Doogie Howser Theme

Summary

The Lonely Island and Seth Meyers Podcast: "Doogie Howser Theme" Episode Summary

Release Date: May 6, 2025

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Introduction

In this engaging episode of The Lonely Island and Seth Meyers Podcast, Seth Meyers teams up with his fellow SNL alumni and comedy-music pioneers, The Lonely Island—comprising Andy Samberg, Akiva Schaffer, and Jorma Taccone. The trio delves into their iconic SNL Digital Shorts, reminiscing about their creation, reception, and enduring impact. The episode primarily focuses on the "Doogie Howser" theme short but also touches on other memorable sketches and behind-the-scenes anecdotes from their nearly two-decade-long collaboration.

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Revisiting Past Shorts: Catching Up

The episode kicks off with light-hearted banter among Andy, Yoram, and Akiva, demonstrating their camaraderie and playful dynamic. Seth steers the conversation towards previous podcast episodes, highlighting missed details and humorous interactions. This segment sets a relaxed tone, paving the way for deeper discussions about their Digital Shorts.

Notable Quote:

• Andy Samberg [00:40]: "I don't listen to podcasts. Why would I listen to this one?"

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Spotlight on "Doogie Howser" Theme Short

Inspiration and Creation

The main focus of the episode is the "Doogie Howser" theme short. The team discusses the inspiration behind the sketch, aiming to pay homage to the beloved sitcom while infusing their unique comedic style. They recall how the idea was sparked during brainstorming sessions and the collaborative effort required to bring the theme song to life.

Notable Quote:

• Seth Meyers [16:38]: "I believe it was almost like young Chuck Norris, which was that there was a different sketch at the table, and the sketch did not work out, but we were like, whoa, he really can play it."

Neil Patrick Harris's Contribution

Neil Patrick Harris's involvement is a highlight of the discussion. The team marvels at his musical prowess, especially his ability to authentically play the "Doogie Howser" theme on the keyboard. They share anecdotes about filming, such as ensuring the camera captured Neil's precise finger movements to emphasize his musical talent.

Notable Quote:

• Seth Meyers [16:38]: "I have no clue what the sketch was or who wrote it, but it definitely was when it didn't get picked. It was inspired by that, I believe."

Filming Challenges and Processes

Akiva Schaffer and Andy Samberg recount the logistical challenges of filming the short. From coordinating the actors dressed identically to capturing Neil's performance flawlessly, the team faced several hurdles. They discuss the meticulous planning and the spontaneous moments that added to the sketch's charm.

Notable Quote:

• Akiva Schaffer [17:16]: "And it was kind of delightful because everyone's dressed identical too."

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Reception and Legacy

Audience Reaction

The team reflects on the initial reception of the "Doogie Howser" short. While some sketches like "Lamps" received mixed reviews, the "Doogie Howser" theme was generally well-received for its heartfelt homage and musicality. They discuss how audience reactions influenced their creative decisions in subsequent shorts.

Notable Quote:

• Andy Samberg [19:16]: "What happened? It should not have been cut at all. The audience loved it, and it was short and sweet and just made this show, like, pop."

Impact on Digital Comedy and YouTube

The episode delves into the broader impact of their Digital Shorts on digital comedy and platforms like YouTube. The team acknowledges how pioneering these shorts were in integrating internet humor with mainstream television, potentially influencing the rise of online video content.

Notable Quote:

• Yoram Bauman [20:13]: "I think they just enjoyed that it didn't have to be funny immediately."

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Reflections on SNL Era and Digital Shorts

The discussion broadens to encompass their tenure at Saturday Night Live and the evolution of the show over nearly 50 years. They reflect on the collaborative environment, memorable guests, and how the Digital Shorts carved out a unique niche within the SNL ecosystem. The team shares insights into balancing live television demands with creative experimentation.

Notable Quote:

• Akiva Schaffer [25:26]: "But it was basically Sudeikis as Phantom of the Opera and Neil Patrick Harris as his character from Rent because he had done Rent."

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Anecdotes and Behind-the-Scenes Insights

Throughout the episode, The Lonely Island and Seth share numerous behind-the-scenes stories. From mishaps during filming to humorous interactions among cast members, these anecdotes offer listeners a glimpse into the camaraderie and creative processes that fueled their success. They also discuss other notable sketches like "Save Broadway" and "Two First Names," highlighting their creative evolution.

Notable Quote:

• Akiva Schaffer [31:41]: "Two First Names is very much... What is an idea that only this host can do?"

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Conclusion and Final Thoughts

As the episode wraps up, the team reflects on the enduring legacy of their Digital Shorts. They express gratitude for the continued support from fans and the impact their work has had on comedy and digital media. The episode concludes with heartfelt goodbyes and a reaffirmation of their lasting friendship and collaborative spirit.

Notable Quote:

• Andy Samberg [42:33]: "Even though I said a lot of bad things about podcasts, I do love you guys."

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Key Takeaways:

• The "Doogie Howser" theme short stands out as a heartfelt homage, blending musical talent with comedic narrative.
• The trio's collaborative dynamics and ability to navigate creative challenges were pivotal in their success.
• Their Digital Shorts played a significant role in shaping digital comedy, influencing platforms like YouTube.
• Reflecting on their time at SNL reveals the intricate balance between innovation and adhering to live television formats.
• Behind-the-scenes anecdotes highlight the camaraderie and creative ingenuity of The Lonely Island and Seth Meyers.

This episode serves as both a nostalgic journey and a testament to the enduring influence of The Lonely Island's contributions to comedy and digital media.

Transcript

[Andy Samberg]

The bummer about us not showing video is that Yoram's got a big old piece of lettuce in his front tooth.

[Yoram Bauman]

No, I don't. And he's lying because it's chocolate. You would never know. You would never know. Andy's lying, though.

[Andy Samberg]

Oh, I see. It's a who do you think they're gonna believe situation.

[Yoram Bauman]

That was a no. And. But improv.

[Andy Samberg]

It's the opposite of a yes. And yeah, no, but it's the Lonely.

[Seth Meyers]

Island Seth Meyers podcast.

[Akiva Schaffer]

Yeah. All right, I'm going to jump into it right away. Andy, I have a question.

[Andy Samberg]

Okay.

[Akiva Schaffer]

What was the word we asked you to listen for in the last podcast that you weren't there for?

[Andy Samberg]

Oh, I definitely didn't listen to it.

[Yoram Bauman]

Honest to a fault.

[Andy Samberg]

I don't listen to podcasts. Why would I listen to this one? I don't have time. I barely have time to do it.

[Akiva Schaffer]

Wait, okay, so then, Yoram. Yoram, I hate to do this to you, Yoram. Do you remember what the word was?

[Yoram Bauman]

Yes, Seth, and not because I practiced, but the word is pity. For.

[Seth Meyers]

Nice word.

[Akiva Schaffer]

All right, you're showing us something.

[Yoram Bauman]

I guess I don't need that mri.

[Akiva Schaffer]

I did have massive doubts about whether or not you'd listen to the podcast with your three dear friends talking about work you did 15 years ago.

[Andy Samberg]

What was it about? Which episode?

[Akiva Schaffer]

Well, I guess that's the problem. You weren't in Cookies, so you had no interest.

[Andy Samberg]

Oh, cookies can eat shit. I don't know nothing about that.

[Akiva Schaffer]

Actually kind of the end of cookies. It turned out the cookies were stool samplers, so we had.

[Andy Samberg]

Oh, right. Of James and stool softeners.

[Akiva Schaffer]

Not stool. Stool. Yeah.

[Andy Samberg]

Oh, my God.

