D (31:36)
So it takes a lot of repetition because you have to train your brain for what that should look like. When, as this closure is happening so fast, as this tiny little speck is getting bigger and bigger and bigger, as this other jet comes straight at you, you have to learn a mental pacing for. Oh, I should see it start to drift towards the side. It's going to pass me on at this point. And, like, just how big it should be when all of that kind of stuff. And it just literally takes a ton of practice to do that. It's kind of like in sports, you know, learning hand, eye coordination, a specific skill for the timing. So as all new solo pilots are, he had consistently been too far away from me. Because your survival instinct does not want you to pass another airplane at 70ft going 500 miles an hour the opposite direction. And this is not like two cars on the highway where we have a yellow line. Right. Like, there is no delineation in the sky. That's like, okay, cool. As long as I don't touch that, like, we won't hit each other. We do have the show line at an air show. It's often a Runway that we line up on in our training range, which is where this was. It is brown tan desert, pretty featureless. But it has conex shipping containers that are, like, lined up, spaced out every so often so that we have a visual thing to, like, at least line up on. So I'm on one end of this, he's on the other end of this. We're like, a couple miles from each other as we start. We're a few hundred feet in the air at this point. Now that this hasn't already been confusing enough. This is called an opposing inverted. So I am upside down. Okay, Casual. So I am flying inverted a few hundred feet. I mean, we're like 500ft. We're not down to our minimum altitude yet because he's still learning. So we would stay a little bit higher. I'm like 500ft, something like that, upside down. He is flying straight at me initially, which is fine. I see him, he sees me. So everything should be good because my contract as the lead solo is I'm just going to line up over that show line on the ground, the Conex containers. I'm going to set my heading, my altitude, my airspeed, and I'm going to be as stable a platform as possible. He owns the job of trying to match my timing so that we pass right at the center point, but also of offsetting a little bit higher than me and a little bit further away from the crowd than me. So it looks like our jets pass through each other, but we have that like 70 to 80ft of spacing. That's all on him to visually set that spacing. Mind you, he's pretty new to this. And I told him in the brief, I'm like, hey, look, when we look at our passes, my jet is very big and your jet is very tiny because you're too far away. So people can tell you're like much further away. It doesn't look good to the crowd. We want the jets to look the same size, which means he has to be way closer. So it's like, yep, you got to get closer. You got to kill that survival instinct a little bit to get closer. And like, we would say that regularly because it's true, but you don't think that someone's just going to point straight at you and no flinch. So I'm upside down. He is in the middle of my heads up display. So call it my windshield. You know, it's got some information in it, but right in the middle, which is okay initially because we're going to pass so close that for a while he's going to be in the middle. And then when he starts to drift off to the side, just like a car coming down like a two lane highway at you. Right, like initially it's right in front of you, but as it gets closer, closer, all of a sudden it like if you were to follow it with your head, you'd have to like break neck, turn your head super fast as it whizzes by. So that's what essentially is happening. There is a point where my internal timing clock is like, oh shit, he should be starting to drift to the side. He's going to pass me on at this point. Like, I've done this a ton of times. And he's still not moving. So he is still pointed at me. And I'm like, he's going to hit me. He's not offsetting at all. Like we're aiming for 80ft. And I'm expecting him to be further than that again because he's learning. He's way too close. Like he's just pointed straight at me. This is what my brain says. And then in about two and a half seconds, which I think is the time we had before, when I, between me recognizing this and us actually passing, I had the craziest temporal distortion I've ever experienced, which is where time slows down. Anyone who's been in a car accident has experienced this where it's like you see someone's about to hit you and like it's slow motion, but it's not like you can do anything faster than you normally can. But your brain speeds up super fast. Like, oh no, that is what's happening to me. And I'm like, okay, we have a safety contract. Like if we all of a sudden lost visual with each other. I rudder and move slightly towards my side, which is the crowd side where people are actually