areas is a great time.

[D]

That's what Joe was leading into.

[C]

It's who I'm with. And then it's like you feel safe. I like to get back. You know what I mean? Normally I just like to get in, get out, get. Like a robbery real. That was just probably the wrong john. Cause it's like that's a long way for a robbery and it's a long way. Yeah. But I'm glad I got a red eye. Cause I hate that six hour flight. I hate that with the time change in the air. Oh, it's the worst.

[A]

Pass the fucking ball. Pass the ball. Stop.

[G]

Down.

[E]

Haven't had that one in a while.

[D]

Word.

[A]

We ain't needed it.

[C]

But so basically in my dating life where I am.

[A]

Yo, no, it's. A lot of new music came out.

[B]

Mo.

[A]

We'll get to your dating life later. But a lot of music came out. Big release day. Yeah, it was big release day. When there's a release day like this, we. We're a music podcast.

[B]

So are we on these type of days?

[A]

On some days.

[B]

Yeah, on these type of days.

[A]

On some days we. Not really. Technically, no, not anymore. But on these days we gotta be. Dog. I went to bed at 6pm, took a nap. I gotta take a nap to be up at that midnight.

[C]

Mm, you took a nap to be up at midnight?

[A]

Dog, I be in bed at 3:30. I get into bed.

[C]

I think you're just ignoring my calls. Just sleep.

[A]

No, I'm getting in bed. I rest, I nap. I went to bed at 6, woke up at 12:45, bought everything, bought everything I could buy. Bought Nas, bought 21, Savage, bought Conway. I bought Yay. Yay Ali. I bought Fridays.

[E]

Chris Patrick dropped the dude from the Kai's not stream that went crazy with the.

[A]

Oh oh, really? Yeah. Oh, get out.

[E]

Yeah.

[B]

Shout out to Chris Project.

[E]

Yeah, project.

[B]

Okay.

[E]

Nine songs.

[A]

I think somebody else dropped. Pooh Shiesty dropped. So yeah, I let it all run.

[B]

It was a lot of.

[A]

And I let it all run. That's what the nap was for.

[E]

This is one of them weeks I needed the advances, man. It was too much music to try.

[B]

I was about to hit you like, yo, you can't get the.

[A]

Yeah.

[B]

God, this is too much. Dropping at one time.

[E]

Yeah, that should be annoying. It's too much. Taking pause.

[B]

Yeah.

[E]

I thought every back to 10 interest.

[D]

I thought.

[A]

I thought everybody was pretty kind in terms of track list. Right. Like, 21 was modest. 12, 13 songs.

[B]

True. 47 minutes.

[A]

Nas, I had already heard. But 15 joints and not a super long project in terms of one too longtime. Yeah, I. I started getting sleepy again toward the end of Conway, and Conway was a little. That was what, 22?

[E]

Yes.

[A]

Somewhere around there. But really good. Listen. Really good listen. Where do y' all want to start?

[E]

The most anticipated or do you want to say?

[A]

Well, what's the most anticipated?

[E]

I mean, the Nas premiere was announced in 2003 or 4, whatever year that was.

[A]

That's true.

[E]

That's a really hard thing to live up to. That is a real, like, just the anticipation. And the previous track record of five, six, seven absolute classics.

[A]

Yeah.

[B]

No, I didn't think, like, for a lot of people still just, yo, we finally getting it right. Wait, it's really happening. Oh, yeah. You go here first.

[A]

Yeah. It's an art piece.

[E]

It is.

[A]

It's an art piece for sure. Like, you would buy the vinyl of this.

[E]

Oh, I'm definitely getting vinyl.

[A]

Hope to get it autographed and just hang it up somewhere like it is one of those.

[E]

Yeah, no question.

[A]

You're right about the amount of time Prem is on the road right now. I'm having fun watching Nas outside in this.

[B]

Yeah.

[A]

Certain people on release day, I get excited.

[E]

Yeah, for sure.

[A]

Release day is still a big deal if, you know, if it's a big deal anyway. Yeah, we can wait for Nas. We can wait for Nas. Let's start with something else.

[E]

Okay.

[B]

Start 21.

[A]

Let's do it. Let's do it.

[B]

Okay, 21. He and Networthy announced it last week. Yeah.

[A]

Yeah.

[B]

So very short window. What happened to the streets? How many?

[A]

14 joints? 47 minutes, any take.

[B]

Well, you can play first.

[A]

Go ahead.

[E]

I only got one little skim through, so I don't have the deepest dive on this one yet.

[B]

I didn't get a deep dive for anything. Cause again, it was too much to try to listen to.

[A]

True.

[B]

I gave. I got 21's album. I listened to the entire project. There was nothing that I wanted to skip. Nothing. It started off with. I like when he has that really dark production and, you know, his subject matter. So it's like a good marriage. Oh, God. You can play.

[A]

Yeah. Enough with all this shit. His music came out we ain't gotta explain nothing yeah 21 savage where you from?

[B]

Track one when you see the real getting out the way.

[A]

I love these interludes that he has spread throughout the album to just explain what he's the concept and what he's talking about. I love it.

[B]

I. I get it. But I could have done without him.

[A]

Album's about storytelling.

[B]

I know, I know that's why I.

[H]

Get where you from G block where they bomb like Vietnam gun smoke in my lungs Spindos and them drums you boys don't want a crumb they come knocked off the king then turn around get your puns jump out with the switch like my nigga Nudie I never lead a city like my nigga Chubbs I never lead a city cut my trish you ball up your fist but we pull up with sticks they gonna eat if I make you a plate Niggas pussy, we taking, they pay I.

[A]

Like this tempo from him.

[B]

Yes.

[A]

This tempo exists a lot on this project. I enjoy legible, understandable, letting it breathe 21 savage so this is a lot.

[E]

Of like going back to like the last couple 21 Savage albums. I felt like had more. I don't know, I guess like soul samples and this is a lot darker, which I. I like. It was a little hard to get into it at 9am in the morning when I press play. This feels like a nighttime album to me. So I'm going to have to live with this one for a little bit. But it sounds good.

[A]

That was the intro. I'm going play the young nudie joint step. Love this.

[B]

Love that one.

[A]

Absolutely love this.

[B]

Everybody glorifying all the wrong the streets ain't really.

[A]

Yeah, a song. Storytelling is really important on albums for you.

[B]

No, no, no, I. I get it. It was just a hard listen in the morning hearing these voice. Voice calls.

[H]

I ain't sell my catalog cuz I got real guts quit drinking but I got some I'm a player I can't pay no bitch to let me fuck But I look out for Need a co Couple bucks Miles Bird punk gave his ass a couple bucks Gold Line 4 for inches all I know is Rush we'll catch your ass in traffic Even if it's Rush I don't argue I'd rather let my blick fuss hold your blick up hold your blick up if rap wasn't working I'd probably rob a Brinks truck Lost a couple brothers that's the reason why I'm inked up he was peel off topic.

[A]

This is hard, man.

[B]

Yeah.

[A]

Yeah.

[C]

This is my favorite.

[B]

Nudie killed this.

[A]

Yeah, I know.

[B]

Yeah.

[A]

I with her.

[C]

They related, right? They're related.

[A]

Let nudie rock a little bit. Yeah.

[B]

Yeah.

[A]

Let nudity get his off real quick. C.P.

[D]

What up?

[A]

This beat A.

[B]

This is absolutely crazy.

[G]

Hey, I've been posting all day.

[B]

I'm a Zone six.

[G]

For real. Know what's so slime, ball? I'm having them deal coming in my truck right now.

[A]

You can make you a meal if.

[G]

I feel like you pussy.

[D]

I'm taking.

[A]

For real.

[E]

Take it.

[G]

I've been taking for a minute.

[B]

Yeah.

[G]

I came from the place where you gotta go spend it. If you pussy with it, then somebody take him with it.

[A]

Yeah.

[G]

And then take it like with it. Better keep it on you ain't no slipping in the trout now if you in your hood better keep that feeling like you black naked when you never with it and you got them chains on.

[A]

Why did she get shoes?

[B]

That's hard.

[C]

Yeah, it is.

[B]

Ain't nothing to say about it.

[A]

Sorry.

[C]

I love when they do songs together.

[B]

I just like that dark, menacing sound to this. It's like a soundtrack to a scary movie.

[E]

Yeah, a little bit.

[C]

That beat. What is. Whose is that? Dmx.

[A]

Okay, I am. I'm hopping around here. I'm hopping around here. I'mma play. I'mma play the lotto record. Smoke. Because you. You can already tell.

[D]

Yep.

[H]

Yeah, yeah, yeah, yeah, yeah, yeah, yeah.

[B]

Whoa.

[A]

This is popping track five. I'll probably hear this the most.

[B]

I don't know.

[A]

This will eventually be a single. That other one is one. This would be a single. Which one?

[B]

The Drake record. We'll get to it.

[H]

20 superchargers when we swinging out listening to the arts you better not play it loud. 21 4L spray the crowd pick a.

[A]

LTO such a trip, Chico. I want to get the lotto. Where's lotto? Come on, she's talking. Come on, come on. The beating the hook told you what she was about to do on him. And you know what you gonna do on his. On his song.

[C]

Frying pants, soda can thick his fur built like I dance on this British man CR look like the Buckingham ass be sh like it's jelly Put this ch never jam Put them panties to the side like a caravan I ain't.

[A]

Keeping getting shave he don't give a.

[C]

Damn look I go G5 when I fly mayback when I land I walk in the wifey and walk out like the boogeyman by a burk I squirt by a car cream but he can't pay me nothing to let him cheat in peas. I told him that I'm mixed but now it's fucking green.

[E]

That's hard.

[C]

She said on this British man. I ain't hear that the first time. I love when they do that little.

[A]

That joint. That joint. You're gonna hear it. I'm gonna hear it. Yeah, yeah. Hear it. Yeah. I'm gonna hear that for sure. Freeze. I wasn't even gonna mention that record. I. I won't. I'll give you the Runway too, and I'll play it. Okay, I'll play it.

[B]

I know a lot of people don't like it.

[A]

It.

[B]

I've been seeing a little bit of talk about it. I like to switch up in the flow. I love this beat. It's very different, Very dark again, but let it get a little bit of burn.

[A]

Go ahead, go ahead. Get in your bag. Yes, Mr. Rico. Featuring Drake no Jam fucking socks. Charles Tyler Perry.

[D]

He made plays for the block. Wasn't even about to rap on this.

[A]

But it knocks. Where you trying to go?

[D]

Cause of smoke and at the top Spade at the party Throw them bitches in the truck we was just on.

[A]

Young street they was eating it up.

[D]

My life ain't a movie it's just.

[A]

Us they can't find a shooter Cause.

[D]

It'S us, us, us it was us.

[H]

Nigga shot my brother Nah, I don't know who to trust My ass be so broke that we been shooting at the bus, bro say play patient Nah, dawg, I'm in a rush I'm trying to buck hey, I'm trying to shoot he trying to clutch hey. I'm trying to add them to the list like, hey. I'm trying to watch the windshield fall from off his truck hey. I'm trying to smack his twin show him it went love pussy.

[B]

Like, like. To me, this doesn't sound like their usual records where they pair up together. And I. I appreciate the difference. I love this slow flow shit, though.

[D]

Name Spade at the party Long wheel, base, range. Chances are I'll probably never see these again. No face beat that's my way for.

[G]

The flip Is your daddy and couldn't.

[H]

Find a sitter every single year what I'm grossing bigger if I really pop it. I have some trigger.

[A]

Do I have to?

[B]

You have to what?

[A]

I want to get to the flip.

[B]

Like I don't want to work out.

[H]

Yeah, I come do the training schools like man on your back I don't speculate if I speak and it's the Facts we the type of Cut the tails out the rats Us, us It was us shot my brother Now I don't know who to trust My eyes be so broke that we've been shooting at the bo.

[E]

Not my favorite.

[B]

I, I, I love it.

[D]

That be crazy.

[B]

I love it. I love it. And I'm looking forward. I want to hear that outside somewhere.

[A]

Where do you want to be? Just anywhere.

[E]

Somewhere dangerous.

[D]

Yeah.

[E]

It feels like something.

[B]

The spots that I shouldn't be in that I be in.

[E]

Yeah.

[C]

At the hour.

[B]

No, I ain't going to the. After I go to the hood clubs, but I'm. When it's regular time to be over, then I'm done.

[E]

Before it's done.

[A]

Yeah, yeah.

[B]

Before that.

[A]

Yeah. I don't have anything positive to say about that song, so I'm going to reserve thought.

[D]

Okay. But I do like that beat.

[C]

Yeah, what don't you like?

[E]

I like the beat for 21. Not as much for Drake, but I do feel like I need to listen to it a little bit more. I don't know it off. Rip it don't jump out to me.

[B]

I just like the late. I like. Like I said, I like that lazy flow they use. It's. It's a talking song.

[A]

I do think it was typical. It was important for Drake to be featured on this project.

[E]

For sure.

[D]

Absolutely.

[A]

And I think in sequencing, if you just letting it rock, then maybe you won't be mad. The beat, it fits. It's not my particular favorite on there. I thought that Drake probably. It's time for the heat, man.

[B]

Enough of this.

[A]

I just knew that Drake on 21 Savage album meant more than this.

[B]

See, I think. See, I. Well, one, like I said, I have a different take on this song, so I appreciate this. I like this song, so I'm not mad at that. But when you say time for the heat. Heat. If I'm Drake, I'm not doing. I'm not putting the heat on anybody's project. I woulda, I woulda. I'm not. I woulda.

[D]

Especially a 21 project that, you know, everybody gonna listen to. I would have tried my best to smoke that shit. To let him know I'm here and I'm coming, coming.

[E]

And they have a bunch of fire music together.

[A]

Y' all have a fire project?

[D]

Yeah.

[A]

Drake Featured. Drake featured.21 dropping after the they album together. Just Talk. I expected 21 to be on some, which he was to me. I just think that two of them together means more than what they did here. Like, they could have took that moment. Not to be. Not to compare it, because I hate to compare it. But the moment that. The moment that Drake made with J. Cole, first person shooter. The moment that Kendrick made on. Like that. On somebody else. Like you can make a moment on somebody else that they missed opportunity to me. But not about that. Yeah, not about that. Because the rest of this is all heat.

[B]

It's all heat.

[A]

It's all heat. I do see people giving mixed reviews on it. I really love this project.

[B]

I got one complete listen and then I was on a second one.

[E]

One.

[B]

I. There's nothing that I skip on here. I love this project.

[A]

This is.

[D]

Yeah.

[A]

I want to give you and shout out to G Herbo killed it. Who not only killed his feature on the 21 project, but killed his feature on Conway as well. G Herbo is on a little run.

[B]

And his album that we didn't really talk about.

[A]

I didn't listen to it yet.

[B]

His album is he.

[C]

Too. She sold Jump out with your.

[H]

Jackie Marella. You know she my. But we don't go together at all.

[A]

Yeah, you just kind of get the vibe of the project, huh?

[H]

Pull up with a 20 piece I.

[A]

Find y' all want me to play the little baby record.

[H]

I'm with fat cuz in the blazer 2121 need your hair and nails I'm your savior 2121 say she wants some candy I got flavor get content for the label if he say I'm that's a fable.

[A]

That's jump out. I'm playing a little baby record and we moving on. But I love this too.

[B]

Right after Dog is hard too.

[A]

Oh oh yeah. Dog with glow Dog is hard Like.

[B]

I know we jumping around records, but perfect example.

[G]

They ain't just got nothing to do.

[A]

With the the rap. Don't nobody know the definition of G And he changed the vibe on the last four records.

[H]

Normally you don't know that the definition.

[E]

Of back to the soul yeah, yeah.

[A]

Yeah yeah yeah what's it worth being.

[G]

Solid in the world Full of face on 1 billion I can't lie to fuck with being cocky they say what's popping in I cut off the extra baggage now the jet is much bigger I already ask God for forgiveness we must get him Cut my hand off if I D them up I can't.

[C]

Fit them.

[G]

15 years in and I guarantee you feel different I can move.

[A]

Is hard, man. This is hard. Shout out to Lil Baby I think all the features really showed up on this project.

[G]

Try to take care of my guys they try to Flip it. If a judge child catch a case they retain lawyers with the quickness if my catch a charge I'm right down phone what's the difference? They can't f with me at all. They pay them blogs to tell you different. I don't do this for boy so you ain't got to listen a getting.

[C]

This for.

[E]

That sounds great, dog.

[A]

The last one. I'm going play this glowrilla dog. I got a lot of money on me. Really good project by 21, man. Really great outing. You're gonna hear this one a lot too. You're gonna hear this one a lot, too.

[H]

I'm nonchalant 21 vintage chrome biker jacket it's a 101 fast tweak I drop.

[C]

A honey bun hoy gonna you with no money better go get you from dog sheet dog sheep I'm having dog dog sheet dog.

[H]

Dog dog I'm having rich as hell Pocky sloppy What a drink Po up nine figure women suck me till they throw up.

[A]

You know what time it is?

[B]

That one's going to do it.

[A]

That's right. 21. I ain't rapping behind none of them girls I ain't mad at.

[B]

Get out the way.

[A]

I'm not mad at him 1. I don't know too many rappers that would on a song where you featuring one of them.

[E]

Yeah.

[B]

With that type of song.

[A]

That's their song. That's their song.

[B]

You're right.

[A]

Yeah. Would you start with some Damn glow? Really go 21, man. I'm so happy for him.

[B]

Yeah. Really good project.

[A]

Yeah. Nah, this is. This is a fire project. Me. I told you I would hear it soon. And this is. This is heat. I gotta sit with this over the weekend to really come back with my. Yeah, I mean, but this whole project I really enjoyed. I don't quite understand some of the criticism that I'm seeing out there for it.

[B]

I would like to know, like, with the criticism, what exactly are you comparing it to? Cause I hear people too.

[A]

Probably his last.

[B]

Yeah. But if you go before that, which is what a lot of people consider some of his best works.

[A]

Yeah, it's this.

[B]

Yeah, this is right there.

[E]

Yeah.

[A]

So I missed this personally. This was missed. So good to get it back.

[B]

Yeah.

[A]

This Conway album was really, really, really, really, really good also.

[E]

It is. It is.

[A]

What I liked about the release day is it was age appropriate for everybody. It like the OG's had NAS and pream. New York had our boom bap. NAS and pre Atlanta got their. One of their staple artists with A lot of really important features and what I think is a really important album for him. The Heads got it with Conway for sure. The R B got a little bit. I, I, I like I like when it's that that I like when his dad. Everybody listen though. I did not expect this shout out to the Justice League. Yeah, boy. I did not expect. Oh my God. Oh, my God. I let this one just rock on repeat for a little bit.

[B]

This Conway.

[A]

This is Conway.

[G]

I was just sending out a central bookings. Now it's Coachella bookings. Look where your fella took it.

[B]

I know God got me But I.

[G]

Know that the devil looking I love.

[B]

Cross me in my book he forever crooked I seen it in your eyes.

[G]

When you see how the prey looking Was praying on my downfall But I kept it pushing Recipe for disaster I'm back in the kitchen cooking I took it where couldn't. Used to go to the game with KD Whenever I visit Brooklyn had me watching in the sweep with Tony My good looking told me keep your foot on these don't give them no cushion Used to have a bundle in the chip bag I hid in the bushes there People close to me that's jealous of this position I'm putting After I was hit with them bullets I don't care nothing about that I'm living this to the fullest.

[A]

This is crazy. From the concrete rose Got a guitar solo too. Oh yeah.

[G]

Quarter million dollar cars I own a few of those same I'm in a spot with a just the music equivalent to winning the Super Bowl. They tell me I'm too transparent Tell me I'm too exposed I'm just making sure in all my verses the truth is told. Infinity links and infinity pools I'm down in Philly with goons 20 chains on.

[B]

I'm pity the fool with flee in.

[G]

New York City I'm cool I don't give a about your video views.

[B]

Cause 9 times out of 10 I'm.

[G]

Still richer than you the food be Michelin too I'm the machine but I'm missing some screws the streets drove me crazy with all of the I've been.

[A]

Through Come on, man. Come on, man.

[G]

Look, I don't want you to get it confused. It's funny when you think about it. I didn't finish with school I still own some property Own a couple businesses too I should be applauded for all the good business I do Making sure my mama and my little sisters is cool I ain't going to do the work for you but I give you the toes like me ain't supposed to.