[Yoram Bauman]

If Cookies wasn't Cookies Can Eat Shit. Yeah.

[Andy Samberg]

Well, did you listen to the one before, though, Seth? Did you know the word was periwinkle?

[Akiva Schaffer]

Yes, that was how we started the last podcast.

[Seth Meyers]

If you had listened, you would have known that, Andy.

[Andy Samberg]

But I never said I was going to and feel no shame about skipping.

[Akiva Schaffer]

Well, that's coming across. The lack of shame in your voice.

[Andy Samberg]

I didn't know I was expected to.

[Akiva Schaffer]

It's your friends.

[Andy Samberg]

Yeah, I. I don't care.

[Akiva Schaffer]

Well, here's the thing, though, then. I mean, again, we're gonna get to the short in the Neil Patrick Harris episode, which is a Doogie Howser inspired short. That might actually even be the title of it. But the thing you missed out on, andy, is a 5 minute voice note from Rob Klein about the sketch lamps.

[Andy Samberg]

Oh, classic.

[Yoram Bauman]

It was a good voice note.

[Akiva Schaffer]

Now, obviously we've heard and everyone listening to this podcast has heard, so this is fun. What's your take on Lamps?

[Andy Samberg]

Super underrated, obviously. I'm guessing by your tone you shat on it, because what else would you have done?

[Akiva Schaffer]

I didn't.

[Seth Meyers]

He just described it. I'll say, because I don't. I barely remembered it until I saw a photo of it. He just described it, by the way.

[Akiva Schaffer]

It was a deeply traumatic experience for Klein.

[Seth Meyers]

Yeah, Klein was saying so much crazy stuff that I thought maybe he was doing a bit on the voice note, because I had no memory. I didn't remember that it was a sketch that was derided at the show for months to come. Do you remember it that way?

[Andy Samberg]

No, I just have memories that it aired and was a nice little confection and came and went and then I was happy about it and that we would always joke about how we were going to make the Lamps movie.

[Seth Meyers]

So as an actor on the show, you were shielded from the criticism.

[Akiva Schaffer]

We're really. Yeah, we're really learning the difference between being a writer and being a performer.

[Andy Samberg]

Was it. It was getting shat on in the writer's room? Is that what I'm to understand?

[Akiva Schaffer]

Basically, Shoemaker told Klein, Lauren hates lamps.

[Seth Meyers]

Oh, yeah. It was more in that room.

[Yoram Bauman]

Why did he pick it so he could hate it?

[Akiva Schaffer]

You know, a lot of. A lot of people sounding off in the comments this week saying, we don't understand Lauren. Why would he pick something and then passive aggressively make Klein feel bad all week?

[Seth Meyers]

It didn't make sense. We also looked at the rundown and there were eight things cut.

[Andy Samberg]

Oh, that's why.

[Seth Meyers]

Between dress and air. Yeah, but does that mean it was that there were eight things worse than lamps and he was stuck with it?

[Andy Samberg]

Clearly.

[Akiva Schaffer]

I don't. Yeah.

[Andy Samberg]

That.

[Akiva Schaffer]

We didn't understand why.

[Andy Samberg]

Maybe Hugh Laurie liked it.

[Akiva Schaffer]

Maybe Hugh Laurie was Team Lamps.

[Andy Samberg]

I remember thinking it was very light and fun.

[Akiva Schaffer]

By the way, you literally murder people in it. Oh, I like that you're light and fun.

[Seth Meyers]

Lightly and fun.

[Yoram Bauman]

It was a light and fun way.

[Andy Samberg]

Yeah, but it's still a goof.

[Akiva Schaffer]

It still. It is a goof.

[Andy Samberg]

We're dressed like giant lamps.

[Akiva Schaffer]

Klein claims a lot of people were just mad that the title was Lamps, including lamps. And that that. That really stuck in everybody's cry.

[Andy Samberg]

Honestly, I don't remember very well. Were we singing?

[Akiva Schaffer]

You were singing, yeah.

[Seth Meyers]

It was like a Toy Story situation.

[Andy Samberg]

Oh, I see.

[Akiva Schaffer]

You know, we've talked about it, but Jost has never lived down that he wrote A sketch about people being stuck on JetBlue called Jet Blues.

[Seth Meyers]

Oh.

[Akiva Schaffer]

You know, people are still mad at Jost about jetblues, but Lamps has nothing.

[Seth Meyers]

That's. That's just Lamps.

[Andy Samberg]

Has no opinion.

[Akiva Schaffer]

That's true. It's just lamps. Guys, I have a little bit of housekeeping before we get to the episode. I went to see Othello on Broadway. Fancy. Denzel Washington. Jake Gyllenhaal. Amazing. Jake Gyllenhaal. Iago. Iago. One of the most juiciest roles, I would say, of all Shakespeare. But this is really cool. I read in the Playbill, Jake is the first actor to play Iago who was also in a Laser Cats.

[Andy Samberg]

That was in the Playbill.

[Akiva Schaffer]

Yeah, that was in the Playbill. And then mostly they do this thing in playbills now where like, for all the actors, they end it with whether or not they were or weren't in Laser Cats.

[Andy Samberg]

Oh, so they'll even say, like, wasn't in laser for Denzel.

[Akiva Schaffer]

It was like the last thing in Denzel's was. Has never appeared in Laser Cats.

[Seth Meyers]

Yeah.

[Andy Samberg]

Glory Training Day. Wasn't in Laser Cast.

[Yoram Bauman]

Sad face emoji.

[Akiva Schaffer]

Yeah.

[Seth Meyers]

Has not yet been featured.

[Andy Samberg]

Got it.

[Akiva Schaffer]

But I'm in Othello. Intermission of Othello. Walking to the bathroom. Dude leans in, gives me a Quaid army.

[Seth Meyers]

Oh, man.

[Akiva Schaffer]

Wow.

[Yoram Bauman]

A high class crowd is exciting.

[Akiva Schaffer]

So I put a lot of thought into this because I was like, oh, there should just be like a call and response. And I think obviously the obvious thing from now on is if anybody says quaint army to you, I think you just say, righteous kill, precious.

[Andy Samberg]

Yeah, of course. That makes perfect sense.

[Akiva Schaffer]

That's the other half of that coin.

[Yoram Bauman]

Can I add a term to this?

[Akiva Schaffer]

Sure.

[Yoram Bauman]

I think if there's any haters of the pod, my friend Jake pitched this, that they should be called Housers.

[Akiva Schaffer]

Oh, why is that?

[Seth Meyers]

Is that the other character from Total Recall?

[Yoram Bauman]

Yeah, that's the bad guy from. So any Housers out there?

[Akiva Schaffer]

Definitely weird to have that first come up on the Doogie Howser episode.

[Andy Samberg]

That's why I got confused too.

[Akiva Schaffer]

Yeah.

[Yoram Bauman]

Yeah. I think it's a perfect transition. And I'm very good at transition.

[Andy Samberg]

I didn't know it was spelled H A U and not H O W.

[Akiva Schaffer]

In that case, Andy has established firmly he's a Houser. He opened the pod by firmly putting both feet into.

[Andy Samberg]

Oh, yeah. Well, now I'm getting confused because I'm like, no, I love Total Recall, but I'm like, no, because I hate the Pod, right?

[Akiva Schaffer]

Yeah.

[Seth Meyers]

Right.

[Andy Samberg]

So what would a houser say if they wanted to go out of their way to let you know they hate the pod?

[Yoram Bauman]

Just whatever comes off the top of your head.

