Episode 931 | "Spaceballs With The Side Piece"

Summary

The Joe Budden Podcast — Episode 931: "Spaceballs With The Side Piece"
May 23, 2026
Podcast by The Joe Budden Network

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Episode Overview

The episode opens with the regular crew back in full swing, joined by new and familiar personalities, including Big Mona (Don't Call Me White Girl), Dr. Mark Lamont Hill, Ish, Parks, and the rest of the extended JBP family. The theme is freewheeling, comedic conversation packed with cultural commentary, sports analysis, real-life anecdotes, music reviews, and debates on social issues. The episode is especially lively, blending humor, nostalgia, personal stories, and sharp social observations.

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Main Topics & Key Discussion Points

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1. Restoring the JBP Band: Graduation Talk, “Philly Pie,” and Life Updates

• [00:40–05:08]
  • The crew celebrates being back together, ribbing each other about regional affiliations (Philly, New York, Pennsylvania cities).
  • Extended riffing about black graduation traditions and the joy (and financial relief) of children finishing school.
  • Notable Quote:
    “One thing a nigga gonna do—we gonna take a graduation picture.” — B [02:44]

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2. Summer/School Parenting Complain-a-thon

• [05:31–07:43]
  • Ranting about end-of-year “spirit weeks,” late drop-offs, tiredness as parents, and being inundated with QR codes and extra asks from teachers.
  • Group bonding over the annual cycle of struggle and relief for parents.

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3. Memorial Day & City Energy

• [07:02–10:25]
  • The team sets the mood for Memorial Day, reflecting on city energy at the start of summer, especially in New York.
  • Nostalgia flows during spontaneous hip-hop singalongs and generational banter.

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4. The Knicks, NBA Playoffs, and Celebrity Sightings

• [23:02–38:37]

  • Joe boasts about the Knicks’ win streak, sparking heated but humorous city rivalry banter with Philly fans.
  • Discussion of the playoff atmosphere in NYC, celebrity-packed Knicks games, and social flexing.
  • Memorable Story [29:08–34:38]: Joe and Ian encounter Bon Jovi and Jason Bateman at MSG, detailing fan reactions, groupie moments, and Joe’s attempt to act “cool.”
  • Notable Quotes:
    • “If you just turn the TV on in New York, the energy is very different right now.” — Joe [28:46]
    • “I don’t want you to talk shit… New York fans are obnoxious when they win in any sport.” — Mark [26:41]

• Social Media Moment:
  Joe recounts being caught on the broadcast in the act of “double fisting” a fully loaded glizzy, leading to jokes, mild shaming, and discussion of hot dog toppings [35:09–38:03].

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5. Hooters Rebranding & “Family Friendly" Culture Wars

• [38:37–48:48]
  • The crew dives into Hooters’ attempted rebrand away from its breast-heavy marketing roots toward a more “family-friendly” space due to declining sales and shifting norms.
  • Sidebars on Twin Peaks, gender discrimination lawsuits at Hooters, and ideas for “companion cleaning services.”
  • Notable Quote:
    "I don't think you could do nothing in a corporate level like that... unless you straight doing a strip club." — Mona [43:50]

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6. Sweetie’s Japanese Performance Lawsuit & Scam Culture

• [49:14–58:18]
  • Story: Sweetie is sued by a Japanese promoter for missing contracted performances (after being paid a deposit, allegedly performing elsewhere instead).
  • Debates on scammer culture, analogies to OnlyFans/Backpage frauds, and the ethics of doing foreign vs. local shows when bigger bags are in play.
  • Notable Quotes:
    • “I root for Sweetie, but I just don’t like her scams.” — Joe [52:31]
    • “Sometimes people just have bad business practices...” — Mona [53:06]

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7. Quick Hits: OnlyFans, Kinks, and Digital Hustles

• [54:12–56:22]
  • Mona recounts charging a premium on OnlyFans for telling jokes while eating snacks in panties—bounced around with the crew’s ribbing and commentary on role play, pricing, and online hustles.

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8. Sports & Child Support: Floyd Mayweather’s Vegas Club Paternity

• [59:19–65:28]
  • Floyd Mayweather is ordered to pay over $32K/month plus nearly $1M back child support to a former club worker after denying paternity.
  • Discussion turns to athlete paternity, the “cost” of sex while rich, and the choices women make in keeping pregnancies against their partner's wishes.
  • Memorable Exchange:
    • “If your nut is worth that much money, why do you cum in people?” — Mona [61:29]
    • “Being rich and horny... sitting on a bag of diamonds.” — Joe [61:37]

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9. Music Roundup: Album Reviews & Indie Spotlight

• [91:13–104:00+]
  • New albums and singles: Black’s “Love is the New Gangster,” Remi’s “Left On Red,” Vince Staples’ new single/interactive ticketing strategy, shout outs to Jersey indie artist Tribe Mark.
  • Daz Dillinger’s effort to sell his own versions of “The Chronic” in a royalties dispute—leading to discussion of artist rights, label business, and recouping due payments.
  • Notable Quote:
    “Why can't people just do the right thing?” — Parks [103:58]

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10. Current Events / Social Commentary

• Chelsea Handler & Racism in Comedy
  • [173:49–182:13]
  • Handler calls out male comics’ reliance on racist/sexist roasting, with panel discussion on whether some comedians use “free speech” as a cover for bigotry.
  • Quote:
    “Comedians use comedy to get their racism off.” — Joe [181:42]
  • Mona, Mark, and Parks analyze the laziness of ‘edgy’ jokes, comparing structure vs. intent.
  • Discussion of the importance of figures like Chelsea Handler critiquing from within, and the difference between artistic risk and regressive humor.
• Jeff Bezos on Taxes & Amazon’s Social Value
  • [191:03–207:29]
  • A multi-clip review of Bezos’ recent comments claiming his philanthropic power, Amazon’s societal benefits, and deflection on billionaire tax rates.
  • The crew debates whether Jeff Bezos (and other tech billionaires) do more harm than good, the realities of trickle-down economics, charity vs. taxation, and who really benefits (or suffers) in modern capitalism.
  • Quote:
    "He pays billions in tax... but his effective tax rate is lower than the average American.” — Mark [196:49]
• Documentary Review: "The Crash" (Netflix)
  • [68:00–79:36]
  • In-depth discussion about a documentary where a young woman crashes at 100 mph, killing two, and the fallout, blending true crime analysis and psycho-social implications.
  • Debate about intentions, justice, responsibility, and parental decisions.
  • Quote:
    "Regardless if that was her intent or not, once you got to a certain level of speed and you couldn’t break the car down, you’re still guilty of killing somebody.” — Ish [77:35]

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11. BET Awards "Pulse" Nominations & Podcasting as Culture

• [147:23–161:29]
  • Reviewing and critiquing the new "Pulse Awards" category honoring digital creators, with side-eyes at the selection process.
  • Discussions on who’s truly pushing black culture forward in the podcast space, and sidebars about who's “in” and “out” in digital culture.
  • Joe’s assertion: “Some names in there tell me it’s for the sake of being inclusive…” [151:01]

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12. Relationship Realness & Gender Role Humor

• [110:01–125:10+]
  • Extended, hilarious (and meta) debate about paying bills for girlfriends vs. side-pieces, “household economics,” and the evolving lines between modern and traditional relationship expectations.
  • K. Michelle’s thoughts on infidelity: “If you’re gonna be men, the feeling doesn’t include paying bills.”
  • Joe and Mona volley about what true cheating is, the rules of the streets, girlfriends hating on “side bill pay,” and how much rent means commitment ("If I give somebody $1,750 for some rent, that's my girl.") [123:08]
  • Quote:
    "Girls be hating on you paying the hoe’s bills, man—that’s all I’m saying.” — Joe [124:40]

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13. Closing Banter: Memorial Day, Life, & Black Nostalgia

• [208:40–End]
  • Rapid-fire closing topics: Memorial Day plans, black family traditions, and the energy of summer—plus jokes about pool parties, cookouts, and “leopard trunks.”
  • Final sign-off includes reminders for listeners to enjoy life, value moments, subscribe to Patreon, and "Go Knicks."

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Noteworthy Quotes & Moments

• “I root for Sweetie, but I just don’t like her scams.” — Joe [52:31]
• “Comedians use comedy to get their racism off.” — Joe [181:42]
• “Girls don’t need to...the girlfriend and the main shouldn’t mix them up.” — Joe [120:51]
• “If your nut is worth that much money, why do you come in people?” — Mona [61:29]
• “The acting and the casting is so bad you got to keep watching.” — Joe, reviewing Netflix's Nemesis [166:58]
• “He pays billions in tax... but his effective tax rate is lower than the average American.” — Mark [196:49]
• “You buy the ho a little keychain from Bottega...you’re not buying the ho nothing extravagant.” — Joe [120:56]
• “We can’t just throw money at a problem, but you can’t use that as an excuse to not throw money.” — Mark on education/public funding [207:09]

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Timestamps for Major Segments

• [00:40] Crew back together, Philly/NY debates, Graduation images
• [05:31] Parenting complaints, end of school year spirit
• [23:10] Knicks playoff run, New York energy, celebrity encounters
• [35:09] Joe’s glizzy on-cam moment, food banter
• [38:37] Hooters rebrand and cultural era shifts
• [49:14] Saweetie and Japanese lawsuit, scammer culture
• [54:12] OnlyFans, kinks, and online hustling
• [59:19] Floyd Mayweather child support legal issues
• [91:13] Music reviews: Black, Remi, Vince Staples, Tribe Mark
• [110:01] Relationship rules, “side piece” economics
• [147:23] BET Awards, "Pulse" category, podcasting and digital media
• [173:49] Chelsea Handler, racism in comedy, cultural analysis
• [191:03] Jeff Bezos’ tax philosophy, Amazon’s social impact
• [208:40] Memorial Day plans, closing affirmations

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Final Thoughts

The episode is a quintessential JBP blend of barbershop banter, real-world wisdom, side-splitting humor, and pointed cultural critique. Between crude jokes, the crew openly discusses topics ranging from gender politics and race to sports, parenting, and the ongoing metamorphosis of American culture. The chemistry is strong, and listeners get everything from all-black-family feels, listening session tips, messy relationship advice, and takes on billionaires in the digital age. If you’re looking for cutting social takes, laughs, and a degree of heartfelt community, this episode provides all that and more.

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Don’t miss:

• Joe’s celebrity sighting etiquette [29:08–34:38]
• The “glizzy incident,” hilarious relationship debates, and music shout-outs
• Thoughtful dives into current events: Sweetie’s contract drama, Bezos’ PR tour, and the Chelsea Handler roast controversy
• Real talk on black community issues, generational change, and the economics of dating in the 2020s

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Go Knicks!

Transcript

[A]

The thoughts, views, and opinions expressed by this podcast whose bullets its hosts offer entertainment purposes only. I repeat, it is not serious. It is not real. No one is exposing, revealing, indicting, or telling you anything about themselves. Also, we do not encourage you to try this at home. We are trained professionals who do not have your best interests at heart or our own. Enjoy the show. It's definitely not, absolutely not, the need

[B]

for JBP is property. As in state property.

[C]

Oh, I would have just said Philly,

[A]

but yeah, it's definitely not, you know.

[D]

Got it.

[A]

It's really not a feeling.

[D]

Listen, I'm glad you're back. So you write with whatever you say to me.

[B]

I miss y' all so much.

[E]

We got three. Three out of six. That's close to a Philly pie.

[B]

No, we. This is a Philadelphia pie.

[D]

Where you get three out of six?

[E]

You.

[D]

I ain't from Philly.

[A]

Oh, it's free.

[E]

Thank you. The is y' all talking about you kind of Philly.

[D]

Adjacen not.

[B]

Wow.

[C]

You was in Pennsylvania. You root for the Sixers.

[D]

You in Lancaster. That is not Philly.

[B]

Allentown.

[E]

I think so. Yes.

[B]

Every drug dealer I know living Allentown.

[A]

And three, Harrisburg.

[B]

And Harrisburg.

[D]

They be out there in Harrisburg and York.

[A]

See, look. You know the names of the town. Exactly.

[B]

Yo, New York was crazy. The New York mention was like you.

[A]

You only in Philadelphia.

[B]

I didn't knew you was one of us, boo.

[D]

I'm not one of y'.

[B]

All. And you let a Sixers. Oh, my God.

[E]

All the time.

[B]

And you got the Muslim beard.

[C]

And he got the beard.

[D]

He liked the Steelers. That's another P. That ain't got nothing to do with Philly.

[E]

Close enough, close enough.

[C]

Yeah.

[D]

On the other side. Geography. Geography.

[C]

Look at this.

[A]

Geometry.

[D]

My.

[A]

Appreciate you.

[D]

Oh, man. How y' all doing, man?

[C]

The band is back together.

[A]

Welcome back.

[B]

The band is back in town.

[A]

Yeah. It's the Philly part of this pod that just fucking disappear. Go away. Go watch they daughters graduate.

[E]

How dare.

[A]

The fuck out of there.

[F]

The nerve.

[D]

The nerve, the nerve.

[B]

Go to the orphanages and feed the kids.

[A]

Shout out to the graduates out there.

[E]

Indeed. Yes, indeed.

[A]

Real big deal. Congratulations, baby.

[D]

Graduate next month. Shout out to the parents that ain't gotta pay that tuition.

[C]

Nigga, I feel like I got a raise.

[D]

That's great. More monthly, buddy. Yeah,

[B]

congratulations, man.

[D]

That's how I feel when baby girl got out of that daycare.

[C]

Yep, yep.

[B]

There's so many pictures of people graduating with their diplomas and their degrees and. Yeah, it's so funny. How black people we. One thing we gonna do is take a picture. When we graduate. Some.

[C]

If we graduate, most of us.

[B]

Oh, my God. One thing a nigga gonna do. We gonna take a picture.

[A]

See?

[D]

You see my pictures?

[B]

You see? You know, I didn't know when he was going to let the people know because you know that child prodigy that threw him off like the real deal smarts is here. I'm so happy about that.

[D]

About what?

[A]

What are you talking about?

[D]

Dr. Ice.

[A]

Dr. Freeze.

[D]

She hasn't. She hasn't spoken to me since Dr.

[B]

Freeze. I'm so proud to even know a doctor.

[A]

Yeah, you might be the only podcaster she ain't spoke to recently.

[B]

Damn, this nigga's so petty, bro.

[E]

You've been busy, huh?

[B]

He loves me, though. That's. I look at it when he acts like controlling, tyrannical. I look at.

[C]

You know he love you.

[A]

Yes, great message for the ladies, girl.

[B]

He only love you if he tracks you, girl.

[A]

And pay you and pay you.

[D]

Oh, on time if he TR about it. Now, that's funny.

[A]

Yo, yo, stop it, mon.

[C]

What pot you did, Mark?

[B]

That's the.

[A]

See?

[C]

How much you want to talk about it?

[A]

No, she don't want to talk about it. She try not to get in trouble, Mark.

[C]

That's the shit.

[B]

Like, bro, I just had a meeting with this dad just came to the back and said, look, bro, you went. We got to tighten up and, like, bad. You feel me? Yeah, but no, we had a couple pods on the Don't Call me White girl show.

[A]

Great show.

[B]

We had a couple good guests. A big bank came through.

[E]

Dope.

[D]

Oh, dope.

[B]

Dominique. Free Dominique. Oh, free Dominique. Free Dominique. So petty. Free Dominique. Dominique Morgan came through, but, yeah, we had fun.

[D]

They came through your pod, then they got locked up.

[A]

All right, we're gonna have a good time today. We're gonna have a good time today. Goddamn it. I'll tell you. That.

[B]

Much good time in this.

[A]

Yeah, cuz. Now, that's the thing about this crew. This crew throw some mad question.

[E]

What?

[A]

We have a good time today, though. God damn it. Yes, sir.

[B]

Hey, school teachers, go ahead and wrap the school up now. We don't care nothing about no spirit week.

[D]

Don't come emailing me talking about they

[A]

need to bring a yellow shirt.

[B]

They're not participating if it requires me spending any more money. That's it. It's a D. Don't email me talking about that was late. I know that late. I bought them to school late. I was sleepy. I'm tired. I checked Out. Don't send me no QRL code to scan. I don't care. Did they pass? That's all we care about right now. Anything else? I don't care. I'm not spending n another dollar. Then wrap it up.

[C]

Huh? You still reaching out talking to me?

[B]

That's nothing to talk about.

[D]

Amen.

[A]

Hip hop to the ey ok.

[E]

Excuse me.

[A]

Yes, sir.

[D]

Have you ever seen a show with fellows on a mic with one minute

[A]

rhymes that don't come out right?

[D]

They fight.

[A]

Mic check 1, 2, 1, 2 mic check 1, 2, 1,2 so glad y' all could be here with us today. Big Jersey, Big Jersey Whole New York City,

[B]

New.

[A]

Shout to the whole BX Boogie down I see you, Brooklyn.

[B]

What up?

[A]

What up, Long island. What up?

[D]

No, Rick, I wasn't about somebody that

[B]

need a shoe home. Why?

[A]

Because 40 and up out there. 40 and up out there.

[D]

Okay.

[E]

I went into a store.

[A]

Yeah, I mean, it's Memorial Day weekend. Excuse me. Everybody at the pool right now. Everybody at the car wash moving around and all that. Everybody at the airport on vacation. Shout out to that plane in LaGuardia that fell in the manhole, boy. No, no, no, no. Just. Just the ones. I just felt for those. Shout out to London, Germany, wherever Slick Rick is from.

[E]

Slick Rick.

[A]

The Bronx, the whole England. Whole England. Let's go. Spell it out. Impressed, Parisian. So careless the gang goes with that guy which I wear every day. Yes, I am. It's not right that I recite an

[D]

arm quite polite like Walter Cronkite.

[C]

Well, just about that.

[D]

Trevor, my friend came in and he

[C]

said, eric, don't you know playing with these snake is a sick. He grabbed me by my shirt and

[A]

pulled me right out the store.

[D]

He said, I don't want to see you playing with your blood no more.

[A]

Carry on. We have a party to attend with some mature women and some more of our friends.

[C]

He held out a gap.

[A]

Come on now, come on now. 40 and up out there. 50 and up out there. Come on now, come on now. Not for the kids today. Not for the sharing today. Shout out to Big Daddy K. What up? Yes, sir. Sorry, Max. Tough week to be Max B. I'm sorry. They say ain't no bitches listening out. Hey, it's okay.

[C]

It's okay.

[A]

You didn't have pictures when this was 1986.

[D]

I was in the eighth grade. I was in the eighth grade for sure.

[B]

He was 10.

[A]

Wait, what?

[D]

I was in the eighth grade in.

[A]

In 86.

[D]

This was not 86.

[C]

The show was eighth.

[A]

So you didn't have. No. In eighth grade.

[D]

I ran eighth grade.

[A]

No, you didn't. No, you didn't.

[D]

I'm light skinned with curly hair.

[A]

That doesn't mean nothing. They like dark skinned dudes.

[D]

No, they didn't.

[A]

In eighth grade. You didn't have it. I'm telling you, this pre crack. You think it Was him in 8th grade? Pre crack. Light skinned.

[C]

N was.

[A]

Know what you talk about such a colorist. He's such a. He's such a colorist. Nah, hold up, hold up, cuz. When. When did Wesley Snipes. When did Wesley Snipes and Sean Connery put out Rising sun or whatever that was?

[D]

I was cr.

[A]

No, was it 90? I was an adult. I'm just asking when Rising sun came out.

[E]

That was later.

[D]

That was 93.

[A]

New Jack City, nigga. When did the Golden Child come out?

[C]

I was in elementary school.

[A]

Yeah, you. Yeah. Let's slow it down, man.

[D]

Golden child was 86.

[C]

Yeah.

[A]

Yeah. You wasn't him. I'll do years if I pull this trigger. We got a great show lined up for y' all today. So glad you could be here.

[C]

Salutations.

[A]

Looked around good and from expectations he

[C]

decided he hit for the subway but she was coming and he made a left he was running top speed till he was out of breath Knocked an

[B]

old man down and swore he killed

[C]

him Then he made his move to

[A]

the look, freeze Heard the song. Shout to the patronies out there Go subscribe if you are not yet.

[D]

Uncle Got the automatic pointed at her head he said the gun was full

[C]

of lead he told the cops back

[B]

off for honey is dead Deep in

[C]

his heart he knew he was wrong

[D]

so he let the lady go and

[A]

he starts to run on Sirens sounded

[D]

He seemed astounded and before long the

[C]

little boy got surrounded he dropped his

[A]

gun, so went the glory and this

[D]

is the way I have 17 in a madman's dream the cop shot the

[C]

killer still hear him scream this ain't

[A]

funny Shout out to the parents out

[C]

there Just another case about the.

[A]

All the colleges out there. Good night. That felt great. Amazing. All right.

[E]

I play this whole album on the way home.

[D]

You ain't over one word.

[E]

Okay?

[A]

Now go ahead and talk. I'm just giving you, like a music bed.

[B]

Oh, it.

[D]

I need to hit that whole album.

[B]

Turn that up.

[A]

N. This was that. This is. No. Now I'm starting over Now I'm starting over Now I'm starting over now we lit. It's Memorial Day week.

[D]

The tone of the Popeye cut Shook

[A]

your butt Kids are screaming, the media says, what kind of music is this for you today? Yo, this being a conscious record is one of the greatest tricks in hip hop history. Remember that. It's important anyway.

[D]

The shunless one Bring forth the fun, no hatred the summer's almost done no time for sleep Jump in your jeep

[A]

and pump up the holy beat A

[D]

ho re goes off Go smash it,

[A]

then trash it it's time to do it it's time to do it in

[D]

a casket Just boys and bring the

[A]

noise in Just swing it now party people, even the hook it is all conscious party records, man.

[E]

Bring them back. Bring back conscious party records.

[A]

Honestly, Honestly, Would they be able to be respected today? A conscious party record? Oh, people would call Cory N. They

[D]

got a bop if it got a bop. Cuz don't listen to words anyway.

[C]

Don't listen to words.

[D]

Don't be listening to no words.

[B]

They. It would have to be secret.

[A]

Yeah, you're right.

[E]

But that was kind of secret. I mean, not, but kind of.

[C]

It was. I heard that a million times ago. I never think about it as a. I a think about the lyrics.

[A]

When I score, I think about the lyrics. Well, I didn't know who the Yousef Hawkins was when I was eight, when I was a child, when the record came out.

[D]

It's a good point.

[B]

Shout out, Chad.

[A]

I mean, shout out to all those that paved the way for us to pursue our dreams and do what we love to do, man. It's not said enough. I'm appreciative. I'm forever grateful, Forever in debt. What the. Oh, where's Mark? There we go.

[D]

Who is that?

[A]

It's Mark. And Demona. What episode is this?

[E]

931.

[A]

Welcome to episode 931 of the Joe Button Podcast, brought to you by Feud, by Power, by Prize Picks, Prize Fix Gang. Yeah, I'm your humble, gracious, grateful, extremely happy to be here. Host Joe Button here with the dopest cast ever. You talking about, huh? Two times a week. It's an all star game. We are so blessed. To my right word. Don't call her white girl. Damona. Big Mona in the building. Finally.

[E]

Welcome back.

[A]

Miss you, Mona. Finally.

[B]

Jesus, I'm so happy to be here. I missed you so much, Dr. Freeze.

[D]

Thank you.

[A]

Oh, yeah, I forgot. I'm Doctor.

[B]

But are you a doctor, too?

[A]

Yeah, yeah, I'm a doctor.

[B]

Oh, my God.

[A]

I'm a doctor, too.

[B]

Oh, my God. Where did y' all go to school? Maybe I could slide through there.

[A]

Why?

[D]

My school closed.

[A]

Oh, no. I don't prove it to no nobody. I ain't got nothing to prove. I ain't got nothing to prove to nobody.

[B]

Nobody but the good Lord.

[A]

That's it. And the school I went to burned down.

[B]

Did it.

[A]

Yeah.

[B]

And the files.

[A]

The administrative department is going. It's over.

[B]

Damn.

[D]

Yeah, it's up.

[B]

No yearbook, no nothing.

[D]

All of your books was in there.

[B]

No MP3s. Nothing.

[A]

Nah.

[D]

Yeah, they it all up. They it up, yo.

[B]

No, no, no Dusty. Nothing at your grandma's. That's so trash down in South Catalina.

[A]

You all right? You're me, right? Is y' all any next to Mona? Huh? Real doctor in the house. Where the real doc at? Where the real. Yo, what did they used to chant in the party for the doctors? What was y'. All.

[E]

Nothing.

[A]

Nothing, Right? Nothing.

[E]

They weren't at the party.

[A]

So at the party, Is there a doctor in the house?

[C]

That was they.

[D]

Check somebody always.

[A]

Oh, they was going crazy when M dropped, I. What was that? Dre dropped. I need a doctor.

[C]

Doctor.

[B]

Oh, God.

[D]

That was a dream, right?

[A]

Yeah. Yeah, it was dream. We don't know. That's a shame.

[D]

I need a doctor. M.J. and Skylar Gray.

[A]

Anyway, Philly's finest again, Our good brother, Dr. Mark Lamont Hill in the building. Mark, how you doing, man?

[C]

I'm great.

[A]

What is your shirt symbolic of today?

[D]

You don't know that?

[A]

I can't see it. Oh, I can't read it.

[D]

Sidney and Mariah say me and Mariah.

[A]

Oh, got it. Got it. Babies and pacifiers. Stop ice.

[D]

I didn't pass.

[A]

You playing with me like that.

[D]

I didn't know you said. What is your.

[A]

Oh, you talking to me like I'm ish. Oh, you talking to me like I'm ish now? Oh, we gotta go out to dinner. We gotta go out to dinner.

[B]

You gotta see Ish face. When he realized that's what he said.

[A]

Yo, you saw that, right?

[D]

Boner? I ain't see the H at the end. I thought it was me and Maria.

[B]

Oh, okay, okay, okay, okay, okay.

[D]

I ain't.

[A]

My bad.

[D]

My bad.

[E]

See?

[A]

My bad. Anyway, next to Mark. Stop. Come on, man. Stop playing with my boy. Stop playing with my boy.

[D]

This guy's insane, bro.

[A]

Yo, let me hype you up.

[D]

Nah, I'm cool. We want to hype you up and freeze. No, no. Yeah. Exact.

[A]

Yeah, fuck out of here, Mr. Thousand Doors. And I'm Mr. That's that ish nigga. I don't wear it if I don't make it myself. You know what Time it is. Big Ish in the building.

[C]

Yes, sir.

[A]

You got to dash that ish socks on today.

[E]

Nah, I don't see that.

[D]

He.

[E]

I like to call him the Cipher incomplete.

[A]

You let him live. You let him live today. It's cool. It's cool. Next to ish. Stop playing with him, Mr. Take it further himself. Yo, Philly's fine. Ford's finest. What Ford for Harris's Harrison's finest. Make some noise. Big Steelers sixer fan. Big PA representer. Soon as the plates and everything represents Pa Don right out there. When he fell in love, you could tell nigga wasn't used to falling in love.

[B]

Up.

[A]

He fell in love and moved to BA In a month and was talking heavy. I'm never moving to New Jersey again. Talk heavy.

[B]

That's how the lesbians do that happen.

[D]

I want to move back.

[A]

I promise you. He said that to us.

[C]

I thought he moved for a job.

[A]

Yes.

[B]

It's mad cheap. It cost crazy.

[F]

They said.