[B]

Win but I'm bending the road Bring.

[A]

It in the concrete Grow rose, you.

[G]

Hear it Two of those quarter million dollar cars I own a few of those Flavor Flav, I'm in a spot.

[B]

With a group of hoes this the.

[G]

Music equivalent to winning the Super Bowl. They tell me I'm too transparent Tell me I'm too exposed I'm just making sure all my verses, the truth is.

[A]

Told Come on, man.

[D]

Oh, come on.

[A]

Come on, man. This when I looked at my phone to see how much time was left I got off this when I sat up in the bed, like, oh, oh. Let's go, rook. God damn, this is beautiful. What a way to start an album, man.

[E]

Yeah. This the first song.

[A]

Yeah. Justice League do get that fam. Yeah, that's Justice League right there.

[B]

Come on.

[A]

I might gotta. I might gotta call them a nothing.

[B]

I gotta be.

[A]

There ain't a rapper in the world that will hear something like that and not be inspired. God damn. Yeah.

[E]

Yeah, man.

[B]

I mean, this with no, like, no diss to anybody, but that's what for me. For a person like me.

[E]

Yeah.

[B]

That's what's been missing from, like, the Conways and them.

[E]

Okay. He's had some Justice League.

[B]

I'm just saying. But this is what I be looking for. Okay. Like, I, I, I get it. You can, you know, y', all, you're spitters. You can rap like crazy.

[E]

Yeah.

[B]

But I don't always want to hear certain production.

[E]

I think you should go back to some of the Conway records. He's got a lot of records that are not necessarily 100% in the Griselda. Like, I remember the image.

[B]

I don't think it was his last album. That was my first time hearing it. I'm like, oh, shit. You went a different route. There's a bounce to this. I like for those who can really rap to me, that's the difference. I want to not only hear you on the Darker. No Drunk.

[E]

You know, that production, he's got some of that on here, too. But he also. And again, on most of his projects, at least in the last four years, it's been a pretty good variety of music on there.

[B]

Yeah, I have to. I definitely have to go back. I remember the last project, and it blew me away. But this is. That was my first time hearing this.

[E]

Okay.

[B]

And I'm like, wow, this album's really good. Wow.

[A]

Come on, man. Hell of a project. Conway Word. Hell of a project. Want to buy this right now streets.

[G]

Of Paris Smoking my newest reef with quarter mil Wrist a good Louis sneaker.

[B]

Do a leap way in the corner.

[G]

They said I blew the streets up Smell the creed on my skin I cleaned up my sins When I write my heart bleed from my bend Courtesy Marathon I could see See the future five years beyond I'm Farrakhan chain a thousand carats I ain't worthy Charm heavy indeed I'm MVP Joel Embiid.

[E]

He spoke. He spoke to him.

[B]

I just bought it.

[A]

Yeah, he got the who kid joint with Tony. Yo. Which sounds like some OG unit like Rock Marcy on here again. Herbo absolutely smoked his feature Toward the end again. I love when you rappers take toward the end of your album to get introspective and start telling the truth about shit. Toward the end on I never Sleep into hold back Tears. I'm a guy to play one of them.

[B]

Let me hear something.

[E]

When he gets in his introspective bag is one of the best.

[A]

I wish they tell me. I mean, I do appreciate you Cruz out there holding it down, dealing with whatever y' all deal with, dealing with internally and the public never knowing. I do be wanting to know, though. I do be wanting to know, But I appreciate it. Like, if the Locks ever went through that, I wouldn't know. And then at the end of the day, we'd be like, look at that. That's how it should be done.

[D]

Indeed.

[A]

But they the only ones. Probably.

[E]

De La.

[A]

De La Soul. They the only two.

[E]

The list is short.

[A]

Yeah. Everybody else, if you in a group, I want to know the problems. I was in a group. It was problems, and a lot of it was me. But it was problems.

[D]

It was a problem.

[A]

It was problems. When you in a group, I understand it. So, yeah, if something is going on, like, where the fuck is the song at? Cause I start.

[B]

I understand on that.

[A]

I start feeling like you talking about it in the music.

[B]

Music. One other side. Yeah.

[D]

In house business.

[B]

Is in house business.

[C]

Y' all don't want to know.

[B]

Don't air it out. Don't air it out.

[A]

Yeah, yeah. But then don't get the rapping like. Like you airing it out neither, though.

[D]

You might be talking about something or.

[B]

I might be talking to those who understand directly to them.

[A]

Where is it? Where is it? I woke up out the bed. Where is it?

[G]

Is ghost is for. Only concern is when you turn it into music. And I ain't trying to come off.

[A]

Yeah, here we go. See, I wrote verses like this before. You can't trick me. You can't trick me. I wrote verses like this. Here we go.

[G]

Yeah, I'm depressed I lost a child.

[A]

Black died this side of my eyes Here we go.

[G]

Somebody said I sounded depressed in a lot of my songs now hell yeah, I'm depressed I lost a child Nick, you know the love don't feel real.

[B]

No more homie, I'm up for real.

[G]

You ever love somebody close to your heart? Do you know the feeling? Crazy A But my granny back I get back these millions I wish she lived long enough to meet my two children. People don't know what I've been going through and what I've been feeling. Truth is I'm spiraling feel like I'm about to lose it My label only concern is when you turn it into music. And I ain't trying to come off ungrateful that'd be foolish Turned me to a recluse what I had to do to make excuses it's useless they're like machine why you ghost is for I care a lot until I don't no.

[A]

More Love that I used to lay.

[G]

Down so I don't hurt no more.

[A]

Oh, this is a Joe verse all the way. Half only with open source.

[B]

Look like I'm good on the surface.

[G]

Inside I'm hurting I just hope when it's over I'm worthy of Allah's mercy.

[A]

Have on one of these verses in one of these songs, I heard something that I could interpret like there something going on. But those my niggas so I ain't gonna pry about it, but when you keep seeing albums pop up and. And not a feature, that's why I.

[D]

Say are they featured on the album at all?

[A]

No, no.

[B]

It's. It looked like some. Some separation and it looked like that for a minute now.

[A]

And they won't take tell me every time I see them, I ask.

[C]

People don't ask in interviews. Media doesn't ask.

[B]

They might instruct you. They might instruct you not to.

[A]

We respect.

[B]

We respect the guys like they not trying to be messy. They being real about this.

[A]

When people being real, you gotta do it too.

[E]

You such a messy.

[A]

I hate when is being real. Oh, gotta do it.

[B]

You gotta appreciate that today.

[A]

That's true.

[B]

I'm joking.

[C]

The way that out when you talk about it.

[B]

Huh?

[C]

When y' all both said that you're on the other side and you don't want to hear about it, my initial reaction was they're lying. But now that I think about it, maybe not because I feel like sometimes you can't Work that shit out right when you talk about it too fast, because you talk about it and everybody else bring their opinions and blah, blah, blah.

[B]

It's just. It ain't anybody business. Like, if we.

[D]

If we.

[B]

If we love each other and we fall out, that's our fallout. We don't have to now go in. I ain't gotta air you out. You ain't gotta air me out. Like, I think it's grown man to have differences and keep it between us.

[A]

I'm telling somebody.

[B]

We know. We know.

[A]

Sorry. Y' all telling somebody too. I'm just gonna weigh it on the pause. It just be me. It'll just be me. I'm just somebody gonna hear what this did. It may not be on a recorded song.

[B]

That's what we. I'm talking about publicly. Like, niggas fall out and run to the public with it. It ain't gotta be a recorded song. They go to Instagram.

[D]

Yeah. All that shit.

[B]

They go to social media. Just anything to go. And.

[E]

And you're definitely putting in a song.

[B]

Yeah, he. Oh, for sure.

[E]

Yeah.

[B]

That night. Yeah, he going to the studio.

[A]

If I came back to the game, then I couldn't. I'd have to like, be mature. I can't put my family's business in the songs again. Oh. Or my girl. Like, I can't. I'm just letting them talk.

[E]

Yeah, that wouldn't be fair. That sounds good.

[A]

That wouldn't be fair. I can't do that. Conway. Great project, yo.

[E]

Salute.

[A]

Great project. Salute. This joint song here. I wanted to play the Herbo joint. This whole end of this project is just crazy.

[E]

But it is. Lady London record is dope, too.

[A]

Oh, the Lady London record. Yes, another one. You ain't jump in front of that. I mean, you ain't jump behind that train. Another one. Shout out to Jersey, Lady London. Now I'm playing that now. Nah, nah, I'm playing that. Sorry, sorry, sorry.

[B]

Go ahead.

[C]

Them than my girl.

[A]

Let's see. Here we go. Playing that. Let me hear that. I love when the street do a girl record.

[G]

Hands to the sky. Hands to the sky. I put your hands to the sky.

[A]

You better not let her go first. You did right. You did the right thing.

[B]

Look, it gets to the money. You know I eat for real.

[G]

250K with all of my peace.

[A]

For real.

[G]

My expenses is vintage double C. For real. Head to your feet. Chanel said you got a new knock.

[A]

It all be for real.

[G]

Who you know gonna you better than me? For real. Who gon better than Me for real. Your body is t for real. Chill.

[B]

You know where you supposed to be.

[G]

For real cold hearted watch your heart belong to me for real.

[B]

Your heart belong to me for real. I'm hitting your phone, you acting like.

[G]

You don't see my number. I'm still waiting to head back.

[B]

I ain't Stevie Wonder.

[G]

You can be high.

[A]

That's why rappers is funny. He said all this big dick daddy shit. And she dubbed him in the next eight bars. He said all this who you better. My dick is the best.

[B]

Yeah, can't do that with her on the record.

[A]

And then look, and then look.

[B]

Any nigga that's ever tried to do that with Lady London on the record.

[A]

She dubbed him two seconds later. Why you ain't answer my look in your phone?

[G]

You acting like you don't see my number.

[A]

No, she don't see your number.

[G]

Stevie Wonder, you can be hot when you hide.

[A]

It's like Phoenix now he's sending voice notes on some ownership.

[G]

On the globe we seek with lovers.

[A]

Hit the back of your walls.

[G]

We so raw we don't need a rubber. We just need each other made back. Butterscotch and terrier peanut butter. It's not from the streaming numbers. It's not from streaming numbers. You set up got toxic dick and you got toxic vagina. But we forever locked in the way.

[B]

You get on top and ride my.

[G]

Is a constant reminder no matter what city you in, girl I got to.

[A]

Come find where my girl at. Here we go, here we go. Let me let Lady l rock out for a minute.

[C]

Separation got you feeling like how you supposed to feel. You get impatient while erasing all the trace of what you do. You can face it, I embraced it. Everything we had was lit. So I seem to have a fit the way you seem to have a. But when I do it, it's not home wrecking, it's home improvement.

[A]

That's crazy.

[C]

Seconds to get into it.

[A]

Cuz I know that's crazy.

[G]

Yeah.

[C]

When I do it, it's not home wrecking.

[A]

That was crazy.

[C]

She been hard for so long.

[A]

Consistently, you could tell she got a roster and she's spinning them around.

[C]

Corny.

[A]

Lady London is spinning them around out there. You can tell every verse, every in every verse she's spinning around.

[B]

Yeah.

[A]

And they're falling for it.

[B]

Yeah.

[A]

Young generation. It's young generation, man.

[C]

We don't gotta spend no seconds to get into it. Cause I know you cheat with who they. Status is irrelevant. Scrolling on my page just for character development. If I do it with another man bench truck Cullen in I won't give a fucking name. You try to try your luck again.

[A]

But it man and you stay up.

[C]

In your place and you get a single chance you could play up in my face.

[A]

Yeah yeah still that he cheat with regular and she don't so she don't care what he do.

[B]

Lady London, you can't play with her on them type of songs. Yo.

[A]

Yeah, yo. Shout out to Lady London. Shout out to Conway. Listen. Really good project. Really good release day yesterday for sure. We'll get back to the music in two seconds, but it's time for my favorite part of the show. Prize picks. All right, this episode is brought to you by Prize Picks. Whether you're starting a new routine or making player picks for the first time, trying something new can be hard. But in life and on prize picks, it always feels good to be right. With high pressure playoff matchups every weekend and elite hoops action almost every night, the action never stops. And prize picks let you take control. Really easy and simple to play. All you have to do is select two or more players, look at their projected stat line and pick more or less for your chance to win big. Also new feature alert. Prize picks now has early payouts. If your player gets off to a hot start, you now have the option to cash out those winnings before the game is even done. Prize picks is now available in all 50 states including California, Texas, Florida and Georgia. And the Joe and ish picks of the week. We are going with Drake May for more than 230 and a half passing yards. I'm assuming.

[B]

Okay.

[A]

Drake May's on a run.

[E]

Yes.

[A]

Christian McCaffrey for more than 43 and a half receiving yards. I'm assuming. Christian, you didn't say you got a brother. Luke. Luke Christian or some.

[D]

Who knows.

[A]

I mean, yeah, Luke McCaffrey. People know Luke McCaffrey.

[B]

I don't know his brother named Luke Christian.

[A]

Luke Christian. Stefan Diggs for more than 48 and a half yards.

[D]

What type of yards is Stefan Diggs Receiving?

[A]

I don't know know.

[B]

Passing yards might line up somewhere. Trick play.

[A]

And Rico Daddle for more than 73 and a half rushing and receiving yards. Not bad.

[E]

Yeah, not bad.

[D]

Not bad.

[A]

They already starting with Devonte Adams. Ain't practiced all week. I wouldn't even made the playoffs without Devonte Adams.

[D]

He been killing lately.

[A]

He ain't practiced all week. A hamstring. He's such and such years old. I will be sick this weekend if one of my players is carted off the Fucking field. In my fantasy matchup, I already bet Kaiser on the side. That's my matchup.

[D]

That's who you playing?

[A]

Yeah. Already bet him on the side.

[D]

I gotta see the teams. Kaiser team. Tough.

[A]

Cute. Cute. He's got Matthew Stafford. He's got Christian Rodriguez from the Commanders. Who else does he. That's his running back. He's got another running back. That's not the. Oh, Trayvon Henderson from the Pats.

[D]

Okay.

[A]

He's got Juan Jennings, Kittle.

[E]

That's not the greatest of squads.

[D]

Yeah, you said cute. I'm waiting to see who cute.

[A]

All right, now, I'll read it to you just since you want to know. Let's see. Matt Stafford, Trayvon henderson, Chris Rodriguez, Jr. Nico Collins, Juan Jennings, Greg Kittle, Aaron Jones, Will Lutz, kicker from Denver. And the Bears defense. It's not a bad team. It's not bad, but it's not a bad team.

[E]

What's your squad?

[A]

What's your squad? Yeah, I'm going with Purdy. I'm starting over. Herbert.

[D]

You're bugging.

[A]

Yeah.

[D]

No, keep going.

[A]

He's got Tennessee. Herbert's got a broke hand.

[D]

You see what he did last week?

[A]

Yeah. 13 points.

[B]

Okay.

[A]

Oh, who talking about Herbert or Purdy?

[D]

Herbert.

[A]

Thirteen points.

[D]

Okay.

[A]

I started him. I got Sam Darnold, too, on my bench. Anyway, Brock Purdy.

[E]

I'll be starting Sam Darnold.

[A]

What are you talking about?

[B]

He would not be starting.

[A]

It's against the Colts. And the Titans are horrible. The Titans are horrible. The Titans are absolutely horrible. Y', all. Everybody goes off against the Titans.

[D]

Yeah, I'm playing.

[A]

And that'll be the exact reason. Reason. Watch.

[D]

I'm playing. Sam, I'm just letting you know.

[A]

Brock Purdy. I got Will Marks from Houston. I got Jonathan Taylor, Devonte Adams, Rashid Rice. I got Hannon Fannin Jr. From Cleveland. Justin Jefferson's not starting for me this weekend.

[B]

At all.

[A]

No, I'm not mad. Yeah, I'm not. He's coming out of here. Dicker to kicker from the Chargers. And I'm going with the Jags defense over the Broncos defense. I have Hampton on my absolute. Have who? The Jags play the Jets.

[E]

Okay.

[B]

Yeah. Yeah.

[A]

I got Hampton on my bench. Amar from the Chargers. I got D. Neil from New Orleans. Jefferson's getting out of here, but anyway.

[B]

Yeah.

[A]

Yeah.

[D]

It sound like yours. You should smoke his boots. If his best play they best and your best play your best, you should still win. You should smoke.

[A]

That's why fantasy is fantasy. And if Devonte Adams don't Play diggity kickers. The man, he's on San Diego got me 22 points last week. Oh, listen. Yeah, I won my matchup because. And fan and Phantom went off at 30. Don't forget to download the prize packs. Don't forget to download the app right this second and use promo code JBP and you get $50 instantly when you play your first five dollar lineup. Only on prize picks where it's good to be right. All right, up. That's what you would have did in the commercial.

[C]

Speaking of commercials, we briefly breeze fast that this, the boss icon legend has a commercial. I don't know if you guys saw it or if you excited about it.

[B]

Yeah, yeah, yeah. I parked the ferry. Watch it. All y'.

[A]

All.

[B]

All y'. All. I know, I know. It's quick. Right there, right there. That was it.

[C]

Yeah, that's my issue. Shoe parks.

[E]

What's the issue?

[C]

I'm not in it. Like, not even an elbow, you know what I mean? Like, not even like a.

[B]

What was all old footage.

[C]

It doesn't matter. We know what's going on.

[D]

Do we know when the commercial was cut?

[C]

We know what's going on here now.

[A]

Did you work here when it was cut?

[C]

It don't matter. You better put a little puff of black and mild smoke at the end. Y' all know what's up.

[A]

Have you had. Have you had any standout moments? Well, luckily for you, there'll be many more commercials.

[C]

You are Jews.

[A]

There'll be many more commercials. We'll get you involved.

[C]

You look good. I like the part when you. When you're, you know, doing your joke, you know, the rage thing.

[A]

It felt good. Listen, this is the first time. This is the first time that we've ever done this.

[E]

That's amazing.

[C]

Are you excited?

[A]

Yeah. Yeah. It's part of the fourth quarter blitz.

[C]

Yeah.

[A]

Yeah.

[B]

See the.

[A]

Seen the big.

[B]

The big billboard. Seen it, seen it.

[A]

Oh, the billboard could wait a second. Back, back to this commercial. Okay, back to this commercial. For the. For the rest of the month. For the rest of the month.

[D]

A little.

[A]

A little pricey, I bet.

[B]

Of course.

[A]

A little pricey. First.

[E]

It was a first take. Like, yeah, that's a problem.

[B]

That ain't cheap.

[A]

I mean, yeah, that's when the fun starts. But I don't know how much I could say, fuck it, I'm gonna say it anyway. Me and Ian were tearing our fucking hair out the whole week before because it was some other places too. Oh, okay. And we ain't never done this, right?

[C]

So Is it more than just one.

[A]

Person putting shit on the MLB Network? Putting shit over here on the fucking. You know the old radio game. You know the old radio game. You want some spins?

[B]

All right, we got you.

[A]

We'll get you some spins, nigga. Me and Ian sitting by the tv. We ain't seeing it. We on the Internet. Ain't nobody saying.

[B]

I'm like, they got us.

[A]

And it could. Well, well, because prime time is 8 to midnight. Yeah, but if you watch TV, I'm like, listen, dog, check it out. 8 in the morning on ESPN to 2pm I don't care about what prime time says. Put it there and just watch. So now he's screaming at whoever you screaming at. The poor Ian, he's been yelling open. And bright as he was screaming, it bomb espn, first take. Oh, pandemonium, finally. That's it. That's my money's worth. Yeah, that's my money worth, right? Absolutely.

[B]

I'm done. Absolutely.

[A]

Go ahead now with your TNT and all that, whatever. All the other. I think we're doing a CNN blitz this weekend. Yeah, buddy, you news me. Got to for my man. Hell yeah, got to for my man. They fired him.

[B]

You absolutely right.

[A]

Put him back. Yeah, put him back. I'm petty like that. That's fire.

[D]

Put him back.

[B]

I don't know what that.

[A]

Fire my man. Put him back up there for the weekend. Let him run.

[C]

Motherfuckers.

[A]

Bloomberg, all that newsy shit. Msnbc.

[D]

Yeah.

[A]

And just a radical commercial that shouldn't be on tv. It's fly.