[Akiva Schaffer]

Just like stop talking about. Oh, a lot of people want us to stop talking about spelling bee, Andy. But then I mentioned that at the last pod and a lot of people ran to the defense and even a bunch of people said they only have started playing spelling bee because of the pod.

[Andy Samberg]

Dang education factions. Yeah, well, apologies to those of us who want us to stop. But I do want to just mention really quickly that I got queen be today and said how to use hands. Cuz he's a dumb, dumb. Bang bang, bang, bang, bang, bang.

[Akiva Schaffer]

The editor of the spelling bees reached out to the pod, Andy. Really? Sam Azerski?

[Andy Samberg]

You're kidding.

[Akiva Schaffer]

And the question is whether we have him on or just have him give us a voice note. But it's very exciting news, obviously. Or should we let him watch yorms Dorito ad?

[Andy Samberg]

Oh, just react.

[Yoram Bauman]

I think we should definitely send that back.

[Seth Meyers]

Yeah. And just ask him, if you worked at Frito Lay, would you like that is air.

[Akiva Schaffer]

Yeah. And then also while you're here, how many words can you make with Frito Lay?

[Andy Samberg]

Yeah. Or just be like. Were there any loblollies in that? That's a spelling bee joke, guys.

[Akiva Schaffer]

That's a big spelling bee word, guys. Loblolly. Yeah, yeah, yeah. So there's been some requests for merch and I do feel like if you make a shirt that says Quaid army, you don't actually want to see a quado, right?

[Andy Samberg]

No.

[Seth Meyers]

They're gross.

[Akiva Schaffer]

They're so gross. And this was a very bad idea. But I did enjoy the creativity, which is I think the shirt. The three breasted prostitute from Total Recall with Seth as her head and the other three with faces on the breasts.

[Seth Meyers]

Oh, that's an interesting idea.

[Andy Samberg]

You think someone would wear that like out of the house?

[Akiva Schaffer]

I don't know.

[Yoram Bauman]

You think that's better than showing Quato?

[Akiva Schaffer]

I know, I'm just. This was creativity. I said it's better.

[Seth Meyers]

What if it does do that one voice noter's thing and we just put Dennis, Randy and I guess Jack Quaid on it and it says Quaid army just to throw off people from sniffing it.

[Akiva Schaffer]

Oh, I see. I see like a really subtle.

[Seth Meyers]

So it says Quaid army and has all the Quaid's.

[Yoram Bauman]

That's a better looking shirt. Tell you that.

[Akiva Schaffer]

Yeah. You guys, I feel like know all the like sort of Visual design people. So maybe let's start working on some, like, mockups of the shirt.

[Yoram Bauman]

This won't surprise you, Seth, but I'm already on it. But I was doing a, like, the worst version you could possibly imagine.

[Akiva Schaffer]

Um, people did say last week you missed Andy, that Nyorm opened up about how Fred's impression of him was incredibly traumatic and you maybe missed it. But also a lot of people said Yorm has had this exact same conversation on the pod.

[Andy Samberg]

I was going to say he's talked about it before.

[Akiva Schaffer]

Yeah. Okay.

[Seth Meyers]

Doesn't make it less true.

[Yoram Bauman]

That's how traumatic it is.

[Seth Meyers]

Makes it double true.

[Yoram Bauman]

I think it's just. That's just proving my point.

[Andy Samberg]

Ooh, Accidental lazy Sunday reference, Keith.

[Seth Meyers]

Oh, shit.

[Yoram Bauman]

But here's the thing. None of you caught it though, either.

[Akiva Schaffer]

That's true. That's true.

[Yoram Bauman]

You're all equally complicit.

[Akiva Schaffer]

I like. This was a nice observation about. I think you should leave. Keev said it was that one. The one with Tim where he has the hot dog and someone said, like, that only eliminates half of the. I think.

[Andy Samberg]

No. How many are there with.

[Akiva Schaffer]

I think there's two main ones.

[Andy Samberg]

There's two hot dog ones.

[Akiva Schaffer]

Oh, no, three. Because there's a. There's definitely a third hot dog one that's like an ad.

[Seth Meyers]

But the ad. The vacuum ad is a second part of the first one. Yeah, that's just a part two. That's just. Same sketch.

[Akiva Schaffer]

You're right.

[Seth Meyers]

You're right.

[Akiva Schaffer]

We talked about Forte's Hamilton Whiteman speech at my wedding. Oh, wow. I just like the wording in this comment. What? Quay, does Cuado have to blow to get the full Hamilton Whiteman speech from Seth's wedding? And then the very nice ending. I'll take my answer off the air. Amy Poehler joined the podcast last week. Andy.

[Andy Samberg]

I heard that that was happening and was. That was honestly the only reason I considered listening was because I was curious.

[Seth Meyers]

To hear Amy if she was talking shit.

[Andy Samberg]

No, Just because she's like someone that I actually care about.

[Seth Meyers]

Care about what she thinks about you.

[Yoram Bauman]

I was waiting for this shoe to drop.

[Akiva Schaffer]

Well, it's interesting. You should frame it that way. Another quick comment. I love how gentle Seth's voice is when he talks to Amy. A person he respects and admires versus when it's just two Quaids. He sounds like he's smoking a cigar and coaching Junior T ball.

[Andy Samberg]

Oh, my God.

[Seth Meyers]

Maybe I do need to listen to this interesting observation.

[Yoram Bauman]

Oh, God. I like our listeners a lot.

[Akiva Schaffer]

Yeah, they're really good.

[Yoram Bauman]

Our cookies.

[Akiva Schaffer]

All right, dudes, this isn't going to be, you know, the chunkiest short to talk about, but it is Doogie Howser, and we had Neil Patrick Harris on.

[Seth Meyers]

Now. Did you guys rewatch this? Because I did not have time. I was on.

[Andy Samberg]

I just did.

[Seth Meyers]

I don't want to brag. Another zoom right to the last second.

[Andy Samberg]

Oh, my man. My guy, Keefe B. Zooming.

[Seth Meyers]

I do want to watch this. Can I mute for one second? And yes.

[Andy Samberg]

Yeah, we'll start. We'll start talking about it while you watch.

[Seth Meyers]

Okay, great.

[Yoram Bauman]

I'll just say that I know it's ridiculous, but this is one of my favorite shorts.

[Andy Samberg]

I liked it a lot. Rewatching.

[Yoram Bauman]

Yeah, I think it's really good. It's very sweet.

[Akiva Schaffer]

Yeah, it's sweet.

[Andy Samberg]

It's got a couple of yucks. It's got a good vibe. It's very well shot and cut, and it all just kind of flows and is nice.

[Yoram Bauman]

Andy, do you remember, did I make that little stupid plinky beat? Because it really sounds like it would be me, but I can't tell because it actually has a melody. So I'm like, how did I do that?

[Andy Samberg]

You're saying when me and Fred come in.

[Yoram Bauman]

Yeah.

[Andy Samberg]

It made me laugh so hard. I was watching it being like. I know I arrive in this at some point doing something, something. And I.

[Akiva Schaffer]

So that's you and Fred on the, like, keytars.

[Andy Samberg]

No, on the. We're like. What would you call those? Yarn. The little, like, drum pad.

[Yoram Bauman]

Oh, you had an NPC, I think.

[Andy Samberg]

Yeah. NPCs. Thank you.

[Yoram Bauman]

We requested. I think we requested an NPC.

[Andy Samberg]

It was very specific, and I forgot everyone was dressed like Doogie, which is also, obviously a lovely touch.

[Yoram Bauman]

Yeah.

[Akiva Schaffer]

Support for the Lonely island and Seth Meyers podcast comes from Airbnb. Oh, Akiva.

