Boogerman Part 1&2

Summary

Podcast Summary: The Lonely Island and Seth Meyers Podcast

Episode: Boogerman Part 1 & 2
Date: March 26, 2026
Participants: Andy Samberg, Akiva Schaffer (Keith), Jorma Taccone (Yoram), Seth Meyers
Special Guests: Maya Rudolph (Maya), Amy Poehler (voice note)

---

Overview

This episode takes a deep dive into the SNL Digital Short "Boogerman," with the comedic minds of The Lonely Island and host Seth Meyers revisiting the origins, execution, and lasting (or not-so-lasting) legacy of this particular sketch. The gang is joined by Maya Rudolph for a rich discussion of both the short and broader SNL memories, including anecdotes on guest stars, Bay Area pride, and behind-the-scenes creative choices. The conversation is characteristically unfiltered, brimming with self-deprecating humor and camaraderie as the group analyzes a short they themselves admit is "the bottom of the barrel, in the best way."

---

Main Discussion Themes

Reunions & Reminiscence

• Opening banter reminisces about the last time all four were together in person (likely pre-pandemic, ca. 2019).
• Stories about mutual friend Brooks Whelan and road trip tales illustrate the group's affection for old SNL friends and their creative energy on and off the show.
  • Memorable Quote:
    • Andy (02:30): "Is Brooks Whelan, for you, the friend equivalent of the digital short Wish it would rain?"
    • Seth: "Yeah, I think that's... yes, it is."
• Extended discussion on Bay Area identity and how it shapes their conversations and sense of humor.

SNL UK & Comedy Differences

• Discussion of the newly premiered SNL UK and the differences in British vs. American comedy, including the freedom to swear on UK TV.
• "Hamnet" parody sketch on SNL UK is referenced, with witty banter about Shakespeare and "slutty little glasses."

---

Boogerman: Origins and Concept

[29:42–46:00] Deep Dive

• The core segment explores the inception and structure of "Boogerman":
  • Premise: Parodying award show song performances—the over-the-top, interpretive dance renditions of Best Original Song nominees, often set to absurd or trivial movie premises.
  • Katy Perry guest stars (musical guest), but the group now feels they “wasted” her on a middling concept instead of letting her sing on a more fitting track from their other material.
  • The Digital Short is structured as a faux-Oscar performance of the theme song from a ridiculous film called "Boogerman," revealed through interpretive dance, earnest celebrity cutaways, and inexplicable movie clips.
  • The group openly discusses their creative regrets and what they might have done differently.
  • Key Insight:
    • Seth: "The audacity of it is truly spectacular. It does not pull it off. But when you watch it, and when you appreciate what you guys were trying to poke fun at and what a big swing it is, I really do love it." (24:01)
    • Andy: "It's got a lot more moves than you're expecting, I'll say that." (23:58)

Creative Self-Critique

• They address the feeling of "swinging for the fences and striking out," agreeing it's more embarrassing than just hitting a single, but also more memorable.
• Reflect on jokes within the short, such as the cutaways to celebrities responding emotionally to the song and increasingly ludicrous plot points seen in the fake movie clips.
• Admire Peter Sarsgaard’s commitment as "Boogerman" and Katy Perry's professionalism.

---

Watching & Dissecting Boogerman

[29:42–52:20] Key Moments & Reactions

• The group streams and reacts to the short in real time, pausing to analyze:
  • Katy Perry’s heartfelt (and intentionally overblown) performance of the Boogerman theme.
  • The interpretive "booger" ribbon dancing, which the group identifies as the weakest visual gag.
  • Movie clips with Amy Poehler, Kenan Thompson, Bill Hader, Taran Killam, and Patrick Stewart, lampooning earnest Oscar-bait tropes (e.g., protagonists who are "othered" yet overcome, a sci-fi subplot, a surfing contest).
  • Editing quirks, like the use of real award show crowd reaction footage and bizarre closing credits with names oscillating between plausible and absurdly fake ("Jared Tooth," "Kyle Dinkler").
• Notable Live Reactions
  • Seth: "Boogerman did not make me laugh when I saw it. It did make me laugh on the rewatch..." (24:54)
  • Keith: "Other than that—what a relief that it's five stars." (51:20)
  • Maya Rudolph (later): "Even the bottom of the bottom of the barrel, such as a... [Boogerman]... I find very commendable." (70:50)

---

Digressions, In-Jokes, and Podcast Lore

• The group frequently riff on other topics:
  • Shameless self-promotion of their projects, especially Andy’s "Digman" (Netflix), and Yorma’s new movie ("Over Your Dead Body").
  • Running gags about streaming tactics ("Just put it on mute and let it play. Give it double thumbs up!") and Keith’s attempts to game Netflix's algorithm for renewal chances.
  • The Quaid Army: enthusiastic listeners are referred to as "Quaid Army" and have their own call-and-response greeting ("Quarmy" / "Righteous Kill").
  • Recurring in-jokes about topics like Bay Area pride, creative brainstorming for SNL sketch names, and "Straunt" (Joanna-ism for 'restaurant').

---

Special Guests & Listener Interaction

Maya Rudolph Joins the Episode

[67:19 onward]

• Maya jumps in to reminisce about Bronx Beat, the viral Katy Perry "Elmo" controversy, SNL's unique energy when guest performers are eager to participate, and her delight in being part of a recurring, beloved character.
• She offers an honest take on Boogerman: "[The sketch] really, really smacks of: I'm so tired." (70:39), but reiterates her admiration for their ability to “see a terrible idea through to completion—commendable and a delight.” (70:50)
• The gang and Maya spiral into bits about Broadway, butts at the Oscars, and more "bay-adjacent" puns.

Amy Poehler Voice Note

[91:42]

• Amy Poehler sends a characteristically witty and sincere voice memo reflecting on her 2010 SNL hosting return, the haze of long rehearsals, and forgotten details (including sketches that got cut). She jokes about the rise of AI: "There was this thing called artificial intelligence and...it was going to take over our lives. And you guys were all like, shut up, Amy."

---

Notable Quotes & Moments (with Timestamps)

• Andy on Brooks Whelan: "He’s like a drinking game with no alcohol." (01:57)
• Keith on Bay Area pride: "We just have to carry it, I guess, as people from there, that you qualify everything with that you’re from there." (13:00)
• Seth on Boogerman: "The audacity of it is truly spectacular. It does not pull it off. But...I really do love it." (24:01)
• Andy on creative regrets: "Unacceptable that we had just recorded a bunch of songs and did not use Katy Perry." (18:57)
• Maya on SNL guests: "...when the musical guest is in on it, it feels like SNL prime, firing on all cylinders. That’s my dream..." (68:36)
• Amy Poehler (voice note): "I remember being very excited and nervous and maybe, maybe too spray tanned..." (92:03)
• Maya: "[Boogerman] really smacks of: I'm so tired." (70:39)
• Keith: "What a relief that it's five stars." (51:20)
• Andy riffing: "If you see me on the street, I'll suck your dick. Don't promise that." (43:41)
• Group on the ribbon-dancing 'boogers': "We all agreed the boogers themselves is the worst part of it..." (71:50)

---

Important Segments & Timestamps

• Opening banter and Brooks Whelan stories: 00:00 – 04:44
• Bay Area Identity, SNL UK Chat: 12:33 – 16:00
• Boogerman intro & creative regrets: 18:55 – 24:01
• Boogerman live viewing & breakdown: 29:42 – 51:31
• Special guest Maya Rudolph joins: 67:19 – 84:00
• Amy Poehler voice note: 91:42 – 92:52

---

Tone and Style

The episode is chatty, irreverent, and meta—filled with overlapping banter, gentle roasting, digressions, and a lot of podcast "inside baseball." Everyone is unashamed to lean into self-deprecation, even about their own “failures.” Loyalty and friendship come through regardless of how much ribbing goes on. The episode also showcases their knack for finding creative joy even in broadly "unsuccessful" or forgotten sketches.

---

Takeaways

• "Boogerman" is at once a point of sheepish embarrassment and communal affection for the group, illustrative of why The Lonely Island’s SNL run was so original—they were always willing to swing big and sometimes miss.
• The pod is as much about the creative process and long-term friendships as it is a celebration (and roast) of their own legacy.
• Maya and Amy’s appearances highlight the warmth, nostalgia, and exceptional camaraderie that have defined this SNL cohort.
• The group advocates for relentless creative follow-through, delivering even ideas they know are silly: "To have the worst idea and see it through, seemingly without shame."

---

Listener Utility

If you’ve never seen "Boogerman," this episode will:

• Entertain you with hilarious, affectionate dissections of a sketch both memorable and rightly forgotten.
• Offer the inside story of how such sketches come together (and sometimes go off the rails).
• Fill you in on SNL’s backstage culture and how today's streaming-first world shapes sketch show legacies.
• Make you laugh thanks to the ongoing riffs, special guest star stories, and casual confessions from some of comedy’s most influential voices.

---

Podcast Lore & Running Gags

• Quaid Army / "Righteous Kill": Call-and-response system for spotting fellow fans.
• "Straunt": Joanna-ism (Andy’s wife) for 'restaurant.'
• Double-thumbs-up on Netflix: A campaign to get their shows renewed through binge-watching tactics.
• Bay-adjacent/"Bajacent": Ongoing puns about regional affiliations.
• "If you see me on the street" bits: Joking promises for fan commitment (and referencing podcast loyalty through gags).
• Voice notes: An idea for an asynchronous podcast format.

---

Summary prepared for fans or the uninitiated: This is an essential episode for fans of The Lonely Island, SNL, or anyone who loves to hear creative minds unpack not only what works, but what doesn’t—and to do so with rare honesty, warmth, and humor.

Transcript

[Keith]

It's a lovely island. And Sapphire. It's a lovely island. And Sapphire Sawcast.

[Seth]

Interesting thought starter to begin this pod with all four of us here. When was the last time we were physically in the same room? And Yoram immediately said, before the pandemic. And I think you might be right.

[Yoram]

I was sort of kidding, but I don't think that's incorrect.

[Andy]

Wait, could it be right?

[Keith]

I'm racking my brain. I feel like in New York the three of you have been together. I know that for the 50th that I didn't go to. And in LA, the three of us have pretty probably been at a dinner. Three of us meaning Andy and Seth, because Seth travels. And then Yorm, of course we've seen out here. But Seth and Yoram on the west coast.

[Yoram]

We went out with Harper and and Matt Murray all together. That was pretty fun.

[Andy]

Seth wasn't there.

[Keith]

I don't know.

[Andy]

Was it our tour? Oh, wow.

[Seth]

Really?

[Yoram]

And that was pre production.

[Keith]

That'd be crazy. That's too far. That'd be 2019.

[Seth]

I think it might be though, where

[Keith]

it's all four of us.

[Seth]

I think 20, 2019, which is both. Every single time I see Brooks Whelan, he says it's the greatest day of his life. Because we went out on. I've told this story so many times on the pod. We went out on a boat in Minneapolis in the day and drank a bunch of Coors ail and then went and saw your concert at night.

[Keith]

Oh, that's life. That is wonderful.

[Andy]

And saw Jose Canseco hitting golf balls. Golf balls onto the highway. From the back of that venue.

[Keith]

It was on the highway. It's just into a deserted downtown.

[Yoram]

It was just downtown Milwaukee where we were.

[Andy]

The way I tell it, you heard like sign my ball a full on Terminator 2 scene happening down below us and we were like, that was cool.

[Seth]

Brooks Whelan, greatest travel companion. I'm on the road one weekend a month and Brooks and I did shows. I did Palm Springs and then the next day, Scottsdale, Arizona and had booked flights from Palm Springs to Scottsdale. And then I realized because I'm with Brooks, we should just rent a car and drive from Palm Springs to Scottsdale. It's like a four hour drive.

[Andy]

Yeah.

[Seth]

And it's something I would never do if I was alone. And he's just the best. He's like, hey, let's make a pre show playlist that we can play before our show. I'll play a song and then while it's playing. You think of a song it reminds you of, and then we'll just go back and forth. Just, like, literally, like, it's like a. He's like a drinking game with no alcohol.

[Keith]

You guys stop at a Buc EE's.

[Yoram]

That's the highest compliment you can give a human being. I mean.

[Andy]

Yeah. I have a question, Seth, and I want you to answer honestly. Is Brooks Whelan, for you, the friend equivalent of the digital short Wish it would rain?

[Seth]

Yeah, I think that's. Yes, it is.

[Keith]

Yeah.

[Andy]

We don't have to say anything else about it.

[Yoram]

It's high praise. High praise.

[Seth]

Can I say another great thing about Brooks, though? He, like, Googles food, and so he's like, we're, like, leaving. He's like, all right, it's like, 20 minutes outside of Palm Spring. There's this, like, great breakfast taco place, and it's on the way. And then that's Keith.

[Keith]

That's someone who knows how to do a road trip.

[Yoram]

Yeah.

[Seth]

And then he's like. Also, Kimmel's oldest friend, Chris Bianco, has a place called Pizza Bianco in Scottsdale.

[Keith]

Yeah.

[Seth]

Which is, like, a famous pizza.

[Keith]

It's one of the most famous pizzas in America.

[Seth]

Yeah. And so, like, again, it's amazing, which is great. You do this stuff. And otherwise, I would just sit in a casino hotel room, like, just, like, going over jokes that would be not demonstrably better. And he's great.

[Andy]

Like, what's an example of one of the jokes?

[Seth]

I don't want to tell you one of the jokes. I will tell you that as an opener. As an opener. The one thing, if Brooks would not mind me saying this, Brooks got so political in his opening set that somebody from the audience screamed, be careful.

[Keith]

Oh, my God.

[Yoram]

That's a fucking great audience member. Wow.

[Seth]

And then afterwards, he's also like, if Brooks has two great sets in a row, he's one of those comedians who, like, immediately has to just get too close to the sun.

[Keith]

Do you think the Be careful was. Did it read to you as a threat? Threat from an audience member or as a. I'm worried for you that somebody else will.

[Seth]

I think the latter. I think the latter, because it is. It is my audience, like, careful.

[Andy]

They might be listening.

[Keith]

And were they worried he would get, like, beat up in the parking lot or canceled online? What do you think the fear was without saying what the joke was?

[Seth]

I think just, you know, maybe ice, like, black bags. Him.

[Andy]

Gotcha.

[Seth]

You know, that's pretty scary, that kind of thing. My one. I have my. My final Brooks anecdote is my parents and my brother came to the show in Scottsdale, and my dad after the show, who's seen Brooks before, opened for me. My dad was like, man, you were great tonight.

[Yoram]

Wow.

[Seth]

You were good. And Brooks is like, ah. I feel like you're saying that like you didn't think I was great last time. And my dad's like, no, but it's been a while. It's been a while. Brooks's like, where was the last time you saw me? He's like, I don't know. The Beacon Theater. And Brooks is like, ah, that wasn't that long ago.

[Keith]

Yeah, a year and a half.

[Seth]

Hey. I will say I haven't seen anything on the Cold Open, but the SNL UK premiered the night before we're recording this.

[Andy]

I watched Tina's monologue. Very charming.

[Seth]

I read some very nice things.

[Keith]

Yeah.

[Seth]

From the UK press, which is very hard to please. So congratulations to everybody over there.

[Andy]

I was so jealous. They can cuss.

[Seth]

I know.

[Keith]

I think there's answered that question we asked.

[Andy]

Yeah.

[Seth]

Yeah.

[Yoram]

Did people use the C word?

[Seth]

They did. Didn't they use the C word?

[Yoram]

They said,

[Andy]

don't say it on ours. We're not British.

[Keith]

We're in America.

