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Here's a show that we recommend. Thanksgiving week is Gratitude Week at Little Miss Recap and we are celebrating all of you by dropping five bonus episodes. Amanda and I over the past few weeks have rewatched and gushed over some of our all time favorite episodes of television from from shows like Beverly Hills 90210, the Affair, family Ties, West Wing, and of course our beloved Mad Men. So whether you're looking to escape the holiday craziness or you just want to spend some extra time with fellow ladies of a certain age. Tune into Little Miss Recap Thanksgiving week and feel the love. These bonus episodes will drop Monday through Friday, one each day. And thank you for being part of Little Miss Recap. ACAST helps creators launch, grow, and monetize their podcasts everywhere. Acast.com.
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Still camp by Nicole Lark There is a figure in our camp. Its eyes aren't real, but I am certain every part of its gaze is seeping into my soul. It cannot move, cannot speak, but it calls to me and beckons for me to join it nonetheless. I ask God's forgiveness in wanting to accept its call to give in and end all of this in quiet oblivion. But I do not know if I have the strength left in me anymore to do so. Whatever this is, it's already taken everything else. I take my last moments to write you all a caveat, an act. I beg not to be taken as superfluous. I only pray with shaky hand that the audience upon my letter heeds my warning and takes pity on us. We did not deserve this. We were just looking for a better life. We needed a better life. Joseph's crops were not doing well back in St. Louis, and no matter how many hours he spent tending to the corn and the rice, it only ever yielded just enough to feed ourselves and put clothes on our backs. So when Ms. Josie entered our home to tell us about the great migration to the new state of Texas, of course her message came across as nothing but divine intervention. Allegedly, she and her husband were approached by the state. They were offering a striking amount of land for a small sum to brave families that packed up their life to start one anew. Even with our current situation, I was still apprehensive at the notion of leaving. You all must understand, I am not the bravest soul, or even close to such a bold term. But times were tough. Young Matilda had just entered her 12th year of age, and I couldn't bear the thought of her breaking her back in the fields along with her father to break even. She was such a gentle soul. Oh, Matilda. Many arguments between Joseph and I ensued after Ms. Josie's appearance in our home. I must confess, however, slowly but surely, I was convinced. As more people left the town of St. Louis in search of riches down southwest, it seemed foolish not to do the same. So upon the break of May, we small three packed up our lives and loaded our possessions in the chuck wagon we had sold our acreage for, meeting up at the town's edge with one Billy Preston and his arrangement of similar folk, we set out on our way to our new life. The party accompanying Mr. Preston, our leader, was quite peculiar indeed. A real band of mudsills. Over our many fortnights of travel, I acquainted myself quite well with the lot of them. There was Edyth, Majala, Dorcas. There was Hyrum, a man Joseph became quite keen on, along with Mr. Albert. And then there was Reuben Cookler. Now, Reuben stuck out like a sore thumb to me, not by his spry figure or his general lack of possessions, but by his origins. He was much younger than the others, not older than mid-20s if I had to guess, but he was also traveling alone. A rumor had spread about saying he had run away, but the details were always different, depending on who you asked. Some said he was escaping an arranged marriage, others said he was running from the law. But. But he also could have just been blatantly stupid. The time our small band traveled for felt seemingly unending. Flatlands as far as the eye could see stretched on forever. Occasionally we'd be treated by the presence of bison, something Matilda just marveled at, but otherwise nothing, minus the rhythmic swaying of the horses in time with the grass. It was eventide by the time we happened upon the pond. The migrants, as they always did, unloaded their wagons and set up camp. The horses were watered, rations were distributed, and everyone set up their cots to rest. A fire was lit for supper this night. It was cruel. It was watery and sloppy, and it disgusted me. So I was more than fine. Sticking with the stale bread and crackers I had left on my person, Joseph left to go Prater with Albert and Mr. Hiram Negrun over supper, leaving Matilda to her lonesome. As was typical of the man, I made sure she had her fill and settled her down in her cot. As I turned to leave, I saw a rustling from beside the wagon closest to mine. It was Reuben. He smiled and ushered me over excitedly. As I approached, I couldn't help but be taken slightly aback. Outstretched in his hands lay a small silver fish. He must not have been happy with tonight's carte du jour either, I remember thinking to myself, if he had the wherewithal to try and seize a fish. There's life in the water, he told me under hushed whispers. I politely said, yes, it appears so, seeing as he caught one of its occupants. He begrudgingly