[Seth Meyers]

Yeah, here I am. Tell me.

[Akiva Schaffer]

You know, I keep asking for you. Even though we've done a bunch of ads today, we don't know what order.

[Seth Meyers]

They'Ll play them in. Maybe I'm showing up fresh for each one.

[Akiva Schaffer]

Yeah, that's a good point.

[Seth Meyers]

I've got a big vacation coming up, and I know you like to vacation with your family. Tell me what I should do.

[Akiva Schaffer]

Well, so I went with my, you know, my brother and my parents. We went to Pittsburgh this last year. We like to go once a year, and we've been staying at old Airbnbs recently. And it's just so lovely because we're in neighborhoods, we're around people who live there. We're by local coffee shops, restaurants that are attached to hotels. It's just great. It feels like we're at home. And, you know, I don't see my parents that much. I don't see my brother that much. But, you know, like a lot of families, we used to all live together. And when we do an Airbnb trip, we feel like we live together again.

[Seth Meyers]

Now, did you stay near that bar? And I can't remember its name. It's like Schlotsky's. It's like a dive bar with a pool table in the back. You know what I'm talking about. You've been there.

[Akiva Schaffer]

I don't, but next time, I'll stay next to Schlattsky's.

[Seth Meyers]

That's not what it's called. Somebody's gonna write in and now.

[Akiva Schaffer]

Okay, good.

[Seth Meyers]

But it has a great name, like Snoobies or something.

[Akiva Schaffer]

But, you know, we can only do it. We can only stay at one of these. When people are kind enough to share their home with us, and maybe you're one of those people. You can make memories, both as a traveler and as a host. Your home could be worth more than you think. Find out how [e-mail] host support comes from. Rocket money. Keev.

[Seth Meyers]

Yes, hi.

[Akiva Schaffer]

Prices are going up on just about everything lately. Maybe you have noticed that.

[Seth Meyers]

Yeah, I don't want to point fingers as to who's buying these, but I've heard a lot of talk about it.

[Akiva Schaffer]

Yeah. And so, you know, being smart with your money isn't a good idea. It's essential. And one of the ways you can do it is managing subscriptions, tracking spending, cutting costs. Lucky for you, Rocket Money takes those things that can sometimes feel overwhelming, and they take the guesswork right out of it. So you can easily make smart decisions.

[Seth Meyers]

I like the sound of that.

[Akiva Schaffer]

Do you even know what Rocket Money is, Keith?

[Seth Meyers]

Can I take a wild guess?

[Akiva Schaffer]

Take a wild guess, but don't be ad speaky about it. Just in your own words.

[Seth Meyers]

I mean, if I was going to guess, it sounds like it's like a personal finance app that, like, helps you find unwanted subscriptions, and then if you do, you could, like, cancel them and. Or it could pay attention to what.

[Akiva Schaffer]

I'm spending money on and monitor it, even.

[Seth Meyers]

Yeah, yeah, exactly. And it could help lower my bills and help me grow my savings.

[Akiva Schaffer]

Keith, I use this, and I can't believe how many dumb old subscriptions I had that I had not canceled multiple subscriptions. In some cases where I was the same streaming service more than once.

[Seth Meyers]

That's horrible, Seth.

[Akiva Schaffer]

That's a dumb guy thing.

[Seth Meyers]

Yeah.

[Akiva Schaffer]

And now you can see all your subscriptions in one place and know exactly where your money is going. For ones you don't want anymore. Rocket Money can help you cancel them. Rocket Money has over 5 million users and has saved a total of $500 million in canceled subscriptions, saving members up to $740 a year when they use all of the apps premium features. Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to RocketMoney.com island today. That's RocketMoney.com IslandRocketMoney.com Island. All right, first of all, before we talk about the idea, should we talk about the actual Doogie Howser theme song?

[Yoram Bauman]

Yes, it was a great theme song, and this is an ode to that.

[Akiva Schaffer]

How long do you think the actual Doogie Howser theme song was every episode of Doogie Howser?

[Seth Meyers]

One solid minute. Exactly. Maybe.

[Akiva Schaffer]

Yep.

[Seth Meyers]

Is that right?

[Akiva Schaffer]

You're exactly right. It's one solid minute, start to finish.

[Andy Samberg]

Wow.

[Akiva Schaffer]

The same minute every week. You watch the show?

[Seth Meyers]

Yeah. It was an hour show.

[Akiva Schaffer]

No, half an hour.

[Seth Meyers]

Oh, wow, that's crazy.

[Andy Samberg]

Well, by the way, there was nothing else to watch when it was network television. They have you hostage. If you want to watch the show, you'll sit through. And it's a way for them to, like, cut a couple pages of workout.

[Seth Meyers]

I mean, it's 22 minutes of show. That's one minute out of the way. That's amazing.

[Andy Samberg]

Yeah, exactly.

[Akiva Schaffer]

There's also, I want to say two more. It opens on just a lot of headlines, like clippings, sort of telling you about how Doogie Howser was this, you know, sort of whiz kid. And I'd say there's, like, two more headlines than you need to. You feel like you're like. No, no, I get it. Genius kid doctor. Good, good, good, good, good, good, good, good.

[Seth Meyers]

It's so good because this song is sad, but there was a whole, like, taxi. Remember the taxi theme and, like, Hill street blues and stuff. There's like a whole genre of, like, comedy half hours that have really melancholy instrumental only openings. Oh, yeah, Frasier. Frasier's real sad.

[Andy Samberg]

I love you. Thinking about Yoram being like, I just lost someone really close to me, and I just went to the beach and I put on my headphones and listened to the Frasier theme. Baby, I hear the mountain call it just crying.

[Akiva Schaffer]

All right, so do you guys remember how you came up with it?

[Seth Meyers]

I Have. And you guys can correct me, but I believe it was almost like young Chuck Norris, which was that there was a different sketch at the table, and he played a little bit of it, and the sketch did not work out, but we were like, whoa, he really can play it. Everyone in the world will be tickled to know that Neil Patrick Harris can play the Doogie Howser theme on a keyboard.

[Akiva Schaffer]

I didn't realize he was actually playing it.

[Yoram Bauman]

Yeah, yeah, yeah.

[Seth Meyers]

His fingers are doing the right thing. That's why I remember when we were shooting at me being like, make sure the camera's high enough to see his fingers on every shot when we can, to try to show off like he's doing it. Yeah. I have no clue what the sketch was or who wrote it, but it definitely was when it didn't get picked. It was inspired by that, I believe. Does that sound right, guys?

[Andy Samberg]

I have zero memory of that.

[Yoram Bauman]

I truly have, like, other. Yeah. I was like, was it. Because I have talked about this on the pod. I know that. But that short that we saw, that was just a musical short. That was a dance piece.

[Seth Meyers]

The Gary Weiss one.

[Yoram Bauman]

Yeah. The mariachis versus ballerinas. Like, there was no joke to it. It was just a sort of a dance piece, and it was on white, and it was just very stark and, like, cool.

[Seth Meyers]

Yeah. We also had a lot of long conversations.

[Akiva Schaffer]

Not.

[Seth Meyers]

I don't know how long they were, but with Lauren at dinners where we talk about the old shorts and how they didn't seem to feel the responsibility to be funny all the time.

[Akiva Schaffer]

Yeah, right.

[Seth Meyers]

And he would talk about, well, it's a variety show. You know, the musical guest isn't funny. And he'd go, there is room, and back. I think in early days, people didn't feel the onus to deliver laughs on every second. Then they could just do interesting stuff. I think we talked about this on a very early.