[Seth]

We're not allowed.

[Yoram]

I said it in a fun British way, though.

[Andy]

Dorma. We're across the pond. We're not across the pond.

[Keith]

Exactly.

[Yoram]

Don't be, you guys.

[Seth]

You can watch it on Peacock the next day, but it has not been available yet. That's the only reason I haven't watched it. But I believe there was a sketch in where it was a good sketch idea, which it was like a hamnet parody where Hamlet kept coming back from London and he was a little bit cockier every time because, like, his plays had been hit and he came back at one point with a earring.

[Andy]

So they did use it.

[Keith]

Yeah. Yeah. Well, those little glasses that men can wear are very popular right now.

[Seth]

Yeah.

[Keith]

That's what they're referred to as. Little Y rimmed little.

[Andy]

I thought they were slutty little glasses.

[Keith]

Oh, yeah, they are slutty. So. So he had a earring.

[Yoram]

Yeah.

[Keith]

And maybe slutty. Glassy.

[Seth]

Right.

[Keith]

Did you say hamnet coming back? I think his name was William Shakespeare.

[Seth]

Yeah, but it was a hamnet. Was it ham. Was it Shakespeare? You're right.

[Andy]

Oh, my God.

[Seth]

Was it William Hamlet?

[Keith]

I haven't seen the movie.

[Yoram]

Oh, God, the movie's fantastic. Absolutely fantastic. I cried a lot.

[Seth]

Before we get into Boogerman, Which. I mean, this.

[Andy]

Who.

[Seth]

Which Quaid has been waiting for. This one. Is that a thing that exists?

[Andy]

Which Quaid? Does Aquato have to blow to get

[Yoram]

them to watch Boogerman?

[Andy]

I don't know.

[Keith]

That's a great question for the Turtleneck and Chain album completionist. I think we'll come back to it, of course. Because we left off somewhere, right?

[Seth]

Oh, yeah.

[Keith]

We left off in the middle.

[Seth]

But this is how the pod works now.

[Keith]

No, let's get some forward momentum and then we can take a stop down to listen to tracks from Turtleneck and Chain later.

[Yoram]

Is this forward momentum to you? Is this forward momentum?

[Seth]

This is forward momentum. But we do have to loop back. And I mean, just a round of applause for Yoram and the Taccone family, who had a fantastic live episode last week.

[Yoram]

Thanks.

[Seth]

Not live, but panel episode. Yorm.

[Keith]

Some comments.

[Seth]

Yorm. Not being able to eat a burrito on stage really elevated this one.

[Yoram]

Oh, God.

[Seth]

So I think people felt like the fact that you were somewhere where you couldn't eat.

[Keith]

I.

[Yoram]

Whereas I felt.

[Keith]

Was there a no eating on stage rule or did you just do it out of respect for the audience?

[Yoram]

I will say I had two coffees backstage and I feel like I should have had a burrito instead. That's just my personal opinion.

[Keith]

Or coffee and a burrito would balance you out. Make you really.

[Andy]

Oh, yeah.

[Yoram]

Yeah. That would get me to neutral.

[Keith]

Was it a paying audience?

[Yoram]

I don't think so. I hope not.

[Keith]

Okay. Just some follow up.

[Seth]

But they. I think some. Some people did try to pay afterwards.

[Keith]

They were so impressed with it, they felt guilty.

[Yoram]

Wow.

[Seth]

It was a freebie. But people did.

[Andy]

They certainly all paid a price.

[Yoram]

My kids did. My kids paid a severe price. There's a part that you couldn't hear.

[Seth]

A lot of people did. Did question the parenting.

[Yoram]

There was a part that you couldn't hear where my wife yelled out our daughter just asked what sex was. And I was like, oh, great. So I do have to do some explaining now to my five year old.

[Andy]

Yep.

[Seth]

But we've established over the years that a lot of people do to your songs have had to have that awkward conversation. So it was about time.

[Keith]

Oh.

[Yoram]

So yeah. So I guess chickens come home to roost is what we're saying.

[Seth]

They are some title pitches that we probably should have used.

[Keith]

Oops.

[Seth]

All Taconis.

[Keith]

I like that. Oh, yeah.

[Seth]

And then three Shock tocks. T A C C S. I like this comma ASA looks like the Hollywood casting of yhorm in a Lonely island movie.

[Yoram]

I Always refer to my brother as. He feels like he's me from concentrate. Everything's smaller, more condensed. His eyebrows are sharper. He's just like. He's also. His personality is, like, slightly ripped. Yeah, he's totally jacked.

[Seth]

Yeah.

[Yoram]

I wish he had done that shirtless. We would have put a lot of butts in the seats.

[Seth]

There was 15% excess to Kony. And they're like, I think if we drain it, we could have a real monster.

[Yoram]

Take the water out.

[Seth]

Hey, somebody else. Now I'm going back two episodes. A bunch of people are like, but why is it called the Heist? Which I like that we did not ever address.

[Keith]

Because it's a heist. It's a heist song. We're just not doing a heist. But our tone. Yeah, yeah. It's a tone as if we are, you know, I'm looking for a word, but like, our enthusiasm and our ambition in it is the. As if we're pulling off heist, even though what we're talking about is mundane.

[Seth]

Best heist song of all time. I feel like I've got one.

[Yoram]

We're telling our best heist song of

[Keith]

all time is first a Ghostface one?

[Andy]

No, no, it's Ocean's Eleven soundtrack.

[Keith]

Oh, yeah. It's kind of like a steel drum or like kind of a funky 60s retro vibe.

[Yoram]

It's not like a James Bond thing.

[Seth]

And he's crying pretty hard at the fact that he made that joke.

[Yoram]

You regret the joke.

[Andy]

I regret the joke.

[Yoram]

It sucked such a fat fucking dick.

[Keith]

I can't pull one off the top of my head, but I bet you Andy can.

[Seth]

Is that one Shaky Dog by Ghostface?

[Keith]

Yeah, Shaky Dog. That's probably one. Yeah. Is that, like, when we get to, like, escape from Dookie island later on Turtleneck and Chain. That's another heist song.

[Yoram]

Yeah, that's a big time high song.

[Andy]

Nobody move, Nobody get hurt.

[Seth]

Oh, that's a good one.

[Yoram]

No, but to get hurt.

[Seth]

Oh, isn't. Isn't Ante Up Anti up is a high song, right?

[Andy]

Yeah. I mean, that's basically just like a good old fashioned, break yourself kind of a song.

[Keith]

Yeah. Paul Revere is almost kind of one.

[Andy]

It turns into one for sure.

[Keith]

Yeah, yeah, yeah. I guess I am. Right.

[Yoram]

Sorry. Are we voting on this? Are we going to vote on this?

[Andy]

I mean, the third act becomes one is what is Keef, you know?

[Keith]

Sure, sure. Yeah. Great.

[Andy]

Once Mike D enters.

[Seth]

Andy, since we're not going to pretend like you listen to the episodes, you're not in how do you feel about qump as a terminology for the bump a YouTube video gets after an episode from the Quaid. It's a Quaid bump.

[Andy]

I love it.

[Keith]

I love it.

[Andy]

I listened to one of these and I gave comment.

[Seth]

Oh, that's right. You did.

[Keith]

Yeah, yeah. I went back and fast forwarded through it to hear what Andy was saying, and there was one moment that was just ticklish to me. I was like, tickled where I had done a voice note to clarify something. And then the editors here did kudos to them because they put Andy's voice note first, then put my voice note, and then put a second one of Andy's voice notes and then back to the pod. So it was a complete side conversation, just going over itself until it returned enough that Dan Gore, Brooklyn Nine Nine creator, was like, oh, I really like that bit you guys did.

[Andy]

Oh, nice.

[Keith]

As if we had planned it. He's like, you guys should have done it like three more times. And I'm like, we didn't plan a bit. Andy just sent it voice notes. And I sent it a voice note and it became a bit that. He's right. We could have done more.

[Seth]

Somebody did suggest based on that, Seth should start an episode by saying, this is what we're talking about this week. Then each person sends in a voice note. Then Seth listens to those three voice notes and talks about what everybody said, and then everybody listens to that. I like what we can't get together.

[Yoram]

We should definitely do that. Which is looking more and more like.

[Seth]

I mean, it would be. I wonder what would be easier just to, like, independently, over the course of a week, record seven different voice notes or get together all together for an

[Yoram]

hour just battling voice notes?

[Seth]

I don't know.

[Keith]

Yeah, pretty good.

[Seth]

Andy, there was a. I don't want to talk about whether or not you quibb yet, but can I tell you a word? I was pretty upset about not being in.

[Andy]

Yeah.

[Keith]

Today. Yeah.

[Seth]

Hang gliding. Same. It's bullshit.

[Andy]

I was furious.

[Keith]

Was it different hang gliding, hang glider or something in or. No.

[Andy]

No. But hang gliding clearly should have been accepted.

[Keith]

Yeah, but what about hang glide? Is that not a thing?

[Andy]

There was no E. You would need knee.

[Keith]

Never mind. I guess.

[Seth]

So you couldn't do hang glide.

[Andy]

If you would. If you had done the be, you would have known that. Akiva.

[Keith]

I don't do it. Guys, back to last week's episode, the Taconis. I sent a screen grab to this group from a comment on YouTube that tickled me. And it was somebody Ribbing, you guys. And it had the, quote, Bay Area. And it had a counter saying that it was said 34 times. I don't know if that was accurate or if they were just jump.

[Yoram]

We, like. Yeah, we talked about it too much.

[Keith]

Once again, it is a. A blessing or curse, a poison or a superpower. I don't know that we are all. We just have to carry it, I guess, as people from there, that you qualify everything with that you're from there. Good or bad. Like, well, we're from the Bay, so this bad thing. Or, well, you know, we're Bay. So this good thing. Like, Seth doesn't say New Hampshire or New England ever. He's not like, oh, well, New Hampshire. So, you know, I'm this or I'm that.

[Yoram]

Yeah, yeah.

[Andy]

But we're not unique in that way. We were just talking about this, that when Coogler just won his Oscars, first thing he said, I was like, he

[Keith]

gets up on stage, he goes, you know, I'm from. I'm from Oakland, California, so.

[Andy]

And Richmond. He was not even. He was making it very specific or El Cerrito or something.

[Keith]

Yeah. He had to qualify the whole Oscar of winning that Oscar with, like, just so you know where this is coming from. It's the Bay. And then Alyssa Liu. Liu.

[Seth]

Yeah, Alyssa.

[Keith]

Every other time it cut to her, she's just like, oakland.

[Maya Rudolph]

What's up, Bay Area?

[Keith]

So we know it's not us. I'm saying it is a Bay area. It's a little Texas. People that are from Texas tell you about it all the time. I'm not saying that negatively. Yeah, that'd be the pot calling the kettle black.

[Seth]

I just found out, Speaking of Texas, McConaughey's from there.

[Keith]

Really?

[Seth]

Yeah.

[Keith]

You just figured that out? Just.

[Yoram]

Does he talk about it?

[Seth]

I was reading an article where it came up.

[Keith]

When it finally came up, he's been denying it this whole time.

[Seth]

Somebody pressed him on where he was from.

[Keith]

He's like, I don't usually say this, but I feel like. And then, you know, people rip on people that went to Harvard for saying it all the time. There's just certain places that somehow tell you this is now your identity, and you have to.

[Yoram]

I remember my junior year abroad was in England, which you guys know, and people would ask me where I was from, and I would go, Berkeley. Like, as if you knew. Berkeley. Like, we were so, so clueless. I was like, so up my own butt. Like, this tiny little town.

[Andy]

And then you came back, and everyone was like, yoram where are you from? And you were like, foggy London town.

[Yoram]

Cheers. Cheers.

[Maya Rudolph]

Cheers.

[Yoram]

What? Cheers.

[Keith]

Cheers.

[Seth]

Cheers.

[Yoram]

Cheers.

[Seth]

Cheers.

[Keith]

Would you have a pint of the nookie, Brown?

[Seth]

Cheers.

[Keith]

Cheers.

[Andy]

This American beer is p.

[Yoram]

Wait, I told you guys that story, right? Like, that. Like, because we drank Newcastle Brown Ale, we thought it was, like, the height of class. I went over there. It was the first time when we

[Keith]

were in high school. To clarify, Seth, we didn't drink it very often. We thought it was like if you got a little extra money in your pocket and you were going to splurge.

[Yoram]

We did it for birthday.

[Keith]

It was like the fanciest thing you could do is drink Newcastle in our mind very much.

[Seth]

In college as well.

[Yoram]

Yes.

[Seth]

So we.

[Yoram]

So we would get a keg of Newcastle for, like, people's birthdays and, like, really big, like, celebrations between, like, all of us. All, like, our 10 to 12 dudes we all hung out with. And then the. The first thing I did was go to the bar with all of my new, like, flatmate Hallmates guys, like, these 10 dudes. And the first thing.

[Seth]

Your arms. I don't know.

[Andy]

What.

[Yoram]

How do I turn this off?

[Andy]

It was rhetorical.

[Keith]

You could probably just turn off the volume, which.

[Andy]

Your phone is that.

[Yoram]

It was on my laptop. Oh, it was retarded.

[Keith]

Just turn off. Just turn off the volume on your laptop. It won't affect it.

[Seth]

Could be anyone's. But how would you turn it off anyway?

[Keith]

I went to the bar. Okay, you went to the bar, Gray.

[Yoram]

I went to the bar. And the first thing I ordered was a Newcastle Brown Ale. And those guys were like, oh, Nuki Brown, that shit. That is shit beer. And I was so embarrassed. I couldn't believe it.

[Seth]

Nuki Brown's a pretty fun way to say it.

[Keith]

You came back and told us all we all had to learn. And it's tainted my perception of it ever since.

[Andy]

In our defense, we were drinking malt liquor all the time. That's all we would drink.

[Keith]

So by comparison, yes, it did taste pretty good.

[Andy]

Yeah.

[Yoram]

Yeah.

[Keith]

Do they still have it? I feel like I never see it.

[Yoram]

Newcastle.

[Keith]

Like, if I'm at Ralph's, I don't notice it. Is it there?

[Andy]

Newcastle?

[Yoram]

No.

[Andy]

I don't know.

[Keith]

I mean, in Europe it's still there, but did they stop importing it? I never think of it. I never see it.

[Yoram]

Well, when I did actually visit Newcastle, I sort of understood. I was like, oh, God. Gotcha. Nothing personal to anybody from Newcastle, but, you know, it's pretty shit.

[Keith]

We couldn't believe the logo was on their soccer uniforms. It was so dope.

[Andy]

I had that uniform in high school. That's how much we liked Newcastle beer. Yeah.

[Keith]

We thought it was so cool you could get that.

[Andy]

And I love the premiership, of course.

[Keith]

Of course.

[Yoram]

I mean, if they want to sponsor the podcast, I'd be into that, too. Oh, yeah.

[Seth]

Yeah.

[Andy]

Akiva.

[Keith]

Yeah.

[Andy]

Speaking of old English brew, I wanted to give a special moment to the way you say in Kablamo and all of drinks are old English.

[Keith]

Kind of a wicked witch, I think is what I said, because it's a brew. I think I was trying to be a witch. I'm not even kidding.

[Seth]

Yeah.

[Yoram]

Oh, that makes sense.

[Keith]

I think I was literally trying to be a wicked witch.

[Andy]

How much we drank 40s back then was that. That was Kablamo. If all the drinks were old English.

[Keith]

Yeah. Instead of gross. Yeah.

[Yoram]

Nothing cooler than that.

[Andy]

Instead of poison.