[B]

They said Dr. Freeze moved out. That like a lesbian. You know them lesbians get. Oh, Monday. Yeah.

[D]

By Friday.

[E]

They moved.

[A]

Yeah. Book it.

[B]

Book it.

[D]

That be. You know what happened after U Haul, though?

[B]

What?

[D]

Never mind. Introducing Parks.

[A]

Elmyra's finest.

[E]

What's up, gang?

[A]

What's up? Parks is in the building. White PO Is here. In love. Corey is here. Fresh to death. Phelps is here. Huh? Huh? Erickson is here. Tanner and Savon from Blank Slater here by remote. Last but certainly not least, each and every one of you very important people out there are here. Don't forget, if you are not subscribed to the Patreon. Now is a good time and a good month and a good minute and a good hour to do so. How is everybody doing? How y' all feeling, man?

[C]

I'm feeling great, man. Feeling great.

[D]

Absolutely great.

[B]

I'm glad it cooled down a little bit.

[D]

Give me that heat.

[B]

That was n. That was too fat. That was mud. Butt heat. That was too fast.

[E]

You know, lying.

[B]

That was too fast. That's. That's ass sweat. That's too fast. We gotta. You gotta slow walk me to that. We don't go straight to 90.

[D]

Put that powder in there. You be good.

[B]

Oh, the powder and ass is not. That ain't gonna work. You know, Joe was. Joe grew up like that, putting powder and ass. His ass. We talked about that.

[A]

He grew up.

[B]

Oh, he still.

[D]

He got pounded his ass back. How you put it in there?

[A]

Grew up. Yo. Whoa, whoa, whoa. You just cuff.

[D]

That's crazy.

[A]

Strike one for him.

[D]

With me, he's with me.

[A]

Don't worry. Don't worry about how use baby powder when I'm fresh out the shower. My G. Yo, that's crazy.

[B]

I know you using some designer powder by now.

[D]

Some French.

[A]

No, I use the one that he use.

[D]

Johnson and Johnson with the kids.

[B]

The one that's causing ovarian cancer. Answer. Okay, bet.

[A]

Yeah, he don't have ovaries.

[C]

Okay.

[E]

It allegedly

[A]

I read that little report and was like, damn,

[D]

should be on sale now.

[A]

Double up.

[B]

It's really not funny though because that was a part of our like. Like, yeah, ghetto girl. If your neck wasn't white from powder, you was corny. So it's like we really did that and that was like frying us. That's fat. That's t. That's foul.

[A]

I never do whatever the commercial. Sometimes it ain't ads. And they coming on to tell you something that'll save your life. They talking to the people that occupy Earth. I don't ever listen. They come on and say, yo, if you bought chicken in the last two

[D]

weeks, don't eat that.

[A]

It's E. Coli in that. I'd be like, I'm putting this in the fryer. Right?

[D]

You was the first when they had what's the little bugs you got? Called them the.

[G]

The rich roaches.

[E]

Oh yeah, the rich roaches.

[D]

Yeah.

[A]

You was the first one to buck back.

[D]

He was the first one to be like, yo, I'm not killing them shits. Cuz they said it on the news. Everybody, as soon as you see it, kill it. This know the crazy.

[A]

The news left anyway.

[D]

Where they go? They left.

[A]

That is so that made the little show come right on. Tell you, yo, if you bought a Mercedes Benz in the last three months, your brakes don't work. Don't drive it. I be right. I be right. Scarlet, I'm late. I be like, good. I wasn crunched up. No way I need to.

[B]

I get pulled over.

[D]

I got an excuse.

[A]

I don't know, Mona.

[B]

I'm bad and I watched a documentary about like bad food that is real. Like it was a. Some type of outbreak at the peanut factory. But that's crackers, peanut butter, this, that.

[A]

Yeah, everything.

[B]

Yeah, really. Sat in his living room eating like a pack of peanut crackers. This on some hot and died in that. Cuz you wouldn't die off one pack of crackers, but if you ate the box, you would die. And.

[E]

And you definitely gonna eat the box.

[D]

I told you be selective with the box. They eating out here.

[B]

Dying on a roll already.

[A]

I'm I'm with you, Mona. When I die, it's going to be a big mystery. Don't. You ain't just going to be able to assume what I was in the house doing. I could have been doing any number of that. You ain't going to guess.

[E]

They didn't even think to check the peanut butter that ass.

[D]

I'm not playing. No.

[B]

This nigga's crazy.

[D]

Yo.

[A]

Yo is dumb, yo. Anyway, the Knicks have not lost the game since April 25th.

[D]

Here we go.

[A]

What is. Wait, why they mad at me?

[D]

Cause I got to come to work and hear this goofy shit. The fucking Cleveland Cavaliers coach need to be fired. James Harden need to get some of the money back. Like, this shit is annoying my nigga. See, he's stealing money.

[C]

Y' all too hard on James.

[A]

James Harden. No, I'm not.

[D]

All right, hold on.

[A]

He ain't been playing the great.

[D]

He ain't been. James Harden A like, 10 for 50 in two games, and the nigga's a orange cone on defense. What we talking about?

[E]

They put the orange cone on prospects. That was a turn style, bro.

[B]

Yes.

[C]

On. On the list of that's up. And I know you want to get back to your talking your. Nick.

[A]

I'm. I'm. I'm gonna allow y' all to hijack this with James Harden. Cleveland, Cavalier talk.

[C]

They in the same round. Y' all in?

[A]

Huh?

[C]

They in the same round.

[A]

Y' all in.

[E]

It's hard to tell.

[C]

Well, game one, for most of it, you could tell.

[E]

Not most of it.

[D]

Yeah, but the game ain't over. No, them four zeros is on the clock.

[A]

I agree.

[E]

Most of their run came in the third quarter.

[C]

I agree.

[E]

But the Knicks was up by, like, 10 early in that game. And then Cleveland came back, it was up by, like, 20. And then.

[C]

Yeah, that's all I'm saying. When it was up by 20, I was. I was about to hit the group chat and talk crazy shit. I'm glad I did.

[E]

I was at the bar. It was so fucking lit, Yo. We was coaching from the fucking bar. Scream. Everyone's like, don't change seats.

[A]

Do not change seats. Don't change.

[B]

Scratch your face.

[E]

That was funny.

[D]

Don't scratch your face. I'm not even a Knicks fan. I'm going out for these Knicks. I'm just watching ball. I'm looking at Instagram like, yo, this city looks so lit right now.

[E]

Why you look so befuddled?

[A]

Why do I hear the voices?

[D]

Oh, here we go.

[E]

Sixer fans and Laker fans.

[A]

Yeah. I don't understand. I don't understand why I'm even hearing y' all voice.

[C]

See, I be. This is why.

[D]

This will make me want to lose. I'm not gonna hold you.

[B]

The Knicks.

[D]

This why I want y' all to lose.

[C]

Me too. Just for you.

[D]

You need some humble power.

[A]

Nah.

[E]

That all these Philly boys.

[A]

Get your shit on. All I said was the Knicks haven't lost the game since April 25th. And then y' all came in with shit. I'm not about to go crazy here. As a Knicks fan, I don't think there's no real Knick fan in New York that's on some talk crazy shit we ain't never seen. We ain't never seen nothing like this.

[D]

There was after game one. After game one. Nick fans was talking hella crazy. They was talking crazy.

[A]

I'm talking about what real Nick fans really believe.

[D]

I'm talking about real Nick fans.

[A]

Die Hards. What do y' all believe?

[C]

Tell me what y' all believe.

[B]

What do y' all believe?

[A]

The Knicks playoff record from the year 2001 to. To 2019 or whatever was. I saw the stat this morning. 10 and 25. The Knicks playoff record. This playoff run is 10 and 2. Yeah, they on a nine game win streak.

[D]

In them two games, they only lost by two points.

[A]

Yeah, they. They beat. They beat and bludgeoned every opponent by double digits.

[D]

It's different.

[A]

The games they lost were by one. We're seeing in game adjustments from our coach. We not used to it. We seeing a bench that go crazy. We not used to it. We're seeing a team that know how to win different ways. A team that's persevering, a team that's not excited about being in the conference. There's mad things that I'm getting. Nick fans hitting me like, yo, it's starting to feel like. It's starting to feel like something it should.

[C]

It should.

[A]

So I'm saying Nick fans are not used to that. So for y', all, like, some of y' all know I'm really a Nick fan, right? So I would never think that y' all about to be mad at nothing. I got to say, this is since long over 1978.

[D]

Just don't want you talking shit. That's all. That's all.

[C]

New York fans are obnoxious when they win in any sport. And I'm from the second most obnoxious city when we win. So I second. Second to New York.

[E]

No, Absolutely not.

[B]

Are you crazy?

[A]

No. Number one.

[C]

No, we say the Same thing about y'.

[B]

All.

[A]

Yes, Boston is up to you.

[C]

Boston's number one, Phillies, number two, New York, then Philly. But my point is, I don't want to hear this talking because I'm around y' all too much. But y' all deserve it. Y' all have made a great run. You're playing great, great basketball. The in game adjustments, I love. I love the way. I mean, right now, watching Call Anthony Towns play a kind of point forward role. To me, that's one of the biggest differences from this year to last year is the playmaking. I. I like how y' all playing basketball. I just hate y'. All.

[A]

Jalen had a career high and assist the other night with 14 of them. Josh Hart had a career high.

[D]

That's what got in the.

[A]

In the three pointers. Yeah. Like in points, period.

[D]

It looks like the team believe now, like, all right, you. You ain't. I ain't gonna say off, but like, this one's struggling. Next man is gonna come up and step up. It ain't even like some teams you see with a superstar. It's like if he having a off night or off shooting night, like he's not getting his 30, 40, something like that, the rest of the team kind of get a little discouraged. The Knicks don't look at that. Don't look like that now.

[E]

Cause Cat was struggling in Game 1. He just got the ball out of his hands, bro.

[D]

That shit I saw Josh Hart do in the last game. I'm like, oh, yeah. They believe the whole team has bought in there.

[A]

Yeah. Nah, the Knicks look great. So I take my ass. Me and Ian. Me and Ian go to the Knick game. Ian is such a bird. Like, he really enjoys these Knick games.

[D]

I could tell.

[A]

How does that make him a bird? He's not a Knick fan. Fan.

[E]

Oh, who's he a fan of?

[A]

He's not a Nick fan.

[C]

He's not really a basketball player.

[A]

He's not even really a fan of anybody. He has so much fun at the games and he's collecting cards. So now he gets excited when Shamit comes in and you know he's a part of that.

[E]

I wish we got more.

[D]

I saw Ian jumping up and screaming.

[A]

I'm like, look at this guy.

[C]

Yeah.

[A]

So we get to the game, I try to warn him that that conference final energy. I think we went to the first round, first round game where we lost by one different conference final energy. If you just turn the TV on in New York, yo, if you listening and you're not from New York.

[E]

Sorry.

[A]

I'm telling you, the energy is very different in New York City right now. It is.

[C]

That's right.

[E]

It's very different from anything we've ever seen outside of maybe the Giants in those couple years because the Knicks have had such a long drought of this level of success.

[A]

Knicks doing this is. Yeah, they got streets blocked off. They got mad cops, cops, fire hoses. They got shit. They got.

[D]

It's.

[A]

Fuck, it's a mess down there. So anyway, we get to the game. We get to the game. Pandemoniums, paparazzi. Everybody who's anybody coming in there, we get in the elevator. Packed elevator. Like, it's packed. I guess me and Ian, one of the first people in there. We walk in, there's a couple people in there. Nigga Bon Jovi walk in the elevator. Oh, okay. Got it.

[C]

You recognize my face?

[D]

Big jersey. Big jersey. You recognize him by face? Ian nutted on his house.

[A]

Yes.

[B]

That's crazy.

[A]

Your buddy. Buddy. Yo. Bon Jovi walking the elevator with his family. I want to tell y'. All. Cause I don't. Bon Jovi one of them that you know and you and you love. But I don't really think about him every week.

[E]

Sure, sure.

[A]

Bon Jovi looks incredible.

[E]

He does.

[D]

Yes, he does.

[A]

That nigga hair is on the glossy, good white gray. He don't look as old as he maybe is. He's still fly and fresh and swaggy. So he in there with his family. They hold an elevator for Senator Bradley. Bill Bradley to come in.

[E]

Okay.

[A]

Bill Bradley done got a little older. So now Bon Jovi is grouping out for Bill Bradley on some OG respect. Just like Senator Bradley. Senator, you know what I mean? Shaking his hand. Ian is still coming. He next to me. He coming. So I'm just laughing in the elevator. I'm like, cuz he look at you being a fan and a. Just a groupie. So we get off the elevator.

[D]

I mean, Bon Jovi a good person. If you was a good person, a groupy moment over.

[A]

So I look at him, I'm like, why you such a. He said, buddy Bon Jovi. Did you see Bon Jovi? So I clown him, right? But this is why God got the greatest in the world. I said, ian, first of all, act like you've been. Been somewhere before. All right?

[D]

Awesome.

[A]

He's just a huge human. Like, what do you want me to get excited about? Bo's alive. We know. We know you excited.

[B]

You.

[A]

You with me.

[D]

Just be cool.

[A]

Like, don't ever make me look uncool. Like I'm serving him up.

[D]

Of course, of course. Then what happened?

[A]

He a get his little hamburger. But listen, I know all these people. So walk, raise your whoever. Who gives a about who cares? Hey, Olivia from Lauren. Order what you got.

[B]

And I don't.

[A]

I'm not with the celebrityism.

[C]

I'm not sure.

[A]

I ain't with it until right. We went sat down in the seats mad early too. We like 30 minutes early. So we there chilling. It's empty. If that Joe come, he sit like down there a little bit. So Ian excited. Cause we normally right behind Fat Joe and it's the big nigga, him and rich to block the fucking view. So Ian's hyped that Fat Joe's out here. So now Ian is like, ooh, I wonder who's gonna sit in front of us. Nigga, I look to my left, Jason Bateman started walking through. Yeah, nigga, Jason. Jason Bateman sat in front of me. You not. Yo. You see my face? He looked. Yo, Jason Bateman. That's Marty.

[D]

That's Marty.

[A]

Nigga. That's dtf. Say that's. Yeah, yeah. How you not gonna.

[E]

Did you get a pick?

[A]

No, I'm not with that got y somewhere. Yeah, I'm not.

[D]

We're gonna read the pride list.

[A]

But the funny thing thing is he was just mad fly. Sure, he was cool. Like, they brought him to see, turned around, introduced himself. Hey, go Nick. Say whatever. He was social. He wasn't one of them. Uppity. You know how you meet a nigga that you know from TV and you a fan of, but you see him be a dick and you're like, man, fuck this nigga. He was like the opposite. Everything he did was swaggy and just fly and cool. Even how he texts. Like, I was doing that. I was looking.

[E]

Bird?

[A]

Nah. For real.

[E]

Bird.

[A]

Nah. If I'm sitting behind you and you texting somebody. Texting somebody.

[D]

Oh, my God.

[A]

Sorry. Sorry.

[D]

You in the phone.

[A]

Sorry.

[B]

He's lying.

[A]

I'm like, all right, what we telling Tracy was writing a book to Tracy. You think now I'm not.

[B]

Every time I try to save him.

[A]

No, I'm not kidding. Wait, what you think they made privacy screens for me?

[B]

That. That is.

[A]

Anyway, so I was a groovy for Jason Bman.

[D]

That's funny though.

[A]

And then I understood him a little bit. And then I tried to think of the list of people that would get me. I don't think it's a lot of people. And it's weird people too. Like, I Didn't even know Jason Bman would do that for me.

[E]

Yeah, yeah.

[A]

I'm a huge.

[E]

We watch a lot of tv.

[A]

I'm a huge.

[D]

Seen him in his draw on that dtf.

[A]

All right, that's strike two. Very early. That's strike two. Very early. From.

[D]

From.

[A]

From early. Yeah. Yeah. We ain't even get to the top. But anyway, we had a good time. Time. Go, Nicks. I saw. Who else did I see? That was Donovan Mitchell's dad. I saw him, spoke to him. Shout out to Pops.

[E]

I love Donovan Mitchell, man. I wish he was.

[A]

I mean, that's what I said, dude. Listen, dog, I love your son, but I mean, tonight.

[E]

Yeah, not tonight.

[A]

He said. I get it, man. He said, listen. I listen to y'.

[D]

All.

[E]

Oh, word.

[A]

Oh, like, I want you to know I love y' all and I listen to y', all, man.

[B]

Man.

[E]

Salute, salute.

[A]

Fly, man.

[D]

Now it's going to make it even. I don't want to have to. I'mma keep my comment.

[A]

And Donovan Mitchell is that dude. He's one of my favorite basketball players. He's that dude. I don't care. I don't care how he's doing in the series. He's that dude.

[E]

I want him to go somewhere.

[A]

He's scary still. He is.

[D]

Me, too. He tried. He tried.

[E]

I know he tried.

[A]

Yeah, but. Go, Nick. I don't want to hold this podcast.

[D]

I watched the game and I saw y' all at the game.

[C]

You left something out, Joe.

[D]

Yeah, you left something out, Joe.

[A]

You.

[D]

You recapping things that we saw at the game.

[E]

I didn't see him on tv.

[D]

Oh, I missed. There was one particular one that I'm talking about. One of the Cavs players was shooting a free throw way on the other end. But you know how they line that camera up where they look right at the person shooting a free throw?

[E]

Yeah.

[D]

Yeah. So right behind him is a perfect shot of, you guessed it, Joe Button. What's my guy doing?

[E]

Picking his nose.

[A]

No, double twisting. A glizzy.

[D]

Bending down.

[A]

Oh, my God, it's true.

[D]

You was bobbing.

[A]

It's true.

[D]

Yo, I was like.

[B]

He said, oh, my God, it's true. Under his breath.

[D]

No, I just looked. I watched it, and I'm watching the guy. I said, oh, they got him.

[C]

Yeah.

[A]

That's all I said.

[D]

I was like, they got you look

[C]

like you thought you was free. Like you thought nobody.

[A]

I thought I was free.

[D]

I'mma pause it now. This what your man was doing, though?

[A]

Yeah, it's true. It was bad. Big bite sour got him on the first bite.

[B]

Oh, sauerkraut is.

[A]

It was bad. And if you a glizzy eater out there, like I had the way I had did the mustard and the ketchup packages, like, I didn't want it. I didn't want. Was right there. So you had to do the big. To catch the drip. Yeah. What's up with you?

[D]

Disgusting.

[A]

But I'm telling you, that's why I did it. And I thought that they were shooting features.

[D]

I'm not going for it. I understood. I said, damn. All the action way on the other end. That's the time to do it.

[C]

Right.

[D]

They got him.

[A]

And you know the funny. I wasn't even. The hungriest. I wasn't even. But when the first quarter went good, they put up a picture of Method man on the. On the jumbotron. They like, yo, at halftime, Method man performing.

[D]

That made you want the glizzy.

[A]

That made me want to bust a move in the second quarter because I wanted to see Method man got it. So in the second quarter, I went in the top, I went to get a hot dog, came back, missed three minutes. I'm like, all right, now I'm here for the halftime show. They. I should have just.

[D]

Yeah, that was. That was bad.

[A]

It was. That was rough.

[B]

Ketchup and mustard and.

[A]

What do you mean? Why?

[E]

It's a glizzy. Huh?

[B]

Okay, come on.

[E]

You can max that glizzy out.

[B]

Just keep going.

[A]

I. I was mad. They have onions.

[E]

Hold on.

[D]

What you put on the glizzy, Mona?

[B]

First of all, what I put on a glizzy.

[E]

Chicago style jalapenos, all that.

[B]

When I put on a glizzy at the crib or somewhere. It's totally different than what the. I'm putting on a glizzy at a Knicks game. You can't just go line and mustard or line and ketchup, cuz you in the street, you going slop that up.

[C]

He slo.

[D]

That's crazy.

[B]

Y' all are tripping. I am the shirt 3000. You just got a nasty sloppy ass chili cheese dog at the. It's. Let's just move on, guys. You disappoint me sometimes.

[A]

Yeah.

[B]

Like, it's like, have some cool. That's the leader.

[D]

Like you've been somewhere.

[B]

Walk around getting caught double fisting a sour clout, loaded ketchup, mustard, glizzy on a big screen. And you the leader of this show, man.

[A]

She's right. She's absolutely right.

[B]

She need some pr, man. Jovi. We need some outside PR Parks. Get on it.

[A]

I'll work on it. You're right. You're right. My bad. Anyway, go. Nick. Somebody tell me about. Somebody tell me what. What's happening with Hooters? I see Hooters up there. It looks like fun. Let's do it. Straight from the Glizzy Talk. Just.

[C]

Just.

[D]

Hooters is trying to rebrand. Yo. They rebranding this family friendly thing. I had the shorts. They trying to come to Hooters and they got some long knee shorts on. I'm leaving. Problem. We didn't go. We didn't go for the food.

[B]

It's about to tits. Right, Guys?

[A]

The wings are good food.

[D]

I'm just saying that wasn't what was initially going for.

[A]

It ain't bad initially. No. But at some point they start putting small breasted women.

[B]

Yeah. Them little titties took over.

[A]

Yeah.

[B]

And it was like the titties. Let's just get some chick. Get a 10 piece.

[A]

And the Hooters was never.

[B]

And they wasn't that cute after a while.

[A]

Or they wasn't me.

[D]

Y' all go to Twin Peaks for that. But anyway. Oh, that's what my man told me. My man told me.

[E]

What's Twin Peaks?

[A]

It's. It's like a. Yeah.

[D]

Down south.

[B]

Okay. It's the one where they at Burks.

[E]

Oh, word.

[B]

Yeah.

[A]

Issue chicks out of Hooters before. Since you looking at me all stupid one.

[D]

Yo, you everything.

[A]

Word.

[D]

I don't. And I didn't. I said

[A]

10,000, 12,700.

[B]

How many women y' all have had sex with? Do y' all know that?

[E]

Yes.

[D]

No.

[B]

Is that high class ass act?

[A]

Hello. I don't give it away like them.

[C]

He's just lying to you.

[B]

He has an estimation.

[D]

No.

[C]

Yeah.

[D]

I'm a tuck.

[A]

Yeah. I have a ballpark.

[B]

He has a ball. And I respect that. Do y' all have ballpark?

[D]

No. Because he got a number that he lied about because he don't claim a bunch of. And then he got what his number is.

[B]

Well, certain things you don't claim. Like if the die. They off the list.

[D]

I was out last the other night. Some information ran across my feet like a mouse. Oh, okay. Just scurried across my feet like a mouse. I jumped.

[C]

Jumped.

[E]

I said.

[A]

Really?

[E]

Yeah.

[D]

You know, Joe. You know what I mean?

[A]

No, I don't know what you mean. I don't know what Joe.

[D]

No, I don't.

[E]

You.

[D]

You. You could infer.

[A]

I can't. You could give me. Give me. Give me some more Clues.

[D]

You wouldn't claim this.

[A]

Oh, this tell. I don't what happened.

[D]

I won't.

[A]

Somebody came up to you.

[D]

You my man.

[A]

Somebody that I did something to.

[D]

You know what I'm saying?

[A]

Sticking the cats out the bed.

[D]

You would let the whole cat caboodle and everybody run and add some lies to it and it'll be on your page at 7 o' clock in the morning tomorrow. Do that to you.

[A]

Cause you my man. I. I think it's all entertainment. So if somebody has something funny to

[C]

say that mean I can edit it if it's too.

[D]

It's cool. What's your number, yo? What's the range in your numbers?

[A]

Oh, we starting with me doing this.

[C]

You're the leader. We're engaged. Our lives based on yours.

[D]

Yeah. Word.

[A]

Oh, then nevermind then.

[C]

No, no. What's the range?

[A]

Let's call it 350.

[D]

I distinctly. Because I've been on the pie for a little while.

[C]

I've been hearing loss of heroes under 100.

[D]

Not you too.

[C]

Yeah.

[D]

My ears couldn't be deceiving me, Mr. Dr. Lamont Hill.

[C]

It's Reverend now.

[D]

Pardon me, Brad. Nigga, you just had 121 50. 50 like eight months ago today.

[A]

I'm saying 350.

[D]

Oh, you've been busy in the last six months.

[B]

Your fellow brother. Excuse me.

[A]

Don't say nothing. Because when I start. When I start, I'm letting y' all know we teetering past Jokeland. When I start firing, when I start firing back.

[B]

Okay.

[A]

I'm letting it be known.

[C]

Please.

[A]

You guys is good.

[C]

Go Mona.

[B]

I wish you we going in order. We ain't going no order. You next.

[C]

We feminist up here, man.

[A]

Give a women.

[C]

Women had the same rights. Equal rights, I believe. Equal rights.

[B]

I ain't bring this up.

[C]

You just said what's your number?

[B]

I don't remember saying it. I don't remember saying it. Beside he don't remember saying 150. That's where we at on this couch. Our reality is whatever the we want it to be at the time we want it to be it. Next. Mark. Go ahead.

[C]

It's a little. Maybe more than 20.

[B]

Educational number.

[A]

All right, we can move on.

[D]

Said more.

[B]

Go ahead. Is

[E]

he got mad serious,

[B]

huh?

[D]

I have no idea.

[C]

More than 500.

[B]

I have no idea. It's so dirty.

[D]

No less than that.

[B]

More than What?

[C]

More than 400.

[A]

Yo, can we please just get back to the topic?

[C]

Hooters, please.

[A]

Yeah. Thank you.

[B]

Hooters.

[A]

There we go.

[C]

No more Hooters than Hooters well, yeah. Cause like, what they said. So first of all, it's been bought. Somebody bought the ip, okay. And they want to rebrand it as a neighborhood place. In fact, as they call it, it's going to be the neighborhood Hooters. And they said it's past the time where you could use that. Like, Hooters was, like. It was kind of fun in the 80s and 90s to call women's breast Hooters. You can't kind of do that no more. It's like, not jugs. Yeah. You can't really get that off no more. And even the uniform, the bikini top with the dolph shorts on top, like, you can't really do that anymore. And they're saying they're losing a lot of customers. Not, like, forget political greatness. They saying, like, they're losing too many customers. And, you know, I think they should

[E]

have went to asses

[C]

Thighs.

[A]

There you go, right there.

[D]

Hooters are playing out.

[A]

Thighs.

[D]

Thighs, yeah.

[E]

It's 20, 27 now.

[C]

The brand is so strong.

[B]

I don't think it's nothing you can do in that arena in this climate. It's not going to work. Like, I don't think you could do nothing in a corporate level like that. I don't think so. Unless you straight doing a strip club.

[A]

Depending on what your plans. What your plans are. Like, what are your goals for the company? And listening to y'.

[D]

All.

[A]

If I'm. If I'm. If I purchased Hooters as a new owner.

[C]

Yeah.

[D]

And it's time to clean that up.

[A]

Yeah.

[D]

But, yo, if it was successful, they wouldn't have been selling to me at this moment. Right. The harder part about rebranding something named Hooters is the name put some house. When you start thinking about.

[E]

Been awesome.

[D]

But when you start thinking about Hooters, you're thinking about titties.

[C]

See, I'm thinking about wings now.

[E]

Yeah.

[A]

Word.

[C]

You know how the brand is so strong, like, to me, like, Hooters. I don't even. Like, I don't go into Hooters expecting to see titties. When I was 18, I did.

[D]

I was like.

[E]

But we haven't called Tits Hooters since 1984.

[C]

So that's what I'm saying. I don't think people even associated that much with, like, a sexual thing.

