Incredibad Part 1

Summary

Podcast Summary: The Lonely Island and Seth Meyers Podcast – "Incredibad Part 1"

Release Date: February 3, 2025

In the premiere episode of "Incredibad Part 1," host Seth Meyers engages in an animated and insightful conversation with The Lonely Island members—Andy Samberg, Akiva Schaffer, and Yoram Bauman. This episode delves deep into the creation of their groundbreaking SNL Digital Shorts, the making of their music album during a unique summer in Encino, California, and the collaborative dynamics that fueled their creative endeavors.

---

1. Warm-Up and Playful Banter

The episode kicks off with light-hearted discussions about creative endeavors outside their primary work, showcasing the camaraderie among the hosts.

• Jingles and Easter Eggs: Seth introduces the topic of unused jingles created by Greg Chun, leading to playful teasing.

  • Andy Samberg [00:07]: "Greg Chun... sent me a few and I was delighted. But it was like a month ago, and then I was surprised to see that they weren't used yet."
  • Seth Meyers [00:17]: Refers to the jingles as "little amuse bouche for the ears," sparking laughter.

• Glasses Squad Introduction: The conversation shifts to Seth joining the "glasses squad," with Akiva humorously critiquing Seth's new look.

  • Akiva Schaffer [02:11]: "Fucking Andy, you look like you got out of a rainstorm."

---

2. Guest Spotlight: Mike O'Brien (Pat O'Brien) and His Tattoos

The discussion transitions to their colleague Mike O'Brien, affectionately known as Pat, highlighting his unique personality and tattoos.

• Name Change Story: Seth recounts Mike's transition from Mike to Pat upon moving to Chicago, leading to amusing confusion.

  • Seth Meyers [03:07]: "Mike was born Mike O'Brien. And maybe, probably, I'm almost certain his middle name's Pat."

• Tattoo Tales: The trio delves into Mike's eclectic tattoos, blending literary references with personal anecdotes.

  • Seth Meyers [04:23]: "I think he did do Calvin Peeing on the bucket of chicken."
  • Yoram Bauman [04:53]: "I believe he got either a full Dave Matthew lyric tattooed on his full back."

This segment not only humanizes their colleague but also underscores the intertwining of personal quirks with their professional lives.

---

3. The Encino House: A Creative Haven

A significant portion of the episode focuses on the decision to rent a sprawling house in Encino, California, as the backdrop for their album production.

• House Features: The Lonely Island describes the expansive property, replete with amenities like a basketball court, tennis court, pool, hot tub, and a makeshift BB gun shooting range.

  • Akiva Schaffer [09:07]: "There was a track in the back that if you ran around it five times, that was a mile."

• Recording Studio Setup: Despite the house's grandeur, the actual recording space was modest, emphasizing practicality over aesthetics.

  • Andy Samberg [10:11]: "It was a fold out table with one computer monitor and then a mic standing next to that computer."

• Budgeting and Record Deals: Seth probes into how their lavish living arrangements were financed through record advances, drawing parallels to movie budgeting.

  • Andy Samberg [13:16]: "On a record deal, your budget is called an advance because it's an advance payment that you will later repay through album sales."

This section highlights the balance between creative freedom and financial constraints, showcasing their resourcefulness in maximizing limited resources.

---

4. Album Production: Creative Process vs. SNL Pressure

The hosts contrast the relaxed environment of album production with the high-pressure atmosphere of live sketch creation on SNL.

• Freedom to Experiment: Yoram reflects on the joyous aspect of making an album, likening it to fulfilling a long-held dream.

  • Yoram Bauman [23:11]: "There was a whole level of wish fulfillment for us."

• Collaborative Atmosphere: The environment fostered spontaneous creativity, with members freely exploring musical ideas without the looming deadlines of SNL.

  • Akiva Schaffer [24:21]: "You can't, like, work well. You can't, like, work well."

• Party Culture: The house became a hub for parties and social gatherings, blending work and leisure seamlessly.

  • Akiva Schaffer [24:25]: "We had so many fun parties and invited so many people over to swim the pool."

This contrast underscores the different creative dynamics between structured live performances and unbounded studio sessions.

---

5. Interactions with Peers: Collaborations and Inspirations

The episode sheds light on the interactions with other comedians and musicians, illustrating the collaborative spirit that flourished during their Encino summers.

• Flight of the Conchords and Tenacious D: The Lonely Island recounts collaborations with notable acts like Flight of the Conchords and Tenacious D, sharing humorous behind-the-scenes stories.

  • Andy Samberg [28:21]: "We went and rehearsed with them for a week beforehand and came up with a medley."

• Creative Exchanges: Discussions about different comedic styles and the blending of musical and comedic talents highlight mutual respect and inspiration.

  • Yoram Bauman [27:51]: "We played them 'Jizz in My Pants' and he was like, there's no like dancing around the joke."

These interactions not only enriched their creative output but also cemented The Lonely Island's place within a broader comedic and musical community.

---

6. Deep Dive: "Who Said We're Whack?"

A focal point of the episode is the analysis of their song "Who Said We're Whack?", exploring its themes of insecurity and self-affirmation.

• Song Composition: The trio discusses the aggressive tone juxtaposed with underlying insecurities, creating a complex narrative within the song.

  • Akiva Schaffer [32:10]: "We're maybe in agreement."

• Live Performance Insights: Recalling their live debut of the song at Festival Supreme with Tenacious D, they emphasize the song's impact and the mechanics of its performance.

  • Andy Samberg [34:21]: "Who said we're whack? You said we're acting. It was an amazing moment."

• Lyric Breakdown: Yoram offers a poetic analysis of the song's lyrics, highlighting the emotional depth beneath the comedic surface.

  • Yoram Bauman [35:09]: "How could a person up and call a person whack? How could the devil turn the blue sky black?"

This segment provides listeners with a nuanced understanding of The Lonely Island's songwriting prowess, blending humor with genuine emotional exploration.

---

7. Reflections and Future Directions

As the episode draws to a close, the hosts reflect on their journey and hint at future projects.

• Album Legacy: Andy emphasizes the intentional separateness of their album from their SNL work, ensuring it stands on its own merit.

  • Andy Samberg [36:01]: "It separates it from SNL in a way that lets the album be its own thing."

• Creative Aspirations: Seth and The Lonely Island discuss aspirations for future digital shorts and the evolution of their creative process.

  • Seth Meyers [36:36]: "It's the second song of the album... you're letting the comedy fans know, we're gonna get super granular and weird."

• Final Thoughts: The hosts express enthusiasm for the ongoing creative journey, setting the stage for subsequent episodes in the "Incredibad" series.

  • Seth Meyers [37:04]: "We agree."

---

Notable Quotes with Timestamps

• Andy Samberg [00:07]: "Greg Chun... sent me a few and I was delighted. But it was like a month ago, and then I was surprised to see that they weren't used yet."