[Keith]

But that was. But she was a witch. I think I was trying to be like Madame Marvel. You know what I mean? Yep. Anybody know what I mean? Madam Marvel.

[Yoram]

Yes.

[Andy]

Madam Marvel. No. What is that?

[Keith]

It's from Wicked.

[Andy]

Oh, no. I haven't seen the sequel.

[Keith]

Sorry. You guys don't know about memes Morrible. Like horrible. I don't know.

[Andy]

I thought you were talking Adam Webb.

[Yoram]

I watched. I watched Wicked 2 with my family. I fell asleep for the last half hour and everybody made fun of me.

[Keith]

Whoa. Shots fired.

[Yoram]

Has to do with my. Maybe my age.

[Andy]

You know, it's. I watched Wicked as well. Seth, what are we doing on this app? We going to around or are we going to around? Hit me with some ditch. Ditch me with some shifts fucking splatted on the dap.

[Seth]

All right, so Boogerman season premiere. You guys come out hot. You've obviously been thinking a lot all summer. You like. You got to really. What's the thing we have that's a fucking lock? What is just an idea.

[Andy]

What was that Summer when we recorded it is right. That's why we're going in that order.

[Keith]

Yeah. We've been recording Turtleneck and Chain, so we have a bunch of finished or demo kind of level songs.

[Andy]

Here's what I'm gonna just start out by saying about Boogerman right out of the gate.

[Yoram]

Ooh.

[Keith]

I have not rewatched. Go ahead.

[Andy]

Unacceptable that we had just recorded a bunch of songs and did not use Katy Perry.

[Maya Rudolph]

Right.

[Keith]

Why didn't we just put her on one that needed a singer? Did we not have something?

[Andy]

Dumbasses. We were just like, none of them are really like, exactly. For her type of pop singer stardom or whatever the hell I remember, we

[Keith]

could have added her to whatever we think is the worst one and just put her on top of it.

[Seth]

Right.

[Keith]

And it would have still been fantastic.

[Seth]

My point is, she would have improved anything.

[Yoram]

Well, maybe we were being respectful, you guys.

[Keith]

That's what I mean. Like, the attracted to us. All of a sudden she'd be all over the video and then singing with Beck, and all of a sudden it would be twice as good. I'm just thinking of the.

[Andy]

Add a whole part to the end of it. I think we just hadn't learned that move yet.

[Seth]

Right.

[Yoram]

Yeah. Opportunism, you mean?

[Keith]

Yeah, yeah.

[Andy]

Or just like bending what it is already to make it something else.

[Seth]

Appreciating that ultimately, like, adding Katy Perry had more value than, like, it being a perfect fit.

[Andy]

Yes. I mean, she was one of the biggest pop stars on earth at that moment.

[Seth]

Yes.

[Keith]

Like, here I go. We were talking about how it was completely done with just Andy, and then it was like, whoa, Charli XCX is around and down to do something. And then we were able to figure out, and it became so much better. Yep.

[Andy]

And yolo, we added Kendrick because he was musical guest and added that whole verse. And I'm so.

[Yoram]

Well, I'm still against that. We did that. I mean.

[Keith]

Yeah, right.

[Andy]

You're not a Kendrick head.

[Yoram]

Well, I just don't like opportunism.

[Keith]

Yeah.

[Andy]

Oh, I see.

[Yoram]

You know, I just want. I want to stand on my own two and.

[Keith]

Have you ever seen J.D. vance? You ever read J.D. vance's book? I think if you read that, it would really give you some insight into a lot of your stuff.

[Andy]

Hillbilly Elegy.

[Seth]

It's really. Yeah, yeah.

[Yoram]

Going back to me being super.

[Andy]

Right. Gotcha.

[Seth]

Or just watch the movie. You know, Elegy. I think that's pretty good. So the other thing I'll say is Katie's great. You shouldn't have a lot to do in Boogerman, but she executes what she's supposed to do. Super Game. And she kind of steals the show in Bronx Beat, which hopefully we'll have time to get to. Fucking great in that. So everybody who did make the decision to use her was happy about it.

[Andy]

Yeah. Are we going to actually watch Boogerman?

[Seth]

We got to watch.

[Keith]

I'd like to watch it. I don't remember it, so I'd like to. I remember being slightly embarrassed because I felt like we had underused and misused Katie. Even on the day where I was like, fuck, we should have done something better. I remember being in the recording studio with her at SNL and her singing and sounding really good, like, and going. And that was the moment where I was like, oh, why did we do something so dumb? Yeah. Like, right. She's Katy Perry.

[Andy]

Like, she's a real weapon.

[Seth]

Katy Perry.

[Andy]

Before we dive in, Yoram, congrats on your movie.

[Yoram]

Oh, thank you. Thank you very much.

[Seth]

Heard great things from people who were there.

[Keith]

Oh, yeah, we went to the Tacony Talk back. But you were in south by Southwest, for those that don't know to premiere your movie. And it went amazing.

[Yoram]

Yeah.

[Keith]

Tell us about how it went, because I know it went super good.

[Yoram]

I went like, south by Southwest is the most amazing festival that I've ever been to. Like, when we went and saw Jake's movie.

[Andy]

Wrap it up.

[Yoram]

Jesus Christ. Anyway, best premiere I've ever had. McGrewer will ever have. And this was. Was almost equivalent to that, I would say it was very, like, brought the house down. And then we won the audience award for our second.

[Keith]

So the audience agrees with your assessment? They agree that the house was brought down, yes.

[Andy]

Hey, and while we're doing plugs, Yorm. Shameless.

[Yoram]

Yeah.

[Andy]

Digman is on Netflix. Just put it on and let it run. Double like it. Give it the double thumbs.

[Yoram]

Well, let me at least say the name of my film, then. It's over your dead body. Again.

[Andy]

Over your dead Body. Dickman. On Netflix.

[Yoram]

Jason Siegel. Samara Weaving. Timothy Oliphant.

[Keith]

When does it come out, Yoram? Say the date.

[Yoram]

It comes out April 24th.

[Andy]

Keith.

[Yoram]

Thanks for mentioning.

[Seth]

That's very soon. It's very exciting.

[Keith]

And then Netflix. Where do I get Netflix? Sandy?

[Andy]

It's on the Netflix app. Akiva Thickshire.

[Keith]

And I find that.

[Seth]

Where.

[Andy]

And it's on Netflix.

[Keith]

Yep. Where do I find Netflix?

[Seth]

Netflix.com. that's a. That's a classic. Dot com.

[Keith]

Netflix dot com. They have the. The correct URL.

[Seth]

They do. They got in there early.

[Keith]

They did great. Yeah. And that's a free service or.

[Seth]

Oh, well, it depends on.

[Keith]

Okay.

[Yoram]

It's tiered.

[Seth]

It's tiered.

[Andy]

You're gonna open up Netflix, then you're gonna put it on Digman. Wrong pipe.

[Keith]

Yeah. Put it on mute and go to sleep if you need to. Just let it run through the. Make sure it's on autoplay to get through the seasons and make sure you

[Andy]

give it the double thumbs. Like, you know what I'm saying?

[Seth]

Oh, yeah.

[Keith]

Well, if you want a third season, you gotta do that, right?

[Andy]

I mean, you heard it from Keith first.

[Seth]

Do you still let you like, stuff on Netflix? I thought they didn't let you rate stuff anymore.

[Keith]

Yeah, I think it's mostly for your algorithm. But they definitely do.

[Seth]

I say. I say. Right, right, right.

[Andy]

And if you're a Quaid, they let you double like it.

[Seth]

Oh, look at that. Q and A with Quaid's. Do you think we should call it Q and A's?

[Keith]

Yeah, no, I do.

[Andy]

As long as there's a space.

[Keith]

Jesus.

[Andy]

Or an apostrophe.

[Keith]

At least.

[Andy]

At least apost.

[Seth]

We're doing so much work. So much work not to talk about Boogerman, so I want to just say

[Keith]

I am afraid of it a little.

[Seth]

You should be afraid of it. But I watched it today. There's so much to talk about. And Keev, you're going to be playing it. Just be ready for a lot of stops from Ol Seth, because I'm going to want to unpack a lot of things.

[Keith]

Yes, sir.

[Andy]

It's got a lot more moves than you're expecting. I'll say that.

[Seth]

It's a million moves. The audacity of it is truly spectacular. It does not pull it off. But when you watch it and when you appreciate what you guys were trying to poke fun at and what a big swing it is, I really do love it.

[Yoram]

While not saying it does not pull

[Seth]

it off, I love it. I don't enjoy it.

[Keith]

But I think you're referring to the feeling I had. The feeling is exactly what you just said, which is afterwards, like, oh, we swing for the fences and struck out. And that's much more embarrassing than when we say, oh, it was fine. It was a single.

[Seth]

Yeah.

[Keith]

Wasn't going for much.

[Yoram]

Wait, wait, Seth. Seth, when you say that, when you say, because that's so evocative to say I enjoyed it. What did you say?

[Andy]

I didn't.

[Keith]

I think he said he didn't enjoy it.

[Seth]

No, I didn't enjoy it. I loved it. I didn't enjoy it.

[Yoram]

Okay. Is that how you feel about I wish it would rain too? I loved it.

[Seth]

No, I really enjoy it. I wish it would rain.

[Andy]

Boogerman's not in the same category.

[Yoram]

Okay, gotcha.

[Seth]

Boogerman did not make me me laugh when I saw it. It did make me laugh on the rewatch where he's like, I wish it would rain. Makes me, like, cack.

[Andy]

Okay, you're. Seth likes Brooks.

[Yoram]

Okay.

[Andy]

He Googles restaurants.

[Yoram]

I. I just. I'm trying to get clear.

[Keith]

You're jealous of Brooks. Now, Andy, So what if I am a Kiva? I don't think you would Google restaurants. That's true.

[Andy]

That's all I would do.

[Yoram]

I'm jealous of Brooks for going on a road trip.

[Seth]

God damn it, I would love to be just driving across the fucking desert with Sandberg. What I wouldn't do.

[Andy]

Oh, my God. We'd Google so many straws, bro.

[Keith]

I'd be like, I wonder what the

[Andy]

tastiest cup of Jav is in this small town.

[Yoram]

Seth Lee Strauss.

[Andy]

Oh, we'd be strawing it up right now.

[Yoram]

I gotta start saying that.

[Andy]

Should we.

[Seth]

Should we buy the domain name? I want some straws right now before somebody else takes it.

[Keith]

It's like, for a new Yelp.

[Yoram]

Yeah, enjoy Straw.

[Keith]

Let's start a new Yelp called I want some Strawns.

[Yoram]

I love that Strats.

[Keith]

I don't know, it might be already taken because there's this other one, Netflix, that apparently is.

[Andy]

You're gonna like it. Keith, you're gonna want to check that one out. It's a red logo.

[Keith]

Ooh, you're talking my language.

[Yoram]

By the way, I actually just checked netflix.com and the link is not broken.

[Seth]

It works. Support comes from Bombas. People keep asking me about my 2026 resolutions in March. Seth, they're still asking you about it in late March. Hey, man, take it up with the people who write the copy over at bombas. And you know what? I have my usual goals, but this year there's a new one at the top of my list. Get comfy. That's where Bombas comes in. These are incredibly comfortable socks, and I'm going to tell you the true story, the real talk, right here. Boy, oh, boy. Do the Myers kids like having bombs on their feet? I do, too. But if you're an adult, put on some luxurious Sherpa Sunday slippers that feel like walking on clouds. My kids don't wear Sunday slippers. They wear work boots on Sunday. That's the day they earn their keep. For every item you purchase, a Bombas, an essential clothing item is donated to someone facing housing insecurity. These good people over at Bombas. One purchase, one donated. With over 150 million donations and counting, head over to bombas.com island and use code ISLAND for 20% off your first purchase. That's B O M B A S.comISLANDcode ISLAND at checkout. Support comes from Shopify. Hey, everybody. When we started this podcast, you know, we had to figure it out on our own. Scripts, scripts, filming schedules. That was really the hard part Logos. It was overwhelming. Every day seemed to introduce a new decision that needed an answer and it was tearing us apart. What we needed was the right tool that not only helps you out, but simplifies everything. It can be a real game changer for millions of businesses. That tool is Shopify. Shopify is the commerce platform behind millions of businesses around the world and 10% of all e commerce in the US from household names like Aviator Nation, Untuck it and Momofuko to brands just getting started. You can have your own design studio. Hundreds of ready to use templates. Shopify helps you build a beautiful online store that matches your brand style. Get the word out like you have a marketing team behind you. Easily create email and social media campaigns wherever your customers are scrolling or strolling. Start your business today with the industry's best business partner, Shopify and start hearing. Sign up for your $1 per month trial today at shopify.com lonelyisland go to shopify.com lonely island that's shopify.com lonelyisland sup

[Yoram]

who we're at comes from Airbnb. As we've talked about. I just got back from St. Lucie watching the Mets. I stayed at a home on Airbnb in Stewart Island, Florida and it was great. It was right on the beach, 15ft from the water. It was amazing. Stayed there with another family. There was room for all the kids. The kids loved it. We spent our days on the beach. It was super nice. The place was also super close to a bunch of fine eateries. I felt like I lived at the place, guys. And that's what's great about Airbnb. Over a hotel. Booking a trip on Airbnb makes for a better trip. Whether you're vacationing or you're working or you're daydreaming about a bucket list destination or with your family and you need a bit more space. Booking a trip on Airbnb makes for a better trip. You could be traveling with family or looking to discover authentic and local experiences. It does it all.

[Keith]

So good. So good, so good.

[Maya Rudolph]

Spring styles are at Nordstrom Rack stores now and they're up to 60% off. Stock up and save on Rag and Bone, Madewell, Vince, All Saints, and more of your favorites.

[Amy Poehler]

How did I not know Rack has Adidas?

[Maya Rudolph]

Why do we rack for the hottest deals? Just so many good brands. Join the Nordy Club to unlock exclusive discounts. Shop new arrivals first and more. Plus buy online and pick up at your favorite Rack store for free. Great brands, great prices. That's why you rack.

[Seth]

All right, here we go. Before we started watching it, because I think one of the problems is it was a little hard for the audience to even know what was happening. Do you guys want to explain the idea behind it? Like, what were you trying to pull out?

[Keith]

I don't remember. Except for that it was an award show.

[Andy]

I remember it. It was just like the way the musical performances are on the Oscars is like always super dramatic, interpretive dance version of the movie. And then it always. It used to cut to clips from the movie also during it. Yeah. And we were like, what if we did that? And it was like the worst movie

[Keith]

you've ever heard of.

[Andy]

Like, basically, you're learning about how crazy this movie is through the context of only seeing the song that's nominated it.

[Yoram]

This is a great premise.

[Andy]

Oh, and I swore I never work with you again. And now performing the theme from the film, the other. The other thing that I. That we forgot to talk about is that the real joke of this is all of the real award show cutaways of celebrities.

[Seth]

Yeah.

[Andy]

Which is a move we did again in Pop Star.

[Yoram]

Yeah.

[Andy]

At the end.

[Keith]

And this not just because we've been talking about it looks like a close up of the beginning of the end of the Netflix logo when it's splitting up and going to come towards you.

[Seth]

Yeah, you're right.

[Yoram]

Good callback.

[Andy]

Now, when you say this for people who are listening, it's the backdrop behind them on the right side.

[Yoram]

We all know what the end looks like.

[Keith]

Yeah. But also already higher production value than I thought. We had Somebody comp in hater up into the screens.

[Seth]

Yeah.

[Yoram]

If you.

[Andy]

If you look closely, you can see that it says Bob Hope Humanitarian Award.