[B]

Kids to go eat at Hooters, though. You don't say, hey, kids, y' all fingers.

[D]

Well, that's what the.

[C]

The.

[D]

The new owner was saying. They're like, yo, yo, it's when you go into Hooters in certain locations. It's families in there. So we don't want our image to be this. We want to rebrand it and let y' all know, hey, this is a good spot to bring your family.

[C]

So what do you do?

[D]

Have them have owl costumes on what we talk about.

[C]

You can also get minimum because, you know, and I think it was 97.

[A]

They did you say, what do we do? What did they do?

[D]

He said, put minutes.

[C]

Yeah, because what. Because in 1990, I think it was 1997, they had that big lawsuit men for discrimination because they weren't allowed to work. Work there. And.

[A]

Huh.

[C]

Yeah.

[B]

I mean, like, I have Hooters.

[A]

No, you can't work here. You.

[C]

But I'm just saying, if you want to make it family friendly, don't make it like a spot. That's one way to rebrand it is to have dudes work there too, because then it won't feel like as much like a table.

[A]

That should be called dude Hooters, though.

[D]

Duders.

[B]

The only way duders something else they could rebrand. They would have to totally get away from what they originally started. It had to be a complete new thing. Like, I just think that's dead. The days of like, you know, the stripper car washes and all that, like, that shit is just. We just. It's time sucks now.

[A]

Bottom line.

[E]

Yeah, something's lame.

[D]

Lean more into the owl. Yo, only fans killed that shit, bro.

[B]

I used to want to start a maze services with like, only bad bitches and make them wear tight pants. And I remember I fucked up. My biggest thing was to think of how to do that without going. Getting sued or getting in trouble. But it's like, I want old. The older guy, like Mr. Johnson be like, oh, I want that. That girl with those pink outfits to come.

[D]

You know what I mean?

[B]

Cuz they come with big titties and fat asses.

[D]

I thought about it. Dead ass wanted to do it. It ain't bad. That's a really good idea. I had a name and everything.

[B]

So do I.

[D]

What's the name?

[B]

Health check. Why the would I do that up here?

[D]

I tell you what. What was your name? Dust bunnies?

[E]

Yo, Dead ass.

[D]

It was an idea. That ain't bad, dog. I'm telling you, bro.

[B]

You lost your idea, bro.

[D]

You think I'm.

[A]

Huh? Bunnies lost it.

[B]

I'm not gonna do it. None of these niggas are gonna take it.

[A]

It's some bad bitch.

[D]

I'm not gonna do it. Anyway, but I remember when I first started buying property, this kid, he had a service where they would come clean the houses. And he had two chicks and they was fire. And I was like, yo, this is a good idea. If he expanded on the idea, that'd be a dope ass idea. And no lie, they ain't even do all that good of a job. But everybody used to.

[C]

Hooters wings ain't that good.

[B]

Like my thing is because, you know, now it's companionship, right? So people, people book people to go to their grandparents house. They clean, they do light cooking. They do light cleaning. Light cooking. They help them with their medicine. People that are still kind of mobile, but they need a little help. Yeah, that's what I was talking about right there.

[D]

Talking is the bigger thing.

[B]

That's the whole thing. It's really a companionship.

[D]

Companionship.

[B]

I wanted to totally have all girls dwelling down big ass, big titties. And I wanted them to have like bright color scrubs so the old people can remember. When that company come with the pink scrubs, my dick get hard. I want them. Genius. All I need is the money investor. The ideas are here. Babe, you got the bread, man. Oh, my God. Somebody here just said escort cleaning service. We're not talk, we're trying to keep it pg. No, you ain't just trying to bend over and dust some off.

[D]

Now let Mr. Johnson get a little peek.

[B]

Slide around in these scrubs. We ain't got nothing to do with that.

[D]

Let Mr. Johnson get a little peek while she bend over. That's it. That's mistakenly touch it by mistake.

[B]

I know. I'm gonna take that too far. I'm gonna add him in there.

[A]

Okay, well, congratulations to Hooters. We wish you much success on your rebrand add endless shrimp. That'll do it.

[D]

Shrimp boil.

[A]

Yeah. Wait, what'd you say? When all else fails, sell.

[D]

Well, she got a point.

[A]

What's up?

[B]

Come on now. When they get dark.

[A]

This is a fan. I ain't dabbing that. They already think I'm the damn escort whisper.

[B]

Sitting on a bag of diamonds. That's what my grandma used to say.

[A]

What?

[C]

Sitting on a bag of diamonds.

[D]

No wonder you don't like. What the.

[A]

You sitting on a bag.

[D]

That's nuts, bro.

[A]

Okay? Speaking of sitting on a bag of dots Diamonds. Great transition. Allegedly I had another segue that was perfect, but I just can't bring myself to do it.

[B]

Don't do it.

[A]

Yeah. Nah, I can't. So Sweetie is being sued. Who's suing Sweetie Ice.

[D]

A Japanese promotion company, Moon Dream.

[B]

Take it out, Joe. Take it out.

[D]

Yo, if I did that, if I did that, you would be looking good, right?

[E]

Yeah, you really ised out right there.

[A]

Yo, you went full. Sorry.

[C]

That was wild.

[B]

That kind of stuff.

[A]

Yo, remember when they were spinning Bruce Leroy when he was trying to with

[D]

the Fortune Soul brother number one.

[A]

They were spitting the out of Bruce Leroy. All right, I'm sorry. Go ahead.

[D]

I watched that like two weeks ago. But yeah, Japanese promotion company, they filed a lawsuit against her and her torrent company alleging fraud and breach of contract over four Japan performances that never happened. They said she agreed to perform for $200,000. They gave her 100 grand deposit, helped her secure her visa arrangements and everything. And then she allegedly performed for other people on the same date instead of honoring her contract.

[A]

Oh, she don't know.

[D]

They suing her for three million.

[E]

For three billion?

[D]

Well, yeah, because they, they claim the money lost on the venue promo merch and expected profits.

[E]

Yeah, it might be taking the light.

[D]

Yo. If you gave her 200, you expect to make a meal at the door at least.

[C]

Yeah.

[D]

With everything. Yeah. And then merch. All that other shit. What?

[A]

Or at least beat.

[E]

Yeah.

[D]

Cause hey, that's what my mom.

[A]

Hey, my, My type is a cool song and all, but

[B]

you know why you're here?

[A]

200 grand. What? Sweetie said.

[D]

Okay, 50 grand a pop.

[A]

Yes, that's what we say.

[D]

Long weekend.

[A]

I know, man.

[D]

Holiday.

[B]

She's a great performer, huh? She's a great performer.

[A]

I I with a couple Sweetie records, but this is getting out of hand. 200 grand on a Japan.

[B]

I think a lot of people, a lot of musicians are making money off of that. Like investor from across the world.

[E]

Oh, for sure.

[D]

Go perform and put on a great performance in hopes that they bring your ass back.

[A]

Why would you want to rob the Japan company?

[D]

Because another bag, a bigger bag came through.

[A]

It was local. No, that's.

[E]

That's supposed to came through something tell you why.

[D]

What you got going on that weekend? No dub that. No, you can't do that.

[A]

That's like. That's like when I was driving through Utah and they gave me a ticket, talking about, you're gonna have a warrant in Utah. Okay, guess where I'll never be again. I mean, that's how Sweetie gotta look at it, right? Like, oh, Japan, I'm taking your money.

[E]

You might want to go back to Japan.

[A]

I would think that. Yeah, I would think that.

[E]

Whiz with his in Romania or whatever. I get that one.

[D]

I get that. Yeah, I get that too. And I'm not showing up for that

[A]

if I'm willing Sweetie gotta learn how to pull the old MF doom. Who else? Who else want Jeremiah? She gotta learn how to get another girl. Send her to Japan.

[E]

You can find another little BBL girly. You know what I mean?

[B]

I've seen a couple people do that and get off with it.

[A]

I root for Sweetie, but I just don't like her scams. Oh, my God. It's never a good scam. She was just a fucking cute scammer. The scamming bitch.

[B]

Sque is the scam artist.

[A]

Yes. Now. Yes. What do you mean, now?

[D]

I mean.

[A]

And I'm not the first story we've

[B]

heard with some and it's the similar. It's like always the same Bop mon.

[A]

I hate you. You on some scammer stick together. That's exactly what it is. Yeah. You like most honorable

[B]

write.

[A]

You like police in the blue wall when it come to scammers. Oh, oh.

[B]

I think that people use the scammer term loosely. I think sometimes people just bad business practices. It gets like turned into this person that's like hunting people out, trying to

[D]

rip them off, but they kind of.

[A]

You don't believe nothing the best friend was saying. Did you see what the best friend was saying?

[E]

Did you see this?

[A]

I know you've seen it because you be online. Did you see the stuff back in the day that sweetie best friend was saying about the soccer player dude and yeah, what we be doing? You didn't the first one.

[B]

I wasn't best friend. That was the madam Joey Y. What's going on? Pr I DM the asked her if she had any room in her arsenal repertoire.

[A]

You got any room for a big white girl?

[C]

Yeah.

[D]

Stupid.

[A]

Oh, those rates would have changed. Yeah, you go from the Sweetie and Mona show up. Yo, that be like on Back Page back in the day. On Back Page. Hey, yo. Hey. Only fans got y' all spoiled back in the day on Back Page. You ain't know who you was ordering. Hey, you were just ordering a. I've heard that you had to call and talk to. Yo, how you look?

[B]

All right. It's a shame you got their head chopped off. You just see the body down doing

[A]

this show with all these people and

[B]

everybody talk at once. It's easy for things to go over your head. And it's a clip on Tik Tok where I'm talking to my brothers. At least I thought these were my brothers. And it's Joe here and he me and he here and I say what I would do on only fans and how much I would want. And Joe burst into laughter. And he, man, he's doing this saying basically like, no, he was doing this because my price was too high. I wanted $19.99 to tell jokes on my panties while I ate snacks. How's that too much?

[D]

You'll get that all day, my nigga.

[B]

My nigga.

[A]

That's why you want my nigga is why you won't. I know he being supported.

[B]

As soon as I said the price, Joe just burst into lady. And I'm just sitting there lost. Like. What do you mean?

[C]

What do you mean?

[B]

I don't get it.

[E]

I think you get it too.

[D]

Yeah, you got it. I think that's low balls to be

[B]

sucking them dicks and dildos.

[D]

Well, I mean, I found that's low

[E]

for the dick sucking, dildo sucking.

[B]

Okay. I mean, what's the average price for like a girl with a fupa?

[A]

He's married.

[B]

Oh, come on. He should really know.

[D]

I don't.

[E]

I don't subscribe to any FAA girlies.

[B]

Okay.

[E]

So I can't answer that.

[B]

You fupa. Shame.

[E]

No, I'm not against it. I just, you know.

[B]

You just rather not.

[D]

It's not your. It's not your bag, personally, but if

[E]

they were telling jokes, I might be.

[A]

Oh, it's a good. Oh, see, that's funny.

[C]

Eating.

[D]

Eating muffins in the bed.

[E]

Yeah, yeah, muffins.

[D]

Yeah.

[A]

Last week or so or two weeks ago, I followed some new girl on only fans, right? Just cuz I was bored of these same old motherfuckers. So anyway, she in there and clearly she's a. She's big on role playing. Okay, so in the videos she's role playing with you, but ain't nobody there.

[E]

Okay.

[A]

It's the funniest thing you've ever seen.

[E]

It's like J O I.

[A]

It's the funniest thing you've ever seen.

[D]

She's a great actress.

[A]

Her acting out this role playing to nobody, that's so.

[B]

It's innovative.

[A]

It is. No, I could tell if it would if she try that shit in a real club. So somebody is good as God, no.

[C]

Somebody.

[A]

No, I ain't even gonna say that.

[D]

And you like the porn where they talk?

[B]

I love story. That's how she got him. Hooked him in.

[A]

She got him what?

[D]

She was yo, PSNG chick or something.

[A]

Come in, check my beaters.

[D]

You behind on your light bill? Well, what can we do? The fix we got to work this out.

[A]

Wait, the funny shit is she. She in her room. But it's the club. So. Hey, you in the club. I see you and then she take you home.

[D]

But she's still in the same room.

[A]

She came out the closet.

[D]

She got a stage production over here in the room.

[A]

It just turned black and turned back on with like purple lights now. Ooh, now that we finally made it, the ain't creative at all.

[E]

She got a separate production up.

[A]

Leave her alone. She need producers, right?

[B]

She got the right idea. She just needs somebody to help her achieve it. Girl, we see you. We watching you set the living room up.

[A]

Anyway, Sweetie, give Joe funny. Give Japan they goddamn money back.

[B]

Sweetie or not, girl, it's always China.

[D]

Don't play around. That's not true. Around if you want. Cuz you around and get a real bag and got to go to Japan and you step off that plane.

[E]

Wait, $200,000 isn't the real bag?

[B]

No, I'm just saying Sweetie, that is the ultimate bag.

[A]

But for. Hold on now.

[D]

It was for four.

[A]

Four.

[D]

4:50 a pop for four days.

[A]

But.

[D]

So let's just say she get a movie role or some like that. Where you got to sweetie?

[A]

Don't need an analogy. That is. No, we are not analogizing the Sweetie topic. Sweetest kid. Let's say she gets around.

[D]

Be booked over there and be Sweetie,

[A]

Sweetie somewhere booked right now. Shout out to Sweetie.

[B]

Shout out to Sweetie. Pretty ass. So.

[A]

Oh, man. Sweetie. Yeah, that's true. What else, what else, what else, what else, what else, what else? What else? We did Hooters. We've done Sweetie. Listen, I'm really anxious to see how does Iceman now sound to you guys

[D]

a week later after sitting with it.

[A]

Yeah, them people will have my ass. I meant to start the part like, yo, how does it sound now?

[B]

I'm so happy.

[A]

Boy.

[E]

So you're happy you missed him?

[B]

Yes.

[E]

You don't have no insight.

[B]

I mean, I don't know. I did today. This cool. Pretty. He's. He's Muslim now.

[A]

Oh, cuz. He said stop.

[B]

Yeah, he's speaking Arabic.

[C]

He's Muslim who drink.

[B]

He said my homies. Something. Yes. Oh, Drake fan. Why do I have to be a Drake fan? Why you don't.

[A]

But nobody even said none of you. Just letting him know, right?

[B]

I just wanted him to know that I was.

[A]

Oh my God. All right, we did Sweetie. We did Hooters.

[C]

Might as well hit Floyd real quick.

[A]

Let's hit Floyd.

[E]

Yeah, let's do it.

[A]

Let's hit Floyd.

[D]

O. Floyd.

[A]

33,000amonth, plus ability to back pay, right?

[D]

Yeah, plus nine for which.

[A]

Well, the back pay I ain't mad at because you got to try to get low. And if they find you, then. All right, all right, you know, how.

[D]

How long was I.

[A]

How you ran to play. Hey, how. How old is he? All right, fine. He got me. All right.

[B]

What is this? A sum up of all the kids or just for 1k?

[A]

One kid. Go ahead.

[D]

No, no, have at it.

[C]

He has a. A club, an adult spot in Vegas.

[A]

Girl collection.

[C]

Yeah, that's girl collection. And he apparently, according to these allegations, he's been dating her for eight years and got her pregnant four years ago.

[B]

And she works there.

[C]

She works there.

[E]

Wait, wait, hold on. I'm trying to do a little bit of math. They've been dating for eight years. She got pregnant four years ago. Where's the other four years?

[D]

That's the four years that the baby been here.

[E]

Yeah, but if they've been dating for. Okay, carry on.

[C]

And he's been denying paternity for those four years.

[E]

Oh, I see.

[A]

Yes.

[E]

So it was eight years and they broke up.

[C]

Yeah.

[E]

Ah, I see.

[C]

Well, she says they broke up. I should say they started dating eight years ago. She says he broke it off once. She said she was pregnant. He encouraged her to explore her options.

[B]

That'll do it.

[C]

She didn't explore said options. And then she said, it's your kid. He said, well, I was not. She went to a judge. Judge says, you gotta go to. You gotta take a DNA. DNA test. He refused to take the DNA test. And according to the reports, they just made a judgment in his absence. Because if they tell you to take one, you don't take one. You don't. You can't just beat that forever, right? So they said, well, then it's your kid. So now you got to pay a 32. Is it 30? 32,000amonth.

[D]

It's a lot.

[C]

Yeah. $32,850 in monthly child support and $933,000 in back support floor.

[A]

Lloyd, you had the right idea the first time, man. Go ahead on in Dubai, get kidnapped, man. Go ahead, get missing.

[D]

Sheesh.

[B]

Yeah, you need that far.

[A]

They've taken me. They've taken me hostage. Hostage.

[D]

I can't come back. Tax write off.

[B]

I will never for the life of me understand why. If your nut is worth that much money, why do you come in people?

[E]

Yeah, being rich and horny.

[A]

Sounds, dog, you sitting on a bag of diamond, bro.

[B]

At the end of the day, Though it's like, bro, you know what this can do with it? So, like, what's the big deal, cuz?

[D]

Think they can talk him out of it? Think they could just buy her into exploring her options like that?

[A]

Oh, these better get hip to the game. Talking them out of it ain't as easy as it used to be.

[D]

They learning now.

[B]

Yeah.

[D]

Talking about it, especially as you climb that, it's more about where the man is.

[C]

That's what I'm talking about.

[A]

Yeah.

[B]

At the end of the day, like, and it's crazy because n literally hate you the minute you're pregnant. So it's like, I don't even know what the game plan is, but I guess it's, oh, I'll just live off this paper and that's it. I don't care about seeing this guy, this guy liking me or nothing. It would make more sense for you to get rid of this motherfucker and still fuck with him.

[C]

Huh?

[D]

Since for who? Yeah, well, excuse me.

[B]

Since for a person that wants to enjoy time with her nigga versus you just one.

[D]

That's not your. That ain't your.

[B]

If she dating this nigga for years and he. She works there, that's kind of her nigga.

[E]

I think dating was maybe a little bit a stretch. A stretch.

[D]

A very big stretch.

[B]

And if anybody has the job parks, she probably made the supervisor and all that. That's her. Hey, Momo. If I the supervisor, this our establishment.

[D]

Hey, momo. Until he walk 33, 000amonth, I would never.

[B]

For 18 years, I would never.

[C]

Plus a million, right?

[B]

I don't give a. Would nobody say how much money? I would never tell a I'm pregnant. And his response, oh, congrats. What y' all gonna do? And I actually keep that kid. That's ridiculous. To have a baby by somebody they don't want to have to be baby is crazy. Especially when you're going to actually try to make this be a part of the baby life. You get pregnant, you decide. I'm 37. This is a blessing. I never got pregnant before. I'm going keep it cool, move to Texas and accept the fact this don't want to do with the baby. But for you to have the baby and try to force the to be in the baby, in the baby's life.

[D]

She's not trying to.

[C]

I don't think she wants.

[B]

I'm not talking about her specific. I'm talking about in general, this whole thing of I got him because I have his kids. I think it's stupid. And I think it's dumb. I think you have a better time with the nigga just frolicking around with him versus forcing him into this kid. And now you're being paid off monthly with this child support check.

[D]

It's just stupid to me and to the niggas. Y' all need to learn y' all lesson. I ain't disagreeing with you, but what I'm saying is it's a lot of motherfuckers that go do 16 hour shifts.

[E]

33,000amonth.

[D]

They don't make 33k a month.

[B]

Yeah, I guess I'm gonna go make something happen.

[A]

I don't.

[B]

That's crazy.

[D]

Yo, my nigga, she made something happen.

[B]

I'm just. I'm not making nothing happen like that. And a lot of the women I know would not make it happen like that. It's like, you know what? Oh, you. Oh, you think I should get abortion bet call.

[D]

Okay. So there's a lot of people that look at it as the lesser of two. All right, cool. The ain't gonna be there. He don't want this kid. But with 33,001, she might want the kid. Some women want to have children, Cap. No, some women want to have children, Cap. Some women.

[C]

You don't think some women want to have children?

[B]

I think the women that want to have children, when Billy Bob say, I don't want the baby, they get the back and they get up out of here. Because when you really want to have children, you don't want to hurt that kid. And even had the thought of that kid being rejected by a person like that.

[D]

So I don't want to hurt that kid. But if I can now provide this kid a lifestyle and a life that I might have never been able to without.

[E]

Go buy yourself a connection to.

[D]

I can buy a father.

[E]

Yeah.

[C]

And some people think the guy's gonna come around, too.

[D]

They make stepfathers. They make other type of fathers.

[B]

Now, I'm with the stepdad thing.

[D]

I'm just saying she. So if she could get this amount of bread from this nigga for this child's entire childhood. 400k.

[B]

I don't appreciate it would never be.

[D]

Let's listen to him. 400 tax free.

[B]

It would never be me. My little sister can't call me and say, girl, this said you don't get rid of baby. But he. But he played for NBA. I'm telling to get rid of that.

[A]

Cool.

[D]

But she might be looking at this like, this is my one chance at getting.

[B]

Are y' all at least in agreement. That's losing.

[D]

Yes, it's definitely, absolutely. But I think it's losing on both sides. I don't think it's just losing on the chick side.

[B]

Yeah, it's losing you.

[C]

Right.

[B]

I agree. I agree. Both sides.

[A]

I never think that bringing a bundle of joy into the world is loser stuff indeed. Please, Joey, I love the kids.

[B]

Shut up. And let me tell you something else. You get that pregnant, y' all was just having a good time. And she know damn well the plan wasn't have no baby. And she. Oh, I'm keeping it. I'm keeping it. Take that to this. You heard me. It was accident.

[D]

Please, please cut that out.

[B]

That. Leave that in.

[D]

No.

[A]

And it's time for my favorite part of the show, prize picks. All right, the regular season is wrapped up and the NBA playoffs are finally here, which is important if you're a fan of one of four teams. There are four teams remaining. Three. But we're gonna still count the Cavs anyway. Oh, shit. And there's no better way to cash in on the high flying hoops action than prize picks, a preferred partner of the NBA. Every bucket, every dime and every win means a lot more when you're playing on prize picks. So don't pass up your next shot with prize picks to get $50 instantly in lineups when you play your first $5. Pick live squares during the NBA playoffs and you can win a trip for two to the NBA Finals. To enter, just make a $5 lineup with at least one live NBA player pick during any part of the 2026 NBA playoffs. Live player picks are picks made after a game is already in progress. And you can check out prize pick social pages for more info on that. Now our ish loser picks of the week. We are going with Mikel Bridges for more than 18 and a half points, rebounds and assists.

[E]

Okay.

[A]

Jalen Brunson for more than 10 rebounds and assists. That's a lot.

[C]

Yeah.

[A]

Sam Merrill for more than two and a half field goals made. And Evan Mobley for more than eight and a half rebounds. Don't forget, if you download the prize picks app right this very second and use promo code JBB, you get $50 instantly when you play your first $5 lineup only on prize picks, the official partner of the NBA now. Doc time. It's doc time. Time to talk about some docs we saw. Time to talk about some docs we saw. Crash. Netflix.

[E]

The Crash.

[A]

The crash on Netflix is about the young girl who sped into a wall at 100 miles per hour. Killing her boyfriend and another girl. Innocent kid that seemingly had nothing to do with. Right.

[B]

Only black boy in the group.

[A]

Yeah. But cr. It's a really good. It's a really good doc.

[D]

Yeah, it's pretty good for sure. It's. It's true.

[A]

Yes, yes.

[D]

It's.

[B]

It's a documentary about these. These fresh out of high school age kids. I think Michaela might have even been like 18 or 19, but they're in a suburb of Cleveland, Ohio. And the thing about Craig is that the story was already super viral in Ohio. So it was almost like already kind of like living and breathing on the Internet. And then they really break it down with the documentary. I have mixed feelings about it. That's why I really want to know what you think.

[A]

Just do it.

[B]

I'd be ready for me, like it was very hard for me to connect that she did that on purpose. I don't know why I think that. Because that's the premise. To spit it out. If you didn't watch it, stop here, go watch it and then come, come back. But she gets. She goes to prison, she gets 15 to life or something like that. The judge says during her sentencing, you are probably going to do all that time day for day. You're probably never getting out. Judges don't even talk like that to people, Especially young people, especially young white women. Right. I think for the most part her personality shined through throughout the investigation and they. Nobody liked her. Right? Nobody liked her. Nobody liked her mom, nobody liked her.

[E]

Her dad.

[B]

Even in the closing sentiments where people, your family get to talk, when Michaela mom goes up there to speak, at one point she mentions because. Because Michaela's driving her boyfriend, one of them is her boyfriend, one of them is just a friend of the boyfriend. Right.

[C]

Okay.

[B]

There's three people all together. One black boy, he was mixed. And then the white guy, which is Dominic, is Dominic and Davion. Davion is the black one, clearly. And Dominic is her boyfriend.

[D]

Right, Got it.

[B]

When. When the mom is speaking, this is at the end, the mom is speaking of them and she's like, oh, we miss Dominic. Dominic was like a part of our family. And Davion, he was a new friend. The judge gets pissed, stops her in her tracks. Well, what does that mean? That his life doesn't matter. Like, that's how tired everybody was of them in general. And I think they had a lot to do with the type of sentence she got.

[A]

But Parks, in the first five minutes of it, you gonna say, oh, the parents Are a little off from the gate. The parents seem got it strange for sure. Like dad too.

[C]

Not just mom.

[B]

Yeah, for sure, for sure. Cuz you want to say cuz I was watching them together person, I'm thinking he hates her. Like the first thing I think is husband hates mom. Mom has raised baby to be just like her. He probably hate both of them. But no, they're all equally A little slow in no shade to Ohio. Could be in the water, we don't know. But they all slow.

[A]

Don't do that. That's is hood, bro.

[B]

They get to speak in pig latting, y'. All. This bitch, they kept calling it carney when she goes to jail and she's talking to her mother on request. They're speaking pig Latin like elo. Like old school by the clubhouse picking regular. Yeah, like the. That the first person to hear can decode this, y'.

[D]

All. It ain't nothing tricky.

[B]

But still with all that. But Michaela being a. Her being nasty, her being. I just. I. I struggle with that. She did that on purpose. Because she did it on purpose means she was ready to die. There's no other other way to look at it because she never breaks. That was another point of contingent in the documentary. When she's driving down the street straightaway, does she ever put her foot in the brake?

[A]

Well, slow down.

[D]

Okay.

[A]

It's not a straightaway because that was one of the other points that the. That the lawyer was making. There are curves on this street to where you would have had to been not only in control of the vehicle, but coherent. Not a medical emergency.

[D]

Was she sober? I don't know anything about this.

[E]

So she was a pothead, but. And they were at a party the night before. They spent the night and they left. This accident happened at like 6 in the morning.

[B]

They woke up and left early. I.

[E]

But they found no drugs or alcohol in her system outside of weed. But weed could be there for a

[A]

couple of pocket though in her.

[B]

Them in her personal. They found shrooms, okay.

[A]

But there was no drugs or alcohol in her system. Then they called over the. I don't even know the guy that come over and look at the car that crashed and see if there was a malfunction in the car. They called him, he said no, this car was working fine because they had a. She had a Chanel slipper that got stuck down there. So they had to see how this got stuck. But the guy came, he said no, that was a result of the crash, not the cause of the crash. So once they ruled out the alcohol. Her medical. No medical because she had some type

[E]

of issue where she blacked out randomly.

[B]

I believe all that was.

[A]

She got pots.