• Akiva Schaffer [02:11]: "Fucking Andy, you look like you got out of a rainstorm."

• Seth Meyers [03:07]: "Mike was born Mike O'Brien. And maybe, probably, I'm almost certain his middle name's Pat."

• Yoram Bauman [23:11]: "There was a whole level of wish fulfillment for us."

• Yoram Bauman [35:09]: "How could a person up and call a person whack? How could the devil turn the blue sky black?"

• Andy Samberg [36:01]: "It separates it from SNL in a way that lets the album be its own thing."

---

Conclusion

"Incredibad Part 1" offers a captivating glimpse into The Lonely Island's creative process, their experiences outside the SNL framework, and the collaborative spirit that drives their innovative projects. Through engaging storytelling and candid reflections, Seth Meyers and The Lonely Island provide listeners with an intimate look at the intersection of comedy and music, setting the stage for more revelations in the upcoming episodes.

Transcript

[Seth Meyers]

So, Keev, you noticed something, which is we've been receiving and not using some really fun, different jingles for the pot.

[Andy Samberg]

Oh, yeah. Well, Greg Chun, who makes all our little jingles, sent me a few and I was delighted. But it was like a month ago, and then I was surprised to see that they weren't used yet.

[Seth Meyers]

Well, I think, you know, maybe we thought it would be more fun to wait for you to be back. But for our listeners, this is a new little. What would you call it, an Easter egg? An earwig. What would you call this? Little amuse bouche for the ears.

[Andy Samberg]

Yeah, that's definitely the first thing I would have said in amuse bouche for the ears.

[Seth Meyers]

So are you mad that I took it?

[Andy Samberg]

Yeah, you snatched it right out of my mouth.

[Seth Meyers]

I tried to think what would keep saying. That was what popped into my head.

[Andy Samberg]

That's me.

[Seth Meyers]

Hey, Yorm, what's up?

[Akiva Schaffer]

How do I sound? Do I sound all right?

[Seth Meyers]

Yep, you sound great. I can't really wear them because they're reading, but I did join the glasses squad finally.

[Andy Samberg]

Hey, brown hair. Glasses. Yeah, you just need a little bit of scruff on your face.

[Seth Meyers]

Yeah.

[Akiva Schaffer]

Fucking Andy, you look like you got out of a rainstorm.

[Yoram Bauman]

Washed my face.

[Andy Samberg]

Wow. Congrats.

[Akiva Schaffer]

Hey, Keev, can I say something?

[Andy Samberg]

Yeah.

[Akiva Schaffer]

Really good to see your face.

[Andy Samberg]

Hey, thank you, man.

[Akiva Schaffer]

Really good to see your face. Your hair. Let's see that. Can you shake it out, please?

[Andy Samberg]

Well, it's not.

[Seth Meyers]

I did a big preamble to let's look at my glasses, and I don't want to just move on to Keev's face.

[Akiva Schaffer]

Well, okay.

[Andy Samberg]

Whoa, whoa. I didn't know there was a reveal about to happen. Look at these.

[Akiva Schaffer]

It looked like they were a little warped there.

[Seth Meyers]

They were a little.

[Andy Samberg]

The headphones are making them uneven a bit.

[Seth Meyers]

Yeah, they are.

[Andy Samberg]

Let's ditch the headphones for one second. Let's get them nice on there. Oh, there it is. So they're kind of a tortoise shell, I'd say.

[Akiva Schaffer]

Yeah, you could say that.

[Andy Samberg]

They're very attractive.

[Seth Meyers]

Thank you.

[Andy Samberg]

You've made a choice instead of brown, like the three of us, so it does distinguish you.

[Seth Meyers]

Yeah, I feel like that's the key. You know, when you've got your full Christian name in the title of the podcast as opposed to your made up band name, it's really important to distinguish yourself.

[Akiva Schaffer]

Can I rip on maybe your choice, though, a little bit?

[Seth Meyers]

Yeah, rip away. That's kind of what this is.

[Akiva Schaffer]

Okay. I have a theory that as you get Older and your personality dwindles. That you have to get louder and louder glasses. And by the time get. By the time you get to clear red, you're like a real New York artist. You're just like, God, this is what.

[Andy Samberg]

That's the production design department.

[Akiva Schaffer]

Yeah.

[Seth Meyers]

I like that. You don't see that as someone letting their freak flag fly, but rather just their personality dwindling.

[Akiva Schaffer]

I know. What you got to show that you're still young.

[Andy Samberg]

What does that mean?

[Yoram Bauman]

What does a personality dwindling mean?

[Akiva Schaffer]

It means that people don't want to have sex with you as much, so you're just like, no, I'm getting more interesting with my glasses.

[Yoram Bauman]

Oh, my God. That was such a reveal.

[Andy Samberg]

Yeah, that's right.

[Akiva Schaffer]

I'm going to be clear red now next week, you guys.

[Seth Meyers]

Let me tell.

[Andy Samberg]

You about a thing I know.

[Akiva Schaffer]

The moment out of podcast show. We're back, guys.

[Seth Meyers]

I'm so excited to be on the Zoom with the three of you. A quick shout out to Mike O'Brien, who joined us last week.

[Andy Samberg]

Thank you, Mike.

[Seth Meyers]

Full delight to talk to him.

[Yoram Bauman]

Mike O'Brien. Knee pat.

[Seth Meyers]

N. Pat. No, n. Mike.

[Andy Samberg]

Pat O'Brien.

[Seth Meyers]

No, I think he was born Mike O'Brien. We should. Now we got to get him back on the product. He was born. It's nee. Cause it's French. Right.

[Yoram Bauman]

Either that or you're a horse.

[Andy Samberg]

Exactly what I was thinking.

[Seth Meyers]

All right. As I understand it, Mike was born Mike O'Brien. And maybe, probably, I'm almost certain his middle name's Pat.

[Yoram Bauman]

Got it.

[Seth Meyers]

And then he moved to Chicago and decided, I'm going to be Pat O'Brien now.

[Yoram Bauman]

Yeah.

[Seth Meyers]

And so he told everybody in Chicago. And when I was introduced to him, he was Pat O'Brien.

[Yoram Bauman]

And I've met people that knew him from Chicago. They're like, oh, so you work with Pat now? And I'm like, I don't know who the fuck you talking about, dude?

[Andy Samberg]

Liz calls him that, too.

[Akiva Schaffer]

Wow.

[Seth Meyers]

And then the crazy thing, though, was he came to snl. I knew him. I was so excited. And the first writer's day, I said, hey, this is one of our new writers, Pat O'Brien. And he said, oh, actually, it's Mike. And so he decided he was gonna switch back in New York, but forgot to tell me the head writer who hired him right before I introduced him. So then instead of getting away with it, his first day was him being like, well, so I decided to change it.