[Keith]

Yeah.

[Andy]

That was not taken out.

[Keith]

Yep. Well, I don't think anybody was looking closely. Anybody want to guess the amount of views before I scroll down and tell you? It's been on for 12 years. I'll give you that.

[Andy]

750 million.

[Keith]

Oh, but you know what? 12 years. Because this aired in 2010, so it didn't get the initial bump. It would have gone the night, but it was 700,000.

[Seth]

700,000.

[Keith]

It was posted four years after it came out, though, and doesn't have the word Katy Perry in the title.

[Seth]

Oh, okay.

[Yoram]

30,000.

[Keith]

That's better. 193,000. It's more than I would even think.

[Andy]

That's a lowy. What kind of quump you think we're getting on this?

[Seth]

I think we could clump up this past 200.

[Yoram]

You think so? You think 100,000 people are going to

[Seth]

know it's at 193. I think we're just going to get another seven grand.

[Yoram]

Okay.

[Andy]

If you think we could quump seven K. We're talking about real sway here.

[Keith]

Here's the first question I went to on the comments or by newest, because I was curious right now if anybody had got a quump nine days ago. Question for the pod. This sketch is so out of left field. Andy asked the question in an earlier listener Q and A that was not answered and might help explain. Akiva, what does your butt look like?

[Andy]

Yeah, Keith, answer the question so they can understand Boogerman.

[Keith]

Let me watch Boogerman first to see if I think that's applicable.

[Andy]

Or the Bob Hope Humanitarian Award.

[Keith]

Yeah.

[Andy]

I swore I never work with you again.

[Keith]

They're screaming close.

[Yoram]

And now, now performing.

[Keith]

Were you excited to see Glenn Close because of your J.D. vance stuff?

[Yoram]

Oh, yeah, yeah, yeah. That's right.

[Keith]

That's cool.

[Yoram]

Theme from the film Boogerman. Ms. Katy Perry accompanied by dancers from the Boston Ballet.

[Keith]

I like it already.

[Andy]

Yeah. I mean, Bill's very winning. Also,

[Keith]

Almost like a 007 theme. Million miles from home.

[Maya Rudolph]

Seemingly nothing to.

[Yoram]

I'm into this. Oh, she's. She's killing it.

[Andy]

I remember us thinking saying seemingly nothing to eat was funny. That's how fucking, like, totally tapped we were.

[Keith]

It's making me laugh now.

[Andy]

Seemingly. Seemingly nothing to eat.

[Keith]

Seemingly.

[Yoram]

Well, it's. She's singing it so well, it's hard to even comprehend.

[Keith]

Is it because he's gonna eat boogers?

[Yoram]

It might be because he's gonna eat boogers.

[Andy]

You think he has nothing to eat, but he actually has quite a bit to eat.

[Keith]

That's why it's funny. Seemingly. But he doesn't know. He's producing food.

[Yoram]

What's he gonna find?

[Keith]

So it was funny.

[Andy]

He's alone in the rain, like, out on his own. Seemingly nothing to eat.

[Keith]

Yeah, this is a good setup.

[Andy]

So maybe we're getting actually all the way back around on this. Death. And now you love it.

[Seth]

I mean, now I'm fully laughing at it. This is all I need.

[Keith]

We're pulling this off pretty good using Oscar footage and then just a teeny bit of probably your stage now, Seth. Like, no crowd, no nothing.

[Seth]

Also, this is completely undercutting my theory that Katy Perry makes everything better, because literally, I've heard her sing it now probably 10 times in my life. Never got a laugh. Andy said it falling out, but you

[Keith]

didn't have the context of what it meant.

[Seth]

All Right.

[Keith]

I'm going back so we can get. Yeah.

[Yoram]

What Deep backstory she's getting into.

[Keith]

Miles from home,

[Maya Rudolph]

seemingly nothing to eat.

[Seth]

Here is the booger.

[Keith]

Okay, so you've got two sticks with paper ribbons tied to your boogers to be doing, like a. Like a ribbon dance. Like a gymnast or something. Something elevated to represent the boogers. This is. Having just seen the Oscars, this isn't that far from some of those presentations.

[Yoram]

Oh, my God, your hair is so. Dump truck.

[Keith]

Are you supposed to be like a theatrical representation of a. Of a.

[Andy]

Like a vagabond lives on the streets? Yes, yes.

[Seth]

Well, I think they. So here's the problem. Like, I want to ask now, because there's a late reveal of. Obviously we're going to see Boogerman late in this.

[Andy]

Yeah.

[Seth]

Do you think it would have helped if we had seen Boogerman in a clip first and then seen that this was the interpretive, tense version?

[Andy]

No.

[Seth]

Yeah, but I mean, again, you just

[Yoram]

got to double down. No.

[Seth]

You've already asked the audience so much.

[Andy]

Right.

[Keith]

I'm racking my brain right now of like, is it that. It's two weird things. Like, should the movie have been straight? And then the dance to it been crazy. Like, if you did a crazy dance to Schindler's List, just. These are the most serious version.

[Andy]

Yes.

[Keith]

Then that can be funny. Like Springtime for Hitler style. Or if you did a serious dance to Happy Gilmore 2, maybe that's funny because you've taken.

[Yoram]

I don't know. I think this is right so far.

[Andy]

Well, yes. No. Like this year, the straightforward sketch, which would work, and I do find funny. I'm not disparaging, would be like a very silly, irreverent, fun dance for hamnet. Right, right.

[Seth]

Sure.

[Keith]

But we chose an original movie that's already called Boogerman. And then I like the idea that we're doing a serious dance to it. But then the dance is also kind of trying to be funny here with this freeze frame I'm on.

[Seth]

So would you say if it's Hamnet, hypothetically, or it's like a hamnet type movie. It's a serious movie, it's a serious song, and it's just a janky ass dance.

[Andy]

Yeah, the dancing. But in the sketch version, it would be a live one and it would be a person going, cut, cut, cut. Come on. What are we.

[Yoram]

Isn't part of it that you're gonna be cutting to people in the audience? So the dumpier.

[Seth]

This is.

[Keith]

Yeah, yeah. The best part is whoever it's about to cut to really enjoying this. Let's see.

[Yoram]

Yes.

[Andy]

That's what I'm saying. Like, this is not a super successful thing, but the jokes are the cutaways of celebrities. Those are the laughs.

[Seth]

Well, no, I mean, you're selling yourself short because there's also gonna be a massive series of jokes of how fucking crazy the movie Boogerman is.

[Andy]

That's right. The clips of the movie.

[Seth]

So I would say maybe the issue here was you guys could not pick a lane.

[Keith]

That's what I'm getting right here. But let's. Or we again, the swinging for the fences. Like we're gonna hit. Everything's a joke, and you kind of can't find your footing underneath.

[Andy]

It was ahead of its time. There, I said it.

[Keith]

Thank you.

[Seth]

I like the ones that I push back on. You guys agree at first, and then as we watch, you're like, gotta defend. It's good.

[Andy]

Yeah. Like, hey, that's my brother. I'm the only one allowed to hit him.

[Keith]

When we do part two of Boogerman for next week's episode. Let's see if it's going on Seth by then. All right, here we go.

[Seth]

Hidden.

[Keith]

Everyone's clapping. I want the Boogerman dead.

[Andy]

I don't care what it cost me.

[Amy Poehler]

Don't you see, mama? I know he's different, but I love him anyways.

[Andy]

You the man, Booger man.

[Keith]

She's really funny.

[Andy]

Oh, if you like. Thank you. Get ready. There's more.

[Seth]

So that's another move.

[Keith]

Thank you. Thank you.

[Seth]

She's.

[Yoram]

It's like Adele, Skyfall level selling it.

[Seth]

Thank you.

[Keith]

Right in the middle of the song, so.

[Seth]

And now for the audience, there's a fifth game, which is Katy Perry is, like, thanking the audience for her reaction.

[Keith]

This is making me cry. I love it.

[Yoram]

This might be my favorite one we've done.

[Seth]

Also definitely think it's the Oscars. And then you get a big old grinning Ed o'. Neal. Clearly the Emmys for Modern Family.

[Andy]

Yeah, it's good set.

[Yoram]

It's Bob Hope. Hope. Everyone was there for Bob Hope.

[Andy]

Yeah.

[Keith]

I have to go back and watch these clips because these clips really are saying a lot. Like, Amy Poehler's in love with him. Some. A character that's in love with him.

[Seth]

Yeah.

[Keith]

Keenan's like, somebody who's rooting for him, some sort of mentor or something who loves him and is rooting for him.

[Andy]

Also. Kee right here in this freeze frame, we got Patrick Stewart money.

[Keith]

Oh, you know, I like that.

[Andy]

I don't Care what it cost me.

[Keith]

Clearly shot in our control room, but it looks fantastic. And he's some sort of evil villain with an eye patch and he's in an evil control room, but it looks fantastic.

[Andy]

I did want to note. And we can talk about it more at the end. We've seen all the clips. The clips look great.

[Seth]

Yeah.

[Keith]

Yeah.

[Andy]

They all kind of look pretty, like, cinematic.

[Seth]

They look full cinematic.

[Keith]

And we did a good job making it look like they've been projected on a screen and stuff. It feels very.

[Seth]

When it cuts, when it goes wide on Amy. It's a great effect.

[Keith]

Yeah.

[Amy Poehler]

Don't you see, mama? I know he's different, but I love him.

[Keith]

Feels like watching the Oscars. This is crazy.

[Maya Rudolph]

Thank you.

[Seth]

Oh, my God, her singing is incredible.

[Keith]

Oh, the blood.

[Yoram]

Definitely just switched to war shows.

[Keith]

Yeah. A lot of going between.

[Andy]

NPC burn in.

[Keith]

Yeah. This is the funny.

[Andy]

So Morgan Freeman's really impressed.

[Keith]

Yeah.

[Andy]

Sarandon's whistling for it because she can't believe how dope it is. Bill is like, what is happening?

[Keith]

Happening. Yeah. Bill's just. But in a polite way of just like, is anybody buying this kind of little side eye?

[Andy]

He's like, I saw Boogerman and I didn't like it.

[Keith]

Yeah.

[Maya Rudolph]

Honestly.

[Keith]

Thank you so much.

[Amy Poehler]

I'm so humbled. Don't you know those boogers are poisonous?

[Keith]

The public must never know. Booger man, you did it. You found the time machine.

[Andy]

Booger man is now property of the US Government. You want yourself in contest?

[Amy Poehler]

You're gonna be a father, Boogerman. We're gonna have a boy.

[Yoram]

You're killing him.

[Keith]

Turns out that. Who was that? Taran. Oh, it's Taran. Great.

[Yoram]

You're killing it.

[Andy]

It's kind of like a. A new take.

[Keith]

So half of these clips feel like it's Forrest Gump, where you have a. A person who is in some way considered othered. And you know, Amy's saying, I don't care, I still love him. And that he's going to have a baby. And that's a big deal for Boogerman. And he's made some friends along the way that are rooting for him. And then the other clip are like he's some sort of sci fi, like Marvel movie with guys with eye patches.

[Yoram]

And it's a little muddled. It's slightly muddled.

[Keith]

People who. People who look like Bobby here, who's wearing like crazy blind sunglasses. Oh, God. Every time it does what you pointed out, Seth, which is go from the screen into the movies, there is genuine Impact like there is at these shows.

[Seth]

Yeah, it's great.

[Keith]

And then you also can't believe people that are making something like this are capable of making any shot look as good as these shots look. Yeah. And so it's. It's hurting my brain a little. There's a Jamaican in it as well.

[Seth]

Yeah. Yeah.

[Andy]

Cuz Boogerman won the surfing contest.

[Keith]

Never know. Booger man, you did it. You found the time machine.

[Andy]

Booger man is now property of the Good Shot. You want a Serfin contest?

[Amy Poehler]

You're gonna be a father.

[Keith]

Why do you win a surfing contest?

[Andy]

You're killing him.

[Keith]

Turns out that compound that killed Boogerman also cures cancer.

[Andy]

I was born the Boogerman, and I

[Keith]

will die the Boogerman. With the reveal of who played Boogerman.

[Andy]

That's what Seth was saying. He's like, would it be better to reveal it up front? But we were like, no, you got to save that. Save that gold. Pun intended.

[Keith]

Whatever this is doing is the perfect order. Let me just tell you right now,

[Yoram]

there's good backstory here. He was born a Booger man, too. I like that backstory, too.

[Seth]

So Peter Sarsgaard.

[Keith]

Peter Sarsgaard. For those not paying attention. And he's got the same look that we've had seen Andy in a, like, theatrical bullshit version of for the Dance, but now you see the real version with yellow eyebrows, attention to detail.

[Andy]

Same outfit.

[Keith]

Oh, yeah, the same.

[Yoram]

He's got a real Will Forte vibe in this tune.

[Keith]

But now it's the movie version of the outfit. It looks worn and good.

[Yoram]

It looks really good. Yeah, he really does look a lot like Forte. This is like a very.

[Keith]

Could be MacGruber's brother.

[Seth]

Yeah, seriously, it does have a real love in your heart for Peter Sarsgaard that he showed up to do this.

[Yoram]

Oh, my God. And then selling the shit out of it.

[Keith]

How wonderful.

[Seth]

Yeah.

[Andy]

I would say the greatest man who ever lived.

[Keith]

Okay. For doing Boogerman, the husband of the bride.

[Seth]

The Bride. He's in the Bride.

[Andy]

Yeah.

[Keith]

Nepotism. No, thanks.

[Andy]

Now, if the Bride. If the Bride had a question mark after it instead of an exclamation point, do you think you would have enjoyed it as much, Akiva? Then it would have been the Bride.

[Keith]

No, I wouldn't have.

[Andy]

No, exactly.

[Keith]

Thank you.

[Andy]

Hey, look, Digman's got one on Netflix now. Just download it from the apps.

[Keith]

The Bride has an exclamation point. Yeah, like airplane.

[Andy]

Like airplane.

[Yoram]

April 24th. Over your dead body.

[Keith]

I'm not promoting the Bride or airplane?

[Seth]

Yorm.

[Yoram]

Okay.

[Keith]

I really should be, though, because they're very good. I haven't actually seen the Bride.

[Andy]

If you've ever cared about me or anything, I've done. Watch Digman on Netflix. Turn it on. You don't have to watch it. Just let it play.

[Keith]

There are two seasons on there. They're very. There's one season on OR2. I don't even know. Haven't checked.

[Andy]

I think it's only one.

[Keith]

You know what? I'm going to load it up on my phone right now. Just let it blast in the background.

[Andy]

Just put it on. I will take you at your word. If you see me out in the street, I'll suck your dick.

[Keith]

Don't promise that.

[Yoram]

Get them clicks.

[Andy]

We need those clicks. Just go to the apps app and download Netflix.

[Keith]

The apps app? Like the App Store?

[Andy]

It's called the apps app.

[Seth]

You got to go to the apps apps and download the app store.

[Andy]

Speaking of apps, Brooks Wheeland will Google all the apps in the nearby area for you.

[Keith]

How do I get the apps app if I don't have an apps app to download it from?

[Seth]

And you'll just take them at their word. You don't want to let, like, have them hold up their show because they could go to their Netflix and say, like, if you see me on the

[Andy]

street, and you're like, hey, I let Olive Digman play and gave it two thumbs up. I'll just be all, gulp.

[Keith]

God damn, this is bad.

[Yoram]

Take him up on it, guys.

[Andy]

I'm so fucking lonely, you guys. I would do it anyway. I just want to feel connection with a human being. Why are we living in these times, Seth?