[Akiva Schaffer]

Which is weird because just a week before this episode, he was running around saying, could somebody tell Klein the sketches are supposed to be funny.

[Seth Meyers]

Right.

[Akiva Schaffer]

I got lamps out there keep killing me.

[Yoram Bauman]

I think it's a good point, though. And I think that sometimes we should even just sort of take a breath and take a pause and have this podcast not be. It doesn't necessarily need to be funny all the time.

[Akiva Schaffer]

That's good, bud.

[Andy Samberg]

That's so true.

[Akiva Schaffer]

It's so true.

[Yoram Bauman]

Sometimes I just want to, you know, Love you guys. I'm having a hard day Baby I.

[Andy Samberg]

Hear the blues are calling.

[Seth Meyers]

I don't.

[Yoram Bauman]

Know why you had to do that, but I guess that's funny.

[Akiva Schaffer]

Does it cheer you up? That's your sad song.

[Yoram Bauman]

No, you're right. That did make me sad. Yeah.

[Andy Samberg]

How come I can't find lamps online? What's up with that?

[Seth Meyers]

I'm sure because the songs were to the melody of uncleared other songs.

[Akiva Schaffer]

Yeah.

[Andy Samberg]

Do you think that's why?

[Akiva Schaffer]

I don't think you guys were starting from the studs up with your lamp songs.

[Andy Samberg]

Well, let me say this as someone who doesn't remember what the sketch was really about or what songs were aped, I think the artists who wouldn't clear them are fucking bitches.

[Akiva Schaffer]

Take that, whoever you are now. For people who are now watching it right now, it sort of opens Neil Patrick Harris in a sort of black limbo at a piano, and he starts playing the doogie. How's your theme song? And the audience is delighted. They are delighted.

[Andy Samberg]

Oh, yeah. And you milk it really nicely at the top. Cause you're like, what's this gonna be?

[Akiva Schaffer]

Yeah, yeah.

[Seth Meyers]

When they realize he's really playing, I think is when they applaud. Like, it gets a first reaction and then a second reaction. And it's shocking. Cause it's a pre tape and pre tapes, like you pointed out last week, where there was. I forget which one we were talking about, but there was one where you were like, whoa. And they actually. Oh, no, it was on your show this week. Cause you had Adam Levine on it was the clip I watched of your show.

[Akiva Schaffer]

Right, right.

[Seth Meyers]

Where you were talking about that his appearance in Iran so far, the one we talked about a ton, where he spins is so powerful that the audience actually applauds for it. Whereas they usually don't, like, engage with the pre tapes in that way.

[Akiva Schaffer]

Right.

[Seth Meyers]

And I kind of had the same feeling on this when I was just watching. I was like, oh, they're like. They're acting like they're seeing a performance. Cause they kind of are.

[Andy Samberg]

It feels like it's happening live almost.

[Seth Meyers]

Yeah. Yeah.

[Yoram Bauman]

Keev, do you feel that it's possible that maybe they just enjoyed that it didn't have to be funny immediately?

[Seth Meyers]

I think right away, the relief they felt to not have to participate in that manner, to feel like the pressure to laugh.

[Akiva Schaffer]

Yeah.

[Seth Meyers]

Made them applaud. They were applauding the relief. They were like, oh, I can lean back in my chair finally.

[Yoram Bauman]

I get it.

[Andy Samberg]

I know an SNL audience. What they want most is to not laugh.

[Seth Meyers]

It's late at night. They want something that's going to be more.

[Akiva Schaffer]

Yeah, yeah.

[Yoram Bauman]

Just A fucking break.

[Akiva Schaffer]

Have we talked? I feel like we haven't talked about when it's on and how late it is.

[Andy Samberg]

Yeah, I've been in the middle of an update feature before and people will just yell, we're sleepy.

[Yoram Bauman]

Stop. We're tired. We do want the TV to be on, but we're tired.

[Akiva Schaffer]

Do you have any idea how late it is?

[Andy Samberg]

You're too loud.

[Akiva Schaffer]

It's tomorrow. It's so late. It's tomorrow. But then you sort of introduce and it is a full caster. One by one, people dress like Doogie Howser. And again, he's not dressed like Doogie Howser. He's in a tuxedo. But then other musicians sort of show up in this black limbo and they are all dressed like Doogie Howser. The Doctor. And that is, you know, very sweet.

[Seth Meyers]

Not Quaid's alter ego. Thank you for clarifying. Doogie Howser. The Doctor. Oh, there you go.

[Yoram Bauman]

Yeah, yeah.

[Seth Meyers]

Sorry.

[Yoram Bauman]

Sorry, guys.

[Akiva Schaffer]

Really, the wrong. The wrong week to bring in another houser. But again, you can't put the genie back in the bottle.

[Yoram Bauman]

I can't help when these thoughts occur.

[Akiva Schaffer]

Andy, you show up with Fred.

[Andy Samberg]

Yeah, we're like cool 80s electronic guys.

[Akiva Schaffer]

You know, everybody's just having a lot of fun. It's very sweet. And then it ends and Neil Patrick Harris turns the camera and has a single tear running down his cheek.

[Andy Samberg]

That was my favorite part. It was very, very wonderful. Second favorite is wig shredding. Electric car, obviously.

[Yoram Bauman]

And that's a great shot.

[Seth Meyers]

Yeah, that's what got a laugh out of me this time. I forgot.

[Andy Samberg]

The shot is perfect.

[Seth Meyers]

And you think you've seen all the instruments at that point. And then one comes in with just shredding. Yeah, she's doing kind of her G.E. smith.

[Andy Samberg]

Yeah. It's like Jimi Hendrix playing the National Anthem level shred.

[Akiva Schaffer]

Yeah. Also going back and listening to the original theme. The original theme could have used a couple like step ups as far as adding more instruments.

[Andy Samberg]

That's your opinion.

[Seth Meyers]

I think your point about its length is the reason this short also exists. Because I think he started playing it, then we went. Because it kind of rips and we went and hit play and we're like, God, it just keeps going. And we realized there was a lot of potential there, I guess.

[Akiva Schaffer]

Yeah.

[Seth Meyers]

A lot of room. Yeah.

[Akiva Schaffer]

But a perfect piece for the host. I think it made everybody happy. He was posting for How I Met yout Mother. So he was no longer just living off of Doogie Howser. And it was just a cool Thing for him to wink back at.

[Yoram Bauman]

I'd be curious to know what he thought of this short because sometimes I feel like we let people down. Like, for instance, I just saw Tommy Hanks recently, and I was just immediately feeling terrible that we let him down so hard with a short.

[Akiva Schaffer]

And then I was thinking, testicles. That's my impression of Tom Hanks when you bring it up.

[Seth Meyers]

We should have got a voice note from him.

[Akiva Schaffer]

Testicles.

[Andy Samberg]

No, it was great.

[Yoram Bauman]

I'm very proud.

[Andy Samberg]

Hey, Orm, did you break your foot? Dropping that name so hard shredded you.

[Akiva Schaffer]

He was watching Forrest Gump. That's where he saw him.

[Andy Samberg]

Oh, I see. He was just watching him on. On the silver screen.

[Seth Meyers]

Yeah.

[Yoram Bauman]

And I was talking to him and.

[Akiva Schaffer]

You were talking to the screen.

[Seth Meyers]

Yeah. I'm so sorry we let you down, brother.

[Andy Samberg]

I'm fucked up.

[Akiva Schaffer]

Damn, brother.

[Andy Samberg]

I'm so sorry, brother.

[Akiva Schaffer]

We were showing my kids for the first time night at the museum, and first time Ben Stiller showed up on screen, my daughter Addie said, dada. Oh.