[Yoram Bauman]

Oh, God.

[Seth Meyers]

Although it's a very good education into Michael Patrick O'Brien. Have that right off the bat.

[Akiva Schaffer]

It's also a problem when you're a comedian to make any firm decision. Because I'm just like, that sounds like a fucking joke. You're like. I mean, okay, you're doing a bit.

[Seth Meyers]

He's the king of firm decisions. And we should do a special episode of this podcast. Just talking about the tattoos he has.

[Yoram Bauman]

Can you just say one of them?

[Akiva Schaffer]

Well, yeah. What's the funniest one?

[Seth Meyers]

I feel like he got so he wanted to get a tattoo because he had always thought about getting a tattoo and he was worried he'd get a bad one, and so he thought it would be better to go hard. And so he got. I think it was a bucket of chicken. That was a Kurt Vonnegut drawing.

[Akiva Schaffer]

Oh.

[Seth Meyers]

But then because he's Mike O'Brien or Pat O'Brien, depending on what year you.

[Yoram Bauman]

Met him, tough to know.

[Seth Meyers]

Then he did Calvin Peeing on the bucket of chicken. He added a Calvin Peeing on it.

[Andy Samberg]

Like a hot rod.

[Yoram Bauman]

That's good.

[Seth Meyers]

I think he did do a full hot rod.

[Yoram Bauman]

We are lovers of Calvin Peeing.

[Andy Samberg]

Liz just texted. When I asked her, she doesn't know if it was Pat or Mike as his given name, but they all called him pob.

[Yoram Bauman]

Yeah, that's a whole third thing.

[Andy Samberg]

Yeah.

[Seth Meyers]

I believe he got either a full Dave Matthew lyric tattooed on his full back.

[Andy Samberg]

No, he did not.

[Seth Meyers]

He did.

[Yoram Bauman]

I'm assuming, Crash.

[Seth Meyers]

No, I think it was a different one, two step.

[Andy Samberg]

This is real. We could see photos of this.

[Seth Meyers]

Yeah. And then he also. I think he dedicated one of his tattoos, like, on the actual tattoo. It's like two, and it was like the meanest nun in his Catholic school.

[Andy Samberg]

He dedicated a tattoo man. This should have been his intro on the POD last week.

[Seth Meyers]

I know. I can't believe we're gonna do it now anyway, but more.

[Yoram Bauman]

Is there so much to say, Seth?

[Seth Meyers]

I'm going to ask him. All right, here we go. Though real quick. Was it too much, your first summer?

[Yoram Bauman]

Ants marching?

[Akiva Schaffer]

Was it Satellite Crash into me?

[Seth Meyers]

You're reading off a website. So real quick. First summer, you guys shoot Hot Rod. Second summer, you react to the release of Hot Rod. This is your third summer on snl, correct?

[Andy Samberg]

Correct, yes.

[Seth Meyers]

You rent a house and you make an album.

[Yoram Bauman]

Is it third or is it fourth?

[Andy Samberg]

No, third summer.

[Akiva Schaffer]

Third summer.

[Andy Samberg]

He really just outlined it really clearly for him. 2006 was shoot Hot Rod. 2007 was put Hot Rod into theaters, and 2000 is coming off writer strike and then few episodes. And then here we are in Encino, California.

[Seth Meyers]

When did you decide you were gonna do the album? That summer?

[Andy Samberg]

I think it was during the strike.

[Seth Meyers]

Okay.

[Andy Samberg]

But I. I don't know if that's true.

[Seth Meyers]

And then for a guy like me, who's not in and has never been asked to join the music industry, are conversations happening during the writers strike? Are people saying, hey, would you guys wanna do this?

[Akiva Schaffer]

Well, Monte Lippman from Universal Republic, hounding. He was hounding us. He was like, I love this. You guys gotta release an album. We were like, no, no, no, no. We couldn't possibly. And just, you know, he was relentless.

[Andy Samberg]

Yoram's tone sounds sarcastic, but it's actually pretty much true. After Lazy Sunday and maybe Natalie rap somewhere in that first year. I think we already talked about this on the pod, that a few different labels. Atlantic came to us and then it was under umg. It was a wing of umg. I don't know how you describe it, but Republic Records was under umg. It is a huge record label. They have everyone from, like, the Weeknd and Post Malone and Taylor Swift, and they would wine and dine us a little bit. I believe we already told the story of one night at the Playboy Mansion, courtesy of Atlantic Records.

[Akiva Schaffer]

I didn't go for the record. Any highlights?

[Andy Samberg]

I think we already covered this.

[Akiva Schaffer]

Okay.

[Andy Samberg]

You should listen to the pod.

[Akiva Schaffer]

I'll listen to that episode.

[Seth Meyers]

The good news is this, Yoram, if you'd gone, I also think you'd have no memory of it based on the fact that you don't even remember the last conversation about it.

[Akiva Schaffer]

What makes you think that? Bill, or whatever your name is?

[Andy Samberg]

The only thing I really remembered was that there was a whole room that was English tea. Like little sandwiches and cookies and proper English tea set up. And I was like, now this is class.

[Akiva Schaffer]

That was a highlight of your memories of the Playboy Mansion.

[Andy Samberg]

Yes.

[Yoram Bauman]

We definitely were, like, giggling and hiding in corners and stuff and being like.

[Seth Meyers]

We shouldn't be here afterwards. That A and R exec went back to the group and was like, I think that was the wrong place to take them.

[Akiva Schaffer]

They really liked the small tea sandwiches.

[Seth Meyers]

Yeah.

[Yoram Bauman]

You mean because they giggled and hid the whole time and kept saying, let's look at the zoo.

[Seth Meyers]

Yeah. So to you guys, T and A is tea and apricot scones.

[Andy Samberg]

That's right. The tea is actual tea.

[Seth Meyers]

The tea is actual tea. You were so disappointed. You were like, T and A. I don't know what the A is, but I do love a warm cup of English breakfast.

[Andy Samberg]

This might Be repeating last time we talked about. But you want to correct me if I'm wrong? You didn't go because your wife objected because it's a very sexist place.

[Akiva Schaffer]

Correct.

[Andy Samberg]

But then your wife did enjoy all of or most of the episodes of the TV show that was the reality show set at the Playboy Mansion. Yeah.

[Akiva Schaffer]

Let's get Mari to work. Weigh in on that. Like, what is the conflict there? If you're interested in reality television about the Playboy Mansion, but your husband ain't allowed to go.

[Andy Samberg]

I mean, come on.

[Akiva Schaffer]

I could have got inside dirt.

[Seth Meyers]

All right, so at some point, you realize you're going to do an album that summer. We'll get into the weeds a little bit on the track list. But you rent a house in Encino, which is an insane home.

[Andy Samberg]

Yeah.