[E]

Yeah, that was hot.

[B]

That was all bullshit. It also I thought, I found it to be like super strange that. That they used her tik toks and her. Because when pot said. When park says she's a pothead. That's based off our tik tok.

[E]

Yeah.

[B]

Every day she's uploading herself, smoking blunt in her own closet. Meaning she has the kind of parents you. I rather you do it here. She got them.

[A]

Yeah.

[B]

Super annoying. I don't understand those parents. But she's smoking weed in her closet. The dad is on the documentary. Like I don't think. I think out of all drugs, the drug to do is weed. So daddy probably smoke a little weed too. It's like a weed friendly home. But I don't know about y'.

[C]

All.

[B]

I don't know nobody that slam into a wall doing 100 on weed. I've never seen it in my years of living. You know what I mean?

[A]

So now I don't believe there's any way to watch this and not feel like she was trying to end her life. Also, how was.

[B]

I'm telling you, I didn't.

[A]

I struggle with it.

[E]

If you go in a hundred miles.

[D]

No, but your thing was you don't think she was trying to kill them because to kill them she was trying to kill herself.

[B]

Right. I don't know if that was the goal. The murder part, I just don't watching it.

[D]

I believe that she was trying to end her own life.

[A]

She would have had to been trying to end her life and everybody in the car's life. Her friends came on the dock and testified. Well, not testified, but said listen, her birthday was coming up, she had plans, she had a trip planned. So we don't think that that's what she was trying to do. But there is no other way to explain. Cuz they showed the car going around the curve before the turn, before you get to the almost straight.

[D]

A reenactment or the real.

[A]

No, the. The car. They have footage. They got all the footage. Okay, so the car looks to be driven like under control. Not people wiling out, music blasting, alcohol out the window. We turned the curve and then she booked it. They also found the black box from the car. That's the black box? The black box, like black box.

[B]

Who knew that cars had that?

[A]

Y' all knew.

[D]

I didn't know that.

[A]

Yeah, I knew that.

[B]

Yeah, I did not know that. Really, they even knew from that black box that she never hit the break. Cuz that was another point of attention. Did she ever attempt to break the black box? Says the last time she tried to make what speed she was going, I never knew. Car.

[E]

They said the gas pedal was at 100% for the last five seconds, which is. Which is very fast. But someone had tried to shift the gear to neutral or something like that and then it went right back to drive. So someone who was probably the boy, rest in peace, tried to like do something about what was going on right now.

[A]

And then they also showed because they got.

[C]

They got.

[A]

He. He recorded some of her domestic violence a couple days before this accident. The boyfriend was recording. He mad, cool and composed. Yo, I'm not letting you in my house while you're behaving like this. I'm. I'm locking myself in the car. I'm not coming out. And she's like, if you don't come out right now, she's just wilding. So they got evidence of her being a little nut case. Yeah, there's no drugs, no malfunction in the car, no medical malfunction. What I'll say about this in. In closing, because I ain't going to drag this. Go all watch it if you haven't seen it. No, this is not an ad. It's just a really good doc. If you're into docs.

[D]

What kind of car was it?

[E]

Honda Civic. I want to say, I could be wrong about that. Yeah, it was a newer.

[B]

It wasn't.

[E]

It might have been a Toyota. It was something in that.

[B]

It was like a Toyota, like a sedan.

[D]

So was they trying to say she was on some. Yo, I'm taking us up out of here.

[B]

I'm sure by the end with the prosecution, it's totally. She was trying to murder him. It's almost like they just take out the fact of her be dying with them. It's just. She was trying to murder him. He didn't want to be with her. She was trying to. To murder him when Joe.

[D]

Not was it trying to murder him or them.

[B]

But babe, that's the thing. It's like, who.

[D]

No, no. Cuz if they're trying to paint this one way. Cuz we. We've seen instances where it's like. Like y' all said she was domestic, she was all of these type of things. And then it's. I will end both of us.

[B]

Right.

[D]

Like some people have that mindset that

[B]

happens never show her being suicidal. But they definitely, they definitely believe she was trying to kill him. And basically the black guy in the back is just a unlucky person.

[D]

You just happen to be in the wrong place, mind you.

[B]

Why did he even go if this was her big master plan? When he jumps up, say, I'll ride with y'.

[D]

All.

[B]

Why don't you say, yo, don't go. We just going. I just don't believe. You know what I really think? I think that they got in a fight. I think she probably was trying to scare him or you know, I mean like take it there like that. And I think that went too far and she shot back too fast. I don't think that her ultimate goal was to kill anybody, let alone her and herself. Also, I really did deep dives. And the sister, the brother on Tik Tok, they got the videos of him. They kids, so they were toxic. They would get in fights and threaten each other. And I'm not leaving. And you the same that he has of her. They, he, she has of them. And I seen it with my own eyes, listen to my own ears. So they kids.

[A]

Okay? We got it on shrooms.

[D]

So regardless if that was her intent

[A]

or not, it's not your part. You have to share, Yo.

[D]

But even if she was playing around and her intent wasn't to do that, once you got to a certain level of speed and you couldn't break the car down, you're still guilty of killing somebody.

[A]

I agree.

[E]

I kind of agree.

[D]

Like if you was playing around, shooting a gun at somebody, making them do the happy feet and the gun bounced off something and hit somebody, you still going to jail, nigga.

[A]

You kill somebody.

[C]

Yeah.

[A]

In closing, closing the docs with the

[B]

moaning segment, the smallest segment on the street show, if you ask me. Damn.

[A]

I, I, I'm judging the parents that allowed their 17 year old daughter to go move in with their boyfriend. Yeah, I am agreed. I am. The parents tried to paint it on the dock. Like yo, we believe that she was mature enough to do it. But once they started getting into who this young lady was, there's no way you could have done that. There's no way you could have done that, yo.

[D]

Nowadays that shit is way more, especially

[A]

in middle America, raising my daughter is never going to be one of the

[D]

now nowadays type of things that is not as, as uncommon as it was when we was coming up. Or like yo, be letting boys spend the night in their daughter's house.

[E]

Like all of that also especially outside like in New York, that it's not very common because it's so expensive. Yeah, that's what I'm saying. Like it's much cheaper than a kid can go get a crib.

[B]

It's a really. It's a give up thing I did. I lived with my. Basically like 17. My mother have a choice in that. Once you get to a point where your kids. Once you got a kid like me, where I thought I was an adult, you don't really have. If that is not pregnant, if that is not fist fighting this in your kitchen, you kind of. Because it's like certain things your teenager, once they touch as much, there's not much you can do. Drugs and dick is included. So it's like if this person is locking in with one person and one thing about them, they kept pushing it. They were going to get married. Oh, she said she was one the of marry him. Which is a joke. I don't even want you to marry the guy you think you going to marry at 17. You know what I mean? But I think that she was.

[A]

We have to. You got cuz y' all not like, please. I'm sorry. Like, like, what do you want me to do? What do you want me to do?

[B]

All right, go ahead. Talk about whatever y' all want.

[A]

Jesus, Mary and Joseph.

[B]

Oh my God.

[A]

I. I would.

[B]

You can put a little powder on there. You want to run the pies also.

[C]

Can't wait to watch it.

[E]

It's a good doc. It's a. It's a good doc. It's a good doc.

[A]

Shut up, Mark.

[B]

It was. Was. All right.

[A]

I want to ask y' all while we on this doc type of stuff. I want to ask y' all about this Matthew Perry stuff. Matthew Perry's mother slams his ex assistant Kenneth as quote unquote, without a conscience. Right? And I'm going to read this. This is from tmz. Matthew Perry's mom, Susan Morrison wrote an emotional letter slamming her late son's assistant Kenneth Awamasa ahead of his sentencing. TMZ has learned. TMZ obtained the letter written by Susan ahead of Kenneth sentencing in a criminal case. Kenneth is accused of helping secure ketamine for the Friend Star and even shooting him up at times. Matthew died on October 28, 2023. Kenneth injected the star with ketamine on the day in question. Matthew's mom wrote, my name is Susan. I am also Mama Muma. My son Matthew, the name my son Matthew, you gave to me. The name I love to hear for og. I don't care about that.

[C]

Listen.

[A]

So anyway, she went on there. I hate when they try to get back. So anyway, she went on there saying, yo, this person was a friend of the family. I knew him. Matthew knew him. We all knew him long before he got this job. We trusted him. So we trusted our son in his care. She went on to say, if anybody. If he was having trouble. What did she say? If Matthew was having trouble in his addiction, then all Kwame had to do was pick up a phone and reinforcements would be on the way so he wouldn't have to deal with.

[C]

His name was Kwame.

[A]

I thought that's what I said. Let me make sure. Now you fuck me up.

[D]

No, it's his last name, Kenneth.

[C]

I'm gonna ask him for racial. I'm just trying to imagine the guy. That's why.

[A]

Kenneth Awas. I'm sorry, I don't know where I got called Kenneth Awasomea. But anyway, so the mom is saying, yo, if you needed help, all you had to do was pick up a phone. Reinforcements would have been on the way. Instead, he aided and abetted my son and even went as far as to inject him. And we not fucking with none of that.

[E]

That's tricky.

[D]

That's tricky. I don't know.

[A]

So now I read this, and again, we have the cases of Mack Ma Miller. We have the rest in peace. Mac Miller. We have the Michael K. Williams Rest in peace. Mike. Love you. I miss you, my brother. I understand. The drug dealer that gives the celebrity a batch of bad drugs.

[E]

Yes.

[A]

And that person dies. Yes, I understand that. I understand. Looking for the drug dealer and harsh penalties. You're going to jail because. What are you doing? I don't know that I necessarily feel that. That way in this instance. About the assist, the personal assistant.

[D]

I don't.

[A]

I don't think the drug dealer that does it and the personal assistant that. That did it should be held to the same.

[D]

I. I definitely don't. I'm. I'm with you 100%.

[B]

I'm hot.

[D]

Like, I mean, for lack of better word, that's part of my job. I'm your assistant. I get you what you need.

[A]

You.

[D]

You telling me, yo, I need this? All right, I go get it.

[C]

And I'm surprised you say that. Only because. Because the following the law part. Cuz I'm inclined to agree with you. Because if he said, let's go, let's go rob the store, you say, well, no, it's not my job to break the law. This is illegal.

[D]

I wouldn't do it. But I understand someone's assistant just being your. Like I was Rocking with you. Yeah. So I get it. I. I wouldn't do that.

[A]

And I don't know. And I don't know that that what you saying, Mark, applies in the civilization celebrity personal assistant relationships. Right? Like those people oftentimes are asked to do things that may not be legal. Not robbing a bank, not robbing a.

[D]

But go pick up what I need from over.

[C]

Drugs, Escorts.

[A]

Yes.

[D]

That I can't be seen doing because I am a celebrity, bro, you might make 3, $400,000 a year. You are on call 24 hours a day. If I call you at 4 o' clock in the morning, I need that. And my daughter needs some cough medicine. It is your job to get out your bed and go get the cough medicine. That's why you make the much amount of money you make.

[E]

I do think it gets a little bit weird if the family has a relationship with the assistant and there's a drug problem that maybe he could have tried to have some type of intervention. I don't think it should result in legal penalties, I think. But I can see why the family would be like, yo, why don't you call us and let us know that he was wilding out with the ketamine.

[D]

I think some of that shit be trying to pass the blame on onto the other person.

[E]

True.

[D]

Yo, if your son has been on drugs, and no disrespect to the gentleman, if your son has been on drugs for XYZ amount of years, you might have already known he had a drug problem and people will be oblivious to it on purpose. Oh, we didn't know it was that bad. Shit like that. And so now I wanna blame the other guy for this. You understand what I'm saying? How do we know with absolute certainty that homeboy shot him on the day he passed away, right? We don't know that. Like you don't know who injected the drug.

[A]

They do know that he injected it.

[D]

Was it a bad batch? No, that part too I was going to address. I'm saying like it could be if he normally get them right with whatever he needs. And in this instance, he cops, he. He just got a bad batch. I'm doing what I've been normally doing. They might deal. They might have had this addiction under control to some extent where I'm, I'm, I'm using and still functioning. He just got a bad batch.

[C]

I don't even know Perry definitely wasn't functioning. Nobody.

[D]

I don't know.

[C]

I'm just, I'm just saying his. I get your point. I Don't disagree with y' all personally, Mona, but go ahead. I don't want to cut you off.

[B]

I was just. I really. I'm curious to know, does it matter that ketamine was introduced to him as a help to get rid of his opiate issue? So from what I know, it was

[E]

for anxiety, I think, right?

[B]

Ketamine. Right now people going to Mexico can ketamine for depression, for suicidal thoughts, for opiate addiction, heroin addiction, stuff like that. So that was introduced to him in a positive. He started going a little too far with it. So I feel like that, to me, assists more in the whole personal system not being, what is it culpable because of the fact that at first this was a good medicine, it wasn't a bad one. Right? It's not a street. It wasn't a street thing. Ketamine is illegal here, period. Right. But just because illegal here don't mean it's not helping people. Ketamine is really helping people all over the world get over other addictions or get with. With the depression, for sure. People that are severely depressed and suicidal are not jumping off bridges because of ketamine. That's a fact. It's not legal here for whatever reason. And most of the time that's a money thing. It has nothing to do with health or safety. So I just feel like, because it was that drug, why look at him in that way, you know what I mean?

[D]

But I don't know, it's like, gotta find escape. I won't call him a scapegoat, but, like, I have to find somebody to

[A]

put this blame on.

[D]

I. I think that's what it feels like for me.

[C]

There's the legal part and then there's a ethical, moral part. And I think they might be different. I don't think as your assistant, if you want me to go get you drugs, and I've signed up for that, I think that's fine. I agree. And you may say, like, I don't wanna personally do it, but that's the job.

[D]

That's the job.

[C]

That's the job. And I don't think it should be illegal anyway, so I'm fine with it. People can treat their stuff however they wanna treat their stuff. I don't have an issue with none of that. But I do think if you're my family friend, I, as a parent, I also understand why the mom would feel away. Like, for example, like, like you have. Your mom has a good relationship with Ice Ish, all those people. If, God forbid, you had an addiction and they. And she found out that Ish or Corey or whoever was serving your addiction in a way that was unhealthy. She never right to feel away like Ish, why you ain't call me like

[B]

supposed to be fair.

[C]

They both can be true.

[D]

I'm not saying it's two things to that.

[C]

Yeah.

[D]

One, there's a monetary piece from the assistant standpoint. And so what happens is. And one, stars are stars.

[E]

Yeah, right.

[D]

And stars have ego bravado. Some of them aren't the most pleasant. That's one. Number two, nigga, you work for me. So now when you go above and beyond to go appease my mom, then you may be putting your life how you pay your bills at cause now. Oh, you told my mother you fired. So it's a thing.

[C]

That's where the friendship comes in. That's why I'm like, how close are we? How much of a family friend are you?

[A]

Well, that's why regardless of what the law and the court says. And again, I'm not a parent that has gone through the loss of a child. So I can't speak for her, thank

[D]

God her mental space.

[A]

But in the meanish example. Right.

[C]

Yeah.

[A]

My mom is fly with Ish. My mom knows that Ish loves me. My mom would also know that I got habits. So if he works for me and you know I'm instructing him on yes, you could be disappointed in Ish.

[D]

You can't blame him though.

[B]

You.

[A]

Yeah, you know. You know Ish wasn't trying to kill me. Exactly. You know Ish wasn't trying to kill me. Something happened. So to write the note and to kind of just.

[C]

Well, that's what. Is she blaming him or she just saying I'm upset you for doing it.

[D]

Well, that knows. And your mom knows you're a hard head. You've been a hard head since you was 13. Whatever the case may be, even if Ish wasn't there, he gonna give the shit regardless.

[E]

Two quick notes. The. The assistant is facing a maximum of 15 years, which I think is absolutely absurd. And two, it wasn't a bad batch ketamine. It was a reaction to Bufordnonine which is I guess used in weaning some the of off opiates. And he drowned and he coronary artery disease.

[B]

So it was. It was the cocktail of the suboxone

[E]

and the ketamine mixed with maybe his heart. Heart being bad. Mixed with being in a pool.

[B]

Cuz he was in a hot tub.

[E]

Yeah.

[D]

Yeah, man, you're sorry. I'm not with that out right now.

[B]

He not.

[E]

He's facing 15 years.

[D]

Oh see I didn't know it was the Suboxan mix with the ketamine because

[B]

the man was trying to change. And that's another thing. Mom, you know your kid. I read his book. That boy started getting high like movie one with Salma Hayek. What is that? Fools. Fools rush in.

[A]

How you not going to get high with Salma?

[B]

Come on, bro.

[A]

If it is high to get high with it.

[B]

He got. And he. And he. He has the. And the part that pisses me off is this the traditional American story. You get injured. Your doctor tells you here, take heroin. Take it three times a day and you should be good. And then you're not. That's exactly what the happened to him. But mommy know that we got 30, 40 years under his belt getting up. So it's like he dies off. Sub Boxing Academy that's somebody trying.

[D]

That's somebody Sub boxing is. You're trying to kick, you're trying to

[B]

stop Suboxing is a blocker of all that. So it's like. And I don't even know I was explain it because the whole world has the same problem right now. The opiate is not a black white hood suburb thing. It's everywhere. And it came from over prescribing period. It happened because of greed. So the fact that we supposed to pretend it's assistance and isn't when all in reality is it's some other. It's just crazy to me.

[A]

Free Kenneth Till.

[D]

It's backwards. Yeah, yeah.

[A]

Three him.

[D]

Three him.

[A]

Yeah. I ain't rock on Dallas.

[D]

Yeah. I'm not. I'm not with that.

[E]

I agree at all. If you give someone some fentanyl when they wanted heroin or something. You know what I mean Then I

[D]

can lying to somebody that I can see. You're poisoning them.

[E]

Yes.

[D]

And I'm with nowadays, bro. I'm telling you they are. They want to buy.

[E]

I'm aware. I'm aware.

[D]

They only want skag. They want fentanyl.

[E]

I'm saying in the event that you thought you were getting weed and they put fentanyl in it, you should. You should go to or whatever drug they don't want.

[A]

Speaking of poisoning people. Do we have new music? Do we have new music poisoning the community.

[E]

We got some black.

[A]

We do have black.

[D]

Pause.

[B]

I thought I said black. I thought they said black.

[A]

No, black.

[D]

Black, black.

[A]

Six black. Black. Dropped a new album.

[E]

Love is the new gangster.

[A]

I have not. I. I only heard up the track Three, track two is hard. I have nothing to say about it.

[E]

I listen to the whole thing. I. I really, really, really love it. There's a lot of features. There's a thug feature, there's a chains feature, there's an odeal feature. That record is amazing. There's a Joey Badass me up on how to pronounce his name. A chike.

[A]

Oh, you say.

[D]

I realize what you said.

[E]

I can't get it out of my. And Joey Batt and Leon Thomas on the same record. That shit is phenomenal.

[A]

Is Black doing more. More rapping or more of his R B bag on this project?

[E]

It's more R B. There is some rapping, but not going

[A]

to be some rapping.

[E]

Yeah, there's going to be some rapping, but it's. It felt like an R and B album to me.

[A]

All right, then I'm going to go buy it. Yeah, I'm going to buy it. You said it's more R and B and I'm going to buy it.

[E]

It sounds really good. Shout to black man.

[A]

Yeah, I just don't be wanting to hear all rap Black.

[D]

Yeah, well, you know, he going to mix it up though.

[E]

Yeah, it's more R and B.

[D]

He's more R and B than. Than rap anyway.

[E]

And even like the music is not like rap. It's more R B bops.

[A]

I stayed up all night wait. Thinking that K1 project was dropping last night and it wasn't. She meant June 22nd. I hate when that happens. But I'd be pissed, but it's fine. So no K1. I got black. But I did bump into an artist that I want to share with you guys. Come on. You know my. My real R and B for the west side Highway. I got something for you. So. So Remy dropped. I'm familiar with Remy, but it's also mad dope. Remy's and Rennies.

[E]

Yeah.

[B]

Which Remy you talking about?

[A]

I don't know how to describe her to you.

[B]

Okay.

[A]

I don't. I don't know how to describe it, but her play it her this Remy. So I'm going to play some of this music real quick because y' all should hear it. And it's heat. This is Remy R E M I. This project is called left on red. 7 songs, 18 minutes. Quick and simple. Listen,

[E]

That sounded great.

[D]

Yeah.

[B]

Mad at that.

[A]

Only thing I put this on when I was in the shower this morning. And the cut off 18 minutes. I take a long shower at this age. One

[D]

who's loving you.

[A]

N. It's hardish the whole project sound like this. Let's talk about it let's talk about it before you walk out the door

[B]

Baby, she ain't going nowhere let's talk about it.

[A]

Y let's talk about it before you walk out the door it's funny y' all got to see me walk out. Let me shut up. I already shared too much about my relationship on this shit.

[E]

Talk about it.

[B]

Can we have a conversation?

[A]

All right, that's enough. I just thought it was hard, so I wanted to let people hear that. Is Remy R E M I. The name of that project is Left On Red.

[E]

That sounded great.

[A]

Left on Red.

[D]

So I'm not mad at that.

[E]

We got a single from Vince's next album.

[D]

Yes.

[E]

His forthcoming.

[D]

Got a video out, too.

[E]

Cry baby. Yeah.

[A]

Video.

[E]

Dope video, too. White flag. It sounds like he's going a real musical direction, and I. I can't wait.

[D]

Did you see what he was doing with the tickets for his.

[A]

For his show?

[D]

No, he was at the actual ticket booth. Like, he posted yo, pull up copy of tickets. And he was like, I'm scalping tickets. But it was he himself in the ticket booth, hand to hand, signing autographs and selling tickets. That's fine dope. As though, you know, it's another way to get your fans engaged.

[A]

Word. Shout out to Vince, man, Love you and I miss you. Come up here, Vince. Yeah, we're.

[E]

Come hang out with us.

[D]

Yeah, man, come on up.

[A]

Well, while I'm at it, I might as well play this other jersey that I just happened to bump into some new. I found.

[C]

You good over there Cold.

[D]

Oh, yeah, yeah. The weather change.

[A]

Yeah. You know, Jersey still producing new, fresh talent. Not living on the 90s, not living off what the roots did.

[C]

Remember y' all said that they.

[D]

Sheesh is right. Yo, look, hold on now.

[A]

Worthy Pepper, sturdy winner Both love the

[D]

city, babe But I'm a Jersey perfect

[A]

with you See I'm working with you

[B]

all embrace and thighs like you trying

[C]

to serve a damn

[A]

Break your basket so God made you quit awakes but

[B]

where is that

[C]

body snatch?

[D]

Tap my name up on your breast

[C]

that's tip attack Perfect header kept it

[D]

perfect with a hook Girl, I keep

[C]

it P I Master P like Percy

[A]

Miller twerking get a dance she worked the. His name is Tribe Mark. Tribe Mark. And he got an album them out. But this came across my timeline and I was like, oh, hold up now. Shout out to him.

[C]

That was tough. That record is Jersey.

[D]

And Jersey from.

[E]

What is that?

[A]

Sheesh.

[E]

That was sheesh. That was Shout to Tribe Mark, man.

[A]

Yeah. Shout, yeah. Then I bought another one of his record.

[D]

He got.

[A]

He clear. Clearly, the kid can make records. Let's see, let's see. And I bought. What is this here? Hey, she. They gonna swear this paid me. He didn't.

[C]

So what?

[D]

It's a music part. Checking that thing in jeans.

[C]

Damn. You know you different Magic in the sundress.

[A]

Moving home, no restrictions.

[C]

You got a man.

[D]

Ain't my concern.

[C]

I'm gonna mind my business. Should I think outside business talk that pop it watch like my own with me.

[A]

I like it like that.

[D]

Spicy, too.

[B]

Why you like that?

[C]

Send me a text before I reply. Send another text like that's tough.

[A]

His joints on his album. The kid can make records.

[D]

I do bought the album, so.

[A]

Oh, you did?

[D]

Yeah, yeah.

[A]

No, it's hard. Shout. Shout out to Tri Mark. Big Jersey, Big Jers that. She is hard, man. Somebody put some money behind that. All right. What else is in music? What else? Somebody tell me about Daz. Somebody tell me about Daz. Let's get to it. Come on, Ice.

[E]

Listen, man.

[A]

Come on, Free D. We're tossing it to our Death Row representer.

[D]

Don't.

[E]

It's the opposite of that.

[D]

It is.

[A]

Yeah.

[E]

It's the opposite of that.

[D]

It's the opposite of that. Anyway. That Daz has took it upon himself to.

[A]

I don't even like how you starting this.

[E]

Dash has had issues with back payments for royalties for the plethora of classics that he has contributed to. Biggest one maybe being the Chronic.

[D]

Yes.

[E]

So because he has not gotten paid, he has decided to press up selling his version of the. The Chronic and release it himself.

[B]

I love this. That. They going to sue the pants off them.

[D]

They sure are.

[E]

But he's going to sue the pants off them.

[A]

So, I mean, they sure are sued, you mean. Get him Free Dash.

[B]

We sure are.

[G]

We what?

[D]

I ain't got nothing to do with what happened to Dash, okay?

[B]

I'm saying. But you are Death Row, though, for sure.

[D]

I don't hide it.

[B]

Even the for show. The Jersey accent going for show.

[A]

Where am I from?

[C]

That not from Jersey, dog. Philly, You. That's an interesting.

[B]

So it's corrupt.

[C]

That's an interesting. That's an interesting strategy, though. Like, you're not gonna give me my. So I'm just going to. Somebody here not having a contract dispute, and suddenly we just put all the JVPs on.

[B]

Yo, I'm about to screen record some of these JBPs, right?

[D]

Yo, dog.

[A]

Well, they caught one of Y' all putting the Patreons on Spotify. I see it.

[D]

I see why.

[A]

I see one of y' all your dog.

[D]

Who the fuck buys albums?

[E]

People buy em.

[C]

People buy em?

[B]

Yeah, they do.

[D]

Pardon me. Who buys bootleg CDs off a dash?

[B]

I might do it.

[E]

Yeah.

[B]

If I can meet that nigga at the swap meet the COVID hard.

[D]

I like the new cover. How many he's selling.

[B]

He said the COVID hard. I don't know.

[E]

He's been independent for a long time.

[A]

He might be moving.

[D]

This is black instead of white.

[C]

Is this a publicity thing?

[A]

Yeah, I don't really feel like the point is to sell him. Yeah, yeah.

[B]

It's the co creative splash to talk about it. Cause they're fucking me in the ass ass again.

[A]

It's just to bring more attention to my play. Y' all like everything else that has

[D]

that he's been doing for the last.

[C]

Yeah.

[D]

I don't know how many years.

[A]

You don't seem like you.

[D]

Does it have any validity you think? No, not from what I've been told, no. Now that I. I don't. I don't know his side.

[A]

Don't ask like nothing else. He don't even know how to not sound like you.

[D]

Let me finish. I haven't spoken into that. I've heard one side of it and from that side. No, it don't sound like validity. He might have another side and. And be valid. I don't know he has another side. You don't do that.

[A]

You can't say you out with hands

[D]

already they got you figured out with hands.

[B]

The wider the finger spread, the more he taking out your Listen, we have reach. We've looked over his contract books and we being basically instantly came to the conclusion that he's done.

[A]

Yeah, Ice delivered that like he is like. Like he just cashed his death row check. Like he just left the check cash in place. God damn.

