A (12:01)
So with costume art in the, in the co chairs that they've picked, what I'm predicting will happen is we will see a lot of deep storytelling that makes you culturally tap into, you know, the history of certain people and their races and their origins and their religions and just things that we as people like to separate ourselves from. So, like, we like to think that, you know, because I'm black and because this person's white, we don't have anything in common. Or like I was even talking to you guys, like the wealth gap of the women in the room that I was just with, my first reaction was, what do I have in common with these ladies? But it's like when you really get into the storytelling, into the background, into all the wins, the losses, you know, just the culture of it all, you'll find that a lot of times there's a lot more similarities than differences. And that's why I love the power of storytelling. But I love it through fashion because you can't deny it. You can't deny what's happening right there in front of you, but also through art and fashion, people will look at things and take things so many different ways, so there'll be so many much conversation that comes out of it. And when you talk about, like, a Beyonce, right, or a Venus Williams, these women are people who have championed, you know, the storytelling throughout their whole careers, and we've all clung to that, like Beyonce information. When she used, you know, that time and that whole rollout to address Hurricane Katrina and race relations and Black Beauty and the Blackest king. She showcased a lot of African heritage, Afrocentric fashion and fashion designers. Braids, Bantu knots. Beyonce has always been one to celebrate black designers, but during the Renaissance tour, I feel like a lot of people paid more attention to it. She spotlighted Laquan Smith. She, you know, even around Juneteenth, she did so much within that space. And Laquan Smith is somebody who, you know, he is a young black designer who has been making his way in this couture world for a very, very long time. Him and Sergio Hudson right now are like the two black designers that people point to most in the couture space. It is a very hard space to live and thrive in. Couture is not very welcoming of us, of black people, of black designers, of black body shape. It has opened up a lot more, but it is still what it is. So her championing those people means so much. Cowboy Carter. We know that that was like the cowboy, the western, the country music era, where she was able to, through her fashion, through her partnership with Levi's, through her music, really spot, like, black people's place in country music. And a lot of the things that we originated in country music and just our roots there and why we actually belong. When you think about Venus and Serena Williams, you think a lot about their fashion, because people have always talked a lot about, you know, them on the court and how well they play and all the, you know, the barriers that they break. These are two young black women from Compton, right? So there's always that conversation around them, both positive and negative, but they get a lot of. For their body, silhouettes for. I remember, you know, them wearing, you know, certain fits and cuts and cat suits was a conversation at one point. And they. They've used it to their advantage. Like they've kind of flipped it on their head. I remember when I went to the US Open in 2025, Venus Williams, actually, she did a tribute to Althea Gibson, who was the first black woman in tennis who was able to play at the height of something like a U.S. open. And she wore a white polo and she had the white pleated skirt on. And for a lot of people who don't know much about Athea Gibson, and I didn't at the time, if I'm being honest, when I saw the Vogue article with her giving the nod to Althea Gibson and talking about Athea Gibson in the interview, that made me understand more culturally, right? And I'm there at the US Open. So you have Althea Gibson memorials set up everywhere. Her family's there. It was such a tribute. So everything symbolically is making you go back, learn, research, understand regardless if you're white or black. And that's what costuming is, art is all about. And I think we're going to get to see so much of that on the Met Gala red carpet that I am really, really excited about just with the conversations. Culturally, it will spark. And I will say Beyonce doesn't lend her time, her energy, and especially not her presence to any old thing. So if she's going to show up, and it has been over a decade since she has been there, you all know she is about to start a hell of a conversation. So I'm very excited to see what that will be. I know a lot of the Beehive believe that this is the start of Act 3 and. And her team has come out and said that there is no music done. People believe that we're going to get a single around the Met Gala, that there will be some visual stuff that drops around the Met Gala with her music. But I just know if she's showing up, that alone is going to be a conversation and a start of something, because she don't go anywhere. She don't just go anywhere. And when she's somewhere, it. There's a. There's a reason, there is an importance around it. And the celebrities have been running around all weekend in celebration of the Met Gala. So you have so many people that will be in attendance. Serena Williams, I mentioned Venus, is one of the co chairs, but Serena Williams is. Is set to attend. I know Kim Kardashian and Lewis Hamilton are set to attend. Zendaya, who we always look forward to on the carpet, reportedly is not attending this year. I saw the Met Gala released a statement about that, but there's no reason yet as to why I did see reporting that. You know, she's just so busy right now. But the fact that she's in New York and she's not attending has become, you know, a conversation of people wanting to Know why people love to see Zendaya and her stylist Law Roach and just their combination of the things on the carpet. I'm looking forward to, you know, Cardi B. And Colin Carter on the carpet. I know Cardi is in New York. She went to go see Meg the Stallion on Broadway to support Meg the Stallion's final night there. So I'm looking forward to a lot of that and. But deep, more deep though. Like, I love it when we can tell story through eye catching things and educate people and pull people up. And I think that this year's Met Gala, just like last year's Met Gala when they did the dandy theme in 2025, will be that. And people complain about how the Met Gala has become just so like surface level and no real storytelling. I think this will be another year of that storytelling. Now moving on into our next story in the latest, your girl Cardi B, as I just mentioned, is in New York. It's Met Gala Monday, but last weekend she went to see Meg the Stallion close out her role in Moulin Rouge as Ziddler. Let's take a listen to Cardi's review of Megda on Broadway.