[Akiva Schaffer]

I feel like the house is very important to talk about because it was huge, I believe 2.5 acres, the property was. There was a track in the back that if you ran around it five times, that was a mile. There was basketball sl, tennis court on it. There was a little area in the back that me and KE really loved that we basically turned into a shooting range for BB guns. Because there's a little, like, There's a.

[Andy Samberg]

Horse corral for keeping your horses.

[Seth Meyers]

Yeah.

[Akiva Schaffer]

But it was perfect to, like, put on an old cowboy hat and pop BB guns off at cans. There's a big pool and a hot tub.

[Yoram Bauman]

Right.

[Andy Samberg]

Y.

[Seth Meyers]

It was like if you were making a movie where an orphan was finding out how good they had it now.

[Yoram Bauman]

Yeah.

[Seth Meyers]

You'd shoot it at this house. Yeah.

[Yoram Bauman]

Every morning I came down the stairs and went, I think I'm gonna like it.

[Andy Samberg]

Yeah.

[Akiva Schaffer]

Well, we got it to be so big so that we could all live there. But then, sadly, the room that we chose to spend all of our time in recording looked like just a shitty LA apartment. So most of the time, we were in the worst room in the house.

[Yoram Bauman]

But not, sadly, we did that on purpose.

[Seth Meyers]

I am glad you mentioned that, because the actual recording studio was a billion degrees and looked like it could have very easily been a room in the first apartment you guys lived in together, right?

[Andy Samberg]

Yes, correct.

[Seth Meyers]

Yeah.

[Andy Samberg]

The AC didn't really reach it. And then we had to keep turning off the portable AC we bought because it made noise and we were trying to be a recording studio.

[Akiva Schaffer]

I still have that ac.

[Andy Samberg]

I think, honestly, we chose that room because it was carpeted. I think that's as kind of as simple as that. And it was far from the, like, kitchen. If somebody else was doing something yes.

[Akiva Schaffer]

We did not have an engineer. We just engineered everything ourselves, as we continued to do, because we don't want to have someone sit there getting paid money and watch us not have ideas 24 hours a day.

[Andy Samberg]

Also, saying it was we turned it into a recording studio is funny because it was a fold out table with one computer monitor and then a mic standing next to that computer.

[Yoram Bauman]

Yeah, same. Same rig we've always had. Same as in our office.

[Andy Samberg]

Exactly.

[Yoram Bauman]

Same as we have now at our office in la.

[Andy Samberg]

Support for the Lonely island and Seth Meyers podcast comes from Airbnb. Some trips are better in an Airbnb. When you're traveling with a group of friends. Maybe you're traveling with a large family or an extended family when you're looking for an authentic or local experience. Airbnb. Now I'm sitting here with my wife Liz. Liz, have we ever gone to an Airbnb? We love Airbnbs.

[Seth Meyers]

We use them a ton.

[Andy Samberg]

And what are some of the reasons?

[Yoram Bauman]

Oh, yeah.

[Andy Samberg]

Then we're kind of left alone to do our own thing. We usually have more space and we.

[Seth Meyers]

Have done so many Airbnbs with our dog.

[Yoram Bauman]

You just have to click that box.

[Seth Meyers]

And, you know, it says pet friendly.

[Andy Samberg]

And then you can bring your dog. And for my daughter, what about like bunk beds? Did they have bunk beds? Yep. Okay, great. So that's a big sell. You know what's a great thing about being in Airbnb? Is that your kids can be as loud as they want, right? Yep. We love to shout in the middle of the night. Exactly. My kids love to just shout in the middle of the night and there's nobody in the room next to you to get mad about that. Thanks to Airbnb. And now a word from our sponsors. At Betterment, when investing your money starts to feel like a second job, Betterment steps in with a little work life balance. They're an automated investing and savings app, which means they do the work while they build and manage your portfolio. You build and manage your weekend plans. While they make it easy to invest for what matters, you just get to enjoy what matters. Their automated tools simplify the complex and put your money to work, optimizing day after day and again and again. So go ahead, take your time to rest and recharge. Because while your money doesn't need a work life balance, you do make your money hustle with Betterment. Get [e-mail] that's B E T T E R m e n t.com Investing involves risk. Performance not guaranteed.

[Seth Meyers]

Can you Guys, explain real quick how record deal works, because the house looked like you got paid so much money.

[Andy Samberg]

Yes.

[Seth Meyers]

But you guys, I would imagine all that money has been gone for a long time.

[Andy Samberg]

Basically, we make the record deal and they tell you what your budget is to make the record, essentially. And that's what people call an advance, because they are going to take that money back. That's why it's not just like, here's your budget. Like on a movie, they give you the movie budget. You're not expected to give them back the $10 million to make the movie.

[Seth Meyers]

Right.

[Andy Samberg]

On a record deal, your budget is called an advance because it's an advance payment that you will later repay through album sales. And when we started doing the math on the advance and doing it the way they would do it normally, which is renting real studio space, and we knew we would burn through almost all of it in a summer. So the house, even though it looked very expensive, it was a house that had been used as a shooting location. Like, it was a beautiful big place, but it wasn't like, everything worked perfect. It wasn't a house someone had lived in in a while.

[Akiva Schaffer]

It's in an episode of the Office, actually.

[Andy Samberg]

Yes, it is. The boss guy, not Michael Scott, but the other gu.

[Akiva Schaffer]

Yeah, he goes over to dinner where.

[Yoram Bauman]

They have the big party. All the branches come together for the big party at the house.

[Seth Meyers]

You could make it on camera look beautiful. But I will admit that being inside, it did seem a little. Not thought through.

[Andy Samberg]

Yes.

[Yoram Bauman]

It was definitely a lot bigger than our apartments in New York, though.

[Seth Meyers]

Yes, certainly was.

[Andy Samberg]

Yeah. First off, to explain why we did it at all, besides that it's awesome. Was that we were in New York and we were like, there's no way to record an album here on our budget. And the way we do things, because we would. Unless we used our office at 30 Rock, which would have been really sad. We're all in different apartments all over town, just getting to a location. We just knew it would never happen if we didn't all live in a house together.

[Yoram Bauman]

I would argue that renting that house was like the perfect encapsulation of our joke, which was, like, sarcastically bawling out. Yeah, you know what I mean? Like, it was a tacky, massive McMansion that was the biggest place any of us had ever stayed by far, with huge properties. Like, everyone who came through that we were friends with was like, jesus Christ, this is crazy.

[Andy Samberg]

And we were like, I know, I know.

[Yoram Bauman]

Come to the shitty room where we're making the songs, like, it was. It was hilarious and fun to us. We were definitely like, let's do a crazy, dumb thing, because when are we ever gonna get to do this again?

[Andy Samberg]

I think it was part of making the label deal was us thinking, like, oh, if it gives us a summer in LA in a big house, it's worth it to make the deal.