[Keith]

That's real.

[Andy]

Why'd you have to make fun of Trump at the fucking correspondence dinner, dude,

[Keith]

we talk about burying the lead of this podcast.

[Yoram]

Now Andy has to go.

[Keith]

That should have been the whole thing.

[Yoram]

Anybody sees because of you, Seth.

[Keith]

Oh, my God. Should we next week do the correspondence dinner and stop after every joke and figure out which one did it, which one caused it? Which one calls the sliding doors split in our space time continuum that sent us downstairs? There was just one.

[Andy]

It was one. Wasn't there just one?

[Keith]

No, it was a run.

[Seth]

Think I did, like, five. I.

[Keith]

It was a. It was a whole section.

[Seth]

It was a whole.

[Keith]

And Obama's up there laughing his ass off. And you literally see a super villain creation moment.

[Yoram]

Seth caused this, which I love, by the way. And now here we are, Andy's gulping people on the street. Yeah.

[Andy]

Which again, I would do anyway.

[Keith]

Dickman would probably be in season 10 right now if that hadn't happened.

[Seth]

I feel like if that's a slang. If that's a slang that came out of this pod, I would love to hear somebody be like, sauce Amberg street gulping.

[Andy]

By the way, we need. We need all, all sides of this. Like, if you're listening to this and you're like, hey, but I don't have a dick. Like, I'll figure it out.

[Keith]

Got it. Yes. This isn't gendered.

[Yoram]

No, Andy will figure it out. You heard it here first, guys. Andy's gonna figure it out.

[Andy]

Just do whatever you want.

[Keith]

Oh, God. Speaking of MacGruber, you can't take this.

[Andy]

Oh, yeah, Just tell me what you

[Keith]

want me to fuck.

[Seth]

Is this a good time to say it's the latest we've ever recorded a podcast? Like, at night you can barely tell.

[Keith]

That might be putting it out. That might be clarifying something.

[Seth]

It's like super, super late on a Sunday night.

[Keith]

Open Netflix.

[Seth]

And I think that this is. Now we officially know this is the witching hour.

[Yoram]

I looked down just now, I was like, has it been two hours since we started talking? It's only been 55 minutes.

[Seth]

Well, we. In our credit, we're halfway through with Boogerman.

[Andy]

Yeah.

[Seth]

So it's not like we've been wasting time.

[Andy]

I told you guys, Boogerman needs to be a two parter. We're rac through this ahead of this one. I texted you guys and I said I rewatched Boogerman. I think it needs to be a two parter. And I think I was right. There's a lot to unpack.

[Keith]

I'm opening up Netflix to see if the Algos had served me any Digman.

[Andy]

It should be a new releases.

[Seth]

This has been my favorite way Jorma has laughed on this podcast.

[Yoram]

This is five o' clock in the morning. Yorm laughs of like, this doesn't work. Like, everyone knowing, like, oh, it's not going to work. Yorm's laughing like that.

[Keith]

Seemingly nothing to eat. And thank you. I was in. And I don't feel like we misused Katy Perry. I feel like she's fantastic. She's great.

[Seth]

She's got more good stuff. I think she's got another good meal. Yeah.

[Andy]

Yeah. Let's blow through the back half of this so we can get to the.

[Keith]

Hold on, hold on. I could be making you money while this is going if I can just find. Oh, respect.

[Seth]

Makita.

[Yoram]

Oh, he's putting on Digman.

[Keith]

Yeah, Just in the background. I've seen.

[Yoram]

The link's not. The link's not broken, Keith.

[Keith]

No, I'm on Netflix on my.

[Yoram]

Oh, Netflix.

[Andy]

Works dot com.

[Keith]

All right.

[Andy]

What's that, Keev? Did I pour my heart and soul into the show?

[Keith]

Yeah.

[Andy]

That's actually a great question. The answer is I did.

[Keith]

It looks great.

[Yoram]

All right, I'm doing it too.

[Andy]

Nice. Got some good bits. Got some good bits.

[Yoram]

Okay, I'm playing it.

[Andy]

My God, you guys are so nice.

[Keith]

I've already seen it too.

[Yoram]

I know. Getting them clicks.

[Andy]

This rocks.

[Keith]

This is how we should be using this time. All the time.

[Andy]

Yeah, we should always just be playing our own projects in the background.

[Keith]

Naked Gun is on prime for free. If you have prime and it's on Paramount plus Seth, where can I see Late night Peacock?

[Seth]

And only on Peacock.

[Keith]

Okay. The cock.

[Yoram]

Ah, Ride the cock. Sorry.

[Keith]

You know what else is on the cock? MacGruber. The series on the cock.

[Yoram]

Oh, yeah, MacGruber. That's on the cock.

[Seth]

Peacock is. It's. You just get ads, but if you. If you pay extra, you get a little bit of Peacock.

[Andy]

This is a filthy app.

[Keith]

I pay extra and don't have any ads on my peacock. So I can watch all the Brooklyn Nine Nines I like. Also some of the seasons on Netflix. All right, this is good. Now let's get back to. What's funny is it started the episode and I was stalling out of fear. Now I'm stalling because I want to savor like a tasty little chocolate that I want for later.

[Yoram]

Well, let's take a nibble.

[Andy]

I was born the boogerman and I'll die the Boogerman.

[Keith]

Does he have snot on his mustache?

[Andy]

Yeah, that's.

[Keith]

I don't like that.

[Maya Rudolph]

Thanks.

[Yoram]

Murdering. Her voice sounds, but it looks like

[Seth]

a huge pile of dog. And the winner is.

[Andy]

Randy Newman.

[Keith]

Good night. That's the end of the show.

[Seth]

I have a lot of questions about the names.

[Keith]

He has a clapper.

[Yoram]

That was. That was a brutal end.

[Seth]

That was

[Keith]

brutal. It was the final end of. Of the Oscar teleconference.

[Yoram]

Just fucking dumping.

[Keith]

Randy Newman didn't even come up to accept his thanks.

[Yoram]

I hated that.

[Keith]

A double clap for that lady.

[Seth]

Can you look at the names? Because it's like a weird in between where, like, they're not quite joke names and they're not quite.

[Keith]

You're going too fast to get. Anyways.

[Andy]

That's your M.O.

[Yoram]

though, also, does it slow up at some point too? It looked like the speed, like, ramped down.

[Keith]

Dirk Jensen.

[Andy]

Did we Write these.

[Seth]

I mean, obviously, this is long pre AI, but it's almost like these are AI written. Because it's like, write a series. Fill out these names with, like, Gash.

[Keith]

Yes. Or Cly Drip. Haynes.

[Yoram]

Yeah. So what we're talking about is that the credits roll, the names whiz past, and some of the names are Foot Cone, Crush Sims.

[Keith]

David Thompson, Tim Bumpers.

[Andy]

They're Quinn Frist. This feels a little Tim and Zacky. Honestly, Fresh gumballs.

[Keith]

They're pretty good.

[Yoram]

Kyle Dinkler.

[Keith]

Why is Cary Bronstein in here?

[Seth]

It's very strange. I cannot make heads or tails of this spit.

[Keith]

One person gets a real name, and it's Carrie Bronstein.

[Yoram]

That's the homie Jared Tooth.

[Seth]

Oh.

[Andy]

It's produced by the Jankels brothers.

[Yoram]

Also, the sound man is Jared Tooth.

[Seth]

Can I point something else out? Catering provided by Dog and Tony Show. But then if you go down a couple more, there's another catering.

[Keith]

Kyle Dinkler, Fran Gorman.

[Seth]

Can you play it through?

[Keith]

Like, invited by Dog and Tony Show.

[Seth]

But go down. There's more catering after that.

[Keith]

We just saw it.

[Yoram]

This just ends with a catering.

[Keith]

Kyle Dinkler and Frank Gorman. They ate a lot on the show. I don't know what you want.

[Seth]

All right, so, Batman.

[Andy]

Your biggest complaint, Seth, is the crows.

[Seth]

My biggest complaint hater.

[Keith]

Having to go back and clap for that lady is so Good. And it's 2 minutes and 8 seconds. Criterion.

[Seth]

The boogers. I don't like the. I feel like the boogers either. Straight down. The boogers should be going straight down. The fact that the boogers are over the mustache is disconcerting, and I don't care for it.

[Keith]

I wish we had just chosen a different name, but we were trying to do deliberately the dumbest thing you can do, which we are doing. But other than that. What a relief that it's five stars.

[Yoram]

I will say that that short, though, really makes me respect Sarsgaard. Like, he's great. He's really great. And it makes me also want to work with Katy Perry. They release she's really good. Yeah.

[Andy]

Sarsgaard. I don't know how to say this. The best person that has ever lived.

[Yoram]

Oh, wow. That's really big of you to say.

[Andy]

Yeah, well, because he's a booger man.

[Keith]

Do you think if you saw him on the street, he'd know he was in Boogerman?

[Andy]

Like, we were like, hey, remember Boogerman?

[Keith]

Yeah, I don't think so.

[Andy]

He'd be like, what?

[Keith]

I don't remember. All right.

[Seth]

What if we hired an extra? Maybe this lady, maybe somebody else.

[Keith]

Oh God.

[Seth]

To like, just wait outside his house and then when he walks out, just have somebody be, hey, Boogerman, do you

[Keith]

think he looks or like an autograph hound? But the printout that they're having him sign, is he still from Boogerman?

[Seth]

Oh, that like you wait outside. Like the next time he says, why

[Keith]

am I. I mean, it's my face with yellow snot. But why? Why?

[Andy]

You know what? I'm gonna go against the grain and say he remembers. Okay, Yorm call him.

[Yoram]

Okay. He's my roommate, so I'll.

[Keith]

So guys, Boogerman, Criterion or Kim's video?

[Yoram]

Does it make Kim's video?

[Andy]

No, no, he's kidding. God. Yhorm Akiva's a sar.

[Yoram]

Well, no, but. But does it make Kim's video? Do you guys feel like it?

[Keith]

I'll tell you what though. I enjoyed it a lot more than a lot of ones that we give a pass to just going, yeah, it's not going for much is going by and. And I that had more to enjoy than I expected. And next week we'll really get into it.

[Seth]

Yeah.

[Yoram]

In part two, when we break it down.

[Andy]

Now you're about my wavelength, baby.

[Keith]

Oh, Digman's playing up there on that screen right above me.

[Yoram]

Oh yeah. Where are we at?

[Andy]

I bet right around now he's going to like Sultane.

[Keith]

Wait, can we talk to Digman?

[Andy]

Oh, what would you like to know?

[Keith]

I'm a big fan. When can we expect season two to be on Netflix, Mr. Digman?

[Andy]

I'll have to call Mr. Netflix himself and ask him that very question.

[Seth]

Great.

[Keith]

And if it gets all the Quaid's to give double thumbs up on the full season, then maybe we'll get a season three paid for by Netflix.

[Andy]

You didn't hear it from me, Dygma, but yeah, I think there's a chance.

[Keith]

That's wonderful. Now you do it as a dead body from your movie. Oh,

[Yoram]

fuck. I can't. Sorry. April 24 Guys, it's coming out.

[Andy]

Seth's on season two.

[Keith]

Yeah, Seth plays a late night host. A big stretch for him.

[Andy]

It's funny though.

[Seth]

Chortles.

[Andy]

Yes, it's very funny.

[Seth]

Andy got called out on our show because he sometimes will outcall him during corrections and make him do a voice. And some of the people in the comments, the Jackals, claim that his ALF sounded like his Nick Cage. So I had him have to send in a voice note to clear up the record. And there is a Distinction. And most people have agreed that they were wrong to say it was the same.

[Andy]

That's right.

[Keith]

What did you say?

[Seth]

Do alf. Do alf.

[Yoram]

Yeah, do alf. Real quick.

[Andy]

Alf. Sounds like this. No problem, right?

[Seth]

Yeah. Sorry.

[Andy]

I had something in my throat.

[Keith]

No problem.

[Seth]

Was it a cat?

[Andy]

I had a cat in my throat.

[Keith]

Willie.

[Andy]

Not perfect.

[Keith]

Where are you from, Alfred? Alf.

[Andy]

Melmac.

[Keith]

Good.

[Yoram]

That's okay.

[Keith]

You like eating cats and then.

[Andy]

Yeah. And then the dad goes, good, don't eat the cat.

[Keith]

Right?

[Yoram]

Yeah.

[Seth]

The way. I just want to go back and isolate. Akiva's good.

[Keith]

Great. I'm liking this.

[Andy]

It was much like Katy Perry's. Thanks.

[Keith]

Anyways. Hey. Yeah. I have been on set for the last. I've been on set for the last five days. Thanks for asking, guys.

[Yoram]

And how was it?

[Seth]

Keith?

[Keith]

Get my sea legs back out there shooting stuff. It's been really fun. It's a pilot for NBC. This is all public knowledge. I can say that.

[Andy]

Yeah. Yeah.

[Yoram]

You sent us some stills that look great.

[Seth]

Okay.

[Keith]

It's a show written by Dan Gore to bring him up again. That's why I had talked to him this week and by Luke Del Trichi. I think that's how you say. I know his name's Luke, but honestly, we don't use last names that often on set. And so I wonder if that's how you say it.

[Seth]

Sounds like a frat house.

[Yoram]

People aren't like, hey, shit, Akiva.

[Andy]

I worked with him for eight to 10 years. I'm just going to tell you. It is pronounced announced Skywalker.

[Keith]

Okay, thank you. So, Luke Skywalker. And they wrote it together like that a lot.

[Seth]

I like that a lot.

[Keith]

He also worked on Brooklyn9.9, as Andy just pointed out. And it stars Jake Johnson from New Girl.

[Yoram]

What's the name of it?

[Keith]

It does not have a title yet.

[Yoram]

Okay, so write in. What, like tell us the general concept and then people will write in their suggestions.

[Keith]

He's a private eye. And it also has Keith David, who's just a legend. Legend. And Jane Levy, who's wonderful.

[Yoram]

Okay. I. I suggested that his name should be Magnus and that it should be called Magnus PI. But you rejected that, I think.

[Keith]

I didn't reject it. I said I'd throw it in the. In the mix.

[Yoram]

Okay, well, my hat's in the ring. That's my.

[Andy]

So you thought it should be Magnus PI. And this is coming from the guy who thought, what if it was MacGruber?

[Yoram]

Yes.

[Andy]

Instead of Mac.

[Yoram]

That's right. You get me, Andy? You fucking get me, man.

[Keith]

Luke did say he'd give anyone 50 bucks if they came up with their title.

[Andy]

Right? See, guys, this is how it really works. He's basically saying, if you come up with a title, you see him in the street.

[Yoram]

And, Keith, if people watch the show, what are you going to do for them?

[Keith]

It's not really my show. I'm just directing the pilot.

[Yoram]

Keith, what are you going to do?

[Andy]

No hanky panky.

[Seth]

Yeah, can't do much. Can't do much. Can I just. Can I give a shout out to what was a delicious rewatch of Bronx Beat in this Amy Poehler episode? Oh, yeah.

[Yoram]

Okay.

[Andy]

Yeah, let's get to that episode.

[Seth]

Also, just the fun of Amy coming back.

[Maya Rudolph]

Back.

[Seth]

This was her first time hosting after having left the show, which made me a little sad when I'm like, oh, my God, we're so far in the pod right now that people have left are back to host. It was great having her back. But Bronx Beat is just. By the way, Bronx Beat. Watching it, you're like, if this was just a comedian that was a Long island funny woman doing material like this, it would be one of my favorite comedians. Just great jokes about. They're talking about how summer's over, and they're so happy.

[Yoram]

Cause they're just.