[B]

I'm with you.

[A]

They got us right in between Kit Kats and some dick drugs. I mean, everything is a drug that tracks.

[E]

That's true.

[A]

Yeah. No, they got us. But. But it looks good. It felt good. It felt good to do. Definitely looking forward to doing this more. I mean, it's a write off.

[E]

Sure. That's amazing, man.

[B]

Got any plans for February commercials?

[A]

February commercials.

[E]

I see what you're alluding to there.

[A]

February.

[E]

Something super, perhaps. Anything super, super exciting.

[A]

Holy shit. No, no, no. Let's not get. No, let's not get carried away now. Let's not. You know what I mean? It's a right off.

[B]

Yeah, it's a right off.

[D]

I should have been like, are you.

[A]

Yeah, right there. Super Bowl. We'll. We'll. Wait a second. That should be like.

[D]

I know that.

[A]

Caught what at the Super Bowl. Yeah, yeah, of course, bro.

[D]

32Nd spot at time. The same super bowl is some other money.

[B]

Yeah.

[A]

And I don't have it. I don't have it. And if. And the second that we do get money for a Super Bowl Day commercial, it'll be before the game.

[E]

Puppy Bowl.

[G]

No.

[A]

Yes. Y. Right. In the morning, afternoon time. Somewhere around there. I hope you got the TV on while you cooking or ordering pizza or something. Yeah, man, but feel good about. Did y'. All. Did y'. All. Did y' all see it? Did y' all get any calls? Anything?

[B]

I got calls. I saw y' all on tv. I saw y' all on espn. I'm like, oh. Then I saw the commercial. So I. I was proud.

[E]

That's amazing, man.

[C]

I got a lot of. I saw the commercial. Why you ain't in it?

[D]

And you said, what?

[A]

You tell.

[C]

I just joined the cast. That's why I ain't got no tagline, you know?

[A]

But we working on it.

[C]

And more, Mona.

[A]

True, but we working on it.

[B]

We got.

[E]

We say.

[B]

Like, three, four times.

[D]

We stretch it, Mona.

[B]

Yeah, we stretch it out like it.

[A]

We gonna get you together.

[E]

Yeah.

[A]

Yes.

[C]

I have faith.

[A]

And I seen your homegirl pretty excited to come up here.

[C]

Yes.

[A]

Throat goat.

[C]

Yes. AKA Janie. She's super excited.

[A]

Yeah, she tweeted.

[C]

I know. It went. It kind of got a big.

[A]

She hit the message boards. She hit that Instagram, Facebook. I think I saw that on Threads.

[C]

How'd you feel when you saw that?

[A]

Like that? Just. Just like that. Just like that. Just like that.

[C]

She's the greatest. Y' all gonna love her. She's such a sweetie. And she's funny. She's hilarious. You know, she does stand up.

[A]

Well, we look forward to having. Indeed, look Forward to having Ms. Go goat. Ms.

[E]

Goat.

[A]

Ms. Goat. Ms. Ms. Goat up here. Where do you want to go? Feels like we should get to Nas.

[E]

Let's do it.

[A]

Let's do npr, ns, and Pre. What say I chose.

[D]

Everybody's been waiting for Nas.

[A]

All right, let's see here. Let me pull something up.

[E]

Light Years is out now. Highly anticipated again. It's.

[A]

It's.

[E]

It's tough to live up to the expectations, but for me, I enjoy it because I. I try to disassociate the history from today, personally, which I'm seeing a lot of people having trouble doing, and I understand why.

[A]

What. What do people having trouble doing?

[E]

Just comparing it to Nas is like. And New York State Mine, Part one and Second Childhood and all of the classic records that they.

[A]

Let's start with New York State of Mind.

[G]

Yo, Pring, play me that Billy Joel joint.

[C]

Some folks like to get away Take a holiday from the neighborhood Hop A flight to Miami beach or to Hollywood without taking a ray on the Hudson.

[A]

River line Love the sample choice. Thank you, Billy Joel.

[G]

Still tokens truck walk Nike shorts at night in court stress and cut your life short up from egg rolls and duck sauce where the feds rolled on duck chalk to the island and say less plenty talented kids stay blessed Gamble and make bets Throw on some DMX's words they live in all of us Some get deported, some die young but it's all a rush on part two I left you with two of my friends and now our goals is that our sons don't end in juvenile pens Rikers should be closed MDC the beacons wear ice if you real or they rob you upon your pieces if you was locked down for a while It's a different place now they building hotels where once was the devil's playground Michelin stars cool with the streets Cooking that beef stew that chopped cheese too Screw face how we smile they want us gone but that's fine Cause we really outside for now in all time that New York state of mind Some folks like to get away Part three.

[A]

It's such a Pre beat to me.

[E]

Yeah, it is. It is.

[A]

This is a real New York, Pre. Just old school, this is. There's so much going on.

[E]

The whole album is a nod to hip hop to me.

[A]

Well, it is.

[E]

Yeah. Between the. The Pause tapes, the writers about the. The graffiti writers, to the bouquet for the female rappers.

[A]

That was great. And he didn't miss one. One. Yeah. And he didn't miss Night of One. That was a lot of female MCs to remember.

[E]

Yeah, the whole. The whole thing is a nod to hip hop to me, and I think they executed that great. Again, it's hard to not compare it to the. The plethora of classics, but I try not to. I just want to enjoy it for what it is.

[A]

Well, that's the dope part about them, too. Like, I'm watching Pre on tour. Like I'm watching him in front of 20,000 people hype him up. He's playing the new records. He's got energy. He's loud. Preem is 60 years old, man. Some. Some niggas just live and breathe and die hip hop. Yeah, Preem. Is that so? All of this boom bap shit that some people out there may be criticizing. Pre ain't gonna care because that's his heartbeat.

[E]

I don't understand what people may have expected did from Preem and NAS in 2025. It's gonna be boom bap preemix boom bap.

[B]

Yeah, but I think, like.

[A]

Yeah, but it's Nas coming off of what he came off of with all of these other producers. Yeah, so the sound specifically.

[E]

Yeah, yeah, it's definitely a change of.

[A]

Gears, so I could see that being a thing, but this shit, and I thought, listen, maybe it's me. I thought Preem had some kind of funky bops on the beat that I wasn't expecting.

[E]

Oh yeah.

[A]

Old shit is. Get ready.

[G]

Yo prim give me that turnaround. Yeah, that's it.

[A]

Jesus.

[G]

The king out of Queensbridge at ease us with your lyrical feces Me tits chilling buildings, high ceilings billions of my vision please I'm from the Peas VVS on Freeze VSOPs, Freeze Esco Pablo silked out in Cabo the prettiest high tech like Namidia just that smart I know a little about a lot when you come from less you learn particular plots from whipping the pots Checking in on parlays or parfaits how my day start we all play a shit dinners comp we leaving big tips I taught some of y' all how to eat but I won't trip Taught some of y' all how to dress but some of y' all still a mess Serial investor, serial killer threat Turn Ethan to Ethereum.

[A]

Y' all wanna bet he talking a lot of this crypto money, tech, invest world shit on this project too. So I love, huh? This is get Ready. This is track two. Yeah, I like that contrast. I like hearing the current Nas super up wealthy fly Nas over all of this. Just boom bap shit teach you how.

[E]

To dress but you still look a mess. Yeah, I like that Nas shit, man. Yeah, to me, I love it. I'm gonna have to live with it more to give it more in depth review, but it feels very fitting for the run that Mass Appeal had this year. It feels like a nice chapter in Nas's and Premier's discographies.

[A]

It's true.

[E]

And I think that if you feel different, that's fine, but I think that you have to kind of remove some expectations. This is 25, 20 ish years of hype. From the announcement in Scratch Magazine in 24, or 2004, whatever the year that was, was. So it's a lot to live up to, but I think if you, if you just take it for what it is, you're going to enjoy it, dog.

[A]

Imagine. But imagine going in the studio with somebody 30 something years ago, changing the world of music with this person.

[E]

Yeah.

[A]

And then both of y' all continuing to be yourselves for the next, next however many years. And in 2025, almost 2026, being able to just on some passion project. We love this. We both up and got the time. Pick me up. We're recording this together now. There's something to that. There's something to that.

[D]

I agree.

[B]

I agree. It is very.

[A]

It's.

[B]

It's. It's like the perfect ending to a story. It's fire. But I also understand, like you said, you know, you make that announcement, people thought we'd never get it right.

[A]

Right.

[B]

It is going to come with some expectation that might unfair to them. It might be impossible to even meet.

[E]

Yeah, it is. It is. It's like if Dr. Dre actually released Detox.

[B]

That's what I was.

[E]

You know what I'm saying?

[B]

It's like no matter what you do, it's not going to be that.

[E]

Correct.

[A]

Correct.

[B]

Especially coming off of a big part.

[A]

Of doing it though is to not care.

[D]

Yeah.

[B]

Like, no, I don't think they care.

[D]

The blessings that.

[B]

I definitely don't think they care. They don't care. Like, this is passion.

[A]

That's what I'm saying. Like we have enough artists that can't go in the studio and just do what they want or. But because they just are who they are. Like, it's a special gift to not adhere to what the world around you is doing. It takes a certain genius and stubbornness to do it. So I'm blown away by this. None of that is because I have an interview dropping on Monday with these two gentlemen. Smoking that fourth quarter pack. Smoking on that fourth quarter pack. It's gone. It's looking crazy. It's good too. It's good shit. But yeah. I'm just happy for these guys.

[E]

Yeah.

[A]

I'm just happy for these guys.

[E]

Me too. And I hope we get more honestly, because this could just be a warm up. The same way the first hit boy project was a warm up.

[B]

Okay, we gotta go deep, deep, deep to the underground.

[A]

Yeah. This was one of those brain box. I was like, okay, Brad.

[G]

Yeah, yeah. Turn it up, turn it up.

[C]

Yeah.

[G]

Welcome to that basement life way underneath the earth Dig up dirt Termites and baby mice scattering below the surface we deep in the soil we jackhammering to the core of it all Avoiding the laws outside the corner stores with the raw take me back again before ice around me on stage performing while they fighting around me later Somebody gun pop the good old days we from the streets make it plays either you grind or you incomplete open the year 86 Lafitte for the town of the team was confined to four walls and now we meet how about it for the rail Now I could fly to Saudi doing deals coming back whole fam shout with his souvenirs if my kids are Nepo babies It was destined and they blessed Let them go crazy Healing is important living if you talkin children get the shorter than the sticklers make better choices and everything costs There's a price just to breathe Anything gets taxed Nothing in life's free free so ain't nobody stealing my piece I'm still a beast if I gotta put a piece of somebody grilling release figure the speech Picture me a civilian pack of heat Back in the days Waves immature, naivete One.

[A]

Of my problems what. What I will say is because I had the. The AZ track early, I heard a different version. Oh yeah, demoitis.

[E]

I didn't hear it before.

[B]

That is the worst.

[A]

Demoitis.

[E]

Different beat.

[A]

Yeah, man, different beat. And it was crazy. They got to find a way to just leak it. This is cool.

[E]

But what I heard, that makes sense. Cuz I was like, ah, this is dope.

[A]

But Pre is on the road and now it's a problem. Now we.

[C]

You know, Demoitis is when you prefer to demo over the.

[A]

Yeah, whatever y' all did that you had to change. You stuck on what you listened to over and over and over again. But listen, congratulations to Prem. Congrats to Nas. Sure.

[E]

A long time in the making.

[A]

I'm. Yeah, I'm glad. I'm glad y' all got it done. I'm sure the fans are glad y' all got it done as well. New York is happy. New York is happy. We can get back to music. We can get back to music later. There's some R and B that came out. We got Pooh Shiesty's first day out joint, which is extremely hard. It's fire. You heard it. Yeah, I know you heard that. You heard that first day, people telling.

[B]

Me, people hitting me, yo, you gotta walk your comments back. I said, no, I don't. What I said was that he's going to be rapping. I just think the industry has moved past that sound, which that ain't been proven yet. So there's nothing to walk back, right. He is rapping. I'm glad he is rapping. But yeah, we'll. We'll get to all that later.

[A]

Let's talk about. Let's talk about the Michigan coach. Let's talk about the Michigan coach.

[E]

What a rough day, Jesus.

[A]

Charon Moore, the head coach of Michigan, who was said to have an amazing recruiting class this year. My heart goes out to those kids. Yeah, that shit is so important when you commit and then you. Now you gotta decommit and then transfer portal and that shit is a mess. My heart goes out to those kids. But it's also said that Jim Harborough, who is now the coach of the Chargers, put something in his contract that said Sharon Moore has to be the guy to succeed me. So. Because a lot of people are saying that he shouldn't even had the gig.

[E]

Oh, wow. Okay. I didn't know.

[A]

But I mean, shit, he went nine and three. Yeah, yeah, he went nine and three. But anyway, so this is what's going on with this guy. Sharon Moore is married with three young daughters.

[E]

Well, maybe not even.

[A]

Had a little piece on the side. What was she, the personal assistant? The team assistant? She had some title on the side where she was making 45 grand and they were seeing each other. The school investigated multiple times and found nothing. Had no reason to think anything. Interviewed both. They both denied it into the white girl ratted. Oh, I don't know if I said that part. The side girl is a white girl. The wife is a white girl. He had some onlyfans girls at the Michigan games that was white. He's into the snow. Okay, he's into the snow. But anyway, so she read. So she told the school. She brought receipts, aired it out, Text messages, voice notes, y' all with them voice notes. She aired it out. They immediately got rid of him. Some say they were looking to get rid of him. Anyway, he goes home to his wife. Allegedly. The story is he threatens self transition. He threatens suicide at home, gets the wife worried. He leaves the home, goes to the side chick's house, pulls knives out from the drawer.

[B]

Breaks in.

[A]

Yeah, breaks in, pulls knives out the drawer. Threatens to end his life, wife and hers.

[C]

He crashed out.

[E]

Crap all the way.

[A]

The wife calls the police, uses his phone tracker. The tracker location thing. If he got all this going on, that was shocking to me that he still had his phone location shared with his wife.

[B]

That ain't thinking.

[A]

Yeah, he was rookie. Yeah, that's a really rookie mistake.

[B]

He wasn't thinking.

[A]

But anyway, the cops came and arrested him. He was at a church by the time they arrested him. He's been charged with felony 3rd degree home invasion and misdemeanor stalking and breaking and entering.

[E]

What a lost.

[D]

Lost $5 million salary. Now they don't have to honor his contract because of what he's getting fired for. Yeah, they don't have to Honor his contract. He had $5 million a year left.

[B]

It's a rough day.

[A]

Day. It's more than a rough day.

[E]

Yeah, you just threw it all the way over.

[B]

Life changing right there, buddy.

[E]

The side piece. God damn.

[C]

Love this side piece.

[A]

Yeah. Gave her a pay increase. She went from 45. 45 grand to 90 grand.

[C]

Oh, that coochie good.

[E]

They did that after he.

[B]

They fired him, of course.

[D]

Got to hush mouth money.

[A]

No, he did that. He. He raised her salary. Doubled it while they were.

[C]

He doubled it. A raise is like a couple thousand. He doubled her salary.

[A]

Sheesh.

[B]

Okay.

[C]

It's lit. I love it.

[D]

Yeah. Yeah.

[B]

That. That's.

[C]

I love it. I just wish he didn't crash out so bad. He didn't have a plan. Like a plan B. Suicide never works. We just talked about that.

[E]

Yeah, that effective.

[C]

We just talked about like threatening that in the worst case scenario.

[A]

It used to work. Yo Trigger warning out there, cuz. It's a touchy style. It did used to hold a little weight. If she. It's mine.

[D]

Right?

[A]

Right. It was just mine. Right? It was just mine.

[D]

Never done it.

[A]

It was just mine. I said it was just mine.

[D]

But you said it sarcastically.

[A]

Some of your exes said it was yours too. You know I spoke to him.

[D]

Not a one.

[A]

You know I spoke. Oh, that's why they came. It's some total cherry. It's just threatening again. Hurt itself. Wait, this is so not a funny topic, is it? But here we go.

[C]

We talked about that. And we talked about the worst case scenario when the is like do it.

[A]

They don't do that.

[C]

We'll be better off. Yes they do. They say nasty.

[D]

People that love you.

[A]

People that love you.

[C]

I hope they conversation y'. All. This is proof that y' all switched the up. We just had this goddamn conversation. And that was the funny part. When it backfires. When you do you don't get the response that you looking for and you get a good old nasty to tell you do it. Do it.

[D]

That was on the Joe Button podcast.

[C]

Off all of y'.

[D]

All.

[A]

I'm sure that happens and it happened to me. But at with the same girl. But after the trick worked a bunch of times like.

[C]

Right. Cuz that's the thing.

[A]

At that point she knew I wasn't she get off my phone.

[C]

Well she's saying jump is not like she doesn't care about was because you're being facetious. You just want some type of attention first boy.

[E]

The cried wolf. That's the problem.

[B]

Yeah, that's.

[A]

Yeah.

[C]

Please. If. If that's your response to something that you need to go see the lady. Nothing. You know what I mean? Like that can't be it. Why you want to leave?

[D]

Lost 5 mil in one day. Lost his family. Same day lost his job.

[A]

We don't know that he lost his family.

[D]

That is true.

[E]

Potentially made things weird at home. For sure.

[B]

He lost a lot though.

[C]

He made things weird at home.

[A]

As funny as things are weird at home.

[C]

Ye.

[B]

And lost it because you went in here and it ran your mouth.

[C]

One thing.

[A]

I'm a little concerned he lost it. Cause the little bitch ratted.

[B]

Cause the one in there rat in your mouth.

[A]

That's a sign.

[D]

After I gave you 45,000.

[A]

The side chick rat it a year.

[C]

Why would she do that?

[B]

Why would you tell him the person.

[C]

That doubled your salary.

[A]

There's a guess, guess, guess.

[D]

I mean it's been a minute.

[E]

Could have tripled it.

[C]

Just. I don't know.

[E]

Side of the side.

[A]

You married or you or you said you was and I work here. I'm watching you. I'm. You bringing other in here. They wearing Michigan hoodies.

[C]

Okay. Okay.

[A]

Like you playing. You playing. I hold too much power for you to play with me me like this. If I could end your life. That's the thing about cheating. If you're never supposed to get a side chick enough to ruin your life. And if you do, you better know.

[D]

Gotta play. Nothing gotta play.

[B]

Yeah. Yeah.

[A]

Sorry, bucko.

[B]

She got you.

[A]

Sorry.

[B]

It's her. It's her rules at that point.

[C]

Yes. Like doubling. And that's the thing. And that's the thing. That's.

[A]

That ain't enough security for you not to act.

[C]

Out.

[A]

Out.

[C]

That's the whole thing.

[B]

Michigan. I don't give a damn if they was.

[A]

That ain't enough.

[D]

Alabama, you better.

[A]

You better check the price. You better check the abortion prices out here.

[D]

Yo, get off a D. They are a little high.

[A]

You better check the abortion prices out here.

[C]

They got them getting that stomach message.

[A]

On the 21 album.

[B]

Lotto was like. Or one of.

[A]

Somebody was. I heard too much music. Somebody was like, yo, these don't even want Louie no more. They want a Birkin. Yeah, they got an Instagram. It don't matter. What part of the world ain't that little?

[B]

45 000.

[D]

Ain't it matters what part of the.

[A]

World is Players jumping on this little white dick that's getting big nil money. Like, come on. Come on. Ish.

[C]

I feel like. But that's the. That's his whole thing though, that's the security, you know what I mean? He puts out so she won't run her mouth. Doubling the salary so you'll be comfortable. I feel like when you set a up like that, you almost have her in a position that the wife is in. You know what I mean? When you give her that much responsibility over with, she. She could destroy everything, you know? That's the case. Stay home with your crazy God. Stay the home with that.

[B]

A lot of don't realize they gave her that power until she starts using it.

[A]

That's true. And I ain't going intentionally just give.

[B]

Her the power to blow this whole up.

[A]

Y' all be the middle of the country white chicks too. They. It ain't the same.

[B]

They in the middle camera.

[C]

And they be mid.

[A]

Yeah, that's the other part. But we gonna get that in the second. Dog. You a city white chick. It's more than one city, yo. Get you flying one of them in. Get you a city white girly white. That's the problem, though.