[Seth Meyers]

I only reference movies that everyone has seen because this is a populist podcast. I would say if the kid from Anora had a house in la, it would be this house.

[Yoram Bauman]

Haven't seen it.

[Seth Meyers]

What?

[Akiva Schaffer]

Yeah, I haven't either.

[Yoram Bauman]

Haven't seen it.

[Seth Meyers]

That was kind of the irony of my setup, guys. The assumption that no one.

[Andy Samberg]

I was gonna let it lie. I was gonna. Yes. And then be like, oh, yeah, everybody's getting that.

[Seth Meyers]

Anyways, let me just say real quick, don't sleep on Anora, which is maybe one of my favorite movies of the year.

[Yoram Bauman]

I'm excited to see all of them. You know what I've seen?

[Seth Meyers]

What?

[Yoram Bauman]

I saw Dune 2, Dune 2.

[Andy Samberg]

I saw Dune 2.

[Akiva Schaffer]

You saw Dune 2. You liked it?

[Andy Samberg]

Yeah, I checked out Dune 2.

[Yoram Bauman]

I like it. I like it.

[Seth Meyers]

Dune 2 came out a while back.

[Yoram Bauman]

Yeah, that's why I've seen it.

[Seth Meyers]

Okay.

[Andy Samberg]

We also. We watched Not Together, but Challengers.

[Seth Meyers]

Challengers. I'll tell you right now, I think Challengers might be my favorite movie of the year.

[Andy Samberg]

There you go.

[Yoram Bauman]

Very fun, but shut out by the Oskies.

[Seth Meyers]

Shut out. I don't understand.

[Akiva Schaffer]

I liked Night Bitch, but, you know.

[Seth Meyers]

Yeah, Night Bitch is great. I sat with Night Bitch's own Amy Adams at the Globes.

[Akiva Schaffer]

Oh, nice.

[Yoram Bauman]

Do you think when she walks down the street now, people go, hey, Night Bitch.

[Akiva Schaffer]

There she goes.

[Seth Meyers]

Night Bitch.

[Yoram Bauman]

Sign my glossy, Night Bitch.

[Andy Samberg]

Seth, did you have fun at the Globes?

[Seth Meyers]

I did, but hold on, I have a real good tag to this bit. Do you think when she tucks her kids in, they go, night Bitch. Yeah, comma, did I have a fun time at the Globes? I had a wonderful time at the Globes. Thanks for asking. I sat next to the producer of Andy's movie, Lee, who was lovely. Yeah.

[Yoram Bauman]

Kate Solomon.

[Seth Meyers]

I had a lot of nice people at my tableside next to Ali Wong, who is lovely. And she. I was with a high school friend of hers who was a delight. And then Kirsten Dunst and Jesse Plemons, who kind of might be my favorite showbiz couple. Just on vibes and the work and the hang.

[Andy Samberg]

That's a good table.

[Yoram Bauman]

Speaking to three showbiz couple Members right now.

[Seth Meyers]

Yeah. But I feel like you guys, I kind of. I could never pick one of you because it would offend the other two.

[Yoram Bauman]

I see. I thought you were gonna say we don't count. Cause in your eyes, we're not real human beings.

[Seth Meyers]

Kind of.

[Yoram Bauman]

We're just fucking dollar signs floating in a Zoom podcast.

[Akiva Schaffer]

Dollar signs.

[Yoram Bauman]

This job is gonna crash, and it's gonna get so mellow on this cast.

[Seth Meyers]

Oh, yeah.

[Yoram Bauman]

When my job crash hits.

[Seth Meyers]

Oh, you're on job.

[Yoram Bauman]

Oh, sorry. Was it not clear that I'm fully on job right now?

[Akiva Schaffer]

Wait, did I tell you guys I don't do job now?

[Seth Meyers]

Oh, my God. What are you doing?

[Akiva Schaffer]

It's a company called Clever. That I believe. Who's the guy who wrote Spare the.

[Seth Meyers]

Will you please try not to plug a product that's not one of our sponsors?

[Akiva Schaffer]

Prince Harry. His wife. She involved in that?

[Seth Meyers]

Nobody knows her name. She's famously unknown.

[Akiva Schaffer]

It's a Matcha thing.

[Yoram Bauman]

Dorm ever plugged in the guy who.

[Akiva Schaffer]

Wrote Spare who's royal. Yeah, his wife, as this company called.

[Seth Meyers]

The way you get into Prince Harry is the guy who wrote Spare, the.

[Andy Samberg]

Guy who wrote Spare, and his wife, the lady from tbs.

[Seth Meyers]

You know, suits and Spare don't cover your face.

[Akiva Schaffer]

Andy, just accept.

[Seth Meyers]

Accept.

[Akiva Schaffer]

What's going on? You're from Mars and you're from Beatus. I know that book, too. I love you.

[Yoram Bauman]

I love you so much. No one on earth has ever said those sentences.

[Seth Meyers]

This is the worst advertisement for quitting coffee. I quit coffee. And, you know, I feel a lot sharper mentally. You know, Spare.

[Andy Samberg]

I still don't even know what the connection is. Did he quit in the book or did he put out, like a mushroom mud tea drink?

[Akiva Schaffer]

She has a company called Clevver and they send you Matcha, and it's working great because I. My. I'm sharp as a tack.

[Yoram Bauman]

I also just want to point out this is like the fifth time you've said you quit drinking, and then we see you and you're drinking or denied.

[Andy Samberg]

It or denied it later when we say you quit. And he goes, I've never quit.

[Akiva Schaffer]

I did have some job yesterday also.

[Andy Samberg]

By the way. It's still caffeine. It doesn't make any difference. Matcha has just as much caffeine as Job. Does it?

[Akiva Schaffer]

I don't know, Keith. I think it goes through you different.

[Andy Samberg]

Match has more caffeine than according to the lady.

[Seth Meyers]

What lady?

[Akiva Schaffer]

Who's married to the Prince guy.

[Yoram Bauman]

Oh, fuck.

[Akiva Schaffer]

All right, all right.

[Seth Meyers]

So the thing. The reason I said it does feel like what a rich kid would think a cool house is like. He would have his friends over, be like, come look at the stables. Yes.

[Andy Samberg]

Yeah.

[Seth Meyers]

I went there once, and I feel like I got the tour you gave everybody where it sort of ended as you walked way in the back and it was like the stables, and you'd show off the track. And I kind of got the sense you were only back there for the purposes of saying, and look at this.

[Yoram Bauman]

Yes. Although it turned out to be a great location for the entire We Like Sports video.

[Seth Meyers]

Well, that I was going to get there. We Like Sports is one of the tracks on this album. It is also a YouTube video. You guys want to guess how many views we like sports has?

[Akiva Schaffer]

20Mil. Million?

[Seth Meyers]

25, maybe 32 million.

[Akiva Schaffer]

That's a lot for what it is.