[Seth]

Their whole summer's just been kids at their house. And, like, Maya's like, my house filled with kids. None of them mind. Just, like, some kid comes up to me, asks me for some milk. I'm like, go ask your mother. I don't know. You just really great. And then they complain about how there's bedbugs everywhere. And then Poehler says the thing about,

[Amy Poehler]

you know, how bedbugs get in your house?

[Maya Rudolph]

Why?

[Amy Poehler]

How they ride in on the backs of mice. What? Marauding armies of bedbugs galloping in on mice.

[Keith]

So guess what?

[Amy Poehler]

You got bedbugs. Congratulations. You also got mice.

[Maya Rudolph]

Listen. Hey, hey, guess what? Bedbugs. Do me a favor. Take a hike. I didn't invite you. Grab your saddles, jump on your tiny mice, and ride yourself out of my house.

[Amy Poehler]

Giddy up.

[Maya Rudolph]

Giddy out.

[Amy Poehler]

All right, all right, all right.

[Seth]

So, Jody, I'm just like, this is magic.

[Yoram]

Was what? Like, is it channel 13 that would have had, like, a show like this? Like, I feel like if you grew up in New York, there's, like, a certain vibe of, like, these shows that you're like, fuck, this is like, awesome. Public Access or whatever.

[Seth]

And then the Katy Perry musical Guest comes out in a very tight Elmo top. And it's just. She works At a library. And she's a very shapely woman who works at the library. And there's a great thing where the Bronx B women are both taken aback until they hear that the library has asked her to wear looser fitting clothing. And then they rush to her defense. Like, don't let anybody ever tell you there's anything wrong with your body. It's just great.

[Keith]

Was this torn from the headline? Slightly? Had she gotten in trouble for wearing something slightly too? You know, this way on Sesame street itself?

[Seth]

Oh, I think you're right, Keith.

[Yoram]

Ripped from the.

[Seth]

So it was like this. I think it was.

[Keith]

Katy had worn something and had gotten some blowback.

[Seth]

You were right. Katy Perry, Sesame Street. Yes. She did a modified version of Hot and Cold with Elmo. Parents complained her dress was too revealing.

[Keith]

Yes. So this is a reference to it.

[Seth]

A difference between now and then is that I have children and team parents looking at the photo. She's fine. She looks totally fine.

[Maya Rudolph]

You're double 2D.

[Amy Poehler]

3D.

[Maya Rudolph]

2D?

[Amy Poehler]

Double D? More like 3D.

[Maya Rudolph]

Don't tell me about it. I need some glasses. Those glasses.

[Keith]

Awa bunga yai yai yai yai.

[Amy Poehler]

Yeah.

[Maya Rudolph]

The library told me to wear some looser fitting clothing. It's so embarrassing.

[Amy Poehler]

Hey, listen to me. Never be embarrassed about your body. Never, never be embarrassed about your body. That's beautiful.

[Seth]

Beautiful.

[Amy Poehler]

In France, everybody walks around with no shirt on whatsoever. Everyone boobies as far as the eye can see. Boobyville, LA boobies. You know what? Good for them. They know how to do things over there. Yeah. I'm this close to moving to France. Except that I can't speak the language and I hate the people.

[Yoram]

They're just beyond comfort.

[Andy]

Yeah. It's on fire.

[Yoram]

It is so weird to see people who are like, just flowing, like there's no. It isn't like. It's definitely not.

[Seth]

It's just pure flow.

[Yoram]

Like no one's tied to fucking anything. It's amazing.

[Andy]

I'm gonna go ahead and say something crazy. I think Amy and Maya were very good on snl.

[Yoram]

Yeah. And what do you think of Peter Starsgard? Whoa.

[Andy]

The greatest person that ever lived.

[Yoram]

Nice.

[Seth]

By the way, Maya coming out to Broadway to do oh, Mary.

[Keith]

Oh, I'm excited. I'm gonna come see that.

[Seth]

Thrilling.

[Keith]

Oh, you know what?

[Maya Rudolph]

What?

[Keith]

There's a chance all three of us could be in New York at that time, so. Meaning all four, we could finally have a get together.

[Yoram]

Can I make a request?

[Seth]

I mean, if our get together was going to see Omari and Then getting dinner.

[Yoram]

Could we also get vasectomies? Because I don't want to be the only one who does it.

[Seth]

Andy, can we put you on stront duty?

[Andy]

Yeah, I'm just going to go to the places you've taken me, though.

[Yoram]

Stront duty.

[Seth]

It's my hometown. I get strong. Roger Brush again. Roger Brush, not. Not a hit character. And it's because it's also the funny thing of, like, Bronx Beat are, like, the most joyous people, and everybody gets behind him. Roger Brush is Fred's incredibly misogynistic television producer character who, like, fills in for the host of his show. I mean, I love it so much. This is. He's filling in for a show where all the guests are women who are pregnant, and he's so rude to them, and the audience doesn't like. I mean, nobody knows what to make of them. But he does say at one point to a pregnant woman who can't get a straight answer. You think you're the only one with problems? You should see my water bill. That was just a delight, you guys.

[Yoram]

Oh, God, we really covered it. I can't wait to really talk about it.

[Seth]

Oh, wait, Jack Black, can you sing us in spelling bee?

[Keith]

Spelling be.

[Andy]

I needed two hints, but I got.

[Keith]

Got it.

[Seth]

What were your hint words?

[Andy]

My hint words were dandeling and ganglia.

[Keith]

Jesus. Those are not words.

[Seth]

Dandling is a real problem for me historically. Ganglia.

[Andy]

Ganglia you usually get.

[Yoram]

Yeah, yeah, ganglia. What does it mean?

[Andy]

I mean, it was 69 words. It was a lot. So two hints. I didn't feel too bad about ganglia, Seth. I was on a little bit of a hot streak when I was missing the pod, and that was kind of painful to be away because you couldn't share it, right? Yeah, Yeah.

[Yoram]

A structure containing a number of nerve cell bodies typically linked by synapses.

[Keith]

Which one is that, gang?

[Yoram]

Oh, this is ganglion, though. Fuck. Maybe it means something else.

[Andy]

Yeah. Clusters of nerve cell bodies located outside the central nervous system. What's up, Quaid's? It's Andy just jumping in here. It's the day after we recorded, but like last night, the spelling bee got posted, and I'm in a time zone where it was a little earlier for me. So I got through all of it except one word, and then I was like, I can't keep my eyes and open. Fell asleep. Woke up this morning, pre 6am there was a 5 in front of it, and I was all, oh, last word. Eunuch. I got it clean. Queen bee. That's a quqwibby. A clickwibby. Maybe that's a clickwibby. Anyways, I just wanted to get that in there. I know Seth didn't get it, and you know, I've done this before, but I feel like it's still relevant. I know at least 2% of you guys are interested in what happens regarding me and the Bee. And be sure to check out Digman. It's on Netflix. Just let it stream in the background. You don't even have to watch it. I mean, I think you will enjoy it, but just let it run and then give it that double thumbs up. And I might just be patting this on a little more to make my new dream of Boogerman being two episodes come true. But we'll never know, I guess. All right, Peace and love, Ringo Starr.

[Seth]

Support comes from Willy's Remedy Are you tired of waking up hungover and worrying about what happened last night? Now you can have fun and relax without any of the regrets with Willy's THC infused social Tonic. Where are the other three guys right now? Well, they're just enjoying an alcohol alternative that actually works with an uplifting euphoric buzz you can really feel without any of the negative side effects. I called them up and said, guys, you want to join me for the ad reads? And they said not right now. We're enjoying Willy's, a premium THC infused social tonic crafted by the legendary New York Mets second baseman Willie Randolph. Sorry, read that wrong. Willie Nelson well that makes way more sense. Inspired by Willie's way of living, where peace flows freely and hangovers earn a thing of the past, It's a low calorie, low sugar alcohol alternative that actually works, delivering a fast acting euphoric social buzz without the regrets that come with alcohol. Willy's is not that feared edible you ate too much of in college. Each bottle of Willies is third party lab tested for accurate dosage so you can trust and customize your experience. On the count of three, everybody is listening. Yell out. Which lonely island member do you think would accidentally take too much of a weed gummy and shut down for two days? Yorma One shot of Willys helps you relax, unwind and de stress. Perfect for taking the edge off the end of a long day of socializing with friends. Willy's offer is the kind of feeling that makes good company even better. Willys sold out three times in the first six months with over 50,000 happy customers and they just restocked. Willys ships directly to your doorstep in over 40 states. Order [e-mail] and use code island for 20 off your first order plus free shipping on orders over 95 and enjoy life in the high cost country. Support comes from Coop Daylight Saving Time hits and boom. You've lost an hour of sleep and it is daylight saving. A lot of people out there saying daylight savings. I don't know what to tell you. I just know that when I make that mistake on my show, I get a earful. But here's the good news. If you want to catch up on that sleep you've lost, you can gain it back magically with Coop Sleep Goods and their adjustable pillows. It's not technical magic, it's like a figurative magic magic. The original Adjustable Pillow is their best selling pillow. The Cool plus Adjustable pillow has advanced cooling for side and back sleepers and a proprietary cooling gel, memory foam and microfiber blend for 50% better breathability. I used to think the Lonely island guys were cool and then they made Booger man and I realized they were cool. Plus even if Daylight saving steals an hour, Coop helps you maximize the rest of the day slash night. Coop Sleep Goods makes adjustable pillows that you can literally customize so when the clock betrays you, your pillow doesn't. Visit coop sleepgoods.com island to get 20% off your first order that coop sleepgoods.com island let coop help you show up feeling rejuvenated and ready to go. Get 20% off your first order and try coop risk free with 100 night sleep better guarantee at coopsleepgoods.com island that's C O O P sleepgoods.com island

[Keith]

this

[Yoram]

episode is brought to you by White Claw Search. Great podcast pick, friend. No surprises there. After all, you're all about fin finding the tastiest flavors out there, just like White Claw Surge. And with big bold flavors to enjoy like blood orange, BlackBerry, cranberry and more, it's time to go all in on taste. Unleash the flavor. Unleash White Claw Surge Please drink responsibly hard seltzer with flavors 8% alcohol by volume. White Claw Seltzer Works Chicago, Illinois

[Maya Rudolph]

it's crunch time at work and you need to bring wings to your workday. Visit redbull.com gettingattle done and answer a couple questions about your work style to get a Spotify customized playlist tuned to your productivity. Plus score a can of Red Bull on us while you go from to do to done. And remember, Red Bull gives you wings. Supplies are limited. Terms apply. Visit the website for more Information.

[Keith]

I have something before we get off.

[Andy]

What you got, Keith?

[Seth]

Oh, wait, I've got something, too.

[Maya Rudolph]

Tech one, too.

[Keith]

Oh, are you guys all hearing that?

[Maya Rudolph]

You can't see me, right? Right?

[Keith]

No.

[Maya Rudolph]

Good, because I'm fully new.

[Yoram]

Is that Maya?

[Andy]

Is that Maya?

[Keith]

One of the two Bronx beaters is in the house.

[Yoram]

Oh, yeah.

[Maya Rudolph]

Guess what I just watched on TV.

[Seth]

What?

[Maya Rudolph]

MacGruber.

[Seth]

Oh, my God.

[Yoram]

Lovely. Why?

[Keith]

The movie or the show on Peacock?

[Maya Rudolph]

It was the film. It was the film starring Will Forte and the late, great Val Kilmer.

[Yoram]

Oh, my gosh. Yeah. Best man alive.

[Keith]

There's also some great ladies in that movie.

[Yoram]

There's some really great ladies in that movie.

[Keith]

Oh, Hamilton.

[Seth]

Maya. We were just watching the. Do you remember the Katy Perry Bronx beat? It's a tour de force.

[Maya Rudolph]

I do. I remember her boobies very well. I remember her being really game in the idea of wanting to be part of the joke. I sent Keeva a recording, and then after I made the recording about my feelings about it, he said, come join the zoom, and now I'm here, which. Which now makes the recording moot.

[Yoram]

It makes it unimportant.

[Keith]

Yeah, we didn't play it yet. Tell us what you said on it. Tell us what the thing was.

[Maya Rudolph]

I remember saying that I liked that she was into the idea of jumping into it, that, first of all, that, like, Polar coming back to host was definitely, like, a very exciting thing because one of your own coming back is a big deal. And then feeling like I had. I had any part in any recurring character that was, like, viable enough to come back was so terribly exciting. So. And then when I was saying that, you know, when the musical guest is in on it, it feels like SNL prime, like, firing on all cylinders. It's like my dream when everybody's having fun and, like, the musical guest wants to be in sketches, and they're delightful about it, you know, that can be. That's my. My joy of that. Of that place, when it's going in the right direction.

[Yoram]

Who is your favorite? Who's your favorite that ever did that, that you ever worked with?

[Maya Rudolph]

Wow. No pressure. It's like. This is like. This is like tmz.

[Keith]

Yeah.

[Yoram]

Oh, I'm Ruthless. I'm like the Ruthless one. Let's get into it.

[Keith]

It's a pretty normal show here. Andy. Just let the entire audience know that if anybody watches Netflix Season 1 on Netflix and gives it a double thumbs up, that he will suck their dick if he sees them on the street.

[Andy]

If they watch Digman, which Maya is also on Yeah, I am, aren't I?

[Maya Rudolph]

Aren't I? Am I? God? What's my name?

[Andy]

Gowd.

[Maya Rudolph]

Goud.

[Andy]

Yeah.

[Maya Rudolph]

Not to be confused with God.

[Andy]

No. Maya, since we have you, do you remember Boogerman, the digital short?

[Maya Rudolph]

The answer is no.

[Yoram]

Neither did we.

[Keith]

We didn't either. But I actually was pleasantly surprised because I remember.

[Andy]

Watch it again to catch Maya up.

[Maya Rudolph]

Don't worry, I just watched it and I gave you my synopsis on the recording, which was. I. I don't remember Boogerman either because it's forgettable or I was.

[Seth]

Whoa.

[Maya Rudolph]

Busy drinking in my. My dressing room.

[Andy]

Yeah.

[Maya Rudolph]

But watching it again, I feel like. Because I know you guys so well, it really, really smacks of it. I'm so tired.

[Keith]

Well, that makes sense because it's the season premiere, so we're.

[Seth]

Season premiere.

[Yoram]

Yeah. Exhausted.

[Maya Rudolph]

It's the season premiere.

[Seth]

Yeah.

[Keith]

Out of ideas.

[Maya Rudolph]

Well, it definitely should. However, the other thing about it is that you are the few people that I know that will still execute and complete an idea and bring it to fruition, which I find very commendable and is a delight. Even the bottom of the bottom of the barrel, such as a.

[Keith]

It got more laughs out of me than a lot of the stuff we go back and watch.

[Seth]

I will say it's built for a podcast.

[Keith]

So many surprises.

[Maya Rudolph]

I want to understand what the thing. The contraption was in Andy's nose. What was that?

[Keith]

The boogers. It's supposed to be like. What is the rhythmic dancers with the. With the ribbon.

[Seth]

Ribbon dancing.

[Keith]

Like some sort of pretentious dancing. So it's a artistic interpretation of the boogers from the film Boogerman. So it's like taking the low brow boogers, but giving them a highbrow treatment.

[Maya Rudolph]

Sure, sure.

[Yoram]

It's beautiful. Yeah.

[Keith]

We all agreed the boogers themselves is the worst part of it and that if we had chose a different stupid idea for the movie, that it could have been a little better.

[Maya Rudolph]

But case in point, Katy Perry jumped in and was a real.

[Keith]

She's great in it.