[B]

If you work with death Row, you would probably have to cash your checks at the check. Cash, please. No shade.

[D]

No.

[B]

No disrespect.

[D]

No, you don't.

[A]

Look, he ain't even like that shook my.

[B]

He called me, told me he had

[D]

burnt Suge ain't got nothing to do with death Row. Yeah, you serious? Snoop on death from.

[E]

Well, I hope they get it figured out. I hope they get it right, cuz. I mean dad should be paid. You shouldn't have to reach out.

[B]

And why does he have to even take these measures? You know what I mean?

[E]

It's just wrong get D right, man.

[B]

Why can't people just do the right thing?

[A]

Perks get d. Right. But I'm only saying that cuz I'm not the that has it. I'm not the that has it.

[D]

That got to get him, right?

[C]

Yeah, right.

[A]

If I had. If I bought Death Row and then you buy a company, they show you all the books and then you see the books and you see some familiar names they missed.

[E]

The Daz line.

[C]

The line item.

[A]

Depending on what number is next to the dad's name, I'm.

[D]

And depending on what I bought it for. What did I pay?

[A]

Yeah, I don't know you. Nothing. I mean dad pay dash and don't sell me the company.

[D]

There you go.

[A]

I know I'm not that good of a human.

[D]

Let me ask you a question too. And I ain't trying to be antagonistic, but I promise you. No, no, no. Like. So if let's say in the dad situation, dad signed a shitty deal with the old Death Row, it changes hands two or three times. You are now Snoop and you buy Death Row and you can still acknowledge that Daz got fucked and signed some real shitty deals. Do you think it would be on an up and up to compensate him? What's my relationship with him?

[A]

Ain't their cousin.

[E]

Yeah, Aren't they related?

[D]

No, no. I know them cousins we ain't cool with. What's my relationship? When I say what's my relationship?

[B]

He's saying, blood. He saying.

[D]

I'm gonna answer you. Let's say they have strangers in relationship. Okay,

[A]

you should seem defensive. Everything he said.

[D]

No, I'm ask.

[A]

How.

[D]

Yo, you trying to have a conversation. You said. I answered you. So you said I'm talking to you. No, no, you said that. Let's. You asked me what the relationship is, so let's say the relationship is strained. It ain't in the best place. Okay, now what?

[A]

Salute.

[D]

Yeah, you. You don't get compensated. Not for me. Got you. You don't get compensated. I don't owe you no money. I didn't say you did. That's what I'm saying. No, I didn't say you. You legally owe me shit.

[A]

You.

[D]

So you know that his contract was out your pocket. He and. And he contributed to all of these classics that are in fact classics. Absolutely, 1,000%. And he might be outside not being able to put gas in his car. Do you feel like.

[E]

I don't think that's the case.

[A]

That could be.

[D]

That ain't true. That could be.

[A]

Oh, my God.

[D]

Now he going to get us.

[A]

He going to get us an example.

[D]

But can I answer him or you want.

[B]

Please don't answer them. But I have a question.

[D]

Can I answer them or can we move on?

[E]

Answer. Go ahead.

[B]

Do what you want.

[D]

If I've given you an opportunity once I bought the label to make money, whether it be giving you advances on stuff and not collecting a dime, just. Just putting some money in your pocket.

[A]

I sound like the label.

[D]

I do sound like the label. I've talked to the label.

[B]

You are the label.

[D]

Yeah, let's.

[G]

Let's.

[D]

Yeah, let's. Yeah, I'm. I. I have spoken to the label.

[B]

Should I start rapping or something? See if I can get a deal?

[D]

And you still the reason. Looking at me for something that I owe well, that you want from me, that I don't owe you. But I have tried to help you out.

[E]

Can we go to, like, business?

[D]

What do I do?

[E]

Business Law 101. If you buy a company and they owe people money, do you inherit that debt?

[D]

Yeah, it depends on how you buy it. Well, it's not always true.

[E]

Okay.

[B]

Oh, God. Shark Tank.

[C]

In the case of, like, if you buy a company that has royalty payments is due, and you buy the company, you still got to pay the royalty.

[B]

Yes.

[E]

Yeah, well, they should.

[D]

Let's say he don't have no royalty. I was about to say. Who says Royal question.

[B]

Let me. Well, this is the thing.

[D]

I'm old because I contributed to that. It could just be a feeling. Some people be feeling like, yo, I played a part in this, and I didn't get what I feel is my just due regardless of what I signed. And somebody needs to make me whole. Whoever owns this company, make me whole.

[C]

So it's not. They owe me money legally. They're not honoring it. It's y'.

[F]

All.

[C]

The deal itself isn't fair, and I want what's rightfully due to me.

[E]

Oh, that's a different conversation.

[C]

That's a different conversation. That's what I was trying to understand.

[A]

All right, if Daz was watching right now, what would you say to him for Salute.

[B]

Okay, and listen, if Daz came up

[A]

here for an interview, would you have to leave?

[D]

No shit.

[B]

He might.

[A]

If I started bootlegging. All eyes on me. What could you do about it?

[B]

You know what I.

[D]

What I'm gonna do about it.

[A]

Would you tell the label?

[D]

Yes. I tell you when I find out n bootleg. I tell you when I find out. Bootlegging a pot.

[A]

But you work here. That's how off he is. I work there. He think his friendship with Death Row is the same as me.

[C]

No,

[A]

he really.

[B]

Wait a minute. Can I ask you a question, please, Mr. Knight? I mean, I'm freeze. If. If the original was with the Chronic. Right.

[G]

Night.

[A]

Look at this. I don't know if I'm tripping.

[B]

The Chronic is the first Dre J. Right. So really, the original was by Dre, Right. Can we say that without saying?

[C]

I don't even think should.

[B]

That would be okay. Whatever. M. I'm the only girl. They don't let me.

[E]

No, it's a valid question. We just don't know the answer.

[D]

We don't.

[C]

I don't know the answer.

[B]

I mean, if we were to assume you would say cuz.

[A]

Yo, if you a girl. Shut the. Yo, enough is having to let girls talk. Yo. Yo, do me a favor. If you got a up. That's a joke. That is a joke.

[B]

Get in. Shut the up and get in there.

[D]

You already barefoot.

[B]

Get your big ass in there. That's the thing. They talk all that and I'm with it. I didn't want to tell myself. Shut the up.

[A]

Oh, my God. Yo, what else is in music?

[D]

In other R and B news, Chris Brown's teasing the deluxe already.

[B]

God damn.

[A]

Yeah, we ain't going from one client of yours to another. Hey, break up the clients. He gotta break up the clients. In other news, Chris has got a lot.

[D]

That's a client of mine, though, right?

[A]

Yes. Yes, that's a client. I'm let you. Let's go on. Let's do RK Michelle. Let's break it up. Snitching on you, huh?

[E]

He's snitching on you.

[D]

What?

[A]

Don't pay me.

[D]

They don't pay me either, though.

[A]

I don't know.

[D]

I don't know either.

[B]

I love when y' all get. Y' all get these secret shit.

[E]

So what the is that?

[C]

What is that? You keep talking.

[B]

I want y' all to shut up about this.

[A]

What is it?

[B]

It's my dildo case. That's what y' all looking for. It's my dildo case. I like them thin skin.

[E]

Yeah.

[B]

I move on.

[A]

I like no girth like this.

[B]

I like my dick like a coffee stir.

[A]

That's why you think he's so cute.

[B]

Oh, yes. We're going to K Michelle, guys. So in K. Michelle news.

[A]

K. Michelle, what you going to say? Thin dick, Yo.

[B]

Come on.

[D]

Yo, hot dog.

[B]

I like me kill boss in the microwave. You heard me. I like that thing with little me on it.

[D]

Stop playing with me. Please tell Us about K. Michelle.

[A]

Back to K Michelle. Back to K. Michelle.

[B]

That's whack, though. No, it's not like I can't never talk about. That's. That's misogyny. True again. All right, well, I like me a fat one. I would prefer fat and short. Everybody shut the up for a second. Excuse me. I would prefer fat and short over skinny and long. Long any day. You know what? Skinny long dick is like throwing hot dog down the hallway. You know what I mean? It's gonna make that air make them far sounds. That's embarrassing. Awkward. I like me a fat, short drum. If I could pick sausage on a two.

[A]

But it's all dudes listening. Nobody's relating to this.

[B]

But guess what? He my dm. I got that kielbasa in the microwave.

[A]

Okay, so tell me about K. Michelle.

[C]

Michelle was on Club Sh Sh. And she was asked about infidelity.

[D]

Okay.

[C]

And here's what she said.

[A]

Oh, I wasn't ready at all. I've been trying to get Mona to shut the up. Okay, I know. I'm coming. I'm coming.

[B]

Now it makes sense.

[E]

You can add that to your only fans. This is the dick reviews. That's a big. That's a big business.

[B]

Remember I wrote the sneaker one here and I pretended like it was a fan and I rated your dicks. It was me.

[A]

See, y' all keep asking.

[B]

Remember when the person wrote a B?

[A]

I got the.

[D]

You going to feel some type of way, huh?

[B]

Sexually?

[D]

Yeah.

[B]

That's not possible. I hate saying, oh, that's not possible. It's been that many years. All type positions, legs up, choreography, all that. That's not possible. If you're going to tell me my husband was out with you and he was. He paid your light bill, then we're going to. We probably have a problem.

[E]

Hold on.

[D]

You get upset.

[A]

So if he pay a bill, that's what you going to get.

[B]

He pay a bill.

[D]

So you want him to just poke, poke and go.

[A]

What do you mean reasonable?

[B]

What do you mean if. If men going to be men. And they need the feeling. The feeling doesn't include paying bills.

[A]

If that's your woman, stand by this.

[B]

You're not my man. You shouldn't be paying nobody's bills. Buying them. No look as purses. I don't care about purses myself. Most likely they're singing my songs in the mirror and they're telling their they was humping on my husband as they sing the songs. The last thing that you was going to do is sub him pass paying bill. Oh, she made a point, though. Them is because that's her man. That's a fact. I think it's a. It's the same old story. I think women have been real honest, open about that for years. I've said on this podcast, just talking to my. A thousand times, that, like, the pain, the hurtful part for me would absolutely be him investing in her business, him paying her sweet rent, him making a business plan with this, like, paying daycare fees for junior.

[A]

What if she's an escort, son?

[B]

Huh?

[E]

What if she's an escort and he was merely paying the fee and with it, she bought a badly different.

[B]

Because the difference is sex doesn't mean anything to y'. All. Sex is just sex. So, yes, he has sex. That doesn't bother me. But when he. Because I believe, as a woman, I believe that if a man give you a couple dollars, he feel a certain way about you. To me, it changed. Now we talking about caliber of men. Rich niggas have a trick building. That's different, right? Stay focused. Locked in. My is a supervisor. Home Depot. My get Shaquita a suite around the corner to do lashes in. It's insanity. You really care about what this doing with the rest of that year. Her text and like that crazy.

[E]

Maybe he just doesn't want to look at bad lashes while he's doing what he does.

[B]

I don't even want you to tap this on the shoulder before you come. Come right in her face. She don't get no respect.

[A]

New account. What do you think?

[D]

I'm. I'm in agreeance. I agree with it. I agree with 100%. You know what I see? I see the. It's almost like, give us. I got. I got now.

[A]

Well, give me an example. Honestly, what is it like?

[C]

What's it like?

[D]

What is it like? I think. I think. I think. I think it's sad that she had to come to that realization that nigga's just gonna do what they gonna do, so I gotta tap out and eat it.

[B]

Stop it. Stop right now. Shut up.

[A]

Stop.

[B]

Tell me it's sad. Stop. Are you really saddened by it? Like, is it. Did it bother you a bit?

[D]

You see that little tear? Just.

[C]

I get his point.

[D]

I'm saying from her perspective. I'm saying from her perspective, I think that. I mean, I understand the realism behind it, but if you and I have a committed relationship, and now I gotta say, dawg, you gonna do what you gonna do. So I gotta eat it anyway. That's a sad place.

[B]

To me, the interview, what you're saying sounds really cool.

[A]

What you think, Mona?

[B]

I think that he's full of shit. And I think you trying to be funny. Stop playing. Move the mic, motherfucker. What I. That's cute what you said, but you don't mean it. And I will also say that. See what happens? I get to talk and take piss breaks.

[D]

Yo, why? Let me ask you a question.

[A]

You know what?

[B]

If I could have my way, I would mute everybody up.

[D]

Yo, why do you think I don't mean that?

[B]

Mute him up.

[D]

Why you think I don't mean that?

[B]

I think you don't mean it because you have green eyes. Off bat. So mostly what you say is lies.

[D]

That's facts.

[B]

A black man with green eyes, that's not a truth teller. It's not a piece of truth there. But no, it's like it sounds good. It's like, you know, kissing babies. Mayor talk. Is that what I do?

[C]

Like pandering?

[B]

That's what you're doing right now, but right now you're playing the game. What I will say is with K. Michelle's interview, it definitely didn't give like I give up. This is what it is. They give up that they made a decision. What I do feel. Let me spit this one word out. I do feel that we waste a lot of time trying to have our relationship look like other people's whether we know it or not. It's not just some kind. You see what. What? You know, what works for you and your girl, right? But her sister called and everything changed. The talk at the barbershop and everything changed, right? Y' all got this perfect system. Every Wednesday she eat your butt, y' all eat hot wings, right? Every Friday you go to the strip club, you get your fixed before or after.

[A]

Think that's a very good question. You eat the ass first and then

[B]

eat the hot wings.

[D]

Done.

[B]

I'm just saying. Perfect example. Somebody very close to me was with a man for 20 years. They never shared the same bed. Never. When people would hear that, the reaction would be what? He must be cheating on you. And in reality, one couldn't sleep without the TV on and one couldn't sleep

[D]

with the TV snore. This is what works for.

[A]

And that's what works for you.

[B]

I think the. The faster you decide to live in your moment and. And live by what works for you, makes you happy, makes you feel comfortable, the more happier you will be. It doesn't matter about the status quo in my life. I. This is fact. I'm not saying to be cute or to be a pick me or whatever you want to call it. I wouldn't mind if my boyfriend got his dick sucked sometimes at a job. It just wouldn't bother me.

[D]

We saying two different things. We saying two different things which all agree on is what y' all agree on. Because it's not cheating if we agreed on it. If you know that we are in an open relationship or you give me permission to do whatever that is, that's not cheating. That is what we sat down and these are our rules and our boundaries that we make for our relationship. You stepping outside that relationship to do something that we did not agree upon is something totally different. So that's what I was addressing.

[C]

And it sounds like K. Michelle is saying, I've accepted as our agreement you can fuck, you just don't pay no bills. But if I hear you right, and I think I agree with you, if I do hear you right, you saying that's not necessarily the agreement she wanted. That's just what you've been forced to accept. Like niggas gonna do what niggas gonna do.

[B]

Right?

[C]

That's what I'm sounds like drawing a new boundary. So at least don't pay a bill. Which is what a lot of. A lot of women I know.

[A]

See, that's where my problem comes in.

[C]

End up with.

[D]

It'll be like, you want to pay the bill.

[A]

I just think that today women bounce back and forth between. Between trying to be modern and trying to be traditional.

[D]

Oh, for sure.

[A]

Depending on when it's convenient is which one they choose. And then they morph them into being this hyp high hybrid being today, which is tough for men to understand. So in that hybrid being today, I hear a lot of women saying, yo, do what you want, don't pay a bill. I take you paying a bill. Worse than cheating. Granted, they make the rules. I understand it. It's hate, though. Like your bills as my girl and the hoes bills, different bills. They not about to be the same level of bill at all. When the whole when. When the whole call, she don't eat my $132. The whole say, hey. The whole call and say, hey, you got $132 you can send me right now? Lil Jeffrey went and did yada yada, the whole call and say, yo, I'm a little short. When the whole call, she a little short on something.

[B]

Give him.

[A]

Yeah, she got some of it. When your girl call, your girl. Girl don't have none of it. And you gotta Pay it. So I think that's hate.

[B]

That's hating on the side.

[A]

The whole. The. The whole keeps.

[D]

We was in the harmony at home.

[A]

The whole. You went to the grocery store with the hoe. The hoe wasn't getting much. She picked up a couple items. You a Juicy Juice. Hey, you mozzarella. You as the dude you standing there. Your mama raised a good man. You pay for the whole little groceries. That's different from you buying your girl all of this other Chanel and just whatever you buying your girl. That's different. I think girls don't need to. The girlfriend or the main shouldn't mix them up.

[B]

Joe is out of his mind. Give a mouse a cookie ass. God damn it, dog.

[A]

You buying the whole. A little key keychain from Bottega. The little small. The whole gonna think it's a big deal. You not buying the whole. Nothing extravagant. And why do your girl know? Not my. Why do your girl know? And how did she find out that you was paying a bill? No. It sound like your girl is too much in the business. No, mind your business and your own light bill.

[D]

They had one of them women to women talk.

[B]

Yeah.

[D]

And she started exploding. Exposing. Well, he do this, this, this and this.

[B]

When they both exchange information. I put my finger up his ass. Girl. I always put my finger up his ass. Well, I pegged him. I pegged him too once that say. Oh, but he got me alone. He. He got. He's the reason why I opened my flagship store. Yeah, the conversation just got different.

[A]

That's why.

[E]

That's different.

[A]

That's different.

[B]

Bust you in your.

[A]

That's different. That's different.

[B]

I don't give a fuck if it was a Danish. I told you you could fuck.

[A]

I told you, don't buy that bitch.

[B]

Nothing simple. Follow the fucking rules.

[A]

See, and that's the other problem with women. If you allowing him to go fuck. Sometimes what you find out there in the field is great enough to make you get the bitch a double cheeseburger or something.

[D]

Little watermelon. Yeah, Little watermelon ain't never hurt nothing.

[C]

Pineapple.

[D]

You just get that thing.

[A]

Even better if you tell them to go.

[D]

I'm just saying.

[A]

Oh my God.

[B]

Not Mr. Hi. I just. I'm so hurt that you guys have to settle for.

[A]

You just have to settle for things.

[D]

I asked you which answer y' all wanted.

[B]

You went from that to get that pineapple juice. That side that wet and it's tropical.

[D]

Little watermelon.

[B]

Oh, brother.

[A]

I love me the hole that you Paid a little bill for will hold you down greater than you ever seen, nigga. The little bill, she is going to be loyal to you.

[B]

Don't listen to this devoted.

[A]

Well, I don't do that no more.

[D]

Yo, I'm telling you, you used to meet him with that 590. They get to that 715, they owe you for life.

[A]

Yo, yo, that's what I'm saying.

[B]

That is crazy.

[A]

The whole bill's gonna be paid for under 600amonth. The whole rent is 1750. Like this whole rent.

[D]

Hey, Joe, you're a wild boy. What if I give somebody 1750 for some rent? That's my girl.

[A]

We go together. What the. Oh.

[D]

Better not be nobody else over here. I got a key. Whoopsie. Yeah, you niggas crazy. That's my crib.

[B]

Honest statement.

[A]

Wait, hold on, hold on, hold on, hold up. Cause this. What I'm saying, this little joke I'm making is not applicable if you live somewhere else. I'm talking about in New York. Y' all shouldn't wipe the girl who rent is 1600. Oh, you don't care? Never mind, never mind. I walk it back, yo.

[D]

That's our new spot. This nigga's nuts.

[A]

This crazy.

[D]

You need to come back, yo. Yeah, you.

[A]

When I. When I used you.

[D]

Too far going, Joe.

[A]

No, this is all. All from experience of regrets, mistakes and shame.

[D]

Oh, man.

[A]

But when I was out there being toxic, if I found somebody in the room with 1700. Oh, you my sex slave.

[E]

Are you kidding me?

[A]

1700.

[B]

Take that out

[D]

most of the time on this.

[A]

What? Anywhere from 1700 to 2350.

[D]

It was up.

[B]

Really got to.

[A]

Was up back in the day, I'm saying.

[D]

Yeah, yeah.

[A]

A long time ago. Yeah.

[D]

Rents wasn't that high, but it's cool.

[B]

Long.

[A]

Yes, long.

[D]

Damn, that's funny, son.

[A]

Girls be hating on you, paying the whole bills, man. That's all I'm saying. Hey, and all of that is a joke. And a bit. Of course, it's all a joke in a bit.

[B]

Keep your.

[A]

Keep your money to yourself. If you in a long lasting, healthy, committed relationship, then, yeah, she wouldn't want a penny or a nickel or war dime going out over there when it comes, when it could be being put to your household. And if you let your girl think long enough, she gonna find something that

[C]

forgot to be paid.

[D]

Oh, no. She could find somewhere to put it.

[A]

Oh, she gonna find somewhere. Oh, no.

[D]

Yeah.

[A]

Trust me, if she's letting you spend

[E]

the come, then keep the money. You know, you said what if she's letting you spend the come then, right?

[A]

But what if the. See your girlfriend? You can't never ask the tough questions, too. Your girl say to you, all right, yo, here you go. Your girl say to you, yo, you can. Who you want don't pay no bill. Is that the moment where you saying, listen, Baby Regina let me come over there. Come all over her whole body and living room and go. And it still checks on me tonight. Next day. Like that's worth the 1600.

[D]

She bought a good soap

[A]

and she could cook. Baby Regina, Regina. Before I came all over, made me a grilled cheese to die for. What's the other one? The old school one? Beef, whatever that was. Strogan up beef Strogan.

[E]

I got to stroke it off.

[A]

I think that's the thing girlfriends sleep on. How good the hoe who you pay to bill for treat you when you go over there. That's all I'm saying.

[D]

That sloppy joe be the truth. Potato with some potato bread.

[A]

Talk about it going over there for getting.

[B]

For sloppy joes lose. Let's change.

[A]

And then we got. And then we got a heart, right?

[D]

Right.

[A]

So sometimes you go to the whole house, the whole live with her grandma. She taking care of grandma. Cause her grandma's dying, right?

[D]

You feel bad. Yeah, you bout a diagnosis.

[A]

You go over there to come all over the girl, she say, listen, I gotta put grandma to sleep. I got it before we.

[D]

You feel better, you come here and sit in the living room.

[A]

Go ahead, girl. Yeah, you wait. Go ahead take care of your grandma.

[D]

But now that while you waiting, you realize that TV ain't really. You can't watch the game on.

[A]

Nah, but you sitting there like, yo, you, you. I gotta pay her.

[B]

She.

[D]

Look what she doing with the money.

[A]

She taking care of Nana.

[D]

Know it's the killer. The fire stick. $80. I got you, girl.

[A]

You pay.

[B]

I didn't know where that was. Ready go. I didn't know if he was gonna say, you come all over grandma.

[A]

Hey, you pay. Hey, you pay your whole. You paid. You not y' all out there. You pay the whole rent for 16, 1700. Sometimes you get a key.

[D]

What the.

[A]

Are y'. All. We can't let girlfriends just dictate the rules. This. Sometimes you get a key. Hey, sometimes you go over there and you got a heart, so you don't even use the key. You hit it with a little cheek. Open the door. Hey, hey. The. The hole that you pay the 1600 for got better taste than TV shows.

[D]

Your girl, you sit There.

[A]

What you watching?

[B]

Oh, such and such.

[D]

I'm watching spaceball to put you on some heat.

[A]

I'm watching his. Now. Then you go home. My stupid ass. Girl, never watch space balls. I love space balls. Yo, that's crazy.

[B]

These.

[A]

It's all joke, joke. They see the fun we can have when a girl shut the up around here. Oh, man. No, we joking. Of course we joking. Of course we joking. Of course. Don't pay. Don't pay no nobody bills.

[B]

You could be sitting right here.

[A]

You could be cuz the Rick going up. Hey, that's what happens. Hey, hey, your man, right. You hear? Your man what?

[D]

Nothing.

[A]

You build houses. Why I got to say the rent went up? You say it.

[D]

I don't pay nobody else rent.

[A]

Me either.

[D]

Oh, no, the.

[A]

But, yo, you go out there and try that today, going to hit you with all right. My rent is 7,500. Like the love you so much. Hey, you try that today.

[C]

Going to take.

[A]

Depending on where she live. Got the good crib they live in. You try to explain, going to be like, listen, Mark, why you so quiet?

[D]

Say, say some doctor.

[A]

Say some.

[C]

While we being toxic taking notes. I'm just learning.

[B]

Philadelphia, he has nothing to say about this kind of stuff.

[C]

Exactly.

[A]

That's cuz they always. She ain't got to pay.

[C]

Oh, buy some s'.

[E]

Mores.

[B]

This nigga's terrible. We're off.

[A]

All right? We done with our toxic. We done being toxic.

[B]

We're done being toxic.

[D]

It's only one that meal playing 1900 for the semester.

[A]

Good. Yeah. Y' all are dumb. Y' all are dumb. Okay, what else in music is important music?

[B]

Funny as Joe, please.

[D]

I can't believe girlfriends are trying to.

[A]

I mean, listen, I'm getting married, so

[D]

I'm about to get some nerve, huh? The audacity.

[A]

Some niggas just got money. Yes, that man. That. That. That. Hey, you know how good it feels to give.

[B]

Yo, shut up.

[D]

Everybody.

[A]

You got givers.

[D]

Nope.

[A]

Y' all not givers.

[E]

Could be.

[A]

Never could be. I a that with y', all, man. These girls think they going to get the new young crypto that just made 900,000 last month, and he not going to pay no girl. Bill, shut the up, yo.

[D]

Never had that guy wants to try.

[A]

That guy wants to give it a shot, is all I'm saying. Don't take that guy and try to lock him down and make him. No.

[D]

Make him loyal. That's some bullshit.

[A]

Not right now. That guy.

[D]

That guy don't need to be in the position.

[A]

But they don't tell that part of the story. How different. They don't tell that on Instagram. How difficult it is.

[D]

That's true.

[A]

To be everything to the high value, high maintenance. It's tough. It come with, he gonna trip up. He ain't just high value, high earning and perfect. He gonna slip up. What you gonna do? You gonna leave him?

[E]

Yo ish. You can just give him that chain.

[D]

I just wanna. I just wanna walk to the bathroom. I just wanna walk to.

[A]

I don't even want to be a part of this con. And all of this is. We joke. Just jokes refer to the T. Why y' all think was so many girls in the Bronx? The rent.

[D]

All right, I'm walking.

[A]

Yo, yo used to be mad as hell going to the Bronx. Like, damn, ain't nowhere to park. Yo, Unc, yo, I drove around unless

[D]

your city for two hours.

[A]

Yo, we could tell you the towns.

[C]

He said they know where to park at.

[A]

North.

[B]

North.

[A]

Yo, listen, when. When just start finding out about Cliffside. Oh, man.

[E]

Oh.

[A]

I was shipping on the Cliffside. You get a crib. You get a crib, you get a crib.

[D]

Yo, this insane.

[A]

All right? We done no perilla time. All right.

[E]

To music.

[A]

On to music. We were going to talk about the culture coming together to take a stand against Max B and what he had to say about Big Daddy Kane. But when I tried to bring it up, Freeze was like, we could. We could segue that by talking about Max B and French's new project. So then I accused him of taking more paola. He don't like that. So he cursed me the out. So then I said, I don't like. I can't get no payola money from Freeze when he do that sucker shit. I can't get no oxtails money from ish. He's selling oxtails T shirts like a batch. I can't get no money of that. But we worked it out. We worked it out. I'm gonna call him on the side. He gonna give me some oxtails money. And then he keep talking about I didn't give him no money for the Dr. Umar shit, which is two years old. But the boy got a brain like an elephant memory like an elephant. And he keeps saying that, which is what let me know that he knows. Know how much money I made from Dr. Umar, which is fucked up. That's pocket watching.