[Yoram Bauman]

That's a lot for what it is.

[Seth Meyers]

It is. It is a delight, and it is. While we're talking about this house, it is a really good representation of what this house was.

[Andy Samberg]

Yes.

[Yoram Bauman]

It is a full tour, all the parts.

[Akiva Schaffer]

We used every part of the buffalo.

[Seth Meyers]

Because when you're standing in front of the tv, I think that is the best version of what that house, that tells you everything about the house. It's like a big TV in a room with kind of a shitty couch.

[Andy Samberg]

That's right. Like, the kitchen was beautiful. Like, the house had the capacity. It did sell at a certain point, I think. And if somebody lived there and made it what they want to make it, it would be gorgeous. But it just had been a rental for too long.

[Akiva Schaffer]

I did want us to make it like our lab cabin. California Shout out. Far side, Ref. Like a lonely island compound would have been kind of cool, but none of us would ever go there.

[Andy Samberg]

It would have cost so much to renovate it, too, because it is so big.

[Seth Meyers]

Yeah. I have an update via text.

[Andy Samberg]

Okay.

[Seth Meyers]

The first tattoo Michael Bryan got was a bucket of chicken from the Kurt Vonnegut book Breakfast of Champions. And the lyric is into youo Heart, I'll Beat Again. Dave Matthews, man.

[Andy Samberg]

Wow.

[Yoram Bauman]

And what song is that from?

[Seth Meyers]

I don't know.

[Yoram Bauman]

Oh, my God. If it's from one of the ones, they said, I'm about to ream you, Seth. I don't want to say the line again.

[Seth Meyers]

Into your heart I'll beat again.

[Yoram Bauman]

It's from Crash Into Me.

[Seth Meyers]

Great.

[Andy Samberg]

First guest. Yeah.

[Yoram Bauman]

God damn you, Seth.

[Seth Meyers]

Dim you to hellfire, guys.

[Akiva Schaffer]

Yes.

[Yoram Bauman]

Yeah, sorry.

[Akiva Schaffer]

We give ourselves three months to make this album, by the way.

[Seth Meyers]

You have three months to make this album. And I Want to talk real quick about the fact that you go into it? On the track listing there are three songs that you have recorded for SNL already. Natalie's Rap, Lazy Sunday, Dick in a Box.

[Andy Samberg]

That felt good knowing we were going into it with three things already done.

[Seth Meyers]

I will say there are six by my count that go on to be digital shorts. So I don't want to talk about them too much now, now. Fair.

[Yoram Bauman]

Yeah, because cuz we will do an app on each one, right?

[Andy Samberg]

You can mention them, but I'm going.

[Seth Meyers]

To mention the six. But just to give people a sense of what the weight of this album is. Jizz in my pants I'm on a boat Boombox like a boss Ross Trent, Space Olympics. Those are the six that you will record for this album that will eventually be digital shorts. Now this is a different process than the way you guys have to work on SNL where you're under the gun week in and week out. But what was the process? Did it feel completely different than when you were writing songs for snl or was it ultimately the same?

[Yoram Bauman]

It was just way more relaxed.

[Seth Meyers]

Right? Way more pleasant.

[Yoram Bauman]

Much more pleasant. I almost say way more fun. Not that SNL's not fun, but it was like part of it was this dream of like when we were roommates in LA before we got snl, we would say things like, wouldn't it be incredible to make an album? You know, and then it actually was happening. So there was like a whole level of wish fulfillment for us. We were acting like little kids living in this stupid dumb mansion. And every day you wake up whenever you feel like some people later than others, looking at me, looking at myself. And you go in and you're like.

[Seth Meyers]

What are we gonna do?

[Yoram Bauman]

Whatever we feel like. And our label and our manager Steve Barnett, like procured tons of real beats from real rap producers for us. And we'd just sit there and flip through the beats and like star the ones we liked and being like, ooh, we should do something to that one. That's awesome. And it was just a fucking dream. I feel like at any given time I would just wander in there and listen to beats and write down ideas and nothing else. There was no other commitment. I think maybe the java is wearing off.

[Andy Samberg]

Oh no, it happened mid thing. We saw the Jav go out of his eyes while he was talking.

[Akiva Schaffer]

Good job.

[Seth Meyers]

Wear off.

[Yoram Bauman]

I'm just gonna take a quick.

[Seth Meyers]

Did you see? The sad thing is you watched the Jav light go out in one eye first and then you see, oh, he's out. He's out cold.

[Akiva Schaffer]

There was a moment I remember when we were making the album where I actually got a ton of anxiety. Woke up one morning and was, like, freaked out, probably because of SNL and the stress that that had caused. And Mari was like, what's wrong? And I was like, I'm not working. I haven't been working. She was like, you're making an album right now. And I was like, I know, but it's. It doesn't feel like work because we.

[Yoram Bauman]

Like it so much.

[Akiva Schaffer]

You can't, like, work well.

[Seth Meyers]

And again, when I say nine to five, this is judgment free zone. I think that's noon to 8 for you, Andy, if that.

[Yoram Bauman]

Yeah.

[Seth Meyers]

But you had people over as well at night. You could socialize in a way that you can at snl.

[Yoram Bauman]

Yes.

[Seth Meyers]

Because you feel that giant ticking clock.

[Akiva Schaffer]

That was the best part. We had so many fun parties and invited so many people over to swim the pool and.

[Andy Samberg]

But we would also work till 2am a lot. But it was still. You're like, just the freedom to know that if the thing you're working on sucks, you'll just throw it away and no one will know.

[Yoram Bauman]

Yes.

[Andy Samberg]

And that just feels so good.

[Seth Meyers]

Right?

[Yoram Bauman]

There were moments all the time where we'd go, all right, I think I'm done thinking about that, and I'm sleepy and I'm gonna stop. And the difference between that and how it is at SNL is the whole difference.

[Andy Samberg]

That was it. Yeah.

[Seth Meyers]

Yeah.

[Andy Samberg]

We would do a song where we started it and then just ran out of steam and then came back to it weeks later, months later, and we'd go like, oh, you know what? There was something to that. What if we try to fix that.

[Akiva Schaffer]

And then just head to the Target and buy pool toys, you know, or. We went to the Kmart a lot, and we bought a lot of pool toys at Kmart.

[Andy Samberg]

Kmart's where we did the entire we like sports video. It was just a gold mine of amazing T shirts. Support comes from Home Chef. Okay, so Home Chef is that meal kit that we get. It's really great. And it's like all those little bags come, and we cut up all the vegetables, and then we cook all the stuff. And even though we don't even know what we're doing, we're able to kind of do it well. It makes it really easy for when you're learning how to first cook meals. I like that a lot. You know, Home Chef delivers fresh ingredients and Chef designed recipes conveniently to your doorstep to Simplify your cooking experience. Now we've made some of these meal kits and it did teach me how to cook a little bit. Which was your favorite? What was the favorite meal you had? I really liked making the spaghetti and meatballs. Home chef has over 30 options a week and serves a variety of dietary needs. And when meal planning ends up on the back burner, check out Home Chef's new five ingredient meals that simplify prep with super easy recipe steps using just five fresh pre portioned ingredients. Name five ingredients.