[Andy Samberg]

Oh, no.

[Seth Meyers]

Wow.

[Akiva Schaffer]

And then my son. No, Daddy's never been in a movie that worked. No, they didn't. They did. They were like, trust us.

[Seth Meyers]

They're like, not box office. Not critical. Neither way.

[Akiva Schaffer]

Daddy is not a box office. A gold Derek.

[Andy Samberg]

But Shoemaker thinks his impressions are underrated.

[Seth Meyers]

For the home audience. Who's interested in the Doogie Howser? It's not on snl. I would do a Google search if you want to watch it. Not a YouTube search.

[Akiva Schaffer]

Right?

[Andy Samberg]

Can I say anything?

[Akiva Schaffer]

Yeah.

[Andy Samberg]

I feel like, Seth, you'll know this best, but maybe not. Oh, why'd I say that? I'm spiraling.

[Seth Meyers]

This guy's lost.

[Yoram Bauman]

I feel like it's my fault somehow.

[Seth Meyers]

It's because it's late in the afternoon. There's a sweet spot for the time of these. The last one was too early.

[Andy Samberg]

Yeah.

[Seth Meyers]

And this is way too late.

[Andy Samberg]

This is well past 4:30.

[Akiva Schaffer]

It's 4:30pm East Coast.

[Andy Samberg]

The schedule revolves around me and my nationally televised show. You, Seth. So is this Neil, like, in his crazy run of, like, hosting the Tonys and the Oscars and everything, where he was, like, red hot. And I remember him hosting SNL and Killing. And there was this stretch of time where the world kind of realized, like, O'Neil Patrick Harris is fucking great, and he's a showman and can do all these incredible things.

[Yoram Bauman]

In my mind, it was after. A little.

[Akiva Schaffer]

After that. But I think. I think it may be a little.

[Andy Samberg]

Pre that I was gonna say pre.

[Akiva Schaffer]

If anything But I think this is, like. This is the ramping up of. I mean, again, everybody loved him on How I Met yout Mother. And he had, of course, had that scene stealing turn in Harold and Kumar.

[Andy Samberg]

Right, right.

[Akiva Schaffer]

But I think that people kind of forgot that he was a Broadway showman as well.

[Andy Samberg]

He hosted the Tonys four times.

[Akiva Schaffer]

Wow.

[Seth Meyers]

This was one of the only shorts we ever did where we had the entire cast at one moment ever. I don't think it ever happened again.

[Andy Samberg]

Correct.

[Seth Meyers]

Where. Because there was one time where we wanted that nice wide. Like, throughout the day, we could knock off individual shots of people. But then at the end, we needed a wide where it's everybody at once. And we weren't going to comp it together. And so we said, we'll just wait till the end of Friday night. So it's like, midnight, and everyone just had to wait. And we just went, sorry, we just need everybody. And everyone came at once. Which I cannot think of another time. We had the entire cast in one.

[Akiva Schaffer]

Moment for sure now. Yeah.

[Yoram Bauman]

This is pre computer graphics.

[Seth Meyers]

And it was kind of delightful because everyone's dressed identical too. Somebody should have taken photos, a big group photo. Because once again, so just rare besides at good nights to have everybody standing together.

[Yoram Bauman]

Yeah, it's true.

[Akiva Schaffer]

It's cool to have been on the show at the time and keep hearing everybody and realizing that I'm not in it. But keep going.

[Seth Meyers]

Why aren't you.

[Yoram Bauman]

Lauren wasn't in it too.

[Andy Samberg]

Sorry, everyone who counts. Everyone who counts. Sorry, Seth.

[Akiva Schaffer]

Yeah. Support comes from aura frames, buddy.

[Seth Meyers]

I've heard about this one before.

[Akiva Schaffer]

It's a wonderful product. And, you know, Mother's Day is coming up and she wants you to call her your mom. You know that, of course. But when you can't call her, you might as well give her this beautiful aura frame. It's a digital picture frame. And we got one for my mom. And we go to her house now, and it's just photos just rotating through. And these are ones you can upload remotely so you don't actually even have to go to their home to do it.

[Seth Meyers]

I think I think about this every time. All the pranks I would pull. Have you pulled any pranks on the family?

[Akiva Schaffer]

I haven't pulled any pranks on my family. My mom is so susceptible to a prank that I think it would just throw her. She wouldn't be like, oh, ha, ha, you got me. She would take months before she even brought up that something had happened.

[Andy Samberg]

Yeah.

[Seth Meyers]

Too upsetting. Can't risk it.

[Akiva Schaffer]

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[Seth Meyers]

Hey, what's up?

[Akiva Schaffer]

Hey, buddy. You know, summer is full of big moments, weddings, vacations, endless photos. But if you're dealing with hair thinning or shedding, showing up and being present in those moments might feel tough. You like going to weddings? We went to a wedding together last fall.

[Seth Meyers]

I loved it. It was your brother's. But it felt like it was mine because I had such a nice time.

[Akiva Schaffer]

Yeah. And I think it would have been ruined for both of us and everyone there had somebody been shedding.

[Seth Meyers]

Yeah, tell me about it. That's not what you want at a wedding. Yeah, he wore a white suit. It would have been horrible.

[Akiva Schaffer]

Yeah, it would have been off putting. And so you want to get in front of it. And the sooner you start, the sooner you'll be feeling confident and focusing on what matters most to you. Nutrafol is the number one dermatologist recommended hair growth supplement brand trusted by over one and a half million people. That's not a number to sneeze at.

[Seth Meyers]

Would I need a prescription, Seth?

[Akiva Schaffer]

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[Andy Samberg]

Oh, man. This guy does not like the opening of Doogie.

[Akiva Schaffer]

But it's basically Sudeikis as Phantom of the Opera and Neil Patrick Harris as his character from Rent because he had done Rent. Oh, wow. Like a touring production of Rent. I hope I'm right with that. But I will tell you that my wife saw Neil Patrick Harris do Rent in Albuquerque when she was young and had a huge crush on him, which we like telling Neil Patrick Harris every time we see him socially.

[Andy Samberg]

Is he gracious about it or is he like, get the fuck off me.

[Seth Meyers]

He kisses her on the lips.

[Andy Samberg]

Okay.

[Akiva Schaffer]

He's super gracious. A couple things about Save Broadway. So it's basically like, let's figure out ways to save Broadway. It's super funny. All cast sketches. And I'm impressed by something deeply, which is Allcast sketch at the time that also had Daryl Hammond in it was sometimes a hard thing to pull off. Daryl Hammond, the greatest impressionist of all time. Sometimes nobody knew what to do with him in an actual sketch, but they cut to him sitting as, like, guy from Stomp, and he just smashes two garbage can lids together.

[Andy Samberg]

So wait, it's like a meeting of, like, everyone talking about how it's the.

[Akiva Schaffer]

Meeting of everybody on Broadway coming up with ideas on how to save Broadway. Andy, you're in it. You obviously have no memory of what you are in it.

[Andy Samberg]

No. Zero.

[Seth Meyers]

Can we guess?

[Andy Samberg]

Yeah, I would guess like a newsie. Blue Man Group or Cats or something.

[Akiva Schaffer]

Blue Man. Correct. Blue Man Group. You, Fred, who is an actual Blue Man.

[Andy Samberg]

That's right.

[Akiva Schaffer]

And our buddy John Solomon, to fill it out.

[Andy Samberg]

We later. And we'll get to this, hopefully did a digital short about Stomp that also had Blue man stuff.