[D]

I don't know what you made from Dr. Umar.

[B]

Can we find out now?

[D]

I know it was a bonch. You speak Hispanic. It was a bonch.

[A]

If you call me on the side, I'll pay you something. Cause it couldn't have happened like that without you. And that's not lost on me.

[D]

Oh, what about the basketball money?

[A]

Well, you got basketball money. We paid for you. That's a brand new Achilles, nigga. Made a metal. Who made That's a brand new Achilles that you got. Made a metal that you called and begging. Oh, broke my on the job site.

[D]

Ian's lying.

[A]

So we paid. So we paid it. Take that money. Take that back. Yo, I ain't taking nothing back.

[D]

Take that back before I get hot.

[A]

You got a brand new Achilles thanks to me, boy.

[D]

Thanks to who?

[A]

Me.

[D]

That.38 came out of my pocket.

[A]

Who you think paid for your Achilles?

[D]

Antoine.

[A]

Marty, your hamstring ain't felt like this since you was 23. Antoine. Mary, what the you talking about? I'mma always look out for you.

[D]

You going take your little six grammar that back.

[A]

I don't care that through the roof. I don't care that you resent me. I'm still gonna hold you down.

[D]

Oh my God.

[A]

I'm never gonna stop taking care of people. I love it feels good to give.

[D]

I bought your bins. I guess 3800.

[A]

It feels good to give. Oh, yeah. Speaking of, speaking of paying bills for the hoes, they live in the Bronx and Cliffside and Clifton back in the day. We do have a sad moment moment here.

[D]

Somebody got married.

[A]

Now listen, in news that's only important to people that live in the New Jersey, New York area. And only important to people who used to get holes and cheat and needed a quick dip off dinner spot with the side where she could get some good mashed potatoes.

[D]

Oh yeah.

[A]

Where she could get some good, good seafood.

[D]

They closed down.

[A]

Where you could get a table and sit at a view and see the whole belt one. One of the best views New Jersey had to offer. We could see the World Trade Center. You could see Hoboken. You can see it all. The Chart House in Weehawk in New Jersey, a a STAP staple in the community is closing down. Actually, it's closed down right this very second. You cannot go to Charthe now. This don't matter to Mark, cuz Mark be a drift. But, but, but to some of us that know about Chart House and the memories that we built there on a birthday or Labor Day, Memorial Day. On a regular. On a regular. Yeah. This is very sad and disappointing news. Now that's the bad news. Yeah.

[D]

Yeah. Gets it.

[A]

That's the bad news. Cut the music. Let me Find some new music.

[D]

Put some new music now.

[A]

Let me find some new music now. The Chart House is no longer. So that's very, very sad. However, they have a new restaurant coming, coming near. Maestros.

[B]

Maestros.

[A]

Maestros will be taking the place of the Chart House. If you know anything about Maestros, some luxury eats is coming to town and we hawking it. Go. Hey, not without the.

[C]

Okay, cool.

[A]

What else? Now listen, Maestros, good move, good move. That's one of my. One of me and my ladies fit favorite restaurants. What y' all can have. The Drift and Blue on the Hudson. When Maestros gets there, it's a wrap. And hopefully it's like the Maestros to be out of town. Out of town be having a good, good, good, good goodness. They're going to do it right. They're going to do it right.

[C]

When it's opening up.

[D]

Yeah, soon.

[A]

It don't matter soon.

[D]

We got time.

[A]

Do it right. Soon.

[D]

Don't rush.

[A]

Yeah, before the summer's over, I think Maestros will be there. And that's a good call. Good call. So that's all I got there, man. Yeah, man, that's all I got, man. Char House, hold your head. A lot of good times, good memories. Thank you for your service to the community. I hear Asia, Asia got a man now, but when she didn't. Asia got some tall ass nigga now she been with for mad years. But when she didn't. Yeah, Char House with, with some old school basketball player.

[D]

Oh my God. Yo,

[A]

Asia. Yeah, Bernard King in this beast. Old school from the 80s. I'm joking, I'm joking, I'm joking, I'm joking. Anyway, on to more music. More music. We didn't touch the BET nominations. No, we didn't touch this Spotify. But let's get to the culture coming to together for Big Daddy Kane over that stupid shit that Max B had to say, basically.

[C]

Did Max B say. Cause I keep seeing a response. I saw him rank him. Was that what it was about?

[A]

The ranking shit?

[C]

Yes.

[D]

Yeah, he placed himself, he placed himself third or fourth.

[A]

I think fourth.

[C]

He said, big Nas, Jay Z, me.

[A]

He said after Biggie, Jay Z and Nas, you could put me anywhere. Right? But what he meant to say was,

[D]

what he meant to say was, I'm next. And then when they started naming names, when Kane's name was mentioned because he, they said, rock him. He's like, oh, he a God too. He a God.

[A]

So.

[D]

But when Kane name was mentioned, his, his, it wasn't the same reaction he

[A]

played on Kane name In a way that no rapper has ever played with Big Daddy Kane's name ever, ever, ever, anywhere, a class, any coast. One of the best performers of all time. One of the best rappers of all time. One of the best Brooklyn rappers of all time. Which says a lot of you know who came from Brooklyn. Like him on now. Big Daddy Kane.

[C]

Exactly.

[A]

It's Big Daddy Kane. Like, what is the. The risk is not even worth the reward. And French is funny too, because after the fact, I hear French say, I told that Kane was gonna get him. Oh, he posted it on. He posted it. He posted.

[D]

Kane responded with bars.

[C]

Yeah.

[D]

And French posted that and was like, I told Max Kane was going to get on his ass. You might want to walk that one back. You might want to stand down. He doubled down. He doubled down before.

[A]

I don't know your side.

[D]

Everybody came together. Everybody with a voice.

[B]

They lit that timeline up so much. I thought something happened to Big Daddy. I said, God damn.

[A]

Every.

[B]

Every lit clip a Big Daddy K's was online at the same time. You know what my favorite one is? The drone.

[D]

When he fake dropped him, he dropped the mic.

[B]

Oh my God.

[D]

Had the fur coat on with a silk suit.

[A]

In the 90s, nobody in culture should him get that play with Big Daddy Kane's name.

[D]

No, no, I'm saying I didn't even get Max doing that.

[A]

You supposed to text him.

[D]

I didn't get.

[B]

Maybe he didn't realize who. Like he's thinking Big Daddy came, but he thinking of a different old.

[D]

No, no, he knew who it was. He said it.

[A]

He said, you talking about Big Daddy Kane, right? Not a different Kane.

[C]

He just. You talk through that. He.

[D]

He got into his comedy bag and just. That's just Kane. Not the name to play with the

[C]

wrong one to with.

[D]

Like I get it when he do, I listen. I understand. I'm. I'm a fan.

[A]

Yeah, he was supposed to play with Shan. Like I can play with.

[D]

It's certain names that you just can't play with.

[A]

It's some old school rappers that if you're going to play, I understand Shan,

[D]

he picked the wrong Juice Crew.

[A]

Yeah, he picked Kane.

[D]

K. You don't do that with Kane.

[A]

Look, better than the rappers today.

[D]

Wax better, performs better, got better breath control, better wardrobe.

[B]

He's. Yeah, Kane ain't somewhere getting fat. He's still rapping.

[A]

And Kane is the other reason I know ish ain't get in 8th grade, cuz that's Big Daddy Kane era too. Now you.

[D]

He was an anomaly that Kane was Different.

[C]

Who. Who else in the culture is untouchable like that?

[E]

A bunch rock.

[C]

Can we just say anybody before a certain era, certain year at this point.

[D]

No, no, not anybody.

[A]

It ain't anybody. It's certain certain.

[E]

Slick Rick, Rakim. There's a bunch.

[C]

It's getting thin.

[A]

No, it ain't Brand Newbian, L.L. redman, Grand Pooba.

[D]

It's that just don't play with.

[C]

I'm gonna say anybody before a certain year Black Moon shouldn't play with unless they did something to deserve it.

[A]

Helter Skelter, yo. Just do it in clicks. The whole digging in the crates. Leave them alone. Diamond indeed. All them. And they shoot you.

[D]

That's the other part.

[A]

That's the thing about these clicks too. Like some of these people we be talking about will kill you.

[D]

Really had one foot in, one foot out.

[A]

No, still to this day.

[D]

Say something today.

[A]

Yo, them is 60 year old. You know what I mean?

[D]

On it, on it. Peace God.

[A]

It don't be a Freddy a peep about Freddy Fox at all. Do not not.

[D]

Hell no.

[A]

Freddy Fox is his raps. What's homeboy off the Pacers. Everybody know not to play with the James Johnson James. You know the. Yeah, the. He just did be hen and them. He just did 520.

[C]

Yeah.

[A]

You just know not to play with ser.

[D]

I don't know why.

[A]

Matt, Max B. You bugged out with that one. I ain't going to hold you. You bugged. You bug that. That was crazy. That was crazy. Actually, the only older I was, I would play with pause. Let me. I wouldn't even play with Shan. Like. I don't play with.

[C]

That's what I'm saying.

[D]

Nobody.

[A]

I wouldn't play with redheaded kingpin. I wouldn't play with MC Light, none of them. Yo, they all paved the way for. For something I love more than life itself. Like they all paved the way for me to be able to do something the way I was able to do it. And without them, that couldn't have happened. I don't have nothing negative to say about none of them.

[B]

And that's why first thing I tried to lean on was ignorance. Or maybe he didn't know because you had to be ignorant or just disrespectful to play with a like that.

[C]

No, he went in, he started breaking down.

[D]

Yeah, he started breaking down and talk about the playboy in his brain. I get what he was trying to say. Just Kane ain't the name to say it with. I understand what Max was trying to say.

[A]

Kane in leopard draws with naked broads draped over him is still harder than Madonna.

[B]

Freaky, freaky. Volume.

[A]

Freak

[D]

on or something too. I think Big Daddy Kane was popular before Dino Brown. Yeah, girls love that.

[A]

Yes, girls loved that and not loved. You go to the show today? They still throwing panties at this?

[D]

No, dark skinned is cool today.

[C]

That.

[D]

No, listen, he did it in a time when dark skinned wasn't it.

[A]

You the one that said he is such a colorist.

[D]

Monster. Yo, he gonna blame it on me.

[A]

When dark skin came cool. What year. What year was it? Look at Cory. Mute up, Cory.

[D]

90. 90.

[A]

Look at Mark. That's why Mark was in the color.

[D]

Tell him Nino Brown, what year was. What year was New Jackson? I was in high school.

[A]

Look, I just gotta google when New Jack City came out.

[D]

Look, so we can have the exact answer 91.

[A]

Maybe we know when it came out. Yeah, we are culture. We ain't gotta google it. They gotta google what year was it then. Google the culture.

[D]

What year was it then? No, no, no. I'm asking Joe what year.

[A]

I heard him. That's cheating.

[C]

He's not.

[A]

He's not. He's not wrong. Max beat you up. And you know what else you got? If you're gonna on Kane, you shouldn't on Kane. Actually, there's nothing I could say to even make sense. That's. That's just. What a mistake. What a mistake. When you on one of the old niggas, you gotta be able to do something better than them while you saying it.

[C]

But you still shouldn't do that.

[D]

Please stop.

[A]

I agree.

[D]

I'm.

[C]

Because the niggas that got the license to do that in terms of skill wouldn't do it.

[D]

Wouldn't do it. Of course they wouldn't do it because they respect they know they got. He paved the way for them to even be who they are.

[B]

If you're. If you're ignorant of like that or you don't have that respect. I look at you funny like I

[A]

almost want Big Daddy Kane to perform at my wedding still like he's you wanted.

[B]

Oh, now this nigga reaching.

[D]

He gonna lose all them holes at the wedding.

[A]

Well, at a wedding you're not supposed to.

[D]

I'm just saying you gonna lose them.

[A]

Oh, lose the holes at the. Wasn't ain't no hoes. Wasn't people that love me. Well, I'll let you. Let you, my girl ain't let no hoes come to mind. Wasn't you crazy. Okay, sneaker man, I got to say this. My old cousin or some kind of l. The new cousin. Yo, Parks and Mark, how did y' all get y' all old hoes at y' all weddings?

[B]

They didn't.

[A]

Well, let them say that. Y' all ain't got to answer. Did not. Nah, Parks, I seen some little white girls that wasn't talking to everybody there. I just assumed that was old work.

[E]

Trying to think.

[A]

Hey, you know, when Park's old work is around, it's the childhood friend. Mark, What'd you call you?

[C]

I'm sitting there thinking like, there's no. No, no.

[A]

Colleague. Old colleague.

[D]

Not associate with Mark.

[A]

Any exes you still speak to or are still allowed to speak to, like, and your wife know and she's fine and she's cool.

[C]

Huh?

[A]

Hang out with like.

[E]

Oh, for me.

[D]

Heard you. I get it. Speak to, not hang out. No, no, I heard him.

[C]

I. I speak to. I don't hang out with any exes, but I speak to them like.

[A]

And exes that you speak to that your wife don't give a h. Never mind.

[D]

How about you trying to.

[A]

He's answering the question.

[C]

I've answered you twice.

[D]

Leave this thing alone.

[C]

No, my wife don't care, but I don't like, tell like, hold up is let.

[A]

Let Mark, you know, my wife don't

[C]

care, but I don't be like, hey, guess who I talked to today? But if it came up.

[A]

I seen your face on this thing of ours. That's the name of the show, right?

[C]

No, that's a mafia show.

[A]

In this thing together. Yes, I seen your face on in this thing together. Sign up to Mark Lamont Hill's patreon right now. If you have not had a chance to do and if you listen now, Dave, a free. Sign up to my patreon. Go ahead and give it a spin. Check out the quips while you can.

[C]

Ain't no free ones left.

[A]

No, don't do that. Y. I seen it. Yo, we should talk about that. But in this thing together, I saw your face, Mark, when your wife was talking about the date she went on.

[C]

The date she went on.

[D]

He don't remember that.

[A]

He flushed that out.

[C]

Oh.

[A]

Cloudy his subconscious.

[C]

A date she went on before we were married. You talking about. Yeah, okay. Yeah, yeah, yeah.

[A]

But I seen your face while you were married.

[C]

Yeah, you got the face.

[A]

He ain't like that.

[C]

I don't care about that stuff.

[A]

Ah, he ain't like that.

[C]

What I'm supposed to do with my hands on the money?

[A]

His is palms up. Anything else in music that we need to get to. Oh, let's talk about Chelsea Handler responding to the.

[D]

Well, before we. You said music. You want to do the BET nominations?

[A]

Oh, it.

[D]

Cuz that's music.

[A]

Come on, let's do it.

[E]

Yeah.

[D]

Bet.

[A]

Pull up the Pulse Awards. The Pulse Awards.

[C]

He's just going for the.

[A]

Pull up the Pulse Awards is a new. New category that they're doing at the BET Awards. And it looks like all the podcasters and just some. And. And Don Lemon. Not Don Lemon. Trevor Noah. One of them. Don Lemon and Trevor Lo. The same to me. Anyway,

[C]

what that's wild.

[A]

Trevor Noah is. Is England. Don Lemon. Wait for what?

[C]

You ever know from South Africa?

[D]

Oh, yeah, South Africa.

[A]

Oh, that's what they do. South Africa. They try to fool me that anytime South Africa is said, it's a trick on Joe. Huh? I can't hear you. Who's straight? Who? Who said it straight?

[D]

Trevor Noah, you ass.

[A]

I never called him gang.

[B]

He was just saying that's the difference in the two. Oh. You know, you don't see things like that.

[A]

Oh, yeah, I don't. Yeah, yeah. I don't. I don't care. Who straight, Gay. I didn't know I got Don. L was gay. Is he gay?

[B]

Don Lemon is very gay. He let people know he's married to a man.

[C]

He brings his husband around everywhere.

[A]

Okay, go.

[B]

Him and the white man. Spicy. When they locked him up, he took his white ass dinner and got his baby out.

[A]

Hello.

[D]

Yo, I am up here with this.

[A]

My nut cases.

[C]

So the BET Awards start with the Post Award.

[A]

The Pulse Awards.

[D]

All right, the Pulse Award. It's 85 South. Kiki Palmer.

[A]

See, See, right this second, that's. Can I finish right this very second? Watch 85 south with Y'. All. Joe and Jada.

[D]

Let me get the rest of the nominees out.

[A]

I memorized them already. We'll do that rap radar. I know. Go ahead. Go for it. Go ahead.

[D]

Yeah. Kiki Palmer. Charlemagne. Don Lemon the God.

[A]

Don't say just Charlemagne. His name ain't just Charlemagne. It's Charlemagne the God.

[D]

I want to be referred to as Dr. Freeze. He char.

[B]

Let the say him.

[A]

Oh, he's up. Charlemagne.

[D]

Charlamagne the God.

[A]

You goddamn right.

[D]

Don Lemon. Drew it. Is what it is.

[A]

Wait a second. Drew, the host of the BET Awards can be nominated for. All right, go ahead.

[B]

I'm confused.

[A]

The host can't be nominated.

[D]

Crazy as hell.

[A]

He been killing, so I don't have an objection.

[D]

It is what it is. Joe and Jada on the radar R and B Money podcast.

[E]

That's that's some good shows in there.

[C]

Which one? Which one?

[B]

When did you on this?

[A]

Like, when Kisha won the back to back.

[B]

Oh, that was bull.

[A]

This is like. This is the same.

[B]

Yes.

[A]

That was bullshit. We on music. I didn't want to tell y' all that. I do kind of like the Kisha.

[B]

Yeah.

[A]

Your wings is just let them out. I'm sorry. That record. Yes, it is.

[D]

You know what it is?

[B]

It's catchy and it's repeated.

[D]

Yo, I just want you to expand so bad that you're saying that it's

[A]

just a big world out there, right?

[C]

I'm a little salty we didn't get nominated for this one.

[D]

You don't say.

[A]

See, I'm not salty because of the people that are nominated.

[D]

I still think the name should have

[A]

been tossed in there.

[B]

I didn't know.

[A]

Just don't toss me in there for. For sake. Some of the names in there tell me that this is for sake.

[C]

Yeah, it was reaching for a couple of years.

[A]

That's what I'm saying. Rap radar.

[D]

We shouldn't have got to.

[A]

Rap radar.

[D]

Radar.

[A]

Not in there, huh? On the radar.

[D]

On the radar.

[B]

Okay.

[A]

Oh, who the is that?

[E]

That's the freestyle rapid in front of the.

[C]

We should have been in that mix.

[A]

I thought rap radar was there.

[C]

It says this award.

[D]

Did that even exist?

[E]

No.

[A]

That's why I was mad they naming non existent shit before us.

[C]

It said, this award. I'm one of the voters, and I'm actually supposed to vote on one of these. It said, this award recognizes the creator, campaign, or content series that has most powerfully moved black culture forward in digital spaces by sparking conversation, building community, and defining the moment online. How's that not us?

[A]

All right, you. You know what? Tyler Perry, Olive branch. Cause this ain't nobody.

[C]

Oh, that's what it is.

[A]

Hey, hey. Cause this ain't nobody but Tyler Perry done heard some shit I said about the Madeas. That one? No, the Oval Office. What do he make all that shit? All that shit? You be killing Tyler Perry. We gotta piece it up. He might have heard what I said about what some of them little young white model boys was saying, too.

[B]

Oh, now you about to dig this shit deeper.

[A]

No, no, no, I'm cool. Olive branch. Mean, I ain't gonna talk about what them little white boys said. Half of it I believe, though. Oh, man, get this roll.

[D]

Y' all had a great joke.

[A]

Yo, can we move forward, dog? About Darcy?

[D]

No, I'm good.

[B]

I'm good.

[A]

What? Yo,

[D]

all right.

[B]

I'm just confused cause I thought it was podcast.

[A]

What would you do though? Wait, hold up, Mona, let me fuck with ish real quick. But what would you do if you go to the function, you go to a Christmas party or some Tyler Perry's there, you get your phone number. You're going to give him your phone number. Don't do that. That's networking. There's nothing wrong with that. Keep going with your and and and he begin to text you in a way where power dynamics come in.

[D]

I don't work for Tyler Perry.

[C]

Yeah, I think power dynamics, he's 64.

[A]

No, you do work for him. I'm the cat. Yeah. Hey, that's that ish dog. Yo, bring that. Bring that.

[C]

That's that ish ass over.

[A]

Bring that over here. But if he start texting you on some where it's like you see it's

[D]

going a different direction.

[A]

Like how do you handle that? Dude, I block him.

[C]

You don't block Tyler Perry.

[A]

You don't block Tyler. You would block Tyler Perry.

[E]

You might want to gig.

[B]

Lady, you better get down where you fit in.

[D]

I don't want to fit nowhere. He trying fit in.

[B]

Lay down.

[A]

They said he hung like a horse. Oh my God.

[D]

Only in your group chat so they talk about Tyler Perry.

[A]

Meat. Yo, I'm so anti groups. I'm not in group chats. I don't have what you say.

[D]

Mona, Is he really hung like a horse?

[A]

I don't know. Yo, look at you. Look at you. I'm joking around.

[B]

All right,

[D]

Stupid. Yo, Ramona and the next sisters. Yo, yo. But they need would you do though? What would you and Ian do?

[A]

So what did he do?

[B]

No, no, no.

[D]

Perry, give him your phone number. What would you do?

[A]

Converse.

[D]

And then when they start conversation start going left.

[A]

What is left? What does left look like?

[C]

Left.

[D]

I mean left for you and left for me might be different.

[A]

It is different. That's why I'm asking.

[D]

No, but we.

[A]

I'm a little more open minded than you. You're from the 70s when they all had to stay in the closet.

[D]

All right, left to where? Left.

[A]

See you.

[D]

You see what he on and you uncomfortable.

[C]

He left handed.

[D]

He might not. Oh, that's a good one. All right. See and that thumb way a little more.

[A]

Go ahead though.

[D]

I'm listening. See they.

[A]

Yeah, depending on what what left looks like. I wouldn't have no beef with Tyler Perry sending me that. That he sent homeboy.

[D]

All right, so what about if you

[A]

act like homeboy bugged out just trying to get some money. See, I got money. Tyler come with a real one.

[D]

All right, hold on.

[A]

I don't need Tyler Perry money. I got my own.

[D]

So like, homeboy said he's staying at the spot. It's levels to it, though.

[A]

And no, homeboy was hitting.

[E]

See you.

[A]

I'm saying homeboy was hitting Ty. Homeboy was texting like he was an emotional support dog. Like he texting Tyler about his grandma that died. How. How the bills is due and the mailbox don't have the check that he waiting for.

[C]

He sound like the.

[A]

You know, when you take. When you take the.

[D]

You want.

[A]

You know, when the need something, they

[D]

just give you the bad news.

[A]

You didn't ask nothing. You say, good morning. Oh, it's tough this week. I'm stressing my. They cut my phone bill. Okay. You believe it?

[D]

And I needed my phone. You ain't asking you a ask nothing. I'm stressing a word. I'mma call you. I'mma call you right back.

[A]

I would milk the out of Tyler Barry.

[D]

Dude, I was about to say the hallway fall

[A]

like that jerk. Got it.

[C]

Let it go.

[A]

Got it. Let it go. The LGBTQIA community would have to file a class action suit. The way I'd be duping them out their money. They so easy and thirsty, Yo, I think I. I think I could bankrupt them as a whole. This I ain't hold you. I got in my bag.

[D]

Once they see that hallway video.

[C]

That's your ass.

[B]

That's what he working with.

[A]

Get my money back.

[C]

They don't need it.

[D]

Huh? Oh, you right. Right.

[A]

What Mark said.

[E]

Stories.

[C]

What's up next? What we got on the board?

[A]

Yeah, I don't even even know what we was talking about.

[D]

We was doing nominees. We was talking about Pulse.

[A]

Oh, yeah, the Pulse. Yeah, them. Them nominated. Kiki Palmer. Let me know. They ain't got the Pulse on. I'm cool.

[D]

And some other ones I'm about to say on the.

[A]

So the only pods I'm recognizing from, like, people that call themselves in my peer group is Charlamagne, Joe and Jada. Who else is lit on there? Oh, Cam and them.

[D]

Cam and. Yeah, it is what it is.

[A]

Gillian Wallow. Who else?

[D]

Gillian Wallow even nominated.

[A]

So I'm just naming them.

[D]

I'm just saying that. Like, even that, though, to me.

[A]

520, 85 and 85 South.

[D]

What about R and B money?

[A]

R and B Money? Yes. Okay. Even though. No, not really. Not really.

[D]

I want to say.

[A]

Yeah, but those are my peers. I with them. 10, 10 calls all the time. Sean Stockman.

[D]

I.

[A]

With a lot of the R B and sports, but when it comes to the awards and the Pulse, certain names.

[D]

Certain names just.

[A]

I don't want to be nominated. No. I don't want my name to keep hominid next to each other. I don't. I don't. Sorry. Call me what you want.

[D]

That's the one for me. When I saw it, I said, okay, I see what.

[A]

Yeah, I'm cool.

[D]

I see it.

[A]

I'm cool. That's Mark. Homegirl nigga. I said what?

[D]

I said, oh, yeah.

[C]

Best R and B.

[D]

We got a best female R B pop artist. Ari Lennox, Coco Jones, Ella May, Jill, Scott, Kalani, Mariah the Scientist. Olivia Dean Sza and Tim.

[C]

So many.

[E]

That's a long fucking list. And it's all good names.

[A]

Oh, y'.

[B]

All.

[A]

Oh, this is a spoof.

[D]

Yeah, the. The.

[A]

I see what's going on.

[D]

It's already engraved the trophy already.

[A]

This is a spoof.

[C]

It's not engraved.

[A]

Yes, it is.

[D]

Yes, it is. Who wins that?

[A]

Kehlani? Olivia Dean ain't coming.

[D]

You already got the name on it.

[A]

Olivia Dean won't be there.

[C]

Olivia Dean won't be there.

[E]

No, she won't.

[A]

So Kehlani wins. And don't try to fool me with Ari Lennox in them. This is a. No disrespect, because I know y' all

[D]

be thinking, man, you got scissors on there. You got.

[A]

Stop it. Yo.

[D]

I'm just saying.

[C]

See, I think they've had over here,

[D]

had a big year.

[A]

Stop it.

[D]

Best male R B Pop artists. Brent Faiz, Bruno Mars, Bryson Tiller, Chris Brown, Duran, Bernard Giveon, Leon Thomas, October London, Usher.

[A]

That's a category.

[E]

It is.

[A]

Yo, bet. Why y' all don't just send out an invite to anybody that's ever made a song? Because it sound like y' all just trying to.

[D]

Yeah, you know, it sound like they don't want to forget nobody. No, they trying to nominate a bunch of niggas or nominate a bunch of niggas. Come to the awards and get playing on people's hopes. It's clear even from their rollout video, they spent some money this year. Remember last year we were saying, yo, we didn't even know BET was happening. So between getting Drew Ski to host,

[A]

what money they spent because they had Drew Ski pull up to Martin Lawrence house.

[D]

I'm Jamie Fox.

[A]

Had

[D]

a thousand times more than what they did last year. And the names that they use in just that way more than what they've done.

[A]

1650?

[D]

Yeah, right.

[A]

Cool. 1700 ain't no 17. That's it.

[D]

That's 6000.

[A]

How much you think them little camera dudes that follow you everywhere cost?