[Maya Rudolph]

Real sport. And like, I will say, gave it some validity. Like when you get her in it, passionately singing the theme to Boogerman, I was also really, really. It was nice to see all the clips from Boogerman.

[Keith]

Yeah, we agree.

[Andy]

Right? So you're coming around.

[Maya Rudolph]

Oh, no. I feel. I feel the exact same way, but.

[Keith]

Right.

[Andy]

Unwavering. That's good.

[Keith]

When Katie was thanking the audience mid song, her timing was good. I mean, that's. I've never seen someone do that at the Oscars.

[Maya Rudolph]

For me, it's pure, like, execution and drive. It's like the power of will. And that's so commendable to have the

[Keith]

worst idea and see it through seemingly without shame.

[Andy]

Right. Like, underneath the bed.

[Yoram]

Such a good compliment.

[Keith]

Yeah.

[Maya Rudolph]

I also wonder how many times the three of you were in a room. And Andy. I'm assuming it was Andy's idea.

[Keith]

I don't know.

[Maya Rudolph]

Was like, is this week a good week for Boogerman?

[Andy]

Oh, my gosh.

[Keith]

Well, Andy was pointing out that we had just done our second summer in Encino. You know, we probably came back with a week before. So we had just recorded all of Turtleneck and Chain, had demo versions. There was definitely a track, if not five to six tracks, that we could have chosen one to put Katy Perry on and maybe made a song with her, a real one. We blew it, but we decided, you know what? Let's be inspired.

[Seth]

The problem is, it's about the Oscars, so you kind of had to do it in September.

[Keith]

That makes sense.

[Yoram]

There was a ticking clock.

[Keith]

Yeah, well, people wouldn't have remembered Boogerman if we waited another year.

[Seth]

You have one window to call Sarsgar.

[Maya Rudolph]

Seth, you are reminding me, though, that again, the execution of the. The audience. The audience reactions, starting out with Glenn Close, they're delightful, and they're delightful. Very well done. Not everybody's good at fake award show reactions from real celebrities at real award shows.

[Seth]

Yeah.

[Keith]

Thank you.

[Maya Rudolph]

I mean, you guys are the best to ever do it.

[Keith]

We had some in Pop Star, too.

[Maya Rudolph]

Oh, I'm aware. I mean, this is. This is grade A stuff.

[Seth]

Grade A, bottom of the barrel.

[Keith]

The bottom of the barrel of grade A.

[Maya Rudolph]

Your bottom of the barrel is right, right, right.

[Keith]

Some people only dream this turd has been polished.

[Maya Rudolph]

This turd is shining bright.

[Seth]

It's like a barrel of, like, the best Scotch, but it's just the very bottom of it.

[Keith]

Yeah, it's a little crazy. Unfiltered.

[Andy]

All right, I just went through all the tracks on Turtleneck and Chain, and I'm not sure which one, but hit

[Keith]

us in the tittis.

[Andy]

Listeners, let us know if you think there's one that would have made perfect sense for Katie, please. Perry, Maya, since we have you, you were at the Oscars. Any good butts?

[Seth]

Yeah, top five butts.

[Maya Rudolph]

Oh, are we talking about actual butts?

[Yoram]

But do answer that.

[Keith]

Yeah.

[Seth]

Any physical butts? Top five.

[Andy]

You see any, like. You see any butts in, like, suits?

[Keith]

Like, famous butts? Not famous butts. Just any good dudes?

[Maya Rudolph]

Just dude. Just dude.

[Andy]

But tux, butt. No, you could tell us any kind of butt.

[Seth]

And then also, when you're done, two worst ones as well. Just five best. Two worst?

[Yoram]

Yeah.

[Maya Rudolph]

Worst butt by far. Oh, God. I'm trying to think. I'm trying to think who was there that sucked. Sucks.

[Andy]

Who's there that sucks? And it was by far the worst butt. You were very sure of who was gonna do.

[Maya Rudolph]

There were some great, great, great butts.

[Keith]

This is just between us. Don't worry.

[Seth]

We would never trade you for clicks.

[Maya Rudolph]

I mean, you. You definitely get a lot more butts in suits for sure. I'm trying to think if there were some. Some tight. Some tight suit butts. Like, there was no, like, there was no, like, Momoa or John Cena. Like, where it's like just a muscle.

[Yoram]

Not a lot of muscles. They just did squats kind of butt.

[Keith]

Yeah, correct. You know, you don't. You don't probably don't have to answer that. Did you have any drinks after? Did you enjoy yourself?

[Maya Rudolph]

I did enjoy myself, but I felt so overwhelmed that I didn't even drink that much. Like, I. I think I drank. Like, you go from place to place. It's a really, like, high class life, you know, you go from place to place, you sip some champagne, you go in another room, you said.

[Keith]

Did you stay in the building the whole time and upstairs and at the things or did you go to a second location far away?

[Maya Rudolph]

I stayed in the building for the awards, and I tried not to miss any of Paul's movies.

[Keith]

No, we saw you on tv. You were accounted for.

[Maya Rudolph]

But I. But I didn't want to, like, miss any of the. The awards, even for the. For the other departments. So I ran back for the bridesmaids thing and then came back, and then.

[Keith]

That was very funny.

[Andy]

Very funny, by the way. Very funny, guys.

[Maya Rudolph]

This is very nice of you. It was fine.

[Andy]

You were my favorite out of all of them. I don't want to pit people against each other, but you were my favorite. Okay, continue.

[Maya Rudolph]

It was fine. I mean, nobody remembers that we presented at the Oscars 15 years ago, but somehow the Oscar gods were like, hey, you guys presented 15 years ago. We think you should present again. We're like, all right. I think it's because Rose was there and they knew I was gonna be there, so they're making some money. You know what?

[Seth]

Very smart. It was good producing to take advantage of it.

[Andy]

Yeah.

[Yoram]

What's Paul gonna do with the Oscars? Or where are you gonna put them? Are you gonna put them on display?

[Andy]

That's pride.

[Seth]

Private.

[Andy]

That's private.

[Yoram]

Oh, that's private.

[Maya Rudolph]

Oh, I know where he's oh, I know where he's gonna put up.

[Andy]

I know where he's gonna put.

[Keith]

Where he's gonna put.

[Seth]

I also thought you were gonna say, what's Paul gonna do next? Any new plans?

[Maya Rudolph]

What's he working on?

[Seth]

What's he working on? Tough one to follow up.

[Keith]

What's he cooking up?

[Seth]

Tough one to follow up.

[Maya Rudolph]

We we got on a plane the next day to. To be on vacation because that's a long road to that Oscars ceremony. It's not just the Oscars because it's a lot as. As you gents know. But then she woke up and was immediately sick. Like, full fever.

[Keith]

At least he held it to break, which is always what happened after snl.

[Maya Rudolph]

And the mind is. Is a magnificent. Is a magnificent thing. It knows it, like, held on until he couldn't hold it any longer and then released. But it was totally worth it. We did party. To answer your earlier question, we did. There was a nice. We went to a friend's and had some food and cocktails and then we went to the Warner Brothers, had like a really nice party with all the sinners, folks. And great. Man, that Ryan Coogler, man, he is a dream boat. He is.

[Yoram]

He is the best dude ever.

[Andy]

Did you know he's from the bay?

[Keith]

We should have asked for Yoram. Can you get a voice note from Ryan to explain the Bay Area?

[Yoram]

What? Like, just like him shouting out the bay?

[Andy]

Yeah, yeah.

[Seth]

All right.

[Yoram]

Sure.

[Keith]

We started this, Maya. We're talking about how Bay Area people can't stop talking about the bay. Us being some of the worst offenders.

[Maya Rudolph]

I think I brought up the bay to him like, I'm Bay adjacent just because of going to UC Santa Cruz, like two of you guys. And I feel. And all my friends being from Oakland and being from Berkeley made me feel Bay adjacent and so much cooler. Like, I know what a hoopty is and I know, and I've used HELA so many times. But it made me feel like I had to tell Ryan Coogler that. Which I'm sure he was. Was not that interested in, but made me feel closer to him. He's a. He is such a dream. What a great guy.

[Yoram]

He's the best. Here, here's the. The last picture that I sent to Ryan just because I was going to text him. This is what I said. This is what I sent to him. It's me, my head on Jeremy Allen White's body.

[Maya Rudolph]

That's great.

[Yoram]

I don't know what I was talking about.

[Keith]

No reply.

[Seth]

Weird. No. No reply.

[Andy]

That was the last. Last text you ever sent out.

[Yoram]

I think I should text him again.

[Keith]

He'd be like, hey, any thoughts on this picture? It's been six months.

[Maya Rudolph]

I think it's. I think it went straight to this bank. Bank. I think, like, to not pass, though.

[Yoram]

He had to rush off the phone.

[Keith]

Oh, God.

[Seth]

Hey, Ryan. I know Oscar stuff can be a real drag now that it's finally through it. Any thoughts on this pick?

[Keith]

Yeah, I was giving you some nice time. I was trying to stay out of the way.

[Andy]

Congrats on the win. Now that things have settled down, here's. Is this.

[Yoram]

Enjoy your life.

[Seth]

Wait, can I.

[Yoram]

Can I like tangent for a second? Because when. When Seth was saying that McGruber should be up for an Oscar, that wasn't really what you were saying for the MacGruber TV show, I really pressed everyone to try to get it submitted for a Nobel Peace Prize. I, like, looked it up, and everyone was like, no, you can't. And I was like, it's a whole thing. And blah, blah. But I'm still bummed about that. When we weren't able to submit, there's.

[Maya Rudolph]

I think there's time. You and Trump, I mean, especially in today's climate, I feel like. I feel like Trump would go for it.

[Seth]

I feel like he'd be really into does. As a reminder that on every Jorn project, they should hire somebody to handle the bullshit. It's like, hey, Jorm's gonna come up with three obsessions over the course of this film, and will you just pretend like they're real?

[Yoram]

Just pretend you did it.

[Maya Rudolph]

Guys, I just want to say that just because Keev and I were texting about about Tommy Bahama, I also feel so excited and delighted to be on your podcast. I have never been on your podcast before.

[Seth]

We're thrilled.

[Keith]

We don't generally have guests either. So this is a live guest. You're maybe the second or third one ever.

[Seth]

Yeah.

[Maya Rudolph]

Listen, I can be here at any time. You just let me know.

[Seth]

It's good to hear, Maya. We realized the four of us maybe haven't been in a room together since 2019, and we think that the next time we want to be in a room together is to see you in Omaha.

[Maya Rudolph]

Oh, boy. That's a great idea. Will you please do that?

[Seth]

Yes. She's so excited.

[Maya Rudolph]

Oh, my gosh.

[Keith]

There's already soft plans that Andy will be out there a little bit and that I'm gonna be out there with my family a little bit. They're very soft plans. The potential's there. They're flaccid now.

[Yoram]

But wait, when is it gonna happen?

[Maya Rudolph]

April 28th.

[Yoram]

Flaccid plans.

[Maya Rudolph]

Seth, you really got your finger on the pulse of Broadway.

[Keith]

Yeah, but they could. They could become hard plans.

[Yoram]

They could become rock.

[Maya Rudolph]

I hope they become rock hard. That would be my dream. Yeah, I would love it if you guys were there. That would. Wow, what a thrill. I can't believe it.

[Keith]

But what kind of straunt do you want to eat at after a straunt, did you say? Yeah, what kind?

[Andy]

Yeah, which straunt you want to hit up?

[Maya Rudolph]

I mean, you know, it depends on what the local, like, Broadway Fair is. I mean, are we.

[Keith]

Have you done Broadway before?

[Seth]

Never.

[Keith]

So the. The eight show a week of it. I feel like the performers you're going to talk to are going to talk about kind of the regiment. Because you kind of to want.

[Maya Rudolph]

Want to get up the same time ever.

[Keith]

No, because you want to eat the same time. It's like a thing. Because you need to get in a total pattern, a really strict pattern. So I don't think going out to dinner with us after is actually something you can do.

[Seth]

Yeah, I believe she'll make an exception for us.

[Maya Rudolph]

Fairly monastic, but I would make an exception for you guys. For sure.

[Seth]

She's going to want the strong or

[Keith]

you tell us your pattern and we'll fit into it.

[Maya Rudolph]

My pattern is, no, I don't have one. I haven't even started rehearsing. I start rehearsing in April. There's only a two week week rehearsal period. It's pretty. It's pretty quick turnaround because the show's going and it's been going as, you know, so it's.

[Seth]

How many times have you seen it? Have you just seen it? The once.

[Maya Rudolph]

Three times.

[Seth]

Great.

[Keith]

Different. Different performers.

[Maya Rudolph]

Three different. Three different Marys, three different times, which is nice.

[Seth]

Great.

[Maya Rudolph]

Have you seen it a lot, Seth? I know you've had all the Marys on.

[Seth]

I've seen it three times. I've seen. I saw it twice with Cole and once with Betty Gilman, and it was fantastic. And it's. Seeing it with somebody other than Cole, which I had my doubts, was so exciting and so cool.

[Maya Rudolph]

That's what's cool about it. And talking to Cole about it made me feel better, which was like, you know, you don't have to do Cole's performance. You bring to it what you're going to do and then Actually, the last time I saw it, I saw Jane do it as well. And I saw Jinx Monsoon do it. And then when I saw Jinx do it, I was like, oh, you can't. It's. They're all different. They're all totally different because Jane can't not be Broadway perfection. And I was like, fuck, how am I gonna. Yeah, I don't. You. We're used to running on fumes and those two shows on a Saturday kill us, but we do it. But this is eight shows a week and I'm 53. I started snow when I was 27 and I could do it then. But like, this is a really different. This is a different story.

[Keith]

Dark on Mondays. Maybe we have that dinner Sunday night.

[Maya Rudolph]

There you go. I do think it is going to switch to a Monday dark. It's either a Thursday or Monday. I can't remember. But. But the dark is gonna switch.

[Andy]

You heard it here first. The dark is gonna switch.

[Keith]

That's what she said.

[Yoram]

The dark is gonna switch. Well, go to a Stront on Monday, maybe.

[Maya Rudolph]

What a dream.

[Andy]

Stront is a Joanna ism. I can't take credit.

[Seth]

Wow. By the way, so late in the pod for you to throw that out.

[Keith]

Yeah. He had been claiming strawn for like.

[Seth]

I feel like you waited until a lot of people have stopped listening.

[Andy]

I'm still sitting on a question for Maya. It's been like a 20 minute hold.

[Maya Rudolph]

Don't hold it. It's not. Not good for you.

[Andy]

Would you say that someone who's bay adjacent is adjacent?

[Maya Rudolph]

I'm gonna go with yes. I'm gonna go with yes.

[Keith]

Oh my God.

[Andy]

I knew it.

[Maya Rudolph]

But I felt my toes stepping immediately into some fucking Andy thing. That was so long running, I don't even know what I just stepped into.

[Andy]

Don't worry about Maya. She's Bajason.

[Yoram]

You guys. Coogler's not gonna hop on.

[Keith]

What the fuck? Not even for the bae.

[Andy]

He's busy.

[Yoram]

He says he wants. He wants you to know though, that please send Maya him and Zinzi's love

[Andy]

though, but no one else.

[Keith]

What about the rest of us?

[Yoram]

He told all of you guys to fuck off.

[Maya Rudolph]

Oh my God.

[Seth]

Also, haha. Did he put a haha on the pin picture?

[Maya Rudolph]

Should I send him a pic of me on Jeremy Allen White's body now?

[Yoram]

Sa oh my God, please.

[Maya Rudolph]

I feel like he'd really like that.