[Akiva Schaffer]

That's right. Basically, Sudeikis and Neil running the show. And Sudeikis is exhausted. And he's very funny in it. And he also wrote it. And it's a great sketch. And it's great. All cast sketches. The musical guest of the show, Taylor Swift. Oh, wow. Is in the sketch as Annie. Hey, Annie. Annie, Annie. Annie, sweetie. Not the Time. Okay. Please.

[Andy Samberg]

Yeah.

[Seth Meyers]

Watch yourself.

[Akiva Schaffer]

Phantom had a hard knock life.

[Seth Meyers]

Okay.

[Akiva Schaffer]

Someone steps to me, I break them.

[Yoram Bauman]

Okay.

[Andy Samberg]

All right.

[Akiva Schaffer]

Okay.

[Seth Meyers]

Okay.

[Akiva Schaffer]

And you can tell she is a very able sketch performer and she would host the next season. So that was very cool. It's a super fun sketch that people should go back and watch on YouTube. Then there's a sketch I think about all the time. Two First Names.

[Andy Samberg]

Oh, yeah, you wrote that.

[Akiva Schaffer]

I think my name's on it, but I think it's a more jost joint than anything. Two First Names is very much. Again, who is the host? What is an idea that only this host can do? Neil Patrick Harris hosted a show called Two First Names where all the guests had two first names like he did. Neil Patrick Harris.

[Andy Samberg]

It's a really good premise.

[Akiva Schaffer]

It's a great premise. The theme song is Two First Names. Two First Names.

[Andy Samberg]

Is it?

[Akiva Schaffer]

Yeah. And it is. The people who are singing the theme song are Abby Elliott as Jamie Lynn Spears and Fred Armisen as David Lee Roth.

[Andy Samberg]

Great.

[Akiva Schaffer]

And it cuts back to them later in the show. And they sing it again. And Fred goes. Yeah. And then they have, like, a puppet leg do a big kick.

[Andy Samberg]

Oh, I do remember.

[Akiva Schaffer]

Huge laugh. And with me, as always, are my band leaders, Jamie Lynn Spears.

[Yoram Bauman]

Two First Names, y'all.

[Akiva Schaffer]

And David Lee Roth.

[Andy Samberg]

Yeah, Two First Names.

[Akiva Schaffer]

Uh, it is Darrell Hammond as Tommy Lee Jones. Then they introduce Bill as Daniel Dave Lewis. And last but not least, Daniel Dave Lewis. It's actually Daniel Day Lewis, not Daniel Dave Lewis.

[Yoram Bauman]

Go.

[Seth Meyers]

I apologize.

[Akiva Schaffer]

I trouble it all. Let me get the hell out of here.

[Seth Meyers]

Excuse me.

[Akiva Schaffer]

Take your one first name and get the hell off the show.

[Andy Samberg]

His first name's only one name.

[Akiva Schaffer]

They had booked him thinking his name was Daniel Dave Lewis. Daniel Dave. There's some other ones I'm forgetting, but this is the part I think about probably once a month. You remember the sponsor?

[Andy Samberg]

Oh, is it Billy Bob Thornton?

[Akiva Schaffer]

Yeah, it's Kangles. It's Kangles.

[Andy Samberg]

We finally. You got me in. You and Jos Got me on.

[Akiva Schaffer]

So it says now the sponsor of Two First Names, Billy Bob Thornton. And it cuts to you as Billy Bob Thornton. Really good fake teeth, I should note.

[Andy Samberg]

Yep. Oh, and I'm with.

[Akiva Schaffer]

Well, not. He enters at the end.

[Andy Samberg]

Yeah, but he's not Two First Names.

[Akiva Schaffer]

Well, that's. There's a huge logic problem here.

[Seth Meyers]

Joey Pants.

[Andy Samberg]

Forte is Joey Pants.

[Akiva Schaffer]

You as Billy Bob Thornton. Say Kangals.

[Andy Samberg]

Kangals. Kangals. Kangals. Hi, I'm Billy Bob Thornton. Do you love fashion? I sure do. That's. That's why I exclusively wear a leather vest with no undershirt and my favorite hat, the Kangal. You can wear it forwards, backwards, to the side, and that's it. Those are the options.

[Akiva Schaffer]

Then you say, if you don't believe me. Take it from the bad guy in the Matrix, Joe Pantoliono.

[Andy Samberg]

That's how I name Jack himself.

[Akiva Schaffer]

Well, I think there was a fear that maybe the audience wouldn't remember who Joey Pants was.

[Andy Samberg]

Well, I just like to note that fear was not my fear. That was probably imposed on me.

[Akiva Schaffer]

Well, again, it was probably our fear as well, because Forte doesn't look anything like him and doesn't have an impression. His impression is so bad there. Joe Pantoliano is an incredible actor. He was, of course, the bad guy of the Matrix. He was amazing on the Sopranos. He's just all Goonies. He's a fantastic actor.

[Andy Samberg]

Yes.

[Akiva Schaffer]

Joey Pants, as he's belovedly known.

[Andy Samberg]

Yes.

[Akiva Schaffer]

And I just remember Forte walking around the hallways working on this Joey Pants that he never had and never was gonna have.

[Andy Samberg]

Maybe it's one line, right?

[Akiva Schaffer]

Yeah. Der da best.

[Andy Samberg]

Der da best. Every word starting with a D.

[Akiva Schaffer]

But, yeah, I mean, it endures. And then again, just Kangels Kyngels.

[Andy Samberg]

Kyngels.

[Akiva Schaffer]

Kygel was very patient.

[Andy Samberg]

Straight out the audition.

[Akiva Schaffer]

Straight out the audition, yeah.

[Andy Samberg]

Now I'm gonna call Samuel Jackson.

[Akiva Schaffer]

Oh, this was another thing that we sometimes do where people are playing the actors. And then Kenan was Michael Clark Duncan from the Green Mile.

[Andy Samberg]

Yeah.

[Akiva Schaffer]

And we had this terrible habit of if we thought people didn't know who the actor was, we just had them playing their character from the Green Mile.

[Seth Meyers]

Right?

[Andy Samberg]

Yeah, yeah, yeah.

[Akiva Schaffer]

So, like, Daniel Day Lewis is Daniel Day Lewis, but Michael Clark Duncan is, like, literally acting like he did in the Green Mile. From the Green Mile. Michael Clark Duncan.

[Andy Samberg]

Well, hello there, Neil Patrick.

[Akiva Schaffer]

Mighty fine day outside.

[Andy Samberg]

Mighty fine indeed. Can I ask a logistical question?

[Akiva Schaffer]

Yeah.

[Andy Samberg]

Is Michael Clark Duncan technically three first names?

[Akiva Schaffer]

Oh, interesting.

[Andy Samberg]

I know a couple Duncans.

[Yoram Bauman]

Yeah. So it doesn't work.

[Akiva Schaffer]

Doesn't work. He could have gotten kicked out too.

[Seth Meyers]

That's too many.

[Yoram Bauman]

One too many.

[Akiva Schaffer]

One too many. And then I'm going to close with something I'm very excited about. Cut from dress Again, there's two names on. There's three names on this. My name is the third name, but I completely. I absolve myself of any crimes here.

[Andy Samberg]

Good to know. Going in.

[Akiva Schaffer]

You and Klein.

[Yoram Bauman]

Yeah.

[Andy Samberg]

Lamps Team.

[Akiva Schaffer]

Upside Down Skier.

[Andy Samberg]

Oh, fuck. Yeah, baby. And it didn't. It didn't air.

[Akiva Schaffer]

It didn't air wet address.