[D]

How much? How much you think Cardi B wanted to come out on the balcony?

[A]

All right, y' all being stupid now. BET is calling, saying, hey, we're nominating you and gifting you awards. We need a promo. We're pulling up to your house. They're not paying her. Stop it.

[D]

Don't be stupid.

[A]

What you're saying.

[D]

What I'm saying is the. That fact. Fact that they even got Cardi to do it now is a big catalyst and other big artists coming to the awards. You got Jamie Foxx on the commercial. You got Cardi B on the commercial. You got Martin Lawrence on the commercial. That's. That speaks volumes.

[A]

Last year, it might be nice. That's true. What y' all are saying. What the hell?

[D]

That's what you're talking about.

[A]

I'm making jokes. I don't give a fuck about the truth. I'm saying it causes 1600. I don't. I mean, forget it. Go ahead.

[D]

Best group.

[A]

Mona, I know how you feel, man. I know how it feels.

[D]

You be trying your guys 41.

[A]

Stop playing with him. Summer Jam. I'll be there. Clips.

[E]

Okay.

[D]

De La Soul. Flow.

[A]

De La Soul want to come up here.

[E]

You should definitely do that.

[D]

French Montana and Max B. Yo, don't

[A]

say French Montana and Max B. After we say De La Soul want

[B]

to come up here.

[D]

I'm reading the nominees.

[A]

I said flow after that. I said flow.

[D]

Flow after that. I said Flo, French Montana and Max B.

[A]

Who's flown?

[D]

It's three women. I've never heard of them. I'm not familiar. It's three women here.

[A]

I see a rap group.

[D]

Don't know. I'm not familiar. Metro booming and DJ Spins, Nas and DJ Premier, Terence Martin and Kenyon Dixon.

[A]

That's the other one. That's the other nomination where I knew we was just on. Nas and Preem are not a group. And I spoke to Nas and Bream about it. They don't really think they're a group either right now. A group that's doing a lot is all I'm saying. But go ahead.

[D]

It is.

[A]

They thirsty for groups.

[D]

Yeah.

[A]

They could have put us in the group category.

[E]

There we go.

[A]

Yeah.

[D]

It ain't really that many groups out there right now.

[A]

Yeah, not so.

[D]

Yeah.

[A]

When does the Beto Awards come out? When does it air? Is this.

[D]

Let me see.

[E]

June 28th.

[A]

Someday June 28th, I'll be in front of my TV regardless. Well, I'm joking around right now, but I will be watching this. I think Drew Ski is going to

[D]

do a. I think he's going to

[A]

do phenomenal job all time. He going to show out up there?

[D]

Yep.

[A]

And Drew is my. My, my prize picks, fam. So I'm supporting him. I support him no matter what.

[D]

He's going to kill it. Any other categories y' all want? Best male hip Hop artists ASAP. Rocky Baby Keem, Big X Ray, the Plug, DaBaby, Don To Drake, JCole, Kendrick, T.I.

[A]

you naming too many people that's talented and had a good year. I'm. I'm asking y', all, who gets the. You've had the trashest year award. Trashest year. Yeah, you. Who. Who have. Who tried to come up with a plan with their team and tried to release and tried to have a big year and just had the worst year you could possibly think of.

[D]

20, 2025. Drake, what are we talking about? You know, somebody had a worse year

[C]

than him in 2025.

[E]

He was just quiet in 2024 was when he was. Yeah, no, kid. Last year. I'm not gonna say that.

[D]

You know, it's crazy that just getting his bowels right.

[B]

Is y' all talking about his bow.

[C]

But I feel like the low moment was 2024. Yeah, that's when you guys asked.

[D]

It carried over.

[A]

But yeah, I know somebody that I think had a trash few years, but I ain't gonna say. I can't say it. Come on.

[B]

Come on.

[A]

It's not. It's a. It's a lesser known act.

[E]

Oh, that's.

[A]

And. And she's a woman.

[D]

You can't do it.

[A]

I can't do that. But I've been watching this young lady for a few years, and she had a boyfriend that she shouldn't have had and forgot her career. Then she went and got another boy boyfriend who went to jail for the dumbest shit in the world. And she was supporting him and he looked stupid, so by default, she looked stupid. Then she left him, got another boy. She ain't rap no more, do nothing. She. It's no music at all. And I'm like, yo, you had a rough few years, huh? I'll tell you over here who might

[D]

have had a rough year. I think. I think that time he was. Richmond kid popped up and had a good pick. He might have had a rough year.

[A]

That's a great pick. Tommy Richmond, he might have had. Go away he did. He did. Tommy Richmond. He did, huh?

[D]

That nigga got rich with no talent.

[A]

That was years ago.

[D]

We Talking about just 2025 having a good year or not? That's all I'm talking about.

[A]

He ain't put out nothing that anybody gravitated towards since the big record had a rough year.

[D]

He's had dropped a couple projects and it might have been. He had a rough year. I might. I might say Kanye had a rough 20, 25. He tried to pop back out a couple times, and even now he. They canceling all his shows. And he didn't have the best year.

[A]

Yeah, but before they canceled him, he did a few. And it looked good. It looked like none we ever saw before.

[D]

He had a balance. The balance.

[A]

I can't.

[D]

And he got the album out, and the album wasn't based.

[E]

That was this year.

[D]

But I'm with you.

[C]

Yeah.

[A]

Don't matter. He bounced back. I can't put Khan. He tried to meet with the Jewish. They told him suck to Yannica.

[B]

As they should have.

[A]

I said, yannica, I know.

[D]

I ain't want to correct you. You my man. I'm with Ice. I think Kanye put forth real attempts to come back, and it ain't work.

[A]

That's what Ice just said.

[D]

I know. I said I'm agreeing with Ice. You saying he did. I don't think he did. Them two little shows ain't do. Nah, nah. They did a lot. Hold on.

[E]

That's two stadiums.

[A]

Let's Jack Harlow.

[D]

Horrible.

[B]

Oh, that was this year.

[C]

That's a good one.

[E]

That's a good one. That's a good one.

[B]

That was.

[D]

But that's more this year, though, right?

[A]

Well, no.

[D]

Didn't he drop something last year, too?

[A]

It don't matter. It's all been trash.

[D]

Yeah, it might be.

[A]

It's all been trash. God, not me.

[B]

Mentally straight with him in that weird ass hat.

[A]

Damn.

[D]

Yeah, that might be the one.

[A]

Yeah, he might be.

[D]

That might be the one.

[B]

It was the hat.

[D]

That might be the one. Cuz you had records that was like high in rotation on the radio. And everything that fall off was.

[A]

See, I think that award shows should incorporate, like, a trash act of the year. And I think that person should have to come up to come to the awards and come on stage and explain. Explain why you've been so trash. Jack Harlow should have to come to

[D]

the BET Awards in that hat and then throw it on. Oh, he don't be there anyway and

[A]

tell us doing what? Ballet.

[D]

And he'll be at the BET Awards. With a hat. With the hat.

[A]

Two places he going to be is the BET Awards and the Kentucky Derby.

[D]

Kentucky Derby.

[A]

He should just start riding horses now. Stop.

[D]

But yeah, yeah, but that's my two.

[A]

Listen what you want us to do. Okay. Freeze. You did pretty good. Just a banger.

[E]

Yeah, that's pretty good.

[A]

Those were some good trash people. Oh, that's like Nemesis on Netflix. It's such a good trash show. That's some good trash. Nemesis. You in for some good trash.

[D]

Hey, got a shout out though. Cause the success of Nemesis got Kourtney Kemp hired by Apple tv.

[A]

No.

[D]

Stop for TV shows.

[E]

Stop it now.

[A]

If you believe that that's off the success.

[D]

I'm not saying.

[A]

Come on.

[D]

I'm. I'm shouting her out.

[C]

Thank you.

[A]

But don't never say successive Nemesis again. That that show. I'm saying that I ain't on. But episode three, it's the worst coming back.

[D]

You tell acting ever.

[A]

The acting so, so bad. You got to keep watch. The acting and the casting is so bad. You got to finish it.

[D]

It's the acting and the dialogue for me. Like come on, dog.

[A]

And I got to get back to Widows Bay.

[D]

But anyway, I'm caught up on that one. And I finally caught up on your Friends and Neighbors.

[E]

I'm not all the way caught up.

[A]

I'm done with Friends and Neighbors. I'm cool. Yeah, they, they, they went.

[D]

They went. They went. I'm. I'm invested now. Cuz I'm like it the whole so fast.

[E]

The whole premise of the second season is kind of the first season stupid.

[A]

Yeah.

[D]

It's like they got dumb at the

[A]

end of the first season. Yeah.

[D]

Yeah.

[A]

Once the whole. Once everybody found out out what he was doing and had to be cut in and then I'm like all right, I'm done. I'm done with it.

[D]

Once old boy got introduced in the second season and now everything has changed and now you back legit and you doing it like all right. Yeah, I'm just watching just for something to watch.

[A]

I can't believe I didn't get a picture with Jason Bman you. I should have did it.

[E]

You should have.

[D]

Cuz he would have did it for sure.

[A]

He was doing was man. Timeouts. What is wrong with me?

[D]

Pride.

[A]

Mad pride.

[D]

We talk dude, you do the pride list. I told you.

[A]

Yeah, because I wouldn't have took it and then just kept it pee and kept it in my phone like took it just for posted that immediately. Now we looking at you like you Jersey. He was with his Family. It was in an elevator. That looks weird. Jason Bateman is in front of me taking pictures. And with everybody. You busy reading his text messages, but you can't ask for a picture right n. Jason Bateman. We got to run that back. The Finals. We gotta run that back.

[E]

There you go.

[A]

For the finals. That's how I know the Knicks don't give a. About Cleveland. We selling finals tickets. We selling. I got mine.

[D]

And they ain't cheap. The is in their chair.

[A]

I'm going.

[E]

I've got to.

[D]

You gotta go.

[A]

I'm going.

[C]

I have to go.

[D]

You have to go. I ain't cheap. You gotta go.

[A]

Or I'll give it to my dad. Or I'll go with my dad.

[D]

You should go with your dad.

[E]

You should go with your dad. Yeah, for sure.

[A]

That's what he said yesterday before I took her in.

[D]

Ah,

[C]

stupid.

[A]

Yo, shout out to my dad, man. Worse.

[D]

That's the problem.

[A]

All right, so the BET Awards, the end of June. I'll be watching. Hopefully you will, too. Hopefully. It's kick ass.

[D]

Yeah, let's. Let's support bet, man.

[C]

Support bet.

[A]

I'm definitely watching Tyler Perry. Olive branch. Let's piece it up.

[C]

I think he's out of the BET business, ain't he?

[A]

I don't know.

[D]

No, no. Still got 97 shows over that.

[C]

Oh, got you, got you. Got.

[D]

You be conducting some level of business with him.

[C]

Yeah, that's fair. I just meant, like, he sold that.

[D]

Oh, yeah, yeah.

[C]

You know what I'm saying?

[A]

Would you do his new cult show? No. Shut up.

[E]

Trauma.

[A]

Yes, you would.

[C]

Brings back too much pain.

[A]

Oh, please. You'll do it. You bring the whole Ian and Mark show today,

[C]

which is recording right now. The Ian and Mark show. Recording. We had a great first episode shot two days ago. I heard it was. It was something.

[A]

I heard about y'.

[C]

All.

[A]

I heard about y'.

[E]

All.

[A]

It sounds expensive, but it.

[C]

It was.

[A]

But I heard about y' all good.

[C]

Yeah.

[A]

Heard y' all kicking ass.

[C]

It's good.

[D]

What's up, man?

[C]

Lot of good jokes. The audio will be amazing now, brother. Parks was on, was on, was on. The scene popped out. Making sure our audio.

[D]

Get a professional in there.

[A]

Ooh, I heard about some slimy shit you wanted to do. You.

[C]

Me.

[A]

You stop at nothing, boy.

[D]

That's my man.

[C]

This sound like. This sound like some shit Ian is throwing on me.

[A]

N. That's cool.

[C]

I. I really don't know what we're talking about.

[A]

I know you don't.

[C]

I'm not saying I didn't do it. I probably did.

[D]

I didn't do it.

[A]

No, you did it.

[E]

You did.

[A]

I can't say what it is, but the plan and how you brought it to Schwartzman was like, we gotta do this.

[C]

Oh, that's funny.

[E]

It is funny.

[C]

Okay. Yeah, yeah. That's not slimy. That's funny.

[A]

That is slimy, Mark. Ooh, if I told you she's slimy, you'll see.

[C]

I'll tell you what's a week.

[A]

We'll tell you later. Mark is slimy.

[C]

I think the audience is gonna love it.

[A]

Yes, Mark, but it's still slimy.

[E]

First episode coming soon, man.

[C]

First episode coming soon.

[A]

Oh, my God. My God. First episode of Ian and Mark coming to him. Pod wives forget.

[E]

Hey, let me throw another couple letters in.

[A]

Oh, my God. Hey, as far in terms of pod wives, y', all, I'm. Listen, listen.

[D]

P. Wife.

[A]

Yeah, it's going to be the other day I put my foot in down told my girl, listen, I had enough. It's time. We've been supposed to shoot. Go hit the wives, see what's going on.

[D]

Boy.

[E]

A boy.

[A]

She did it. Did that. Oh, well, yeah, cuz the wives be talking.

[E]

Yeah, but boy should be making my post pod dinners a little stressful sometimes.

[A]

It's tough. It contaminates me. Cuz you tell me all the tea. I look at my friends so different. My friends. Yo, once you get the girl side of things.

[D]

Yeah, yo,

[A]

yo.

[D]

I be.

[A]

I be hearing them like, no, that's your man.

[D]

Though.

[A]

I be hearing. I be hear that like I'm. I'm pretty good. The they think I be doing. Oh my God. Any.

[C]

That's just why I'm not on Pod Wife.

[A]

You did the right thing. Poi was a precursor to things. You can't spell precursor without curse. All right, so Ian Mar show is coming. Po wives is not Maybe. Unless I find new powders with wives. Come on. Ish, man. We got to do it. We got to get married. We got to get married for content. You know, me and Freeze going to do it. And we get a discount of all three of us getting married at the same time. Discount.

[E]

Triple hutter.

[A]

We'll give you the white room. We'll give you the room with all the white plants and white everywhere.

[D]

Who get prom?

[A]

We'll do it big, huh?

[E]

Who gets prime time?

[A]

Oh, come on now. Don't be silly. Come on.

[D]

Hey, hey, hey.

[A]

Big park. Come on, don't be foolish. They should be trying to n. I ain't getting married at 9:00am oh, hey, in our group. Damn. I was getting married at 7:30.

[D]

God damn dog.

[A]

And then his recession and will take him reception. Reception is sick.

[D]

Recession after the

[A]

double double entendre. Double entendre his recession and go to like noon.

[D]

Crazy, yo.

[A]

And then it should come into the realm what time you want to get married? Because you ain't a evening. I mean, you don't need night time to hit it all. You can do whatever you're doing. And at one o'. Clock.

[D]

Well, mass be about 12, right?

[A]

We'll give him. We'll give him noon. You want to do noon. And then around 8pm showtime so the

[E]

lights get little bull ste.

[A]

Come on. Oh, my God. All right. What else is important? What else is important?

[B]

What else? What else? What else? What else else?

[D]

Chelsea Handler. Y' all was talking about it.

[A]

Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.

[D]

You saw the replies? Of course you did.

[B]

I have something to say.

[A]

The replies.

[D]

I don't know if I saw responses rather.

[B]

Oh, yeah, yeah, I have something to say about this, but I don't know if I'm allowed to speak. If anybody even wants to hear me speak at this point.

[A]

You pass your word quota for I want to hear you speak. I want to hear you speak.

[B]

He said was I'm past my word quota for the day. I'm only allowed to say a certain amount of words up here.

[A]

Oh, Sher Shepard says goodbye to her show after four seasons.

[B]

That show suck.

[A]

Yeah, we should have known it was coming.

[B]

Show was ass.

[A]

The worst questions.

[B]

This show sucks, y'.

[D]

All.

[A]

Like I'm a bad interviewer.

[B]

You ain't.

[A]

No. No, yo, saying that is a clear way to let me know. You ain't never seen Sher Shepher Joe

[B]

Button look like Barbara Walter.

[A]

Honestly. Honestly.

[B]

No cat, no cab. She sucks.

[C]

I like Sherry Shepherd.

[A]

I like her too.

[C]

I like her.

[B]

Liking her and her show sucking is two different things.

[C]

I like her show shout out to Sherry Sheppard.

[B]

I like her show said no one ever watch.

[E]

I'm sorry that you are losing it then.

[B]

Anyway, put this white. This white Asian.

[F]

Like, what were they gonna say about me? They couldn't say anything other than that I'm a or my age. I think that was the other thing that they went in and you're like, well, okay, those aren't jokes. That's not clever writing. And I knew they would be lazy because they do that for a living. And I knew enough about like Tony Hinchcliffe and Shane and their backgrounds. I had girls ex girlfriends blowing up my DMs that had dated Shane and were telling me stuff about him. So based on that, I was like, oh, these guys are pretty bad.

[D]

So you had something on him to choose from. You could have tell us now what, what should Shane.

[F]

It's just everything we know that they're racist, that they're bigots, that they're sexist, you know, that they think they're like invincible, that they've been cancelled for being like, you know, Shane got fired from snl but then was on SNL years later. So you got fired. So what happened in between those two events? So he believes this is per one of his exes, that he's invincible. He's like, doesn't matter. I can say anything I want.

[B]

Yeah.

[D]

Do you think that now a lot of like, white comics, they feel as though that they can say something racist and it's going to further their career?

[A]

Oh, yeah, they're going to get in

[F]

with that group of like, Roganites and that Austin group of Joe Rogan and all of those guys. And I just, you know, like, that's that mo even some girl to be like, in with that. With that group.

[B]

Yeah, yeah.

[D]

Like they say this racism. Yeah, because I'm starting to feel that. I'm starting to feel like it's this thing that a lot of white comics are doing and there's this group of them that's like, they, they stay in things and people, they get famous and then people get on they ass. But then there's another group on. Hey, what, you're cool with us for saying what you said? Now they become super rich and famous and they sell out all over and it's like, I don't think anybody should be paying attention to that because, you know, it's not happening like that on the other end. But it's. But they're becoming famous over this.

[F]

Yeah, yeah, for sure.

[D]

So that's crazy. So with this.

[B]

So.

[D]

So did you, did you feel, I mean, did you like the shit they

[A]

were saying up there though? Like. No.

[F]

I mean, she had the. Dion Cole as well find those jokes to be funny jokes about lynching black people or like, lynching is not a joke. It's not. That's worse than rape. Like, you're not joking about rape, are you? Are you saying I'm gonna go rape you? You know, you can't do that, but you can say lynching. Like, I find a that to be. I don't know. You know, people are like, it's a roast. You go for it. I'm like, you can go for it without being gross. Like, I find that to be gross. I found them making fun of Cheryl Underwood's, like, dead husband who committed suicide.

[A]

Like, a skin color.

[F]

You know, she's fine with that. If she says she's fine with that, she's fine with that. I wasn't fine with that. I thought that was disgusting, too, but there was so much disgustingness that I knew it was going to be such a, like, gross vibe that I would be able to elevate it, no problem. And I wanted to do. I was like, all right, well, I'll pick it up because they're gonna try and bring it down. And Kevin didn't deserve that. He deserved, like, an elevated roast.

[B]

Love this.

[D]

I absolutely love second.

[A]

Everything she said, her psychology at the end of, oh, I'll do that, because I know know I'll be able to elevate that. And Kevin deserves an elevated roast. Well said. Yeah, well said. Agree.

[B]

I like it because when it comes to situations like this, you need for a white person to say it. And with this is twofold, because not only is she a white woman, a blonde hair white woman, she's a comic. A successful comedian in our standards of what success is. Those are the kind of people that have to say things or speak out against things. For me, as a comedian, it was real hard for me to say anything about it because I feel silenced. I feel like it's stuff I can't say. I feel like my better jokes are at the house because you can't. You can't. You can offend so many people. But one thing for sure that I do know is that since I started, I've never really wanted to hurt people. And I haven't really had that many issues of hurting people. A few times I've said things that were wrong, and I've apologized and came out and said, said, hey, I shouldn't have said that. I said. I said on this platform, something about colorism I was dead wrong about. I went on a tour saying I was wrong about it. It's really that simple. If your goal is to not hurt people. This shit that we dealing with now with Donald Trump being the president and, like, old school racism coming back, it's weird. And it's almost like a lot of niggas feel like if they speak out against it or if they say it's corny, then they're corny. Or almost like, I want to. I don't want to be the corny one. So I'm going to act like this doesn't hurt my feelings. So this doesn't pinch a little bit. It's no way that you watch something like that. Somebody cracks a George Floyd joke and that shit don't pinch you just a little bit because there's nothing funny about what happened to George Floyd and it's too soon.

[E]

They also hide racism under the guise

[D]

of free speech comedy.

[E]

So they're using, they're using like, oh no, they're silencing us. They're silencing us as a reason to get their shit off as fighting back at the man. So people can relate to barking back at the man. But it's not the same.

[B]

Well, and then there's this, this other. I'm sorry, I'm done. This other new huge thing of. Well, black people can say it. Just like when those white boys said they were going to do white face and how well they were going to do blackface and they tried to compare it. It's a huge difference between Drew Ski dressing up as that psycho ass Erica whatever the her name is. Then a white person doing blackface, the history of it is the reason why you cannot do it. The reason why it's not the same.

[A]

And I loved Walker Floyd blocker. Looking for the explanation from that and making Jake Paul say something. I feel like me too. Yeah, it should be a black there. That's 6. 5 to get answers from you. I do. Sorry, facts. You were saying freeze. I forgot.

[D]

I lost my train of thought already.

[C]

I just, I like this.

[A]

How. Yo, come on, man.

[D]

Yeah, you know, I was listening.

[C]

I just like to use the word lazy. I think that's the important thing because sometimes comedians who make a offensive jokes act like the world is pissed off just because we're too thin skinned or relying on political correctness. Sometimes it's just like dog. Like that's an easy joke. It's like making a bunch of short jokes to Kevin Hart. I'm saying like in that case, right? We've heard every short joke you could hear that's not that funny. You know, racists saying racist jokes at least make them interesting or clever. It's just to me, beyond the fact that it was offensive and beyond the pale, it also just wasn't that comedically interesting. I think they're too talented to do that. But like she said, they've been lazy for a long time.

[A]

And like y' all said, or Parks, I think specifically they be using this comedy shit to get they racism off. So it leaves the rest of us. Like I've been coming in here for years saying hey, I'm watching Kill Tony. I think he's racist. I think this because of some of the jokes I'm hearing and some of the things he allow. But I don't know. Cause I don't know these people. But I. I think I love that it was a comedian saying no, I know, right? These comedians and this entire group and

[D]

women that have dealt with them behind

[A]

racist and bigots and all other fucking Marky Mark words that come.

[D]

But yeah, Mona, you spoke to the history like knowing the history of things. That's part of why they trying to stay so hard to erase the history. So where now it's almost like an even playing field. Y' all don't know what happened before take away white guilt.

[A]

Yeah, yeah, exactly.

[B]

Which is crazy when we still walking around like the that seen that lived it even our grandchildren.

[D]

But you'll die in the next 40, 50 years. So if we could take away all the out of school books over the next 40, 50 years stories die with them.

[A]

How do you want.

[B]

That's why you gotta get that chamber. What the you mean we going?

[A]

You said the people you the only one.

[B]

That's 50 death date on my, my, my. I'm taking it to 110, 120 like that. Like them Cambodian and you know, Asian, Vietnamese that do nails and them live to 110. They smoke marls eat rice. They smoke powder too. The don't die.

[A]

I'm with that fact.

[B]

I'm ready to start snoring powder, eating rice.

[A]

No even he talk about 40, 50 years. I'm like how old is m. This got money.

[B]

He's buying that chamber thing for us, right? For us.

[A]

For us, for us.

[B]

Ain't you getting the chamber for us?

[A]

Yes. Group chamber.

[B]

It's a group. It's a group chamber.

[E]

Would you be right in here like this frozen pie?

[D]

Not at stupid.

[A]

If I was able to do it, I wouldn't bring everyone.

[B]

Oh, oh, please. I know God. Please stop. Duh.

[A]

Some the of you would after natural causes if he.

[B]

If. If the world like blew up and it was a bunker. He would totally just like we had at the front of the bunker. Like no room. It's plenty of room in that. His kids run around in scooters. The youngest roll around with a scooter. Daddy, come on in.

[A]

Come take a run. Yeah, well in the bunker I we're at capacity. I probably would want some peace and quiet though in the bunker. So I know how to. Who wouldn't be allowed to go if peace and Quiet was quite. Damn. I'm joking. I am joking about that.

[B]

You need comedic relief. No. All jokes aside, love Chelsea Handler. Love you. And it's so hard to, like, love white people out loud. Perks. But I really do love Chelsea Handler, and I feel like I can love her out loud again. I love you. I really do. With her. She smoke weed. I like her, bro. Always. Did you know she hit 50?

[A]

Yep.

[B]

She ain't no wankster.

[A]

I with y.

[B]

She ask my 50 when the abs was wash more. All right, go ahead.

[A]

I with Chelsea. I with Chelsea.

[B]

Get her up here.

[A]

I would.

[B]

She come up here.

[A]

I would. I would have Chelsea Handler up here if ish would behave that day.

[B]

Oh, you know damn well.

[A]

You know. Hey, dog him. Him and Amani back at it again. All right, never mind. She can't come. Yeah. When she come up here, tie it in your waistband on some. On the old school.

[B]

My boy bagging Chelsea. You lucky he not single. He would take Chelsea home.

[A]

Bro, tie that. Tie that thing right up, Chelsea, bro.

[B]

Chelsea will fall in love with you.

[A]

And if you're having trouble, just sag your draws.

[B]

Tell that. Don't tell you doesn't do. Brown your penis in your draws. I don't even know.

[D]

Talking about hr, Stay in another draws. That's crazy.

[B]

Press the button.

[D]

We do need HR, but Dr. Uma

[C]

also said something about this Kevin Hartro shout out to Dr. Umar. I thought he gave a great analysis of it.

[A]

Why we keep shouting Dr. Umar exactly.

[C]

For giving a great analysis.

[A]

Out of here.

[C]

He making a time.

[A]

Dr. Umar name come up. We shout him out, and he shouted

[C]

us out in the interview. He shout out. He shout out. Yeah, he said shout out to the

[A]

Joe Button podcast, but he won't come up here for some reason.

[D]

Shout us out in the Chelsea, too.

[A]

Still, he won't come up. You got to come up.

[D]

I mean, Cheyenne shit.

[A]

Why won't he come up here, man?

[E]

What do you have to say?

[C]

So Dr. Umar was like, take it away, Mark Umar. I thought he gave a great analysis of all the different ways that it was racist. But what he suggested was. I was curious to know what y' all thought. He said that he thinks the roast was payback for Drewski's attack on Erica Kirk.

[B]

Sure, I could see that.

[C]

Like, basically, like, because they didn't like how. How Drewski was coming after the white conservatives, that the higher. Like, the higher ups, you know, authorize this kind of bleed.

[A]

That's a very Dr. Umar thought. And I'm not against any conspiracy Theory. I just feel like if Drew never does that, that roast probably it's just tough for me to cuz if not

[D]

that roast was a lot of money for them.