[B]

That's where he. That's. I'm with you. I'm with you. That's why he up. But again, it's the convenience that fall.

[A]

Into it in the first place.

[D]

Don't nobody want to fly nothing in. He want to be able to go convenience.

[A]

She right there and you look nut.

[D]

Now look, I'm not disagreeing with that.

[B]

Why he didn't do that.

[A]

But that's why you do it, dodo head. That's why. That's why you do it, stupid. That's exactly why you do it. And Cory's right. For a pack of Reggie. It be. It don't even be the luxurious white. It don't be that good. Nice porcelain ivory. This be a porcelain Irish. It be some. Yeah, it's good whites out there. Do you see these whites that be ruining our good black brothers. Like, do you see Shannon Sharp's white?

[C]

Oh, my God. Shannon Sharp wife was such a white. Was such a. The white.

[B]

It was.

[C]

She was such a Wednesday, huh?

[A]

Wednesday was finer than her.

[C]

What would you do? What did you do last Wednesday?

[B]

I don't know.

[C]

You don't know?

[A]

I thought you meant Wednesday from the Adams fans.

[C]

No, a Wednesday is like a boring. That don't. There's nothing about her special you don't remember.

[A]

You know what I mean? Not in New York. Is that the case in New York? You don't use a different day than Wednesday. Wednesday could be a little night you got to be about something to come out on A Wednesday.

[D]

See what New York do for Wednesday.

[C]

Ice didn't know that's what New York does.

[B]

That's the difference. Yeah.

[C]

Cause y' all not New Yorkers.

[D]

Nigga in East Lansing, Michigan. Wednesday might be the block.

[B]

Wednesday might be amazing.

[D]

Friday and Saturday is where it's at. On a Wednesday. He going to his sneaky link house, getting some yaya and then he's going home.

[A]

And I think his youngest daughter's one.

[C]

Dang.

[A]

Like we talking about a life changing new life changer.

[D]

Yeah, life changer.

[A]

That ain't the time to fuck mid Joe. That's the time. What?

[C]

He lost everything in one day.

[B]

I don't agree with this.

[A]

You know what having a one year old is like? Having a one year old and fucking some mid on the side. It's like going bowling and you just totally threw the ball in the gutter. The first round around like this next go up, you need to give it all you got. When you got a one year old at home, you better be cheating with something that you're going to be happy with spending the next eight months with when your wife finds out. You're crazy.

[B]

Yeah, yeah.

[A]

I'm serious. I don't been on both sides of the ball. I didn't cheated and had to run into the arms of Frida some big fat versus something that was was nice. Soft, cuddly and understanding Joe.

[C]

So Frida wasn't soft and cuddly Joe.

[A]

She was soft. A lot of nooks and cr.

[C]

Lot of nooks and cr. Gui always wet.

[A]

I did a lot of thinking about who I left. And that's the problem. You need to get with something that's going to keep your mind off of what you just left.

[D]

You got something there, boy crazy.

[C]

You got something. No, you got something there.

[D]

No, he don't.

[A]

I'm serious.

[D]

No, he doesn't.

[A]

It's just with me, he just can't say it on the mic.

[D]

Not true.

[A]

All the way with me.

[D]

I promise you. I'm not with you.

[A]

You are all the way with me.

[D]

When you go fuck with the super duper duper bad bitch on your girl. He don't want that. He wants this girl that's mid in her place. She's there. What she's there for. I could go over there, get right and go home to my family.

[B]

That's a mistake.

[D]

That's not a mistake and you wrong.

[A]

Cause if that was the case, he wouldn't have been fucking the bitch on the job. That's convenient.

[D]

Lazy dick Joe. You're bugging niggas cheat lazily.

[E]

Yeah, that's a mistake.

[A]

Period. Is a mistake then y'.

[C]

All.

[D]

No, you saying don't go the mid.

[A]

No, no. Because we talking around. No, no, no, no. Y' all just arguing. Argue. We talking around each other. Listen, my message is don't cheat.

[D]

Oh, true.

[B]

That's all our message.

[D]

That's what we say.

[A]

Our message is don't cheat. I know, but that's not in this because he cheated. So now we talking about the style of which you're cheating.

[E]

You can't support coordinate. Let's start right there.

[A]

Somebody that works for you at the workplace.

[E]

When you make $5 million a year, $6 million, whatever it is, you should.

[D]

Not be risking that.

[E]

You should not be risking that.

[D]

You shouldn't wink at somebody on the campus.

[E]

There we go.

[D]

I'm agreeing. But we passed that point.

[E]

Now if you are doing it with the mid.

[D]

Yeah, that's the one you do it with. No.

[A]

No way. No way y' all a bug. No way on earth.

[C]

Can I ask a question? Can I since the room is split up.

[D]

Sure.

[C]

All is the. Is the confusion here is the risk is going to be so big it needs to be a bad. Is that the point?

[D]

I think that's what Joe's that if you going to get caught, get. Because that's how I'm taking it.

[C]

Being that he's making 5 million, he has so much to lose. Is it. That's. Is that your point on why it shouldn't be?

[E]

That's part of it.

[A]

Huge part of it. Huge part of it.

[C]

I agree with you.

[E]

You're not risking it all for submission. Cuz. What's going to happen is when it blows up up, there's gonna be a bunch of people sitting on mics talking about how you it all up for.

[D]

Some man, let's keep it a buck.

[C]

And not only that, as the woman when you find him cheating with that funny looking that it just stings worse. It sucks worse.

[B]

You think that was thinking about when it blow up?

[D]

Yes, exactly.

[A]

You should.

[D]

No, you shouldn't. Because if you thought it was gonna blow up, you shouldn't have cheated. If you're thinking about people are cheating not thinking that, yo, I'm gonna get caught a go rob the bank. Not thinking he gonna get caught. Court think he gonna get away with the bank robbery.

[B]

That nigga's looking at this is it.

[C]

Doubles the pay of the he's sneaking around with has thought about getting caught. That's why he did that so she wouldn't tell.

[D]

That's a possibility.

[C]

Or you just been loyal to me.

[D]

Your shit is right. We got a good synergy. Underpaid. And I'm gonna look you out for doing what you're doing.

[A]

The person that just had a one year old and got two other young daughters and is married should take the thought further than that is what I'm saying.

[D]

Yo, but the person that got the.

[A]

I agree with. With Mo, he should think past that.

[D]

Bro, you are talking about something different. We talking about the quality of the chick that he chose to.

[A]

No, it's saying he should have.

[D]

And I don't think so.

[B]

I don't think so either.

[D]

You think you with the chick that ch. You saying he keep her mouth shut and all that other.

[B]

And again, let me preface. I. Hold on, let me. I don't believe this. Cause you know how anything we say, you know how it gonna.

[C]

Yeah, but that's.

[B]

You got a one year old at home. Home might be a little not pleasant right now.

[E]

That's fine.

[B]

So this little chick who's right here at the job could be very convenient and a stress reliever. And I ain't even gotta do much to get it.

[D]

And I don't gotta take her out to eat. These baddies, these super fly chicks wanna go out to eat. They wanna do all this other extracurricular shit. Shorty over here knows her position, plays the. Her position. I'mma go over there, knock her ass off and go home.

[C]

And that's the thing. I think the difference. I think that the bad bitch is more used to being a side chick than the mid the middle.

[A]

Buddy, if there's one person on earth that knows what's happening right now, it's you. Yeah, I do, but I. I didn't know if you would be outside relaxing.

[D]

I actually just got out of two very big meetings and I would love.

[A]

To speak to you.

[C]

They.

[D]

They should be calling us the cap.

[C]

Table boys at this point. Is that my friend?

[A]

Excuse me, is that my friend?

[C]

Tell Ian I need a hug.

[D]

He gives me hug.

[C]

Hi, Ian, how are you?

[A]

I'm gonna step off to the side in a second.

[C]

How's the baby?

[A]

I'm great, but Mona, I gotta talk to you later. So. You're not on the air, are you?

[E]

Oh, of course you.

[A]

I'm 100% on here, but I gotta talk. I'll be off here in a second. I'll get to you in two minutes.

[D]

I need to talk to you.

[A]

It's very important. All right, bye.

[D]

Wow.

[C]

I think I think he likes you.

[E]

Go ahead, park.

[A]

No. What was we talking about?

[E]

Cheating with the man.

[A]

This. I want to say this. Then I'm going to make call. Listen, I bet this is what I'm saying to Ice and Ish. I don't think that he picked someone that y' all are describing. And that is the problem with who are successful black men are choosing to cheat with.

[B]

So what do you think?

[D]

Let me just talk.

[A]

Ask you. I think. And. And this is why he pissed me off. Because there's a phrase for this. Bitches fresh off the porch. That's who we talking about.

[D]

And Joe, I'm saying.

[A]

I'm saying this girl is fresh off the porch. And there are women that do this service privately. And let me not assume, because I'm just saying she fresh off the porch. I don't know. I googled a girl and some shit came up. She is the daughter of veterans. Veteran beer scout Jeff Shiver.

[E]

Oh, okay.

[A]

So I don't want to just assume that she's fresh off the porch and.

[B]

He might be fresh off the porch.

[D]

Exactly.

[B]

We don't necessarily know that.

[E]

He's youngish. He's 39. He's not.

[B]

She's 32. I'm speaking to. Like you said, there's women that do this professionally and et cetera, et cetera. He might not have no knowledge of that. He might be.

[A]

He might be white Bonnie's. You're right.

[B]

He might be letting this girl, fell in love with this girl, feeling this girl head up with whatever and she got mad, bro.

[D]

If he might have blew the flute in that asshole and she turned his.

[A]

Ass all the way around like, yo, word.

[D]

Yeah, like, yo, we beat. We be thinking that some of these girls be new at this. They used to this. And true to this fame, that girl might have been around sports her entire life and been tossing athletes up her entire life.

[A]

Okay, so now I totally flip flop my position in the conversation now. Now it's time to go home and have an uncomfortable conversation with your wife. If the rumors are true that she had an abortion. You moving like you fell in love of you threatened suicide. You went to the house, broke in. It does scream a certain comfort level that you have with it.

[E]

I do have a brief problem with the suicide thing too.

[A]

Let's do it.

[E]

It's reported that he grabbed several butter knives out of the drawer.

[B]

He went right past the stick knife.

[A]

That nigga did the joke, did the joke. Yo, I'm doing. Yo, I'm doing.

[D]

He had a spoon like, I'm telling.

[A]

You.

[C]

They made it to the report that it was.

[A]

See, but that's the trick.

[E]

And a pair of kitchen scissors. Those are tough. Those are tough.

[A]

When you OG in the game, you gotta lead with some depression. So she understands that it could happen. She ain't seen no signs of depression. All my songs said I might do it. I'm somebody just pushed me off the edge.

[G]

Y'.

[E]

All.

[D]

Second conversation. Y' all got the trauma bonding.

[A]

Second.

[B]

First.

[A]

Yeah, right after your name.

[D]

Thumb that Thumb.

[B]

What was the last time you cried?

[A]

There you go. That's it. Hey, that's old school, mouse. Leave the pass behind. No doubt, no doubt. Leave the pass behind. I think it's time to go home and have an uncomfortable talk with your wife. You in there with three kids, your wife. You bugging niggas two years after the fucking wedding. Normally realize that they fucking did the wrong thing. Your wife in there driving you crazy, the kids driving you up a wall. You done found this little fun thing on the side. Who fun? You could speak to. She got her dad is in the game. It's a perfect match. You don't wanna be with your wife?

[B]

No. See, when niggas fuck up, I think you do wanna be with his wife. He think I found the perfect match. Now I got the balance. So I got home. I don't wanna leave my kids. I don't wanna leave. I'm doing this on the side and I'm trying to keep these two worlds separate.

[A]

When you're married, there is no more balance. It's your wife and you. Y' all gotta find the balance. You can't go and get the third person to help balance.

[D]

And that nigga went and got some mid. Actually, below mid might have been more ideal. Honored to have me, baby.

[A]

What?

[D]

And I just doubled your salary.

[B]

God.

[A]

What needs to happen so that our successful, powerful black men stop falling for the banana in the tailpipe?

[C]

Dv, You started with that boy and he was playing sports in high school. You held that bitch down. You get up there and that boy try to leave for a white woman, you whoop his ass.

[D]

Oh, my gosh.

[F]

Hold up.

[C]

Way to go whoop his ass. And that's the truth.

[A]

Please refer to the tag, please. Pretty please, please.

[B]

We might need to insert the tag again.

[D]

I don't know if you can.

[A]

What do you mean? Of course you can.

[B]

It take a certain level of maturity and discipline.

[D]

Think about this.

[B]

A lot of niggas don't have think about this.

[A]

Y' all lost hope in the brotherhood, bruh.

[D]

Niggas already don't have the best discernment or the best discipline. Now we gonna go add fame, money and money and throw it to that. So now you might have been a mid nigga. Now the money and the fame give you the opportunity now to get a bitch or a caliber of bitch you never was able to get in your entire life. So you telling the nigga that's accustomed to sixes that the eights is now talking to him with the sweet voice to chill out. I don't know.

[E]

This guy was like on the football team in college. Like he.

[C]

So he knows what it feels like to be a star.

[D]

Yeah, he took the conversation somewhere else. I'm not even talking about homeboy no more. You just talking about black men in general.

[A]

That blacks powerful in position to power black men, bruh.

[D]

I think that power just starts to be more of a drug to them. We see it all around us, bro. And this is not new. This is before. This is before entertainment podcasting like, dog, be clear. The entertainers got groupies and all that. Them Wall street got groupies, bro. It's girls that won't with the sports athlete or the entertainer, but they be across that water in that financial district busting it open for them niggas. So none of this stuff is new. It was groupies for drug dealers when we was kids.

[A]

That's when you used to be down by Wall street at 9:00pm I remember. Yeah, I know. You're a whole life boy. I remember. I used to call this around 9:30. Where you at? I'm down here by Wall Street. Wall street is closed. No, it ain't. Huh? Look at this. No, it ain't. My heart goes out to this man. I never want to see nobody go through that.

[C]

Black men.

[A]

Give it to me.

[C]

As a black woman, it feels like that when black men get a certain amount of success, right, that you automatically go white woman. Why is that?

[A]

Oh, I don't.

[C]

Why is it though? Is it like that forbidden fruit thing? Cause you could date a white woman in college, you could date a white woman at your job, you could date a white woman when you want to. As a black woman. When you watch these people that will come up, up in a situation where they marry their childhood sweetheart or whatever, why when they get to that peak, is the person they pick so opposite from what they grew up around in a culture wise, or why is it always a white girl?

[B]

I think that's kind of similar to what Ish was saying where you were the mid six or something. And the Eights are now speaking to you a certain way, and now you have access to them. I think them fellas wanted girls that they couldn't get.

[C]

Like maybe white girls.

[B]

It might have been white girls, but. And now, now I have the pick of the litter. I can take whatever I want. I always wanted this, but I couldn't get it. Like any other time I tried to talk to them, it wasn't happening. But now that I'm famous and like you said, at the peak, I look at them and they talk back. So now I'm gonna go get one of them.

[C]

Yeah.

[D]

Mark said something a while back to me that was profound. We started talking about just like women start to age and now their options change. They're a little bit more liberal with who they'll fuck with as opposed to who they want to and fuck with. I think that, let's just say you was a 7 dude all your life and you was just doing everything that, quote, unquote, was the right thing to do. These same girls shitted on you your whole life. A lot of times I can't speak for everybody, but Becky and Maria was nice to you. So a lot of times what people say is, dawg, these niggas got rich and then went and got a woman white with. Actually, they might have been fucking with that white girl on they come up. Not all of them, I'm assuming, but they might have been fucking with the Spanish girl or the white girl on the come up. And now that they up on a cover of Forbes, you look at it like, oh, yo, they got rich. Now they went and got a white bitch. That white bitch might have been a part of the ascension sometimes, I don't know. I think it's a case by case basis. But some of it might be the forbidden fruit.

[C]

Shit.

[E]

Someone had just sent me a Instagram post, or maybe someone posted an Instagram post post that said something like. There was a Census report that 83% of married black men who earn at least a hundred thousand dollars annually are married to black women.

[D]

Yes. It's way more than what people think. Way, way more than what people think. We see it in the entertainment realm, in the sports realm.

[A]

We be talking from entertainment, because we in entertainment. In entertainment and sports, not so much entertainment, more so sports. I think a lot of it is systemic. Yeah. Like these kids are being put in programs where for them to be successful, those programs are in a certain part of town. Colleges, colleges, some of them high schools.

[D]

Big time colleges and shit.

[A]

The people that can be of Service to you as you ascend. It don't be a lot of us in the room, it don't be a lot of us around. So that's why you see all the bad basketball players, that their wives are, their wives are white. They love these people.

[C]

And I feel like it's always going to be like a forbearing fruit thing because it was a time where you could get killed for dating a white woman.

[D]

See, but now you. But for the 18, 19, 20 year old black kids, they don't know that they don't come from that time.

[C]

But that's the thing. That's not a thing within your brain. That's something that is done to a people. You know what I mean? It's almost like how slavery affects us. That's in our DNA now. Yeah. That's not. That's not just something you had to experience or hear about. That's just, you know, I think also.

[B]

Like, I'm with you with it, you think your surroundings. I think it could be a case.

[D]

Very, very, very valid. Like, even in the financial space that we were talking about, a lot of times when you start getting into them C suite rooms, it's very few black people in those C suite rooms. So you might be going to a corporate Christmas party somewhere. And yo, you might be one of three black people out of 300 people in these rooms. You just so happen to go to the bar, start talking to somebody and she funny and y' all cool and y' all get a little chemistry going and that end up being your person. I don't think you necessarily set out.

[B]

To get a white.

[D]

I think that's one of the misconceptions. Like, even my girl white. I didn't set out to meet a white girl. Like, yo, I'm closed off to all these other people and I just got my vision in on a white girl. Like, that's not how life works sometimes. You know what I'm saying? Like, it's just not that. I think that when you go to these colleges, you a big time recruit, you get dropped off at the University of Michigan, lsu, dawg. These schools be like cities.

[E]

Yeah.

[D]

And they be 90% white. So now the white girl washing your clothes, you the jock, she letting you drive her father bins doing all that shit. You a poor little motherfucker from the hood and they treating you like a God. And I think sometimes it's just, again, to your point, who you are around, sometimes that should just be overwhelming.

[A]

And you trip, does homeboy get another job? No, no, Ever.

[B]

I mean, it's gonna be wrong.

[A]

A high.

[E]

Not a high profile job because of.

[B]

All the shit he did after. Like, if it was just a scandal.

[A]

A little butter knife, man. A little butter knife. He broke in the crib.

[C]

If it was the same bill wouldn't.

[A]

I had a key. I just wasn't supposed to be there.

[D]

I paid for this car.

[A]

Yeah. What if he paying the rent?

[B]

Okay.

[A]

Hey, I just want to say.

[C]

Go ahead.

[B]

Go ahead. Those are toxic. I just.

[A]

No, I just want to say. We haven't heard his story yet.

[E]

That is true.

[B]

That is true.

[D]

That is. That's.

[A]

We haven't heard from this man.

[B]

That's true.

[A]

We've only heard the bullshit.

[B]

Yeah.

[D]

One thing is telling. He went home first, told his wife, yo, I'm gonna do xyz. Left his wife to go to the side house.

[A]

That's how you know the wife annoying in the house.

[D]

Oh, that side got that.

[A]

That's not nice. I take it back. I'll take it back. Why niggas won't tell they wives when they bruh.

[F]

I know.

[A]

Whatever.

[D]

You got a one year old and some small kids.

[A]

It's time for you to go be a single mom now.

[E]

Now, yo.

[D]

Yo, make five mil.

[A]

I'm gonna pay you. But I'm going off to coach. And because I'm not prepared to be married. Which is apparent because of the fashion in which I'm fucking. So when do we stop living? Living double lives is all. You married, you get down on one knee. I know they about to tease me now because what do I know about it? But.

[E]

Oh, you did this part so far.

[A]

Thanks. You can write a book on this part. But I'm saying once it's done, once the deed is done, you're done. Your jersey's up there. And yes, there's gonna be more women to throw theirselves at you. There's gonna be more temptation.

[D]

But when your jersey up there and you don't want to play for that team no more.