offered to share, but I could tell by his gaze that he had no sense of giving me any. If I had said yes, which I had no intention of doing so anyway, he was relieved to Hear my declination, and ran off, chirk as ever to fry up his secret catch. That morning felt the same as ever. Matilda was up well before the majority of the lot, with only a few of the migrants busy snuffing out the fire and packing up the previous night's work. She was cavorting in the grass along with her friend Phoebe, one of the only girls her age on the journey with us. I had warned her not to stray too far from the camp, but she did so anyway, occupied with her youthful sense of play. I worried not, as I was keeping a close eye on them while I tended to my own early morning duties. It wasn't until Phoebe tumbled and cried out did I intervene. Perhaps she got caught on a rock or saw a snake and tripped in her escape. Regardless, I and a few others briskly ran to their aid. It wasn't until I got closer did I realize my Matilda had not moved at all. Her gaze was fixed, ever so solid, on something in the grass, something that wasn't Phoebe, nor rock or predator. It was metal. Pushing past the grass, I saw a man. It wasn't even a stranger. It was a statuesque recreation of one of the men on our journey. Lyman, I believe his name was. He was beautiful, and for a moment I wondered who could have crafted such a work of art in such little time, and with what materials. But then the logistics of the creation seemed unimportant in my mind as I gazed further upon him. His form was bald, in a stunning display of the fetal position. He was as if his maker was rushed in its construction, not being able to stretch the form as much as they would have liked, instead focusing on preserving his details in a round, perfect lump. But he was flawless. The only thing that drew me back was the horrid, petrified look on his face. He looked like he had seen hell. I did not touch him, but if I did, I would not be surprised to find him cold as a wagon, tireless. It unsettled me as much as it intrigued me. My fixation broke as Matilda tugged at my arm in my trance. I hadn't noticed poor Phoebe being carried back, one arm under her legs and another supporting her back. Turning my eyes back towards the effigy, I inwardly said my goodbyes as I turned tail and followed. The morn continued as such, cleaning the wagons, washing the dishes, fetching water for the next leg of our journey. I was tending to the rip in Joseph's trousers. I was near finished when a rustle revealed the approach of Albert, the man Joseph had taken such a liking to on our quest for new life. The Evercross Joe was even more so now than usual. Bill Preston, he had told me, was looking for Reuben Cookler. He had failed to check in and was nowhere to be seen. I took a breath. You know the man was truly aggrieved when he referred to their names in full. I exacerbated that. I had not seen the boy since last night but offered to fix his flint and be of help in his search. With a wordless huff, Mr. Albert Mesnir left my company. His words stuck with me though. And with my chores near completion, I fixed upon finding the young man myself. My encounter with Reuben last night had recalled itself in my mind. And how his gaze turned towards the water. Without deliberation, my feet guided themselves to the mirror. The surface glinted with the rising sun along with something more, blinding me slightly. I turned to the rocks. And there, as I may have known deep down he was. He was peaceful. Nothing sharing his company besides a few fishbones. But as I gazed upon his form, every ounce of my soul wished I had not. Realization set in me. The true nature of this place. As I stared at the firm gray face of Reuben Cookler, I was overcome with a knowing it was not of fear or uncertainty, but of undeniable doom. I thought back to the form I dared call an artwork in the field. Then to Reuben, metallic as he was before me now. The camp was cursed. And a force beyond me knew to blame was the water. That night was when it started. All cheeriness from the remainder of us was lost over the anticipation. Those who had not seen the sculptures still felt it. The lingering sense of termination. Some's veins were already starting to appear darker under their flushed skin. Others began clutching their stomachs as the situation became alive to them. There wasn't even any energy left in us to panic. That was all stolen by the statues. The physical reminders of our doom. Everything was still. Then, all at once the silence was ripped by a blood curdling scream from one of the men. Even now I cannot remember the man's name. A now lost legacy I am forever ashamed of. His scream was like nothing I had ever heard before. It was like someone was filling his throat with the sun. His desperation was shattering the boodle of us could only watch as the poor traveler's gait contorted violently bucking as the excruciating pain of solidness overcame him. It was slow and his voice was screaming. Even after he fell silent, his fingers twitched in a final attempt at life. And then he was petrified. His eyes still glinted, but there was no longer any soul left in them. What remained was a silhouette of a life outstretched dreadfully towards its peers. I thought to flee then, to escape this place with my family. But it was then I realized I had not seen the