[Seth Meyers]

Any five ingredients. Go.

[Andy Samberg]

Pasta, salt, pepper, basil, crushed tomatoes. For a limited time, Home Chef is offering our listeners 18 free meals plus free dessert for life and of course, free shipping on your first box. Box. Go to homechef.com island that's homechef.com island for 18 free meals and free dessert for life.

[Seth Meyers]

Yum.

[Andy Samberg]

Homechef.com island must be an active subscriber to receive free dessert.

[Seth Meyers]

We were texting last night about whether or not and I have ruled in favor that it is not name droppy to say the friends of ours that visited you guys that summer because you would have parties and it was a real snapshot of the sort of late aughts comedy scene.

[Andy Samberg]

Yeah.

[Akiva Schaffer]

Oh yeah.

[Yoram Bauman]

It was so fun. And people would come through and they'd bring friends. Cause it was like, hey, you wanna go to this big ass mansion where those dudes from SNL are making an album of those dumb songs? And people would be like, yeah, what the fuck, it's the summer, let's go. So people would roll through and we'd be like, whoa.

[Seth Meyers]

Yeah. And you know, at least people, you know, obviously collaborated with friends of ours now. But you know, Rudd hater Danny McBride, Tim and Eric, you were saying Jeanine Garofalo, Danger Mouse, Flight of the Conchords guys, Right?

[Yoram Bauman]

Like, yeah, Conchords came through.

[Akiva Schaffer]

I remember sitting with Jemaine and Brett and them listening to our songs and being like, wow, you guys really just go straight at the joke. Yeah, like for us, we kind of like walk around it for a while.

[Yoram Bauman]

I remember too, it was Jermaine, we played them Jizz in My Pants and he was like, there's no like dancing around the joke. You just really say it and then just say it a lot. And we were like, yeah, that's the difference, I guess, between our song.

[Seth Meyers]

So funny.

[Yoram Bauman]

But it was. He said it lovingly, like we were laughing about it.

[Seth Meyers]

Yeah.

[Andy Samberg]

There was a day when Tim and Eric and Brett and Jemaine came by with Kreisel, who later on we got Hired at SNL as a director, who then went on to co create Portalandia with Fred and Carrie. But they came to shoot a sketch on our tennis court for Tim and Eric's show.

[Akiva Schaffer]

But do you remember how that happened? Like, how when they came over, it was like, for a barbecue, and they were like, this place is great. And we were like, yeah, if you guys ever want to shoot anything. And it was like two days later that they showed up with a camera truck.

[Andy Samberg]

Like, we're shooting. So there is another way to see how we lived, because there's a tennis sketch with the four of them.

[Seth Meyers]

There's that Laurel Canyon documentary about that music scene. And it's so crazy when you see pictures of, say, Jackson Brown and Joni Mitchell and Eric Clapton all in a backyard with guitars.

[Andy Samberg]

Right?

[Akiva Schaffer]

It was like that.

[Seth Meyers]

It was exactly like that was like that. I mean, it's like a less, you know, a lesser, you know, version, but it was that. I mean, if you loved the comedy that you guys were making as much as people love that music scene, you sort of look. I mean, you guys were sending photos. The comedy that would be in one hot tub at a given time.

[Yoram Bauman]

The stew.

[Seth Meyers]

The comedy stew. You could tell just from the upper body strength that it had to be comedy.

[Andy Samberg]

From the Muppet arms in there.

[Seth Meyers]

There was so many Muppets. It was just like noodle. It looked like noodle soup.

[Andy Samberg]

It was just arms, just pool noodles.

[Yoram Bauman]

Oh, this is a seg into noodles in the pot, isn't it, Seth?

[Andy Samberg]

Oh, we had such a good time. We did. Just to jump forward two years later, when we get to Turtleneck and Chain, we were like, could we rent the same house? And we did.

[Seth Meyers]

Yeah.

[Andy Samberg]

We went back two years later and repeated the summer and had just as good a time. And I will say, looking through the photos last night that I texted you guys a bunch of from 2008, I realized, like, half my memories are from 2008.

[Seth Meyers]

Definitely went to that house a few times. Nowhere near as much looking back as I wish I had. I don't think I was in LA much that summer. I don't quite know where I was, but. Because obviously I would have been over there all the time. But as you guys were sending those pictures around, I really had this pang of. I don't know what I was thinking. The idea of, like, I'm sure every summer the rest of my life, my friends will be making an album at a giant house with no responsibility.

[Yoram Bauman]

Who else was in the pictures? John C. Reichstag, Maya, pta.

[Andy Samberg]

But also specifically to Seth. There was a nice picture of Josh.

[Yoram Bauman]

His brother Pashi, and Speedman.

[Andy Samberg]

And there was a nice picture of Neil Brennan. Yeah. And Speedman. And from those photos last night, and I was like, yeah, this is all of Seth's. These are Seth's homies.

[Seth Meyers]

Yeah, it was great.

[Akiva Schaffer]

And then musicians wide, like, Ben Gibbard was there. Right?

[Andy Samberg]

Yeah, Ben.

[Seth Meyers]

I'm sure.

[Andy Samberg]

Ben Gibbert Homme.

[Seth Meyers]

So I listened to the album last night and I realized I hadn't listened to the album all the way through since it came out. And then, you know, lost to my memory were the ones that weren't in the end. Shorts.

[Andy Samberg]

Right.

[Seth Meyers]

And it was so fun to listen to Those Again. It's 19 songs, 42 minutes. Nobody's gonna complain about that. Yield. That's outstanding. Over the course of a summer.

[Akiva Schaffer]

I don't know if I would call them all songs.

[Seth Meyers]

However, there's not. There's a couple of skits. But I would like to, with your permission, talk through the ones that we will not talk through later as shorts.

[Yoram Bauman]

Oh, my God. Yes.

[Akiva Schaffer]

Yes, please.

[Seth Meyers]

Right off the bat. And it's a real statement of int. Who said we're whack? Who said we're whack? By the way, I think if my ear is correct, that's Chester in the beginning.

[Andy Samberg]

Yeah, yeah. He kicks it off.

[Akiva Schaffer]

And this is a beat that I made.

[Seth Meyers]

I noticed on the Wikipedia page, Yorm, you get a lot of credit. You produced quite a few of these on this album.

[Akiva Schaffer]

Yes, on this album. And then I was relegated to only things like, we like sports guys. The. Just two guys. Guys.

[Yoram Bauman]

You got relegated. You stop making beats.