[A]

And outside of if you make 5 million and up, then it's time for discipline and discernment. That part in other areas of your life, that should transfer. That should transfer. They coming. And if you plan on making more, it ain't about to decrease the women.

[E]

Yeah, that's true.

[A]

Margo's at the homeboy. I'm praying for him and his family.

[E]

Yeah, for sure.

[A]

I'm praying for her as well, the side chick. I mean, I'm praying for all parties. We don't know enough.

[B]

I'm Wishing you.

[A]

We don't know enough yet. If she went to go spill the beans, something happened and show the receipts something happened.

[B]

There's a reason.

[A]

There is a reason.

[B]

And it could have just been it. We don't know. It could have been a couple different things.

[C]

Pray for the side chick is crazy a person.

[D]

My rat bastard.

[C]

Yeah, she's a rat. On top of the fact that it's.

[A]

Safe to she rat it cuz she was going through something, there was a reason for it.

[C]

But she knew he was was married, so she's dating a married man. On top of the fact telling on set married man that we're not praying for jbp.

[B]

How long was they around? Does it say how long they was messing?

[A]

Why is it wait.

[B]

No, why?

[A]

Because do that too much.

[C]

Nobody here cheats.

[A]

Why do you put the onus on the side chick to uphold your marriage?

[C]

No, that's not what I'm doing. What I'm saying is. What I'm saying is we're not praying for that whore. That's what I'm saying. It's still him. I'm still gonna whoop his ass and bust his windows out. I'm just not praying for that bitch.

[D]

So it's different. It's different. Him and his wife have a relationship.

[A]

Pray for me. If you bust up in my house and go and you know where the butter knives is at. The fuck you talking about? You could just hit me with a little prayer. Hit me with a prayer. I upped your salary. I doubled your double. I doubled your salary.

[B]

Yeah, you ain't deserve that either.

[C]

It ain't me neither. Y' all looked at me at the same time, right?

[D]

She's eating ass. You ain't.

[A]

I'm praying back.

[D]

I wish they. I wish they go do an internal audit and cut a salary back for everybody.

[C]

And Joe prays before he eats. He's better than us.

[B]

Well, I pray before I eat too.

[A]

That's just you. He and I'm over, though. Y' all didn't pray before you. Oh, yeah, I'm over.

[C]

Oh, my God. He was so gross out for two weeks. God damn. Pastor Joe.

[A]

People, people.

[C]

Pastor Button.

[D]

Pastor Joe.

[B]

That's funny.

[D]

Yeah, you rat.

[A]

Come on. I wonder who's next.

[B]

For what A scandal.

[A]

These niggas can't even do it right. Do the Bill Belichick, man.

[E]

There's gonna be a lot more with college, with the nil and all that shit. All that money. That whole universe is changing over there. It's about to be a mess.

[D]

I spoke to my man up.

[A]

I want to see another podcast to go down, to go through it.

[D]

Oh, my.

[A]

I do. I do. You podcast niggas getting money. Yeah. I want to see a little white bitch from New York take advantage of y' all so I can have fun. I do. Sorry I'm not rooting for everybody. Every time I say it, y' all be surprised. I'm not rooting for everybody.

[D]

You don't got to be. You don't have to be wishing on the demise.

[A]

That's the demise.

[B]

I ain't talking about a cinder block.

[A]

Falling from the sky.

[D]

That might be worse.

[A]

Oh, please. I'm done with you.

[D]

Yo, that's married life getting spun upside down based on a side chick. I was making five miles.

[B]

I don't.

[A]

The podcaster don't have to be married. I just. I just want your little side chick to come your life up. Give some of us faithful some something to root for out there while I'm scrolling in my phone.

[D]

Yeah, yeah, yeah. You different, bro.

[B]

It's cool, though.

[A]

Andy Dick. Oh, man.

[C]

Oh, my God. So sad.

[A]

Andy Dick is ice. Don't know how y' all get this job. Who the is comedian from the 90s.

[C]

In the late 80s. Andy Dick.

[E]

You know Andy Dick?

[C]

Andy Dick.

[A]

They don't know dick. Look at these guys. Google Andy Dick.

[D]

I know my dick.

[C]

I want to tell y' all what happened.

[A]

That's far in the world.

[E]

I know my dick. Okay.

[C]

I mean, can I tell y'? All? That's good.

[E]

Please?

[B]

Oh, I know this dude.

[C]

Of course you do. It's Andy Dick.

[B]

I know his name.

[C]

Andy Dick Overdose, Right? And then he does this interview with these guys, and he's coming completely up. I feel for Andy Dick comedians, people that are funny. For you to be funny, you have to be somewhat intelligent. You can't. You don't come without. The other people that are really funny are always smart. And people that are really funny are typically tortured souls. Like me and Joe. We're lunatics. And Andy Dick is torture. He been going through some things for these this last couple years, maybe a decade. But every time.

[A]

Has that been known?

[C]

Yes, it's a known thing.

[A]

I had no idea.

[C]

It's a known thing in Hollywood. On top of the fact.

[A]

Oh, I didn't know that either.

[C]

On top of the fact it's. It's a known thing that he's kind of a nice guy.

[A]

Which sex was he offending? That's an important distinction, cuz. Andy Dick.

[E]

Well, I think that that's what I'm.

[A]

I'm just asking what he do is.

[E]

I thought it was kind of the question.

[A]

Yo. Sex offendment. If it's the Andy Box.

[C]

Andy Dick.

[A]

Like, that's what the. Oh, you stupid, bro. All right, go ahead.

[E]

Andy Box.

[A]

Is Andy Dick straight?

[E]

I don't believe so.

[A]

I don't.

[C]

I don't think so. Yeah, he's freaky.

[B]

So. So he was having an aggressive talk with a.

[C]

Anyway, so he does this interview with tmz and he's sitting with these two younger guys and he's explaining basically what happened, and he's saying how he was with his friends.

[A]

I'm gonna play that interview. But do you have. Do you have anything on. On the. The footage that.

[E]

Oh, his sex offender. All he did was get arrested for indecent exposure after he exposed his butt exp.

[A]

McDonald's.

[D]

Then 10 years later, he groped a bunch of women. Got found guilty for.

[A]

Keep scrolling.

[E]

Oh, Andy Dick is a monster. Holy.

[A]

Call him Andy Dixon.

[E]

Holy.

[A]

There's a whole other incident. Wait, for real?

[E]

Yes. This guy is a savage.

[A]

Holy.

[D]

What else?

[A]

He did a bunch.

[E]

He groped Pamela Anderson. What are you doing to William Shad?

[A]

Oh, my God.

[E]

Oh, he dropped the end bomb. Oh, this is all.

[B]

A lot.

[C]

Back in the day.

[A]

Oh, Andy Dick.

[E]

Andy Dick.

[C]

I heard Andy Dick was a nice guy.

[D]

We don't go that.

[A]

Yo, if you praying for Andy Dick, we praying for the side chick. Facts. The part that you told me. Did you read the quote?

[E]

I'm not gonna. This wasn't good. This is not good.

[B]

Well, this answers my question.

[A]

Cause when I saw him overdosed on crack on the sidewalk, I did say to myself, oh, shit. Andy Dick.

[E]

Totally.

[A]

Where's Andy Dick been? But this. Answer it. This is a long list.

[E]

He got kicked out of the porn convention for Patrick.

[B]

This is crazy.

[A]

Oh, he's a groper.

[D]

No, he's. No, he's different. He pulled down a 17 year old girl's bra all the. Yeah, yeah.

[B]

He be bugging.

[A]

Oh, he needs to be thrown under a jail somewhere.

[D]

He's a wild boy.

[B]

He need treatment.

[C]

He needs.

[E]

So there's some anti Semitism.

[B]

He was.

[A]

A dick.

[E]

Holy shit.

[A]

Oh, man. Yo, yo.

[B]

He's still reading shit.

[A]

Yeah, it's still going.

[D]

No, it's a bunch of shit.

[A]

All right, I'm gonna play the clip from the TMZ video.

[D]

Andy, how are you doing? You know, since everything happened yesterday.

[A]

I'm gonna pause this to also say if you were just strung out on crack yesterday. I don't Think you should do an interview the next day? Yeah, like, go get off the crack first.

[B]

Crack stealing system.

[A]

Before it's in there, it's in the bloodstream.

[D]

Yeah.

[E]

Know you.

[A]

Yeah. Yeah. And why do TMZ always know where to find y' all in y' all moments of despair?

[E]

Oh, nah. Andy Dick allegedly gave Phil Hartman's wife, who went on to kill Phil Har, cocaine, and she relapsed and killed Phil Har that night. Yeah, Andy Dick is a monster.

[D]

Grabbed the Uber close to that relationship. He's a wild boy. He got a bunch of these.

[C]

Yeah, she relapsed on a Coke. And then recipes fill. My nigga Phil.

[A]

That was my man.

[C]

Another torture soul. We be tortured like me and Joe.

[A]

And they did all that to Louis ck, right? Andy Dick is right here. Lunatic. Okay, I have a couple questions for you.

[D]

What do you mean by every.

[A]

What is everything?

[B]

You know, the video that came out, what happened?

[G]

That's what I wanted to ask you.

[B]

You know, are you okay?

[A]

Doesn't it look like I'm 100, 100 fine. No.

[B]

Sound like it.

[D]

Sound like you two were there with him.

[A]

Oh, yesterday. You got two little escorts with him? Oh, absolutely.

[C]

Yeah.

[D]

What can you guys. I mean, we were going out to.

[A]

Hang out with Andy.

[B]

Not a matter.

[D]

Whole entire day planned.

[A]

And he got away.

[D]

He got away from us for a few minutes. He did something that messed him up, and I had to run.

[A]

But it was a group effort of all of our folks. They trying to hold him down. There was a guy that was my age. He's spilling the beans, and I felt for him. He had kids.

[D]

Did you know that part?

[A]

He had kids and he was depressed.

[D]

And he was on the sidewalk, and.

[A]

I'm like, I'll sit with you. And then he whipped out. I'm sorry, but crack. And I'm like, you know what? I might need a little bit of that. I want to.

[E]

White crackheads are crazy.

[A]

And also, I don't mind doing white little cracker now, man.

[C]

Here and there, it.

[A]

You got a little crack. I said it. I don't mind doing a little bit.

[E]

Holy.

[A]

Hey, man, it's cool to let other people smoke hookah without you, buddy. You don't always need to grab the hookah, pull some out of their pocket. A little vape pen. You offer it to you? It's all right, man.

[D]

You gotta play, boy now.

[B]

No, no, no. He knew it was cracked, though.

[A]

And why? Wanted something. Yeah.

[B]

It. It just was no surprise. What is this?

[D]

You can't hide crack in the vape pen.

[E]

Vaping crack is crazy.

[A]

If I did crack, I would hide anywhere.

[B]

You got to light it.

[A]

This I don't.

[E]

I had no idea about this.

[A]

This is crazy.

[E]

Phenomenon.

[D]

Yo, they said he grabbed. He groped, tried to grope. Courtney Love, she smacked him. He made the thing like he was giving Tommy. Tommy Lee a blowjob. Yeah, he's a wild boy, bro. He grew up Pamela Anderson.

[A]

My thing is, he better thank his lucky stars that when he was going through his overdose on the sidewalk, homie. Homie that walked by and eventually helped him. Recognized who he was, like, had to pick his head up, turn him over to see. And had to run the Wikipedia page, huh?

[E]

And hadn't read his Wikipedia page.

[A]

Yeah, but I'm saying once he learned that was Andy Dick. He went into like prime action trying to save him. Them two crackheads that was with Andy didn't know what to do. Which is one of my worst fears. Just falling out around some. Just around a room of people that don't know what to do or. By yourself. The.

[B]

By yourself I used to think about a lot.

[D]

Yeah. By yourself. Driving.

[A]

Got to. I need the new Life alert. I need the new Life alert.

[E]

I think it's just Apple Watch.

[B]

Yeah.

[A]

I break my foot drying off out the shower.

[B]

It is.

[A]

I need something to alert the people that love me.

[B]

That tap you. Yo, you look like you fell. You good? Tap this button or else. Or else we going to let all your emergency contacts know. And the police. I'm fine. I'm fine.

[A]

Do the Philippes come with that? The paddocks. I knew this was going on.

[E]

Some rich bullshit.

[D]

I'll be rich reading this.

[A]

He looked up, they're like, we need a. Yeah, they make that and Rolex size moment. Hey, Apple Watch is not a cheap watch either. No, it's not a cheap watch. It's not a cheap watch.

[E]

It's not the cheapest.

[D]

The.

[A]

These kids ain't getting me no more. I want an Apple Watch.

[B]

Get them an SE they'll be fine.

[A]

Se.

[B]

That's like the base, the basic level Apple watch. They got four watches.

[E]

It's like the pink.

[B]

No, no, no.

[E]

It's just.

[B]

It's just. It's the base. Base model they ain't getting.

[A]

I'm taking these kids to see Zootopia and we going to call. Call it a day. Got to go buy my mother. I'm joking. I'm joking. I'm joking. Andy Dick, you man.

[E]

Yeah. Andy Dick.

[A]

I had no idea.

[B]

I didn't know that Yeah, I didn't.

[E]

Know all that is.

[B]

That's nuts.

[A]

I had absolutely no idea.

[E]

Laundry list boy.

[A]

What else, what else, what else? What else here is in important. None of it is really important. I got some white girls on a podcast talking about how taking the doggy bag on your first date is a red flag. Huh? Like to hear it here? Yes, please.

[C]

And I was like, that's a red flag for me.

[A]

Leftover. Taking the leftovers on your first date. On your first date with someone. Leave the food. Leave the food. I have to agree. No way. All right. The fuck? Well, who wanted to take the food, you or her? Her.

[B]

We both didn't want it to go.

[A]

To waste, so I was like, do you want it? And she was like, no. And I was like, all right, I guess I'll take it.

[B]

So I took it. That's different.

[A]

There were two. Two separate packages, right? Lauren, can you tell us why? Taking the food.

[B]

No.

[A]

Yeah, I'd love to hear this.

[C]

An ick.

[A]

It has something to do for me, like, financially. I think that leftovers. When you take leftovers, it's when you're, like, in a relationship as a first date, you just eat whatever you want. And if there's a leftovers, you can leave them there, and then you can.

[C]

Go your separate ways. She's tripping.

[B]

Get the out of here.

[E]

The only thing I will say where we at the leftovers on the date is it does kind of imply we're not doing much after this. You don't want to go to the club or the hookah lounge or wherever else carrying a doggy bag. Okay, that's weird. That's the one. I could get that.

[A]

Where we at?

[B]

That's important.

[E]

That is important. And what did you eat?

[A]

Well, where do you normally go on your first date?

[E]

Let's get to that.

[B]

All right, so we have Red Lobster guy. I need my glasses.

[A]

I need my glasses. So it seems like. It seems like the room is against the young lady.

[D]

Yes, they are.

[E]

It depends.

[C]

I don't know. But if I.

[A]

Yes, I totally agree with her. I agree with her.

[D]

I bet y' all do.

[A]

I couldn't agree with her more.

[B]

I agree with her.

[C]

I don't necessarily agree with her, but that. That he did is gross. If we out to eat and you eat all this, suck your whole plate up, and I ain't finished my Alfredo, and I leave, and then you say, oh, r. Push up for me. And I've had that happen to me before where, like, every day. I dated a guy before where every Time I didn't finish my food, he brung his fork to my plate and ate it. Like that was like, his job.

[E]

Hold up.

[C]

Like a garbage disposal. Like, he was just hang. Let me. Oh, you ain't gonna. Oh, let me get down.

[B]

You're like.

[A]

Life is like the girl version of what your life like. Yeah, it's real. Yo, I ain't going. I'm not going to hold you. Yo, your stories and childhood, and I'm.

[C]

About to stop sharing.

[A]

Oh, man. No, please. Never stop sharing, because I'm tired of.

[C]

Being judged for it.

[A]

Oh, man, you done dated a lot of them Wednesday.

[B]

That was crazy, though.

[C]

What your life like is crazy, Joe.

[D]

She dated them first through the 15th.

[A]

Oh, Mona, you got money. Damona, you my nigga. You got money now.

[C]

Know me.

[A]

You ain't got to.

[C]

First of all, I ain't got no money. First of all, I ain't got no money. You got the money. You got the money? You got the money. First of all. Second of all, they exaggerate so much. I live a soft girl life, and my life is not like, what your life? Like, that's crazy.

[D]

So crazy now.

[C]

But I will poke you the up.

[E]

So there we go.

[A]

Okay, so if we're on a first date and I'm not talking about ice, is Red Lobster first date. I'm joking.

[E]

Tap on these.

[B]

Yeah.

[A]

Please, if we on a first date, act like you've been here before, even if that means that you have to eat before you come. Whatever has to happen for you to not look like some raggedy hungry, starving. You ever have a first date with a chick that was really hungry? It's not cute. Cute.

[C]

Don't go to the restaurant hungry, ladies.

[A]

It ain't cute.

[C]

Just don't go to the restaurant hungry.

[E]

No, like, hungry usually means, like, hungry when you're. You haven't fed your dogs or cats.

[A]

She didn't eat all day. She ate all the bread for the appetizer. Yeah, it don't be attractive. Dog, we out here to talk, catch a vibe, pick it, order what you want. But the second you get on something, yo, I'm taking this home to my kids. Or I'm taking this for tomorrow.

[B]

You.

[A]

You look starving. Don't look cute on it.

[E]

No, it's also delicate balance because you don't want to go out with a girl and she don't eat nothing.

[A]

Yeah, that's weird, too, because you don't.

[C]

Want her to eat and you don't want her to take it home.

[A]

I didn't say I Don't want her to eat. I don't want her to be starving on a first date.

[C]

No, you said hard hungry. Yeah, she can't even be hungry.

[D]

Different levels.

[A]

No, you could be hungry. We're gonna eat and have a good time. But.

[C]

But I don't. I don't eat on the first date, though. I don't. I pick at it like I. I purpose. I'm not eating food in front of you. We have to before I really eat in front of you.

[D]

All right, so let me ask you.

[C]

Why that's most girls I'm not eating.

[D]

You get a doggy bag.

[B]

That's not most girls.

[D]

Let me ask you why, though.

[E]

The doggy bag means the night's over.

[A]

A doggy bag means we not even leaving looking cool.

[D]

That's not true.

[A]

The check was paid already. We supposed to grab our coats, hold hands, boogie up out of here. Yeah, now we gotta wait for homie to bring the out. Now we carrying it out.

[C]

Rich don't care that you're not bringing the food home. Riding it in overtime to get you that steak meal is pissed that you ain't take that filet home. Anyone should do anyone for his dog. Like, in real life, people save up money to take this cute on a date. It's like I took you to Ruth Chris and you gonna leave this stuffed chicken.

[E]

Better not be no bone in my flesh. But carry on.

[C]

Like, I don't know. I don't know if anything, if I took food home, it was because I didn't want to make him feel like I was wasting it because I'm not touching it while we sitting here. For me, that's what I've always.

[B]

You don't eat on a date at all?

[C]

Like, really? No, I've never sat.

[B]

I take the hungry girl over that.

[C]

And that's the thing. That's what I experienced when n be like, oh, eat, eat, eat. And I'm like, what type of kinky shit you into? Paying fancy girls.

[B]

Nasty, bro.

[D]

I mean, they are greedy. Not nasty. Not nasty. I meant to say girls are greedy. So most I like when a girl eat too. Yeah, I like for you to eat, cuz I know it's coming sooner or later. You don't got to hide yourself.

[A]

I want the real you.

[C]

But don't bring. Don't. She can't take leftovers.

[B]

And I just don't say it for the dude.

[D]

Like, I'm not trying to be funny for the dude.

[C]

What he did was gross. That's the.

[A]

That was.

[B]

That was.

[A]

That's violation.

[C]

She take leftovers.

[A]

Doggy bag mean that I'm not after we leave.

[B]

No, it don't.

[E]

Yes, it does.

[A]

I'm not nobody. Who left a doggy bag in the trunk?

[D]

The trunk, bro.

[C]

That bitch heat up that food at your house.

[A]

I'm not going to her house. She could come.

[C]

She will heat that food up a million.

[B]

Put that right in house.

[A]

In whose house?

[C]

Yours.

[A]

Oh, okay. Y' all can carry.

[C]

You can't use your microwave, you bougie.

[A]

No, she can't use the microwave to heat up the doggy bag. That she just.