[Seth]

Sa since we know now that's a way. That's how you say goodbye to somebody.

[Keith]

Why don't Yoram. Why don't you send her the picture of you on Jeremy Allen. So that's why. So it can just come to him. The same photo from multiple phones.

[Andy]

You guys, I just want to chime in and say I'm getting kind of hyped because if we go just like, a little bit longer, we are going to have a two part boogerman on our hands.

[Keith]

We said this should be our first part.

[Andy]

This was my prediction.

[Maya Rudolph]

Oh, good news. I just got the photo. So I can really see it. Wait, there's a detail to the Yorm Jeremy all in white photo that I hadn't seen before, which is there's an arrow to his face and the word

[Keith]

me

[Seth]

call you just in case you were wondering.

[Keith]

So you or Paul send it to him and just say, hey. Hey. Yorm thought maybe you hadn't seen this,

[Maya Rudolph]

so I love that you're assuming that I have Ryan Coogler's phone number. I do not.

[Yoram]

What? Like, it's so confusing what we're even talking about.

[Seth]

He stopped giving it out if he got that photo. He stopped giving it out after Joran backed.

[Maya Rudolph]

Yeah, he stopped giving out after he got that photo.

[Keith]

He's like, I've cast too wide a net here.

[Seth]

Andy's tongue just fell out of his mouth.

[Andy]

I was just seeing if I had Ryan Coogler's number. I do not.

[Keith]

Bae. People all have it.

[Maya Rudolph]

If you're bajacent like me, you don't.

[Yoram]

Bajacent is. Oh, that's really, really good.

[Andy]

I'm pretty sure I have his number comedically. Like, I'm just sort of his sensibility.

[Keith]

Yeah, I know.

[Seth]

Is Bjacent a Joanna? Are we gonna find out three episodes from now that bjason's Joanna too?

[Andy]

No, but I do think she would appreciate it.

[Maya Rudolph]

Strawn. Wait, have you been saying straunt like, every season on the podcast? And now you're giving Joanna credit?

[Keith]

No, just today.

[Andy]

Just today.

[Keith]

Yeah, but he let it ride for, like, 40 minutes before admitting and we're gonna start strau.

[Seth]

Want Straunt swans.

[Andy]

That's something she would casually say to me. Yeah. What time are we headed to the stront?

[Seth]

That's great.

[Maya Rudolph]

That is your wife.

[Keith]

I like it.

[Yoram]

God, your wife is the best at being the worst. I've said that many times before. She's truly.

[Andy]

She's a world champ.

[Seth]

She's the best at being the worst and the best for being the best for you.

[Andy]

That's right.

[Maya Rudolph]

You created a monster in the best possible way. You created a little mini mini Andy.

[Yoram]

Wait, Andy will You give just like three Joanna Isms.

[Andy]

Well, the whole job thing is her and her. Her sibs. Yes.

[Yoram]

Ja.

[Andy]

They start a job.

[Yoram]

Can I also do an impression of, like, when we were making the albums? This is what she would. In the morning, she would come down,

[Keith]

she'd go, oh, yeah. Like a very low, weird, powerful walk.

[Yoram]

Oh, God, I loved it. Weirdo.

[Seth]

Another morning.

[Keith]

And here we go. The coffee machine.

[Maya Rudolph]

What a delight.

[Andy]

Did someone order the Rascal?

[Maya Rudolph]

Are you talking about Louise Encino days or.

[Keith]

Yeah, yeah. Let's leave it with this. We were texting because somebody sent me. The Louise house is featured in the film the Gift, the Joel Egerton. Is it really Bateman movie.

[Maya Rudolph]

Wow.

[Keith]

They shot at the house that we stayed at that no longer exists, that has been leveled and turned into another house now.

[Maya Rudolph]

Oh, I didn't know that.

[Andy]

Raised, if you will.

[Keith]

It's been raised.

[Maya Rudolph]

But didn't somebody say that that house had a haunted room in the back?

[Keith]

Debatable.

[Maya Rudolph]

I did not experience that, but I never stayed there.

[Yoram]

The horse table was odd.

[Keith]

The land was so big that whoever bought it destroyed the first house, redid it completely, moving it up, and then was able to build two more complete, huge houses on the land and find a way to connect them to the road behind it.

[Maya Rudolph]

So it's become on top of a Native American burial ground.

[Keith]

Yes. So they're all haunted now?

[Seth]

Correct.

[Andy]

Intentionally.

[Keith]

To be disrespectful, as a. As a prank.

[Andy]

As a prank on the sp.

[Yoram]

Spirits.

[Maya Rudolph]

Spirits love pranks.

[Andy]

Yep.

[Keith]

So you rolled right out of Beetlejuice, the original beetlejuice, right into McGruber. Is that right?

[Maya Rudolph]

Honestly, I did. I watched a little. I got an IV today because I wasn't feeling so good, and I wanted

[Andy]

to say my name and I wanted

[Maya Rudolph]

to watch some feel good tv. And Beetlejuice was on. Caught the end of Beetlejuice.

[Seth]

We'll pull up the gap there, Andy, a little tighter.

[Andy]

What was your favorite line for Beetlejuice? That he said.

[Maya Rudolph]

Oh, God. Is your hand down where I think it's. It is. Don't worry, Andy. I thought of your monologue.

[Yoram]

Gosh.

[Seth]

Was there anything perilous in the desert? Oh, God, I can't remember the desert.

[Andy]

Perhaps something sort of worm, like in the sand.

[Maya Rudolph]

Sandworm.

[Andy]

Worms.

[Seth]

Andy, I'm so mad that when Maya said Beetlejuice, I didn't say it two more times. That is on me.

[Andy]

So I could have appeared.

[Maya Rudolph]

I was texting with Keev and he wrote it correctly. He wrote Betelgeist, but I think I

[Keith]

Might have still misspelled it because it gave me the lines. Did I put the I in the wrong. The wrong place?

[Maya Rudolph]

You spelled. You spelled it with a G, which I appreciated.

[Keith]

Yes, yes.

[Andy]

Like girls.

[Keith]

I tried to take it back to the old.

[Maya Rudolph]

Well, you were being. You were being. You were just being cautious.

[Andy]

Beetle ghosts.

[Keith]

Yeah. Thank you. All right, well, this was a pleasure.

[Seth]

Amazing.

[Maya Rudolph]

Hey, thanks for having me.

[Andy]

Thank you for being on Maya. Thank you so much.

[Maya Rudolph]

First time caller, long time listener.

[Seth]

We love you, Maya.

[Keith]

I'm just gonna shoot you the link whenever we're doing it.

[Andy]

And you're my favorite bjacent friend.

[Maya Rudolph]

I am your favorite adjacent friend, aren't I? I'm pretty cool.

[Andy]

Yeah. Yeah, you're up there amongst them all.

[Maya Rudolph]

Thanks, guys. I love you all very much.

[Keith]

Love you.

[Andy]

Love you. Love you, buddy.

[Keith]

Love you.

[Seth]

See you in April.

[Keith]

You want to say it, Andy?

[Seth]

No, wait, we have one more thing. I do have one more voice note that I kind of forgot about. Oh, which is I reached out to the host of this episode. I reached out to Poehler.

[Maya Rudolph]

Oh, did she leave you on read like Ryan Coogler?

[Seth]

No, she's a real friend.

[Andy]

Well, that's interesting because I texted her, Seth, I texted her two days ago to ask about a costume designer she had worked with and she didn't write me back.

[Maya Rudolph]

Did you send the same picture?

[Keith]

That's a conversation.

[Andy]

I did. I send it with all texts and we'll put that in the show notes.

[Keith]

He's like, how do I respond to this?

[Yoram]

You know what he did write haha.

[Keith]

He did write haha.

[Yoram]

Yeah, he did. So up yours.

[Keith]

There you go.

[Seth]

When did he do it this time? When he realized you wrote him again

[Yoram]

and he was like, oh, I never responded.

[Seth]

That's that move I do that sometimes. Somebody writes and I then feel bad and I haha.

[Maya Rudolph]

The last one, I didn't see this.

[Yoram]

Whoa, hey, back in the day, haha.

[Andy]

Just seeing this. I love that text.

[Yoram]

I send that one a lot.

[Amy Poehler]

Hey, everyone, Amy Poehler here, a member of the Quaid army and a righteous kill. Thank you, Seth, for asking me to send in a voice note. Just loving the pod, guys. Love the pod. And I'm being asked to talk about when I hosted in September 2010. I was, let's see, 40 something. I. I had just maybe started Parks and Rec the year before and it was my first time hosting and I remember being very excited and nervous and maybe, maybe too spray tanned. That's my memory. But honestly, and this is going to come as no surprise, I Remember? Very little. Seth sent me the rundown down and I looked at it and we did a Bronx beat. Sweet. Maya came back for that.

[Yoram]

That's you.

[Amy Poehler]

And we did it with Katy Perry. And I remember that. I remember we did a sketch about tiny hats. Let's see. I think we. I'm sure we did some stuff on Update.

[Keith]

Yeah, me too.

[Amy Poehler]

Seth, were you still there? You must have still been there. I don't know. It's all a blur. It's all a big soup. But I do remember that we had the cold open. Was like my anxiety dream. And Justin Timberlake very nicely came. And Tina and Jimmy and Dratch and. Yeah, I was just looking over the sketches again and laughing at the stuff that got cut. Seth, just read out loud the sketches that got cut because that's always really fun. Seth, do it. All right, guys, relax. Well, I wish this could be more in. More interesting, but. But I'm trying to remember if there was anything else other than Katy Perry and 2010 and you know, just saying.

[Andy]

She's trying to tank our pod. She's trying to tank our pod because we're competition.

[Amy Poehler]

I don't think I did Hillary Clinton. I think that got cut.

[Seth]

And you're right, she's taking it.

[Yoram]

Yeah.

[Maya Rudolph]

Yeah.

[Yoram]

Cuz she. She knows we're up for the Golden Globes.

[Amy Poehler]

To everyone, there was this thing called artificial intelligence and bet she's bad at hanging 15 years. It was going to take over our lives. And you guys were all like, shut up, Amy.

[Keith]

You don't know what's going to happen in the future.

[Amy Poehler]

And I was like, come on, guys, this is really should invest in it. And you were like, shut up. That's what I remember most. So.

[Keith]

Yeah, that's right.

[Maya Rudolph]

Okay.

[Amy Poehler]

Later, Quaid.

[Keith]

Later.

[Maya Rudolph]

Later, Quades.

[Keith]

Later.

[Seth]

Ques.

[Andy]

Thank you, Amy.

[Yoram]

It all came true. Ques.

[Andy]

Wow.

[Maya Rudolph]

God bless. God bless Mrs. Pohler.

[Seth]

I wish I knew Arnold Schwarzenegger well enough to get him to record. Later. Amy, play that after.

[Yoram]

I'll text him.

[Seth]

Oh, boy. God.

[Keith]

What?

[Yoram]

Blocked. Wait, hold on.

[Keith]

Send him the bod pic first.

[Maya Rudolph]

Why?

[Keith]

Why?

[Andy]

Arnold?

[Yoram]

What?

[Keith]

Seth, do you want to say the names of the sketches?

[Seth]

Lobotomy, Pepto Bismol Ice, and American America.

[Keith]

Also, I cut a cut on air. Family Feud and a message from Hillary Clinton. Makes sense. Pepto Bismol Ice, written by Klein. I mean, the title really says.

[Seth]

Yeah, we should probably find out.

[Keith]

I feel like that aired maybe later eventually, because it was cut after dress, so. And it's a videotape, so they definitely probably aired it later.

[Maya Rudolph]

What was the actors on Actors, Andy. I saw that, but what was it?

[Andy]

I don't remember. What is that sketch?

[Maya Rudolph]

Nobody remembers.

[Seth]

It's a very short sketch with you and Timberlake sitting in front of, like, on, like, a Charlie Rose black psych set sketch. And.

[Andy]

Oh, it's like two sentences, right?

[Seth]

It's very short. It's like, you're an actor now, blah, blah, blah. And then like line three is you being like, but when are you making new music, man? And he like stories.

[Andy]

Yeah, yeah, yeah, yeah.

[Seth]

I will say hair restoration, which is a James Anderson sketch, is a very good sight gag commercial parody. That it is replacing your hair loss with your pubes. And so she's very good wigs. That does ring a bell of, like, super, like, Fred and Bobby with, like, super curly, like, not matching their hair at all.

[Yoram]

That was kind of like one of the first films that me and Akiva worked on. It was his acting actor in one of his films at Santa Cruz, and it was called Beard Street Blues. And it was that I couldn't grow a beard, and so I was cutting my hair off of my head, and I basically got addicted to it. And then by the end, I was. I was cutting my pubes off, putting on them on my face.

[Keith]

He had a pube beard.

[Andy]

Yeah.

[Maya Rudolph]

So, you know, kind of like a. It's like a merkin.

[Keith]

Yeah, that was my film.

[Yoram]

Kind of like a fake, like a face merkin.

[Maya Rudolph]

Well, on that note, yeah, I got

[Keith]

through two episodes of Digman Andy while we were doing the pod.

[Andy]

Bro, I appreciate you. I appreciate you, bro.

[Keith]

I'm gonna double thumbs him up. And next time I see you, you know what's down.

[Andy]

Let me just tell y', all, if you just let it play in the background, we'll be into season three.

[Keith]

Just get your phone going off to the side. You do not need to watch, Maya. Just let it roll through the episodes and then give it that double thumbs up. And then next time you see Andy in his words, gulp.

[Maya Rudolph]

But this is fun that you guys do this. It's keeping you, keeping you young. I like it.

[Seth]

It is.

[Maya Rudolph]

It's good for the. It's good. Good for the stuff. Soul.

[Seth]

Good for our hearts.

[Andy]

It's funny you say that, Maya, cuz scheduling it is literally taking years off my life. But I do appreciate that it feels good to, like, be in it, you

[Yoram]

know, in the soup.

[Keith]

Maya, the people who listen to this pod are Quaid Army.

[Seth]

Yeah. So you're Qu. Army.

[Keith]

Cuz they're all quades. That's why she said, and if they see us on the street, they know to either give a quiet, like, fight club style qu Army. And then our response is righteousness, kill.

[Yoram]

Wow.

[Keith]

And then you just go along your day, or if you're far away, you can shout it. You can go, quit army. And then we have to go righteous kill. And that's. But that's the whole interaction. And so far, in my experience, every Quaid out there has kept the arrangement. Yeah.

[Seth]

It's amazing.

[Keith]

Beautiful interactions.

[Yoram]

A lot of people say, righteous killed me. And then I have to be like, you can't say that. You have to say qu Army.

[Keith]

Yeah. Well, we often have to give a psa being, like, if you steal. If you say, righteous kill, we have nothing to say.

[Seth]

Yeah.

[Maya Rudolph]

This feels like a very clear setup for me to leave you with the Quaid army.

[Seth]

Yeah.

[Andy]

Oh, righteous kill.

[Yoram]

Righteous gil, Righteous guild.

[Seth]

Righteous kill.

[Keith]

Do you want to take the honors of actually saying later, Arnold?

[Maya Rudolph]

Sure.

[Seth]

All right. First we all have to say, love you, everybody. Love you guys. Love you, Maya.

[Keith]

Love you guys.

[Yoram]

Love you.

[Andy]

Love you, guys.

[Yoram]

Love you, Maya.

[Maya Rudolph]

Love you, Quince.

[Andy]

Later, Arnold.

[Yoram]

Later, Quaid.

[Keith]

Where are you from, Alf?

[Andy]

Melmac.

[Keith]

Good.