watching the air show from. He rudders and moves slightly away from the crowd. Kind of like rules of the road. Mind you, there is no one watching out there. It is just brown desert. So as I'm inverted, I have no visual cue to what side is my side. Right? Because what was on my left is now on my right. And when you're upside down over a Runway and there's a hundred thousand people there, it's very obvious where the crowd is. But when you're training and it's a pretty featureless desert, the time that I had to make sure my side was actually my side before moving was just not enough. So I'm like, okay, I should run her to my side. Oh shit. I don't know which side is my side. If I rudder to the wrong side by accident, that is a worst case scenario, right? Because in theory he should still offset away from the crowd like he's supposed to. Like surely he's not just going to fly straight at me. And so I make the assessment that it's even riskier to try to move if I might move the wrong way. So I hold the line and wait and I just see, this is all Happening so fast. I can't even. There's not really words to describe how fast all this of this happens, but his jet gets ginormous in my hud, in my windscreen. And then right as he's about to disappear below the nose of my jet, I see his wings start to tip as he starts to roll so that he doesn't hit me. And he goes below my feet, which is actually above me because I'm upside down. And I, like, close my eyes for a second, and then I'm still upside down, and he's passed, and I'm like, okay, I'm alive. We didn't hit each other, but I'm so shocked that I'm supposed to say, solo's ready. Hit it. And the hit it is where we both roll up and we get that, like, 90 degrees of bank where we pass through for the good hit, which is, for this story, not a great term that we use, but that's what we normally call it. Yeah, I don't make that radio call. I'm supposed to, like, roll out and then call, like, a pull and a smoke off. I miss, like, three or four radio calls because I'm just stunned into silence. Eventually, I just roll up, right? I clear the line. I say, five's clear. He says, six clear. And now we have the moment where we, like, set up for the next thing. We're gonna practice, and we can't just, like, pull over and take a breather. We're in an airplane, right? So we're cruising around at 300 miles an hour. Like, we'll slow down a little bit. When we're not on the show line and I'm the instructor, it is on me to be like, do we just go home? I'm, like, angry. I'm scared. I'm shocked. I have, like, all these emotions, and I'm just like, oh, I'm the only one here to decide what we do now. And I was limited on training hours where I was limited on fuel available. It's not cheap to put jets up, so we have, like, half our gas left. I'm like, okay, no more opposing passes. Like, let's set up to practice our individual maneuvers. And so we do, like, our aileron rolls and our four point rolls and all that stuff where it's like, one jet at a time. And we get good training out of the rest of that flight, and we go home and we land. And I know had I done that to my previous lead, Solo, he would have been so pissed. So pissed. I feel like he would have yelled at me or not talked to me or just, like, lost his shit, which I get why. But during that time after that near miss and on the little flight home, which is not. Doesn't take very long, it's like 10 minutes, I was like, that already happened. Like, I can't undo that. That was scary. But what is the most productive way we can respond at this point? To get the most learning from that and to not shut my opposing solo down, but to continue to build this extreme level of trust that him and I need to have to do this job. So we got back in before we go into a formal debrief, where we go into a room, we close the doors, we pull up recordings from the cockpits, we analyze all the data we have. Before we do that, we just get out of our jets and walk back into the building. And as soon as he walks up to me, he's just like, I am so sorry. I did not need to berate him. He knew. And me being mad and yelling at him or giving him the cold shoulder would have just extended the mistake longer. And honestly, he learned that maneuver, those maneuvers, the opposing passes, really quickly because of that experience, because he had been too far away for so long. And usually you slowly get a little bit closer, a little bit closer with reps, until you're like, okay, I'm. I'm about where I should be. Oh, he found the inside line. So now he has a visual reference and experience of, okay, that was too far. That was too extreme, the other direction. Now I have a boundary there, which allowed him to find the right spot, actually, a lot faster. Not that I would recommend doing it that way. Yeah. And so that's obviously. It's a long story. It's complicated, and it's one that I haven't really told on social media. I haven't told on a ton of interviews because there's so many little nuances to it.