[B]

What the are y' all talking about?

[C]

So, like, you are really up to hair. God damn. Baby, you got to come back. I'm going take you to Chili's. You need to.

[A]

No, you're not.

[C]

We going to Chili's.

[A]

No, I'm a chill. I'mma chill.

[D]

I'm cool.

[C]

Going to Chili's, and we going.

[A]

That's also why I'm out. I'm out the dating Game because I don't know if I could adhere to Cory going through now. I don't know if I could adhere to whatever the new 2026 is. Is like.

[D]

Yeah, look, it's a bad thing. It goes back to what we were saying before. It shouldn't be.

[A]

Do you have a job? Go ahead. Are we talking about somebody that works?

[D]

Yeah.

[B]

Look at your face. I'm disgusting.

[A]

Do she have in the fridge? But this is on brand. Okay, I ain't mad at you. You go ahead. Yo, dog.

[D]

It should not be a bad thing. Certain things shouldn't be a bad thing, but they definitely do paint a certain picture. So when they first said it, guess.

[B]

Who I looked at?

[D]

Corey.

[A]

Cause Corey said poor. She's poor. If she's taking a dog on a birthday, you can assume that.

[D]

But some people are poor out here, Joe. Everybody ain't doing it like that. You know what I mean? She just might have a nice little.

[A]

Job if you poor. Take the food. Text Sally Strother. Tell her you sent her some, too for the kids out there.

[B]

Oh, my God. Don't text me.

[D]

Holy.

[C]

Is that a deal breaker? Leftovers?

[A]

Like you're not calling her back on a first date. Yeah, that will never. Yeah, no, I might call again. We won't go out to eat. We go to the billiards. We gonna go somewhere where they don't have bowling. Come on. Take these chicken fingers and fries.

[C]

Y' all are crazy.

[B]

Yeah, y' all get it, though.

[C]

Get it, too. But I don't know.

[B]

First date yeah, yeah. First.

[D]

Now, you could be with your girl and your girl like, yo, I'm. I wrap that up now.

[A]

If you with your girl, order everything for the rest of the week. Meal prepping, that leave with the whole Brooklyn chop house. Come on, y' all got the whole menu memorized. The way to know your name, they know your favorite. Hey, bag that. Put the fried rice. Put that crab fried rice in the bag. I'm putting that in the air fryer tomorrow. If it's leftover steak, you know it's steak and eggs in the morning. If you're with somebody you can got a rapport with. You know how you do the leftover game. I'm only talking about first date. Have some decorum. Bag nasty.

[B]

Bag that up on the. They talking about you, cuz.

[A]

Could you. How clean you think a chick is? Who take a doggy back on the first date?

[C]

Joe, please. Joe, get the out.

[A]

I'm having a real conversation.

[C]

Joe, please.

[A]

I'm having a real conversation with you.

[C]

Crazy, bro.

[A]

How clean do you think the chick is that takes a doggy bag on the first date?

[B]

Please make that correlation for me. I'm trying. I ain't there yet.

[D]

I'm trying.

[A]

Hey, where is she?

[C]

Not washing cat. If she's a little something for little.

[A]

I don't think so.

[C]

She ain't got a cooking night when she get him from the sitter.

[A]

Your fridge ain't prepped. That ain't prepped. You know how I feel about preparation and planning. If you here looking hungry on the date, I can imagine how you look while I'm mounted on top of you. Sorry. Salute. Man, crazy.

[E]

I don't look at it as a poor thing. I've said my piece.

[A]

You can't trust the. That's taking a doggy back to have shaved it the right way. Shaved her leg, shaved her underarm, do all the pretty, pretty cutesy aman. You know what I'm saying? The pretty cutesy girl head done manicure. The chick that's taking the doggy back is not laser. That's the point that I'm trying to say. She's not laser. Yeah.

[B]

She might not be lazy.

[D]

Yo, she could be laser. She might not laser again, I'm not. I don't think it's her wax girl.

[B]

Out of town, so I don't think I slide for the first date.

[D]

I'm telling you right now.

[B]

I don't think I get it all.

[D]

I already knew.

[B]

I looked at Corey like. He's like, y' all are bougie Bag it up, Ma. It's all good.

[A]

Now. Let me ask you something. You don't think there should be a phase in your life where you try to be bougie?

[C]

Yes, I do.

[A]

Honest question.

[C]

I'd make jokes about it, but I think it's good.

[B]

But not about everything. I think that shit come and go. Like certain things yes and certain things no. Like, I'm not going to be bougie if you take a doggy back on the first date. I'm not. I'm not doing that.

[A]

What are you going to be bougie with?

[B]

I'll be bougie with other things.

[A]

And when you going to start?

[B]

I am bougie with certain things.

[C]

Oh, you definitely are.

[B]

Yeah, I'm very bougie with certain things.

[A]

Okay.

[C]

I think it's a good thing, especially if, you know, you want more out of life. It's almost like manifesting part of leveling up. It's like you attracting it or you just already tricking your mind and this is how we gonna live.

[A]

But certain shit just.

[D]

I agree with that.

[C]

You know what I mean? Like, you. You bring it to yourself. And I feel like black people, especially urban people, they think, like, they shy away from certain things. That's why I love that, like, so many black women, young black women, are all about self care. And now because it's like, yeah, it's good to spend some money on your facial products and your cosmetics, to spend an hour on your skin. You know what I mean? It don't matter if you live in the projects in that bedroom. Little girl get you some wallpaper.

[A]

Yeah, but wear the faja as long as you supposed to wear it. But before that fibrosis start popping out of there and you looking all stupid. Do all of the after work. You can't just go get the serious. You can't just go, what's wrong? Because they go there.

[C]

It's me. Like, I'm the only crazy one. I'm tired of it.

[D]

No, it's me.

[C]

This is the crazy couch.

[E]

No, it's him.

[C]

You ever heard of big comfy couch? It's the big crazy couch.

[A]

Bitch will tell you to your face, yo, going to Columbia, going to get the full package. Done. Be back in two weeks. Two weeks and two days. She back at work. Bitch, you're doing the wrong thing.

[D]

You are.

[A]

You should not be seen for a little while.

[B]

Yeah, Joe, but they gotta get. They gotta recoup.

[C]

And you can't get off.

[B]

But too much time off, my nigga.

[A]

I walk up to Chicken starlets the other day and was like, do you have ribs?

[B]

She took two out.

[A]

I wasn't sure.

[B]

She took two out.

[D]

Took some out.

[A]

No, she said, you got them.

[B]

Yeah, that's the achievement.

[A]

But that's the conversation now.

[C]

It's like, you gotta be to work, eat somebody. You go back to work after two weeks and two days. What if you got a pod every Friday and you always wanted a tummy tuck dog and now the surgeon's reaching out cause you on a big podcast. You can't get a Friday off.

[A]

You can get a Friday off to get the tummy tuck.

[C]

Need six.

[A]

Six Fridays. You crazy? You just got the job. I got to go back to work.

[C]

Early and I got to be sitting here doing one of these. Can you see the blood through my shirt? I'm good, right? I'm good. You think I'm falling asleep now when I'm losing liters of blood?

[A]

Not on this white couch. Not on this white couch.

[D]

Yo, your blood, I need it.

[A]

Bleed on the floor.

[C]

I need it.

[D]

Oh, man, that's crazy.

[C]

We'll chat about it later, Joey.

[A]

For those of you that care, Beyonce is set to make her return to the met gala in 2026. Let me hit the round of applause, cuz. It is a big deal, isn't she?

[E]

She's the co. She's the curator or whatever, right?

[B]

Co chair or something.

[A]

She is serving as co chair alongside Nicole Kidman and Venus Williams for the costume art exhibition. Making her first appearance in a decade. Over a decade.

[B]

You know, she about to go up.

[D]

Oh, yeah, yeah, yeah.

[A]

Congratulations.

[D]

Last year the theme was fire. I forgot what the theme was.

[C]

Dandy was for us.

[A]

Last year was super, super black. That was our.

[C]

That was lit.

[A]

This year, costume art should be fire. Costume art at the Met Gala should be fire.

[B]

You know, Beyonce done been on her black, so.

[D]

Yeah, yeah.

[A]

Tiana crushed it last year with cost with costume. Her out with Alfred. Outfit was from movie costume people. So I anticipate her killing again and then just.

[B]

It'll be nice to see they worked on right now. Oh, for sure.

[A]

Yeah. Before now.

[D]

Once the theme come out, it's up.

[C]

That's a bucket list.

[D]

The theme come out, it's up.

[B]

A bucket list thing Like a bucket.

[C]

List thing like the girl for you back, Allen. Yeah, for sure.

[D]

Who going to tell you going to kill. You going body that shit.

[A]

My nigga. Manifestation.

[B]

See, that's right.

[E]

We with you.

[A]

I'm with you. So nobody.

[E]

What theme I don't know would you.

[B]

Want if you could Pick the theme. What would you want it to be?

[A]

Something ghetto 90s hip hop or just the new black? Or just the new 90s hip hop?

[D]

You have some bamboo earrings on.

[A]

Or you could start like Fed gala. Yeah, like for peep jailbirds. I would tell you something, but I'm not for jailbirds.

[C]

You don't know my story.

[E]

I would actually like to hear this story because I have a feeling that she did it. Fed gal.

[C]

I'm being honored at the Love lockdown something or other in Philadelphia this year.

[E]

The what now?

[C]

It's Fed Gala. That's exactly what it is. And I'm being honored.

[B]

What you gonna wear?

[C]

A gown.

[E]

Orange.

[D]

What's that? Them.

[C]

I hate them. I know. I said last week how I love it here so much. I was triple. Yeah.

[A]

You going to come in here?

[C]

I don't like it here.

[A]

Oh, man. Love lockdown in. In Philly.

[C]

Stop. Just stop right now before you even get all into it and crush this lady's event. Just stop.

[A]

Oh, no, I'm not going to say nothing.

[B]

I'm done.

[A]

I'm done. I'm.

[C]

Listen, it's my girl. S. She also did an event where they did. They battled chefs. So, like jail food from the feds and jail food from the state.

[A]

Who won? Beanie Singles.

[E]

Who won?

[C]

I don't. Oh, the feds. I think the feds won. Yeah, the feds. Because they get better food.

[A]

The commercial.

[C]

Corey laughing, but he sees them.

[B]

Where can I watch this?

[C]

I. You know what?

[B]

Please send it to me.

[C]

I'll give you the website.

[A]

Thank you.

[C]

Not everybody here.

[D]

They got tickets. They got tickets on event.

[A]

It's on the website.

[C]

I'm gonna send you some tickets so you could come.

[D]

It's this month.

[C]

Did you look it up? How the fuck do you know? Shout out to my girl. Sigh. Get your tickets. I don't know what's so funny.

[B]

Nah, nah, this is dope. Nah, we can't.

[C]

It's very dope.

[A]

We can't do this. It's dope. Shout out.

[B]

I read the description.

[E]

Read the description, man.

[D]

Annual event honoring men and women who were formerly incarcerated and returned to society and made amazing changes in the community.

[C]

FAT gala.

[A]

See, that is where you need to be.

[B]

That's.

[A]

That's true.

[B]

That's fine.

[A]

That's dope.

[B]

I can't.

[A]

That's dope.

[B]

What award are you getting?

[C]

Huh?

[E]

What's your. What's your life like award?

[A]

What you like? The Mona gonna be in there sucking dick. Y' all got Demona up. Damona Gonna be in there going ham on some.

[C]

That is a lie.

[A]

Offering dreams to some jailbird. Listen, when you get out of here, I got you.

[C]

I don't like when he do my voice, cuz I don't sound like that.

[A]

Oh, man. Mona be the one to help one of escape.

[E]

I didn't like that in Mayor Kingstown. That escape was not dramatic enough.

[B]

Super trash. Oh, yeah.

[D]

You ain't seen Mad Kingston?

[B]

I had to think for a second. What episode y' all on?

[E]

The one that just came out.

[B]

The one that just came out last. Last week.

[A]

I saw that one who escaped.

[E]

The Nazi dude.

[A]

Oh, yeah. In the back with the food truck. Yeah, that was corny.

[E]

Well, I get out of here when I want to get out of here and just left. It's like, yeah, yeah.

[A]

You see the cops checking the truck? They don't check that.

[D]

That he a genius, though.

[A]

Who?

[D]

Callahan.

[A]

Where's he going?

[D]

See Mike.

[B]

You said I'm gonna see him.

[A]

I got a lot of people dying in Mayor Kingstown. We getting to two episodes left. I hope they don't do that where they show you episode nine and then take. Take a week off. Yeah, I hate it. I didn't really do that.

[B]

They'd be good with the Paramount. Don't do that. It'd be the other network, but yeah, that is annoying.

[A]

All right. I hope.

[D]

I hope not.

[A]

Yeah, we gonna see Shout out to Mike and Shout out to my morning word.

[D]

No doubt.

[C]

I'm in Connecticut.

[A]

Go up there with your head. No, no, the promo part is done with you. No, no, we. We done with your. It's over now. It's over. We done shouted out enough of your chose. You done you. I'll put this pillow over me.

[B]

You going sm.

[E]

They appear to be on schedule for regular.

[A]

Okay, great, great, great, good. Let's see what else? What else? What else is important, Unimportant. We did Andy Dick. We did Beyonce. We did doggy bags. Cam Newton. You gonna keep running from that Game and Kendrick.

[B]

What's that a run from?

[A]

Well, I mean, last week you said, yo.

[B]

I said, yo, I think game is dissing. I said, no, I said, we talked about games project. We didn't cover any of the disses. And when I said that, it was, nah, I don't. A couple people was like, nah, I don't think he's dissing because he's shouting. He's also shouting Kendrick out on the album, which I say, that's a game move, though. Game will diss you and shout you out and Shout you out. I think that's his way of saying it's just hip hop.

[E]

Okay.

[B]

Like, I'm not. I don't got no beef with you.

[A]

Right.

[B]

Game is ultra competitive in this hip hop shit. He truly believes he is one of the best.

[A]

You should.

[B]

He's a rapper. I believe he is one of the best. So. And I like when people that believe that act on it. And I do think that there's some. You know, when. When the pop out happened, everybody was old, you know, the entire la. Was there no game. The. The super bowl show.

[E]

Super bowl show.

[A]

Yeah.

[B]

No game. So I. I do think he feels a little bit of like a chip on his shoulders, stepchild syndrome. And now I see all this love Kendrick is getting, and Kendrick is put up as the best rapper, and it's.

[A]

Like, oh, oh, oh.

[B]

I believe I rap better than where.

[D]

The fuck I've been for the last.

[B]

Yeah, I made west coast rappers cool again.

[E]

Yeah.

[G]

I mean, he did.

[E]

He can take credit for that.

[C]

He did.

[B]

He did.

[E]

He could say that.

[B]

It's clear he did. I don't think you can debate that.

[A]

Oh, I wasn't debating that. So I'm just talking about how you look, look when you constantly. It's been a few years now with the. I'm the best rapper from the West. It's been a few years of there seemingly being something between him and Kendrick. During the whole Kendrick Drake beef. He had some questionable moves.

[D]

He was with Drake.

[A]

You know, he's got a record with Drake.

[D]

They had a business together or some.

[E]

I think too, it may be true.

[D]

Yeah. They take personally.

[A]

I don't know. All I'm saying is it looks away.

[B]

On Game and I mean, and you.

[A]

Rap good enough to where, you know, you don't need to do all that. I'm the best rapper from Compton.

[D]

That's not true.

[B]

If I keep getting overlooked and y' all are intentionally not mentioning me because the people that don't mention Game, it ain't because of his rapping ability. It's because of the other shit. It's always because of, you know, the antics and these things he gets overlooked.

[C]

Not. Not.

[B]

Not just because. Pen to paper. Cause when. If you just looking at them for that, you can't overlook them.

[A]

Is Game a better rapper than Kendrick?

[B]

That conversation came up. I have Game as the best out of Compton. So, yes, better rapper. Yes. Better artist. No, just. Just rapping. Bar for Bar. Absolutely.

[A]

I think Game can rap with anybody in the world. I just think it's tough to discard Discard artistry.

[B]

That's why it depends on what conversation we having. You can be a great rapper and not as great of an artist.

[A]

I agree with that.

[B]

And I think Game is a top tier rapper.

[A]

I pulled up the Game Meek Diss over Young and May last week. It's harder now. It was hard then, why now? It was hard then, hearing it now. It aged. Not so much what he's saying about Meek, but just his voice on that beat talking that LA Philly shit. It was a good listen.

[B]

So you know what I go to.

[A]

I pulled up Meek too, dissing Game. They were good disses exchanged in that beef that might have got overlooked during.

[B]

The time when Tyga was dissing Durk. They was going through it and Game just jumped in out of nowhere, literally, because he said, I just jumped in the middle of beef. Cause I don't like nobody. And you dissing a nigga from the West, I'mma diss you. It was over to Chirac beat, one of one of the more harder beats in the last however many years, and he smoked that record. It gets overlooked again because it's like your game. Nobody was talking to you. Why are you in this Beef? Like, he goes out of his way to remind y' all that, yo, I do this and I will rap against any of you niggas. When he was dissing Ross, like, Game will just jump out the window and diss anybody. Because I can rap. And if any of you want to rap with me, let's go.

[E]

And he makes great albums, too. I don't want to leave this Amazing. He's just a good rapper.

[B]

His disc, I. I have his. He has a top 5, 6 discography in hip hop. In my opinion, overall, just counting discography, every project you've made, Games discography is up there.

[E]

I love that new tape.

[A]

I still don't have it.

[E]

For real.

[A]

I still don't have it.

[E]

You.

[A]

You enjoy it. I still don't have it.

[B]

I don't miss a game. My album.

[C]

Did you hear me on it? Did you hear me on his album? Not the last one, the one before that.

[B]

Born not born a rap.

[C]

He. It's me and Prodigy on the same song. It's called what we Not Going to do.

[B]

I realize that you.

[A]

You had it coming. Yeah, you had it coming your way.

[C]

Y.

[A]

How'd you feel about Was cool.

[C]

He don't pay for features. This Game always been a Game Game fan. Like, I'm not telling Game. No, it's Game. You know, I loved his first album. First Two, three. First album, first like, you know, I fell off after that. I ain't gonna lie. I felt like. Even when you compare them, I feel like Younger Game compared to Kendrick. I could see where you're going. But right now, Game compared to Kendrick, to me, Kendrick is just a better guy.

[B]

I think Kendrick is one of the best artists we have in hip hop. But if I'm just talking rap, what do the ability to rap about?

[D]

Anything.

[B]

Whether we doing a diss record, whether we doing a club record, whatever we doing, Game can do it. You can put me on a track with anybody. I can rap with them. I can rap with their style. I can rap with my own style.

[E]

Except who I said, so can Kendrick.

[B]

I'm just saying, I think Game just does it better.

[E]

Okay.

[B]

And does it more often. Kendrick has the luxury of not dropping as much.

[E]

Okay.

[A]

I just got a Game caper on.

[E]

Yeah, not bad.

[A]

The game is my man. But you got a game.

[B]

No, it's not a cape. I'm literally explaining.

[A]

You look like a Hayden. Not you. You look like a hating ass. To continue to say I'm better than a person who just put up arguably one of the best years you've ever seen in hip hop. There's no way to spin it, cuz.

[B]

I'm saying he could be.

[A]

He could be a great rapper. He could be one of the best from the West Coast. If you constantly say, he's not saying I'm the best rapper, he's saying I'm the best rapper from comp. You know what you're doing. You know how it looks.

[D]

Yeah, I think he's.

[B]

And he.

[A]

With all that. He's with all that.

[B]

And I think he's hating on Kendrick, but I still think what he believes, it still can be factual.

[D]

Let me ask you a question. Right?

[B]

But yeah, I'm a hate.

[D]

Have you played for the Knicks? And you dragging Rick Brunson every day in practice. But don't nobody know Jalen or Rick. I mean, Jalen, I'm sorry, you dragging Jalen Brunson every day in practice. You him, when you get. You do your thing. Like even when you get in. In the garbage minutes, or let's say God forbid, Jalen Brunson gets hurt. You get in, you put up hella numbers, but back to the bench you go. When he comes back, there's gonna be some animosity there because you keep getting overlooked for playing time. So now the only way I could come out and say, yo, look at us. I want the world to look at Us is for me to do this intentional shit where I'm saying, yo, I'm the best rapper from Compton.