[B]

We got to get him back, guys.

[D]

That roast was a lot of money for them. They already did the and coming off of they want to one up the Tom Brady. So it's like, yo, we need to go get a mega star.

[B]

Tom Brady look good.

[D]

We need to go get a mega star.

[C]

Yeah.

[A]

Yeah. List the new you let beat that thing time.

[B]

I ain't going to lie on a white boy tip. I hit time. No cap. No cap. Raw too real. We bringing home a mulatto. I'm hit time off the gun bus. Having a little tisha apostrophe.

[A]

Putting a ky on this.

[B]

Taking him down.

[A]

See Tom Brady walking in the Gucci in the Gucci show in the Gucci.

[B]

Of course I did.

[A]

That was looking all the money.

[D]

He looked like all the money.

[A]

He looked about 33 in the face.

[B]

Oh, I'm telling you, he looked good.

[A]

He did you. I can't keep saying, but no, he

[B]

look good face to face. Tom, bro, put that in his eye. I'm telling you. Telling you, you won't come.

[A]

You don't be your from the front.

[B]

Not. Not the ugly ones.

[D]

She was face to face.

[B]

For what I'm going turn this thing around. You hear me?

[A]

You on from the front. What you got clothes Say nice.

[B]

That's how I love you. I love you. I never did this before. I never did nothing like this before. I never had sex with a white man. For real. Be like, you know what Ain't for real.

[A]

For real.

[B]

I see what be going on in it.

[A]

Would you do race play with them now? You always got to it up masking. I know you be.

[D]

I love this

[B]

hard r. What's up? Turn the lights out. Some soundproof.

[A]

Yes. Shout out to Tom Brady. You killed. You killed that.

[B]

Shout out to Tom.

[A]

Killed that fashion show. Oh, man. Way to divorce your wife and then take a job.

[B]

Yeah. Is she with the. With the t Kwondo, right?

[A]

I seen a tweet a few months ago that I meant to come in here and ask you all about what's up. The tweet said something to the effect of black people. How long should we let white people have pickleball before we come and get in there there. Get in there and do our numbers? I mean, the white people is having a blast out there. Yo.

[D]

It took me a minute to find out what the it was. That's they I know.

[A]

And they. And they really warms their heart. No, for real. That white people feel good about that.

[D]

I'm with it.

[A]

But you know, when we get it,

[B]

put a little hip hop beat to it.

[D]

They going to add one mixtape to that.

[A]

Oh, boy.

[D]

Lucky. Blacks can't afford that.

[A]

Hockey.

[D]

Blacks can afford hockey.

[B]

Thought about that.

[D]

I think, I think. I think we need to do that, though.

[B]

Why not? What the. We ain't got nothing else to do rest of the year.

[A]

Facts.

[D]

We need to go get.

[B]

We need a pickle ball thing to

[A]

now how you white people. Y' all got it now. Chill, Go ahead.

[D]

Y don't got it.

[A]

Summer 2027.

[D]

We on your ass this summer.

[A]

Word. Now they be so excited this summer. You never see a group. Okay, look there. Go. Hey, hey, man. You play pickle ball. Play a little pickle ball. We got junk on you in pickle ball that out of here. I score a touchdown on your pickle boy ass. Anyway. All right, so we did Chelsea Handler. We did Courtney Kim. Did we shout out. We need to make some noise for the Breakfast Club. Let me hit the round of applause. Breakfast Club is now streaming daily live. Congrats. All that says to me is that they're kicking ass over there.

[D]

Yeah.

[A]

And seeing results. So shout out to Charlamagne. Hey, man, keep the applause going for. Shout out to Charlemagne, envy Lord, Lauren DeRozan. And Jess. And Jess. Shout out to them. Congrats. And shout out to Netflix. What else is over there? Let's see. Jeff Bezos ran from it. Jeff Bezos ate Mark food. Yeah, Mark. Fool, why you sitting there quiet letting Mona do all the talking? Why you ain't got nothing to say? Been on the boy all day. Big boy. It been here all day. Boy been there.

[C]

I don't know what he said.

[A]

Oh, yeah, I know. I know you don't. Yeah, he probably didn't hear it.

[D]

Missed that one.

[C]

Yeah, I really.

[A]

Well, he said a bunch. But the part that I'm referring to, he was talking about billionaires paying taxes. I think that is a direct response to you and only you. Nobody else.

[C]

Not Bernie Sanders.

[A]

Not a me talking to n win from Bernie Sanders since 2014. We. No, nobody replying to Bernie Sanders right now. We replying to you.

[D]

You.

[A]

We replying to you. Anyway, here are some of the quotes from that interview. Feel free to reply to anyone that touches you and your soul.

[G]

My job. Right, Right. So the value to society and civilization from my for profit companies will be much, much larger than the good that I do with my Charitable giving. And I think this is an important point to make because people forget or they sometimes don't see that when, you know, when you create something like Amazon and you're saving. I, I get letters from new mothers all the time that say like, I have no idea what I would be doing right now if I didn't have Amazon.

[A]

Thank you.

[G]

Or what we did in the pandemic when people could really see what an essential service we provided to them. And so, you know, this is. Amazon creates tremendous value. And by the way, all companies are creating value of some kind. That's why people are voluntarily giving them money. If I do my job job right.

[A]

That was clip one distinguished panel. Where do we stand on that one Cat? My for profit companies will benefit society more than my charitable giving. Where do we stand on that is.

[D]

Oh, you know, I agree with him.

[A]

Ice.

[D]

I agree.

[A]

Parks.

[E]

I think both things can.

[D]

Amazon has changed.

[E]

He can. Amazon has changed the world. But I think he could also give back to charity.

[A]

He, he made a compar.

[D]

He made a comparative. He said one or the other.

[B]

But why he could.

[E]

You don't have to like we live

[A]

in the real world. We don't have to do that is more clip Mark, do you want to speak to this one before I play more?

[C]

Play the other one first. I don't know what's coming next about,

[G]

you know, making the tax system more progressive. How about we start by having the nurse and Queens not pay taxes? Why somebody at all? Why is some. Why is a nurse in Queens who makes $75,000 a year paying more than a thousand dollars a month in taxes? That's $1,000 a month. That could help with rent or groceries or anything. And so, and by the way, do you know what that all adds up to? The bottom half of income earners in this country pay only 3% of the taxes. It's only 3%. We can find 3%. So we don't have it. It's a small amount of money for the government.

[A]

You know that.

[G]

And really it's the more I thought about it, to me it's kind of absurd that we're doing this. You know, we shouldn't be asking this nurse in Queens to send money to Washington. They should be sending her an apology.

[A]

People talk.

[E]

I think that's just distinguished.

[A]

Man.

[E]

That's cute. But it doesn't make sense with how taxes work because the taxes go to local shit. So if the nurse stops, stops paying taxes in her district or whatever it is, that means her schools will be underfunded. It's not like someone else is going to pick up the buck. These billionaires that don't want to pay any taxes are going to step in and pay her share of the taxes.

[A]

Well, he said we can find it. 3. We can make up to 3%.

[B]

But that's the most important part.

[A]

He wasn't. Yeah, he wasn't.

[B]

How do you leave that part out? We could just make up the. What are we going to do? What are we going to do to make up the 3%?

[D]

Huh?

[B]

What's the plan? You can't just say, oh, we can just find the 3%. Especially when you got money and you could be giving up up extra money. That's. I thought the way of this land was always we feed the government, the government take care of us. But the richer people put in the pot too, and they. We take care of each other. Lately, the more closer. They give up nothing. They do nothing. We spend all our money to make them richer, and they do nothing. That's what's going on. So why. If you are part of that, as far as you're part of that part, that person that earns money, why even bring up the. In Queens? The. That got to do with you? You don't want to give up a little piece of what you make, even though you need us to make it. It's a joke. All that's a joke. I. I don't want to hear it.

[A]

I got more slides.

[G]

Oh, he says that, you know, I don't pay taxes. So true. I paid billions of dollars in taxes, and it's a permanent again. If people want me to pay more billions.

[D]

Right.

[G]

Then let's have that debate. But don't pretend you know that this. That that's going to solve the problem. You could. You could double the taxes I pay, and it's not going to help that teacher in Queens, I promise you. This is so you can't connect those two things? Not logically. You know, there. There are more examples. Why is rent expensive? Why is rent so expensive? I recently saw somebody blame it on Airbnb. Okay, airbnb is not the cost of expensive rent. In fact, it's been almost finished here. One sec. It's already been outlawed, right? In New York City, and rents are still very high. So we know airbnb isn't causing high rents.

[A]

People sometimes said distinguished panel.

[D]

He's right again.

[B]

God damn. What?

[A]

I'm.

[D]

I'm agreeing. Right, Right.

[G]

Right.

[B]

Or you cannot. You cannot agree with this man that much.

[D]

Why can't I?

[A]

Why?

[B]

Because he's white and he's a billionaire. That makes you look weird. Next. Next slide. Flat out. You want simple answers? Let's just go play the next slide. Who the wants to agree with Jeff?

[A]

Distinguish ban on anything on this clip before we get to the rest of it.

[E]

I don't know Airbnb.

[C]

So I can't speak to Airbnb, but

[A]

I mean, I thought the Airbnb point was a distraction.

[C]

Jeff Bezos pays a lot of taxes. That's a fact. His effective tax rate is lower than the average American's compared to his overall wealth. He pays taxes on his realized gains. For example, like if he sells Amazon stock, he pays taxes on it.

[D]

Him as a person.

[E]

Yeah, yeah.

[C]

Like if he sells some of his stock, he pays tax on that. But in terms of.

[A]

Well, everybody pays what is realized. It's not him.

[E]

But they don't, they don't ever realize is the thing.

[C]

That's the point I'm making.

[A]

That's where I'm going.

[C]

So I'm saying, but his overall growth of his wealth, he doesn't necessarily pay taxes on it. And forget about. I'm not even making a statement about shoulder. I'm just making an objective statement about the fact of what he pays and what he doesn't pay. So when the fourth richest person in the world says I pay billions in taxes, that could be misleading, you know what I mean?

[D]

And make it seem like they're paying a lot. I think he was talking about Amazon, the company. That's what I took. I ain't think you. He was talking about Jeff Bezos. I was thinking he was talking about.

[C]

But that's where it gets interesting then, because that kind of thing needs to get teased out. I don't think he was saying that. But sometimes that's the sleight of hand where they'll say I pay taxes, but my company doesn't, or my company pays taxes, but I, I don't think enough is paid. I think to the. I agree with him about the, I don't agree with him about the nurse in Queens example to the extent that I think everyone should, Everyone should pay something. And I think the poorest people should. Should pay the least. So I think he's right to say that we shouldn't be leaning on the nursing queens for our tax revenue. But to Parks point, if we're gonna lower her taxes, it's a zero sum game. It gotta come from somewhere and it has to come. And the same person who's saying lower hers needs to be open to Raising his. I'm not saying he's. And I'm not saying he's not because he just said, if you wanna talk about me paying more, let's talk about that. Just talk, say I don't pay any, but he has to pay more. As far as his. To the initial point, him saying, well, the social value of Amazon is greater than what I could do philanthropically or what I do philanthropically. We're just accepting that that's what he's gonna do philanthropically. Yeah, but he could also give more philanthropically.

[E]

I also wanna add real briefly on the taxes in Queens or wherever you want to make. The subject is maybe not Jeff Bezos, I don't know his politics specifically, but most of the billionaire class has been spending the last two or three years openly trying to destroy anything related to dei. So what do you think they're going to do with the billions of dollars? They're not going to give it to the, the poorer or the neighborhoods with people of color. They're going to take it away and say that if we did that, that would be DEI and entitlements that, that they don't want to do.

[D]

To me, that's what it sound like. He was kind of speaking to. He was more so saying the problem isn't the money, that the tax bringing in the tax money, it's the application of the money, it's the allotment of the allotment. Excuse me, wrong word. But that's what it sound like. He was even speaking to it like, yeah, we can get all the money in the world. He basically saying where it's going, it's not going to go here. He basically saying it's a governmental thing more than an entity and a business thing. So it don't matter how much money is being given to, to the government, the government is not allotting the money accordingly. So if they double Amazon's taxes every single year, the person in Queens that he spoke of is not going to even see the money because all the political corruption going to come through. We see in the top of the top. Donald Trump just got awarded $1.8 billion by the federal government to his personal slush fund. And we can't no longer know about investigators or his family for eternity. So it don't matter where the fuck the money is being generated from if the money is not being given away. That's why I agree with his 3% thing.

[E]

Oh, that may be true to me, is filling in a lot of spaces that I didn't really Pick up on it may be true or maybe not.

[A]

I got.

[C]

And I think it defeats. There's a lot of mismanagement with money. But ultimately we don't want to normalize the idea that the wealthiest among us don't pay their share. And the response can't be, well, y' all just fucking up. If I gave it to you, right? If it's what you're supposed to pay. But for me, he's also ignoring and misdirecting something really important. He says he talks about the social impact of Amazon. He'll talk about the mom who

[D]

I

[C]

don't know where I was, but not even the mom, the new mother who during the pandemic who could get stuff delivered to her moms have been managing before Amazon for a long time. That's not to say that the improvement isn't good.

[A]

That's not fair. He specifically was talking about the pandemic though.

[C]

I know. So that's what I just said during the pandemic. But my response is people have. We've always managed catastrophes and if you can have new technology that makes you manage better in a catastrophe, great. But there's other things happening during that catastrophe as well, Right? So Amazon also breaks unions, it lowers wages, it casualizes labor in ways that are unhealthy. A lot of people, those Amazon workers were giving getting Covid while we were getting deliveries to avoid Covid. And the same. Just like the people who worked at the chicken factory. You know, just like the people. There are a lot of jobs that got really. People got in really bad shape. And who are those delivery drivers? Who do we know that delivers Amazon?

[B]

Right?

[C]

It ain't our wealthy friends, it ain't our middle class friends. It ain't even our working class friends. It's our working poor friends. Amazon squashes mom and pop shops, they squash bookstores. They sell things at a loss so that businesses close down and then they jack all the prices up after the market market is going. They've normalized monopolies. So yeah, if you talk about the social impact of Amazon, yes, I can order something now and get it at my house at 5pm but the person delivering it won't have a living wage and they may never have it.

[A]

I can see why you ain't got no Amazon.

[B]

He really did. I was trying to say that, Jeff.

[A]

That's what Mark. Hey, Jeff. Hey, Big Jeff. That's what Mark. I'm going to think about what you're saying.

[C]

Yes, I'm just talking to me direct.

[B]

I'm Just replying back, yeah, yeah, yeah, shaky ass throat. I don't like people that talk like that.

[A]

All right, we got two more slides.

[G]

Does turn out to be a bubble. You shouldn't worry about it.

[A]

I don't care about the AI bubble.

[G]

The second piece, which is not so good.

[A]

Here we go.

[G]

Is to go stand in front of Ken Griffin's house and act like he is some kind of villain. Ken Griffin isn't a villain. He hasn't hurt anybody. He's not hurting New York. In fact, quite the opposite. And so that piece of it isn't. Isn't right. And there was no reason to do that. A peer to tear tax is a. You know, there's a very. Taxes on out of towners are very popular taxes. That's why there are hotel taxes. And you know, hotels always have very high tax rates because why not tax the tourists? And there are limits. If you raise the hotel taxes too much, tourists stop coming. Right. So you have to be judicious. But I think that the peers tear tax is a fine thing for New York to do. The second.

[A]

It's my last clip. Okay, that's it.

[E]

That was him agreeing with Mondami. Yes, I like.

[A]

Yeah,

[D]

cool. I agree. I just think that it's a fine line when you start because it's a benefit on both sides. We not bitching when a spend $200 million on a property in New York. New York ain't bitching because New York is charging income tax on that particular. I mean, pardon me, not income tax. Real estate. Real estate and property tax on that. So they're not bitching when it comes to that. And, and, and cap rate is contingent upon price. So if you're gonna do that,

[B]

it,

[D]

it's a almost a catch 22. It's almost a catch 22. I'm not disagreeing with nothing he said and none of the clips. But we can't bitch when we sell them for property at its all time high. And we brag about that, but then we get mad at the that bought it. You selling these shits to in China and y' all not bitching when the money coming through. So you can't kind of on the other, on the other end. I don't know which is coming back

[E]

to the same thing I feel about with him with the tech stuff is like you can't be mad at the government for not allotting the money the way that you want when you're one of the people with the probably the most opportunity to change the way the Money is allotted and you are very clearly not doing so.

[D]

I disagree.

[E]

Government lobbying is a massive thing and he's the biggest company in the world ever, right?

[D]

Yeah, yeah, yeah.

[E]

I think that he could probably change some things with the way the government spends money if he so desired.

[C]

And they do.

[A]

Yeah.

[C]

Just not in. Yeah.

[D]

Mark Zuckerberg gave Newark $100 million a few years ago. That Newark Board of Education, and he literally gave him $100 million. And from my perspective, and I'm close to the situation, I have not seen a change in the Newark educational system. So again, throwing money at a problem does not always fix the problem. Some of these problems are foundational, and some of these problems are about greedy motherfuckers that be having their hands in the pot. And we saw it politically with Marjorie Noem, I mean, Kristi Noem and Marjorie and all of them. These be stealing money, bro. They giving their peoples 200, 143 million like that, my man. Company, this contract to do this eight day old LLC got a 200 million dollar deal like, like that is what. That's what the problem is. He's referring to. Those are the problems.

[E]

Yeah.

[D]

Maybe corruption, maybe.

[A]

So what did y' all research? Some market moment.

[C]

I was looking up the Zuckerberg things. I didn't, I don't know about the Newark. I didn't know the details of the impacts.

[A]

You research. You researching on the Instagram on Snapchat feature.

[B]

First of all, I am deep into my.

[A]

You sending that thing out while, while we talking about.

[C]

Yeah, I'm looking at a Harvard study here.

[D]

Sending that you sent me.

[E]

Yes.

[B]

Okay. Looking at the Cliff Notes.

[C]

I think part of the problem is.

[B]

Oh, okay.

[C]

And again, I, I don't. I don't know the Zuckerberg.

[B]

Just let it. Cool it, baby. What you was doing.

[E]

I think he was getting his eyeball.

[A]

Go ahead, Mark.

[C]

Oh, it's cool. It's not that. No, I think part of the problem with these solutions, because I agree with Ish that you can't just throw money at a problem. And although it does seem to be that the graduation rates went up a little bit, it wasn't the kind of transformation you'd expect $100 million to do. And it sounds like they matched it to $200 million because they got matching funds. So $200 million in town as small as Newark should transform it. But the problem is if all of our solutions are still market based, then it's hard to transform a lot of. We don't have any new ideas. So it's not. I agree. It's not enough to just give the money, but we still need the money.

[D]

I agree.

[C]

You know what I mean? Because if you can use $100 million to take the tax burden off the people, the homeowners, so that they're not using, so that their property tax isn't determining how well the schools do, that's a. That's a relief. But yeah, we need more than that. And. And I think that's where I think the right is correct. Or not even the right. Because Democrats do this too, where the market based people are correct. Right. You can't just throw money at a problem, but you can't use that as an excuse to not throw money.

[D]

I agree. That's all. And shout out to Raz Baraka. He just got reelected.

[A]

Shout to Roz. Big a round of applause for Ross. Shout out to Ross. Congratulations. Come on. You think I got this applause going for nothing? Introduce your new title.

[D]

What's my title?

[A]

What the you talking about? If Ron's got we talk about. Right? Yeah. He's got a sneak. Oh, yeah. By the way. What? Come on. I got his applause going for a reason. Oh, please.

[E]

Senior secretary.

[A]

Like a senior secretary. Area

[D]

N. You know he is zoning commission. Yo.

[A]

Something wrong?

[D]

You got something to get them house?

[B]

Speaking of needing money before we got out of here, I came in here with merch last week.

[A]

I didn't get it.

[B]

I haven't been.

[E]

You didn't have a I.

[D]

A merch.

[C]

I thought you was giving it away.

[A]

All right.

[C]

I know. It's like a mar.

[B]

Won't be a part two of this. I'm telling y'.

[A]

All.

[B]

Waiting for Patreon a long time. I don't get my 48 out of that. All of them.

[A]

$48. I didn't love the quality like that.

[B]

It don't matter.

[A]

I thought it was a freebie.

[B]

Yours was designer, so yours is 78. I need my today, fellas.

[A]

I ain't get one.

[D]

Can I get a shirt, though?

[B]

You sure can. You can pay first. And I have it delivered with my

[A]

I learn with Philly. We got same time family.

[B]

Get it to your house by 8 o'.

[E]

Clock.

[B]

Word to Jeff Bezos. Go ahead.

[C]

So stupid.

[D]

Funny's got a proof moving track record, huh?

[A]

All right, listen. We did all this great part in the day and I didn't hear a peep about nobody's Memorial Day. Let me hear what that means.

[D]

Peep. All right.

[C]

Who having a barbecue because I'm old?

[B]

Come on, celebrate that.

[A]

Listen, y' all, all right, stop, stop, stop. Enough, enough, enough. I thought after five years, you guys would have picked up on it, but part of the Lord this pond, is to at least pretend like we doing something people might want to do. Like, God damn. So when I say, yo, Memorial Day weekend, I don't need a bunch of. Oh, mowing the grass. I'll be depressed, home, sad. Grocery shop. Come on. Whoever. I got. How y' all want these patronies to keep. God damn it.

[B]

Spin it to me.

[A]

I. I got it.

[D]

All right.

[A]

I got us, anyway, a Memorial Day weekend. Mona, what you got going on this weekend?

[B]

Got a cookout starring me and Tom Brady. We all.

[A]

Oh, my God, Mark, what you on this Memorial Day weekend?

[C]

I'm. I'm. I'm having a hot teaching somewhere. Yeah.

[A]

Oh, I want to come. Are you doing one for real?

[C]

No, I'm. I'm always making up.

[A]

Oh, God. Jesus. Ain't that what you just said is

[D]

going to have Visa?

[A]

Oh, my God.

[B]

Doctor.

[A]

Freeze. Freeze. Freeze. What you doing? Freeze. Oh, just lie. Think it's.

[D]

Yeah, man, I'm. I'm going. I'm going to Jamaica, man.

[B]

Okay.

[A]

Oh, you know that's a lie. He ain't been home since he was born. All right, Mark one park. What you doing, man?

[E]

Probably donating some money to some Jersey schools.

[B]

Yeah.

[A]

Oh, my God. On Memorial Day? On Memorial Day, Yeah. All right, so now what you doing? The way that. The way that Memorial Day weekend falls, it just happens to be my baby free weekend, too.

[C]

Oops.

[A]

It is supposed to work out that way for you. Y Y. Look at God. Yo, I got a queen. Go, go s your baby free weekend. Hey, so listen, I'll give y'. All. I'll give y' all people that don't live in Jersey a little sneak peek into what happens up here. Sometimes some of the buildings along this little strip, one or two in particular for Memorial Day, they host, like, a pool opening. That's when they open they pool, they throw a cookout, invite everybody from the building downstairs, and they have a time. So I do know somebody that lives in a building that's doing something like that. And I think I will stop and. And just see. Have a burger, hot dog, maybe bring my trunks. Maybe I bring my leopard trunks. Hey, babe. And my baby brought me. I mean, so we'll see. Let's see what's going on.

[C]

Leopard trunks and hot dogs.

[B]

Leopard trunks are leopard speed two hand

[A]

in the glizzy again.

[B]

Because you skinny, you don't need them trunks. You can go Full speed on now.

[C]

Slim jazz and a half.

[A]

I'm never wearing something Speedos. What up, Flip Flip. We had a good time. We had a good time here today. What you doing? What you. What you doing? Memorial Day weekend? You doing something lit?

[D]

Going to Trinidad.

[C]

You having some.

[A]

We lit.

[D]

Hey, yo, you look like you getting some money too.

[A]

I know my man Matt gonna have the by the pool. Come on now. I know Matt gonna have them by the pool. My girl Asia gonna be one. Hey, baby. Free weekends all around, baby. Free weekend. We are not taking care of our kids this weekend.

[D]

Not our responsibility.

[A]

This weekend.

[C]

Yeah.

[A]

No, we'll cash out. I'll cash at my dad or send to somebody looking after this. Oh. Oh, man. So listen, man, happy Memorial Day weekend. Y' all be safe out there. Stay blessed, have a lot of fun, eat some food, see your loved ones and gossip. Gossip is always fun on moral Day weekend.

[B]

Yeah.

[A]

And that's it, man. Hopefully you've enjoyed this show much as we enjoy delivering it to you. Keep us in your prayers. Lord knows we need to be there. Until the next time we bid you ado farewell, Adios are eva dirti Hasta la vista, arvoir, so long goodbye or a simple head no will suffice. Remember, life's a series of moments and moments past. So let's make this one last as if it's all we have. Last but certainly not least. The baddies are insecure, the stagnant women want to travel and the closed minded women want you to teach them things. Grab you with Tylenol, you might need it. I love the way how I'm doing the outro and still typed to find the song I was looking for. I should have never dropped out of typewriting class. What if I would have never dropped out of typewriting class? What you would be. I'd have been killing. I'd have been killing. What? Something

[B]

crazy.

[E]

Typing. There we go.

[A]

Come on, man. We leaving this bad boy. We leaving this bad boy, man. Now.

[C]

Excuse me.

[A]

Take a few minutes to mellow out. Big Daddy K is on the mic and I'mma tell about. They don't know nothing about this, man. Hey, Max B. Do your Googles.

[B]

Stop playing, Bo.

[D]

Just walk it back, Max.

[A]

It's all right. Walk it back. There's nothing wrong with walking. Nothing wrong. No shame in it. No shame in it.

[D]

My bad.

[A]

Laugh it up.

[D]

But I'm not animated like a cartoon. Real shooting lyrics like a harp.

[A]

Yo, yo.

[E]

Yeah,

[C]

Stop.

[A]

Yo,

[B]

I thought this was a cop.

[A]

I start.

[B]

I started to. Y' all know how I get.

[A]

I started waiting for the rest of y' all to catch.

[B]

I start. I'm telling you, I'm looking around.

[C]

I started super soaking.

[A]

Oh, my God. Holy.

[B]

I started it.

[A]

Oh, my God.

[B]

I'm looking at y', all, you know, I mean, different cultures.

[A]

Y' all going to hell.

[B]

Different culture.

[A]

Shout out to chef cooking some up, man, and whoever this is.

[D]

N. That was funny, though.

[A]

I'm sure he's a good dude.

[D]

That was funny as hell right there, boy.

[B]

Slashy.

[A]

Cory, no, you can't say that. God damn. Hey, you better know how to cook, man. You ain't got no ass. The food better be good. Oh, my God.

[C]

It better taste good. I look at think like, who is this?

[A]

I was mad. He was talking to me 12.

[C]

I was trying to look straight, but he was not. He was dead ass.

[A]

Yo, y' all hold it down.

[B]

Oh, man.

[A]

Till next time, Same time, same place, next week again. If you are not subscribed to the Patreon, now is a good time to do so. Everybody enjoy their weekend. Stay safe. Peace and love to your friends and your families. Y' all have a blast out there. We go on. Go Nick's till next time. You heard here. Go.

[D]

I'll make it real good like Dr. Feel good to make sure that my point is unchanged.

[E]

Understood that when it comes to distance, none crater.

[D]

Sincerely yours, smooth operator.

[B]

Daddy.

[A]

We'll fold that up right now. From the Wen Nitty era.

[C]

It's the network.