horses at all that day. And they had been thoroughly watered. One by one, all of us went through the same gruesome transformation. Horace, Benjamin, Laura. Mrs. And Mr. Cost. Mr. Preston, Joseph, Albert and Hyrum. My poor Matilda. Our numbers dwindled until all that was left was the stars, myself and the water. I am sorry, Joseph, for the fate that fell upon you. The risk you took for your family ended in vain. And even in retrospect, I find it hard to hate you for it. Mr. Preston, who, I am certain, whose intentions were pure. You will never enjoy your large promise of earth, nor will the people you guided take up life in your destination. Reuben, the mystery man, whose life ended young by an adequate meal. Whatever brought you to our posse, I am without doubt that the life you left behind was better than your fate. And to my poor, sweet Matilda, you did not deserve any hell this world laid upon you. I only pray you are up in heaven and not trapped in the metallic prison that now makes up your being. I beg you cannot hear me with those glossy ears of yours. I do not want the final sounds you hear to be my sobs. And with this, I am on the brink of death. I am without food, without horse, and the only water that should neutrify me instead will only quicken my end as my final words are transcribed for you all upon my pen. The shape of my death is unknown still to me. The stars are fading as I write, and the small spray of white reflecting off the still forms of my peers is slowly being replaced by a soft, burning sunlight. It is infinitely quiet, save only for my tears. And even yet, my fallen family calls for me to join them. To be still with this, my finders. I only ask that you heed my warning. There is a curse within this water. Do not touch it, do not drink it. Do not bathe within it, for it shall be still yours forever. Elizabeth Hughes. There is a figure in our town. Their clothes are solid and their hat brims will buckle to no fierce rain or wind. Their tiny bubble of clearing is encased, untouched, within the bustling marketplace. Cars methodically pass by, not even out of earshot, but the molded iron remains lifeless to their incessant noise. Occasionally, a family will enter its enclave. A boy or girl may roll in the grass. Or a family of four might pose for a photo in front of the man clutching the canteen. The fountain in the background gurgles steadily amongst the rumbling of the tarmac. They look at the photo. That one's going in the Christmas card. A lone matron approaches one of the statues. She had marveled at the craftsmanship of the father and his child. She had already appreciated the figures of men sitting around the fire and the lad laying placid by the waterside. This time the sculpture was of a woman seemingly forgotten by the world. She gently strokes the uncanny iron hair with a single finger. The metal is unexpectedly cold even with the soft heat of the sun upon her. Among the gray of her arm, the young woman spots a faded yellow, a message she unfolds to read as the world around her obscures itself like a turned lens. The land is still minus the rhythmic swaying of the grass in nearby and as silver fish swim in the pond.
Billy
The Magnus Protocol is a podcast distributed by Rusty Quill and licensed under a Creative Commons Attribution Non commercial share alike 4.0 international licence to subscribe, View associated materials or join our Patreon visit rustyquill.com Rate and review us online. Tweet us Rustyquill, Visit us on Facebook or email us via mailrustyquill.com thanks for listening.
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Billy
Hi everyone, it's Billy, the voice of Alice in the Magnus Protocol. Here today I'm here to advertise the Other Stories, one of a range of new podcasts recently launched on the RQ Network from the brilliant creative team at the Stories Studio, Hawk and Cleaver, the Other Stories is an award winning weekly audio fiction podcast featuring incredible stories across multiple genres including horror thrillers and sci fi. With over 600 episodes and a range of miniseries or individual stories, they have stories for everyone. Search for the Other Stories wherever you listen to your podcasts or go to theotherstories.net or rustyquill.com for more information. Have fun and see you later.
The Magnus Archives: Rusty Fears 6 - Still Camp by Nicole Lark
Release Date: December 5, 2024
In the chilling episode "Still Camp," hosted by Rusty Quill as part of The Magnus Archives series, listeners are drawn into a haunting narrative penned by Elizabeth Hughes. This installment delves into themes of desperation, supernatural curses, and the fragility of human spirit amidst dire circumstances. Through Elizabeth's poignant letter, the episode unravels a tale of migration gone horribly wrong, leaving an indelible mark on the archives of the Magnus Institute.
Migration and Hope
Set against the backdrop of the Great Migration, Elizabeth Hughes narrates the struggles of her family in St. Louis, where Joseph Hughes grapples with failing crops that barely sustain their livelihood. The family's plight drives them to consider relocating to Texas, lured by promises of fertile land and a fresh start orchestrated by Ms. Josie. Despite initial hesitations and familial tensions, the Hughes family, along with other migrants led by Billy Preston, embarks on a grueling journey westward.