[B]

Now who y' all gonna pick me up again?

[D]

Now y' all gonna go say, yo, you know Kendrick from Compton, right? Yeah, I know I'm the best rapper from Compton. And y' all keep overlooking me. He basically is marketing himself in all of these interviews for free.

[B]

And not just that I'm gonna use you as a rapper. There was a rapper. I'm not gonna say his name, of course, but there was one of them ones that you said, I want him. If he ever jump out, I want him. You know what I'm talking about.

[D]

We all know.

[A]

I said it a lot, but I think.

[B]

But you know who I'm talking about.

[D]

You know what you're talking about.

[B]

In particular, the reason was because. Because he ain't as nice as y' all think he is. It was. You was. You didn't like the fact that you know your pin. And everybody keeps saying he's here. That nigga ain't nicer than me. So when he jump out, I'm gonna make an example out of him. I could see Kendrick on that same type of time.

[A]

Game, you mean?

[B]

Yeah, excuse me. I can see game on that same type of time. Y' all keep saying this nigga is the king of Compton, the king of la, the king of California. All of this right here. I rap better than him.

[A]

I got all of that. We being repetitive, I understand. I'm only talking about how it looks had I come out and said, yo, I'm waiting like Lil Khalif in the. In the bushes for this rapper to come out, cuz he's not what y' all think. And I'm gonna prove it. I could be saying some true shit. I'm also gonna come off like, yeah, and.

[D]

And I might be baiting him, cuz what's more hip hop? And I might be baiting them to come.

[B]

What's more.

[C]

What's more Hip hop, Bob, than saying you're the best and claiming your hood at the same time? That's just rap. You know what I mean? We are being repetitive.

[A]

But I do. I do agree with that. Every rapper should always say they did it best.

[B]

Yeah.

[C]

And we. And we're very territorial, you know, I mean, we claim blocks we don't own. That's what we do. Neighborhoods that we have no stock in. That's what we do. So if I'm from Compton, I'm gonna say that best. But I feel like he always gives that fomo, you know, some people just have fomo. The guy that always writes no invite on the picture. When it's a group picture, he's not. And he always gives that. Like he being left out.

[A]

I'm gonna keep y' all updated all the time on what that little freaky doordash girl is up to. She said she had a first court appearance. She had a first court appearance.

[C]

I was so wrong about that.

[A]

Like that. Yeah.

[B]

To record the proceedings.

[E]

The first look at the Oswego City.

[A]

Judge allowing News Channel 9 to record the proceedings.

[E]

The first look at 23 year old Alex Olivia Henderson outside her popular Tick Tock page.

[B]

Their front door was wide open and.

[A]

They were within eyesight of the front.

[C]

Door, laying on the couch indecently exposed to me.

[A]

This is her last post, published Oct.

[B]

26, two weeks after her now deleted video, causing this controversy. Working as a driver for delivery service.

[A]

Doordash, Henderson claimed she was dropping off.

[E]

A food order, Went through the customer.

[B]

Store, saw him on the couch naked.

[A]

Come on air, boy. Dude, enough of you. Anyway, she had a first court appearance. She requested no cameras, and the judge gave her a hard time. The judge is like, oh, now you don't want cameras?

[D]

Oh, that's funny.

[C]

She is so funny.

[A]

I hate people to do like that.

[C]

Yeah.

[A]

Anyway, the. The. The. The court found that there was a reasonable expectation of the gentleman who passed out drunk on his couch to be asleep at home. Not so much of a reasonable explanation for you pulling out a camera taping, pushing the door inside his home. Yeah. This girl is nuts. I'm just gonna keep y' all posted on what happens with that court date. Damn. I wanted to tell y' all too, about what happened with Homeboy. I'm glad they got him. Homeboy that shot the jets player outside of say Less. Oh, yeah, yeah, they got him.

[B]

They got him.

[A]

No bells. Hell, they got him, huh?

[B]

He was. He ran upstate. Yeah, they got him, though.

[D]

Really? Yeah.

[A]

See, we got all this. Don't snitch. Don't be a rat. I'd be real happy sometimes when some of these get caught. Sorry. Just. Just in my. Just an adulthood. Well, 21 Savage in his interview with Big.

[B]

Big Bank.

[A]

With my man. With my man Big Bank. Shout out to Big Bank. You're doing a tremendous job. You are doing an actual, absolute tremendous job. Big fan of what you're doing. He knows that. I told him. But in the 21 Savage interview with Big bank, he's saying that it's not only the street niggas that have to. Have to go by the don't rap rules and don't snitch. He said if you're a police. If you're a police officer, do they snitch on each other?

[C]

No, they don't.

[A]

They don't. He said, if you and me are.

[B]

Partners, they gang members too.

[D]

They gang.

[B]

It's a gang. It's a gang. It's the same.

[A]

Same. It's the same shit.

[D]

Pac been calling niggas a gang for 30 years.

[B]

They wear colors, they got ops like they are and they roll together as one in la.

[C]

It's a gang of sheriffs for facts. They have matching tattoos. That's a known thing. Where's Mark?

[A]

Listen, homie, that homie that is gonna be in the club with you, start a fight with you, wait for you to leave, pull his shiesty out of his pocket, leave cover his face mask up, and then try to shoot you while you on the ground around. Yeah, I want him in jail.

[C]

Damn.

[A]

I want him in jail. Sorry. Think about me, what you want. Speaking of jail, Pooh Shiesty first day out.

[B]

Yeah, man, this sounded great to hear.

[A]

You on the side for.

[B]

Show ass in here.

[A]

The is you over there eating now. Later.

[G]

Hey, fdo ftl, first day out the jail I said sauce these forms I just got out the bunk bed 3 million cans can't fit in my hand Then sit some on my head.

[A]

I'm.

[G]

Fresh from out the fish I'm out the F, baby come put that on me Turn this in a script club ran out of one Start throwing honey I can't fumble the whole world been waiting on that knife all the way to R D gave it to my little homie ain't no more move pasta Mr. Go and I kiss Justin just couple ho jumped off my bed majority waited on me she didn't act your faithful to you till I get home Trust me, homie I might do a demonstration off GP I ain't shot nothing in like four years. I ain't sent the hit in three. Go to your head ain't no bad as slam as me I'm the one from around the corner where they Snake Mar Luther King.

[A]

Dog song is fire amazing.

[B]

Like if you're a fan of his, this is exactly what you want.

[A]

Yeah, it's one of my favorite first day outs I ever heard.

[B]

I wouldn't say that.

[A]

It's up there with mine. I'm talking about mine.

[B]

Y' all can talk about yours. I said, I'm saying I wouldn't say that. You could say it.

[A]

I'm gonna ask you what you would say.

[B]

But I said it, though.

[A]

But what you would say.

[B]

I wouldn't say that, but I'm asking. Oh, it's not up there with First Day Outs. I mean, it is. It's a great record. And it's not First Day Out. You've been home for. For a minute. Like, that changed things.

[A]

Oh, my Lord.

[B]

That changed things.

[E]

It's got to be. Exactly.

[D]

It's just.

[B]

It's just like, bro, First Day out used to mean something. It was. It was a time on that. Name this something else. Name it. I'm back. This is not First Day Out. That changed, bro.

[A]

So First Day out don't count if upon your release, you didn't go to the studio, lay it, and put it out out.

[B]

It ain't got to be the first day. But First Day out was coming out. First three days, first week, something like that, not a month and some change later. That's not First Day Out.

[A]

But this is our first time hearing him since he's been out.

[B]

I get it. Name it something else. Yo.

[A]

Used to carry self with dignity when they used to be.

[B]

We used to be a proper country.

[A]

Go to the studio for real again. All that.

[B]

All that. That's just miniature picking on. But I love this. I have people all in my mention saying, yo, you already walked that shit. You said back. No, I said he'd be rapping, which he is. I knew he would do this. I still think that hip hop is past this sound. I don't think the labels are gonna push this. I don't think this is like when Back In Blood dropped. It was everywhere. You couldn't escape that.

[A]

The Blood song.

[B]

The song.

[A]

Both.

[E]

Both.

[A]

Both. Actually.

[B]

Both.

[C]

Both.

[B]

But, yeah, I don't. I don't see. That's like just the industry turn the radio on. The industry has moved past that type of sound. It's just not promoted. It's not pushed as much anymore. So I don't think it will be as successful as it would have before.

[A]

And that's why I said what I said about Nas and Pre, because who cares, right? Like, if that's what you do and that's what you mean make, then go find a way where there's a will who care? The label ain't pushing it. Who cares if the fans are past it? I was gone. Now I'm back, here it is. And I argue that the sound ain't dead. The that was just ill at. The sound is locked up or dead.

[B]

Or dead is 3 million on this sound. I guess the. The top tier ain't doing it no more. But there's something that's been out. The sound ain't been pushed the same though.

[D]

Them gone.

[A]

Dang.

[F]

He.

[D]

That's true.

[B]

All right.

[A]

He is. Okay. And he was one of the. One of the.

[B]

Absolutely. You know.

[D]

I know.

[A]

Like he's been up for however many years. He should have a notebook full of these and a clear Runway. True.

[D]

That's true.

[A]

And an open lane. I don't give a fuck what the fans is doing tonight. This. If this come on tonight, I'mma be in a good mood. I miss this.

[B]

I love this.

[A]

I think this had has. I don't want to say Back and Blood energy, cuz Back and Blood was different. But this ain't far. It sound like give him a few more tries at the plate and. And something is coming.

[B]

Absolutely.

[D]

Again, like I keep saying drop with.

[C]

Big 30 too, cuz I love. But I feel like they whole camp took like a L. I feel like Big 30 was affected by him leaving, of course. And then that guy dying. But I don't know. I'm big fans of them. Like, I want to see them better. I feel like they do better together.

[B]

They do.

[C]

Yeah.

[A]

This is great.

[B]

It is. Again, I don't want myself.

[A]

Hope you got some more of these in the talk. I really enjoyed this.

[B]

Speaking of first records out, we finally we. We get Max and French together back. They put a song out today and produced by Dame Grease. And personally, I didn't you hear Max, French, Dame Grease. It takes you. Coke Wave Error. It takes you. You is an expectation set. It's like Nas and Preen. When you say that there's an expectation set before you hear anything.

[E]

Let's not do that.

[B]

No, I'm not comparing the two. I'm telling you that when you hear certain names, there is an expectation.

[E]

Sure.

[B]

Don't matter the level. There's an expectation. That's all I'm trying to say. They put a record out. Make America wavy again. I hate people playing on maga and I think y' all could be much more creative than that. But I sent the record over to you. The came on. At first I'm like, okay, It's a long.

[E]

Sounds like something I can't pull a finger on.

[A]

When you let it go for long, something gotta come. And this is fire. From the bottom. They got crazy. Tell them mama, don't go crazy Make.

[G]

America make it wavy again Let this baby make a trend. It was over. Don't make Me get the b. Me some m stle.

[B]

Me some m. So like I said, it came on amazing. French sounds great. I could. You could hear the acclamation. Max has to get his way back. You can hear he's trying. I compare. It made me think of when you played the Pooh Shiesty record. He sound like he didn't miss a beat pool. They have Max and French have a project dropping and I don't know how to say. Say it.

[E]

Max been rapping over jail phones for the last 16 years. He's not used to the landing at the right time.

[A]

He got.

[E]

You got. You know, I mean.

[B]

Yeah.

[D]

Yeah.

[B]

Thank you.

[A]

Yeah.

[E]

He's a little. A little late or early. Something.

[A]

Yeah. There we go. Well, y' all beat me down. When I said, hey, you came out of jail. Go sit down for a sec. You don't need to be in every club, picking up every bag, on every stage at every arena. Y' all beat me down. But part of sitting down is what y' all are saying. Part of sitting down is just looking around for a second. Get acclimated to the world.

[C]

Yeah.

[A]

You don't have to just be rush to be a commodity again. You're that already. And you built up 17 years of anticipation. You built up to this moment. Take it like we keep talking about Max B. And I would have kept my name pristine till it was time to pop out. He just popping out, which is good. We rooting for him.

[B]

Right.

[A]

Because we love Max.

[D]

And that right there, what that young lady just did. And Frank's doing what's crazy.

[A]

Yeah.

[D]

That would have been the one.

[E]

Yeah.

[A]

Yeah, that's the one.

[D]

That would have been the one.

[A]

You go do that record and. And I'm not saying because I didn't hit a whole record, but you take that and you go make five songs to that. Not to say they didn't, but I'm about to say go make. Go make eight songs to this. Shout out to Max and French. I'll listen to that later. I didn't get around to it.

[E]

Yeah. And Greece.

[A]

Yeah. Yeah. Good to hear from Dame Greece too.

[B]

Yeah.

[A]

Back to this 21 Savage Big Bang interview.

[B]

Yes.

[H]

Some look at Santa. Dad did some. It's to time telling. I don't look at that like telling. If I go on the move with my man and my man don't make it, boy. Everything in his car, everything we just did, he did it.

[A]

You still told on the dead?

[H]

I don't give a. Me neither.

[A]

But I'm just saying, I probably do the same. But you're still told on a dead. So he adapt. Call you a rap for that. They can call what the they want to call.

[H]

Can always say anything.

[A]

But you told on the dead nigga.

[H]

I'm just a rap then.

[B]

At that point.

[A]

These rats.

[E]

Yeah, these rules are very difficult to keep up with.

[B]

That is confusing as a. As a who don't partake. That's confusing.

[E]

Let's go to our resident rat analysis.

[A]

I don't mind.

[B]

Break this down for me, y'.

[A]

All.

[E]

I was talking about is.

[B]

But I'm both of them.

[F]

Both of them.

[C]

I don't know. Years ago, I remember TI came out and said that he told on his partner that died, that they was into something or whatever and dragged him for it. It never really made sense to me. At the end of the day, R is like wrong. Cuz you're cooperating. You making their job easier. Go out and figure it out. Be a detective. But at the same time, the criminal's job is to trick the cop. So if you. If it's a cat and mouse game, right? That's how I look at it.

[B]

You know my opinion.

[C]

If it's a cat and mouse game. And the same way the mouse. The cat's gonna always figure out ways to catch the mouse. The mouse is going to always figure out a new way to dodge the cat. So if you figured out a loophole and you. You know what I mean, who nobody's getting hurt on or hurt by it. I don't think there's anything wrong. But did you commit the crime of ratting and helping the police? Technically, yeah, you did. But you're not a rat by telling.

[D]

On the dead man what you help them do, you.

[B]

You told on somebody else so you could go home. From what the way it was explained to me, that's what ratting is.

[D]

Yeah, but the other person that you told on now has to go sit up.

[B]

Now you're adding before it was you did something and you gave somebody else up so you could go home.

[F]

Yeah, but you're not giving nobody up.

[B]

If they did, you're still giving somebody else up.

[D]

That's not the word. That's your definition.

[A]

No, that's what the will never spend handcuffs.

[B]

Yeah, you know, I'm out of it anyway. I'm not streeting.

[D]

But you know, the implication is, yo, me and Joe go do a crime, I get caught and I tell on Joe. I'm giving Joe up now. Joe has to now go to jail, right? When I was a Little, I was 67 years old. One of my older cousins said, yo, if we go do a crime and I get caught, it don't make no sense. And both of us going to sit in jail. I ain't like I'm a duck my time, right? And that's how it was explained to me. So if Joe did a crime with me, now we both in jail. Nigga, you a rap bastard.

[A]

I'm getting dumber by the hours. What need to happen for us non street people to never have another rat talk?

[D]

You don't have to.

[B]

We don't have to.

[A]

We have it a lot. I'm not saying us.

[D]

I mean, I'm just saying you don't have to.

[E]

I mean, society at large, why, yo.

[D]

You don't have to have it because you not in the street.

[C]

Also, I want to ask you.

[D]

So if you're playing civilian games and you see somebody robbing houses in your neighborhood, that's gonna potentially bring crime to your neighborhood, I'm not mad if you tell on the motherfuckers.

[A]

Well, let me play to me, putting.

[F]

Somebody like, it's no different than putting bills in your dead grandma name or your grand. Okay, like you getting over and it don't hurt nobody.

[D]

Oh, man.

[C]

I want to add something in my.

[F]

Pop name right now.

[C]

The two times and I've been fully.

[A]

Employed.

[C]

The two times that I've seen it in real life, the first thing that made me think of it was whatever. But the per. The person that was arrested for a homicide in their jail fighting it, they don't tell on the person until the person does die. But it didn't work. I've seen it happen twice, and both times where they tried to tell on the dead person, the police didn't buy it anyway. So I feel like in reality they're not going for that either. Oh, oh. Just. Just your luck. It's all Dwayne's. And Dwayne is dead. Especially federal cases. Yeah. So reality, it's just podcast talk. In reality, it's just some sitting around and talk.

[A]

I got another 21 big bank clip with them arguing about what snitching is. Okay, so different. Let me say something. Go ahead.

[C]

Me and you.

[A]

Me and you on the move. Me and you on the move. Yeah.

[B]

All right.

[H]

We robbing a telling. Goddamn, man. Bank, bank, bank and Savage rob me. Them folks snatch me up. They bring me in the room. Yeah, we want to know, did bank rob him? No, hell no, man. Bank was in the bed sleep. I talked to man. I feel I told on you. Did I tell on you, man? No, no, no.

[A]

You kinda did.

[C]

How?

[A]

Cause guess what? What if I ain't said that?

[H]

What you mean?

[A]

I said I was out there at my mama house. You told that I was at another house. I give up. I already have told him, Dale. He'll fuck the whole case up. He got a boy. No, no.

[D]

Don't say nothing that ain't snitchy. Don't say nothing that ain't snitchy.

[A]

Let him finish the clip.

[C]

Thank you.

[H]

You was talking too much, trying to help a. But you ain't trying to hurt a man. Snitching is trying to hurt a. Snitching.

[A]

Is trying to get another. Listen, man.

[H]

Snitching is trying to get another up so you can be unfucked up.

[A]

That's what snitching is.

[D]

Bro, honestly. He is right. 21 is right. Now what 21 should have said is, yo, you seen bank yesterday? Nah.

[C]

Exactly. Clean.

[D]

I don't know what bank was doing. They don't say, yo, he was at his mother house. Don't say he was in the bed. Don't say, yo, he was at his girl house. Yo, bro, I know that'd be like. I don't even know nobody named bank, right?

[F]

Yeah, but it ain't snitching. Everything can't be snitching.

[D]

That's just dumb.

[F]

Like, don't talk to the cops.

[C]

Whether it's snitching or not, you are not supposed to. Whether it's snitching or not, you're not supposed to talk to the people like that. Real street, you're not having a conversation with these. We're not having a going back and forth. And I'mma try to outdo you on that level. That's why you're not supposed to talk to them. That's cooperation. Snitching is snitching. But cooperation is shunned upon in the streets, Period. You're not supposed to cooperate even with the feds. And the feds, they have something called 115k. One, that's the acceptance and responsibility. Everybody that pleads out have one. You still be in there arguing about the 115 one that everybody took. Cuz people plead out. You know what I mean? People still look at it like it's cooperation.

[F]

Some people see pleading. That's what I'm saying. Like everything.

[C]

Yes, exactly.

[A]

Everything can't be said in 2026. I can assure y', all, I said it in 2025. But they ain't really hear me in 2026. I'm done with who ratted and who didn't. I cared when I didn't know if Gunner's music was gonna be heat. And it's been nothing. Nothing. But I'm on the side of the music. If the music is lit, great. If you got away with your crime and are face to face with me, and we could talk about life now. Awesome. Like, seriously, if you got away with your shit, come join the adult adult table over here. Let's kick it. If you still evading and relying on this bum ass nigga who grew up in a broken household who never kept a secret to hold you down on the crime side. Sorry, buddy. Sorry. And I'm not certain how many of these people that we talk about are listening to pods.

[C]

True.

[B]

It's a lot.

[A]

It's a lot. What's a lot?

[D]

You'd be surprised.

[A]

Quantified.

[D]

I can't because I don't have the analytics.

[B]

But it's a lot, Joe.

[A]

We don't have the analytics, but guess like street niggas, the people that these conversations apply to. How many of those people you think are podcast listeners?

[D]

A lot. You said that. I don't know. Thousands.

[B]

Yeah.