[Seth Meyers]

Another eyeball popping, hanging upside down.

[Andy Samberg]

You would fall off the ski lift, capillary bursting. Didn't that end up airing eventually?

[Akiva Schaffer]

Oh, I don't know. It was a news story about a guy who, like, got caught upside down on a ski lift and his butt was showing.

[Andy Samberg]

Yeah, it was.

[Yoram Bauman]

Still brings him joy.

[Seth Meyers]

It's a genre of news story that.

[Akiva Schaffer]

You'Ve really tapped into before we get to the actual script, which is a page and a half. Yeah, we did reach out because people had a lot of nice things to say about Rob Klein's voice note last week.

[Andy Samberg]

Oh, yeah.

[Akiva Schaffer]

So, Jeff, can you play the voice note? I asked him. Give me all your memories from upside down skier.

[E]

Okay. Upside down guy on update. Definitely a few of our trademarks here. The first clearly being Andy upside down at the update desk, as he was essentially the whole season we had wrote. He was upside down at everything we wrote. Also, I would say the fact that the entire piece is about 20 seconds long, but definitely took at least an hour, probably multiple hours to block. And get the timing of Indy's entrance.

[Akiva Schaffer]

Right.

[E]

So extreme, like, extreme logistical headache for, at best, medium payoff. And then the other trademark, of course, being that it was cut after dress by Seth cruelly. You could say, you know, the audience didn't like it, they didn't laugh at it, but that doesn't mean you have to cut it. You could stand up for your friends, or you could take the audience aside, which is what Seth did, and he made his choice.

[Akiva Schaffer]

There you go.

[Yoram Bauman]

Excellent.

[Andy Samberg]

I remember differently, and it might have been because my ears were full of blood, but I remember it getting laughs. Am I wrong? Was it just hearing the blood rushing into my ear canals?

[Seth Meyers]

We'd have to go check the tape.

[Yoram Bauman]

Oh, is that like what happens when your ears are full of blood?

[Akiva Schaffer]

Well, I mean, we might as well just play the entirety of it. It is only three pages, so you know what? Maybe our listeners are just going to hear the entirety of it, and then they can sound off in the comments as to whether or not it was a fair kill, if it was a righteous kill.

[Andy Samberg]

Sorry, don't drag righteous kill into this.

[Akiva Schaffer]

That's true.

[Andy Samberg]

That's sacred ground. Yeah.

[Akiva Schaffer]

A righteous kill is when BASE cuts a update feature with cause Baze cuts it.

[Andy Samberg]

You're gonna hide behind Baze just because he's, like, 15?

[Akiva Schaffer]

Well, anybody could hide behind Bay's. The guy's like, 7ft tall.

[Andy Samberg]

I said 15ft, and I said it first for the record. And you used hints and I got it clean.

[Akiva Schaffer]

Another piece of shit.

[Andy Samberg]

Seriously, though, you're one of my best friends, and I miss you. Oh, the blues are calling.

[Akiva Schaffer]

I mean, maybe we'll just close by watching. We'll all watch this together.

[Andy Samberg]

Okay. I do want to thank Rob for sending another voice note.

[Yoram Bauman]

Yeah.

[Akiva Schaffer]

A lot of people like the way Rob sounds.

[Andy Samberg]

He's a soothing person.

[Akiva Schaffer]

Yeah. I mean, we were saying best of soothing in our years on the show. Klein and Solomon.

[Andy Samberg]

Yeah. Two people that I've never seen get mad.

[Seth Meyers]

But then I. I have talked to Solomon, and he was extremely anxious.

[Akiva Schaffer]

Right.

[Andy Samberg]

I'm just saying it doesn't come to the surface.

[Seth Meyers]

Yeah. He doesn't put it on anybody else.

[Andy Samberg]

Exactly. I've never once been like, whoa, they're.

[Yoram Bauman]

Pissed, or oh, yeah, no, no, they're faking it.

[Akiva Schaffer]

Well, this week, a man in Vail, Colorado, who slipped after sitting on a ski lift was photographed by other skiers as he honked his legs.

[Seth Meyers]

You're already laughing.

[Akiva Schaffer]

With his pants around his ankle. Here to comment on the ordeal, the naked guy from the ski lift. Happy to see you.

[Andy Samberg]

Hey, quit it, Seth.

[Akiva Schaffer]

Quit what?

[Andy Samberg]

Quit looking at my blurries. Huge laugh.

[Akiva Schaffer]

Huge laugh. I'm not looking at your blurries. So what happened exactly?

[Andy Samberg]

Well, you know how sometimes you'll be sitting in a ski lift and then you fall out of it for no reason and it snags your pants, your long underwear and your tighty whities, and then your butt and wiener hanging out for the whole world to see?

[Akiva Schaffer]

No.

[Andy Samberg]

Yeah, I've been getting that answer a lot. God, it's cold in here, right? It's cold in the studio, you guys.

[Akiva Schaffer]

Well, no, but to be fair, we're all wearing pants.

[Andy Samberg]

You know what? Don't laugh at me, Seth. I'm a good man. This will happen to you one day. It happens to everyone. 1.

[Akiva Schaffer]

It's literally only happened to you.

[Andy Samberg]

Yeah. Yeah, maybe you're right. Well, anyways, I'm going to roll. I think the lighting guy is looking at my tape.

[Seth Meyers]

That was it.

[Akiva Schaffer]

Naked guy, everybody.

[Seth Meyers]

I like it.

[Yoram Bauman]

I know that seem. That seemed like.

[Andy Samberg]

Feel the disdain coming off Seth during it. He hates that. It's killing.

[Seth Meyers]

Why was that cut?

[Akiva Schaffer]

That is maybe the issue. That should not have been cut.

[Seth Meyers]

That should not have been cut at all. The audience loved it, and it was short and sweet and just made this show, like, pop.

[Akiva Schaffer]

I agree.

[Seth Meyers]

What happened?

[Akiva Schaffer]

That was vindicated.

[Yoram Bauman]

Bunch of Housers make that decision.

[Akiva Schaffer]

Damn. Yeah, it was real Housers vindicated. Right now I hate podcast.

[Seth Meyers]

This must have been a very good update.

[Akiva Schaffer]

This must have been a really hot update.

[Seth Meyers]

I think we should watch the entire update and every joke that goes by. Go. Was that better?

[Akiva Schaffer]

Is that better?

[Seth Meyers]

Everything better be better.

[Akiva Schaffer]

Fine.

[Andy Samberg]

Klein, if you're listening, we did it, baby. We shamed Seth.

[Akiva Schaffer]

He's such a piece of.

[Andy Samberg]

We're better than him.

[Akiva Schaffer]

Him.

[Andy Samberg]

And we're good.

[Akiva Schaffer]

Well, I mean, I think there's no better way to end a podcast than with sweet vindication. So that's it. That's the Doogie Howser episode. And Love you guys.

[Seth Meyers]

Love you guys. Love you.

[Andy Samberg]

Even though I said a lot of bad things about podcasts, I do love you guys.

[Yoram Bauman]

Thanks. Thanks, Andy.

[Seth Meyers]

We exist outside of it.

[Andy Samberg]

Exactly.

[Akiva Schaffer]

Yeah, we were outside. That's a. That's anti podcast stuff.

[Andy Samberg]

I think of you, like, separated from the medium.

[Seth Meyers]

That's smart.

[Akiva Schaffer]

That makes sense, I guess. It's amazing that you managed to do that.

[Andy Samberg]

Yeah, well, I can compartmentalize for us. All right, goodbye.

[Akiva Schaffer]

Bye, guys.

[Seth Meyers]

Bye.