The Journey Begins
Elizabeth introduces the diverse group of migrants, including figures like Edyth, Majala, Dorcas, Hyrum, Mr. Albert, and the enigmatic Reuben Cookler. Reuben stands out due to his solitary travel and mysterious past, with rumors swirling about his reasons for joining the migration. As the caravan traverses endless flatlands, the monotony is occasionally broken by sightings of bison, providing fleeting moments of beauty amidst the desolation.
The Pond and the Curse Unveiled
Upon reaching a pond, the group sets up camp. It is here that Reuben presents Elizabeth with a small silver fish, an act that foreshadows impending doom. The encounter is unsettling, as Reuben's demeanor hints at deeper, sinister motives. The next morning, disaster strikes when Elizabeth discovers a lifelike statue of Lyman, a fellow traveler, in the grass. This eerie sculpture marks the beginning of a supernatural curse tied to the pond's water.
As night falls, the curse manifests violently. Migrants begin to succumb to an inexplicable transformation, turning into lifeless statues. Elizabeth describes the horrifying process: "a blood-curdling scream from one of the men... his fingers twitched in a final attempt at life" ([15:45]). The group's despair is palpable as they realize the water itself is cursed, leading to their petrification.
Elizabeth’s Final Plea
Left alone with the remnants of her community, Elizabeth pens a desperate letter warning future generations of the pond's malevolent power. Her anguish is evident as she reflects on her family's futile efforts: "I am sorry, Joseph, for the fate that fell upon you... to my poor, sweet Matilda, you did not deserve any hell this world laid upon you" ([18:30]). Her final moments are marked by a sense of inevitability and sorrow, as she faces her own transformation while the world around her becomes eerily still.
Elizabeth Hughes: The protagonist and narrator, whose heartfelt letter drives the narrative. Her perspective offers an intimate glimpse into the group's ordeal and the ensuing tragedy.
Joseph Hughes: Elizabeth's husband, whose efforts to sustain their family fail, prompting the migration. His intentions are noble, driven by love and responsibility.
Matilda Hughes: Elizabeth and Joseph's 12-year-old daughter, whose innocence and gentle spirit underscore the family's desperation to escape hardship.
Reuben Cookler: A mysterious young man whose ambiguous motives and solitary nature add tension to the group's dynamics. His interaction with Elizabeth sets the stage for the curse's emergence.
Billy Preston: The leader of the migration party, whose enthusiasm and leadership are pivotal in guiding the group toward Texas.
Desperation and Survival: The Hughes family's migration is fueled by the dire need to find a better life, highlighting the lengths to which individuals will go to secure survival and hope.
Supernatural Curses: The pond's malevolent influence serves as a metaphor for unseen forces that can derail human endeavors, introducing horror through the transformation of the characters into statues.
Isolation and Community: As the group succumbs to the curse, the narrative explores the fragility of community and the profound sense of isolation experienced by Elizabeth.
Introduction of the Curse: Elizabeth's discovery of the statue of Lyman marks the turning point, signifying the beginning of the curse. She describes the statue with a mix of awe and fear: "He was flawless... the only thing that drew me back was the horrid, petrified look on his face" ([06:50]).
The Transformation: The horrifying metamorphosis of the migrants is depicted vividly: "His scream was like nothing I had ever heard before... as the excruciating pain of solidness overcame him" ([14:20]).
Elizabeth’s Final Letter: Her concluding thoughts are both a farewell and a warning: "There is a curse within this water. Do not touch it, do not drink it. Do not bathe within it, for it shall be still yours forever" ([19:30]).
"Still Camp" offers a gripping narrative that intertwines historical migration struggles with supernatural horror, creating a richly layered story that resonates with themes of hope, fear, and the unknown. Elizabeth Hughes' tragic account serves as a cautionary tale within The Magnus Archives, leaving listeners with a haunting reflection on the perils that lie beneath the surface of human endeavors. As the episode closes, the eerie stillness of the pond serves as a lasting symbol of the curse, ensuring that Elizabeth's warning echoes through the archives for all to heed.
Notable Quotes:
"I ask God's forgiveness in wanting to accept its call to give in and end all of this in quiet oblivion." – Elizabeth Hughes ([03:30])
"His scream was like nothing I had ever heard before. It was like someone was filling his throat with the sun." – Elizabeth Hughes ([16:10])
"There is a curse within this water. Do not touch it, do not drink it. Do not bathe within it, for it shall be still yours forever." – Elizabeth Hughes ([19:45])
For those intrigued by "Still Camp," The Magnus Archives continues to explore the depths of horror and the supernatural through its weekly episodes. With the upcoming launch of The Magnus Protocol in January 2024, fans can anticipate expanded narratives and new dimensions to the sprawling archive.