[A]

Percentage out of 100% of people.

[B]

3.

[D]

2.

[B]

If that.

[A]

2% of people, yes.

[D]

Yeah, It's a lot of street niggas listening to this show. Trust me.

[A]

You better. All right. I don't know what y' all doing to me. You better at math than me, but 2% is a lot. It may be 1%, Joe.

[D]

I can't say 2%. So if it's a million people, you know what I'm saying?

[A]

I can't. Am I missing how he's explaining it to me?

[C]

No.

[D]

If it's a million people, 20,000 people could be street motherfuckers that are outside that this would apply to. I don't think that's a crazy number.

[A]

I'm just going on the allotment part.

[B]

20,000, I think.

[F]

I think you said, like, 99% of street ain't listening to this, so that's.

[B]

Not worth our time.

[D]

Oh, you mean.

[A]

I mean not even worth the time. I'm saying if it's 1%, then that ain't a lot. True. I agree with that. I do think they exist. Yeah, but it ain't a whole lot.

[B]

And we ain't the people that like the full panel.

[A]

If it's a real street listening right now, he already know not to listen to me. Me. Hey, any. If there's any realness In. You don't listen to me about nothing. Law or freeze. Yeah, you ain't got a point. You can say it.

[D]

No, I was just listen to nobody up here.

[A]

You can listen to Mona. Mona is a criminal.

[B]

Mona is your Mark.

[A]

Mona criminal right now.

[B]

Oh, no. Yeah, yeah.

[A]

Mark got a lawyer, brother? Or a prosecutor? Something that maybe could help you? No. Prosecutor don't don't no prosecute this. No, no, no.

[F]

He trying to get me up.

[B]

That was crazy.

[A]

My man Mark up here. What up, Mark?

[F]

What's up, man? How's the day going? Y' all having a good day, Mark?

[E]

Yeah.

[C]

Yeah. It was hell without you.

[F]

Thank you.

[A]

Oh, brother.

[C]

Oh, boy, Was that stitching with these dummies.

[A]

See? See?

[B]

You going to Fed Gala?

[D]

No.

[C]

Oh, my God.

[D]

What's the name of it?

[C]

Just Mark, please.

[D]

What's the name of it?

[A]

Yeah, we're not Fed, G. It's over. We're not. We did it. We're not that guy. What else? What else? What else? What else do we need to get to? Cam Newton is hating on Phil Philip Rivers return.

[E]

What he say? It should have been me.

[A]

He said I didn't. He said he didn't get a call. He said he never gets a call.

[E]

That's different. I can see. Because Philip Rivers played in Indianapolis. So the reason why they called him is because he was there the last time he played football. That makes sense now, not getting a call anywhere. Cam should get a call if he wants to play football.

[A]

Does he want to play football?

[E]

That's a very good question. I don't know the answer.

[A]

See, it looks like hate when you didn't realize you wanted to play until somebody else was playing.

[D]

Well, even if you didn't want to play, y' all ain't even call a.

[B]

Yeah, call me so I can say no.

[A]

Also, Cam Newton coming to somebody's organization is very different than Phil Philip Rivers coming to somebody's organization.

[E]

Why you say that?

[A]

Cam Newton deserves a lot of attention. Is going to and is going to get a lot of attention whether he plays as a backup. He's going to bring a certain light to your organization that you may not want the older veteran backup quarterback to bring.

[D]

That's true.

[A]

Some of the same things they said about Cap, even though some of the other existed with Cap. Right, Right. Philip Rivers, safe, harmless, played for the organization. Got history with the coach. Yeah.

[D]

Christian white boy driving the pickup truck.

[A]

Has always said the right thing in front of a camera, even when he came back. He bodied the press conference. Absolutely. Smoked it in Terms of his reasoning for wanting to come back or not so much wanting to come back, but not letting the opportunity just pass by. It was a once in a lifetime thing. I could sit home with my kids and my grands or.

[B]

You think they made any other calls like before Philip Rivers?

[E]

Oh, I'm sure.

[B]

Who?

[D]

I'm sure I don't know.

[B]

I'm just saying, like, throw some names out there who you think they might have called.

[E]

It's hard.

[A]

I don't remember who. I don't think it was a bunch. The Colts in recent years had a history of going to get the older backup guy kind of guy. Yeah. So it shows who they think they could win with. Now they're in a fucking. We need to win now. A catastrophe is happening. We trying to chase something here. So I think they called somebody who they know is smart, know can remember some of these plays and. And was gifted enough to maybe have something left in the tank and see anything is better than whoever they was about to run out there.

[D]

And when the cam thing got brought to my attention, I'm like, dog, they might. They got information we don't like. They might know what cam sat salary. It's like, yo, dawg, he's getting XYZ to sit and talk on the microphone. He don't want to get up from that cushy job to come over here. That's a possibility. We have to pay you a little bit more to do. And he got his own show. Plus, he is on first take. Like, yo, you just busy. I wouldn't even have thought to reach out to you first versus somebody that I know that they might have in contact. One of the assistant coaches or something.

[E]

He said he talks to the head coach regularly.

[D]

So there you go. Yo, you working out? He. He might still be in shape. Football shape is different than our shape.

[A]

Right.

[D]

So just the familiarity right there might have been the reasoning for Phil Rose getting the call as opposed to Cam.

[B]

Or he might have Philip Rose, like you said, he talking to the coach. Yo, yo, if y' all need me, make a call, I'll do it. And he could have put the bug in the air.

[E]

Yeah, true, true.

[A]

All right. This pains me, but just gotta happen, man. Again.

[E]

Again.

[B]

What the.

[F]

This is the worst one yet.

[E]

Really.

[A]

They all bad when it happens.

[F]

This was heartbreaking, though.

[A]

All right, we got breaking news, breaking news, breaking news. Radio Insight has confirmed. Hey, let's go. Has confirmed that the super radio syndicated Ebro in the Morning, featuring Ebro Darden, Peter Rosenberg and Laura Stiles. Has come to an end at Media cold hip hop. Hot 97, WQHT New York.

[E]

Wow.

[A]

Ebro tweeted, it's done. More to come. Ebro in the Morning with Rosenberg following. I lived out a childhood dream, and it was amazing. Very excited for what's next. Ebro in the Morning. In an Instagram video, Rosenberg added, I told you guys, for a long time, change is afoot. Change can be beautiful. There are some changes on the horizon. Stay tuned. All references to the morning show have been removed from Hot 97. Damn.

[C]

Damn.

[A]

Wait a minute. Damn.

[F]

That's heartbreaking. That was heartbreaking. I was hoping it was one of those bad rumors or one of the fake shutdowns. You know, like when people be like, our show's over, and then like a day later they reboot on a new platform. That's what I was hoping it was. And then when I heard details of it and talking to some people behind the scenes, this was going to happen.

[A]

But.

[F]

But it's a heartbreaker. This is a legendary radio show to me, and it signals a turn, I think, even further away from radio and away from some of the stuff that we care about. It's a big moment in culture.

[B]

Let me ask. Cause again, we saw something similar to this when Flex went and tweeted, Monday is my last day at 7am on Hot 97 or something. Everybody assumed it was the end when it was really just him announcing a new time slot. They're saying, ebro in the am, that show is over. Could this be an instance of that where it's like, okay, y' all had the show from this hour to this hour, but now y' all gonna go into the afternoon as well. So we're not calling the Ebro in the morning.

[D]

Oh, it's possible.

[B]

Like, it seemed like they moving some pieces around and. And again, this just happened. So I'm not jumping out the window. And with them still hashtagging Ebro in the am because you said Ebro did it. Rosenberg followed up and did it. I. I just think it's something else there. And I think this is designed to.

[A]

Get everybody odd announcement while their ratings up. Their ratings are doing really well. Oh, yeah, yeah. So it's an odd announcement at this time. However, we knew that there was an ownership change. Right. Ebro, even at my birthday dinner, was alluding to, hey, changes are coming. We know the game. We work here, but we just gotta be prepared for when it happens.

[D]

But in that instance, would they have removed all of the stuff mentioning the morning show from the Website?

[A]

Well, yeah, if they plan on coming back with something else, and even if they don't, if they plan on just playing music through it, we can't have.

[D]

I know, but, like, interviews, all that shift. All that stuff is the IP of the station. Like, let's say you wanted to go look up an interview of the morning show with blah, blah, blah. You know what I'm saying?

[F]

I think all that's still there on YouTube. All the content on YouTube. Yeah, yeah.

[D]

On the website.

[F]

Most of their stuff lives on YouTube anyway, in terms of, like, the interviews and the podcast part of it, not the live radio portion. But I had just been hearing from people. I had heard rumors that the morning show was on its way out because of the ownership change, and there were a lot of complaints that the ownership change is destroying the legacy of a lot of these important people. Again, that don't mean that what y' all saying isn't true. I hope they're moving to a new time slot, but I'm really, really disappointed.

[B]

I can see it.

[D]

Yo, everything going into tech.

[B]

And when is this effective?

[D]

And you might have.

[A]

Now.

[F]

Immediately.

[B]

Immediately.

[A]

Yeah, they said immediately.

[D]

You might have a whole bunch of salary issues.

[A]

Yeah.

[D]

You know, these people come in and they. They don't have emotional connection to the team, to the staff, to these people. A lot of time new come in, they just looking at numbers.

[A]

You think that's good or bad?

[D]

What?

[A]

To not have emotional connection to a.

[F]

Team, you need somebody who's like that, because somebody's got to look at the numbers soberly and not care about the.

[B]

Emotional ties a lot of times.

[F]

But sometimes when you have too many of those people.

[C]

Yeah.

[D]

Then it's bad.

[A]

You lose the audience, you lose the.

[F]

Soul of the place, and then you lose the people because it's.

[B]

It's just about that.

[F]

It's just about dollars and cents. And that's the thing I hate, and this is my least favorite thing about being in media, is you almost never get to say goodbye to your audience. If this is indeed a goodbye, you don't ever get a proper goodbye. I have never. The closest I ever came to a proper goodbye was on Black News Channel because I had gotten. They told us that our check was gonna be late, like, that day. And I was like, that probably means we're not coming back. So I got to give a quasi goodbye to my audience. But I couldn't announce it because what if we came back with money? By least was able to say, I love working with y'.

[A]

All.

[F]

Just know how much I appreciate y', all, but I've never had an opportunity to say, like, thank you. You know what I mean? On any. On any show. And most radio host, no matter how long you lived, work there, you don't get to say goodbye. I mean, people worked at Today's show for 20 years and don't get that.

[B]

That's crazy.

[A]

Funny now that you say that. That's my experience too, right. I didn't get to say goodbye on Everyday Struggle. I didn't get to say goodbye on State of the Culture. Yeah. Yeah. It's just kind of over.

[F]

It's up.

[E]

That's crazy.

[D]

Yeah.

[A]

Ebro has been in Hot 97 since my. For my entire music career.

[D]

He got. He got 30 there, if not 30, close to 30.

[A]

My. My. My entire career. He's. He's been there from before. He was the program director. My Hot 97 stand. Hebro's the OG.

[D]

So.

[A]

And be clear, Ebro is set up as elsewhere.

[B]

Oh, yeah, for sure.

[A]

Peter Rosenberg is set up elsewhere. Laura, I'm unsure about. I'm not close enough with her to be able to say, but those. Most of them should be fine. Most of them should be fine whether they have a show on Hot 97 or not. I'm interested to see the direction that Hot goes in the morning, because the morning show is a very important drive.

[B]

And that's why I think it's something else here. Yo, like, again, it ain't just them three on that show in the morning. I listen to them.

[A]

It's. It's.

[D]

It's about six people.

[B]

Yeah, it's about six people. It could just be a shake up in that sense. Well, we.

[A]

This show as it is. My man Shawnee works on that show. I ain't got nothing bad to say about Shawnee, man. Good people over there. Yeah, always good people over there and a good show. It is a sad day. But again, this ain't the last of it.

[D]

You keep.

[A]

This ain't the last of it. We gonna be doing this for a while. He bro P. I love y', all, man. I love y'. All. Laura too. What else, what else? What else, what else? What else? What else? More news on the Michigan coach. The prosecutor says that Sharon Moore and the woman and the woman had an intimate relationship for a number of years. Our victim broke up with the defendant on Monday morning. She presented herself herself to the school and corroborated the fact that they had a relationship. She says that more went to the woman's house. We know this part. Grab butter now. It's part of Parks. Grab butter knives and kitchen scissors and threatened to kill himself. Threatened. Threaten her that my blood is on your hands. I hate when do that. Just. I can't. But attorney Joseph Simon. My climate, my clients. Ron Moore is 39 years old. Zero prior criminal history. Yada yada. All right. Nothing else good here. That's it. Next hearing is on January 22, 2026.

[E]

Happy Holidays.

[A]

Some serious charges. The magistrate tells Jerome Moore he is not to use alcohol, marijuana, or any other substance that's not prescribed to him. When out on bond, he must wear a GPS tether, continue on all mental health treatment, and have no contact with the woman. Question to y'.

[C]

All.

[B]

Yes.

[D]

No.

[B]

Yes, he will.

[D]

I got faith in my brother.

[A]

Yes, I'm glad y' all knew the question. Yes, I'm glad. I'm glad y' all knew the question bracelet.

[C]

They tracking him.

[B]

Okay.

[D]

That don't mean I can't use the phone. Exactly.

[A]

I mean, I can't send my cousin over there.

[D]

Over there. You know what I mean?

[A]

Yeah. Again. Yo, it's all right, bro.

[D]

Oh, man.

[A]

He's going to talk.

[B]

Oh, if he went to the house. Yes.

[A]

It's all your fault.

[B]

Look, look what you did to us. Look, look, look now. Yeah.

[A]

No, he going to try to get it back.

[F]

He's sending somebody over there. I think that's the move. Not the right move.

[B]

Not the right move.

[A]

That's the. That's going to be his move.

[B]

He's the in that.

[D]

That's the move. That's crazy.

[A]

It's a up world out here, y'.

[B]

All.

[D]

Yes, it is.

[B]

Yeah, he want to try to guilt.

[D]

Can't even hold it down for the God.

[A]

And a few of these stories going to always come out around Christmas.

[E]

Oh, yeah. It's a time. It's a time.

[B]

That's when.

[A]

That's when it happens.

[B]

Looking all happy with your family over there.

[D]

Christmas card in the mail, shorty. No cranberry sauce, cuz she had the raisins and the Tater Sal.

[A]

You a go.

[C]

You.

[A]

You ain't want to go rap genius for that. That's crazy, dog.

[D]

That is crazy.

[A]

I don't have anything else that I'm dying to share with you guys. Friday's EP is fire. I'll tell y' all about it next week. Yay, Alicia. This fire. I'll tell y' all about it next week.

[E]

I can't wait to listen to all this shit. Like, for real.

[B]

For real. Mad to sit and listen to.

[E]

Yeah. This is too much. To get in in two hours.

[B]

It's a good drop day, but it sucks.

[A]

It was overloaded.

[F]

I just.

[B]

Yeah, it was too much.

[F]

I ended up with Nas and Pre and. Yeah, man, that took up all my time.

[A]

Some good music in there for you to check out. Yeah, it is. Yeah, it is.

[D]

Yeah.

[A]

When you get around to it, what you doing this weekend, Mark?

[F]

Whole bunch of nothing, man. I got to get a passport for my son, so I'm be running around New Jersey trying to track him down.

[B]

Literally doing the same thing next week getting one. I'm Take my.

[D]

I'm going.

[B]

Take my daughter to go see.

[F]

It took two hours to get him to.

[A]

To. To sit still for a photo.

[B]

Picture.

[D]

Yeah.

[A]

I love hearing about you.

[B]

He needs a show.

[C]

Yo, bro, just had two hours.

[F]

They did a shift change at the. At the Walgreens and he was still in there.

[A]

You'll have to meet him outside of this building, I'll tell you that. I banned him from here like easy to block captain.

[B]

I just.

[D]

I just took mine yesterday.

[A]

You're what?

[D]

Passport photo? Because my new one. Yeah, mine expired next month.

[A]

I want the new one. My don't expire to like 2031 or some.

[D]

Tell them you lost it.

[A]

Yeah, that's what I would have to do. I would want the new one, but tell them a lie.

[D]

It's nothing new to you.

[A]

Try not to practice lying no more. Dam when that went into practice, Rusty with my lies keep. Keep getting caught. I ain't got away with. I ain't got away with a lie in so long. God damn it.

[B]

That's why I stopped, Honestly. I mean, I be forgot the lie and. No, you said. Oh, I did. You know what? All right, Pocket.

[A]

I'm cool again, man. I'm doing it big this weekend for my guy Lex's birthday. Yeah.

[B]

Happy birthday, Lex.

[A]

Yeah, I'll be. I'll be at some kid park.

[E]

Nice.

[A]

In the snow on a snowy Sunday. Nice.

[E]

Happy birthday, Lex.

[A]

Yeah, happy birthday to my guy.

[B]

How old now, huh?

[A]

Eight.

[B]

Damn.

[E]

Yo, we old, man.

[B]

This should be flying fast.

[A]

This should be flying is going fast. Mona, what you on this weekend?

[C]

I'm just getting ready for my show next weekend in Bridgeport, Connecticut on the 19th and the 20th at the stress factory. Last shows of the year. Make sure you get your tickets.

[E]

Nice.

[A]

Let's go. Mona, how your tongue always fly out your mouth?

[C]

Yes. Come to the show so I can tell you how these are in real life.

[B]

I want to pull up the water. You shows.

[C]

Up.

[A]

Guys, I need half the door if I do. I want to pull up and support, but I need at least 75% of the door and the meet and greet money.

[B]

No, don't promote it. Just show up. Don't promote it.

[A]

My presence is a present.

[B]

They going to start getting out.

[A]

My presence is a present, man.

[B]

I'mma pull up, but I ain't going to tell you. I'm going to pop up on you. I don't want no treatment.

[D]

Don't leave. I leave.

[B]

Ticket? Nope. I just want to pop in.

[C]

Okay. I appreciate it.

[F]

Yeah.

[A]

Listen, man, keep us in your prayers. Lord knows we need to be there. Until the next time we bid you a do farewell. Adiosa riba diri, Hasta la vista arvoir, so long goodbye or a simple head novel suffice. Hopefully you've enjoyed this broadcast as much as we've enjoyed delivering it to you. You. Hey, ego. Remember, life is a series of moments and moments past. So let's make this one last as if it's all we have. Last but certainly not least. The baddies are insecure, the stagnant. Women want to travel in the closed minded women want you to teach them things. Great. Grab you a Tylenol. You might need it. Hey, this should still go classic. Yes, sir. Y' all be safe out there this weekend, man. Safe in your travels. Everybody going on vacation. Coming back from vacation. All right, let's ride out for a minute. We let it ride.

[C]

You.

[A]

Wow. While he's cringing, I figure I have some fun with you guys. It came out with the list of countries by only fan spending. We got the US at 263 billion. Jeez.

[D]

God. That's number one.

[A]

Yeah.

[B]

Okay.

[A]

United Kingdom at 531 million. United States is horny as we have Canada at 355 million. Italy at 355 million. Mexico at 291 million.

[E]

And we were a billion.

[D]

No, 200 billion.

[A]

France at 237 million. Australia 237 million. Germany at 237 million. Brazil at 194 million. Spain is at 10 with 197.

[E]

That tells me they got some free over there that we.

[B]

What was the United States again?

[A]

2.63 billion. She all on me. All on you. Listen, I could tell you it's true. Last night I got the same exact message from three different chicks.

[E]

Oh. They said Atlanta's the. The biggest spender of cities.

[A]

Atlanta, yeah.

[E]

Orlando's number two. Milan, Italy is number three.

[A]

How much by city?

[E]

It's by. It's 500, 000 per 10,000 people. It's kind of a confusing number.

[A]

God damn.

[B]

That's a lot. That's in a year.

[D]

Crazy.

[E]

Yeah, yeah.

[B]

Per 10,000. I have a ticket.

[E]

Roughly 26 million.

[C]

Yeah.

[D]

Address, dressing, and land on your credit card.

[C]

What?

[A]

Y' all are down out there, man. We'll be back here. Go.

[C]

Jbp. JBP where would you be without the jvp?

[A]

Pass the fucking ball.

[G]

Pass the ball.

[A]

Pass the fucking ball.

[C]

That's.