[Andy Samberg]

Yeah. We would happily have accepted.

[Akiva Schaffer]

Well, yeah, but we also. We upgraded. We upgraded a little bit.

[Yoram Bauman]

I love your beats and I stand on it.

[Akiva Schaffer]

Thank you.

[Seth Meyers]

Who said we're whack? Great beat. And it's a very funny song about Chester. Tells you that somebody said you guys were whack and you are. It's very aggressive like, who said we're whack? But it's immediately clear there's a great deal of insecurity. Yeah. And it's really spinning you guys out that someone called you whack.

[Yoram Bauman]

Yeah, for sure.

[Andy Samberg]

We think they might be right. We just want to know who it is. We're not going to be angry. Very clearly.

[Akiva Schaffer]

Very clearly. We're maybe in agreement.

[Andy Samberg]

Hey, yo, fam, check this out.

[Seth Meyers]

I was just at the club, right? Heard these two dudes talking. One of them said to the other one that they knew someone who Said.

[Andy Samberg]

You guys are whack. Who said a whack?

[Akiva Schaffer]

You said we're whack.

[Andy Samberg]

You take it back. Who said we're whack?

[Akiva Schaffer]

You talking smack?

[Seth Meyers]

You're gonna get smacked. You're saying that I'm whack, but it just ain't so.

[Andy Samberg]

So someone said we're whack. Why would they say that? I don't think we're whack. Who said we're.

[Seth Meyers]

Yeah, there's a real. I think this really hammers it home. Keev, you have one of my favorites, which is I am not whack no matter what you say. What did you say? Question mark? Did you say I'm whack? That's a guy.

[Akiva Schaffer]

We can't even stand our own conviction.

[Seth Meyers]

Yeah, he can't even like back away from it. Doesn't matter what you say.

[Yoram Bauman]

No matter what you say. But that being said, what did you say?

[Akiva Schaffer]

Yeah, I might be wrong. I might be wrong.

[Andy Samberg]

I just had a memory of this song going to my head. Which was the very first time we ever performed live in front of an actual real audience was Tenacious D was doing a festival down at the Santa Monica Pier. It was the first year of it. It was an all day festival that Tenacious D would be the final act. And they asked to come on. And I don't know what year it was. It was well after this. But we reenacted that live. Like Jack Black started talking shit about us on stage, like fake stuff and then calls us Whack.

[Yoram Bauman]

Festival Supreme.

[Andy Samberg]

And then all of a sudden, what was it? Festival Supreme.

[Yoram Bauman]

Yeah.

[Andy Samberg]

And then we were a surprise. And it was so fun too. Cause they have a whole band. And we went and rehearsed with them for a week beforehand and came up with a medley that they helped us. Spiker, who is their director of music, also became ours when we did finally go on tour. And he helped put together this whole little medley. And it was like 10,000 people. And it was our first thing ever. And we got to come out there with their whole band. And we started by coming out. Who said we're whack? You said we're acting. It was. It was an amazing moment.

[Yoram Bauman]

Do you remember, Keev, that we started with that song because Jack insisted because he was like, no, don't play those songs that they all know.

[Andy Samberg]

Yes.

[Yoram Bauman]

My favorite one is who said we're whack? That's what we're doing. And we were like, all right. And then it was so fun.

[Seth Meyers]

And if he could tee it up like that. I mean, what a great way to start it.

[Akiva Schaffer]

I Forgot that was 10,000 people. We. Anytime we performed, it was always like, hey, let's just do this on TV. Like, you've never done this before. Do it for 10,000 people. I'm like, oh, God. So nervous.

[Andy Samberg]

We were our pants.

[Seth Meyers]

There's also a lot of rhyme. The rhyme scheme is everything rhymes with whack. And a lot of times whack is rhyming with whack. But then you have a real great four liner. Andy.

[Yoram Bauman]

How could a person up and call a person whack? How could the devil turn the blue sky black? How many babies born will ever reach their dreams? And how could a person call another person?

[Seth Meyers]

How many babies born will ever reach their dreams?

[Yoram Bauman]

Yeah.

[Seth Meyers]

Which is just threw me. So threw me for a loop. And then how could a person call another person whack?

[Akiva Schaffer]

Back on topic.

[Andy Samberg]

These guys are spiraling.

[Seth Meyers]

They can't get away from spiraling.

[Andy Samberg]

You think.

[Yoram Bauman]

You think we're going into a new direction.

[Seth Meyers]

But the other really nice moment is that it ends with you guys having all the ladies putting their hands up, all the guys putting their hands up. Everybody who called us whack, put your hands up. And then everybody else put your hands down. So you do, in the end, find the guy, catch the person.

[Akiva Schaffer]

We're detectives.

[Andy Samberg]

I feel like this was also one of the first songs we wrote when we got out there.

[Akiva Schaffer]

Yeah.

[Yoram Bauman]

I do believe that's the case.

[Akiva Schaffer]

I think so.

[Yoram Bauman]

Possibly the first.

[Andy Samberg]

Yeah.

[Seth Meyers]

I mean, I understand. It does not. It was never going to be an SNL short.

[Andy Samberg]

No way.

[Seth Meyers]

Too much. The three of you.

[Andy Samberg]

Yeah.

[Yoram Bauman]

Especially at that time.

[Seth Meyers]

But I'm assuming your heart is warm for this song.

[Andy Samberg]

For sure.

[Yoram Bauman]

I love it.

[Akiva Schaffer]

I do like this song. Yes.

[Andy Samberg]

You know, one of the things we wanted to make sure of that I am remembering now is, is that this was a real album. Meaning, like, not just something that felt like, hey, they had some hits on the show, just put them in a compilation and send it out. That if you bought it, you felt like. Cause it's when you started to buy an album that you felt like you had bought something new that stood on its own. And so, like you said, it's a declaration. But I think it also, by being about the three of us and us using our names, it, like, separates it from SNL in a way that lets the album be its own thing.

[Seth Meyers]

I think the next thing is just a fantastic Santana dvx.

[Akiva Schaffer]

That's the second song on the album.

[Seth Meyers]

It's the second song of the album. Now I feel like if the first is a parody of what one of these albums is going to be, the sort of aggressive statement of intent this is now you're letting the comedy fans know, like also we're gonna get super granular and weird.

[Andy Samberg]

Yeah. You know, even on this podcast people have asked us what video do we wish we had gotten to make for songs. And we always, it's always semicolon in Japan. But this should be actually in that top three Wished videos.

[Yoram Bauman]

I was about to say, I think I speak for all three of us when I say it's one of our personal favorite songs that we ever got to make.

[Andy Samberg]

Definitely.

[Seth Meyers]

Hey, everybody, this is Seth. We are going to split up our incredibad episode into two parts. This was the end of part one and we look forward to joining you again in a week for part two. Thanks, everybody.